Best (and Worst) High-Def Discs of 2006
An anonymous reader writes "High-Def Digest has released their first annual 'Best (and Worst) of the Year' list of movies released on HD DVD and/or Blu-ray. Not surprisingly, the 'best' list is heavy on superheroes. Superman, Batman, and the Hulk all made the list. Not a bad cheat sheet for those of us with a Blu-ray capable PS3 or an XBox 360 HD DVD add-on on our Christmas lists."
After all, what good is having a 360 HD drive when you're only going to be watching the stuff at 720p or 1080i anyhow?
Anyone?
/^[A-Z0-9._%+-]+@[A-Z0-9.-]+\.[A-Z]{2,4}$/i
- BATMAN BEGINS (forgive the caps, I'm copy 'n pasting). I own it on DVD and I still haven't been able to sit through it.
- THE BOURNE SUPREMACY, which made a good friend of mine motion sick.
- HULK, which I thought was roundly considered awful.
- MISSION: IMPOSSIBLE III, starring the recently disowned by his old studio Tom Cruise.
Meanwhile, it looks like some good movies were completely screwed up, such as Army of Darkness.This list seems to miss one crucial point: people watch movies for entertaiment. For the vast majority it's all about being told a good story, not studying the quality of the latest movig image to be projected onto a wall/into a box/whatever.
Imagine having a collection that included films like hulk, mission: impossible iii and superman returns (I refuse to capitalise the titles - they're that bad). i'd rather spend the time beatig myself about the head with a dead salmon.
The majority of films in this list are appalling.
Which I suppose at least tells us the sort of people that are driving this insane rush to upgrade formats that simply don't need upgrading. If anyone for Sony is reading this, there's a lesson hidden in my title.
superheroe movies/comics are just an expression about crisis times. SH comics and movies went extremely popular during the Great Depression and post WWII times. It's not a surprise that today they are more popular than ever. 9/11 made Americans (and not only americans, may I add) feel like victims . Super hero movies, allow the viewer to identify with a powerful white male defending the status quo from evil-doers. They spend the whole movie trying to prevent a war from happening. And no, that's not comunistic bullshit I'm talking about even if you may think so.
It's time to realise that Abble's products are the biggest abomination these days. Just say NO to the dumb iAbble way!!
They all look the same...when you can't watch them at all.
Seriously, please don't buy into HD, unless the DRM madness ends. A few extra pixels are not worth our rights, nor the damage to the open source community.
The Hulk was utterly mediocre. Wouldn't buy it for $4.99, let alone whatever it is high def movies fetch.
Where are the real classics that I would actually want to see in hi-def?
Oh I think they know, but it's not hard to find reviews of these movies on an entertainment basis. It's surprisingly difficult to find reviews of "Let's assume you like this movie, here's how pretty this version is".
Say it 20 times quickly... bet you can't.
But most of these aren't good films.
Sorry, but I'd rather watch a good film with a good plot and good acting on VHS any day over a whizz-bang technical film with crappy pretty-boy/barbie-girl actors and a script written by a committee...
I'll pass on this one
----------------------------------- My Other Sig Is Hilarious -----------------------------------
It is utterly bewildering that 'Fifth Element' could end up looking so poor. I have the Superbits version on DVD and through an average CRT telly and Toshiba DVD player this looks absolutely fantastic. But then this happened with a lot of early DVDs. The early transfer of 'Blade Runner' is truly shocking, looking little better than those bootleg made by people in cinemas with camcorders. I can't wait for the remastered version, even at SD.
I for one have to admit I fail to see the point in HD.
As a kid I saw movies every chance I could get if they appealed to me. There's nothing like seeing a great movie on the big screen (and in those days they were big, not the piddly little things they have at multiplexes these days).
Today with the cost of going to the cinema I keep an eye on the up-coming trailers. On the rare occasion I see a movie that appears to have a good story line + good SFX I'll spring for the ticket. If it has good story line but SFX are not major part of the film I'll wait for the DVD.
Even on the largest wide-screen TV SFX can't match that of the cinema screen. I'd personally prefer a decent audio system giving cinematic quality reproduction. Audio atmospherics enhance the experience to a far greater degree than visual.
Just my $0.02
ACK NAK RST
What happened to movies themselves. I honestly couldn't care less if I get video commentary with my HD movie or not. I watch movies for movies sake. Extras are something I watch if I liked the movie and have extra time to see how it was made. They are worth nothing if the movie sucks.
The worst movies in list are lacking in extra HD content. So what? Couldn't care less. The winning movies have all sorts of cool extra content, but it still doesn't make the movie good. I will never buy World Trade Centre, even if had best extras and good transfer.
Video quality and soundtrack are the only things I care about. Please remove the extras and put these in with higher quality.
Yeah, So Im posting AC, I cant get the account I want so I don't care.. also, this is targeted not to the people who are discussing films on merit, but rather those that are judging them on quality.
.. And thus, when I sit down to one of the hundreds of DVD's I own, I cringe because SD video just doesn't cut it anymore.
/. I hate M$" preconceptions
I ask you this - Have you really sat down, and watched anything in HD (that is - on a superior screen, from the current superior format ?) - If not, then shut the fuck up, I'm a video professional, I watch HD video all day long
HD - 2 Formats, 2 codecs - only one is really worth it.
Look with your eyes, not your "I am
Is Cannibal Holocaust or The Dreamers on high-def discs yet? I'd prefer the latter but either might be worth upgrading the television equipment for.
Normal people wait for the prices to drop to reasonable levels. I expect players will cost half as much in 6 months. Once HD players enter the mainstream you might even see a broader selection of titles come out.
But I heard fart jokes are so much better in HD!
Monstar L
A good, comprehensive review site, that includes "how pretty this version is", is http://www.michaeldvd.com.au/ -- at least for Region 4 DVDs.
Man, that page sure makes it seem that Blu-Ray sucks ass. I'm not sure what they based their selections off of...
If you want some better lists to work form, the guys over at avsforum are a much better information source, if you ask me:
HD DVD Picture Quality Tiers List
Blu-Ray Picture Quality Tiers List
I have the Toshiba HD-DVD A1 (from day 1), and I have it in a "properly setup" environment. Dolby True HD (lossless audio) and Dolby DD+ (slightly lossy audio) are as big a jump in audio as 480p to 1080i is for video. It's too bad there's a format war right now, but with HDMI video and Dolby True HD - it's definitely worth the money. Now I can see som earguing the price of the HD-DVDs, I am with you there, it does hurt to pay $30 for a movie. I've seen them bundle both the DVD and HD-DVD versions for a whopping $43...why? Just saying most of the posts here seem to be knocking HD-DVD, but with the audio/video quality it provides - and there are a handful of good HD-DVDs out, I'm with it.
" Not a bad cheat sheet for those of us with a Blu-ray capable PS3 or an XBox 360 HD DVD"
."
Or those who might have burning hardware in their PCs... In my search of DVD burning/authoring software I found software by RocketDivision called Grab & Burn which claims it can, "Duplicate CD/DVD/Blu-Ray/HD-DVD media in 1:1 mode", and, "supports all types of optical storage media (including CD-R/RW, DVD-R/RW, DVD+R/RW, BD-R/RE, HD-DVD-R/RW and DVD-RAM) as well as a wide variety of burning hardware", and best of all, "Grab&Burn is compatible with 32-bit and 64-bit Microsoft Windows 2000/XP/2003/Vista/Longhorn and various Linux distributions
Now, I have no idea how the DRM business would impact any plans of copying a LEGAL copy to my hard disc, but this software looks worth a look.
Can we have a section just for these lists? Because ... er, I totally like them so much I want to be able to find them among all the boring real news.
At the bottom of the
Dude, when I got my first HD set, I started watching PBS because they had these incredible wildlife and wilderness images on their HD channel. PB-fucking-S! I hate those wankers, but I could not get over the picture quality. If not for DirecTV-HD (who is just now shipping their HD-DVR) I would still be watching cheetahs drag racing antelope over desert tundra.
Bewjewled on your 50 inch plasma!..
Heh it might help get the spose on board for Blu-Ray
I'm still not buying anything till I can rip to my notebook.
-A
Not even a mention of Universal's very first HD offering, "Serenity?" What's up with that?
"I might have made a tactical error in not going to a physician for 20 years." -- Warren Zevon
What is the surprise ? HD shows all, flaws and benefits. The rush to plastic surgeons by the news media should have been a clue to the studios that putting the film in a player, running the transfer camera and going to lunch would no longer cut it. Since the new screens don't allow the blur and color shift we are all used to, and which hides a lot of errors, the studios will have to spend some money on transfers. Now, since they can't take that from an artist's "cut", they will try to cheap out, but they can't. The worst DVD I ever saw was a 1st gen transfer of 2010-even on SD they got a lot better. Give it time...this is still all in beta rollout. And, no Mr. Content Provider, I'm not buying either system till there is a "winner".
All nonsensical rantings and ravings about Batman Begins aside, you seem to have missed the point. If you read the descriptions in TFA, you would note that very rarely did the article talk about whether the movie itself was good (with the possible exception of his reference to Army of Darkness as a cult flick). The article was specifically rating the DVDs on the HD advantages they provided: better sound and video quality, extras that utilize HD-only features, etc. Things like storyline, plot, dialog, etc. were never an issue for the reviewer. So it was entirely possible for a "bad" movie to be a "good" HD movie, or vice versa, based on the reviewer's rubric.
And I really hope you were confusing Batman Begins with one of the other movies, because if not, that just kills any slashdot-based geek cred you may have.
The PAL TV System actually does a much better job at handling interlaced and progressive content than NTSC. This is because PAL is 25FPS. So when 24FPS films, HD Shows and such are transferred to PAL, the film is sped up by 3% to 25FPS. While it may sound like a bad thing, it means the full progressive image is preserved when transmitted over ANY PAL system, interlaced or progressive. This means that basicly all non-live footage seen on HD PAL 1080i Channels is actually 1080p. The same goes for 576i (which is much better than NTSC's 480i, but thats another story). So the push for 1080p is even more useless in PAL countries.
For you youngsters here: Cinerama was to 35mm movies as HD is to NTSC. It used three synchronized projectors on a deeply-curved screen subtending a 146-degree arc. Everyone who has ever seen it was bowled over by it. It is still shown on rare occasions when fans arrange it. It is universally acknowledged to be better than the later wide-screen processes such as CinemaScope, VistaVision, etc. all of which were pretty much acknowledged to be ways to get something sorta-kinda-not-quite-almost like Cinerama, but on the cheap. Many who have had an opportunity to compare it with present-day IMAX have judged it to be superior, too, although that's trickier. IMAX suffers by having too much height and not enough width; when presented on a flat screen, it's flat, and when presented on a dome screen, it's hopeless washed out by cross-reflection (unlike Cinerama, which was always pitch-black in the shadows). Of course CInerama had those awful panel joints... but I digress. Here's the point:
Cinerama was never more than a footnote, because it was only suited to spectacle, not to storytelling. Only two Cinerama features were made with a conventional storyline: "How the West was Won," and "The Wonderful World of the Brothers Grimm." The rest were pastiches of spectacle: travelogues, ride-film-like experiences, and so forth.
It bodes very ill for high-definition that most of the "best" films are special-effects sci-fi extravaganzas.
I'm glad to see they have Casablanca on their list, but it's not clear that they're saying the actual experience of watching the movie is any better than on DVD. They seems to like the many extras bundled in. Is Rick more world-weary in high-definition? Is Ilsa lovelier? Do the heartrending scenes rend your heart any more? I haven't seen it... but I doubt it.
I like seeing superheros hurtle through space and things blow up as much as the next guy, but these are not enough to carry an expensive video format.
How, exactly, is high-definition going to help directors evoke emotion and tell a story?
"How to Do Nothing," kids activities, back in print!
I see people bashing the title selections, but there are a lot of very good movies available that havn't been made in the last ten years (none on Blu-Ray yet, only HD-DVD). I'm not sure everyone actually knows about these.
0 HEVZ8K/sr=11-1/qid=1166798118/ref=sr_11_1/102-7175 168-2871323
R R7Q/sr=11-1/qid=1166798133/ref=sr_11_1/102-7175168 -2871323
D /dp/B000I0RR76/sr=1-1/qid=1166798143/ref=pd_bbs_sr _1/102-7175168-2871323?ie=UTF8&s=dvd
r y-HD-DVD/dp/B000IXZ7M0/sr=11-1/qid=1166798273/ref= sr_11_1/102-7175168-2871323
Searchers (Wayne):
http://www.amazon.com/The-Searchers-HD-DVD/dp/B00
Casablanca:
http://www.amazon.com/Casablanca-HD-DVD/dp/B000I0
Robin Hood (classic):
http://www.amazon.com/Adventures-Robin-Hood-HD-DV
And to a lesser extent, the original Willy Wonka:
http://www.amazon.com/Willy-Wonka-Chocolate-Facto
So let's not jump to conclusions that the only movies available on the new formats suck. There are plenty of great movies available for HD-DVD.
Serenity is a great movie, but the US release doesn't offer video quite as good as some of the titles on that list.
It had to have a new encode for Europe, to make room for a couple of extra languages, and the updated VC-1 encoder means it's actually slightly better over here, apparently.
So buy it because you like the film by all means, but I think they're right to leave it off the list of best transfers.
"I Know You Are But What Am I?"
With "digital film" and digital projectors in the theater, will interlacing, deinterlacing and progressive scan become words that we used in the past? (Like UHF or B&W)
I long for the day when I can just buy a TV Set and not have to consider these technical arguments inside my head.
I put this reply in a different thread, but I think it belongs here as well. There ARE good films out there. Here's a few:
0 HEVZ8K/sr=11-1/qid=1166798118/ref=sr_11_1/102-7175 168-2871323
R R7Q/sr=11-1/qid=1166798133/ref=sr_11_1/102-7175168 -2871323
D /dp/B000I0RR76/sr=1-1/qid=1166798143/ref=pd_bbs_sr _1/102-7175168-2871323?ie=UTF8&s=dvd
r y-HD-DVD/dp/B000IXZ7M0/sr=11-1/qid=1166798273/ref= sr_11_1/102-7175168-2871323
Searchers (Wayne):
http://www.amazon.com/The-Searchers-HD-DVD/dp/B00
Casablanca:
http://www.amazon.com/Casablanca-HD-DVD/dp/B000I0
Robin Hood (classic):
http://www.amazon.com/Adventures-Robin-Hood-HD-DV
And to a lesser extent, the original Willy Wonka:
http://www.amazon.com/Willy-Wonka-Chocolate-Facto
I read over the HD DVD list, and noticed something quite odd. One of their criteria for 'Tier 1' is that the film features "many examples of 3D." They're using '3D' to refer to CG special effects. This is only a useful way to judge and categorize films if you're looking for action-filled sequences to show off your new HD system to friends.
best superhero movie--kinda like the sweetest tasting trash? Hulk--shakespeare...ohh my gut hurts!
Interesting tidbit...my cgi friend at ILM said the director filmed actual dog fights in mexico etc, and made the animators sit through the hours of footage. And he kept saying, "no more real more violent." And he would replay the most god awful video over and over again. It was quite upsetting for the more sensitive/dog loving artists. And thats the reason I refuse to sit through that abomination.
All this money & tech & artistic talent to create a story about a green man and fighting dogs. It's a strange world.
It's true that there's no real visual difference between 1080i and 1080p - on a 1080p display at 1920 × 1080...
However I've found generally that a 1080p display will usually offer the full HD resolution, while there are many displays that accept a 1080i signal but the actual resolution is somewhat lower. Thus looking for a 1080P display can be good from a resolution standpoint.
"There is more worth loving than we have strength to love." - Brian Jay Stanley
I saw 2001 on its first run. I'm not sure what the exact process used was. I think the credits read "Cinerama" but it was in a theatre named "Todd-AO." In any case, it was a single strip of 70mm film. They handed out little leaflets in which Arthur C. Clarke used several paragraphs explaining that the scene in which the astronauts survive the short trip through vacuum was possible.
I loved it. It blew me away. I thought it was a great film. In many scenes, you had some huge spacecraft moving slowly past you, but because there was so much detail it took that long to absorb it. And of course the "light show" sequence at the end was stunning.
Subsequently, I've seen it in ordinary movie theatres (anamorphic 35mm). It was awful. Slow and boring. You couldn't read any of the hundreds of little legends on the spacecraft controls, they were all slightly blurred. On television, it was even worse. My kids think it's a pointless, unwatchable film. I tell them, "yeah, but you haven't really _seen_ it." And they don't believe me when I say the format made a difference.
So, yes, I agree completely. 2001 is a perfect example of a movie that needed, used, and worked as a movie in a huge, detailed format. Watching it on a TV set is like trying to appreciate a symphony from an Edison cylinder recording.
But that's my point. Just how many 2001's are there?
If there were enough movies that truly needed high-definition to make HD successful, then why aren't there full-length feature movies being made and exhibited now in IMAX? I don't mean clever enhanced blowups of regular films into IMAX, I mean movies like 2001 or, I dunno, Ryan's Daughter or Lawrence of Arabia? Movies which need high definition in order to work cinematically?
There were never enough to keep Cinerama afloat. Indeed, there don't seem to have ever been enough to keep Hollywood providing 70 mm prints to the (decreasing) number of theatres that have 70 mm projectors.
"How to Do Nothing," kids activities, back in print!
If you were lucky enough not to have read the books, the movie was probably a pretty good ride. For those unfortunate sods who read a ripping (and I use that term in the old sense) book, similarities between the two stopped after the "THE" in the movie title.
Once I was a four stone apology. Now I am two separate gorillas.
That is just utterly wrong. No matter what the framerate, with an interlaced display you have artifacts like spacial and temporal aliasing, twitter, etc.
With 24fps material on a 60fps interlaced display, you have to put up with things like judder as well, which can look really terrible in panning scenes.
The vast majority of HDTVs are interlaced. Plasmas, LCD, etc., are in the minority.
Direct-view and projection CRTs are still the standard, because of the higher resolution, response-time, contrast, and price.
This shows a complete and utter lack of understand of any relevant video concepts.
Film is converted to interlaced with 3:2 pulldown (aka telecine), and you need significant processing power to reverse it (IVTC) to return it to the original progressive image. Even with unlimited processing power, there has never been an IVTC process divised which does a perfect job. You will always get some artifacts. Plus, I'm willing to bet that the under-powered processors in most HDTVs aren't good enough to even keep those to a minimum.
.
For some reason though, ignorant idiots like yourself (Toshiba shills, perhaps?) repeatedly spout-off on stuff like this whenever HDTV comes up on slashdot, and manage to trick some unsuspecting mods into giving them points for their misinformation.
Perhaps now you can jump to the next one, and say that people can't possibly see any improvement of HDTV over standard definition, or that the DRM on HD-DVD/Blu-ray is so much worse than CSS on DVDs...
Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
www.dvdbeaver.com is my favorite site for side-by-side dvd release comparisons.
Best
HD-DVD: 6
Blu-Ray: 1
Both: 3
Worst
HD-DVD: 1
Blu-Ray: 3
Both: 1
It appears that most in the 'Best' category use VC-1 while most in the 'Worst' category use MPEG-2.
Whenever the offence inspires less horror than the punishment, the rigour of penal law is obliged to give way...
"no more real more violent"? What the hell does that mean?
Disclaimer: IANAL. This post is, however, legal advice, and creates an attorney-client relationship.
So George Lucas can rape my childhood at 1080p.
I would love to see or have seen Showscan. I remember how exciting it was to show our 8 mm home movies at 54 fps. In the days before flat-panel screens I was always the guy who insisted on goosing up everyone's display settings from default 60 fps to 75 or 90.
Temporal resolution is as important as spatial resolution, and if I recall correctly Edison or Dickson actually said in so in essence that chose 16 fps for economic reasons--it was the slowest frame rate that was tolerable. 24 fps is way too slow. Even the difference between 24 fps and Todd-AO's 30 fps was meaningful.
I remember the first time I saw jugglers live, and realized how exciting it was, and how much is lost in juggling--and doubtless dance and athletic events--by the coarse temporal resolution of movies and television.
Showscan sounds as if it must be yummy. I'd love to see it. I have no doubt that the rollercoaster sequence of "This Is Cinerama" would be even more exciting in Showscan.
But as far as I know, very, very, very few movies were ever produced in it, and it wasn't or isn't successful enough for them to have shown up even in a major city like Boston.
And IMHO it has the same problem HD has and Cinerama had: it only adds value to a limited range of subject matter, which is not the storytelling mainstream of cinema.
(Parenthetically: I wonder whether the electronics for HDTV would lend themselves to being used at half the resolution and double the frame rate?)
"How to Do Nothing," kids activities, back in print!