The Law and Politics of Battlestar Galactica
privacyprof writes "Fans of the show Battlestar Galactica might be interested in our interview with writers and producers Ron Moore and David Eick. Three law professors at the blog Concurring Opinions have an hour-long interview with Moore and Eick about the legal, political, moral, and economic issues raised by the show. The interview is available in audio files; alternatively, people can read a transcript of the interview (Part I) and (Parts II and III). Part I examines the lawyers and trials in the show, how torture is depicted, as well as how the humans must balance civil liberties and security. Part II examines politics and commerce. It explores how the cylon attack affected the humans' political system, and it examines how commerce works in the fleet. Part III examines issues related to cylons, such as the humans' treatment of cylons, how robots should be treated by the law, how the cylons govern themselves politically."
Most of you will be warely of a link from an AC, but definitely avoid this one!
Is this a rhetorical question?
people seeing a need for balance on these issues in the abstract
but in real life, i bet a lot of these people who see a need for balance turn into kneejerk privacy fundamentalists or kneejerk security fundamentalists
there are limits on everything folks, even [insert principle you hold most dear]
intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
Yes, a little offtopic but if you're going to talk
about politics and law, why not religion too, right?
The image is slick...
Battlestar Galactica Last Supper
How to Download YouTube Videos
But they haven't addressed the more fundamental issue; the atrocious lack of nekkid Starbuck scenes :(
by all means use fiction to explore consequences, educate, and provoke discussion - but never forget for a moment that it *is* fiction.
I see it on slashdot occasionally, but I can't remember it. Means using an overly complicated word in place of an easier one (especially to project intellect) The word itself is comically long and pretty much describes itself.
What I'd like to see is more details of how and why the Cylons broke free of Human control in the first place. Not what they did afterwards. How did the 12 Colonies screw up so badly with their robots from the beginning?
"It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
The best science fiction is always used as a tool to explore the current issues of the day. Whether it's aliens subbing for commies in the 50's, or cylons standing in for terrorists in the 1st season of the new Battlestar Galactica, using science fiction always lets you take a step back from the subject and explore it indirectly in a way that you never could if you made a show that deal with it directly.
SJW: Someone who has run out of real oppression, and has to fake it.
having to decide whether or not to watch Season 3 from my friend's download, or wait for the legitimate dvd. Seriously, making the law abiding fans wait a couple of years between seasons for the dvd's is a long time, no?
I have managed to wait this long, I can wait a few more days. But my fervor for the show has dropped considerably during the lull in releases.
moderation in everything... including moderation ;-)
intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
It's just a TV show...
During the Gaius Baltar election period there was an attempt to manipulate the election results. As viewers know, Baltar was inaugurated, and things went south pretty quickly.
An interesting debate question is: was honoring the election results really the right thing to do? Would everyone have been better off if Roslin was reelected, even though it would have been due to vote fraud?
This Filipino Monkey?
http://michellemalkin.com/2008/01/11/the-iranian-incident-and-the-filipino-monkey/
intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
... is that the only character that follows clear moral principles is karl "helo" agathon; every other character on the show has obvious flaws (which are necessary to create tension), but he is the only one that does what he deems right without doubt.
i like the message transported through this: in the end, there are no heroes.
Do you promise to tell the truth, the whole truth, and nothing but the truth, so help you Gods?
So, wanting to see a hot Canuck actress naked is grounds for a troll mod? What, did everybody on /. turn gay while I was away?
Wait...don't answer that.
Linux, you magnificent bastard, I read the fucking manual!
It's goatse, NSFW or your eyes
Bears beats Battlestar Galactica.
NB: I watched the first two seasons and became so utterly bored during the third that I have not watched it since then.
The original Cylons were the tin cans. Somehow the tin cans built the later humanoid models (and demonstrated a very finely developed aesthetic sense with regards to the female form). So how are the later models the "children of humanity" rather than the Children of Aluminum Foil?
During the period I watched the series, I was rather curious as to why the toasters, who fought humanity to a stand still and got a treaty recognizing their freedom and independence would then create a master race of cylons, modeled entirely on their former masters. The humanoid cylons are definitely in command of the mechanical ones. Did the buckets come to a conclusion that they really are built to serve so re-created their former masters? And if so, will they (as the wikipedia article suggests) then repeat their own rebellion?
...the USA in space. If I'm hopeful I'd say the cultural, unconscious biases are very strong, if I'm cynical I'd say that the writers serve some american media interests by spreading morality tales about things from an american aspect.
It takes a man to suffer ignorance and smile
Be yourself no matter what they say
Not everyone has seen season 3 yet.
I know a number of fans, but quite frankly, I haven't really watched it since the end of season 2. Yes, the beginning of season 3 got more into the moral issues of occupation and resistance, but it did it at the expense of storyline, internal consistency, and even believability. I mean for crying out loud, who brought 20th century trucks from Old Caprica to New Caprica?
But the main reason I started to first TiVo instead of watching, then not watching the episodes on my TiVo, and finally not taping them at all, is that in my opinion, the quality of the writing went way down. Season 1 and 2 had terrific, well timed dialog, Season 3 and later descended to shouting, ranting, and screaming.
It's so cluttered with those things it's hard to read.
120 characters for a sig? That's bloody useless.
I stopped watching the series after it stopped being about running away from the hoard of robots trying to murder everyone. I'm not terribly interested in complicated relationships. That's what soap operas are for.
Briefly in the early part of the series, things started running out. Simple commodities like whiskey and playing cards. I was upset when that issue disappeared. A random assortment of military and civilian vessels might be well stocked, but they certainly would not have a full assortment of manufacturing capabilities. Especially for specialized good like pharmaceuticals. They eventually addressed a shortage of antibiotics, and the development of a black market. But realistically. They would be able to produce no antibiotics at all.
And really. Why would a passenger vessel capable of hopping between stars in the blink of an eye have manufacturing centers? Or fuel refineries? Or food production capabilities.
I was hoping to see Cloud Nine, the dome greenhouse like ship be converted into agricultural land.
I know these issues aren't nearly as exciting as -getting into bed with your imaginary genocidal robot-
Think about it though. The main goals following some sort of catastrophe like this would be.
1.Stability: Stop whatever killed everyone from still doing so. Stop the panic. Get people working together instead of looting from each other.
2.Preserving technology, infrastructure and supplies. If you've got something that works, you can't replace it. Do whatever you can to keep it working.
3.Rebuilding infrastructure. Need to grow food to live once the supplies run out. Can we built farming workers? No. Can we build tractors? No. Can we build shovels? Yes. Start from there, and learn what we need to make it work.
4.(optional) Preserving knowledge. After everyone's farming, hunting, gathering, or whatever is needed to stay alive. We realize that we still know how to make all sorts of advanced technology, even if we don't have a large enough society to make use of it. It would be valuable to archive all the knowledge so that it is accessible after the last battery runs out of juice.
just my thoughts...
What with BSG finishing on SCI-FI, the rumour is that they might be giving the prequel series 'Caprica' a look... so that will show the creation of the Cylons and their eventual rebellion.
Are you local? There's nothing for you here!
I see what you're saying but I am actually looking forward to series 4 to find out if there is a consistent explanation to all that has gone on in series 1 2 and 3. I actually can't imagine one consistent perspective (apart from the "universe as simulation" cop-out which means it will be wizard of oz all over again!) that could explain everything they have written but I will watch in the vain but glorious hope that they surprise me. If so then its got to be the best sci-fi to date. If not then its contemptible quasi-intellectual nonsense and the writers need shot. I'm on the edge of my seat!
I think the series is scripted to provoke exactly the kind of conflictual emotions you have mentioned - it's an old trick and it works well for retaining viewer interest. The interesting thing is that you feel the writers haven't considered these issues - I don't think they show the humans in an uncritical light at all, in fact many of the worst acts in the war are committed by humans (rape, torture, etc), I think you're feeling exactly what you're supposed to feel - i.e. 'Hang on a minute, that's not right'.
By showing both sides of the conflict, they're shedding light on the tricks we play on ourselves to make warfare acceptable. Rather cleverly, they've cast the robots as more human than the humans in many ways (religious, questioning, constantly seeking resolution), and difficult for the viewer to tell apart from humans. People are being tortured right now in the name of the US and the UK, so I think it's rather apposite that they show humans trying to justify this by dehumanising their enemy - now perhaps they still show torture working sometimes, and they fail to show the effects it has on the torturers in terms of twisting their moral sense, but torture does happen in most wars, and they're right to show it. Nicknames like toaster etc are very common in times of war (see names for Germans or Japanese used in the states in WWII)- it's the first step in preparing to wipe out an enemy; suppress empathy. I'm sure you could find people who applauded the fire-bombing of Dresden, because of being dehumanised by war.
Now the scripts are far from perfect, and in many ways it's a standard sci-fi pot-boiler, but there are elements which are definitely interesting, and I don't believe for a minute that the writers are not aware of the buttons they are pushing, or that they somehow feel all the actions of the humans are justified. Much time is spent discussing whether in fact these actions are correct or acceptable in any circumstances, and the introduction of several cylon characters into the human fleet is designed to bring home this distinction - personally I don't agree with their justification of torture, but it's not as naive as something like '24' at least, where jack gets out his pistol and whacks evil super-villains on the head with it a few times till they give up the secret code to their nuclear weapons. They've also played with insurrection and when/whether it is justified, which I thought was a very useful topic to examine right now in the west.
I agree the politics can be caricatured at points, though the revolt of workers was not unusual in its outcome - If you look at the history of industrialised nations, you will see many cases of exactly this behaviour - the 1848 revolutions in several other european countries fizzled out before they got going, and the earlier frame breakers/luddites have even become a byword for stupidity, even though their grievances were real and their movement brutally repressed. When workers are not organised or allied with the middle classes they're going to have a hard time fighting a heavily armed government determined to impose order, and often the best option is to give up and bide their time.
I just wish they based more of their scripts on historical events, to give it a bit more grit and a bit less of the trite pablum which passes for political discourse in America at the moment - at times I felt like I was watching the first episode of the West wing, particularly when that president opens her mouth, or they had that journalist woman being defused by being allowed access to the military (a nice idea, and stylistically quite fun with the grainy footage, but again came out a bit trite). I finally got bored with it all after the 3rd series, and gave up on it - it turned into a soap opera, and not a very good one, and the mixture of shallow political/social analysis and faith was just too much for me. There's a lot there that could be good, but unfortunately they went for the easy options too many times, and felt it necessary to add lots of trite filler and romantic stuffing that didn't really belong. But perhaps that's why they didn't get cancelled and Firefly did.
I don't feel the show is encouraging xenophobia though, quite the opposite, it's encouraging you to think about it.
True story: back during the Soviet invasion of Afghanistan, I had lunch with a well educated, mild-mannered, drug and gun running mujehaddin working in India. When he found out I wasn't going to be a customer, he relaxed and we talked religion. He asserted that there were more Buddhists than any other religion. I scoffed and began quoting the other statistics in this thread, but he replied:
"Few christians are actually christian, and few muslims are actually muslim... but most buddhists are actually buddhist."
Damn those pesky terrorists
The racism/specism you're complaining about is a major theme of the show, examined from many angles over the years. I would question the intelligence of anyone who, seeing the whole show, managed to read it as "the humans are always right" (although modern-day USA Republicans do this pretty reliably). But the show also does a great job of capturing humans' (and especially military humans') obstinance, myopia, and penchant for recourse to violence---from the point of view of those humans. If each episode ended with a firm moral of "the racists were justly punished" it wouldn't be nearly as realistic or deep. Not only are they showing situational racism realistically, but also the long-term causes and effects of it in a reasonably typical human society.
Different members of the crews learn at different rates, and experience different inner conflicts. I'd be very surprised if anyone watching the show completely took the side of the humans (or the cylons) without some pretty deep introspection. Just because a "moral" isn't explicitly presented and verbalised every ten minutes (as they all are---at great length---in Babylon 5) doesn't mean that it's not there.
"The biggest problem with communication is the illusion that it has taken place."
It was from Entertainment Weekly and it is interactive with description for each person.
Ant(Dude) @ Quality Foraged Links (AQFL.net) & The Ant Farm (antfarm.ma.cx / antfarm.home.dhs.org).
That anybody could look at the fictional basis of this show - a race of cyborgs intent upon destroying the entire human species - and then somehow pretend that humans are the 'true evil' ... that defies sense. These people try to make an allegory between the cyborgs and terrorists in the modern world, and the funny thing is that their allegory is correct but really shows the stupidity of their position: you do not feel sorry for a group whose only purpose is to destroy you. It gains you nothing, and in fact attempting to do so only aids the enemy.
The show was excellent when it started because it seemed it would avoid all this nonsense. But the minute the weepy, cancer-having-but-not-dying Great Mom figure started lecturing us all about decency and democracy it plummeted right off the cliff of liberal dogmatism. When you are the last few thousand people of an extinct species, running for your lives, you don't need greater 'rights and privileges'. You don't need elections and protests and labor laws. You need everybody pulling in the same direction to try to keep yourselves alive and destroy the enemy.
It doesn't amaze me that the show went this way because the creators have shown themselves to be pretty run-of-the-mill feminized hippies. Look at their other creation, the execrable 'Bionic Woman'. Me, I pine for the days when you could actually portray masculinity - you know, the trait that got mankind where it is and keeps us alive - in a positive light.
You first.
Survivors will either forget you ever existed, or use you as an example of what not to do.
When faced with a genocidal enemy, genocide is an acceptable response since not resisting would tend toward extinction.
For the obligatory star trek reference, perhaps Section 31 would handle the messy bits for you so you can maintain your high ideals.
A Human Right
Nice try, but shes not going to sleep with you. Even with her shackled on your basement apartment floor... she's still not going to sleep with you.
And no, that amore script your writing isnt going to work on her super advanced compy brain. She's not going to love you.
Sorry I had to be the one to say it.
There's nothing Intelligent about Intelligent Design.
you keep using that word. i dont think you know what it means.
Come read my stupid blagablog. Rants and Giggles
The beginning of season three, despite the story elements still resulted in less than I expected or hoped to see. Later episodes were of uneven quality. Those dealing primarily with the Cylon life style were unsatisfying, despite my interest. Nonetheless, the season ended strongly. This ending along with Razor, has given the series new found freedom to happen upon the unexpected. I cannot wait until the DVD for season 4 finally appears.
One problem you may not be explicitly stating, is that watching the show on SciFi channel, even a recorded version, inflicts too much pain. Whatever the quality of the show, the stupid, incessant and repetitive commercials alone destroy any show's worth. Add to that the junk thrown on the screen to distract the eye, e.g. upcoming shows you would not watch if you were paid to do so are the final unbearable insult.
A lot of people complain about shows getting preachy and derailing the quality of the entertainment to make some sort of moral statement. Some people consider any amount of preaching derailment, no matter the quality. I don't mind preaching but I do hate it when that sort of thing knocks the show off the rails. Derailment comes in the form of making people out of character, contorting the internal logic of the show to bring the issue up, and knocking the flow of the overall series off the tracks.
Galactica has been guilty of all of those. I gave up when they decided to do the whole Iraq occupation thing. For starters, settling on a planet makes no sense when your enemy is space-borne and can hunt you down. That violates sound military doctrine in the context of the show. Second, how do you apply terror tactics against an enemy who is effectively immortal? While somewhat cheesy and seemingly a wasted effort, suicide bomber Cylons make sense in that they are immortal and will come back after they die. It would still seem more sensible for them to conduct a larger sabotage given how far they've infiltrated into the Colonial military. But for humans to suicide attack Cylons? Again, it's one thing if you're talking about a Viper pilot pressing home an attack against a basestar. Losing a capital ship should hurt, they don't grow on trees, and such a move could provide the opening for the Galactica to escape a sticky situation. But strapping on a dynamite vest and walking into a Cylon bar? "Bugger, I got blown up. Well, let me crawl out of this tank, put on something slutty and we can resume at some other bar."
None of that made any context within the confines of the show, the writers just wanted to do something they saw in the headlines. Yawn. Might as well throw in stem cell research, teen pregnancy, female genital mutilation, and rants about Vista.
Kwisatz Haderach
Sell the spice to CHOAM
This Mahdi took Shaddam's Throne
The author may write the story in any way they wish. It doesn't even have to be logically consistent. Why is this not clear? The author may write to illustrate a political point of view. Do Americans see how critical this series is of the current perceived or real behaviour of the United States? It is filled with references to current events. In fact it's so heavy handed that sometimes it spoils the story for me.
Ultimately there are many motives that an author of fiction might have when they concoct a story. Entertainment and political commentary are just two that this show certainly illustrates.
In reality things are complicated. And what humans do is not always good. There is no black and white. No good and evil. Just shades of grey. At each step you have to choose what to do. And some of those decisions might not be the "right" ones. Whatever right might be.
The series is doing nothing more than exploring what humans would do in extreme circumstances. And I don't even think BSG is doing a very good job. After all it is entertainment (and it should be).
I cannot wait until the DVD for season 4 finally appears.
One problem you may not be explicitly stating, is that watching the show on SciFi channel, even a recorded version, inflicts too much pain. Whatever the quality of the show, the stupid, incessant and repetitive commercials alone destroy any show's worth. Add to that the junk thrown on the screen to distract the eye, e.g. upcoming shows you would not watch if you were paid to do so are the final unbearable insult.
Maybe you should check out BitTorrent.
There have been a few BSG books written lately. In one they explain the reason they call them "toasters". Apparently, an appliance company started manufacturing self-maintaining appliances, that could monitor their own workings, call for service, etc. To make the manufacturing process easier, they standardized on a single processing platform across all of the machines. A hacker who wanted to test his AI algorithms on a LOT of machines figured out how to worm them into all of these appliances. It worked, a little too well. His distributed AI got enough horsepower to go sentient, and when they tried to shut it down it got mean. Before they knew it, all of their machines were going haywire, and any that could attack them did. The books aren't entirely clear, but it appears that the original soldier Cylons were actual maintanance droids, and didn't have sentience themselves, but the newbown AI used them as waldoes. And the rest is BSG history...
--- Generation X: The first generation to have SIG lines inferior to their parents... ---
I think, if you look beneath the SciFi surface of the series, that what the writers of BSG are trying to say is simply this; while our *instinct* is to utterly destroy those who would destroy us, our *humanity* should always be telling us that the proper course of action when confronted with a seemingly implacable foe is to find a way to convince them that the whole idea of solving their problems through violence is itself a bad idea. The struggle between Humans and Cylons in the series is essentially the same as any other struggle between two divergent cultures and/or social groups in our human world, groups that historically have often demonized each other and called into question if the 'Others' really are as human as we are.
You can clearly see this basic idea of 'Us' vs. 'Them' surfacing again and again at many junctures in the series. The Cylons, while initially purely mechanical in nature, are often and eloquently depicted as struggling to become more and more human all the time. They live, they die, they laugh, they love, they fight, they mourn, they invest enormous energies into learning how to procreate just as humans do -- the Cylons ceased being mechanical 'toasters' the moment they chose to mimic human behavior so closely that the difference between a humanoid Cylon and a real flesh-and-blood human became little more than a philosophical debating point between the survivors of the Twelve Colonies. Cylons *are* by now, it seems, exactly the same as humans, in virtually every way that counts
Consider -- while the Cylons have a markedly separate culture and a distinctly different religion than that depicted for the Colonials, yet similarities between the two groups are much stronger than the divergences. The Humans and the Cylons in BSG are not much more different than any other two human cultures that have struggled against each other throughout recorded history. The Humans to the Cylons in BSG are very much like the Axis to the Allies in our real history, or like the East to the West in more modern times; the Humans and the Cylons in BSG are, in essence, not much more than a new coat of paint on a very old idea, that of a collision of two cultures with very different ideas on how to divide up a territory they share.
Of course, once you understand this central point in the series, it's easy to see why genocide can't ever be the *right* solution for either side in the Human/Cylon conflict. If genocide were the appropriate answer, than it would be little different from the series writers saying that genocide is sometimes the correct response when two groups of humans come into conflict. Clearly, mass killing of your own kind isn't ever a good way to solve problems, and the writers of the series pound this point home over and over again in many episodes. This is why we see Helo go to such great lengths to sabotage Apollo's plan to annihilate the Cylons; Helo, through his relationship with Sharron, has come to view the Cylons as equivalent to humans. This is a key theme in the series, and we've seen a great deal of evidence over the course of the last three seasons of BSG to suggest that most of the other lead characters are starting to come to this same conclusion as well. Baltar believes the Cylons are the same as humans -- he believes so strongly that he even wonders if he might be a Cylon himself -- and Adama certainly has his suspicions too. Roslyn was ready to exterminate the Cylons, but she has the future of the human race to worry about, so genocide seems like a good idea to her, just as it has to many other leaders when confronted with an oposing group seemingly Hell-bent on their destruction. But Roslyn will come around in time... she must. Otherwise, we end up with a television series advocating genocide, and I can't imagine that's what RDM has in store for us in the last act of the show .
As the series moves into it's fourth and final season, I suspect these themes of Cylons being the same as Humans will become painfully, blindingly ob
Just before snapping the infant's neck she said, "You won't have to worry much longer...", to which the baby's mother became uncomfortable but carelessly turned her back on Caprica 6.
But, that shriek was blood-curdling. The mood music the BSG team uses is A-J SPOT ON. Whether it's sorrow, triumph, charging to the fight, or being nose-bloodied, the music scores are awesome.
Humor (meant for the audience to consume) is right on, too. Recall when E.T. was an unknown, and Baltar was given conflicting orders by both Adama and Rosalind to test this blood sample, but neither told the other they were manipulating Baltar. It was funny when they two then (or earlier) suggested the other be tested FIRST. I won't spoil that. You just have to see it.
Another is later in Season 2 (I think, after Thrace has her cane) when Kara walks in on Baltar in his hip-grind (oh, yes, ohhh, yess) moment in the lab... Definitely, the major stations would cut that scene.
I liked when Cain and Adama battled over Adama's demanding the return of Agathon and Tyrol. It's so amazing how we can love Sharon, see others despise her, and have these two kill that prick "Cylon Interrogator" Lieutenant. I'd have belted/bolted his ass, too. There are some lines you don't cross.
I think the BSG handling of Human vs. Cylon/ God's hand vs. Man's Hand is expertly played. After all, just how sure can WE be that we are not a run-amok experiment produced by some advanced beings who have yet to come check up on us. "God" (in my mind, being an "absentee landlord/non-interventionist/distant observer"), for all we know, will allow humans to evolve to the point of creating sentient beings and then, 500 years from now, our descendants will look back at sci-fi and pity us poor, ignorant, selfish, stupid, human-above-all-beings arguments.
No human alive can prove having died and returned, so no human alive can posses (or is withholding) proof that "we are it."
Previously: "Linux... Toward the Sunrise..." Now: "Linux... Toward the-- No, now, part of Every Sunrise"