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New Tolkien Book Released 'The Children of Hurin'

Zoolander writes "Christopher Tolkien has completed the last book of J.R.R. Tolkien from notes left from his father." The ultimate question is how much of a quality difference will there be; for instance the difference between Dune and Dune: House Atriedes is a pretty big gap. But in my experience, Christopher Tolkien has always taken a good, cautious approach when it comes to his father's work so here's to hoping.

260 comments

  1. Excellent!~ by SaidinUnleashed · · Score: 2, Insightful

    I have always thought Chris has done a good job compiling his father's stuff. I can't wait to pick this up!

    --
    Shiny. Let's be bad guys.
    1. Re:Excellent!~ by voice_of_all_reason · · Score: 4, Interesting

      I "read" silmarilion when I was in high school, didn't like it at all and failed to spend the time slowly going through it to take everything in. Going through it again in my mid-twenties and having an exponentially greater appreciation of it, even more so than Lord of the Rings.

      Like a wine fine, you have to let it age a bit.

      TÚRIN TURAMBAR DAGNIR GLAURUNGA

    2. Re:Excellent!~ by kgp_crap · · Score: 0, Troll

      Why am I not surprised ? Any great cultural classic : books or movies , somehow seem to generate more than their fair share of prequels / sequels . It then just smacks of opportunism. I guess its just me , but it seems to dilute the original masterpiece.

    3. Re:Excellent!~ by Anonymous Coward · · Score: 5, Funny

      "Like a wine fine, you have to let it age a bit."

      Or aging is lowering/fucking up your standards.

      By your sixties you may actually like to listen to Barbra Streisand albums...

    4. Re:Excellent!~ by MightyMartian · · Score: 4, Informative

      You are aware, I hope, that this is actually Tolkien's writing. Christopher Tolkien's role has been as an editor. In only one instant did he actually compose anything for his father's works, and that was The Fall of Doriath for the published Silmarillion, because Tolkien had actually only written one completed version, and that was way back in about 1920, when the mythos was still in a very early stage of evolution, and did not match the post-Lord of the Rings Silmarillion.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    5. Re:Excellent!~ by SatanicPuppy · · Score: 1

      It's his notes. There is a huge difference.

      Chris Tolkien annoys the crap out of me, though, admittedly, more for "original" tripe like The Treason of Isengard than for compilations like the Silmarillion...He's definitely out to make a buck on his father's work.

      --
      ad logicam Claiming a proposition is false because it was presented as the conclusion of a fallacious argument.
    6. Re:Excellent!~ by redshirt1111 · · Score: 3, Interesting

      Over the past three years I've really gotten into Tolkien's writing (The Silmarillion being my fave), but I've never been a big fan of Turin's story. It's certainly tragic, and nothing ends well, which normally I like. It's just that Turin is fairly unsympathetic. He's headstrong, foolish, and something of a prick. Hard to root for, despite his occasional heroic deeds. Now Hurin -- I'd love to see more of Hurin. Anyone who can tell Morgoth off to his face is the very definition of tragically heroic.

    7. Re:Excellent!~ by MightyMartian · · Score: 4, Insightful

      It's his notes. There is a huge difference.
      There are lots of notes. There are also lots of completed works. The Lost Tales is largely complete. The Annals of Beleriand and the Grey Annals are largely complete.

      Just how much of the History of Middle Earth series have you even read?
      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    8. Re:Excellent!~ by ggKimmieGal · · Score: 4, Insightful

      I hope you are aware that The Lord of the Rings IS the sequel. Tolkien didn't write LOTR first. It came much later after he wrote almost all of the Silmarillion. He had been working his way up to that novel for years before he ever sat down to write it. His wife also added quite a lot to all of his work, though her name is often forgotten. LOTR was edited and edited until it was something people could try to read in under a month. But the fact is, Tolkien is not that type of writer. If you look at any of his other novels, he meant for the world to take LOTR slow. He wanted you to get lost in the world that he and his wife created. His books should take you years to read, and after you've read them, he wanted you to go back and read them again. At least, that is the impression I got when reading through the histories of Middle Earth. This isn't about opportunism. It's about Tolkien's world. If you don't have the patience for his novels, I don't recommend them.

    9. Re:Excellent!~ by gfxguy · · Score: 1

      Congratulations. I couldn't get past the first chapter when I was in high school; it was just too boring.

      I did eventually read it a couple of years ago. It had a lot of great information in it. But it was still incredibly boring (not all of it, of course). It read like a history book. I guess that's what it was, but I think JRR had the ability to refine his works into something a lot less boring than Christopher, who might be too scared to leave something out.

      I don't hold it against him, look at the standard he has to live up to.

      --
      Stupid sexy Flanders.
    10. Re:Excellent!~ by linguizic · · Score: 2, Funny

      "Like a wine fine, you have to let it age a bit."

      Same is true for adjective noun order.

      --
      Does this sig remind you of Agatha Christie?
    11. Re:Excellent!~ by mpiktas · · Score: 3, Interesting

      I for one am a huge fan of Turin's story. It always gives me the shivers, when I read it anew. And actually Children of Hurin is a story about Hurin also, if I remember correctly, after Turin's death the story talks about the final fate of Hurin and Morwen. I hope that Christopher Tolkien will include it. The last stand of Hurin in Nirnaeth Arnoediad is one of my favorite episodes, along with the Fingolfin's fight with Morgoth. Now then I think about it, without Turin, the Silmarillion would lose some charm, because with this story Tolkien shows the horror of Morgoth.

    12. Re:Excellent!~ by redshirt1111 · · Score: 2, Interesting

      Great points. And you made me remember that indeed, this is Hurin's story (as the book's title suggests), but with the focus on his son. But his son is a jerk, as his wife/mother. The poor daughter never had a chance. Perhaps the wrong venue for this, but I've always wondered if Turin is gay, and hence the anger/confusion with him. He has a lovely elf-maiden throwing herself at him, and he spurns her. And he seems far more comfortable in the presence of his elf friend Beleg. Those two seemed to have "a thing". I don't think the topic of homosexuality was a matter to be discussed in JRR's day, but I wonder...

    13. Re:Excellent!~ by SaidinUnleashed · · Score: 1

      Yeah, the first time I tried to read it, I couldn't get into the story at all. But I picked it back up a few years later, and now I actually like it better than LotR. Lots of action, great setting and plot, and some awesome characters!

      Beware Melkor! HE WILL SWALLOW YOUR SOUL!

      --
      Shiny. Let's be bad guys.
    14. Re:Excellent!~ by mux2000 · · Score: 2, Funny

      A matter to be discussed? I thought that's what LOTR was about!?

    15. Re:Excellent!~ by bkr1_2k · · Score: 2, Insightful

      "He's definitely out to make a buck on his father's work."

      I ask you, which is worse, trying to capitalize on your parent's fortune or just sitting back and inheriting it and acting like a spoiled brat? At least he's tryiing to actually work, even if it's not all original. Some people wouldn't even bother working and just collect royalties. It's not like the work has disappeared or somehow been forgotten. I'd bet it's selling more copies today than ever before.

      That said, I hated the Silmarillion, bored me to tears. And I haven't read any of Chirstopher's original works.

      --
      "Growing old is inevitable; growing up is optional."
    16. Re:Excellent!~ by redshirt1111 · · Score: 2, Funny

      Homosexuality was discussed in LOTR? I don't recall. There was plenty of Hobbitsexuality, but that's a bit different. Just a bit, mind you.

    17. Re:Excellent!~ by Overly+Critical+Guy · · Score: 5, Insightful

      He's definitely out to make a buck on his father's work.

      So was his father. That's why you can buy Lord of the Rings in a store. People work to make money...
      --
      "Sufferin' succotash."
    18. Re:Excellent!~ by STrinity · · Score: 4, Insightful

      Chris Tolkien annoys the crap out of me, though, admittedly, more for "original" tripe like The Treason of Isengard than for compilations like the Silmarillion...
      The Treason of Isengard is just as much a compilation as the Silmarillion -- in this case, it's early drafts of The Two Towers. The only original content CRT provides is notes on when various sections were written and how they relate to others.

      He's definitely out to make a buck on his father's work.
      Making a buck by publishing twelve volumes of early manuscripts and notes that are of interest to scholars, and editing some of those manuscripts so they can be published as completed novels for general fans, is vastly preferable to creating novels from whole cloth like Frank Herbert's son.
      --
      Les Miserables Volume 1 now up with my reading of
    19. Re:Excellent!~ by Grismar · · Score: 4, Informative

      His wife also added quite a lot to all of his work, though her name is often forgotten.

      Good thing you are here to remind us that it's Edith Mary Tolkien (born Bratt).

      Oh no, wait, you didn't...

    20. Re:Excellent!~ by The_Wilschon · · Score: 1

      It is not just his notes. Tolkien actually wrote several versions of this story in full. One of them is found in the Silmarillion (according to my fiancee, who knows a lot more about Tolkien and his writings than I do, and also a lot more than anybody (but one person) that I know), another in the Unfinished Tales, another in the Lays of Beleriand, and more in other publications. So, if anything, Christopher is probably doing significantly less to change his father's original text than he did for the Silmarillion. I believe that the various manuscripts of this story are slightly inconsistent with one another (as is typical when Tolkien wrote multiple manuscripts for one story), so most likely all that Christopher did was to smooth out the inconsistencies.

      Furthermore, Tolkien intended his writings to form the basis of a mythology for the British Isles' peoples. Many lands and their peoples have mythologies. The Greeks have a mythology. The Norse have a mythology. The Romans have a mythology. If Ovid's son wrote stories that were intended to be part of the Roman mythology, nobody would have criticized him for "just trying to make a buck off of his father's work". The Roman mythology was considered essentially the collective property of the Roman people, not the work of Ovid or Virgil or anybody else. If Tolkien had succeeded in truly creating a British mythology, then dozens of British people would be contributing to it all the time. Over the centuries, most of their works would likely fade away, but they would not properly be criticized for "trying to make a buck off of Tolkien's work", they would be applauded for contributing to their national mythos.

      --
      SIGSEGV caught, terminating

      wait... not that kind of sig.
    21. Re:Excellent!~ by __aaclcg7560 · · Score: 2, Funny

      By your sixties you may actually like to listen to Barbra Streisand albums...

      "Like a fine whine, you have to let it age a bit."

    22. Re:Excellent!~ by hey! · · Score: 1

      Christopher's Tolkien's editing of his father's materials is mainly of interest to Tolkien scholars -- although I am counting the legions of amateur Tolkienologists in this.

      Tolkien was a literary genius who produced, sadly, only a very small number of finished works. For me Tolken's greatest virtue was his simple but skillful use of language, whether to place a scene in a highly realistic landscape (I often can imagine the smell of a Tolkien place), or to evoke the poignant feeling of an empty house on moving day.

      Christopher Tolkien is doing important work in bringing his father's unpublished notes and works to light, but I don't really consider this stuff to be actual JRR Tolkien works; at least not in the ways that matter the most.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    23. Re:Excellent!~ by Thuktun · · Score: 1, Troll

      Just how much of the History of Middle Earth series have you even read? You must be new here.
    24. Re:Excellent!~ by mrbooze · · Score: 0, Troll

      I ask you, which is worse, smearing yourself with your parents feces or smearing yourself with your own feces?

      Christopher Tolkien needs to take his lips from his dead father's teat.

    25. Re:Excellent!~ by tygt · · Score: 1

      If you don't have the patience for his novels, I don't recommend them.
      Mostly, I agree.

      However, I do have to mention that "Smith of Wootton Major and Farmer Giles of Ham" is quite approachable by just about anyone, and makes for a quick, enjoyable read [amazon link].

      Of course, it has *nothing* to do with Middle-Earth and is just barely recognizable by most Tolkein readers as being his...

    26. Re:Excellent!~ by joto · · Score: 1

      I ask you, which is worse, trying to capitalize on your parent's fortune or just sitting back and inheriting it and acting like a spoiled brat? At least he's tryiing to actually work, even if it's not all original. Some people wouldn't even bother working and just collect royalties.

      And there would be no other way for Christopher Tolkien to work, than to look through his fathers' old manuscripts, and run to a publisher? It's not like Christopher could become a mailman, or kindergarten teacher, or astronaut, or computer programmer or something?

      (And it's not like he's not still collecting his fathers royalties, so I fail to get your point in that respect as well).

      Personally, I would prefer that all those unpublished manuscripts remained just that: unpublished. If his father had really wanted the Silmarillion published, he had 25 years to do that between LoTR was published, and his death. Christopher used 4.

      Oh, and by the way, Tolkien pretty much despised his greatest fans. That probably includes you.

    27. Re:Excellent!~ by jayemcee · · Score: 2, Informative

      Here's a quote from Guy Gavriel Kay regarding his work on The Silmarillion in 1975-75. Interesting to know how creative the editing was: GGK: 'Christopher Tolkien's second wife was a Winnipeg woman, and our families knew each other. So when they were visiting her parents on occasion in Winnipeg he and I met -- when I was an undergrad at the University of Manitoba. My usual joke is that we got on about as well as an Oxford don and a University of Manitoba undergraduate are going to get along. When his father died in the winter of '73, he was named literary executor and had the responsibility for putting together The Silmarillion. He invited me to come over in the winter of '74/'75 to work with him on that. I think in the inception the model in his mind was that this would be academic work. The model was the classic senior academic working with the bright grad student who does a lot of the various kinds of legwork and research. The irony is that the Silmarillion editing ended up being at least as much if not significantly more a creative exercise than a scholarly one. The purely scholarly books are the ones that he's been producing subsequently. The difference between those two is a measure of the difference in the nature of what the editing was all about.' http://www.challengingdestiny.com/interviews/kay.h tm

    28. Re:Excellent!~ by joto · · Score: 1

      Furthermore, Tolkien intended his writings to form the basis of a mythology for the British Isles' peoples.

      And in that respect, he was a raving madman.

      Many lands and their peoples have mythologies.

      Like that one about King Arthur and the knights of the round table. (Or Tolkiens own favourite: Beowulf)

      If Ovid's son wrote stories that were intended to be part of the Roman mythology, nobody would have criticized him for "just trying to make a buck off of his father's work".

      Yes, they would. Especially if what he wrote was essentially badly edited discarded manuscripts of his father. And if he made the publisher print the family name in large letters on the spine, and discard his personal name. And the Romans had a system of royalties for published works. And the Romans had a printing press.

      If Tolkien had succeeded in truly creating a British mythology

      He did. In fact, he succeeded in creating a worldwide mythology. Just like many other writers before him (and after him). If you mention Bilbo, Frodo, Gandalf, Mordor, or Sauron to a random person, he/she will instantly recognize it, just as if you had mentioned King Arthur, Spiderman, or Adam and Eve.

      , then dozens of British people would be contributing to it all the time.

      This unfortunate phenomenon is known as fan-fiction. You'd better not ask for more of it.

      Over the centuries, most of their works would likely fade away, but they would not properly be criticized for "trying to make a buck off of Tolkien's work", they would be applauded for contributing to their national mythos.

      Most fan-fiction is actually silently ignored.

    29. Re:Excellent!~ by MightyMartian · · Score: 5, Informative

      Christopher Tolkien was a philologist at Oxford like his father before him. He had work, he is an old man now.

      As to Tolkien's wishes, he made them very clear during his lifetime. He wanted the Silmarillion completed and published. When he knew he could no longer do it, he left it to Christopher Tolkien to complete it.

      And I'd love for you to cite where Tolkien despised his greatest fans. Because you know what, he didn't, and spent countless hours answering their letters. You're just talking out of your ass.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    30. Re:Excellent!~ by Anonymous Coward · · Score: 0

      Is it just me, or is the title suspiciously similar to "Children of Urine"? I smell a porno spin-off!

    31. Re:Excellent!~ by mockchoi · · Score: 2, Insightful

      Personally, I would prefer that all those unpublished manuscripts remained just that: unpublished.

      I don't understand why you care. I've read the trilogy and The Silmarillion. I tried some of the other books, and didn't care for them. Guess what? I stopped reading them. They can publish a thousand more, I still won't read them, and it still won't irk me in the slightest that there are more books out there.

      Plus, Tolkien the elder was a notoriously slow writer. You have know idea what he'd want in regards to his unfinished works.

    32. Re:Excellent!~ by rhombic · · Score: 2, Informative

      But it was still incredibly boring (not all of it, of course). It read like a history book.

      I don't think it was supposed to read like a history book, as much as an experiment in trying to make a made-up mythology read like the Torah/Bible/Qu'ran. In that respect it succeeds enormously. The writing styles change dramatically between the separate books, to the point where Akalabeth reads like it was written by a totally different author than the Silmarillion proper. Looking at it more in the context of an author playing with the media than as a book written to entertain an audience, I really enjoy it.

      --
      1984 was supposed to be a warning, not an instruction manual.
    33. Re:Excellent!~ by Anonymous Coward · · Score: 0

      Actually, Tolkien called The Lord of the Rings "...fundamentally Catholic and Religious work; unconsciously so at first, but consciously in the revision. " Its essential conflict, he insisted, concerns God's "sole right to divine honour" (Letters, 172, 243).

    34. Re:Excellent!~ by MightyMartian · · Score: 1

      I don't know how you can justify saying that Edith Tolkien added that much to the mythos. The linguistic development had certainly begun before they were married, and other than being the inspiration for Luthien, her chief input seems to have been writing out in decent handwriting some of the Book of Lost Tales. One gets the impression from reading Carpenter's biography of Tolkien that his wife wasn't always the happiest of persons, and did not always fair well in the stuffy male-dominated world of mid-century Oxford.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    35. Re:Excellent!~ by Gilmoure · · Score: 2, Funny

      Beware Melkor! HE WILL SWALLOW YOUR SOUL!

      He works over in cube H9: Claims adjustment.

      --
      I drank what? -- Socrates
    36. Re:Excellent!~ by bkr1_2k · · Score: 1

      Sure there are other ways to work. Why does his choice of work matter to us? To you complain when a Ford goes into the car business? Or what about a Hilton chooses to work in the hotel business (if any have, I don't really know)? People choose work for their own reasons, but at least they are doing something ostensibly productive for society. Will it please everyone? No, but if you go around trying to please everyone, you please no one.

      Just because you would prefer those unpublished manuscripts had stayed unpublished doesn't mean others aren't glad to read them. Personally, I don't care, I stopped reading Tolkien at 10 years old after finishing the Silmarillion and being bored to tears with it. Tolkien was a great story teller, no question, but I prefer the style of many others better, even if they don't actually create as full a story.

      "Oh, and by the way, Tolkien pretty much despised his greatest fans. That probably includes you."
      So, no, actually it doesn't include me. It'd be interesting to see a source for that comment tthough. I knew Tolkien wasn't a media whore, but I'd never heard he didn't like his "fans".

      --
      "Growing old is inevitable; growing up is optional."
    37. Re:Excellent!~ by bkr1_2k · · Score: 1

      So you've never taken anything from your parents? You've never used their position to better yours? You're a better person than most.

      Is he a good writer? I have no idea and don't really care, but if he's putting out something, anything, that someone will buy, why is that a problem?

      Maybe it's just me, but it seems a whole lot of slashdotters are crying about sour grapes when they would do the same thing if given the chance.

      --
      "Growing old is inevitable; growing up is optional."
    38. Re:Excellent!~ by Anonymous Coward · · Score: 0

      It doesn't matter. Really, it doesn't.

      JRR Tolkien has been dead for more than 30 years. Do you think Christopher is somehow channelling his father's spirit, and can rewrite/arrange/edit exactly as his father would have done? Can he hell.

      What he's doing is ransacking his father's waste-paper. How much of this his father would have thought worth publishing, how much he would have rewritten or replaced or simply discarded, is something we (and CT) can only guess at.

      Read "HoME" if it really gives you pleasure. But don't, for the love of Bombadil, go imagining that it gives you any sort of insight into the "true" story of Middle-Earth. That way lie madness, delusion and rec.arts.books.tolkien.

    39. Re:Excellent!~ by Panzergheist · · Score: 1

      So that's why gramps is so into Snoop Dogg...

    40. Re:Excellent!~ by The_Wilschon · · Score: 2, Interesting

      Without the "unfortunate phenomenon" of "fan-fiction", most of greek and roman mythology would not exist. Or were you under the impression that those were created by one man with a huge master plan? Anything written after the first writer of greek mythology which fit into the universe conceived of in greek mythology would have to be considered part of the "unfortunate phenomenon". And yes, I'm sure that the vast majority of this greek "fan-fiction" was silently ignored. Most of it was probably terrible. But some of it was not terrible. Without that greek "fan-fiction", the world would be a culturally poorer place. Sure, of the tiny portion that wasn't ignored, some of it is contradictory (not "canon", as it is called in today's world of "this story is mine, and if anyone else contributes to it, they are just trying to make a buck off of my name"), but it is still all valuable and culturally important.

      As I tried to say before, Tolkien was trying to create an environment similar to that of Greece in that the people at large not only were quite conversant in their national mythology, but they felt free and some even compelled to add to it, without the fear that people like you would label them as worthless writers of fan-fiction trying to ride on someone else's coattails. They felt some ownership in the story because it was part of their society, rather than just something that somebody wrote down once. It was mutable, not set in stone for all time forever and ever amen. Furthermore, in that time in Greece, most writing was set in the Greek mythos. In contrast, although today most people are minimally conversant about Tolkien (Oh, he did that... umm, lord of the .. rings? thing, right?), it is perceived as JRR's property, sacred and untouchable. Diff that with Greek mythological culture, and with what Tolkien was really trying to achieve...

      Sure, you may label him a raving madman if you like. But it hardly seems fair to say that someone trying to do what JRR would have liked for them to do is just trying to make a buck off his work.

      BTW, Beowulf, while the only surviving manuscripts are in Old English, is a Scandinavian tale, not a British tale. I don't think that the people who told and retold and eventually wrote down Beowulf even knew who the Britons were.

      --
      SIGSEGV caught, terminating

      wait... not that kind of sig.
    41. Re:Excellent!~ by MtViewGuy · · Score: 1

      In only one instant did he actually compose anything for his father's works, and that was The Fall of Doriath for the published Silmarillion, because Tolkien had actually only written one completed version, and that was way back in about 1920, when the mythos was still in a very early stage of evolution, and did not match the post-Lord of the Rings Silmarillion.

      I believe that much of the text for the first published release of The Silmarillion was done with the assistance of Guy Gavriel Kay, then a university student in Canada (who moved to England to help edit the work). It was this editing work that got Mr. Kay interested in writing fantasy fiction on his own.

    42. Re:Excellent!~ by Moridineas · · Score: 1

      Well, Guy Gavriel Kay--an awesome author in his own right--also helped out with the Silmarillion.

    43. Re:Excellent!~ by CaptainCarrot · · Score: 1

      There are fans, and then there are fans. Tolkien didn't really "despise" any of his readers, but he found the enthusiasms of segments of his American fan base somewhat disturbing, in much the same way that Alec Guinness was confounded by the fan reaction to "Star Wars" and his role in it.

      --
      And the brethren went away edified.
    44. Re:Excellent!~ by CaptainCarrot · · Score: 2, Interesting

      She didn't add anything in way of writing, and he didn't really discuss his mythology with her for the purposes of development, but she did inspire him. In her younger days, she was the inspiration for the character Luthien.

      "Luthien" is carved on her tombstone, and "Beren" on his.

      --
      And the brethren went away edified.
    45. Re:Excellent!~ by revolu7ion · · Score: 1

      He's definitely out to make a buck on his father's work.


      I'd say more a brandybuck... And good on him
      --
      Jesus Saves
    46. Re:Excellent!~ by joto · · Score: 2, Insightful

      The big problem about starting a mythology in the 20th century is that

      1. Nobody understands how mythologies develop, not even old English professors
      2. Oral story-telling tradition is dead. It died with the invention of the printing press, bright lights to read in, and TV and radio.
      3. Even assuming that old English professors understand how to create a new mythology, there are lots of English professors, and thus there would still not be one big mythology to unite people

      Oh, and there are a few big differences between oral story-telling tradition and fan-fiction:

      • If somebody lacks talent, nobody will ask them to tell stories (in fact, they are most likely being told to shut up)
      • Oral story-tellers may experiment by making small changes to stories each time they tell them
      • In an oral tradition, it doesn't matter whether the story is invented by you or somebody else, or if it's in the original form or changed, or whatever, as long as it's exciting
      • In oral tradition, you are not limited to a given universe (e.g. Tolkiens or Spidermans), you can still invent freely, as long as the result is better than without it
      • In oral tradition, most listeners are not furries

      In short, you need a seriously warped mind to believe that an english professor can sit down for fifty years and create in written form the equivalent of millennia of oral story-telling around the campfire. His attention to detail and consistency is a testament to that (something that typically lacks in most real-world mythologies). And if you want greek mythology, you know where to find it.

    47. Re:Excellent!~ by The_Wilschon · · Score: 1
      Oh, don't get me wrong. I never claimed to think, and in fact don't think, that Tolkien was successful in creating a mythology. If he had, then some of the conditions you describe as differentiating fan fic from oral storytelling would exist surrounding the idea of Middle Earth. I do even agree that his dream is likely impossible. However, given that that was his dream, his own son can hardly be criticized for carrying out actions which would be entirely appropriate if that dream were to be realized.

      Well, I suppose one might criticize Christopher for not realizing that the dream has failed, or something like that. But an accusation that he is just trying to make a buck off his father's work is, I think, entirely off the mark, given that his actions are entirely what one might expect of a man (perhaps ineptly) trying to carry on his father's dream.

      * In oral tradition, most listeners are not furries
      Touché, salesman. I too have an uncle. This point had me laughing pretty good.
      --
      SIGSEGV caught, terminating

      wait... not that kind of sig.
    48. Re:Excellent!~ by The_Wilschon · · Score: 1

      So what you are really saying is that someone from one culture found people from another culture somewhat unsettling? Wow! Mein Gott, sell all our stock, Mr. Ironfoundersson is on to the next Big Thing!

      --
      SIGSEGV caught, terminating

      wait... not that kind of sig.
    49. Re:Excellent!~ by mpiktas · · Score: 1

      You forget Turin had a sister, who died young. His family was very important to him, that is why he abandoned Finduilas. Also remember, that he was under the curse of Morgoth. That is why it makes story more tragic, no matter what Turin did it ended in tears.

    50. Re:Excellent!~ by mux2000 · · Score: 1

      Take a look at the last scene from part one (the one where Frodo is trying to go solo and Sam chases him into the boat). If that's not totally gay I don't know what is.

      The whole of the third part is a love story between Frodo and Sam.

    51. Re:Excellent!~ by darth_fishy · · Score: 1

      Gah! For mod points. Very funny thank you.

  2. Aaa...Narn Hin Hurin by Zarhan · · Score: 4, Informative

    I always liked the Hurin's Children story, the one in Silmarillion, and also the version with more details in the collection "Unfinished tales of Númenor and Middle-Earth".

    Anyway, the story has quite a lot of similarities with the Finnish folklore Kalevala, spefically Kullervo's story. Knowing how much Tolkien liked Finnish, some of the stuff might be intentionally taken :)

    From the wiki article:

    Cantos 31-36: The Kullervo cycle: Untamo kills his brother Kalervo's people except for the wife who begets Kullervo; Untamo gives Kullervo several tasks but he sabotages them all; Kullervo is sold as a slave to Ilmarinen; after being tormented by Ilmarinen's wife, he exacts revenge and the wife gets killed; Kullervo runs away and finds his family unharmed near Lapland; Kullervo seduces a maiden and later finds out she is his sister; Kullervo destroys Untamola (the realm of Untamo) and upon returning home finds everyone killed; Kullervo kills himself.

    Well... parallels to Túrin are there.

    1. Re:Aaa...Narn Hin Hurin by Anonymous Coward · · Score: 0

      Well, the end of Túrin's tale is almost identical to Kullervo's.

    2. Re:Aaa...Narn Hin Hurin by MtViewGuy · · Score: 1

      While Tolkien was strongly influenced by the Kalevala, he described the characters in that work as "low-brow and scandalous," especially by his own strict Roman Catholic morals. The Children of Hurin will hopefully be a vastly better work.

  3. Written to Spec by Anonymous Coward · · Score: 5, Interesting

    Heard about this on the radio. According to 'the experts' it features several large battle scenes, and "would make a good movie".

    Go figure.

    1. Re:Written to Spec by Anonymous Coward · · Score: 0

      Did they listen to Samwise's advice?

    2. Re:Written to Spec by meringuoid · · Score: 3, Interesting
      According to 'the experts' it features several large battle scenes, and "would make a good movie".

      The tale of Turin Turambar certainly would. Nargothrond ruined, dragonfire and orcs all around, our hero living in the wild as a bandit hunting monsters, reclaims birthright, slays dragon, discovers appalling truth, kills self... that would rule.

      --
      Real Daleks don't climb stairs - they level the building.
    3. Re:Written to Spec by Anonymous Coward · · Score: 0

      Heard about this on the radio. According to 'the experts' it features several large battle scenes, and "would make a good movie".

      Not only that, but in this version Frodo shoots first.

    4. Re:Written to Spec by JungleBoy · · Score: 4, Interesting

      I'd be very surprised if Christopher Tolkien finished 'The Children of Hurin' to "movie spec". He despised the Peter Jackson movies.

      --
      "You never know when some crazed rodent with cold feet might be running loose in your pants."
      -Calvin
    5. Re:Written to Spec by Zocalo · · Score: 3, Insightful

      Nargothrond ruined, dragonfire and orcs all around, our hero living in the wild as a bandit hunting monsters, reclaims birthright, slays dragon, gets the girl, lives happily ever after... that (unfortunately) is Hollywood.

      --
      UNIX? They're not even circumcised! Savages!
    6. Re:Written to Spec by Anonymous Coward · · Score: 1

      He might say he hated the movies, but the real question is... did he love the money?

      When I grow up I'm going to be a cynic.

    7. Re:Written to Spec by Kjella · · Score: 1

      Well doh. After LotR, Harry Potter, Narnia etc. fantasy and magic is in the wind of course "the experts" are looking at making a movie out of anything partly resembling a good script. Personally, I'd like to see more of the dark magics but I guess there might be hope in the later Harry Potter movies.

      --
      Live today, because you never know what tomorrow brings
    8. Re:Written to Spec by StarvingSE · · Score: 1

      I have heard that they are making George R. R. Martin's "A Song of Ice and Fire" series into an HBO series sort of like Rome. HBO is the perfect spot for this type of work, with all the dark magic and adult themes of the novels.

      Now I just have to sign up for cable... >:(

      --
      I got nothin'
    9. Re:Written to Spec by voice_of_all_reason · · Score: 1

      I don't think any producer would finance a large scale, fantasy epic with such an overtly bitter ending. We have more of a chance with Silmarilion (ending with the War of Wrath).

    10. Re:Written to Spec by Anonymous Coward · · Score: 2, Informative

      The money he probably got none of, you mean? Aside from possible book sale increases (if he even gets that), he probably saw no money since Saul Zaentz and Tolkien Enterprises hold the rights to film, stage, and merchandising. So, Tolkien's kid probably saw next to nothing.

    11. Re:Written to Spec by Anonymous Coward · · Score: 0

      a) Rights the family just gave away gratis, because they love movie projects so much.

      or

      b) So no wonder he "hated" the movies then!

    12. Re:Written to Spec by meringuoid · · Score: 4, Informative
      a) Rights the family just gave away gratis, because they love movie projects so much.

      Rights the old man sold decades ago for a relative pittance, back when the books were a niche nerdy thing, before the hippies caught onto them and inflicted a generation of kids called things like Pippin Galadriel Moonchild on the world...

      --
      Real Daleks don't climb stairs - they level the building.
    13. Re:Written to Spec by Poruchik · · Score: 1

      If Martin ever finishes them...

      --
      $signature =~ s/$signature//;
    14. Re:Written to Spec by Anonymous Coward · · Score: 2, Funny

      My name is Pippin Galadriel Moonchild you insensitive clod!

    15. Re:Written to Spec by bckrispi · · Score: 1
      Well, he *does* slay the dragon, and he *does* get the girl.... Too bad the girl turned out to be his sister.

      Ewwwww!

      --
      Xenon, where's my money? -Borno
    16. Re:Written to Spec by Viceroy+Potatohead · · Score: 2, Funny

      ...the hippies caught onto them and inflicted a generation of kids called things like Pippin Galadriel Moonchild on the world...

      My name's Pippin Galadriel Moonchild, you insensitive clod....

    17. Re:Written to Spec by elrous0 · · Score: 1

      No, but if he had actually gotten some money, you can bet he would have loved them then.

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    18. Re:Written to Spec by Gilmoure · · Score: 1

      Hell, I would be happy with just the story of Beren and Luthien.

      --
      I drank what? -- Socrates
    19. Re:Written to Spec by Gilmoure · · Score: 1

      Am fearing how Pullman's His Dark Materials come out. But any story that has kids killing god can't be all bad.

      --
      I drank what? -- Socrates
    20. Re:Written to Spec by Anonymous Coward · · Score: 0

      Last I heard, he was refusing to see them. When did this change?

    21. Re:Written to Spec by CaptainCarrot · · Score: 1

      Death, destruction, sorrow, suicide, and every protagonist dead or broken at the end? Sounds to me more like opera than anything Hollywood might do.

      --
      And the brethren went away edified.
    22. Re:Written to Spec by johnsmith_12345 · · Score: 1

      Sounds like a perfect fit for HBO..............

    23. Re:Written to Spec by Nizer · · Score: 2, Funny

      Well fuck me, what are the chances of there being two Pippin Galadriel Moonchilds? But then this is Slashdot...

      --
      My other sig is a ...
    24. Re:Written to Spec by Jeremi · · Score: 1
      he *does* get the girl.... Too bad the girl turned out to be his sister. Ewwwww!


      Why not? It worked for Luke...

      --


      I don't care if it's 90,000 hectares. That lake was not my doing.
    25. Re:Written to Spec by bckrispi · · Score: 1

      True, but Luke never made it past 1st base.

      --
      Xenon, where's my money? -Borno
  4. question about the "other" Tolkien books ... by boxlight · · Score: 3, Interesting

    I read the three Lord Of The Rings books and The Hobbit. Can someone tell me what other Tolkien books take place in the same Middle Earth "universe", and how do they relate to the ones I read? That is, are they prequels, sequels, or parallel stories?

    Do any of the hobbits, Gandalf, the Shire, or any other "Rings" characters appear in the other books?

    1. Re:question about the "other" Tolkien books ... by Zelos · · Score: 2, Informative

      The Simarillion deals with the ancient history which is referred to in LOTR - the time of the elves and where they are returning to, who Sauron is, the history of Numenor etc. There are some interesting parts, but it's for hardcore Tolkien fans only.

    2. Re:question about the "other" Tolkien books ... by FooAtWFU · · Score: 4, Informative
      The big Tolkein book, outside of the Lord of the Rings, is The Silmarillion. It's basically, like, the Elf-Bible. It's got some funky creation myth from before the dawn of time which occupies the front, and then proceeds to chronicle history thenceforth. It's... very dense, in some places - sort of like the regular Bible, except perhaps more so. The main Lord of the Rings characters also appear in it, because the entire Lord of the Rings saga forms the last chapter of the book. (it's covered in like, what, ten pages?)

      There's also some spiffy appendixes, I believe; place-names and things like that.

      There are a few other short stories floating around, which others can tell you of better than I. I think there's one or two either involving Tom Bombadil, Farmer Maggot, or both.

      --
      The World Wide Web is dying. Soon, we shall have only the Internet.
    3. Re:question about the "other" Tolkien books ... by Azarael · · Score: 1

      I haven't read many of them, but I'm pretty sure it's almost all back-story compiled from Tolkien's notes. Silmarillion and Unfinished Tales are probably the most prominent of these, they are basically the origin stories for Middle Earth and it's people.

    4. Re:question about the "other" Tolkien books ... by voice_of_all_reason · · Score: 4, Informative

      Sort of.

      The Silmarilion details the events of the First Age of Middle Earth, from the beginning of time to Melkor's defeat (he was Sauron's boss). It also skims over the Second Age -- the rise of fall of the kingdom of Numenor (where Aragorn's ancestors were from) and the making of the Rings of Power through the first 3000 years of the Third Age. It is written in a much different style (often compared to a history book) and was pieces together by Christopher Tolkien from his father's notes (like everything post-LOTR)

      After Silmarilion is Unfinished Tales, expounding on parts of Silmarilion. Narn I Hin Hurin - "The Tale of Hurin", Tuor and his coming into the hidden city of Gondolin, and more background on the second and early third ages.

      After UT is The Books of Lost Tales (1 and 2), part of The History of Middle Earth, which is 12 (!) books of research on all parts of the story hiterto. Letters, extrapolation, essays. Really deep stuff. http://en.wikipedia.org/wiki/The_History_of_Middle -earth has a complete list.

    5. Re:question about the "other" Tolkien books ... by grimJester · · Score: 4, Informative

      To add to the previous posts, the only LOTR characters alive in the times the Silmarillion (mainly) covers are Sauron, Galadriel and Elrond. Gandalf in the form of a maia (demigod, angel, something like that) but no more than a short mention if even that.

    6. Re:question about the "other" Tolkien books ... by voice_of_all_reason · · Score: 3, Informative

      Of the Rings of Power and the Third Age, while short, does cover some of the hobbit/LOTR timeline (about 5 pages). Also, 4 volumes of HoME focus entirely on the trilogy:

      The Return of the Shadow
      The Treason of Isengard
      The War of the Ring
      Sauron Defeated
      (volumes 6-9)

    7. Re:question about the "other" Tolkien books ... by UberHoser · · Score: 2, Funny

      "very dense"... omg, that is an understatment. I have read the Hobbit and LOTR numerous times. The Silmarillion I have read once, and will never EVER read again. I remember reading it for English class, and wondering why my lovely english teacher had turned into a sadistic bitch ! I would rather stuff Kiki (from Sluggy) hopped up on pixie sticks down my pants than read the Silmarillion again.

      --
      Guns are for wimps... Use a crossbow.. this way you can pin them to their chair when you go postal.
    8. Re:question about the "other" Tolkien books ... by heffrey · · Score: 0

      If you can read The Silmarillion in its entirity then you are a better man than I am. It's turgid stuff, in my view.

    9. Re:question about the "other" Tolkien books ... by MemoryDragon · · Score: 2, Informative

      Actually the Simarillion is a great book, but you have to read it in conjunction with the various fragment books released, otherwise it becomes to dense.

    10. Re:question about the "other" Tolkien books ... by mpiktas · · Score: 5, Insightful

      Try reading Unfinished Tales and the appendix of LOTR, then maybe you'll enjoy Silmarillion more. In my opinion only The Silmarillion reveals full glory of Tolkien's creation, LOTR with is about humans, Silmarillion is about gods. No wonder why Christopher Tolkien despises Jackson interpretation of LOTR, it just ignores Silmarillion completely, downgrading magnificent story to some anonymous D&D quest.

    11. Re:question about the "other" Tolkien books ... by Endo13 · · Score: 3, Insightful

      I wish I had mod points for you. You hit the nail right on the head there.

      All my friends really like the LotR movies, and I suppose they're good movies, if you've never read Tolkien's books and/or don't care about Tolkien's world. However I happen to like Tolkien's world, and The Silmarillion, and as a result I don't care for the movies at all.

      --
      There is no -1 Disagree mod. Slashdot.org/faq defines mod options. USE IT.
    12. Re:question about the "other" Tolkien books ... by Jerf · · Score: 4, Funny

      No, the anonymous D&D quest is much lower in quality than the actual LotR.

    13. Re:question about the "other" Tolkien books ... by the+plant+doctor · · Score: 1

      I felt the same way after I read it the first time.

      I now find myself reading it every year or two and finding a new stuff in it. I find it fascinating to read the "history", it gives new depth to "There and Back Again" and "LOTR".

      I'd have to agree with the movie assesment though, I was quite frustrated at times with the movies since I've read "The Silmarillion" several times.

    14. Re:question about the "other" Tolkien books ... by mihalis · · Score: 1

      Cirdan was also alive then and also appears in LOTR, although only in passing.

      Treebeard and Bombadil must have been alive too, since both are credited with being the oldest, Treebeard the oldest living thing and Bombadil perhaps the oldest spirit.

      The Balrog under Moria dates from the time of the Silmarillion also. He is a "Balrog of Gothmog", Gothmog being the leader of the Balrogs who was slain by Feanor himself.

      Finally I supose Earendil is still whizzing around the heavens on his magic boat. In the Silmarillion he was a man, if I recall correctly, but then if we get into the Gods and Demigods I guess they're all still alive, most of them hanging out chilling on Taniquetil, right?

    15. Re:question about the "other" Tolkien books ... by Rei · · Score: 1

      I would rather stuff Kiki (from Sluggy) hopped up on pixie sticks down my pants than read the Silmarillion again.

      'Cause you suck! :) **

      I have read the Hobbit and LOTR numerous times. The Silmarillion I have read once, and will never EVER read again.

      It's kind of funny going back and reading *any* Tolkein again nowadays. Many of us read it as children before we read much else. Reread it, and it kind of comes across as one overused cliche after another. However, it's not really Tolkein's fault. I refer to it as "Tolkein Syndrome": they weren't cliches when he wrote them. In fact, it was all quite inventive -- a major shift on fantasy elements. Elves, for example, used to be somewhat evil creatures that would kidnap children. Nowadays, the fantasy standard is Tolkein, and if you tow to that standard too closely, you're just falling into cliche-land. Since Tolkein basically wrote that standard, it's wrong to judge him by it.

      It doesn't just apply to Tolkein. Marion Zimmer Bradley's feminist-fantasy style established a number of tropes that have been relentlessly copied by subsequent feminist and pagan authors. A year ago, I heard someone who recently read them for the first time describing them as cliche, and then listed examples of the cliches. Many of them were things which she helped pioneer decades ago. I'd consider that Tolkein Syndrome applies to her as well. And many other authors, really.

      --
      How come things that happen to stupid people keep happening to me?
    16. Re:question about the "other" Tolkien books ... by TrevorB · · Score: 1

      Beat me to it, and I have no mod points today!

      Mod DM of the Rings up! HORSEF***ERS!

    17. Re:question about the "other" Tolkien books ... by LurkerXXX · · Score: 4, Informative

      All my friends really like the LotR movies, and I suppose they're good movies, if you've never read Tolkien's books and/or don't care about Tolkien's world. However I happen to like Tolkien's world, and The Silmarillion, and as a result I don't care for the movies at all.

      I think you mean to say, "if you've never read Tolkien's *other* books".

      I've read The Hobbit, and the Lord of the Rings, which are Tolkien's books, and loved the movie. The movie expressed the world fine as it appeared in that set of books.

    18. Re:question about the "other" Tolkien books ... by FearUncertaintyDoubt · · Score: 1

      I liked the Silmarillion much better as an audio book. I don't know if there are multiple versions out there, but the one I have is read by Martin Shaw.

    19. Re:question about the "other" Tolkien books ... by laughing+rabbit · · Score: 1

      Now I wouldn't say that...

      I was introduced to Middle Earth in grade school in the early seventies. By the time I hit 30 I had read the trilogy 16 or so times straight through, countless times of just having picked up one book somewhere in the middle (looking for something, no doubt), later surfacing to realize I head read the rest of the series. Read the Silmarillion in the space of a few days, enjoyed it and have re-read the book several times.

      All that said -- I enjoyed the movies. Good story, compromises that were made didn't bother me, good visuals. I learned as a teenager, never expect the movie to be as the book is. I read a book, the movie is in my head. I watch a movie, the story is in my eyes and ears.

      --
      No incumbents, not no where, not no how.
      Vote them out every term.
    20. Re:question about the "other" Tolkien books ... by mrscorpio · · Score: 1

      No, Gothmog slew Feanor. Glorfindel slew Gothmog.

    21. Re:question about the "other" Tolkien books ... by redshirt1111 · · Score: 1

      I'm glad to see all the love for The Silmarillion. The work just blows me away -- I've read it about 5 times now, nearly back to back to back (I like reading a few pages before bed). I like to think of it as the Old Testament of the Tolkien mythos -- it tracks very closely, with the Creation story, an Exodus, several tales of begatting, stories of the lawgivers (kings), and underlying all is the vague promise of a future savior (which is not Frodo, at least, I don't think). I think I love the Silmarillion most for it's fascinating take on Evil as necessity. Morgoth is a made creature simply fulfilling his part in Eru's plans. Sauron simply Morgoth's follower. Why they do what the do is complex, but it can be boiled down to: They're required to do it. Creation requires it. It's a bit shocking in conception, and for me, actually does a great job in explaining Christian mythology (which Tolkien was no doubt working with/around).

    22. Re:question about the "other" Tolkien books ... by mihalis · · Score: 1

      No, Gothmog slew Feanor. Glorfindel slew Gothmog.

      Could be, it's been a while and I don't have my Simarillion to hand. I thought Feanor got Gothmog and then the other demons did a pile-e-on and he kind of boiled away, his spirit being too strong for his body?

      Anyway, Glorfindel killing Gothmog does sound more likely, now that you mention it. For extra credit, is that the same Glorfindel we meet in LOTR? :)

    23. Re:question about the "other" Tolkien books ... by onemorechip · · Score: 1
      There are a few other short stories floating around

      The best of these, in terms of direct relevance to The Hobbit and LotR, is "The Quest of Erebor" in Unfinished Tales. If there's ever a movie version of "The Hobbit" (I mean a real movie version, not the made-for-TV catastrophe), I hope this is the opening scene.

      --
      But, I wanted socialized health insurance!
    24. Re:question about the "other" Tolkien books ... by nomadic · · Score: 1

      I enjoyed the Silmarillon, but I definitely didn't read it all at once. It's been one of those books that you can open to the middle and just start reading and get something out of. Reading it cover-to-cover all at once sounds like a chore, though.

    25. Re:question about the "other" Tolkien books ... by mrscorpio · · Score: 1

      Check out the Encyclopedia of Arda, that's one of the most hotly contested issues out there (aside from "Did Balrogs have wings?") I think the summary is "sort of". Glorfindel died, his spirit went back to Aman, but then he was later reincarnated and traveled to middle earth with the Wizards in the third age.

    26. Re:question about the "other" Tolkien books ... by J-1000 · · Score: 1

      The movie expressed the world fine as it appeared in that set of books.
      I beg to differ. The book was rich with references to things unknown and times long gone. The pace was such that you could appreciate each setting intimately, not just the characters in the present situation and their fighting skills.

      This was an error of expression, because the scenery itself was probably as close to the book as one could hope for. Slowly reading LOTR was like taking a long wilderness trek up a lofty mountain. Watching LOTR on film was like stepping out of a mini van and taking the ski lift. Somewhat depressing, really.
    27. Re:question about the "other" Tolkien books ... by dcam · · Score: 2, Insightful

      You may have read the books without understanding them.

      Jackson kept elements of the story but changed the feel of the movie. He emphasised the frailty of the characters where Tolkien emphasised their majesty. He increased internal tension (between "the good guys") where Tolkien emphasised external pressure. We won't go into issues with specific characters.

      I personally think that when adapting a film, the feel should remain the same even if the events change. A good example of this is the more recent adaption of Charlie and the Chocolate Factory.

      --
      meh
    28. Re:question about the "other" Tolkien books ... by Gilmoure · · Score: 1

      Of course they had wings. Hildebrandt bros. anyone?

      --
      I drank what? -- Socrates
    29. Re:question about the "other" Tolkien books ... by LurkerXXX · · Score: 1

      You may have read the books without understanding them.

      Yeah, I could be a real idiot.

      Or you could relax a bit and not seem to be such a pretentious snob and enjoy a very good, though not perfect movie adaption of a set of books that was an enormous challenge to adapt to the screen at all (let alone while trying to please a studio that wanted it all done in just 2 3-hour films).

    30. Re:question about the "other" Tolkien books ... by An+ominous+Cow+art · · Score: 1

      "Long he fought on, and undismayed, though he was wrapped in fire and pierced with many wounds." I seem to remember that Feanor survived the battle but died of his wounds shortly after, and burned away jedi-style :-).

      Gothmog killed and was killed by Ecthelion of the Fountain. Another balrog killed and was killed by Glorfindel during the escape from Gondolin. Add Gandalf and the Balrog of Moria, and we see that it's usually bad luck to kill a balrog...

    31. Re:question about the "other" Tolkien books ... by Anonymous Coward · · Score: 0

      Charlie and the Chocolate Factory was a horrible adaptation, though an amusing movie. It missed the whole point of the story by focusing on nifty effects and colorful sets. The Gene Wilder 1971 movie was in many ways a far superior adaptation.

      I guess the only explanation is that you totally failed to understand Charlie and the Chocolate Factory.

    32. Re:question about the "other" Tolkien books ... by vux984 · · Score: 1

      I beg to differ. The book was rich with references to things unknown and times long gone. The pace was such that you could appreciate each setting intimately, not just the characters in the present situation and their fighting skills.

      Movies aren't books. Movie adaptations of books are by definition: adaptations.
      Some adaptations have been good, others have been awful.

      You can make more than one completely different GOOD movie adaptation of a book. (and countless awful ones too)

      The point is the LotR movie trilogy were a fine adaptation of the books. They left out tons, glossed over acres, and changed a few things to bandage what they glossed over and left out. The end result was a good movie series that captured the lotr story fairly well.

      As for capturing the essence of middle earth, no, it didn't do as well at that. The age of the world, its relions and mythologies and the depth and connectedness of its history, and the weight with its history weighed down into the current events were not captured in this adaptation.

      Is that regrettable? No.

      This movie adaptation was already a good 12 hours, and it was a great action/adventure/epic. I'd much rather watch another different adapation of LotR than try to cram even more material into this one. Perhaps an adaptation that that dropped the emphasis on the battle scenes and concentrated more on the world itself as a character. And I'd like to see movie covering segments of the Silmarillion, and so on.

      Finally a lot of the 'back story' in the LotR novels was only barely hinted at and referenced, while the actual stories themselves are elsewhere; the appendices, lost tales, hobbit, silmarillion, etc etc. Understanding LotR in the context of the greater body of literature surrounding is quite a bit different than just reading the books without having read the larger body of work. A big chunk of the stuff 'missing' from lotr was barely actually in lotr at all, until you start 'getting' the references by having read the appendix, and other bodies of work.

    33. Re:question about the "other" Tolkien books ... by Endo13 · · Score: 1

      No one's calling you an idiot, and the GP is definitely not being a pretentious snob. He was trying to give you a dignified way out of the hole you're digging yourself into.

      The LotR movies may be a somewhat less poor adaptation than past such endeavors, but to call it a "fine adaptation" is doing Tolkien a terrible disservice. In the movies, everything is more or less cute and cuddly (yes even the orcs, which are portrayed as the type of "baddies" that you would dress up as for Halloween, and are altogether different from the way Tolkien portrays them even in the LotR trilogy). Even hobbits are not cute and cuddly in Tolkien's world. Their lifestyle might be considered quaint, but even the nicest of them can have a nasty edge when put to it. Just look at some of the notes Bilbo wrote for the "presents" he left behind in his house when he passed it on to Frodo. The movies are a handful of snapshots of a few action scenes; the books are a grand epic that develops slowly as the author leads you on. Beyond that, it's kind of difficult to explain the difference to someone who just doesn't care and doesn't want to see, but to those of us who do care the difference is like night and day. And yes, this is all still just talking about The Hobbit and the Lord of the Rings trilogy. It becomes even far grander an epic when you add in the rest of Tolkien's works as well.

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      There is no -1 Disagree mod. Slashdot.org/faq defines mod options. USE IT.
    34. Re:question about the "other" Tolkien books ... by mrscorpio · · Score: 1

      Artist rendition and author intent are not necessarily related, as much as I might respect the Hildebrandt Bros.

    35. Re:question about the "other" Tolkien books ... by LurkerXXX · · Score: 1

      Reality check.

      The studio (the ones who fund the movies) only wanted to pay for 2 3-hour movies. That was it. Total. Peter Jackson pulled off an enormous feat by convincing them to make 3 3-hour movies instead. How many times have you ever seen a studio commit to 9 hours of film? Never. It was quite a politicing job by a director whose biggest productions to that point had been 'The Frighteners' and 'Heavenly Creatures'.

      This was also a huge risk for the studio. It was one of the longest and biggest productions in movie history. $94 million invested in a movie that many people said couldn't be done for any price.

      They didn't get some of the actors they wanted for the movie because they couldn't commit to the unheard of 3-year primary production filming timeframe.

      Did Jackson have to do some cutting to get it to fit into 9 hours of film? Of course. Lots and lots. Did he have to make some artistic choices? Yes. To tell the tale with much of the background that is in the books but not spoken by the characters, he would have had to make vastly different choices. Like having lots, and lots and lots of 3rd person narrations going on during most of the story to give all the extra background material, such as reading all those letters Bilbo left behind, etc, etc, etc. Would this have interrupted the flow of the story? Yes. Some things work well in a book, but don't translate well to film. Jackson understands this. He also was under some enormous time constraints put on by the studio. Just the extra 3rd person narrations would have added 3 more hours of film to the movies. What do you think the chances are that they would have given him a 4th 3-hours of film? Nill.

      Now imagine what it would take to include all the extra scenes (Tom Bombadil, etc, etc) that we'd all like to be there and do it 'right' according to the hardcore aficionado's. It would take more like *6* 3-hour films. Or more! The budget would have to be doubled at least. They'd have an even harder time getting actors that they want who would commit to 5+ years of primary filming. Would all that ever have happen? No.

      There was zero chance that a LotR movie would be made without major compromises. The choices were having a trimmed down LotR trilogy, or the movie never being made. I'm glad they made it. Is it a perfect movie? No. Is it a better movie than I expected anyone to ever pull off given realistic limitations on time, budget and vision? Yes. Much much better than I expected. It's a very good movie. No movie is a perfect adaptation of a book. No others have tried to tackle such a truly mammoth body of work or with such a vast scope as this. The comparison of the grandparent of 'Charlie and the Chocolate Factory' is laughable. The director and studio didn't face 1/10 the challenges that Jackson did in taking on LotR.

      I'm not digging myself in a hole. I understand reality. You seem to be stuck in fantasy if you expected a perfect complete adapation. I tell you what, let me know when a studio gives you $300 million to 'do it right'. Forgive me if I don't hold my breath. Until then I'll just enjoy my LotR DVDs.

    36. Re:question about the "other" Tolkien books ... by LurkerXXX · · Score: 1

      Please see my other post in this thread about 'reality check'.

      The slow pace of the book was not doable for the movie for many reasons.

    37. Re:question about the "other" Tolkien books ... by CaptainCarrot · · Score: 1

      No. Only a very shallow reading of the books could produce such an opinion, and I'm not talking about the Jacksonian absurdity of making mountains visible from The Shire. (He could easily have modified that line of Bilbo's to avoid that bit of stupidity.)

      It's not so much the violence he did to the plot, but the hack job he did with the characters that make his movies so execrable as adaptations. He clearly had little respect for his source, and less understanding.

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      And the brethren went away edified.
    38. Re:question about the "other" Tolkien books ... by Nizer · · Score: 1

      Thank you, thank you and again, thank you. This is the funniest thing I've seen for a long time.

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    39. Re:question about the "other" Tolkien books ... by Endo13 · · Score: 1

      $94 million invested in a movie that many people said couldn't be done for any price. Those people so far have been proven right. The Lord of the Rings is just too much for a trilogy of movies, no matter how big your budget. To properly do it, it would have to be a TV series, probably spread out over three seasons for a total of 72 hours of film.

      You seem to be stuck in fantasy if you expected a perfect complete adapation. See, that's your huge false assumption. I never said that, nor even implied it. I never expected any adaptation, let alone a perfect one. Personally, I wish they'd never made the movies.

      No one said you didn't understand reality. But this debate isn't about reality - it's about whether the movies accurately reflect Tolkien's world, and the answer is a resounding "No". All the excuses in the world won't change that.

      The thing that really irks me about the movies is how they spawned a whole generation of people who talk about the Lord of the Rings as if they actually knew the story and understood Tolkien's world. And to these people, the movies *are* the Lord of the Rings, and they couldn't care less about the books. I'm sorry guys, but Aragorn is not someone who looks like Viggo Mortensen, and Legolas is not someone who looks like Orlando Bloom with elf ears. Oh, and dwarves are some of the best endurance runners that exist, second only to elves. Dwarves can run for days with no sleep to get to a battle, and then spend the next few days fighting. They're not fat little men that can barely keep up and run out of breath all the time.

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    40. Re:question about the "other" Tolkien books ... by EricTheO · · Score: 1
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    41. Re:question about the "other" Tolkien books ... by dcam · · Score: 1

      There is another explanation: You haven't read the book.

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  5. "One major twist" by hanssprudel · · Score: 5, Funny


    She's his sister.

    (Oh come on, you weren't expecting to get through this discussion without finding that out.)

    1. Re:"One major twist" by Anonymous Coward · · Score: 0, Funny

      and you're an ass.

    2. Re:"One major twist" by WarwickRyan · · Score: 5, Funny

      ..and the big black dude with the scarey helmet is his father?

      %-)

    3. Re:"One major twist" by Anonymous Coward · · Score: 0

      And Bilbo kills Dumbledore.

    4. Re:"One major twist" by voice_of_all_reason · · Score: 1

      I read The Dark Tower and Half-blood Prince around the same time. Was hoping Rowling would have tipped her hat to Tolkien like King did to her.

      Harry: (jumping madly around at the top of the tower): Curse the Snape! We hates it, we hates it, we hates it for ever!

    5. Re:"One major twist" by A.K.A_Magnet · · Score: 1
      It seems people took it only as a joke :). Spoiling a movie before it's even out is great though. Well if it sucks as much as the LotR movies, I can't spoil it any further than the director. Let me add more to it:
      • During the battle of the Unnumbered Tears (Nirnaeth Arnoediad), Hurin, Turin's father, is made prisoner by Morgoth, who puts him on a chair on the top of his mountain for him to see all that Morgoth sees; and he adds a curse on his family (just for fun)
      • Turin is Hurin's son. His (first) sister Eledhwen dies of illness when she's young. He gets to live with Elves at Doriath. Kills his mentor and best friend (Beleg Cuthalion), gets in various troubles, causes the doom of the elven kingdom Nargothrond where he's known as Mormegil, gets cursed another time by Glaurung, Father of Dragons, and loses his elven love Finduilas and his memories. At the end he kills his sister's lover, marries her and when he gets his memories back after slaying Glaurung kills himself just after his sister commits suicide :P
      • Hurin is finally released by Morgoth, meets his wife, and she dies the same day. He goes one last time to Doriath to give the Nauglamir to Elu Thingol before committing suicide.
      • Then his son gets reincarnated and breaks the Enigma code.. oops. No, not Turing. Seriously though, Turin will eventually get reincarnated to slay Morgoth at the Last Battle (Dagor Dagorath).
      Really Tolkien's best and most tragic tale, and best Tolkien's hero(es). I pray that they won't release a movie. A Turin turambar turun ambartanen. Turin, master of doom, by doom mastered.
    6. Re:"One major twist" by electrosoccertux · · Score: 1

      ..and the big black dude with the scarey helmet is his father?

      %-) NOOOOOOOOOOOOOOO!!!!
    7. Re:"One major twist" by MadUndergrad · · Score: 1

      Kills his sister's lover? She didn't have one, as I recall. He killed Brodda, the easterling who forcibly married Aerin (his kinswoman) and he kills Brandir after his sister dies, but she didn't have a lover besides him.

    8. Re:"One major twist" by A.K.A_Magnet · · Score: 1

      Well as far as I remember (maybe I'm wrong though), Brandir (the lame man) was in love with Niennor, and if Turin wouldn't have come, Brandir would have been the one to marry her. You're right, they were not truly lovers, but because of Turin.

  6. The next book by Azathfeld · · Score: 0, Troll

    After this, Chris is forming an all-star team to create the epic The Dragonweyrs of the Dragon Reborn with the One Ring in Shannara, a Blood of the Fold novel.

  7. I agree... Brian isn't a patch on Frank. by Anonymous Coward · · Score: 0

    Herbert that is...............

    I loved all the Dune series....but haven't even bothered to buy the last few that Brian has written.

    He's not in the same class as his father was.

    1. Re:I agree... Brian isn't a patch on Frank. by MightyMartian · · Score: 1

      I have contended all along that Brian Herbert should have done what Christopher Tolkien did; that is not flesh out notes into full stories, but just publish the notes and plot lines. Brian Herbert is a second-rate writer, and I found his Dune stuff horribly amateurish, more like fan fiction than serious storytelling.

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      The world's burning. Moped Jesus spotted on I50. Details at 11.
    2. Re:I agree... Brian isn't a patch on Frank. by Anonymous Coward · · Score: 0

      It is my opinion that Brian Herbert himself is an OK writer. Perhaps he isn't first rate, but the original novels he's written under his own name are fine.

      It's Kevin Anderson, the third-rate hack who never publishes anything that isn't tacked onto somebody else's universe, *he* is the one dragging the Dune universe farther and farther than it ws ever intended to go.

    3. Re:I agree... Brian isn't a patch on Frank. by XantheKnight · · Score: 1

      Second rate? That's too kind... FAR too kind. Herbert Sr. was a first class writer. Herbert Jr. couldn't even afford economy-- he'a accidently locked himself in the bathroom with his foot stuck in the bowl.

    4. Re:I agree... Brian isn't a patch on Frank. by Gilmoure · · Score: 1

      I hear ya.' I read through a couple of the House books but kept coming across so many plot errors and outright contradictions from the real Dune books, that I had to give the rest a pass.

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      I drank what? -- Socrates
  8. Same Difference by Doc+Ruby · · Score: 5, Insightful

    the difference between Dune and Dune: House Atriedes


    Good analogy. The difference between, say, The Fellowship of the Ring and any Christopher Tolkien followup (except perhaps the Silmarillion) is about as big.

    JRR Tolkien and Frank Herbert were visionaries. Their books are legendary because they're so complete, so consistent, they're practically holographic. While those authors were also brilliant editors, especially Tolkien whose main gig was (as is well known) Oxford English Dictionary editor. Their (genetic, and thereby literary) heirs are undistinguished from a vast host of other second or lower tier of "visionary" authors, and have no special editing talent - nor have acquired any at their cashin publishers. While they also operate at a disadvantage while writing outside the original cultural contexts that produced those seminal works for a different audience.

    Ironically, both Middle Earth and Dune are epic tales of the original forefathers of our times (Dune less obviously, sorry for the spoiler). A magical time when a unique individual arrived to set the worlds on the path that led to today's mundane, if relatively safe, existence. Both Tolkien and Herbert themselves portrayed themselves as mere humble quoters of the original stories, originally told by the great actors themselves. Their stories resonate with generations of the public partly because we understand that great storytellers are part of great stories which are part of great ages, come once in a long while, and cannot bequeath their talents and opportunities to their children.

    On the bright side, both The Lord of the Rings and the Dune trilogies are so good that they can be reread often over a lifetime, delivering new rewards each time. Reading those later "extensions" is a waste of time that could better be spent rereading the original.
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    1. Re:Same Difference by SolemnLord · · Score: 5, Informative

      Tolkien's "main gig" was not editing the OED (hundreds of people edited OED2). It's just well-known because anyone who's dipped their toe into an English class greater than 101 is aware of what the OED is. I'm not disparaging his contributions, I'm just saying that give the man some credit: he was a professor of language and literature at Leeds and Oxford, and a writer to boot. To make things /. compatible, I doubt people would want me typing "Torvalds is that guy who did some work on the Sinclair QL, right?" (I had to check Linus's Wikipedia bio to pull something like that up, FYI)

    2. Re:Same Difference by Anonymous Coward · · Score: 2, Informative

      Tolkien worked for the OED for a very brief period of time, just a year or two after he'd finished his own university work. He left to take a teaching position, and the vast majority of his professional career was spent as a professor of philology, mostly at Exeter College in Oxford.

    3. Re:Same Difference by Doc+Ruby · · Score: 1

      True, OED was his first civilian gig after the War. I should have just left it as "his well known gig". Certainly his main gig was writing LotR, especially as reflected in his final net worth (AFAIK).

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    4. Re:Same Difference by Cerberus7 · · Score: 1

      Middle Earth and Dune are epic tales of the original forefathers of our times (Dune less obviously, sorry for the spoiler)

      Dude...wait, what?! In what book was Dune revealed to be a pre-history of current times, as opposed to a future-history? I read the original Dune books, but nothing else.
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      I don't know about you, but my servers run on the power of cotton candy and happy thoughts. -Anonymous Coward
    5. Re:Same Difference by Doc+Ruby · · Score: 1

      In fact, the "spoiler" I mentioned is entirely outside the plot inside the books. It's an implied theme that Dune scholars (like those who contributed to the _Dune Encyclopedia_) have inferred, and subject of much controversy, not resolved either in the trilogy or, to my knowledge, by other Frank Herbert writing.

      I could have put the "spoiler" warning earlier, but I really thought I was being tongue in cheek, for the benefit of Dune fans. I wish I could edit the post, now that I realize it could piss off people like you, sort of a "spoiler false positive". Instead my apologies, and attempted reassurance that the book is not really spoiled by the idea that it happened in a fictional past.

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    6. Re:Same Difference by mpiktas · · Score: 1

      Ironically, both Middle Earth and Dune are epic tales of the original forefathers of our times (Dune less obviously, sorry for the spoiler). A magical time when a unique individual arrived to set the worlds on the path that led to today's mundane, if relatively safe, existence. Both Tolkien and Herbert themselves portrayed themselves as mere humble quoters of the original stories, originally told by the great actors themselves. Their stories resonate with generations of the public partly because we understand that great storytellers are part of great stories which are part of great ages, come once in a long while, and cannot bequeath their talents and opportunities to their children. Huh? Who is this unique indvidual in LOTR? And mundane and relatively safe times began after the end of LOTR, not before. No offense to Dune, but LOTR and Dune portrays totally different ideas.
    7. Re:Same Difference by Anonymous Coward · · Score: 0

      Dune was not pre-history at all. In Dune Messiah Paul Maud'dib specifically talks about Adolf Hitler and Nepoleon.

    8. Re:Same Difference by jeffasselin · · Score: 2, Interesting

      The difference between, say, The Fellowship of the Ring and any Christopher Tolkien followup (except perhaps the Silmarillion) is about as big. Other than the Silmarillion (which saw some significant editing, not all of which was done by Christopher, a lot of which was entirely necessary due to the state of the source material, some of which Christopher himself felt was badly done and admitted so himself in HoME*), everything Christopher has published has been leftover writings by his father. What is Christopher's in those books is notes, analysis, textual history, and some commentary clearly labeled as such. In reading HoME, I often found Christopher's commentaries to be insightful, erudite, and at times more interesting than the actual source material.

      Now, with that information clearly laid-out, how can you say his writing is so bad? You can't base that on the Silmarillion, because you exclude it yourself, and even if you didn't, the amount of actual "original" material in the Sil would fill at most a few pages, as could be discerned by anyone who had read Vol 4-5 & 10-11 of HoME. He did a lot of editing, taking from sources wide apart in age and style, which explais a lot of the idiosyncrasies of the Sil, but it was editorial decisions warranted by the material at hand. But to say Unfinished Tales or HoME is "bad writing" is calling JRR's unfinished, unpolished writing "bad writing".

      Regarding this new book, I'm not sure what to think of it. To be quite honest, the Narn has never been my favorite story of the Tolkien legendarium (always been a fan of Beren & Luthien), but it's still enjoyable, and would be nice to be able to finally read it as a complete and homogeneous story. although I get the feeling I've almost certainly read most of the parts in that book from other sources (HoME and others) over the years, I'm not sure how much new material is in there, and how much Christopher wrote himself, and how good it will be.

      *History of Middle-Earth is a 12-volume collection of the unfinished writings of JRR Tolkien edited by Christopher Tolkien. It covers most of his hitherto unpublished writings that relate to the "legendarium".
      --
      If he explores all forms and substances Straight homeward to their symbol-essences; He shall not die.
    9. Re:Same Difference by Anonymous Coward · · Score: 0
      especially Tolkien whose main gig was (as is well known) Oxford English Dictionary editor.

      It's important to note that Tolkien's main gig was as a professor at Oxford, first of Anglo-Saxon and then of English literature. He spent something like two years on the dictionary and something like 45 as an Oxford professor. And in his time on the dictionary he was never editor, he worked on the etymology of words of Germanic origin starting with the letter W.

      Both Tolkien and Herbert themselves portrayed themselves as mere humble quoters of the original stories, originally told by the great actors themselves.

      Tolkien in a real way was. He borrowed a huge amount from folk literatures. My favorite comes from the second line of "Beowulf", the first half of which (before the caesura) is the word "eodcyninga", which means something like "past kings" (eod = past, and cyninga is "king") and is pronounced almost like "theod king", which becomes "Theoden king"!

    10. Re:Same Difference by Doc+Ruby · · Score: 1

      Well, the final products are "bad reading" compared to JRR's solo efforts. Part of the difference is just the quality of the content and expression of the drafts that each of father and son started with: JRR worked on his best stuff during his lifetime, and deferred material that eluded even his genius.

      I described the difference in author generations the way I did in light of backlash I've received, and learning I've gained, from past discussions of simply "CT's books are bad", some discussed on Slashdot. If you love Middle Earth so much that JRR's solo work isn't enough, you might find CT's work better than nothing. Personally I have other books to read, and things to do, which I like better than CT's revisions. I found the Herbert "dynasty" to be even more pronounced in this phenomenon. Which I think is worth discussing, especially in light of the themes of the stories themselves, among which inheritance and "upwards mobility" are primary.

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    11. Re:Same Difference by Doc+Ruby · · Score: 1

      Frodo is the ringbearer whose unique personality "saves the world" from its otherwise inevitable corruption by evil. The Fourth Age following the LotR story is the "age of men", the origins of our modern age. Which, as I said, is "today's mundane, if relatively safe, existence".

      There are quite a lot of parallels in the overall story structures. Including the inheritance of Frodo/Paul from Bilbo/Leto, combined with their presence in a parallel world deeply rooted in spiritual transformation while under the influence of the main "magic" device (the Ring or the spice, respectively). These are themes fairly common in European myth, literature and history, especially epics, but they are central and remarkably parallel in both Dune and LotR.

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    12. Re:Same Difference by STrinity · · Score: 1

      On the bright side, both The Lord of the Rings and the Dune trilogies are so good that they can be reread often over a lifetime,
      Neither one is a trilogy. LotR is a single novel that the publisher broke into three volumes to save costs. If read as three novels, there are serious structural problems that go away when taken as a single novel. As for Dune, Herbert wrote five sequels during his lifetime and none of them are that good (and the last three downright suck).
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      Les Miserables Volume 1 now up with my reading of
    13. Re:Same Difference by Anonymous Coward · · Score: 0

      Look this up on the Intertubes. It will serve you well in future discussions like this. YHBT. YHL. HAND. Thanks.

    14. Re:Same Difference by Doc+Ruby · · Score: 2, Informative

      Actually, LotR is six volumes in three bindings of a single story. But it's just fine as the familiar trilogy.

      Dune was three dependent stories published in three volumes comprising an epic. Then he took the money decades later and screwed it up by extending it into a series.

      These distinctions are purely semantic. Unless there's some point about a "trilogy" publication that these books and stories actually defy, other than arbitrary bookbinding conventions.

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    15. Re:Same Difference by jeffasselin · · Score: 1

      which I like better than CT's revisions. Despite all the "learning" which you profess to have been given, you have obviously not even attempted a reading of HoME or understand what it is. It's not "revisions" made by Christopher. It's not "adaptations", It's simply the texts of JRR Tolkien that he never managed to get published or never finished, as well as drafts of some published works. It was only lightly edited mostly for readability, and most of Christopher's writing in those books is the textual history of the material and notes that relate the texts to other texts that JRR wrote. Some of the texts were at one point actually prepared for publication and are eminently very well-written, whereas others are incomplete or fragmentary.

      It's as if Frank Herbert's son had published the notes of his father on further Dune books with some comments about how the notes were arranged, and you'd complain about Brian Herbert''s "writing". We know that's not what Brian did, but it's what Christopher did in HoME. He wrote commentaries and exegesical analysis, and let the texts stand as they were left by his father. The Silmarillion was a (mixed) attempt at putting part of those together into a publishable format for a wider audience's appeal, without the commentaries and variants. HoME is eminently difficult to read, but very enjoyable if you like this sort of things.
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      If he explores all forms and substances Straight homeward to their symbol-essences; He shall not die.
    16. Re:Same Difference by Doc+Ruby · · Score: 1

      I've got plenty of learning.

      That annoying remark aside, I read only the Silmarillion, Unfinished Tales, and the first couple "Translations from the Elvish". Which weren't even as good as told stories as JRR's minor works like Smith of Wooten Major and Leaf by Niggle. I have a close friend who publishes facsimile editions of manuscripts annotated and discussed by genre scholars, and CT's versions of JRR's work (that I read) is much closer to the Silmarillion than to just publishing the text. I wasn't encouraged enough to read any more. Because they're not fun for me to read.

      YMMV.

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    17. Re:Same Difference by Plugh · · Score: 1

      Actually the "prequel" Dune books by Brian Herbert are really good. To my surprise, I liked Buterian Jihad, Machine Crusade, and Battle of Corrin a lot. Highly recommended. The cymeks are cool >:)

    18. Re:Same Difference by MightyMartian · · Score: 1

      JRR Tolkien and Frank Herbert were visionaries. Their books are legendary because they're so complete, so consistent, they're practically holographic. While those authors were also brilliant editors, especially Tolkien whose main gig was (as is well known) Oxford English Dictionary editor. Their (genetic, and thereby literary) heirs are undistinguished from a vast host of other second or lower tier of "visionary" authors, and have no special editing talent - nor have acquired any at their cashin publishers. While they also operate at a disadvantage while writing outside the original cultural contexts that produced those seminal works for a different audience.
      All Christopher Tolkien has done (save for one chapter of the published Silmarillion) was edit. He hasn't written new stories. Almost every word in the Silmarillion is Tolkien's though because of alterations in time lines and in some conceptions, Christopher Tolkien was forced to take from multiple sources to produce a coherent and cohesive narrative.

      However, Christopher Tolkien is hardly an ignoramus in these matters. He was his father's confidant during the long years of writing LotR and the later versions of the Silmarillion. He went on to hold his father's chair at Oxford, and is nearly as well-versed in English and Germanic languages and folklore as his father. He has never made any pretentions of being a writer, and largely the History of Middle Earth is a very large, volumnuous apologetic for the tinkering he was forced to do to make the published Silmarillion, and in particular The Fall of Doriath which Christopher Tolkien was forced to write with Guy Gavriel Kay due to the only finished version being from the earliest variant of mythos, and entirely unsuitable in the later variants.

      As to accusations that Christopher Tolkien is releasing these books to further profit from his father's legacy, I doubt that other than perhaps Unfinished Tales, any of these works have sold even a fraction of what LotR has. These are, by and large, scholarly works, dominated by editorial discussions by Christopher Tolkien, comparing alternate versions and fragments to give some idea as to what Tolkien's thinking might have been at that time. He traces the evolution of the various tales from the earliest forms written by Tolkien from 1917 onward to the last writings to be found in the mid-1960s (after which Tolkien simply became too old to carry on the vast task of trying to create a singular and cohesive version of the Silmarillion). It's really not intended for the average fan of Hobbits, but rather for the amateur and academic scholar. Certainly Christopher Tolkien, after his own long scholarly life at Oxford could have chosen a much more enjoyable occupation that pouring through his father's incomplete writings (split between a number of institutions on both sides of the Atlantic) and publishing them for the small fan base dedicated and interested enough to appreciate them.
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      The world's burning. Moped Jesus spotted on I50. Details at 11.
    19. Re:Same Difference by Doc+Ruby · · Score: 1

      I didn't say that CT is "releasing these books to further profit from his father's legacy", or that he's an "ignoramus".

      All I said was that the Middle Earth books released after his editing aren't nearly as good as the ones his father wrote without him. For the reasons I stated, not his profit motive or any "ignoramus" problems.

      If anything, his editions of his father's work needed lots more editing, the kind his father and his father's editors applied. That lack is why they're not as good.

      Even in the case of Frank Herbert, his own later sequels to the original trilogy lack their magic. The imaginative power and elegant execution in each of those two original editions is unrivaled in either of their genres. That their authors couldn't recapture the magic, either alone or in collaboration (however one-sided) with their son, leaves the subsequent work in the same category that most authors achieve without that extraordinary transcendence.

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    20. Re:Same Difference by MightyMartian · · Score: 1

      If anything, his editions of his father's work needed lots more editing, the kind his father and his father's editors applied. That lack is why they're not as good.
      I think you miss the intent of the History of Middle Earth series. They were not intended to be new tales of Middle Earth (that was the intent of the published Silmarillion and, largely, of Unfinished Tales). Christopher tolkien was laying out on the table what he had to work with to produce a finished Silmarillion. The intention, as much as anything, was a sort of literary archaeology.
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  9. Dune House Books by phrostie · · Score: 1

    i prefer the newer Dune House books to Frank Herberts later works.

    i think there was more of a drop in quality there.

    1. Re:Dune House Books by Tx · · Score: 3, Insightful

      Well, I think Brian Herbert needs to learn the difference between "character" and "caricature". I admit I did read *all* of the BH Dune books nevertheless, because I'm a sucker, but Frank Herbert's most offhand scribbles are worth more than that crap.

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    2. Re:Dune House Books by Anonymous Coward · · Score: 0

      Yes, I agree. Frank Herbert's Dune was the best book he wrote by far. The stuff before it wasn't half as good, and the follow-ons to Dune just kept getting worse until they became worthless. Dune: House Atriedes was much better than God Emperor of Dune.

    3. Re:Dune House Books by Shivetya · · Score: 1

      the first three novels in the original Dune series were very good but the latter ones simply started going downhill and then set out trying to go beyond bottom.

      His son did very well, the only problem I had with his books were the sudden deaths of some characters and the few attempts he made to one up his father by introducing something that was "new" when featured in his fathers books (as in tech related)

      About the only author following in their parents footsteps I really enjoy it is Anne McCaffrey's sons writings for the Dragonriders of Pern. Of course it helps that mom is alive and kicking, probably more of the kicking helps

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    4. Re:Dune House Books by Bluefirebird · · Score: 1

      For me, my favourite Dune books are the Dune and the God Emperor of Dune. This last one is such an amazing book, rich with philosophy and politics. My least favourite ones are Heretics of Dune and Children of Dune. They are too boring. The new books are crap but they do a good job a describing the Dune universe and telling how the story continues.

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      Fear is the mind-killer.

    5. Re:Dune House Books by Sobrique · · Score: 1

      Dune was superb. Children/Messiah had their moments, and served as a reasonable story follow-through. I deny any other Dune books. Lalalala, there was no God Emperor. I'm not listening.

    6. Re:Dune House Books by Gillibiabtiag · · Score: 1

      If I recall correctly from the biography by Brain Herbert, his father didn't intend for the series to go beyond the first three books, and it was only at the behest of his editor that he did.

    7. Re:Dune House Books by Bozdune · · Score: 1

      Totally agree. Lalalalalalalalalalalala.

    8. Re:Dune House Books by phrostie · · Score: 1

      i'm a big McCaffrey fan, i'll have to hunt those down.

      thanks

  10. You and your shameless plugs... by tomzyk · · Score: 1, Offtopic

    How about some non-marketing related links... links that are more descriptive about the topic:
      - Dune (novel)
      - Dune: House Atreides

    --
    Karma: NaN
    1. Re:You and your shameless plugs... by gnulinuxoss · · Score: 1

      Non-marketing links? Have you tried http://www.google.com/ ? :)

    2. Re:You and your shameless plugs... by popejeremy · · Score: 1

      What's wrong with marketing?

      They're trying to sell books. I bet they have accurate information about those books. I can't exactly say the same for Wikipedia.

      Your purity standards are a bit mislead. Wikipedia isn't better than other sources because it's not selling anything for three reasons. Firstly, because being in a field other than commerce doesn't make a source automatically good. Secondly, because Wikipedia is demonstrably unreliable. And thirdly, Wikipedia does sell its content to places like answers.com. Wikipedia is as tainted by commerce as anything else.

  11. Dull as dish water by MrMickS · · Score: 1, Troll

    The Lord of the Rings reads well. The Hobbit reads well. They show that JRR Tolkien had a good ear for a tale. Everything composited from notes by Christopher Tolkien shows that this wasn't a genetic Tolkien family trait.

    The Silmarillion and others read like background information, which is what they were. JRR built up a whole mythos to draw from when writing LoTR. This gave him a good base to produce a rich story. I see the continued publication of these tarted up notes as a poor distraction from the original tale.

    --
    You may think me a tired, old, cynic. I'd have to disagree about the tired bit.
    1. Re:Dull as dish water by MightyMartian · · Score: 5, Insightful

      Except that Tolkien considered LotR the distraction, and the Hobbit's drawing on his mythos something of an accident. His main concern was the Silmarillion, which he tried unsuccessfully to get published alongside LotR.

      The Silmarillion is not LotR, but it is, for those that have the patience and appreciation for that sort of thing, a glorious tale. Unfortunately, the published form is in many cases ripped from the Grey Annals, which were a sort concise historical chronology, and not in and of themselves full narratives. Tolkien planned a rather enormous expansion of the work, of which the Children of Hurin was the only part that approached completion. It, and the unfinished version of "Of Tuor and His Coming to Gondolin" that is found in Unfinished Tales are very much like LotR in storytelling quality.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    2. Re:Dull as dish water by frogstar_robot · · Score: 4, Insightful

      Parts of the Simarillion work as good novellas in themselves. I particularly enjoyed the tale of Beren and Luthien.

    3. Re:Dull as dish water by jeffasselin · · Score: 5, Informative

      Where do people take tripe like this from?

      "JRR built up a whole mythos to draw from when writing LoTR."???

      He didn't build up the stories to have background for LotR. He built the mythos for his own enjoyment, as a background history for his invented languages, and in hope of giving back to the English a mythology of their own that was "lost" when the Normans invaded the Anglo-Saxons.

      The Hobbit was a story he made for his children. He spiced it up a bit with details from his mythos. He published it because it seemed publishable as a good children's story. Lord of the Rings was written as a commercial follow-up to The Hobbit. Didn't really end up like that but...

      I am not disputing the fact that the huge amount of previous writing and pre-existing mythos gave LotR a backstory of unparalleled proportions. It ended up being a large part of the attraction of the book, that you feel this world has a whole history behind it that is barely hinted at.

      --
      If he explores all forms and substances Straight homeward to their symbol-essences; He shall not die.
    4. Re:Dull as dish water by je+ne+sais+quoi · · Score: 1
      Also remember that he wrote a lot of that while he was in the trenches during WWI. Basically, writing about these fantastic stories became a way for him to escape the horrors of the war he was experiencing. When his sone Christopher was in North Africa during WWII, Tolkien sent the stuff he had written to him. Check out this link: http://www.greatwar.nl/frames/default-tolkiene.htm l My favorite quote (which also makes it into the preface for LOTR):

      "One has personally to come under the shadow of war to feel fully its oppression; but as the years go by it seems now often forgotten that to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918 all but one of my close friends were dead."
      --
      Gentlemen! You can't fight in here, this is the war room!
    5. Re:Dull as dish water by Gilmoure · · Score: 1

      When I was in Desert Storm, on the ground about 30 miles south of Kuwait border, watching the bombing campaign, it was so sublime, the only thing I could compare it to was Tolkien's description of the attack of the Vanyar on Morgoth and Kurt Vonnegut's description of the firebombing of Dresden.

      Off at the horizon, a small dot of light would drop down out of the burning oil clouds and then fly back up into the clouds. A moment later there would be a dull flash of yellow and red. A minute later, you could feel the explosion through the ground. The scale of this was just so far beyond human experience, it was unreal. Add to it, the strange perspective of being on a featureless plain of dirt, with a low cloud cover overhead and things didn't look right to the eyes.

      Wasn't until years after that I found out about Tolkien being in the trenches of WWI and being shelled.

      --
      I drank what? -- Socrates
  12. Dune prequels by voislav98 · · Score: 3, Insightful

    A much better combarison would be the new Dune novel, Hunters of Dune, rather than the Dune prequels, since it's supposed to be based on the notes by Frank Herbert, while the prequels (Dune: Houses and Butlerian crap) were written completely from scratch and are often contradicting the original Frank Herbert books. I find that Chris Tolkien has really done as much as possible to preserve his fathers legacy, which cannot be said for Brian Herbert, who is trying to ruin his fathers franchise by putting out large numbers of half-baked books.

    1. Re:Dune prequels by WillAdams · · Score: 1

      voislav98 said:
      >often contradicting the original Frank Herbert books ::applause::

      I wasn't able to make it through the first book because of such.

      It's really a shame Frank Herbert didn't put sufficient effort in the _Dune Encyclopedia_ so as to edit it and make it canonical and more in-line w/ his view of the history, perhaps that would've foreclosed on some of Brian Herbert's really bad gaffes.

      William

      --
      Sphinx of black quartz, judge my vow.
    2. Re:Dune prequels by Anonymous Coward · · Score: 0

      They specifically state that they found Frank's notes for "Dune 7" found unexpectedly in a previously unchecked safety deposit box. The work is so bombastic and craptacular that I suspicious that it's a bald lie.

    3. Re:Dune prequels by tbuskey · · Score: 1

      I'm not sure Herbert edited the Encyclopedia. (I'll have to check my copy) It's also based on "Archeology" according to the back story so of course there are errors :-)

      I agree that the Houses were bad. Vermillion hells!
      The Butlerian stuff was much better IMHO though I would like it if it coincided w/ the encyclopedia better.

      I liked the 1st Hunter novel much better until the end. I think the 2nd will fall back to the Butlerian level :-(

  13. You know they have really old out when... by ayjay29 · · Score: 5, Funny

    You know they have really old out when... ... the crosover books start appearing, how about 'Harry Potter and the Children of Hurin' or 'Dune: House Huffelpuff'.

    --
    Offtopic, Inflammatory, Inappropriate, Illegal, or Offensive comments might be moderated up.
    1. Re:You know they have really old out when... by tarsi210 · · Score: 1

      Are you there, God? It's me, Hermione.

    2. Re:You know they have really old out when... by Anonymous Coward · · Score: 1, Interesting

      Once I can take as a typo...but twice? I think you mean "sold out".

  14. And hence submitted for perusal by by eclectro · · Score: 1

    the children of slashdot.

    --
    Take the cheese to sickbay, the doctor should see it as soon as possible - B'Elanna Torres, "Learning Curve"
  15. One ring to bore them all by Floritard · · Score: 4, Insightful

    I just saw Clerks 2 (b/c sometimes I like to punish the Ebert within) and while it itself is a terrible flick, it has perhaps the most perfect summation of my feelings on the LOTR trilogy, albeit the film form. As far as I'm concerned Tolkien Jr. would do well to stray somewhat and make a good action/adventure story (as TFA hints at) instead of the plodding tale his father took too many pages to tell. It had a great setting/world but god what a dull pedantic road trip LOTR was. We get it, the rings is evil. Really evil. Just drop the fucking thing in the volcano already.

    1. Re:One ring to bore them all by Anonymous Coward · · Score: 1, Insightful

      Read: I do not like books/movies that require thought and want something where people kill mindlessly for hours on end without any real plot.

    2. Re:One ring to bore them all by Anonymous Coward · · Score: 0

      Well, thank God for Dragonball Z, huh?

    3. Re:One ring to bore them all by mihalis · · Score: 2, Insightful

      When it comes to Kevin Smith, I have to defer to my wife. She got invited to see the premier of "Dogma" by one of the magazines she buys advertising with. On the way out we were greeted by the guy who arranged it, clearly hoping we'd enjoyed it and that it was a nice perk. He's also a personal friend of my wife's. "Oh my God it was so fucking awful" was the first thing out of her mouth. She couldn't help herself.

      I totally agreed and I've been reluctant since then to give certainly him, but even the characters in his movie the time of day, basically.

  16. Does it answer the two most important questions? by jregel · · Score: 4, Funny

    1) Who/What was Tom Bombadil?

    2) Do Balrogs have wings?

  17. In other news, Led Zepplin reforms by kannibul · · Score: 2, Funny

    In other news, Led Zepplin reforms, stating that they have come across some new material.

    1. Re:In other news, Led Zepplin reforms by Anonymous Coward · · Score: 0

      Ha, come on, mods. Misspellings of "Led Zeppelin" aside, parent should clearly be modded Funny.

    2. Re:In other news, Led Zepplin reforms by Anonymous Coward · · Score: 0

      OK, for all you true nurds: There are three LOTR references in Led Zepplin songs. Name them.

    3. Re:In other news, Led Zepplin reforms by davebo357 · · Score: 0

      Strider, darkest depths of Mordor, and ring wraith sride in black?

    4. Re:In other news, Led Zepplin reforms by A.K.A_Magnet · · Score: 1
    5. Re:In other news, Led Zepplin reforms by east+coast · · Score: 1

      OK, for all you true nurds: Spell "Zeppelin" (or nerds for that matter) correctly... 3...2...1... GO!

      --
      Dedicated Cthulhu Cultist since 4523 BC.
    6. Re:In other news, Led Zepplin reforms by Anonymous Coward · · Score: 0

      Reference to Strider is a new one for me. I was thinking of "Misty Mountain Hop", Gollum and Mordor in "Ramble On" and Ringwraiths in "Battle of Evermore."

  18. I read the first sentance too fast... by Centurix · · Score: 2, Funny

    "Christopher Walken has completed the last book of J.R.R. Tolkien from notes left from his father." How awesome would that be?
    --
    Task Mangler
    1. Re:I read the first sentance too fast... by theurge14 · · Score: 4, Funny

      "You see this ring, kid? It was your father's ring. He had to wear it up his ass during the entire war of Middle Earth. Hundreds of leagues he travelled with this ring up his ass. And now it's yours."

    2. Re:I read the first sentance too fast... by Anonymous Coward · · Score: 0


      "Christopher Walken has completed the last book of J.R.R. Tolkien from notes left from his father."
      How awesome would that be?


      I suspect something like this...

      "...The way your dad looked at it, this book was your birthright. He'd be damned if anybody gonna put their greasy hands on his boy's birthright. So, he hid it, in one place he knew he could hide something: his ass. Five long years he kept this book . . . up his ass. Then, he died of dysentery, he give me the book. I hid this uncomfortable hunk of papyrus up my ass two years. Then, after seven years, I was sent home to my family. And now, little man, I give the book to you."

    3. Re:I read the first sentance too fast... by idontgno · · Score: 1

      I could see the first comment he makes after reading his father's notes and story synopsis:

      "It could use more cowbell."

      --
      Welcome to the Panopticon. Used to be a prison, now it's your home.
    4. Re:I read the first sentance too fast... by Anonymous Coward · · Score: 0

      As per the BBC French & Saunders special from a few years back;

      "Quiet, lads! He's sniffing my Ring!"

    5. Re:I read the first sentance too fast... by Anonymous Coward · · Score: 0


      And one ring to be rued by all...

  19. Quality gap? by Anonymous Coward · · Score: 0

    I found all of the dune prequels and Butlerian Jihad books to be well written and engaging. Of course they were not the same style but I wouldn't say there was a quality gap. They each had their own strengths. I just finished the sequel to Chapterhouse and have to admit it is a nice continuation of the story.

    One thing I appreciate about Brian Herbert and his co-writer is they tend to show events rather than mention them in retrospect. This was something FH used to do that I sometimes found disturbing. This was especially true in the last few books of the original series.

    As for tolkien... I think anything that his son produces would be interesting reading at the least and most likely a welcome addition to the mythos of middle earth. Especially anything dealing with Hurin... truly one of the most dramatic stories of the Silmarillion.

  20. Re:Same Difference (SPOILER) by Doc+Ruby · · Score: 2, Informative

    OK, I got into trouble by mentioning that aspect of the story, so I'll mention a

    SPOILER WARNING

    before proceeding. Hopefully this is enough advance/whitespace.

    The story is set 100,000 years in the future. But it's the story of a messiah who can see the future, talk with the past, of all humanity. His life's work is to adjust the path of humanity to avert an impending, otherwise inevitable disaster that would destroy us. To do so, he becomes a god-emperor, total control of all our possible courses of action. And delivers us onto a path that leads to today. Dune time is at least spiral, if not entirely cyclic.

    This idea is not explicit in the trilogy. It might be explored in some of the later books, which I stopped reading towards the end of the second trilogy, because they weren't that good. It is explored in the Dune Encyclopedia, in particular by the author of one of the "Paul Muad'Dib" entries. Under whom I studied science fiction literature for my English major. His insight was clear, and apparently popular among other Dune scholars by the mid-1980s. It also provokes the question of whether Muad'Dib's life actually steered humanity onto precisely the course he saw as a terrible vision to be averted, or whether it locked us into a loop or spiral that either locked in the eventual appearance of Muad'Dib, or finally excluded it.

    Man that story is a mindblower.

    --

    --
    make install -not war

  21. Book Cover by Mr_Blank · · Score: 4, Funny

    Judging the book by its cover, the book will involve a guy who climbs a hill faster than some other guys who also are climbing that hill. Then, he will look at something. Maybe he will tell us about what he sees. Sounds thrilling!

    1. Re:Book Cover by Deliveranc3 · · Score: 1

      Good stuff, well several of the pastoral poets and authors used vistas to mean a great many things.

      If the editor felt that someone viewing a panorama should be on the cover that probably means he relates the book to the works of Wordsworth, Malory, and sundry.

  22. Re:Same Difference (SPOILER) by Cerberus7 · · Score: 1

    Sounds like I need to get my hands on the Dune Encyclopedia, then. Thanks for the info!

    --
    I don't know about you, but my servers run on the power of cotton candy and happy thoughts. -Anonymous Coward
  23. Tolkien-like ? by l3v1 · · Score: 2, Insightful

    "It will be interesting to see how it stands up today alongside all the Tolkien-alike literature that we've become familiar with," said David Bradley

    In my world there's nothing like what you could call "Tolkien-alike". Many have tried to ride the waves his writings have raised, still very few come even close to what he's accomplished. Maybe it's his background, maybe it's his decades' long knowledge in mythology, languages and literature, maybe it's his natural writing skill, maybe it's the timing, maybe it's all of these together that have resulted in a physical form that it's unique in so many ways. How will this new compilation be judged ? Supposing it's really good, it still will require a great effort to make it stand out from the oceans of fantasy bestseller wannabes these days.
     

    --
    I am putting myself to the fullest possible use, which is all I can think that any conscious entity can ever hope to do.
    1. Re:Tolkien-like ? by Remus+Shepherd · · Score: 1

      If you want to read Tolkien-like writing, look at Tolkien's contemporaries. In particular there's Silverlock by John Myers Myers, which was published at the same time as LotR. Silverlock is a very different kind of novel -- more of a Gulliver-esque romp than an epic swords-and-sorcery fantasy -- but it's still an amazing work of literature that deserves respect equal to the best that Tolkien produced.

      --
      Genocide Man -- Life is funny. Death is funnier. Mass murder can be hilarious.
    2. Re:Tolkien-like ? by Anonymous Coward · · Score: 0

      Try "The Deed of Paksenarion" by Elizabeth Moon.
      Equal.

  24. Don't Forget "Bored of the Rings" by giafly · · Score: 1

    Bored of the Rings is a short satirical novel by Henry N. Beard and Douglas C. Kenney, first published in 1969 by Signet for the Harvard Lampoon. This parody follows the general plot of The Lord of the Rings, including the Preface, Prologue, poetry, and songs, while making light of all that Tolkien made very serious (e.g. "He would have finished him off then and there, but pity stayed his hand. It's a pity I've run out of bullets, he thought, as he went back up the tunnel..."). Map

    Genius! Or goddam awful. Something starting with g anyway.

    --
    Reduce, reuse, cycle
  25. Re:Does it answer the two most important questions by 0xABADC0DA · · Score: 1

    1) Tom Bombadil is the personification of Neutral (ie he is switzerland).

    2) Yes, but they are vestigial.

  26. Not all bad by Chris+whatever · · Score: 1

    herbert's son isnt all that bad a writer but i would agree that the butlerian jihad series sucked ass compared to house atreide, house harkkonen, and house corrino, of course his father's work is an all together range of writing but we cant expect two person to have the same writting skills or style.

    Dan simmons would be the closest author (that i have read) who kind of have similar depth when writing sci-fi books

    Whish Herbert would do the last book of dune or at least give us something, the last Dune book left me wanting for so much more.....

    1. Re:Not all bad by Anonymous Coward · · Score: 0

      Well i'm used to compare dune to the cycle of the Wheel of time from Robert Jordan even if it is less deep than Dune cycle.
      I did not liked the novels about Conan written by Jordan but the wheel of time is really great, especially when describing battles. You really feel that the guy knows what battles are.

    2. Re:Not all bad by Chris+whatever · · Score: 1

      Have you read them all?

      i thought that after the fourth book it kind of spiraled downward, i just read the last one and man, the only battle with trollocs was over in about 2 pages.

      Robert Jordan has so many characters that i cant follow who's who and what's what, in my book that's not a good thing when you only manage to make people fell like they should have written some stuff down and i'm not about reading back those novels.

      If you want a good author, read george R. Martin's crow novels, man this guys is great, he keeps you on the edge and wanting for more, Robert jordan has left me wanting less and less, i keep reading in the hope that there is going to be significant changes but i can barely tolerate reading about Egwene and the Aes sedai, damn

    3. Re:Not all bad by ccozan · · Score: 1

      Yep, Dan Simmons raises indeed to the level of Frank Herbert. I read his Hyperion books, and they are .. books. Not crap. But _real_ books, which tell stories.

    4. Re:Not all bad by MightyMartian · · Score: 1

      Except for the last book in the series, which really was a total let down. Simmons fell of the train on that one.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
  27. Actually, the one I want to see is by Flying+pig · · Score: 1
    The one where Havelock Vetinari and Sam Vimes turn up at the start of LOTR, and four hundred pages later the Luggage has swallowed the Rings of Power and is just going around looking innocent, Aragorn is the new Watch Captain at Quirm, Sauron is running the Post Office, and Saruman and Gandalf have lectureships at UU.

    Frankly, it's amazing that people can continue to turn out standard fantasy following Pratchett's demolition job.

    --
    Pining for the fjords
    1. Re:Actually, the one I want to see is by I_M_Noman · · Score: 1

      The one where Havelock Vetinari and Sam Vimes turn up at the start of LOTR, and four hundred pages later the Luggage has swallowed the Rings of Power and is just going around looking innocent
      You, sir, are a bleedin' genius!
    2. Re:Actually, the one I want to see is by advid · · Score: 1

      This you can (almost) get. I mean, it's fanfic, of course. But what are you going to do?

      Evidence - Sam Vimes is summoned to Tolkien's Arda at the end of the War of Wrath.

      --
      - "I'll probably get modded down for this."
  28. Re:Does it answer the two most important questions by mihalis · · Score: 1

    Not to mention who was Queen Beruthiel and what was so special about her cats?

  29. Wikipedia link by mlmll · · Score: 3, Insightful

    Here is Wikipedia's article on the book.

    I dearly hope Christopher, with all the material at hand about Húrin and Túrin, produces a book whose quality is close to his father's writings. If so, the unavoidable buzz that'll happen in our post-Jackson-movies world would be a huge boost to help popularize all books dealing with Arda before the War of the Rings (The Silmarillion, Unfinished Tales,...). That'd be nice: too many people watched the movie, eventually read the related trilogy, and then nothing else.

  30. Folly of Youth by Anonymous Coward · · Score: 0

    Being a young man myself I at least can appreciate the wisdom that comes from age and experience. And not least that intellectual capacity increases with time; Einstein did some of his most interesting work after his twenties.. Ghandi was no fool and neither was Mandela. Please, grow up.

    P.S. You don't have to like Streisand, but at least you will soon see how utterly blind you were. Can't wait till you get kids! Don't worry, they will help you turn on that strange computer.

  31. Re:Same Difference (SPOILER) by STrinity · · Score: 1

    The story is set 100,000 years in the future. But it's the story of a messiah who can see the future, talk with the past, of all humanity. His life's work is to adjust the path of humanity to avert an impending, otherwise inevitable disaster that would destroy us.
    If you're implying that Paul and Leto's communing with their ancestors somehow alters history, I gotta say that's unsupported by the text. When Alia regresses back and talks to Agamemnon, she's not communicating back in time, she's communing with the genetic memory of Agamemnon that she carries, just as she's not altering her own recent past by communing with Baron Harkonen.
    --
    Les Miserables Volume 1 now up with my reading of
  32. To a casual fan... by Tony+Lechner · · Score: 0

    ...does this add much? I loved reading the Lord of the Rings novels, but I'm not much of a Tolkein follower unfortunately; I read the books after I saw the movies.

    Being set long before the LotR, in contexts set by other 'history' books, will a casual reader such as I be able to really follow the action? I mean, the book is wonderful from a hardcore follower's perspective, but to someone like me, I think a lot of the allusion is going to just fly over my head.

  33. Christopher's religious views? by leoboiko · · Score: 1

    It is well-known that Tolkien was a devout Roman Catholic. Just out of curiosity, does his son follow the same beliefs?

    --
    Prescriptive grammar:linguistics :: alchemy:chemistry. Stop being a nazi and learn some science.
    1. Re:Christopher's religious views? by l4m3z0r · · Score: 1

      Troll, flamebait, offtopic. Take your pick, he also has video poker!

    2. Re:Christopher's religious views? by leoboiko · · Score: 1

      Care to explain why exactly you think this question is flamebait or offtopic? We're dealing with the latest work of Christopher Tolkien here, and as everyone knows, his father's religious views are deeply ingrained in LotR's morality. If Christopher is not catholic, I guess he had to take extra care not to change Tolkien's worldview. I'm curious about it, I could not find this information anywhere, and slashdot seemed like the proper place to ask. I really cannot understand why do you think I'm trolling.

      --
      Prescriptive grammar:linguistics :: alchemy:chemistry. Stop being a nazi and learn some science.
    3. Re:Christopher's religious views? by Anonymous Coward · · Score: 0

      Presumably Tolkien would have ingrained his religious view and morality in his son as well. It doesn't actually matter if Christopher Tolkien shares his fathers religion or not, if Christopher is a good writer/editor (whichever he is doing to complete this book) he will stay consistent with the world his father created, if he isn't any good the book will suffer regardless.

  34. Re:Same Difference (SPOILER) by Doc+Ruby · · Score: 1

    The communing with their ancestors is not itself altering history. But the idea is that Paul and Leto II's lives (especially Leto II, but by extension everyone ever living) forced humanity onto a closed loop, or perhaps out of one, into today's state. The "Golden Path" is debatably the path onto or off of the cycle that either produces/ed Leto II, or stops producing him. It's inferrable from the text, and is explained more in the Dune Encyclopedia, which Frank Herbert both approved and contradicted.

    Eternity and paradox are funny that way.

    --

    --
    make install -not war

  35. Ambivalent Toward Christopher by kniedzw · · Score: 1
    But in my experience, Christopher Tolkien has always taken a good, cautious approach when it comes to his father's work so here's to hoping.
    I'd go so far as to say that he's taken an overly cautious approach to his father's work. The point at which I became frustrated with him was the point at which I found out that J. R. R. had written a translation of Beowulf, that the translation was pretty much a final draft, and that Christopher was blocking its publication. I honestly can't think of any rationale for blocking the work's publication that justifies his hesitancy. This, combined with his very public argument with his son, Simon, has made me look at his stewardship of J. R. R.'s work with a fairly critical eye.
    1. Re:Ambivalent Toward Christopher by Anonymous Coward · · Score: 0
      I honestly can't think of any rationale for blocking the work's publication that justifies his hesitancy.

      "It's crap" would be a perfectly acceptable rationale.

      As to the spat with Simon, time has shown CT to be right.

  36. Offtopic but... by emton · · Score: 0
  37. Word-for-word copying by Anonymous Coward · · Score: 3, Informative

    Tolkien even copied the final dialogue between the hero and his sword:

    Kullerwoinen, wicked wizard,
    Grasps the handle of his broadsword,
    Asks the blade this simple question:
    "Tell me, O my blade of honor,
    Dost thou wish to drink my life-blood,
    Drink the blood of Kullerwoinen?"
    Thus his trusty sword makes answer,
    Well divining his intentions:
    Why should I not drink thy life-blood,
    Blood of guilty Kullerwoinen,
    Since I feast upon the worthy,
    Drink the life-blood of the righteous?"


    But then, Tolkien never published the story so it's not fair to accuse him of plagiarism.

  38. and in related news: by Anonymous Coward · · Score: 0

    Frank Sinatra Jr. has completed a new album.

    Hey kids of famous artists: get a job.

  39. Re:Does it answer the two most important questions by Anonymous Coward · · Score: 3, Interesting

    It's not so much that Bombadil is neutral, just that the affairs of the mortals are so far below his care. It's not that he doesn't care about mortals themselves, he saves the lives of the Hobbits after all, but that they are as children to him with their little squabble over some bauble. Bombadil *could* get involved with the ring issue, but they have a Wizard and some other strong guys, and people can't come running to the gods or the spirits of nature or whatever the heck Bombadil is every time they have a little problem to deal with. They need to deal with this thing themselves. He turns out to right, doesn't he?

    It's like how after the Ring is destroyed how Gandalf just laughs about everything. Gandalf *could* help the hobbits with their little problem in the Shire, but he knows they can handle it, and the world can't go running to him whenever it has a problem. He turns out to be right, too.

    See, in this mythology that Tolkein put together it's very important that each set of players confront and defeat its own direst enemy. The humans and hobbits must defeat Saruman in the Shire. Gandalf and the humans must defeat Saruman's boss, Sauron. When you start reading the appendices and other materials, you find out how far back this pattern goes. Gandalf's folk were minor players in the fight against Sauron's boss. As the humans are to Gandalf, so Gandalf is to his superiors, the gods.

    Thus we see what Bombadil *must* be. He is the corporal manifestation of a god. Supposedly, there are even enough clues to figure out which gods he and Goldberry are.

    Only when we see how the pattern of conflict reaches back into deepest history to the creation of Middle earth does it mean anything that it ends in the Shire with the death of Wormtongue.

  40. Re:Same Difference (SPOILER) by Fallingcow · · Score: 1

    It's pretty expensive to buy (used only), and hasn't been in print in forever. Brian Herbert has disowned it, too, so don't expect a new print run.

    I understand that there may be ways to get it more easily, though.

    Incidentally, Emule is a great program, isn't it?

  41. Re:Does it answer the two most important questions by nine-times · · Score: 4, Interesting

    Gandalf's folk were minor players in the fight against Sauron's boss. As the humans are to Gandalf, so Gandalf is to his superiors, the gods.

    Right. In fact, IIRC, there's even something like "THE God", which doesn't interfere in the conflict between the various gods. It's clear from the stories that God (upper-case, THE god) has planned the conflicts to have a purpose which no one but himself can see.

    And this is part of why Gandalf holds back his full power. He is acknowledging that he can't just go around solving other people's problems for them, since the problems, conflicts, fighting, and resolution all play a part in this unknown plan. He doesn't know what the plan is, but he knows it exists. This is part of the reason he doesn't stop Gollum, for example. He knows Gollum still has a part to play. It's also very related to the metaphor of the ring, and why Gandalf can't take possession of the ring. He must restrain himself from abuse of power in order to play his proper role. The ring represents undue power and the thirst for undue power, and so taking possession of it would represent the sort of abuse of power many characters in the story are trying to avoid.

    When Bombadil fails to be affected by the ring or tempted by it, he is displaying a closeness to God which would be impossible were he not a greater being than he seems. This is also relevant in terms of Hobbits, since they show a remarkable resistance to the ring, indicating that they, too, are greater than they appear.

    (Sorry. Geeking out.)

  42. Re:Does it answer the two most important questions by lightversusdark · · Score: 1

    It's not so much that Bombadil is neutral, just that the affairs of the mortals are so far below his care. It's not that he doesn't care about mortals themselves, he saves the lives of the Hobbits after all, but that they are as children to him with their little squabble over some bauble.

    i.e. like Switzerland.
    --
    "There is nothing nice about Steve Jobs and nothing evil about Bill Gates." - Chuck Peddle
  43. Nice. by FatSean · · Score: 1

    If only Frodo had thought to do that...Gollum would never have had a chance to take the ring!

    --
    Blar.
    1. Re:Nice. by Anonymous Coward · · Score: 0

      If only Frodo had thought to do that...Gollum would never have had a chance to take the ring!

      No, Sam would have claimed it.

    2. Re:Nice. by XSforMe · · Score: 1

      "If only Frodo had thought to do that...Gollum would never have had a chance to take the ring!"

      Forget Gollum! If Frodo had done that, Sauron himself would have casted the ring into Mount Doom.

      --
      My other OS is the MCP!
  44. Come on, guys! by paulxnuke · · Score: 2, Insightful
    Predictably, a goodly percentage of those replying think Chris Tolkien is a hack / grave robber / etc. At the end of the day, he could have taken his father's papers and:
    • done the best editing job he was able to and publish them (did he have help? Presumably he has an editor at the publisher's, and I wouldn't hand this project to just anyone.)
    • released them as-is (where they would have been ignored as unreadable or mined for ever worse atrocities by ever worse (screen)writers. Better a RingWraith than to be fouled the way the later Dune books did Frank Herbert.)
    • shredded them all to avoid being accused of daring to profit from his father's estate (if JRRT had left cash, that would be fine, but writings...!)
    Which would you prefer? I'm very happy to get the chance to see Tolkien's remaining writings, but I don't have the time to study the originals and no reason to think anyone else would be better at editing it for me.
  45. Re:Does it answer the two most important questions by SillyNickName4me · · Score: 1

    For some reason I always end up thinking of Aule when reading about Bombardil.

  46. like the Greek Myths (really Norse) by peter303 · · Score: 1

    In the prequel Toklein tells the tales of the creation, angelic protectors called the Valar, but like the greek and norse gods, the origins of Elves and Men, and some important romantic tales. Toklein kind of "christianized" the greek gods. He puts The One God way above them, and makes them not as naughty as the greeks. His fellow Oxford prof C.S. Lewis did a similar thing with Narnia and planet series- took interesting germanic myths and made them more christian-like.

  47. Tupac? by Anonymous Coward · · Score: 0

    Tolkien is like Tupac, he's been releasing material for years after his death.

  48. Nice, but by Anonymous Coward · · Score: 1, Interesting

    what's with the affiliate links in the Dune and Dune: House Atriedes links?

  49. Re:Does it answer the two most important questions by MtViewGuy · · Score: 1

    It's not so much that Bombadil is neutral, just that the affairs of the mortals are so far below his care. It's not that he doesn't care about mortals themselves, he saves the lives of the Hobbits after all, but that they are as children to him with their little squabble over some bauble. Bombadil *could* get involved with the ring issue, but they have a Wizard and some other strong guys, and people can't come running to the gods or the spirits of nature or whatever the heck Bombadil is every time they have a little problem to deal with. They need to deal with this thing themselves. He turns out to right, doesn't he?

    What I find extremely interesting is that Robert E. Foster in his compendium A Tolkien Companion describes Tom Bombadil and Goldberry as possibly Maias "gone native." Which, when you think about it, is actually a pretty accurate description.

  50. Who Bombadil is by Anonymous Coward · · Score: 0
    Bombadil cannot be Aulë, since Aulë was the vala (god) of smithying and other "hard" technology. Bombadil clearly favours exacly the opposite things.


    What I'm wondering if Bombadil really is Eru in retirement...

  51. Bombadil's identity by meringuoid · · Score: 1
    Bombadil as a 'Maia gone native' is pretty close to my own view on the matter, but I'd like to expand on it a bit.

    Bombadil isn't a Maia, strictly speaking - Maia is a caste of the Ainur of Valinor. He's probably of their kind, but would not have been part of their society. He was there in the Forest before the Elves reached Eriador, which means he wasn't in Valinor in the time of the Trees. He's not Aule, as has been suggested by some - the Elves knew Aule well, and Aule was in Valinor when the Elves of old met Iarwain ben-Adar.

    My guess is that he's an outsider - a spirit not of the original group, but who entered Arda later, as did for example Tulkas and Ungoliant. He arrived in Middle-earth during the darkness after the fall of Almaren and had nothing to do with the Valar - hence his position outside their classification, and absence from most ancient Elven lore.

    He's settled in this location, being very much a moss-gatherer, and I think the Old Forest has become Bombadil's Ring. Just as Morgoth dissipated his power and indeed his personal essence into gaining control over the matter of Arda at large and into his monstrous hordes, and Sauron concentrated his into the Ring, Bombadil has merged himself into the Old Forest. He does not leave the forest - indeed I would guess he cannot leave the forest, that he simply would not exist beyond its borders. He's a personification now of the wood and the water and the stone.

    I'm not sure the world outside even exists as a reality for him - people wander through the Forest from time to time and tell him stories of it, that's all. Hence Elrond's fear that Bombadil simply would not understand the need of keeping the Ring safe - the terror of Sauron would be just another funny story to him, and he'd care little for the Ring.

    As for his immunity to any effect of the Ring itself, that also makes sense. The Ring plays on the will to power. Bombadil has no interest whatever in the world outside his forest, and within his forest his power is already total. What has the Ring to offer him? Nothing he'd want.

    Still, Sauron could probably have destroyed Bombadil, again as Elrond feared. Fling flame into the forest from far afield, fill the river with poisons. Blight the land and burn the Old Forest and you destroy Bombadil's Ring, and he falls just as Sauron did.

    --
    Real Daleks don't climb stairs - they level the building.
  52. Don't by jonasj · · Score: 1

    (Sorry. Geeking out.)

    Don't be sorry! You're on /.! A big part of why we hang out here is that it's OKAY to geek out!

    And your analysis is interesting, I liked reading it.
    --
    You know, Microsoft's street address also says a lot about their mentality.
  53. Re:Does it answer the two most important questions by Anonymous Coward · · Score: 0

    Thus we see what Bombadil *must* be. He is the corporal manifestation of a god. Tolkien specifically said this was totally not the case.

    But back to him being the personification of neutral. His arch-enemy is Old man willow. Tom could seemingly without any trouble get rid of him once and for all, and what does he do? He sings him to sleep -- and only when the guy is actually making trouble! What's more neutral than that? He has this enemy which seemingly only exists as a foil to demonstrate his lack of real conflict.
  54. Re:Does it answer the two most important questions by l0b0 · · Score: 1

    I don't remember whether Illúvatar (the god) said later that it was his intention all along, but I distinctly remember Morgoth messing up the other gods' "creation song" so badly that Illúvatar had to intervene to avoid the whole universe being completely messed up.

  55. Children of Hurin Release Party by TolkienLibrary · · Score: 1

    For those who wish to win a deluxe Children of Hurin signed by Christopher Tolkien and Alan Lee, make sure to attend the on line Children of Hurin Release Party, where the whole world will join in to celebrate the release of the new Tolkien book. There are fantastic prizes to be won and all major Tolkien scholars and artists will attend the celebration! Don't miss this event: www.tolkienlibrary.com