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Yesterday Billboard magazine reported that Elon Musk had dropped a rap song on SoundCloud -- an auto-tuned song called "RIP Harambe." Posted under the handle Emo G Records, the two-minute track pays tribute to the Cincinnati Zoo gorilla who was killed in 2016 after a 3-year-old climbed into its living area. It's unclear if Musk stumbled upon the track, which has his name on it, or if he released the track himself...

"RIP Harambe" had more than 200,000 plays as of Sunday afternoon.
Some Twitter users left bemused replies, like "Dude, sober up by Thursday's contempt hearing." But the song appears to be part of a longer series of tweets. An anonymous reader writes: On Friday Musk had shared a blank tweet containing nothing but an emoji of a duck with his 25.5 million followers. It drew over 24,000 re-tweets, and 4,300 comments -- far more than the Harambe song (which drew only 14,000 retweets and 1,600 comments.) "Duck emoji FTW," Musk tweeted triumphantly on Sunday, following up on his earlier observation that "Duck emoji defeats Emo G Records. Crushing victory."
In its comments there was also a joke about X.com (the original online banking site Musk launched in 1999, which was eventually merged into PayPal). In 2017 Musk repurchased the domain because "it has great sentimental value" -- but replaced it with an entirely blank page with one lowercase x. In response to the duck emoji, someone tweeted that next Musk needed to update X.com.

Musk promptly replied by tweeting the URL x.com/x -- which (due to the site's error-handling) pulls up a web page with a single lowercase y.

An anonymous reader quotes TorrentFreak: YouTube rippers are seen as the largest piracy threat to the music industry, and record labels are doing their best to shut them down. In 2017, YouTube-MP3, the world's largest ripping site at the time, shut down after being sued, and several other folded in response to increased legal uncertainty. Not all stream-ripping sites throw in the towel without a fight though. FLVTO.biz and 2conv.com, owned by Russian developer Tofig Kurbanov, remained online despite being sued by several record labels last August....

According to the defense, the court has no jurisdiction over the matter. Only a small fraction of the visitors come from the US, and the site is managed entirely from Russia, it argued.... Tuesday, U.S. District Court Judge Claude M. Hilton ruled on the matter. In a 14-page opinion, he clearly sides with the operator of the YouTube rippers. Kurbanov doesn't have to stand trial in the U.S. so the case was dismissed.
Billboard notes that the site was the 322nd most-visited web site in the world last year (for the 12 months ending in September, according to court documents) -- and that nearly 10 percent of the site's traffic -- 26.3 million visitors -- came from the U.S, including 500,000 from Virginia.

An anonymous reader shares a report: Thanks to such acts as Britney Spears, Twenty One Pilots and Guns N' Roses, along with soundtracks from the Guardians of the Galaxy franchise -- which boasts the year's top two sellers -- and Netflix's Stranger Things series, cassette tape album sales in the U.S. grew by 23 percent in 2018. According to Nielsen Music, cassette album sales climbed from 178,000 in 2017 to 219,000 copies in 2018. While that's a small number compared to the overall album market (141 million copies sold in 2018), that's a sizable number for a once-dead format. In 2014, for example, cassette album sales numbered just 50,000. But, 20 years before that, back in 1994, when cassettes were still very much a hot-selling format, there were 246 million cassette albums sold that year, of an overall 615 million albums.

President Donald Trump signed the Music Modernization Act (MMA) into law Thursday, officially passing what is arguably the most sweeping reform to copyright law in decades. From a report: The bill revamps Section 115 of the U.S. Copyright Act and aims to bring copyright law up to speed for the streaming era. These are the act's three main pieces of legislation:
1. The Music Modernization Act, which streamlines the music-licensing process to make it easier for rights holders to get paid when their music is streamed online.
2. The Compensating Legacy Artists for their Songs, Service, & Important Contributions to Society (CLASSICS) Act for pre-1972 recordings.
3. The Allocation for Music Producers (AMP) Act, which improves royalty payouts for producers and engineers from SoundExchange when their recordings are used on satellite and online radio (Notably, this is the first time producers have ever been mentioned in copyright law.).

What does all this mean? First, songwriters and artists will receive royalties on songs recorded before 1972. Second, the MMA will improve how songwriters are paid by streaming services with a single mechanical licensing database overseen by music publishers and songwriters. The cost of creating and maintaining this database will be paid for by digital streaming services. Third, the act will take unclaimed royalties due to music professionals and provide a consistent legal process to receive them. Further reading: Billboard.

President Donald Trump signed the Music Modernization Act (MMA) into law Thursday, officially passing what is arguably the most sweeping reform to copyright law in decades. From a report: The bill revamps Section 115 of the U.S. Copyright Act and aims to bring copyright law up to speed for the streaming era. These are the act's three main pieces of legislation:
1. The Music Modernization Act, which streamlines the music-licensing process to make it easier for rights holders to get paid when their music is streamed online.
2. The Compensating Legacy Artists for their Songs, Service, & Important Contributions to Society (CLASSICS) Act for pre-1972 recordings.
3. The Allocation for Music Producers (AMP) Act, which improves royalty payouts for producers and engineers from SoundExchange when their recordings are used on satellite and online radio (Notably, this is the first time producers have ever been mentioned in copyright law.).

What does all this mean? First, songwriters and artists will receive royalties on songs recorded before 1972. Second, the MMA will improve how songwriters are paid by streaming services with a single mechanical licensing database overseen by music publishers and songwriters. The cost of creating and maintaining this database will be paid for by digital streaming services. Third, the act will take unclaimed royalties due to music professionals and provide a consistent legal process to receive them. Further reading: Billboard.

After the House's unilateral support back in April, the Senate has unanimously voted to pass the Orrin G. Hatch Music Modernization Act, which is named in honor of the Republican senior senator from Utah -- a songwriter himself -- who will retire at the end of the year. Billboard explains the bill: The bill creates a blanket mechanical license and establishes a collective to administer it; reshapes how courts can determine rates, while making sure future performance rates hearings between performance rights organizations BMI and ASCAP and licensees rotate among all U.S. Southern District Court of New York Judges, instead of being assigned to the same two judges, Judge Denise Cote for ASCAP and Judge Louis Stanton for BMI, as its done now; creates a royalty for labels, artists and musicians to be paid by digital services for master recordings created prior to Feb. 15, 1972, while also eliminating a Digital Millennium Copyright Act of 1998 carve out for "pre-existing digital services" like Sirius XM and Music Choice that allows for certain additional considerations not given to any other digital service when rates are set; and codifies a process for Sound Exchange to pay producers and engineers royalties for records on which they have worked.

Over on the music publishing side of the business, there was much happiness too. For example, ASCAP noted that the legislation reforms an "outdated music licensing system and give music creators an opportunity to obtain compensation that more accurately reflects the value of music in a free market." Billboard notes that the revised Senate version "will go back to the House where it needs approval due to all the changes made to the bill in order to get it passed in the Senate." Once the House approves, it will then head to President Trump's desk.

Earlier this month, we reported of a "cyber incident" that compromised the systems of Ticketfly, a large ticket distribution service. We have now learned that roughly 27 million user accounts were compromised during the attack. The information includes names, addresses, email addresses and phone numbers; thankfully, no credit/debit card info and passwords were stolen. Billboard reports: Ticketfly's website is fully back online a week after being targeted by what it describes as a "malicious cyber attack," though its mobile app for iOS remains offline "as we continue to prioritize bringing up the most critical parts of the platform first." Following the hack, the company rolled out a network of temporary venue and promoter websites so that events, including Riot Fest and Celebrate Brooklyn, could continue selling tickets. The "vast majority" of the temporary sites are now live, the firm said. All passwords for both ticket buyers and venue/promoter clients were reset following the hack, though they found no evidence that they were accessed. "It is possible, however, that hashed values of password credentials could have been accessed," the site warned. "Hashing is a way of scrambling a piece of data, making it generally incomprehensible."

Subscription music service Tidal has been accused of faking the streaming numbers for Kanye West and Beyonce. "Kanye West's 'The Life of Pablo,' which was the first album to go platinum primarily from streaming, and Beyonce's platinum record 'Lemonade' were released exclusively on Tidal for periods in 2016," reports Quartz. "By placing their albums on the fledgling platform, which was relaunched in 2015, both artists risked losing big paychecks." From the report: West's album was said to have been streamed 250 million times in the first 10 days on the service. And Beyonce's record was reportedly played 306 million times in 15 days. While it's not hard to believe Bey and Yeezy could hit those numbers, they rang false to some, as Tidal said it had 3 million members then. However, according to an in-depth investigation by Norwegian newspaper Dagens Naeringsliv (DN), Tidal has reportedly manipulated those streaming numbers, to potentially make the company appear more profitable or increase royalty payments to the artists at the expense of others on the service. This is something Tidal vigorously denies and says the DN report is part of a "smear campaign."

The DN's report investigated streaming numbers since 2017, when it reportedly obtained a hard drive of internal Tidal data with more than 1.5 billion of rows of user play logs. Those logs were from two periods -- from late January to early March, and mid April to early May -- totaling 65 days in 2016. Its reporters tracked down subscribers from the logs, and presented them with their apparent listening history, which the users said didn't add up. "We have through advanced statistical analysis determined that there has in fact been a manipulation of the data at particular times. The manipulation appears targeted towards a very specific set of track IDs, related to two distinct albums," found the researchers (pdf) at NTNU's Center for Cyber and Information Security. "The manipulation likely originates from within the streaming service itself."

An anonymous reader quotes Complex magazine: The future of physical music isn't looking good. According to Billboard, consumer electronics company Best Buy will no longer carry physical CDs and Target may be following suit in the near future. Best Buy notified music suppliers that they will cease selling CDs at stores beginning July 1. The move is sure to hurt the already declining sales of CDs as consumers are switching to streaming platforms such as Spotify, Apple Music, and Tidal in large numbers. CD sales have already dropped by a sizable 18.5 percent in the past year, Billboard reports.
Billboard also reports Target has given an "ultimatum" to music and video suppliers. "Currently, Target takes the inventory risk by agreeing to pay for any goods it is shipped within 60 days, and must pay to ship back unsold CDs for credit... Target has demanded to music suppliers that it wants CDs to be sold on what amounts to a consignment basis..."

"If the majors don't play ball and give in to the new sale terms, it could considerably hasten the phase down of the CD format."

cordovaCon83 writes: NestHQ published an article today noting that online streaming service Soundcloud has implemented the Opus codec for its archive of music and started streaming at 64kbps instead of its prior 128kbps streams. Opus has been touted as a more efficient codec than the aging MP3 codec. Whether this will have a major effect on audio fidelity remains to be seen, as well as whether such a move will affect the already ailing music service's business. UPDATE: SoundCloud tells Billboard that this swap in codecs is nothing new and is part of frequent tests it runs with its audio -- just as other streaming services do regularly. "We always appreciate feedback, but these reports are inaccurate," a SoundCloud spokesperson told Billboard in a statement. "SoundCloud has not altered its approach to audio quality. We have been using the Opus codec (among others) since 2016, and we regularly test different combinations of encoding and streaming to offer listeners a quality experience on any device. Furthermore, we store all content from creators at its originally uploaded quality level so we can continually adapt to advances in encoding and playback."

An anonymous reader shares a report: Look for Jimmy Iovine to leave Apple Music in August. The former Interscope CEO joined Apple in 2014 after selling Beats, the the music service and electronics business that he and Dr. Dre co-founded, to the tech giant for $3 billion. It is believed his departure is timed to his Apple shares fully vesting, sources tell Billboard. Iovine's ties to Apple go back to 2003 when he first met Apple founder Steve Jobs and exec Eddy Cue, and was a key proponent of Apple's iTunes and iPod. Apple Music, Apple's subscription streaming service, has expanded to more than 30 million paying subscribers since its June 2015 launch. That success is, in part, due to Iovine's focus on content, including developing original programming.

Amazon is planning to retire its Music storage subscription service, the plan that enabled Amazon customers to upload their own music to the company's servers. From a report: Amazon Music Storage subscription plans, which let users upload music from their Mac or PC and stream them alongside the in-app on-demand and radio options, will be accepted until Jan. 15, 2018. Then, the service will run until January 2019, when it will be removed entirely. As of Monday this week, free plans -- which allow for 250 songs to be stored in the cloud -- are no longer able to upload new music to their MP3 locker.

PayPal has filed a trademark infringement lawsuit against Pandora, arguing that the company's minimalist logo "dilutes the distinctiveness" of its own branding. "Element by element and in overall impression, the similarities between the logos are striking, obvious, and patently unlawful," the lawsuit alleges. Billboard reports: In October 2016, Pandora announced it was redesigning its logo from a thin, serifed "P" into the chunky, sans serifed "P" that it is today. The color scheme was also changed from midnight blue to a softer shade of blue. By comparison, PayPal's logo, active since 2014, also features a minimalist-looking "P" in a sans serif font and sporting a blue color palette. PayPal's mark actually consists of two overlapping and slanted "Ps," whereas Pandora keeps it to one. Both P's lack a hole. It is because of these similarities that PayPal believes customers of both companies are unable to distinguish the two, and that many are complaining about inadvertently opening Pandora instead of PayPal on their smartphones. The lawsuit includes various screen grabs, primarily from Twitter, of people noting the similarities. PayPal's lawsuit also points out Pandora's current struggles as a brand, saying that since it is primarily an ad-supported service, it "has no obvious path to profitability," especially given "overwhelming competition" from the likes of Spotify and Apple Music. The suit alleges that Pandora purposely "latched itself on to the increasingly popular" PayPal logo look-and-feel as part of its efforts to reverse its fortunes.

The ongoing tussle between YouTube and the music industry took a new turn this week when Google assured everyone that its video platform doesn't have any negative impact on the other streaming music services -- despite all the free music it offers. From a report: A Google-commissioned report into how YouTube impacts on the wider music economy has -- somewhat unsurprisingly -- found that the hugely popular, yet much-maligned platform significantly drives sales and stops users from visiting pirate music services. According to a European study carried out by RBB Economics, if music content was removed from YouTube around 85 percent of the time that users spend on the platform would switch to lower value channels, such as TV, radio or internet radio. RBB claimed there would also be a significant increase in time spent listening to pirated content (up 29 percent), while only 15 percent of heavy users, defined as someone who watches more than 20 hours of music videos per month, would switch to higher value offerings like subscription streaming services. In the U.K., that number increases to 19 percent; in France it's 12 percent. [...] In response, music trade bodies poured scorn on the paper's findings. "Google's latest publicity push once again seeks to distract from the fact that YouTube, essentially the world's largest on-demand music service, is failing to license music on a fair basis and compensate artists and producers properly by claiming it is not liable for the music it is making available," reads a statement from IFPI. "Services like YouTube, that are not licensing music on fair terms, hinder the development of a sustainably healthy digital music market," claimed the international trade body, repeating its regular call for tighter regulation around safe harbour licensing.

The global music industry grew by 5.9 percent in 2016, its fastest rate of growth since 1997, as revenue generated by streaming services surged 60 percent. From a report: The IFPI's Global Music Report (previously known as the Digital Music Report) states that trade revenue generated by the global recorded music industry climbed by 5.9 percent to $15.7 billion, with digital sales up 17.7 percent across the board. After digital revenue surpassed physical for the first time in 2015, digital hits another milestone in 2016, accounting for 50 percent ($7.8 billion) of all music sales for the first time. More importantly, 2016 marked the second successive year that the recorded music market grew after nearly two decades of continually falling sales during which revenues dropped by almost 40 percent at their lowest point. [...] Breaking down the Global Music Report findings, the mass adoption of streaming services such as Spotify, Amazon and Apple Music in both established and emerging markets is -- as expected -- the main driver behind the industry's sustained upturn.

In a wide-ranging interview with Billboard, Jeff Bezos, founder and CEO of Amazon, Blue Origin, and owner of The Washington Post, talked about music streaming business. He also talked about whether he desires to become the president of the United States. Excerpts from the interview: On music streaming business, being one of the late ones to join the party:Well, here's what I would say: We've been in the music category since 1998. It was the second category we launched after books. Our customers listen to a lot of music and we have a couple of freight trains kind of pulling the business along. One is Prime, and the other is Echo and Alexa.

On the prospect of seeing President Bezos and other political interests: Oh, no. I don't think so. No. I love my life. I love being an inventor. I love Blue Origin, my space company. I love The Washington Post. They are very good, but the Internet transition was difficult for them -- so I've been able to help them on that. But basically... I have a very full life. And I really like it.

Starting February 5th, Apple will be moving its entire international iTunes business from Luxembourg to its European headquarters in Cork, Ireland, according to a note sent to developers this week. The non-U.S. iTunes business consists of Apple Music and the individual stores for iTunes, iBooks and Apps. Internationally, iTunes is available in over 140 countries, while Apple Music is streaming in roughly 115 territories. Billboard reports: Apple announced its intentions to move its iTunes biz to Ireland in September when it transferred an estimated $9 billion of iTunes assets. At that time it also shuffled all existing developer contracts to Ireland-based Apple Distribution International. Like Luxembourg, Ireland is known for being a low-tax haven for international businesses. Last month, both Apple and Ireland announced they would appeal a record $14 billion tax bill from the European Commission, which earlier found it had been underpaying tax on profits across the European bloc from 2003 to 2014. Apple today is the biggest private employer in Cork, the Irish Republic's second-largest city, with a workforce exceeding 5,500. Economists estimate Apple's Cork operation pumps around $17 billion annually in salaries, tax and investment into the Irish economy.

Sprint has acquired a 33 percent stake in Jay Z's music streaming service Tidal, the two companies announced today. From a report: A source familiar with the matter tells Billboard that the purchase was for $200 million and that Jay and each of the company's two dozen artist-owners will remain part owners. As part of the deal, Tidal will become available to Sprint's 45 million retail customers, while the companies will partner for exclusives from its artists, according to a press release.

An anonymous reader quotes a report from Billboard: As Facebook continues to grapple with its role in proliferating "fake news" amidst the heated U.S. election this year, it has another showdown looming on the horizon -- this one with the music industry. In the wake of NMPA president/CEO David Israelite's op-ed in Billboard in October, in which he called out the social media giant for hosting videos with copyrighted music without securing licensing deals or paying creators, Facebook is working to develop a copyright identification system -- similar to YouTube's Content ID -- that would find and remove videos containing copyrighted music, a source tells Billboard. The story was first reported by the Financial Times. One music industry source, confirming Facebook's plans to develop a copyright ID system, says the company has a massive infringement problem in regards to music on the site. "They see the huge amount of traffic music content is responsible for on their platform and don't want to be on the wrong end of an artist fight," the person says. "They also see that there's a potential opportunity to position themselves as friendly to content creators as opposed to YouTube, so they are working fast to get this right." Talks between Facebook and the major labels are underway to license content moving forward, Billboard has learned, though they are still in the preliminary stages. In its report, the Financial Times referenced a source saying a deal would not be done before the spring.

An anonymous reader quotes a report from Billboard: As Facebook continues to grapple with its role in proliferating "fake news" amidst the heated U.S. election this year, it has another showdown looming on the horizon -- this one with the music industry. In the wake of NMPA president/CEO David Israelite's op-ed in Billboard in October, in which he called out the social media giant for hosting videos with copyrighted music without securing licensing deals or paying creators, Facebook is working to develop a copyright identification system -- similar to YouTube's Content ID -- that would find and remove videos containing copyrighted music, a source tells Billboard. The story was first reported by the Financial Times. One music industry source, confirming Facebook's plans to develop a copyright ID system, says the company has a massive infringement problem in regards to music on the site. "They see the huge amount of traffic music content is responsible for on their platform and don't want to be on the wrong end of an artist fight," the person says. "They also see that there's a potential opportunity to position themselves as friendly to content creators as opposed to YouTube, so they are working fast to get this right." Talks between Facebook and the major labels are underway to license content moving forward, Billboard has learned, though they are still in the preliminary stages. In its report, the Financial Times referenced a source saying a deal would not be done before the spring.

Sean Parker has now donated nearly $9 million in his effort to legalize marijuana in California. An anonymous Slashdot reader quotes Billboard: Whether it's founding Napster, guiding Facebook or investing in Spotify, Sean Parker has developed a reputation for pushing change forward, and now he's at the forefront of California's marijuana legalization movement... [A] competing proposal from the Coalition for Cannabis Policy Reform was folded into Parker's, making his the leading ballot measure, by default, for 2016 in a state with the largest medical marijuana market in the country.
The U.S currently has a hodgepodge of legislation, with marijuana entirely legal only in Colorado, Washington, Oregon and Alaska, as well as in the District of Columbia, and in individual cities in Michigan and Maine. But with five more states now voting on legalization, pro-marijuana campaign ads are being broadcast in Massachusetts, Maine, Nevada, California and Arizona. ("You decide who wins -- criminals and cartels, or Arizona schools?") And meanwhile, Slashdot reader schwit1 has identified one voter who's definitely opposing police efforts to hunt down marijuana growers: All that remains of the solitary marijuana plant an 81-year-old grandmother had been growing behind her South Amherst home is a stump and a ragged hole in the ground... Tucked away in a raspberry patch and separated by a fence from any neighbors, the [medicinal] plant was nearly ready for harvest when a military-style helicopter and police descended on Sept. 21...

Google has signed a multi-year licensing deal with LyricFind, a Toronto-based firm that provides lyrics of songs. As a result of the collaboration, users will now see song lyrics directly in the search results, both the companies have announced. From a BillBoard report:A query for the lyrics to a specific song will pull up the words to much of that song, freeing users from having to click through to another website. Google rolled out the lyrics feature in the U.S. today (June 27), though it has licenses to display the lyrics internationally as well. While the terms of the deal weren't disclosed, LyricFinder Chief Executive and co-founder Darryl Ballantyne projects publishers and songwriters seeing "millions" of dollars in additional revenue from this arrangement.The move comes six years after Microsoft partnered with LyricFind to display lyrics on Bing.com (Archived link).

Dan Rys, reporting for Billboard:As streaming continues to consolidate its foothold as a major force in the music-listening community, more and more players are getting into the increasingly crowded space. Today, BitTorrent announced it is adding an ad-supported streaming option to its BitTorrent Bundle offerings, which is officially re-launching as BitTorrent Now. But before anyone thinks the company is throwing its hat into the ring alongside Spotify, Apple Music and Tidal (or even Netflix and Hulu), BitTorrent Now isn't designed as a full-catalog competitor. Rather, its streaming component will be part of the distribution framework established with BitTorrent Bundle in 2013, giving artists who use its direct-to-fan platform the option to allow fans to stream their releases rather than download them. BitTorrent Now is currently available as an app on Android devices, with iOS and Apple TV apps on the horizon "shortly," according to a rep.

Thanks to subscription-based music streaming services, the music industry is seeing a significant growth for the first time in nearly two decades. According to International Federation of the Phonographic Industry (IFPI), an industry trade group, the global music sales rose 3.2 percent last year, also surpassing those from all physical music formats. The important tipping point in 2015 saw digital services account for 45 percent of recorded music revenue. According to the report, Spotify, Apple Music and other music streaming services brought in about $2.9 billion in revenue. The findings are in line with Recording Industry Association of America (RIAA)'s estimates from last month. IFPI also noted that music on free streaming services such as YouTube has also grown quickly, creating a panic among record labels and artists alike. Billboard elaborates that aspect: In criticizing ad-supported services, the IFPI joined a growing list of trade bodies and music company executives to criticize YouTube for paying royalties that are relatively low when considering its popularity. The report argues YouTube distorts its negotiations with labels by hiding behind the DMCA "safe harbor" rules that limit the liability of online intermediaries from the infringing actions of their users. The result, the IFPI argues, is YouTube can use an "act first, negotiate later" that "fundamentally distort[s] the negotiation process."

vivaoporto writes: NPR reports that "Happy Birthday to You", one of the most recognized songs in the English language, is the subject of a class action complaint over the validity of its copyright. The publisher Warner/Chappell Music owns the copyright to the "Happy Birthday" song and anyone who wants to use the song must pay a licensing fee. How did Warner/Chappell get the rights? "This is where it gets complicated," says Jennifer Nelson. She is working on a documentary about the song and paid for the rights to use it. Now she's suing Warner/Chappell to get her money back, arguing it's part of the public domain. "I think it's going to set a precedent for this song and other songs that may be claimed to be under copyright, which aren't," says Newman. The Courthouse News Service have more information about the pending suit.

mrspoonsi writes with this excerpt from Billboard: 'On Tuesday, the U.S. Department of Justice told a Virginia federal judge that Kim Dotcom and cohorts have no business challenging the seizure of an estimated $67 million in assets because the Megaupload founder is evading prosecution. The government brought criminal charges against Dotcom in early 2012, but he's been holed up in New Zealand awaiting word on whether he'll be extradited. The government got antsy and this past July, brought a civil complaint for forfeiture in rem, a maneuver to firmly establish a hold over money from bank accounts around the world, luxury cars, big televisions, watches, artwork and other property allegedly gained by Megaupload in the course of crimes. Dotcom is fighting the seizures by questioning the government's basis for asserting a crime, saying "there is no such crime as secondary criminal copyright infringement," as well as challenging how the seized assets are tied to the charges against Dotcom. But according to the U.S. government, Dotcom doesn't get the pleasure of even making the arguments. In a motion to strike, the government cites the doctrine of fugitive disentitlement, which bars a person from using the resources of the court if that person is aware of prosecution and is evading it.

An anonymous reader writes "Canadian law professor Michael Geist reports that the Canadian arm of the RIAA is calling for new Internet regulation, including website blocking and search result manipulation. While the Canadian music industry experienced increased digital sales last year (sales declined in the U.S.) and the Ontario government is handing out tens of millions of tax dollars to the industry, the industry now wants the government to step in with website blocking and ordering search companies to change their results to focus on iTunes and other sales sites."

An anonymous reader writes "Canadian law professor Michael Geist reports that the Canadian arm of the RIAA is calling for new Internet regulation, including website blocking and search result manipulation. While the Canadian music industry experienced increased digital sales last year (sales declined in the U.S.) and the Ontario government is handing out tens of millions of tax dollars to the industry, the industry now wants the government to step in with website blocking and ordering search companies to change their results to focus on iTunes and other sales sites."

chipperdog writes "NorthPine.com reports: 'ASCAP is firing back against Pandora Radio's attempt to get lower music royalty rates by buying a terrestrial radio station, "Hits 102.7" (KXMZ Box Elder-Rapid City). In a petition to deny, ASCAP alleges "Pandora has failed to fully disclose its ownership, and to adequately demonstrate that it complies with the Commission's foreign ownership rules." ASCAP also alleges that Pandora has no intention of operating KXMZ to serve the public interest, but is rather only interested in obtaining lower royalty rates. Pandora reached a deal to buy KXMZ from Connoisseur Media for $600,000 earlier this year and is already running the station through a local marketing agreement.'"

New submitter duSoliel wrote in with news that another musician is complaining about a lack of royalties from streaming music services. This time, however, the musician is going after MediaNet (once known as MusicNet) which acts as an intermediary source for licensing songs to streaming music services that did not manage to gain compulsory licensing from the Copyright Royalty Board. MediaNet has a storied history riddled with lawsuits from the Harry Fox agency among others; a suit brought last year alleged that around a quarter of MediaNet's catalog was improperly licensed, but was settled privately out of court. Now, Aimee Mann is suing them for failure to properly license 120 of her songs, seeking $18 million in damages. From the article: "... she entered into a license agreement in 2003 with MediaNet (then known as MusicNet). The term of the license agreement was scheduled to end in 2006 but had automatic two-year extensions unless terminated by either party. Mann's representative is said to have sent a termination notice in 2005, but nevertheless, 'MediaNet continued after the Termination Date to transmit, perform, reproduce and distribute the Compositions as part of MediaNet's service, despite having no right or license to do so.' ... Besides suing for direct infringement, Mann is also claiming that MediaNet induced its business partners to commit copyright infringement. Mann also says she has not been paid any royalties by the company since Sept. 30, 2005 with the exception of a $20 advance this past March that was returned." The perils of not having sane compulsory licensing for Internet radio?

An anonymous reader writes "The RIAA is once again at their old tricks. The band Nine Inch Nails has intentionally 'leaked' songs via USB keys hidden at restrooms during their current European tour. Sites hosting the songs are now being sent cease and desist orders. 'Ironically, with its numerous pirated downloads available, the whole album has not leaked yet. According to a source, the only leaks are the ones Reznor approved himself. And whether he realizes it or not, Reznor may be building a new option for presenting music that augments the existing CD/tour scenario.'"

Joey Patterson writes "CNET is reporting that Velvet Revolver's new album, 'Contraband', which is protected with SunnComm's anti-copying technology, has topped the U.S. album charts. The SunnComm and BMG execs quoted in the article say that they're pleased with the apparent consumer acceptance of the anti-piracy technology, but they have been hearing questions about how people can get the copy-blocked songs from the CD onto an iPod."

prostoalex writes "The 99 cent downloads are stirring some discussion in the music community. Linkin Park, Radiohead, Madonna, Jewel and Green Day are protesting music stores' policy of single-song downloads and introduce some stipulations, requiring their work to be sold as albums. "The fear among artists is that the work of art they put together, the album, will become a thing of the past," says attorney Fred Goldring, whose firm represents Will Smith and Alanis Morissette."

physicsnerd writes "According to this article on Billboard.com, Apple's iTunes Music store sold 275,000 tracks in its first 18 hours of operation. The Register.com estimates that this netted Apple just under $100,000! Not too bad for a 99 cents store." Impressive considering the connection problems people were having. Remains to be seen what usage will be after the hype settles down.

physicsnerd writes "According to this article on Billboard.com, Apple's iTunes Music store sold 275,000 tracks in its first 18 hours of operation. The Register.com estimates that this netted Apple just under $100,000! Not too bad for a 99 cents store." Impressive considering the connection problems people were having. Remains to be seen what usage will be after the hype settles down.

jonerik writes "Billboard is reporting that Sen. Russ Feingold (D-Wisc.) has reintroduced his Competition in Radio and Concert Industries Act, which is aimed at limiting the concentration of radio stations and concert promoters in the hands of a few large companies, such as Clear Channel. In addition, the bill would close loopholes in payola laws which currently permit 'pay-for-play' deals between record companies and radio stations 'unless an appropriate sponsorship identification announcement is made.' The bill's introduction comes as the Senate Committee on Commerce, Science, and Transportation prepares to hold a hearing Thursday on the problems of radio consolidation, and the committee's chairman, Sen. John McCain (R-Ariz.), is expected to sign on soon as the bill's co-sponsor."

jonerik writes "Billboard is reporting that Sen. Russ Feingold (D-Wisc.) has reintroduced his Competition in Radio and Concert Industries Act, which is aimed at limiting the concentration of radio stations and concert promoters in the hands of a few large companies, such as Clear Channel. In addition, the bill would close loopholes in payola laws which currently permit 'pay-for-play' deals between record companies and radio stations 'unless an appropriate sponsorship identification announcement is made.' The bill's introduction comes as the Senate Committee on Commerce, Science, and Transportation prepares to hold a hearing Thursday on the problems of radio consolidation, and the committee's chairman, Sen. John McCain (R-Ariz.), is expected to sign on soon as the bill's co-sponsor."