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70 Percent of Young Swedish Men Are Video Pirates, Study Says (torrentfreak.com)

A new study from Sweden has found that just over half of all young people admit to obtaining movies and TV shows from the Internet without paying, a figure that rockets to 70 percent among young men, reports TorrentFreak, citing a study. From the report: According to figures just released by media industry consultants Mediavision, in January 2017 almost a quarter of all Swedes aged between 15 and 74 admitted either streaming or downloading movies from 'pirate' sites during the past month. Perhaps unsurprisingly, the tendency to do so is greater among the young. More than half of 15 to 24-year-olds said they'd used a torrent or streaming site during December. When concentrating that down to only young men in the same age group, the figure leaps to 70 percent.

207 comments

  1. Nothing to see here... by __aaclcg7560 · · Score: 4, Funny

    They're too busy being the next PewDiePie.

    1. Re:Nothing to see here... by elrous0 · · Score: 2

      Is the Wall Street journal out to slander them too?

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    2. Re:Nothing to see here... by Anonymous Coward · · Score: 0

      The RIAA/MPAA certainly will set out to slander them. They were the ones behind getting the US government to pressure Canada and threaten to put them on a "piracy watch list" if they didn't bow down to corporate interests.

    3. Re:Nothing to see here... by Anonymous Coward · · Score: 0

      As much as the right-wing slanders their opponents? No way in hell.

    4. Re:Nothing to see here... by Doctor_Jest · · Score: 1

      Thanks, Hillary. The "vast right-wing conspiracy" is at it again, huh?

      --
      It's the Stay-Puft Marshmallow Man.
  2. Results seem suspect by SuperKendall · · Score: 4, Insightful

    If you asked most non-technical people if they were using a "streaming site" to watch video, it seems like it would be hard to phrase a question in a way that would properly separate legal from non-legal use... how many would include something like Netflix? Of you said you hand't paid for it, how would they really know if website they used was legal or not? If you ask about specific pirate sites then you might get more accurate results.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
    1. Re:Results seem suspect by Anonymous Coward · · Score: 0

      Exactly this.

      I stream everything through Youtube, Netflix, and the occasional Twitch (in order of frequency most to least)

      With the way this survey was worded, combined with the fact I have no cable box, I am a 100% pirate.

    2. Re:Results seem suspect by Anonymous Coward · · Score: 1

      Anybody who has ever used YouTube is probably guilty of pirating video and/or audio, considering how much copyright infringement happens there. It is impossible to avoid because someone could link a video in a forum comment and by the time you realise what it is, you've already committed the act of piracy.

  3. Pirates? by Anonymous Coward · · Score: 1

    Wouldn't they be video vikings?

    1. Re:Pirates? by Doctor_Jest · · Score: 1

      They prefer the non-offensive term "Fanny Bandits".

      --
      It's the Stay-Puft Marshmallow Man.
    2. Re:Pirates? by Demena · · Score: 1

      In English the latter would be a compliment to an excessively macho male.
      In American it would be a compliment to an excessively flamboyant gay.

      Two worlds separated by a common language.

  4. Democracy? by Skinkie · · Score: 5, Insightful

    At what percentage would it be justified in to change the law, and not make it illegal anymore?

    --
    Support Eachother, Copy Dutch Property!
    1. Re:Democracy? by PPH · · Score: 2

      change the law

      We figured they were more actual guidelines.

      --
      Have gnu, will travel.
    2. Re:Democracy? by Anonymous Coward · · Score: 0

      60% of legislators.

    3. Re:Democracy? by james_gnz · · Score: 5, Funny

      At what percentage would it be justified in to change the law, and not make it illegal anymore?

      Never. That's not an option, because if the world succumbs to piracy, it will fall apart. We must continue efforts to address piracy in four ways:

      • Preventative technical protection measures
      • Monitoring
      • Streamlining prosecution
      • Harsher penalties

      It's not impossible if you're willing to think outside the square. If the figure goes up around 90% we could just drop a nuke. We've got plenty, and we're not using them.

    4. Re:Democracy? by pefisher · · Score: 1

      Hilarious. (No mod points today, so I have to praise manually.)

    5. Re:Democracy? by CaptainDork · · Score: 1

      This.

      What have we got to lose?

      --
      It little behooves the best of us to comment on the rest of us.
    6. Re:Democracy? by Imrik · · Score: 1

      Or, more reasonably, make it on par with shoplifting for punishment.

    7. Re:Democracy? by Kjella · · Score: 1

      At what percentage would it be justified in to change the law, and not make it illegal anymore?

      That presumes people are consistent in what they do, what they think others should do and what's really right. Take for example speeding, very few want to do away with speed limits entirely. Most people break the speed limit themselves. In fact, almost every year around school starting they have speed traps and some of those caught are bringing their kids to school. Like, everybody else should drive slow but I was in a hurry so... hypocrisy at its finest.

      I think most people fundamentally think the creator should be compensated in some way. You read a book, the author deserves something for writing it. That doesn't mean the public find any particular offer satisfying, maybe they think it's too inconvenient. Too expensive. Too limited to a particular format or playback device or online connectivity or whatever. Or that you don't have money to spend but it's an IOU for later. They don't want to see people crucified for minor infractions. They don't want restrictions as legal customers. They don't want to support a surveillance state.

      The pirate party tried, it did get a bit of traction when it was the subject of a massive government crackdown. Like if you're going to come down on it this heavy handed, we'll get rid of it. So they backed down and made it one of those marginally illegal things, how many of those young men have been caught? What kind of punishment did they get? I think the answer to that is almost nobody and a fine at most. So I think most are fairly okay with that stalemate, like speeding. Most people do it, few get caught but if you do pay the fine and move on. Even if the speeders are a majority, they won't legalize speeding.

      --
      Live today, because you never know what tomorrow brings
    8. Re:Democracy? by Anonymous Coward · · Score: 0

      How about I kill 70% of people in whatever country you are in. Maybe your government can make murder legal then?

    9. Re:Democracy? by Anonymous Coward · · Score: 0

      At what percentage would it be justified in to change the law, and not make it illegal anymore?

      As a thought experiment ask yourself that question as it would apply to murder rather than software/digital media piracy.

      This is not to say that so-called [digital] 'piracy' (as opposed to actual [marine] piracy) should be a crime, btw, I think rather that it should not. But I don't think the commonality of the commission of crimes are any "justification" to decriminalise. Some might argue instead, it justifies harsher penalties!

      I think we need to return to the basics of why intellectual property became necessary. And that is the market failure known as the free-rider effect: If A must spend on R&D to bring a product/service to the market and B is then free to market it (free from the contraint of recouping R&D costs), then R&D spending is postively punished (i.e. it almost always results in loss) by the market the a free market system would stiffle private technological development. But note, this applies to a situation where B profits from A's R&D spending. Where individuals are merely consuming the product without spending there is no punishment for R&D, it is only less profitable (and of course A would not be happy). What is being corrected for now is not the free-rider effect per se, but supposed lost sales. I say 'supposed' because only a fraction of the product consumed by 'piracy' would otherwise have been paid for. It's altogether a much weaker justification for I.P.

    10. Re:Democracy? by Anonymous Coward · · Score: 0

      Which is why it's really good that the people who make money off the entertainment industry are never allowed to have nukes.

    11. Re:Democracy? by radja · · Score: 1

      even more reasonably: treat it like a speed violation of 1 km/h.

      --

      No one can understand the truth until he drinks of coffee's frothy goodness.
      --Sheikh Abd-Al-Kadir, 1587
    12. Re:Democracy? by gweihir · · Score: 1

      At the stage where you have a working Democracy that does not bow to US interests. The Swiss have made downloading for personal use legally tolerated, because if it ever came to a vote, a law criminalizing it would stand no chance. Of course, every new law in Switzerland has to be signed off by the population and that is what Democracy looks like. Not always smart, but usually keeping self-interest of the citizens in view.

      --
      Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
    13. Re:Democracy? by Z80a · · Score: 1

      This sounds nice in paper, but in practice, it's you and your little company against millions of people trying to subvert and break your thing.
      But making easier to get the legal alternative generally works a LOT better.
      This is why netflix is a thing, steam is a thing, apple store is a thing...
      Those worked much better at actually getting money to the companies than any form of law, DRM system or monitoring.

    14. Re:Democracy? by Anonymous Coward · · Score: 0

      How much is that in Bribery Bucks?

    15. Re:Democracy? by Anonymous+Brave+Guy · · Score: 1

      But making easier to get the legal alternative generally works a LOT better.

      Most people who say that have never tried to do it.

      It is true, up to a point, for mass market products. For example, if you region-lock your content so it isn't legally available in some places, of course you're creating an incentive for people to find it through other means.

      It is not nearly so true for small works in niche markets created by individuals or small groups. These are typically readily available for reasonable prices and with far less encumbrance direct from the original creators, yet still people will blatantly rip them off.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    16. Re:Democracy? by Anonymous+Brave+Guy · · Score: 1

      Where individuals are merely consuming the product without spending there is no punishment for R&D, it is only less profitable (and of course A would not be happy).

      The trouble with this argument is that beyond a certain point, the R&D ceases to be profitable at all, and so it stops, and then everyone (including those who would benefit from the work, whether they were going to pay for it or not) loses out.

      Copyright as an economic tool actually serves two quite distinct purposes here. It does prevent one commercial party from piggy-backing on another's work as you described. But it also incentivizes doing that work in the first place. In particular, it makes it viable to do relatively expensive work and make it available at relatively cheap prices, as long as the market is big enough that the total from all those low payments still covers the costs.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    17. Re:Democracy? by master_p · · Score: 1

      At the same percentage it was justified to change the law in Germany in 1930s to make Jews illegal.

    18. Re:Democracy? by zifn4b · · Score: 1

      Obligatory Danny Elfman:

      Don't you know we got smart bombs?
      It's a good thing that our bombs are clever
      Don't ya know that the smart bombs are so clever?
      They only kill bad people now

      --
      We'll make great pets
    19. Re:Democracy? by Anonymous Coward · · Score: 0

      If the figure goes up around 90% we could just drop a nuke. We've got plenty, and we're not using them.

      This sounds nice in paper...

      Really? You think that sounds nice on paper? Did you actually read what you replied to?

  5. Legal isn't even an option we have by Anonymous Coward · · Score: 5, Insightful

    In Scandinavia, being legal movie user is not even an option we have. Which movies are available when, is determined by some large media giants. Netflix and other streaming services contain a fraction of the movies the American one has. The series networks (ABC / NBC / ....) are not available or extremely difficult to get to because of geofencing. Someone else choose which subtitles are available, and if they are hardcoded.

    Soehh.. I think many of the young men listed here, myself included, would be happy to pay some $10 to $25 a month to LEGALLY watch movies, if that was an option. The audio guys slowly learn: streaming is available everywhere, and people use the services instead of copying MP3 files. Movie guys still don't get it.

    Just 2c from this side of the fence.

    1. Re:Legal isn't even an option we have by Anonymous Coward · · Score: 1

      Exactly. The fact that region controls even exist today is absurd. Online, we should be free from national borders.

    2. Re:Legal isn't even an option we have by Anonymous Coward · · Score: 0

      Exactly. The fact that region controls even exist today is absurd. Online, we should be free from national borders.

      We are. US copyright laws apply everywhere.

    3. Re:Legal isn't even an option we have by CaptainDork · · Score: 1, Insightful

      When shit is digitized, it becomes public property by way of CaptainDork's Third Corollary:

      For every mother fucker with a computer there is another mother fucker with a computer.

      --
      It little behooves the best of us to comment on the rest of us.
    4. Re:Legal isn't even an option we have by Opportunist · · Score: 1

      And they are ignored everywhere.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    5. Re:Legal isn't even an option we have by gweihir · · Score: 1

      Indeed. This whole thing is a giant supplier-failure. Suppliers have zero standing complaining that a product they are not even offering gets copied without compensation. They are basically doing it to themselves and then are crying out for laws to fix the effects of their own stupidity and greed. That will never work.

      --
      Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
  6. ARRRRRR by Anonymous Coward · · Score: 0

    they now, matey?

  7. Socialism? by ASCIIxTended · · Score: 1

    In socialist countries anything not considered a necessity costs at least three times what it does elsewhere. I would be pirating shit too if I lived there...

    --
    I do not belong to the church of the lowercase 'i'
    1. Re:Socialism? by rundgong · · Score: 1

      I assume you consider Netflix a necessity then. US price $7.99 (plus tax I assume), Swedish price 79 SEK = 8.86 USD including tax.

    2. Re:Socialism? by Opportunist · · Score: 1

      And now compare what's available on Netflix in the US with what's available in Sweden.

      You know, the price of a burger menu is the same in the US as it is here, too, the difference is maybe that I had an appetizer here while I couldn't finish half of it in the US.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    3. Re:Socialism? by Anonymous Coward · · Score: 0

      And while throwing up over there, you dont have trump here

  8. Actually, isn't that a religion there? by WillAffleckUW · · Score: 1

    Fairly sure I saw a documentary on The Norden (the series is on YouTube) and one episode was about Religion, in which a US Baptist minister went to various Northern European countries. One was Sweden and he met one of the church members of the Data Sharing Religion, who believed that copying data and streaming was a sacred act.

    --
    -- Tigger warning: This post may contain tiggers! --
  9. Masturbation joke by AK+Marc · · Score: 4, Insightful

    70% are pirates. The other 30% are liars.

    1. Re:Masturbation joke by Mr+D+from+63 · · Score: 4, Funny

      And the remaining 10% are bad at math.

    2. Re:Masturbation joke by tommeke100 · · Score: 1

      70% are pirates and 30% watches and borrows movies from a friend.

  10. TANSTAAFL by mi · · Score: 2

    not make it illegal anymore?

    And then what? Who'll pay millions of dollars to produce the movies/shows, that viewers can watch for free?

    Are you sure, you want it all sponsored by advertising entirely?

    --
    In Soviet Washington the swamp drains you.
    1. Re:TANSTAAFL by Skinkie · · Score: 1, Insightful

      The only thing that would be legal is the copying for personal use (hence: no reselling). Thus the franchise remains in tact. Similar to that the box office still makes money because people want to see a movie in a cinema or what to own a blu ray disk, instead of downloading it to a harddisk.

      --
      Support Eachother, Copy Dutch Property!
    2. Re:TANSTAAFL by Anonymous Coward · · Score: 1

      not make it illegal anymore?

      And then what? Who'll pay millions of dollars to produce the movies/shows, that viewers can watch for free?

      Are you sure, you want it all sponsored by advertising entirely?

      We already can watch them for free. We are already there. As usual on social change, the law is lagging 20 years behind and needs updating.

    3. Re:TANSTAAFL by Anonymous Coward · · Score: 4, Insightful

      Maybe the current model is the problem. If 70% of people can be pirates and movie stars can still make millions more than their equally educated peers then maybe the amount they CHARGE to view the content is the problem.

      Just thinking about entertainers like PewDiePie - He has 53 million subscribers and makes ~$12 million a year. That under $0.25 per person per year for all his content and I think he would say he is doing fine. This is a 100% ad-supported model.

      If people paid just $1 for all his content each year he would make $53 million+ a year (not everyone subscribes)... The point is, the actors and actresses feel the need to make way too much and anyone in economics would tell you they are trying to optimize their profit. The problem with that is it inherently creates people who are not willing to pay the market rate for the content and since it is "free" to copy it - they do.

      Obviously with physical goods you can't just "copy" the good and thus it isn't much of a problem when someone is not willing to pay market rate. They can still try to copy the item but it costs them $ and we don't call that pirating. We don't call it pirating when I take a stick and use it for a marshmallow skewer. We wouldn't call it pirating if I "copied" a patented idea with my own materials.

      This is simply a massive market failure because the middle class / upper middle class see $20 for a movie (for their family of 4) as cheap while lower classes and young see it as very expensive for themselves alone or a couple. The media executives think they have found pricing that generates the most profit but the *necessary* side effect is a market failure for some people. The incorrect thought by these media executive is that the people would ever be paying customers at the current price. It will NEVER happen. The reason they are not paying customers has nothing to do with the ability to pirate and everything to do with PRICING.

    4. Re:TANSTAAFL by mi · · Score: 1

      The only thing that would be legal is the copying for personal use (hence: no reselling)

      Reselling or not, if I can download it for free watching at home, I am unlikely to pay to watch anywhere else.

      Besides, what argument is there to make it freely available to individuals, that would not also apply verbatim to owners of venues like bars, for example?

      people want to see a movie in a cinema

      Some people still do, but there many fewer of them.

      own a blu ray disk, instead of downloading it to a harddisk

      Sorting through plastic disks is a nuisance — hard-drives are much more convenient. Indeed, the survival of disc-based media is very much in doubt.

      Movies are already increasingly sponsored by product-placement — as people continue to steal content in larger numbers, the practice is going to increase.

      Now, maybe, most of the entertainment is overpriced crap, but to consume it anyway — without paying the creators whatever they want — is hypocrisy.

      --
      In Soviet Washington the swamp drains you.
    5. Re:TANSTAAFL by Opportunist · · Score: 1

      You have to admit it is VERY obvious that there is little, if any, support for this law. And such laws are actually very dangerous.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    6. Re:TANSTAAFL by Opportunist · · Score: 1

      Well, I guess then it's a good thing disc-based media are on the way out, that way people can't steal content so easily anymore.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    7. Re:TANSTAAFL by Anonymous Coward · · Score: 0

      If 70% of people can be pirates ...

      Older men and women are not people?!

    8. Re:TANSTAAFL by Anonymous Coward · · Score: 0

      In other words that "70%" is what ... about 12% of the population?

      We'd need to know what fraction of the remaining 88% engage in so-called 'piracy' and more importantly how many who pirate on occasion actually do pay for content at other times (not the least by going to the movies). All of this might explain why movie stars can still make millions when >12% of the population pirate content on occasion. OP got rather carried away in misusing that 70% figure.

      Moreover if "movie stars can still make millions more than their equally educated peers" then perhaps their business model (including the charging) is not perhaps as much of a "problem" to the industry as OP imagines?

    9. Re:TANSTAAFL by Anonymous Coward · · Score: 0

      And, it's also worth considering that however many millions the actors make, the money people make more.

    10. Re:TANSTAAFL by Anonymous Coward · · Score: 0

      not make it illegal anymore?

      And then what? Who'll pay millions of dollars to produce the movies/shows, that viewers can watch for free?

      Are you sure, you want it all sponsored by advertising entirely?

      Priorities please! If you can't raise millions of dollars to produce a big-budget movie without copyright law then no such movies will be produced. How can you even compare this with the systemic oppression necessary for copyright law?

      "He who would sacrifice essential liberty for a little entertainment deserves neither"

    11. Re:TANSTAAFL by Yaztromo · · Score: 3, Insightful

      The point is, the actors and actresses feel the need to make way too much and anyone in economics would tell you they are trying to optimize their profit. The problem with that is it inherently creates people who are not willing to pay the market rate for the content and since it is "free" to copy it - they do.

      This is one area I feel the entertainment industry just doesn't get it. The general attitude often seems to be "I cost us X to make this thing, therefore it is worth X".

      Unfortunately, that's not how any other markets work. Things are only worth what people are willing to pay for them. This goes for virtually anything that is bought and sold -- toys, comic books, computers, cars, stocks, collector coins, individual pieces of art, gold -- the price is based completely off what people are willing to pay for an item, and has little or nothing to do with how much it cost to produce. This is actually a good thing -- items with a high perceived value can command higher prices and reap more profits, while at the same time there is a push to find ways to lower prices to enhance the perceived value vs. price ratio.

      I view media piracy along these lines. It's part of the markets way of telling the media companies that the perceived value of what they produce is lower for many people than what they charge.

      Now admittedly in the last few years better pricing models with (legal) streaming services like Netflix have helped to improve the situation for many consumers. TV in particular seems to have done a really good job of coming up with ways of putting content online for free (TV shows are highly advertising supported anyway). But other parts of the industry seem to be fixated upon fixed pricing, especially for new media, that is above the value much of the population would put on it. People willing pay for things when they perceive the value as being more than the price; but when you price things above that perceived value line, you just drive piracy. It doesn't matter how much something cost to make -- if you want to charge more than the market is willing to pay, people simply aren't going to pay.

      Yaz

    12. Re:TANSTAAFL by surd1618 · · Score: 1

      Right now technical trades are mostly overrrun by greedy jerks. If we quit paying a few movie stars and ball players millions of dollars a gig, then even more kids will fantasize about taking over technical industries and droves of new greedy people might completely overwhelm us.

    13. Re:TANSTAAFL by gweihir · · Score: 2

      As it turns out, quality content does not have that problem. An artist that can not survive on what people are willing to give does not deserve to be able to live of his art. It has always been like that, except when in modern times Big Content has hijacked and perverted the system. Incidentally, copyright was introduced to prevent big publishers ripping off artists by printing their texts without permission and with zero compensation for the artists. As such, it is completely perverted today.

      --
      Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
    14. Re:TANSTAAFL by Immerman · · Score: 2

      How about "for non-commercial use only" as the discriminating rule for copying? Seems like that would get right at the heart of the ethics of the situation. Art belongs to the world, but the artist controls the right *profit* from it.

      That would also dovetail nicely with maintaining venue owners into needing a license for public performance. Unless of course the performance/venue is completely nonprofit, which obviously doesn't apply to movie theaters, bars, etc. that expect to make money off the people that the performance. helps attract to their establishment. If we want to carve another exception, that's a separate question.

      As for hypocrisy - hardly. Change the rules for all new copyrights granted from this day forth, and the artists know exactly what deal they're getting. (And it's a considerably better deal than they've gotten for most of human history.) If they choose to continue making art, and as a nonprofit artist I can guarantee you that many will, we should feel happy to view it. And if you want to encourage someone to make more/better art, you're welcome to send donations, contribute to crowdfunded projects, etc.

      Such a tactic might mean the end of expensive blockbusters, but that business model has no special right to continue to exist. Especially if it depends on criminalizing the vast majority of the population.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    15. Re:TANSTAAFL by Immerman · · Score: 1

      The problem is obviously not one for the industry, it's one for *society*. And copyright, like all other laws in a theoretically democratic society are created by society to serve society. If the current deal is disproportionately serving the industry rather than society, then it's probably time to change the rules.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    16. Re:TANSTAAFL by Anonymous Coward · · Score: 0

      How about "for non-commercial use only" as the discriminating rule for copying? Seems like that would get right at the heart of the ethics of the situation. Art belongs to the world, but the artist controls the right *profit* from it.

      That would also dovetail nicely with maintaining venue owners into needing a license for public performance. Unless of course the performance/venue is completely nonprofit, which obviously doesn't apply to movie theaters, bars, etc. that expect to make money off the people that the performance. helps attract to their establishment. If we want to carve another exception, that's a separate question.

      As for hypocrisy - hardly. Change the rules for all new copyrights granted from this day forth, and the artists know exactly what deal they're getting. (And it's a considerably better deal than they've gotten for most of human history.) If they choose to continue making art, and as a nonprofit artist I can guarantee you that many will, we should feel happy to view it. And if you want to encourage someone to make more/better art, you're welcome to send donations, contribute to crowdfunded projects, etc.

      Such a tactic might mean the end of expensive blockbusters, but that business model has no special right to continue to exist. Especially if it depends on criminalizing the vast majority of the population.

      Treating your customers (Fans) like criminals worked so well for Lars Ulrich and Metallica!

    17. Re:TANSTAAFL by Anonymous+Brave+Guy · · Score: 1

      How about "for non-commercial use only" as the discriminating rule for copying? Seems like that would get right at the heart of the ethics of the situation.

      It's worth pointing out that this undermines alternative models like PPV and subscription streaming libraries, which have been some of the most successful ways of getting people (legal) access to more content at lower prices. If everyone can just save whatever they want, there's no difference between these models and selling a permanent copy of every work, so the pricing can't allow for the different cases and either the prices for the services go up or the services fail because their previously useful business models are no longer viable. Either way, probably everyone loses.

      It's all very well saying that business models have no inherent right to exist, and I agree, but the point of systems like copyright is to promote creation and distribution of new works. If we remove the current incentives without providing a useful alternative, then either works won't get made, or they won't be as good, or fewer people will get to enjoy them. In practice, a lot of small-scale producers would probably stop, while the big movie blockbusters or games would continue but the movies would be spoiled even more by blatant product placement and the games would come with even more dependencies on online systems that keep failing.

      As an alternative, maybe we should teach our kids that not everything in life is free, and you can't always have what you want immediately on demand. There's a very unhealthy attitude that is widespread in a young generation today that has never known a world without the Internet and cell phones and home delivery services when they order online and all that, and it carries over into other areas as well. Obviously this is a much broader issue than how we fund creative work, but it's all related.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    18. Re:TANSTAAFL by Anonymous+Brave+Guy · · Score: 1

      We already can watch them for free.

      Sure you can, as long as enough other people are still paying for you. The term "freeloading" is remarkably accurate in this context.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    19. Re:TANSTAAFL by Anonymous+Brave+Guy · · Score: 2

      The trouble with your economic model is that it's ignoring the one-sided nature of piracy. It's OK to argue that work is worth what someone will pay for it and the market will determine that rate, but that is predicated on the idea that you don't get the benefit if you don't pay the cost.

      The entire economic model fails if you say that someone can enjoy the benefits of another's work without having to make any choice about what it's worth because they don't have to pay anything at all. Obviously that is unsustainable if the whole market does the same thing, and in the middle ground the freeloaders are just distorting the market and potentially increasing the price paid by those who do support the work.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    20. Re:TANSTAAFL by Anonymous+Brave+Guy · · Score: 1

      You have to admit it is VERY obvious that there is little, if any, support for this law.

      Except among the people who are actually doing the work and generating all the value, you mean?

      Most of us might care very little about a law that says your physical property is yours and someone else can't just pick it up and walk off with it if they want to. I imagine you have stronger feelings on the subject.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    21. Re:TANSTAAFL by Anonymous+Brave+Guy · · Score: 1

      An artist that can not survive on what people are willing to give does not deserve to be able to live of his art.

      Most artists already can't live off their art directly. For every Hollywood A-lister, Grammy award winner or YouTube star there are countless bit-part players, local bands and casual vloggers who are just trying to make a bit extra to fund their creative work.

      Copyright does protect those people too. Indeed, given the costs of enforcement, copyright is most useful for protecting them against the kind of exploitation you described, when the damages they might receive could actually justify taking action to enforce the rights.

      But the reality is that most of those people, if they are going to make a living in creative industries, are not doing it on their own but as part of the larger creative community. Have you ever watched the credits all the way through at the end of a blockbuster movie? Do you ever stop and think about just how many people are involved in making that movie, beyond the directors and producers and starring cast? All of those other people, often thousands of them, also worked for possibly several months to bring you a couple of hours of entertainment. Those people only got their fees paid because the studio expects to make money on the film so it could afford to hire them. It's an investment on the studio's part, and like any investment it's only made if there's a good chance of getting a worthwhile return.

      Maybe those people don't deserve to "live off their art", but if you pull the rug out from under the current system without providing some other way to make these projects commercially viable, all that's going to happen is millions of film fans won't get to enjoy a blockbuster next year, and thousands of people who would have been happy to make a blockbuster for them will be flipping burgers or complaining about how robots and foreigners are taking all the low-end jobs these days. How is that a win for anyone?

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    22. Re:TANSTAAFL by Anonymous Coward · · Score: 0

      Who will pay for it? Apparently even 30% paying are enough. Are you 100% certain you would never pay for content if you knew you didn't have to, but if you didn't you knew that it would not be made?

      You're a bit of a shitbag, then, aren't you, mi?

      PS why should they get copyrights beyond 5 years? If it hasn't gotten to the bargain bin by then, it's already made its money. And if it has gotten there, it wasn't worth spending money on keeping protected at your taxpaying expense.

    23. Re:TANSTAAFL by Anonymous Coward · · Score: 0

      All what value? The only value there is in the monopoly that we agreed to let them have if we could learn from the works and get it into the public domain. Both of which those you're defending have broken many times already.

      So if they have already broken the copyright agreement, why should anyone else be told to obey the broken agreement?

      If they're "creating value", then people will pay for it. Ask GoG and the Witcher series of games. Or Radiohead. Or Youtubers. If they can't make money off it without draconian anti-copyright measures like DRM, then they aren't actually creating any value, re they. They're just sponging off government efforts that we, taxpayers, fund. While they use hollywood accounting to avoid paying taxes....

    24. Re:TANSTAAFL by Anonymous+Brave+Guy · · Score: 1

      All what value?

      The value in the works. If people are copying them then presumably they find then beneficial in some way. Maybe they're entertaining. Maybe they're informative. Maybe they're useful tools.

      Whatever actual value the works have comes from the people who create them. It wouldn't exist otherwise. We can debate the economics around compensating those people (or not) but the fact that all of the value originates with the creators is objective and undeniable.

      As I've commented elsewhere in this discussion, there are some legitimate concerns about scope creep and having copyright maximalists making the laws, but that doesn't mean everyone, or even most people, making copyrighted works or relying on copyright protection as a basis for creative industries has somehow broken the implicit bargain that copyright represents.

      Likewise, someone posting the same few examples of people who have been successful in other ways every time this debate comes up doesn't change the fact that by far the majority of our commercially created works today are supported by copyright one way or another (as, for that matter, are most open source or community-licensed works). Show me the high school math textbook that experts spent two years writing that was funded by some other means, or the business admin software, or basically anything that is useful but not necessarily enjoyable to create. Or just look at the production values of fan fiction, amateur videos, hobbyists computer games, or band recordings made in their garage because they couldn't afford a studio.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    25. Re:TANSTAAFL by Baki · · Score: 1

      If the majority would vote to abolish or diminsh protection of "intellectual property", there would be less money to produce profits and content.

      Maybe we'll see less content, maybe we'll see less lobbying and laws being bought by the content industry, or less absurd amounts of money going into the pockets of a few.

      I think humanity will find new ways of producing content for entertainment, it is not a law of nature that only monopolies and obscene amounts of profit can generate content that people want to watch.

      Lets try and see what happens. Noone will die of hunger if there would be less entertainment available.

      There is no reaons to be afraid of less profits for the content industry.

    26. Re: TANSTAAFL by Anonymous Coward · · Score: 0

      and yet they still fill it with ads any way.

    27. Re:TANSTAAFL by Anonymous Coward · · Score: 0

      "The value in the works."

      There is no value in the works if I take it for nothing. If I have to do the copy myself, then your "work" is nonexistent, I did it all. When are you going to pay me for the effort of copying??? But just because you spent money creating it, doesn't mean it has an value. the value is what I'm willing to pay for it. And if I decide that's nothing, then there was no value in it.

      "Oh, but we won't make any more!". So what? Don't care. You know what will happen if you stop? You won't have a job and you'll need to get a new one, like the rest of us. And not finding another job is your fault, not mine.

    28. Re:TANSTAAFL by Anonymous Coward · · Score: 0

      Reselling or not, if I can download it for free watching at home, I am unlikely to pay to watch anywhere else.

      Except that's demonstrably false. Movies and series are already copied at a massive scale and the copyright industry is doing just fine.

    29. Re:TANSTAAFL by Anonymous Coward · · Score: 0

      The problem, and the reason copyright infringement doesn't feel wrong to most people, is that they aren't charging for things that are scarce. People intuitively understand that scare things cost money and the more scarce something is the more expensive it gets. The problem with content is that once it's made there is an infinite supply of it, thus the price should be 0.

      If you hire a plumber to install a toilet, you pay for his time and materials (both are scarce), no one would accept it if the plumber would install the toilet and then charge you every time you flush. The problem is that the copyright industry is asking you to do exactly that.

      If the movie industry wants to truly solve the issue they have to start charging for something that is actually in limited supply: the time of everyone who's working on the movie. In the same way that musicians get most of their income from things like ticket sales and merchandising (again, paid for time and scarce resources) the movie industry needs to find a model where they charge money for things that people actually perceive as having value.

    30. Re:TANSTAAFL by zifn4b · · Score: 1

      And then what? Who'll pay millions of dollars to produce the movies/shows, that viewers can watch for free?

      More content we don't need just to keep movie/music studios and artists/actors employed or keep coal burning power plants around instead of replacing them with cleaner, more efficient ones so that coal workers have a job? You do the math.

      --
      We'll make great pets
    31. Re:TANSTAAFL by Opportunist · · Score: 1

      Sorry, but just 'cause you invest a lot of time and effort doesn't make something valuable. By that logic any sandcastle built by the average 5 year old costs millions. And don't make me ask for money for the space station I built with Lego when I was 10!

      Value is what someone who wants something gives it. By definition. You can ask for a price, but if that price is below what I value it, there will be no sale.

      What you, as the creator, can attach to a commodity is its cost. Not its value.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    32. Re:TANSTAAFL by Immerman · · Score: 1

      Yes, it might well. It might also undermine the current markets for most software.

      And yes, lots of smaller producers might stop as well.

      That however is only indirectly relevant to the discussion - copyright is a social construct for the benefit of society through incentivizing additional creation by creating artificial scarcity. The only relevant question is whether the incremental change in production due to any copyright change outweighs the incremental change in society's access to it. If an alternative system results in 1/10 as much creation, but 20x more consumption, then there's a good argument that it's a better deal for society.

      Whether it's a worse deal for creators is completely irrelevant - society are the ones offering copyright, and we must create rules that actually benefit us, and that hasn't been the case for a long time - pretty much ever since the big production houses were established and started bribing congress for more generous terms. Art was thriving for a very, *very* long time before copyright was even dreamed of, so it would be disingenuous to suggest it would go away without it.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    33. Re:TANSTAAFL by Opportunist · · Score: 1

      Laws apply universally, so saying that I care about a law protecting MY property is pointless. It protects everyone's property, I do not enjoy personal protection laws. Unlike a certain group of "property" holders.

      You see, that's the problem with the examples presented too many times by proponents of insane copyright laws: Most of them are far fetched and don't translate well into reality. I once, in a discussion, had someone argue that it's "impossible" to produce content the way the users want, despite exactly that being offered by those that copy the content. One really has to wonder whether the reality distortion field comes free with the conviction or whether it already has to be in place to become part of the copyright cult.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    34. Re:TANSTAAFL by dcollins117 · · Score: 1

      We already can watch them for free.

      We're paying, it's just the money goes to the ISPs and VPN providers, rather than RIAA and MPAA. Had the entertainment industry groups the foresight to provide inexpensive, DRM-free content free from geo-restrictions and such nonsense, they would have made a lot more money. Instead, they decided to play hardball by suing their customers and locking down content making it difficult to obtain.

      The situation today is a directy result of the short-sighted greedy tactics they chose to employ. As any cowboy will tell you "Screw with the bull, you get the horn."

    35. Re:TANSTAAFL by Anonymous+Brave+Guy · · Score: 1

      That's an argument that makes some sense in very limited circumstances, mainly those where works can be presented as live performances, which basically means music or live theatre.

      Unfortunately, there is no equivalent for the work done by almost everyone who works in creative industries behind the scenes, or even as a direct creator of other types of work.

      The problem we have is that, as you rightly say, the marginal cost for copying creative works is now close to zero, and people only look at that without considering the cost of creating the work in the first place. The copyright principle works pretty well as a way to amortize that initial cost over many people who will enjoy the finished product, but only if enough people play by the rules.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    36. Re:TANSTAAFL by Anonymous+Brave+Guy · · Score: 1

      That doesn't make sense. You're perfectly entitled not to pay for a copyrighted work that you don't find to be worth the asking price. What you're not entitled to do is have it anyway, even if you don't want to pay for it. If it truly has no value to you, then obviously the latter won't be a problem for you. But if you still want it even though you aren't willing to pay anything for it, it takes some serious mental gymnastics to argue that the work has value in one context yet not in another.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    37. Re:TANSTAAFL by Anonymous+Brave+Guy · · Score: 1

      I was with you until you said copyright hasn't benefitted us. Given that most of the best quality and most widely distributed creative content we produce today is supported through copyright in one way or another, I don't think that argument stands up in the face of the evidence. Just compare a summer blockbuster with an amateur movie on YouTube, or fan fiction with a bestselling novel, or most community-developed FOSS with its commercial competition.

      Art surely wouldn't go away completely without copyright, but unless some other model was developed for funding all the people whose effort goes into making creative works under copyright today, it seems reasonable to assume that both quantity and quality would drop sharply. There's very little stopping anyone from adopting a better model today if they wanted to, including old school approaches like the patronage model that paid for most demanding works before we had things like copyright. And yet almost no-one does, and those who've tried rarely reach even the same order of magnitude of funding, which I think is a pretty strong argument that we haven't actually found a better model yet.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    38. Re:TANSTAAFL by Anonymous+Brave+Guy · · Score: 1

      So it's not a personal law protecting your property because some other people have property too, but millions of people who work in creative industries are all getting special treatment?

      If it's all so unfair, and the efforts of content creators are of such little value, the same laws do apply to you, and you're welcome to take advantage of them just like anyone else.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    39. Re:TANSTAAFL by Anonymous+Brave+Guy · · Score: 1

      As any cowboy will tell you "Screw with the bull, you get the horn."

      That does cut both ways, though. Although plenty of people copy works illegally and never suffer any real penalty for it, those who do come onto the radar of rightsholders can be in for an expensive and very distressing time.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    40. Re:TANSTAAFL by tommeke100 · · Score: 1

      PewDiePie only has to support one person: himself. His investment to do his thing is a good camera, a good mic, a good gaming rig and that's it. And at this stage he probably gets paid plenty to endorse certain products. To shoot a movie, you need a much bigger investment, hundreds of people and experts with different trades, secure locations and studios, soundtracks, a distribution network etc ....

    41. Re:TANSTAAFL by Demena · · Score: 1

      On the other hand it is quite amazing how many times a small low budget movie will succeed vastly beyond expectations.

      On the gripping hand I do not want to lose some of the incredible big budget films

    42. Re:TANSTAAFL by Demena · · Score: 1

      Unfortunately your post makes you out to be a hypocrite.

      If there is no value in the works why are you stealing it? If you are bothering to download it then you do not believe it has no value. Pure hypocrisy - or self deception.

      The hell hell with you. I am looking forward to "Guardians of the Galaxy II" with Fried Rodent.

    43. Re:TANSTAAFL by Opportunist · · Score: 1

      That we can agree on.

      Your original posting came across as if the creator of something is entitled to being rewarded for the mere creation of whatever he did, and this he is not. Only when he finds someone who considers the creation valuable enough he will be rewarded, not by the mere feat of creating something.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    44. Re:TANSTAAFL by Opportunist · · Score: 1

      The same laws? Show me one single group of people who can work once and milk it forever. When was the last time you saw a bricklayer getting to charge everyone moving into a house he ever built? Or a plumber being paid every time someone flushes a toilet he connected?

      Sorry, but the content industry HAS its very special laws that everyone and their grandchildren up to 70 years after their death can at best DREAM of.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    45. Re:TANSTAAFL by Anonymous+Brave+Guy · · Score: 1

      The same laws?

      Yes, exactly the same laws. If you think the system is loaded in favour of content creators, you are as free as anyone else to create new content of your own and benefit from that system if you can. Millions of people make their living this way and billions benefit from the results, so it's not as if this is some crazy niche rule, nor one law for the rich and another for everyone else.

      Show me one single group of people who can work once and milk it forever.

      Well, pretty much any investment-based business works this way. Landlords who rent out their properties are probably the most obvious example. However, I don't see how any of this is relevant to the matter at hand.

      In practice, significant income from works under copyright rarely lasts for more than a relatively short time after the work is released, and of course even that is not guaranteed. Creating the potential for that income, and thus an incentive to create and distribute new work in the first place, is the main effect of having copyright laws. I suspect we would agree that the duration of copyright protection has probably been extended far more than it should have been, but the benefit of that extended protection is mostly illusory anyway.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    46. Re:TANSTAAFL by Opportunist · · Score: 1

      The landlord example shows me that you never tried to be one. But be it as it may.

      The original copyright was an incentive, allright. The current one is a travesty. Where the FUCK is an incentive to create from the right to reap rewards for three generations after your DEATH? Are you aware that even if both remaining Beatles died today their hits would go into public domain over 125 years after they have been created?

      You have to be big into reincarnation to consider this an "incentive to create".

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    47. Re:TANSTAAFL by Anonymous+Brave+Guy · · Score: 1

      Yes, as I've said throughout, I would agree that the extensions to copyright duration are not justified. However, they are also almost entirely irrelevant to arguments about incentives, because the continued copyright doesn't actually translate to continued income.

      Most income from most copyrighted works is made within the first few years. The vast majority of online piracy is infringing the rights to works released within the past few years. If you cut copyright duration to 20 years across the board tomorrow, the economic situation would barely change in most cases. If you removed copyright entirely, on the other hand...

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    48. Re:TANSTAAFL by Anonymous Coward · · Score: 0

      I remember reading some articles about nollywood (nigerian film industry where they said that the average *professional* film in Nigeria is made with a budget of 23k and brings in about 10 times that

      Note btw that Hollywood is no longer the biggest producer of films (in terms of films per year), they are now 4th after Nigeria, India and China

      The costs of producing a movie have come down drastically, todays prosumer equipment is better then the most expensive professional equipment was 10 years ago. There are now amateur groups making professional looking movies (the acting does tend to be subpar)

      Hollywood has yet to adapt to this new reality.

    49. Re:TANSTAAFL by Anonymous Coward · · Score: 0

      except that most of the people in the industry admit that they pirate things themself

    50. Re:TANSTAAFL by Immerman · · Score: 1

      Where did I say copyright hasn't benefited us? Or suggest doing away with it?

      My point is simply that art, etc. wouldn't go away without it. It's a a deal on a broad spectrum - and at present it's been set very, very far in the industry's favor. Swinging the pendulum back strongly in our favor is a reasonable position to argue in seeking a happy medium.

      And allowing non-profit copying for personal use would actually be returning to the original thrust of the law - preventing the big production houses from purloining artists content to mass distribute without paying any royalties. Hollywood was built on the back of copyright violation after all, safely distant from east-coast enforcement so they didn't have to share profits with the artists.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
  11. Re:Socialist Utopia! by Anonymous Coward · · Score: 0

    If I couldn't get it for free, I wouldn't pay for it. (And it's true, because I'm a cheap -- I mean thrifty -- bastard.) So it's not the same as stealing a DVD (which actually deprives someone else of the dubious please of purchase and ownership of it). The net outcome is exactly the same as if I'd never watched.

    Uploading and sharing is a completely different story, of course, because some percentage of those you share with would have otherwise spent the money. But the percentage is probably relatively small.

  12. 70% ? Thats good, but its not good enough by Indy1 · · Score: 4, Insightful

    We need to strive for 100%.

    --
    Lawyers, MBA's, RIAA? A jedi fears not these things!
    1. Re:70% ? Thats good, but its not good enough by Anonymous Coward · · Score: 0

      We need to strive for 100%

      Since we have 70% in one demographic maybe we should strive to get the rest of the population up to 50% first?

  13. Yumpin' Yimminy! by ichthus · · Score: 1

    That's all, just... *cough*.. yumpin' yimminy.

    --
    sig: sauer
  14. Personal CEOs needed by Anonymous Coward · · Score: 0

    Perhaps the Swedish youth in serious need of the CEO they parents just let go from their firm.

  15. Piracy Reasons by SuperKendall · · Score: 3, Insightful

    When I was a kid I also pirated a lot (in my case all software though, not movies or music), up through college. Then I stopped...

    It wasn't because I saw more value in work though. It was because I HAD more money. To me when I had no money pirating was obviously not stealing to me because there was no possibility to give them money anyway, so there was no loss.

    When I had enough money to pay for things, I did because then it would have been stealing had I not. I have not pirated anything in a decade or more now...

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
    1. Re:Piracy Reasons by Anonymous Coward · · Score: 0

      Same. I am over 30 now and have over 650 Blu-rays in my collection. I'd have fewer if I had always bought what I watched over the course of my younger life.

    2. Re:Piracy Reasons by zifn4b · · Score: 1

      When I was a kid I also pirated a lot (in my case all software though, not movies or music), up through college. Then I stopped...

      It wasn't because I saw more value in work though. It was because I HAD more money.

      Exactly! And what I've noticed more recently is that the sticky prices aren't as sticky anymore and because good indie games are around there is actual a market for games where they have to compete on price instead of fixed prices. That also helps. Another thing about the sentiment for the big blockbuster game/movie studios, some of the stuff they churn out is crap while some indie studios produce significantly lower budget content that is FAR more enjoyable. On the games front: Darkest Dungeon, Halycon 6 Starbase Commandar, Game Tycoon, Legend of Grimrock, PixelJunk Monsters and many others. That's the content I'd prefer to pay for!

      --
      We'll make great pets
    3. Re:Piracy Reasons by LienRag · · Score: 1

      The problem is that you are NOT giving money to the artists or content-creator, you're (mostly) giving money to the MAFIAA...
      If you want to help finance creation, use Patreon or Kickstarter or the like, and pirate MAFIAA-protected content at your heart's desire!

  16. How about making your content easily available? by rundgong · · Score: 4, Insightful

    How many of these people are also paying for legal streaming services?
    Nobody is going to pay for one more streaming service, when you already have 2 legal streaming services, and you are really only interested in one show on that third service. Or worse, your favorite show is not available for streaming at all because it is licensed to a cable channel that don't offer streaming.
    When that happens, I think most people feel torrent is a very reasonable alternative.

    We can listen to almost any music on Spotify, Tidal, Itunes or Google Play. Why the hell do we need 5 different streaming services for seeing all TV shows?
    If you want us to pay for your content, then make it easy for us to pay for it!

    1. Re:How about making your content easily available? by fred911 · · Score: 0

      Please.. Torrents are so 2000's. In this country there's deadend users interfaces for media centers that allow anyone to watch basically ANY US network show (without commercials) normally no longer than 20 minutes following air time. It's just hitting Mom & Pop level of development, but this has been available for at least the past 5 years for TV and movie.

        I haven't had a cable connection for 20 years.

      --
      09 F9 11 02 9D 74 E3 5B - D8 41 56 C5 63 56 88 C0 45 5F E1 04 22 CA 29 C4 93 3F 95 05 2B 79 2A B2
  17. Not good enough. by SuricouRaven · · Score: 4, Insightful

    70 is good, but how do we get it up to 80?

    1. Re:Not good enough. by onepolar · · Score: 1

      70 is good, but how do we get it up to 80?

      try on Philippines and Indonesia, i guess you'll get 85 minimum my friend got a collection of 10TB movies file split in 15 pieces of harddrive, with each movie file is only 700mb, guess how much movies he owned?

  18. Hypocrisy on both sides by tepples · · Score: 1

    to consume it anyway

    *view it

    Nothing is "consumed" when a work is viewed.

    without paying the creators whatever they want — is hypocrisy.

    Then how much does the Shakespeare estate deserve for West Side Story (1961) and Romeo + Juliet (1996)?

    1. Re:Hypocrisy on both sides by Onuma · · Score: 1

      "Consumption" is more of an economic and marketing term than a technical term. No one is suggesting that we're eating & digesting digital media, naturally. Consumers provide demand. Suppliers provide supply.

      As for your question, Shakespeare obviously receives credit for the basis for interpretation of his works (and effectively modernizing and proliferating the English language more widely -- a totally separate discussion). Had he popularized his works in the age of copyright, TV & film, he would probably be an extremely wealthy man. He would likely also have been involved in numerous lawsuits to protect his intellectual property, should he have the desire to control its usage.

      --
      What else can happen when an unstoppable force collides with an immovable object?
    2. Re:Hypocrisy on both sides by Anonymous Coward · · Score: 0

      By observing the negative space your post carefully walks around, we notice you said "Zero."

      Your entitlement is revealed to be legal in mind, not moral.

      This isn't about "what's right", it's just rent seeking.

      Being purely concerned with what your IP lawyer "can do, and can't do" reminds me of a certain pirate's quip.

    3. Re:Hypocrisy on both sides by RespekMyAthorati · · Score: 1

      Then how much does the Shakespeare estate deserve for West Side Story (1961) and Romeo + Juliet (1996)?

      I think his copyright expired around 400 years ago.

    4. Re:Hypocrisy on both sides by tepples · · Score: 1

      without paying the creators whatever they want

      how much does the Shakespeare estate deserve

      I think his copyright expired around 400 years ago.

      I am aware of that under current law. But "whatever they want" appears to be no expiration.

      On the other hand, why does copyright expire at all? Why does, say, the U.S. Constitution even have a "limited Times" clause?

  19. bogus survey by Anonymous Coward · · Score: 0

    More than half of 15 to 24-year-olds said they'd used a torrent or streaming site during December

    if they simply used that terminology.. e.g. "streaming site", of course most video watchers are going to say 'yes' to that. not all 'streaming sites' are illegal, in fact, the vast majority of traffic to them is very much legit.

    they would have had to educate the poll respondents as to what an 'illegal' one was vs a 'legal' one.. and by the time they did that, they would have declined the rest of the poll anyway as a total fucking waste of time.

    1. Re:bogus survey by Imrik · · Score: 1

      Even a torrent site isn't necessarily illegal, and in the case that it is, it wouldn't necessarily be used for video.

  20. And then you want isps to ban pirates? by Anonymous Coward · · Score: 0

    And then you want isps to ban pirates?
    Maybe the state should do what the majority wants ... not what a rich minority wants. If 70% of the people want to pirate, then it should be allowed.
    Yeah, they may encounter problems like creative people not producing stuff which isn't backed before creation. This will create a whole new dynamic about commercialization of digital content. But this will find some equilibrium that works. This is for sure.

    1. Re:And then you want isps to ban pirates? by johanw · · Score: 2

      They will be subject to regime change when Hollywood manages to buy a democrat for president.

  21. Guilty by Anonymous Coward · · Score: 0

    As I am 50 I'm not young, but I live in Sweden, pay for Netflix and Viasat and take my family to the movies 3-4 times a year, pay my childrens to go to the movies 2-3 times more and I also enjoy media downloaded from shady sites. Yep- not like Nixon, I am a crook.

  22. Sell me what I want! PLEASE! by Opportunist · · Score: 3, Insightful

    I want to buy. I really do. But what's offered simply is not good enough.

    Take a show. Just choose one. You will not be able to see it here, not even for any sort of money you'd be willing to throw at the makers, until after it's been on local TV. Ok, you may say, that's understandable, so you get it a month later. Nope. Half a year to a year later. Why? Dubbing.

    TV shows get dubbed around here. Invariably. And 9 out of 10 times they get dubbed badly. The dialogues are stale and it seems they go out of their way to take out any kind of joke or mood the original tried to convey, the lip syncing is hilariously bad (think old Eastern movies) and the sync actors seem to be whatever actor is currently out of luck and in dire need of work.

    And when it finally gets available, hope and pray that you're lucky to get the original version instead of just the dubbed atrocity.

    Can anyone imagine why people reach for torrents and other less legal sources? Why is it that I cannot simply buy the same DVDs that are available in the US?

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  23. Huh by Anonymous Coward · · Score: 0

    I never knew I was Swedish. Or a man.

  24. The publisher refuses to take my money by tepples · · Score: 2

    Today with all the options available 'because I can't get it any other way' is a crock

    Sometimes I can't get it because the publisher refuses to take my money. Try this exercise: Find me a lawfully made copy of these on a video format popular in the United States.

    • The TV series Spartakus and the Sun Beneath the Sea (the English-language dub of Les mondes engloutis)
    • The film Song of the South (Unless you think LaserDisc was "popular")
    • The film Pinocchio and the Emperor of the Night (Do you consider VHS still a viable option?)
    1. Re:The publisher refuses to take my money by Anonymous Coward · · Score: 0

      Then you are not ENTITLED to watch it, though you think you are ENTITLED to. Wait a few more years and it will all be worked out but by then you'll have already consumed the content and would have no reason to compensate the creators and distributors for their work.

    2. Re:The publisher refuses to take my money by Anonymous Coward · · Score: 0

      Actually a lot of movies fall in the copyright hell. Meaning that no one knows who owns the copyright and therefor will never ever get republished anymore. This is one of the reasons that remakes are being made, because the original can no longer be published.

      There is an interesting anecdote of the director of "Night of the Comet" being asked to a studio to make a remake for "Night of the Comet", however the studio didn't even know he made that first movie.

    3. Re:The publisher refuses to take my money by tepples · · Score: 2

      Then you are not ENTITLED to watch it

      How does this lack of ENTITLEMENT "promote the Progress of Science and useful Arts"?

      Wait a few more years and it will all be worked out

      This is not practical for copyright, which is designed to subsist for a period exceeding one human lifetime.

    4. Re:The publisher refuses to take my money by Anonymous Coward · · Score: 0

      How does this lack of ENTITLEMENT "promote the Progress of Science and useful Arts"?

      How does it hinder it in these particular cases? The things you listed aren't exactly classics. There are many other movies and television programs more substantial and important.

      Pinocchio and the Emperor of the Night (Do you consider VHS still a viable option?)

      So buy it on DVD. In any case, old audiovisual content will very often be on old media formats like VHS. Get over it, kid.

    5. Re:The publisher refuses to take my money by tepples · · Score: 1

      How does it hinder it in these particular cases? The things you listed aren't exactly classics.

      Who decides what are "classics"?

      Find me a lawfully made copy of these on a video format popular in the United States.

      So buy it on DVD

      From the linked page: "Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)" Region 1 DVD is popular in the United States. Region 2 DVD is not.

    6. Re:The publisher refuses to take my money by Anonymous Coward · · Score: 0

      Who decides what are "classics"?

      Culture.

      Region 1 DVD is popular in the United States. Region 2 DVD is not.

      Get a multi-region DVD player, dude. Expand your horizons.

  25. Not all Muslims are Pirates. by MrSavage · · Score: 0

    Wondering what the racial breakdown is and if there was a comparative study about 5 or more years ago. With the huge influx of migrants to Sweden this statistic does not really surprise me.

  26. So they are mostly criminals by Anonymous Coward · · Score: 0

    A lifetime of socialism will do that to you, most every time.

  27. Democracy should be used to steal? by Anonymous Coward · · Score: 0

    Democracy should be used to steal?
    sounds more like crypto commie shit to me, and yes pricey is a from of stealing, deal with it. You are never paying for just the materials, even a physical book, most of the money is not for manufacturing or distributing.

    1. Re:Democracy should be used to steal? by Anonymous Coward · · Score: 0

      Ask TRUMP what he thinks.

  28. Who cares by JWW · · Score: 0

    If immigration laws don't matter than why would copyright laws matter.

    In the US it just happens that the same government department enforces both rules...

    1. Re:Who cares by Anonymous Coward · · Score: 0

      Why are you uber-politicizing this like an absolute loser? This isn't the shit propaganda website BreitbaRT or the yahoo comment sections.

  29. Baseline charge by Neuronwelder · · Score: 1

    Would I be out of line to propose that everyone pays a fair price for all media and then can get it free? Just a thought..

    1. Re:Baseline charge by Anonymous Coward · · Score: 0

      Yes you would be, you socialist.

  30. Re: Not hypocrisy by hackwrench · · Score: 1

    https://en.wikipedia.org/wiki/... Sometimes it's a matter of faith.

  31. Kopimism by hackwrench · · Score: 1

    https://en.wikipedia.org/wiki/... I prefer teaching Kopimism instead.

    1. Re:Kopimism by Anonymous+Brave+Guy · · Score: 1

      That is hilarious. Thanks.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
  32. Re:distortion is such a harsh term by hackwrench · · Score: 1

    To mimic Kevin Flynn from Tron, distortion is simply a harsh term for market forces you disapprove of.

  33. Re:Blockbusters change the market negatively by hackwrench · · Score: 1

    Because blockbusters can be made, it puts pressure on the market for lesser works. When people prefer to spend all of their money on higher priced entertainment, they don't have it to spend on lesser works.

  34. Re:distortion is such a harsh term by Anonymous+Brave+Guy · · Score: 1

    But they aren't market forces. Economic markets are two-sided. This is a game where only one side is playing by the rules, and the strategy continues to work only as long as that one-sided situation remains.

    --
    If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
  35. Re:Blockbusters change the market negatively by Anonymous+Brave+Guy · · Score: 1

    Interesting theory. Is there any data to support it? Anecdotally, I feel like things are going the other way and the advent of services like YouTube and Spotify and of the Internet more generally means people are far less limited to mainstream entertainment these days.

    --
    If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
  36. But there isn't 2x+ money in it by Anonymous Coward · · Score: 0

    So therefore most of the piracy can't even be the loss of a single sale. So all this does is prove that even RRP as a fine is not restitution but profiteering.

    Moreover, they would never drop the prices if they did get "all these sales". Not one anti-piracy scheme has resulted in a drop in prices, only an increase in them, and a decrease in the rights of the customer.

    If governments are going to have to pass laws for the benefit of the content industry, all the money from the fines should go to the government, not the cartels. Only actual, proven losses should be given over to the copyright owner. And not to a middle-man, either.

    1. Re:But there isn't 2x+ money in it by Anonymous Coward · · Score: 0

      They have money to pay for stuff

  37. Indeed only one side is playing. The customers. by Anonymous Coward · · Score: 0

    The cartels and content creators aren't holding up their end of the laws. Extensions are stealing from the public domain they owe "their content" to, extensions of what is covered is yet more stealing from the public. Copy protections and laws against breaking them are removing the works from EVER being used to learn from. And abandoning works is refusal to pay the price of their monopoly when it's too late to ask for the payment back.

    So, yes, there is a side not playing by the rules.

    The content creators.

    The works "pirated" are controlled by DRM, which means they are not available for learning from and will not go into the public domain when the copyright ends. Since this was the quid-pro-quo for their exclusive right to make copies (that was only meant to cover copies making money, another land-grab by the companies), "pirates" are just working with the broken deal as the content creators have made it.

    1. Re:Indeed only one side is playing. The customers. by Anonymous+Brave+Guy · · Score: 1

      Except that the vast, vast majority of works being pirated are recent, and would still have been covered by even the original copyright periods of centuries ago.

      And plenty of those works aren't created by Big Media industries with vast budgets.

      And any argument about copyright only applying to copies making money has to take into account that when these laws were first developed, that was basically the only kind of copying there was.

      There are legitimate concerns about scope creep in copyright, Disney laws, and so on. But the idea that those somehow justify rampant piracy is not credible.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    2. Re:Indeed only one side is playing. The customers. by Anonymous Coward · · Score: 0

      Except that the vast, vast majority of works being pirated are recent, and would still have been covered by even the original copyright periods of centuries ago.

      It's wrong that people should not be rewarded for their work. It is equally wrong that people should be rewarded too much for their work. For exactly the same reasons..

      I have no respect for copyright as it's a winner take all - it's always going to be more "efficient" to sell multiple copies of one identical media item than it is to sell smaller numbers of copies of more, different media items.

      And plenty of those works aren't created by Big Media industries with vast budgets.

      Actually, almost all are. Most of the so-called independents are front organizations for the majors.

      And any argument about copyright only applying to copies making money has to take into account that when these laws were first developed, that was basically the only kind of copying there was.

      Ease of copying applies equally to both producers and consumers. Distribution costs nothing (i could do it by putting it up on a website) however somehow distributors manage to make many millions of dollars. Hollywood accounting is legendary.

      There are legitimate concerns about scope creep in copyright, Disney laws, and so on. But the idea that those somehow justify rampant piracy is not credible.

      Until I can see some intelligent arguments from copyright maximalists I'll be comprehensively ignoring them. So-called intellectual property is a major burden on society not to mention the purely artificial scarcity and until I see some more intelligent argument than "I deserve more money" (the vast majority of creators get nothing, one in a million is massively over-rewarded) they can take a running jump. The situation is exacerbated by the large number of economically illiterate, unrewarded creators who blame pirates rather than the intrinsic properties of copyright for their woes.

  38. It disincentivises by Anonymous Coward · · Score: 0

    Because you can get away with charging full monopoly rents for your "work", you don't have to produce a new one to keep eating.

    Moreover, you have already broken the copyright laws by your land grab extensions of time and coverage, not to mention your abandonment of works before they can go to the public domain as was the agreement. You changed and broke the agreement first. We're just taking your actions at your word and ignoring the agreement too.

    Be thankful that we still feel sorry enough for you to spend as much as we do on it. We have no debt to pay for you when you broke the rules decades ago.

    1. Re:It disincentivises by Anonymous+Brave+Guy · · Score: 1

      Because you can get away with charging full monopoly rents for your "work", you don't have to produce a new one to keep eating.

      Only if your work continues to provide enough value to other people that the market is willing to keep paying for it indefinitely. A tiny number of people ever reach that point, and arguably those people have generated so much value for society that maybe they do deserve to be set up for life.

      Moreover, you have already broken the copyright laws by your land grab extensions of time and coverage

      Erm... What? By definition, those extensions were changing the law, not breaking it. I agree with you that a lot of the terms have become unreasonably long and some of the laws should be changed. However, I also don't think that matters very much in the context of piracy, because most piracy is of works that are recent and won't be affected by the "land grab", as you call it, for several decades.

      Be thankful that we still feel sorry enough for you to spend as much as we do on it. We have no debt to pay for you when you broke the rules decades ago.

      Your attempt to tar millions of people working in creative industries with the same brush is crude and illogical. If you think you shouldn't have any debt to pay to those people when you enjoy the fruits of their labour, feel free to campaign to get the laws changed to something you consider fair. If you succeed, good for you. But if you don't, or if you don't even try and just choose to break any rules you happen not to like, maybe you should be thankful that your name hasn't come up with one of the big content creators that has the resources to take real action against you. At some point you might find out the hard way that you're not above the law.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
  39. Uh, you're the freeloaders. by Anonymous Coward · · Score: 0

    You know all that public domain and teaching of how to create? You freeloaded off it and now, when it comes to paying back, you refuse because it's "your content".

    Boo fucking hoo.

    Frigging freeloaders.

  40. They can work elsewhere. by Anonymous Coward · · Score: 0

    Those millions have already been paid. And if the work stops, even though this is a FUD claim from the morons like yourself with nothing other than scare stories to peddle their worldview on, then they'll have to get another job elsewhere, just like everyone else.

    Indeed, since those people got paid DESPITE "70% piracy" shows that piracy hasn't harmed them at all. Your attempt to use their lives as hostage to your worldview as a leech off society (you'll take from the public, demand payment from the public, then refuse to pay back what you owe the public for this), is as heinous as ISIS using civilians as a shield against attacks.

    They can get another job.

    "Creators" will get another job.

    It's the leeches like yourself who add nothing and demand all benefits and avoid the payments who will lose their job. And your failure is not my concern.

  41. Copyright infringement =/= Piracy by xororand · · Score: 1

    They're actually copyright infringers, not pirates.

    Publishers often refer to copying they don't approve of as “piracy.” In this way, they imply that it is ethically equivalent to attacking ships on the high seas, kidnapping and murdering the people on them.

    https://www.gnu.org/philosophy...

  42. Perhaps if by JustNiz · · Score: 1

    The only reason people are breaking the law is because what's in place right now isn't even close to filling a need.

    If the media moguls stopped playing games with artificial marketplaces, and also charging ridiculous prices for movies, then maybe the whole need for copyright infringment would go away.

    The fact that they even need to resort to laws to protect their artificial marketplaces, serves to underline how fucked up it must be. The fact that governments even make protectionist laws like this also underlines how powerful and therefore how rich the media moguls already are from this scam.

  43. Strange... by Anonymous Coward · · Score: 0

    What's wrong with the other 30% ?

  44. Re:distortion is such a harsh term by hackwrench · · Score: 1

    No, you are confusing terms dictated by one party, with descriptions of how markets work.

  45. No, it is not wrong. by hackwrench · · Score: 1

    It is not wrong for people not to be rewarded for their work. It is only wrong when two parties have agreed in advance what an exchange of work for reward will be and the party agreeing to the reward doesn't pay up.

  46. Fake News by Anonymous Coward · · Score: 0

    Fake News

    TorrentTroll is not a usefull website for news!

  47. BULLSH!T by antdah · · Score: 1

    ...and fake news! There is no way 30% of us are not pirating. They probably just didn't admit to it.

  48. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  49. Politics by Anonymous Coward · · Score: 0

    When the framers created the law, they couldn't have envisioned that millions of people would laugh at it. Those were simpler times and humans are exponentially smarter today than they were back then.

  50. Lock em up, or change the laws by Anonymous Coward · · Score: 0

    At what percentage would it be justified in to change the law, and not make it illegal anymore?

    Lock em up, or change the laws.

    Autocracy or Democracy.

  51. Wrong question by Anonymous Coward · · Score: 0

    Is the current state of copyright laws promoting the public good, or is it rent seeking?

    If it is the former, we should defend and protect it. If the latter, we should destroy it.

  52. Re:Blockbusters change the market negatively by Demena · · Score: 1

    So you are objecting to people's choice? You feel they should have no option but "lesser works"?

  53. Thieves! by dddux · · Score: 1

    Thieves! Do they realise how hard it is for poor Hollywood producers and actors lately?? They can't afford coke every day now, just every second. Poor, poor guys. How can you do that to them??

    --
    "It is no measure of health to be well adjusted to a profoundly sick society." - Jiddu Krishnamurti
  54. Objection by hackwrench · · Score: 1

    I'm objecting to the means by which they are given that choice. If that choice is unabailable without that means, then so what? There will be other choices. There is nothing that says that one set of choices are better than another.

    1. Re:Objection by Demena · · Score: 1

      And I choose to watch and pay for blockbusters. You want that forcibly taken away from me in the expectation that I will be 'forced' to spend my other elsewhere and people you admire or think should be supported will benefit, while millions of working stiffs lose creative jobs they enjoy.

      You are no less an authoritarian than are the music and film companies, trump, and Kim il Jong. You want the world change to meet your wants. You are not operating on 'principle'.

  55. As for the rest ... by RespekMyAthorati · · Score: 1

    The other 29.9% either didn't reply, or just lied.

  56. Re:This is not about specific people by hackwrench · · Score: 1

    This is not about specific people. This is about what rules I believe all people will be better off under. Rules deciding and not people is what makes something not authoritarian.

  57. Re:This is not about specific people by Demena · · Score: 1

    1. This is about one group (you) actively forcing their views on others.
    2. Your belief is irrelevant. I do not care about your belief. I care about your wish to harm many, many others (creators and consumers).
    3. Let's Godwin your ridiculous attitude for once and all. Following orders is obeying rules. Rules never decide. The one who makes the rules decides. The one that makes the rules is authoritarian. As you are. Good rules are seldom made by single minds. Not even yours.

    You are willing to cause an immense amount of permanent harm (it would appear) to many, many people (an entire multi-national industry) based on your sole, totally unsupported opinion (hypothesis). Your attitude of "I'm right, you can all get fucked" is the problem; as well as being what makes you an authoritarian. You would make a great dictator.

  58. Re:This is not about specific people by hackwrench · · Score: 1

    Well then, there is no solution, so who cares. Harm gets done no matter how you slice it. I didn't make this about authoritarianism, so I can care less about whether it happens to be authoritarianism. No matter what you do, someone gets harmed.

  59. Re:This is not about specific people by Demena · · Score: 1

    Now you understand you have been a bourke, you try and trivialise? "harm gets done..." No retraction, no apology, about the fact that you are willing to create harm based on nothing but you think you are right.

    You made it about authoritarianism when you expressed an authoritarian attitude.

    Having to pay a reasonable price for a blockbuster is being harmed is it? No, not paying for it is doing the harm.

    I am not a supporter of the current copyright situation. But your views are extreme and dictatorial. The views a child might have. You might want to reconsider them.

  60. Re:principle by hackwrench · · Score: 1

    And nothing you have said makes this not a matter of principle.

  61. Re:This is not about specific people by hackwrench · · Score: 1

    Why should I apologize for merely changing who gets harmed?

  62. Re:principle by Demena · · Score: 1

    You are totally correct in that.

    Pity you do not seem to have consistent principles. Which I have pointed out.

  63. Re:"permanent" harm by hackwrench · · Score: 1

    What is "permanent" harm. I know that if you cut a limb off it doesn't really grow back, but what does permanent mean in this case?

  64. Re:This is not about specific people by Demena · · Score: 1

    Because; 1. that is not the case, 2. You want to impose your choice on everyone else.

  65. Re:The case by hackwrench · · Score: 1

    How is that not the case? And so what if I am imposing my choice on everyone else. That's what reality is, people's choices being imposed on everyone else.

  66. Re:"permanent" harm by Demena · · Score: 1

    People lose their careers. People who have spent a lifetime building skills have no place to practice them anymore.

  67. Re:"permanent" harm by hackwrench · · Score: 1

    If they can't eventually find a way to practice their skills under the way I want things, it is due to their own lack of imagination and not a fault of my system itself.

  68. Re:"permanent" harm by Demena · · Score: 1

    Bullshit. Big things take big investments. Big things take big organisations. It is nothing to do with lack of imagination. It is, after all, creative people we are talking about. The issue is funding and organising.

    You are being hypocritical again - "...not a fault of my system itself" when you do not have a system. You are just deeming certain thing to be unfit to exist. Arbitrarily. By fiat.

  69. Re:"permanent" harm by hackwrench · · Score: 1

    Big things are not the only things that creative skills can be used on and there are other ways to raise funds than the way it is done now. One way is to crowdfund things up front.
    I suppose this is completely arbitrary: https://en.wikipedia.org/wiki/...

  70. Re:The case by Demena · · Score: 1

    Disingenuous.

    A very strange idea of reality and one that is to be strongly opposed. I have a dislike for dictators, authoritarians and fascists. So do most people.

  71. Re:"creative" poeple by hackwrench · · Score: 1

    The claim that creative people can't lack imagination when it comes to how to fund utilizing their skills seems to indicate a lack of understanding of how creativity works. Creative people are creative in small zones of creativity. There is a wide field in which to be creative and people are creative in relatively small patches of it.

  72. Re:The case by hackwrench · · Score: 1

    Why is it one to be opposed? People have a dislike for the idea of dictators authoritarians and fascists when all along, they all are. Everyone is that sort of person and fits into at least one of those categories.

  73. Re:"permanent" harm by Demena · · Score: 1

    Again you wish to force your choice on others.

    It so happens I have ponied up funds for two movies being made. But I may not live to see their completion nor do I have any guarantee my money is not wasted. They will never have good production value because crowdfunding is simply inadequate to produce blockbuster quality movies.

    The Missionary Church of Kopimism is as full of crap as Hubbard. Its philosophies inconsistent. They should study some information theory. Yes it it is arbitrary.

  74. Re:Arbitrary by hackwrench · · Score: 1

    Everything is arbitrary then, including what is good production value. You seem to object to reality itself. That's all I hear from you.

  75. Re:"creative" poeple by Demena · · Score: 1

    Understanding how things work... hhmmm... I think perhaps better than you.

    I paint water paints. I do not like to use acrylic or oils. If I had to use oils I would stop painting.

    For me to make a living from my art (I do not) I need it to be seen and sold. Photos on the internet are not good enough. I need a physical place to hang my work and someone to take the money. Now painting is not well remunerated (in your lifetime) even if you are good the "hourly rate" sucks badly. This is reality. So, I earn my money coding. But I would rather paint - with water paint. I am not complaining. Its is what it is.

    But you want to limit the choices of both artists and consumers.

    I am done here.

  76. Re:Arbitrary by Demena · · Score: 1

    That is because you are in an echo chamber and only hearing your own voice.

  77. Re:The case by Demena · · Score: 1

    People have a dislike for the idea of dictators authoritarians and fascists when all along, they all are. Everyone is that sort of person and fits into at least one of those categories.

    Well, no. Not everyone is like that and if you think that they are then you are spiritually defeated already. I pity you.

  78. Re: Wanting to limit the choices by hackwrench · · Score: 1

    You do not make money from painting yet you start out with "If I am to make money from my painting". This does not reflect someone with a good grasp of reality. I don't want to limit the choices. In fact, I believe that the net choices will be expanded. But this is just arbitrary and whatever again, so what.

  79. Re:echo chamber by hackwrench · · Score: 1

    Hate to break it to you, but everybody is in their own echo chamber, for the most part. I actually strive to be a little more out of my echo chamber. But in order for people to get a little bit further out of their echo chambers it always requires work. You have shown no indication that you are such a person. But maybe that's just me in my echo chamber again, but you have zero interest in moving me further out of my echo chamber, but merely to tell me I am bad. You are a broken record.

  80. Re:Spiritually by hackwrench · · Score: 1

    Then teach me how to win.

  81. Re:What is a bourke? by hackwrench · · Score: 1

    What is a bourke? http://www.urbandictionary.com... does not appear to help.

  82. Re:Good rules do not exist. by hackwrench · · Score: 1

    Good rules do not exist. As The Doctor said on Doctor Who, "Good men do not need rules. Now is not the time to find out why I have so many." That being the case, rules are only made by men who are not good. As a result, the rules are not good.

  83. Re:Spiritually by Demena · · Score: 1

    Play positive sum games. Think in those terms. It is simple as that.

  84. Re:Spiritually by hackwrench · · Score: 1

    I try to play positive sum games, but I'm not sure how to evaluate whether a game is a positive sum game. I see the concept of intellectual property and I do not see a positive sum game.

  85. Re: Wanting to limit the choices by Demena · · Score: 1

    Wow, does your echo chamber blur things?

    If I could have supported and educated my kids by painting I would have done so. I stated what I would need to do incurred even further cost to the point where "painting for profit" only applies to house painters. And you seem to think that recognising the reality of the situation is somehow not a "good grasp of reality". You really have your head on backwards.
    You have no reason (or given none) for your belief that the nett choices will increase. You know (have agreed) that some choices will be lost. So you prefer your speculation (silly speculation at that) over your facts. And you do not even attempt to detail what 'more' choices you think there will be.

  86. Re:Spiritually - A childhood story by hackwrench · · Score: 1

    When I was young, my sister and I did something, carrying on perhaps, my aunt disapproved of. She told us to go sit on the bed until we can behave. My sister got up immediately. I sat there for some time pondering the concepts involved. I had no intention of misbehaving and no real basis with which to judge any degree of effectiveness on the matter. It was really quite the pickle. I sat that way until my aunt came and found me.

  87. Resource reuse by hackwrench · · Score: 1

    Unencumbered by intellectual property claims all assets will be free for all to use in new works. That should open up more opportunity for everyone.

  88. Re:Spiritually by Demena · · Score: 1

    Then you lack creativity and balance. The definition for positive, zero and negative sum games are readily available.

    Tell me, what are your feelings about public infrastructure? You think roads, railways, power plants should be built by crowd-funding? Oh! And what about libraries? That is where people who cannot afford to purchase books go. Round here it is the same with DVDs etc. If there is anything I want then the local public library will get it in for me (not speculation, experience). So if I indulged in any piracy it would be supremely arrogant. That is probably the case in most civilised or semi civilised societies.

  89. Re:Spiritually by hackwrench · · Score: 1

    Well, I definitely lack balance. I should really look into the concept more. So far, I haven't cared a fig for it. Nobody really made a good case for it. I cannot speak for your experience. I was about to say that you must have really limited taste, but that would be echo chamber thinking. I have no idea on that matter. i can only share that my experience is that the local library is severely limited in selection. Public infrastructure is funded by the government. If you are suggesting that all culture should be funded by the government as well, that is an interesting idea. Now this is not just about access to materials but reuse in new media which is encumbered by the concept of intellectual property.

  90. Re:More on balance by hackwrench · · Score: 1

    http://www.essentiallifeskills... describes balance as between what you must do with what you enjoy doing. It says that it is essential with no further justification.
    I have always maintained that there is nothing that you must do that you do not enjoy doing and have lived my life accordingly. It has been an unexamined belief though, so it is long due time to do so. However, sites that just assume otherwise are less helpful than they could be.

  91. explains a lot by micahraleigh · · Score: 1

    That must be why Sweden has so many content producers who are fully assured to be paid for their efforts.

    Oh wait ... no one makes content people want to watch in the EU.