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The Implications of Google's Digital Library

Connectmc wrote to mention a CNN article discussing Google's Digital Library project. From the article: "Tony Sanfilippo is of two minds when it comes to Google's ambitious program to scan millions of books and make their text fully searchable on the Internet. On the one hand, Sanfilippo credits the program for boosting sales of obscure titles at Penn State University Press, where he works. On the other, he's worried that Google's plans to create digital copies of books obtained directly from libraries could hurt his industry's long-term revenues."

310 comments

  1. Same article 100 years ago... by dougman · · Score: 4, Insightful

    would sound like this: "Buggy-whip makers concerned that new automobile may hurt industry revenues".

    The more things change, the more they stay the same.

    1. Re:Same article 100 years ago... by ScentCone · · Score: 2, Insightful

      Buggy-whip makers concerned that new automobile may hurt industry revenues

      Perhaps not a very helpful analogy. How about, "Buggy whip stores concerned that rampant theft of buggy whips from the factory will reduce retail demand." OK, not the best analogy either, but the point is that someone who goes to a lot of trouble (and time, and money) to produce something that people will want for their education and entertainment are not going to be buggy-whipped out of demand. We're talking about whether or not they, and the people who invest the money they live on while they work and wait for sales to happen, will be able to continue to thrive. I sure hope that professional writers, and the industry that supports them and produces things you don't have charge up with electricity in order to enjoy, don't go the way of buggy whips.

      --
      Don't disappoint your bird dog. Go to the range.
    2. Re:Same article 100 years ago... by fyngyrz · · Score: 4, Interesting
      False reasoning: The automobile doesn't use the buggy whip to be of value. There is no legal basis for such a complaint in terms of protection afforded by the law. Unlike the situation with Google.

      Google is using other people's intellectual property to create new publisher's value. That's not the same as creating something entirely new that obsoletes something that previously exists — and what Google is doing is forbidden by law.

      If we don't like copyright law, then it needs to be changed. In the interim, Google is clearly in the wrong if they publish anything without the explicit permission of any rights-holders in the domain of said publishing. I fully expect them to get burned by this.

      Copyrights exist for a reason. Current copyright law is in my opinion excessively biased in favor of the rights-holders, but we need to change that, not break the law. If we don't want copyright at all, again, the law needs to be changed. Nothing about the current situation makes what Google is doing right.

      Disclosure: I own a literary agency.

      --
      I've fallen off your lawn, and I can't get up.
    3. Re:Same article 100 years ago... by geoffrobinson · · Score: 1

      Exactly.

      And back then people also wanted protection from change from government or others. Inevitably, it's not going to work.

      --
      Except for ending slavery, the Nazis, communism, & securing American independence, war has never solved anything.
    4. Re:Same article 100 years ago... by RingDev · · Score: 5, Informative

      The /. synopsis leaves a bit out as usual. Google is going to some pretty good lengths to make sure the system is not exploited in any non-fair use ways.

      For instance, you can only read a few pages of the book related to your search. And even if you search multiple times, you can only read a few more pages. You can not use google to download the entire book for free.

      Also, google is cutting publishers in on the advertising for the pages their book is displayed on.

      -Rick

      --
      "Most people in the U.S. wouldn't know they live in a tyrannical state if it walked up and grabbed their junk." - MyFirs
    5. Re:Same article 100 years ago... by AntiCopyrightRadical · · Score: 0

      Content producers need to start using moral ways to get paid, rather than relying on immoral copyrights.

      Theft of buggy whips is not a good analogy. This is not theft.

      --
      Abolish Copyright. Restore Freedom.
    6. Re:Same article 100 years ago... by ArsonSmith · · Score: 2, Insightful

      How about, Middle men petition government to reduce new technology and demand that they be used to transport and or store goods and public domain items.

      --
      Paying taxes to buy civilization is like paying a hooker to buy love.
    7. Re:Same article 100 years ago... by helicologic · · Score: 2, Informative

      Not to put too fine a point on it, but you don't know WTF you're talking about. "What Google is doing is forbidden by law" isn't the case. Making a handful of lines of text available as a search result is clearly within fair-use, which doctrine has extensive support within case law and by statute. Look it up.

    8. Re:Same article 100 years ago... by lifebouy · · Score: 3, Interesting

      I might agree with you on books that are still in print. However, for books that are no longer being printed, a socially responsible publisher would release the publication into public domain when it has run it's commercial course. I particularly loved the publisher who said it was not the pubisher's responibility to police their copyrights. "We don't know if we published it or not, but we sure don't want you to be able to use it!" Wow. If you don't know whether it's yours, then you are not generating revenue on it any longer. Put it, then, where it truly belongs: in the hands of the public. There are so many useful things that could be done with it! But since you aren't generating money with it, and don't ever intend to, GIVE IT TO THE PUBLIC! Unfortunately, Congress has mangled and bungled copyright law to the point that this doesn't happen automatically anymore, and never will. So the onus is on the publisher and/or author to earn a little karma and give back to the public. Do it!

      --
      Drop me a line at:
      Key ID: 0x54D1D809
    9. Re:Same article 100 years ago... by Anonymous Coward · · Score: 0

      I would agree with you, if we had a rational copyright system that allowed materials to go into the public domain in a reasonable amount of time. Now, thanks to Disney and their corporate brothers, we have what effectively amount to endless copyrights. Nothing is ever going to go into the public domain. That is a real problem. The most telling quote in this article is, "We're not aware of everything we've published," Sanfilippo said. "Back in the 50s, 60s and 70s, there were no electronic files for those books." Gee, if you don't know you have published it, it probably ought to be in the public domain. Copyright law has got to change.

    10. Re:Same article 100 years ago... by Dominatus · · Score: 1

      How would one EVER sell a book if the contents of that book were public domain? It would be trivial for one person to buy the book and give it away to the world. Hell, without copyright laws he could even brag about it, under sell the content creator, etc etc

      How would one write a book and make money?

    11. Re:Same article 100 years ago... by ScentCone · · Score: 2, Interesting

      Content producers need to start using moral ways to get paid, rather than relying on immoral copyrights.

      Ok, so what you're saying is that if there were no copyright protections, that would be fine, because the person who spends a year recording music, or 10 years writing a novel, will certainly find that she'll get what she asks when she wants to sell it, right? There won't be anyone immorally deciding to skip out on paying her for her work, right? Certainly, people who don't want to pay what the artist is asking would just say, "oh well! I'll have to find an equally talented artist who wants to work for me for free!"

      Sorry, but that doesn't happen across the board. And how would you handle the reality of an unscrupulous publisher simply taking a copy of the work and selling another printing of it, ignoring the original artist's intent, permission, and moral ownership of their own work?

      With no recourse against people that decide to rip of the artist, the artist will not have the protection needed to attract the investment off of which they live while working. Or, choosing to live like a pauper while putting time into what the artist hopes will become a paying creative project will become a fool's choice, and the world will be much, much worse for it.

      So, what is your idea of a "moral" way to get paid? I'm always amused by people who think they're doing artists a favor by removing the protection those artists have against actually immoral people who have no problem ripping them off.

      Your position is that artists are acting in an immoral way. That makes the artists immoral. Why would you want art produced by such a person? You obviously already know of proper, moral artists that are working for you in some other way, right? Surely you have the intellectual honesty not to want the work of people that you consider immoral. Immoral people like Peter Jackson, or Christopher Walken, or Maya Angelou, or Stephen Hawking, or the Blackeyed Peas, or U2.

      It's quite a secret you're keeping - the cadre of artists you know that produce work of that scope and quality without any concern about being compensated for their efforts. Your morality comes at quite a price (the price of eating, and putting a roof over your head).

      If you can demonstrate the absence of any actually immoral people that would disregard the price that an artists is asking for their work, then we'll have something to talk about. But even with such recourse in place, there are millions of people willing to give the finger to the very artists they say they respect.

      But since artists can, right now, waive their copyrights any time they see fit, the only people you're worried about are the "immoral" ones, and since you hate them, why not just let them, and their customers, be? You hate the artists, and thus you must feel the same way about their fans, so how is this hurting you (who would never want their work anyway?). You, and the nice, moral filmmakers and recording artists that you patronize with your money outside of the copyright system are in a self-contained universe, no question. Somewhere in that everything-belongs-to-everybody universe you occupy, there are surely still people making movies that take years, and involve large casts and crews - because they all are willing to make that investment, right?

      --
      Don't disappoint your bird dog. Go to the range.
    12. Re:Same article 100 years ago... by lifebouy · · Score: 1

      Now, a better analogy for most of the books they want, which are out of print, is: Hand-me-downs.
      Say my oldest child has grown out of his clothing. What happens to the clothes? They sit unused. Then the next child grows to fit them. Does the oldest get to say no? Hell no. Those clothes are of no use to him any longer. It is in the public interest to recycle them. If that means the next oldest gets them, and gets use out of them, so be it. If that means we use them as rags to wash the family car, so be it. These publishers should not have the legal right to retain copyright on works they no longer actively publish. They've made their money and outgrown the work. Let the next whippersnapper figure out a new way to make a buck off of them. Or release them to Public Domain, so we can wash the family car with them.

      --
      Drop me a line at:
      Key ID: 0x54D1D809
    13. Re:Same article 100 years ago... by Anonymous Coward · · Score: 0

      Ah, but you're forgetting, the public domain provides competition for publishers. If every out of print book was released into the public domain, people might read those instead of buying new copyrighted books from the publishers. It would deprive them of income just as free software deprives proprietary software companies of income.

    14. Re:Same article 100 years ago... by OldeTimeGeek · · Score: 1
      Content producers need to start using moral ways to get paid, rather than relying on immoral copyrights

      I would be fascinated to hear some of your 'moral' ways of getting paid for my works.

      Or are you just against somebody having any rights whatsoever to something that they produce?

    15. Re:Same article 100 years ago... by John+Hurliman · · Score: 1

      What if you typed in a unique string from each page (or every other page) of the book and fed it to a list of proxies to fetch the full text, and assemble a PDF? Typing in hundreds of unique sentences is tedious, but certainly quicker than scanning the entire book in or retyping everything.

    16. Re:Same article 100 years ago... by flatface · · Score: 1

      Yeah, because nobody buys books written by Shakespeare or Mark Twain anymore...

    17. Re:Same article 100 years ago... by Anonymous Coward · · Score: 0

      Thank you.

    18. Re:Same article 100 years ago... by Anonymous Coward · · Score: 0

      You are completely missing the point. So what if Google goes to good lengths to insure that their system is not exploited in any non-fair-use ways. The line that Google is crossing is that in which they make internal copies of these materials in the first place, without explicit owner permission.

      What makes Google so special? What if I were to take the same approach as Google, and decide that I wanted to set up an online, searchable index of books, just like they do. So I go to some friends of mine, friends who already own the books I'm interested in, and I scan all their materials. And add it to my personal collection. My interface doesn't let other people see more than 20% of one book, but I've still made a copy of all this material for my own use, just like Google has, without the owner's permission.

      At that point, what is to stop -everyone- from building their own database, using the same rationale Google is using to build its database?

      Why, if Google can copy all this stuff, for its personal use, can I not do the same? I might not let anyone else see more than 20% of any one item in my collection, but I, like Google, can look at 100% of every item in my collection.

      Goodbye, copyright. Hello, Google-precedent-inspired intellectual property theft!

      And just wait until I share this idea with my music-swapping friends. Legal copies of every song I'd ever want! And if the rule is that I can't make more than 20% of a song available to any one person, all it takes is a good Kazaa hack, and at least 5 original "seed" copies of every song from 5 different online sharers, and I can basically reconstruct any song I'd ever want from 5 different "Kazoogle" users (Kazaa-Google).

      As long as the actual copyright owner of every single song I'm downloading/sharing hasn't written to me personally, and given me the list of every song that I have, in order to opt out of my online digital music library service, I can go on sharing. And so can ten million other "army-of-one" digital music library "companies", self-styled individual "googlists".

      I see the vision behind what Google is trying to do, and it's a worthy goal. But they are going about it all wrong. The opt-out approach they are taking is just completely arrogant and, frankly, a bit evil.

    19. Re:Same article 100 years ago... by monkeydo · · Score: 1

      Question: How do you know that's fair use?
      Answer: You don't.

      And some very smart people think it isn't.

      --
      Si vis pacem, para bellum
      The only thing more annoying than a Libertarian is an (un|mis)informed Libertarian
    20. Re:Same article 100 years ago... by CRCulver · · Score: 1

      Copyright is a fairly recent concept. For the 3500 years of literacy or more before that, authors seem to have done just fine. The Roman poet Martial, for instance, knew full well that his works were immediately mass-produced and sold without his receiving a dime, but he didn't care.

    21. Re:Same article 100 years ago... by notasheep · · Score: 1

      Why don't you provide a link to support your absurdity? The four factors used to determine if a use is "fair" are below. Google fails to meet the criteria for #1 (they're doing it to generate ad revenue), #3 (they're putting the whole work up, and you can view the entire work over a relatively short period of time), and #4 (unkown for sure, but everyone here is glad they'll be getting the works for FREE).

      1. the purpose and character of the use, including whether such use is of commercial nature or is for nonprofit educational purposes;

      2. the nature of the copyrighted work;

      3. amount and substantiality of the portion used in relation to the copyrighted work as a whole; and

      4. the effect of the use upon the potential market for or value of the copyrighted work.

      --
      Your mind looks a little cramped. Why don't you stretch it a little?
    22. Re:Same article 100 years ago... by CRCulver · · Score: 1

      Or, choosing to live like a pauper while putting time into what the artist hopes will become a paying creative project will become a fool's choice, and the world will be much, much worse for it.

      Strange, for the thousands of years of artistic creation before copyright (a recent concept), there were still plenty of artists doing brilliant work. Shakespeare, Virgil, the anonymous author of the Gilgamesh epic, and Lao Tzu had no expectation of getting money for each copy of their work sold, but wrote anyway.

    23. Re:Same article 100 years ago... by notasheep · · Score: 1

      "The /. synopsis leaves a bit out as usual. Google is going to some pretty good lengths to make sure the system is not exploited in any non-fair use ways."

      Their ealier versions have already been exploited, any new version the come up with will as well.

      "For instance, you can only read a few pages of the book related to your search. And even if you search multiple times, you can only read a few more pages. You can not use google to download the entire book for free."

      Read this article to know better: http://www.kuro5hin.org/story/2005/3/7/95844/59875

      "Also, google is cutting publishers in on the advertising for the pages their book is displayed on."

      Publishers aren't pushing back on Google for the works they've agreed to share - they are for the ones Google is trying to back-door through the library system. It's up to the publishers to determine what money they receive for the works - not what Google decides to share through their advertising.

      --
      Your mind looks a little cramped. Why don't you stretch it a little?
    24. Re:Same article 100 years ago... by budgenator · · Score: 1

      Google is clearly in the wrong if they publish anything without the explicit permission of any rights-holders in the domain of said publishing
      you are wrong and anyone who uses a phrase like the explicit permission of any rights-holders in the domain of said publishing knows enough case law to prove it off the top of their heads! +5, Interesting for a astro-turffer, givme a break

      --
      Apocalypse Cancelled, Sorry, No Ticket Refunds
    25. Re:Same article 100 years ago... by fyngyrz · · Score: 1
      I do, in fact, know a fair bit of the law in this area. It is my business to do so.

      Now, since you say I'm wrong, how about you explain where I'm wrong?

      My position is based upon the fact that when a work is published, only rights as stipulated are given to a particular publisher in a particular venue, and any other rights are almost inevitably reserved. The contracts are written so as to reserve any right not explicitly described in the contract. For instance, if we sell the right to publish a work as a book to a book publisher, we reserve the rights for film, performance and so on (unless the book publisher wants to buy them, in which case, things may be a little different... typically that's not the case, though) and we also reserve the rights for performance by a cyborg in a bathtub by saying that any rights not mentioned are also reserved. It is legal boilerplate, and very solid, precedents all nailed down, etc.

      Now, copyright law says that a small portion of a work may be copied — for instance, for use as a quote in a review. But it also explicitly forbids copying the entire work without permission... which is precisely what Google is doing. That's problem number one, and it is legally rock-solid. They don't have the right to make that copy without (A) permission from the publisher, or (B) purchase of each individual work. Copying from a library doesn't count as purchase. Should they purchase each work, they'd have the right to store those works in a retrival system under very limited conditions, conditions that I assure you do not apply to re-publishing (serving various, eventually all, parts of the work back to the public.)

      Problem number two is that on reproduction, that is, when serving results, they aren't proposing to present the same snippet from the work to each user, which is the specific type of use that has been approved for use in a review, for instance. What they're proposing to do is publishing to you one area of the work, and publishing to me another. This means that the entire work can be served to (various) users, and that in turn would publish the entire work in a form that can be trivially reassembled, thereby clearly putting the rights of the copyright holder at risk of infringement by re-assembly.

      This has been specifically established by the courts saying that if you have 1/2 a song, and Fred over there has 1/2 that same song, you and Fred are not allowed to serve those to the net, and I in turn am not allowed to re-assemble the song.

      Now, if Google is given permission (note that this is not the same as "assuming they have permission if the publisher doesn't give them the name on a list") then they can do this. This would require a contract that allows both stages; copying into their computer system to use as lookup fodder, and publishing fragments on demand in response to search queries.

      But that is not the case, and that is why I say that they can't do this without the explicit permission of the copyright holders.

      I should add to this that I'm posting about US law only. YMWCV otherwise.

      And you say?

      --
      I've fallen off your lawn, and I can't get up.
    26. Re:Same article 100 years ago... by vsprintf · · Score: 3, Interesting

      Perhaps not a very helpful analogy. How about, "Buggy whip stores concerned that rampant theft of buggy whips from the factory will reduce retail demand." OK, not the best analogy either, but the point is that someone who goes to a lot of trouble (and time, and money) to produce something that people will want for their education and entertainment are not going to be buggy-whipped out of demand.

      Even that doesn't apply to the situation. The most relevant passage in the article was the guy claiming the burden of producing the titles they don't want copied shouldn't be on them because they don't really know about all of their old titles.

      That just proves what a crock these near-eternal copyrights are. These companies aren't selling or reprinting the old books - they don't even know their titles. They just don't want anyone else to get any use from them. This continual lockout is the exact opposite of the result intended by the original copyright law. I say good for Google. This is information that not only wants to be free but should be free according to the law when it was written.

    27. Re:Same article 100 years ago... by fyngyrz · · Score: 1
      you don't know WTF you're talking about

      Is that so? Then tell me, either precisely or generally, under what set of legal rules Google is allowed to take entire works it hasn't purchased, does not own any rights to, and copy them? Libraries can't do that. You can't do that. I can't do that. Businesses can't do that. Why can Google do that?

      Tell me, under what set of rules is Google allowed not only to do this, but do it to generate a profit? No one else can do it, why can Google?

      Tell me also, under what set of rules is Google permitted to facilitate re-assembly of copyrighted works?

      I'm willing to be wrong, but I really don't think I am.

      --
      I've fallen off your lawn, and I can't get up.
    28. Re:Same article 100 years ago... by fyngyrz · · Score: 1
      google is cutting publishers in on the advertising for the pages their book is displayed on.
      The other points have been addressed already (see my other replies) but this one is interesting.

      Here's the thing about those ad revenues. Google doesn't have the right to earn revenues based on those works, because those rights are reserved unless specifically assigned. It doesn't matter if they want to hand some of the earnings over, unless they have a contract stating that this is agreeable to the rights-holder and subsequently (and specifically) delivering those rights over for that purpose, they're like a bank robber saying they're going to give some money back. They don't have a right to any of the money. There can be no exoneration to be found in sharing it.

      There's no two ways about this. Either the laws have to be changed, or Google is in the wrong.

      I didn't make the laws (and I think they're far too strict and far too biased in favor of the copyright holder) so please, don't kick me around for it. Talk to your congress-critter if you're a believer in the political system. Or fund a PAC (that might actually work — talking to a congress-critter probably won't.)

      --
      I've fallen off your lawn, and I can't get up.
    29. Re:Same article 100 years ago... by fyngyrz · · Score: 1
      Copyright law has got to change.

      If you'll re-read my post, you'll see that I am of a similar mind. However, copyright law does not "have" to change. It will only stand a chance of changing if certain pressure is applied; but breaking the law is the wrong kind of pressure. That is almost always seen as disrespect, not legitimate protest — and it will result in pain for the lawbreaker.

      Write your congresscritter or join/initiate a PAC. Those are your options. I recommend the latter, the former is, IMHO, naive.

      --
      I've fallen off your lawn, and I can't get up.
    30. Re:Same article 100 years ago... by fyngyrz · · Score: 1

      I don't disagree at all. But I wasn't talking about how things "ought to be", I was talking about how things are.

      --
      I've fallen off your lawn, and I can't get up.
    31. Re:Same article 100 years ago... by Achromatic1978 · · Score: 1

      Other than being paid by the state and kept at 'court', for want of a better with all the hospitality it entailed, and accommodation it entailed, you mean?

    32. Re:Same article 100 years ago... by AntiCopyrightRadical · · Score: 1

      The street performer protol is one such way.

      It is a simple fact of a free market that if someone has a skill that is in demand (such as making music) he will be able to get a price for it. If people desire new music, they will pay someone to make it. Copyright is not required.

      Performing concerts is another such moral way to get paid.

      --
      Abolish Copyright. Restore Freedom.
    33. Re:Same article 100 years ago... by AntiCopyrightRadical · · Score: 1

      Authors should not be in the business of making copies, they should be in the business of writing.

      Publishers will always be paid to publish, the cost of an individual book will be slightly above the cost of it's printing.
      How would one write a book and make money?
      One would write it, and then sell it's release. The price would be based on what the market (the fans) are willing to pay.
      Street Performer Protocol
      Even brand new artists could sell their work this way by releasing samples or showing the work to reviewers.

      Write a song, you get paid what it's worth. You get paid for doing work, just like every other industry. Copyright has artists getting paid for mselling copies, which is not their art.

      --
      Abolish Copyright. Restore Freedom.
    34. Re:Same article 100 years ago... by RingDev · · Score: 1

      "There's no two ways about this. Either the laws have to be changed, or Google is in the wrong."

      There is a third option. How ever unlikely, no one sues google. If no one sues google, the law will never be challanged, so there will be no presidence set and no drive to revamp the law.

      However, I consider that to be highly unlikely judging by the market size and the tappable funds lawyers are drooling over.

      -Rick

      --
      "Most people in the U.S. wouldn't know they live in a tyrannical state if it walked up and grabbed their junk." - MyFirs
    35. Re:Same article 100 years ago... by RingDev · · Score: 1

      True enough, but lets look to the future, technology is pushing the limits of copywrite law. And the laws will eventually be challanged or adapted.

      -Rick

      --
      "Most people in the U.S. wouldn't know they live in a tyrannical state if it walked up and grabbed their junk." - MyFirs
    36. Re:Same article 100 years ago... by Dominatus · · Score: 1

      They don't buy them from Mark Twain.

      My question wasn't how *anyone* could make money, it is how can the *content creater* make money, versus, say...someone else.

      In fact, thats what Im implied by "undersell the content creater"

      read please before you comment.

    37. Re:Same article 100 years ago... by Dominatus · · Score: 1

      My question was *without copyright*

      As soon as one writes it, its public domain. What stops ME from publishing your work w/o your consent and making 100% of the profit?

      Scenario. I spend 10 years writing a book. My friend comes over and finds the doc on my computer. It's public domain of course since there's no copyright. I then email the doc to myself. I then "sell its release" and make a ton of money because the book is really good.

      Scenario 2. Im very very poor. I have an awesome movie script. I spend 2 years writing the script. I have no money to make the movie myself, Im poor. I go to a corporation who does have money in order to fund the movie. They take my script and make a movie based on it and pay me nothing due to the fact that there is no copyright.

      We need a system to pay for *content* otherwise there will be no content creaters. Tell me exactly how someone could sell their script to a movie company w/o copyright?

    38. Re:Same article 100 years ago... by Anonymous Coward · · Score: 0
      "but breaking the law is the wrong kind of pressure. That is almost always seen as disrespect, not legitimate protest"

      I'm sure some people that participated in the civil rights movement might disagree...

    39. Re:Same article 100 years ago... by fyngyrz · · Score: 1
      No, there's no third option.

      I don't think there ever was. Too many entrenched interests.

      --
      I've fallen off your lawn, and I can't get up.
    40. Re:Same article 100 years ago... by Mahou · · Score: 1

      so how does this apply to google? don't they just want to put up the fucking public domain? what's wrong with that? just because someone makes to money off of some dead guys books means he should be able to? fuck no, public domain should be put up on the internet for everyone to read without the need for tangible objects(books) that actually cost money when the real value is the information not the paper ink and bindings.

      --
      if i'm not immortal, what's the point of living?
      ...te?
    41. Re:Same article 100 years ago... by fyngyrz · · Score: 1
      I did say "almost" always. :-)

      However, you also have to note that civil disobedience got people beaten, jailed, and killed before it achieved the desired result — and though it did in that case work, there were other factors, such as they were right, in the ethical structure that defined the nation they lived in. I'm not sure at all that's the case with copyright; at the very least, it's murkier.

      --
      I've fallen off your lawn, and I can't get up.
    42. Re:Same article 100 years ago... by RingDev · · Score: 1

      "Too many entrenched interests."

      A multi-million dollar market and a technology super center valued at some ubsurd price. The most entrenched interest is that of the lawyers trying to figure out just how long they can milk this fight for. 5 years in court will styfle technology, cost the book industry millions and net the lawyers for both sides hunders of millions of dollars all told.

      Jaded? nah, realistic.

      -Rick

      If there is one thing I hate more then unconditional hatred, its Lawyers.

      --
      "Most people in the U.S. wouldn't know they live in a tyrannical state if it walked up and grabbed their junk." - MyFirs
    43. Re:Same article 100 years ago... by Dominatus · · Score: 1

      READ before you comment.

      I wasn't responding to the google news article I was responding to someone who said all copyrights were evil. Jesus people...

    44. Re:Same article 100 years ago... by AntiCopyrightRadical · · Score: 1

      Your strawmen are amazing.
      You posted a very long reply to my very short comment. You assumed many things that are false. You also put words into my mouth, please do not do this.


      If an artist is selling her work, and I agree to buy it, but do not pay her, she would have every right to take me to court for breach of contract.

      If an artist publishes her work, and I obtain a copy, but do not pay her, I have not wronged her in any way. If I make additional copies without paying her, I have not wronged her.

      Artists do not have moral ownership of publishd works. when something is presented to the public, it is in the public domain, by default. Publishing a public document does not make a publisher unscrupulous.

      As long as people want books to be written, they will pay people to write them. This is a feature of the free market, and does not depend on copyright. If an investor has confidence in an author, he may offer her an advance in exchange for a percentage of the book's final price, or a flat repayment. Essentially a loan, which is what I believe book advances essentially are now.

      The street performer protocol is one moral way to get paid. I'm not sure I'd say I'm doing artists a favor, but I am doing them no harm. Why do you think copying is immoral?

      Your position is that artists are acting in an immoral way. That makes the artists immoral. Why would you want art produced by such a person?
      This is a logical fallacy. Everyone does immoral things at one time or another. I do not believe this condemns the person as a whole. Further, why would I not want art simply because it has been produced by an person who as done immoral things? If Michael Jackson molested little boys, does that change the quality of his music? I largely disagree with many political opinions of artists whose work I cherish. Why do you try to place on me a strange inhuman absolutism?

      I have no secret artists. There are artists who release their work, and they do not starve. People want art, people will pay artists.

      Under copyright, artists do not ask a price for their work, they ask a price for a copy. The immorality is in threatening those who would exercise their basic right to communicate information. I resepect artists, as artists, for their art. I will not respect their attempts at coercion.

      Your final paragraph was mostly strawmen. I do not hate artists for using copyright. I will address the other relevant points when you can state them politely.

      --
      Abolish Copyright. Restore Freedom.
    45. Re:Same article 100 years ago... by AntiCopyrightRadical · · Score: 1

      Yes, without copyright. What one writes is private, what one publishes is public. I do believe in privacy rights, and contractual obligations. Publishing a file you find on my computer is a violation of my privacy. I would have grounds to sue you and anyone else who distributed my private information. The screenwriter would enter into a contractual relationship with either the studio, an agent, or a reviewer. In a contract free world, a sample and a good review from a repected reviewer could get the funding for the movie, sight unseen. Even if you publish a great work for free, and get nothing for it, you get reputation. If people like your work, they will want more, and they will pay you to write it. It is supply and demand, and it does not need copyright to work. Fans will find a way to get you money.

      --
      Abolish Copyright. Restore Freedom.
    46. Re:Same article 100 years ago... by ultranova · · Score: 1

      They don't buy them from Mark Twain.

      You might want to think up more convincing evidence for the neccessity of copyrights than the fact that people don't buy from a dead guy.

      My question wasn't how *anyone* could make money, it is how can the *content creater* make money, versus, say...someone else.

      The real question is, what is more important: the content makers being able to make money or the free exchange and remix of culture that abolishing copyrights would allow (in even larger way than it's happening today) ? And, before you answer, please remember that the foundations of western culture were laid down in times when copyrights were not even dreamed of, so it obviously isn't neccessary for people to produce things, a fact also evidence by the sheer amount of (legal) content available for free from Internet - these messages, Elfwood, Sourceforge...

      Personally, I lost any remaining respect for copyright holders or copyright law when I heard that a number of people had been forbidden to talk about a book they'd read (that book being "Harry Potter and the Half-Blooded Prince") just because it might hurt the books sales. Enough is enough, I now copy everything I want for free and the copyright holders can starve to death for all I care. After all, why should I care, when they have proven themselves to be enemies of freedom (of expression) and therefore enemies of me ?

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    47. Re:Same article 100 years ago... by Anonymous Coward · · Score: 0

      I'm curious as to how many authors you know personally that are living off their work?

      And you're a fucking idiot if you think that Shakespeare didn't get payed in some form for his work.

    48. Re:Same article 100 years ago... by budgenator · · Score: 1

      if they publish anything without the explicit permission is not equal to copyright law says that a small portion of a work may be copied
      What Google is doing actualy is probably wrong, because they are copying the content of an entire work yet I'm sure that when it gets to court they'll get all weaselly and say they didn't copy the bank pages or some silly other technicality that lawyers are so fond of.

      --
      Apocalypse Cancelled, Sorry, No Ticket Refunds
    49. Re:Same article 100 years ago... by helicologic · · Score: 1

      I am aware of the four factors used to determaine if a use is fair. Please consider:
      1) Newsweek prints quotes from copywrited works. Newsweek makes money from ads it sells partly on the basis of its book review section.
      2) The nature of the works copied are immaterial to Google. They are copying everything.
      3) You only have access to tiny parts of the copywrited works. This is actually the crux of the argument they will make in court.
      4) Where possible they will provide links to booksellers: their making the text searchable increases the potential market for the copywrited works.

    50. Re:Same article 100 years ago... by ScentCone · · Score: 1

      If an artist is selling her work, and I agree to buy it, but do not pay her, she would have every right to take me to court for breach of contract.

      Right.

      If an artist publishes her work, and I obtain a copy, but do not pay her, I have not wronged her in any way

      Unless the way she sells her work (as in your first example) is through publishing it. In fact, selling a single copy of it to you, even if it's the only copy she ever sells, could be considered "publishing" it. And if she wants to attach contractual terms to that transaction, she's welcome to. And if you enter into that transaction but ignore the terms, then your second example is clashing with the first.

      This is a logical fallacy

      No, it's using words as if they actually have meaning. Someone who acts immorally is immoral by definition. By definition.

      Everyone does immoral things at one time or another. I do not believe this condemns the person as a whole.

      So what you're saying is that creative artists are just to dumb to know how to act morally in this one regard? Again, displaying a lot of respect there.

      Further, why would I not want art simply because it has been produced by an person who as done immoral things? If Michael Jackson molested little boys, does that change the quality of his music?

      Your support (by buying their work) of someone who makes a career out of doing something that you call immoral means that you endorse their immorality. Don't you even listen to yourself? A professional artist makes the decision to copyright work and use those rights to defend the value of their work, and then finds people willing to work within that framework to make a living. That is a fundamental aspect of how that person lives their life, and is central to their view of their work, of the marketplace, and their relationship with the people who value their work. You consider that posture to be "immoral," but still want that person to entertain you since they're only being immoral some of the time? You've got a really bad case of moral relativism, and a world view that's completely full of holes. Mostly, though, you just want to dictate the terms under which someone works for you. You're willing to have pet entertainment slaves, since you see their business decisions as intellectual and moral failings that conveniently serve you as some sort of personal waiver of their rights.

      I resepect artists, as artists, for their art. I will not respect their attempts at coercion.

      How are you being coerced? If you don't like the form of commerce that the artist you claim to respect has personally chosen to use, all you have to do is walk away. There is no one forcing you to take that artist's work. There is only you pretending that you're philosophically whole as you condemn the artist's thoughts and world view while simultaneously saying those things don't matter because... what? they know how to paint, write, or play the guitar in a way that you like? How can you dare say you respect an artist while telling them, in the same breath, that they're coercive and immoral? Are you that lacking in intellectual honesty? No need to answer that one.

      People want art, people will pay artists.

      But people who want art are already, in the millions, finding ways not to pay artists what they are asking for their work. Which people did you have in mind?

      The street performer protocol is one moral way to get paid.

      And how will that protocol produce the type of works that take years to make? You certainly don't have to attend or buy copies of films that employed a thousand cast and crew to produce, or listen to recordings that involved performers from all over the world, assembled into one production at different times - but some people want to enjoy work of that scope, and are willing to pay what the producers of that work ask (I'm v

      --
      Don't disappoint your bird dog. Go to the range.
    51. Re:Same article 100 years ago... by OldeTimeGeek · · Score: 1
      Assuming that the free market ideal actually could exist anywhere human beings are present, your idea works only for performance arts and other types of art that exist only in that moment in time and aren't inherently copiable. You are paying not only for the content but for the originality of the presentation.

      Literature and photography are a bit different.

      They are both immensely copiable - they have to be. Unless you are working with a vanity publisher, one copy of a book is pretty much useless and a single copy of a photograph will probably never be seen. Without copyrights, authors and photographers simply have no way of protecting their work.

      I would love to believe that people would willingly pay for something that they enjoy without being forced to. I would also love to believe that plagiarism doesn't exist. I really would. Experience has taught me otherwise.

    52. Re:Same article 100 years ago... by ScentCone · · Score: 1

      The real question is, what is more important: the content makers being able to make money or the free exchange and remix of culture that abolishing copyrights would allow (in even larger way than it's happening today) ?

      So, you're of a mind that we don't need any new elements in our culture - we can do just fine by eternally "remixing" that which has already been produced?

      Some of us actually enjoy the experience of reading/viewing/listening-to something new, innovative, and artfully produced. That takes a lot more work than rehashing other people's work, and can involve years of planning, research, practice, abandoned efforts, and yes, marketing when the time comes (so that all of that work can be meaningfully rewarded). You ask what's more important, and I say that allowing creative artists to not be your pet entertainment slave is at the top of the list. If you're right, and real artists are just those people that want to remix, then you should have no problem eloquently persuading artists to waive their copyrights. They have that option right now, and always have.

      Enough is enough, I now copy everything I want for free and the copyright holders can starve to death for all I care.

      So, you want what they spend their lives producing, but want other people to pay them to produce it for you? You're a parasite, and a hypocrite as well. If you don't like how an author decides to create, sell, and promote her work, just don't buy it, support, or read it. You can reclaim some of your intellectual honesty by simply disregarding the work by people that you say you don't respect. You might also consider that citing a non-disclosure agreement between advance reviewers of a recent Harry Potter book and its author - if you find it so distasteful - doesn't justify your deciding that the work of every creative artist is now yours to take without paying them. To say that's your justification is simply childish on the face of it. Show a little backbone, why don't you, and just skip Rowling's next book/film? Talk other people into doing the same. But don't pretend that her pre-release NDA is somehow justification for ripping off U2's latest CD or any and all movies you're too cheap to pay for.

      --
      Don't disappoint your bird dog. Go to the range.
    53. Re:Same article 100 years ago... by AntiCopyrightRadical · · Score: 1

      That's not true, the exact same system can work with copiable art such as songs or novels.

      People will willingly pay for something because if they do not, it will not be released. The fans pay the author for the writing of the book, and then either download it, or pay a publisher for copies.

      Once it is released, there is no need to protect it.

      It does not need to be a perfect free market, just close. We see echos of this even under the current system.

      --
      Abolish Copyright. Restore Freedom.
    54. Re:Same article 100 years ago... by AntiCopyrightRadical · · Score: 1

      >>Right.

      Is that sarcasm? Contract law is pretty clear cut.

      The two situations do not clash because 'obtain a copy' does no imply I entered into a contractual relationship with her. Further, I would not enter a contract that prohibited me from copying the work. (unless I were a revier or such, but in that case, I'm getting paid for my trouble)

      The way the artist makes her money is by having her fans pay her to make and release her work. Once released it is public, and my copying it is inconsequential.

      If you reject everything about everyone who does anything immoral, you must not have many friends, or watch many movies. for that matter, what to do you eat? Making sure that the eople who provide your food are moral must be even harder than staying kosher. All people do immoral things, it is not a matter of being to dumb to know better, it s part of being human. It is your extremism that is irrational and hypocritical.

      Further, I do not need to support an artists lifesytle in order to enjoy their work. even under copyright, I can hear things on the radio or borrow copies from the library.

      I am not a moral relativist.
      I do not want entertainment slaves, I want artists to be paid for doing work.

      The coercion is when they threaten me with lawsuits or jail time for excercising my basic human right to copy.

      Yes, many eople do enjoy music without paying for it. I among them. but if everyone did that with all their music, artists would not be able to make much of it. But this cannot happen, because people want new music, and they will see that they need to pay artists to get it. Supply and Demand. There is demand, there is supply, money will flow. No copyright needed. Not complicated.

      Movies and other big business entertainment could use the street performer protocol in exactly the same way, with the studio playing the role of the artist, and financing the idividual work of the actors and director and such. They would produce the movie, send it to reviewers and offer previews and collect their price. If an actor or director (or storyline or special effects house) had a particular following, a studio might be able to collect some funds well in advance of the film's completion.
      This isn't rocket science, some things you should try to figure out on your own.

      Neal stphenson does not have the right to form a coercive organization. Fortunately I think he can get people to support him without threatening them, so what's the problem?

      As for them losing their investment, I do not support an immediate end to copyright, as that would wreak havoc. A gradual transition would allow artists and publishers an opportunity to recover their investment, and adopt new business models.
      Besides that solution, is your argument now 'This is the things are, so they must stay this way.'?

      I respect artists as artists for their art.
      Bradd Pitt is a good actor, he may have cheated on his wife, but that has no impact on my desire to watch his movies. Do you boycott actors who have cheated, or do you consider infidelity moral?

      Again, if I hated people who did immoral things, i wouldn't have any friends.

      Frankly I think you are just trying to inflict a false piousness on me for rhetorcal reasons. If you have perfect friends, I would much like to meet them, perhaps they will reform me.
      Of course, having perfect friends, by your standards, means you must also be perfect.

      So perhaps you're just a narcisistic egotist.

      Please clarify.

      --
      Abolish Copyright. Restore Freedom.
    55. Re:Same article 100 years ago... by ScentCone · · Score: 1

      Right.

      Is that sarcasm? Contract law is pretty clear cut.


      No, I meant "right" as in "correct."

      The two situations do not clash because 'obtain a copy' does no imply I entered into a contractual relationship with her

      Obviously I'm referring to original purchase. If you buy a used book or CD, you're no longer directly interacting with the creator, but you're still obliged to respect that person's rights to their material. Otherwise, you could simply re-publish it as your own... and with no copyrights by the creator, that wouldn't even be fraud. There would be no end to the fights about which person wrote what, etc. But it wouldn't matter much, because the ability for people to make a living from their work would be so dramatically reduced that much less of it would be produced in the first place. It would be a much poorer world.

      Further, I would not enter a contract that prohibited me from copying the work

      Which means you're not buying any books, newspapers, magazines, cable channels, CDs or much of anything produced by professional, career writers, artists, etc. Because the purchase of each of those (except where the creator has expressly waived their rights) essentially is just such a contract. That's the entire purpose of copyright law - so that people can confidently create works and not have to duke it out over reproduction terms every time someone spends $0.25 on the daily newspaper.

      The way the artist makes her money is by having her fans pay her to make and release her work.

      You've got it backwards. She makes money by producing work, and letting the marketplace decide, based on merit, if they want to buy it. In exchange for a share of the proceeds, some companies (publishers, specifically) may provide her with an income in advance, gambling that the work will become popular. Her fans do not pay her in advance, and why should they have to?

      They would produce the movie, send it to reviewers and offer previews and collect their price.

      How? How would they collect it? From whom? When? What stops someone from simply making a copy of the work, and the collecting the price themselves five minutes later in a different venue?

      Further, I do not need to support an artists lifesytle in order to enjoy their work. even under copyright, I can hear things on the radio or borrow copies from the library.

      That artist is (generally) making money when their work is played on the radio. This is exactly because they have negotiated a deal with a publisher that makes sure that is so. The radio station in turn gets to demonstrate a certain type and number of listeners, and sells advertising to earn a living. The fact that you're willing to let the additional layers of the radio station's revenue stream and the more indirect payments that they make to the artists somehow make you look past what you consider to be immoral, coercive artists and their behavior... it's just another example of exactly situational, relative morals on your part. These aren't doctors or ditch diggers that happen to have something copyrighted on the radio - these are people deliberately entering into a career and relationship with an audience largely through that specific mechanism. That you can pretend to ignore that while tapping your fingers to their music, and then go back to calling them immoral when it may bolster your case for not having to pay for your entertainment - that contrast is so plain as day that you must be blind to it at this point.

      Personally, there are artists whose music - no matter how catchy or artfully crafted - I simply find distasteful knowing what I know about their moral position, and to which I therefore won't listen - I have the cognitive ability to hear the music and remember what I know about their politics or personal behavior, and the two can be impossible to separate when that moral position is strident/abrasive enough to interf

      --
      Don't disappoint your bird dog. Go to the range.
    56. Re:Same article 100 years ago... by ultranova · · Score: 1

      So, you're of a mind that we don't need any new elements in our culture - we can do just fine by eternally "remixing" that which has already been produced?

      To quote from my own message, from the very next sentence than the one you quoted:

      And, before you answer, please remember that the foundations of western culture were laid down in times when copyrights were not even dreamed of, so it obviously isn't neccessary for people to produce things, a fact also evidence by the sheer amount of (legal) content available for free from Internet - these messages, Elfwood [elfwood.com, Sourceforge...

      Some of us actually enjoy the experience of reading/viewing/listening-to something new, innovative, and artfully produced. That takes a lot more work than rehashing other people's work,

      Really ? So, to continue with Harry Potter, it doesn't rehash other people's work; wizards, witches, dragons, broomsticks, magick wands - and oh yes, the very concept of magick itself - were all invented by J.K. Rowling ? And a teenage angsty hero, a big baddy that killed his parents, a destined final battle - all of these are original concepts by her, no one has ever used them before ?

      and can involve years of planning, research, practice, abandoned efforts, and yes, marketing when the time comes (so that all of that work can be meaningfully rewarded).

      So ? I'm not forcing anyone to spend this effort, and have absolutely no obligation to reward it. Neither does anyone else, for that matter.

      You ask what's more important, and I say that allowing creative artists to not be your pet entertainment slave is at the top of the list.

      My slave ? Care to tell me how I'm forcing them to do my bidding ? Or are you saying that refusing to obey someone else's wishes for what I can and cannot say or copy makes them my slave ? That must be it, because that is the only thing I've stated...

      If you're right, and real artists are just those people that want to remix, then you should have no problem eloquently persuading artists to waive their copyrights. They have that option right now, and always have.

      I haven't claimed that real artists are "just those people that want to remix" - indeed, such a claim would be completely redundant, since it is impossible to express anything without remixing existing concepts, and therefore a work of art that doesn't remix is without any meaning (literally - trying, for example, to write without referring to any existing concepts will produce just an incomprehensible mess of letters, since it cannot by definition have any words that have an established meaning).

      Nice attempt to make me appear elitist with your strawman, thought. I especially liked how you put emphasis on the word real.

      So, you want what they spend their lives producing, but want other people to pay them to produce it for you?

      No, their lives are theirs, and I couldn't care less about how they spend them.

      You're a parasite, and a hypocrite as well. If you don't like how an author decides to create, sell, and promote her work, just don't buy it, support, or read it. You can reclaim some of your intellectual honesty by simply disregarding the work by people that you say you don't respect.

      Really ? So, by refusing to acknowledge that the concept of "intellectual property" has any validity, but then respecting it anyway, I can regain intellectual honesty I've apparently lost by being consistent in words and deeds ? Your logic is rather... original.

      You might also consider that citing a non-disclosure agreement between advance r

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    57. Re:Same article 100 years ago... by AntiCopyrightRadical · · Score: 1

      I was not referring to the original purchase, and I was refering to the situation where an artist sells her work without copyright existing at all. If I have a copy of a published work, I can redistribute it without harm, the artist has been paid. specifically, the artist has been paid a fair market price for the work not for a copy. This isn't an example of me leaving the singer with $8.95 and putting the thing up on napster. The singer would get thousands of dollars from her fans.
      Republishing a work as your own would be fraud. Copyright has little to do with plagiarism.
      You presume that there would be less content in the world without copyright, even though I have already demonstrated that artists could easily make a living without it.

      Copyright is not a contract in any sense. It is a law. Contracts are consensual, Laws are not. Currently, copyright affect me even if I never had any dealings with the author whatsoever. If someone anonymously mails me a copy of Harry Potter, I am legally prohibted from copying it. There is no contract there. I do not have it backwards, I was refferring again to a copyright-free situation. (street preformer protocol)

      How? How would they collect it? From whom? When? What stops someone from simply making a copy of the work, and the collecting the price themselves five minutes later in a different venue?
      From anyone who wants to see that movie. It would be difficult for anyone to collect a price again in a different venue because the work would be already published by then. Again, the Street performer protocol is not complicated if you bother to think about it. It is a true free market of information. You have information we want, we will pool our funds and buy it from you.

      Are you against capitalism?


      If you want to boycott an artist based on a moral position, fine, but don't pretend that that is a prerequisite for having a moral position.
      I enjoy a work as a work based on it's own merits. That doesn't make me a moral relativist.
      The centrality of copyright in my relationship with the artist is remedied by not respecting the copyright. By not buying their copies, I do not strengthen that system. They have released it to the public, I have a righ to copy it.

      Further, this talk about my (or your) moral character is not relevant to the actual issues.

      I did start using the term immoral, but you are the one that asserted this must imply a complete rejection.
      I fully support artists being paid for their work. I have been making great efforts to describe a system by which they may do so in a free market.
      My initial statement actually meant to imply that it would be increasingly difficult for them to rely on copyright in a world where everything is easy to copy. They should switch to moral methods both because it is right and becasue they will work more reliably.


      Where did you get that idea?
      Because that is what he has done.

      I asked you if his fans should form some sort of collective to keep feeding him money while he works on his next book... or whether it might just be easier to buy his books as he's asking that you do.

      Yes, his fans should, and he is free to ask them to buy his (licenced) books.

      He is not free to sue me or put me in jail when I copy them, that is the immoral coercion.

      I don't think clicking on paypal links for movies you want to see constitutes 'full time speculation'. One way for you to support musicians or authors would be to buy copies from publishers that have contractual agreements with the author. You would pay a premium for the copy, but you would promote the artist. Studios could use the same model with theaters and official DVD's.
      In pure the SPP model, a variety of agents would arise so that you could fund the art genres or artists of your choice without tracking everything. In the internet age, there would likely be a nonprofit website to do just that.

      Supply and

      --
      Abolish Copyright. Restore Freedom.
    58. Re:Same article 100 years ago... by AntiCopyrightRadical · · Score: 1

      Your line of thought is somewhat absurd.

      Me: I have a right to copy information, copyright is an unjust infringement on this right.
      You: Fine, but if you're not going to get the permission of the artist, then don't even look at his work, let alone copy it.

      Your attitute is presupposing that the artist has a say in what I do with public information. You miss the point that we are talking about freedom, and ask us to self-censor on account of your view of morality.

      That is absurd.

      --
      Abolish Copyright. Restore Freedom.
    59. Re:Same article 100 years ago... by notasheep · · Score: 1

      "I am aware of the four factors used to determaine if a use is fair. Please consider:
      1) Newsweek prints quotes from copywrited works. Newsweek makes money from ads it sells partly on the basis of its book review section."

      True, but they don't include the entire works across a series of articles without the permission of the copyright holder.

      "2) The nature of the works copied are immaterial to Google. They are copying everything."

      True, which means they are copying works that fall under fair-use, and those that don't.

      "3) You only have access to tiny parts of the copywrited works. This is actually the crux of the argument they will make in court."

      That is their argument, but it a bad one - and one they've already failed at. People are already able to download entire works by playing with the parameters Google uses to provide access to the works.

      "4) Where possible they will provide links to booksellers: their making the text searchable increases the potential market for the copywrited works."

      So helping companies market their products against their will is a good thing? How much incremental revenue will they gain versus what they will lose? Many people buy works to get access to specific information. If I can access that information via search without having to buy the work I'm not going to fork over the dough. Publishing (books at least) is a very low-margin business and publishers should be the ones to choose the return on their investment - not Google.

      --
      Your mind looks a little cramped. Why don't you stretch it a little?
    60. Re:Same article 100 years ago... by helicologic · · Score: 1

      1) Newsweek provides access to a tiny portion of the work, for their own (minimal, on a per use basis) profit, without the permission of the copyright holder. Google will do the same.

      2) Because Google will allow search across everything, the argument that they have copied any one work for their own profit fails. This is the significance of copying everything, not just selected works.

      3) They have not already failed at this argument -- it hasn't come to court. If people find a way to misuse the service in the way you suggest, Google's liability will be in proportion to the actual infringement that occurs. If there are 10E7 searches a day, and fewer than N cases of infringement (download of totality of a copyrighted work) then the court will accept the argument. The only question is the acceptable value of N, which, by precedent, need not be 0.

      4) The question of revenue gain versus loss is relevant. A copyright holder will not be able to argue successfully that they have lost revenue, without being able to prove it. My guess (I'm betting with Google here) is that that will be extemely hard, mainly because it will be false. i.e. those links will in fact bring in publisher revenue.

      I'm afraid you won't find me shedding a tear ("poor publishers") for the conglomerate corporations that have lobbied the US congress to extend copyright terms to absurd limits.

  2. Industry Revenues... by lordsony · · Score: 5, Insightful

    Maybe we shouldn't worry so much about the lost profits, but more about the knowledge we made avaible to the world...

    1. Re:Industry Revenues... by Anonymous Coward · · Score: 1, Interesting

      Why don't you go ahead and create new knowledge and give it away for free? Take your own money to build your own laboratories, do your own experiments, etc. and give that away to the world.

    2. Re:Industry Revenues... by McLetter · · Score: 1

      I agree that the knowledge we gain from this completely outweighs the lost profits..

    3. Re:Industry Revenues... by notasheep · · Score: 1

      That would be a great philosophy for you to run your own life by. If you work, just start doing it for free and make your time available to the world...

      --
      Your mind looks a little cramped. Why don't you stretch it a little?
    4. Re:Industry Revenues... by notasheep · · Score: 5, Insightful

      Easy to say when they're not your profits... Why don't you donate your next year's salary to your local library so you can increase the amount of knowledge available to your community?

      --
      Your mind looks a little cramped. Why don't you stretch it a little?
    5. Re:Industry Revenues... by lordsony · · Score: 1

      It just seems to me like the only goal everyone is trying to achieve is profit. Which is natural of course as we are living in capitalism. But: The primary function of a book is to record and SHARE wisdom and google does just that - just like a library does. Shouldn't the wisdom-sharing-part be more important for a society-progress as a whole than the profit-margin?? *Singing:Capitalism stole...my virginity...*

    6. Re:Industry Revenues... by Anonymous Coward · · Score: 0
      just start doing it for free and make your time available to the world...

      Why not, it worked for Open Source Software.

      It could work in real life.

    7. Re:Industry Revenues... by chill · · Score: 2, Interesting

      A great deal of the research and publications generated by these universities are done so at the public expense. Tax dollars, grants, etc.

      That info needs to be available to the taxpayers for use as they see fit.

        -Charles

      --
      Learning HOW to think is more important than learning WHAT to think.
    8. Re:Industry Revenues... by McLetter · · Score: 1

      I agree that the knowledge we would gain from this comletely outweighs the lost profits. This would be a huge ammount of information that everyone could benefit from in a huge way. The advantages are worth the losses.

    9. Re:Industry Revenues... by lullabud · · Score: 1

      With Google providing all the media, the library won't cost nearly as much to run since fewer people will be checking out books, CD's and DVD's. They can fire a few librarians and there you go, a few year's worth of salary saved.

    10. Re:Industry Revenues... by ArsonSmith · · Score: 1

      Probably because he is already forced to donate a portion of his salary to the public library under threat of force and detainment as it is.

      --
      Paying taxes to buy civilization is like paying a hooker to buy love.
    11. Re:Industry Revenues... by MikeFM · · Score: 1

      We are. I personally write code, articles, produce artwork, make videos, write stories, do research, invent things, etc - all released for free. I'm certainly not the only one here that's doing that I'm sure.

      That doesn't mean there isn't anything to be gained by releasing existing works too. It's all the property of humanity. The creator has the right to profit off their work but not to horde it forever. If it's a work of any value then that loss to the human race would be to great to allow that sort of selfishness.

      The article even says that some of these protesting publishers don't even have the titles of all the works they've released let alone copies of the works yet they're protesting making digital copies available. What kind of a loss is it for us when works are just lost in time because nobody is allowed to store backups?

      To bad that most people today care more about buying a fancier house and car than about their fellow human beings. Damn the good of the public and of future generations so long as I have the biggest SUV on the block!

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
    12. Re:Industry Revenues... by MikeFM · · Score: 3, Insightful

      At least I don't use the law to keep myself paid. I actually keep producing work so that I can keep getting paid. Funny that if I stop working then I stop getting paid. Rough isn't it? Other's keep using the fruit of my labors but they don't keep paying me over and over?! Shocking.

      Publishers just want the benefit of being paid over and over for the same work rather than having to create new works. Nobody else enjoys such a benefit. Let them profit from selling the physical books (which some of us quite like) but do they really need the sole right to reproduce that content?

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
    13. Re:Industry Revenues... by MikeFM · · Score: 1

      I've tried. Unfortunately users are cheap bastards who will gladly use the fruits of your labors but rarely bother making any sort of return gesture. No donations, nobody offering free rent, etc.

      I do think it can work but not until non-geeks learn that giving can be more beneficial to themselves than taking. I do think it needs some sort of capitalist skeleton though as a pure gift society is difficult to maintain. It's pretty simple. Even if something is free you should still pay for it if you use it. Pay what you can afford and what seems a fair price. Free means you can set your own price not that you shouldn't pay.

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
    14. Re:Industry Revenues... by KillShill · · Score: 3, Interesting

      how about we donate our time and energy writing and making new compilations in our spare time and help out those less fortunate gain access to fundamental public domain knowledge?

      copyright is an abomination, in terms of mother nature and human morality.

      it is UNNATURAL. that much is certain. the original agreement between the public and the authors was that they would have a limited monopoly after which the information/knowledge would fall BACK into the public domain.

      everything that is published by default is in the public domain. but through copyright, we're trying to encourage new works that in a few measly years would become widely available to the public for just the price of duplication. NOT waiting after the heat death of the universe for it to come back to the public domain. NOT having laws like the DMCA and all the like preventing us making use of products we paid for.

      the cartels broke the contract. period. everyone is entitled to judge for themselves if they wish to continue with copyright law is as or if they wish to rewrite it for themselves.

      and as for the shills who argue straight-faced that copyright = property, why is there any time limit on it then? clearly, property belongs to you forever (forever as in scientifically, not the supreme court's time dilation experiment which makes 100 years + authors life seem "limited").

      that's the argument you make when shills bring up that copyright is a natural right, like property rights. then by that definition, it should, logically and ethically, belong to that person forever.

      no, the original contract (and even the extremely perverse version of copyright laws we have now) say that the author is given temporary exclusivity to their "compilation" (knowledge isn't created or destroyed) in order to promote progess of science and the arts such that the copyrighted material is soon brought BACK into the public domain from which it sprang.

      you cannot promote progress of science and arts through the use of property rights... because property rights last forever... even if the owner dies, they can leave it to their children and so on.

      so no, the shills have it wrong and hope we aren't paying attention.

      copyright is an UNNATURAL right GRANTED by the government on behalf of the public to encourage progress in the science and the arts through having a LIMITED (that's like saying if i have a penny, then i am almost a millionare... too bad sane judges would throw you out of court if you argued that using that type of logic) monopoly, from which the author would profit and then give it back to the public domain from which it came.

      throw that in the shills' faces when they have the nerve to hide among us and promote their sick and anti-public agendas.

      the contract is severly broken. any other legal contract that was violated would be decided by the courts but money speaks louder than logic and contracts. and frankly, the dumbasses in the supreme court thought that 100 years + the authors lifetime is LIMITED. they need to have the decency to say they are incompetent and step down.

      and please no replies about how this is all about "piracy" because as you have noticed, the argument isn't even remotely related to not paying for products. it is about cartels that broke the agreement. and if you do see people trying to make this about "piracy", call them for what they are.

      --
      Science : Proprietary , Knowledge : Open Source
    15. Re:Industry Revenues... by Oligonicella · · Score: 1

      "Nobody else enjoys such a benefit. "

      Anyone who holds a patent or copyright enjoys that type of benefit. If you create and sell clones of a TV, then you're breaking patent law. If you create and distribute copies of a copyrighted work, then you're breaking copyright law.

      "... do they really need the sole right to reproduce that content?"

      Uh, yes. That's how they get their money. People purchase legally printed and distributed materials. The publisher entered into a contract with the actual owner of the copyright to "rent" it for a while. That contract usually gives them sole privilege during a certain period or for a specified run, etc. Each contract is different.

      I think Google will get slapped down on this one. From the article:
      "We're not aware of everything we've published," Sanfilippo said. "Back in the 50s, 60s and 70s, there were no electronic files for those books."

      A distinct difference between Google and a library, by the way, is that someone, somewhere purchased the book the library has on shelf. Google is scanning and providing to search materials they have given not a cent for and will make money from advertisements appearing on the page.

      Google has unilaterally decided publishers need to opt-out. Perhaps someone could convince Google to eliminate ads from pages that contain links to works they haven't had clearance for. That would be much closer to the "fair use" like libraries provide and they wish to claim. They exist to make money, after all.

    16. Re:Industry Revenues... by Oligonicella · · Score: 1

      From kavlon.org:

      "A job in R&D at Google or game development at Square Soft are currently my dream jobs but those punks still haven't called me!"

      Apparently not all of your code, research and inventions are up for free.

      You're free to donate to the world all that you wish and keep for yourself all that you wish, as am I and other copyright holders.

    17. Re:Industry Revenues... by notasheep · · Score: 1

      All right, then let's let publishers donate only a portion of their copyrighted works to Google print. Oh wait, they did that but Google wants more.

      --
      Your mind looks a little cramped. Why don't you stretch it a little?
    18. Re:Industry Revenues... by Oligonicella · · Score: 1

      "Free means you can set your own price not that you shouldn't pay."

      "No donations, nobody offering free rent, etc."

      Your real-world experience seems to invalidate your philosophical view. Reality trumps the abstract always.

    19. Re:Industry Revenues... by MikeFM · · Score: 1

      My work is free, not my time. Once it's produced it costs me nothing to give away duplicates for free. I only get so much time in life so I charge for that.

      You can open stuff and still get paid. Duh. Obviously you've missed such invents such as the Internet and open source. Thinking that you need a monopoly to get paid is just stupid. I get paid because I do give away so much. People want to keep me producing and they want me to produce the things they want. A monopoly only helps if you're not good enough to keep producing or are easily replacable. Everything I release for free is part of my resume.

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
    20. Re:Industry Revenues... by MikeFM · · Score: 1

      In what way? I do what I've had work for me. I use what others freely give and I return part of the profits I see to them freely. Likewise I freely give and assume people should return part of their profits to me. In their own best interests. An intelligent person would realize they won't have resources to build from if they horde all the resources they can lay hands on. Individuals are very limited - only as a collective can we succeed.

      Reality is simply the way things are. It isn't the way things would function best if people were smart enough to make wise decisions. Ever done tech support? Obviously, the majority of humanity has the collective IQ of a chimp. It'd be more profitable to only share the fruits of our works amongst our own like minded people but we give equally to everyone in the hope of bettering everyone. It costs no more to copy IP to everyone than to copy it only to those who share back.

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
    21. Re:Industry Revenues... by Anonymous Coward · · Score: 0

      At least I don't use the law to keep myself paid.

      Does that mean i can come into your house and take everything you own and you won't report me to the police? Publishers seek benefit from existing assets in the same way that you receive benefits from your assets, it's just that their benefit is a cash revenue.

      Publishers rely on existing works to pay for new ones. I read somewhere that something like only 1/5th of published books makes a profit and therefore anything to dent these profits is likely to reduce the number of published books. And also drive less choice as then the publishers are less likely to publish things that they think may make less or no profit on as they won't be able to afford that gamble.

      I would have also thought there is an argument about fair use that can be made in that it does not apply in this case. Google makes use of the full book for commercial purposes but limits it to only a portion per person. I think the lawyers are going to have fun (get paid lots of money) on this one. I thought fair use meant that you could only utilize certain amounts of a published work non-commercially, not utilise it all commercially but just give the end user little bits of it.

    22. Re:Industry Revenues... by Elad+Alon · · Score: 1

      The next logical step to "not using the law to keeping oneself paid" is "not using the law to keeping one's possessions." When you ascribe to that policy too, give me a call, so I can pay you a visit. Don't worry about fitting me into your schedule, in my line of work, we're accustomed to dropping by when the client's away.

      --
      News for merdes. Shit that matters.
      Ask me about my sig.
    23. Re:Industry Revenues... by adtifyj · · Score: 1

      I dont give my salary to the local library because in this age, that is not the most viable means of getting the knowledge to the people. I rarely use the library.

      However, I do build simple PCs for people without one, because they can usually afford the internet as a replacement for cable TV or some other luxury entertainment item.

      A librarian is an archivist. The sooner they can stop grotty hands being all over their books in order to keep the public purse strings open, the better.

    24. Re:Industry Revenues... by budgenator · · Score: 1

      Fuck that burn then damn bitches to the ground, I can't tell you how much those free-loading hippie book loaning pinko-faggots in libaraies piss me off, letting people read books for free is the most moraly reprehensible thing I can think of! We should lock them up with the pedophiles.

      Tell you what cowboy, if reading 20 pages of a book kills your profits, somebody should put a bullet in that lame horse's head. If publishers had a clue, and pulled their heads out of their asses, they'd be scanning their own books after 2nd run and giving it to google and buying an ad to their own site's ebook version of the whole thing.

      --
      Apocalypse Cancelled, Sorry, No Ticket Refunds
    25. Re:Industry Revenues... by MightyYar · · Score: 1
      Oh, come on... surely you see the difference between anti-theft laws and intellectual property laws?

      Intellectual property does not really exist. In nature, if you think of something and tell someone, now they have it too. But they didn't take it - you still have it. Information cannot be stolen.

      A gold brick, on the other hand, exists. If you possess a gold brick, and you share it with someone, now you have some fraction of a gold brick.

      Stated another way, a gold brick has an inherent value whereas information is only worth what the law says it is. The whole concept is artificial.

      Further, no one has a "right" to make money off of their work. What drives copyright's existence is society's desire for more information. We (as a society) have decided that the best way to get more information is to let the producer of the information have exclusive control for some period of time.

      Most people don't contest the existence of intellectual property laws, but many think that the original terms (around 15 years iirc - similar to patents) were more reasonable.

      Personally, I think that any non-commercial use should be fair game. I don't think that we'd lose too many producers if copyright laws were restricted to the commercial sector.

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
    26. Re:Industry Revenues... by MikeFM · · Score: 1

      Okay, do I still get to use my hunting knives to protect my property? I promise not to call the cops if you won't.

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
    27. Re:Industry Revenues... by Trailwalker · · Score: 1

      The Henrico County Library system leases best sellers and works by popular authors from an outside provider. Depending on the estimated demand, the library receives a couple to a couple of dozen copies. Henrico isn't the only locale where this is done.

      This provider buys the books in very large quantities. They get a very good per copy price. Perhaps, they purchase enough copies that they can get a special "recduced price" printing.

      After the lease period, the books are returned to the provider, and, my guess, end up in used book stores or a recycling facility.

      This allows the publisher to have larger institutional sales while allowing the local library to have popular publications at a reduced cost.

    28. Re:Industry Revenues... by Anonymous Coward · · Score: 0

      Sorry your analogy to a gold brick is flawed. The gold brick has no innate value, only that imposed upon it by society. If gold became illegal tomorrow in every country in the world (unlikely) it would have no value as there would be no legitimate way to convert it into utility.

      Equally a gold brick can be used as collateral for something. You haven't given up possession of the item yet you would gain benefit from it.

      The idea of a creative works copyright lasting for a long time stems from the idea that this can be re-used. If for instance an author comes up with the idea for a character then that is their idea and can't be freely used until after they are dead or give that right away.

      Just because IP generally relates to something that has no physical form (except when embodied) does not mean that it has no value. I'm sick and tiered of the information should be free lot trying to apply this to things that are not information, pure data (apart from DNA sequences) can not be patented or held as IP (in the UK at any rate).

      There was a large concern over DNA being copyrightable, but this was a trade off to allow for a possible return on the large investment it costs (or at least used to) to make the sequence.

    29. Re:Industry Revenues... by Anonymous Coward · · Score: 0

      Easy to say when they're not your profits... Why don't you donate your next year's salary to your local library so you can increase the amount of knowledge available to your community?

      Done. Well, at least after 20 or so years of property taxes, one has probably donated about a year's worth of salary to some local government. A large sum of that money is used for education, including libraries.

      Libraries have always been attacked by publishers, for I think a very simple reason. The most common thing for a book to do in its lifetime is sit on a shelf. Effectively, the actual use gotten from a book is a very tiny percentage of its potential value, and libraries capitalize on this. At most, libraries only have to own books in a very small ratio to the population. It's likely that it's not even a ratio, but a sub-linear function of the population. That's bad news for publishers, because it means that once libraries exist in cyberspace, even with draconian copyright law it would be *easy* for google to buy, say, 10 copies of every book on earth, and possibly more of some more popular books, and arrange it such that no "virtual book" was ever read by more than one person at a time. In fact, it's debatable whether Google would need to lock entire books at a time, wouldn't page level locking suffice? In that case, I would estimate that google would only really need one copy of every book on earth, and maybe at most 10 copies of very popular books. The cost is on the order of, say, billions of dollars, but it would effectively make knowledge free forever.

      Those are the kinds of odds the publishers see, and why they hate libraries, and why they love you to shill for them.

    30. Re:Industry Revenues... by MightyYar · · Score: 1
      Gold has no innate value? It makes fine electrical contacts...

      Perhaps my analogy was a bit flawed since I picked something that is also used to replace barter. Replace "gold brick" with "sandwich" or "car" and my point stands. Physical objects have a value, and that value is lost when one is deprived of the object. IP has no intrinsic value. If it did, then a patent wouldn't be completely worthless after it run out. Find me someone who will pay for an expired patent, or any other idea that is not protected by the government. If I am walking down the sidewalk humming a tune to myself, and a passerby remembers the tune later and hums the same tune, then I am not deprived of anything in any way. It is very unlikely that I will even know that someone else has my tune.

      If you broadcast sound waves, radio waves, or photons and they hit me, why can't I keep them - or at least record their presence? Because we have decided that we should encourage the creation of more. It is hard to say that this is natural, however. If you were lobbing oranges at me, it seems more natural that I should be able to keep them. I'm not saying that I have a problem with this arrangement, per se - just pointing out how artificial it is.

      My father-in-law lives in the Bahamas. He uses a chipped DirectTV receiver. Should he feel guilty? No! His country doesn't forbid this, so DirectTV is broadcasting radio waves through a society that does not agree with our society. That makes him neither a thief nor immoral. DirectTV loses nothing, because he hasn't deprived them of anything. Their ability to serve their customers in the States is not compromised at all. Their business model depends 100% on the whim of the US government. Can't get much more artificial than that!

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
    31. Re:Industry Revenues... by Elad+Alon · · Score: 1

      This is actually were I was first intending to go - him not using the law to protect himself from bodily harm.

      --
      News for merdes. Shit that matters.
      Ask me about my sig.
    32. Re:Industry Revenues... by Elad+Alon · · Score: 1

      Who cares what goes on "in nature"? There's nothing sacred about the situation as it is now, and there's nothing sacred about the situation as it was back then. It's completely "natural" for me to kill you to get a better chance with your wife, about whose consent I may subsequently not give a damn. We have laws forbidding this that because it's convenient (to prevent these things from happening), not because it's the "natural/moral/whatever order of things". And we have these laws because keeping it from happening to your neighbour, even if you don't like him very much and wouldn't bother about his iterests otherwise, is a good step towards keeping it from happening to you. Other than that line, we're pretty much in agreement about the necessity and function of the laws. Except, I don't fall into seeing the law as trying to embody some hypothetical justice. I see it as a struggle between often conflicting interests. And not getting to have your work go down the drain because someone has made it impossible to stop people from stealing it is an interest that isn't that fundamentally different to keeping your stuff yours. It's an interest that's in conflict with yours and mine, and we will prevail upon it in the courts, but my original post was about some guy bemoaning the using the law.

      --
      News for merdes. Shit that matters.
      Ask me about my sig.
    33. Re:Industry Revenues... by MightyYar · · Score: 1
      I am not arguing that "natural is better". I am pointing out that there is a difference between a crime in which one is deprived of something and a crime in which someone is not. You were equating the two crimes, which is what I was disputing.

      I agree that laws are just a means to settle disputes. How else can you explain that murder is bad unless it is dished out by the state? Well, is it wrong or not?

      My opinion is that we should be more wary of laws that protect something that has been artificially created than of laws that protect what is already possessed. Also, I think that you are mistaken in your reasoning for murder laws. In the case of you "taking" my wife. Well, I wouldn't make it easy for you. If you tried to take her, I would try to stop you. If you succeeded in killing me, my brother would then strike back. If he killed you, then your family would seek vengeance on mine - and this would go on forever. Every culture has addressed this in some wary. In ours, we allow the government exclusive rights to the use of force. However, there are other ways. In some Middle Eastern cultures, if a member of one tribal unit kills a member of another tribal unit, then a member of the killer's tribal unit must be killed to settle the debt. This kind of thing has been going on for thousands of years. Copyright and patents, on the other hand, are a pretty recent construct. Societies do not descend into chaos because people start whistling each other's tunes or constructing copies of each other's widgets. Societies do descend into chaos when every spare moment and resource is spent protecting life, limb, and property. There is a very fundamental difference between these two types of law - which is why we treat them differently.

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
    34. Re:Industry Revenues... by Elad+Alon · · Score: 1

      You need not tell me why it would probably be unwise to kill you and etc. (maybe it would have been more politically correct of me to say "and rape your husband"), the laws I were talking about would have been nothing but hot air were they not enforced by someone whom I couldn't bring down or avoid. I also didn't go into the whole intellectual property issue. My only beef was with the claim against those guys "using" the law, to which I responded by saying that the law is a tool which we all use. By the way, the intellectual property issue goes a bit beyond "defending something which does not exist", as I am sure you are well aware. Those laws protect the time and effort exerted to produce those things. We're not talking someone patenting straight dots here, we're talking about the labour of people who have written hundreds of pages (a labour which goes far beyond the meager task of just typing those pages, needless to say), as well as the risk taken by those who invested in publishing those pages (if you can't feel sympathy for a faceless corporation, think about an author who got published with money loaned to him by friend and family), and the labour of hundreds of other people involved in the process of bringing this book to your screen or doorstep.

      --
      News for merdes. Shit that matters.
      Ask me about my sig.
    35. Re:Industry Revenues... by MightyYar · · Score: 1
      "Those laws protect the time and effort exerted to produce those things."

      This is my point of disagreement. IP laws are implemented as incentives to get people to spend more time and effort creating things. IP laws CREATE the market for IP. Without IP laws, IP is worthless... Property has value - you just said you would be willing to kill me for something if the government didn't exist. If the government didn't exist, would you kill me for the right to sing a song? No, because you wouldn't have to - you are perfectly able to sing the song without killing me, even if I created the song.

      You mention that the law is there because people worked hard on IP. This is simply not the case. You can work 30 years producing a song, and if no one buys it - you get no compensation. IP laws are supposed to be an incentive for creation - the law makes no provision for labor. In fact, you could conceive of one song that takes you an hour to write, and then becomes a hit. You could then literally live off of that song for the rest of your life because of IP law. If IP law was intended to protect work, then it would protect live performances or something that actually required ongoing work.

      Again, I am not saying that IP law is bad - just that it is not in any way as important as laws that protect a person or physical property.

      Put it in terms of importance to society if you like: Remove murder laws. Frankly, urban society would collapse. Remove car theft laws. No one would be able to drive, because no one would be able to afford car insurance. Remove music protection laws. Universal, Sony, etc. would go out of business. The guy in the subway would still sing for handouts. The symphony orchestra would still play. You could still go to a concert in the park. I think a lot fewer people would become musicians, and CDs may never have been invented, but society would still function pretty much the way it has, with less prerecorded music. Remove patent laws and technological progress would slow way down, drugs wouldn't be as good, etc. But again, human society would still be very similar to today.

      You are acting as though I am anti-IP, and I am not. I don't have to feel sympathy for an author in order to see the merits of IP. Frankly, an author's effort or struggling matters not one whit to me. If I want novels to read and music to listen to, then I realize the need to encourage someone with some incentive. No argument from me!

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
    36. Re:Industry Revenues... by Elad+Alon · · Score: 1

      I'm surprised to see we've carried our disagreement all the way into the land that lies beyond good and evil. The question isn't whether I'd be willing to kill you for your song if the government didn't exist and you were willing to let me sing it. The question is 1. whether you'd be as willing to create the song (supposing it took a lot of time and effort), knowing you have no guarantee of payment and 2. if you wouldn't then band with some other makers of song and dictate by brute force, or by all of you going on strike together, that songs are not to be sung (maybe just in front of an audience, maybe also in private) without the payment of royalties to its writer? Sure you would, if it was economical.

      That's what these people are doing now (more so middlemen who rake most of the money into their own pockets, but that's an entirely different (non)issue). Only question is, should we let them? As you explain yourself, the answer is no. But your "no" may be a lot less emphatic if you think about your favourite authors instead of some 17 years old pop "star" and his agent. Especially since you seem to be (just) a little heavier than me in the conscience department.

      I think we misunderstand one another on the asides rather than disagree on the actual points.

      --
      News for merdes. Shit that matters.
      Ask me about my sig.
    37. Re:Industry Revenues... by MightyYar · · Score: 1
      I agree that it is odd that we keep going back and forth but seem to agree on all but the finer points. I suppose it is that way with religion as well :) My point of frustration is just that you seem to consider ownership of physical property to be equivalent to owning something that the government has granted you a monopoly to sell. Historically, these two things evolved independently and for very different reasons.

      Of course, on the question of "how powerful should our IP laws be" there is a lot of room for discussion. My personal belief is that we would be no worse off if we reigned in copyrights to maybe 30 years. I don't think anyone really factors in more than a couple of years when they are working. For instance, I get paid by the hour! Companies are even less likely to plan for the future. The longest-term investments that you can buy are 30-year bonds! I find it hard to believe that a 90-year copyright really benefits society.

      A more-controversial stance that I have is that very little harm would come to the creative market by lifting non-commercial IP laws. In other words, you can use IP in any way you wish as long as it is not bought or sold. How many would photocopy a book for their friend instead of just buying it? Napster and Grokster would still have lost their cases, since they were making money off of other people's copyrighted works. In more pragmatic terms, it would just legalize what is being done today anyway. I don't know anyone who even considers IP when copying a CD for a friend or making a copy of a DVD/VHS that they rented. And yet the creative industries are marching on...

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
    38. Re:Industry Revenues... by Elad+Alon · · Score: 1

      I see bread and butter as the same thing is some regards and different in others. Same with intellectual and material property. You've established yourself why the two are different, and I, of course, agree. But the two are also similar - both are things (to some extent) people have an interest of declaring an ownership on, that declaration of ownership boiling down to "if you don't play with these things by my rules [you can see my car, but not drive it - unless it's an "emergency", or...], I'll kick your ass. I banded with this guy and that guy, and they'll help me kick your ass. By the way, you can join us in this ass-kicking cooperative, since we currently have more use for another set of kickass legs than a new pair of boots."

      Under this logic, the question to "how powerful should IP be?" is "how powerful is it comfortable for us to have it?", and I think you see it this way too. I agree we may all, on average, be more comfortable with it being cut down to 30 years, and I add - longer for works that are produced more slowly and/or consumed more slowly, and things where the profit margin relative to the production cost is higher. The vast majority of people get to know, like and than forget a new hit song within a year of its debut. Not so with a new book.

      The last paragraph, the one you labeled controversial, I completely agree with. Unenforceable laws benefit no one, and making them enforceable would cost us too much in the way of liberty.

      --
      News for merdes. Shit that matters.
      Ask me about my sig.
    39. Re:Industry Revenues... by MightyYar · · Score: 1
      Alright, so I'll file this whole thread under, "Would have been a 5-minute conversation over a beer."

      :)

      At least neither of us compared the other to a nazi...

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
  3. Brick and Mortar?? by Artie_Effim · · Score: 3, Insightful

    If someone could explain to me the difference between this and a real LIBRARY I would love to hear it. Other than of course, the full text search available at my fingertips, the quick to get, no return fee aspect. I mean, the information is already 'free' it just becomes available in another media format.

    1. Re:Brick and Mortar?? by notasheep · · Score: 2, Insightful

      OK.

      1)Real LIBRARIES either pay for the books or receive them free from publishers. Either way the publisher gets what they expect out of the deal.

      2) There are limited numbers of copies available in a library, meaning if people really want to read a particular book today they may have to buy it. Online, there is no such restriction.

      --
      Your mind looks a little cramped. Why don't you stretch it a little?
    2. Re:Brick and Mortar?? by Anonymous Coward · · Score: 3, Insightful



      Well, the primary difference would be that millions of people can access the file simultaneously, whereas in a library, only one person can check out a copy at a time. So... let's say that a library has one copy of a book, and each person checks it out for one week. In one year, that library would only serve 52 people that book. But Google's library could serve thousands of people simultaneously, with no check out/check in to limit it's use. If a library wanted to serve more than one person at a time, it would need to buy additional copies of the book, which would pay back to the publishing company, printing company, distribution company, author.. etc.

      So there's a huge difference there.

      What publishing companies could do however, is set up licensing like software companies do. You can buy software for single use license that says one user for one copy. or you can buy a multi-user license at varying levels for varying prices depending on how many users you want to have using it.

      So Google could purchase a distribution license from the publisher and set the maximum connections to the file depending on the scope of that license.

      Also, there is the additional problem that books in paper media are really hard to reproduce. The easiest way is to break the binding, load it into a photocopier and make crappy copies of the text that way. Not a saleable item either way. You COULD go through the effort of scanning, OCR, layout, and re-print in a nice format, if you wanted... So by making all these books into text format that makes redistribution outside of the license very, very, very easy.. much like the situation with CDs/DVDs/mp3s/Napster/etc.. or the situation software companies have always faced with software pirating.

      So... it means that if we're going to take books into the digital realm, we're going to have to deal with things like licensing schemes, registration schemes, encoding, things like that, in order to keep the industry profitable, and thus in existance.

      However, it will hurt at least some aspects of the industry, and probably increase other aspects of other industries.

      Hopefully it will mean more people will read books more often, which is always good for society.

      _illium
      (sorry no user account here).

    3. Re:Brick and Mortar?? by TrippTDF · · Score: 2, Insightful

      The difference is that the library (or someone donating to the library) paid for the printed matierials. In other words, some money was given to the author (supposedly).

      Also, the number of people that are reading a book at a library is equal to the number of copies of the book the library owns. Any number of people could be reading the same text on the internet.

    4. Re:Brick and Mortar?? by MikeFM · · Score: 1

      Maybe if libraries that have copies of the book would lend Google the right to lend a virtual copy of that book whenever the real copy isn't checked out? Combined with some sort of access control to reading the full copy from Google I'd think this would be legally acceptable. I doubt you'd even need to use DRM. Just force users to read the book from Google (rather than downloading) and only one person can check it out at a time (with an auto-release between reading sessions).

      It's always been my understanding that I could lend a copy of some media I own so long as only one copy is being used at a time. (I usually use copies of CD's and DVD's while the original is kept safe.) I've wondered why libraries didn't use this to their advantage to extend the life of their media and expand their collections. They could literally produce one off's of requested works from a central database, paying for those works or sharing a token as described above only as needed and avoid storing a lot of copies physically.

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
    5. Re:Brick and Mortar?? by Anonymous Coward · · Score: 0

      the average public library probably isn't going to be able to afford a system like that anytime in the near future.

      Would be fun to play with though.

    6. Re:Brick and Mortar?? by Anonymous Coward · · Score: 0

      Wouldn't something like this be akin to lexusnexus? Those fees are very high.

    7. Re:Brick and Mortar?? by JourneyExpertApe · · Score: 1

      If someone could explain to me the difference between this and a real LIBRARY I would love to hear it.

      There are two main objections that publishers have to this. First, in a library, there are a limited number of copies. If a book is really popular, the library may choose to buy multiple copies so more people have a chance to check one out. To see an example of this, just try to check out a Harry Potter book around the time a new one is released, or try to check out a book that has recently been turned into a major motion picture. With books available on the web, thousands of people around the world can browse the same copy of the book at the same time. For example, there is a database with science and engineering abstracts from thousands of journals available at my school. But the company who compiles this database requires special software to be used that allows only one person to search it at once. The Uni would have to purchase multiple licenses if they wanted more people to be able to search it at once. And this database just contains abstracts.

      Second is the fear that if a book is digitized, it can be copied, and then you won't have to go through the "library" to access it again. In a library with paper books, even with a photocopier, copying a book is labor intensive and costly.

      --
      If you can read this sig, you're too close.
    8. Re:Brick and Mortar?? by Anonymous Coward · · Score: 0

      While it is labor intensive, I can check a book out from the library, scan it in an hour or two, run it through OCR, and voila! my own personal ebook. The latest Harry Potter was available as an ebook within a day of release.

      Right now, I only do this for books in the public domain for Distributed Proofreaders http://www.pgdp.net/, and depending on the binding, I can do 3-12 pages per minute.

      Personally, I do not see Google getting into making hardcopies for two reasons: First, I believe their OCR is good enough for approximate search, and not a true digital copy suitable for on-demand printing, and second, they're not interested in trying to figure out what books published after 1922 are really public domain because they were not renewed.

      IANAL, but as long as they severely limit the search results, I think it will be hard to argue that the search results return more than what is acceptable with fair use. However, I think the copyright holders might be able to argue that borrowing a book from a library to make a permanent copy of their own is a copyright violation. I personally think that unless these publishers are mostly printing PD texts (with or without new copyrighted material like prefaces by some scholar), including their work in Google Library is a win-win situation for Google and the publisher.

    9. Re:Brick and Mortar?? by adtifyj · · Score: 1
      There is one difference that Google Library has vs Brick and Mortar. If / When Google Library becomes ubiquitous, Google will be able to hold publishers or other sellers to ransom.
      For example, Google could:
      • Only offer "Buy this book" links to Froogle,
      • Only offer "Buy this book" links to the publisher,
      • Alter the results, giving preference to books listed by publishers or online seller,
      • Introduce purchasing of e-books,
      • Purchase a number of physical copies of popular books, and lease an e-book of it online to paying customers
      • Become an e-book publisher
      While I believe that the current management of Google will do no evil, management in other companies would be fools to accept this as an axiom. So, publishers need to keep their distribution channels many, and in competition.
  4. Longterm revenues... by Anonymous Coward · · Score: 5, Insightful

    Isn't anyone bothered by the fact that companies trying to secure "longterm revenues" are constantly preventing society from progressing as a whole? If a new idea or technology emerges that is going to put you out of business, it's time to do something else. Perpetuating the same crap year after year after year serves no purpose other than hindering progress.

    1. Re:Longterm revenues... by geoffrobinson · · Score: 1

      And the longterm benefit of doing something different is that you will most likely be helping society by contributing somewhere else where you are needed. This is why capitalism is good. However, getting fired, etc. isn't pleasant. So I don't mean to sound harsh. I hope for the best for anyone laid off and looking for work in an outdated job.

      --
      Except for ending slavery, the Nazis, communism, & securing American independence, war has never solved anything.
    2. Re:Longterm revenues... by aengblom · · Score: 2, Insightful

      Isn't anyone bothered by the fact that companies trying to secure "longterm revenues" are constantly preventing society from progressing as a whole? If a new idea or technology emerges that is going to put you out of business, it's time to do something else. Perpetuating the same crap year after year after year serves no purpose other than hindering progress.

      Notice that Sanfilippo didn't say profits? He works for a university press. He's just hoping that small academic presses can survive despite Google making it really easy to view much of their work for free.

      The acedemic press is valuable because it both creates and distribute. Google just distributes, so if the technology kills the academic press, which rarely makes a profit anyway, Google will have nothing to distribute.

      Yes, Google has set limits, but what if they do away with them. What if they get hacked and Google decides more page views is better -- as long as they made "some" effort. What if some other entity comes along and offers more page views.

      --


      So close and yet so far from the world's perfect ID number
  5. Imagine that! by EraserMouseMan · · Score: 5, Insightful

    . . . he's worried that Google's plans to create digital copies of books obtained directly from libraries could hurt his industry's long-term revenues.

    Innovation usually reduces demand for the obsolete version. The fact is, books are a pain in the tail to search through any way you look at it. It's about time a serious effort is made to make printed material electronically searchable.

    1. Re:Imagine that! by Mr2cents · · Score: 0, Redundant

      I'm sure people copying books by hand were worried about those printed books in much the same way. But the overall benefits are clear to everyone living today.

      --
      "It's too bad that stupidity isn't painful." - Anton LaVey
    2. Re:Imagine that! by boyfaceddog · · Score: 1

      Searching through a book. is that like ...READING?

      Readin' sucks! I jus' hate all dem long words and things. Gimme a, whatdycallit? a in-dex? where I kin look things up any day over all that readin'.

      This rant brought to by the Professional Organization of English Majors.

      --
      Here will be an old abusing of God's patience and the king's English.
    3. Re:Imagine that! by Alistar · · Score: 1

      Litarture books often do not have indexes Mr. English Major.

    4. Re:Imagine that! by randomErr · · Score: 1

      I partially agree: a dvd of an encyclopedia takes up a lot less room and has a faster index then its wood pulp brother. Of course I've never had to adjust the refresh rate on book. Also my book never looses power, its fairly portable, and has a never been attached by an email virus. Maybe some worms, but never a virus.

      Most printed sources can last for centuries in proper condition (see Dead Sea Scrolls). Compatible optical scanners are manufactured on a daily basis and the software to access these resources are freely available in most areas of the world.

      If I'm looking for just-in-time data then electronic sources are best; if I'm looking for archived data then well written books and prints article are best resource.

      --
      You say things that offend me and I can deal with it. Can you?
    5. Re:Imagine that! by boyfaceddog · · Score: 1

      I kint argue wit' logik lik' dat.

      READING is part of the whole book learnin' process. Looking things up, either in an index or in a searchable database is not a replacement for actually READING THE TEXT.

      Its an author/reader mind-gestalt thing. You wouldn't understand.

      --
      Here will be an old abusing of God's patience and the king's English.
    6. Re:Imagine that! by idontgno · · Score: 1
      I'm sure people copying books by hand were worried about those printed books...

      Yes, they did. They even killed those who had the books printed.

      --
      Welcome to the Panopticon. Used to be a prison, now it's your home.
    7. Re:Imagine that! by Alistar · · Score: 1

      Ok, well, your arrogant superiority complex aside, I have nothing against reading a book, but if Im going to look something AFTER THE FUGGIN FACT I think it might be useful to be able to do a digital search on it. We don't all have the free time to re-read everything just to find a single point.

    8. Re:Imagine that! by Mr2cents · · Score: 0, Redundant

      That's an interesting story, but the guy was burned for translating the bible, not for printing it.

      I found this part hilarious: "printer Peter Schoeffer completed a run of between 3,000 and 6,000 New Testaments. The books were shipped in bales of cloth down the Rhine and smuggled into ports in the south and east of England. Many were collected by order of the Bishop of London, Cuthbert Tunstall, and ceremonially burned in October 1526 in front of St. Paul's Cathedral."

      --
      "It's too bad that stupidity isn't painful." - Anton LaVey
  6. Can Google run a Library? by bgfay · · Score: 4, Interesting

    Seems to me that very few would object to Google creating and running a library on the model of public libraries. I go to our library two or three times each week to get books, music, and movies. I return the things I've borrowed and someone else borrows them.

    Here's the problem: the digital stuff, especially the music, is very easy to copy. I copy some of it. The books however, are too difficult to copy and I don't need to own a copy anyway. (I've moved enough times in my life to realize how much books weigh and noticed that the library is significanly cheaper and Barnes & Noble or Amazon.)

    But if Google runs a library, everything will be digital. That's fine if what they were lending was in the public domain, but, thanks to Disney et. al., public domain is a thing of the past.

    Seems to me that a Google library will be a marketplace for copying. Then again, most of the people who run Google are about a foot and a half smarter than I am. So maybe they have this all figured out.

    I'm curious to see what they come up with.

    --
    Yeah, I'm as old as my UID would suggest.
    1. Re:Can Google run a Library? by SeanDuggan · · Score: 2, Interesting

      As per the article, there are restrictions on how many lines of text you can see in a single search, as well as how much (20%) of the book you can achieve by multiple searches. Presumably, the latter is being checked by the Google cookie. I too am curious as to how it will bear out. I'm sure that some dedicated person (possibly under **AA pay) will figure out a way to game the system and it will be declared illegal.

      --
      This sig has absolutely no significance and serves only to take up screen space and waste the time of the reader.
    2. Re:Can Google run a Library? by Anonymous Coward · · Score: 0

      At the very least, this scheme could be beaten by creating a distributed system so that, for example, five people each grab 20% of a book. (In fact, you could use this on amazon's system right now... BRB...

    3. Re:Can Google run a Library? by volley_srfd · · Score: 1

      Library's were built so that the common folk could have access to all of those books of knowledge. Books were valuable, because that was just about the only way to get the information. Encylopedia's were a gift to bestow upon your family... I know I just ended up looking up parts of the female anatamy. But I'm sure there were other uses too. My point is... The library is (nearly) redundant in the digital age. Can you imagine a system where publishers (of books or music) would allow a digital library to buy a single copy of a published work, and lend it to the general public at no fee? The only reason it happens now is because it has historically been too difficult to copy a 900 page hardcover. ramble ramble. DRM for ebooks? an underground of plaintext fileshares? A ban on OCR? Anarchy? Profit?

    4. Re:Can Google run a Library? by KinderSpirit · · Score: 1

      I'm sure that before the year is over, somebody will come up with a way to put together pieces of books to create whole books. It looks like a good Ph.D. project to me...

    5. Re:Can Google run a Library? by Anonymous Coward · · Score: 0

      I wouldn't call libraries redundant.

      The physical media are rapidly losing their worth, but they are drifting towards a different service now - public Internet access. This will be more efficient for everyone; the use of physical space is better with, say, 20 computers instead of 10 shelves and 3 computers, and a lot of the funding used for sorting and maintaining collections could eventually go to digitized copies of everything.

      Lended items might not be media, but they could be equipment, especially recording equipment.

    6. Re:Can Google run a Library? by Jon_A_Mnemonic · · Score: 1

      How about they run it *exactly* as a library, but with a digital spin. Let's say that at any one time, there are 3 people wanting to search the book, "The Mote in God's Eye" by Larry Niven and Jerry Pournelle. Sooo...Google buys three copies of this book, and while those three users are using those three licenses, no one else can. And when they are done (they click "done" somewhere, or the book autmatically digitally disappears or becomes unuseable thanks to some DRM), then those copies go back into "circulation". Now repeat this process for every book in existence. The more popular books they will need to buy perhaps 100,000 licenses for, to supply the whole world. The less popular books, 1 or 2 copies, of course. This is exactly the premise that libraries operate under, so why not? Note that this same checkin/checkout procedure, if the DRM were strong enough, could also be done for songs, or movies. How many people are, right now, watching the Disney version of Aladdin? 100? Okay then, they buy 100 copies and that supplies the world. The difference between this potential digital superlibrary and normal libraries is convenience and efficiency. A normal library serves a small area. Geography becomes irrelevant when the data is digital. And efficiency? This would be close to 100 percent efficient utilization of every license purchased by the library, vastly more efficient than current libraries. More than a thousand times as efficient. Google could even automate new license acquisition. For example, a new Stephen King book comes out. A person requests it. There is no license available, so Google auto-buys a license from wherever (Amazon, Stephen King himself, whatever). Another person requests it, Google autobuys another. Eventually enough licenses have been purchased that that number handles the peak useage on those licenses, and no license for that particular work need ever be purchased again, because there's now enough to satify the demands of the world in perpetuity. And more on efficiency. You buy a license for a Madonna song, say, from iTunes. While you are listening to that song, you wonder how many other people in the world are also, at that very same instant, listening to that song. As long as licenses are easy to acquire from the superlibrary and as long as they are returned when they are not in use, so *others* can use them, then license useage becomes massively efficient. If you have purchased from iTunes the license to 5,000 songs, and spent 5 grand doing it, how many of those songs are you listening to AT ANY ONE TIME? One. So your license efficiency is 1/5000. While you are listening to one song, the licenses for the other 4,999 are being WASTED. A superlibrary would not have any such waste. The technology is there to do this. I'm not sure of the legality of transferring licenses back and forth over a network, but assuming that hurdle could be overcome, there is nothing at all unethical about such a superlibrary. I am convinced that, sooner or later, such will arise, whether it's Google that does it, or some government, or some multi-national non-profit group.

    7. Re:Can Google run a Library? by saranagati · · Score: 1

      Apparantly, encyclopedia's were so expensive that in 1914 an Americana (encyclopedia) salesman subdivided some land he had just bought into small plots of land and gave away the plots of land with a purchase of an encyclopedia set. 91 years later, one of these small plots of land with a moderate sized home on it is now worth $800,000 - $5,000,000 dollars.

      --
      Give a man a match and he'll be warm for a minute, set him on fire and he'll be warm for the rest of his life.
    8. Re:Can Google run a Library? by KillShill · · Score: 1

      seems to me that the way to copy google's library is through a distributed project.

      write a small application, having thousands upon thousands of people download and install it.

      have each copy request a few pages of every work offered by google.

      have a server at the back end reassemble each work.

      then make those works available through a bittorrent like network back to the volunteers or everyone.

      voila, profit.

      --
      Science : Proprietary , Knowledge : Open Source
    9. Re:Can Google run a Library? by Anonymous Coward · · Score: 0

      Someone has already broken the 20% limit on their books. They even put it up on their blog. Google wrote them a nice letter "Wow. That's cool. Stop it."

  7. Since when.... by HotNeedleOfInquiry · · Score: 3, Funny

    With Google's book-scanning program set to resume in earnest in the northern autumn, copyright laws that long preceded the Internet look to be headed for a digital-age test.

    Does a season have a direction?

    --
    "Eve of Destruction", it's not just for old hippies anymore...
    1. Re:Since when.... by Anonymous Coward · · Score: 0

      Northern autumn is Southern spring, just so ya know

    2. Re:Since when.... by Jazzer_Techie · · Score: 2, Informative

      With Google's book-scanning program set to resume in earnest in the northern autumn, copyright laws that long preceded the Internet look to be headed for a digital-age test. Does a season have a direction? I believe that they mean to indicate that it will begin during Autumn in the Northern Hemisphere (September-December).

    3. Re:Since when.... by Xarius · · Score: 1, Informative

      Seasons differ depending on what hemisphere of the planet you live in. I assume it means the time of Autumn relative to the Northern world.

      --
      C17H21NO4
    4. Re:Since when.... by brontus3927 · · Score: 0, Flamebait

      Sorry but technically no. There is no "northern hemisphere" or southern hemisphere. Physically hes, it is. But they are not officially named as such the only hemispheres are Western and Eastern

    5. Re:Since when.... by Anonymous Coward · · Score: 0

      Autumn into winter, winter into spring, I realise your joke, but nothing is without purpose. These guys see the same way, after the freeze there is the thaw.

    6. Re:Since when.... by Shakes268 · · Score: 1

      Northern Hemisphere from Wikipedia states http://en.wikipedia.org/wiki/Northern_hemisphere/ The Northern Hemisphere is the half of a planet's surface (or celestial sphere) that is north of the equator (the word hemisphere literally means 'half ball'). On Earth, the Northern Hemisphere contains most of the land and population.

    7. Re:Since when.... by Anonymous Coward · · Score: 0
      With Google's book-scanning program set to resume in earnest in the northern autumn, copyright laws that long preceded the Internet look to be headed for a digital-age test.

      Does a season have a direction?

      No, but seasons do have hemispheres. Surprising as it may be, the world is larger than America.

  8. Libraries by COMON$ · · Score: 4, Insightful
    Isnt this the whole purpose of libraries anyway? To make knowledge available to the public that would normally only be available to the rich or well connected?

    A man should be no more afraid of google's attempt to digitize information than a library's ability to purchase and distribute books for free.

    On a side note, I am more likely to buy the paper version of a book than sitting and reading it off of a LCD display. Which I assume the average person would do the same.

    --
    CS: It is all sink or swim...oh and did I mention there are sharks in that water?
    1. Re:Libraries by Anonymous Coward · · Score: 0

      Give it twenty years, that will change.

      I bemoan the loss of the twelve inch record cover, and like getting my music on physical media with liner notes, artwork, etc.

      However, the kids at /. all seem to think all that physical stuff is garbage and just want to download the song. I guess I'm a geezer.

      In twenty years, you will be the geezer bemoaning the loss of paper, while the kids will say "why should I lug around a ten pound book when my four ounce laptop (or ipod mini lookalike with holographic or projection display) works just as well?"

      Then again, a few of the kids are making twelve inch analog LPs again, so maybe I'm wrong...

    2. Re:Libraries by Have+Blue · · Score: 1

      The analogy doesn't quite work because a library does not make a copy of the book. Only one person at a time can use a library copy, they can use it for a limited time, and they aren't allowed to copy the whole thing. This makes libraries not a substitute for buying (and gaining permanent, perpetual access to that copy of) a book and that's why libraries and bookstores can co-exist. That's not what Google is doing, though.

    3. Re:Libraries by COMON$ · · Score: 1

      You are correct, it is not a complete analogy. But if you look at a library, it can have several copies, depending on the size of the library and the demand for the book. Once at a library however you can photocopy as much as you want. This just makes it a heck of a lot easier. Even right now you can go to a library and view many documents on their electronic system. Just not complete books.

      --
      CS: It is all sink or swim...oh and did I mention there are sharks in that water?
    4. Re:Libraries by Oligonicella · · Score: 1

      No you cannot "photocopy as much as you want". The librarians keep an eye out for that. Even if you were successful, a 200 page novel would cost you $20. Not an intelligent trade.

    5. Re:Libraries by COMON$ · · Score: 1

      But you can take it home, run a scanner over it, copy it (if you have a home copy machine) But then again if you look at the average home user with an inkjet printer, you are far more expensive than even photocopying it even without pictures in the book. Heck even a 200 page book at .4 a copy (with a good laser printer) is 8 dollars. Just slightly cheaper than amazon.com. But then you have to figure in the fanatical J.K. books at 500+ a copy you are looking at $16 just to have a laser copy of a book. And very few people could read an entire book on-screen.

      --
      CS: It is all sink or swim...oh and did I mention there are sharks in that water?
  9. Googutenberg by timeToy · · Score: 4, Insightful

    Just like Gutenberg disrupted the Copyist Monk industry few century ago, Google library has the potential to completely change the way people find books, is it bad ? is it good ? I think it's just different and easier for the book's end user: us.

    1. Re:Googutenberg by Anonymous Coward · · Score: 0

      End user? What happened to readers, did they disagree with the license agreement?

    2. Re:Googutenberg by rhsanborn · · Score: 1

      The industries problem is that it is easier and CHEAPER for us, the end user. We arne't paying for books anymore because a few clicks and we already have it.

    3. Re:Googutenberg by MikeFM · · Score: 1

      I have copies of all the Harry Potter books as plain-text and I got all but the most recent before the book was released. I still own at least three copies of each book with two copies being hardback not to mention the various HP collectables I've bought and the movies. Most people will pay for the physical item if it's what they want, is affordable, and the delay of getting the physical item isn't to great.

      --
      At what price learning? At what cost wisdom? The price is a man's peace of mind, and the cost is his life.
  10. What's He Complaining About? by Caraig · · Score: 4, Interesting

    A bookseller who's worried that making books that are in the public domain available on the net will hurt his revenues.

    The initial reaction I have is, 'Cry me a river.' These are books in the public domain and are meant to be freely available to everyone. Google's just making it easier.

    My second reaction is that he might have a point, and he's deserving of some sympathy. But then I realize that he's a university bookseller. The books people pay for college and university classes are overpriced as it is, ($80 for my USED calculus text, and that was ten years ago; I can only imagine how much it is now.) Somehow I don't think that a university bookstore is going to be hurting all THAT much. So this is just another case of someone whose industry needs to 'evolve or die.' Though he really only has to worry if the textbook publishers 'evolve' before he does.

    Besides, the printed word isn't going out of style anytime soon. There are plenty of books I prefer to have in dead tree form, to hold and read and carry with me on trips when I don't have or don't WANT to have my laptop with me. And what a lot of us on slashdot seem to forget is that not everyone in the world has a laptop or a PDA with e-book software on it.

    --
    "I am an Adept of Tantric VAX."
    1. Re:What's He Complaining About? by fireboy1919 · · Score: 3, Insightful

      From the article, "Under the Print Library Project, Google is scanning millions of copyright books from libraries at Harvard, Michigan and Stanford along with out-of-copyright materials there and at two other libraries."

      So they're not just making it easier to do what is already legal; that's what project Gutenburg does. This is something else entirely.

      I don't know...text against black and illuminated text is much easier on the eyes than books are. Not having to turn pages makes it faster, and being able to read in the dark is kind of nice. I don't know why you'd want to read on a laptop when there are plenty of good tiny PDAs that fit the bill and are smaller than books.

      Here are the reasons I've been given for reading from dead wood:
      "I like the feel and smell of pages."
      "I like to turn the pages."
      "I like the feel of a book in my hands."
      "Reading from my PDA makes my eyes hurt"
      "I don't have a place to get e-books."

      All of those are reasons based upon the fact that they've gotten used to doing it that way except the last two. The last two generations (within four years) of PDAs alleviate the second to last concern, and the last one is only a matter of time.

      When there is a generation that starts by reading electronically, they won't want to go back, since in the nonsubjective ways reading electronically is pretty much universally better, so book publishers are very much in trouble.

      --
      Mod me down and I will become more powerful than you can possibly imagine!
    2. Re:What's He Complaining About? by jimbolauski · · Score: 0

      Some students all ready have found a way around paying for overpriced books that they're not going to need lator in life for refrence. You can use the library network to check out the book from another campus and can keep it for 2 months with a 2 week late fee the books cost is $10 (which I still owe 7 years lator). So the money the library is loosing must not be too important. The libraries will still get their grant money and with no books to take up all the space, they can add more computers.

      --
      Knowledge = Power
      P= W/t
      t=Money
      Money = Work/Knowledge so the less you know the more you make
    3. Re:What's He Complaining About? by Secrity · · Score: 1

      Penn State University Press is not the university book store, it is the university book publisher. Looking at their titles, it does not appear that they publish textbooks; they seem to mostly publish books about, well, Pennsylvania. From their Mission Statement: "...As the publishing arm of a land-grant and state-supported institution, the Press recognizes its special responsibility to develop books about Pennsylvania, both scholarly and popular, that enhance interest in the region and spread awareness of the state's history, culture, environment.

    4. Re:What's He Complaining About? by Red+Flayer · · Score: 1

      "But then I realize that he's a university bookseller. The books people pay for college and university classes are overpriced as it is, ($80 for my USED calculus text, and that was ten years ago; I can only imagine how much it is now.) "

      You think the bookstore is raking in much profit on texts? How much do you think they paid for that text when it was new? Look to the publishing companies, not the retailers, for what is driving textbook price gouging. Used texts and university-branded merchandise are where a bookstore makes its money. Although, for used texts, you're better off going for a P2P sale than buying from the bookstore.

      "A bookseller who's worried that making books that are in the public domain available on the net will hurt his revenues."

      I agree with you, but remember that books in the public domain compete with books that are not.

      One of my concerns is that if smaller bookstores become unprofitable, we'll have less good material being published.

      --
      "Trolls they were, but filled with the evil will of their master: a fell race..." -- J.R.R. Tolkien on Olog-hai
    5. Re:What's He Complaining About? by Caraig · · Score: 1
      the article, "Under the Print Library Project, Google is scanning millions of copyright books from libraries at Harvard, Michigan and Stanford along with out-of-copyright materials there and at two other libraries."
      Hmm, I missed that part. That changes things slightly. I wonder how Google managed to wrangle that?

      I don't know why you'd want to read on a laptop when there are plenty of good tiny PDAs that fit the bill and are smaller than books.
      Well, for me (and most of the world,) it's that I can't afford a PDA. =D The few times I've used a PDA or an e-book to read a book, I'll admit that it was more convenient than a dead tree book. When an entire generation on this planet starts by reading electronically, then yes, there really is going to be trouble for book publishers. It might be a ways away, but by then some publishers will have evolved, and some wouldn't and would expire.
      --
      "I am an Adept of Tantric VAX."
    6. Re:What's He Complaining About? by coolGuyZak · · Score: 2, Funny
      $80 for my USED calculus text, and that was ten years ago; I can only imagine how much it is now

      Actually, your calc book is about the same price used. I just picked it up last week. Damn these bookstores are making a killing...

    7. Re:What's He Complaining About? by Doc+Ri · · Score: 1

      "I like the feel and smell of pages."

      That one could have been by me.

      The point is the interface. The 'interface' of dead wood books is extremely humane: no menus, no modes, no unecessary choice of fonts and fit page to whatever. Instead, direct physical response, you know where you are. Furthermore, there is no problem with energy supply. You can fall asleep over your dead wood reading without any worries. The dead wood will be there tomorrow, no system to crash or similar. Also you do not have to perform strange tasks like locating a document in a hierachical filesystem.

      One could argue that all that can be fixed (some time). Maybe so. But we are far away from this in many respects. Personally I prefer to curl up in an easy chair with a real book made from dead wood rather than performing init 'insert runlevel here' on whatever device.

      That reminds me of my original plans for this evening, thanks.

      --
      617B3B7F7E7C7D7F00EOF
    8. Re:What's He Complaining About? by Chazmyrr · · Score: 2, Interesting

      since in the nonsubjective ways reading electronically is pretty much universally better

      And I thought reading for pleasure was pretty much entirely a subjective experience.

      When I want information, I go to the electronic version. When I want to relax, the dead tree version is the only way to read. The subjective reasons you dismiss so quickly all center around engaging additional senses. If you don't understand that touch and smell can enhance pleasure, all I can suggest is to find a girlfriend or boyfriend and see if that clears up a few things for you.

      Book publishers are still in trouble, but not because electronic books are better than paper. They're in trouble because one-off printing on demand at an affordable price isn't very far in the future. The author could sell their book in electronic form on the net and the customer could send it over to the local print shop for printing and binding and the total could be substantially less than the major publishers charge for a hardcover now. That's going to shrink their margins substantially. They'll have to become leaner and more agressive about attracting upcoming young authors.

    9. Re:What's He Complaining About? by Have+Blue · · Score: 1
      There are a couple more reasons I can think of-
      • White-on-black text and reading in the dark only work when used together. If one prefers to read with the lights on, a diffuse-reflective rather than emissive surface is better. E-paper may provide that, of course. I'm pretty sure there's ergonomics research that backs this up, but I don't have any links handy.
      • A book doesn't stop working if it gets bent, dropped, stepped on, dripped on, left on the shelf for a month, etc. A book with a few pages gone is still 99% operational; a PDA with a component (not even a major one, maybe it's a blown cap on the mainboard) gone is a complete loss.
      • There is no initial cost to books. A paperback is $5-$10, a PDA is at least a few hundred on top of that.
    10. Re:What's He Complaining About? by fireboy1919 · · Score: 1

      White-on-black text and reading in the dark only work when used together. If one prefers to read with the lights on, a diffuse-reflective rather than emissive surface is better. E-paper may provide that, of course. I'm pretty sure there's ergonomics research that backs this up, but I don't have any links handy.
          I'm pretty sure its the other way around. Actually not quite; black background with things less harsh than white are generally the way to go - such as blue on black background. In any case, most PDAs can produce a lot more color variation than most books. If you disagree you can set your pda to use different colors than mine and see if its better for your eyes.

      A book doesn't stop working if it gets bent, dropped, stepped on, dripped on, left on the shelf for a month, etc. A book with a few pages gone is still 99% operational; a PDA with a component (not even a major one, maybe it's a blown cap on the mainboard) gone is a complete loss.
      The only reason PDAs are as expensive as they are is perception that they should be. As they become more commonplace, the price will drop. Ruggedized ones will most likely become more common to keep things like you mentioned from happening. FYI, dropping, dripping, and leaving on the counter for a month have no effect on most modern PDAs.

      There is no initial cost to books. A paperback is $5-$10, a PDA is at least a few hundred on top of that.
      A PDA is a few hundred instead of that. Without a distribution network, the price of books drops dramatically. If you read five books a month like I do, it's worth it after a year.

      --
      Mod me down and I will become more powerful than you can possibly imagine!
    11. Re:What's He Complaining About? by fireboy1919 · · Score: 1

      Turning pages is too much work.

      I want to have to do less, and just have it work when I'm reading.

      I press one button to turn to the book, and one button to turn the page - and its a rocker, so I can turn it up or down with the same button.

      The biggest problem with dead wood, to me, is that you can't fall asleep reading. You've got to
      1) keep turning the pages, which takes a lot more work than the button pressing. It'll keep you awake.
      2) turn off the light. The PDA will go off all on its own, but the light won't.

      The PDA, of course, will be there tomorrow without system crashes because it is used (by me) for the simple purpose of reading (nothing else), just like the book. That kind of thing doesn't screw up a system.

      --
      Mod me down and I will become more powerful than you can possibly imagine!
    12. Re:What's He Complaining About? by fireboy1919 · · Score: 1

      Touch and smell can enhance pleasure for sure, but why wood? What makes the smell and touch of wood better than the smell and touch of a nice, smooth plastic PDA?

      Its because of the memories invoked; because they take you to the quiet place in your mind.

      If you started going into the books with a PDA, then the smell and touch of the PDA would take you to that place instead of wood. That is what I meant by subjective - the sense of pleasure that one derives from such things has no universal appeal, but is rather based upon past experience.

      --
      Mod me down and I will become more powerful than you can possibly imagine!
    13. Re:What's He Complaining About? by DerekLyons · · Score: 2, Informative
      My second reaction is that he might have a point, and he's deserving of some sympathy. But then I realize that he's a university bookseller. The books people pay for college and university classes are overpriced as it is, ($80 for my USED calculus text, and that was ten years ago; I can only imagine how much it is now.)
      He's not a university bookseller (bookstore), but a university *publisher*. He publishes all manner of books that major publishing houses won't touch because the market is limited. This is a very good thing.
    14. Re:What's He Complaining About? by Doc+Ri · · Score: 1

      You have a different taste, fine with me, enjoy.

      I think my main point was that dead wood books are not obsolete. There are good reasons some people prefer them and these reasons will remain valid (for them).

      --
      617B3B7F7E7C7D7F00EOF
    15. Re:What's He Complaining About? by Anonymous Coward · · Score: 0

      White-on-black text and reading in the dark only work when used together. If one prefers to read with the lights on, a diffuse-reflective rather than emissive surface is better. E-paper may provide that, of course. I'm pretty sure there's ergonomics research that backs this up, but I don't have any links handy.


      PDA displays need work; but E-paper may indeed provide it. I'm hopeful that something will be done to address this. Displays are getting better; compare laptops now to laptops from the 1980s; heck, my cellphone has a better display than my TRS-80 did when I was a kid! We're progressing, slowly...

      A book doesn't stop working if it gets bent, dropped, stepped on, dripped on, left on the shelf for a month, etc. A book with a few pages gone is still 99% operational; a PDA with a component (not even a major one, maybe it's a blown cap on the mainboard) gone is a complete loss.

      A book with a missing page is a write off; it's just not fixable without a lot of work. If your display dies, you can just buy a new display; you can back up electronic books without much effort. Offsite storage of paper books is expensive; reprinting is time consuming.

      There is no initial cost to books. A paperback is $5-$10, a PDA is at least a few hundred on top of that.

      That's just not true. You can get a used version of an early palm pilot (say, one of the old Palm IIIs) for less than $40. Connect to any computer (again, you can buy something like an old Pentium that's net-capable for $20 or so), and you've got access to as many works in the public domain as you like.

      I've as yet to see a book, even an old classic, sell for less than $3.00: many of them are in the $5.00 to $7.00 range. So you only need 4-20 books (depending on what you buy) before the PDA pays for itself; plus you get the improved rate of reading (rocker buttons are faster than page flipping), the ability to do searches, and so forth.

      And as time goes by, Moore's Law suggests that the economics will favour the PDA solution more and more.

    16. Re:What's He Complaining About? by Vellmont · · Score: 1

      How about these simple reason: A book is self contained (no batteries to worry about), the print has higher resolution than a PDA/ebook and thus is easier to read and has higher quality pictures, it's not as fragile as electronics (drop a book, you're fine, drop an LCD screen, bye bye $100 or more), books have higher contrast than an LCD screen making them easier to read in vary light conditions. There's a ton more advantages to paper over electronics that I'm not even mentioning.

      You seem to assume everyone prefers "dead wood" (which indicates some kind of enviro-wacko bias) to electronics for purely romantic reasons. I prefer it because so far it's a more practical invention to me. Maybe someday ebooks will come of age, but so far I haven't seen it.

      --
      AccountKiller
    17. Re:What's He Complaining About? by Anonymous Coward · · Score: 0

      Hey idiot. You forgot about BATTERIES. I really fricking doubt there will ever be an _ELECTRIC_ book that doesn't require ELECTRICITY.

      Your "nonsubjective" comment shows how fricking stupid you are. Just like I am stupid for waving my hand and saying books are better because they will never require power. Someone please mod this STUPID STUPID comment so no one ever has to read such idiocy.

    18. Re:What's He Complaining About? by sanjoymahajan · · Score: 1
      But then I realize he's a university bookseller.

      He's from a university press, which is not to be confused with 'seller of exorbitant textbooks to university students' (e.g. the $80 calculus text).

      The university presses publish mostly monographs with a limited circulation, such as graduate and upper-division undergraduate textbooks or books of no use to anyone except their author's case for promotion. Very few university presses have the marketing and sales muscle to compete against Addison-Wesley, Wiley, Saunders, etc. in the introductory-textbook market.

      But I agree with your main point, that those introductory textbooks are absurdly priced (they are also terrible, which is another story).

      that was ten years ago; I can only imagine how much it is now

      What you feared. In footnote 2 of this paper, a colleague and I tabulated the prices and weights of the main introductory physics textbooks.

    19. Re:What's He Complaining About? by fireboy1919 · · Score: 1

      A book is self contained (no batteries to worry about),
      Except that you can only carry a few at a time, and the light source isn't included, and can't put a big one in your pocket. So essentially a PDA will go where books can't because they're more self contained. You have to charge them every four hours or so, but thats a small price to pay considering how self-contained they are.
      The print has higher resolution than a PDA/ebook and thus is easier to read
      With text there is a point where no increase in resolution increases the clarity if the dot placement is precise (it is for PDAs, even though it isn't for books). That point is somewhere around 600DPI, which a great many modern PDAs can do.
      and has higher quality pictures,
        it's not as fragile as electronics (drop a book, you're fine, drop an LCD screen, bye bye $100 or more),

      You have a point there. If you're looking at a book for the pictures, you probably shouldn't be using a PDA because you might get distracted by something shiny and drop it. Current PDAs have pretty tiny screens for things like, for instance, pictures. They'd be no good for displaying reference information - where you have to see a bunch all on the same screen, either. But we're talking about reading, not all of that.

      Just dropping it isn't going to break it, though. I've dropped my PDA dozens of times, and mine is considered one of the more fragile ones. You'd have to drop-kick it, really. Even today, PDAs are a lot more sturdy than laptops.

      books have higher contrast than an LCD screen making them easier to read in vary light conditions.
      This one can't even really be considered. You're kidding, right? I mean, exactly the opposite is true. PDAs have adjustable contrast; books do not. Books have black against off white, and that's about it. You can read a PDA in total blackness, while a book always requires a great deal of outside light.

      There's a ton more advantages to paper over electronics that I'm not even mentioning.
      The point you put forth that I find even marginally valid is the one about fragility, which is one that will go away with time. I think I'm going to stick with my theory that the paper preference is mostly a romantic one.

      --
      Mod me down and I will become more powerful than you can possibly imagine!
    20. Re:What's He Complaining About? by Vellmont · · Score: 1


      Except that you can only carry a few at a time, and the light source isn't included, and can't put a big one in your pocket. So essentially a PDA will go where books can't because they're more self contained. You have to charge them every four hours or so, but thats a small price to pay considering how self-contained they are.

      I rarely need more than one book, so that's just not an advantage to me. There's some reference material that'd be nice to cary around, perhaps an entire encyclopedia and unabridged dictionary, but beyond that increased portability is fairly useless for more stuff I read. Changing batteries "every 4 hours or so" really sucks. I don't want to have to carry around batteries just to be able to read.

      With text there is a point where no increase in resolution increases the clarity if the dot placement is precise (it is for PDAs, even though it isn't for books). That point is somewhere around 600DPI, which a great many modern PDAs can do.

      Some can, but they're either bulky or have small screens, and are all quite expensive. I don't like reading tiny text on a tiny screen, or carrying around a big bulky expensive fragile electronic thing when I could just carry around paper. Maybe you don't mind.

      PDAs have adjustable contrast; books do not. Books have black against off white, and that's about it. You can read a PDA in total blackness, while a book always requires a great deal of outside light.

      And why do I need to adjust the contrast of paper? The contrast between the black and the white for a PDA is nothing compared to print. Yes you can put a backlight on a PDA (and eats up battery), but why wouldn't I just buy a booklight that accomplishes the same thing at a cheaper price?


        I think I'm going to stick with my theory that the paper preference is mostly a romantic one.

      No, you just value different things than other people. Who wants to keep batteries fresh every 4 hours? Most people don't care about keeping multiple texts with them. An ebook might be a great idea for say students who need to carry multiple textbooks, but for the rest of us there just isn't any advantage.

      --
      AccountKiller
    21. Re:What's He Complaining About? by Petrushka · · Score: 1

      Touch and smell can enhance pleasure for sure, but why wood? What makes the smell and touch of wood better than the smell and touch of a nice, smooth plastic PDA?

      Indeed! Forget wood, calfskin is soooo much better. It's got such a lovely leathery feel (though it always makes me a bit hungry). A layer of wax over a wooden block is just barely acceptable. But best of all is papyrus! Wonderful crinkly criss-crossy texture, and you just can't beat the elegance of having it arranged in a scroll. Some people like clay, but I think that's just old-fashioned -- too heavy to carry around.

  11. Not for me. by khasim · · Score: 1

    Digital books are great for quick searches, but I still prefer the physical book (hard cover if possible) and will still purchase the physical book.

    Why not incorporate both technologies and offer hard cover reprints of books that people request? Can anyone tell me how difficult it would be to do a single printing of a book? How expensive? Or what the minimum order would have to be to get the price down to $50 or less?

    I have a lot of worn paperbacks that just are not available in hard cover.

    1. Re:Not for me. by SatanicPuppy · · Score: 2, Insightful

      That sort of printing on demand is really difficult. Hard cover books have a different sort of binding process than they use on paperbacks...On a paperback, they just slap some glue on it, and throw a cover on it...Not much reason this couldn't be done at least somewhat on demand.

      The costs of print runs go up because of negatives and plates, etc, or just plates if you're in the "Modern" age. I heard some stuff about Xerox working on a machine to do one offs, but I don't know anythign about it. With current techniques though, you have to set up a ton of stuff and run a whole lot of things through in a specific order, and it involves a lot of people, etc.

      I think in the long run, we'll end up going digital for all kinds of paperback crap. Why do we need those? They're so cheaply made that bookstores destroy them if they can't be sold and only send the covers back to the distributer.

      On the other hand I think this'll create a niche market for nice hardcovers as well.

      Still I'd much rather see the books freely available, especially in digital format.

      --
      ad logicam Claiming a proposition is false because it was presented as the conclusion of a fallacious argument.
    2. Re:Not for me. by eht · · Score: 2, Interesting

      My brother used to work in a company that printed law books, except they weren't bound books, he'd drop in a couple dozen reams of paper with 3 hole punch into a big Xerox made machine and out would come books, or the essence of them anywho, they would get dumped into 3 ring binders and sold off to lawyers. He would do a print run of a hundred or so copies, it wasn't quite print on demand but it was close

      I seem to remember the company's name was Bender, and got bought by Penguin.

    3. Re:Not for me. by eht · · Score: 1

      Should have researched it more before posting, the name of the company was Matthew Bender and it looks like they got bought by LexisNexis. I had thought Penguin had bought them as there is now a Penguin Publishing sign and logo on the outside of the building where he worked.

  12. Books.. by RalphSleigh · · Score: 2, Insightful

    A few books you just want to own, cherish, use every day and fill with page markers. For everything else, google would be wonderful..

    --
    Come as you are, do what you must, be who you will.
  13. Death of copyright? by dada21 · · Score: 2, Insightful

    When books can be converted easily and cheaply into an open digital format, and when someone creates an ebook reader that works effortlessly, the nail in the coffin of copyright laws will finally stick.

    Music is already in search of a new structure, and the RIAA and recording industry is heading for chaos. The movie world is, too. More laws and regulations will stop nothing, the levee is breeched, freed information is now a tsunami wave, not an easily controlled trickle from a faucet.

    I was thinking just yesterday that books are the last straw. The copyright lawyers know this. The politicians must be consciously avoiding talking about it. The book publishers must be meeting in back rooms wondering how to hold on to their previously rigid control.

    Supporting Amazon made the publishers richer in the short run but enabled their future downfall. Print-on-demand is cheap enough to let everyone compete on fairly equal footing EXCEPT for promotion. Book stores, radio interviews of authors, best seller lists and other promotional tools have been controlled by the publishing industry.

    When the free market has its way, we'll likely see more independent authors touring to sell their books by offering speaks engagements and a 'pick my brain' opportunity, similar to Indie bands and Indie moviemakers. Those guys can make a reasonable living doing reasonable work.

    I go to the book store often, but like radio and TV, I don't see much individuality or uniqueness in books. I buy way more self published books (or by small publishers) especially when the authors appeal to me by touring to promote it with speaking engagements.

    Just like the bands I love, book promotion will eventually be the right way to sell, when book contents are P2P'd easily. Just like mass music and mass movies.

    Open 'piracy' of books en masse will give someone a reason to create a good ebook reader. Until now, its been a chicken-and-egg situation.

    Oh, I know google won't pirate anything, but the door opening for free information will likely open wider.

    Authors will always find an audience if they work hard enough.

    1. Re:Death of copyright? by Anonymous Coward · · Score: 0

      Wow. Do you just make that shit up as you go? Because print on demand is not cheap. Let alone "cheap enough."

    2. Re:Death of copyright? by dada21 · · Score: 1

      A company I own contracts work for one of the largest paper trimmer companies in the country. They make book trimmers, too.

      Lately they've talked about POD being the future. I've personally seen equipment capable of POD paperbacks of 250 pagecounts for under $2 if the machine can make just 1000 books per day.

      I personally printed my own 400 page PDF, bound it using hotglue, and reread it over 3 years. 2002 price was $7 plus 10 minutes of labor.

      POD will get cheaper as demand grows.

    3. Re:Death of copyright? by Digital_Quartz · · Score: 1

      When books can be converted easily and cheaply into an open digital format, and when someone creates an ebook reader that works effortlessly, the nail in the coffin of copyright laws will finally stick.

      There won't be a good ebook reader until ebook publishers stop trying to foist DRM down our throats, and that won't happen any time soon, as publishers remaing convinced that letting people read books will result in a reduction in sales (which I highly suspect is not the case).

      Just like the bands I love, book promotion will eventually be the right way to sell,

      Except, bands actually make money from travelling around and giving concerts. You pay a ticket price to go watch the band play, and this is where most bands make most of their income. (Income from CD sales, on the other hand, goes to the label).

      Authors, on the other hand, do not make anything from going to a book store and signing books, aside from what they get in increased sales.

      Open 'piracy' of books en masse will give someone a reason to create a good ebook reader. ...and will make it pretty much pointless for anyone to write books.

      DRM and crappy ebook readers are certainly the reason ebooks aren't doing well now, IMHO. If I could buy books as straight up PDF files, with no DRM, (and if they actually cost less than their paper counterparts), I'd be all over this ebook thing.

      As it stands, though, if I buy an ebook, I pay the same ammount for the ebook as I would have for the paper version. If I buy it on my home PC, I can't read it on the bus or at work on my lunch hour. If I buy it on my laptop, the book is tied to my laptop, and next time my hard-drive crashes, or someone steals my laptop, I have to re-buy my whole library. I can't lend the book to friends, or even to my wife. So, pay the same ammount for something with less functionality... No thanks.

      I honestly believe that if publishers started offering un-DRMed books, e-books would start doing much better. Large-scale piracy would lead to more DRM, which would lead us away from a "good" ebook reader.

    4. Re:Death of copyright? by Microlith · · Score: 1

      Authors will always find an audience if they work hard enough.

      Sure, finding an audience is easy. Many movies and songs find their audience too.

      But without copyright, the audience by and large won't pay. Which of course means that the Author can't be an author. He must be something else, and hope that he finds time in his daily life to stop and write a few lines. After all, an author can't eat his audience (unless he's a cannibal...)

      Without copyright or a shitload of money, an author cannot be an author. The general public will not let them.

    5. Re:Death of copyright? by dada21 · · Score: 1

      Book signings are worthless as income. I'm talking about a free market future of 'pick my brain' promotion.

      My favorite band wasbon a tiny label for 5 years. They toured, allowed fairly open copying of their music, and virtually ignored copyright.

      Authors can do the same. I'm paying $200 in November to see my favorite author among 10 others do a live speaking. I can already get his writings for free online. I buy his books to keep him writing, I go to his public speakings to pick his brain.

      Lately, all my favorite authors (large and small) have started to promote new income directions: writing clinics, book tours (fee based), and even blogs. Some of these guys are in their 70s.

      Book publishing has been a big government licensed monopoly in so many ways. The Internet has fed the public's desire for free information and the public IS willing to pay in other ways -- more direct-to-author ways -- to keep bands, directors and writers in business.

    6. Re:Death of copyright? by Fortress · · Score: 1

      Without copyright or a shitload of money, an author cannot be an author. The general public will not let them.

      Authors wrote and ate long before copyright laws were invented. And the audience was much smaller, too. Some people will be willing to pay for hard copies of a book, even if it is available online for free. Look how many people pay for AV software, even though free alternatives exist. Or how many people buy bottled water, even though it's an order of magnitude (or more) more expensive than tap water. Or how many people pay $20 for a steak in a restaurant when they could buy the same steak for $5.

      If an author is good, (s)he will find a way to be paid for it, copyright or no. How much more is a signed edition worth over the regular book?

    7. Re:Death of copyright? by Oligonicella · · Score: 1

      "Authors wrote and ate long before copyright laws were invented."

      Indeed. That's because they had patrons. You wanna go back to that? The patron decides what you write about ya know, or if he dislikes the product, he takes the one and only copy and tosses it in the fire.

    8. Re:Death of copyright? by danila · · Score: 1

      Everything fits. Today scanning and OCRing books is difficult, because you either need expensive equipment (thousands of $$$), or you need tedious manual work. But in a few years it would 1) be possible to use a camera (webcam or camcorder) to convert book to ebook just by flipping the pages or 2) use desktop manufacturing to make a robotic scanning system and mass-convert books automatically. By 2015 someone will make all books available online for free. Of course, the transition to the future of unlimited accessible knowledge will not be smooth, but only because it makes sense to start as early as possible! Google is betting that it can be the first, it's willing to take a risk and it may fail. If not they, the Europeans will charge ahead with their project... We don't know how exactly it will happen, but we know the end result.

      See digital libraries a bit at the Future Wiki. Feel free to contribute.

      --
      Future Wiki -- If you don't think about the future, you cannot have one.
    9. Re:Death of copyright? by J053 · · Score: 1
      If you examine the history of copyrights, you'll find that their impetus came, not from autors, but from publishers who were trying to secure a perpetual income stream.

      I'd have no problem if copyrights were vested only in authors/creators, and were non-transferable. That way, an author could license a publisher (or multiple publishers) to create editions of hir works, but would retain the ability to seek sanctions against unauthorized duplication.

      And, of course, copyrights should be valid for a strictly limited time period.

    10. Re:Death of copyright? by dada21 · · Score: 1

      Exactly. Anyone who sells to "the general market" will see some gain in using government controls to boost their sales in the short term.

      Art or products worthy of the "creative" title isn't really a general market product without copyright protections. But finding your niche market can be ore lucrative as an author can sell value added products and services. Yes, this means more work.

      I self published a guide that I give out in PDF for free. I request $20 in the last chapter if the reader received benefit of the guide. I get $20 fairly often. I sell hard copy and hope to eventually do a mini tour public engagement at a per head charge (discounts for those who paid).

      If I promoted better, I'm sure I could make a healthy 6 figures a year. My laziness holds me back.

  14. Out-of-print titles? by Brunellus · · Score: 3, Insightful

    I've always wanted a service like this--not for books that are in print and thus (relatively) easy to get, but for books that are out of print, and have been out of print for years.

    I'm thinking particularly about relatively obscure academic books, which have short print runs...It's somewhat frustrating when you're researching to learn that yes, someone has already explored a particular line of questioning, but that his work is no longer in print and thus not easily available

    Fortunately, at least some publishers are becoming responsive to this need. The Cambridge University Press have begun a print-on-demand service. Here's hoping it catches on.

  15. Afraid of what exactly? by JordanL · · Score: 3, Insightful

    I've learned that whenever an industry tries to resist progress/technology they always get the short end of the stick.

    People want things faster and easier, and what people want ultimately will force, especially in a capitalist society (or something close to it), even non-profit industries to adapt.

    RIAA resisted technology, and look what happened. Apple did not, and as such iTunes has been one of the greatest success stories in a while.

    Books have been books for a very long time. I enjoy having a book in my hand, and that's how I would prefer to read it, but you wouldn't believe how many times I have been reading or re-reading a book and wished that I had a search function to look up this specific phrase that I remembered.

    Google may get flak from Universities and publishers for its project, but ultimately, they are filling a void in a way that has been much needed for a very long time. It's an improvement, and that in itself will perpetuate the progress of Google's project, whether or not its Google who continues it.

    1. Re:Afraid of what exactly? by arose · · Score: 1
      RIAA resisted technology, and look what happened. Apple did not, and as such iTunes has been one of the greatest success stories in a while.
      They are going after uploaders, getting most of what Apple takes via iTunes and are tightening the DRM screws every chance they get. What should I see? All I see is artist associations around the world using the 'flawless copy' stick on goverments to put their tax on digital media.
      --
      Analogies don't equal equalities, they are merely somewhat analogous.
    2. Re:Afraid of what exactly? by JordanL · · Score: 1

      I never said that it was perfect, I said that they only had success when they stopped fighting technology.

      I never said that controlling it was much better than fighting it either.

  16. Google should do the work, not publishers by ChocoBean · · Score: 1

    Google has unilaterally set this rule: Publishers can tell it which books not to scan at all, similar to how Web site owners can request to be left out of search engine indexes.

    this is unfair. It feels like when Bart windmills his arms and walks towards Lisa, saying "I'm going to go like this, if you get hurt, it's your own fault".

    publishers shouldn't have to be the ones punished into pulling a lot of hours into explicitly drawing up a list that tells Google to back off. Google should be the one hiring lots of guys to compose a list of all books they want to index into a polite application submitted to the publishers for approval.

    if poor students aren't allowed to make photocopies of textbooks they need because they don't have written consent from the publishers, why does Google get special treatment like this?

    1. Re:Google should do the work, not publishers by deathy_epl+ccs · · Score: 1

      if poor students aren't allowed to make photocopies of textbooks they need because they don't have written consent from the publishers, why does Google get special treatment like this?

      IANAL, but since when are students (or anyone else for that matter) NOT allowed to make photocopies of books?

    2. Re:Google should do the work, not publishers by plam · · Score: 2, Insightful
      publishers shouldn't have to be the ones punished into pulling a lot of hours into explicitly drawing up a list that tells Google to back off. Google should be the one hiring lots of guys to compose a list of all books they want to index into a polite application submitted to the publishers for approval.
      It seems to me that the publishers' claim about this is somewhat lame:
      "We're not aware of everything we've published," Sanfilippo said. "Back in the 50s, 60s and 70s, there were no electronic files for those books."
      Well, if you don't have any idea that you own copyright on these books, perhaps those books aren't really doing you any good anyway.
    3. Re:Google should do the work, not publishers by ChocoBean · · Score: 1

      Oi. I meant when I said that, the practice of buying a new textbook, photocopying it in its entirety and then refunding said textbook so I can have one for free.
      I guess I left that out because i thought we've all thought of doing that but decided against it since that probably, just maybe, it isn't allowed. *sigh*

    4. Re:Google should do the work, not publishers by ChocoBean · · Score: 1
      I see where you're coming from, and yes it does seem kind of lame. I mean, even if there weren't electronic files or whatnot, they must have *something* right?

      But just because they've forgotten about something that "aren't really doing [the companies] any good anyway", doesn't mean google can have it automatically.

      what I would like to see in a perfect world is Google asking publisher x if it can have its old moldy book titled "The Big Old Moldy Book On Subject X", and then the publisher, having realised that Google wants something, can say yes or no.

      If I find a dollar at home I can go ask my mom if I can have it. But it wouldn't be fair to say that any amount of money or loose change I happen upon, unless otherwise explicitly noted, is automatically mine.

      see what I'm saying?

    5. Re:Google should do the work, not publishers by 99BottlesOfBeerInMyF · · Score: 1

      But just because they've forgotten about something that "aren't really doing [the companies] any good anyway", doesn't mean google can have it automatically.

      I disagree. By default all works should be in the public domain. If there is no reason for a right to be taken from the people and if it cannot be demonstrated that maintaining copyright on a particular book is "advancing science and useful art" then it should be returned to the people. I'd go much further than Google. If a work is not being sold at a reasonable market rate then the publisher is not benefitting from their copyright except perhaps to try to make a work unavailable so that it does not compete with their current offerings. This is diametrically opposed to the purpose of copyright.

      You're working from the incorrect assumption that it is the natural right of publishers to be able to restrict others from freely copying text. In fact that is not a natural right, but one imposed by the government for a specific purpose. That purpose is not to make money, it is to advance art and science and that is not accomplished by bury works or making sure the public has no access to them.

    6. Re:Google should do the work, not publishers by Anonymous Coward · · Score: 0

      IANAL, but since when are students (or anyone else for that matter) NOT allowed to make photocopies of books?

      Since copyright law was passed?

      In general, you can't use a photocopier to make copies of a book because of copyright law. ;-)

      However, copyright law does have a set of exceptions, called "Fair Use". For example, you can copy small sections of a work, if you do it for eductional purposes, such using a small quotation as part of a larger academic commentary or discussion. That's why the word "students" is important; it implies an educational context to the usage, which might help qualify for the fair use exemption.

      Students just can't copy entire books outright, however; that's not a "fair use". The rules regarding what is and isn't "fair use" are vague, poorly defined, and often seem to be made up on the spot in court according to some judge's whim. In general, you can't copy "too much" of a work; the courts seem to argue a lot about how much copying is "too much", but copying an entire book is almost certainly going to get you in trouble.

  17. Easy.... by HolyCrapSCOsux · · Score: 1
    Stop PRINTING books.

    Print one or two Paper Archive copies. Then release to the masses in E-form.

    Distribution overhead reduces drastically

    --
    0xB315AA8D852DCD3F3DCA578FD2E0BF88
    1. Re:Easy.... by CorruptMayor · · Score: 2, Funny

      Profits seem to reduce drastically too. (Hey! I'm a corrupt mayor! I'm required to be greedy!)

    2. Re:Easy.... by notasheep · · Score: 2, Funny

      Maybe you shold consult with the underwear gnomes to see where profits fit in to your equation.

      --
      Your mind looks a little cramped. Why don't you stretch it a little?
    3. Re:Easy.... by Anonymous Coward · · Score: 0

      ever tried to read a laptop in the bath?

  18. Oh well. by snark23 · · Score: 2, Interesting

    "...he's worried that Google's plans to create digital copies of books obtained directly from libraries could hurt his industry's long-term revenues."

    Yeah, and Gutenberg's press had a devastating effect on long-term revenues of the copy-manuscripts-by-hand industry.

    Feh.

  19. BPAA? by thebdj · · Score: 1

    Seriously, are we going to have some grand organization like the Book Publishing Association of America (BPAA) or the like now? Like the outdated methods the music industry uses, the trouble is even larger in the book industry. Thousands of books and authors are never read by millions of people because they are rare and obscure. There are research papers and knowledge to be grabbed that people cannot find because they are collecting dust in those dark libraries that are getting fewer and fewer visitors.

    Simple fact is, that it is more convenient and more cost effective to distribute written matter online, and making it searchable is key to making it easy to find. Good ol' Dewey's system is beginning to show its age and things are not always easy to fine. Even the ISBN does not always work since a great many books never receive a number. Honestly, this should turn into a great thing for books and knowledge. If they truly secure it like they say they can, then we can expect sales of the obscure books to increase as people begin to discover informative works and educational pieces that have collected dust. More known works will also grab peoples attention now as they will be more easily accessible for searching as well...

    Boy ain't technology a swell invention, if only people would embrace it like they said they would for years...

    --
    "Some days you just can't get rid of a bomb."
    1. Re:BPAA? by Anonymous Coward · · Score: 0

      "Thousands of books and authors are never read by millions of people because they are rare and obscure."

      or expensive. Andre LaMothe's latest graphics book is 60$! I mean, it's a good book, but not that good. Authors shouldn't have to work for nothing, but some of them would say that they already are. I think what this ultimately means is the end of publishing as we know it: you just get your books straight from the author.

  20. NEVER! by Anonymous Coward · · Score: 2, Interesting

    IMHO books will never be obsolete, gazing at an LCD will never replace the printed page.

    But then again I'm a graphic designer and I still love the Letterpress and all of it's shortcomings, they are sooo beautiful!

  21. Sharing of books in digital format from the lib. by himanshuarora · · Score: 0

    If anyone want to share do share. More you share the knowledge more you'll gain. Knowledge should not be a privilege of chosen few. No one should be deprieved of using resources which can be shared easily.

    --
    Spam: Any activity on internet to gain popularity without paying to advertising companies like Google.
  22. So missing the point... by tyroneking · · Score: 2, Informative
    ... 'cause no one in their right mind would sit down to read several hundered pages of a book on the internet; they'd get a paper copy (just like I do) - it's less troublesome to eyes and can be used in bed/on the train/at a bus stop, with no chance of being mugged for a choice electronic gadget (though I was once menaced by a chap who didn't like that I was reading On The Road).

    Maybe Tony should really be worried about the Bookmobile (http://www.archive.org/texts/bookmobile.php) which makes the information free and just charges for the printing - a true purification of the business model.

    Anyway, how is this different from the million books project over at http://www.archive.org/details/millionbooks ?

    1. Re:So missing the point... by Mprx · · Score: 1

      I'm 22 years old and I can't remember the last book I read on paper. Pages are so much hassle, and paper has far too low contrast ratio. I'm more comfortable with reading off a screen, and I imagine this is even more true for younger people. Physical book fans are dying out. Also, ebooks don't take up any space, are searchable, and are usually free (legally or otherwise).

    2. Re:So missing the point... by vinnythenose · · Score: 1

      Funny, I'm 25 and I'd much rather read a book on paper then on a computer screen. Guess a lot happened on those 3 years.

      Really though imagine this:

      "aww crap, my book's battery died"
      or
      "dammit, there's no way to change the battery on my iNovel and it's life is now only about 5 minutes, I'll have to pay $60 to fix it or tear into and maybe break it."

      Besides, I think a bookshelf filled with books (preferably ones the owner as read!) is a nice sight.

      Don't get me wrong, I fully support books in digital format. Great for looking up passages, quotes, and things like that. But if I'm going to sit down and read a 500 page novel, or a 700 page text, it's paper for me. Though digital would work great for some people, animations and examples and stuff for text books.

      We'll just have to wait and see how the technology progresses.

      --
      --- I used to moderate, then I read the -1 articles and decided having to filter through them was not worth it.
    3. Re:So missing the point... by tyroneking · · Score: 1

      So young and so little time ;) Wait a couple of years and you'll start to appreciate paper books again. The better the book, the more you'll want it on paper; the significance of Catcher In the Rye, the knowledge in Dive into Python, the absurd joy of Spike Milligan - each mean more when they're in a book. Oh, and paper books are just way more functional than computerised tomes - here are just some of the features: multiple bookmarking (pencial marks, folded page corners, fingers); fast forward/reverse (turning pages); portability (way cheaper than a PDA or laptop and often a lot lighter - especially if you tear big books in half); easy markup (with the afore mentioned pencil). Books are even multi-functional (can be used to prop-up shelves, collections of Cds etc.), low energy (just need a reading light - or the sun) and not subject to DRM. Seriously, it makes no sense to spend a couple of hundered pounds/dollars on a computer just so you can read a 10 pound/dollar book. It really doesn't. Also, books help me to chat up young ladies; PDAs and laptops NEVER NEVER NEVER do.

    4. Re:So missing the point... by Anonymous Coward · · Score: 0

      (You click the next page button on your "gadget") While we load up your next page, take a look at this other book we think you might be interested in...)
      No thanks. It would be exactly like dvds where a normal dvd player won't allow you to skip the 10 minutes of comercials and the crappy 30 second intro to the main menu.

    5. Re:So missing the point... by Mprx · · Score: 1

      No, it's just text, it means exactly the same no matter what medium it's in. You are emotionally attached to an obsolete medium, but I'm saying that is the mark of a dying generation.

      Ebooks can have multiple bookmarking, and the fast forward/reverse functionality is superior.

      Ebooks are far more portable, as I can carry several GBs of books in one hand, bits are far lighter than paper.

      Ebooks support much more flexible markup than paper, as there is no space limitation (theoretically possible with paper, but do you really disassemble books, add new pages and rebind them?).

      Paper books need more energy to transport, and DRM isn't possible (if you can read it you can crack it).

      It makes no sense to buy a computer for one book, but I have thousands of books. I don't have space to store those in paper, and paper is harder to read (lower contrast).

      The only advantage of paper is archiving, but once a book is digitised it will inevitably spread all over the internet, so the risk of completely losing any book is minimal.

    6. Re:So missing the point... by tyroneking · · Score: 1

      Books _are_ emotional; that's the whole point! Well maybe what I mean to say is that *some* books are emotional and some are not. Ebooks are great for reference works but to get the true feeling from an emotional book you need a paperback. Don't get me wrong, I'm not bothered about the form of the book, or the paper itself, but just the physicality of the book as a way of adding expression to the text within it.

      All you have mentioned about the functionality available in Ebooks may be true; but have you ever tried to markup in an Ebook? It's a hell of a lot harder than on paper. Have you ever had the need to carry a small library of books with you? That's what the internet is for! Paperbooks may need more energy to transport but their environmental impact is way less than constructing and powering a PDA.

      Wierd thing is, I kinda agree with all your points and have even implemented totally electronic document management and review systems in the past. Thing is, they just don't make sense for all purposes. Sad but true...

  23. public good by Anonymous Coward · · Score: 0

    The real question is not whether some people will make less money than before, and others more than before. That is an inevitable consequence of technological progress.

    The real question is: will this facilitate access to knowledge and culture without stifling new creation.

    The answer can only be yes.

        - Anonycous Moward

    1. Re:public good by Oligonicella · · Score: 1

      Incorrect, the answer can also be no.

  24. I don't know about others by kinglink · · Score: 1

    But for me, I need the paper, I've tried time and again to read a book online, I can get Art of War in about a million translations online, but I want a paper copy, because that one I bring on trips, I can feel the page, and I somehow feel more complete with the paper book.

    I've read Mad on the computer, I own the 7 disc collection, but it's not the same, I can't do the fold in myself, try to figure out the joke, and laugh, it's all done for me, and it bores me. Most of the fun of flipping the page is missing, and the computer is a cold medium.

    Let me get into that a minute, when I say cold I don't mean physically, I mean "spiritually". You come to a computer and it doesn't breath life when it pulls a page. Yes playing a game it definatly breaths a life all of it's own but when I read a book, I feel no life. Hell read a hand written composition from anyone and you're sure to get more life then any of those boring lifeless compositions you wrote in Highschool or College, where they force you to use a computer.

    With hand writing you see the anger and the ferocity that people feel, the timidness, the self worth, and the genius of an author. Some of us including myself succeed because our hand writing will get almost violent to the point of illegability, but many people are hindered by the computer because the inner art of the word is almost completely lost.

    Don't try to tell me about the warmth of the internet, I've never read a loving email that can match a simple handwritten letter. I can't match the love in it no matter how many words I use.

    So we can see the computer or mass printing obviously will leave us lacking something. And then remove the paper all together and you lose another dynamic. Get an old book out of your closet, you smell the dust, perhaps see the water you spilt on it, a piece of food, or other memories. You might even remember you and a lover cuddling up reading your own books and holding each other, just from the paper. Google can't reproduce that, you can't cuddle up easily to read off a computer, maybe a PDA but there's no warmth, it's not organic, and it feels impure to read great old works on such technology to many people.

    So for me at least I'll love the digital library in theory but I'll always want to buy complete copies of any books I want to read for anything more than a passing glance or reference because there's something that paper can handle where the computer loses it. I'll get knowledge about the book from google but there's still a person here who will buy the books anyways.

    1. Re:I don't know about others by Anonymous Coward · · Score: 0

      Well...damn.

      I would love to tell you that what you just posted here onto Slashdot in digital form is beautiful. I would love to tell you that it touched me deeply and you said everything that I've ever thought about books and why I love them so much. I'd love to tell you that I have a library full of books that have their pages folded, their bindings cracked and they've been read through so many times, they almost fall apart in my hands.

      I'd love to tell you all this and how much your post hit home for me...but...it didn't.

      You should have handwritten it.

    2. Re:I don't know about others by kinglink · · Score: 1

      I don't know if that's a clever jab at me (if so kudos, it made me smile) or a comment my post was poor (if so I don't see how)

      My point is basically, while the library is good and all, it's not going to eradicate books, I still read many things in paper form. However stuff I don't save I'll read online, news I get faster online, and I don't care enough to pay for it (even though I'm in finace, yesterday's news is... well 24 hours late)

      I belong to hundreds of forums, I keep a journal at livejournal.com but it's all passing, I do want to keep them mind you, but the journal is about thoughts, not really memories to me. (yes they are similar but I record my impressions instead of the moment or a trink to remind me what really happened, minor difference but important)

      But I think there's still something to be said for a page of a book, rather then a text file (though they are both fine, they have different usages)

    3. Re:I don't know about others by Anonymous Coward · · Score: 0

      There are lots of "obsolete" technologies that people still use and love, that are not the standard for the industry.
      A few examples -

      Classic cars... Just because you love your 56 Chevy doesn't mean you're not going to buy and use a new Hybrid Mini SUV, or that other people shouldn't be able to. There are custom car shops that make old school style cars for people that want them.

      Audio Recordings... vinyl, tape, 8-track, or CD? all of these mediums have people who think they are THE BEST, and have lots of good reasons why.

      Skateboards... Old school boards are big and fat and nice to ride, but aren't as light and flexible or as easy to make as new-school boards. Some people like the old school boards, some people like the new school boards. However, the new school boards are far more popular and more used these days, and cheaper.

      But what this all is is romanticism, and conservatism. There is no reason why peopel can't feel all the emotion and get all the satisfaction from reading something online that they would from printed paper, or from a hand written page. Is an "old" hardbound book more satisfying than a new-paperback book? why? I'm sure there're lists of reasons either way.

      Technology will advance forward. In 50 years, when we're viewing "holo-screens" or having video data pumped directly into our visual cortexs people will whine about how no one will want to give up the old way of reading text from the screen. In the future beyond that, when they learn how to input data and extract data directly from our brains, rather than passing through the semantic circuit and then processing language, people will complain that "no-one" will want to pass ideas around without using words...

      Well guys, someone DOES want to do it. Even if you don't. I have books that I cherish.. but I also have favourite websites, etc.. My children (yet to come) will probably have less books they cherish and more digital things.

      So be it.

      Who's to say what's right or wrong?

      _illium

    4. Re:I don't know about others by kinglink · · Score: 1

      My point was really to say, that even though digital library might be the wave of the future, this guy doesn't have to worry, people will continue to buy books even if they are free online. (I'm considering purchasing the art of war if I find a good translation) I'm not saying Google is doing something wrong. In fact it can only help, but that it wouldn't destroy the book industry just because it's freely available. In it's height, I knew people that used Napster but still got CDs when they enjoyed the full CD.

      I'm not discounting either side, I'm just saying there's a lot to say for the books, even though this one guy thinks it's the end for them.

  25. so what by ac1djazz · · Score: 1

    screw his revenue's. all information should be free. -acidjazz http://www.litebay.org/

    1. Re:so what by thatkeith · · Score: 1

      Oh, great: give everything away. So why would I bother writing a book if there's no money in it? So far I've written two and contributed to a number of others. It take as LOT of work! Maybe I'm just a greed-head, but I wouldn't even dream of doing it just for the kudos or the love of it. Hell, I need to eat and so does my family! Warm fuzzy feelings don't pay the rent.

  26. I wonder... by Xarius · · Score: 2, Funny

    when the PIAA will be formed?

    *tongue in cheek*

    --
    C17H21NO4
    1. Re:I wonder... by KillShill · · Score: 1

      no, they existed LONG before the RIAA and MPAA.

      the publishers' longevity even makes cthulu jealous.

      --
      Science : Proprietary , Knowledge : Open Source
    2. Re:I wonder... by jratcliffe · · Score: 1

      Well, the PIA (Printing Industries of America) has been around since 1887.

  27. I like it, I'm not one to buy too many books... by GecKo213 · · Score: 1

    and when I end up buying a book I tend not to ever finish reading it. This would be great for me. I'd be able to google a book that I had interest in for the minute, read enough of it to satisfy my mind, and then move on to the next! Google.com is the best!

    --
    Generation Trance: What generation are you?
  28. Being married to a future librarian... by josea · · Score: 1, Interesting

    My wife is working on getting her Masters in Library Information Sciences and I asked her what she thought about Google and their efforts. She actually is pretty much for their work, she thinks that speeding up searches through books will help people find the information and books they need a lot faster than the current method. Her main worry is that people are going to use this technology to bypass the book all together, and thereby possibly only getting a portion of the entirety of the book (seeing only one side of an argument, for example)

    --
    I blog, they blog, do you
    1. Re:Being married to a future librarian... by DerekLyons · · Score: 1
      Her main worry is that people are going to use this technology to bypass the book all together, and thereby possibly only getting a portion of the entirety of the book (seeing only one side of an argument, for example)
      Indeed. There's a generation growing up that believes that textbytes snagged off the web represents the entirety of what's worth knowing - if it's not on Google it's meaningless. This frightens hell out of me - it's a large contributing to cause to America's decline in engineering and the sciences.
  29. Quote of the ignorant by MrCopilot · · Score: 1
    Favorite Quote is: after being asked for a list of books to exclude one publisher said -

    FTFA: We're not aware of everything we've published," Sanfilippo said. "Back in the 50s, 60s and 70s, there were no electronic files for those books."

    Well the this would be of no benefit to you whatsoever.

    Where is the threat? Industrius googlers terminal hopping to get a full book printed out?

    The use of this technology drives sales. Say I'm doing research on a subject and need to know where a commonly known quote came from. Google presents Book, Publisher, Author, Page Number and Scan of the text I'm interested in. Purchase Link is right there.

    If it is relevant to my research I can depart with my hard earned cash right from the comfort of my own browser.
    Brilliant.

    Amazon are you watching this?

    --
    OSGGFG - Open Source Gamers Guide to Free Games
    1. Re:Quote of the ignorant by coolGuyZak · · Score: 1
      Amazon are you watching this?

      I, for one, think that Amazon should parnter up their A9 search and humongous patent porfolio with Google Search. It would be truly a sight to see. ;)

  30. Boogie whips by Eric_Cartman_South_P · · Score: 1

    Imagine not allowing cars to be made because the people who made horse whips bitched!

    1. Re:Boogie whips by Achromatic1978 · · Score: 1

      Except that it's the publishers who paid /their/ money in compensation to the authors either in return for or in commission for the work. And now Google wants to dole it out for free. Imagine!

  31. Slashdot crowd wrong on this one by loggia · · Score: 2, Insightful

    The crowd is slamming resistance to Google when in fact Google has vastly overstepped its bounds.

    They've told publishers and authors that they plan to scan every book - and if you don't like it, opt-out. Well, if you were an author or publisher, you'd be rightly pissed. The burden of having publishers list and input millions of titles in order to opt-out is absurd.

    And Google will lose this fight in court when it gets there. They've gone from innovative ideas to almost a totalitarian approach to their projects. With this and their banning of CNET reporters because they offended the emperor, I mean, CEO of Google, we can see that absolute power corrupts absolutely.

    1. Re:Slashdot crowd wrong on this one by i58 · · Score: 1

      Right, just like everything else in this world that everyone has to opt out of if they even can... Junk mail, telemarketing, personal information sharing without your consent, etc. Welcome to reality, why don't you stay a while?

    2. Re:Slashdot crowd wrong on this one by Anonymous Coward · · Score: 0

      And the publishers will not be able to "opt out" just once for Google and be done with it. They will have to "opt out" for every web site that wants to put the publisher's books online.

      Unless Goole wants the publisher's to print a standard "opt out" message on all of their future works; some legally approved message that means "you can't make copies of this without our prior permission. Oh wait, they already are: it's called a Copyright notice.

    3. Re:Slashdot crowd wrong on this one by Anonymous Coward · · Score: 0

      Ha.

      What else can you say to the delusional? If a publisher can't produce on demand some sort of proof that they have the right to publish a book, why does Google have to get some sort of proof that they have the right to scan a book? I wonder how the publishers cook their books to account for the revenue streams from unknown books off their records?

      And Google will lose this fight in court when it gets there. They've gone from innovative ideas to almost a totalitarian approach to their projects. With this and their banning of CNET reporters because they offended the emperor, I mean, CEO of Google, we can see that absolute power corrupts absolutely.

      I highly doubt that Google will lose in the courts. They won't even let it get that far, because they're too smart for that. If they have to, they will switch to opt-in scanning, and the publishers who don't opt-in will find themselves at a stunning disadvantage in the years to come. You must remember that authors and customers drive the system, and have enormous power over the publishers. All it takes is some bad press and one big author to switch publishers to really ruin the publisher's day.

      I don't see how proactively archiving all the information known to humanity is totalitarion, or not innovative. Sure, the library of congress has a lot of books, but do they know what's in them? I doubt it. If Google can index the Internet AND the majority of books ever published, that will constitute a very high percentage of the knowledge of all humanity. There would be no precedent for such an achievement. Simply being the first does not imply totalitarianism, nor does doing it despite the complaints of a few nay sayers, of whom there are always many in supply.

      If absolute power corrupts absolutely, then what do you think of publishers who own the rights on 50 year old books that will never be published again, a state which will continue for another 50 years to an indefinitely extended period of time to come? Shouldn't they be evil and totalitarian too?

    4. Re:Slashdot crowd wrong on this one by AlbionTourgee · · Score: 1

      Have you tried the Google service? They scan the books, but don't deliver copyrighted material on demand. Instead, you get to read a page or two, then Google directs you to the publisher to get a copy. How can this violate the rights of publishers or authors? If I go to a bookstore, I can browse the book, and if I go to a library, I can check out a copy. I get less than that from Google Library -- all it does is make the information searchable so I can find books I'm interested in. This benefits at least 99.9% of the world unless I'm missing something. Is it any more dictatorial for Google to do this than for a library to buy a book and put it into circulation?

  32. Nuts to You by srock2588 · · Score: 1

    " he's worried that Google's plans to create digital copies of books obtained directly from libraries could hurt his industry's long-term revenues."

    His industry can go suck an egg.

    --
    Ehh...this is the life we chose.
  33. What about the current Project Gutenberg by DarthStrydre · · Score: 2, Informative

    I have used Project Gutenberg multiple times in the past to save on costs or trips to a book store for a short reference to an older book. Oddly, I have not seen any reference to this great resource in the discussion on the Google library.

    Are there any plans on importing these works?

    Is Google going to waste time re-scanning and proofreading the etexts that are already available and free-as-in-beer-and-speech?

    I realize that PG is generally only for copyright expired, or works that are explicitly released to the Public Domain, but it has a quite extensive selection of texts already.

    Personally, I would like to see Google maintain an index of PG's texts, but refer the user to the PG archives if they wish to download the full texts, or perhaps make a local official mirror to take a load of the PG's current servers. Perhaps Google Library could maintain the non-PD works, and make contributions to PG for PD works.

    For those who have no knowledge of PG, here's a snippet from their site:

    "Project Gutenberg is the first and largest single collection of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and continues to inspire the creation of eBooks and related technologies today.

    Project Gutenberg Mission Statement:
    To encourage the creation and distribution of eBooks."

  34. Reference books by Digital_Quartz · · Score: 1

    I own a copy of, for example, the 1990 Honda CRX service manual, published by Honda. I use this book anywhere from one to ten times a year.

    If this were available online, I would not need to own it, since when I need to change my timing belt, I could just lookup the procedure online, and print out the relevant pages.

    If this book were available at my local library, I'd still own it. I refer to it often enough that there's no point in repeatedly borrowing it from the library.

    I can think of several similar examples. The IBM Power PC Programming Environments is another good one (which is available online, and which I don't own a dead-tree version of).

  35. Or encyclopedia salesmen... by oGMo · · Score: 2, Insightful

    Remember what the CDROM did to Britannica?

    --

    Don't think of it as a flame---it's more like an argument that does 3d6 fire damage

    1. Re:Or encyclopedia salesmen... by Achromatic1978 · · Score: 1

      What, allowed them to sell the encyclopedia, for upwards of a couple of hundred dollars (or a bit less now) in CDROM format? What point were you trying to make here?

  36. Obligatory Sean's Book quote... by tyroneking · · Score: 1
    On such a wonderfully pointless book by Sean Hughes that helpfully includes instructions on How to Steal this Book, and, if you're caught, a helpfully underlined defence ("I was only following what it said in the book...")

    Anyway, here's the quote:
    "There's more to life than books you know, but not much more." - Morrissey

  37. Yes, surely this is the point... by podperson · · Score: 1

    Surely the point of electronic publishing is, ultimately, to reduce the need for physical printing and (eventually) eliminate it.

    The only objections to electronic publishing now are practical (it's harder to read an electronic book in bed, or whatever, or the screen is hard to look at for extended periods) or basically insane (books smell better than computers).

    Eventually, cheap and highly usable electronic books will be available so that, for example, I don't need to lose my place in my O'Reilly reference books to look in their index, or keep multiple spots open with random cards and post-it notes, or carry half a suitcase full of books with me on vacation.

    1. Re:Yes, surely this is the point... by fossa · · Score: 1

      ... or keep multiple spots open with random cards ...

      When an ebook makes this as easy as a real book, please let me know. I find it *vastly* easier to flip through real pages to get to "that one spot" I remember, or by sticking bookmarks all over and flipping back and forth with reference material. I have put a little thought into what a usuable ebook interface would be like, and webrowsers for example don't even come close. I'm very curious to see what people come up with; I think it's a difficult problem. Hopefully though, we won't be stuck with webrowsers and acroread forever. (Obviously, there are many things ebooks can do that real books cannot, such as full text search, but where ebooks lack they really lack.)

  38. I'm much more concerned... by jd · · Score: 1
    With the idea that a company could have "long-term revenues" planned for out-of-copyright material and abandonware. How do you plan for the long-term, when the material has no intrinsic value and all residual value exists only because someone is looking for that material at that time? What happens next week?


    It is because of companies trying to squeeze every last drop out of the residual value that copyright has been extended in time and coverage. In consequence, I have a hard time being sympathetic. If you pursue a commercial model that you know, by definition, is beither tennable nor stable, then why should the rest of society foot the bill?


    Did bookshops bail out the dot-com failures? No? Then why should computer companies bail out bookshops who are self-created disasters? There's nothing in either socialism or the free market that requires selective bail-outs. Socialism believes in bailing out without discrimination, the free market doesn't believe in bailing out at all for anyone and so doesn't discriminate either.


    (The reason I'm not worried about progress is that I don't believe there's been any risk of society progressing for a long time. There have been few cultural improvements since the 1700s and the main advances in technology since then have been used more to cripple subsequent advances in culture.)

    --
    It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
  39. Something you can hold by tilleyrw · · Score: 1

    No matter how good Google becomes at easing the separation between the desire to learn (curiosity) and the acquisition of knowledge (reading), it cannot replace the physical book.

    Holding a book in your hards cannot be rivalved by any search engine, not even one that knows what you want before you think of it.

    It may only be two pounds of solid cellulose, but this is mine and mine alone. I can curl up at night with my book and explore distant planets or long-lost continents.

    --
    This post encoded with ROT26. If you can read it, you've violated the DMCA. Handcuffs please, sergeant.
  40. Library of Alexandria^2 by emarkp · · Score: 2, Insightful
    Think about this plus the Google wifi effort.

    Imagine being able to access to full text of any book anywhere. The possibilities are tremendous. We'll have to figure out a way to deal with copyright (or whatever we come up with), so that great work is still produced, but it will be tremendous.

    Though I'm a bit concerned about the tainting of Google's business by political bias, and by silencing outlets who don't kowtow to their demands.

  41. I've worked in book stores, the old model's insane by ianscot · · Score: 1
    Let's put it this way: Ever seen that little note inside mass market paperbacks -- the small ones --about how if you bought the title without a cover, you're in league with the devil? Those coverless books, "strips," are thrown away. The covers get sent back to the publisher for partial credit on returns. Pitching the guts of the book saves on weight in shipping.

    Which is to say, the traditional revenues we're talking about are derived from a system that is NUTS, and that couldn't need to be replaced more.

    If there's an industry that's suffering from the costs of distribution more than book selling, I don't know what it is. Books weigh a ton, there's basically an infinite variety of them, and in order to sell a reasonable number you have to have a huge range on hand at any given moment.

    Brick and mortar book stores apparently make money, but as someone who worked in them for years I can only say they do so because people have enormous, enormous love for the product and will overpay. People love the things -- it's not the text, it's the whole package.

    This little publisher (or other academic presses) will keep cranking out books, and what Google and the big online sellers will do is change how the final products get distributed -- which is where the serious middleman's markup occurs. Maybe a small house will lose whatever barely-breaking-even gross revenues they get from the physical reproduction of the physical book, at some point. But that's not where the money is for them.

    --
    "Fundamentalism" isn't about divine morality. It's about human authority.
  42. First you must understand the meaning of copyright by DaoudaW · · Score: 3, Insightful

    Copyright law exists for two reasons. First, it provides the author and/or publisher with certain rights which allows them a profit. But it then, and maybe more importantly in this case, provides the consumer with certain rights regarding the use of copyrighted material. If copyright locked down material to the extent that many people believe it would be difficult to gain any benefit from access to information. These consumer rights are usually referred to as "fair use." Two major examples of fair use are libraries and book reviews.

    IANAL, but in TFA, a lawyer opined that Google also had a strong case for protection under fair use. No it's not the same as a brick and mortar library, but Google traded off having a limited number of copies of a book for limiting a clients access within a book. Book reviews have long been held to be protected by fair-use and they often quote long passages of a book. Google provides the opportunity to look inside a book without mediation by a reviewer, but serves much the same function in helping the consumer decide whether the book is an important resource for them.

  43. Does it concern anyone else... by bitrot42 · · Score: 1

    ...that one corporation could be in control of our entire written history?

    If Google succeeds, and libraries and printed books go the way of the dinosaur, what happens if Google decides to make some content unavailable, or charge exhorbitant fees?

    They already 'own' the entire archive of Usenet. I am not aware of any other source for this information.

    Free today, gone tomorrow...

    --
    FIXME: Add a sig here
    1. Re:Does it concern anyone else... by Anonymous Coward · · Score: 0

      >what happens if Google decides to make some content unavailable...

      Then that content will become more valuable, so valuable it would be profitable for others to publish it in analog.

      >or charge exhorbitant fees?

      Someone will start a profitable company offering a similar service for less money. Or people "steal/share" the information.

    2. Re:Does it concern anyone else... by typical · · Score: 1

      Keep in mind that while Usenet is phenomenally valuable from an anthropological view, only the past few years are usually really useful -- it's rare that I find a greater-than-five-year-old post that is really useful, and I frequently use Google Groups.

      If someone started up a new Usenet archiver, they could be a player in a couple of years -- and it really doesn't take much to archive Usenet other than the money to fund bandwidth and storage media.

      --
      Any program relying on (nontrivial) preemptive multithreading will be buggy.
    3. Re:Does it concern anyone else... by Petrushka · · Score: 1

      The libraries own the data produced by Google's efforts. Google uses the data with their permission.

  44. -1 Troll by kmmatthews · · Score: 1
    That would be true if google were scanning books that are not in the public domain.

    Google is being *nice* to the publishers.

    --
    feh. stuff.
    1. Re:-1 Troll by ChocoBean · · Score: 1

      Do I have a bit of a reading disorder so I'm not readting TFA right, or does it say that yes, yes, yes google is scanning books that are not in the public domain?

      there's always the fair use thing.Google can't, and isn't scanning books WHOLE that aren't in the public domain, but it's putting snippets of them up.

      And I apologise if I am mistaken, but I am under the impression that Google is giving publishers time to tell them which copyrighted books to partly scan and which not to scan.

      All I was saying is that instead of having publishers bear the weight of reporting which is okay and which isn't, Google should be the one taking the time to compile that list of stuff Google wants to scan.

      either way, Google isn't being nice to publishers, Google just has a new and novel idea on what to do with publishers.

      I know this is slashdot and I'm about as big a google whore as any, but just because I'm not waving its happy 4-coloured flag at the moment doesn't mean I'm automatically a troll.

    2. Re:-1 Troll by Anonymous Coward · · Score: 0

      No, it just means you're an insipid suck-up. Who cares about being nice to publishers? How nice were the American Association of Publishers to Dmitry Skylarov? If the publishers line of thinking carries the day, the work of any organization that indexes 3rd-party information could be in jeapordy. The stakes are too high to worry about who is being nice.

  45. The whole point of the library by Create+an+Account · · Score: 1

    Libraries used to be about providing price discrimination for books. Maybe it's time we found a better model?

    It will be interesting to see if this has a similar advertising effect as that experienced by the Baen free book library. Cory Doctorow has had very good results from giving his books away over the Internet, and there is evidence that P2P is actually driving some growth in the music industry.

  46. long-term revenue by Anonymous Coward · · Score: 1, Insightful

    Playing devil's advocate here...

    A few posts made the note that they only care about their long-term revenues and not about the proliferation of knowledge. However, many of these books would never have been written if authors are never paid. Granted, perhaps Google or another enterprising company could change the way books are published by providing electronic versions and printing and selling paper versions on demand or something to that extent. But, in the current system publishers make authors' works available to the masses. They both profit from it and they wouldn't keep doing it if copyright didn't exist, which would mean a lot of knowledge would never have proliferated in the first place.

    Not everyone is as generous to share their knowledge for free like the wikipedia community does. It's human nature to only do things because it benefits you in some way or another and revenues from book sales is probably why most writers continue to write, not because they're overflowing with generousity (sp?).

  47. Hurting Eyes will Remain by Agarax · · Score: 2, Insightful

    Staring at a screen is almost the equivalent to staring into a low powered flashlight for hours at a time.

    Unless there is a fundamental change in screen technology, hurting eyes will remain.

    --
    Remember folks, slashdot doesn't have a -1 "disagree" moderation!
    1. Re:Hurting Eyes will Remain by fireboy1919 · · Score: 1

      A backlit PDA can usually set the light level to a pretty low lumen count...or off entirely. At the lowest light level, my bedside lamp will overpower my pda at its lowest non-off level so that I can't tell its glowing at all.

      With the lights off, its much more enjoyable than reading with a flashlight ever was, because flashlight reflected off a book is still pretty bright with a standard flashlight.

      It sounds like you just need a better reading device.

      --
      Mod me down and I will become more powerful than you can possibly imagine!
  48. Actually... by coolGuyZak · · Score: 1
    The tiff that publishers are having with Google is due to their scanning the full text of books that are still protected by copyright law. It is true that the full text for public domain books only will be offered online. However, copyrighted books will have sentances listed (ala the normal google search), as well as having up to 5 pages posted as a "preview". Google has mentioned that the total amount of information that could be gleaned from their search will never be more than 5 pages at any given time, or more than 20% of the book total.

    Google contends that this activity is justified as "fair use". If that contention is held up in a court of law, then Google is doing the publishers a favor--their activity wouldn't be considered illegal, and thus they do not have to allow the publisher to opt out at all.

    However, if the courts deem that this activity falls outside of the jurisdiction of fair use, then Google is in the wrong. They would be obligated to recieve explicit consent from each publisher for each copyrighted book they wish to include in their service.

    Unfortunately, I found this information within a printed source (irony, anyone?), and so do not have a link to provide for verification purposes.

  49. Don't know what they've published?? by serutan · · Score: 1

    Publishers shouldn't have to bear the burden of record-keeping, agreed Sanfilippo, the Penn State press's marketing and sales director. "We're not aware of everything we've published," Sanfilippo said.

    Oh I get it, publishers don't care enough about their own rights holdings to keep records of them, so they want everybody else to do the legwork for them. This is like land owners saying they can't be bothered putting up fences and posting signs, but they want penalties enforced against trespassers anyway. The world of out-of-print books thus becomes a vast, unmapped minefield that everybody is supposed to tiptoe through. And of course copyrights should also last forever. Is there anything else we can get you? Some cake?

    1. Re:Don't know what they've published?? by Oligonicella · · Score: 2, Insightful

      Well, when you leave out the part that the publisher doesn't have digital records, it might sound that way. They just shouldn't be expected to have to sift through their paper records from that period for Google's benefit.

  50. American Booksellers needn't worry: by Hosiah · · Score: 0, Troll

    ...because as illiterate as the US is, they couldn't possibly sell fewer books.

  51. Binder books by SeanDuggan · · Score: 2, Interesting

    Our university did that with a few textbooks which had gone out of print. The company charged them a small fee for printing out the text of the book and selling it in a binder. It was a good sight cheaper than the rest of my college textbooks ($5 for a 200-page textbook? Unbelievable...), although unfortunately, the printing quality was along the lines of a 2nd-generation xerox.

    --
    This sig has absolutely no significance and serves only to take up screen space and waste the time of the reader.
  52. Paying for copies by SeanDuggan · · Score: 1
    The difference is that the library (or someone donating to the library) paid for the printed matierials. In other words, some money was given to the author (supposedly).
    You know, outside of those works where no one knows who owns it (which the publishers seemed to be complaining about in the article... "We can't prove we own that book, but we want the profits from it!"), I suspect Google could afford to buy a copy of every single book in its library with what amounts to their budget for snackfoods for the month. That is, assuming the authors, wanting more publicity, don't donate a copy of their books to Google much as they do with regular libraries.

    The simultaneous access bit is a bit more troubling, although one might ask if it's really something intentionally built into libraries.

    --
    This sig has absolutely no significance and serves only to take up screen space and waste the time of the reader.
    1. Re:Paying for copies by notasheep · · Score: 1

      "You know, outside of those works where no one knows who owns it (which the publishers seemed to be complaining about in the article... "We can't prove we own that book, but we want the profits from it!")"

      They can prove they own the book simply by looking at the cover and seeing who the publisher is and who owns the copyright. You're taking out of context the publishers push back on having to provide a list of exclusions for Google that they can't generate. Google should be the one providing the list of what they want to include.

      --
      Your mind looks a little cramped. Why don't you stretch it a little?
  53. Okay, I have to smack this. by Grendel+Drago · · Score: 2, Insightful

    (The reason I'm not worried about progress is that I don't believe there's been any risk of society progressing for a long time. There have been few cultural improvements since the 1700s and the main advances in technology since then have been used more to cripple subsequent advances in culture.)

    Gee, I suppose an extra thirty-five to forty years of life expectancy at birth (since 1850!) isn't really an improvement in society. I dunno about you, but I'd rather live in a society where I won't expect to die before I turn forty. Or a society where we don't tend to murder each other quite as much as we did three hundred years ago. (I don't have a copy of Freakonomics handy, but murder rates in Europe are down by something like an order of magnitude since then.)

    Are you claiming that running around dying young and being murdered (c. 1700) wasn't really that bad? Or are you complaining that the radio doesn't play music that you like?

    It's a common trope to whine that technology never changed basic human nature. It's so common that it's taken for granted. It's also entirely wrong. Technology is the only thing that has ever changed so-called "basic human nature".

    --
    Laws do not persuade just because they threaten. --Seneca
  54. Wait a minute... by Jugalator · · Score: 1

    Isn't this the earlier Google Print project, just now restarted again? Didn't they just let the users search the text, but only preview about the 3-4 first pages or so? If that's the case, I can't see how this would possibly do anything beyond increasing sales as customers get more aware of the books.

    --
    Beware: In C++, your friends can see your privates!
    1. Re:Wait a minute... by Anonymous Coward · · Score: 1, Informative

      This is a related product. In the case of Google Print, the publisher provides the a digital version of the source material, and is able to choose a percentage of the book available to browsers. With Google Library, Google is creating the digital version via scanning/OCR, and if it's public domain (apparently using the simple rule of being published prior to 1923, and not the more complete, albeit time-consuming rule of validating whether the post-1922 copyright was actually renewed), then the entire book is available for perusal, otherwise only a sentence or two is available from the Google Library search. It's possible that with the current agreements between Google and the publishers, they may be allowing Google to display a larger set of results in the Google Library, but I suspect not, as Google is treading a thin line with respect to Fair Use.

  55. New copyright question by DeadlyBattleRobot · · Score: 2, Insightful

    Suppose you substituted the word 'Microsoft' for the word 'Google' in this topic. Would this change your opinion of how immensely cool this is? I always dreamed of all the worlds books online... but I never considered them being controlled by a private corporation -- I was thinking more of public ownership, like a library. Won't the _scans_ of public domain text and images be copyrighted? This is how it works now I believe -- they don't claim ownership of the source material, but their scans, indexes and digital presentation are company property -- in perpetuity. And sometimes the orignal works are not available to the public, so you can't go in and scan it yourself.

    1. Re:New copyright question by Anonymous Coward · · Score: 1, Insightful

      You got it. This is ont explicitly stated by Google, but they also are not making their contracts with the libraries publically available. If we could read the fine print, I am confident there would be exclusive use of the digital content by Google.

      The idea of a digital library is wonderful--especially in the classical sense of the idea of library as we now understand it e.g. a public resource that is not privately (corporate) controlled.

  56. Journal articles by robertdfeinman · · Score: 1
    The real debate will come with scientific and technical journal articles. Yearly subscriptions to these are now over $10,000 for some individual titles. The consolidation in the publishing industry has resulted in just a handful of big publishers owning most of the important titles.

    Various schemes have been tried to allow digital access via subscription, but the real value of a university library is the journals for most academic research.

    What happens when Google wants to start including these?

    --
    -- Robert D Feinman Landscapes, Panoramas, Photoshop Tips and Musings on Society
  57. A new acronym by mi · · Score: 1

    BPAA -- Book-Publishing Association of America... ...suing a book-downloader near you.

    --
    In Soviet Washington the swamp drains you.
  58. My understanding by Lifewish · · Score: 1

    is that Google does not allow more than a small fraction of the book to be exposed to the public. So, no matter how many searches you did, it'd still not let you at the large proportion that wasn't customer-facing.

    --
    For the love of God, please learn to spell "ridiculous"!!!
    1. Re:My understanding by fyngyrz · · Score: 1
      That's an interesting idea. Let's look it over. We have an imaginary, very short two-paragraph document. (You can generalize this to more than two paragraphs and more than two clients... I'm just describing the nature of an impasse I imagine will occur if your scenario is accurate.)

      I search for "phrase 2". Presumably, Google shows me this in context, in paragraph two.

      You search for "phrase 1" but this is in paragraph one. Google doesn't expose the entire document, according to your theory, so... it shows you paragraph two, where the quote isn't? You now get to trudge through the result and not find your phrase?

      How, exactly, is this supposed to be useful? I mean, if they're not going to return the context, they might as well just return the title and maybe the page-number, no?

      Even if they do this, it seems to me that they are still going to have to purchase the rights to store the work in a retrieval system and use them for profit. They're not acting as a library here, they're a business in pursuit of income. The law seems pretty clear on this point.

      --
      I've fallen off your lawn, and I can't get up.
    2. Re:My understanding by shreevatsa · · Score: 1

      I mean, if they're not going to return the context, they might as well just return the title and maybe the page-number, no?
      Yes, that's what they do. If you search for something and it is in a part of the book that they do not allow access to, you only say a message saying "Sorry, you cannot view this page".

    3. Re:My understanding by fyngyrz · · Score: 1
      Fascinating. Well, that solves the "expose the whole work" problem (and makes the service pretty useless in the process.) Now all they have to do is obtain the rights they don't have, so they can do this legally.

      Looks like it's not going to be a cakewalk.

      --
      I've fallen off your lawn, and I can't get up.
  59. You make a smart concept sound stupid, but... by greyjoy · · Score: 1

    ...but DAMN, it's true. When's a practical e-book reader coming out? The applications for college students alone would be STAGGERING -- can you imagine never needing to shell out $1000+/semester again (as I just did)?

    Not that this would benefit consumers alone. There'd be, as you said, almost zero distribution overhead, and publishers could make absolutely insane profit by charging what they do now (or even a fraction of it would still skyrocket their profit margins). Brick-and-mortar bookstores would still have plenty of business -- paper books aren't going anywhere -- but it's so long since past time we switch from paper to silicon, at least for expensive books and textbooks. Or anything that weighs over three pounds, honestly.

    Yet another reason why I should be in charge of running the world...

  60. Re:First you must understand the meaning of copyri by Anonymous Coward · · Score: 0

    I don't think this is really fair use. What google has done is copied the whole book, and is handing out a copy of a portion of the text to anyone who asks. They don't really have a right to do this. Just like I don't have the right to grab a song off a cd, put it on 100 other cds, and hand out a copy to anyone who asks.
    I like google. But the "If you don't want us to do this then you have to tell us before we do it!" argument is stupid. If I punched a guy in the nose, and then stated at trial "If he didn't want to be hit he should have told me!" I'd be laughed out of court. You can't take away someone's rights because they didn't tell you they wanted to keep them.

    IANAL, and the first one to take the rights sentence above and bash a politician is a rotten troll! :-P

  61. I'd like to see scans on Gutenberg by Colin+Smith · · Score: 1

    There's nothing quite like seeing the original document. The ASCII text is great, don't get me wrong but it obviously can't do images, diagrams and the like. The space implications are obviously huge.

    Google could get round the copyright problems by starting with the books in the Gutenberg list, already out of copyright.

    --
    Deleted
  62. From a small publisher/author by Curby23 · · Score: 1

    In my opinion, this is the first time Google has signaled their intent to do evil. Virtually every DRM method gets cracked. It's inevitable. Google knows this and they don't care. I've been asked repeatedly if I sell PDF versions of my book and my answer has always been "No, because I want to sell more than one copy." As a self-published author, the prospect of digital copies of my book floating around terrifies me. I spent six years working on my book on evenings and weekends. I paid for the printing out of my pocket. I don't expect to be well-paid for my efforts, but I do expect to be paid. Finally, publishers aren't all big companies. Many are small little operations run out of modest homes, teetering precariously on the brink of insolvency.

    1. Re:From a small publisher/author by Anonymous Coward · · Score: 1, Informative
    2. Re:From a small publisher/author by SETIGuy · · Score: 1
      I spent six years working on my book on evenings and weekends. I paid for the printing out of my pocket. I don't expect to be well-paid for my efforts, but I do expect to be paid.

      That's funny, because I usually don't get paid for what I do on weekends and evenings. And yes, I generate copyrighted works during much of that time. The all of them I publish without charging for them. I do it because I enjoy doing it and I like spreading knowledge. So one question is, "Would you have not bothered to write it if you didn't think you would be paid?"

      A couple more questions to illustrate some of the potential problems with current copyright law...

      The next question is how much compensation is enough? Let's say you put in a couple thousand hours on it. At $20 an hour, that's $40k. Is that enough? Would place it in the public domain after you've made $40k? $100k? $1M? $10M? $100M? Or are there no limits to your entitlement to profit?

      Now lets say a publishing giant has noticed your work and wants to buy the copyright from you and you agree on a price. It turns out they sell a competing work on the same subject. Their plan for your work is to take it out of print and keep it there, so people will be forced to buy their inferior rendition that has higher profit margins because it's only got half as many pages. How long should they be able to prevent publication of your work?

      Next hypothetical: You decided not to sell to the megapublisher. Let's say you're going to live another 50 years. In your will, would you make your work public domain? Or are your children entitled to profit from you work? They didn't write it, did they? How many generations deserve to get a ride based upon the couple thousand hours you worked? Is 100 years after you die long enough? Or should your descendents have perpetual rights to income from your work?

      But maybe you didn't tell your kids about it and lost the original manuscript before you died. Should someone finding a copy of your book but having no means to find the owner of the copyright be prevented from making a copy for a friend?

      What if you had no descendents? Is the copyright still valid?

  63. The old UI isn't always the best UI by Anonymous Coward · · Score: 0

    The point is the interface. The 'interface' of dead wood books is extremely humane: no menus, no modes, no unecessary choice of fonts and fit page to whatever.

    I disagree: I think the interface for paper books is horrible! I can't adapt the font, or the formatting; so old books written with text in small columns with small print (like my father's 100 yr old copies of the Three Musketeers) are quaint, but horrrible on the eyes. I'd get dizzy reading those; I've never had that problem when reading from my Palm Pilot, and I freely admit that a Palm Pilot is hardly the world's best display technology! The Palm, though limited, can be made to adapt to my needs; and the book can't; not without reprinting the whole thing.

    Books don't have any modes; but they don't have any memory, either! Unless I physically mark the page I left off reading each time, the book interface resets, and forgets the page I left off reading at. That's a lousy UI!

    Instead, direct physical response, you know where you are.

    No, I don't! I know that if I lose my grip on the book, it will reset on me, and I can't recover the last page accessed, and I can't even search for familar text, except guessing which pages I've read, and scanning for something that looks like where I left off.

    Physical page manipulation is also very slow. I can't read books quickly, because I have to keep moving my neck from one page to the next, then fumbling to switch pages! You need to balance the book in one hand, and then press down on the page using enough friction to lift the corner enough for your to grab it, pull it over to the other side, smooth it down, and then return to the reading position.

    Worse, I have to waste cognition on managing these physical processes, so I can't focus on reading the book; I have to worry about the friction under my fingers, whether the page has flipped cleanly, whether I lifted one page or two, and a lot of other UI tasks unrelated to reading the book. That's a poor interface!

    On a PDA, I can hold the book in one hand, keep my eyes on the text (which all fits within my field of view, so I don't need to move my head), and I just twitch my thumb to depress the "next page" rocker-button; my eyes then flick to the top of their field of view. I can read continuously, with only tiny pauses to twitch my thumb and flick my eyes.

    It's faster, more reliable, and more efficient. I don't have to think about whether flipping pages worked, I don't have to work out where the book moved relative to my eyes, so retracking is faster and easier, I can just *read*, not fumble about!

    I can flip pages with the same hand that I hold the PDA with, leaving my other hand free to open doors, pet my cat, or any of a number of other tasks. If the phone rings, I have a hand to answer it with. If I set it down, I don't lose my page. A book just doesn't do that.

    Furthermore, there is no problem with energy supply. You can fall asleep over your dead wood reading without any worries. The dead wood will be there tomorrow, no system to crash or similar.


    No, you can't! You have lots of worries! Dead wood is quite fragile! You can tear a page very easily; old books practically fall apart when you touch them. You have to be very, very careful! Wood turns yellow and discoloured, it's horribly difficult to backup, and it's easy to destroy from fire or water damage. No physical media is safe; and making offsite backups is far, far more expensive and time consuming than any other form of storage.

    Also you do not have to perform strange tasks like locating a document in a hierachical filesystem.

    No, instead you have to perform strange tasks like locating a book in a library or bookstore instead. This usually entails several miles of time-wasting physical travel, locating an obscure code using a search computer (often using a hierarchial topic search!), matching the obscure code to the book you want, and then running through a checkout or purchase procedure.

  64. Modding idiots insightful by thegnu · · Score: 1

    Um... because money isn't information. And donating information is different than donating money.

    I'm a computer techinician, and I share ALL information I have freely and free of charge. If someone wants to pick my brain for long, they can pay me for my time and experience, which is the only thing I bill for. The more information is kept free, the freer the world will be.

    I would LOVE my job to become obsolete, because it would mean we're getting somewhere.

    --
    Please stop stalking me, bro.
  65. Re:First... by Elad+Alon · · Score: 0, Offtopic

    He's right, you know.

    --
    News for merdes. Shit that matters.
    Ask me about my sig.
  66. Preventing autogenerated scraper sites by shird · · Score: 2, Interesting

    I think one of the major reasons for Google to be doing this is to detect sites that have simply scanned in dozens of books and presetn the content as their own along side ads, to make quite a fair bit of money. There are many sites out there that do this. Google already detects duplicate content across web sites (ie sites that scrape others), but its a bit difficult when the content has been 'scraped' from a book.

    --
    I.O.U One Sig.
  67. Re:First you must understand the meaning of copyri by Anonymous Coward · · Score: 0

    IANAL either, but if Google had purchased all of the books, and retained possession of them after scanning, I believe that Google would have no problems arguing that it's a case of fair use. I think the point that the publishers have been stressing is that Google is borrowing the copies from the library, making copies of the entire work, and returning the books to the library, and that's why it's a copyright violation, even if they only provide fair-use portions to the Google users.

  68. Re:CDs... by adtifyj · · Score: 1

    A few CDs you just want to own, cherish, and put in the CD rack for the prestige of owning it. They are rarely used. For everything else, a high quality rip is wonderful..

  69. Re:But of course... by adtifyj · · Score: 1

    Author's should do more book readings, or something.

    I jest, but with todays wealth of information available freely online, I dont see why there should be so many new books that publishers are trying to sell. We should be using older works as references rather than writing new versions of everything, constantly. For example, a grade 10 maths book should fall into public domain eventually, and be corrected as required. This would mean the children of today could see the history of grade 10 maths as well as the content.

    Lecturers would then need to go back to research, rather than rehash, and without the revenue stream of textbooks, lecturers would have a bit more incentive to do a bit of innovation.

  70. I'm not sure, but... by severoon · · Score: 1

    Isn't it true that they're only doing this for works in the public domain already, i.e. libraries? In other words, aren't these works already 100% available to everyone in the community?

    --
    but have you considered the following argument: shut up.
    1. Re:I'm not sure, but... by fyngyrz · · Score: 1
      No. That's not the case.

      First of all, the fact that a work is in a library does not mean that its copyright is expired, invalid, or compromised. Libraries have to buy books, just like you and I. And Google, I might add.

      Secondly, the loaning of a work from a library is not done for profit, which is quite distinct from Google's planned use.

      Third, related to the first point, when you borrow a work, you're not allowed to copy it. Google is "borrowing" books from libraries, copying them without recompense to the rights-holders, and then using them to generate income.

      I have to think that any court in the land will squash them like a bug. But I, thank goodness, am not a lawyer. We will see how this goes. I am almost certain it will be vigorously opposed.

      --
      I've fallen off your lawn, and I can't get up.
    2. Re:I'm not sure, but... by Achromatic1978 · · Score: 1

      Libraries have to buy books, just like you and I. And Google, I might add. ObPedant: actually, though IANAL (I Am Not A Librarian), the procedures are different for libraries. They don't just traipse down to Borders or BN, or log onto amazon.com with a corporate card. Libraries purchase their books from special distributors or such, and pay a different price, based on how many loans are expected, to recompense publisher/author.

    3. Re:I'm not sure, but... by fyngyrz · · Score: 1

      Sorry, my wording was unclear. The "just like" I was referring to was the purchase issue, not the pricing one.

      --
      I've fallen off your lawn, and I can't get up.
  71. Copyright... by cnerd2025 · · Score: 1

    From TFO: copyright laws that long preceded the Internet look to be headed for a digital-age test..

    Haven't napster et al demonstrated that already?

  72. The Courts will decide by riversky · · Score: 1

    Now Google is being sued buy the Authors Guild for massive copyright infrigment in US District court. Seems clear to me. Google is NOT a library but a for profit corporation and therefore commercial use is prohibited under law. I wrote a published short story in college which I hold the copyright to and if was to show up I would sue. Google seems to argue you can contact them and they will remove the material. Hmmmm I thought copyrights were to prevent corporations from using it without FIRST getting it authorized. Do no evil my ass.

  73. Best Quote Ever: by Anonymous Coward · · Score: 0

    from the article on cnn:

    "We're not aware of everything we've published," Sanfilippo said. "Back in the 50s, 60s and 70s, there were no electronic files for those books."

    This is the epitomy of the debasement of knowledge by abusers of copyright law. The publisher has no rights to a copyrighted work other than what the copyright holder granted them. Hence, if they have no records, they have no rights.

  74. Dangerous for Google? by HiThere · · Score: 1

    I sure wouldn't call what Google are* doing wrong, not with the copyright law extended to such an absurd length as it currently is. I would, however, think that it might be dangerous.

    * Since I don't accept that a corporation is a person, it would seem this needs a plural voice. Therefore "Google are..." rather than "Google is...".

    --

    I think we've pushed this "anyone can grow up to be president" thing too far.
  75. Fixed Whitesapce Re:Same article 100 years ago... by AntiCopyrightRadical · · Score: 1

    Yes, without copyright.
    What one writes is private, what one publishes is public.

    I do believe in privacy rights, and contractual obligations.
    Publishing a file you find on my computer is a violation of my privacy. I would have grounds to sue you and anyone else who distributed my private information.

    The screenwriter would enter into a contractual relationship with either the studio, an agent, or a reviewer.
    In a contract free world, a sample and a good review from a repected reviewer could get the funding for the movie, sight unseen.

    Even if you publish a great work for free, and get nothing for it, you get reputation. If people like your work, they will want more, and they will pay you to write it. It is supply and demand, and it does not need copyright to work. Fans will find a way to get you money.

    --
    Abolish Copyright. Restore Freedom.
  76. Google's OCR is not proofreading. by Grendel+Drago · · Score: 1

    Google uses OCR for their books. It's not horrible, but it's far from perfect. If you looked at the text that the OCR output, it'd look like... well, like OCR output. But you see the page image, not the OCR'd text, and that's good enough for what it's doing.

    What would be useful would be for Google to release the scanned pages of public-domain books, much like the Million Book Project does, so that they could be spiffed up properly by Distributed Proofreaders and made into high-quality ebooks distributed by Project Gutenberg.

    Who knows; maybe they'll even do that.

    --
    Laws do not persuade just because they threaten. --Seneca
  77. Re:Fixed Whitesapce Re:Same article 100 years ago. by Dominatus · · Score: 1

    But then that system is no less abusive than any other.

    What consitutes as distribution or publishing? If Im spending 10 years to write a book can I let no one look at it to edit it? The moment I send them the file, its public domain since only copyright right now protects that person from abusing it instead of just editing it.

    Content creators are often teams of people. What stops one of them from running off and abusing the work the team created without copyright? Right now, the copyright is owned by the team so if one of them runs off and says, sells the content and makes millions and doesn't share, it's illegal. Without copyright, those copies of the content the team is passing back and forth are now public domain.

    Unless you believe in instituting another different system to protect works "unpublished" and then what consitutes as unpublished.

    Why does the screenwriter have to enter a contract with the film company? Why cant the film company use the script regardless of whether or not the screenwriter wants them too.

  78. -1 Troll? by Hosiah · · Score: 1

    No sense of humor at all, eh?

  79. Re:Fixed Whitesapce Re:Same article 100 years ago. by AntiCopyrightRadical · · Score: 1

    Sending an email to your friend does not constitute publication, nor does sending it to someone with whom you have a contractual relationship.

    I would say a good general rule is that if it is not put before the public with the consent of the author(s), it is not published. My friends and colleauges are not the public, and they have no right to distribute what I show them in confidence. It's published when you give the information to strangers.

    As copyright is being dissolved, the law would need to be changed to repect this privacy.

    The screenwriter would enter into a contract with whoever he's showing the script to so that they can't distribute it, or use it without paying him.
    Also, it would be in the interests of studios not to get a reputation of ripping off artists

    --
    Abolish Copyright. Restore Freedom.