Slashdot Mirror


Microsoft Prepares Alternative To Apple iTunes

bmarklein writes "According to CNET, Microsoft is working on a version of its DRM software that supports expiration of files on portable devices. Combined with a subscription service like Pressplay (soon to become Napster) that allows unlimited "tethered" downloads, you'll be able to fill up your high-capacity player with new music for a flat monthly fee. Of course it will expire once you stop paying the sub fee, but which do you think is the better deal: $7500 to fill a 30GB player (7500 songs at $1 each) with iTunes Music Store, or $120 a year with the ability to swap in new music whenever you want? How much is it worth to you to "own" the bits?"

73 of 590 comments (clear)

  1. 7500 songs in 30 GB = 4MB/Song?? by Gruturo · · Score: 3, Insightful

    Crap, no! :-)
    I encode Ogg Vorbis files averaging 6 MB/Song, I can easily tell the difference with everything lower than that.

    Jokes apart, this whole matter of "owning" is tricky....
    Will I be able to do whatever I want with the songs, before they expire? Can I use them on my portable player, laptop, office PC and home PC without paying 4 subscriptions?

    Will quality be crippled?

    Will it work on Linux (that would be interesting from Microsoft) ? I have a Linux In-car mp3 player in the works, and my home theater is connected to my Linux Ogg server.

    --

    Vacuum cleaners suck. Kings rule.
    1. Re:7500 songs in 30 GB = 4MB/Song?? by Anonymous Coward · · Score: 5, Insightful

      No, you don't own it at all.

      I've read articles which say Microsoft is getting Mp3 playing device makers to add "clocks" so that the music will be able to time out if you stop paying.

      Microsoft seems sure that consumers will find renting music more desirable than owning it. Personally, I think they're crazy.

      I'm not sure about quality, but I doubt Microsoft themselves would support Linux.

    2. Re:7500 songs in 30 GB = 4MB/Song?? by Radical+Rad · · Score: 5, Insightful

      Good points. With a tethered subscription service you will have to somehow authenticate from each device you want to play a song from. That means you must have internet access from the device and knowing ms they will make it a pita or completely impossible to play from any machine other than a ms windows pc with ie, wmp, and spylladium installed. And if they do succeed in sucking in a lot of customers, the terms of service will be modified accordingly to feed the beast.

    3. Re:7500 songs in 30 GB = 4MB/Song?? by Jezza · · Score: 4, Insightful

      Well for myself I'd want to burn it to CD to I could listen to it in the car. And the clincher is - what happens if the "great experiment" fails?

      With Apple's offering I own the music and can put it onto CD, if Microsoft pulls the plug my music collection evaporates a month after it stops. Let's not forget paying that bill (no pun intended) may not be our decision, they may find that the service isn't cost effective. Come to it, they might hike the price up, so you're held hostage by your music collection. On refection I like Apple's view of music better.

    4. Re:7500 songs in 30 GB = 4MB/Song?? by Anonymous Coward · · Score: 1, Insightful

      Of course. It's the Microsoft way. Anything less would be so shocking the world might collapse.

    5. Re:7500 songs in 30 GB = 4MB/Song?? by Klaruz · · Score: 3, Insightful

      Apple files have some drm in them. The files end in .m4p and not .aac. You pretty much have to convert them before you can play them on anything but a mac or an ipod. That's the only reason I havn't bought any tunes from them yet. I like being able to listen to music on my linux machine + mp3 players in addition to the mac.

    6. Re:7500 songs in 30 GB = 4MB/Song?? by luwain · · Score: 5, Insightful

      I'd rather own the music for $7500 than be held hostage by Microsoft. I want to be able to move my music around, burn CDs, listen to it on my DVD player or stereo... I'm tired of technology developed for the lowest denominator in society, making it difficult to enjoy the primary purpose of having the technology in the first place. I don't mind paying for what I want. This is something that both commercial and "free" software proponents have to learn. Ironically, I was willing to pay for music downloads (from MP3.com, long before iTunes). If schemes like Microsoft's become prevalent, Kazaa and the like will thrive. iTunes proves that people are willing to pay to download music... that everyone who uses P2P software is not a pirate. I'm willing to pay for music to own it. Renting music is a stupid model. And I don't trust Microsoft.

    7. Re:7500 songs in 30 GB = 4MB/Song?? by Anonymous Coward · · Score: 3, Insightful

      That's not true. The data in an .m4p file is not encrypted at all. It's just standard, unencrypted AAC inside an MPEG-4 container.

      QuickTime, however, won't play an .m4p file unless a valid key can be found. So if you're using QuickTime, .m4p files are restricted. If you're just trying to open up the file and pull the AAC data out for playback, go right ahead.

    8. Re:7500 songs in 30 GB = 4MB/Song?? by Anonymous Coward · · Score: 1, Insightful

      mplayer was playing AAC before apple even intoduced this service. Please note AAC is not an apple format, it's a standard alternative to ac3 and probably the future for mpeg4 video stream's audio format.

    9. Re:7500 songs in 30 GB = 4MB/Song?? by ldzpn23 · · Score: 3, Insightful

      Precisely what I was thinking. Although I am sure many people hear a song they like, buy an album, and then eventually discard of the album because they dont enjoy the rest. There is also the case where you acquire new albums and put aside the old. I am sure there are many different scenarios one can come up with, however you definately can not forget the nostalgia factor. I have over 150 CDs in my personal collection and although I will admit I dont listen to every album every day, there are those times when I come across an album I havent heard in awhile and put it in for "old times sake". Although it entirely depends on the person, people who collect and buy albums love their collections and buy them because their like for the artist, album, and/or music. There are many times I am sure where consumers re-sell their old CDs or discard of them, but I do not know of one case where I have known someone who discards every album they buy eventually. This system may work for some, but from what I know of the average person, there are quite a few people out there who collect CDs and love their collections - they dont enjoy just "renting" music.

  2. I like owning my music by the_2nd_coming · · Score: 1, Insightful

    but that is just me.

    --



    I am the Alpha and the Omega-3
  3. $10 for every song ever created! by ChaoticChaos · · Score: 4, Insightful

    Isn't the question really, "Wouldn't it be great to own every song ever created for $10?"

    How is this possible?

    1) Sign up for one month.
    2) Download every song in the database.
    3) Use the new /. utility to bust the DRM protection.
    4) Discontinue the service. ;-) I give it about 4 days after the service starts until someone figures this out. ;-)

    1. Re:$10 for every song ever created! by bmarklein · · Score: 4, Insightful

      The service already exists (Pressplay) and no one has done it yet. An old version of MS DRM was cracked, but the current version has been around for a couple of years and has not been compromised yet.

    2. Re:$10 for every song ever created! by fliplap · · Score: 4, Insightful

      sure it has. Optical out -> optical in -> record. Boom, perfect copy.

      We've gone over this waaaay too many times now :-)

    3. Re:$10 for every song ever created! by Hypocritical+Guy · · Score: 4, Insightful

      Isn't the question really, "Wouldn't it be great to own every song ever created for $10?"
      How is this possible?
      1) Sign up for one month.
      2) Download every song in the database.
      3) Use the new /. utility to bust the DRM protection.
      4) Discontinue the service. ;-) I give it about 4 days after the service starts until someone figures this out. ;-)


      Exactly why the music industry is very reluctant to provide these kinds of services.

      --
      If you liked licking my balls, add me to your foes list!
    4. Re:$10 for every song ever created! by Jeremy+Erwin · · Score: 3, Insightful

      SPDIF still has those pesky SCMS bits to deal with. That's assumming that digital output is available-- as Microsoft's Secure Audio Path scheme can disable digital outputs. Yes, yes, I hear a cry of "so write your own driver" from the peanut gallery.

      But, as we all know, SAP uses signed, certified drivers.

  4. What about recording? by Anonymous Coward · · Score: 1, Insightful

    Whats to keep someone from downloading all the music they want, recording it via the headphone jack to MP3 or ogg, swapping in new music and starting all over? Oh, thats right.. Paladin. I honestly can't say I'm looking forward to the next 7 or 8 years of M$ dominated computing. :(

  5. How much is it worth? by Stigmata669 · · Score: 4, Insightful
    The difference between renting and owning is huge... what happens if pressplay fails like Divx did? Am I stuck with 7,500 songs that do not play?

    A small point: Apple's service sells albums for $10 so 15 or 20 songs can cost $10. I have spent a total of $11 on the Apple Music Store, and I can say that the user experiance is very good, and with the "1-Click" feature I could easily spend $100 without even noticing.

    --
    Yawn.
    1. Re:How much is it worth? by Blondie-Wan · · Score: 2, Insightful
      You can still play on the original three computers, at the very least (I don't yet know whether you have to electronically notify Apple of your authorizations, or whether you can do it on your own closed network); you can also put the files on unlimited iPods (and presumably other portable players once they support AAC), and of course you can burn them all to CD (and then you can do all kinds of things with the CDs once you have them, too). Even if Apple went out of business tomorrow*, you'd still have the files, and lots of ways to use them.

      *And let's see... judging from the pundits, it's been going out of business for, what, 10 years now? 15? Hell, I can't keep track - but at any rate it's healthier now than it was in '96, and has $4 billion in the bank, and brand loyalty other companies would kill for. I don't think they're going anywhere just yet.

    2. Re:How much is it worth? by Genom · · Score: 2, Insightful

      You have a harddrive full of useless music... just like you would have if you stopped paying the bill. Microsoft's stratigy is you pay $10 for a month of music. I think it's a wonderfull idea, and I'll be subscribing as soon as it's availible. If they go out of business, you simply stop paying for months of music. You arn't OUT of anything, except the option to continue paying for months of music.


      Not quite.

      Let's assume two people - one on the Apple system, and another on the MS system. Both decide to spend $20 (and only $20) on their service. The Apple user downloads 20 songs. The MS user pays for 2 months of service, and downloads some arbitrary number of songs.

      Now, a month passes. The Apple user still has his/her 20 songs. The MS user is still happily downloading new songs. Both are happy (although admittedly, the MS user may have *access* to more songs at this point.)

      Another month passes. The Apple user still has his /her 20 songs. The MS user, having been downloading happily for 2 months now, tries to play one of his/her downloaded songs, and gets an error: "Sorry, your subscription to MS Music Service has expired. Your license to play this song has therefore been revoked. If you would like to play this song, please renew your subscription to MS Music Service."

      So, after 2 months, and $20 from both users pockets, what does each have to show for that $20?

      The Apple user has 20 songs he/she can play at will.

      The MS user has a hard disk full of useless music files, that refuse to play unless he/she coughs up more money. Arguably, since the music files are un-usable, it could be said that the MS user has absolutely nothing to show for his/her $20.

      In the short term, the MS "solution" may seem the better deal (Only $10, download all you want, vs. $1 a song), but in the long run, Apple's "solution" actually gives the user something to show for his/her money - and doesn't keep asking for more money (although after getting a few songs, you'd probably be tempted to get a few more...;P ).

    3. Re:How much is it worth? by Genom · · Score: 2, Insightful

      Drop MS from the equation. Which is better buying a DVD a month or having unlimited movies on demand?

      I'd argue the former, given that we're only dropping MS from the picture, and not the money or concept of "subscription".

      With the former, I get a smaller selection that grows over time - but never goes away if I'm unable to pay for more. If after a month I decide to stop spending money on this, I still always have the product I paid for.

      With the latter, I get a much larger selection, but if I'm ever unable to pay, I lose everything. If after a month I decide to stop spending money on this, I have no product - no proof of the money I spent - only memory.

      I'm sure some people would disagree, and choose the latter, based on the short-term benefit. It's really a decision that's up to the individual to make. I choose to make the choice that gets me something permanent, rather than something larger, but temporary.

  6. I think... by C0LDFusion · · Score: 2, Insightful

    ...I'd go with Apple. Give money to a company that innovates, rather than copies.

    --
    Only in slashdot are posts of solidarity modded at -1 Redundant, while posts of antagonism are modded as -1 Flamebait.
  7. Subscription does not work. by Anonymous Coward · · Score: 5, Insightful

    Subscription services have already been done. They don't work. Period. iTunes works because you 'own the bits'. That, my friend is why they have sold more music to more customers than any other online pay service COMBINED, and it only took them two weeks.

    1. Re:Subscription does not work. by Turing+Machine · · Score: 4, Insightful

      That, my friend is why they have sold more music to more customers than any other online pay service COMBINED, and it only took them two weeks.

      Yes, indeed. And they did it with a platform that only has 2 to 4% of the market (depending on who you believe). AND they've announced that they're porting iTunes to Windows. Imagine how many songs they would've sold if their store was available for the other 90% of the market.

      Something tells me it's brown trousers time in Redmond.

    2. Re:Subscription does not work. by 26199 · · Score: 2, Insightful

      How about emusic? Subscription service, 'unlimited' downloads, and you own the (high quality VBR) MP3s.

      I say 'unlimited' because they get upset if you download more than a few thousand tracks a month... still good value though.

    3. Re:Subscription does not work. by Anonymous Coward · · Score: 2, Insightful

      Why buy a Mac G4 when a cheap PC at 1/3rd the price can do everything it does plus play the latest games?

      Spoken like a true guy-who's-never-owned-a-Mac.

      The masses want things free.

      Wrong. Most people are happy to pay a fair price for what they perceive to be good value. It's only a tiny slice of the population who are willing to steal music rather than paying for it.

      As long as some form of P2P exists, subscription or pay-per-download will never catch on with the masses.

      Careful. Your reasoning here is going to lead you to a place you don't want to be. Let's assume you're right and see where it goes.

      1. As long as the technology that enables piracy exists, the majority of people will steal music rather than paying for it.

      2. Piracy-enabling technologies, therefore, cause direct and measurable harm to those who make and sell music merely by virtue of their existence.

      3. If something is harmful because it has the potential for misuse, then it's never clear whether that thing should be allowed to exist or not. Guns are the classic example: they can be misused, but we still allow them to exist because they have important uses that we don't want to give up.

      4. If something causes harm merely by virtue of its existence, however, we must remove that thing or cause it to cease to exist. Pollution in the groundwater harms people merely by existing; it must be removed, and its creation must be prohibited.

      5. Because technologies that can be used for piracy will be (by your own reasoning), and because they cause direct and measurable harm to the people who make and sell music by virtue of their very existence, they must not be allowed to exist.

      Either most people will steal as long as they can and we have to get rid of "P2P," or most people will choose legal options when they're available and "P2P" can continue to exist. Choose.

  8. Why? by DeusExInfernis · · Score: 0, Insightful

    At the risk of coming off as a low-down music pirate (aren't we all...), why on earth would anyone do this? If you have access to a computer and you're looking to load files on portable media, I see no incentive when you can get any songs you want, as many as you want, FOR FREE on Kazaa or one of the dozens of P2P programs now available.

    There are, as I see it, some advantages to buying the CD (directly support artists, etc.), but what's the incentive to buy this unless the customer is so clueless that they do not even know about P2P?

    --
    ad infernis is et flammas invenis
    1. Re:Why? by foolsdragon · · Score: 5, Insightful

      At the risk of sounding like someone who feeds trolls and replies to flame-bait, you're a scumbag. I for one am NOT a pirate, and have no problem paying for what I want. I'll admit that I have used services like Kazaa and was REALLY into Napster when it was new, but it still is and always has been theft.

      The incentive to buy is exactly the what you mentioned. If you like a band, you buy their music so that you can support them and they'll make more. It's just like potato chips or caffeine vendors, buy their stuff and they'll make more and continue to innovate. Don't buy it and they'll consider the venture a failure and stop doing whatever it was no matter what you thought about it.

      It's not about cluelessness about P2P, it's about paying for a product that someone else produces and you're enjoying the benefits of.

    2. Re:Why? by grasshoppa · · Score: 2, Insightful

      Because people deserved to be paid for their work. I agree to this and accept this, and I think iTunes is exactly what the industry needed all this time.

      Incidently, who else thinks the music industry messed up big time by not coming out with something like this before napster. Think about it, songs for a buck, easy to get, and consumer grade.

      Had they done this, we all would have been "Napster who?".

      --
      Mod me down with all of your hatred and your journey towards the dark side will be complete!
    3. Re:Why? by Vicegrip · · Score: 4, Insightful

      I wish I could mod you up. Because the parent poster is basically saying: "what's the point of being honest?", with the obvious implication that only heavily intrusive technologies will force people to be honest in their purchases.

      We've gone over add-nauseaum for years now all the reasons why many people might use P2P. It always boils down to the fact that the RIAA is an old dinausor that is incapable of adapting to consumer wishes.

      Apple has an interesting service that makes a very decent step towards giving consumers what they want. Want an analysis? Answer this question then: What's more expensive? Something you'll pay for the privilege of using for the rest of your life, or something you'll buy once for a dollar.

      In the end, these people just want gravy trains: products they can charge the consumer for over and over again without adding any new value. Hey, that sounds like taxes.

      --
      Do not spread "09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0" over the internet, thank you.
    4. Re:Why? by Politburo · · Score: 2, Insightful

      but it still is and always has been theft.

      No. It still is, and has always been, copyright infringement.

    5. Re:Why? by b17bmbr · · Score: 2, Insightful

      since there was never a linux client for napster (?), i never used napster, and never even used kazaa, limewire, et al. actually never. in fact, the only mp3 i ever downloaded was actually for a graduate education class at csu northridge. the prof. wanted us to learn to use multimedia (okay, most of the teachers were technidiots, and my linux laptop floored them, anyways...) i hardly would call people who swap files pirates, as in the "arghh matey", eye-patch, peg-legged, crap. why?

      one, digital medium present am entirely new economic paradigm. why? since i'm an econ major, i'll tell ya. there is no scarcity or opportunity cost. (econ 101) scarcity means there is not enough of anything, even bubble gum. if i make somehting, anything, it uses scarce resources, and there is a cost associated with it. if ford makes a new pick up truck, the cost is not making a new taurus. or, to society, the cost is the steel, the plastic, etc., that could have been used for any number of things. that is why, if i steal a car, ford can't "just replace it". the other thing about opportunity cost is that the cost is borne by someone, that the reosurces are gone. they can't be used over and over. somebody actually has to "pay" if you will. however...

      with digital music, or anything digital, if i make 1 copy, 1000 copies, or even 1,000,000 copies, the cost is actually borne by me, not the artist or record company. my time, my cpu, my cd-r's, my electricity, etc. now one might say that "but that means people aren't going to buy the albums". we can never kow that people would have bought the album, if they couldn't get the song. predicting consumer habits is mighty tough. and unless you can strong arm them like microsoft, oh, off topic,

      the music industry has to face the facts that good artists sell cd's bad ones don't. plus, most cd's have 1-2 spongs on them worth a shit, the rest suck. so that is why apple is probably making a killing selling songs. i remember albums. when you listened to a whole one at home, in your car, knew all the words, the drum riffs, etc. it didn't matter if it was zep or sabbath, maiden or priest, or even parliament and george clinton. every song was good. the record insustry has been peddling crap. they want to blame us and call us pirates.

      the biggest beneficiaries of "piracy" are the artists. they make money on the road, not off album sales. so "piracy" helps them distribute thei rmusic, and creates new fans. new fans that wouldn't have been if not for "piracy". but alas, that is what the record companies don't want. because they don't make much from the tours. which is why most of the bitching about "piracy" comes from execs, not artists.

      --
      My problem? I was perfectly gruntled, until some numbnuts came by and dissed me.
  9. Trying to change a buyers habbit. by liposuction · · Score: 1, Insightful

    Why is it that all of these companies try to change the buyer's habbits? Much akin to groceries on the web, and the original DIVX discs, these schemes too will fail.

    None of these services gaurantee that I will be able to burn a disc, when I want, where I want. None of these services gaurantee that I will be able to re-rip a CD when my PC takes a chunk.

    All the schemes in the world won't have a chance in hell if they keep trying to shift public habbit.

    --
    "Thoughts are more powerful than any weapon, and I don't even let my people own guns." --Joseph Stalin
  10. Can DRM ever compete with Kazaa & Gnutella? by replicant_deckard · · Score: 2, Insightful

    Just wonder what MS thinks of Kazaa, Gnutella & others. Perhaps they should also provide some service which selects the music according to user profile or offer even some sort of "added value" to the basic idea of downloaded music. Files with expiration date won't do it - what if the internal clock of my PC gets confused etc. Experience tells me MS can't anticipate every possible consumer error behavior.

  11. The problem is, I'd want both by Viqsi · · Score: 3, Insightful

    Frankly, there are some songs I love and want to listen to all the time; these are ones I'd want to "own" so I can have them available whenever/whereever, and be able to demonstrate to others and stuff like that.

    And then there's others that I have a sort of periodic interest in, and usually stop caring about after a few weeks. These are ones I'd prefer to "rent", because there's no point in paying more so as to keep them later.

    Plus, I'd like to be able to control the difference between these two states easily.

    Does *anybody* offer something like that? Not that I can see...

    --

    --
    viqsi - See "vixen"
    If we do not change our direction we are likely to end up where we are headed.
  12. Renting vs Buying? by Sebby · · Score: 3, Insightful

    Gee, renting DRM crippled songs, or buying DRM crippled songs.

    I'll take buying. Still the better deal of the two, and I'm not helping to support a monopoly.

    --

    AC comments get piped to /dev/null
    1. Re:Renting vs Buying? by the_2nd_coming · · Score: 4, Insightful

      you are such a baby..apples "drm" is hardly there.....what "drm" system lets you burn unlimited cds?

      oh poo you can't encode streight to mp3...I can only make a cdda cd :-(....that is pretty weak ass drm is you ask me and it will be a matter of weeks before a shareware maker comes up with a program that takes your aac files...tricks iTunes into writing them to a cd Image and then allowing you to rip to mp3 from the cdImage.

      --



      I am the Alpha and the Omega-3
  13. It's only a matter of time by jezzgoodwin · · Score: 2, Insightful

    As soon as they introduce this it'll only be a matter of days (maybe even hours) before there's a program made which will just convert your downloaded payed for time-limited music into a codec of your choice.

    And also it's always going to be difficult to actually sell the music to the consumer when the consumer can just download the music he/she wants from KaZaA or whatever file sharing program takes their fancy.

    So people are either going to need to be either self-concious enough that they want to pay for their music.... or? Or companies are going to need to make a service that is vastly supieror to the free alternatives, or maybe perhaps you get a certain amount of months of subscription to the service every time you buy a portable player or something?

    This seems to me like taking a step up a ladder which leads to a large, half eaten fish. It might be something to do, but what's the point?

  14. Well, no by MAXOMENOS · · Score: 4, Insightful

    Part of the "advantage" of Microsoft's DRM is that the files will expire if you don't pay your bills. So you don't really own the songs. You're subscribing to a service, like cable.

    1. Re:Well, no by Dylan+Zimmerman · · Score: 2, Insightful

      You'll probably have to buy a new player to use this service. Microsoft seems to be pushing for clocks to be added to players, so I would guess that all of the files have a time stamp that a computer can renew. Whenever the clock hits a particular time, date, or whatever they use, the files with that time for their expiration date are deleted. If you plug into a computer and it tells your player that you've paid your bill, the expiration time gets moved a month into the future. Or perhaps the clock gets wound back a month.

  15. ownership by jest3r · · Score: 2, Insightful

    owning the song 'forever' is worth it ...

    being locked in a subscribtion service 'forever' is not ...

  16. Not a matter of owning... by batobin · · Score: 3, Insightful

    To me, it's not a matter of owning. It's a matter of feeling a sense of freedom. Any time I'm forced to make a long term monetary commitment (a loan, gym membership, etc.) I'm reluctant to do so. This is because there's always that shred of doubt regarding the future. What if something happens and I'm unable to pay this monthly fee?

    With a gym membership it's easy: stop going to the gym. With a car loan it's different. You're going to get your car repossessed. Obviously this is not ideal, because you've invested time and energy into this automobile and you'd be losing this.

    Getting your music repossessed is the same concept. I've put time and money into this collection, and I'll be damned if some company takes it back if I fail to make a payment. Because the future is unpredictable (especially for me, a poor college student), I'm going to stick with owning my music.

    Also, I just want to point out, only singles on the iTMS are 99 cents. Albums are usually 10 dollars, and often contain WAY more than 10 songs.

  17. Finally, a match MS will lose by Anonymous Coward · · Score: 2, Insightful

    Apple has shown the industry the way to do it, and (judging by the response) the way consumers want it to be done-- or at least, the way consumers will tolerate it being done.

    Since Windows market saturation is complete, from now on Microsoft will always be trying to throw a "you must keep paying" aspect into their products and services-- because they're a bunch of greedy fucks, and because when there's no new people to sell Windows to, it's the only way to keep revenues up.

    It looks to me, though, like the buying public has spoken in favor of the ITMS model-- so I'd say that for once, Microsoft's half-assed, "me too" copy of Apple's offering will NOT prevail.

  18. Re:Stupid question by Anonymous Coward · · Score: 5, Insightful

    And what happens when MS releases the next version of Windows and stops supporting the old software. Upgrade or else lose your collection?

  19. I prefer the freedom of owning by DavidinAla · · Score: 5, Insightful

    Renting music is sort of like having cable TV. You can enjoy whatever the operator happens to make available at that time. But when you own the music (or DVD or book or whatever), you don't have to be concerned about whether the things you want to hear will one day be unavailable because of lack of demand or other reasons.

    How much music does a normal person acquire in a year (legally or otherwise)? I have every CD that I own on my 10GB iPod -- plus various MP3s from other sources -- and it's still only half full. The issue as it was framed in this question ($7,500 for ownership vs. $120 a year for rental) is absurb, because people don't buy thousands of dollars of music at once. The real question is whether you want to be committed to listening to whatever a subscription service wants you to listen to OR be able to spend a tiny amount of money on a song or album when you happen to feel like it. The subscription model does at least three bad things: 1) It takes away your ability to legally own music for as long as you want it, 2) It takes away your freedom to time your purchases to your own whims or budget, and 3) It takes away your ability to "vote with your money" to give the market feedback about what you want to buy.

    I understand the theoretical allure of a subscription model, but I believe it's one of those things that looks best when it's in theory. In practice, people want to buy what they want when they want AND they want to be able to own it. (You can argue about whether Apple's mild restrictions are too strict concerning what you can do with the file, but that's another argument. For me, Apple's approach basically means that I can do virtually anything that a normal music consumer wants to do with his music.)

    1. Re:I prefer the freedom of owning by Anonymous Coward · · Score: 1, Insightful

      A lot of interesting points here. If I say that the average cost of a CD is $12 (and that's being very conservative), then I have at least $3000 worth of music. Of the few hundred CDs that I own, I listen to maybe fifty of them on a regular basis.

      Some people have tried to downplay the argument that many CDs only contain 1 or 2 good songs. From my experience, it certainly seems that the argument is fair. I imagine that allowing me to "cherry pick" the good songs would give nightmares to music companies; but it certainly is better for the consumer and I imagine better for bands that no longer need to generate 8 filler songs to satisfy a contract.

    2. Re:I prefer the freedom of owning by dirk · · Score: 2, Insightful

      Almost everyone I know who has started downloading music (and doesn;t have a dial-up connection) has ended up downloading massive amount of music. People will only buy 1 or 2 CDs in a week (at most), but it is nothing to download 4 or 5 CDs worth of music in a week. People don;t buy because of the inherent cost. They will download much more, because they realize there is no inherent cost to downloading (they have already paid their 10 dollars). Most people will download more music than they will buy.

      I find interesting the arguements that aren't being used though. The MS system would allow you to try out any CD or artist, which is what every claims is so great about P2P. As far as I know, you have to buy a song on Apple's service to hear the entire thing. Also, while everyone is saying how great it is to be able to get a whole album for $9.99, what happened to the "fact" that almost all albums contain only 1 or 2 good songs. Everyone is pointing out you can buy whole albums cheaper than songs, but the whole idea of this service was you could buy individual songs because most albums sucked.

      --

      "Information wants to be expensive" - Stewart Brand, the same guy who said "Information wants to be free"
  20. Why would you _ever_ buy $7500 songs? by Fulcrum+of+Evil · · Score: 2, Insightful

    Seriously, at an average of 5 songs I like per album, that's 1500 albums! For comparison's sake, I know a guy who's been buying CDs since the 80's and has a very large collection - 600+ CDs. Hell, 7500 songs takes about 30,000 minutes to play - that's 20 days of continuous music! I gues the point is this: filling up a large amount of space with 128Kbps mp3s isn't a reasonable benchmark. Reasonable usage is.

    Microsoft's service is akin to buying 12 songs per month on Apple's service, except that, should you stop paying, you have nothing.

    --
    "We returned the General to El Salvador, or maybe Guatemala, it's difficult to tell from 10,000 feet"
  21. Re:Do my eyes deceive me? by clifyt · · Score: 2, Insightful

    Or you buy the entire album for $9.99 instead of just the song and you would get both albums for the same price -- even if one has 20 2 minute songs and the other has 10 4 minute songs.

    I don't look at size as a serious quantitative method of determining value. I know I know -- you are just going off of the line of reasoning your ex dumped you for, but not everything a woman tells you is the truth. Personally, it would be in my best interest to say that it did, but us guys have to support one another :)

  22. Which would you rather do by kalidasa · · Score: 3, Insightful

    Pay $300 for your operating system on CD, so you can reinstall at any time if necessary, or pay $120 a year for a subscription to an operating system that will expire in a year, then HAVE to pay $150 the next year to keep it for another year. Because that's the same model. And who would buy 7500 songs in a *volatile* format anyway? That is about double the size of my CD collection, which cost me $3200 or so (over 18 years). iTunes works precisely because buying a song is an impulse thing, and is particularly useful for stuff that you like but not enough to by the CD: buying 1 song for $1 is a lot better than buying 1 song and 14 bits of static for $15.

  23. It's human nature to own things by eyefish · · Score: 4, Insightful

    I think Microsoft business people are missing one key point: owning things is an intrinsic part of being human.

    This does not mean that rental or subscription-based services will fail, it just means that owning media SHOULD be part of the deal. This also means that Apple should (besides selling songs) also contemplate renting songs for a specified amount of time (say, 25 or 50 cents for 1 year?).

    In other words, we need BOTH options, since people WILL want to own certain songs, but just rent others. Just look at the DVD market. People buy the movies they love (Matrix, Star Wars), but rent the ones they just want to have a good night with (i.e.: Van Damme and Steve Segal movies come to mind).

  24. I'm not satisfied yet. by Nucleon500 · · Score: 3, Insightful

    When I can pay $1 for an Ogg file (or even MP3), I'll be happy to do so (even from Microsoft). It's simple, and it's amazing nobody gets it: cut the DRM crap, and people will pay for the convenience and legitimacy.

    It's impossible to stop P2P, but P2P is very inconvenient, and people would rather not infringe copyrights. But DRM is much, much more inconvenient, and it shows the company's greed and mistrust of its customers. DRM does nothing to stop copyright infringement, and everything to curtail fair use. Fair use and convenience are one and the same, and and convenience sells.

    iTunes is closest to this, but it still has DRM crap, won't work on Linux, etc. Whatever Microsoft does is bound to be a step backwards, because they are talking about expiration, the format will probably be WMA, you won't be able to switch services, your music will die when you unsubscribe, you won't be able to use it on anything but Windows and Microsoft-blessed hardware, etc.

    Hopefully something even more open will come along, and do even better than iTunes, and things will become sane.

  25. Re:Stupid question by Surak · · Score: 3, Insightful

    Didn't I predict this about 5 days ago. Yeah, I thought I did. ;)

    Specifically, regarding your questions, if the sub didn't have the music you wanted, then where did this existing collection come from? ;) It would seem that it would have SOME Of the music you wanted, but not all of it.

    You could supplement it with iTunes of course, which requires no contract committment. No contract commitment is a key thing ... it's one of the key features that got Sprint PCS going in the early days. Look at pay-as-you-go cellphones, too. People pay *extra* to use these in order to avoid a contract.

    I don't know that this will fly... it might... it all depends on marketing. And no one in the industry does marketing quite as well as M$. ;)

  26. Actually... by rzbx · · Score: 3, Insightful

    "How much is it worth to you to "own" the bits?""

    It isn't about owning, it's about control.
    Remember, intellectual property was never meant as a means for ownership, but a means for control.

    --
    Question everything.
  27. Re:Own? by Remik · · Score: 3, Insightful

    By saying I want to rip, mix, and burn, all I'm asking for is the right to phase shift media which I've paid for. It's the companies problem if that right, which has been mine with every other media thus far, puts them in a pinch as to how to make a profit. I'm not asking to be able to sell copies of the music; I'm asking to be able to exercise my right of fair-use.

    To use your car example, buying a car gives me the right to break it down to parts and sell (or reassemble in a different form) the pieces, it also gives me the right to resell the car itself as a whole. Those are all examples of rights that RIAA are trying to technologically and bureaucratically take from us.

    -kd

  28. Apple and MS by jfengel · · Score: 4, Insightful

    I hope Apple gets its Windows version of iTunes quickly. Microsoft has a habit of making mediocre software available quickly, taking advantage of its large installed base, eliminating competition, then ceasing improvement.

    People will pay for music, as they've demonstrated. Provide them a good interface and give them a reasonable deal and they'll pay. I think a lot of people find $1 per song to be a reasonable price, and iTunes is far easier to use than Kazaa/Gnutella. Most people don't want to hack, they don't want to circumvent DRM, they don't want to wait forever to download music, and they sure don't want spyware. They're happy to pay a fair price for the service.

    My worry may be misplaced, because unlike other Microsoft placements, this won't be free. Even if it comes on your computer for free (and people are upgrading much more slowly than they used to, so just providing it with the OS doesn't provide the channel that it used to), you still have to sign up and pay. Microsoft is pretty good at tricking people into doing so; the service will assuredly use Passport and they can be very...insistent about signing up for a Passport account.

    But a lot of people won't pay, because it's too much trouble for them. Many of those who will pay will go the extra step to get Apple's software. That is, of course, assuming that Apple gets the software out. It's claimed it for the fall, but Microsoft can probably get its software out at least that quickly and into a "service pack" for Windows.

    That also assumes Microsoft intends to actually develop the software at all. Microsoft doesn't even need to develop software at this point. Many users will read the announcement and forget about Apple's take on it, because they'll assume it'll come free with their next computer.

    It won't make them happy, but my basic assumption in marketing is that users are lazy. Look at the number of people whose home page is still MSN because they never bothered to get a different browser or even to change the home page to something they care about. Users will put up with a lot of crap if it means no effort. It takes a very smart company to work around that laziness.

    I hope Apple can be that company, because it's the best shot I've seen at getting music to people and money to musicians I've seen yet. It's not perfect for a host of reasons (mainly due to the record studios and Clear Channel), but I think it's the right compromise today.

  29. Typical by Nexum · · Score: 4, Insightful

    This seems typical of Redmond.

    Rent rent rent. This is the current plan, when the customer stops paying - *ZIP!* they're screwed.

    It's exactly what is on the cards with Palladium (NGSCB), no longer do you own your copy of MS Office, but you rent it, leaving yourself liable to increases in the rental cost that started out oh-so-reasonable (XBox Live anyone?).

    Should you fail to keep up with payments then all of your work for the last couple of years (documents, letters, spreadsheets, project plans etc. etc.) is down the drain... gone. It is all part of a very obvious strategy to lock people tighter and tighter into the godawful overrated buggy mess that is MS software...

    And the worst thing is that *the average Joe does not see this*!

    Now, Microsoft see's another company (Apple) which has worked incredibly hard, battling against the stubborness of the 5 big labels, encoding hundreds of thousands of songs, doing all the groundwork, figuring out the streaming system to get high-quality streams to anyone anywhere in the world instantly for the previews etc. etc. Microsoft see's this company (GASP!) actually reap some monetary reward for this hard hard work and surprise, the fat and greedy "software" company wants it... all of it.

    Why, Microsoft, if you wanted to get into the online music business, was it not YOU that took the risk of being first, why was it not YOUR money on the line opening a new market to users, why was it not YOUR reputation in the balance of a high profile gamble???

    I know this is Slashdot, and I know this is repeated many times a day, but believe me, never with more spirit and emotion than I feel now - when will the consumer teach Microsoft a lesson?

    Has the semi-failure of the XBox been the first high-profile dent to MS made by the consumer at large? Perhaps... it is sure to say that the consumer is resisting these monopolistic practises... but how long will this last... MS has the cash to pay out for an XBox 2 and an Xbox 3 until Sony and Nintendo are gradually put out of the game for the sheer fact that MSoft's bottom line can go deeper than theirs?

    It remains to be seen... perhaps this will be one of those half-hearted assault on a competitior like iMovie versus Windows Movie Maker (hehehe). We DO know that Apple's traditional strengths (design, quality, usability, friendliness, media-related software) are the things that Microsoft has the most difficulty in achieving.

    -Nex

    --

    This sig has been deprecated.
    1. Re:Typical by Trurl's+Machine · · Score: 2, Insightful

      Has the semi-failure of the XBox been the first high-profile dent to MS made by the consumer at large?

      It was not their first market failure, and certainly not the biggest one. Windows 3.1 just by its very own name keeps the record of two products rejected by the consumers. And there was Xenix, and there were the early versions of Internet Explorer that nobody seemed to use, and there was the early MS Word for Windows, that seemed to be no serious competition to the mighty WordPerfect etc. Whatever you would say about Bill, you can't say that he easily gives up on anything.

  30. "According to CNET" by Infonaut · · Score: 4, Insightful
    Actually, according to Microsoft. This is a typical Microsoft tactic. Take something a competitor already has on on the market, and announce that you're soon going to be coming out with something better, cheaper, faster, yada yada.

    But Microsoft's spiffy new DRM doesn't exist yet. We're all debating the merits of something that they might not even be able to bring to market. This reminds me of all the discussion prior to iTunes. Even though the broad strokes of the Apple Music Store were fairly well known, the devil is in the details. It wasn't until the product launched that anyone could really tell how useful it would be.

    Microsoft's number one goal here is to thwart Apple's Windows version of the Music Store before it even launches. The best way for them to do that is to float various alternatives, watch the responses, and adjust accordingly.

    While this is in keeping with their corporate character, it's also not the sort of approach that leads to a well-integrated user experience. The Apple Music Store was obviously built around making consumers happy, and it shows in all the little details. Microsoft is racing to catch up to Apple in this arena, and at this point the only way they can gain some momentum is by comparing vaporware to the Apple Music Store.

    --
    Read the EFF's Fair Use FAQ
  31. This does not even require discussion. by Anonymous Coward · · Score: 1, Insightful

    All you have to do is look at the history. MS's idea has already been attempted 50 times over by many companies. People want to be able to copy it whereever/whenever. This is the sole reason Apple is winning right now. Remember the music companies said they would have been happy with a million in a month though so even a "failure" may constitute a solid business plan to the RIAA.

  32. All I am interested in... by PARENA · · Score: 2, Insightful

    ...is that Apple makes its service available to all platforms. I'm waiting for it (Linux user) and I would definately buy music that way. I'm not an audiophile and I don't mind a bit less than CD quality. Especially if I can get an entire album for $10 instead of $25 (in The Netherlands).

    --
    Here's the secret to immortality: ...oh dang, I forgot.
  33. Re:do both by Graff · · Score: 2, Insightful
    note that $120/year is cheaper than $7500

    Look at it this way, for $120 a year you would be buying 12 albums a year at $10 each at the iTunes Music Store (iTMS). You would then own these songs and pretty much be able to do whatever you want with them. Even if you go broke and can't pay $120 for the next year you will still have the songs if you buy them.

    Many people buy less than 12 albums a year so those people will save money by using iTMS rather than renting the music. I seriously doubt that anyone will fork over $7500 all at once to fill their iPods. The reason most people get a 30 meg iPod is not to fill it with new music but to put in the songs bought over the years, along with some new stuff. Not only that but the iPod has many uses other than to store music - I use it all the time to move gigs of files from one machine to another in work, or even as a quick way to boot up a machine if I'm a pinch.

    Lastly, I know for a fact that Apple's DRM can hardly be called a DRM. How many people would HONESTLY have a reason to use an audio file on more than 3 computers? Even if you did how hard is it to burn a CD with the songs and then use that CD on as many computers as you want? Judging from Microsoft's history I just don't see them offering DRM files with this degree of freedom. You know for sure that you won't be allowed to burn standard CDs with Microsoft's rental service, if you could then you would now own that song forever and the rental idea would be dead.
  34. This is ridiculous!... by mrdlcastle · · Score: 3, Insightful

    I can't believe what I am reading.... People are actually saying that it's ok for me to pay $10 month for me to listen to music.
    I am sorry, I would rather "own the bits" so that I can listen to the same songs over and over and over again without having to pay a fee just to do so.

    I will stick with the iTunes service. I can see it already, you can listen to your music as long as your paying for the service.
    Knowing MS, any CD you burn will self destruct if you cease being a member (that is if you are allowed to burn CDs without paying some additional fee).

  35. Re:Own? by Pendersempai · · Score: 2, Insightful

    Unless the consumer has the right to rip, mix, and burn, you can't say they 'own' anything but the right to listen to it, and even then only if they pay a recurring charge.

    Faulty logic. First of all, he was talking about Apple's scheme, in which you actually do have the right and ability to mix and burn the song without a recurring charge. But even if you got the facts right, you still own the song; you just don't have copying rights (i.e. copyright) to it. Don't misrepresent the facts.

    Your logic applied to other consumer goods:

    • "You don't own a twenty dollar bill unless you have the right to photocopy it"
    • "You don't own your basement unless you have the right to make bombs in it"
    • "You don't own a gun unless you have the right to rob a bank with it"
    • "You don't own that beer or that car unless you have the right to drive drunk"

    Restrictions of property usage are a part of our life, and they do not signify a lack of ownership. Bandying about with terms like this is exactly what leads the RIAA to erroneously equate copyright infringement with theft. Don't sink to their level, please.

  36. The public library by drayzel · · Score: 2, Insightful

    I'll stick with my local library. They actualy have lots of CD's that I can borrow for free for 2 weeks. Plenty of time to rip into whatever format I want. No new releases, but thats OK I think most music is crap these days. Most CD's I check out I already have the tape stuffed in a box somewhere. I actualy buy new music CD's that I like after I have sampled enough of the disc dfrom kazaa etc.

    It's great for audiobooks on CD. I can listen to them at my leisure without worrying about late fees. I don't look at it as theft, more as maximizing my libraries circulation capabilities. I could renew them for 4 weeks, but if I return them after they are ripped some other poor schmoe can borrow them. Buying an unabridged audio book on CD is WAY to expensive for me to only listen to them once. I;ve noticed lots of new audiobooks are being released as MP3's burned on CD now. I wish they'd fall in price though. I'd pay $10 for one in a heart beat, but not $49.95 (SK's Dreamcatcher on three MP3 cd's).

  37. Microsoft behaves like a 3 yr old child by Anonymous Coward · · Score: 1, Insightful

    Like a toddler, Microsoft can't seem to ever let anyone succeed without having to try to steal the concept and thunder. Always playing, "Me too" get's kind of tiresome.

    Anything Apple does, Microsoft always seems to HAVE to beat them at it. It's worse than sibling rivalry.

    I suppose if Apple decided to sell hamburgers at their stores, Microsoft would ave to buy all of the cows in the world to prevent Apple from suceeding in that venture too.
    sheesh...

  38. Another monoply suit in the works? by GuNgA-DiN · · Score: 2, Insightful

    Leveraging their 90% marketshare of the desktop this will become yet another monopoly for Microsoft. I say we wait until this thing gets going full scale and then file a class-action suit against them. Once this takes off -- there will be no alternatives on the Windows platform. Millions of lemmings will run right off the cliff and just start using this service because it is built right into the OS.

  39. If its worth it... by 222 · · Score: 3, Insightful

    I share the same opinions as most of the /. crowd, in that if i feel a product is worth it, i will buy it. I've been screaming for years about how if the RIAA wants me to buy more CD's, they need to offer more for what is already an obviously bloated pricing situation, or offer me a cheaper medium that i can access directly from home. Generally, when it comes to music, 1) Download a few tracks from kazaa at home. 2) Spend a few days listening to it. 3) Go purchase the album / Download the remaining tracks, or disregard the music as something not in my taste. I currently have about 10 albums sitting in the corner of my bedroom that have not even been opened, with the music residing on my PC. I also have no problems downloading albums that i have purchased (sometimes, 3-4 times) even though i dont currently posses a copy of the CD... due to theft, scratched cd's, whatever. The RIAA would have you believe that i am a thief in doing so. I believe the RIAA can lick my scrotum. At any rate, I think MS's plan would end up being worthless. As i've stated before, i feel that if i pay for something, i *own* the rights to posses it, no matter what. I once made the mistake of encoding one of my albums in WMA. The CD melted in my car... and since this was a couple of formats ago (yes, i run windows :p) I've found the files to be useless, because windows feels i dont "own" those wma files. The absolute LAST THING I WANT is for MS to be in control of what it feels i "own" and dont own.

  40. expiration of files on portable devices by jetmarc · · Score: 2, Insightful

    Expiration of files on portable devices can only happen, if the portable
    device has either

    - a real time clock (RTC), or
    - a communication channel to a server, or
    - non-volatile memory for counters.

    Otherwise it would suffer from the "same state problem". That is, everytime
    when you ask it to play a song, it would not know if you ask the first time,
    or the 100th time.

    The small matchbox/pen-sized MP3 players have no RTC. Their comm channel
    is established only sporadically (when you're fed up with the songs and
    push new ones). The only possible way is to use the non-volatile memory.

    I don't consider this a particularily good solution. It's easily hackable,
    and works only for those devices that integrate and virtualize their storage.
    Otherwise you could just take out that CompactFlash card, connect it to the
    PC and make a backup of all files (including the DRM counters). You could
    restore the backup after 100 playbacks (effectively resetting the counters),
    and then "give back" the files from the DRM MP3 player to your DRM PC
    with 0 playbacks used.

    Obviously M$ is targetting at players with more sophisticated hardware.
    It appears to me that they will fail like with their Smartphone initiative.
    All the extra constraints on hardware make those devices non-competitive.
    They are heavier, bulkier, waste more battery energy and all for the
    sole purpose of enforcing more restrictions to the user.

    Marc

  41. Different form of renting? by bobthemuse · · Score: 2, Insightful

    I don't mind the idea of 'renting' the music, but the price is too steep for the amount of music I would listen to. Seriously, how many people have 7500 songs they listen to on a regular basis? Is there a subscription service where I can pay to rent by the song by the month (to the tune of a few pennies per month per song)?

  42. Slashdot stories should be moderated as flamebait by FunkyMarcus · · Score: 3, Insightful

    Of course it will expire once you stop paying the sub fee, but which do you think is the better deal: $7500 to fill a 30GB player (7500 songs at $1 each) with iTunes Music Store, or $120 a year with the ability to swap in new music whenever you want?

    Where in the article does it say anything about $120/year?

    Are we supposed to be so gullible as to believe that a subscription service would allow unlimited "rentals" for a flat fee of $10/month? What kind of an asinine business model would that be? Does anyone really think that the recording industry would ever make such an offering?

    Mark

  43. How much music do we REALLY need to download? by as0k · · Score: 2, Insightful

    Alright, 7500 hundred songs, let's assume an average of 4 minutes per song, that's 30,000 minutes of music, or 500 hours. now, let's say the average person is awake for 14 hours a day, and for the sake of argument, he was a zealotlike fan of music, so he only spends 6 hours a day without music (on average). At 8 hours a day (and I think anyone's willing to admit that's way more than most people listen in an average day) he can listen to his 7500 songs for more than two months at that rate and that's if he NEVER listens to a song more than once, in that 50 day period!

    I guess my point is, can you really fill 30 gigs with music that you actually want to listen to? (thinking music is 'good' and listening to it regularly are two totally different things)

    Just my two cents I guess... I've been doing mp3s since probably 96, but the thing I never understand about my mp3 junkie friends, is that they'll burn 50 gigs of mp3's and maybe 10 of it ever makes their playlist and probably only half get's listened to on a regular basis.

  44. Vaporware by inkswamp · · Score: 3, Insightful

    My take on this is that it's pure vaporware. By some accounts Apple has taken two years to line up deals with the music industry. How on earth could MS do such a thing in such short notice? They can't.

    So, one has to wonder about this. Hmm... could it be yet another attempt by Microsoft to scare potential customers away from what they perceive as a successful venture by announcing their own similar service COMING SOON! So whatever you do, don't get all tangled up with that other service because you know you want to stay on the winning MS team! Don't bother with that other stuff until our kick-ass music service is up and running, say in... um... late 2003 *cough cough* 2006 *cough* *cough* 2008 *cough* never.

    --
    --Rick "If it isn't broken, take it apart and find out why."