BBC Download Plans Approved
An anonymous reader writes "The BBC reports that following approval from the BBC Trust (an independent oversight body) they are now allowed to release their 'iPlayer', enabling the download and viewing of BBC owned content such as Doctor Who. Unfortunately the Trust also mandated the use of DRM to enforce a 30 day playable period, and exempted classical music performances from being made available. There will now be a 2 month consultation period. According to one of the trustees, the Trust 'could still change its mind if there was a public outcry and it was backed up by evidence.'"
According to one of the trustees, the Trust 'could still change its mind if there was a public outcry and it was backed up by evidence.'
What if there's a public outcry and it's backed up by drunken rioting?
The theory of relativity doesn't work right in Arkansas.
...they are now allowed to release their 'iPlayer'...
i love how it's 'cool' to name everything i* now. the bbc couldn't come up w/ a better name? at least something british sounding.
"Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
Despite their commitment to mac and linux compatibility on their audio streaming, the iPlayer only runs on windows, disappointing as I'm sure even us mac users pay our licence fees.
iPlayer? Sounds like it will be compatible with Apple's iSue.
Are you...Are you some kind of genius?
No, ma'am, I'm just a regular Slashdot reader.
Something tells me the majority of non-British Dr. Who fans will continue to obtain the show by less...contstraining means.
Eventually they'll figure it out: until we can download it and watch it in the viewer of our choice as often as we want when we want, we will continue to obtain copies of such content by other means than theirs.
120 characters for a sig? That's bloody useless.
Or you could use bittorrent. I'm not entirely sure of the legality of downloading things that you already pay a license for such as TV shows, but that's never stopped anyone before.
There are 11 types of people, those who know unary and those who don't.
Very probably it will be free but only to UK residents. As mentioned in another comment in the UK we pay an annual license fee, which is enforced like a tax. Everyone that owns equipment capable of viewing TV has to pay it. This funds the BBC so they can't then charge for stuff and there are no adverts.
I just hope that it has subtitling built in. They talk funny over there.
Sorry about the writing. Robot fingers, you know? Cliff Steele in DOOM PATROL #23
NBC is entirely a private enterprise that (in theory) compensates the public for use of its airspace adequatly via the licences for it's broadcast spectrum (read the in theory before you flame me). As such they have something of a leg to stand on when they claim private ownership and the attractions of DRM for their crap... er ... shows.
Anyway, the BBC is (at least on paper) a public enterprise oned (in heory) by the British Public and paid for via the TV Tax. Much like the Voice of America is a service funded by the American Public. As such shouldn't the content produced by the Beeb be freely available (at least to the Brits, Welsh, Scottish, and Northern Irish) for them to do with as they please? Didn't they pay to have it made and as such "own" it?
Or is this one of those cases where the drive to resell said content (say on BBC-America or via deals with other channels, or on DVD) that was supposed to "offset costs" now driving availability?
The imposition of DRM is pointless, at least if the goal is to limit redistribution of the content. The BBC are already digitally broadcasting all of their content, classical or otherwise, from all of their broadcasting stations in clear. (Crystal Palace is even broadcasting 20Mbit/sec H.264 streams as part of the current HD trials; indeed, my understanding is that the BBC will continue to broadcast in clear when the service goes into full production.)
Presumably OFCOM want to force the BBC to use DRM (they even specified that it should be Windows DRM) in order to buoy the position of Microsoft and/or commercial broadcasters?
In any case, I guess my MythTV server will continue to be useful for some time yet.
If I have nothing to hide, you have no reason to search me
The BBC should be providing licence fee payers like myself with unrestricted digital content. If we end up building up massive libraries of free classical music, then so much the better! It is their job to educate, inform and entertain licence fee payers, not sell us CDs. They should not be concerned with "negative market impacts" - they should be providing the public service that we Brits are paying for.
>north
You're an immobile computer, remember?
I really don't understand why they are bothering to put DRM on it: the entire BBC output is already available over-the-air in unencrypted digital form via digital television (MPEG2/DVB-T). Never mind the analogue hole: there's a gaping digital hole out there!
If your comment title says 'Re: Foo', I'm not likely to read it.
You have no idea how many British people just don't get this concept. Every time there's a topic on the BBC's Have Your Say board that actually concerns the BBC, you get a slew of replies demanding the abolition of the licence fee and the introduction of adverts.
Okay, so the price can be hard to stomach considering you have to pay it even if you don't watch BBC programmes... but all things considered I think it's worth it, just for that precious advert-free zone.
The thing I found most unfortunate about the whole affair was that the reason given by the BBC Trust for not releasing the classical music: "There is a potential negative market impact if the BBC allows listeners to build an extensive library of classical music that will serve as a close substitute for commercially available downloads or CDs." [Emphasis added]
There are a lot of misconceptions about the BBC (not least how much of its funding comes from licence fees rather than other sources), but I'm pretty sure it's still supposed to be run essentially in the public interest. I don't really understand how protecting the commercial interests of classical music distributors are the expense of the public is part of that remit.
If we're talking about music that's out of copyright itself (Beethoven was the example given), and the particular recording is already being made available for the BBC to broadcast, you'd think the Beeb could negotiate some fair additional compensation for the recording orchestras in exchange for the rights to make it downloadable as well. After all, we have the Proms every year and no doubt some people record and keep those (legally or otherwise), so it doesn't seem like orchestras mind the coverage. Why not legitimise keeping the material, throw in a bit of fair compensation for the recording artists to match, and make the world a little nicer for all concerned?
If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
The BBC have been offering a "Listen Again" service for a while now, which is very well regarded. Various popular radio shows are available for download (in Real format) for seven days after a show airs, and then they disappear from the web site. Theoretically you could keep them indefinitely once you've got them, but for many BBC shows, people are more interested in catching up on what they missed the other day/night. For that, both something open-ended like the current Listen Again service or the proposed but DRM-encumbered service would be an improvement on not having the material at all.
If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
>>> "Aside from that, let's look at one of the shows the BBC is proposing to make available online: Doctor Who [imdb.com]. Click the link and scroll down to "Production Companies". Yes, that's right, the venerable BBC Sci-Fi series is produced in part by the CBC.
l dwidestories/pressreleases/2004/10_october/doctor_ who_canada.shtmll dwidestories/pressreleases/2006/04_april/mip_torch wood.shtmlh o/2005/06/29/20283.shtmlv -awards.html
l dwidestories/pressreleases/2006/04_april/mip_torch wood.shtml%5D Kirstine Layfield, Executive Director, Network Programming, CBC Television, commented: "CBC is proud to supplement our overwhelmingly Canadian schedule with the best of the rest of the world, and our British programming has struck a real chord with audiences here. We're delighted with the success of Doctor Who, and we're sure Torchwood will prove equally popular." [/quote]
l dwidestories/pressreleases/2004/10_october/doctor_ who_canada.shtml%5D BBC Worldwide today concluded its first major pre-sale for the new Doctor Who series with Canadian public broadcaster, CBC Television. [/quote]
Thus, I at least have already paid for part of Doctor Who. How many other modern BBC shows are co-produced in conjunction with the national broadcasters in other (esp. Commonwealth) countries? "
You may be right. But I suspect that if CBC is in the credit then they are being paid a commercial rate for their services by the BBC. In which case, even if you fund other work by the CBC then your entitlement to BBC(UK) output is non-existent.
http://www.bbc.co.uk/pressoffice/bbcworldwide/wor
http://www.bbc.co.uk/pressoffice/bbcworldwide/wor
http://www.bbc.co.uk/doctorwho/news/cult/news/drw
http://www.cbc.ca/arts/story/2006/05/08/british-t
Reading between the lines in the above reports it seems that CBC "sponsored" the production ("produced by BBC Wales in association with the CBC") by buying it early and plugging it prime-time. For example in the news report (last link above) about Doctor Who winning an award they don't mention anything about it being produced by CBC, that seems strange to me as in Wales if a Doctor Who producer wipes his nose it's all over the news reports (! eww). BBC news here also gives the impression that the show is Welsh made (Welsh nationalism is rife).
[quote: http://www.bbc.co.uk/pressoffice/bbcworldwide/wor
[quote: http://www.bbc.co.uk/pressoffice/bbcworldwide/wor
The flaw in that argument is that people in the United States are forbidden from listening to the Voice of America and even transcripts of its programs are not available to ordinary citizens under the FOIA. Public Law 402:
I think that's not the BBC's problem. The commercial rivals must take care of themselves - by, for example, providing higher quality content or different content. Is Ofcom asserting that there's a limit to the amount of classical music and TV shows which the economy can support? That having more choice will lead inevitably to commercial loss for these competitors? Perhaps the BBC should stop producing classical music and high quality TV programs altogether lest they damage the market share of commercial competitors? Perhaps we should limit access to the Public Domain too, since it can't be easily monopolised.
It wants the corporation to scale back plans to let downloaded "catch-up" episodes remain on users' hard drives for 13 weeks, suggesting that 30 days is enough.
Assuming (as devil's advocate) that their DRM is adequate, why limit the time that the content works? If somebody records one of these shows on their VCR, they are allowed to watch it again and again forever. Why limit a user's fair use rights for no better reason than "because it's technically possible"?
The trust also asked the BBC to explore ways of introducing parental controls to its on-demand services, as it is worried at the "heightened risk of children being exposed to post-watershed material".
TV doesn't require electronic "parental controls", so why should downloaded shows?
"There is a potential negative market impact if the BBC allows listeners to build an extensive library of classical music that will serve as a close substitute for commercially available downloads or CDs," it said.
I'm afraid they're several years too late on that point. It seems the BBC Trust hasn't been paying attention to recent events. Here are some facts to brighten your day:
Q: I'm a UK citizen, pay my licence fee so why can't I just access all the content I've paid for?
:-(
A: You don't "own" the broadcast anymore than the BBC does necessarily....it's all down to rights, there's all kinds of fingers in all kinds of pies with respects to broadcast/distribution rights - if you've used an external production company to produce the content / used someone's music / an image / a certain actor they will all have rights with respect to how/when that content is used.
It's a legal minefield which usually comes with all kinds of restrictions about when and where you can use the content
As I understand it, licence fee money entitles the beeb to pay for things to be produced (internally / externally), and to be shown somehow/somewhere at somepoint and that's about it.
Add in to this that you require different kinds of rights for different kinds of distribution - web + TV require two different lots of rights negotiations to take place - and it all gets very messy *really* quickly.
As for other countries accessing content, I'd hazard a guess that it's a case of UK folk having paid for the bandwidth and not being able to support the whole world downloading - the worldwide / commercial arm of the bbc could potentially syndicate paid episodes for download I guess.
Q: Why bung DRM on everything?
A: RIGHTS again (you beginning to see the picture yet) - johnny rightsholder is very cagey about digital distribution (*GASP* - everyone will be able to COPY our content - cue mouth frothing) so in order to be able to even offer it for distribution over the internet tubes a distributor *has* to make concessions to the rightsholders, otherwise you would have no content to offer = DRM + time restricted windows for viewing things. I'd hope that this is likely to change over time as people sort out the whole rights mess and we have some legal framework which accurately reflects a fair digital distribution model.
Q: Why not platform XXX?
A: I'm pretty sure this will be down to DRM requirements AND the fact that the BBC already has an infrastructure in place for transcoding / streaming WM content. Judging from the consultation results, this is likely to change if a requirement to be platform portable is enforced - maybe rolling something custom like DIRAC would be an option?