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Universal and MySpace Square Off Over DMCA

moore.dustin writes "Universal and MySpace look to be on a collision course that could shape the future of media companies and the internet. The article discusses the DMCA's impact on their case, and talks ways in which the law lags behind the realities of technology." From the article: "Yet, as lawyers prepare for battle, they do so on uncertain legal ground. The legislation at the heart of the debate, the Digital Millennium Copyright Act, was written years before social networking sites such as MySpace even existed. That fact has injected considerable uncertainty into the matter, according to copyright experts, and helps explain why lawyers from both sides are proclaiming that the DMCA, as it is known, is on their side."

110 comments

  1. Both sides claming the DMCA by transporter_ii · · Score: 4, Insightful

    And they are probably right that it is on both of their sides, because it sure the hell isn't on OUR side.

    Transporter_ii

    --
    Doctors destroy health, lawyers destroy justice, universities destroy knowledge, religion destroys spirituality
  2. The Universally Flawed Argument by Slipgrid · · Score: 5, Insightful
    Last month Universal accused MySpace of infringing its copyrights by allowing its customers to post music videos from artists such as Jay-Z on the site without permission.


    The basis of their argument is that they are allowing users to post Jay-Z videos, just like I'm sure they allow Universal to request there deletion. The gun manufactures tried this argument before. Guns allow people to kill each other. They also allow people to protect themselves. Allowing a crime is far from facilitating it. Myspace, sucks as it does, provides many with legal entertainment. Just because a few are able to abuse the system, doesn't mean that Rupt owes Univ a tax.
    1. Re:The Universally Flawed Argument by quanticle · · Score: 4, Interesting

      Seriously, wasn't this settled during the Betamax case? If I recall correctly, the movie industry tried the same argument there — i.e. video cassette recorders encourage copying of intellectual property. The Supreme Court there ruled that videocassette recorders were legal because of the many legal uses they had, and the fact that they could be used for illegal purposes did not diminish this.

      How is that situation different from this one?

      --
      We all know what to do, but we don't know how to get re-elected once we have done it
    2. Re:The Universally Flawed Argument by Dachannien · · Score: 1

      It's different in at least one notable way, namely that the DMCA Safe Harbor provision acts in favor of the technology innovator (MySpace) this time around.

      One and a half cheers for the DMCA!

    3. Re:The Universally Flawed Argument by Duds · · Score: 4, Interesting

      The obvious different is that Myspace are specifically storing the copyrighted material on their site.

      If Sony were allowing people to store all their betamax tapes of copied films in a Sony warehouse the case may have had a different outcome.

      A better similie to that case would be if myspace was displaying videos playing off my server, at which point they would be protected.

      The other difference is of course the laws were different back then.

    4. Re:The Universally Flawed Argument by Gription · · Score: 2, Interesting

      The difference is the DCMA basically tries to specify that anything that that can be used to subvert copyright protection is illegal. Remember the bit where the copy protection on certain CDs could be circumvented by using a magic marker to blank it out? It was pointed out that the verbiage of the DCMA would then make magic markers illegal.

      This is all about law. It isn't supposed to make sense and it rarely relates to the real world.

    5. Re:The Universally Flawed Argument by Mister+Whirly · · Score: 1

      "Allowing a crime is far from facilitating it."
      Exactly. A White Pages book could technically allow a murderer to find his victim's address. Does that mean Ma Bell is an accomplice to murder??

      --
      "But this one goes to 11!"
    6. Re:The Universally Flawed Argument by quanticle · · Score: 1

      This is all about law. It isn't supposed to make sense and it rarely relates to the real world.

      Well, precedent is an important part of law. Apparently the DMCA obviates the precedent set by the Betamax case.

      --
      We all know what to do, but we don't know how to get re-elected once we have done it
    7. Re:The Universally Flawed Argument by Qzukk · · Score: 1

      If Sony were allowing people to store all their betamax tapes of copied films in a Sony warehouse the case may have had a different outcome.

      How would Sony know that a betamax tape in a crate being shipped in for storage was a copied film or not, short of watching every single minute of every single tape? That's the very point of the Safe Harbor provision of the DMCA. Companies can go about their business regarding user-posted content, and if they meet certain criteria then they have no responsibility for the behavior of the users.

      Clearly this case will revolve around whether MySpace obeyed the safe harbor criteria, and whether they are making money (wait, are they even making money?) because of the infringements or because of their service, and whether the language in the DMCA cares which it is.

      of course the laws were different back then.

      The more things change, the more they stay the same.

      --
      If I have been able to see further than others, it is because I bought a pair of binoculars.
    8. Re:The Universally Flawed Argument by ghostfacehallik · · Score: 1

      Why should Jay-Z complain if he is getting free advertisement??

    9. Re:The Universally Flawed Argument by The+Great+Pretender · · Score: 2, Insightful

      One could question whether Universal owes MySpace advertising revenues...just a thought

      --
      A positive attitude may not solve all your problems, but it will annoy enough people to make it worth the effort.
    10. Re:The Universally Flawed Argument by astronouth7303 · · Score: 1
      The obvious different is that Myspace are specifically storing the copyrighted material on their site. If Sony were allowing people to store all their betamax tapes of copied films in a Sony warehouse the case may have had a different outcome.
      Yes it would, but that's not really what MySpace is doing. MySpace isn't Napster in that it's specific use is for sharing media. MySpace is basically for blogging, at its core. (They've diversified, but that's still MySpace's big thing.) Just so happens that many of its users are posting copyrighted media. A better metaphor would be if Sony rented out self-storage that a lot of people use for storing betamax tapes. (Of course, MySpace can provide a lot more storage a lot cheaper, but you still pay in the way of ad space.)
    11. Re:The Universally Flawed Argument by novus+ordo · · Score: 1

      I'm still waiting to find out what rights I have as the consumer. Seems like the media is moving towards a nasty pay-per-view model. A model where you don't own what you buy. Kind of like it is now, only you can't pretend anymore. I don't know what is worse, seeing these rackets make the laws or seeing them enforce them.

      --
      "You're everywhere. You're omnivorous."
    12. Re:The Universally Flawed Argument by Rakarra · · Score: 1
      Seriously, wasn't this settled during the Betamax case? If I recall correctly, the movie industry tried the same argument there -- i.e. video cassette recorders encourage copying of intellectual property. The Supreme Court there ruled that videocassette recorders were legal because of the many legal uses they had, and the fact that they could be used for illegal purposes did not diminish this.

      How is that situation different from this one?

      That assumes that once a matter is decided by the Supreme Court that the content industry accepted the loss, saw how they were wrong, and promised not to do it again.

      The problem is, the MPAA felt the Betamax decision was horrible, still feels they were justified, and is still actively trying to overturn that decision. So even if this situation may be similar, they will still fight it with every ounce of strength.

  3. The case by Rob+T+Firefly · · Score: 5, Informative

    For the lazy, the case in TFA involves Universal accusing MySpace of copyright infringement based on the ability of its users to post copyrighted music videos to the site without permission.

    1. Re:The case by Salvance · · Score: 1

      If Universal wins, how would someone enforce the ruling? There's no good way to detect if a video or music clip is copyrighted, and relying on MySpace to police this manually would shut down the whole place. Universal is probably just looking for a % of revenue ruling that mirrors the kickbacks they receive from Microsoft and the money they want to receive from Apple.

      --
      Crack - Free with every butt and set of boobs
    2. Re:The case by fishbowl · · Score: 1

      >There's no good way to detect if a video or music clip is copyrighted,

      There is one good way: The author of the content identifies it.

      >and relying on MySpace to police this manually would shut down the whole place.

      And your point? You think the folks at Universal would not be perfectly satisfied with that result?

      --
      -fb Everything not expressly forbidden is now mandatory.
    3. Re:The case by UnknowingFool · · Score: 1

      Does this disagreement cover links? Many people I know don't post videos per se but embed a link to another site that does hold video i.e. YouTube. Just asking.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    4. Re:The case by Rob+T+Firefly · · Score: 1

      That's a can of worms.. if they end up suing over the ability to post links rather than just who's storing the material, they'll have to sue pretty much every ISP on the planet. Anyone can post a link anywhere on the Internet. That whole hypertext thing is more or less what the entire Web was built around.

    5. Re:The case by kimvette · · Score: 1
      There's no good way to detect if a video or music clip is copyrighted,


      Sorry to nitpick, but copyright is automatic so it can be presumed that ALL video or music clips on there are copyrighted (expired copyrights aside).

      Now, what one needs to do is detect whether or not one has permission to post the copyrighted materials but that is darn near impossible.

      What they ought to do is apply Fair Use guidelines then they would be pretty much in the clear. Entire music videos? Probably not fair use. Music video parodies? Most definitely fair use. George Duhbya Bush's face rotoscoped into a porn flick? Obviously satire, and thusly Fair Use. The Matrix posted in entirety? "Hellboy 2" posted prior to thearical release? Obviously not Fair Use.
      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
  4. The only winners are the lawyers by Anonymous Coward · · Score: 4, Insightful

    Considering that CBS has already said that clips on YouTube are helping their business you wonder why Universal bothers. Do they rally think they can earn revenue from users watching some pre-teen lip sync to one nof their hits? Their win in the Supreme Court certainly did not slow the growth of file sharing. In the end it just means lots of billable hours for legal teams.

    1. Re:The only winners are the lawyers by Lazarian · · Score: 1

      "Considering that CBS has already said that clips on YouTube are helping their business you wonder why Universal bothers."

      It takes away from Universal the ability to control what becomes popular. If they can't control what music becomes trendy, they'll actually have to cave to the demand of peoples taste in music, instead of force-feeding whatever crap group they decide to prop up. Either that or being able to demand money for getting free advertising.

  5. conspiracy theory by tritonman · · Score: 0, Funny

    well, maybe they are working together, they are both owned by huge companies. They are working together to produce some sort of law suit that will be the basis for all future law suits. it's a CONSPIRACY!

  6. The DMCA does cover this by 91degrees · · Score: 4, Informative

    MySpace is not fundamentally different from offering generic webspace. The safe harbor provisions cover this. It's hard to argue that MySpace is not an ISP under the terms of the DMCA.

    The fact that to deny responsibility, the ISP is better off not policing their network is hardly the ISP's fault. It's a badly drafted law. Perhaps Universal should have thought about thiswhen lobbying for it.

    1. Re:The DMCA does cover this by tuxlove · · Score: 2, Interesting

      While I think the DMCA is a giant steamer, it does appear that it protects myspace if they qualify as a service provider. The wording of the DMCA defines a "service provider" as "...a provider of online services...". That is rather ironic, isn't it? Though the DMCA says they can't have profited from the copyrighted material in order to be protected; while they are obviously not selling music directly, music is one of the big things that draws in people and gives myspace its value. So Universal may have some argument there.

  7. I can't wait by Digital+Vomit · · Score: 2, Insightful

    I *so* can't wait until our culture gets past the "intellectual property" dark age. I just hope I'm still alive to see the incredible social, cultural, and technological advancements that will come once the notion of "owning" ideas and information has finally passed away.

    --
    Modern copyright is theft of culture from everyone and it retards the progress of the useful arts and sciences.
    1. Re:I can't wait by Rob+T+Firefly · · Score: 2, Funny

      Hey! I made a copyrighted post very much like this one once. You'll be hearing from my lawyer!

    2. Re:I can't wait by MMC+Monster · · Score: 3, Interesting

      How are content creators supposed to support themselves? I mean writers, actors, singers.

      I know the current system is useless, but how do we replace it and still have content be worth something so that creators can make a living?

      --
      Help! I'm a slashdot refugee.
    3. Re:I can't wait by recursiv · · Score: 1

      Live performance? Or sell tshirts? Or keep a day job?

      I think if we totally abolished copyright, some artists/creative talent would indeed not get paid/give up, but I think the total benefit outweighs the negatives.

      And a middle ground in which copyright is not totally abolished but just brought back to the realm of the reasonable would be even better.

      --
      I used to bulls-eye womp-rats in my pants
    4. Re:I can't wait by mrchaotica · · Score: 2, Informative

      There are many possibilities:

      • Patronage
      • Performances
      • Merchandising
      • Government grants
      • Private charity

      Then, of course, there's also the final possibility: they don't. After all, what makes you so sure content has to be "worth something?" Who says that having people "make a living" doing this stuff is necessary? Isn't it possible that making people keep their day job and do this stuff in their free time if they want to is good enough?

      These sorts of models are working for Free Software, after all...

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    5. Re:I can't wait by balsy2001 · · Score: 2, Informative

      My brother has a full time engineering job and still makes and releases CDs on the side with his band because he likes it. In my book you can't beat a live performance. So, maybe the future of music professionals is to make all of their money on tour...Oh right that is how it works today except Sony et. al. don't rake in the millions. Then you would jsut give away your music for free on the internet as promotion for your concert.

      --
      GENERATION 27: The first time you see this, copy it into your sig on any forum and add 1 to the generation.
    6. Re:I can't wait by kmac06 · · Score: 2, Insightful

      Yeah, who needs any of the stuff that's been patented through a private research lab. Like anyone ever uses a transistor.

    7. Re:I can't wait by Duds · · Score: 1

      Or it'll result in lots of very clever people going off and doing something else with 45 hours of their time each week so they can eat and much less will get developed.

    8. Re:I can't wait by trianglman · · Score: 1

      Or maybe make it worth purchasing? When you have to pay $20+ for a CD that might have one, maybe two good songs it is not worth the cost. This is why file sharing started. But when the pricing was adjusted and services allowed you to purchase just one song at a reasonable price, those services exploded.

      The RIAA, MPAA, and in this case Universal has forgotten the fact that to make money they have to sell something that people want. Instead they think they can make money by forcing people to buy their product.

      --
      Clones are people two.
    9. Re:I can't wait by tkrotchko · · Score: 2, Informative

      "How are content creators supposed to support themselves? I mean writers, actors, singers."

      Well, apparently the first thing is to avoid being associated with record companies that belong to the RIAA:

      http://www.usatoday.com/life/music/news/2002-09-15 -artists-rights_x.htm

      That's probably 90% of the battle right there.

      --
      You were mistaken. Which is odd, since memory shouldn't be a problem for you
    10. Re:I can't wait by balsy2001 · · Score: 1

      Patents laws are different than copyright laws (although I don't like them entirely either) and cover different things. Just the time frames involved will give you an idea. The length for a patent is 20 years (http://en.wikipedia.org/wiki/Patents) and a cpoyright lasts the life of the author plus 70 years, and 95 years from the date of first publication or 120 from creation for corporate authorship (http://en.wikipedia.org/wiki/Copyright). Both could be shorter but copyright is definately more bloated.

      --
      GENERATION 27: The first time you see this, copy it into your sig on any forum and add 1 to the generation.
    11. Re:I can't wait by roman_mir · · Score: 1

      I *so* can't wait until our culture gets past the "intellectual property" dark age. I just hope I'm still alive to see the incredible social, cultural, and technological advancements that will come once the notion of "owning" ideas and information has finally passed away. - I "so" can't wait until that happens and I finally get your bank account pin number.

    12. Re:I can't wait by teh_chrizzle · · Score: 2, Interesting

      well, seeing as how the concept is nearly 500 years old i would imagine maybe another 500 years will finally see it's demise.

      --
      sarcasm:
      -noun
      1. harsh or bitter derision or irony.
    13. Re:I can't wait by SoulRider · · Score: 1

      You dont get it. The only part of the music industry that should go away is the distribution chain. There will still be a need for talent scouts, promoters, studios, server admins, etc... Its the distributors (RIAA/MPAA) that are becoming obsolete, unfortunately the distribution chain is controlled by groups of lawyers/lobbyists who can prolong their inevitable deaths for what seems like an eternity. I just wish studios would wake up and realize how much of a drain the *AA's are becoming on them, and how much more they could be making if they just disbanded that huge lumbering money sponge.

    14. Re:I can't wait by kmac06 · · Score: 1

      Wile I certainly admit that copyright laws may apply for too long, the post I was replying to was suggesting the abolishment of ALL intellectual property, and that "notion of owning ideas and information" is somehow a bad thing.

      Patent and copyright laws are something the federal government explicitly has the power to do under the Constitution, unlike many other things the federal government does.

    15. Re:I can't wait by Miaomiao · · Score: 1

      The problem with copyright isn't that it restricts what you can do, it's that older stuff doesn't go into the public domain. Current copyright extends back 90 years, which means that I need to look at my great-grandparents before I can get anything. That's a little too far back.

      In this case however MySpace is clearly an isp, so should be safe, Universal can argue that it's more than an isp, and it facilitates violations in the same way youtube does (zomg, they're posting videos, the doom!) They've gotten a lot more restrictive in recent years, and I think it's sad that they want so much control. I still use p2p, but I haven't gotten anything that I could buy off a shelf in over ten years :/

    16. Re:I can't wait by DurendalMac · · Score: 1

      So what happens when little company A works long and hard and creates a truly innovative and very useful piece of hardware (enough so that it would be worthy of a real patent), only to have huge company B rip it off, sell it for less, and squash company B? Or some little Joe write an awesome song, only to have another famous singer rip it off completely and completely squash little Joe? IP laws are getting ridiculous, but so is the idea of abolishing IP all together.

    17. Re:I can't wait by owlnation · · Score: 2, Informative
      How are content creators supposed to support themselves? I mean writers, actors, singers. I know the current system is useless, but how do we replace it and still have content be worth something so that creators can make a living?
      It's not about the creatives, it's about their agents. Perhaps a better question is, why are some content creatives more protected than others - how can we generate income for artists without parasites skimming their pound of flesh?

      For example, most painters and sculptors cannot expect to make a decent living in their lifetimes, nor can many classical composers and musicians, and nor poets nor authors. What makes the agents of pop and rock musicians and film and TV actors and producers so special that that they can bully and threaten others to protect their (sometimes dubious quality) work. Most signed bands are in debt to their agencies for years, most of their money goes to people who have no talent and have never contributed one single thing to the creative advancement of humanity.

      I have no objection to artists being paid fairly for their talent. I have every objection to the agency vermin that feed from us all.
    18. Re:I can't wait by Anonymous Coward · · Score: 0

      I "so" can't wait until that happens and I finally get your bank account pin number.

      Intellectual property laws have nothing to do with privacy laws.

    19. Re:I can't wait by greenbird · · Score: 1

      How are content creators supposed to support themselves? I mean writers, actors, singers.

      I know the current system is useless, but how do we replace it and still have content be worth something so that creators can make a living?

      It may actually make it easier for "writers, actors, singers" to support themselves by lowering the gateway of entry into the field. In the current system a few people in a few companies have compete control over which "writers, actors, singers" are going to make a living and how well of a living they are going to make. A system with decentralized control will hopefully allow the people buying the content to determine who makes a living rather than the assholes in charge of the companies make that up the ??AA. The current music industry is not artistically driven. It's manufactured music. Compare Britney Spears or the Back Street Boys to Led Zeppelin from an artistic standpoint. Think.. Music and movies that are driven by artistic content rather than how many millions are spent promoting them. You only have to go to Austin Texas for a weekend to realize there are hundreds of bands making music better than the current crap that's being forced on us through the current channels that allow you to make a living at it.

      --
      Who is John Galt?
    20. Re:I can't wait by no+reason+to+be+here · · Score: 1

      Then, of course, there's also the final possibility: they don't. After all, what makes you so sure content has to be "worth something?" Who says that having people "make a living" doing this stuff is necessary? Isn't it possible that making people keep their day job and do this stuff in their free time if they want to is good enough?

      a few points. content has to be worth something because people are willing to pay for it. i think that your bulleted list of possible ways to fund things is a good start, and it's the way that most of the big stars in the arts (music, drama, visual arts, et al) get paid anyway. movie stars and big-name directors are pretty much the only ones who are not getting paid principally in one of those above ways.

      with regards to your last question, no, I don't think that it's good enough. the great works of art created throughout human history were able to be created because the artists were able to work exclusively or almost exclusively on their art. without a system of patronage, there would have been no renaissance. if shakespeare were working as a government clerk, do you think he would have also had time to write the greatest plays in the history of the world (and he only was able to do that, mind you, because his acting company were the only one's performing them and had the patronage of the royalty)? do you think pink floyd would have found time to record dark side of the moon if they all had to have day jobs to pay for living? do you think someone like trent reznor could eventually, working as computer tech somewhere, would be able to afford all of the power macs, mixing boards and consoles, and software in his recording studio, if people didn't pay to see him perform live? hell, would a program like logic pro 7 even exist if we didn't have musicians making money and able to buy said programs?

      even if you don't view artistic and creative genius as something special, unique, and magical to what we call humanity, at the very least, you should admit that the arts provide entertainment, which is a service which deserves compensation.

    21. Re:I can't wait by mjm1231 · · Score: 1

      But that's exactly one of the problems with the current system. Current so-called copyright laws do more to protect the corporate distribution systems than the content creators. If you own any CDs or other physical media, go read the label and see who owns the copyright. It's not the content creator. If the current system is useless, what is lost by throwing it away?

      --
      Ideology: A tool used primarily to avoid the bother of thinking.
    22. Re:I can't wait by mrchaotica · · Score: 1
      the great works of art created throughout human history were able to be created because the artists were able to work exclusively or almost exclusively on their art. without a system of patronage, there would have been no renaissance.

      I disagree. Leonardo Da Vinci, for example, spent a lot of time on things which are not art -- engineering, for instance. In fact, he's the archetypal "Renaissance Man" specifically because he did so many varied things!

      if shakespeare were working as a government clerk, do you think he would have also had time to write the greatest plays in the history of the world (and he only was able to do that, mind you, because his acting company were the only one's performing them and had the patronage of the royalty)?

      Why not? Einstein was a patent clerk when he came up with the theory of relativity. (Aside: what were you thinking when you wrote "clerk?" Surely you saw this counterexample coming...)

      do you think pink floyd would have found time to record dark side of the moon if they all had to have day jobs to pay for living?

      Are you kidding? The thousands (or more?) unsigned garage bands manage it all the time! Why wouldn't Pink Floyd be able to also?

      do you think someone like trent reznor could eventually, working as computer tech somewhere, would be able to afford all of the power macs, mixing boards and consoles, and software in his recording studio, if people didn't pay to see him perform live?

      No, but so what? Maybe the sound quality wouldn't be quite as good, but it's entirely possible to record music with one Mac and maybe a microphone. Heck, it even comes with the software (i.e., GarageBand) preinstalled!

      hell, would a program like logic pro 7 even exist if we didn't have musicians making money and able to buy said programs?

      Maybe not, but GarageBand would -- and that's good enough.

      you should admit that the arts provide entertainment, which is a service which deserves compensation.

      Okay, now that's just silly. Humans have been entertaining each other for thousands of years without getting paid for it. If every copyrighted piece of art instantly disappeared right now, people would still be more than capable of entertaining themselves! So no, entertainment does not "deserve" compensation!

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    23. Re:I can't wait by remmelt · · Score: 2, Insightful

      It would be great if everyone who could write songs well would make money with it. Regrettably, this is not reality today. Yes, it costs money to buy guitars, computers, software, amps, turntables, whatever you need. Renting practice space (especially for more serious bands) can be troublesome and expensive as well. These musicians hope to break even. Why do they do it? Because it's fun. Do they dream of making it big? Who doesn't! I dream of making it big and I write webpages! Come on. The reality of today is that most musicians have a regular job. Only the high profile guys make enough to buy fifteen powermacs to store in their underground private studio und run non-cracked versions of whatever on it. A lot of really amazing music is made in damp basement rooms between two jobs. I totally agree with your last statement. It would be nice indeed if the music industry was about providing musicians with money so they can make music. This is not the case.

    24. Re:I can't wait by DeadChobi · · Score: 1

      You cannot copyright ideas, only their implementations.

      --
      SRSLY.
    25. Re:I can't wait by cmorgan47 · · Score: 1

      would be nice. i think, however, there are some folks who used to live all over the US who thought the notion of "owning" the land was equally preposterous.

      --
      no i have not shot my gun in the air and gone 'Ahh!'
    26. Re:I can't wait by Anonymous Coward · · Score: 0

      Today, content creators now have more resources at their disposal to make a decent living than before. In the past, artists often died penniless because their art was unappreciated by the limited audience. Today, despite the fact that most artists still live in poverty, there are all sorts of opportunities available for them to make money. Concerts, exhibitions, merchandise, etc. All someone needs is good marketing. With the internet, it's even easier to get the word out than before, and with globalization, cheaper to do things like make and sell t-shirts or prints.

      And you know what? With the exception of literature, the paradigm has shifted from just being the actual content. It's not just about the song. It's also about the creator. Going to a Bob Dylan concert just isn't the same if it's not Bob Dylan singing. A digital likeness of Tom Hanks isn't Tom Hanks if the guy who's doing the acting behind the digital reproduction isn't Tom Hanks. And penny-arcade wouldn't be penny-arcade if Mike Krahulik wasn't illustrating or Jerry Holkins wasn't writing. There's a name or an image associated with a particular work, and that name is more important now than ever. If that name wasn't there, at best, it would be a completely different work, and at worst, a poor parody of the original.

    27. Re:I can't wait by Anonymous Coward · · Score: 0

      One possibility is that they get paid the same way a burger flipper or a lawyer does: for their time.

    28. Re:I can't wait by arminw · · Score: 1

      ....I *so* can't wait until our culture gets past the "intellectual property" dark age......

      Don't hold your breath, you'll likely turn blue. Until the day comes when lawyers no longer run the US, that will not happen, neither will meaningful tort reform. People have been having property disputes since there have been people. Using laws and courts is only a less bloody way of solving these, rather than muscles and clubs. The notion that knowledge and ideas are "property" however arose when knowledge and ideas could be recorded and duplicated easily by persons other than the originator. From the time of Gutenberg, this process of duplicating recorded information has become easier and cheaper.

      The question then remains: Should somebody with an idea be able to benefit from this more than the others who did not have this particular idea? Most people, even here on /. would answer yes. Like so many things, the devil is in the details. The balance between benefiting the originators and the benefits to the rest of us has been shifted too far towards the content creators. The idea business as a whole is as big as if not a bigger part of the economy than the making and selling of physical goods. Unlike physical merchandise, products of the mind, especially in the Internet age, are easily transported and duplicatd. Putting movement restrictions and taxes on these is much harder than material goods. However, eventually humanity will collectively figure out how to deal with the immaterial products of the mind, just as we have done for physical things.

      --
      All theory is gray
    29. Re:I can't wait by arminw · · Score: 2, Insightful

      .....Isn't it possible that making people keep their day job and do this stuff in their free time.......

      The problem is that manufacturing of non-tangible products of the mind IS the day job of many people in our modern world. I would they even are the majority. In our modern world, people are not paid for what they do, but for what the KNOW. Very few here on /. are making physical things such as building cars and houses. If the carpenters get paid for building a house, should the ones who drew up the plans of that house not get paid for their efforts? If you pay for the physical computer, should you not also pay for the software therein, without which that computer is a very expensive boat anchor? Reading stuff here on /. makes it most likely that you do not make your living by making or dealing primarily with a physical things. Maybe you should give your computer knowledge away for free and get a day job as a truck driver for Walmart.

      --
      All theory is gray
    30. Re:I can't wait by no+reason+to+be+here · · Score: 1

      I disagree. Leonardo Da Vinci, for example, spent a lot of time on things which are not art -- engineering, for instance. In fact, he's the archetypal "Renaissance Man" specifically because he did so many varied things!

      yes, this is true. also true is the fact that, compared to his contemporaries, he produced very little art, and, though he drew designs for a great many things, actually built few of his inventions. he also was fairly poor.

      Why not? Einstein was a patent clerk when he came up with the theory of relativity. (Aside: what were you thinking when you wrote "clerk?" Surely you saw this counterexample coming...)

      einstein is, perhaps, the one example one can come up with in any situation involving creativity, thought, intellect, etc. he was working not only in a patent office, but in complete isolation from academia when he came up with his theories, which is by far the exception, and not the rule.

      Are you kidding? The thousands (or more?) unsigned garage bands manage it all the time! Why wouldn't Pink Floyd be able to also?

      wow! where do you live that thousands of garage bands are recording works as good as "dark side of the moon" on a regular basis because i seriously want to move there. it takes time to write really, really good music. and time to get a really, really good recording of it. it also takes money.

      No, but so what? Maybe the sound quality wouldn't be quite as good, but it's entirely possible to record music with one Mac and maybe a microphone. Heck, it even comes with the software (i.e., GarageBand) preinstalled!...and that's good enough.

      i would argue that garageband only exists because apple saw the marketability of a low-low end logic pro. no logic pro, no garageband.

      Okay, now that's just silly. Humans have been entertaining each other for thousands of years without getting paid for it. If every copyrighted piece of art instantly disappeared right now, people would still be more than capable of entertaining themselves! So no, entertainment does not "deserve" compensation!

      Thousands of years? Really? So Homer was just reciting the illiad and odyssey for fun? and all this time, i thought he was getting compensated in some way in all of those towns he would travel to and perform his epics. oh wait, he was. and people have been, for thousands of years. Yes, in the very beginnings of human pre-history, cave men chanted and made cave paitings, etc, for "free." pretty much everything done was for free until we actually get to civilization. which brings me to my next point...

      you do not address the point that art is something peculiar to humanity. i certainly hope that means that you agree with me on that point. moreover art is the main component of human culture. surely, we should foster the continued development of art and human culture. and yes, i do realize that the majority of the crap foisted on us by the **AAs are in fact steps backward with regard to human culture. but the original post i replied to was about artists in general, and whether their services had any value. i really don't understand people who feel that they don't. also note, in all of the examples of my original post, nothing was dependent on cd or dvd purchases or anything of the sort. pink floyd and nin made/make their money on merchandising and touring. shakespeare made his money through patronage and performance. michelangelo made his money through patronage. i would be fine with a society where patronage and performance paid for the artists. in fact, outside of movies and certain popular music acts, that is the society that we have.

    31. Re:I can't wait by sleepykit · · Score: 1

      Some people haven't grasped that concept yet.

      --
      "When did I realize I was God? Well, I was praying and I suddenly realized I was talking to myself." ~ Jack Gurney
    32. Re:I can't wait by daft_one · · Score: 1

      I call BS. Everyone knows most people who read and post to slashdot live in their parents' basements, and have no job whatsoever--as producers of tangible OR intangible goods. Possibly as assemblers of greasy hamburgers. God knows almost none of us have any useful computer knowledge, or we'd have something better to do!

  8. Not MySpace by aliendisaster · · Score: 3, Insightful

    I hate MySpace and refuse to go to the site, however, it seems to me that since 99% of the people who actually use MySpace know shite about FTP, HTML or the internet for that matter, I'd wager that the alleged Jay-Z video was linked from another site. If this is the case, since the video is actually not hosted on MySpace's servers, how would this be their fault in the first place?

    --
    Freedom is a state of mind. A mind is a state of being. Stay the fuck out of my mind and my being. - Corporate Avenger
    1. Re:Not MySpace by Rob+T+Firefly · · Score: 2, Informative

      It is on MySpace's servers since MySpace implemented its own video-posting functionality similar to YouTube and all the rest. The feature was MySpace's response to the YouTube boxes that were springing up on all its users' pages. It's fairly idiot-proof, you don't need to know a thing about HTML coding to use it.

  9. Precisely what the DMCA was enacted for by michaelmalak · · Score: 5, Insightful
    Contrary to what the analysts and lawyers in the ft.com article are blathering about, this is precisely the motivation behind the DMCA. In 1998, four years after the start of the Internet's meteroic rise, the media publishers had a vague fear that the Internet would bring new ways for people to make perfect copies of their publications. Thus they attacked preemptively by paying Congress to enact the DMCA. The media companies of course did not know P2P and "social networking" by name, but they knew from the Internet's growth (in size and technology) that such then-unknown things would come about. Heck, the violations were already occurring via UseNet.

    While a lot of aspects of copyright are detestable -- such as the DMCA's prohibition against format shifting and the extension into perpetuity of copyrights, if the DMCA makes a special exemption for "common carriers" like MySpace (whose main purpose is social networking, not copyright infringement), then that is a good provision of the DMCA -- and it would be a farsighted one based on then-existing technologies such as UseNet, not a provision created in the "different world of 1998" as the ft.com article asserts.

    1. Re:Precisely what the DMCA was enacted for by Abreu · · Score: 1

      Well, probably after they lose this case they will pay congress again to make DMCA, part 2 which will force sites to get complete user identification before said user can post content.

      One more step in the slippery slope that leads to an orwellian surveillance society.

      --
      No sig for the moment.
  10. God is on the side of the winner by erroneus · · Score: 1

    Because God hates losers. I was watching the aftermath of a football game the other day and as usual, someone was thanking God for their win. I'm sure that God is a football fan and that, of course, influenced the outcome of the game.

    The law, likewise, is on the side of the winner. Though both sides claim to have the backing of the law in this case, only one can be ruled as such by virtue of victory in the matter.

    I'm hopeful that at some point, someone will set precedent on the notion that facilitating doesn't mean infringement. That would ease the way for the next Napster or Kazaa out there to do what it is that they do. I'll never use them of course -- there are too many safe open source methods that I can trust.

  11. If Universal wins, /. closes by Per+Abrahamsen · · Score: 5, Insightful

    If universal wins, a "get rich fast" scheme would be:

    1) Create and sell copyrightable junk on e.g. www.lulu.com for an inflated price.
    2) Post it as an Anonymous Coward on /.
    3) Sue /. for copyright infrigement for profit!

    A win for Universal would mean all user generated content on all sites would have to be pre-approved, which would be economically infeasible for most hobbyist or ad-based sites. Control of the information stream would fall back in the hands of a few large media companies, and most of the democratic potential of the Internet would be lost.

    1. Re:If Universal wins, /. closes by mounthood · · Score: 1
      A win for Universal would mean all user generated content on all sites would have to be pre-approved, which would be economically infeasible...

      Not only that, you would have to know which things are copyrighted, and which are not. How are you supposed to know that for some random video or bit of text?
      --
      tomorrow who's gonna fuss
    2. Re:If Universal wins, /. closes by Wellington+Grey · · Score: 1
      and most of the democratic potential of the Internet would be lost...


      ... in America.

      -Grey
  12. merchants vs. creatives (s vs. n) by drDugan · · Score: 2, Informative

    I've written on this point exactly: here.

    FTA - "Its part of the continuing struggle between content owners and developers of technology, he said. People are trying to find out where the line is."

    This is a very basic concept - the same people who invent technology are the types that create content. Broad-thinking creative types. The other type of people are the merchants: traditional business owners.

    The battle between these SAME two factions drove founding of America. It was the traditional merchants who did not have enough power in 'old culture' Europe - so they left and came to the new world. They have been running things, yoking and squeezing the creative types ever since.

    It is the same factors that drive the Shiite and Sunni conflict. It has lead to the most significant ideological gaps in human history.

    Interestingly, the tide turned in the USA in November 2006. No longer is there any need for the small-minded, traditional merchants to run the system. Global communication, Web 2.0-mentality, and the empowering of the individual are all working together to eliminate the entrenched foothold by the merchants.

    It will be great to see if the courts follow suit.

    1. Re:merchants vs. creatives (s vs. n) by ravenshrike · · Score: 1

      Heh heh HAhahaaahaahahaaahaaaa. You do realize that the Dem members of congress are on average about 30% richer than the republicans right? And that the only reason the republicans lost was because they went "Campaign promises? What are those?"

    2. Re:merchants vs. creatives (s vs. n) by greenbird · · Score: 1

      It is the same factors that drive the Shiite and Sunni conflict. It has lead to the most significant ideological gaps in human history.

      Wait... I thought it had to do with the succession of rule after Mohammad died. So which are the traditional merchants and which are the artist? I'm going with the Shiites as the merchants since they're the current bad guys.

      --
      Who is John Galt?
  13. Universal vs Murdoch Theme Song by Anonymous Coward · · Score: 0
  14. Forward-looking legislators by Col.+Klink+(retired) · · Score: 2, Insightful

    I find it hilarious that a new law had to be passed "for the new millennium" that couldn't even account for changes in less than a decade.

    --

    -- Don't Tase me, bro!

    1. Re:Forward-looking legislators by sukotto · · Score: 1

      I think you've got it backward. I believe the law was intended to lock us into the distribution streams and content control of the OLD millennium to protect the media companies who profit from those streams and from that control.

      Just like every other lawsuit and piece of legislation they've fought for since they started doing business.

      --
      Come play free flash games on Kongregate!
  15. Free advertisement rather than copyright? by Tmack · · Score: 1
    What I dont understand about cases specifically like this, where they go after sites that allow people to have a page that play music and videos, is why they don't look at it as free advertising and let it go. For music, its a little trickier since its easy to get decent quality audio (currently) from the sites, and the possibility of users ripping the songs directly from a page, or using the pages as an online jukebox is much more likely than for the videos. It always seems to me that the MPAA and RIAA have it backwards in these cases, most commercial ventures actually PAY the people that advertise for them, not SUE them. The way it works is the advertisers spread the word about a product, and people that see the ads become interested and possibly purchase said product. Its what 90% or so of the "internet economy" is based on, as well as the reason SPAM is still so prevalent. In this case, people are advertising the music and videos, and by visiting their page, other users become exposed to the songs/videos and might become interested in the artist and go looking for more, which might end in a CD or DVD purchase, resulting in more $$ for the *AA. Granted, this type of advertisement makes some of the product itself available for free, but that too is part of advertising. Companies routinely give away samples or demos of products to try to entice potential new buyers. The samples are normally smaller or not as fully featured/functional, but are good enough to give the potential client an idea of what to expect. In the case of these posted songs and videos, this is accomplished by limiting the quality of the media thats posted. MySpace could probably accomplish this by requiring such postings be used through some dictated java script player or some other code snippet, or require the media be hosted by them or a trusted affiliate such that the bit rate could be verified. If someone likes the lower quality version, they are more inclined to go buy the full quality CD/DVD. By suing your advertisers, which also happen to be your consumers, you only piss off both groups and negatively affect sales (yes, I know its been said thousands of times...). Its like the prohibition era, if you make something illegal that the majority of the populace (in this case the online populace) wants to do, they will do it anyway. Its better to embrace it and find ways to profit from it than resist it and waste time/money fighting it.

    Tm

    --
    Support TBI Research: http://www.raisinhope.org
    1. Re:Free advertisement rather than copyright? by cdrguru · · Score: 1

      Problem is showing a clip from David Letterman isn't an advertisement, it is the content itself. Now, if the video consisted of someone exhorting the viewer to watch David Letterman's show, without showing any David Letterman content, that would be an advertisement. But that isn't what is happening.

      The other part of this is that the content is being removed from its context with the advertisements that it was shown with originally. Now, if you had a 5-minute video with some ads in it and some David Letterman content as well, that might not be so bad. At least there would be the possibility that this would increase the value of the advertisements which is the whole reason there is a David Letterman show to begin with.

      But instead what is happening is the original advertisements are separated from the content and new, different advertisements are substituted in the web context. So, basically you are taking the "value" of the David Letterman content for free and substituting your own (or someone else's) advertising.

      How can they possibly let that stand?

    2. Re:Free advertisement rather than copyright? by SoulRider · · Score: 1

      I dont understand why they do this either. They are effectively killing word of mouth advertising (the most effective there is), its like none of them understands how business works, and instead of changing themselves they are trying to change the world around them. So not only are they clueless, but they are also stupid. Oh well I guess thats what happens when you let lawyers run the company.

    3. Re:Free advertisement rather than copyright? by Tmack · · Score: 1
      ut instead what is happening is the original advertisements are separated from the content and new, different advertisements are substituted in the web context. So, basically you are taking the "value" of the David Letterman content for free and substituting your own (or someone else's) advertising.

      How can they possibly let that stand?

      For the case of TV shows, etc, yes, I skipped over that in my original posting... However, this can also be addressed using the suggestion I made as well: require a specific code snippet/java app/flash thingy to do the media presentation on the page. That way they could inject ads into the video display, and/or wrap the video window itself in banner ads. Annoying, yes, but aren't all ads anyway? Rather than litigate and possibly collect one lump sum, they would be able to collect royalties for every viewing. Many sites devoted to video displays currently do this. Besides, I doubt the *AA's previously got $$ from viewings of shows other than those brodcast by the networks. How many "David Letterman Season 5" DVDs do you think they actually sell?

      Tm

      --
      Support TBI Research: http://www.raisinhope.org
  16. Napster by Anonymous Coward · · Score: 1, Insightful

    How is this different than the old Napster case?
    Couldn't Napster have claimed the same "safe harbour" that MySpace is trying to claim?

  17. What's changed. by Kadin2048 · · Score: 4, Interesting

    How is that situation different from this one?

    I think the major difference is that the movie/music/"content" industry has, since the Betamax case, spent probably close to a billion dollars lobbying Congress and getting laws passed which together change the dynamic of the playing field from what it was like in the 1980s.

    They learned from where Jack Valenti failed (from their perspective) and are now a lot smarter when it comes to using the government as a cudgel against their own customers.

    In short, the industry is smarter now, and they have had 20-odd years to make the environment more politically receptive to their point of view, on all levels.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
    1. Re:What's changed. by Total_Wimp · · Score: 4, Interesting
      They learned from where Jack Valenti failed (from their perspective) and are now a lot smarter when it comes to using the government as a cudgel against their own customers.

      I just walked in from the car where I was listening to NPR. They had a guy from Youtube and another guy from NBC. During this call-in program (The Diane Ream Show) they were actually quite civil and seemed like they wanted to work together. The NBC guy said they don't want "vast quantities" of their music on Youtube without compensatino, but said they eagerly look forward to haveing some kind of revenue sharing agreement. He pointed to the iTunes deal as a great success and said $1.99 per movie worked great for them. Additionally he pointed out that some of NBC's shows are put online directly on the NBC site. They Youtube guy said they're working with NBC right now and hope they can put together a deal

      The bottom line is that it sounded a whole hell of a lot like NBC wasn't purposely trying to be evil. They're not just trying to get politicians to do their biddnig to screw everyone over. They're working with distribution outlets to get their material out there. They just want to get paid for their very expensive programming.

      Now I know there's still a lot of badness out there. Copy protection sucks, as well as the fact that it's not like their whole library is available for you to pick and choose from. They still want the broadcast flag so they can force us to pay and then make content disapear.

      But at least it looks like they're trying to resolve some of the basics, like giving consumers the choice of ad supported, or pay-to-watch content ("Lost" is available one way on the ABC site and the other way on iTunes, not to mention DVD) and generaly making more material available to watch, without making you pay a bunch of times for the same thing.

      We should still fight the bad stuff, but, damn, they're at least starting to come to terms with the fact that consumers need some level of control over the process. They're a little smarter, also, in the sense that they realize they have to move into the internet era. Unlike the record industry, they know that they cant force consumers to keep using the same old business model. For that, at least, I do give them credit.

      TW
    2. Re:What's changed. by trudyscousin · · Score: 2

      "...[the industry is] now a lot smarter when it comes to using the government as a cudgel against their own customers.

      In short, the industry is smarter now..."


      How does using "a cudgel against their own customers" make them smarter? It sounds mind-bogglingly stupid to me.

      They can buy all the laws they want, but it still remains up to each of us to vote with our locale's currency units.

      --
      Those who can, do. Those who can't, write technology blogs.
    3. Re:What's changed. by Alsee · · Score: 1

      I have to basically dissagree with you.

      The fact that some industry PR spokeman made some reasonable sounding noises on a news interview says very little about what is actually going on.

      If NBC is talking abotu *themselves* putting up some for-pay content, and them getting paid for it, heay fine! And that is exactly what most of your post revolved around. However that has absolutely nothing to do with this conflict. Absolutely nothing.

      What this conflict is about is that NBC is claiming/wanting to be able to legally sue an internet service because some users commit infringement.

      If the NBC spokement discusses putting their own content on YouTube in some sort of commercial iTunes arrangment... that's nice... but he's blowing smoke up our ass... it has absolutely no relevance here.

      The DMCA legislative compromise was that if some individual uses an internet service to do something infringing and the service knows absolutely nothing about it.... that (blatantly obviously) the service is not guilty of infringment. It also takes the pretty obvious position that even if an internet service SEES something that might be infringing, that they are generally incapable of accurately determining whether it is infringment or not and that there is no sane way they could take on the impossible job of handling such evaluations. The DMCA says that the internet sevice need not make such impossible judgement calls and need not fear such liability... not unless a copyright holder (who *is* in a legitimate position position to judge the infringing/noninfringing status of something) unless the copyright holder informs the internet service of an alledged violation. In a case of alledged violation, the internet service can back themselves out of teh situation and leave it as a conflict of claims between the copyright holder and the individual who posted. If the allegation of infringment is not disputed by the poster, the material is taken down within a rapid time limit and the internet service is not liable. If the poster responds asserting noninfringment and accepting the role as responsible party, then either the material is not taken down or is restored (you don't want legitimate materials of innocent people being knocked down by invlaid asserions of infringment by an abusive attacker)... so the material stays up or goes back up and the internet service is not liable for potential continued infringment because you have the poster standing up to defend his claim of noninfringment in court and to take the liability if it is found to infringe.

      NBC is saying here that they want to hold YouTube guilty and liable in court simply becuase some users posted infringing materials. NBC is sayign here that they want YouTube to be saddled with the impossible task of evaluating which materials might or might not be infringing other people's copyrights. Even if YouTube did take on the task of trying to do that, they are absolutely unable to actually make that evaluation. As an extreme example, someone could post a full StarWars movie, and YouTube would have no way of knowing whether the poster might in fact have been the copyright holder himself. In a far less extreme case, someone could post a clip of something, and YouTube would be absolutely unable to evaluate what Fair Use defenses may or may not apply making it noninfringment. In the general case YouTube is incapable of even determining who the copyright holder would be.

      And perhaps just as signifigantly, if someone posts potentially infringing material, and the copyright holder makes no objection to that activity, then YouTube should not be squashing that potentially constructive valuable activity. As I'm sure many smart media people have figured out, in many cases having techincally infringing clips up on YouTube can in fact work out in the copyright holder's best interest. The social buzz about clips can easily work out to draw new viewers to some TV show or whatever. It's not neccessarily in the Copyright holder's interest to squa

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    4. Re:What's changed. by syousef · · Score: 2, Insightful

      What are you smoking man. They want to control how long the product lives and force us to constantly rebuy it. They don't care if their copy protection screws us over for any form of "fair use" so long as they get their cut. They've used tactics like trying to sue random people and even children into oblivion and you still think they're okay because they have people that sound reasonable and pretend to want to work with us on the radio. Credit? The only credit of yours they want comes out of your bank account.

      --
      These posts express my own personal views, not those of my employer
  18. Are you sure about that? by msobkow · · Score: 4, Insightful
    the Digital Millennium Copyright Act, was written years before social networking sites such as MySpace even existed.

    Oh, and what of sites like Slashdot? What is the fundamental difference between MySpace and a forum?

    Near as I can tell, a Blog is nothing more than a personal forum that allows some media attachments.

    --
    I do not fail; I succeed at finding out what does not work.
  19. uninventing the printing press by openright · · Score: 2, Interesting

    The new printing press, the internet, came and provided a means of great information freedom.
    But for the companies that used a business model based on controlling media, the freedom of information was a threat to profits.
    So these companies paid/lobbied/bribed the government to get some new laws passed. One that extended the copyright to 95-120 years. And another specifically written to control publishing digital information and override past "fair use" clauses that allowed things like VCR's and Tivo's.
    But even with all of this, the public still expects to have more freedom and innovation that internet had promised.
    Companies and web sites come up for sometime short times that offer a glimpse of what could be. Then the controlling media companies try to shut them down, pointing to the laws that were legally paid for.
    The media companies may be successful in suppressing information for a time, perhaps in some countries. But a country that manage to fight this control, and manage to allow a level of information freedom that really promotes innovation; This country will have a great advantage.

  20. Why Universal Bothers by Kadin2048 · · Score: 2, Interesting

    Considering that CBS has already said that clips on YouTube are helping their business you wonder why Universal bothers.

    CBS and Universal operate in fundamentally different modes within the entertainment/'content' business. CBS basically responds to consumer and viewer demand -- delivering news and less-than-cutting-edge television entertainment -- while Universal has made a killing by staying on the bleeding edge. Universal doesn't follow demand, they manufacture it.

    Thus while CBS is perfectly fine having YouTube create a market for their stuff, Universal is far more controlling. Their success depends on complete control of distribution and publicity; they want to micromanage everything, playing with artifically-induced scarcity so as to maximize the effect and appeal of their brands and products. Anything that relinquishes any amount of control over media distribution to the public is a Bad Thing to them.

    If you think of 'the curve' of public interest, CBS is a fairly conservative organization and basically stays just behind it, while Universal wants to be out front. This requires a far more aggressive and controlling attitude when it comes to their content.

    I think eventually you're going to see a schism in the entertainment business, between companies that are responsive to demand, and basically look at what's popular and try to respond to it, without a whole lot of risk (and who are basically receptive to any new technology that reduces costs), and companies that try to project themselves ahead of demand and actually manufacture popularity, a fundamentally riskier (but potentially more profitable) endeavor that lends itself to maximizing control over the entire process, from creation to viewing. For many years, these two business models have coexisted -- companies owning movie studios and record labels also owning television networks -- but I'm not sure it's as natural an alliance as it appears.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
  21. Time to feed the troll... by Overzeetop · · Score: 1

    There is, in the US, a right to own guns. You may debate until you are blue in the face what the clause "well regulated militia" means at the beginning of the second amendment, but the NRA and gun manufacturers have spent a lot of money to make sure that it is interpreted to mean you have a right to common firearms. Thanks to the advancement of the science of warfare, the government no longer needs to worry about individual gun owners (or the group as a collective) as an impediment to pushing a socialist/oligopolist/nameyourleastfavoritopolist governmental stance.

    Consider this: if you could liquidate all of Google's stock, including corporately held shares, at today's close, you still would have less than half the annual operating budget of the US military, and you'd be behind by 40 years of spending on military weapons.

    It may be a questionable analogy becuase of the political force of the gun lobby, but gun ownership plays no part in the forceful takeover/overthrow potential of the US government.

    --
    Is it just my observation, or are there way too many stupid people in the world?
    1. Re:Time to feed the troll... by ravenshrike · · Score: 1

      This means you would have less than 1/6th the budget spent on SocSec and MediCare each year, not counting future debt accrued or federal pension plan debt accrued.

    2. Re:Time to feed the troll... by Overzeetop · · Score: 1

      Sorry, the meaning of my post was not that the US military spends so much , but rather that private individuals could not reasonably outspend them - if not in "current" dollars, then in the massive capital invested for warfare infrastructure. The GP was whining that the right to own guns doesn't really exist because it would limit government. I was merely pointing out that a citizenry with consumer firearms is no longer a threat to a modern military government. This was not true 200 years ago.

      --
      Is it just my observation, or are there way too many stupid people in the world?
  22. Re:Bad analogy by Keeper+Of+Keys · · Score: 1

    Is there a Mod of "Insufficiently Rabid"?

  23. Yes, and... by balsy2001 · · Score: 1

    ...that is exactly what the big media companies want. Would you really put it past congress to grant them what they desire for a SMALL campaign contribution.

    --
    GENERATION 27: The first time you see this, copy it into your sig on any forum and add 1 to the generation.
  24. I'm waiting for innovative and creative answers by zappepcs · · Score: 1

    It seems simple enough for MySpace to simply rack up points for video views. If content copyright holders identify their works, and agree to a 1 or 2 cents per view price, MySpace account holders can be charged points for each pay for view video, and then pay their account by PayPal or other online payment system. The resulting profits would be funneled directly to the artist, bypassing the RIAA and other greedy middlemen. Nice and simple, easy and works for everyone by the **AA's of the world.

    If each video is vetted prior to display, it gets even tighter. If artists release videos with digital watermarking in them for such activity, its even easier for MySpace and YouTube to charge and process royalty fees.

    Lets face it, 2 cents is about tops for the MySpace quality of videos...

    1. Re:I'm waiting for innovative and creative answers by Cheeze · · Score: 1

      stupid for 2 reasons:

      1. the content copyright holders aren't the artists, it's the riaa/mpaa.
      2. what happens if someone DOSes a MySpace page and causes financial harm to the person that had it posted on their page?
      3. What happens if someone comments and posts a video? Who pays for that?

      --
      Why read the article when I can just make up a snap judgement?
  25. I never thought I'd say this, but... by daskrabs · · Score: 1

    ...GO RUPERT MURDOCH!!!!

  26. The Sequel: by Anonymous Coward · · Score: 0

    In the upcoming Episode II, Universal accuses the global Internet in general of copyright infringement based on the ability of its users to post copyrighted music videos to web sites and FTP servers without permission.

    In Episode III, Universal accuses the Universe of trademark infringement; sadly, Universal spontaneously explodes, onlookers remarking "as if millions of managers and lawyers but no artists were suddenly silenced".

  27. Analogies by Anonymous Coward · · Score: 0

    It is the same factors that drive the Shiite and Sunni conflict.

    Well observed! Clearly, in this case Universal would represent the "Shite" faction.

  28. It's time... by trudyscousin · · Score: 1

    ...to do away with the concept of "contributory infringement," taking away any legal weight it may carry.

    Everybody saw this coming. We've already seen it happen to various services and software applications. As a software developer, I find it ridiculous that an application I write with the best intentions could be used as a metaphorical crowbar, and subsequently finding myself accused of providing metaphorical burglar tools.

    I think it's a lazy, opportunistic strategy that's being deployed here. Why can't they go after the individual infringers? Never mind that the RIAA does, but then again, the RIAA is getting more than it bargained for lately, and it may be demonstrating how poor the return is on such a strategy.

    --
    Those who can, do. Those who can't, write technology blogs.
  29. No court decision... by haggie · · Score: 1

    This case will never see the inside of a courtroom. The issues and the business at stake is too important to both sides to roll the dice with some judge whose idea of "new technology" is a touch tone telephone.

  30. Re:i hope universal wins by Anonymous Coward · · Score: 0

    Are you mad at Myspace because you got no friends? Or did she leave you for someone she met on there? :)

  31. ACLU supposedly defends pedophiles on principal by Anonymous Coward · · Score: 0

    Yet liberal slashdot users were telling me the other day that they hope MySpace loses because it is a conservative company.

    Seems like a double standard, on the one hand, liberals turning a blind eye when the ACLU defends pedophiles and child pornographers, and then, claiming its OK for MySpace to have its free speech curtailed because of who they are as people.

    1. Re:ACLU supposedly defends pedophiles on principal by koreth · · Score: 1

      It's almost as if there's more than one Slashdot user and thus more than one point of view! Bizarre.

  32. Different models, different attitudes. by Kadin2048 · · Score: 2, Interesting

    You might be interested in reading another comment I posted in this same discussion. Basically, I think there is a fundamental and growing difference in the entertainment industry between companies (the news companies, most major TV networks) who are responsive to consumer demand and try to follow/track demand as closely as possible and tailor their offerings to it, and companies like Universal that want to manufacture demand itself. Currently there are many organizations (like GE's NBC Universal) that do both, but I think that just masks the conflict, it doesn't mean it's not there.

    I think this is why you get TV networks that are much less restrictive and controlling about their content than the movie studios are; the studios have a business model that relies on control and engineered 'supply shortages' to create demand, while the networks exist to push as much content out (along with ads) as they possibly can, at the lowest possible cost.

    At the extremes, it's a 'manufacturing' versus 'service' industry conflict. Broadcasting, as exemplified by the 24-hour news channels, are a service. The value is in the continued stream of information, not in discrete copies of a particular recording (except for special cirumstances, e.g. recording of a particular event, or if the anchor does something embarrassing). Music and movie companies, on the other hand, are "IP factories." They design, produce, market, and profit from the sale of 'media widgets,' discrete quantities of content that have a measurable value, separate from their value as part of a service or stream of information.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
  33. It works for academics. by Anonymous Coward · · Score: 0

    How are academics and scientists supposed to support themselves? I mean professors, researchers, and graduate students.

    They don't get paid per-copy for their papers. (Indeed, they try to spread their work as far and wide as possible, at great cost.) They have to struggle to get funding from funding agencies, companies, charities, and so on. And yet, somehow, academia works.

  34. A post-copyright economy will somehow survive by ChaosDiscord · · Score: 1
    How are content creators supposed to support themselves?

    The short answer is, "have faith in the invisible hand."

    Copyright was a government granted monopoly in the first place. If one really believes that the free market works it's silly to worry that an artificial market created by government intervention won't be replaced by something more efficient in the absence of that intervention. I have money and want the next Harry Potter novel. Rowling wants money and is capable of writing the next Harry Potter novel. We'll work something out.

    In all likelyhood we'll work a whole bunch of different things out for different groups. Patronage. The Street Performer Protocol. Pledge drives. Asking people to be ethical and pay you. Sales of secondary items (t-shirt, etc). Sponsorship deals. Establishing yourself as an expert in an area and selling your expertise. Contract law. High prices for early adopters (before others make copies), then lower prices in line with the knockoffs.

  35. Re:i hope universal wins by x_MeRLiN_x · · Score: 1

    Do most Slashdotters hate AOL users? It's the same exact thing. These people shouldn't be on the internet. At least not mine anyway.

  36. DOH... MySpace! by Alsee · · Score: 1

    Every mention of YouTube in my above post is equally applicable to MySpace.

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    - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.