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MIT Professor Michael Hawley

cyranoVR writes "Today's CBS This Morning ran an interesting profile on MIT Professor Michael Hawley. Aside from recently publishing a super-jumbo-sized book about the Kingdom of Bhutan, he has invented (among other things) an interactive kitchen counter, designed a heart monitor embedded in jewelry, contributed to the MIT Toys of Tomorrow project and has written several classical compositions for piano. What really struck me was Hawley's observation that 'today's computers aren't musical enough.' For him, there is 'no difference between an ivory keyboard and a QWERTY keyboard.' I think it's a good thing that the mainstream media is starting to show how 'computer nerds' (as the correspondent identified Hawley) can be rich individuals with much more to their lives than hardware upgrades, programming languages and pocket protectors."

179 comments

  1. nerds? by chrisopherpace · · Score: 4, Interesting

    "I think it's a good thing that the mainstream media is starting to show how 'computer nerds' (as the correspondent identified Hawley) can be rich individuals with much more to their lives than hardware upgrades, programming languages and pocket protectors." There is? Since when?

  2. Lies!!! by Piethon · · Score: 5, Funny

    "with much more to their lives than hardware upgrades, programming languages and pocket protectors" Lies! There cannot be anything more to life!

  3. Why care? by Bryan+Ischo · · Score: 5, Insightful

    For what it's worth, I'm a computer nerd and I could not care less how the mass media portrays me. Why should I? Why do you?

    1. Re:Why care? by eraser.cpp · · Score: 2, Insightful

      It isn't so much the rediculous ways that computer nerds are portrayed as it is the public reaction. Although I firmly believe in the notion that anybody who would think like that I am better off not associating with it is an unnecessary handicap to my already socially introverted self.

    2. Re:Why care? by peeping_Thomist · · Score: 4, Insightful

      Why should I? Why do you?

      Pretty girls get their ideas about computer nerds from the mass media.

      --
      Anything worth doing is worth doing badly -- G.K. Chesterton
    3. Re:Why care? by KDan · · Score: 1, Insightful

      Indeed. And if you don't care about that you've got more serious issues than how the mass media portray you :-P

      Daniel

      --
      Carpe Diem
    4. Re:Why care? by bkaster · · Score: 5, Insightful

      For what it's worth, I'm a computer nerd and I could not care less how the mass media portrays me. Why should I? Why do you?


      Well, media portrayal has a direct influence on your standing in society. Your standing in society has a direct influence on your life (ever notice the difference in the way people treat you depending on the way you dress?). More important than the way people treat you, look at mathematics in Europe. There the funding of departments is often very linked to the number of students they have (in one way or another). Mathematics being uncool certainly means fewer students, which in turn gives problems with the funding. I think for computer science there are currently no such issues (there is enough coolness, and there are other factors at work), but on the long run influence of the picture society has of a group of people is certainly important.

      What I am saying is that it is reasonable to care about the image in society, certainly not that one should take a current picture personally.

      Best,
      Bart
    5. Re:Why care? by Anonymous Coward · · Score: 0

      Why should I care? I got me pr0n, don't I?

    6. Re:Why care? by Anonymous Coward · · Score: 0

      Good for them. Let them ruin other people's lives.

    7. Re:Why care? by torpor · · Score: 1

      Some computer nerds are pretty girls.

      Those don't care.

      (I want one!!)

      --
      ; -- the corruption of government starts with its secrets. a truly free people keep no secrets. --
    8. Re:Why care? by kfg · · Score: 1

      Has it occured to you that the mass media has formed your ideas about nerds and pretty girls?

      As it turns out, some computer nerds are also pretty girls. You can keep the bubbleheaded ditzes that read Tiger Beat and Cosmo, thank you very much.

      Once upon a time my boss, after meeting my wife for the first time, called me up front, presented me to the UPS man delivering to our shop, and said "Look at this guy, you see how ugly he is? You should see his wife, she looks like she just stepped out of a Penthouse. How does an ugly guy like this get a wife like that?"

      Yeah, my boss was an asshole. I didn't stay there long.

      That pretty girl also has degrees in both anthropology and computer science and can write assembly code in her head that runs first time.

      In short, she's a computer nerd; and proud of it.

      One of the most mathmatically gifted people I've ever known was also a stunningly pretty girl. To bring the whole thing full circle she wasn't even a science/engineering major. She was a music major. So nerds can also be artistically creative as well as being pretty girls.

      Stuff the mass media. They don't know shit except how to sell mass media to a mass, and I have no interest in a girl who's part of the mass, pretty or otherwise. I wish to God it were even true that being a nerd acted as a filter to keep "pretty girls" away. Then I wouldn't have to spend so much time and energy getting rid of them.

      KFG

    9. Re:Why care? by nomadic · · Score: 1

      For what it's worth, I'm a computer nerd and I could not care less how the mass media portrays me. Why should I? Why do you?

      Because a sizeable chunk of humanity gets their information from the mass media. And I'd like the geek ideals to be disseminated into mainstream society because I think it will improve humanity. Imagine a world where almost everyone is scientifically literate, open-minded, and artistic. Don't you want to help everyone else get there?

    10. Re:Why care? by 22mcdaniel · · Score: 2, Interesting

      Media portrayal is extremely important for the development of new talent. I think a lot of young people, especially young women, are turned off from the sciences and other technical fields because of misconstrued ideas of what the respective work enviornment is like.

      Personally, if I didn't fall into the sciences by chance, and had to choose a discipline by wading through the different offerings, I might have been discouraged from physics. Who wants to spend their days around reclusive wierdos who are so engaged in their work that they have little interest or time for social activities?

      You latter learn that this is (mostly) false, but sometimes that knowledge requires actually getting involved in the discipline. Maybe SesameStreet should introduce Bob, the CS swinger. :)

    11. Re:Why care? by wolf- · · Score: 2, Interesting

      Bryan,

      I tend to agree with you on that. I am definitely NOT wrapped up in what the media thinks I am, or what society is told by the media I OUGHT to be.

      I'm a 31 year old 'computer nerd'. When not at a PC working or gaming, I'm playing the banjo (yeah, a real hip instrument) or knee-boarding (yeah, that old 80s summer time sport) on the lake with my wife (pretty, smart wonderful girls CAN love a geek) and my kids, or in the off lake season, playing soccer.

      I'm not making hundreds of dot.com dollars a year, but nor am I putting in the 80-90 hours a week either. But I get a heck of a lot of free time to spend with the family and friends.

      If I were the fat slob that the media likes to think that ALL geeks are, I'd be into my first heart bypass and wondering how much longer that ticker was going to hold.

      --
      ----- LoboSoft specializes in Digital Language Lab
    12. Re:Why care? by JGski · · Score: 4, Insightful
      :-) I'm always amused by techie's comments like this, in part because I used to say exactly the same thing when I was in my early 20s.

      The reality is that value of your smarts to society as a whole is entirely fungible (your word-of-the-day) and largely determined by that image, for better or for worse. You may have your own internal compass of self-worth; bravo! it's a wonderful thing and I don't begrudge you it. But it won't buy you a cup of coffee.

      The mass media is simply a reflection of a greater collective value assertion on your community and indirectly on you personally. You (like every other human being) have limits to your brilliance, power and control. One of those limits is on how you are valued in terms of economic and social resource allocation. Your allocation of those resources (aka Jobs, Mates, Favors, Respect, etc.) are solely dependent on your value to others as that value is perceived by others. Your only means of control is to be aware of and exert influence on that perception (sometimes called "marketing yourself" - yes, I know, despicable).

      Is it unfair that people may judge your value as a person based on a stereotype of "the nerd"? Yes and no. They have a right to decide how to allocate the resources they possess; with that includes the right to decide the means for testing and assessing the value of what will be exchanged (you, your personality and your skills) for those resources. A lot of people might think justifications for case-modding and overclocking are unfair and foolish ways of valuing resources. But it's your money, your case and your CPU, and thus your right to decide how you chose to make your value decisions.

      People use stereotypes and perceptions to avoid thinking too much. This is anathema to nerds since we do a lot thinking, enjoy thinking and respect thinking. Nonetheless, thinking takes time and energy. An entirely rational strategy followed by most humans is to "play the numbers" and use heuristic substitutes for detailed analytic thinking. If the heuristic is right 80% of the time but you spent only 20% of the effort that thinking would require, aren't you ahead of the game? Absolutely. But we nerds do it also.

      Ask yourself this: do I rationally analyze every purchase I make or do I mostly just buy a brand I know? I mean, absolutely every purchase; like every time I buy toothpaste do I send it out for analysis to assure quality control? Of course not. You buy <insert your familiar brand> rather than intensely investigate what you're buying each time you make a purchase. This is what "branding" is: sidestepping the cost of rational economic analysis by relying on a symbolic representation and promise of a product that meets a need. You choose (explicitly or implicitly) to hold a belief that the product does what you expect, for example, due to the presumption that manufacturing is performed according to familiar, rational practices and processes so that the next time you buy a Coca Cola or an Athlon, it will probably be just as good as the last one. This is reasonable, but not a strictly rational belief or axiom. You are playing the odds on it, using your own stereotype (aka a brand perception) to convince yourself that you don't need to think about it. Go to some developing nation some time and you'll see product quality variance that may force you to question that assumption.

      So why do I (you) need to worry about what the mass media thinks about me? Well, I won't say "worry" is the right word. Specifically, your value to society is on the line with how you and your profession is perceived. Economic, social and romantic decisions are being made right this minute based on it! You should be aware of the implications of what a negative image means in terms of your career and personal satisfaction. How important those are to you is your privilege to decide how important you decide they are

    13. Re:Why care? by Anonymous Coward · · Score: 0

      Ah, you present a neat plot. Where can I download that hentai game?

    14. Re:Why care? by kfg · · Score: 1

      Sorry, that's just the first level. The rest is still being written. The really cool part is where it turns into an FPS halfway through.

      KFG

    15. Re:Why care? by Thomas+Shaddack · · Score: 2, Insightful
      Smart girls are aware about the distortions of mass media. This at least filters out the ones that are pretty but dumb.

      The prettiest part of a girl should be her brain.

    16. Re:Why care? by BinxBolling · · Score: 1
      Imagine a world where almost everyone is scientifically literate, open-minded, and artistic. Don't you want to help everyone else get there?

      Sure. But the way to do that isn't to change the way mass media portrays certain groups, but to get people to pay the mass media less mind. It's better for us that the mass media continue to portray the scientifically able as one-dimensional geeks, so that we can become living examples of why the mass media is not to be trusted.

      Because, you see, the mass media doesn't want the average person to become literate (scientifically and otherwise), open-minded, and artistic. Because if the average person did take on those qualities, the mass media would lose power. Mass media doesn't want you going to art museums or studying a new language in night classes or learning to throw a frisbee forehand or to paddle a canoe or going to live music shows or worse yet learning to play an instrument or writing software as a hobby or visiting a local observatory to get a closer look at Mars. All the time you spend on those things is time that you won't spend helping to contribute to the ratings with which they justify the rates that they charge to advertisers. Time that you won't spend letting them tell you what is and is not true.

      What you're hoping is that the mass media will help to demolish the foundations of its own power. Not gonna happen.

    17. Re:Why care? by Anonymous Coward · · Score: 0

      Mmm...right. Because if a girl is good looking, she must be dumb. I mean, what could be more obvious? Good looking people = dumb, ugly people = smart. Everybody knows this.

    18. Re:Why care? by Anonymous Coward · · Score: 0

      I believe both of them are already taken.

  4. Coding as an artform by Space+cowboy · · Score: 5, Insightful

    I've always considered coding to be an artistic pursuit - the perfect form, in coding's case, is the elegant form IMHO - the creation of the simplest tool to do the job well (and fulfill the requirements spec, of course :-). In music, the art is the whole expression: the rise and fall in volume, the tempo changes, the different instruments, the silences, the mood-creation. Music is the pursuit of immersion. Coding is the pursuit of elegance. At least for me.

    On the other hand, I can't really see "Spreadsheet in D minor" becoming too popular... entering incrementing data by performing a crescendo on the keyboard will take a while to catch on :-)

    So whereas there are similarities, I think there are differences too, and I think the two input mechanisms reflect that. There is the other point that not all of us are maestro's with a musical instrument... the user-interface of the ivories might be slightly less user-friendly than the traditional QWERTY (or AZERTY, or whatever is your poison :-)

    Simon

    --
    Physicists get Hadrons!
    1. Re:Coding as an artform by nodwick · · Score: 3, Interesting
      So whereas there are similarities, I think there are differences too, and I think the two input mechanisms reflect that. There is the other point that not all of us are maestro's with a musical instrument... the user-interface of the ivories might be slightly less user-friendly than the traditional QWERTY
      The primary difference is that keys on a keyboard are binary input while piano keys are analog. How hard you strike them, your angle of approach, and other factors all combine to let you vary the sound you get. People have tried to model pianos (most notably via "digital pianos", which have been around for a long time now), but among musicians they're still considered to be tonally inferior.

      I disagreed with the article quote that "For [Hawley], there is 'no difference between an ivory keyboard and a QWERTY keyboard'."I think the key will be to recognize that electronic music and the more classical type both have their own qualities and complement, rather than replace, each other. Sort of like how electric, acoustic, and classical guitars are all similar instruments but each have their own sound -- none is meant to replicate any other one.

    2. Re:Coding as an artform by kfg · · Score: 1

      Can you type your code? If typing made music instead of printing letters you would perhaps be a maestro already. Music would be written in the letters of the alphabet plus some accent marks.

      The QWERTY keyboard is actually far less a friendly user interface, with it's bizarre folded layout, compared to the geometric regularity of the piano keybord, with its mere twelve notes repeated over and over linearly.

      Of course not all of us are "maestros with a musical instrument." Not all of us have practiced with a musical instrument. If you practice, you get good at something.

      So if you're practiced at typing you have already demonstrated the sort of physical dexterity needed to play an instrument. Now, either choose an instrument and learn to play it, or. . .

      Leverage the skills you already have as a programer and typist and take the name of the application "Notepad" seriously and literally.

      Write some code. Make some noise.

      KFG

    3. Re:Coding as an artform by kid-noodle · · Score: 1, Interesting

      Actually I recall that at some point people did do debugging by 'listening', to the code (I may mistake this, and I could be thinking about hardware) - the idea being that good code sounds distinctly different to bad code.

      Actually thinking about it, it would be a rather good method of debugging - if one could find a way to transform code into something melodic, and making the giant assumption that 'bad code', would produce a dischord or something similar...

      And elegance is an excellent way to think about programming I find - much like the way there's elegance in much of science and mathematics: E=M(C*C) being the most obvious example.

      --
      fortune -o
    4. Re:Coding as an artform by cybin · · Score: 4, Insightful

      I have to disagree with you on this -- as both a composer and programmer in several languages - coding is not the same as creating artworks. In order for computer code to be useful, it has to make sense and operate logically. Art is in direct opposition to this -- it exists on the border (and sometimes across the border) of interpretation and the abstract. Computer code is not open to interpretation - it runs the way it was written to run. It doesn't match the same way a performer can offer a different interpretation of a work.

      What you are talking about is "Craft" -- and yes, art involves craft too, that's why we study the technical aspects of piano, how the overtone series works, etc. And coding can be done "artfully" -- but the final product is not "Art".

      A side note, I really don't want to get into a flame war over this, I'm just respectfully disagreeing, because I know we can argue about this for the next century :)

    5. Re:Coding as an artform by kid-noodle · · Score: 4, Interesting

      And I was right, sorry to reply to my own comment, but here is a link to the new scientist article on debugging by ear.

      --
      fortune -o
    6. Re:Coding as an artform by Anonymous Coward · · Score: 4, Interesting

      I made a post while back on the subject of 'musical' passwords. As a pianist and drummer I have developed an interesting technique to use very long complicated passwords and enter them very quickly. They have the property that they are deformable shapes, in space and sequence/time, very like melodic phrases. I enter these on a normal ascii keyboard, thus:

      ijihijhijihijhi
      popipoipopipoip
      uyutuytuyutuyt u

      All these are the same passwd transposed,
      thats 3 in less than a second (not checked them for accuracy) You can get VERY quick at it and use secure passwords with great accuracy. The security comes from the sequence length not the diversity, I use 3 fingers, a better pianist/typist would use more.

      They have another interesting property.
      I can 'not know' the password and be able to enter it, if you ask me what it is I cant tell you. I have to sit at the keyboard and retreive the motor sequence to type it, then I can read it back and tell you.

    7. Re:Coding as an artform by fcw · · Score: 2, Interesting

      As someone who has been typing for about thirty years, and playing the piano (for some loose definition of 'playing') for about two years, I have to say that I think my typing habits interfere with my playing.

      Specifically, I don't type in tempo, but I have to play in tempo, and I find this extremely hard -- I always want to play ahead on the easy passages, and slow down on the harder ones. Plus, I'd kill for a backspace on the piano.

      Ultimately, my playing's only ever much use in short bursts, and I basically use the computer to play things back properly.

      I prefer singing and playing violin anyway -- I think the completely different mode of physical interaction with the violin from a keyboard makes the violin much easier for me to handle, since there's no danger of habits from using one showing up in the use of the other. (And I think the violin and the voice are much more interesting musical instruments than the piano.)

    8. Re:Coding as an artform by JGski · · Score: 0, Troll
      I agree. There's definitely a pattern to a compilers error streams. As you start removing bugs it changes from chaotic to ordered.

      I think this is related to the feedback/feedforward nature of most parsers as they encounter syntax errors, try to re-align, fail to do so (in relation to the bugginess of the code), and then cascade into a flurry on actually nonexistent "errors". As you correct the errors, parser realignment begins to happen correctly more often and more regularity appears.

      In a sense there is a potentially "musical" element to that as it generates a holistic pattern space like music. The proper mapping is more likely something similar to a "fractal dimension" or something linearly linked to pitch, or to a generative music parameter: ultra buggy code generates something like John Cage progressing to improvised jazz to pop to something highly organized like martial or baroque music. Of course then you have to know music well enough to "hear" what your compiler is telling you. :-)

    9. Re:Coding as an artform by SlowMovingTarget · · Score: 2, Insightful

      Well said. I've often found well-written code (my own or that written by others) to be beautiful, but it cannot be called art. I've appreciated a spare user interface that leads the user to natural patterns of work, aiding the user through thoughtful metaphor and tasteful selection of color. But this was not art. As you say, it was the craft of someone artistic.

      I've often thought that craftsmanship was an expression of loving care toward those who will use the thing being built; whether conscious or not. Art, from my perspective, is an expression of meaning, an act of exposing (or hiding) one's self to an audience. The intent is different.

      I too have created art as well as crafted code. But not at the same time. I think game designers come the closest to doing that (Sid Meier comes to mind).

    10. Re:Coding as an artform by kfg · · Score: 1

      Plus, I'd kill for a backspace on the piano.

      Yeah, that would be sweet, wouldn't it? :)

      As for keeping tempo I hate to say it, but the much maligned metronome is the cure for that. I know professional musicians who have been playing for 50 years who still spend an hour or two a week with a metronome. Don't let it rule your playing in the mechanical sense, but it is a valuable tool to learn the bounds of musical expression.

      I happen to agree with you about the violin. I find all instruments where the player is in intimate contact with the note producing mechanism more interesting than piano. Fretless strings of all kinds, reeds, etc. The subtle variations imparted intentionally and unintentionally add to the musical interest.

      My basic point, however, was that the only real difference, at the philosophical level, between a piano keyboard and a computer keyboard is the fact that a piano keyboard produces physical notes. If a computer keyboard were programed to do the same, it too would be a perfectly valid instrument interface, and typing is a skill that many nonmusicians take for granted, while at the same time claiming that they don't have the necessary physical skills to play an instrument.

      There is a mystique about playing instruments that is pure hogwash.

      As you point out, the major difference between typing text and "typing" music is the idea of time. Duration, tempo, etc.

      That too can be learned.

      KFG

    11. Re:Coding as an artform by jallen02 · · Score: 2, Interesting

      Ahh, yes but one programmers representation of an orderly set of bytes to accomplish a task can be quite different from another programmers set of bytes that accomplish the same task. What if the end result is not the art? What if the art is in the creation and representation of what creates the end result?

      So, even though in the end you ARE bound by a structure of some sort I think that creative thought processes lead to better representations of said orderly structure (code). It most definitely is NOT a traditional form of art, but when I sit down and look a particularly well written function that is simple and "elegant" it inspires me in a great way. Almost the same way as when I see a great photograph that has several complex "artistic" elements involved (IE: Not just a snapshot, a serious well done picture meant to cause you to think).

      Since I also enjoy photography and auto mechanics quite a bit I see parallels in ways most people would just discard. Photography is closer to "traditional" art. And I feel inspired the same way when I see a great photograph. Or when I see someone who is doing serious non factory work on their 800hp car and they come up with an "out of the box" solution. Or when I see someone lay some code out so well and so ingeniously that I think, "how would you do it any other way?". It is all inspiring at some level.

      So what this boils down to is that art is in the eye of the beholder, truly. Just because it is not traditional art does not mean it isn't art to others. I look at some paintings considered masterpieces, even with the prerequisite knowledge on why this picture is great and have a hard time accepting the creative genius in certain aspects of a painting. The creative genius in a well done piece of code seems much more obvious to me, thus much more artful.

      Its all a matter of perspective, as so much is in life.

      Jeremy

    12. Re:Coding as an artform by Anonymous Coward · · Score: 0

      The primary difference is that keys on a keyboard are binary input while piano keys are analog.

      What about modifiers like shift and capslock? ;)

    13. Re:Coding as an artform by cybin · · Score: 3, Interesting

      You definetly make a lot of excellent points here -- and it is a matter of personal perspective.

      I guess a big part of this for me is that people who have the innovative instincts required to write the elegant code we're talking about sometimes confuse that with creativity in its most narrow definition -- fostering the creation of something new. Solving problems on the computer can lead to creative ends through innovation.

      The code that I write on my signal processing software is ultimately used as a tool for the creation of electroacoustic music. Lots of this kind of music is all about the process used to create it, similar to what you talk about above. I take issue with that a lot of times, I don't think art should be about the process, especially when "normal" people (i.e. non EA-musicians, non-programmers, etc) find your music completely foreign... this is a huge problem for us.

      I think the folks at the Media Lab, while they are smart, are primarily innovators -- they do work on things which will get them media attention. The things they come up with barely touch upon the issues that affect me as a computer geek and composer. I'm sure Dr. Hawley is an interesting person, but a lot of the stuff mentioned above is completely unrelated to what I do every day -- and his compositions probably have little to do with what's going on on the contemporary music scene. It just has a nice "wow" factor.

      The futurists also upset a lot of traditional academic musicians, but that's a whole other story :)

    14. Re:Coding as an artform by SlowMovingTarget · · Score: 1

      Isn't the process of creation, rightly named, a performance? I wonder if that doesn't make pair programming performance art. Granted, at some point, common sense intrudes (not a troll) and the answer comes out "no," even when beauty is experienced in the process.

      So what about an actor or actress portraying programming? Never mind...

    15. Re:Coding as an artform by Ed+Avis · · Score: 2, Interesting
      The primary difference is that keys on a keyboard are binary input while piano keys are analog.

      So a computer keyboard is more like an organ or a harpsichord. ISTR that one of the BBC Micro's Welcome programs was called 'organ', and straightforwardly turned the top two rows of keys into white and black notes. And I wrote similar things myself at various points, recording input music and playing it back or trying to generate a similar-sounding tune using simple probabilities of which notes follow each other.

      This kind of thing as a basic programming exercise (pun not intended) seems to have died out these days, mostly because sound programming is no longer as simple as it was, which is a pity. Almost all computers have some kind of beeper. Perhaps some day we'll get back to the level of twenty years ago and be able to say
      % perl -MSound 'beep 256, 1'
      to play middle C for one second.

      --
      -- Ed Avis ed@membled.com
    16. Re:Coding as an artform by Ed+Avis · · Score: 1

      I haven't debugged a program like that, but I was able to tell (on the BBC Micro - of course - what other machine would it be) whether the CPU was busy or not by listening to hum from the speaker, and to tell what kind of memory access it was doing (a simple infinite loop sounded different from accessing many different memory locations).

      But for high-level debugging I don't think you could get anything useful. Very very few people code close enough to the metal that listening to where the CPU is branching to would give a clue about whether the code is correct. Unless you start instrumenting the code to produce 'bad' sounds when bad conditions are detected, but if you know how to do that, you might as well stop the program and drop into the debugger...

      --
      -- Ed Avis ed@membled.com
    17. Re:Coding as an artform by Ed+Avis · · Score: 2, Insightful

      Writing a program that a computer can interpret is the easy part. The skill is in making it understandable to a human too, and that is where programming becomes an art. If writing a factual article in a newspaper is art then so is writing a program which clearly shows the programmer's intention and guides the reader to understanding how it works.

      I think craft is probably a better term though, because of the functional aspect and the fact that the end product has to 'work'. Art doesn't have to work or _do_ anything.

      --
      -- Ed Avis ed@membled.com
    18. Re:Coding as an artform by Dun+Malg · · Score: 1
      Of course not all of us are "maestros with a musical instrument." Not all of us have practiced with a musical instrument. If you practice, you get good at something.

      Reminds me of something my 7th-grade music teacher told us. He said "perfect pitch" is not as rare as we've been led to believe. There are thousands of people walking around with perfect or near-perfect pitch, but it's not really relevant if you don't know the names of the notes. More important than being able to ID notes be ear is the ability to play your instrument. Practice leverages talent; talent alone is worth nothing. Learn to play your instruments, you lazy slobs!

      --
      If a job's not worth doing, it's not worth doing right.
    19. Re:Coding as an artform by kfg · · Score: 1

      Yes, that's pretty much what I tell my own students. Talent is that which is innate. Your purely genetic physical/mental ability.

      Skill is what you develop on top of whatever talent you have through practice.

      A person with little talent who does what he can to develop skill is someone who can play an instrument, whereas talent without skill is someone who can't play.

      KFG

    20. Re:Coding as an artform by Anonymous Coward · · Score: 0

      I've always considered coding to be an artistic pursuit...

      I've always considered it an autistic persuit.

    21. Re:Coding as an artform by CrystalFalcon · · Score: 1

      Computer code is not open to interpretation - it runs the way it was written to run. It doesn't match the same way a performer can offer a different interpretation of a work.

      It is quite obvious that you have never taken part in GUI design and the ensuing hilariousness as people interpret the computer program as not just a bit off, but completely differently from what was intended, in the usability studies. :-)

    22. Re:Coding as an artform by BinxBolling · · Score: 1
      I have to disagree with you on this -- as both a composer and programmer in several languages - coding is not the same as creating artworks. In order for computer code to be useful, it has to make sense and operate logically. Art is in direct opposition to this -- it exists on the border (and sometimes across the border) of interpretation and the abstract. Computer code is not open to interpretation - it runs the way it was written to run.

      I don't agree with this. Software is open to interpretation. Not by the computer that executes it, but by the people who use it.

      Sure, the software must follow rules in its execution. But that's like saying that a building's structure must obey the laws of physics; Would you argue that architects (the old-fashioned kind) can't be artists? Buildings must obey physics and software must function within the deterministic rules dictated by the platform on which it runs, but in each case there's still a role for interpretation as humans interact with the structure.

      Mind you, I'm not convinced that software is an art, either; I find something something distinctly self-aggrandizing in most of the claims that it is. But I don't think your argument against its being art works, either.

    23. Re:Coding as an artform by jallen02 · · Score: 1

      What about a program used to create a video of programmers used to portray actors as programmers who are... and what if we had a beowulf cluster os said programers working in perfect harmony...

    24. Re:Coding as an artform by Anonymous Coward · · Score: 0

      Here's some tips that worked out well for me:
      Get a teacher eventually if you are serious about piano.
      Play through mistakes and return to them in practice. (Breaks the habit of stopping and wishing for a backspace, like I did for too long...)
      Practice at a glacial pace. (If it was good enough for Rachmaninoff, it's good enough for anyone!)
      Raise your fingers a bit higher than normal when practicing. This gives them a bit of a workout and helps a good deal for fast passages where normally your fingers would glide around the keyboard.

      After enough slow practice (with a metronome if necessary) you'll likely get into the habit of playing at tempo.

      YMMV.

      But since you prefer singing and violin playing anyway, you might not care. :)

    25. Re:Coding as an artform by Anonymous Coward · · Score: 0

      I was going to make a long post, but instead i got a word for you:

      Entropy. Look it up.

      Your idea "sounds" (pun intended) intresting, but passphrases are generally more secure.

    26. Re:Coding as an artform by lbolla · · Score: 1

      and what about claviers? there is no forte-piano pressing the keys on their keyboard, but Bach composed masterpieces for these machines, anyhow. a clavier is more similar to a computer keyboard than to a piano...

      --
      Computer are useless: they can only give you answers. - Pablo Picasso
    27. Re:Coding as an artform by lbolla · · Score: 1

      experiencing art is a complex process that involves the artist, the observer and a medium through which the "creation" is "said". for a computer program the "artist" is the programmer, the "observer" is the user and the "medium" is a set of 0's and 1's. It's not different from sculpture, painting, photographs,... : what changes is the medium, but the the very beginning and the very end of this process are always men. remember: you code for men, not for computers.

      --
      Computer are useless: they can only give you answers. - Pablo Picasso
  5. The book... by Anonymous Coward · · Score: 5, Funny

    "For him, there is 'no difference between an ivory keyboard and a QWERTY keyboard.'"

    I don't know if I want to read his book.
    I imagine something like...

    akldsfjasjgl;aghjaklgfajgsafjklaa;fsadh

  6. Media attention by kuhneng · · Score: 5, Interesting

    I knew and interacted with Michael Hawley lightly for a year (temporary advisor at MIT).

    From my experience, he was constantly chasing whatever research line was most likely to get him in the media while neglecting projects that seemed to have more research merit but less potential for media attention.

    1. Re:Media attention by snarkh · · Score: 4, Funny


      After all, why bother with research merit when you can have your interactive kitchen counter
      featured on Slashdot.

    2. Re:Media attention by Anonymous Coward · · Score: 2, Insightful

      Isn't that the way the MIT media lab works? Get press or die.

    3. Re:Media attention by kindofblue · · Score: 4, Interesting
      The entire Media Lab seems to follow that same pattern of pursuing fluffy PR-friendly pseudo-science. Wired had this to say about it: The Lab that Fell to Earth. (It's an ironic criticique given that Wired is very fluffy tech news.)

      Contrast that to the MIT AI and CS Lab, which does and has done outstanding work, in hard AI, theory, robotics, vision, and so on.

      Still, the Media Lab just seems like the most fun place to work.

    4. Re:Media attention by cvdwl · · Score: 3, Insightful
      As a postdoc on a trail of post-docs, I think it's safe to say that almost any professor or scientist seen in the national media will be faced with such accusations from his academic peers.

      Not to say the detractors are right or wrong, but the problem, IMHO, really comes from a basic process:

      1. the media is rarely willing or able to portray scientific problems in their true complexity, leading to:
      2. any scientist who does speak to the media is often misquoted or portrayed as a hero, in order to "simplify" or "clarify", thus:
      3. the popular scientist quickly earns equal marks of disdain ("the damned fool said WHAT?!") and envy ("yeah, I coulda done that.").
      Unfortunately, "research merit" is decided when Joe Sixpack watches CBS and tells his congressman that he thinks that there scientist is cool. Your "research merit" is driven at least as much by Congress as by your personal belief in the quality of the work.

      --
      ... grumble, grumble, grumble, mutter, mutter, Millenium... Hand... Shrimp, I tol' 'em, I tol' 'em.
    5. Re:Media attention by snarkh · · Score: 1
      Your "research merit" is driven at least as much by Congress as by your personal belief in the quality of the work.

      Research merit is a social concept and is not decided on the basis of your own beliefs. Otherwise any crackpot working on perpetuum mobile would have plenty of research merit. However it is sad to observe, when scientists get their credibility from Slashdot and Wired. On the other hand, one might argue that getting it from Science is only slightly better. Your call.

    6. Re:Media attention by kuhneng · · Score: 4, Informative

      Except that in the case of what I observed, Prof. Hawley would literally drop an in-progress project the moment the media buzz died down.

      This is different from popular researchers such as Carl Sagan and Steven Hawking, who routinely give/gave simplified glimpses of their research to the public, but certainly haven't driven their research based on how much media exposure it's likely to generate.

    7. Re:Media attention by Gorobei · · Score: 1

      Agreed. I knew him when he was an undergrad, and even then he seemed more focused on the flashy and shallow than actual CS. My musician friends did say he played quite well, however.

    8. Re:Media attention by Anonymous Coward · · Score: 1, Insightful

      You're correct. I met him on a couple of occasions. He really does rely on faddish research, and has made some pretty wild claims about rather trivial technology, or inventions that were already well known. I don't see any real science or invention here at all - mostly he's into the attention.

      Perhaps that's why he didn't get tenure...

    9. Re:Media attention by raisin · · Score: 5, Interesting

      I work at the Media Lab and have often felt that there's a sort of inverse relationship between the amount of (popular) press that some of the projects receive, and the actual value of the project itself. Things like an interactive kitchen counter are a good example of this, so the really interesting work can easily get lost in that.

      For what it's worth, the Wired article, however, is way off, including some parts that are just completely made up and has all sorts of wild speculation from the article's author, much to the amusement of many of the people here. The author came in and was looking for dirt so that Wired could sell magazines (this was extremely successful, as that issue did really well on the newstand). This is not to say there's plenty of critique you could make about the lab, there was a Technology Review article, google cached here, written by a talented writer that made many more valid points by simply hanging a few professors with their own words. It's no longer particularly relevant anymore, but the author could teach the Wired guy a thing or two or seven.

    10. Re:Media attention by kindofblue · · Score: 1
      Thanks for the link. I trust Technology Review a lot more than Wired for deeper research news. (Although it is run by MIT so I wonder about the journalistic impartiality.) Anyway, I wasn't necessarily picking on the Media Lab. For those who are interested, their research page lists their highly diverse set of projects.

    11. Re:Media attention by Anonymous Coward · · Score: 0

      Here's what Philip Greenspun has to say about it.

    12. Re:Media attention by Anonymous Coward · · Score: 0

      Well, it is the Media lab.

    13. Re:Media attention by Anonymous Coward · · Score: 0
      My musician friends did say he played quite well, however.

      Yep, for a computer scientist, he's an excellent musician, and vice versa.

      However, to be an MIT prof, you have to not only publish, but be cited. Most MIT profs have well over 500 citations of their work. Heck, I got my PhD from the Media Lab in recently and I have over 150 cites. Most of the PhDs from my group had 10 or more refereed publications and more like 200 citations by the time they graduate, though our group may have done particularly well (in fact, two of them are junior faculty at the AI lab).

      I tried two searches for Hawley's citations, a general one and a specific one. the specific one was way too narrow; it picked up 6 citations. The general one was way too broad; it picked up 314 citations of anyone named Hawley; about 27 of the first 150 cites were for M. or Michael Hawley (BTW, most tenure committees put significant weight on pubs and cites; MIT is no exception, and the Institute denied Professor Hawley's tenure application).

      But my point is that there is a pretty objective way to measure the influence of someone's work in science, and by those measures, some groups at the Media Lab do quite well. Please don't overgeneralize: the media whoring of some folks doesn't mean the whole Media Lab is devoted to fluff.

    14. Re:Media attention by wjzhu · · Score: 1

      thanks for posting the link.

    15. Re:Media attention by Anonymous Coward · · Score: 0

      That would have been in the 70's or 80's at Yale, right?

      What was flashy in CS then?

    16. Re:Media attention by Gorobei · · Score: 2, Interesting

      Non-flashy is easier to define: stuff that could actually produce useful results in a reasonable time-frame. Flashy is anything not in that set.

      In the early 80s, Yale seemed to have a few good avenues of non-flashy research and engineering going:

      1) T - a solid, interesting Scheme-like language.
      2) Hardware - essentially the prototype ELI machines.
      3) OSes - Lisp environments vs DecSystem20 vs Unix.
      4) Graphics/Realtime stuff - mostly due to Apollos.
      5) Networked computers - the proto-internet was exciting.
      6) User modelling - i.e. what does a user think he's doing?

      Everything else was basically flashy or pointless junk. The worst offender was Schank - a producer of brittle demos that got research dollars and did zero to advance CS. Actually, Yale probably set back CS by its contribution to the AI winter of the mid to late 80s.

  7. There are many books you can't put down by Anonymous Coward · · Score: 5, Funny

    This has to be one of the few that has the opposite problem.

  8. It's just a matter of time... by heironymouscoward · · Score: 5, Insightful

    Most nerds are men, and men change their priorities and attitudes over time. My rule of thumb is that the jocks mature early, the nerds mature late.

    A nerd invests hugely in a technical subject and should, with time, be able to leverage that into a high value career. So it's quite normal that many men who were totally nerdy in their teens and twenties become relaxed, charming, social, and wealthy as they get older and more succesful.

    --
    Ceci n'est pas une signature
    1. Re:It's just a matter of time... by rzbx · · Score: 1

      "My rule of thumb is that the jocks mature early, the nerds mature late."

      Define mature! Physically mature, ethically mature, socially mature, financially mature, etc? Sure, there is a general definition we have for mature, which even then varies on who you ask. I'm sorry, but this statement means nothing to me. Simply put, there are people out there that are more interested in tinkering with things than others. These people are commonly less social, but that only makes sense since they spend less time socializing. This doesn't mean they are less mature, or then again by your definition, which we know not, maybe yes. Don't treat nerds as a seperate group of people. Label whomever you wish and your more likely to be immature when it comes to understanding people. Most people are, so I don't really blame you. Stereotyping is reinforced by certain aspects of our society.

      "A nerd invests hugely in a technical subject and should, with time, be able to leverage that into a high value career. So it's quite normal that many men who were totally nerdy in their teens and twenties become relaxed, charming, social, and wealthy as they get older and more succesful."

      It can and does happen, but for the most part being a "jock", "nerd", or other stereotypical label is only one small part of the equation when it comes to financial success or even becoming a better social person. It is apparent most teens are different, but by the time they reach their twenties they change. Labels only work when people wish to be a part of a particular group and so they tend to be someone they are not by making slight changes that fit that label.

      What you said has some truth to it, but only if I see it that way. So some will disagree with what you said, some will agree, and some like me, will disect it, analyze it, think about it, interpret it, apply it, and/or talk/write about it.

      I would label your comments as interesting, but to some people unfortunately, they would interpret every word literally and make it out as truth or lie. Do people see in grey anymore?

      --
      Question everything.
    2. Re:It's just a matter of time... by MC_Cancer_Pants · · Score: 1

      My rule of thumb is that the jocks mature early, the nerds mature late.

      Maybe it's just me, but I haven't met a jock that has "matured early", in fact I know a few that are 30 and haven't matured.

      I guess the issue here is defining maturity. I consider maturity to be directly proportional to creativity, The ability to create somthing novel. Human minds are more matured than our ape predescessors because we have the ability to create, have novel thoughts, etc. I think that people use the term "maturity" to say "grow up and conform to society", which is wrong. I see geeks, although lacking social creativity, as the most advanced innovaters of the day.

  9. Keyboards can be musical by Anonymous Coward · · Score: 3, Informative

    See Prodikeys.

    1. Re:Keyboards can be musical by Anonymous Coward · · Score: 0

      don't forget the samchillian!

  10. keyboards by Anonymous Coward · · Score: 5, Interesting

    I always thought it would be interesting for someone to devise an "instrument" out of the QWERTY keyboard. So many people are proficient with the standard keyboard they'd be instant musicians.

    It would be a cool addition to MMORPG games where you can have real bards that actually play music via keyboard.

    1. Re:keyboards by sevensharpnine · · Score: 1

      Given the average quality of music put out by aspiring musicians on the internet today, I think the bar for becoming a musician needs to be higher, not lower.

      --
      "God is a comedian playing to an audience too afraid to laugh." -Voltaire
    2. Re:keyboards by Anonymous Coward · · Score: 0

      That makes absolutely no sense.

      How do you intend to make entrace to starting something you've never done before higher? You've got to be a really good at what, cooking, before you can become a musician?

      Being good at music is being good at music and that only comes from practice.

      So what if people post it on their blog? Nobody twisted your arm to listen to it.

    3. Re:keyboards by sevensharpnine · · Score: 3, Informative

      Throwing a box in the microwave isn't cooking. Similarily, hitting keys on your keyboard isn't making music.

      I really have nothing against the idea, but if your only exposure to an instrument is a keyboard and various samples, the end result might not be terribly interesting. But neither is microwaved food.

      --
      "God is a comedian playing to an audience too afraid to laugh." -Voltaire
    4. Re:keyboards by 88NoSoup4U88 · · Score: 1

      Er, the inbuilt MIDI-piano in your soundcard is not enough ? ;)

    5. Re:keyboards by Anonymous Coward · · Score: 0

      Actually this is similar to the Suzuki method of violin teaching. Very young children (4 and up) learn to play the violin simply by listening to good music and then trying to replicate that on the violin along with some lessons on form and posture. No music theory or sheet music at first.

      I grant there is instruction involved. But the idea of learning by listening and trying is not so absurd.

      Besides, I imagine there will be people that would be interested that already know other "valid" instruments.

    6. Re:keyboards by Gyl · · Score: 1

      True, hitting keys's isn't making music, but one of the difficulties in learning to make music, is the complexity of replicating the music other people have written down. Most people can deal with the complexity of a keyboard, if there were an easy way to use that complexity to make music, I think there would be a lot more competent musicians out there.

    7. Re:keyboards by Anonymous Coward · · Score: 0

      Operation Re-Information did just that. At their concerts, they would each have standard computer keyboards across their stomachs, where guitars would normally be. The software they used, BackToBasics, is downloadable from their web site as shareware.

    8. Re:keyboards by Anonymous Coward · · Score: 0

      I don't think you would say something like this if you had some involvment with the tracker scene.

  11. Bhutan by ModernGeek · · Score: 2, Interesting

    I used to host IRC Chat for Bhutan before we got DDoSed to death. Really nice people, some egg heads too. Aside from the "Wanna chat?" guys asking for 16 year old girls, it's a nice place with alot of smart people.

    --
    Sig: I stole this sig.
    1. Re:Bhutan by Anonymous Coward · · Score: 0

      Since you don't know that a lot is two words and you where allowed to hosts chats there....

  12. WRONG by GNUALMAFUERTE · · Score: 4, Interesting

    More rich individuals?, being a rich individual is measured in terms of how well you addapt to the social roles that are impossed nowdays?.
    Slashdot is a social activity.
    Please think about this: Name 1 comunity of non-geek persons that are more than 10 and that get together every day to discuss their ideas. There are NONE.
    Now, look at Slashdot, are we unsocial terminal geeks?.
    I Think the hole think is upside down. We are social people, actually more sociable than other social groups because we still belevie in some things like netiquete, we can maintain social contract. Actual society CAN'T. Slashdot is not a website, it's a social contract. EVERYONE can post here, and he will be listened, we have our methods to protect ourselves from those that don't know how to live in society, but we won't censor them or ask them to go away.

    We are unsocial with many people because they comunicate in a different language, which is by definition aggresive and antisocial.

    --
    WTF am I doing replying to an AC at 5 A.M on a Friday night?
    1. Re:WRONG by Cipster · · Score: 1

      Please think about this: Name 1 comunity of non-geek persons that are more than 10 and that get together every day to discuss their ideas. There are NONE.
      Bullshit. There are a ton of message boards full of non technical people. Check out Fark.com for example. Heck I can think of a lot more but I doubt they could cope with a slashdotting :)

    2. Re:WRONG by Anonymous Coward · · Score: 0

      fark.com posters are awfully adept at Photoshop for being non-technical people.

    3. Re:WRONG by GNUALMAFUERTE · · Score: 1

      Yep, there are _lots_ about any subject, but the fact is that:

      a) There is no many people in there ...
      b) They don't last more than a year.
      c) They only has ocational readers.
      d) And the more important thing: those forums are a big disaster, many people slashdotters complain lately about slash, let me tell you that in those forums you name, noone hear what the others has to say, everyone flames everyone, and they are full of spam.

      It's easy to maintain a good comunity of 30 readers, it's NOT to maintain a good climax in a site where thousands of people a day reads/posts.
      The only examples of forums with lots of regular readers/posters that is not a disaster are slashdot, some usenet groups, and some very technical lists, like the LKML.

      --
      WTF am I doing replying to an AC at 5 A.M on a Friday night?
    4. Re:WRONG by rtv · · Score: 2, Funny
      Name 1 comunity of non-geek persons that are more than 10 and that get together every day to discuss their ideas. There are NONE.
      • The House of Commons
      • US Congress, Senate
      • etc.
    5. Re:WRONG by Killio · · Score: 1
      Name 1 comunity of non-geek persons that are more than 10 and that get together every day to discuss their ideas. There are NONE.

      You're telling me that Slashdot is the only major discussion board around? You must be kidding. What about FlyerTalk, or to a lesser extent the Motley Fool?

    6. Re:WRONG by Anonymous Coward · · Score: 0

      Sorry, the only thing you are right about is the time domain, as far as "get together and discuss their ideas" [sorry for the paraphrase].

      Look at any craft-related group. Google for "quilt guild". If you have a relative who is of the crafty type, go with him/her to their crafting group meetings.

      Go to the mall early in the morning (most malls tend to have a program where they open the mall concourses an hour or two early for mall walkers), and sit with the geezers who glomerate there to walk around the mall for their daily excercise, and then sit and chew the fat for a couple of hours before they dissapate...

  13. I can't be a nerd! by Digital+Dharma · · Score: 5, Funny

    I have a platinum-plated pocket protector of +5 charisma!

    --
    End of Line.
    1. Re:I can't be a nerd! by SmackCrackandPot · · Score: 1

      But is it blessed or cursed?

  14. This story is similar to the talbet PC robot. by bob_calder · · Score: 2, Insightful

    Both people have some extra money to do something to impress their friends. Hawley has more money.

    BTW, why did the guy who mentioned big book/small country get modded troll?

    OK, OK, so the giant book is an exercise in making some kind of maximum display technology like a middle ages style plasma TV. The big story here is enlarging the images to an appropriate resolution.

    --
    Any preoccupation with ideas of what is right or wrong in conduct shows an arrested intellectual development. (Wilde)
  15. Did they retire Weizenmbaum or what ? by frost22 · · Score: 1, Flamebait

    Did they retire Weizenmbaum or what ? I always assumed they'd only have room for one of these certified kook types.

    Have youy looked at that gentleman's publication list on his web site ?

    - travels to Bhutan ???
    - photo mosaics ??
    - essays in "technology review" ??

    Apparently the good professor never had scientific research published of which he is proud enough to mention it on his home page.

    Oh well. MIT.

    --
    ...and here I stand, with all my lore, poor fool, no wiser than before.
  16. No Keyboard. by GNUALMAFUERTE · · Score: 1

    I use sphinx, you insensitive clod!.

    --
    WTF am I doing replying to an AC at 5 A.M on a Friday night?
  17. Huh? Nerds are more than what?? by serutan · · Score: 4, Funny

    Sorry, I was upgrading the embedded Forth interpreter in my pocket protector. What was it you wanted?

  18. Using a QWERTY kbd as a music kbd by Simonetta · · Score: 2, Interesting

    I've written an embedded firmware program for the Atmel AVR microcontroller to use the PS2 keyboard as a MIDI music keyboard. It's on Avrfreaks.com in the projects directory (search under MIDI).

    Interfacing the PC keyboard is really tricky. It was necessary to use all the Warnier-Orr diagramming techniques learned in school to map out what was happening in order to get totally lost in the coding. But it does work. Press several keys down and get a chord on the synthesizer; release the keys and the notes go silent.

    The real problem with using the PS2 QWERTY keyboard as a music keyboard is that certian key combinations don't work. I suspect that this is due to the scanning algorythm of the processor inside the PS2 keyboard itself. In business keyboard office applications, people don't press four or five letter keys at the same time.

    Still it is a really cheap and small way to get sounds out of a MIDI tone module. This is great for using small, but beautiful sounding synthesizers (like the Roland Sound Canvas, the Yamaha TG100, or the Boss DS-330) in impromptu music sessions that usually have only acoustic guitars and/or drums and flutes or harmonicas. Use a small synth, a PS2 keyboard, a boom box, and a microcontroller PS2-to-MIDI interface to add hundreds of instrument sounds to pick-up jam sessions (ever played music in a deserted McDonald's at 9 pm?). The whole set up is light and tranportable (and cheap if it gets confiscated by the police or stolen).

    Dare to be weird, strive to be stupid!
    New century, new technology, new solutions!

  19. Computers AREN'T music friendly .... TRUE!!!!! by almound · · Score: 5, Insightful

    People who want to do music ... and I'm IT staff, who is getting a statistics degree, yet writes classical music as a hobby for fun ... find that they are stymied by antiquated and just plain dumb music software.

    The Musical Instrument Digital Interface (MIDI) is twenty+plus years old. Imagine if you were trying to do your networking using Banyan ... oh, never heard of Banyan? Think on it.

    Yet MIDI is what someone who WRITES music must use to export notes over into a program that will PLAY the music they write (i.e. a sequencer) with any degree of real sound. By itself, MIDI just does not support the nuances and articulations of music desk-top publishing, the environments known as notation programs. And also, notation programs can't adequately play back the notes (the sound is cheesey at best).

    So people, myself included, resort to composing in one or the other, or perhaps in both a sequencer and a notation program simultaneously, each program running on a separate machine! Is that stone-age or what!!! Imagine if that was what was required to do word processing!

    With the current state of MIDI, the computer isn't even able to write what you play into it from a keyboard (without hours and hours of tweaking and guesstimation). We haven't even come that far, people!

    Oh, did I mention that the special cables and splitters required to network MIDI devices together are about 2000% more expensive than any other cable connections you are likely to buy! $600.00 all told to hook up three PCs with a MIDI keyboard!!! This is true of Macs as well as PCs.

    No, computers AREN'T music friendly and it is a needless shame. Something must be done about it.

    1. Re:Computers AREN'T music friendly .... TRUE!!!!! by cculianu · · Score: 1

      So what do we do about it? Sounds like a great opportunity to get rich revolutionizing the music tech industry!!

    2. Re:Computers AREN'T music friendly .... TRUE!!!!! by Anonymous Coward · · Score: 0

      Midi has been under review for replacement for something like 10 years at least. There was even a midi 2 protocol RFC which moved from 8 bit event based asynchronous to a 16 bit continuous controller streams on a token ring like physical format. Roland even pioneered their own optical audio and controller format.

      None of these have suceeded because of the inertia in the music software industry. It is not possible to upgrade old midi sequencer software to work with the new high resolution formats, they need completely rewriting to the new paradigm, and all legacy midi will be obolete.

      If anything midi was a bad protocol because it had no extensibility, it did the job it was designed to do 20 years ago and hasn't budged since.

      If you want to get into _real_ electronic music, break away from CubaseVST and Logic, and all that crap. Look at where emusic is on the Linux platform now and you will be pleasantly suprised at the tools available. Unfortunately these take effort to learn, and require real musical and technical skill to master. Of course if you aren't into that nothing will beat a real instrument, say a guitar, for expression.

    3. Re:Computers AREN'T music friendly .... TRUE!!!!! by torpor · · Score: 1

      Hey, don't pick on MIDI. It may be 'an expensive networking protocol', but when was the last time you saw multiple-hundreds of -different computer^H^H^H^H^H^H^H^Hmusical instrument- designs able to communicate, effectively, with each other?

      On my desk, I have 3 devices, from competing mfr's, which are perfectly able to communicate with each other effectively and efficiently, in order to build a track (QY700, Indigo2, Machinedrum, in case you're wondering)... in my 19" rack, I have 4 other devices (A5000, FS1R, rack-xl, Chameleon) and they're all communicating just fine.

      Together, the whole system makes up a -bitchen- musical instrument. All because of MIDI.

      So, back off a little. MIDI has accomplished a lot more than it has been a detriment for...

      You're right though, that MIDI has a usability problem. This does not mean that we should replace this working protocol with Some Other New Thing.

      What we need is better MIDI instruments, and better computer software for dealing with MIDI ... and thats not hard to do.

      (Disclaimer: I work for a synthesizer company with an interest in MIDI ...)

      --
      ; -- the corruption of government starts with its secrets. a truly free people keep no secrets. --
    4. Re:Computers AREN'T music friendly .... TRUE!!!!! by Simonetta · · Score: 2, Insightful

      No, computers AREN'T music friendly and it is a needless shame. Something must be done about it.

      I totally agree. MIDI is a totally obsolete technology. I have an MPU-401 card that I can no longer use because it is just won't work on any PC made in the past five years. I try nowdays only to buy tone modules with toHost cable interfaces (standard RS-232 serial ports).

      There needs to be a way to connect keyboards and sequencer programs using standard ethernet. Plus a new way to record all the subtleties that are made by a natural instrument into a standard and open format.

      An advantage of MIDI was the electic isolation between the instuments. There was no shared ground connection and the data passed from computer to keyboard through an inexpensive opto-isolator. This prevented a giant surge of electricity from traveling throughout the entire stack of instruments if someone were to spill a pitcher of beer on the main keyboard.

      It seems that the music industry is getting away from stand-apart synthesizers and tone modules and more towards totally software based synthesizers.

    5. Re:Computers AREN'T music friendly .... TRUE!!!!! by myowntrueself · · Score: 1

      MIDI is also almost entirely useless for anything other than western classical influenced music.

      Try doing Chinese, Indian or African music in MIDI.

      It just isn't going to work; the qualities of sound, the rhythms and scale systems just arn't part of the MIDI standard.

      If you want to do pop, rock or classical music, MIDI is great. And after all, even death metal is essentially a development of western classical music.

      --
      In the free world the media isn't government run; the government is media run.
    6. Re:Computers AREN'T music friendly .... TRUE!!!!! by Asahi+Super+Dry · · Score: 1

      Nice gearlist dude. So you work for Access? Any chance of slipping me a Virus C out the back door? ;)

    7. Re:Computers AREN'T music friendly .... TRUE!!!!! by voodoo1man · · Score: 1
      The Musical Instrument Digital Interface (MIDI) is twenty+plus years old. Imagine if you were trying to do your networking using Banyan ... oh, never heard of Banyan? Think on it.
      I agree that anything so new has got to be crap. That's why my network is based on 30 year old Ethernet.

      On a serious note (no pun indended), I do think MIDI has to go, at least as the main interfacing standard (there's just too many cool, older synthesizers around for it to be gotten rid of completely, and of course some people like their older keyboards). I also think the concept of sequencer (and the whole damn word with all it's connotations too!) has to be gotten rid of. Software allows one to create an infinitely flexible and interactive environment for both composition and play.

      --

      In the great CONS chain of life, you can either be the CAR or be in the CDR.

    8. Re:Computers AREN'T music friendly .... TRUE!!!!! by torpor · · Score: 1

      Yes, I work for Access, R&D. No, there are no freebies. If you've got something we want, maybe I can arrange a trade, but as I type this I'm already looking directly at a shelf full of prototypes and hacks from people who've sent us stuff to play with, and I've already stretched my trade budget, so it better be interesting ... :)

      --
      ; -- the corruption of government starts with its secrets. a truly free people keep no secrets. --
  20. OK, so he published a boot that's 7' tall. by Animats · · Score: 3, Funny
    The previous champion in Really Oversized Coffee-Table Books was Helmut Newton's SUMO, at 65 pounds. It costs $3000 and comes with its own metal stand. It's a collection of mildly erotic prints. Modernbook in Palo Alto had one on display for months.

    So this guy comes out with a book that is seven feet tall, weighs 133 pounds, and costs $10,000. This is an achievement of sorts, but as Molly Ivins once pointed out, once you've seen a one-ton cheese, a two-ton cheese isn't that impressive.

  21. Gives Bill Joy a run for Polymath of the Century! by Blinkslowly · · Score: 1

    I love these profiles of 'geeks' who turn out to be renaissance men capable of excellence in nearly any endeavor.

  22. Outlook versus "Inside" by aepervius · · Score: 4, Insightful

    Again why should I care about a *ANY* girl (pretty or not) which get her idea from the media, and is completly close-minded to recognize that *I* am different than how the media portray me ? Why should I care about about any girl which judge on the outside apparence and media portraying and do not bother revisionning it when she meets me ? Is such girl even worth bothering, if she can't make her own opinion different than what the media sprout ?

    --
    C. Sagan : A demon haunted world:
    http://www.amazon.com/gp/product/0345409469/
    visit randi.org
    1. Re:Outlook versus "Inside" by minusthink · · Score: 5, Funny

      Because if pretty girls like you, then pretty girls may touch you. And that's what it's all about.

      --
      "when life gets complicated, I like to take a nap in a tree and wait for dinner" - Hobbes.
    2. Re:Outlook versus "Inside" by Anonymous Coward · · Score: 0, Troll

      Why should *ANY* girl care about some guy who gets his ideas about girls from his computer, and is completely close-minded to recognize that some girls are different from how they act superficially? Why should any girl care about some guy which judges on some initial reaction and doesn't bother revisioning when he talks more to the girl?
      Oh wait, you've probably never even been within 60 feet of a woman.

    3. Re:Outlook versus "Inside" by DaneelGiskard · · Score: 4, Funny

      Again why should I care about a *ANY* girl (pretty or not) which get her idea from the media, and is completly close-minded to recognize that *I* am different than how the media portray me ? Why should I care about about any girl which judge on the outside apparence and media portraying and do not bother revisionning it when she meets me ?

      Boobs.

    4. Re:Outlook versus "Inside" by MC_Cancer_Pants · · Score: 1

      Again why should I care about a *ANY* girl (pretty or not) which get her idea from the media, and is completly close-minded to recognize that *I* am different than how the media portray me ? Why should I care about about any girl which judge on the outside apparence and media portraying and do not bother revisionning it when she meets me ? Is such girl even worth bothering, if she can't make her own opinion different than what the media sprout ?

      We are all influenced by society in one way or annother, looks like you'll be lonely for a while.

    5. Re:Outlook versus "Inside" by SlowMovingTarget · · Score: 1

      Wow! A response in one line of code. Declarative programmers must get all the girls.

      Then again, they'd have time to... Excuse me, I need to go reexamine my language preference.

    6. Re:Outlook versus "Inside" by KDan · · Score: 2, Insightful

      Nobody will recognise that you are different until you get to talk to them for quite a bit. Nobody will spend time talking to you unless you have some attractive attributes. If you're an ugly nerd (sorry to all ugly nerds out there), the girls won't talk to you and so will never discover your wonderful sensitive soul hidden inside!

      And media-driven stereotypes influence all of us. "Nerd" is generally considered an unattractive attribute. You'll have to balance it with a lot of positive stuff in order to even get to talk to a girl. Best of luck.

      Daniel

      --
      Carpe Diem
    7. Re:Outlook versus "Inside" by Anonymous Coward · · Score: 0

      Why is this modded troll? All I did was show how whiny and superficial the parent was. That's the problem with all these 'woe is me' nerds, they're just as superficial and judgemental as they say the 'outside' world is. But they're usually too arrogant and self-absorbed to see it.
      So you're good with computers. Big deal. Get over yourself. You haven't cured cancer here. If you start talking to people, you'll see they don't fit *your* preconceived notions either.
      So stop whining about other people being superficial when you are exactly the same. Modding me troll won't change that.

    8. Re:Outlook versus "Inside" by Anonymous Coward · · Score: 0

      "Why should I care about about any girl which [..]"

      Ehm. Girls aren't things, they're humans. Okay???

    9. Re:Outlook versus "Inside" by NanoGator · · Score: 2, Insightful

      "Again why should I care about a *ANY* girl (pretty or not) which get her idea from the media, and is completly close-minded to recognize that *I* am different than how the media portray me ?"

      Pretty girls are often objectified by men. The appearance of computer hardware as a status symbol is akin to jocks and their ridiculous attention to cars. As a result, they can be cautious.

      Why should you care? You really want to be misunderstood? This isn't willful ignorance on the part of women. They don't want to be put in the humiliating situation of being second place to an inanimate object. If you've ever passed up joining the high-school football team because you can't do a chin-up, then you can start to understand.

      --
      "Derp de derp."
    10. Re:Outlook versus "Inside" by madpierre · · Score: 1

      may touch you

      Yeah. Even if it is only for the loan of a few bucks. :)

      --
      siggy played guitar
    11. Re:Outlook versus "Inside" by Anonymous Coward · · Score: 0

      Hey, I'd let a pretty girl touch me any day of the week. Whether they would do so or not is another question. I think the word we're looking for is 'might'.

    12. Re:Outlook versus "Inside" by Anonymous Coward · · Score: 0

      recognize that some girls are different from how they act superficially?

      So, you act snobbish, selfish, dumb, etc., but inside you are really a decent person? It is not close-minded to assume that a person that acts unpleasantly, is in fact an unpleasant person. And even if you really are, why would I spend time putting up w/ your unpleasantness on the small chance that it is just an act, and you are really a decent person inside? I prefer to spend my time in the company of people that behave honestly. Not to mention pleasantly.

    13. Re:Outlook versus "Inside" by Anonymous Coward · · Score: 0

      Aw, boohoo, someone hurt your feelings? Get over it. You want everyone to be 'pleasant', but you yourself sound like a royal pain in the arse.
      My advice to you is stop being a child. Why should anyone put up with your autistic obsessions and lack of personal hygiene and creepy social presence on the "small chance that it is just an act, and you are really a decent person inside?"
      You are really obssessed with making 'decent person' judgements based on how you *perceive* other's behaviour as being 'unpleasant'.
      Has it ever occured to you that you might be simply misinterpreting other people's reactions? You might be even attributing to them actions or feelings they don't really have?
      Has it ever occured to you that you might be perceived as being equally 'unpleasant'?
      You know, a sensible person would accept that he had an effort to do as well, did you ever try meeting people half-way?

    14. Re:Outlook versus "Inside" by Anonymous Coward · · Score: 0

      Why do you expect her to meet you at all if you don't care about having an attractive image?

  23. Musical keyboards for programming... by SmackCrackandPot · · Score: 1

    What I'd like is a musical keyboard with C/C++ keywords on each key. Just think of the productivity increase from not having to type so many letters.

    1. Re:Musical keyboards for programming... by barnacleez · · Score: 0

      I thought that was a good idea, and I wrote a quick program that does just that.
      C++ source available here.

      -Rob

      --
      >
    2. Re:Musical keyboards for programming... by Jonathan · · Score: 1

      Well, maybe not musical, but back in the "old days" of the early eighties, many home computers allowed you to type BASIC keywords with one key -- of course that was in part because of the wretched nature of keyboards on cheap home computers then would make extensive typing painful,

  24. He's at the Media Lab.. by Jonathan · · Score: 1

    The purpose of people at the Media lab is basically to act cool and make MIT look good and therefore get donations from companies and rich people -- they don't do research like proving P != NP or stuff like that there.

    1. Re:He's at the Media Lab.. by Anonymous Coward · · Score: 0
      The purpose of people at the Media lab is basically to act cool and make MIT look good and therefore get donations from companies and rich people -- they don't do research like proving P != NP or stuff like that there.

      Your claim is testable, and it comes out false. Check out some lists of publications and citations; for example: agents publications, or CBA publications or Pattie Maes' CV, or Sandy Pentland's citations, or Neil Gershenfeld's citations. I'm skipping Marvin Minsky and Seymore Papert because they did their most significant work before coming to the media lab.


      Now that I have your attention, I'll let you in on a little secret: to get tenure at MIT you have to have a ton of publications and citations. There ain't no other way, no matter now much money you raise. The esteemed Professor Hawley is a case in point: raised millions, but was denied tenure. On the other hand, some folks you might not have heard of, such as Pattie Maes, Justine Cassell, Ted, Adelson, Neil Gershenfeld, Steve Benton, Sandy Pentland, Roz Picard, and others I can't think of at the moment, have earned MIT tenure, published influential work, and graduated PhD students many of whom teach and train PhDs at well known schools.



      Disclaimer: I got my PhD at the Media Lab, but I don't teach or train PhDs at any well-known school.

  25. Re:Don't forget... by Anonymous Coward · · Score: 0

    Seriously.

  26. wtf by Anonymous Coward · · Score: 0

    What a useless post: "A show did a story on a cool guy, but I'll link to the homepage of the show which doesn't give us anything to read or watch, just a link to the guy's webpage." Why not just say, "Here's a cool guy who's doing cool stuff" and link to his page directly?

    You CBS scum!

  27. oh, and incidentally ... by torpor · · Score: 1

    ... I agree with the assertion that computers are not musical enough! The nice way to do that is make musical instruments which use computer technology, but make the musical instrument Goal the Primary Objective ... so that the computer part becomes transparent. Some very nice mfr's have done work in this regard ... (I consider my QY700 to be one freakin' nice musical computer, but then its a computer designed for music and nothing else, so ...)

    --
    ; -- the corruption of government starts with its secrets. a truly free people keep no secrets. --
  28. Barf by geordieboy · · Score: 0, Troll

    I was a grad student at MIT, doing a PhD in physics.
    Every real scientist hated those media lab dicks, whose aim in life mainly seems to be hyping up their latest lame buzzword infested cranky inventions, and sucking up lots of cash that could be much better spent on some real stuff. What a wanker, I say.

    --
    The world is everything that is the case
    1. Re:Barf by Kor49 · · Score: 1
      According to the Jargon File:


      geek: A person who has chosen concentration rather than conformity; one who pursues skill (especially technical skill) and imagination, not mainstream social acceptance.


      nerd: 2. [jargon] Term of praise applied (in conscious ironic reference to sense 1) to someone who knows what's really important and interesting and doesn't care to be distracted by trivial chatter and silly status games.


      If you care about what the mass media thinks of you, then you're not a geek, or a nerd, IMHO.

  29. Re:MIT Media Lab by MacBorg · · Score: 2, Interesting

    I've worked there (3 summer internships) and yes, they're flashy (very much so in 2001, far less so today) but the science and theory is exceedingly interesting met this fellow once... seemed nice enough... if a little obssessed

  30. Mike Hawley is not a professor by HEbGb · · Score: 4, Informative

    Check his background, CBS and Slashdot. Hawley didn't get tenure because he didn't do much solid research (instead relying on hype and PR). He's no longer a professor at MIT of any sort.

  31. Musical Computing by rMortyH · · Score: 4, Insightful

    Musical computing is what I do now, at this place, and it's definitely true that computers are not musical enough.

    First, the computer is theoretically a completely general tool, but the ones we use come packaged as an office tool. Using them for other purposes generally requires alot of work against this, even in our favorite operating systems. (though FAR less so)

    The next problem is computer hardware. It's quite a daunting task in most cases to connect a keyboard or other controller to a computer. It has to be easy for non-geeks. (USB makes this much better than it has been.) In addition, the vast majority of low-end keyboards are awful. They usually have undersize keys, and almost never have velocity, which both become a problem once you move beyond 'mary had a little lamb'.

    Creative makes a keyboard that is integrated into the qwerty keyboard. I think this is a fantastic idea. However, the same problems apply, undersize keys (they can be shorter, but they must be wide enough) proprietary, or at least nonstandard drivers, and very cheap construction. It is basically unusable, if they're wondering why it's not selling. Great idea though.

    It is a travesty that all 'toy' musical instruments for children are really unplayable. What are we doing to our kids! Even the adult ones under $300 all lack velocity, and often have cheap keys that 'bounce.'

    Using the qwerty keyboard as an instrument is not a bad idea. It is fundamentally different from typing. As an adult student of piano I thought my keyboard use as a geek would help. Maybe a little, but one key difference is that key hits when typing are INTERLEAVED, hence we get letters in order. Musical key hits are SYNCRONIZED, you often hit several keys at once. Learning the difference can be tough at first.

    It does allow monoponic (one sound at a time) playing, and for that it's pretty neat. Many synth packages already do this, but the feature's not intended to be useful outside of testing. The PC keyboard sends key down and key up messages, so it may be possible to have polyphony (multiple sounds at once and chords) on keyboards whose internal multiplexing doesn't prevent it. Libraries intended for text keyboard use won't work for this.

    Learning the piano I also realize that all those hours mastering Bruce Lee on the c64 when I was 13 were exactly the time when my brain could have been mastering music. The idea that you can't learn later is a myth. You learn differently. But the willingness, and the ability, to sit there for 6 to 8 hours a day trying to master something happens when you're young. (Luckily I did this with electronics and computers, so I'm now employed!)

    Computers make GREAT musical instruments, and allow music to be made in most of the old ways and many completely new ways. Of course it's up to the musician to use them to make GOOD music.

    The computer and toy industries have to start making products that are really useful to normally skilled people in normal situations, which are neither too technical or so stripped down as to be useless. Also, there need to be more musical games, which teach fundamentals, and are also fun. The only reason why the techological revolution isn't also a musical one is that we just haven't bothered. There's an instrument in every home and classroom now, and if we aren't cheap and lazy about it, they would be useful.

  32. I agree about musicality.. by Anonymous Coward · · Score: 1, Interesting

    I tend to agree about the "clunkiness" of existing computer interfaces..Creating interfaces in a more natural, "musical" sense would have far-reaching effects in universal understanding not just between man and machine, but between people with different cultures/languages/backgrounds..Music binds us all together at a basic level, so interfaces based on a "musical" or non-verbal/no-visual level could bridge many gaps.

  33. Defining "mature"... by heironymouscoward · · Score: 1

    Webster's defines this as "having completed natural growth and development". I think that is precisely what I meant.

    If jocks and nerds are competing, it is for access to sex, through one strategy or another. Jocks mature early because they adopt a strategy that works young: bigger, faster, more successful at physical sports. Nerds compete with a strategy that works older: collect technical skills and build into business accumen over time.

    The statement that jocks are still "immature at 30" is easily countered when we see that they in fact completed their development at 18, and will forever remain that mental age. Mature, thus.

    I hope this clarifies my original pithy analysis.

    --
    Ceci n'est pas une signature
  34. I've got only two words for you: by Anonymous Coward · · Score: 0

    Again why should I care about a *ANY* girl

    Live Boobies!!!

  35. sounds like he writes boring music by LuxFX · · Score: 1

    For him, there is 'no difference between an ivory keyboard and a QWERTY keyboard.'

    Then I don't want to hear his music, because it must all be played at the same volume, straight through.

    --
    Punctanym: alternate spelling of words using punctuation or numerals in place of some or all of its letters; see 'leet'
  36. dvorak by chillmost · · Score: 1
    For him, there is 'no difference between an ivory keyboard and a QWERTY keyboard.'

    I use Dvorak you insensitive clod!

  37. Why is this "new"? by ivern76 · · Score: 2, Insightful

    God himself is well known for playing the pipe organ. RMS has (unfortunately) been known to sing (I can't find a link to this gem, it used to be somewhere on Jamie Zawinski's website.) Eric Raymond advises hacker wannabes to master a musical instrument to enrich their personality.

    It's old news...hackers like music. Why? Music is a cleverly woven chain of simple notes and chords, and if you do it right it sounds amazing and gives much of the same gratification as programming.

    That said, this guy's pretty damn cool.

    1. Re:Why is this "new"? by Anonymous Coward · · Score: 0
      RMS has (unfortunately) been known to sing (I can't find a link to this gem, it used to be somewhere on Jamie Zawinski's website.)

      This is definitely not something to reference if you're looking to improve the image of computer geeks.

    2. Re:Why is this "new"? by iantri · · Score: 1
      That would be this.

      Horrors.

  38. It is the world's largest book and costs $10k by frank249 · · Score: 1

    From amazon:
    According to Guinness World Records, at over five by seven feet (and 133 pounds), this staggeringly beautiful photographic book is the largest published book in the world--about one of the world's smallest countries.

    [snip] ...
    Charitable Donation and Shipping Estimate
    A limited edition of 500 copies will be produced. The $10,000 "price" (less than $100 per page) is a donation to Friendly Planet (a publicly supported charitable organization exempt from federal income tax pursuant to IRC 501(c)(3)). Each copy is built expressly for the recipient, is numbered, and can include a personal dedication message.

    --

    Today's vices may be tomorrow's virtues.

  39. The ultimate coffee-table book... by Anonymous Coward · · Score: 0

    ...just add legs!

    This is the sort of book I would buy, if I had the money and if I wasn't scared that the donation that makes up most of the price might be funding a truckload of AK47s for a guerrilla war somewhere... caught myself pouring money into a spiritual group once before, and you have to think of these things.

    It'll be a very collectable book, almost by definition of the price.

  40. Re:I (dis)agree about musicality.. by PanamaCongress · · Score: 1

    As much as I would like to believe that "music binds us together" I find such to be a romantic overgeneralization. Instead, music binds together some people -- people who choose to associate themselves with a particular lifestyle or ethos that is culturally associated with a music. Skaters, european bohemians, teen boppers, trekkies, rat pack foagies and many many more subcultures share an ethos, but it is hardly universal and the individuals in question may experience and consume their shared music in radically different ways. You may have been thinking of John Williams' Star Wars theme and the community of Slashdotters who are, in your opinion, bound together with this single music. But it would require a Slashdot poll to find out if even this particular community is "bound" or "unified" by such music.

  41. Hawley's head under a rock? by PanamaCongress · · Score: 0, Flamebait

    It is really odd that a MIT professor, who is virtually unpublished, and apparently highly ignorant, in the field of computer music, is sparking a conversation about musical interfaces. Even the MIDI standard, which has been in active use for more than 20 years defies his belief that computers consider a QWERTY keyboard in an equivalent manner to a musical keyboard. Admittedly, MIDI is catastrophically lossy approximation of musical gesture, but it allows all sorts of parallel nuance to be transmitted to computers -- and has done so for two decades. There are even developments at the Media Lab itself, which are not considered to be the best in the field, with interactive musical interfaces which far outpace this ignorant characterization of music technology. Bio-electric senors, accelerometers, bend sensors, pressure sensors, ad nauseum... all are actively being utilized by composers throughout the world to extend the musical performance interface. It is like he has his head under a rock. The fact that he doesn't acknowledge such developments is disturbing for a professor at the MIT Media Lab. This statement could have been made as late as 1982 and no further.

    1. Re:Hawley's head under a rock? by Anonymous Coward · · Score: 3, Informative

      He seems neither unpublished nor unaware. He won the Van Cliburn piano competition and has performed concerts around the world including symphony hall in Boston. His journal publications in computer music listed on his CV include "Windows for Unix at Lucasfilm," (USENIX 1985); "MIDI Music Software for Unix" (USENIX 1986); "Porting UNIX to the Bosendorfer" (Computer Graphics Workshop, 1986); "The Personal Orchestra" (Computing Systems Journal, 3(2), 1990; "Structure out of Sound" (1993). I see from his bio that he did work at IRCAM and at Lucasfilm, both helping to pioneer the digital audio field. That looks like early work, so he probably moved on intellectually but kept up the piano chops.

      Perhaps you should crawl out from under your own little rock and ask him yourself instead of whining about what you don't know. His web page and email address are public information.

    2. Re:Hawley's head under a rock? by PanamaCongress · · Score: 1

      Yes you are right, I was under a rock too. I will apologize as it is obvious that Hawley has done significant publishing on the topic of music and computers. I would like to point out however that USENIX and the Computing Systems Journal are less familar journals to many computer musicians. The long-published "Computer Music Journal" from MIT's own press, the proceedings of the International Computer Music Conference (ICMC), and most importantly for this particular context: the Proceedings of the NIME (New Interfaces for Musical Expression) Conference, are venues that have countless articles that directly approach the topic of interfacing musicians to computers, from a wide gamut of philosophical and technical standpoints IRCAM has published an excellent ebook on the topic of interfaces as well, which seems to have manifest after Hawley left. MIT Professor Joe Paradiso is doing excellent work toward the end of extending musical interfaces, and he has presented at the NIME conference repeatedly. I thought that Hawley's quote made him seem unaware of his colleague's work. Perhaps I am mistaken. My rant, for which I apologize was a reaction to one quote: ' For him, there is 'no difference between an ivory keyboard and a QWERTY keyboard.' I perhaps misunderstood his meaning, perhaps not. I am familar with this field and I know that great developments have been made, and this statement to me seemed unfortunately ignorant of them. I apologize if I am mistaken.

    3. Re:Hawley's head under a rock? by Anonymous Coward · · Score: 0

      Well maybe the confusion arises from the context created by michael's (slashdot "michael" not Michael Hawley) original slashdot post.

    4. Re:Hawley's head under a rock? by Anonymous Coward · · Score: 0

      Back in the 80's, Usenix reached a much broader audience than the CMJ. The annual meeting sizes were in many thousands. Hawley's work at that time was more in a Unix systems design vein. So maybe it made more sense to publish in those places. Paradiso came to MIT ten years later. That's a long time. Anyway I think Hawley and Paradiso and Machover and Vercoe are friends.

  42. Moderators???? by Anonymous Coward · · Score: 0

    Interesting???? How did this get marked +5 interesting? It's funny! You've heard of it haven't you?

  43. look up mLAN by Anonymous Coward · · Score: 0

    please see subject.

    LAMELAMELAME.
    LAME.
    LAMELAME.
    dumb filter.

  44. Re:MIT Media Lab by Anonymous Coward · · Score: 0

    Boy do I ever agree with this! MIT was an important place, 60 years ago. Have you read the MIT 'Rad Lab' series? For a hardware guy, this is the 800lb gorilla of telecomm, radar, physics, and just general EE stuff.
    But now, when I watch Discovery channel and see that ridiculous woman with her annoying *PUPPET* with the moveable eyebrows, it makes me want to become a plumber.
    *This* is university-level work nowadays?

  45. What *is* a nerd? by Anonymous Coward · · Score: 1, Insightful

    The typical image of a nerd (bifocals pocket protector, awkward, etc.) isn't outdated. People with high intelligence would be more "normal" if they weren't ignored socially. Mainstrem society values everything BUT intelligence. Scientists and similar professions are certainly important, but are viewed by some people as a means to an end.

  46. MOD PARENT UP!! by elwinc · · Score: 1

    Mod the parent up; the cheese comment is a riot!!

    --
    --- Often in error; never in doubt!
  47. Classical composition? by FuegoFuerte · · Score: 0, Offtopic

    Aside from recently publishing a super-jumbo-sized book... he... has written several classical compositions for piano.

    Umm.... not to get too technical or anything, but if he is currently alive he can not possibly have written a classical composition. He may have composed a piece in a classical style, but there is a significant difference between the two. Vanessa Carlton could be said to have composed a work in a classical style, but very few would call it a classical composition (and they who do would be wrong).

  48. Design by Thomas+Shaddack · · Score: 1
    Design of the appearance of physical devices is a form of art as well; the fact the form has to have a function in addition to only its appearance doesn't make it less art.

    Artistic value and usefulness aren't mutually exclusive.

  49. Friendly Planet?? =P by Anonymous Coward · · Score: 0

    Did anyone else notice that his super jumbo sized book (60inches by 44 inches by 6 inches)was published by a mob called 'Friendly Planet' .....

    How many forests do you reckon it takes to make a book that size??

  50. *could* care less?? by Anonymous Coward · · Score: 0

    SO hang on...you *could* care less? This is meaningless.

  51. For example: by Anonymous Coward · · Score: 0
    Example 1:
    #include <iostream>

    int main(){
    char phraseArray[] = {'H','e','l','l','o',' ','W','o','r','l','d','!','\n'};
    for(int i=0;i < sizeof(phraseArray);i++){
    cout << phraseArray[i];
    }
    return(0);
    }
    Example 2:
    #include <iostream>

    int main(){
    cout << "Hello World!\n";
    return(0);
    }
    Example 3:
    #include <stdio.h>

    int main(){
    printf("%s","Hello World!\n");
    return(0);
    }
    Example 4:
    #include <stdio.h>

    int main(){
    char *phrase = "Hello World!\n";
    printf("%s",phrase);
    return(0);
    }
    There's more than one way to skin a cat, even when you have to follow a strict set of cat-skinning rules. What if the "Hello World!\n" string was taken from a 2-dimensional array whose declaration was an ASCII art representation of a haywain or a rubenesque beauty reclining on a fainting couch?

    Why is it there are many many combinations of notes that we hardly ever hear in chords...in popular music at least? Is that because musicians recgonise that some combinations sound bad to most people? Aren't they, therefore, following a strict set of rules?
  52. Greetings. by MJHawley · · Score: 2, Informative
    Greetings.

    I had never seen "slashdot" (and also haven't seen the CBS piece that spawned the rapidly devolving commentary.) Incidentally, I agreed somewhat sheepishly to allow the CBS piece as well as a profile in DISCOVER magazine because I was happy to share some of my views on teaching, and learning, and exploration to get out. These things are rather apart from many of the cracks made, which leads me to think that I'm not the only one who didn't see the CBS piece. Or maybe that's just the ordinary kind of "slashing" at play in slashdot.

    Anyway, a few thoughts from afar.

    1. Big Bhutan Book.

    http://www.friendlyplanet.org/bhutan

    This is an unusual coming together of notions. Technically we sought to advance, a little bit, the tools for field photography. I think we helped do this. We did assemble in passing what appears to be the world's largest archive of imagery from Bhutan (both film scans at grain resolution and digital), the bulk of it stamped with GPS information, etc. But we also wanted to help the students and schools there. That's why we engaged young Bhutanese students to take photos with us on several expeditions. And it's why we needed a publishing model that would generate some revenue (traditional ones don't). If unbound and hung in a gallery, the big book would need 500 horizontal feet of wall space, and cost a good $2500 to frame every 5x7 foot spread. As it stands, the book works out to less than $100 per page, and when a donor makes a $10k gift to the nonprofit charity established for this purpose (Friendly Planet), nearly $8k can be realized in profits (ie, deduction for the donor, and proceeds to benefit the schools). This is partly due to the outstanding help we've had from Amazon, HP, FedEx, and many others, and the incredible book binding work done by Acme (the world's oldest bindery). And because the prints are so large, we had to get really good at scrubbing grain noise from the film imagery and CCD noise from the high-ISO digital pictures. These and a number of other little technical twists helped add up to a nice result. Later in the spring we will introduce a more reasonably sized book, fine art prints, and begin work on Cambodia (our next subject). One step at a time.

    2. Music and Audio Technology.

    I worked for a long time at Bell Labs, IRCAM and Lucasfilm, so have been pushing on music and advancing the field of digital audio systems for quite awhile. Most of my early published journal articles were in this vein and can be found, e.g., in Usenix proceedings and journals from the late 80's. My MIT graduate work was also on audio analysis (e.g., how can a computer be architected in order to listen to something as rich and complex as a film soundtrack and pull out interesting information from the auditory scene?) The dissertation (Structure out of Sound, 1993) is available from the MIT Library. Project work ranged from scanning of crumbling Duo-Art player piano rolls, interfacing to a solenoid-driven Bosendorfer concert grand, high quality synthesis of a lifetime of human speech, to suites of MIDI and other audio tools. Much of this is now late bronze-age work, but some of the ideas and methods live on. I remain interested in the field, but am not actively plowing it.

    3. Teaching, Learning, Research and Tenure.

    A number of writers seem confused (or naive) about this. (Needless to say, nobody troubled to ask me.)

    The main reason I have been somewhat distant from MIT of late (I turned down an endowed chair, became Director of Special Projects, and now maintain a more relaxed affiliation with the Media Laboratory) is that my interests were moving more towards nonprofit work with schools in developing countries. And I was also enjoying some nice personal success in music, which requires a tremendous amount of "solo" time. One just cannot spend that amount of time out of the lab, or practicing, and maintain a normal rank staff post in Cambridge. And

  53. The dp sound quality can be better than acpiano! by Wills · · Score: 1

    In my experience, being a pianist and knowing several professional concert pianists, the sound quality of the latest Yamaha digital pianos (MIDI pianos) - especially the Yamaha Clavinova CLP-170 (Flash website) - is as good as many acoustic grand pianos. In practice, the sound quality is usually better because acoustic pianos need but, often do not get, regular tuning.

  54. Of former professors, CBS reporting, and tenure by cyranoVR · · Score: 2, Interesting

    So the headline should have read "Former MIT Professor." Or maybe "World's Largest Book." For the record, it's 99% likely that CBS reported him as a "former MIT professor," but I mis-heard (and mis-transcribed) it. Oh well - I'm not sure how this affects the story.

    Anyway, you comment that he's "no longer a professor of any sort." While it's true that he's no longer part of the faculty, this press release from December still refers to him as being "of the MIT Media lab" and his homepage is still on their server. So I think your clause "of any sort" is not entirely accurate.

    Incidentally, the CBS This Morning piece noted that MIT denied him tenure, but I decided to leave it out of my submission because a) I thought it wasn't really relevant to the point of the story; and b) I didn't want to color the story as an "injustice sympathy" piece.

    Another thing...being denied tenure doesn't necessarily indicate inferior merit.

    My father runs a state-level professional organization for college professors, so I growing up I got to hear all sorts of wacky stories about professors being denied tenure. True Fact: many professors that do solid research are denied tenure. Reasearch is only a part of the criteria.

    For starters, professors are expected to regularly (read: constantly) publish long, dry articles in acadmeic journals for peer review. "Publish or Perish." Given Hawley's diverse interests and apparent passion for working with undergraduate students (always a negative in academia), it wouldn't suprise me if he didn't get around to writing boring research articles as often as he should have.

    Furthermore, bullshit politics often plays a BIG factor tenure decisions. As noted, Hawley was popular with his students and had a reputation for "relying on hype and PR" in his work (read: jealous colleagues). From the sound of it, he had the tenure odds stacked against him before he even made it to the hearing.

    Of course, my impression from the interview was that it didn't seem like he cared too much about tenure anyway.

    BTW - Hawley's PR and hype skills obviously suck - compare with Brian Greene. His research on String Theory has - by his own admission - no practical application and is impossible to conclusively prove. Meanwhile, he has two best-selling books and a PBS mini-series. Take note: that's how it's done.

  55. Re:Why care? (Belated Response) by cyranoVR · · Score: 1

    For what it's worth, I'm a computer nerd and I could not care less how the mass media portrays me. Why should I? Why do you?

    A couple reasons come to mind:

    1) I am a small man with a weak ego that needs validation from others. You seem to be a strong individual that doesn't need outside validation - good for you!

    2) The media often portrays Computer nerds as social misfits with narrow interests. At worst, they are criminal virus writers out to destroy your computer. Unfortunately, most people in this country aren't strong individuals like yourself, and are easily swayed by these images.

    Now speaking from personal experience, I've had managers tell me "you stick with your computer stuff, let me handle the marketing stuff" [or whatever]. When I try to tell them that I worked in marketing for three years, they don't want to hear any of it! In their minds, all I know is computers, period.

    My point is: if "computer nerds" had a rep as being more well-rounded people - like, say, Doctors or Lawyers - it would make my professional and personal life a bit easier. Again, maybe you are one of those people who likes to "take on" the world - good for you, I guess.

    3) Maybe one day being a Computer Nerd will be a career with prestige equal to Doctors/Lawyers/what-have-you. In case you haven't heard, colleges are having a hard time getting students to even consider Computer Science degrees. Less students, less technical innovation, etc. etc. There are a lot of good articles on this problem out there.

    On the otherhand, if our profession were to increase in prestige, we could see equal higher salaries, better job security, more easily formed social connections and increased life-satisfaction. If you don't see the inherit value in that, then I don't think there's really anything for us to talk about on the subject. (Maybe you live in someone's basement and don't have to deal with these issues?)

    4) My wife's family is always bitching to her about how I'm not a doctor. No doubt a few other /.'ers have had the same problem. Us Computer Nerds - we get no respect, I tell yah! Well, if MrsVR's family won't listen to me, maybe CBS Sunday Morning can change their mind a little bit and they will ease up on me :)

    5) Wouldn't the world be a better place if we had more people like Hawley blah blah blah etc someone else covered this in this thread, I ain't gonna beat a dead horse.

    Anyway, ask a question, get an answer