Russian Music Site Offering Legal Songs By The MB
An anonymous reader writes "The Sydney Morning Herald is reporting on a Russian Music site that is offering legal digital music by the MB. The site apparently has a license from the Russian Music authorities to legally distribute songs for a fraction of the price of what is being offered by iTunes and others. The report from SMH is here. Amazingly, the site offers files in any format and encoding you choose and rips it on the fly. Notifications by email follow when the songs are ready for download. Sounds a little to good to be true :)"
click me
http://www.allofmp3.com/
Been using their services for half a year now without any problems. They're licenced with the Russian equivalent of the RIAA, so I don't see where the problem is.
This is a great example of the free market combined with the internet. I'm able to buy goods and services from wherever it suits me.
"Democracy is three wolves and a sheep voting on what to have for dinner."
Besides, in post-Soviet Russia, the songs MegaByte You!
Er....
7 November 2006: The day Americans realized corruption and incompetence weren't addressing 11 September 2001
It doesn't rip it on the fly, it encodes it on the fly. Big difference (thousands of CD-ROMs???)
More importantly, has anybody tried this? I found it many months ago, but I am loath to send my credit card data to a semi-shady Russian site, and I am worried that credit card records could be used to go after people who used the site when it (inevitably) gets shut down eventually. What do people think?
Tom.
Oh arse
$5 for 500 megabytes. Now this is more like it.
...music has now become shovelware!
Anyone have more information? Especially someone who reads Russian? I could translate, but I wouldn't trust the result--I haven't studied Russian at all.
Considering that the RIAA sued weblisten for RE-distributing allofmp3.com's content, but didnt sue them, this is probably legal..
Official GOD FAQ.
Dear users!
We proud to announce a new encoding function called Online Encoding Exclusive, which is a part of the "Online Encoding" service and became available at AllOFMP3.com in the test mode. Online Encoding Exclusive enables you to:
1. Encode music with LossLess encoding algorithms (Monkey's Audio, FLAC and OptimFrog) using the data of original audio CD as a source.
2. Encode music with our usual encoders (MP3, Ogg, etc.) using the data of original audio CD as a source.
Albums, that available for ordering through Online Encoding Exclusive service are marked with a special label . The amount of such albums will grow from day to day. We hope that you'll enjoy our new service.
More details about Online Encoding Exclusive service.
AllOFMP3.com team.
YAFIRL (Yet another Free iPods referral link)
allofmp3.com isn't legal, it migth be in Russia, but that doesn't mean that people outside russia can buy from them legally. If they wish to tell to say Denmark, they must have an agreement with KODA (Danish RIAA), THEY DON'T. Same deal as with Spanish weblisten, legal in Spain, not outside.
It might be a nice service, but I won't recommend using it. If they do not have a deal with the RIAA equivalent in what ever country you're in, it is a waste of money.
Don't trust sites that sell music that doesn't have an agreement with a record label or the artists.
Oh you rat bastards. I thought I had a good thing going. I was getting all the music I wanted for cheap, and the site was under the radar enough not to upset the sue-happy music bizfolk. Now my speeds are going to be shot, the company is going to be closed, and I'll have to go back to buying my four cds a year. So, once again slashdot screws me. To that I say fuck you very much.
Oh ya, I almost forgot. I found out about them from a slasdot post of somebodys. So, uhh, forget what I just said.
Do you see the sig? Do you have it in your sights? Why yes, Miss Moneypenny...
If you think that then you must live in some authoritarian state like ....
Who'd have thought it... Russia..the home of the brave and the free.
I've been using another service from Russia, MP3 Search Club with great success for some time now. Frankly, I'm surprised this qualifies as news. This service, too, is liscenced by the "Russian RIAA". As a Canadian, I find this site an invaluable compliment to my right to make personal copies of music to share with others. ;-P Given, though, that this other site lets you encode in your favorite format, I'll probably soon switch over to them.
I am afraid I am too old to have heard of "The MB" so why would I want their music ? Are they one of those new-fangled rap / hip-hop groups ? All I can think of is The Moody Blues.
They Legal Info page on allofmp3.com has changed since I first started using the site (great service, they're definately NOT stealing credit card info), but the gist of their old legal page is that they were paying license fees as if they were broadcasting their music over radio; hence the license fee per song for them is probably less than a penny.
:)
The best part about the site? After getting your account upgraded, you are able to rip and upload music to them and recieve DOUBLE your size credit in downloads
>You knew that one of these days record companies
>would "get it" and find a way to sell their wares
>over the internet. Now I await them finding a way
>to do it without charging money.
Umm, how do they sell stuff on the internet without charging money?
Wow, You say I get 19 cds for just a penny!?!? How can I go wrong!
Two observations:
1st - Do any of you see the hypocrisy in buying from the Russian site? Are you the same people complaining about the outsourcing of American jobs/economy?
2nd - Has it occurred to anyone that the music industry is now mob run? Look at the tactics they employ compared to past mob practices. And no the mob doesn't kill everyone since then they don't pay, only when they need to make an example or you steal directly from them. However, the recent pay or we'll sue definitely follow their intimidation tactics. The mob goes where the money is; right now, that's media (music and movies).
Just my two-cents, think about it!
Let us streamline your world
A lot of people, apparently. Including me. I've been very happy with it.
I don't think they even accept credit cards directly; at least, I don't recall seeing that option when I signed up.
I signed up using PayPal. That's one reason I took the plunge: a (more or less) reputable American intermediary for the financial end. I have a balance, that's deducted from for each download. When it's near empty, I go to PayPal and fill 'er up again. It's pretty painless.
Learn from the mistakes of others. You won't live long enough to make them all yourself.
They'll make it up in volume.
The Independent: Reverend Spooner Arrested in Friar Tuck Incident - ISIHAC, Historical Headlines
There's got to be rip-on-the-fly functionality in there too, as well as encode-on-the-fly, because in no way could any sane operation pre-rip every known CD.
:-)
Their hard disk storage is probably configured as an intermediate cache (well that's how I'd do it anyway), with cache-load requests coming up on the monitors of a bunch of unskilled temp employees who have the task of loading newly requested CDs into the racks of CDROM drives, ejecting the LRU CD as instructed.
And even this group of people probably forms a cache which feeds its misses as requests to the poor sods who have to run out into the Russian weather to chase down obscure CDs in the shops.
"The question of whether machines can think is no more interesting than [] whether submarines can swim" - Dijkstra
I hope I'm missing the joke here.
Until you (and everyone else) start working for free, don't expect record companies to do the same. You basically have two choice: pay with money or pay with advertising. Pick one.
You do realize that they have been in business for years? Welcome to last year.
Why does it sound too good to be true? There's no such technology? They can't possibly have all the CD titles that you're interested in?
This could have been done at least three years ago. The USian companies missed out not because of technological factors, but their stupid laws and of course, the paranoid state of mind of the RIAA.
This could have been "the" way to listen to music in this age and time... but noooo, somehow you MUST stick DRM in the files and whatnot. When will the relevant bodies realize that the more you restrict the consumers, the more they will look for an easier (and not necessarily legal) alternative.
Welley Corporation - SLM Scammers
About time this made the front page. Allofmp3.com, weblisten, mp3search.ru, and others were there long before ITMS, they are way cheaper, and they offer their service to all the world.
How is it that ITMS got so much more publicity, even on a site like Slashdot that typically doesn't blindly play along with the major corporations?
Please correct me if I got my facts wrong.
AllofMP3 has a license from the artists' association in Russia, not the record labels - i.e. the ASCAP equivalent, not the RIAA equivalent. Under Russian law this is sufficient, according to the website. (I'd give a link, but the server is slashdotted at the moment...)
It's probably great for Russians. But for Americans at least, the site is illegal.
Our laws prohibit most unauthorized distribution and reproduction of copyrighted works in the US per 17 USC 106. The party that can authorize it is the US copyright holder -- this is prone to be a different entity than rights holders abroad.
While some degree of importation is allowed per 602 and 109, this doesn't qualify. A copy isn't merely being brought into the country, but rather due to the way computers work (see the infamous MAI v. Peak case, which while wrong is commonly relied upon), a new copy is being made on the downloader's end that did not originate in Russia, and thus wasn't imported as 602 requires. (Though what it was copied _from_ did -- it's the difference betweeen a CD that can be brought from place to place, and making a tape of what you hear on the phone)
Even the ability to legally import unauthorizedly is somewhat limited; the idea is that if we have copyright laws domestically, to allow people to do an end run around it by operating in a country with less or no copyright, then importing works here en masse would result in things being, well, fucked up, basically. This site basically demonstrates how such a thing might happen.
The Russians are probably fine -- if they're careful, RIAA won't be able to shut them down. OTOH, Americans using the service could get into significant trouble if they're caught.
All that having been said, I'd like to see the law changed to better suit the desires of the public, but for now there are problems for this.
-- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
If you live in Australia, where the article is written, then it is legal The parallel importing of music is legal in Australia. The parallel importing of music helps keep the price down and is evidence of a free market economy working well, unlike the USA with the BSA and MPAA and RIAA and other IP outfits where these gestapo like organisations control the free flow of information.
Does it go on forever?
While legal in Russia, it may not be legal in YOUR country to use their services.
Just a thing to bear in mind, if you want to keep a clean path.
Any technology distinguishable from magic, is insufficiently advanced.
the poster is against outsourcing? Slashdot is a diverse group of individuals voicing their diverse opinions, which all conflict. I am tired of individuals saying "gotcha" when two completely SEPARATE individuals voice CONFLICTING opinions. Btw, if ALL prices (not just wages) were to drop at the same rate, then, yes, nobody would be complaining about outsourcing. The problem is that there are market inefficiencies that are keeping some prices the same while others go down.
Sdelat' Ameriku velikoy Snova!
..then it probably is, and that's why I treat these claims with a hefty degree of scepticism. Let's look at a few points:
If they claim they're legal because "we're licensed as if we were broadcasting the material", then as far as I understand you have no right to make or keep a recording of anything they might broadcast. Broadcasting is "we broadcast it and you listen", and there's no automatic right to tape records off the radio.
It's highly possible that the reason they haven't been closed down is that taking legal action against shady Russian entities is extremely difficult at the best of times.
If they're interested in people uploading stuff *to* them in exchange for download rights, then the legitimacy of their source material seems doubtful.
Ultimately, applying Occam's razor to this story makes me wonder that if it's so spotlessly legal, why isn't everyone setting up stores like this on Russian territory?
Anyway, something here smells sufficiently fishy for me to be extremely sceptical of the wisdom of giving them money.
The songs have all been dubbed into Russian!
Free Firefox news reader.
You knew that one of these days record companies would "get it" and find a way to sell their wares over the internet. Now I await them finding a way to do it without charging money.
... followed by the rest of the song.
Better yet, the record company should pay YOU (yes, in Soviet Russia, etc. etc.) to listen.
Example:
You download the latest hit from Britney Spears. (I'll repeat: "you download", not me.)
About halfway through the song, there's an ad for Pepsi
Pepsi pays you a nickel (or whatever) for actually listening to the damned thing.
"4. PROFIT -- !!!"
-kgj
-kgj
Several people here have already addressed the issue of legality in their countries by pointing out that parallel imports are legal for them. Unfortunately, this would seem to leave everyone else doing something illegal under their local law, if that were the end of the story. But it is not.
What is "legal" is not necesssarily right or moral, and the actions of the RIAA and its cohorts definitely places them in the wrong. It is not the same world today as it was back in the days of vinyl, yet the cartels have steadfastly refused to reflect the virtual elimination of replication and distribution costs for digital music in their pricing. Instead of adapting to a new world, they corrupt the lawmakers to provide them with bully boys to enforce their claimed right to continued profits in perpetuity.
Well, sorry, the new generation isn't having any of that rubbish. The founding fathers left a land of repression for the freedom of a new world. Now their offspring are turning to Russia for their freedom. If somebody at home isn't getting the message, they should.
"The question of whether machines can think is no more interesting than [] whether submarines can swim" - Dijkstra
They prob'ly just hit Kazaa for those.
You should also check out http://mclub.te.net.ua and see their selection. As far as I know, these guys are newer then the Russian site, but offer the same services.
No, the songs just MegaByte.
You agree with the fact that you are not able to use and even to download audio and video materials from Allofmp3.com catalogue if it is in the conflict with legislation of your country. Allofmp3.com Administration is unable to control all Allofmp3.com users, therefore the users are responsible for usage of the materials represented on the Site.
So basically they leave it up to you to figure out if you are breaking the law or not. IANAL, but it sounds like the RIAA would definitely fine me for DLing music from here.
Sierra Tango Foxtrot Uniform
Given that the site is located in Russia, it is (or at least was originally) probably intended mainly for Russian users. I doubt any of the service administrators speak native English. Think how you'd feel if you had a site in English and Russian, and Russian users called it "shady" because your Russian was bad. Then think again on your comment.
Why isn't everyone setting up stores like this on Russian territory?i t.net/
http://www.mp3charts.ru/
They do, but they all have Russian only interface:
http://club.mp3search.ru/
http://del
http://mp3zzz.ru/
http://audiostore.ru/
what did you learn in school today
..)
I will go to a music shop and buy more CD's
that is the scariest bit of news i've heard lately
(mpaa has a new program that teaches children they should buy more , 'if you don't pay for it - you've stolen it' , by giving , get this, the teachers yearly free movie passes,... there's more , worth your time
originally here , a couple of days ago, and making waves
-- Avishalom is usually vish
[Fuck Beta]
o0t!
I've been using their site for about 6 months now, for pay, with no problems. They haven't stolen my CC number, the files are immaculate quality, and I've been able to get hard-to-find music that doesn't exist except in a few random music stores here in the states.
Best part?
It's legal.
I believe this has been tested in court over here, and it's still legal to "grey-market" CDs and other products.
Why would anyone engrave "Elbereth"?
AllOfMP3 Intervew ROMS (Russian equivavelent of RIAA) interview Some interesting points there about legality of this service.
For anyone interested in grabbing AllofMP3's top-ten, I've compiled their current list.
... Water ... on the Bread Line
10. Boris - Boris Sings the Blues
9. Svetlana - Oops, Svetlana did it again
8. Katerina Jones - Feels like Moscow
7. Natalya - Toxic
6. Igor - Looking For You
5. Leonid - Damita Leonid
4. Yuri - Yuri, Unplugged
3. Karina - 99 Bottles of Vodka
2. Sonya - The Red Album
1. 50 Rubles - Get Warm or Die Tryin
- Product placement - a well tested system that has helped reduce theatre and DVD prices for us all, with no apparent compromises made to the movies we watch. Indeed, some of us use this to fund our postings to Slashdot, and when I sit back, drink an ice cool refreshing Vanilla Coca Cola, and scan Slashdot.org on my Apple PowerBook, I can see the advantages straight away.
- Government grants - we the people benefit from music, so surely what we want is we the people to fund it. A minor increase in our taxes will ensure the money is well spent, providing grants for individual artists. A diverse and innovative range of music will be at our disposal, once those in charge of issuing grants determine what music deserves to be made, according, of course, to national community values. Of course, compromises will have to be made - music about sex, politics, religion, or that uses any of the words George Carlin was fined for protesting about his inability to use on television, will obviously not be made. We don't want tax payer's money spent on that kind of filth, and if the government issuing grants means that alternative sources of funding dry up, well, that's just a positive side effect that will keep America clean.
- Music can be funded through concerts - I don't need to tell you that I'd much rather pay $50 to see Orbital or The Chemical Brothers in concert than listen to them on my iPod lying on my bed with my eyes closed. I mean, can you imagine? Those samples, being acted out and mixed live. Definitely a viable way of funding music, because everyone who likes a particular type of music wants to see concerts and sees concerts as an appropriate way of listening to music.
- Isn't it about time artists just created music for the love of it? I mean, they're creating something, surely that's enough. Surely they should fund their day to day living expenses by working a full time job. Sure, if they have a full time job they're unlikely to have the time and energy to produce much, but that's better than being a lazy, scrounging, whiner who insists on making us pay them a few dollars for something that enriches our lives and helps make us happy. Our praise should be enough, surely? Ungrateful whiners!
And those are just the excellent funding ideas from the top of my head (actually El Reg's and the many Slashdotters heads, from memory.) Music can be free, all we have to do is not pay for it!You are not alone. This is not normal. None of this is normal.
But ideally they're representing artists rights, put to that position by artists...
That is not correct. The *RI* organizations represent the recording industry, not artists. Recording artists are represented by organizations like the Recording Acadamy and the Recording Artists Coalition --organizations which are often at odds with the RIAA.
Sometimes I worry that I'll develop Alzheimer's disease, but no one will notice.
The primary interest in this to me is how it points out the growing gap between the major content conglomerates' business models and the reality of what they're producing. We all know the prices on CDs are ridiculously high compared to their production costs - one or two dollars versus ten or twenty, very very roughly. With online it has become even more ridiculous - pennies to deliver the data versus a dollar or more to buy a song. Yet Apple tells us it can't make money.
The lesson I wish was being learned here is that we have entered the age where a recording contract with a major label is like a huge freaking albatross around your neck. The reason Apple can't make money on iTunes is because between the cumbersome necessity of verification and the enormous skim the labels are demanding there's nothing left over - bringing the ridiculous situation where they can't make money selling data transfers of say 3-10 MB for a buck.
The labels are indeed to blame but I personally don't want to rectify the situation by finding a way to get their stuff for free or extra cheap. I'd much rather see artists realize that they don't need the labels anymore, they just need some technical help and better organized consumers. Just as anyone can now go and pay someone a pretty nominal amount to burn CDs in bulk with whatever data they want on them, anyone can now go and pay an even more nominal fee per bit to have someone serve whatever data they want on demand. Screw Russia, go hit http://www.bitpass.com and check the music offerings - songs for pennies. That's a real revolution, my friends.
It Is the Nature of Information to Transgress Artificial Boundaries
The big RIAA labels all have a presence over there. My fave artist, Linda, has had a record contract with (I believe) BMG for quite some time. She regularly appears on Russian MTV and there was even an English language version of "Vorona" ("Crow") made for (always impending) US release. And remember TATU?
So, if these labels are so insistent that there is no money to be made in a country where lax copyright controls exist, why (and how) have they retained a presence in a country where nearly two thirds of all content sold in stores is "pirated?"
From Tatu's own website, these figures:
February 2002 - Universal Music Russia releases an enlarged edition of the album "200 in the opposite direction" with a new design and with a new track "Clowns". The song "Clowns" appears regularly on the "Russian Radio", "Dynamite FM", "Hit-FM" and "Europe +".
March 2002 - re-release of the album "200kph in the wrong lane" beats all the records during the first week of sales: 60,000 of legal copies sold!
Now the number of sold copies of the TATU albums is about 1,100,000!
60,000 "lega" copies out of more than a Million are sold, and Universal seems to have no problem with betting on this horse... meanwhile, here in the US, laws keep getting passed...
Russia is not the problem here. The US is the problem. and I hope sites like this continue to prosper, and it demolishes the US entertainment industry. After all, "constructive destruction" is what capitalism is all about. How ironic these "capitalists" seem only able to realize this lesson at the hands of a formerly soviet socialist state.
http://www.citibank.ru/
They work in Russia too and they are pretty successful there.
...but rather ROMS, the Russian equivalent of ASCAP/BMI. Like a radio station, they pay money to the authors/composers association and sidestep the record companies altogether. Also like a radio station, there is no way that an individual record company can keep their work off their service.
I set up shop in Russia. My company will, for a reasonable fee, purchase a hard drive for you. Fill it with the music you want- legally obtained from this service. Ship it to you in your country. You have now purchased and imported legally copyrighted material. The copy was made legally and the import will not be subject to american copyright law. Is this correct?
Does anyone know what UPS would charge to ship a hard drive from Russia to Yourtown, USA?
I tried for 5 years to come up with a clever sig...only to realize that I am not clever.
While some degree of importation is allowed per 602 and 109, this doesn't qualify
Let's go to the code, shall we?
US Code Title 17, Chapter 6, Sec. 602 Infringing importation of copies or phonorecords
(a) Importation into the United States, without the authority of the owner of copyright under this title, of copies or phonorecords of a work that have been acquired outside the United States is an infringement of the exclusive right to distribute copies or phonorecords under section 106, actionable under section 501. This subsection does not apply to -
(2) importation, for the private use of the importer and not for distribution, by any person with respect to no more than one copy or phonorecord of any one work at any one time, or by any person arriving from outside the United States with respect to copies or phonorecords forming part of such person's personal baggage;
MAI SYSTEMS CORP. v. PEAK COMPUTER didn't involve importing for personal use, so hardly applicable here.
And, as we learned from RIAA v. Diamond Multimedia (regarding the Diamond RIO MP3 player), facilitation of personal use gets broad protection under fair use.
So, is downloading MP3's from Russia importation or not? If it is importation, then personal use is covered under section 602. If it is not importation, then the duplication in the U.S. should still be covered under personal use; i.e., you legally bought the right in Russia to duplicate the copyrighted work to your Diamond RIO MP3 player for your personal use in the U.S.
Sometimes I worry that I'll develop Alzheimer's disease, but no one will notice.
And, since that would require all sorts of invasive precendents, it would surely take multiple SCOTUS cases to settle the issue - an issue, as you know, the SCOTUS has a long record of siding with "users" and not corporate holders. Just as they sided with home users having a right to record Disney's movies on their Sony VCRs in their homes, it's doubtful the record industry could ever win a case against a user for "importing" their own legally purchased CDs via these electronic means.
And BTW, whether you like the Berne convention or not, we're stuck with it until our own politicians get smart - you can't defend the law in one breath and then in the next say "well, I don't like that part of the law so I'm not going to argue it - as a student of law you should fucking well know better than to even try such nonsense. And, so long as Russia ia a signatory on that treaty that none of us "like," we're bound to accept their protections just as they're bound to accept ours. And in Russia (Ukraine, Poland, etc) there are far fewer protections for corporate entities when it comes to copyight (another discussion we have had before - should I cite some Polish or Ukraine law?)
And record companies may not like this fact, but they seem to have no problem living with it: Sony, Universal, BMG... these all have presence in Russia just as elsewhere. Madonna may not like her music being sold so cheap, but she has little say over it - a little something is better than whole lotta nothing, which is what she'd get is she refused to allow Maverick records to have any official presence in the country.
In short: I been using this service for a long time. I told you about it over at Arstech and no one there seemed to find it worthy of front page comment, and I've mentioned it here multiple times and yet it's remained a pretty well kept secret until now.
So, Slashdot may have finally accomplished what Berne could not - deprive me of a steady supply of cheap, quality encoded music at a fair price (cheaper even than "free" usenet, BTW). I'm sure there's a lesson in there about capitalism and the power of a free press, but right now I'm too pissed to think much about it...
>>Umm, how do they sell stuff on the internet without charging money?
>They'll make it up in volume.
I know your comment was meant to be funny, but that's actually true to an extent. Just like how ads pay for free tv broadcasts, I wouldn't doubt the volume of people getting free audio online wouldn't provide a nice revenue stream for doing ads. Of course, there's nothing stopping a stream from being 90% ads and having people pay to get 45% ads instead..or was it that cable got you more channels with ads. Anyways, there's this magically thing called the radio which people have been known for years to tape record off of even though it wasn't always the best quality. Streaming audio would probably fit well into that category. I guess it's funny to me how while MS is trying to shift from per item to per time the RIAA is dead-set on doing everything on per item. I guess that's just their little way of saying MS has too little software and the RIAA has way too much music.
Eurohacker European paranoia, gun rights, and h
Please put paragraph breaks in. Makes it easier to follow what you are trying to say...
"Why shouldn't these artists get paid for the time and effort? We pay bankers to handle our money, cooks to make our dinner, maids to clean our houses, but we can't pay artists who actually make our lives enjoyable?"
I do go to concerts. I spend about $1000 per year on: concerts, musical theatre, movies, and sports. That is more than I pay to maids (4 visits per year, $100 per visit).
When I do something, I don't get paid after it is finished. Doesn't matter how many people use it. Yes, you my have my code in your computer RIGHT NOW. But I don't get royalties. And that's ok with me... Now, the musicians do get royalties. I would think that 1 cent over a million uses is still 100,000 dollars. More than I make, anyway. And for this, do nothing.
As to THIS being the "system of patronage extends back for countless millennia"?
I don't think so. 100 years ago the only way to hear an artist was to be there. Or listen to someone else play the music. Works *were* commissioned. Certainly, no one made money on selling recordings -- there weren't any.
I don't mind people making money selling recordings... just get it into line with costs and reasonable profit. Or I won't buy. $1 per song is FAR too much. Given that 10 cents a song pays for royalties, encoding, distribution *and* profit.
If you insist on pricing electronic recordings at $1 a song, and CDs at $15, I won't buy. [Note - WalMart - usually not known for generosity - sells some DVD movies at $4.88 CDN].
I will still go to concerts. Am I selfish and cheap? Thanks for thinking that about me, but I have purchased more CDs and sound recodings than the entire human race did before 1850. More, even. I think that make me really generous to the artists.
Ratboy.
Just another "Cubible(sic) Joe" 2 17 3061
Here.
http://cltracker.net -- powerful craigslist multi-city search
As an artist/musician myself, I won't *ever* sign with a label. That being said, I know a number of my fellow musicians/friends who *did* sign with a label, and I can safely say they don't give a rip if you buy the music they created for the labels from Russia, Ethiopia, or simply d/l it from a P2P or steal it off the damned shelf at your local record store! Unless your sales put you near the top, as an artist signed with a label, you make next to *nothing* from sales. You actually make *much* more from the damned T-shirt sales at your shows than you do from record sales if you're signed with a label! Have no fear, if you're worried about how much money you're taking out of the mouths of starving artists/musicians by screwing the RIAA/labels don't. You aren't. The RIAA/labels beat you to that decades ago.
Progressivism (aka US 'Liberalism'): Ideas so good they need a police/surveillance-state to enforce.
Hmm...."Back in the Day"....this was the way bands DID make their money. Unfortunately, it seems all you get today is a good looking lip-syncher...produced by the corporation, that cannot perfom live (or at least with out a LOT of electronic help).
Light travels faster than sound. This is why some people appear bright until you hear them speak.........
$5 / month hosted VPS on linux = awesome!
I'm very happy with the sound quality of allofmp3, for the most part. It's definitely better than iTunes or any competitor. However, they most definitely misrepresent the quality.
All of their CDs are stored in their database as a 384 kb/s LAME encoded mp3, not in a lossless form. So, you're pretty much wasting your time if you use extremely high quality ogg or mpc encoding since the quality can never be higher than the original mp3, and whatever you use will have been reencoded at least once, with whatever associated quality losses that entails.
Allofmp3 is trying to resolve this quality issue, fortunately. Right now, they have about fifty of their most downloaded CDs (White Stripe's Elephant, Outkast's epic album, REM's greatest hits, etc.) available online [allofmp3.com] to be encoded losslessly. You have to check the box that says "use original cd data" and you also have the option of getting SHN, FLAC, or APE encoded music. However, you have to pay twice as much for that priveledge, at which point it would almost be cheaper to buy the cd new. See this interview [museekster.com] with someone working for allofmp3.
The interview also reiterates some of the legality issues, but of course, it's straight from the mouth of allofmp3 which certainly isn't a non-biased source.