EMI Considers Abandoning DRM on CDs
jOmill writes "EMI Netherlands has announced that it is considering no longer using DRM on CDs, because it isn't worth the cost.
According to Reuters the company is still reviewing the decision. From the article: 'Critics have argued that the system has not worked as consumers could be driven to illegal sites to download music to the popular iPod instead. A spokeswoman for EMI said it had not manufactured any new disks with DRM, which restricts consumers from making copies of songs and films they have purchased legally, for the last few months.'"
...because when any "DRM" is used on audio CDs, they're technically no longer even "audio CDs"...at least, they don't officially conform to the Red Book Audio specification, and can't even use the familiar "Compact Disc Digital Audio" logo. While certainly they're intended to be purchased and used as audio CDs, and everyone would still refer to them as such, they're at most an "audio disc resembling a conventional audio CD," or "audio that is incidentally stored on CD media".
Intrinsic to a Red Book Audio CD is the ability to extract the audio in its pristine digital form. While content owners may not appreciate that in today's digital marketplace, that's what an audio CD is. If labels want to add DRM or anything else not in the Red Book Audio specification to these discs, they are obligated to make it clear that they're not really audio CDs, and indeed, consumers have found the belated warning that they "may not play in all CD players" only too true, resulting in practical decisions like this one from EMI Netherlands. This is what you get when you screw with established international standards.
Especially humorous is that, any amount of DRM aside, all of this music will always be widely available on file sharing networks, mostly as lossy MP3s. Who is affected most, then, by not being able to extract audio from discs within one's own physical possession, given that the music is invariably already available any number of file sharing networks many times over? The individual consumer who simply wants to enjoy his purchase on another device, such as a computer or portable music player. While DRM is intended to prevent or reduce casual copyright infringement, it never will stop content from being copied, and DRM on "audio CDs" is just one of those wrongheaded ideas, given that it toys with a standard that has already been established for two and a half decades.
Until someone figures out how to alter properties of nature in such a way that physical property of audio or video being able to be in an analog state via sound waves or the electromagnetic spectrum can be eliminated, there will always be mechanisms for those who wish to violate copyright to violate it. In the meantime, DRM will mostly affect and inconvenience legitimate, paying consumers of content.
The second-greatest day will be when they report that sales dropped off not the slightest bit b/c of this change DRM only annoys purchasers. Not "pirates"
My turnips listen for the soft cry of your love
Maybe the rest of the damn CD makers will follow suit, and I can go back to using my Sharpies to scribble on the front of my CDs!
ad logicam Claiming a proposition is false because it was presented as the conclusion of a fallacious argument.
But did hell freeze over?
Finally, they're starting to get a clue. I do not advocate pirating music in any way. However, I think it's equally, if not more insidious, that commercial interests are making it very difficult for consumers to *want* to do the right thing. This is a step in the right direction. *AA....are you listening?
"EMI Netherlands has announced that it is considering no longer using DRM on CDs, because it isn't worth the cost.
We could have told you that, but since when did you guys ever listen to your customers?
From the article: 'Critics have argued that the system has not worked as consumers could be driven to illegal sites to download music to the popular iPod instead. A spokeswoman for EMI said it had not manufactured any new disks with DRM, which restricts consumers from making copies of songs and films they have purchased legally, for the last few months.'"
Did you ever think we, as consumers, when buying a CD, want to make backups, import the CD to our Ipod or other MP3 player?
It's amazing how management runs these companies. How can you deliver a product your customer wants when you don't even listen to what they WANT?
...and the poor software pirates who are quickly being putting out of business. How are they going to put food on the table if they don't have anything to crack? Let's do the right thing and think of their needs, people!
...EMI has announced they are discontinuing the release of new albums on standard Audio CDs and will now be selling Audio HD-DVDs complete with fingerprint scanners and GPS transmitters and facial recognition software. Any AHD-DVD found to be played by a user other than it's owner (or within hearing range of a non-owner) will self-destruct, and any AHD-DVD found outside it's allocated region will explode.
In other, other news, numerous airlines worldwide have banned the usage of all media disks during flight.
The secret to creativity is knowing how to hide your sources. - Albert Einstein
I haven't found any CDs that wouldn't happily rip with cdparanoia on Linux. Ergo DRM CDs are pointeless as it only takes on smartarse with a free OS to flood the P2P channels with decent quality rips.
A colleague had a couple of CDs, one being by the Beatles, which appeared to have a second data session containing compressed versions and some Windows/Mac driver type stuff on it. It wouldn't rip in his Mac, he claimed - I don't know if this was some rootkit type setup. No problem extracting the CDDA which I gave him on a data CD, and also gave him regular CD versions sans the annoying second session.
Screw you, The Man! Thanks for making it *more desirable* to have a *non-original copy* of a CD because it works *better than the original*. Where's the fricking added value in that?
Disclaimer: I work for a record label/studio/distributor - we're not all evil.
In the article, it says that the DRM'd CDs were sold primarily outside of the U.S.. I suspect this was because of the headaches and lawsuits they knew would likely plague them in the United States. But now with the globalization fueled by the internet, I can imagine that more and more U.S. consumers were importing these DRM'd CDs perhaps after discovering a foreign artist via their music downloaded from the internet. If that's even partially true, then it would be more proof in support of the notion that "sharing" music over the internet is actually growing the market. Making music easier to get legitimately will be a win for the music industry in the long run, if they can get over their CD and DRM fixations.
To the making of books there is no end, so let's get started
List by sub label. Taken from http://www.emirecords.co.uk/loader.html
::EMI:: ::Heavenly Records:: ::DFA Records:: ::Positiva:: ::Positiva:: ::Positiva:: ::Additive::
*NOTE: The site is flash so I can't copy and paste, these are hand copied, sorry for misspellings*
Auf Der Maur
Badly Drawn Boy
Beth Orton
Captain
Corinne Bailey Ray
David Gilmore
Faith Evans
Faultline
FischerSpooner
Hot Chip
Iron Maiden
John Cale
Kate Bush
Keren Ann
Kraftwerk
Pink Floyd
Radio 4
Robbie Williams
Saosin
Shawn Emanuel
Sigur Ros
Starsailor
Telepopmusik
The Aliens
The Concrete
Vincent Van and the Villans
Dove
Ed Hardcourt
The Little Ones
The Magic Numbers
The Vines
Black Dice
Delia Gonzalz & Gavin Russom
The Juan Maclean
Deep Dish
Ferry Corsten
Paul Van Dyk
Soul Avengerz
Soul Seekers
The Shapeshifters
Remy
34486853790
Connection too slow for X forwarding? Try "ssh -CX user@host"
So they're making a definity imnprovement of the product availability to their customers, making a definite cost reduction, with only a theoretical risk of noticeably increased piracy? Yeah, that sounds logical here too, and I wonder what took them so long. Pirates aren't those crying out at DRM, they use BitTorrent or other P2P nets. That's the biggest design hole of DRM, IMHO. Maybe the point was to not have a single pirate be able to rip (one is enough) that protection or gain it from other sources where it's not protected (or before it is), but all I can say about that idea is "dream on".
Beware: In C++, your friends can see your privates!
Has anybody actually bought a CD that they could not rip?
I've never seen one that I couldn't easily rip songs from....
I had a Foo Fighters CD that I got as a gift which was labeled as an "enhanced" CD. The first time I put it in my PC at home, I forgot to hold down the shift key, and I wasn't able to rip it on that computer (although the software on the CD wanted to "give" me a set of protected files for all of the songs, which I would only be able to listen to with their proprietary player). I ripped the CD under Linux on my laptop, then again on my work PC in Windows. Also with this CD, it was supposed to have some kind of bonus content that would connect to 'somebody' over the Internet to authenticate the CD in order to unlock the bonus content. That never worked on any PC I tried it on, the authentication always failed.
So there were two disappointments on that disc: 1) If you don't hold down the shift key, you won't be able to rip it (under Windows) and 2) the broken bonus content. I like the music on the CD, though... it's too bad that they have to muck it all up with DRM under the guise of extra features that don't work.
Look on your CD player. See the buttons marked pause and stop? Figure out the difference.
If you were blocking sigs, you wouldn't have to read this.
I posted about this earlier on http://www.groklaw.net/
;) )
i ll_be_protected/
Ithink that the last major UK EMI release with DRM was Coldplay's X&Y back in 2005, any other releases I noticed on EMI was on the budget/reissue EMI Gold label, which was usually sold at about £2.99 in the bargain bin's at Sainsburys (a posher version of Walmart for our American chums
Why they kept it on the cheap stuff and not the latest releases I don't know, I suspect they were trying to see how many returns as "faulty" they would get on the budget range, maybe it was too high a percentage and they decided the cost of the returns on a big selling CD was too high.
They used to have a pro-drm site at http://www.emimusic.info/uk/ printed on the DRM'd CD's but they seem to have pulled it.
Funny to see how cocky the record companies were back in 2002 compared to now - http://www.theregister.co.uk/2002/11/21/all_cds_w
Jonathan
Maybe they realised it was a waste of time because it doesn't work.
This may just be my experience, but I haven't come across a single CD (including some which are explicitly marked as having some sort of "Copy Protection" on them) which didn't rip first time in my PC. There's nothing special about my drive (I've used an old Matsushita DVD drive and a Plextor DVD Re-writer). Maybe it's because I am running Linux, but as far as I can tell, CD-Ex on Windows would work equally well as anything I am using under Linux.
as pointed out before the Red Book specification describes audio CD's.
but data DVD has sectors and format information in the data on top of the red book specification.
and the Orange Book specification give details of multisession formats.
most of the "copy protection" systems used worked by wrapping the session information to impossible combinations that were impossible to read. or degrading the galois based CRC information that was used to recover bad data. neither of these methods were fatal to a Red Book player that only played audio disks as it ignored all other formats happily.
but these days most CD players can play MP3's also, and hence are data players not audio players - this means they are exactly the systems that the copy protection was designed to disrupt.
so the CD manufacturers found themselves in a situation where the new hifi's being built were being disrupted by they copy protection and hence unable to play any of the CDs. its a question of the physiscal data path built into the decoder IC on most MP3/Audio CD players.
in short, I'm not suprised they stopped including it - I'm just suprised they waited so long.
Which will come first?
Effective DRM
or the release of Duke Nukem Forever?
The current problem with Duke Nukem Forever is the DRM they implemented on the master disc. The actual game has been finished for quite some time now. The reason you can't find it in stores is because the cd manufacturers haven't figured out how copy the master without Duke showing up and putting his boot up their ass. It truly is the world's first kickass DRM.
DRM...the only way to win is not to play.
...at least in some of the newsreports I saw, in which they stated that "it was not feasible to use a DRM system as the system was hacked every time", rather than (the truth) "the consumer and CD license holders (!) have fully rejected the protection systems we have devised, because they hamper fair use - especially in the area of simply playing out the CD (not even copying it) on normal consumer-grade playback systems and even outright violate consumer rights (sony rootkit)".
Slashdot: stuff for news, nerds that matter, matter for news, stuff that nerd
Well talk is cheap - speaking as someone who stopped my 3 CDs a month habit when CD copy protection became widespread, It's going to take more than "considering" to get me near their coasters again. To be honest, the idea of giving money to them at all doesn't sit well with me with the way record companies have behaved over the last few year - it just feels more like paying a ransom to suited mobsters than buying music. Ah well, there's no good way to pay the artists and not the record companies I suppose, so I'll continue to enjoy music through royalties-based channels and magnatunes.