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Eldred v. Ashcroft Oral Arguments

PMuse and others wrote in about the oral arguments held today in the Eldred v. Ashcroft case challenging the most recent 20-year retroactive extension of copyright terms. Google News will cover the mainstream news stories about it; transcripts of the arguments will eventually be posted; but as I write this the only first-hand reports appear to be LawMeme and the Associated Press. Reader McSpew adds a link to a piece by Steven Levy explaining the importance of Eldred v. Ashcroft and what's really at stake. Update: 10/09 19:12 GMT by T : khkramer links to his own summary of the arguments, writing "I have press credentials at the court, so I was able to take notes during the argument, and in the summary I tried to cover all of the major issues that the Justices asked about."

214 of 422 comments (clear)

  1. No Doubt We'll See This Article Again by syntap · · Score: 2, Informative

    "The Court's current contract Courtroom reporter, Alderson Reporting Company, provides transcripts of oral arguments for posting on this Website within 10-15 days after the transcripts are complete."

    Hard to comment when the transcripts are at least 2 weeks out. Vapor transcripts!

  2. Not looking forward to the outcome by lunenburg · · Score: 5, Interesting

    As much as I don't want it to happen, I'm 99% convinced that the Supreme Court will side with Disney, et al. I just don't see them actually taking a reasonable view of the Constitution and understanding that unlimited extensions equal an unlimited time.

    And when they decide in Disney's favor, that will be a big flashing green light for Congress to sell out all other IP-related protections for the citizens without a second thought.

    Say goodbye to the Public Domain. It was fun while it lasted. :-/

    1. Re:Not looking forward to the outcome by Moonshadow · · Score: 4, Interesting
      Sadly, I have to agree with you. These days, legal battles aren't about who's right, but who has more money to toss around. See the Nissan v. Nissan case.

      This is a very disturbing trend we're seeing - the eradication of public domain and fair use rights through one-sided court battles. The question is, how long till a) there's a large scale backlash, or b) we have no fair use rights at all.

      This is genuinely scary stuff.

    2. Re:Not looking forward to the outcome by Xeriar · · Score: 5, Insightful

      I would disagree. When the Supreme Court finds the wording of the Constitution too vague, they look at the intent of the Founding Fathers, of whom Thomas Jefforson was quite clear on the issue - that one generation shall not have control over the next.

      My fingers are crossed, of course, but I am more hopeful.

    3. Re:Not looking forward to the outcome by Planesdragon · · Score: 5, Interesting

      understanding that unlimited extensions equal an unlimited time.

      Nah. the SC just needs to decide what the absolute limit to "reasonable time" is, and state that as their interpretation.

      And when they decide in Disney's favor, that will be a big flashing green light for Congress to sell out all other IP-related protections for the citizens without a second thought.

      Come again? (are you saying that IP protections are good or that they're bad? Hard to grammatically determine your meaning, even if I can guess it.)

      Let's look at the various forms of IP law:

      Trademarks: Allready long-term, with required renewal and defense. No real problems there.

      Patents: Limited term, no extension, and it makes "trade secrets" a matter of the public record after 20 (or so) years.

      Copyright: Good side -> artists and authors don't have to be paranoid about their work being stolen by shady producers. (Bad contracts, yes, but not simple theft.) Bad side -> it lasts so darn long...

      Personally, I predict that Disney et all will win, but the SC will render an opinion with language that implies or outright states that the current setup is the extreme maximum that should be permitted to copyright--or at least that it's approaching a constitionally breaching overextension.

    4. Re:Not looking forward to the outcome by neocon · · Score: 4, Insightful

      This is a very good point -- and is an example of why it is so important to have strict constructivist judges on the Supreme Court. As long as it is understood that the Founders meant something by the words they put on paper, it is possible to say that the law means something. There may still be plenty of disagreements as to what the Founders meant, but they can generally be resolved. When the Constitution does need to `evolve', or `change', this can be done through the mechanism the Founders provided for it to do so -- Constitutional Ammendments.

      In contrast, if we take the increasingly common, but frightening, view that the Constitution is a `living document', whose meaning `evolves' with the times, then the Constitution can be constantly reinterpreted to mean whatever each generation of judges think it would be best for society for it to mean.

      Some may be willing to trust that this reinterpretation will always be done honestly, without reference to special interests, ideological aims, or corrupt goals, but IMHO it is much better for the stability of our system of government that we not make such trust the basis of the rule of law.

    5. Re:Not looking forward to the outcome by lunenburg · · Score: 2

      Patents: Limited term, no extension, and it makes "trade secrets" a matter of the public record after 20 (or so) years.

      Of course, if Congress decides in favor of Disney, you could see patents getting the same "enhancements" that copyrights are getting now (length extension, retroactive extensions, etc.)

      That's the kind of stuff I meant. I don't think that all IP protections are bad, only that Congress has been swinging the benefits of IP protection (which should be a compromise between the good of the inventor and the good of the public) much too far in favor of the inventor.

    6. Re:Not looking forward to the outcome by poopsie · · Score: 5, Funny

      When the Supreme Court finds the wording of the Constitution too vague, they look at the intent of the Founding Fathers, of whom Thomas Jefforson was quite clear on the issue - that one generation shall not have control over the next.

      Um...Isn't looking to Jefferson for the definitive answer in effect having one generation control the next?

    7. Re:Not looking forward to the outcome by poot_rootbeer · · Score: 2

      Nah. the SC just needs to decide what the absolute limit to "reasonable time" is, and state that as their interpretation.

      The Constitution doesn't say that the amount of time has to be "reasonable". It only says it has to be "limited". Thus the Supreme Court has no authority to impose a "reasonable" restriction onto the law.

      Besides which, the absolute limit of "reasonable" may not be so absolute... what's reasonable to us to day may be entirely unreasonable to our grandchildren's generation.

    8. Re:Not looking forward to the outcome by Moonshadow · · Score: 4, Insightful

      I'm not talking so much about the laws themselves as the precedents of interpretation of those laws set by the courts. Precedent is an amazingly powerful tool in today's legal system, and while laws are passed, it's up to the courts to determine their scope and applicability when those laws are questioned. The outcome of those cases can have a massive effect on the future of our rights. If the courts today favor corporate interests over personal rights today, then in 10 years, a judge will look at this case and say "based on the ruling in case X, I find the defendent guilty of offense Y through precedent Z".

      This isn't about 1 ruling - it's about precedent.

    9. Re:Not looking forward to the outcome by Brian+Ristuccia · · Score: 2
      Sadly, I have to agree with you. These days, legal battles aren't about who's right, but who has more money to toss around. See the Nissan v. Nissan case.

      That's a poor example. In the end, Uzi Nissan wound up keeping nissan.com for his computer shop. The automaker is at http://nissandriven.com/ or http://nissanusa.com/

    10. Re:Not looking forward to the outcome by dachshund · · Score: 5, Insightful
      For each case you can name where money comes out on top, I can name a case where the party with more money came out on bottom

      Well, sure. Our justice system isn't 100% broken, but that's hardly a defense. If someone who's clearly in the wrong can triumph even 10% of the time simply because they've got lots of resources, then something's badly wrong; you don't need to see a 100% success rate before you cry foul.

      Courts are meant to be restrained. They are meant to take the word of the people (aka CONGRESS) unless the law is illegal

      Congress is also meant to be restrained. If it wasn't, the Framers wouldn't have written in so many checks and balances on its power. The constitution would be a whole lot shorter.

      Personally, I think the unlimited ability to retroactively extend copyright spits on the notion of "limited times", both as the Framers intended it and as the Court has previously ruled on such constitutional limitations (ie, if you can't point to a concrete limit on a Congressional power, you can't call it "limited".)

      Therefore the law is clearly illegal. And from that point, there's not much else to say to your argument.

    11. Re:Not looking forward to the outcome by lynx_user_abroad · · Score: 2
      what's reasonable to us to day may be entirely unreasonable to our grandchildren's generation.

      Which is the hidden heart of the problem. If we agree that 100 years is reasonable, but the "next generation" decides that 150 years (or anything greater than 100) is "more reasonable" to them, there's no problem with extending the copyright term. Right?

      But if the next generation decides that 50 years (or anything less) is "more reasonable" to them, they still have to wait 100 years for the "just granted" copyrights to expire.

      I am an author. The works I create today (heck, this post is an example) are covered under copyright for a term equal to my life plus 70 years. I can claim (and even if it's not true for me, other will claim) that I produced this work only under the expectation that I would have the currently granted term to benefit from this creation. If a law is passed which takes a portion of that term from me, am I not entitled to compensation for that taking?

      Now think of all the "works" being published today (on and off the Internet) and then imagine trying to "buy out" even a year's worth of copyright term from evey blogger, IRC'er and USENET poster (spammers?) and you can see how the cost would be prohibitive. (Run the equation in reverse, and you find out how much of the public domain Congress gave away each time they extended the copyright term.)

      We are just now waking up to the fact that current copyright law has created a situation which will take the better part of a century to correct. It was bought by our parents with their children's inheritance. They never felt the pain, but we will. We just haven't felt the pain yet.

      There is an option, and even a precedent for it, but you won't like it. President Lincoln issued the Emancipation Proclamation (1863) during the American Civil War which had a similar effect. Slave Owners had millions of dollars worth of what was at that time considered to be "property" taken from them with the stroke of a pen (later backed by a constitutional amendment), but many argue that could only have taken place in the context of a protracted and particularly bloody civil war civil. And in that case, it was done to free people, not just some Mickey Mouse. I don't know if the same political will can be mustered in this case over some Robert Frost poems.

      If copyright law is going to be corrected at all, it may take a century or more, or it may (God forbid!) happen as the result of a great catastrophy (similar in scope to the Civil War) but I think it's safe at this point to say that none of the easy roads has panned out.

      --

      The thing about things we don't know is we often don't know we don't know them.

    12. Re:Not looking forward to the outcome by grumpygrodyguy · · Score: 2

      Um...Isn't looking to Jefferson for the definitive answer in effect having one generation control the next?


      Um, no because Jefferson's generation was the only generation to be the first generation in the US.

      --
      The government has a defect: it's potentially democratic. Corporations have no defect: they're pure tyrannies. -Chomsky
    13. Re:Not looking forward to the outcome by foobar104 · · Score: 3, Funny

      Um...Isn't looking to Jefferson for the definitive answer in effect having one generation control the next?

      When I find somebody presently living who's as wise as Jefferson was, I'll listen to him. Until then, the dead white male trumps.

    14. Re:Not looking forward to the outcome by Ian_Bailey · · Score: 2
      "There may still be plenty of disagreements as to what the Founders meant, but they can generally be resolved."

      Can they? Isn't that generalizing just a tad bit? I'd argue that these disagreements are causing the fundamental arguments in the first place, and that the bulk of this case (and, more generally, most copyright law) is trying to figure out what they meant. Words can be construed to lots of different meanings. Just look at the bible.

      It's like saying, "There are problems with Deuterioum Fusion, but it's just a few details that could be figured out."

    15. Re:Not looking forward to the outcome by neocon · · Score: 4, Insightful

      It is certainly correct that there can be long-standing disagreements over the Founders' intent -- that's why we need a Supreme Court, so that such disagreements can be resolved. If we move to a system where the Constitution is a `living document', however, any disagreement over the law is grounds for court action, however, and chaos ensues.

      To use the current case as an example, it is pretty clear that there is room for argument as to what the Founders meant by a `limited Times' when they said

      To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;
      but it is equally clear that an argument that the Constitution has to `evolve' to `meet the times' by interpreting `for limited Times' as `forever' would be out of line.
    16. Re:Not looking forward to the outcome by catfood · · Score: 2

      I'm no expert, but it seems to me that of all courts the SCOTUS would be the one where money matters the least. It's all oral arguments, no expert witnesses, no witnesses of any kind, briefs limited in length, motions severely limited... all the things that make trials long and costly are off the agenda.

      Also, federal judges have lifetime tenure, so there's hardly a reasonable way to influence them with money. You clearly can't contribute to their re-election campaigns; short of an outright bribe, what else is there?

      Now getting to SCOTUS, that's another thing. It's a complex system with many layers, each of them costing money.

      I have some confidence that the Supremes will rule on the merits of the case as they see them. Regrettably, it's a rather pro-corporate Court so I'm not terribly hopeful of the outcome.

    17. Re:Not looking forward to the outcome by sphealey · · Score: 2
      For every case where you can name a big time moneyed winner, I can name a small time non-moneyed winner. That implies a 50/50 split between money winning and money not winning. Therefore, the system isnt dependent on money. Its a simple stastical/logic problem.
      Could you provide some of those examples please? From cases decided in the last 15 years? Even leaving aside the situations where Joe Citizen gave up because he couldn't afford to fight Big Corp to the Supreme Court, I have a hard time coming up with a lot of cases where a monied interest lost vs. the interests of the average Citizen. I hope you can prove me wrong, but as the voice in the Mouse Hunt trailer said, "I don't think so!

      sPh

    18. Re:Not looking forward to the outcome by catfood · · Score: 5, Insightful

      Judges seem to have a tendency to reject overly literal interpretations that defy common sense.

      I believe it was one of Eldred's briefs that said something like: by calling for "limited" copyright terms, the Founders couldn't have possibly meant this, because they never would have chosen that wording. They might have written "...blah blah exclusive rights for a duration of Congress's chusing..." or some such. Yes, strictly and mathematically speaking if you add a "limited" extension to a "limited" term you will still have a "limited" term, but that's a pedantic reading that no reasonable person would think of as the most obvious way to understand the text.

      It would be like literally reading all the male pronouns in the Constitution in order to draw the conclusion that no woman should be allowed to serve in federal elected office. It's defensible only in the twisted logic of someone with an unhealthy agenda but makes no sense in a reasonable context.

    19. Re:Not looking forward to the outcome by dachshund · · Score: 5, Insightful
      The law isnt clearly illegal. The part of hte law about retroactivity may be illegal as you describe it. However, for new works, created today, the law is most likely valid.

      I agree with you. Lawrence Lessig and the plaintiffs agree with you. Nobody is saying that Congress can't set any term they want for new works. Hell, the plaintiffs' brief makes that clear. However, Congress can't retroactively extend copyright terms, which is the crux of the case.

      Now here's the problem: the way the law is written, if you throw out one portion (the retroactive extensions), the rest of the law can't stand on its own. I don't purport to understand the full legal reasoning-- it's pretty arcane-- but it has something to do with severability and the court having to substantially rewrite law in order to make the changes (and courts don't like to do that.)

      Plaintiffs aren't saying that the court shouldn't do that if it wants to-- all they're saying is that they want to throw away the retroactive part. Period. If Congress wants to meet tomorrow and extend the protection for new works to say, a million years, they could do so without fear of legal challenges.

      No, no. See, if money were the deciding factor, or even a factor at all, then you'd expect to see the side with the most money winning over 50% of the time.

      You've sent statistics into a place where they just don't want to be. Here's an example that might clear things up: if a group of people goes to our legal system arguing that the United States is on the continent of Africa, they should see a 0% success rate. Anything other than a 0% success rate indicates that there's a problem with our system. You don't have to see a 100% or even a 50% rate in order to realize that something is wrong.

      Now let's imagine that some percentage (say 10%) of the US-is-in-Africa plaintiffs are prevailing. Now it might be informative to look at the winners of this ridiculous case and see what percentage are wealthy. And if a huge percentage were, you'd have some evidence that maybe things weren't working right.

      What you're doing is saying "well, sure 100 wealthy people won on the 'US-is-in-Africa' argument, but look over here; at least 100 poor people won on the 'US-is-in-North-America' argument. Since we've got just as many poor people winning as rich people, the system is clearly not broken." Overlooking the fact that the folks who won the second argument won it because they were right, while the folks who won on the first argument won despite the fact that they were wrong.

      I'm not saying that every rich person has a bad case. I am saying that I believe there have been a fairly large number of cases where one side prevailed despite the fact that they had a crap case-- but simply had the legal resources to win out. Your argument-- that poor people sometimes win their cases too-- doesn't address this.

    20. Re:Not looking forward to the outcome by cardshark2001 · · Score: 2, Funny
      You've sent statistics into a place where they just don't want to be. Here's an example that might clear things up: if a group of people goes to our legal system arguing that the United States is on the continent of Africa, they should see a 0% success rate. Anything other than a 0% success rate indicates that there's a problem with our system. You don't have to see a 100% or even a 50% rate in order to realize that something is wrong.

      Well, IANAL, but there's no *law* against the US being on the continent of Africa, is there? IIRC, there is also nothing in the constitution about the US being located in Africa. You're gonna have to come up with a stronger argument than that!

      --
      WWJD? JWRTFA!
    21. Re:Not looking forward to the outcome by jadavis · · Score: 2, Insightful

      Excuse me, but how did you arrive at "clearly illegal"?

      I suppose I shouldn't expect much from someone who writes "Therefore the law is clearly illegal".

      So, if it's all so clear, why the debate? Why isn't it over? I'm strongly against the increase in copyright, but I'll fight it in the November elections. I don't believe the US Supreme Court would be within it's bounds to declare that law unconstitutional.

      The US Constitution includes the copyright clause , but doesn't specify a limit, rather states that any such grant must be limited. So, it seems apparent to me that the framers intended for Congress to modify the duration. Modifying the duration implies the ability to decrease or increase the duration. It seems we've only had increases, but I don't see anything unconstitutional about that (I do see something wrong with that maybe, and like I said, elections in November). Would you be happier if Congress decided: "OK, this is the last increase ever. We're fixing the copyright term at 50,000 years". That's limited.

      Oh, and as for promoting progress? That should be for Congress to decide as well. Retrospective extensions can't promote progress you say? Interesting point, but flawed. When you are going to produce a work, you know that copyright duration can be changed, either up or down. You might be more likely to produce the work if the U.S. has a long history of keeping the duration high. That seems similar to the argument that "Why don't we just erase everyone's debt?". Sure, we could, but nobody would trust Congress afterward, and nobody would ever invest or loan money in the U.S. again. I'm not saying it's always helpful to retrospectively increase the duration of copyright, but it can be. That's for Congress to decide.

      Get out and vote, or campaign for the reps you want. If everyone spent an almost insignificant amount of their income supporting "good" candidates, that's way more than special interests could possibly spend. Or you could also boycott corporations that pay for bad legislation.

      --
      Social scientists are inspired by theories; scientists are humbled by facts.
    22. Re:Not looking forward to the outcome by John+Miles · · Score: 2

      Personally, I think the unlimited ability to retroactively extend copyright spits on the notion of "limited times"

      You're right. The trouble Lessig is encountering, though, has to do with the fact that 70 years is not "unlimited." The Bono Copyright Act doesn't grant any unlimited terms; it just extends the existing terms. The Supremes are likely to sympathize with Lessig's argument on a personal basis, but they won't (or at least shouldn't) hand down a judgement based on gut feelings. Unfortunately, I don't think this dog's gonna hunt.

      --
      Dahlmann tightly grips the knife, which he may have no idea how to use, and steps out into the plain.
    23. Re:Not looking forward to the outcome by rodgerd · · Score: 2

      There's de jure unlimited and de facto unlimited - and that's the problem. Allowing retrospective extensions every time copyrights may expire, or setting up terms which exceed the average person's lifetime by a vast amount may be, in a narrow sense, limited, but are not in any reasonable sense.

    24. Re:Not looking forward to the outcome by Daniel · · Score: 2

      I'm strongly against the increase in copyright, but I'll fight it in the November elections.

      How? What politicians will fight the copyright interests on this?

      I'm going to vote this November, but I don't believe that any of my choices even have an opinion on this topic, let alone a well-informed opinion or one that I would agree with. (and I'm afraid that the ones who do are most likely third-party candidates: raving lunatics and/or thoughtful people with a snowball's chance in hell of winning)

      Daniel

      --
      Hurry up and jump on the individualist bandwagon!
    25. Re:Not looking forward to the outcome by cpt+kangarooski · · Score: 2

      Well, during the 2d half, some of the Justices seemed critical of the idea of a thousand year term being limited in any meaningful sense.

      What's upsetting them is to know where to draw the line -- 10 years, 50 years, 100 years... it's all characteristic of a question Congress would be better able to answer. Still, the Ct. pretty certainly is not going to surrender its power of judicial review over copyright, so it is nevertheless something they can still decide on.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    26. Re:Not looking forward to the outcome by Banjonardo · · Score: 2

      Miss Cleo. I think we should have a Cleocracy!

      --

      -----

      Score 3? For what? Being wrong, at length? - smirkleton

    27. Re:Not looking forward to the outcome by dachshund · · Score: 3, Interesting
      I suppose I shouldn't expect much from someone who writes "Therefore the law is clearly illegal". So, if it's all so clear, why the debate?

      Lighten up. You could just as easily look at a statement in the Plaintiffs' brief-- like "the decision of the [appeals court] ... was in plain error"-- and say, "if it was in plain error, why are we arguing about this now?" Of course, you'd be right, and you'd be missing the point-- it's just a manner of arguing.

      The US Constitution includes the copyright clause , but doesn't specify a limit, rather states that any such grant must be limited. So, it seems apparent to me that the framers intended for Congress to modify the duration. Modifying the duration implies the ability to decrease or increase the duration. It seems we've only had increases, but I don't see anything unconstitutional about that ... Would you be happier if Congress decided: "OK, this is the last increase ever. We're fixing the copyright term at 50,000 years". That's limited.

      To begin with, it has nothing to do with my happiness. That, as you say, must be satisfied through the political process. If Congress increased the copyright term for new works to 50,000 years, I would find that personally abhorrent. But it would be constitutional, and nobody's arguing that.

      The problem with retroactive term modifications is nothing to do with the lengths of the term or the fact that the modifications have all been increases. It's the fact that Congress has been granted a power with clear limits, but have found a technical way to achieve unlimited power by sticking to the letter (rather than the spirit) of the law. From the plaintiffs' brief:

      The limits of the Copyright Clause, like the limits of the Commerce Clause, are both express and "inherent in [the] text and constitutional context." Morrison, 529 U.S. at 619. As Judge Sentelle argued in dissent below, to determine their scope, a court must identify a "stopping point" to the enumerated power. [] If the government cannot articulate a practical stopping point to the expansion of Congress's power, then its understanding of that enumerated power is incomplete.

      In this case, the government could identify no such stopping point. So long as each extension of copyright terms was itself fixed, the government argued that the constitutional requirement was met. That reading, Judge Sentelle rightly found, renders the constitutional restriction meaningless. "[T]here is no apparent substantive distiction between permanent protection and permanently available authority to extend originally limited protection." [] Indeed, as is demonstrated below [], the government's interpretation creates precisely the destructive incentives that the Framers were trying to avoid. Thus under the principle of enumeration, a different interpretation of "limited Times" is required-- one that forbids retroactive extensions of existing terms.

      You're right that it's certainly possible to read the clause in the narrowest, legalistic sense possible. But to do so you would basically have to ignore the intent of the Framers, which was not compatible with a potentially unlimited copyright term through unlimited renewals.

      Furthermore, Congress saying "this is the last extension we'll ever pass, really" is meaningless. This Congress has no legal authority to prevent future Congresses from passing further extensions. Only guidance from the Court can do that.

      Oh, and as for promoting progress? That should be for Congress to decide as well. Retrospective extensions can't promote progress you say? Interesting point, but flawed. When you are going to produce a work, you know that copyright duration can be changed, either up or down. You might be more likely to produce the work if the U.S. has a long history of keeping the duration high.

      Or even keeping the duration unlimited :)

      You could just as easily make the following argument against that point of view: artists who created back in the 1920s could reasonably assume that their works would enter the public domain after a certain number of years (even if they or their heirs didn't care enough to do so explicitly). Therefore, a film-maker from that era had an expectation that his/her work might be free from restrictions before it completely degraded. Now, however, it's doomed to rot in a vault.

      I don't argue that there are some limited arguments to be made that retroactive extensions might promote progress. For instance, giving Disney a few billion in extra copyright royalties could very well lead directly to the creation of new works that wouldn't have been created otherwise. What Lessig et al. argue is that a) Congress has other means by which it can insure these ends (tax relief, prospective term extensions, etc.), and that b) on balance, the benefits don't bear out such an imposition on speech as guaranteed by the First Amendment.

      Incidentally, I'm very curious to see how this court rules on the First Amendment issue. The Appeals Court basically said that the First Amendment doesn't apply to copyright issues, and in support of this they referenced a case which may very well argue the opposite. Any way this comes down it may provide an instructive pile of precedents.

    28. Re:Not looking forward to the outcome by lynx_user_abroad · · Score: 2, Interesting
      ...if retroactive copyright extensions are constitutional, a retroactive copyright contraction [would] also be constitutional.

      My point was that no one objects when copyright terms are extended, because the party (the public) which is "paying for it" (by losing access to those works for the term of the extension) doesn't realize that they are incurring the cost. (With the recent extensions, the people losing access would not even be born yet.) When the situation is reversed, and the party paying for it becomes the authors (or the publishing companies as their representatives) they are sure to bring up the fact that contraction is going to cost them money. Anyone who agrees that such a contraction does cost an author/publisher money should have no problem agreeing that the reverse (the extension) costs the public money.

      I'll agree that if an extension is constitutional, then a contraction is just as constitutional. But one could go further to say that both the expansion and the contraction are unconstitutional, because they represent an uncompensated "taking" of private property (in one case from the public, in the other from the author) by the government. I won't make this argument; instead I raise it to show that the whole concept of treating Intellectual Property as real property has fundamental flaws which cannot be worked around.

      The Court has indicated it's reluctance to deal with this issue: that was the first question; If the Bono extension was unconstitutional, then all others were, and that's way too much for even the Supreme Court to bite off and chew.

      Instead, I would argue (as Jefferson did) that an Idea, once expressed, has no owner, and that it can only be treated as a property (and only has a value at all) because we have collectively chosen to pretend that it has a value; we have chosen to act as though the author can own it for a limited time and we assign the economic value to the author because of it. Should we collectively choose to no longer pretend that this illusion exists (as many P2P file swappers appear to have done) then such property (and the value associated with it) disappears as quickly as the waking from a dream. In this manner, then Disney has no claim to SteamBoat Willie other than the claim we have chosen to grant, and no protest to the contrary from Disney should be tolerated. Congress, however, appears to read things differently.

      Now, how we square "than the claim we have chosen to grant" and "Congress reads things differently" and "Congress represents us" is something I haven't fathomed."

      --

      The thing about things we don't know is we often don't know we don't know them.

    29. Re:Not looking forward to the outcome by mOdQuArK! · · Score: 2

      Actually, I believe that retroactive contraction of copyright lengths would still be legal - since it is just placing a stricter limit on existing copyrights, which fits into the relevant Constitutional phrasing.

      The argument against unlimited retroactive expansion of copyright terms is that there would be no effective "limit" in that situation.

    30. Re:Not looking forward to the outcome by Catbeller · · Score: 2

      Court isnt a place to undo bad legislation. It is a place to undo illegal legislation.

      This is indeed the stated philosphy of Scalia and the other "literalists".

      The thing is, the title of a judge in the SCOTUS is "Justice". The Court is not just about judging the illegality of laws passed by legislators. It also dispenses ultimate justice.

      This concept arouses the ire of "literalists", ie the idea that the Justices are to follow the exact letter of the Constitition in this regard. But frankly, in the case of Scalia and the five far-right members, they are most certainly using their position to ultimately promote their religious and social agenda. Abortions will be made unconstitutional; civil rights legislation will be removed, piece by piece; federal funding of religious groups will be permitted; torture of prisoners will be overlooked; the death penalty hallowed.

      Strict interpretation of their power's limits is convenient to the 5 if they want to destroy things they don't like about society. I remember one Justice's snide comments about druggy parents sending their kids to druggy schools last term.

      The SCOTUS is absolutely necessary to not only interpret constitutionality, but to insure justice when the President and the Congress go insane, and yes, even when the majority of the people of the U.S. side with the erring government. It took a Supreme Court to stop segregated schools, poll taxes, any number of heinous, popular things.

      Railing against activists judges, as Scalia and Thomas do, is insanely hypocritical considering that not only do they intend to use their office to change the religous and political orientation of the U.S., they installed a President of their liking, who agrees with their views and will install even more like-minded Justices on all levels of the judiciary to continue their social revolution.

      Their alleged distaste for activism is sneerworthy,

  3. Oral? by User+956 · · Score: 3, Funny

    Use of the word "Oral" is in violation of a recent Presidential order made on the request of John Ashcroft, shortly after he decided that the Supreme Court building was indecent.

    --
    The theory of relativity doesn't work right in Arkansas.
    1. Re:Oral? by dbrutus · · Score: 2

      Here's one link

  4. Ashcroft v. ${Everyone} by bay43270 · · Score: 3, Interesting

    Having voted for a dead man, simply to see Ashcroft loose his Senate seat, I get a special feeling to see so many people (at least on paper) seem to be against Ashcroft. (I'm still waiting for Preditor v. Ashcroft and Aliens v. Ashcroft)

    In retrospect, however, I wish he had won his re-election bid for Senate. He's doing much more harm now than he ever did as a Senator.

    1. Re:Ashcroft v. ${Everyone} by Door-opening+Fascist · · Score: 2, Interesting

      The interesting thing is that Ashcroft actually spoke out for copyrights when he was a senator. Here's one of things he had to say:

      Product manufacturers should remain free to design and produce the best available products, without the threat of incurring liability for their design decisions. Technology and engineersnot lawyersshould dictate product design. This provision reflected the working assumption that this bill is aimed fundamentally at so-called 'black boxes' and not at legitimate products that have substantial non-infringing uses. . . making it crystal clear that nothing in this legislation should be interpreted to limit manufacturers of legitimate products with substantial non-infringing uses.

      Citation: EFF

      He seems to have done a 180 since he became AG.

    2. Re:Ashcroft v. ${Everyone} by StenD · · Score: 2

      [blockquote] The interesting thing is that Ashcroft actually spoke out for copyrights when he was a senator. ... He seems to have done a 180 since he became AG.[/blockquote]Ashcroft's job as a Senator was to make law. Ashcroft's job as Attorney General is to enforce and defend the law. Whether or not he supports the law, he is obligated to defend it to the best of his ability. Whether or not he should be lobbying Congress for changes in the laws is debatable, but he shouldn't be criticised for doing the job he's supposed to be doing.

    3. Re:Ashcroft v. ${Everyone} by Eccles · · Score: 2, Informative

      On the otherhand, can anyone explain exactly why Ashcroft was choosen as the defendent?

      Because he's the U.S. Attorney General. From 1993-2000, Janet Reno's name was on all cases of vs. the federal government. As in, Eldred vs. Reno.

      --
      Ooh, a sarcasm detector. Oh, that's a real useful invention.
    4. Re:Ashcroft v. ${Everyone} by neocon · · Score: 2, Informative

      Yup. The current Attorney General is always listed as the defendant in such cases -- indeed this case started out as `Eldred vs. Reno'.

    5. Re:Ashcroft v. ${Everyone} by z4ce · · Score: 2

      Please tell me you don't have one of those bumper stickers "I'm still with mel." They make me want to throw up. Using someone's death as a method of political compaigning... what a strange concept.

      It's worth noting that Mel Carnahan was actually losing in the polls until he died. Some people will do anything to win. ;)

    6. Re:Ashcroft v. ${Everyone} by Bartab · · Score: 2

      He seems to have done a 180 since he became AG.

      Not necessarily. The Attorney General is required by law and by his office to defend laws to the best of his ability using all potential arguments. Doesn't matter if he agrees with them or not.

      --
      Any sufficiently advanced technology is indistinguishable from a rigged demo.
    7. Re:Ashcroft v. ${Everyone} by MindStalker · · Score: 2

      Well they definatly backed down from Microsoft. So I guess not! :)

    8. Re:Ashcroft v. ${Everyone} by dbrutus · · Score: 2

      The governor generally appoints replacement senators. In this case the gov. is a Dem so... nope.

    9. Re:Ashcroft v. ${Everyone} by StenD · · Score: 2
      Translation: He is a paid drone with no firm convictions, i.e., perfect for gov't work. He might as well be in the army.
      Or an employee anywhere. If you take public positions opposing your employer, and it's easy to identify you and your employer, you're not likely to have a job for very long either. The more prominent a position you hold in your employer's organization, the more true this is. If you're a senior executive where you work, and your bosses don't have a problem with your going out and telling everyone that they're full of it, good for you, but I really doubt that's the case.
  5. Lessig for Supreme Court? by photon317 · · Score: 3


    We should all use some hacktivism points to start a grassroots campaign to get Lessig nominated by some party for a Supreme Court seat when one is up.

    --
    11*43+456^2
    1. Re:Lessig for Supreme Court? by syrupMatt · · Score: 3, Informative

      The president nominates justices for the supreme court. Do you see him nominating a leftist to something which will probably be his longest lasting legacy, the stacking of the supreme court?

      No matter the grassroots campaign, it might raise some notice, but you are falling on deaf (<cheap obvious joke>okay, and dumb </cheap obvious joke>) ears.

      --
      "Moving through the masses like a fish through water." syrup
    2. Re:Lessig for Supreme Court? by foobar104 · · Score: 2

      The President nominates Supreme Court candidates, which are then confirmed by the Senate. It's not a party-based thing.

    3. Re:Lessig for Supreme Court? by martissimo · · Score: 2

      Since that is a pipe dream (especially considering current administration).

      I would gladly settle for Bush not having the opportunity to appoint a supreme court justice during his term, that could really be scary after seeing how cabinet apppointees like Ashcroft behave.

    4. Re:Lessig for Supreme Court? by photon317 · · Score: 2


      In response to this and the other replies - I still feel it's possible. If enough support was out there, the president and his party would be compelled to side with the people. People just aren't organized and motivated enough to do it. Bush Jr is probably more likely to elect a liberal judge than any other, seeing as he has an image he's trying to push of being fair an non-partisan.

      --
      11*43+456^2
    5. Re:Lessig for Supreme Court? by Stonehand · · Score: 2, Interesting

      It is, however, extremely ideological and replete with litmus tests, most obviously on Roe v. Wade, and has been the subject of rather mean-spirited conflict ever since, oh, the Bork episode. Hell, leftists even procured and published the man's video rental records (an act which is now illegal due to this very incident), and involving some $20M spent by both sides on advertising.

      --
      Only the dead have seen the end of war.
    6. Re:Lessig for Supreme Court? by photon317 · · Score: 2


      He is a very distinguished law professor in this country, I'm sure he's up to snuff as much as any other judicial candidate on basic skills. My point is that having someone like him who seems to have a better-than-average grasp of modern issues as one of the members of the supreme court is a good idea.

      --
      11*43+456^2
  6. Gigantic Loophole of American System of Law by syrupMatt · · Score: 4, Insightful

    The fact is that even if the Supreme Court agrees with the idea that unlimited extension means unlimited time, it must turn to Congress to police itself and enact a "limit on limits" for copyright extension (unless, of course, there is a constituional ammendmant in the works, which i dont see happening in this climate).

    However, once the matter goes back to Congress, we are presented with the same problem yet again. Congress now can pass a placation act which will satisfy the Supreme Courts demand, and then in the future extend the "limit on limits". Its a giant loophole whereas they are not actually extending the limits themselves, merely the amount of times the limits can be extended. IANAL, but there is a term for this kind of layered system of laws.

    In such a case another lawsuit may be brought, but what will the climate of the Supreme Court be at that point, after another x amount of years of corporate lobbying (or, for the positive thinking, of lobbying for the public domain)? A corporation thinking in the long term is probably not worried at all.

    --
    "Moving through the masses like a fish through water." syrup
    1. Re:Gigantic Loophole of American System of Law by mr_teem · · Score: 5, Interesting

      It's not a loophole but there is a cyclic nature to the way that legislation is enacted, challenged, and refined. (And re-challenged, etc., etc.) This is a good thing.

      Federal legislation is often broad-brushed and implemented with big clumsy fists. Sometimes it's not enough. Sometimes it is enough. Sometimes it's a little too much but it's tolerated. And sometimes, it really stops something that "outta be allowed". So we have Eldred v. Ashcroft saying that the copyright law extensions are now really too long to be sensible.

      Given the relatively few cases the Supreme Court takes up, I think it's a really good sign that this one was. The corporations now have to hold their breath--you can't lobby the Supreme Court.
      And, although there are plenty of experts that can speculate, it's hard to say whether they will uphold the existing legislation or declare it unconstitutional (and for what reasons). Whatever the outcome, there's a newly painted guidepost in U.S. intellectual property law to work with.

      --
      --- "It annoyed me, so I fixed it." -- Tom's First Principle of Engineering
    2. Re:Gigantic Loophole of American System of Law by theduck · · Score: 2, Informative

      No, I don't believe that the Supreme Court must rely on Congress to do anything in this case (much less police itself). The issue before the Supreme Court is whether this particular law is in violation of the Constitution. There are particular requirements of Congress in order for them to change the Constitution and they cannot do that by the simple passage of a law. Hence, if the Supreme Court deems that the law under its review is in violation of the Constitution, the law is struck down. Congress can choose to pass another law that does not violate the constitution in the way the previous law did. In crafting that law, they would rely on the written opinions that accompanied the Supreme Court decision. And that new law might eventually end up back under review of the Supreme Court.

      Typically, the Supreme Court is very picky about the cases it decides to review because they want a clear outcome that won't result in another law passed by Congress and addressing the same issue right back in their laps for review.

      But no, they're not relying on Congress for anything.

      --
      How can we afford to ever sleep
      So sound again
      --ebtg
    3. Re:Gigantic Loophole of American System of Law by Bartab · · Score: 2

      No, the Supremes can cancel the current law, either in part or in full, if they find that there is no constitutional power granted to Congress to extend copyrights -retroactively-.

      Now, if they overturn the law in full (instead of just the retroactive part) then a replacement law would only change the time for content created since the new law passed, not the 1998 law.

      --
      Any sufficiently advanced technology is indistinguishable from a rigged demo.
    4. Re:Gigantic Loophole of American System of Law by iabervon · · Score: 2

      Congress can pass anything, but the Supreme Court can throw it out if they do. There's no need for a law to encode the results of the Supreme Court descision. If Congress wants to, it can attempt to pass an intermediate law which it thinks the court won't overrule. Congress never makes laws to restrict the passage of laws by Congress, because Congress could repeal them or ignore them.

      The text of the Supreme Court decision will serve to clarify the Constitution, which does constrain Congress, and will inform the decisions of future Supreme Courts (and lower courts). The requirements that this court sets for constitutionality of copyright laws form the standard, as far as they apply, for future laws. The decision is not just a yes or no, but a set of reasoning that leads to the conclusion. There is no real chance of a different decision being reached later unless the law is substantially different.

    5. Re:Gigantic Loophole of American System of Law by Guppy06 · · Score: 2

      "Federal legislation is often broad-brushed and implemented with big clumsy fists. Sometimes it's not enough. Sometimes it is enough. Sometimes it's a little too much but it's tolerated. And sometimes, it really stops something that "outta be allowed"."

      Except I believe that Congress is going overboard, relying on the Supreme Court almost exclusively to figure out whether a law is good for the citizens or not. We see legislation like the USA PATRIOT Act that seeems to have so much that is unconstitutional on its face that I'm left thinking that Congress' intent was to violate the constitution and then do a mad scramble to use/abuse their new powers as much as possible before the Supreme Court can catch up with them.

      And it's not like the legislators themselves face any real recourse for passing such flagrantly bad laws other than having their pet laws struck down (Would the same members of Congress that passed such legislation actually impeach themselves? Hah!). They usually don't even have to worry about being voted out of office as these things are often carried out by voice vote (like with the DMCA) where there is no record of who supported it and who remained silent (which I think is a travesty of a representative democracy in its own right).

      "Given the relatively few cases the Supreme Court takes up,"

      If Congress spent just a little bit of time policing themselves as they wrote new legislation, the Supreme Court may have more time to hear the cases that wouldn't have been heard otherwise.

  7. So where are the raw materials? by yerricde · · Score: 4, Interesting

    After all, if there's no incentive for people to create things, nothing good will be created.

    On the other hand, if there's no raw materials for people to create things, nothing good will be created. You can already start to see this happening in fields such as songwriting, where some songwriters are having trouble getting around the theoretical limit on the number of distinct melodies in the Western musical scale, which is fewer than 50,000.

    --
    Will I retire or break 10K?
    1. Re:So where are the raw materials? by Dannon · · Score: 2, Offtopic

      Interesting. And that limit doesn't seem to inhibit rap 'song' writers.

      Of course, it is only with extreme revulsion that I can use the word 'song' to refer to products such as that bastardization of what was originally a very good tune from the musical Annie, namely, It's A Hard-Knocked Life. Especially since I had a college dorm neighbor who delighted in playing it at all hours of night at a volume that did a good job of penetrating the walls....

      This leads me to conclude that, one day, when we have reached that theoretical limit, all 'music' produced will be rap. A very frightening concept, indeed. Isn't that one of the signs of the Apocalypse?

      --
      Good judgment comes from experience.
      Experience comes from bad judgment.
    2. Re:So where are the raw materials? by richieb · · Score: 3, Interesting
      The 50,000 figure is a bit misleading. It's the number of distinct 4 note melodies possible with the 12 note western scale, without counting repetition that occur an octave apart.

      --
      ...richie - It is a good day to code.
    3. Re:So where are the raw materials? by Brendan+Byrd · · Score: 2

      That's why electronica is getting to be popular. An exploration of sound, instead of just trying to use the same guitar/bass/drum pattern with different notes.

    4. Re:So where are the raw materials? by Gizzmonic · · Score: 2

      Guess what, musicians have been dealing with that limit since the dawn of time. Music isn't about inventing something "original," (as someone would invent a car or computer) it's about manipulating sound. It's swimming in a river, not digging a canal.

      --
      (-1, Raw and Uncut is the only way to read)
    5. Re:So where are the raw materials? by teamhasnoi · · Score: 2
      I don't think that is necessarily the songwriter's 'fault', more likely the producer.

      Compare 'I Saw the Sign' and "All That She Wants" by Ace of Base. Most likely there was a push for the second since the first did well. That (I hope) also explains movie sequels like 'Sister Act 2: Back in the Habit'.

      However two versions of the same song can sound substantially different or wholly unlike if performed by different artist. Example : Sonic Youth/The Carpenters - 'Superstar'.

      Pop will eat itself, then crap all over.

  8. Looping links by bytor4232 · · Score: 2, Insightful

    The first link listed at Google News is this slashdot article. Thats funny, looping links.

    --
    -- 4 8 15 16 23 42
  9. Disney and Winnie the Pooh by loggia · · Score: 4, Informative

    FYI, just in case anyone did not know, Disney is embroiled in a massive lawsuit over its use of Winnie the Pooh. Basically, they want to keep the billion dollars they have made in Pooh merchandise and films and not cough up to the estate that originally owned the rights (Disney says they meet their agreed upon obligations).

    1. Re:Disney and Winnie the Pooh by gorilla · · Score: 2

      That estate would be that of A.A. Milne, who wrote the Winnie the Pooh books in 1926 & 1928. Ernest Shepard's estate has the copyright on the original images, but the disneyfied image of Pooh & friends have nothing to do with Shepard's originals.

    2. Re:Disney and Winnie the Pooh by aronc · · Score: 4, Insightful

      Small issue here: Disney Corp. does not create. People create, artists create. People that work for Disney Corp. create, Walt Disney did create. The company does not.

      --

      jello.
      aka aron.
    3. Re:Disney and Winnie the Pooh by KjetilK · · Score: 2
      Yeah, I'm a major Pooh lover, and what I've seen Disney do to Pooh and his friends makes it quite clear that Disney has hurt the artistic value of Pooh. It would have been a lot better if Pooh had entered the Pubilc Domain, so anybody could use the character in their writings.

      AFAIK, Disney bought the rights to make films of Winnie-the-pooh in the 60-ties. I'm not aware that they bought the whole character.

      Just look at what they've done: In Milne's stories, Tigger is bouncy. But there is a lot to that. That Tigger is bouncy means lots of things. It teaches that you have to accept people as they are, tolerance. It teaches that there are more important things in life than to get upset by small annoyances. There are many things to be learned from that Tigger is bouncy.

      And all Disney has made from it is that Tigger bounces around on his tail... Unbelievable.

      I would really like to see it enter the public domain, so that we can get a more balanced view of what goes on in the Hundred Acre Wood.

      --
      Employee of Inrupt, Project Release Manager and Community Manager for Solid
  10. Mickey Mouse by gpinzone · · Score: 5, Insightful

    Before anyone starts up with the Mickey Mouse issue, this only affects the copyright on the "Steamboat Willie" cartoon itself, not the MM character. Mickey Mouse is a protected TRADEMARK and will continue to be protected under trademark law FOREVER.

    1. Re:Mickey Mouse by MountainLogic · · Score: 2

      Could someone explain how trademark could be used to control an article of expired copyright, E.G., Stram Boat Willie?

    2. Re:Mickey Mouse by clonebarkins · · Score: 3, Informative
      Could someone explain how trademark could be used to control an article of expired copyright, E.G., Stram Boat Willie?

      Disclaimer: IANAL

      Basically, my understanding is that the Mickey Mouse that's in Steamboat Willie would fall into the public domain. If you notice, Steamboat Mickey and Modern Mickey (i.e., the Mickey you see and hear today) look a lot different.

      It seems to me that you could use Steamboat Willie any way you want, so long as you don't extract Mickey out of the picture and use him in any way that would infringe upon Trademark Mickey -- that is, in such a way as to make people think that what you are providing is sanctioned by Eisner et al.

      Of course, the advantage of the copyright expiring on Steamboat Willie isn't merely that you can use it as is, but that you can now use it to make derivative works, such as:

      • Steamboat Willie Goes To School
      • Steamboat Johnnie (where instead of a squeaky mouse, the main character is a deep-voiced rat)
      • The Steamboat Willie Cookbook
      • etc.

      I've never actually seen all of Steamboat Willie (just snippets), and I have another question: Is Mickey Mouse ever mentioned in the credits (or anywhere else)? I mean, I realize we all know it's Mickey, but without specific delineation, and since Mickey now looks so different from Mickey then, there could be some interesting arguments made if Mickey is not mentioned specifically in Steamboat Willie itself. Just curious.

      --

      "The evil of the world is made possible by nothing but the sanction you give it." -- Ayn Rand

    3. Re:Mickey Mouse by cdrudge · · Score: 2

      It's not. The joke/urban legend/whatever is that everytime the copyright on Steamboat Willie is set to expire, there is another retroactive copyright extension. Trademarks never expire. No one can use the likeness of Mickey Mouse to promote their company. If the copyright to Steam Boat Willie were to expire, it would then be free for anyone to sell, distribute, modify, whatever the cartoon without Disney's permission.

    4. Re:Mickey Mouse by Rupert · · Score: 2

      Except, as I understand it, characters appearing in public domain works are considered "stock characters", and are also public domain. You can't write a book about Scarlett O'Hara, but you can write one about Jane Eyre. If Steamboat Willie enters the public domain, anyone will be able to create their own Mickey Mouse cartoons (provided they use the SW version of MM, not the modern one, which is obviously still copyrighted).

      --

      --
      E_NOSIG
    5. Re:Mickey Mouse by Zathrus · · Score: 3, Informative

      Ok, let's conjecture that the Supreme Court finds for Eldred and (at the very least) removes the retroactive copyright extention.

      Steamboat Willie passes into the public domain. The Micky Mouse character is still protected by trademark, and incidentilly the modern representation of the mouse is still copyrighted since it's far more recent than the charactiture that was in the 1928 short.

      So what does this mean? It means that you can make as many copies of the short as you want. You can edit the short or make other derivative works from it - maybe further down the river, or a prequel, or whatever. You can even use the images from the short in another short or movie - even a pornographic one.

      But if you tried to use the Mickey Mouse name then Disney would sue your ass off. Because that is still trademarked and will be for the rest of eternity (or until nobody gives a crap about it, whichever comes first).

      Most of Disney's, Valenti's, and the government's arguments fall apart because of this. The loss of control is minimal. And nothing prevents the Disney corporation from still selling Steamboat Willie -- the only difference there is that they're not the only ones who can sell it (or give it away, or whatever).

      Valenti claims that the greatest resource the studios have is their film library. Even if you agree with that, most people would agree that the value of a 70 year old movie is close to zero. Yes, there are rare exceptions -- Gone With the Wind, Wizard of Oz, Citizen Kane, Casablanca. And in those exceptions the studio has been generating revenue for 70 years. Isn't that enough? Have they not been paid for their investment and innovation?

      The key thing to remember is that all intellectual property laws are a creation of our system. Copyrights, patents, trademarks, etc. grant the inventor rights that did not exist otherwise. Without them they would default to having no protection at all. I think few people would argue that some protection does stimulate invention and innovation. However the flip side can also be argued - that too much protection stifles the very creation that was desired. Which is essentially what the current lawsuit boils down to.

    6. Re:Mickey Mouse by The_Rook · · Score: 2

      Zathrus said
      Valenti claims that the greatest resource the studios have is their film library. Even if you agree with that, most people would agree that the value of a 70 year old movie is close to zero. Yes, there are rare exceptions -- Gone With the Wind, Wizard of Oz, Citizen Kane, Casablanca. And in those exceptions the studio has been generating revenue for 70 years. Isn't that enough? Have they not been paid for their investment and innovation?

      i would say that even a film that's still making money for the copyright holder would be still more valuable in the public domain. the 1946 movie, "It's a Wonderful Life" has made millions for public and commercial teevee even though it lapsed into the public domain through oversight. it's certainly created more value than any of its comtemporary films that are still under copyright.

      --
      when religion is no longer the opiate of the masses, governments will resort to real opiates.
    7. Re:Mickey Mouse by Remus+Shepherd · · Score: 2

      What someone should do is make their own versions of the Steamboat Willie cartoon, without Micky or any other recognizable characters, and then extrapolate from there. Make a live action version. Or, considering the title, make it a porno. Lots of options, as long as there are no black-eared mice involved.

      --
      Genocide Man -- Life is funny. Death is funnier. Mass murder can be hilarious.
    8. Re:Mickey Mouse by The+Rizz · · Score: 5, Informative
      the 1946 movie, "It's a Wonderful Life" has made millions for public and commercial teevee even though it lapsed into the public domain through oversight. it's certainly created more value than any of its comtemporary films that are still under copyright.

      That movie actually has the value it does specifically because it fell out of copyright.

      That movie was a massive flop, losing the studio money and sitting unused in a vault for years and years until the copyright ran out.
      Fast-forward a few years - TV stations are swamped with royalty payments for their shows, and need something to put on during the Christmas season. Someone notices this crappy little film that nobody really liked or remembers... but it's royalty-free, so we're gonna play it constantly to fill airtime. (Heck, it's even directed by Frank Capra and stars James Stewart and Donna Reed, so it might even pull a small audience.)
      Now fast-forward to a few years later - everyone in the US has seen that show dozens of times every year at Christmas. Watching it has become a tradition... Suddenly it's no longer that crappy little film, but one of the most popular Christmas classics of all time.

      If It's a Wonderful Life had remained in copyright, it would have been lost with all those other barely-remembered movies from the 1940s.

      --The Rizz

      "The more things change, the more they remain insane." --Johnny Carson

    9. Re:Mickey Mouse by grmoc · · Score: 2

      Furthermore, many (most) of the films in the libraries are dying slow deaths of decomposition. The studios have no real interest in saving them because many of the would cost more money to restore than they would make as a result of the restoration (imho, I have no physical evidence to support this claim, only my knowledge of past behaviours)

      "My Fair Lady," for example was nearly unrecoverable when they restored it- It was saved in the nick of time.

      If smaller firms had the ability to remarket these restored films, more of them might survive.

    10. Re:Mickey Mouse by anthony_dipierro · · Score: 2

      One big difference is that trademark law is passed under the Interstate Commerce Clause, so if you're using the character for noncommercial purposes, you're probably fine.

    11. Re:Mickey Mouse by JWW · · Score: 2

      Someday the movie studios will go into there vault to look at some of these movies and find only dust (or at least highly deteriorated negatives).
      Not letting some of these things in the public domain may be in the copyright holder's best interest. But there are some movies IMHO that I think will be destroyed and lost forever, but at least their copyright will be intact. Its pretty sad actaully. Sure some forgotten movie from the 40's might not be too bad, but what happens when its a classic that just got forgotten for too long. I remember the part on the Star Wars Special Edition where Lucas talks about how bad the original negatives of the film had gotten, and how suprised they were.

    12. Re:Mickey Mouse by Jeremi · · Score: 2
      Even if you agree with that, most people would agree that the value of a 70 year old movie is close to zero.


      Yes, but the value of a movie in the public domain is negative to a movie studio. If people have a vast library of public domain movies that they can view for free, they'll be less likely to spend money on new movies. The studios benefit by keeping old movies out of circulation, as it reduces competition for their product.

      --


      I don't care if it's 90,000 hectares. That lake was not my doing.
  11. I thought this was a great quote... by lobos · · Score: 3, Interesting

    From Levy article, "They can wrap it in the rhetoric of protecting copyright, but at the end of day they are trying to exert as much control over the marketplace as possible," says Greg Ballard, interim CEO of SonicBlue (which makes the Replay DVR.)

  12. Another view by eclectro · · Score: 3, Informative

    From this report here the justicew seemed concerned with the "chaos" invalidating the CTEA would have on previoous copyright extensions.

    --
    Take the cheese to sickbay, the doctor should see it as soon as possible - B'Elanna Torres, "Learning Curve"
  13. They may take our lives, but they... by Prince_Ali · · Score: 2, Funny

    ...will never take Alice In Wonderland!

  14. NPR had come good coverage this morning by MountainLogic · · Score: 5, Informative
    1. Re:NPR had come good coverage this morning by ChaosDiscord · · Score: 2

      You can find the specific coverage on NPR's Morning Edition here. Search for "Supreme", it's near the middle of the page. The Real stream is about 7 minutes long.

    2. Re:NPR had come good coverage this morning by rbeattie · · Score: 2


      Oof. Great report, you're right. Did you hear the last thing she said?

      "A decision on the case is expected by summer."

      Sorta takes the tension out the situation, doesn't it?

      -Russ

      --
      Me
    3. Re:NPR had come good coverage this morning by PMuse · · Score: 2

      Actually, the morning NPR coverage was pretty disappointing. Props to them for giving the case 7 1/2 minutes in the morning, but their article suggested the case was about whether the present copyright holder or internet publishers got the rights to the work. That kind of misses the point that if Eldred wins we all get the works for free from now on.

      Also, just for kicks, they tossed in the point that if CTEA is overturned, new derivative works could include pornographic ones. While that's true, this case is about free public access. The pornography angle amounts to **AA FUD.

      The 5 minute spot in the afternoon that summarized the Justice's questioning was better.

      --
      "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
  15. my notes on the oral arguments by khkramer · · Score: 5, Informative

    I was at the oral arguments this morning, and since I have press credentials, I was able to take lots of notes.

    My summary tries to cover all of the main points the Justices raised in their questioning of both sides.

    I was a bit discouraged by how much attention the Justices paid to problems with Lessig's Article I arguments, and how little -- none at all -- they paid to the claim he makes in the brief (and mentioned briefly during the questioning) that the birth of a new technology regime (the Internet) should have a profound impact on how we craft copyright law.

    I don't think there's much grounds for guessing which way the court will go on this case. Certainly the people in the pressroom and in the lawyers' lounge today weren't making many predictions. Lessig's argument is so narrowly constructed, and the copyright clause of the constitution is both so clear in intent and non-specific in its wording, that the court really could go either way. Certainly four justices had to think the possibility is there to decide for the petitioners or the Court wouldn't have taken the case. But there was a lot of hard questioning of Lessig, today, and I didn't think he was able to definitively reframe any of the issues that the Justices were concerned about.

    1. Re:my notes on the oral arguments by kalidasa · · Score: 4, Informative

      how little -- none at all -- they paid to the claim he makes in the brief (and mentioned briefly during the questioning) that the birth of a new technology regime (the Internet) should have a profound impact on how we craft copyright law.

      For Ginsburg, at least, this should all be old hat; her daughter who wrote one of the classic treatments of it in a Representations article about 10 years ago: J. C. Ginsburg, "Copyright Without Walls ? Speculations on Literary Property in the Library of the future", Representations,42. On the assumptions that one's own daughter's works should be canon, I imagine she's familiar with it.

      See Jane C. Ginsburg's CV and this Ruth Bader Ginsburg Biography.

    2. Re:my notes on the oral arguments by NMerriam · · Score: 5, Insightful

      Don't be discouraged by tough questioning -- experienced court-watchers have said that they frequently give a harder time to the side they agree with, in part to see how well the arguments hold up and to ensure that they are comfortable they have examined any flaws well enough to rule in an unbiased manner.

      --
      Recursive: Adj. See Recursive.
    3. Re:my notes on the oral arguments by puppet10 · · Score: 2
      INAL however, Olsen seems to be totally offbase on the argument of the additional years.

      This argument -
      Breyer said that the "additive value" of a 70 year term versus a 50 year term is "essentially zero." Olson said that wasn't true, if you were 80 years old the additional 20 years might encourage you to produce, or if you were a publisher, the additional 20 years might change your economic calculation.


      This argument seems incompatible with current copyright law since the term of copyrights has been extended from 50 years + the LIFE of the author to 70 years + the LIFE of the author [Title 17 Chapter 3 Section 302].

      So no matter what the age of the author while that author is alive copyright is retained and the author benefits themselves by producing new works and their family long after their death.

      In fact the extension is more relevant to a young author with a family they care for and who knows they will die early in life since people that author actually has contact with (children, immediate family) may be affected by the extension leading to the dying author to quickly produce work that the author knows will provide royalties to the immediate family throughout their lives.

      Another argument would be an 80 year old author with children and grandchildren who rely on revenue from royalties of the author, but don't produce any valuable work themselves could promote the author to produce new works that the 20 year increase might help so the author knows their great great grand children will be taken care of, rather than just their great grandchildren.

      In any case it seems that extending the terms many years after the authors death does little to promote the author to create new works.

      In the case of corporate owned works why would extension of the rights change your calculation to produce new works, rather than take the most valuable works you already have rights on and continue profiting from them as a stable revenue stream rather than the vageries of trying to sell new works.
      --
      -------- This space intentionally left blank --------
    4. Re:my notes on the oral arguments by Elwood+P+Dowd · · Score: 2

      In your summary, you say, "Stevens asked whether a retrospective extension that does promote progress is permissible. Lessig said yes. Stevens then said that the 1998 law, at least on its face, does that. Lessig: well, that's the government's position. Stevens: but that's what you just said. Lessig: no, Congress still has to abide by the constitutional limits. We were all confused."

      I can explain that, if you still desire. It's pretty straightforward. Lessig is suggesting that the 1998 law, does not, on it's face, promote progress. This is a big deal. I *wish* I had a transcript. Another slashdot post has an essential point: "While it was conceded by Lessig that Congress could not grant a copyright on a work currently in the public domain, Congress could grant an extended term conditioned on a promise to preserve and actively distribute a work."

      In Lessig's reply brief, he makes the point that judicial precedent has been set that there must be a quid-pro-quo for a retroactive extension. If congress said, "You can have a retroactive extension if you republish your work," or, "You can have a retroactive extension if you send congress a check for $5," then there would be an exchange, and it would be constitutional.

      Unfortunately, I don't understand why this distinction exists. He says that it's due to judicial precedent, and *not* the constitutional stipulation on promoting progress. I'm not positive that the distinction is valid. It seems to be the very most core point, and none of the media is discussing it. Do you understand the point I'm making? Can you tell me if they spoke about that subject in further depth?

      Anyway, hopefully Stevens will see that Lessig was not being childish, and was not reneging on his statement.

      --

      There are no trails. There are no trees out here.
    5. Re:my notes on the oral arguments by rodgerd · · Score: 2
      In any case it seems that extending the terms many years after the authors death does little to promote the author to create new works.


      This is not (entirely) true. One of the few, perhaps only, worthwhile Presidential autobiographies is that of Grant, and it's also a valuable American Civil War resource. It was written by Grant when he was dying of cancer, solely to provide an income for his wife, who outlived him.
    6. Re:my notes on the oral arguments by gmhowell · · Score: 2

      Why would anyone bother with Grant's autobiography these days? If I wanted to read the ramblings of a drunken asshole, there's plenty of Hemingway.

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
  16. Why Patents are 20 years and copyrights are 95 by asmithmd1 · · Score: 4, Insightful

    I was there this morning and in the hours before we were finally let in many discusions of the issues took place. I have always wondered why copyrights have been extended from the original 28 years, while patents have remained almost unchanged at 20 years. Of course the answer comes down to money. There are competeing monied interests on both sides of the patent issue, while the public domain is not contributing anything to congressmen to hold the expansion of copyright in check

    1. Re:Why Patents are 20 years and copyrights are 95 by Stonehand · · Score: 3, Insightful

      Nope.

      An patentable drug, system, or mechanism -- or lack of it -- might have a /huge/ impact on society. Not being able, however, to create a derivative work of, oh, "Steamboat Willie" doesn't really hurt anybody unless they're so uncreative and obsessed enough to only be capable of churning out SW-based crap. Ditto for most other creative works.

      You could, actually, kill all the art and artistry in history, and society would still function -- albeit probably less happily. If you crippled medicine, engineering, and industry with 95-year limits and no compulsory licensing in the case of independent rediscovery, however, you'd still be living in -- at best, probably -- a wooden shack with no sanitation, and a dozen nasty strains of pathogens just waiting to infect you. That's a pretty big difference.

      --
      Only the dead have seen the end of war.
    2. Re:Why Patents are 20 years and copyrights are 95 by jcw2112 · · Score: 3, Insightful
      i sincerely hope that you are a troll...


      the idea that a society can continue on in anything that resembles a healthy fashion without art or creative work is insane. would they continue to operate physically? perhaps. but i doubt it.


      plenty of sociteties lasted quite well without aspirin, assembly lines or indoor plumbing but none that we know of have gone on without art.

      --
      hmmm...
    3. Re:Why Patents are 20 years and copyrights are 95 by pjrc · · Score: 2
      Not being able, however, to create a derivative work of, oh, "Steamboat Willie" doesn't really hurt anybody unless they're so uncreative and obsessed enough to only be capable of churning out SW-based crap.

      Snow White

      Cinderella

      The Little Mermaid

      Pocahontas

      Tarzan

      ... are you starting to notice a pattern here?

    4. Re:Why Patents are 20 years and copyrights are 95 by smiff · · Score: 2
      Not being able, however, to create a derivative work of, oh, "Steamboat Willie" doesn't really hurt anybody

      Wouldn't everyone benefit if someone were to make derivative works of Steamboat Willie? Doesn't prohibiting derivative works impede progress?

      Besides, the issue involves a lot more than derivative works. Everyone would benefit if we could freely distribute scientific journals, historical news reports, and video of presidential speeches.

      • During the Iran-Contra hearings, Oliver North made reference to Osama bin Laden. I would like to see it for myself, but unfortunately, it is illegal for anyone but the copyright holders to distribute a recording of that hearing.
      • With online message boards, people frequently reference literary works. It would sure be nice if they could post a link to that literary work so I could read it for myself.
      • People often quote famous books. It would be nice if I could take a quick look at that book and read the quote in its original context.
      • I occasionaly reference scientific articles. People would be more likely to believe me, if they could read the articles for themselves.

      In every case, copyright gets in the way of educating the public. The whole point of copyright is to encourage people to create artistic works that will eventually expand the public domain. When you argue that keeping something under copyright doesn't harm anyone, you are basically saying the public domain is worthless.

    5. Re:Why Patents are 20 years and copyrights are 95 by cpt+kangarooski · · Score: 2

      Heh.

      Copyrights started at _14_ years, with an optional 14 year extension.

      Patents started at 14 years too. They've been extended to 17 years and just recently 20 years, and there are actually a number minor extensions possible too under certain circumstances.

      Patents have HARDLY been unchanged, and there's an amazingly large amount of debate over patents as well.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  17. Transcripts.. by molo · · Score: 2

    Did anyone notice that the newest transcript on that site was from April 15, 2002? Do we really have to wait six months for a free transcript of the proceding??

    Yes, there are earlier transcripts available for a fee on that page, but shit, this stuff is important.

    --
    Using your sig line to advertise for friends is lame.
    1. Re:Transcripts.. by BlaisePascal · · Score: 2

      Since they say it takes 2-3 weeks to prepare the transcripts and put them on the web site, and since Monday (two days ago) was the first day of oral arguments since April 15th, I'm not surprised there weren't any transcripts more recent than that.

  18. OT: Google News by ceswiedler · · Score: 2

    OffTopic: Is there a way to filter Google News to return only "national" publications (plus perhaps publications from my region)? I don't like wading through volumes of crappy local coverage from small towns and cities when I'm looking for reporting on national or world stories.

  19. I wish we had an extend by paying setup by starseeker · · Score: 5, Interesting

    No, not for lobbyists. That's what we've got now. I mean the following:

    Undoubtedly, Disney would stand to lose $$$$$$$ if Mickey Mouse were released from copyright, and it is in their interests to do whatever it takes to preserve it. I can in fact sympathize with that. It is a huge corporate symbol for them, and losing it would hurt bad.

    But in order to keep Mickey Mouse, they utterly trash the copyright system, totally destroying the idea of public domain. Some would argue that this is intended, but I'm not quite that cynical. (Yet.)

    Why can't we have a sliding scale, where if a corporation wants to hold onto copyright longer than the default, they pay some nontrivial amount of money every few years past the default time in order to renew. That way symbols like Mickey Mouse, which are still viable moneymakers for corporations, can be maintained as long as they are profitable. And anything which isn't lapses into the public domain. Why should that bother them? A few tens of thousands wouldn't even make Disney blink.

    Really, I don't think we are out to grab Mickey Mouse away from Disney. What happened to finding a middle ground? I thought that's what American politics was all about.

    --
    "I object to doing things that computers can do." -- Olin Shivers, lispers.org
    1. Re:I wish we had an extend by paying setup by teamhasnoi · · Score: 2
      Why can't we have a sliding scale, where if a corporation wants to hold onto copyright longer than the default, they pay some nontrivial amount of money every few years past the default time in order to renew.

      Because the 'nontrival' amount would end up being trivial after the lobbyists have done their job on our oh-so-easily swayed congress. That's the way it works, sadly.

  20. "promote the progress of science and useful arts" by sssmashy · · Score: 5, Insightful
    The Constitution specifies that "to promote the progress of science and useful arts," Congress should secure "for limited times to authors and inventors the exclusive right to their respective writings and discoveries."

    It seems that the original intent of "copyrighting", as specified in the Constitution, has been mostly abandoned in the current debate. The writers of the Constitution weren't really concerned with the economic aspects and the rights of capitalists as they were with the welfare of society as a whole.

    Ted Olson's case seems to be mostly based in the economic rights of corporations and creators in our capitalist economy. The Supreme Court, who are supposed to use the Constitution as the final arbiter in their decisions, are mostly concerned with legal precedents and the equity of past and present copyright holders.

    Does society really benefit from a given legal entity (Disney Corp., for example) holding the rights to a cartoon mouse for eternity? Call me a socialist, but it seems to me that the welfare of society should be given at least an equal consideration to the individual rights of copyright-holders. That's what the founding fathers intended in the constitution, where "economic rights" are secondary to the "natural rights" of mankind.

  21. Alice's Adventures in Wonderland is already PD by yerricde · · Score: 5, Informative

    they will never take Alice In Wonderland!

    Correct. Alice's Adventures in Wonderland by Lewis Carroll has fallen into the public domain in the United States and is available through Project Gutenberg. Even if the Bono Act had been in effect since the time of its publication, the copyright would have expired in 1969 (1898 death of Carroll + 70 + end of the year) under the author rule or 1961 (1865 first publication + 95 + end of the year) under the work-for-hire/pre-1978 rule. But in the USA, copyright term extensions do not re-copyright works whose copyrights have already expired; thus, all works first published on or before December 31, 1922, are in the public domain in the USA.

    The EU is a different matter; copyright law was revised to fit the terms in effect in Germany (life plus 70); works that had been in PD for quite some time fell under copyright once again. In addition, some European countries have granted extensions for works published before World War I, for works published before World War II, and for works published by authors who died in World War I or World War II.

    --
    Will I retire or break 10K?
    1. Re:Alice's Adventures in Wonderland is already PD by Galvatron · · Score: 2

      Note, of course, that Walt Disney died in 1966. So, had the Bono act been in effect since the time of its publication, there never would have been a Disney Alice in Wonderland.

      --
      "The question of whether a computer can think is no more interesting than that of whether a submarine can swim" -EWD
    2. Re:Alice's Adventures in Wonderland is already PD by JoeBuck · · Score: 2

      But some of the questions the court asked were about power to recopyright. If the court can do retroactive copyright extensions, why can't it recopyright Alice? Why can't it recopyright Hans Christian Andersen's stuff and make Disney fork over money to his heirs? The only barrier would appear to be tradition, unless Lessig persuades the court to lay down some rules.

  22. Comment removed by account_deleted · · Score: 5, Informative

    Comment removed based on user account deletion

  23. If only the courts knew how to code by _underSCORE · · Score: 4, Funny

    "if a limited time is extended for a limited time then it remains a limited time,"

    Yeah, guys, and this loop terminates:

    int limitedTime = 14;

    for ( int i=0;i<limitedTime;i++) {

    System.out.println("Copyright Protected");

    limitedTime += 50;

    }

    fools.

    --
    "This is not a company that appears to be bothered by ethical boundaries."
    Attorney General Mike Hatch on Microsoft
    1. Re:If only the courts knew how to code by iplayfast · · Score: 4, Funny

      [quote]Yeah, guys, and this loop terminates:

      int limitedTime = 14;
      for ( int i=0;i<limitedTime;i++) {
      System.out.println("Copyright Protected");
      limitedTime += 50;
      }
      [/quote]

      Actually that loop does terminate. The limitedTime variable is an int, which will wrap to a negative number.

      Good thing you aren't in congress or you'd be making bad code into laws! :)

    2. Re:If only the courts knew how to code by _underSCORE · · Score: 2

      Good point, but who said I was executing the code on a computer? :)

      If you use paper, the loop won't terminate, but I think you know that.

      Next time, I'll actually debug the code I post to slashdot. You guys are a bunch of nitpickers.:)

      --
      "This is not a company that appears to be bothered by ethical boundaries."
      Attorney General Mike Hatch on Microsoft
    3. Re:If only the courts knew how to code by Dirtside · · Score: 4, Funny

      Yeah, but it won't wrap for two billion years, which is probably longer than a term of copyright really needs to be. :)

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    4. Re:If only the courts knew how to code by UncleFluffy · · Score: 2

      Actually that loop does terminate. The limitedTime variable is an int, which will wrap to a negative number.

      Actually, there's nothing stopping this (hypothetical) C compiler implementing int as an infinitely-long vector of bits. The size of an int is not defined as part of the C standard, any more than "limited" is defined in the US Constitution...
      --

      What would Lemmy do?

  24. Pooh, not Mickey. by yerricde · · Score: 5, Interesting

    Disney would stand to lose $$$$$$$ if Mickey Mouse were released from copyright

    The Bono Act wasn't designed to preserve the monopoly on Mickey Mouse as much as it was designed to preserve the monopoly on nu-skool Winnie-the-Pooh (a relatively recent Disney creation) and old-skool Winnie the Pooh (to which Disney bought the rights from the Milne family). Disney makes much more annually from sales of Pooh merchandise than from sales of Mickey merchandise.

    Why can't we have a sliding scale, where if a corporation wants to hold onto copyright longer than the default, they pay some nontrivial amount of money every few years past the default time in order to renew.

    Others have proposed similar plans on both Slashdot and Kuro5hin. An interesting plan would make the renewal fees increase exponentially for every subsequent re-extension.

    FREE THE BEAR!

    --
    Will I retire or break 10K?
  25. New amendment by Dan+D. · · Score: 3, Interesting
    No one should be allowed to run for re-election if they *EVER* voted in a bill that became an unconstitutional law. The president should be impeached (even if he doesn't get kicked out) for signing a new law which violates the highest in this country. Signing an unconstitutional law into being should be just as high if not higher on the list than bonking Monkey Lewinski.

    At the very least congress-persons should be suspended for a period immediately after. The state that loses their vote will think twice about being *stupid* in the future.

    Of course it would make congress-persons think at least twice whether or not the lobby money is worth it, but they'd probably just up their sellout price.

    Its not a checks and balances if anyone can do what they want until (and if ever) someone has enough money or time to actually fight a "silly" law. That's just chaos with an upper bounds.

    --
    People who quote themselves bug the crap out of me -- Me.
    1. Re:New amendment by isaac · · Score: 2
      No one should be allowed to run for re-election if they *EVER* voted in a bill that became an unconstitutional law. The president should be impeached (even if he doesn't get kicked out) for signing a new law which violates the highest in this country. [...] At the very least congress-persons should be suspended for a period immediately after.

      Worst idea I've heard all day. What makes you think the selection of nominees for the US Supreme Court is an objective and meritocratic process, not a political one?

      Your idea is a recipe for one-party rule; the party that controls both the presidency and senate when a critical mass of supreme court appointments are made would become forever dominant - as the Supreme Court could (with the help of some well-funded partisan activists to file suits) just boot members of the opposition party out of office willy-nilly.

      I'm not one of those people that believes the judiciary has too much power - but this would be going too far.

      -Isaac

      --
      I am not a lawyer, and this is not legal advice. For Entertainment Purposes Only.
    2. Re:New amendment by Sloppy · · Score: 2

      Put a time delay on it. Pass it now and have it go into effect in 2022. Then you're just sticking it to the next guy. Who is gonna worry about that? We do that all the time. ;-)

      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  26. Corporations are INsane on this one. by Captain+Rotundo · · Score: 4, Insightful

    The yahoo article had some quote from AOL saying somehting about its copyrights on "Gone with the WInd" and "The Wizard of Oz" would be "threatened". as if thats a bad bad thing. THAT'S THE WHOLE POINT for crying out loud.

    Its insane. Absolutly insane that these people have zero regard for anything but themselves, I have to admitt, it disgusts me sometimes that I live in this society.

    1. Re:Corporations are INsane on this one. by stubear · · Score: 3, Insightful

      Your argument could turned against you you know. It's insane. Absolutely insane that you people have zero regard for artists rights, I have to admit, it disgusts me sometimes that I live in this society.

    2. Re:Corporations are INsane on this one. by Cutriss · · Score: 2

      The yahoo article had some quote from AOL saying somehting about its copyrights on "Gone with the WInd" and "The Wizard of Oz" would be "threatened". as if thats a bad bad thing. THAT'S THE WHOLE POINT for crying out loud.

      Its insane. Absolutly insane that these people have zero regard for anything but themselves, I have to admitt, it disgusts me sometimes that I live in this society.


      Boy, did you ever hit the nail on the head. That quote was by Jack Valenti. :D

      --
      "Mod, mod, mod...and another troll bites the dust."
    3. Re:Corporations are INsane on this one. by hondo77 · · Score: 2

      Absolutely insane that you people have zero regard for artists rights...

      What artist will be harmed by "Steamboat Willie" falling into the public domain?

      --
      I live ze unknown. I love ze unknown. I am ze unknown.
    4. Re:Corporations are INsane on this one. by stubear · · Score: 2

      But i didn't even use the original artwork. I never said I did. In fact, I said I refuse to copy and plagurise. What I do is STUDY the artowrk and learn from it. What is it about the work (media, technique, color, shape) that makes it stand out? I then use this knowledge to create my own work. I might have learned a new brush technique but I use a completely different medium, subject and color palette. Sometimes I see a series of colro that strike me as a good source of inspiration. I might like the colors I see in a painting, for instance, but I'll take textiles using these colors and form a collage with those. That's inspiration, that's using copyright ina fair manner. I'm not taking, I'm learning. Nowehere in my final piece is there the original copyright. There is no derived work because my idea is completely different from the original idea. I might do a painting inspired by a sign I saw. I might create a poster inspired by japanese artwork but not use any japanese artowk in the final piece (I use colors and brush strokes indicitive of japanese artowrk). That's how artists work but I wouldn't expect many in the slashdot community to understand this seeing as how many of them are of the mind that the only way to make new stuff is to copy old stuff.

  27. I'm not much of an Ashcroft fan .. by cje · · Score: 4, Insightful

    .. but this case really has nothing to do with him. It was originally filed as Eldred v. Reno. The reason that the defendant was Reno (and is now Ashcroft) is because as United States Attorney General, (s)he is the one who is (presumably) responsible for making sure that the law(s) in question will be enforced.

    This has nothing to do with personal statements or actions that have been made by either Reno or Ashcroft.

    --
    We're going down, in a spiral to the ground
  28. Oral arguments? by Andrewkov · · Score: 2

    I have oral arguments with my wife all the time .. well, actually, it's more like arguments about oral, but you know what I mean.

  29. Comment removed by account_deleted · · Score: 2

    Comment removed based on user account deletion

  30. TM: can't print Mickey's name on the box by yerricde · · Score: 5, Informative

    Could someone explain how trademark could be used to control an article of expired copyright

    If and when the Bono Act is overturned: "Of course, you can sell copies of 'Steamboat Willie' and 'Plane Crazy', but you won't be able to print Mickey's name or likeness anywhere on the box."

    --
    Will I retire or break 10K?
  31. Ex Post Facto by Noren · · Score: 2, Interesting
    (Warning: IANAL) If a law is passed which makes an action illegal(e.g. banning a specific drug) it is expressly forbidden to prosecute people for 'breaking' that law before it went into affect. You can't change law in order to make an action which has already happened illegal after the fact.

    The law applied to copyrights should be the law that was in place at the time of their creation, not subsequent law, for similar reasons. The intention of copyright law is to encourage creativity; changing the length of copyright after the work has been created inherently cannot do this. Similarly, it would be unfair to those who created works under the 1976 and 1998 versions of copyright law for the rules of their copyright to be ex post facto altered to their (and their heirs) detriment. Any ex post facto change to copyright law is unfair.

    1. Re:Ex Post Facto by DrMaurer · · Score: 2

      I ain't a lawyer, either, but what you're referring to is the creation of laws. Striking down laws as unconstitutional doesn't have quite the same restriction.

      --
      Dan
  32. Re:What to do if a law is just wrong? by iplayfast · · Score: 2

    You could vote them out, but would the ones replacing them be any better?

  33. Wrong by Atomizer · · Score: 2, Informative

    ...Disney would stand to lose $$$$$$$ if Mickey Mouse were released from copyright...

    Wrong. Mickey Mouse is TRADEMARKED, it's different from copyright. You won't ever get the right to use Mickey Mouse, no matter what the outcome of the case is.

  34. I wonder why they didn't think of... by DavidBrown · · Score: 5, Insightful

    ...arging that the statute violates the Fifth Amendment prohibition against government takings without just compensation?

    Here's the theory: Because of existing copyright law, whenever a creator creates a work, the creator brings into being a bundle of property rights, analogous to the various rights associated with the ownership of real property. Essentially, the copyright is divided into two interests:

    1. A present interest owned by the creator of the work (and his assignees) for the duration of the period set forth in copyright law; and

    2. A future interest in the public domain.

    By extending copyright retroactively, Congress is taking a property right away from the public domain without any compensation in violation of the takings clause of the Fifth Amendment.

    There are hurdles to cross, such as whether or not the "public domain" has any rights. In the alternative, I would argue that the public domain is held in trust by the government for all the people, in the same way that the area between high tide and low tide is held in the public trust, and apply the law related to public trust land to the public domain rights created by copyright.

    --
    144l. ph34r my 133t l3g4l 5k1lz!
    1. Re:I wonder why they didn't think of... by lildogie · · Score: 2

      I wonder why
      "for limited times to authors and inventors the exclusive right to their respective writings and discoveries"
      gives rights to publishers or heirs?

    2. Re:I wonder why they didn't think of... by Luyseyal · · Score: 3, Insightful

      Because, apparently, exclusive rights are transferrable, i.e., they can be sold, given away, subjected to a Will, etc. I think it's silly, too, but...

      -l

      --
      Help cure AIDS, cancer, and more. Donate your unused computer time to worldcommunitygrid.org. Join Team Slashdot!
  35. What TV does to you... by jvmatthe · · Score: 4, Insightful

    Man, I've got the Law & Order blues...I want to hear the judges' decision NOW! If Jack McCoy had argued this case, instead of Lessig, I'm sure the Supes would be back in like 30 minutes with their decision. ;^)

    Ah well. At least cable is showing L&O every hour on the hour nowadays, so I can get home and get a fix then. GET 'EM JACK! :^D

  36. Re:I don't understand ... by jackb_guppy · · Score: 2

    All things come to end.

    Copyright is a monopoly. We either have sue every one for anti-trust or agree to finite period to allow the market to grow.

    But for me...

    Why is a copyright different than a patent?

    They both protect an idea.
    They both protect a market.
    They both create a monopoly.

    One you get for 95 years(+).
    The Other you get for 17 year.

    One their is no pruden to proof it yours -- just write it.
    The Other you have to submit proof and first come first servered.

    It seams that a copyright's 95 years is too long for some thing that has a lower threshold to meet.

  37. Re:I don't understand ... by Software · · Score: 2
    The basic premise of copyright law is to encourage the development of art for the benefit of mankind by providing incentive -- the right to profit from it-- to create it. Copyright law is (or, more realistically, should) not designed to maximize profit.

    It's not, "They own it, they should get to keep it forever", but "It's everybody's, but they should get to make some money from it for a while."

    Your points about downloading MP3s and individuals not being prosecuted for copyright violations are irrelevant. It isn't whether they're prosecuted, it's whether the act is illegal.

    P.S. Don't feel silly for not understanding this. A majority of the United States Congress is the same way. Or to quote H.L. Mencken (I think): "It's difficult to get a man to understand something when his livelihood depends on him not understanding it."

  38. My take on copyright extensions by crow · · Score: 5, Insightful

    If I were on the Supreme Court, I suspect I would want to rule that the big problem is the retroactive aspect of the extension. If a retroactive change is allowed, then the limit on copyrights isn't limited. Then there's the question of what's reasonable. More precisely, what is reasonable may change with time (hence, it's not fixed in the Constitution), but shouldn't the definition of "reasonable" be based on the time when the work was created?

    I don't see the Supreme Court getting into an argument with Congress over what is reasonable, so for new works, I wouldn't overturn the new limit. (I would instead work to overturn Congress at the ballot box, but that's another issue.)

  39. Thank you, Kwin. by Sebbo · · Score: 2

    Your report was thoughtful, informative, and entertaining. Thanks for putting it up for us.

  40. Nonsense -- that is just gobbledegook by werdna · · Score: 2

    the twenty year term (from date of filing) was only recently adopted -- it was actually 17 years from 1956 until 1999.

    The reason has nothing to do with "competing monied interests on both sides of the patent issue." That's just plain silly -- its gobbledygook. Both copyrights and patents permit the IP owner to assert exclusive rights against any prospective defendant. Every lawsuit for each is between at least two competing entities.

    The difference in term has to do with the fundamental differences in the subject matter, scope and nature of the respective intellectual property assets. Patents protect underlying useful structures, mthods and compositions against ANY making, use, sale or offer for sale -- whether or not the infringer knows anything about the inventor's invention. Copyrights, in contrast, protect only expressions, do not protect ideas, procedures, processes, systems or methods of operation, and are not infringed unless copies or derivative works are made from the author's work.

    1. Re:Nonsense -- that is just gobbledegook by PMuse · · Score: 2

      the twenty year term (from date of filing) was only recently adopted -- it was actually 17 years from 1956 until 1999.

      If you're going to pick nits, it was 17 years from date of issue. In practice, the 20-year from date of filing term is about equivalent. Overall, it may even produce slightly shorter patents if the application process takes longer than 3 years.

      The reason has nothing to do with "competing monied interests on both sides of the patent issue." That's just plain silly -- its gobbledygook.

      It's not that silly. Take pharmeceutical companies and generic drug manufacturers for instance. There are two groups of people that throw enormous amounts of money at the question of when particular patents will effectively end. Personally, I'm not historian enough to have an opinion worth hearing on what actually happened to keep patent terms as short as they are, but I can say that the money argument isn't nonsense. (Some one correct me if I'm wrong, but didn't patent terms start at 7 years from issue, jump to 14, then to 17, and then switch to 20 from filing?)

      The difference in term has to do with the fundamental differences in the subject matter, scope and nature of the respective intellectual property assets.

      However, here you may have something. Let's look at the differing tales of a publisher and a manufacturer who both see a competitor who has IP on something they'd like to sell. The publisher can't sell his competitor's copyrighted thing (e.g., a boy band pop song), so he signs an artist who creates a similar work and he sells that instead (another boy band with an equally bad pop song).

      Our manufacturer has a worse time of it because of the way patents work. Say he wants to sell ziplock-style plastic sandwich bags. If the ziplock-style bag is covered by a comprehensive patent, he can't go out and get another bag that works just like it. He has to come up with a bag with a completely different closure mechanism. If the invention and the patent are really fundamental, maybe he can't. This manufacturer has an incentive to see this patent end as soon as possible. At the same time, he wants his own patents to last longer. Tension.

      With copyrights, the industry has chosen to focus on a lets-create-new-content business model. While copyright does prevent you from getting a property exactly like Mickey Mouse, you can always create Bugs Bunny, which sells to almost the exact same consumer demand. Not so patents. If you can't sell the patented type of whatever-it-is, you're out of luck.

      --
      "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
    2. Re:Nonsense -- that is just gobbledegook by PMuse · · Score: 2

      Sometimes, in fact, often, you can invent something else that does the job required. Then again, sometimes you just can't. I suppose this sounds a lot like the notion that when Michael Crichton creates a one-hour night-time drama called ER, sometimes you can create a knock-off that people will watch and sometimes you can't.

      Still, I'd say the ability of a nice, broad patent to exclude is different from copyright. For instance, a diesel engine won't run on gasoline. Hypothetically (this didn't really happen, to my knowledge), if the country has a network of gas stations built, but no diesel stations built, it may be that a diesel engine is less valuable until such a network of fuel sellers is established. That's a non-trivial problem.

      Similar fuel-distribution problems are plaguing fuel-cell cars today. Until a fuel-cell distribution infrastructure is established, the current gasoline and diesel engines have an advantage in this respect.

      Those pharmeceutical companies are another example. If they find an anti-allergy or anti-depressant or anti-impotence drug that works, their competitor simply may not be able to invent a substitute.

      Anyway, your point that design-around is a good thing is well taken. I can't speak as to what the framers thought on that subject, but I do know that a lot of people who write about it today find great value in design-around. So do I.

      --
      "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
  41. You're wrong. by bcrowell · · Score: 2

    No, you're wrong. See item 6 on this web page. Characters can be copyrighted, and Mickey Mouse is. Likewise for Winnie the Pooh.

  42. Re:I don't understand ... by wantedman · · Score: 2, Insightful

    Things enter culture, Superman, Hulk Hogan, these things are household names, with stories that are now apart of the american culture, which means forever, someone would own our culture.

    I could never think that a world Bach, or Shakespeare were always benefitting someone financely somewhere, where you couldn't listen to Bach, or read Shakespeare without paying royaltes to there great-great uncles, who have little to no relationship to the work in question.

    Plus this also limits derived works. Metallica uses Bach, Mozart, and other classical themes in all of there earlier works, and many authors also take characters from other works, look at Pip from South Park...These are definitly copyright infringments, but should these offense be illegal?

    Taking someone elses work, or parts of there work, either for inspiration, or to accent your work, is a part of the human expression. Fan works, or pieces that are inspired by other works should not be subjected to archane copy laws. Its ok for an artist to use what is around them socially, like superman, and add that to their work, because superman is a part of who that artist is, and by extending copywrite law, we limit the amout of expression that artist has...

    thank you
    (sorry for the rant, and for the horrible english :))

  43. Why is the government always so defensive? by Dirtside · · Score: 3, Insightful

    I imagine it's a matter of pride, just like for most humans, but why is it that no matter *what* the issue that someone's suing them over, the government always insists that it is absolutely right, and could not be wrong? Even the Executive Branch does this, when it's their job to enforce laws, not make them (Congress) or determine their rightness (SCOTUS). I remember seeing a quote from a DEA executive, saying that the DEA was opposed to any weakening of drug laws. Not that he was opposed, the DEA was opposed. Why is the DEA concerned about whether the laws change? Their job is to enforce existing laws, whatever they may be; there is no good reason for them to oppose changes in the law. (Naturally, they oppose any changes in the law that will make them have less power.)

    --
    "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
  44. Ok slashdot by Raul654 · · Score: 2

    Does someone know when the ruling will be announced? I had thought that they usually wait utnil all the cases are heard (in the spring) before announcing them all at once, but I could be mistaken. Can someone clear this up?

    --


    To make laws that man cannot, and will not obey, serves to bring all law into contempt.
    --E.C. Stanton
    1. Re:Ok slashdot by BCoates · · Score: 2

      Pretty much any time they feel like it, I don't think there is any warning or anything.

      --
      Benjamin Coates

  45. Re:I don't understand ... by clonebarkins · · Score: 3, Informative
    If an author/creator/person has some intellectual property they should be able to set the bounds for how long after they die that property can be freely distributed.

    To be trite, because our Constitution says that works can (note that it doesn't say they must) be copyrighted for "limited times" and "to promote the progress of Science and the useful Arts". For more explanation, read on.

    The assumption you're making is that the author/creator made the work in a total vaccuum and has relied on nothing else to create whatever it is they made. However, in reality anyone who creates a piece of "intellectual property" has relied upon years and years of hard work by other people, and they have taken information and tactics from a rich and readily-available public domain. While their work may be fresh in a new and ingenuitive way, it still relies on stories, histories, facts, and even languages that were developed long before that person ever thought of anything of the sort.

    The Founders of our country realized that it was necessary to encourage people to create new things, so they provided for copyrights to give people a limited monopoly over the things they create. However, the founders also realized the fact that "there is nothing new under the sun", and that subsequent people should be able to use that one creator's works/ideas just as he used the works/ideas of people who created things before him.

    If that bound is set for forever and they want their kids to live off their Intellectual property then that's there decision. In the cases of companies owning the intellectual property, I believe it's totally up to them to drop the claim to the property and that they should be able to do this whenever they want.

    But that bound isn't set forever, despite the late Sonny Bono's desires. It's bound for limited times. And another thing I'd like to bring up, which I haven't seen much of at all, is the fact that the Constitution states that Congress may secure copyrights "for the author" -- not for his/her kids, or for their grandkids, or their great grand-neice twice removed. It seems to me right there that any law which says copyright can go past the life of an author is unconstitutional.

    In the cases of companies owning the intellectual property, I believe it's totally up to them to drop the claim to the property and that they should be able to do this whenever they want.

    This is totally stupid. Thomas Jefferson believed companies should not even be considered entities unto themselves, and warned us that we'd be screwed if they did (hmmm, wonder when that's gonna happen). To look at one of the big ones involved in this whole issue, Disney, you can easily see that they have taken almost every single one of their stories directly from the public domain, bastardized it, and then slapped a copyright on it themselves so nobody else could use it. Being one of the biggest supporters of the Sonny Bono Copyright Term Extension Act, Disney obviously feels it has more of a right than anybody else to keep this stuff, which was public domain material to begin with, unto itself.

    Anyway it seems like everyone is always making a big deal about getting stuff for free.

    So what's you're point. Do you like paying for everything? Besides, it's not just about getting stuff for free, but about not abusing our right to have a rich and readily-available public domain -- a right which was envisioned by our Founding Fathers and enshrined in our Constitution.

    It seems like the type of stuff they are talking about in this article (movies and photographs and books) can all be easily obtained off the Internet for free. And although the manner they are obtained of the Internet isn't exactly legal, like P2P mp3 downloads, it's pretty common.

    What article are you talking about? What stuff exactly can be downloaded and where? I'm not clear on your point here.

    And I'm not sure about everyone else but I haven't heard of too many cases where individuals were prosecuted for violating copyright laws.

    Now you're just being ridiculous. People are sent "cease and desist" letters all the time by the MPAA and RIAA. Just do a search on these pages, or do a Google search. If you intend "prosecute" to mean with a federal attorney and all that crap, then perhaps you're right, but this is just as much prosecution, with even less due process than normal (which isn't much to begin with).

    --

    "The evil of the world is made possible by nothing but the sanction you give it." -- Ayn Rand

  46. Re:Million reasons why you're an idiot qjkx by unicron · · Score: 2

    Money can lead to power, but money does not always create power. Not everything is a conpsiracy, not everyone has alterior, sinister motives. Their are honestly good politicians in the world.

    Poer isn't always in the hands of the bad guys either, just look at any prominemt civil or human rights leader in the past century.

    --
    Finally, math books without any of that base 6 crap in them.
  47. Comment removed by account_deleted · · Score: 2

    Comment removed based on user account deletion

  48. Don't forget Harold Lloyd by mbourgon · · Score: 2

    The Lloyd estate just successfully won a lawsuit against Disney, on the grounds that their picture "The Waterboy" was a rip-off of the Harold Lloyd silent film (1924) "The Freshman".

    I wonder if that's why Disney's past couple of movies have actually been original - they know that in a few more years, there won't be any stories they'll be able to steal.

    --
    "Sometimes a woman is a kind of religion, she can save your soul & set you free from all your sins" - Bad Examples
  49. Limited times, not "reasonable" times by dachshund · · Score: 2
    Personally, I predict that Disney et all will win, but the SC will render an opinion with language that implies or outright states that the current setup is the extreme maximum that should be permitted to copyright--or at least that it's approaching a constitionally breaching overextension.

    What case are you following? This case was narrowly targeted at the issue of retroactive term extensions. Even the plaintiffs admit that they have no authority to tell Congress how long copyright terms may last-- as long as those terms can't be changed after the fact. And I hardly think that this court is going to go further than that.

  50. Re:European Copyright by Amazing+Quantum+Man · · Score: 3, Funny

    Theoretically, won't AOL still have the copyright on Europe,

    Damn, that's some trick! I'd love to hold the copyright on an entire continent!

    All your Europeans are belong to AOL!

    --
    Fascism starts when the efficiency of the government becomes more important than the rights of the people.
  51. Mickey & Pooh are trademarks, c'right not need by aquarian · · Score: 2

    The worst part of this is that copyright isn't necessary to protect estalished *trademarks* like Pooh and Mickey. So this latest rewrite of copyright law isn't really to protect existing properties, it's a power grab by big business to control *everything else.*

  52. I was there by Roast+Beef · · Score: 5, Informative

    My comments, also posted on my web site:

    This was my first time at oral arguments, so I have to admit I don't have anything to compare them to. For example, I felt that the Justices were harder on Theodore Olson (Solicitor General, argued the case for the Government) than they were on Larry Lessig (lawyer for the petitioners). This may just be because the justices know him better, though. To make my life even more difficult, the seat I was assigned had a nice fat column between me and everybody of significance. I could see the back of Justice Ginsburg's chair before she sat down. I was able to identify some of the Justices from their voices, but it was difficult. Oh, Declan McCullagh was there in a leather jacket. Didn't wear it to the courtroom, though. He'll probably have pictures up on his site later today, and I've got a couple I'll put up here.

    On to the case: the first question came from Justice O'Connor, asking about the previous copyright extensions, which had not been challenged. Prof. Lessig pointed out that the 1790 Copyright law established a copyright for works already existing, but that was the first time such a law had been passed here -- before that existing works had no Federal copyright protection. That made the protection different from the extensions passed in the following years. Justices O'Connor and Rehnquist proceeded to press him on the significance that even the following extensions were unchallenged, and during Olson's time he pointed this out, saying that the petitioners therefore had a heavy burden challenging a law that had essentially stood for centuries. Prof. Lessig's response was that there has been a fundamental change, even since the copyright term changes made in 1976. In 1976, the copyright affected mainly commercial copyright producers and distributors, and they were the ones who benefitted from the laws. Now, however, the popularization of the Internet has made copyright an issue for many people. As an example, the primary petitioner in this case, Mr. Eldred, publishes public domain books on his web site, and he does it for free. Such a thing was unheard of in 1976. Mr. Eldred is only hurt by this copyright extension: he sees no benefit. The 1976 law would be unconstitutional if challenged now, but no one was seriously injured by it when it was passed, so it went unchallenged.

    A sense I got from several justices was that they didn't approve of the copyright terms, but didn't see a Constitutional argument against them. Justice O'Connor came right out and said, "I can find a lot of fault with what Congress did here," and Justice Breyer, when questioning Olson, cited some numbers showing how much money copyright owners gained from the extended terms, compared to the losses to the public due to copyright restrictions. The counter argument was that copyright terms provide an incentive for distributors to preserve their works. While it was conceded by Lessig that Congress could not grant a copyright on a work currently in the public domain, Congress could grant an extended term conditioned on a promise to preserve and actively distribute a work. This would allow works for which the copyright owner could not be identified (such as many of those sought by Mr. Eldred) to pass into the public domain.

    While I generally felt that the Justices were harder on Olson, they didn't seem to be too happy with the Consitutional arguments given by the petitioners. One point they did seem to like, and pressed Olson repeatedly with, was that, if the preambular part of the Copyright Clause is not read to be a limitation on copyright terms, and if the word "limited" does not mean "fixed" or "immutable," is there any limit on Congress's power to extend copyright terms? Olson's reponse was to point out that that is not the issue before this court, and I have to agree. While the Court is certainly free to say that the Congress's extensions are subject to judicial review on the grounds that "limited" need be reasonable or something like that, and establish some guidelines for that review, it has not been asked to do that in this case. More importantly, despite the Justices' feelings that there should be judicial review, lack of an explicit Constitutional limit on Congress's interpretation of "limited" does not create that power for the Court. It simply may be the case that Congress has the power to extend it however long it wants, as long as it is not "unlimited." The recourse for that, of course, is elections. Olson pointed out that the Framers had the power to put a specific length of time in the Constitution, and Jefferson actually encouraged it, but they eventually chose not to; they chose to give that power to Congress.

    Lessig cited a figure he claimed a group of economists calculated: the current copyright terms give copyright owners 99.8% of the benefits they would get under a perpetual term. I would guess that assumes the benefits converge, although I'm no economist. I'm also no Supreme Court scholar, but my gut feeling right now is that the Court is going to strike down CTEA and establish some guidelines for what is an acceptable copyright term. I personally don't agree from a Constitutional standpoint. We'll find out in a couple of months, I suppose.

  53. Re: It's a wonderful life by CodeShark · · Score: 2, Interesting

    Guess you missed part of the news a ways back. "It's a Wonderful Life" is effectively back under copyright by a corporation (not the original authors, composers, etc.) because they realized that copyright on the music or at least the sound track hadn't lapsed, and they renewed it.

    My understanding was that in theory you could have copied the film, done derivative works, etc. ad nauseum -- but to sell your copy you'd have to totally replace the musical track -- which is not so easy because you have to totally cut the voices, etc. out of the musical background.

    So in essence, the copyright extension pulls this back into private hands for what, another 40 years or so?

    --
    ...Open Source isn't the only answer -- but it's almost always a better value than the alternatives...
  54. Re:I don't understand ... by jms · · Score: 2

    The basic premise of copyright law is to encourage the development of art for the benefit of mankind by providing incentive -- the right to profit from it-- to create it.

    I have to disagree. Copyright law does not promote innovation and creation. The purpose of copyright law is to promote publication.

    The exclusive rights clause was intended to address two problems:

    1) Trade Secrets
    2) Licensing, as opposed to publication, of writings.

    Trade secrets are bad because they result in the loss of knowledge. For instance, Stradavarius violins are extremely fine musical instruments. Violin makers were notorious for tightly holding trade secrets. As a result, the knowledge of how to produce those superior instruments died with the instrument maker. Had a patent system been in place at the time, and had the violin makers chosen to accept a patent -- and disclose their manufacturing methods, then every violin manufactured today might be as good as a Stradavarius.

    There is nothing in the patent laws that will help anyone to invent anything, and nothing that will make you decide to try to invent anything. The laws don't work that way, because they can't. The patent laws address a simple problem. Once a person invents something, they need a reason to publish their invention, rather than keep it as a trade secret.

    Enter the patent. In exchange for disclosing the invention, the inventor receives a temporary monopoly over the exploitation of that invention. The temporary monopoly is the benefit to the inventor, and the benefit to the public is that after expiration of the patent, the public may make use of the knowledge.

    This has nothing to do with the inciting of invention, and everything to do with the inciting of disclosure. Patents incite disclosure, not invention.

    Similarly, the original copyright statutes covered books, and in particular, maps and charts. The specific inclusion of maps and charts is interesting, because it illustrates the true purpose of copyright.

    Maps and charts were the "software" of their time. A sea chart cost a tremendous amount of money to develop -- measured in terms of exploration and expeditions -- and practically nothing to duplicate. The problem was that mapmakers, in order to prevent copying of their works, only would issue the maps to sea captains under restrictive licenses. Maps were being created, but progress in accurate maps was not being made because mapmakers could not compare their maps to each other and make corrections.

    Copyright law was intended to sweep aside licensing terms on written works by offering a replacement -- in exchange for the act of publishing the work -- that is, making it available for public use -- the author would receive a temporary monopoly over the printing of the work.

    The purpose of copyright is not to promote the creation of works. It doesn't do that. Copyright does not guarantee the right to profit off of works. The vast majority of copyright holders never make a penny from their work. Instead, copyright is intended to promote the publication of works. That's all that copyright law can ever do. The idea that stronger copyright laws are needed to promote the creation of new works is nonsense. That isn't what copyright law does, and it isn't what it was ever intended to do.

  55. Re:I don't understand ... by t · · Score: 2, Funny

    You'er excluding the biggest one, santa. Can you imagine having to pay a license fee to dress up as santa and stuff presents under your xmas tree as your kids snuck a look?

  56. Re:Ashcroft v. @{Everyone} by iabervon · · Score: 2

    The original poster was clearly using make, where ${Everybody} is a variable, which may have multiple variables, and which may be conveniently be updated:

    Everybody += EFF

    when somebody else wants a law overturned.

  57. Comment removed by account_deleted · · Score: 2

    Comment removed based on user account deletion

  58. That's the URAA by yerricde · · Score: 2

    I thought there were some "takebacks" in 1997 ... Lots of Spanish films, music, etc. were "recopyrighted".

    You're referring to the Uruguay Round Agreements Act. That act restored copyright to some works whose copyrights had not expired but which had fallen into PD due to some other technicality, mostly by not being first published in the United States. It was implemented as part of the Uruguay round of WTO/WIPO treaties.

    Like the Bono Act, the URAA is under a constitutional challenge, in Golan v. Ashcroft.

    --
    Will I retire or break 10K?
  59. It's kind of like... by anthony_dipierro · · Score: 2, Funny

    Did you ever think about why Elementary School takes 8 years but High School takes just 4? Obviously it all comes down to money.

  60. Re:Bush's Newspeak? by neocon · · Score: 4, Informative

    An interesting smear, but you are aware that Bush has spoken strongly in favor of a strict `original intent' interpretation of the Constitution, and against such word games, right?

    This is one of the largest factors differentiating the current administration from the previous one, by the way.

  61. Re:I don't understand ... by Software · · Score: 2
    ...So I for one would be satisfied if the concept of a corporate copyright was much more limited than an individual's copyright,
    I'm with you so far...
    although this is probably impossible to implement because films, etc. may have more than one source in terms of composers, authors, etc.
    Well, no, because the corporation has the copyright, not the composers or authors or anybody else. So the law can simply state that, for works published by a corporation after 2002, the copyright is 28 years. I would say this is impossible to implement because a majority of Congress is unwilling to pass legislation to this effect.
  62. And you were wrong... by dachshund · · Score: 4, Interesting
    Olson's reponse was to point out that that is not the issue before this court, and I have to agree. While the Court is certainly free to say that the Congress's extensions are subject to judicial review on the grounds that "limited" need be reasonable or something like that, and establish some guidelines for that review, it has not been asked to do that in this case. More importantly, despite the Justices' feelings that there should be judicial review, lack of an explicit Constitutional limit on Congress's interpretation of "limited" does not create that power for the Court. It simply may be the case that Congress has the power to extend it however long it wants, as long as it is not "unlimited."

    The argument is pretty straightforward. The court has ruled that where the Constitution grants a limited Congressional power, there must be a demonstrable limit to Congress's authority. The Supreme Court has made this ruling in the past.

    In this case, there is no demonstrable limit. The government is arguing that it may extend copyright as many times as it wishes-- an unlimited number of times, if necessary. That interpretation clearly clashes with the straightforward requirement of "limited times". Thus there is no guaranteed limit on the power, and thus the law is not Constitutional. The notion of "reasonable" times doesn't really enter into it.

    The recourse for that, of course, is elections. Olson pointed out that the Framers had the power to put a specific length of time in the Constitution, and Jefferson actually encouraged it, but they eventually chose not to; they chose to give that power to Congress.

    You're going to have to fight that one out with the Framers. Clearly they did not feel that the political process provided a strong enough check on government power, so they wrote a strong constitution and created a Judicial branch to oversee it.

    If you agree with my interpretation of "limited", the court has all the legal and moral authority it needs to rule against the law. If you don't, then you'll probably feel that it's a political issue. The court is in the process of making this determination, so let's not jump the gun.

  63. Re:"promote the progress of science and useful art by hey! · · Score: 3, Interesting

    IANACL, but it's my understanding that the intent with which a power is granted to a branch of government doesn't matter much. The problem is that the likely outcome of any given law is a matter of opinion. This is why we need legislatures to begin with: to decide what laws would be beneficial and which would be harmful. Clearly, the constitution does not intend to have congress pass bad laws, but it necessarily empowers them to do so. Once a power is in legislative hands, they can, in effect, use it for whatever purpose they want.

    That's why arguments that say excessive copyright and patent terms retard progress don't carry much weight. It's often a matter of opinion; any particular law is likely to have mixed results. The courts don't want to get into the business of deciding what kinds of laws are beneficial -- just which ones are legal.

    Copyright abuse opponents have to resort to careful parsing of the copyright clause to see if abusive copyright laws exceed the powers literally granted to congress. Lessig's approach is the most promising -- the clause doesn't say that congress has the power to modify copyright terms that have already been granted. I've heard other approaches, such as one judge who asserted that the nature of the power granted to congress was a specifically a power to promote progress. It's a bit of a stretch though. Accepting this argument brings the courts back into the business of judging whether a law is wise or not.

    As much as we in the US revere it, the Constitution has over the years been proven to be pretty poorly drafted in many places. The copyright clause is a perfect example. Clearly the framers wanted copyright to be limited and their perosnal experience would have shown them that long copyrights are bad. At the time of the US Revolution, copyrights on literary works were perpetual and held by booksellers. If you wanted Paradise Lost, you paid Tonson's whatever Tonson's wanted to charge you, and you accepted a copy with whatever printing errors they didn't feel like correction. Clearly, the men of learning among the framers intended to remedy this situation by limiting the copyright term.

    However, what they actually accomplished in article 2 was to effectively give Congress the power to grant perpetual copyrights. A term of a billion years is, literally speaking, limited, even though none of nor any of our descendents will ever see that term expire. Of course, such a law would be so obviously capricious and repulsive that the court would feel justified in stepping in.

    The problem with gradual copyright extension is that it ever so gradually conditions us to accept the absurd. At the outset, a copyright term of seventy five years would have been absurd. However over the course of two hundred years, gradual encroachment has got us here. Most importantly, the term of a copyright is now a full human lifespan. That means few people alive have experienced having works they remember from their youth becoming part of the public domain.

    Because of copyright extension, we have reached the point where the common person's experience doesn't provide him with any commonsensical checks on copyright terms at all.

    It's extremely important that Mr. Lessig win his case.

    --
    Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
  64. North / Bin Laden urban legend (OT) by PaxTech · · Score: 2, Informative
    During the Iran-Contra hearings, Oliver North made reference to Osama bin Laden. I would like to see it for myself, but unfortunately, it is illegal for anyone but the copyright holders to distribute a recording of that hearing.

    The Oliver North / bin Laden story is an urban legend, see the snopes page on this. It's debunked by North personally. He did make a reference to being threatened by a terrorist, but it was Abu Nidal, not Osama bin Laden, who was on OUR side back then.

    --
    All movements for social change begin as missions, evolve into businesses, and end up as rackets.
  65. Re:Is Lessig an Idiot? by Anonymous Coward · · Score: 2, Insightful

    They are probably being harder on Lessig because they are highly sympathetic-- and until the transcript comes out, we really won't a good account of the actual event. The Court also seems concerned that they can't cash out the retroactive bits of CTEA without nullifying the whole law, which is really scary to them since it means that they are *removing* years from the copyright on works created after 1998. They are also concerned that this current case would affect a 1976 law (and I have to ask why *that* particular retro-extension has never been challenged!).

    Also, please remember that a lot of very important voices in this debate have all filed briefs with the Court in order to make persuasive arguments on behalf of one side or the other. The whole case hardly comes down to a debate held in under an hour and a half.

  66. Re:"promote the progress of science and useful art by naasking · · Score: 2

    That's what the founding fathers intended in the constitution, where "economic rights" are secondary to the "natural rights" of mankind.

    Copyright is not a natural right, it is artificial. Natural would be no copyright, since anytime I see a new idea and think it's good, I can just walk off and utilize it. Copyright prevents this for the benefit of the original creator to encourage them to innovate. Thus, extending copyright is trampeling on our "natural rights".

  67. National Review is full of it by User+956 · · Score: 2

    I know that a press assistant putting a blue cloth backdrop behind the AG when he speaks to provide better photos isn't as funny a story, but hey, the truth isn't always as amusing as fiction.

    Then he must be standing out there 24 hours a day, 7 days a week, 365 days a year, because according to the New York Times, that's how long the curtain stays up.

    In addition, if he cares so much about how he looks in pictures, why did his spokeswoman make the statement, "He doesn't look at his press coverage a lot, himself", when asked about the issue?

    --
    The theory of relativity doesn't work right in Arkansas.
  68. Tax copyrights annually like real estate by Paul+Fernhout · · Score: 3, Interesting
    How about going one step further?

    If copyrights are now effectively indefinite, copyright holders should have to pay taxes like real estate owners to keep works out of the public domain. A starting amount would be 3% per year of a self-assessed value, where anyone could pay the entire self-assessed value to the copyright owner to force the work to be placed immediately in the public domain.

    --
    A 21st century issue: the irony of technologies of abundance in the hands of those still thinking in terms of scarcity.
  69. Re:"promote the progress of science and useful art by grumpygrodyguy · · Score: 2

    Look how Jpeg, Lzw compression and some other patents destroy progress and support the birth of free formats like Png.

    Of course, well all know that. But the difficulty doesn't lie in convicing us. We use these tools every day, it's what we do. We see how the "system" is practically crumbling before our very eyes...but most people don't live in our world.

    The question in how can you convey our understanding to a group of justices who are probably even less technologically inclined than your grandmother?

    If you read the trascript, the jusitices questioned why there was never any objection raised before? There have been 11 consecutive extensions of the copyright duration, and very little dissent was voiced until recently. Eldred's response was "the internet changes everything". Now, we all know exactly what he means, but do you think there's a prayer in hell that these justices know?

    This is a very complex system of interdependancies that does not easily lend itself to precedence or analogy. I just hope Eldred can come up with more than "the internet changes everything". Because there will be no internet if he's wrong.

    --
    The government has a defect: it's potentially democratic. Corporations have no defect: they're pure tyrannies. -Chomsky
  70. Re: film copyrights by CodeShark · · Score: 2
    Even ignoring the even more sticky realm of trademark protections, corporate copyrights would still be a sticky mess.

    Assume that John Williams as a composer has the copyright on the musical score to Star Wars (1977), for example. He and/or his inheritors, for example would hold the copyright for death plus X years. If that particular part of the copyright is sold to Lucasfilm as a company, then they should in theory owns the copyright for the same number of years because it was an author's copyright, even though the author has no further financial interest [having sold it to the company]. Which is why most book publishers insist on getting the copyright instead of the author, by the way.

    So how does a corporate copy "right" fit into the constitutional framework if the author, etc. has no further or future financial interest?

    Or consider the opposite -- the film copyright expires, but not the musical copyright. Does this mean that John Williams and his inheritors can then de-facto control the re-distribution of Star Wars because without his score the movie just isn't the same?

    --
    ...Open Source isn't the only answer -- but it's almost always a better value than the alternatives...
  71. Re:+1, Finally Gets the Fricken Point by swb · · Score: 3, Interesting

    Here's the problem. Elections never end. Even after you win the November vote, you *have* to keep the election machinery oiled as well as start stockpiling cash *now* to meet the spending needs of the next session. What's a senate campaign cost? $2M average, $20M in places like NYC and Cal?

    These kinds of costs (war chests, constant campaigning) are expensive. So you have to constantly solicit donors, aka special interests to get the money. They expect legislative concierge service, which they get.

    I don't see any way out because the supply of congressional seats is limited to 535 total (100 sentate, 435 house), and we all know how supply-demand works. I'd guess the best thing to do would be to add 3 new senators per state and double the number of house reps. More seats = more representation @ lower cost.

    Of course this would be a procedural nightmare in the congress, which could be worse than the problem it solves, but it would dilute the amount of money spent and increase representation.

  72. National Review is your idea of a source? Heh. by User+956 · · Score: 2

    I'll take the word of the New York Times over a right-wing conservative rag like the National Review. Of course a site that describes itself as "up to the minute conservative commentary" is going to support the conservative Ashcroft. It doesn't take a rocket scientist to figure out the mechanics behind that one.

    You're either not up to the task, or willing to ignore the obvious. Just don't pretend the National Review is an unbiased source.

    Futhermore, if the curtain was indeed up just for press conferences, why is it there all the time?

    --
    The theory of relativity doesn't work right in Arkansas.
    1. Re:National Review is your idea of a source? Heh. by User+956 · · Score: 2

      you guys are just too determined to hold on to it, and facts (or even logic)

      Yes, of course, logic dictates that a "backdrop" for intermittent photo shoots would be up 24x7, even though it obstructs a beautiful piece of sculpture depicting that which Ashcroft should feel akin.

      It all makes sense, now.

      --
      The theory of relativity doesn't work right in Arkansas.
  73. Don't panic when the Supremes ask questions by catfood · · Score: 4, Informative

    khkramer's thoughtful and thorough summary said, in part:

    In Lessig's opening -- which lasted about thirty seconds before he was cut off by Justice O'Connor -- he said that "this is not a case" about the "general power" that Congress has over copyrights, but about "specific limits."

    Previously he'd written that he was troubled at the grilling the Justices gave Lessig. ISTR that O'Connor is known for doing that when she finds an argument particularly interesting and wants to know more about it. If in fact she was pushing Lessig to explain his case more precisely, that's a good sign.

  74. An argument ignored by rossz · · Score: 3, Insightful
    The exact wording in the Constitution (Article I, Section 8):
    To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;
    Something left out of the arguments entirely is who these exclusive rights are intended for. It didn't say anything about a family, publishing company or factory. It said specifically the exclusive rights are for the authors and inventors. As stated by the Supreme Court on numerous occassions, the Constitution means what it says. Therefore, any extensions that go beyond the life of the author or inventor is clearly unconstitutional.

    One problem is when a copyright is made in the name of a corporation which has a theoretically unlimited lifespan. If the Supreme Court ruled that the maximum length of a copyright is the lifespan of the author, then you would see a mad rush to copyright everything in the name of a business. This would have to be prevented as it is an attempt to bypass a Constitutional limit.

    My personal solution is to automatically assign the lifespan of the current CEO of the business when the copyright is filed in the corporation's name - and changing the original name is not allowed. Most of them are old bastards who will die in 20 years from overwork or within 5 years during a prison gang rape (that was a joke - so laugh!).

    --
    -- Will program for bandwidth
  75. What about his brief? by Elwood+P+Dowd · · Score: 3, Informative

    At the linked summary, it sounds like Lessig failed to address an essential portion of his argument. According to his reply brief, there is a huge difference between an equally applied retroactive extension and an equally applied proactive extension. He suggests, with references, that court precedent has shown that a retroactive extension requires a quid-pro-quo. If the law said copyrights were only extended for people that gave congress $5, or republished the work, or *something*, then the law would fly. Since there's no exchange, the law breaks judicial precedent.

    I have *no* idea if this argument is correct. Please do not rely on my description of it. Read the brief (they're not hard to read at all). Is there a lawyer out there that can tell us if his quid-pro-quo argument is obviously valid, obviously wrong, or open for debate?

    Does it make a difference if an essential point is only made in a brief, but not in oral arguments?

    Am I misunderstanding the argument, or how it applies?

    --

    There are no trails. There are no trees out here.
  76. Re:+1, Finally Gets the Fricken Point by jedidiah · · Score: 2

    I have a sneaking suspicion that O'Connor is a raving hypocrite when it comes to this remark. It is quite difficult to separate "law" and "policy". Infact, many legal theories and legal tests have notions of policy embedded into them. I find her remark in this case extremely disingenuous.

    Even if you take the remark at face value, you still have the problem that the laws under dispute codify public policy concerns. If it's a constitutional question, then it is the role of the Supremes to weigh in on the matter. What a particular justice chooses to call it is remarkably irrelevant.

    --
    A Pirate and a Puritan look the same on a balance sheet.
  77. Re:Bush's Newspeak? by NumberSyx · · Score: 5, Insightful

    ..you are aware that Bush has spoken strongly in favor of a strict `original intent' interpretation of the Constitution..

    And yet he signed the US Patriot Act, which directly spits on the Constitution in so many ways. Has he vetoed anything since he's been in office ? or is he going to be known from here on out as George "Rubber Stamp" Bush.

    --

    "Our products just aren't engineered for security,"
    -Brian Valentine,VP in charge of MS Windows Development

  78. An alternative viewpoint: by Kaya · · Score: 2, Interesting

    http://www.aynrand.org/medialink/copyrightlaw.shtm l Would-Be Intellectual Vandals Get Their Day in the Supreme Court Those who are spearheading the current legal challenge to the copyright law favor intellectual cannibalism masquerading as creativity and free speech.

  79. Re:Bush's Newspeak? by NumberSyx · · Score: 2

    I welcome you to provide even a single example of how you believe USA PATRIOT has violated the US Constitution

    Habeas Corpus and if you don't beleive me, perhaps you should ask Jose Padilla or his lawyer.

    --

    "Our products just aren't engineered for security,"
    -Brian Valentine,VP in charge of MS Windows Development

  80. hmmm.... by Loki_1929 · · Score: 2

    "I have press credentials at the court, so I was able to take notes during the argument"

    Hmmm... press credentials; now why didn't I think of that? Come on inkjet printer, court starts in an hour; let's get a move-on.

    Hell, I'd just like to heckle Ashcroft (assuming he's in there) and maybe wear my "Got DeCSS?" t-shirt.

    --
    -- "Government is the great fiction through which everybody endeavors to live at the expense of everybody else."
  81. Re:I thought this was funny... by aronc · · Score: 4, Interesting

    From khkramer's summary, "Breyer joked that if Lessig's argument about 1998 applied equally to 1976, then he'd better find another argument. Everyonelaughed. (Everyone always laughed whenever a Justice made a joke.)"

    I don't. Quite the opposite. If the justices are going to rule against the law because it would invalidate other laws, that's wrong. It shouldn't matter how many laws are effected when deciding if some particular legislation is or is not unconstitutional. Choosing to stay as-is because it would be difficult to fix the law is a horrible way to judge your current legal framework.

    --

    jello.
    aka aron.
  82. Re:Bush's Newspeak? by neocon · · Score: 2

    Actually, no.

    Abdullah al-Muhajir (you don't call Muhammad Ali `Cassius Clay', do you?) is being held as an enemy combatant, something which has nothing at all to do with USA PATRIOT. It's not anything new, either -- those waging war on the US, including US citizens, have been subject to military jurisdiction since the earliest days of this republic, a practice which was upheld most recently in the 1942 US Supreme Court case Ex Parte Quirin.

    See this journal entry for details on the Supreme Court's ruling in Quirin.

  83. New Pooh vs. Classic Pooh by yerricde · · Score: 2

    What's the skool Winnie the Pooh?

    "Classic Pooh", or old-skool Pooh, refers to the style of drawing seen in A. E. Shepard's original illustrations in the books Winnie-the-Pooh and The House at Pooh Corner by A. A. Milne.

    "Disney's Pooh", or nu-skool Pooh, refers to the style of drawing seen in the Disney animated feature The Many Adventures of Winnie-the-Pooh and the TV series The New Adventures of Winnie-the-Pooh, where Pooh wears a red shirt, Christopher Robin dresses more "normal", most characters have become more detailed, and Gopher has been added to the lineup.

    Likewise, there's old-skool Mickey Mouse ("Steamboat Willie" and "Plane Crazy") and nu-skool Mickey Mouse (more recent films, with a more detailed appearance).

    In both cases, a ruling for Eldred will send only the old-skool versions to PD.

    I just asked my niece, who works for Disney

    I know that your niece doesn't represent DisneyCo, but I wonder what her personal opinion is about the Bono Act. Is the propaganda machine inside Disney as big as the one from Disney to Washington?

    --
    Will I retire or break 10K?
  84. Comment removed by account_deleted · · Score: 2

    Comment removed based on user account deletion

  85. Comment removed by account_deleted · · Score: 2

    Comment removed based on user account deletion

  86. Re:Bush's Newspeak? by FredGray · · Score: 2
    Great--now would you like to show me some evidence that this man has been "waging war on the US"?

    Please take note of this USA Today article in which Paul Wolfowitz is quoted as saying

    "I don't think there was actually a plot beyond some fairly loose talk and (Al Muhajir's) coming in here obviously to plan further deeds."

    It's pretty clear (read the government's court filings) that this case is intended to establish a precedent that the executive branch can-based only on its word and with no judicial review-confine an individual in a military prison indefinitely without trial.

    If you believe in basic human rights, that concept really ought to scare you.

    On the other hand, I will agree that this has nothing to do with the USA Patriot act. :-)

  87. Re:Bush's Newspeak? by neocon · · Score: 2

    Well, Mr. al-Muhajir is right now receiving a hearing in a New York courtroom to determine if the government has enough evidence to hold him as a combatant -- if they can't convince a federal judge that they do, he will be remanded to civilian custody, where he will have all the rights accorded to those accused of crimes in civilian jurisdiction, including the right to be charged with a crime within 48 hours, or else released.

    We can argue about whether this is how the system should work, but it cannot reasonably be claimed either that this is something new (as it has been practiced as long as the republic has existed, and was upheld by the Supreme Court sixty years ago), or that this is out of line with the intent of the founders (as both Jefferson and Madison, the authors of the Declaration of Independence and the Bill of Rights respectively) used this authority to imprison port saboteurs working with French and British privateers during their terms as president.

  88. Re:It does terminate by UncleFluffy · · Score: 2

    Go learn to code, then come back and tell us when a variable of type "int" can ever be greater than "MAXINT".

    DUH to you too ;-)

    --

    What would Lemmy do?

  89. Re:Bush's Newspeak? by NumberSyx · · Score: 3, Insightful

    Abdullah al-Muhajir (you don't call Muhammad Ali `Cassius Clay', do you?) is being held as an enemy combatant, something which has nothing at all to do with USA PATRIOT

    On the contrary, the suspension of Habeaus Corpus and the passing of the US Patriot act are symptoms of the same disease. The following is my list symptoms of an erroding Democracy.

    Freedom of association: The government may monitor religious and political groups without evidence of criminal activity.

    Right to liberty: Americans may be jailed without being charged or being able to confront witnesses against them.

    Freedom from unreasonable searches: The government may search and seize Americans' papers and effects without probable cause to aid terrorism investigation.

    Freedom of speech: The government may prosecute librarians, telecommunication company officials and anyone else who reveals they have received a subpoena for records related to the terrorism investigation.

    Right to legal representation: The government may monitor penal communications between attorneys and clients, and deny lawyers to Americans accused of crimes.

    Right to a speedy and public trial: The government may jail Americans indefinitely without a trial.

    Freedom of information: The government has closed once-public immigration hearings, secretly detained hundreds of people without charges, and has encouraged bureaucrats to resist requests for public records under the Freedom of Information Act.

    Read This , it goes into more detail.

    a practice which was upheld most recently in the 1942 US Supreme Court case Ex Parte Quirin.

    The difference of course is we were at war in 1942. Regardless of what GW Bush says, we are not at war, Article 1, Section 8, Clause 11 of the Constitution gives Congress the power to declare war, not the President or FoxNews. GW Bush will have to do better than "He's a bad man" to convince me that Abdullah al-Muhajir deserves to be held without trial or access to a lawyer or his family.

    --

    "Our products just aren't engineered for security,"
    -Brian Valentine,VP in charge of MS Windows Development

  90. Was Rehnquist asleep? by ethereal · · Score: 4, Funny
    Chief Justice William H. Rehnquist seemed unsympathetic to those who want the law overturned.

    "You want the right to copy people's works verbatim," he told Eldred's lawyer.

    Why yes, sir, that's the whole point. That's what "public domain" means. Maybe if we can get past the knee-jerk incomprehension of "public domain", we can actually inject some sense into these proceedings. But probably not.

    Frankly, I wonder if maybe he shouldn't have stuck with his other job as an impeachment court robes designer.

    --

    Your right to not believe: Americans United for Separation of Church and

  91. Let 'em try again by Sloppy · · Score: 2
    This may be hopelessly idealistic, but there's always a chance that future congresses may act more benevolently than the 1997 one. This could happen either simply due to some turnover, but (more importantly) due to the increased exposure.

    For example, there were warnings about DMCA back then, but it wasn't high-profile. Nowdays, just about anything technology-related that has the names "Hollings" or "Hatch" on it, causes a million alarm bells to go off all over the internet. People (well, geeks anyway) are a lot more sensitive to the fact that the crooks are serious about attempting to enforce this stuff, than they were a mere 5 years ago. Those were some eye-opening years.

    If the 20-year-extention law is struck down, and then congress tries to repass a patched version of it, can you imagine what is going to happen to these people's mail server? It may be that they can say they didn't know they were going against The Peoples' will in 1997, but there won't be any plausible deniability next time, I guarantee it.

    --
    As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  92. No real incentive to publish by krouic · · Score: 3, Insightful

    Most of the works concerned be the recent copyright extension have no commercial value. Their copyright owners would lose money if they wanted to publish and distribute them. But as there is no cost incurred by keeping the copyright and not releasing these works to the public domain, they prefer keeping it in the hypothetical case it would regain value in the future (like for instance Hollywood producing a movie based on an obscure pulp hero of the 30's).

    So basically, the copyright extension gives no incentive to the owner either to publish or to release these works in the public domain, having the net effect of depriving the public access to the vast majority of the works concerned by the extension. IMHO, this has the exact contrary effect of what the Constitution expected. It locks the vast majority of work from the public to protect the revenue of the fews that are commercially viable.

    A fair law would allow such an extension, but it would also force the copyright owners to periodically publish and distribute their works. Failure to do so would automatically put the works in the public domain.

    This would benefit the public by making these works available, either through the usual commercial channels or from the public domain, while the copyright owner would still be able to get revenue from the works that are still commercially viable.

  93. Disparity between copyright and patent by Quila · · Score: 2

    I say bring copyrights down to the length of patents. They are the same thing legally (a government-granted monopoly), growing out of the exact same clause of the Constitution. All of the arguments the government has for long copyright terms are hypocritical if they don't have a problem with short patent terms.

  94. Actually by Arker · · Score: 2

    Disney is unlikely to lose anything over Mickey even if the Supremes do the right thing here. The copyright that could be lost on Mickey is the old version from way back, you wouldn't even recognise it if you saw it. The new Mickey, the one you're used to seeing, not only has a newer copyright that won't expire for years either way, it's also a TradeMark, and IIRC those don't expire as long as they're defended.

    --
    =-=-=-=-=-=-=-=-=-=-=-=-=-=-
    Friends don't let friends enable ecmascript.
  95. Case and Docket info at FindLaw by SailorBob · · Score: 2, Informative
    --

    Woopty Doo Basil, what does it all mean?!

  96. Intel Filed a brief in Favor of Eldred by SailorBob · · Score: 2, Informative

    # Amicus - Petitioner:
    # Intel Corporation (Merits) [PDF]

    --

    Woopty Doo Basil, what does it all mean?!

  97. and *you* are aware by autopr0n · · Score: 2

    That bush spesificaly said that he was against lessing in this case, right?

    --
    autopr0n is like, down and stuff.
  98. Actualy by autopr0n · · Score: 2

    The US constitution dosn't really use many male personal pronouns, for example:

    Section 2. The House of Representatives shall be composed of members chosen every second year by the people of the several states, and the electors in each state shall have the qualifications requisite for electors of the most numerous branch of the state legislature.

    No person shall be a Representative who shall not have attained to the age of twenty five years, and been seven years a citizen of the United States, and who shall not, when elected, be an inhabitant of that state in which he shall be chosen.


    The president is refered to as "him" but there's nothing in the constitution that says anything about male reps.

    --
    autopr0n is like, down and stuff.
  99. NPR summary of justice's questioning by PMuse · · Score: 2

    Check out the NPR summary of the questioning and the responses.

    I think things sound pretty bad for Eldred and Co. There seems little hope that the Court plans to invalidate the life plus 70 term for new works created after 1998. At best, it sounds like the Court might invalidate the retroactive part of the law. This wouldn't be a complete defeat for Eldred, since many of the valuable old works whose creators have been lobbying Congress would be among those that would lose copyright. Therefore, less incentive to lobby.

    --
    "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
  100. Olsen:an era where piracy is a significant problem by PMuse · · Score: 2

    From the Wired piece:
    When justices pressed Olson to explain why Congress should not be limited to extend copyright terms to just future works, Olson said the Constitution requires that Congress -- not the courts -- make that call.

    "We're living in an era where piracy is a significant problem," Olson said. . . .


    Some one explain to me how the length of a copyright term has anything to do with combating piracy. If piracy is a problem, isn't it roughly the same problem at life plus 70 that it was at life plus 50?

    --
    "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
  101. Re:Bush's Newspeak? by neocon · · Score: 3

    You make a lot of claims about USA PATRIOT here, none of which you back up with language from the act, but more generally, you don't explain how a bill which only extends to organized terrorism practices which were already ruled constitutional when they were employed against organized crime by the Kennedys forty years ago could be considered a new restriction on your rights.

    The government may monitor religious and political groups without evidence of criminal activity.

    Something which it could always do, but voluntarily refrained from doing (a mistake) after the Church Committee hearings. At no point was this illegal. It's important to note that what we are discussing here is observation of public announcements such as newspaper articles, web sites, and public speeches -- before this policy change, for example, it was against the rules for an FBI agent looking for al Qaeda to type `al Qaeda' into Google.

    The government may search and seize Americans' papers and effects without probable cause to aid terrorism investigation.

    Simply untrue. See the more extended discussion of this claim in the journal entry linked above.

    The government may prosecute librarians, telecommunication company officials and anyone else who reveals they have received a subpoena for records related to the terrorism investigation.

    No, the government may seek a gag order from a judge in such cases, something which was already extensively done in RICO cases.

    The government may monitor penal communications between attorneys and clients,

    After notifying the suspect, with the supervision of a judge, etc. -- but this is a practice that began long before USA PATRIOT (and in fact USA PATRIOT says nothing on the matter), and, again, has been used in organized crime cases for decades -- just ask John Gotti's lawyer.

    and deny lawyers to Americans accused of crimes.

    Again, simply untrue. No American accused of a crime can be (or has been) denied a lawyer. Americans accused of waging war against the country can be held until the end of hostilities without being charged (see below), but this is a practice which has existed since the earliest days of the republic, and has been repeatedly upheld by the Supreme Court, most recently in 1942.

    The government may jail Americans indefinitely without a trial.

    This is the same charge as the previous one, and is equally untrue.

    The government has closed once-public immigration hearings,

    Something which could already be done (and was in a number of cases). Immigration to this country is a privilege, not a right, and the Constitution provides no guarantee that immigration hearings will be public.

    secretly detained hundreds of people without charges

    Not true -- provide a cite for this.

    and has encouraged bureaucrats to resist requests for public records under the Freedom of Information Act.

    Again, provide a cite for this.

    The difference of course is we were at war in 1942.

    Go read the decision in Quirin, which is linked above. The power to detain those caught attacking the US does not depend on a declared war being in effect, for reasons which should be obvious -- by your logic, had we captured any Japanese pilots during the attack on Pearl Harbor, we would have had to release them, since we did not declare war until the following day.

    More generally speaking, the vast majority of the wars the US has fought in, from Jefferson's campaign against the Barbary Pirates through the Gulf War were not declared wars in the sense you discuss. Are you seriously suggesting that this means we did not take prisoners of war in any of them?

  102. Re:Bush's Newspeak? by FredGray · · Score: 2
    Well, Mr. al-Muhajir is right now receiving a hearing in a New York courtroom [...]

    Unless you know something that I don't (my information comes from the documents at findlaw.com), the administration's primary position at this hearing is that that they don't have to provide any evidence, and that the court should give complete deference to the President's judgment.

  103. Re:Bush's Newspeak? by neocon · · Score: 2
    At the risk of pointing out the obvious, the case is in court as we speak -- the question being debated has more to do with the standard of proof needed to hold someone.

    In the past, courts have upheld a relatively low burden of proof in such cases -- there were a spate of cases similar to Quirin at different points. Mr. al-Muhajir's lawyer is arguing that a higher standard should be required, which is a reasonable request to make.

    The judge will decide. If either side disagrees with the judge's decision, there will be an appeal. That's how the system works.

  104. Re:Bush's Newspeak? by NumberSyx · · Score: 2

    Lets assume for a moment you are correct, if the government already had all the powers it needed to fight terrorism, and as you have been saying, the US Patriot Act really didn't change anything, then why do we need it at all ?

    --

    "Our products just aren't engineered for security,"
    -Brian Valentine,VP in charge of MS Windows Development

  105. Re:Bush's Newspeak? by neocon · · Score: 2

    To repeat what I said before, USA PATRIOT did two main things: first, it extended to organized terrorism practices which had already been ruled constitutional (and codified in law by RICO) decades earlier against organized crime, and second, it reversed voluntary restrictions on actions by the executive branch which that branch had adopted after the Church Commission hearings, and which that branch could already have dropped at any time.

    Do we need it? That's certainly a question where there is room for lively debate -- I happen to think that not employing tactics against al Qaeda which we are already employing against the mafia, and which have already passed constitutional muster would be a mistake, and potentially a very constly one, with the price measured in lives.

  106. Re:Bush's Newspeak? by NumberSyx · · Score: 2

    Terrorism was against the law prior to the US Patriot Act and 9/11. Committing a Terrorist Act makes one a criminal and belonging to a Terrorist Organization is the no different from belonging to Mafia Crime Family. If there were laws already on the books which cover criminals and by extension terroists and terrorist orgizations and these laws had already passed constitutional muster, again, what exactly do we need the US Patriot Act for ? Besides motivation, what is the difference between a terrorist (motivated by politics) and a common criminal (motivated by greed) that required the passage of the US Patriot Act ?

    --

    "Our products just aren't engineered for security,"
    -Brian Valentine,VP in charge of MS Windows Development

  107. Re:Bush's Newspeak? by neocon · · Score: 2
    Read up on RICO -- prior to USA PATRIOT, one of the few exceptions to the lack of information sharing between domestic and foreign intelligence agencies were mafia families, due to their extensive use of foreign safe houses and multinational schemes.

    USA PATRIOT extends these practices (which were already ruled constitutional as part of RICO) to organized terror organizations for the same reason.

  108. Re:Bush's Newspeak? by NumberSyx · · Score: 2

    I am still unconvinced the US Patriot Act was neccessary or even wise. However, I hope for all of our sake you are correct and I am wrong. I hope we do not live to regret the decisions our government has made of late.

    --

    "Our products just aren't engineered for security,"
    -Brian Valentine,VP in charge of MS Windows Development