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Restaurateur Loses Copyright Suit To BMI

Frosty P writes: BMI claims Amici III in Linden, New York didn't have a license when it played four tunes in its eatery one night last year, including the beloved "Bennie and the Jets" and "Brown Sugar," winning $24,000 earlier this year, and over $8,200 in attorney's fees. Giovanni Lavorato, who has been in business for 25 years, says the disc DJ brought into the eatery paid a fee to play tunes. "It's ridiculous for me to pay somebody also," he said. "This is not a nightclub. This is not a disco joint . . . How many times do they want to get paid for the stupid music?"

389 comments

  1. Surprise! by tnk1 · · Score: 5, Insightful

    How many times do they want to get paid for the stupid music?"

    As many times as they possibly can.

    Obviously.

    1. Re:Surprise! by Anonymous Coward · · Score: 1

      The disc jockey DJ brought into the eatery by his son also paid a fee to play tunes, Lavorato believes.

      "Believes" is not the same as "The contract we had him sign when we hired him stated that he had already obtained the proper licenses to play the music in a public establishment, would provide proof of said licenses, and would bear all legal costs if said licenses were missing or invalid."

      While I don't agree with the copyright and licensing laws, as a business owner part of your job is protecting your ass when you bring in outside contractors. A couple sentences on a piece of paper with a signature would have sent the Thugs after the "disc jockey Disc Jockey" he hired instead of taking it himself.
      The fact that he doesn't even know for sure if they PAID the guy to come in is rather revealing of how he runs his business. I have trouble finding much sympathy for him in this instance.

    2. Re:Surprise! by s.petry · · Score: 5, Insightful

      A couple sentences on a piece of paper with a signature would have sent the Thugs after the "disc jockey Disc Jockey" he hired instead of taking it himself.

      I think you should check history before making such statements. The RIAA has a history of going after who will have the money to pay, not the responsible party. Perhaps the contract would have been used for the RIAA to go after both parties, but the guy with money always gets sued. Who has money here, the DJ or the business owner? Hint: I have not seen a wealth DJ ever.

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    3. Re:Surprise! by mrbester · · Score: 0

      I'm pretty sure Norman Cook has a few bob. As does Pete Tong, Danny Rampling and Paul Oakenfold.

      Does deadmau5 count?

      --
      "Wait. Something's happening. It's opening up! My God, it's full of apricots!"
    4. Re:Surprise! by s.petry · · Score: 1

      None of them count for a number of reasons. First, none of them are from the US where the RIAA would sue them. Probably more importantly, the people you mentioned are not wealthy only because of being a DJ. They are all wealthy because of being producers, musicians, etc...

      Now that said, I never stated that being a wealth DJ was impossible. I stated that I had never seen a wealthy DJ. Radio DJs can make a good living, but the DJ in question was not the same variety. The majority of people performing weddings and such DJ for fun and extra cash.

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    5. Re:Surprise! by Anonymous Coward · · Score: 1, Insightful

      My father who is only a self employed plasterer had to cough up 32000 euro for not paying licence fees to the music industry. The only thing he had was a car radio in his truck to listen to the traffic alerts so he doesn't get stuck in a traffic jam. The fact that his truck was a two seater implied that he was able to have a passenger who could eventually listen to the radio. Since he never paid a license and they could proof that my father had been working 'illegal' (= having a truck with a car radio) for at least 16 years (truck manufacturer were proud to put the 'free radio' on their invoice) was enough for the judge to decide the hefty fine (2000 euro fine a year X 16 years, normal license fee 500 euro / year).

      Now where can a simple plasterer who has to work hard, make long hours and is always struggling to get the money from his customers get the knowledge about copyright licenses? Do also note that my father was born right after WWII in a completely destroyed country (first by German invaders, than by Allied bombing, and than again by German V2 rockets) and he had to start working from the age of 12 just like the majority of his generation. He could barely write his own name and had to learn to read, write and calculate in his little spare time. How can the music industry even justify a 500 euro / year license fee for the fact that you might have a passenger in the car who might hear some copyrighted music in between traffic alerts, and from an uneducated hard working, tax paying, law and god fearing individual? 32.000 euro fine is what you expect for a night club to that has never bothered to license their music. But a plasterer who has a car radio???

      For my father something broke. He was considered a criminal, while he always wanted to walk in line, to never do anything wrong (in both religious and secular laws), to be a good Catholic. And than all of the sudden a fine that is even many times higher than what child molesters have to pay.
       
      And the music industry? When they could not get money any more from the small, hard working entrepreneurs, they went after kindergartens were kids where singing copy righted children's songs (really just the children singing songs, not the schools playing the music because the schools already banned music because the license fees could not be afforded).

      My Grandmother on Mother's side always said all bad things come from oversees. And apparently this abomination of copy right laws and private tax collectors is something that has to be stopped as soon as possible. It isn't protecting the right of poor musicians any more, it is stealing money from the hard working class who achieved something in live by working with their hands instead of having the luxury to get a college education. People like these were respected in the past, now they are just the primary target for swindlers and nobody cares for them, not the judges, not the politicians, not the rich musicians.

    6. Re:Surprise! by Anonymous Coward · · Score: 2, Insightful

      You might get a bit of sympathy if you told us which highly enlightened nation your father lives in.

      And I assure you that "constantly pay money because you have a low-tech radio in a vehicle" did NOT come from overseas if you live anywhere they use the Euro. (From across the Channel maybe, but not from across the Atlantic.)

    7. Re: Surprise! by Anonymous Coward · · Score: 0

      Bullshit story

    8. Re:Surprise! by CanEHdian · · Score: 2

      The Copyright Industry has tons and tons of money to bribe politicians... ^H^H^H^H^H make "campaign donations". Further, they can invite politicians to cool events, for free, with a guest they can impress (and what THAT might lead to later that night!) and made to feel important, get a meet & greet with the celebrity performer, etc. What do you got?

      --
      When the copyright term is "forever minus a day", live every day like it's the last.
    9. Re:Surprise! by Anonymous Coward · · Score: 1

      This is prototypical form European rent-seeking insanity, they've just applied American-style IP laws to the project. Nobody in Europe legally owns a man as a slave, but there are plenty of rent-seeking cartels who own bits and pieces of the man and his life and his business - long before you get to the excesses in the continent's various taxes and pension schemes. The American cartels can barely compete.

    10. Re:Surprise! by rtb61 · · Score: 1

      They do more than pay money, they also feed sexual perversions and drug addictions and then use that to extort control. They are the worst of the worst.

      --
      Chaos - everything, everywhere, everywhen
    11. Re: Surprise! by JWSmythe · · Score: 1

      He lost because he didn't bother to respond to the charges.. I couldn't read the text of the complaint (they want money), but the article says he's been ignoring them for several years over these "performances".

      I don't agree with the price tag, but it looks like he was fudging the truth to get free advertising out of this lawsuit.

      --
      Serious? Seriousness is well above my pay grade.
    12. Re: Surprise! by Threni · · Score: 1

      "My Grandmother on Mother's side always said all bad things come from oversees"

      Embarrassing elderly relative.

    13. Re:Surprise! by Trogre · · Score: 1

      And since they clearly have shown no gratitude for you promoting their music for free, just don't play RIAA music any more.

      So who does the best Creative Commons cafe mix tapes?

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    14. Re:Surprise! by Talderas · · Score: 1

      You might get a bit of sympathy if you told us which highly enlightened nation your father lives in.

      V2 targets were Belgium, United Kingdom, France, Netherlands, and even a few in Germany. The latter three nations suffered together just over 100 V2s while the former two suffered an average of 1,500 each. We can safely assume the Germans never invaded Germany and likewise we know the Germans never invaded the United Kingdom. We also know that allied bombing was never directed at the United Kingdom. That would make Belgium the likely target but over 95% of the V2s fired at Belgium were targeted at Antwerp after the allies had occupied it. Additionally, I don't recall there being massive destruction from the invasion by the Germans.

      --
      "Lack of speed can be overcome. In the worst case by patience." --Znork
    15. Re: Surprise! by SargentDU · · Score: 1

      Not embarrassing, sounds like she was right on with her comment. What do you find embarrassing about her words Threni?

    16. Re:Surprise! by ZeroWaiteState · · Score: 1

      If Giovanni Lavorato still has money left after paying his other expenses, he clearly hasn't spent enough on the music.

    17. Re: Surprise! by Threni · · Score: 1

      The casual racism. I probably come from oversees relative to you. Am I bad? Are you? What does it mean? Does it only work for one country? Sounds like religious bollocks too; the religion I happened to have been born into is the only true one; the others are evil. It's just simplistic bullshit for uneducated peasants, isn't it.

  2. How many times? by NoKaOi · · Score: 5, Insightful

    How many times do they want to get paid for the stupid music?

    Infinite.

    1. Re:How many times? by Lead+Butthead · · Score: 5, Funny

      For the record labels, every passing thought of the melody or lyric constitutes an infringement. The only thing that's stopping them right now is their inability to read minds.

      --
      ELOI, ELOI, LAMA SABACHTHANI!?
    2. Re:How many times? by Lawrence_Bird · · Score: 5, Interesting

      If I buy a CD and play it in my home, how many others may be in the same room listening before I need to pay a fee?
      If a company buys a CD and plays it at their place of business, who else may be in the room listening before they need to pay a fee?

      I do not know the answer buy my personal opinion is "as many as I want" unless as a business the main reason why customers are paying me is to listen to those specific songs, in that case I am re-marketing them.

    3. Re:How many times? by afidel · · Score: 0

      Uh, 50% of BMI fees go to the songwriters which is a good bit more than the labels give them.

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    4. Re:How many times? by Xenx · · Score: 2

      So, not a record label.. but the "joke" is still valid otherwise. Just because they treat the artist better, doesn't mean they can dick every one else over.

    5. Re:How many times? by Anonymous Coward · · Score: 5, Insightful

      Open your windows and play it as loud as you can.

      What you do in your own home is private consumption.

      Really need to start tacking RICO act violations to the RIAA ASCAAP, BMI, etc...

      They are just thieves out to steal as much money as they can without benefiting anyone but themselves.

    6. Re:How many times? by Xenx · · Score: 1

      can=should

    7. Re:How many times? by geekmux · · Score: 4, Insightful

      If I buy a CD and play it in my home, how many others may be in the same room listening before I need to pay a fee? If a company buys a CD and plays it at their place of business, who else may be in the room listening before they need to pay a fee?

      I do not know the answer buy my personal opinion is "as many as I want" unless as a business the main reason why customers are paying me is to listen to those specific songs, in that case I am re-marketing them.

      In the case of a business, you're playing music for the same reason the artist is making it; to entertain others.

      Don't want to pay for that entertainment? Fine, let your customers do whatever they want to do in your store in silence.

      And it doesn't matter if our personal opinions match here. All that matters is the "logic" a lawyer needs.

    8. Re:How many times? by Anonymous Coward · · Score: 0

      I hate to belabor the obvious, but restaurants play music both recorded and live because it attracts customers. The r3estaurant makes money, why shouldn't artists and performers enjoy the fruits of the creative labors at least for a reasonable time?

    9. Re:How many times? by aitikin · · Score: 1

      That's why you get your kitchen staff to wear earplugs and play the music loudly from there. At that point, it's for the staff's enjoyment, and not as an entertainment draw for the restaurant/bar (legally speaking). I don't necessarily agree with the way this one works, but I do see benefits to the fact that the musician is actually make some semblance of money off of these deals, unlike the record labels.

      --
      "Don't meddle in the affairs of a patent dragon, for thou art tasty and good with ketchup." ~ohcrapitssteve
    10. Re:How many times? by jedidiah · · Score: 4, Insightful

      They already did apparently. They just wanted to charge more than one person for the same "performance".

      --
      A Pirate and a Puritan look the same on a balance sheet.
    11. Re:How many times? by Maxo-Texas · · Score: 5, Informative

      The article is unclear but it sounds like the DJ pays a fee to pay the music.

      One would logically assume that fee would cover the restaurant who pays the DJ to provide music.

      Why should the DJ pay a fee to play the music in a public place AND the restaurant pay a fee when the DJ plays the music in their restaurant. One or the other fee should cover the song.

      It would be like paying for the meal- then paying a fee for having the meal on a plate- then paying a fee for having the meal on a table- and then paying an extra fee if the meal is eaten with wine instead of a soda.

      If the DJ pays a fee, that should cover all music the DJ plays. The restaurant wouldn't logically have to pay another fee.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    12. Re:How many times? by TheDarkener · · Score: 5, Insightful

      50% of BMI fees go to the songwriters

      *Which* songwriters is the real question.

      --
      It is pitch black. You are likely to be eaten by a grue.
    13. Re:How many times? by AK+Marc · · Score: 1

      So, if an employee brings in a radio and plays it alone in the break room, the owner should end up sued for copyright violation.

      If not, then you agree there are times when music in a business isn't subject to extra licensing.

    14. Re:How many times? by AK+Marc · · Score: 1

      He paid for the music (to a DJ). The DJ paid for the music (presumably with the right to play in a public performance, as he's a DJ). So BMI is insisting that the restaurant owner *also* pay BMI for music played that the restaurant owner believed in good faith, he had already paid a fee for a public performance. How many times should he pay a "public performance fee" for the same music?

    15. Re:How many times? by morphotomy · · Score: 1

      Its like (the wholesaler) charging the restaurant for the food they're going to sell, then charging the waiter for bringing it out.

    16. Re:How many times? by aitikin · · Score: 1

      That's an area devoted to the sales staff and therefore you are not playing music for customers. There are exceptions made for that (see my other post).

      --
      "Don't meddle in the affairs of a patent dragon, for thou art tasty and good with ketchup." ~ohcrapitssteve
    17. Re:How many times? by Anonymous Coward · · Score: 0

      If I buy a CD and play it in my home, how many others may be in the same room listening before I need to pay a fee?

      Check your local Zoning Ordinances, they should be able to tell you at what point the party is no longer 'private' and exceeds what you are allowed to do on a residential property (without a permit).
      But you're also not running a business, commercial settings have different rules.

      If a company buys a CD and plays it at their place of business, who else may be in the room listening before they need to pay a fee?

      Anybody at all. CD's are licensed for private audience listening, not for use in a business environment.

    18. Re:How many times? by antiperimetaparalogo · · Score: 2

      The article writes "The disc jockey DJ brought into the eatery by his son also paid a fee to play tunes, Lavorato [the restaurant owner] believes." - but this Lavorato guy, the restaurant owner, also believes doing things his way... read this: “I don’t talk to the judges. I don’t talk to anybody. I just don’t want to talk to any of these people, because it’s illegal to try and take money from people,”

      --
      Antisthenes: "Wisdom begins by examining the words/names." - excuse my English, i am (slightly...) better with my Greek!
    19. Re:How many times? by antiperimetaparalogo · · Score: 0

      I just made a comment about what is the reality, and what restaurant owner "believes" or pretends to believe...

      --
      Antisthenes: "Wisdom begins by examining the words/names." - excuse my English, i am (slightly...) better with my Greek!
    20. Re:How many times? by aitikin · · Score: 5, Informative
      Unfortunately it's the responsibility of the venue to clear those licenses, not the DJ or other musicians. As ASCAP points out on their FAQS:

      Some people mistakenly assume that musicians and entertainers must obtain licenses to perform copyrighted music or that businesses where music is performed can shift their responsibility to musicians or entertainers. The law says all who participate in, or are responsible for, performances of music are legally responsible. Since it is the business owner who obtains the ultimate benefit from the performance, it is the business owner who obtains the license. Music license fees are one of the many costs of doing business.

      it's not the musicians, it's the business. Same reason (or should be, but often isn't) business owners charge a cover when music is being played in the venue (although, often times said cover is also paid to the musicians themselves).

      --
      "Don't meddle in the affairs of a patent dragon, for thou art tasty and good with ketchup." ~ohcrapitssteve
    21. Re:How many times? by Anonymous Coward · · Score: 0

      I thought ASCAP was for the songwriters. The article says this BMI group is an "artists rights group". Unless they are practicing shitty journalism that would mean it goes to the artists not the writers.

    22. Re:How many times? by wbr1 · · Score: 1

      The difference here is that he cannot charge over and over for the same stupid food. Not unless he gets it back from his patrons when they are finished with it. that alone makes this comparison void. A label or copyright holder does not have to work to reproduce or distribute the music every time it is played.

      --
      Silence is a state of mime.
    23. Re:How many times? by viperidaenz · · Score: 1

      In the case of a business, you're playing music for the same reason the artist is making it; to entertain others.

      Same reason you play it in your own home when others are also present.

      That's why a music CD costs a lot more than a blank CD, correct?

    24. Re:How many times? by antiperimetaparalogo · · Score: 1

      The difference here is that he cannot charge over and over for the same stupid food. Not unless he gets it back from his patrons when they are finished with it. that alone makes this comparison void. A label or copyright holder does not have to work to reproduce or distribute the music every time it is played.

      I did not tried to make an analogy of HIS stupid food with THEIR stupid music based on how many times someone must pay for them if they are the *"same"* BUT (for a bad analogy...) i am a Greek that always "complains" when i have to pay in a restaurant with this "but how many/much tomates, olives, feta, olive oil this Greek salad had, and how many times must a pay this retsina/ouzo bottle i ordered and drink?" - of course i know the answer, but.... i am Greek, i must do it every time!

      --
      Antisthenes: "Wisdom begins by examining the words/names." - excuse my English, i am (slightly...) better with my Greek!
    25. Re:How many times? by mrbester · · Score: 1

      The airlines do it. So do ISPs. Why should the music business be any different?

      --
      "Wait. Something's happening. It's opening up! My God, it's full of apricots!"
    26. Re:How many times? by Anonymous Coward · · Score: 0

      So playing music at home with my family, which is entertaining others, requires me to pay a fee?

    27. Re: How many times? by cpt+kangarooski · · Score: 4, Informative

      ASCAP, BMI, and SESAC are the three main performing rights organizations in the US. All of them represent the holders of the music copyrights (e.g. songwriters), not the sound recordings made by artists.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    28. Re:How many times? by Anonymous Coward · · Score: 0

      and then paying an extra fee if the meal is eaten with wine instead of a soda.

      Isn't that essentially what an alcohol tax is? When I eat out, any alcoholic drinks I have are taxed higher than the food I ordered.

    29. Re:How many times? by Anonymous Coward · · Score: 0

      It's like bringing your own wine bottle and paying the restaurant so you can drink it in the restaurant. Oh wait.

    30. Re:How many times? by PRMan · · Score: 1

      You really don't understand "mens rea" or "good faith", do you?

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
    31. Re:How many times? by phantomfive · · Score: 1

      Answer is here. Essentially if you have a gathering that is not family and friends, you'll probably have to pay. If it's just your family and friends, then you're good (but if you're a bartender, good luck trying to get the judge to believe that all your clients are friends).

      --
      "First they came for the slanderers and i said nothing."
    32. Re:How many times? by mattventura · · Score: 1

      So it seems like the best defense for the restaurant owner would be "we didn't actually condone him playing music". Otherwise, I could simply walk into a restaurant or other establishment with a boombox playing copyrighted tunes, and the restaurant would be responsible for the copyright infringement.

    33. Re:How many times? by Lumpy · · Score: 1

      Yes, they should be sued for $22 million or more. That is the stance of ASCAP/BMI and the record labels.

      --
      Do not look at laser with remaining good eye.
    34. Re:How many times? by Anonymous Coward · · Score: 0

      You don not have to buy a CD and play in in your home. Just hear some catchy song somewhere in a pub (that had paid the extor... copy right fee) and hum it on the way home while walking on the public road will make you entitled to pay a fee.
       
      Of course, until now they don't go after these kind of offenders because it would cause a public outcry, but theoretically they have the right to ask money for every sort of reproduction of copyrighted material in public. In fact you have to pay in advance before you start humming that song you can't get out of your head. So next time you leave a pub and you feel like humming or whistling some song, just phone your local copyright agency and give a list of music you will hum/whistle on your way home and they will kindly send you an invoice :).

      Well that is here in Europe, maybe the US hasn't that draconian copyright laws, but my gut feelings say theirs they do have them ...

    35. Re:How many times? by darkwing_bmf · · Score: 2

      So it seems like the best defense for the restaurant owner would be "we didn't actually condone him playing music"

      I don't think you quite grasp the concept of hiring a DJ.

    36. Re:How many times? by MechaStreisand · · Score: 0

      Just leave this site, you stupid fucking moron.

      --
      Disclaimer: IANAL. This post is, however, legal advice, and creates an attorney-client relationship.
    37. Re:How many times? by Comrade+Ogilvy · · Score: 1

      There are stark differences between what a private individual can do for family and friends, and what a business owner can do when serving clientele from the general public. For example, it is not illegal to be a raging racist in one's personal life, but bringing that to your business relationships may have negative legal ramifications -- that is how it is.

      Now, it is true that the difference be a private activity and a licensed public business is not 100% clear. But that is not the issue in this case here. The restaurant owner runs a licensed public business.

    38. Re:How many times? by antiperimetaparalogo · · Score: 1

      Just leave this site, you stupid fucking moron.

      Make me leave...

      But i understand that you cannot understand that "this site" welcomes any "stupid fucking moron"!

      --
      Antisthenes: "Wisdom begins by examining the words/names." - excuse my English, i am (slightly...) better with my Greek!
    39. Re:How many times? by Anonymous Coward · · Score: 0

      The article is unclear but it sounds like the DJ pays a fee to pay the music.

      One would logically assume that fee would cover the restaurant who pays the DJ to provide music.

      Why should the DJ pay a fee to play the music in a public place AND the restaurant pay a fee when the DJ plays the music in their restaurant. One or the other fee should cover the song.

      I know a number of DJs of varying levels of reputation, from bedroom DJs to people who have residencies at nightclubs. I don't know of a single DJ that pays anything other than the cover price on a piece of music, whether purchased from a record store or purchased online. I'd also wager that there's a fair amount of music in all of their collections that may not have been paid for at all...

    40. Re:How many times? by AK+Marc · · Score: 1

      If the break room can be heard by the customers, at what dB level do they owe increased royalties?

    41. Re:How many times? by AK+Marc · · Score: 1

      When I played in a band, the establishments all made us sign that we were "legal", and absolved them of all risk (as much as a contract can do so). In fact many bands looking for exposure will play for free or even pay to play, though no band in that situation would be playing in a place with a cover charge (unless such place charges a cover for all nights, regardless of entertainment).

    42. Re: How many times? by Jason+Levine · · Score: 2

      Or like an ISP charging a user for Internet access to use Netflix and then charging Netflix for access to the ISP's users.

      --
      My sci-fi novel, Ghost Thief, is now available from Amazon.com.
    43. Re:How many times? by Anonymous Coward · · Score: 0

      Ive been playing in bar bands for 10+ years... and ive never once had a venue make us sign anything.

      Well.. i remember one that wanted us to sign w-2's... that just got a chuckle & a "no thanks"

    44. Re:How many times? by Anonymous Coward · · Score: 0

      As many times as pro-record company laws written for them by their favorite congressmen will let them, and as a long as slack-jawed voters keep reelecting those congressmen.

    45. Re:How many times? by ChrisMaple · · Score: 1

      Having paid to hum the song, you are distracted by your humming, trip, fall, and break your leg. Now sue BMI because their product is an attractive nuisance and a danger to public safety.

      --
      Contribute to civilization: ari.aynrand.org/donate
    46. Re:How many times? by AK+Marc · · Score: 1

      Were these liquor licensed in college towns? That's the type of establishment I was dealing with.

    47. Re:How many times? by aitikin · · Score: 1

      I've worked in bars in college towns. They never required you sign a contract like that. The contract cannot inherently place the responsibility on you any more than I can have a contract that places the responsibility of my car on the passengers in said car while I drive.

      --
      "Don't meddle in the affairs of a patent dragon, for thou art tasty and good with ketchup." ~ohcrapitssteve
    48. Re:How many times? by Anonymous Coward · · Score: 0

      Once for each pair of listening ears (or perhaps twice per person, once for each ear), every single time it is played.
      Including when you whistle or sing the tune (not such a problem with today's music).
      If the music escapes the confines of a nightclub and wakes someone up at 2am, then that's another set of ears, and another fee.

      Recording companies want to do away with people buying music on media, and instead switch to a rented stream only, so you pay every time.

    49. Re:How many times? by NoKaOi · · Score: 1

      That is fucking ridiculous (not saying it's illegal, just ridiculous). The DJ paid fees to be able to play the music, and they expect the restaurant to also pay fees? Imagine if that extended to any other product. Oven manufacturer makes oven. Dealer purchases oven from manufacturer. Restaurant owner purchases oven from dealer. Should the manufacturer then be able to go after the restaurant owner for more money, even though the dealer already paid them?

    50. Re:How many times? by aitikin · · Score: 2

      That is fucking ridiculous (not saying it's illegal, just ridiculous). The DJ paid fees to be able to play the music, and they expect the restaurant to also pay fees?

      I stopped reading after this because you didn't follow the link or read the text. The DJ paid the same fee you do for a CD. Period. End of story. (S)He may have paid for the PA equipment as well. That has absolutely nothing to do with the fact that someone is using this for entertainment in his place of business as a way to encourage more business.

      [Having now taken the moment to read your piss poor analogy, let me throw a more apt one at you]

      It's more like if I write a book and then someone creates a movie from that book, should I have a right to proceeds from the movie? According to your analogy, I should just get nothing because the movie studio bought a single copy of my book, even though now, billions could have my story out there and, to many of them, a book that a movie they've seen isn't worth reading, so I shouldn't make money off of them.

      I don't for a second believe that the DJ actually paid the fees, in fact, it seems the owner merely assumed (s)he did. And even if (s)he did, (s)he did so for performance within (her/)his own venue, as it's how (her/)his business has to be run. A restaurant owner who ignores this cost of doing business should get sued. The sad part is, it appears that this particular situation only came about because this owner refuses to be educated on his responsibilities and decided that settling didn't make sense. Hell, it seems like he didn't even seek out legal advice.

      --
      "Don't meddle in the affairs of a patent dragon, for thou art tasty and good with ketchup." ~ohcrapitssteve
    51. Re:How many times? by Anonymous Coward · · Score: 0

      Most people have two ears and so listened twice. Thus it's only fair to charge twice. If the restaurant only wanted to pay once they should have given everyone one ear plug.

    52. Re:How many times? by Anonymous Coward · · Score: 0

      Nothing in the US legal system is ever "in good faith". It's a corrupt den of thieving fascists. With them and the government setting the wonderful examples of ethics that they do, it's no wonder the public doesn't give two shits about the law either.

    53. Re:How many times? by KGIII · · Score: 1

      Is your wife a whore? If so then it might be a place of business with the intent to entertain the public.

      --
      "So long and thanks for all the fish."
    54. Re:How many times? by KGIII · · Score: 1

      In my area it is the bars that pay the bill. It is, as I recall, about $600 USD. I do some work with a band when they need a helping hand (drum or rhythm guitar usually) if someone is unable to make it or if they plan on being fancy for a larger venue. Either way, it is not paid by the band in this instance. YMMV

      --
      "So long and thanks for all the fish."
    55. Re:How many times? by KGIII · · Score: 1

      Maybe if you licensed ovens instead of purchased them? I am still not seeing what you are not understanding. More accurately, I am not seeing how you are not understanding. This is not complex - bar owners and bass players can understand it... Bass players...

      --
      "So long and thanks for all the fish."
    56. Re:How many times? by KGIII · · Score: 1

      Are you Thick (as a Brick)? Bass players can understand this... The DJ paid for the copies of the music (maybe). They paid regular retail rates and have the rights granted by that purchased medium. They can not then take that and play it in public for the purposes of entertaining the public without incurring new fees because that is not a right given when purchasing music at retail prices. Now, in this case, they played it on private property for a public audience - they played it in a restaurant. This means the onus lies with the owner of the restaurant - they have to pay for the rights to publicly play (or perform) the copyright music. They could have, if they wanted, played something with a different license and not incurred these fees. For better, or worse, music is usually licensed and the medium it is on is purchased.

      I believe that, in the days of yore, you could buy media with the express purposes of public consumption but it was at a higher rate - namely that you could buy albums for your bar-situated jukebox and pay a single, one-time, price for that and the licensing for that included the right to play it in public.

      Bass players can understand this. Yeah... Bass players...

      We can argue about the merits but this is the current law and it has been in place for quite some time. You can change that but you can not change the current situation. In the future, depending on your vision of utopia, this may be different.

      --
      "So long and thanks for all the fish."
    57. Re:How many times? by Anonymous Coward · · Score: 0

      Don't forget these are the same assholes that went on record (no pun intended) and said that it was OK for you to rip your CD songs to your other electronic devices, but if you were ever burglarized and the CD's were stolen, you are obligated to remove the copies from your computer.

    58. Re:How many times? by chadenright · · Score: 1

      If I buy a CD and play it in my home, how many others may be in the same room listening before I need to pay a fee?

      There is a legal number which may be different in your jurisdiction, I seem to recall that the legalese for my jurisdiction at the time was something like, "If they are paying you anything, you can't have more than 12 or it's a public performance". I got nervous when my church played a recording of a song, but as I understand it, there is no customer-business relation between a church and its minions, they aren't paying to be there.

      If a company buys a CD and plays it at their place of business, who else may be in the room listening before they need to pay a fee?

      If RIAA thugs can walk in, pretend to be customers, and can hear your music, you are probably getting sued.

      I do not know the answer buy my personal opinion is "as many as I want" unless as a business the main reason why customers are paying me is to listen to those specific songs, in that case I am re-marketing them.

      The laws are messed up. Complain to your congress-critter. But first, give him the complimentary, indefinite use of a yacht and a beautiful blonde (of the gender of his preference, obviously) and 'forget' a couple suitcases of cash in the yacht that he might find.

    59. Re:How many times? by Solandri · · Score: 1

      If the DJ pays a fee, that should cover all music the DJ plays. The restaurant wouldn't logically have to pay another fee.

      Generally it's the venue which pays the fee. The DJ pays to cover his own ass - if he plays the music at a venue which hasn't paid the fees, he can't be sued for his personal copyright infringement. It doesn't shield the venue.

      The fee is actually pretty reasonable. For most restaurants it's just a few hundred dollars per year. Though I suppose one could argue that they priced it that low so that restaurants would just pay it rather than raise a fuss about it in court.

    60. Re:How many times? by Anonymous Coward · · Score: 0

      there was an article about a car shop being sued for exactly that a couple of years back

    61. Re:How many times? by wvmarle · · Score: 1

      A regular retail CD or mp3 file is sold with a copyriight license that allows it to be played to a private audience only. No redistribution, no renting out, no public performances.

      Many shops are playing background music because it helps increase sales. As they use music to make money it is reasonable they have to pay a license fee to the copyright holders. If they don't want to do this, they'll have to hire some musicians to record music for them, so they are the copyright holders themselves.

      Many bars and restaurants play background music to increase sales. Again, it's reasonable for them to pay for the use of that music for that purpose.

      In the current case it is obvious that this restaurant was playing music to increase sales. They hired the DJ to play some tunes, and I assume they also promoted the event. It is no more than reasonable that the DJ makes sure he has the right to play that music.

      From the face of it, it appears to me the DJ did not have the correct license, though the responsibility should be fully with the DJ and never with the restaurant. As a restaurant, I don't think the restaurant holder will ask, verify and double check whether the DJ has the right to play those songs. There is a limit to what you can reasonably expect a restaurant holder to check on when hiring a DJ or other kind of musician to perform in their premises - hire a professional musician and this musician should make sure that whatever he is performing he can do so lawfully. Either by having written the music himself, or by having the appropriate licenses to use other's music in his performance. The restaurant apparently claims the DJ paid his dues to be allowed to perform the music - if so, there should be no problem.

      It is to me outright strange that this restaurant is held responsible for the failings of this DJ. If this is according to the law, which is hard to believe, it's a law that needs amending. If it is not according to the law, they had a terrible lawyer.

    62. Re:How many times? by YuppieScum · · Score: 1

      It would be like paying for the meal- then paying a fee for having the meal on a plate- then paying a fee for having the meal on a table- and then paying an extra fee if the meal is eaten with wine instead of a soda.

      Clearly, you have never flown on a budget airline.

      --
      This sig left unintentionally blank.
    63. Re:How many times? by Anonymous Coward · · Score: 0

      The ultimate benefit? What's next? Will bmi argue that the customers received the ultimate benefit of having a pleasant atmosphere to dine in and sue them? You are missing a great opportunity there, BMI!

    64. Re:How many times? by Anonymous Coward · · Score: 0

      And flip that burger over. It means 50% of BMI fees never reach the rights holders (which is NOT the same as the songwriters, BTW).

      And me thinking Apple was being greedy, topping 30% off of app store sales.

    65. Re:How many times? by Drethon · · Score: 1

      I can't find it but I remember a story of a woman who was sued for leaving the radio on for her cows to listen to or something like that. So apparently RIAA believes they control your private property too.

    66. Re: How many times? by Anonymous Coward · · Score: 0

      The holders of the music copyrights are the producers, not the artists or songwriters. Artists and songwriters sign over their rights to the label in exchange for promotion.

    67. Re: How many times? by jimbolauski · · Score: 1

      I was going to say this sounds like the ISPs business model.

      --
      Knowledge = Power
      P= W/t
      t=Money
      Money = Work/Knowledge so the less you know the more you make
    68. Re: How many times? by kcitren · · Score: 1

      Or a magazine being paid by both the readers and advertisers.... Multiple revenue streams aren't illegal or immoral, it's cost sharing.

    69. Re:How many times? by Anonymous Coward · · Score: 0

      Is your wife a whore? If so then it might be a place of business with the intent to entertain the public.

      Why do you assume the husband and father is not a gigolo?

    70. Re: How many times? by Anonymous Coward · · Score: 0

      It would be like paying for the meal- then paying a fee for having the meal on a plate- then paying a fee for having the meal on a table- and then paying an extra fee if the meal is eaten with wine instead of a soda.

      You do pay extra for those things. You might not see them itemized on the bill, but you are certainly paying for them, otherwise the restaurant couldn't stay in business.

    71. Re:How many times? by Anonymous Coward · · Score: 0

      Thank you. We play covers. We investigated what licensing was necessary. To our surprise, we didn't need any for playing in a business. It is the responsibility of the venue to have the licenses. On the other hand, for the recordings we made and market as CD's and digital downloads, we do need, and purchased, licenses.

    72. Re:How many times? by Anonymous Coward · · Score: 0

      It would be like paying for the meal- then paying a fee for having the meal on a plate- then paying a fee for having the meal on a table- and then paying an extra fee if the meal is eaten with wine instead of a soda.

      This reminds me of what paying for a stay at an American hospital is like.

    73. Re:How many times? by RogueWarrior65 · · Score: 1

      I'll bet they'd love to collect a fee when a song gets stuck in your head.

    74. Re:How many times? by Anonymous Coward · · Score: 0

      Thank your wonderful government and courts. Yeah, they will start RICO actions against RIAA. He's a sucker and a unicorn for you.

    75. Re: How many times? by JDevers · · Score: 1

      But at home you are paying a license for your own private enjoyment. Charging admission or any other public re-performance is against that license. They have a license for public performances, it costs more. Movies are the same way, you can rent a movie for a buck and go home and watch it but if you hook it up to a projector and have all your friends pay a buck to watch it you are infringing on the license. If you do it publicly enough, you will get sued and rightfully so.

    76. Re:How many times? by Coren22 · · Score: 1

      I wonder how illegal he believes it to be for people to pay him for the food they eat in his restaurant.

      --
      APK likes to ask for responses to the same things over and over. Maybe he just likes the responses?
    77. Re:How many times? by dcw3 · · Score: 1

      I think I was with you in the previous post, but this one lost me a bit. Let me use my own example....

      If I run a business that rents a corporate box at NFL games, and I entertain customers there, and sign a huge contract in said box, by what seems to be the same logic, I should have to pay another fee to the NFL. What am I missing?

      --
      Just another day in Paradise
    78. Re:How many times? by Builder · · Score: 2

      It wasn't private property - it was a farm / ranch where cattle were raised for profit IIRC. This meant that farmhands who were working there heard the radio.

    79. Re:How many times? by dcw3 · · Score: 1

      It's finally making it's way through the courts...

      http://www.cbsnews.com/news/th...

      --
      Just another day in Paradise
    80. Re:How many times? by jrumney · · Score: 1

      Mike Stock, Matt Aitken and Pete Waterman mostly,

    81. Re:How many times? by cptdondo · · Score: 4, Insightful

      Did you ever try to get a license for a "performance" like this? I did, once, just to see how difficult it is.

      Turns out that, at the time, neither BMI nor ASCAP had a way to legally play their music unless you were a professional DJ, were pressing at least 200 CDs, or were re-mixing their music.

      After 6 weeks of phone calls and emails, and getting shuttled off to various other agencies, it turned out that they had no license that would allow an individual or a business to play songs from their catalog for a single event.

      Of course that does not prevent them from suing for lack of the same.

    82. Re:How many times? by Anonymous Coward · · Score: 0

      Yeah, I ran into this when I tried to put together a wedding video. I gave up and put the music in anyway, but I won't say whether it was ASCAP or BMI music in case they're listening (and I don't remember).

      There is literally no way for a small player to be legal for a lot of use cases.

    83. Re: How many times? by Anonymous Coward · · Score: 0

      "All of them represent the holders of music copyrights (e.g. songwriters)" You mean record labels.

      http://www.masurlaw.com/3980/songs-and-records-two-types-of-music-copyrights/

    84. Re:How many times? by Anonymous Coward · · Score: 0

      never run a business using your method of music selection. Besides BMI et al, folks like Muzak who sell you music for your business has their reps visit your establishment and will chat up your employees on where you get their music. That chucklehead you think your overpaying will mention your running off a Apple whatever device playlist. or those CDs you bought which were sold for personal listening use not commercial use. Now he mentions the legal ramifications he can bring about over your musical piracy. Essentially they will extort you into being a Muzak customer to avoid being sued at 30-40 USD a month for the life of your business.

    85. Re:How many times? by david_thornley · · Score: 1

      I fail to see how your example is relevant.

      By buying a CD, I get certain legally defined rights. I don't get others, and must acquire those explicitly. One of the rights I don't get is public performance, so to do that legally I need some sort of license. Fortunately, there is a readily available source to get that sort of license at what for all I know is a reasonable price (lots of businesses seem to pay it, anyway).

      I don't know what sort of contract goes with a corporate box in a football stadium, but I really doubt there's such a legally standard agreement. If the contract says no business may be contracted in the box, the stadium or team or whatever would likely get less money, so I suspect that's perfectly OK according to the contract.

      If there was a law that defined box rental as having the right to watch the game and drink, but not to do business, that would be comparable.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    86. Re:How many times? by david_thornley · · Score: 1

      Why would you think the DJ would have purchased a right for public performance? Most likely, the DJ bought the music under the same structure as I do, meaning that the right of public performance was not included. I don't know where I can buy music that has that right included (except for music that's under a permissive license).

      I'm also not impressed by business owners who think that they don't have to pay any money they don't understand, and then don't try to understand.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    87. Re:How many times? by AK+Marc · · Score: 1

      Most likely, the DJ bought the music under the same structure as I do, meaning that the right of public performance was not included. I don't know where I can buy music that has that right included (except for music that's under a permissive license).

      Every DJ I know carries the BMI/ASCAP license for it. You do it or you get sued. The venue is *never* responsible, as they'd never know if one of the titles was on which list. Only the DJ can know, so only the DJ would be the reasonable person to have that license.

      Your method of expecting the venue to properly license things played by 3rd parties would require the 3rd party supply an exhaustive list of all possible titles, for the venue to vet themselves.

      More practical (what actual DJs do) is to have the DJ check the new additions against the licensing bodies, and sort their collections to "legal" and "not-legal". If a DJ has sorted his collection that way, and on the day, the properly-licensed DJ takes requests for 5 titles in the "illegal" pile, what should happen? In this case, there were only a handful that were "illegal" so were those the only ones played, or were the others all licensed?

    88. Re: How many times? by Anonymous Coward · · Score: 0

      I think it's fallacious to say "songwriters", when I'm certain the holders of the copyrights are big record companies.

    89. Re:How many times? by Anonymous Coward · · Score: 0

      Yes.

      I tried to help my mum organise a party at the local village hall (out Suffolk way).

      Mother, being mother, did it properly and asked the PRS peeps for a license for the evening. They gave her one. It cost 200 quid.

      Now, the funny thing is that they didn't ask _which_ music was being played. They just sent an invoice for 200 quid.

      It was actually a 50s/60s night so I reckon the chances of the original writers getting a penny whereabout zero...

      It's kind of an admin fee... with menaces.

    90. Re:How many times? by antiperimetaparalogo · · Score: 1

      I wonder how illegal he believes it to be for people to pay him for the food they eat in his restaurant.

      I bet he loves laws when it's time to get paid by customers eating his food!

      --
      Antisthenes: "Wisdom begins by examining the words/names." - excuse my English, i am (slightly...) better with my Greek!
    91. Re:How many times? by Anonymous Coward · · Score: 0

      What do you not understand? The DJ is the business, a business selling their music playback services to venues. Perhaps you need to broaden your vision of what a business actually is.

    92. Re:How many times? by Lawrence_Bird · · Score: 1

      A bit late on the reply but...

      By this logic, if I have a party or just an outing with friends at a beach or park and we play music on a boom box, the fact that it can probably be heard by others relatively nearby our group seems to indicate that the law is broken and we should be getting a license.

      That, to me, is crazy.

  3. Good by ebcdic · · Score: 3, Insightful

    When I go to a restaurant I want food, not music.

    1. Re:Good by turp182 · · Score: 0

      If you say this then you haven't been to a place that truly curates the music to improve the dining experience.

      There's a fantastic calzone restaurant in downtown St. Louis, Sauce on the Side, which we usually get delivery from.

      But inside, it is an intimate setting with a soundtrack consisting of old Zeppelin, Pink Floyd, Beatles, Rolling Stones (Time is on my Side), and The Who. One can tell that the music list is very carefully crafted.

      Having a good microbrew and an incredible calzone in a nice environment with great music is freaking awesome (should there have been a comma in there?).

      --
      BlameBillCosby.com
    2. Re:Good by Megane · · Score: 1

      If you say this then you haven't been to a place that truly curates the music to improve the dining experience.

      No, but I've been in more than a few places that truly crank up the music to improve not being able to hear the person across the table.

      --
      #naabhaprzrag, #sverubfr-000, #agi-fcbafberq, negvpyr[pynff*=' negvpyr-ary-'] { qvfcynl: abar !vzcbegnag; }
    3. Re:Good by ChrisMaple · · Score: 1

      "Very carefully crafted" by whom? Jackhammer operators? Helen Keller? Screech owls?

      --
      Contribute to civilization: ari.aynrand.org/donate
    4. Re:Good by shutdown+-p+now · · Score: 1

      Good for you. And other people do like music. If only we had many restaurants, catering to many different tastes out there!

    5. Re:Good by turp182 · · Score: 1

      Been there, avoid that. I have enough hearing loss for at least a couple of people... Music at a restaurant can be awesome, another example is some light Dean Martin or other Rat Pack members with some Italian food.

      I am older now (40+, but not much +), but I have never understood the point of turning a bar or restaurant into a club with regards to volume. Unless there is a live band, then it is going to be loud (I live in a blues neighborhood, but with kids our blues nights have dried up, which is fine, as I like to hear...).

      --
      BlameBillCosby.com
    6. Re:Good by nolife · · Score: 1

      What I hear a lot in various small businesses is Sirius. Seems like a good deal if music/dancing/night club is not the primary purpose of your business.

      http://www.siriusxm.com/sirius...

      --
      Bad boys rape our young girls but Violet gives willingly.
    7. Re:Good by KGIII · · Score: 1

      Having a good microbrew and an incredible calzone in a nice environment, with great music, is freaking awesome (should there have been a comma in there?)./quote>

      I am no expert and tend to throw in the Harvard comma every time (even when not needed, as I understand the rules) for example. However, if I were to attempt to help you out (assuming you really wanted an answer) that is where I would have placed them. Again, where *I* would have placed them may not be correct but that is not usually something that people complain about.

      --
      "So long and thanks for all the fish."
    8. Re:Good by KGIII · · Score: 1

      You mean Anne Frank right?

      *is not proud and will take low-hanging fruit*

      --
      "So long and thanks for all the fish."
    9. Re:Good by turp182 · · Score: 1

      Thanks for the reply. I wouldn't have asked if I wasn't actually interested in knowing and the sentence seemed like it needed more structure in the form of a comma or two.

      --
      BlameBillCosby.com
    10. Re:Good by houghi · · Score: 1

      Depends. Sometimes I go because I am hungry. Sometimes I go because I want to have a social evening. Then the food is just a nice extra.

      If all I want is food, I buy it.

      So, sometimes I want the music. Sometimes I don't. That is how I pick the venue. Don't blame others for your own poor choices.

      --
      Don't fight for your country, if your country does not fight for you.
    11. Re:Good by david_thornley · · Score: 1

      Modern hearing aids can do wonderful things in allowing you to hear people in noisy situations. I'm happy with mine.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
  4. Trifling by Anonymous Coward · · Score: 0, Interesting

    . Stories like this one is why I will never feel bad about piracy.

    1. Re:Trifling by tompaulco · · Score: 5, Insightful

      . Stories like this one is why I will never feel bad about piracy.

      It should make you feel bad about being a pirate. By pirating music, you let the company know that you enjoy their music and are too cheap to pay for it. Instead, you should abstain from it altogether. If nobody bought it and nobody pirated it, they would get a clue.

      --
      If you are not allowed to question your government then the government has answered your question.
    2. Re:Trifling by Opportunist · · Score: 1

      Stories like this one is why I never feel bad about not using music those parasites have any finger in.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    3. Re: Trifling by Anonymous Coward · · Score: 0

      No they would still claim that you where a pirate and would enforce a you-must-listen bill.

    4. Re:Trifling by Anonymous Coward · · Score: 1

      I look forward to a world were nobody can usurp ownership of 'ideas' from others.
      Yeah, that trickles down into no copyright of any form, no patents, nothing.

      People were able to make a living just fine before 'intellectual property' existed. Technology progressed at an even faster rate back then as well.

      Where as today, developers live in fear of unknowingly using some obvious process because of a ludicrous and vague IP.

    5. Re:Trifling by AK+Marc · · Score: 1

      By pirating music, you let the company know that you enjoy their music and are too cheap to pay for it.

      They don't know I pirate any more than they know I made recordings of the radio in the '70s. They'll lie up statistics regardless of whether I do or don't.

    6. Re:Trifling by Anonymous Coward · · Score: 0

      For me it rather convinces me that my earlier decisions to never buy or listen actively to copy righted music of the pop culture exponents any more. I don't pirate either. I go to local events to watch new groups that haven't turned 'evil' yet. I've learned to love classical music (old and modern classics) and it is amazing how many really good music is made and even freely available on the net.

      And you know what? I don't miss that part of pop culture. It were just the same songs over and over again for many decades. Only a few changes so they could put another genre label on a collection of groups, but essentially it is all the same.

      I even have more enjoyable nights outs because I do no have to worry about those concerts with a total audience of 50k-80k that are sold out in 10 minutes, so you have to spend hundreds of euro's on the black market and spend hundreds of euro's on drinks and transport, with a 2/3 chance of seeing an completely uninterested group who is just there for the money.

    7. Re:Trifling by ChrisMaple · · Score: 1

      Before intellectual property there was secret science, and frequently when the inventor died the idea died with him. Is that what you want?

      --
      Contribute to civilization: ari.aynrand.org/donate
    8. Re:Trifling by iggymanz · · Score: 0

      but it isn't their music, they made a cartel to force artists to belong as the only way to get paid. they bribed lawmakers to extend copyright to absurd lengths of time and to absurd levels. they are parasites.

    9. Re:Trifling by Jack+Griffin · · Score: 1

      By pirating I'm letting the musician know that I enjoy their music but am not happy to support any of the other leeches in the chain.
      If I really like them, and they come to my town, I will buy a ticket to their show and maybe a T-Shirt. I am supporting a model I believe is fair and sustainable.
      In the day where real musicians can write, record and release songs from their bedroom, why do we need the middlemen? Someone will come up with a model that funnel profits directly to artists, then the "industry" as we know will die like it should. .

    10. Re:Trifling by KGIII · · Score: 1

      So, and not really extrapolating, you are saying that you want to live with the living conditions from back then... Do you think you will be royalty if you can just go back?Stop eating meat, stop eating anything not in season, put away your oranges, stop with your dental care, do not go to the hospital, stop using your computer (please?), and stop bathing. Hmm... That last one may not apply.

      --
      "So long and thanks for all the fish."
    11. Re:Trifling by dave420 · · Score: 1

      No, it only means that you downloaded the music. The intention is unknown. Many people (myself included, when I used to pirate music) would download music to find new artists & to see if albums were any good - clearly as the music is unknown at that juncture, whether it was being enjoyed or not is complete conjecture. You are also assuming that they know of all methods of pirating their music, which they clearly do not.

    12. Re:Trifling by Talderas · · Score: 1

      Not all songwriters are singers and not all singers are songwriters. As long as that difference exists the middleman will exist to match them up.

      --
      "Lack of speed can be overcome. In the worst case by patience." --Znork
    13. Re:Trifling by Jack+Griffin · · Score: 1

      The singer should be choosing the song, and if they feel the need for a middleman to help them out with this task, it should be at their cost, not mine.
      The music industry has grown around a monopoly on distribution, therefore the distributors got to call all the shots. Now that digital technology and the Internet renders that monopoly useless, the model needs to shift back in favour of the musician. The Musician is the brand, they need to take charge of their sound (writing, production etc) and be responsible for trying to make an income out of it all.

  5. Pay Forever by Anonymous Coward · · Score: 0

    "How many times do they want to get paid for the stupid music?"

    How high is infinity?

  6. Uh oh by Anonymous Coward · · Score: 0

    "This is not a nightclub. This is not a disco joint."


    This ain't no party, this ain't no disco,
    This ain't no fooling around.
    This ain't no Mudd Club, or C. B. G. B.,
    I ain't got time for that now.

    - Talking Heads, "Life During Wartime" (Sire records)

    1. Re:Uh oh by roc97007 · · Score: 1

      You probably owe something to Warner Brothers now. (Or was it EMI?)

      --
      Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
    2. Re:Uh oh by Anonymous Coward · · Score: 0

      Looks like he's about to be charged for the stupid music again.

      And he's a repeat offender. There's got to be extra punitive fines for that.

      Silly music pirate terrorists.

    3. Re:Uh oh by Anna+Merikin · · Score: 2

      Silly music pirate terrorists.

      you forgot "child sexual predator"

    4. Re: Uh oh by Anonymous Coward · · Score: 0

      Highly entertaining response. I was in church one Sunday night. The pastor asked those attending if there was anything they wanted to say to encourage others. I visitor stood up and said, "I've been on this road a long time. It has been a long winding road and time it is hard. In those time I tell myself 'I believe I can fly... I believe I can touch the sky'".

    5. Re: Uh oh by LocalH · · Score: 1

      How dare you equate fine, upstanding kiddy diddlers with the true scum of the earth, those evil, satanistic music pirates? /s

      --
      FC Closer
  7. From the TFA by Anonymous Coward · · Score: 1, Insightful

    It sounds like BMI tried to be reasonable and get him to license the music but he ignored them. From his quotes it sounds like he probably pissed them off and they decided to go after him.

    1. Re:From the TFA by bobbied · · Score: 3, Interesting

      It sounds like BMI tried to be reasonable and get him to license the music but he ignored them. From his quotes it sounds like he probably pissed them off and they decided to go after him.

      It's not like the license is all that expensive or hard to obtain or that services to pipe in music don't exist. I don't feel bad for this guy, likely all he needed to do is stop playing copyrighted stuff when he was made aware of the violation and then obtain a license as required if he needed to continue.... Or, BUY a music service for his business from somebody and let them keep up with the licenses.

      I've been working on a "public" free holiday light display, I'll be playing copyrighted music, and even though it's only in the idea stage, I've already approached BMI about required license arrangements (which they claim is none). Their E-mail response will be printed and kept.

      --
      "File to fit, pound to insert, paint to match" - Aircraft Maintenance 101
    2. Re:From the TFA by The+Rizz · · Score: 5, Insightful

      It's not like the license is all that expensive or hard to obtain or that services to pipe in music don't exist. I don't feel bad for this guy, likely all he needed to do is stop playing copyrighted stuff when he was made aware of the violation and then obtain a license as required if he needed to continue.... Or, BUY a music service for his business from somebody and let them keep up with the licenses.

      If you would RTFA, or even the summary, you'd notice that he already did that. He hired a DJ, who had already paid licensing fees to play the music.

      At issue here is that the licenses were already paid through the DJ, and BMI was demanding that they get paid again because ... well, that's the question, really ... why should he pay the licensing fees again when the music is already licensed?

    3. Re:From the TFA by Noah+Haders · · Score: 5, Interesting

      Former Restautantosaur here. These BMI/ASCAP people are thugs. They cold call random businesses, threatening potential legal penalties if you don't buy a blanket license. They basically say, 'if you don't buy a license now, one of our inspectors might come out to your shop, and if we hear any of our music playing we're gonna sue your ass.' Then they go after random people like the guy in the article 'to set an example.' Thugs, it's all extortion.

    4. Re:From the TFA by bobbied · · Score: 1

      You need to meet the terms that BMI puts forth if you play their material. Their website deals with this issue and they CLEARLY tell you that it is the owner of the venue, not the DJ who is liable. Sure the DJ may have claimed to have the licenses required, but the business owner is the one who is required to obtain the licenses.

      --
      "File to fit, pound to insert, paint to match" - Aircraft Maintenance 101
    5. Re:From the TFA by bobbied · · Score: 1

      They own the copyright so it is their right to do this if they wish. It may be thuggish in your view, but it is their stuff to license and it's their job to enforce their license terms.

      If you own a venue that plays music, pay your fees directly or buy your music from a service that does it for you. If you choose to go without a license, you are violating the copyright and they can come after you if they want. Sorry, but that's how this works.

      --
      "File to fit, pound to insert, paint to match" - Aircraft Maintenance 101
    6. Re:From the TFA by Anonymous Coward · · Score: 0

      The BMI thugs don't care if you use a service that pays the fee, YOU YOURSELF did not pay the fee. They sue businesses all the time for exactly that.

    7. Re:From the TFA by sjames · · Score: 1

      Just like it was the Mob's hooch to sell...

    8. Re:From the TFA by bobbied · · Score: 1

      Probation made hooch illegal... They where acting outside the law to start with, one would need to expect them to not care about the law at all. But that's not the case here.

      BMI isn't acting outside the law, as much as people would like to imply that they are. They are working totally within the correct legal and ethical grounds. If you are going to use somebody's property, the owner of the property has the right to set the terms.

      IF they require you get a license and pay for the privilege to use their work, they get to do that. IF they take you to court when you don't, they get to do that too..

      --
      "File to fit, pound to insert, paint to match" - Aircraft Maintenance 101
    9. Re:From the TFA by The+Rizz · · Score: 3, Interesting

      You need to meet the terms that BMI puts forth if you play their material. Their website deals with this issue and they CLEARLY tell you that it is the owner of the venue, not the DJ who is liable.

      Yeah, and those boxes that pop up on computers CLEARLY tell you that the IRS is going arrest you if you don't call this number and give them your credit card. That doesn't make it true.

      Or, for an example a little more on point with how BMI operates, police will often say something like "I'm going to need to come inside and look around". The implication is that they are legally allowed to enter simply by saying so, when this is completely untrue - they actually cannot come in at that point unless you signal your acceptance for them to enter. What happens is that 99% of people will step back and hold their door open for the officer after he says that, thus legally extending the officer an invitation to enter (even if the invitation was caused by an implied lie).

      Sure the DJ may have claimed to have the licenses required, but the business owner is the one who is required to obtain the licenses.

      BMI can state that the venue is responsible all they want, but if you read between the lines on what they actually say on their website, you can have DJs (or whoever) be responsible for the licensing, it's just that you may be liable if the DJ isn't properly licensed. If the terms of a contract with a DJ requires the DJ to be responsible for the music, then there's a good chance that's exactly how it will work - either by direct assignment of responsibility, or by being responsible for any damages the business incurs due to their negligence.

      Simply put, BMI words their statement like this because they want to double-dip into the licensing revenue stream. Even if the DJ already has all the proper licenses to play it in whatever venue they want, BMI will use vague language about who needs the license and use scare tactics to try make venue owners pay again for licenses that have already been paid.

    10. Re:From the TFA by Anonymous Coward · · Score: 1

      > If you choose to go without a license, you are violating the copyright and they can come after you if they want.

      Yeah, but here's the problem:

      * They still go after you if you play only your own original music, which they have no copyright over whatsoever (they presume to own all music, period).

      * They will still go after you if one of your staff brings in a radio and plays it only in the staff area. You don't just have to tell them they're not allowed to do that, you have to keep them from ever doing it, which is nearly impossible given that your average restaurant employee is working at near minimum wage.

    11. Re:From the TFA by mjwx · · Score: 2

      They own the copyright so it is their right to do this if they wish. It may be thuggish in your view, but it is their stuff to license and it's their job to enforce their license terms.

      This is why I'm glad this kind of rent-seeking thuggery is illegal in my country.

      A copyright holder is not permitted to cold call businesses to threaten legal action or extort license fees. They are not permitted to conduct raids and secret investigations and they are definitely not permitted to sue without evidence (further more, under the Australian legal system they'll be up for the defences legal costs if they try).

      The BMI is a private corporation, they should not ever have the license or capabilities to enforce anything (that is the job of the police and judiciary). Even the private entities Australia permits to issue their own parking fines (mostly universities) have to get the police and courts to do the enforcement.

      You're defending rent seekers, there's nothing correct or noble about that.

      --
      Calling someone a "hater" only means you can not rationally rebut their argument.
    12. Re:From the TFA by sjames · · Score: 1

      Even if you are within the law, you can behave like a businessman or you can behave like a thug. BMI and their ilk behave like thugs running a shakedown racket. That includes incidents of trying to hit people up for money fro performing their own original songs on their own property.

      In this case, it looks pretty clear that if the restaurateur had shown up in court, he would have won.

    13. Re:From the TFA by bobbied · · Score: 1

      The fact remains they set the terms of their licenses and if you use their work, those are the terms. If you don't like their terms, don't use their stuff. What's in their catalog? Head to their website and look. Even if you think they are being nasty and unfair, you have no legal choice except not using their stuff. Use their stuff then Pay the license fee or risk BMI hauling your butt into court and collecting damages. End of report, full stop.

      --
      "File to fit, pound to insert, paint to match" - Aircraft Maintenance 101
    14. Re:From the TFA by bobbied · · Score: 1

      But even if you don't like HOW they do what they do, you must agree that they have the right to do it that way if that's how they choose.

      This is my point. I'm not defending BMI's actions as being nice or the right way to do business, I'm saying that they have the legal right to protect their property. If you don't like their terms and don't like the way they do business then I suggest you not use their stuff.

      Further, if you DO choose to use their stuff without a license, don't come complaining about how unfair they are treating you. They can sue to collect damages and make an example out of you if that's how they decide to work. It's their work (or they own the rights to the work) and not yours. They are within their rights to force compliance with ANY terms they decide, up to and including refusing to let you use the work. You either live by their terms or stop using their stuff.. Full stop, end of report...

      --
      "File to fit, pound to insert, paint to match" - Aircraft Maintenance 101
    15. Re:From the TFA by bobbied · · Score: 1

      You cannot seriously be saying that you don't have the right to SUE somebody in Australia if they try to use your property in some way you don't approve. SURELY you have the right to sue somebody in Civil court for damages?

      Where I get this "looser pays legal costs" idea and I actually LIKE it, I'm pretty sure that even down where you live you are free to sue. If you are free to sue, that means you must be free to do investigations of your own and collection of evidence. In fact, I just did a quick web search and found a number of active Private Investigative services active in your country.

      I think you are mistaken on this...

      --
      "File to fit, pound to insert, paint to match" - Aircraft Maintenance 101
    16. Re:From the TFA by Anonymous Coward · · Score: 0

      These people are currently doing it to apparel businesses. You can't put a greek symbol on a shirt without lollygagging into their crosshairs, and with the internets, it's pretty convenient for them to troll around for potential offenders.

      And some wonder why lawyers have a bad name.

    17. Re:From the TFA by kamapuaa · · Score: 1

      They call you, and warn you that you need a license to play their music? Effectively giving you the option of just not playing their music? Not just surprising you by suing you for currently playing their music?

      Why is that thuggish? Aside from just giving their music away freely, how would you want them to act?

      --
      Slashdot: providing anti-social weirdos a soapbox, since 1997.
    18. Re:From the TFA by kamapuaa · · Score: 1

      It's the restaurant's responsibility, not the DJs. DJs aren't obligated to pay at all. Perhaps the DJ lied to him, perhaps it's just something the guy said after the fact.

      But it doesn't really matter. This wasn't a one-time event he was sued for. If you read the article, you'll see that BMI had been warning him for years.

      --
      Slashdot: providing anti-social weirdos a soapbox, since 1997.
    19. Re:From the TFA by Registered+Coward+v2 · · Score: 1

      These people are currently doing it to apparel businesses. You can't put a greek symbol on a shirt without lollygagging into their crosshairs, and with the internets, it's pretty convenient for them to troll around for potential offenders.

      And some wonder why lawyers have a bad name.

      No, you can't put copyrighted greek symbols on a product. You can still put any greek symbols on you want, but toucan't use the crest of ZTA or Farmhouse or whomever without licensing it.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    20. Re:From the TFA by LordLucless · · Score: 1

      Sort of like how if you owned a black slave, you could rape/kill them because they belonged to you. You may think it thuggish, but they own the slave, and therefore they have the right to do so.

      Yet another moron who can't see the disconnect between law and morality.

      --
      Just because you're paranoid doesn't mean there isn't an invisible demon about to eat your face
    21. Re:From the TFA by Anonymous Coward · · Score: 0

      You need to meet the terms that BMI puts forth if you play their material.

      No you don't. Playback of copyrighted works is regulated and BMI can't dictate terms. You pay ASCAP or equivalent for a blanket license, not individual copyright holders for individual tracks, for obvious fucking reasons.

    22. Re:From the TFA by Jack+Griffin · · Score: 1

      So find out where their office is and burn it to the ground. Two can play that game.

    23. Re:From the TFA by Anonymous Coward · · Score: 0

      This is what trespassing and castle-doctrine laws were invented for.

    24. Re:From the TFA by dgatwood · · Score: 1

      BMI qualifies as "ASCAP or equivalent". Maybe you're thinking of BMG (the music publisher)?

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    25. Re:From the TFA by dgatwood · · Score: 1

      Sure the DJ may have claimed to have the licenses required, but the business owner is the one who is required to obtain the licenses.

      AFAIK, it isn't even possible for the DJ to obtain a public performance license. ASCAP/BMI/SESAC exclusively sell those licenses to venues and delivery media (websites, radio, etc.), not to performers.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    26. Re:From the TFA by Anonymous Coward · · Score: 0

      Yeah and well which country's legal system works better, ours or yours?

    27. Re:From the TFA by gl4ss · · Score: 1

      the guy probably felt that there wasn't the need to pay TWICE for playing the music.

      maybe he believed that hiring the dj, and with dj paying a fee already, that he wouldn't need to pay more fees. like, the dj already pays for professionally playing the songs in public places BUT the public place also has to pay a fucking fee and they could have probably gotten off with paying just that one.

      however he was mistaken, due to fee systems typically being really, really fucked up. want to play your _own_ song on a street? free if you never signed up to receive royalties. if you did, you'll have to pay a fee - a fee that should be paid to _you_ mind you and which you get back just a fraction of(if anything, depending on how that particular organization counts who gets the money - is it pretty much exact racketeering by whoever owns MJ's playing rights? pretty much yeah, in practice in most organizations only the popular enough to register in their rigged measurement system get paid - while playing every band needs you to pay the organization, they're only paying bands their algorithm extrapolates plays for)

      generally though, it's the venue who is responsible for paying the fee.

      --
      world was created 5 seconds before this post as it is.
    28. Re: From the TFA by Anonymous Coward · · Score: 0

      Read their faq. They are claiming three Greek letters in succession as all that's needed to infringe.

    29. Re:From the TFA by Anonymous Coward · · Score: 0

      How many people are left that actually respect the law anymore? Let's see a show of hands. It's really getting to the point where you're better off dealing with organized crime. At least they're up front about their terms, instead of piling on weasel words and legalese.

      Extortionists like these BMI pricks that hide behind this crooked, bought-off, one-sided legal system are completely without honor.

    30. Re:From the TFA by Anonymous Coward · · Score: 0

      For this case, Australia's.

    31. Re: From the TFA by LocalH · · Score: 1

      Any three Greek letters, or just those combinations that are already established? Do you believe that the name IBM (three English ketters in succession) should not be trademarkable?

      --
      FC Closer
    32. Re:From the TFA by Anonymous Coward · · Score: 0

      no. SESAC came after a business that had me as the only performer. I only played original music. They said that it was impossible. The venue caved, paid fees for songs that SESAC did not administer (mine), and I lost a well paying gig.

      Fuck em.

    33. Re: From the TFA by Registered+Coward+v2 · · Score: 1

      Any three Greek letters, or just those combinations that are already established? Do you believe that the name IBM (three English ketters in succession) should not be trademarkable?

      This is /. Logical, law and common sense have no place in an argument.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    34. Re:From the TFA by sjames · · Score: 1

      While I acknowledge that they stay barely onb the legal side of the line, I maintain that ethically they are little better than the wise guys selling "accident insurance".

    35. Re:From the TFA by bobbied · · Score: 1

      If the ethics of the situation bother you, may I suggest that the ethical thing to do is to not deal with BMI at all. Don't play their stuff, Don't buy their licenses and don't worry about getting sued as an example. Hold yourself to a higher ethical standard than they hold themselves to. It's always the best approach..

      --
      "File to fit, pound to insert, paint to match" - Aircraft Maintenance 101
    36. Re:From the TFA by bobbied · · Score: 1

      Talk about hyperbolic arguments. SLAVERY? Really? There isn't any application here using slavery as an example. Plus, using these kinds of arguments really cheapens the issue of slavery from the horrible institution it was/is to something "like" copyright law? Now that's sad.

      A song has no feelings, has no soul or even a body. A song feels no pain, no joy, cannot love or hate. It's just a thing that has melody, rhythm and sometimes words that when played can be enjoyed. It's just a thing which is owned by somebody, and like that pile of stuff in the hall closet that you own, is in the control of it's owner.

      If you write a song, it's yours to do with as you please. You can play it for others and get paid, you can sell rights to it to somebody else, or you can keep it for yourself. It's yours because you created it. How is that related to slavery? It's not.

      --
      "File to fit, pound to insert, paint to match" - Aircraft Maintenance 101
    37. Re:From the TFA by sjames · · Score: 1

      I have managed that just fine so far.

    38. Re:From the TFA by Noah+Haders · · Score: 1

      It's basically impossible to avoidplayingtheirmusic, unless you go completely mute. See my comment later in this thread.

      My beef is with their M.O. They are likeIP trolls, bullying companies into preemptively licensing their material because they'll sue you maybe if you don't. but it's worse than that, because BMI preys on non-savvy small businesses that don't have copywrite experience, can't affordtohave a lawyer on retainer, and definitely can't afford the cost of a lawsuit, even if they win. It's like the people who prey on the elderly because they are easy targets. Scum. ASCAP is basically the same.

    39. Re:From the TFA by Anonymous Coward · · Score: 0

      They own the copyright so it is their right to do this if they wish.

      Wrong! These creeps own nothing, they are just hired goons for someone claiming to be the actual copyright holder. I don't understand why they are even still around. Their business model is identical to Righthaven, who disappeared a few years ago when a court saw through their BS and ruled they lacked standing since they didn't actually own the copyrights they were extorting money for.

    40. Re:From the TFA by Anonymous Coward · · Score: 0

      --Some of the same bloodlines, if you know the history.

    41. Re:From the TFA by herbierobinson · · Score: 1

      Yeah, he hired a DJ. And he said he thought the DJ paid the licensing fee. I know that musicians hired to do gigs aren't required to pay BMI, the venue owner is. I would assume that's also true with DJs. The restaurant owner is either clueless (but he's been in business for 25 years) or he's lying through his teeth. He also claimed that he didn't have to pay royalties because he had a license to have music from the city. You are not looking at an even remotely reliable source of information here.

      I can tell you as a musician that most restaurant and bar owners are at least 10 times as sleazy as the RIAA or BMI or any other rights organizations have ever been. They will exploit all their employees, including musicians and DJs, every chance they get. They deserve absolutely no sympathy.

      --
      An engineer who ran for Congress. http://herbrobinson.us
  8. Creative Commons revolution by TheDarkener · · Score: 4, Interesting

    Artists need to hop on the CC bandwagon. Things have changed drastically since the music industry started strangling them as well as consumers.

    If we had a sizable pool of popular CC licensed music, this kind of thing would be less of an issue because establishments like this could simply use it instead. There are tons of new ways for artists to get paid via CC licensed music. Maybe we can brainstorm on ideas and models for this to become a reality? I'm thinking some sort of croudfunding model might be a good first step.

    --
    It is pitch black. You are likely to be eaten by a grue.
    1. Re:Creative Commons revolution by Anonymous Coward · · Score: 1

      Someone, maybe you, should build a software Jukebox app on top of the Free Music Archive.

    2. Re:Creative Commons revolution by Anonymous Coward · · Score: 0

      Never mind. Someone did it already: https://freemusicarchive.org/app

    3. Re:Creative Commons revolution by Anonymous Coward · · Score: 1

      already done: Jamendo.com
      and there's a jukebox app for android

    4. Re:Creative Commons revolution by Anonymous Coward · · Score: 0

      More than a few years ago on Slashdot someone shared a story revealing a mathematician's study showing that all the music that can be written has been written. This means that almost all music is presently under copyright.

    5. Re:Creative Commons revolution by jonwil · · Score: 2

      Except that even if you use only music where you have explicit permission from the copyright holder (Creative Commons or otherwise) the rights enforcement goons will still come after you and sue you (and since they are much bigger and more powerful they will probably win or at least make it too expensive to fight rather than settling)

    6. Re:Creative Commons revolution by TheDarkener · · Score: 1

      I would expect a massive crowdfunding campaign would cover any legal costs if the "rights enforcement goons" tried to sue someone for using CC BY redistributable music. The first case would (if it hasn't already been done anyway) form a stare decisis.

      I would assume other (i.e. non-CC but cleared by copyright holder) music would be more difficult since there is not as much legal evidence to go off of as CC licensed music but definitely the public would be behind them as long as there is enough evidence to prove it was in fact legitimate. IANAL btw.

      --
      It is pitch black. You are likely to be eaten by a grue.
    7. Re:Creative Commons revolution by Jack+Griffin · · Score: 1

      This is the solution. A new licensing model needs to be standardised, and an effort to get young and new artists onboard. If a new generation came through with more realistic expectations of the income they expect from recorded music, and an appropriate licensing model to suit, then the greedy old timers would just disappear off the map.
      The problem is that the incumbents have a monopoly, and someone like Apple who has the potential to be a game changer in this field, seems to be suffering a little from me-too syndrome.

    8. Re:Creative Commons revolution by Anonymous Coward · · Score: 0

      Just be careful, here in the Netherlands just declaring music to be CC is not enough to stop copyright-enforcers to enforce rights.

      By law the copyright-enforces enforces the copyrights of music from every musician, unless specifically opting out by stating next to the copyright message that the copyrights are self-enforced.

    9. Re:Creative Commons revolution by Anonymous Coward · · Score: 0

      The patron model is how big art works were commissioned all throughout history. There's no reason why the patron model with the Internet (crowdfunding) couldn't work for the benefit of the artists.

    10. Re:Creative Commons revolution by Asteconn · · Score: 1

      All of the music I write is CC-BY-NC-ND and CC-BY-NC-SA licensed. I don't want some random person getting a 'fine' because they downloaded one of my songs.

    11. Re:Creative Commons revolution by cdrudge · · Score: 1

      I would expect a massive crowdfunding campaign would cover any legal costs if the "rights enforcement goons" tried to sue someone for using CC BY redistributable music.

      You can expect whatever you want. I don't think I'd risk my financial future on the expectations of success of a crowdfunding campaign.

    12. Re:Creative Commons revolution by TheDarkener · · Score: 1

      Creative Commons is a legally sound license. Unless you don't have the guts to stand up to a bully, you have nothing to worry about.

      --
      It is pitch black. You are likely to be eaten by a grue.
    13. Re:Creative Commons revolution by Anonymous Coward · · Score: 0

      Artists need to hop on the CC bandwagon

      Remember the countries that put a pirate fee on blank media? Depending on where you live there is a flat fee for public performances even when you wrote the music yourself. That fee is then distributed to the creators of copyrighted material in a way that makes sure that you wont see any of it and the big copyright owners will see all of it.

    14. Re:Creative Commons revolution by doccus · · Score: 1

      Artists need to hop on the CC bandwagon. Things have changed drastically since the music industry started strangling them as well as consumers.

      If we had a sizable pool of popular CC licensed music, this kind of thing would be less of an issue because establishments like this could simply use it instead. There are tons of new ways for artists to get paid via CC licensed music. Maybe we can brainstorm on ideas and models for this to become a reality? I'm thinking some sort of croudfunding model might be a good first step.

      No, not a good idea. Artists do need to get paid. If they do that and suddenly a cover of one of their songs breaks through, they won't see a penny of it. What artists ARE doing, is abandoning ASCAP and BMI, and instead using nothing. Mechanical royalties, and live performance earnings are absolutely the only payouts almost ALL musicians will EVER see. Studio musician? Forget it. Live gigs? Fawgettaboutit ..Selling your records orr CDs at the gigs or regionally in music stores? Forget it. No publishing royalties, after all, in any of the last 3 mentioned. All you need is reserved copyright, in case,, say some "twerking babe" decides to cover your song... Bottom line is that musicians unions, PRO collecting organizations, and other media related financial collecting orgsanizations, were all either directly started by, or associated with the mob. They exist so the labels can skim off the top of musician's earnings. IF , as I mentioned, one of your songs breaks through, you at least have a chance of seeing something from it. Those organizations aren't there for the artists, anymore. Odds are the Stones, or Elton receive $10 for every C note the PROs collect , but they've got tons of old material that gets played. It's all about retro material that would have expired in an honest world, if it hadn't been renewed with ludicrous terms. So want to listen to music when you eat? Use headphones! They've scared all the business owners out of it.. they all feel they don't need the hassle, after this judgement. So they'll all take their cue from this incident, and forgo that dubious pleasure. The artists , (big names, most of them, because retro always tends to be,), don't notice, or need any addition to their bottom line, and the PROs don't care.. it's not their work their losing out on from people not playing these tunes anymore. They're just "enforcers" of payments that are due..they didn't write the music. But, hey, they can always go after people singing "HAppy B*day" at public birthday parties of 6 year olds..

      Here's a good link from a great music producer. I can't recommend this site enough..

      http://www.mosesavalon.com/why-you-should-wait-to-join-ascap-bmi-sesac/

    15. Re:Creative Commons revolution by TheDarkener · · Score: 1

      If they do that and suddenly a cover of one of their songs breaks through, they won't see a penny of it.

      This is false. The CC BY 4.0 International license *requires* any derivative works, covers, etc. to attribute the original artist. Not attributing the original artist is basis for legal action. This ensures whoever did the hard work creating the song someone else may be covering gets their spotlight as well. For example, people who hear a cover by some famous person will likely want to check out the original song. This is exposure. Exposure is the first step in someone becoming a fan and purchasing your music.

      Creative Commons licensing doesn't take away copyright from the rightful owner(s). It enhances their potential for distribution in the digital age.

      IANAL.

      --
      It is pitch black. You are likely to be eaten by a grue.
    16. Re:Creative Commons revolution by david_thornley · · Score: 1

      However, you do have the "NC" tern, which means that playing it in a restaurant is still illegal without another license arrangement. I approve of creative people using CC licenses, don't get me wrong, but the restauranteur would have been in just as much trouble with your music.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    17. Re:Creative Commons revolution by Asteconn · · Score: 1

      True this. The reason that I CC-BY-NC-*'d was so that randomers could download my music and not get stung for it. As far as I'm concerned, downloading and listening online is the new radio.

  9. Re:Capitalist logic by thaylin · · Score: 4, Funny

    I am pretty sure you serve the same meal once, you cannot serve it 2 or more times, unless you are waiting in the bathroom to get what comes out the other end.

    --
    When you cant win, ad hominem.
  10. He should kill them by Anonymous Coward · · Score: 0, Insightful

    Stop taking it on the chin.
    Use violence. It's time for a revolt.

    1. Re:He should kill them by Anonymous Coward · · Score: 0

      Yes! Let's break some windows, flip some cars and loot some walmarts. That'll surely bring about the change we need.

    2. Re:He should kill them by Anonymous Coward · · Score: 0

      Yes! Let's break some windows, flip some cars and loot some walmarts. That'll surely bring about the change we need.

      Don't forget burning down a CVS, A convenience store and maybe an auto parts store or two. Anything we can drink we loot first though...

    3. Re:He should kill them by OrangeTide · · Score: 1

      Anything we can drink we loot first though...

      Start with the auto parts store, they carry antifreeze.

      --
      “Common sense is not so common.” — Voltaire
    4. Re:He should kill them by KGIII · · Score: 1

      There's drugs in them there CVSs! Those should be looted too. And maybe saved for the inevitable need of first aid supplies.

      --
      "So long and thanks for all the fish."
  11. How many times... by Anonymous Coward · · Score: 0

    "How many times do they want to get paid for the stupid music?"

    Every time it is played by anyone anywhere forever! Thats what they want. Really friggin insanely stupid and greedy isn't it?!

  12. Wrong by Anonymous Coward · · Score: 1

    Infinite plus one.

    1. Re:Wrong by wyattstorch516 · · Score: 2

      I'm sure they're not that greedy. They would be more than happy to be paid infinite times.

    2. Re:Wrong by ACE209 · · Score: 1

      Ah come on - let's be generous. Infinite minus one is still enough.

      --
      "we are all atheists about most of the gods that societies have ever believed in. Some of us just go one god further."
    3. Re:Wrong by SkimTony · · Score: 1

      In the case that infinite times is prohibited by law, they'll settle for infinity minus one, though.

  13. Re:Capitalist logic by fahrbot-bot · · Score: 2

    "How many times do they want to get paid for the stupid music?"

    Dunno. How many times do you want to get paid for serving the same stupid meals?

    Sure, we all hate the MAFIAA, but it's rather odd how you feel capitalism is suddenly a one-way street.

    Not exactly an apples-to-apples comparison.. Each new meal requires new material, each play of a song does not.

    If the DJ did indeed pay a fee to play said songs, then I don't see why another should be paid by the restaurant owner.

    --
    It must have been something you assimilated. . . .
  14. Restautantosaur by Noah+Haders · · Score: 2

    I was just reading about Jurassic world, so when I looked at the headline I thought it said Restautantosaur. How cool would that be?

    1. Re:Restautantosaur by Nethead · · Score: 5, Funny

      Gordon Ramsey?

      --
      -- I have a private email server in my basement.
    2. Re:Restautantosaur by Anonymous Coward · · Score: 0

      I bet they wouldn't try to triple charge him for music in that case either... CHOMP

    3. Re:Restautantosaur by suutar · · Score: 1

      I bet I can guess what next year's Hells Kitchen intro is going to look like

    4. Re:Restautantosaur by Burz · · Score: 1

      That would be 'Tyranorestaurantasaur Rexsey'.

    5. Re:Restautantosaur by Anonymous Coward · · Score: 0

      Gordon Ramsey?

      You're thinking f'ing turkey....which being a bird descended from a dinosaur.

    6. Re:Restautantosaur by Megane · · Score: 1

      And I'm sure that everyone will still undercook the Dino Wellington.

      --
      #naabhaprzrag, #sverubfr-000, #agi-fcbafberq, negvpyr[pynff*=' negvpyr-ary-'] { qvfcynl: abar !vzcbegnag; }
    7. Re:Restautantosaur by Livius · · Score: 1

      I suspect the infringement suit would have been settled differently.

    8. Re:Restautantosaur by Anonymous Coward · · Score: 0
    9. Re:Restautantosaur by Anonymous Coward · · Score: 0

      There is - Restaurantosaurus - https://disneyworld.disney.go.com/dining/animal-kingdom/restaurantosaurus/

  15. Not seeing past one's nose by Anonymous Coward · · Score: 0

    That's not a reason to call it good, this is anything but reasonable.

    If you're inconvenienced by music, I suggest you pick one of the >90% of restaurants that don't play any.

    1. Re:Not seeing past one's nose by tompaulco · · Score: 2

      That's not a reason to call it good, this is anything but reasonable.

      If you're inconvenienced by music, I suggest you pick one of the >90% of restaurants that don't play any.

      Are you serious? I can't think of the last time I have been in a restaurant where there wasn't music playing. Usually through crappy, tinny speakers into a cavernous room with 30 foot high ceilings made out of metal, and bouncing off of all the exposed ducting and metal girders.
      Trying to have a conversation over a dinner outside of the home is not even a remote possibility anymore.

      --
      If you are not allowed to question your government then the government has answered your question.
    2. Re:Not seeing past one's nose by JustAnotherOldGuy · · Score: 3, Insightful

      > I can't think of the last time I have been in a restaurant where there wasn't music playing.

      Yep, I can't remember any place I've been in the last few years that didn't have some crap blasting through their $5 speakers.

      Jimmy Johns sub or whatever has the music so loud you literally have to shout to order food. We got sick of that shit real fast and left before the food came. It was just too damn loud, and the music was some mindless pop-horsecrap.

      Seriously, restaurant owners, TURN THAT SHIT DOWN. It's background music, not a f*cking mosh pit.

      --
      Just cruising through this digital world at 33 1/3 rpm...
    3. Re:Not seeing past one's nose by AK+Marc · · Score: 1

      I can't think of the last time I have been in a restaurant where there wasn't music playing.

      The Taco Bell I used to go to had no music, but every other fast food restaurant I can think of plays something. Maybe a few non-sit downs don't, like a pizza joint without tables.

      Though a few are wising up. They play from sources that don't require a re-license.

      But an actual sit-down restaurant? The only ones without music are way outside my price range. The super-expensive restaurants usually don't have music (except live, piano or violin). But the Denny's/Chili's'etc all have music blasting too loud to hear a conversation.

    4. Re:Not seeing past one's nose by mrbester · · Score: 1

      You get more mileage from a cheap pair of speakers.

      --
      "Wait. Something's happening. It's opening up! My God, it's full of apricots!"
    5. Re:Not seeing past one's nose by kamapuaa · · Score: 2

      Well, that's because you are relatively poor, and go to fast food, or occasionally low-end chain restaurants. Quality restaurants will generally not have music, and even semi-decent restaurants will either not have music, or will have it playing at barely-noticeable volumes.

      --
      Slashdot: providing anti-social weirdos a soapbox, since 1997.
    6. Re:Not seeing past one's nose by Jack+Griffin · · Score: 1

      Are you serious? I can't think of the last time I have been in a restaurant where there wasn't music playing.

      Odd, I can't think of many that do play music. We must go to different types of restaurants?
      Just to rattle some examples off the top of my head:
      Last restaurant I was at I ate outside, no music there.
      Before that was a cheapo Malaysian place that had no music, but they did have a TV :)
      An Italian place I went had none, but a Mexican place did have some Mexican style (non-commercial) music to add some atmosphere.
      I do recall a few places with the Muzak background type stuff which you never notice, but nothing commercial that any rights holders would be chasing?

    7. Re:Not seeing past one's nose by tompaulco · · Score: 1

      Well, that's because you are relatively poor, and go to fast food, or occasionally low-end chain restaurants. Quality restaurants will generally not have music, and even semi-decent restaurants will either not have music, or will have it playing at barely-noticeable volumes.

      Well, I am relatively poor, meaning that I make under $100k, so the restaurants I frequent are more the $10-$20 a plate restaurants, all of which play music and most of which are also playing TVs. Maybe if I went to $40-$50 per plate restaurants, they don't do that, but it would be irresponsible of me to spend that kind of money on a single meal.

      --
      If you are not allowed to question your government then the government has answered your question.
    8. Re:Not seeing past one's nose by Anonymous Coward · · Score: 0

      Maybe you should just find better restaurants? $10-$20 + TVs sounds like you're going to sports bars or Applebees.

    9. Re:Not seeing past one's nose by Anonymous Coward · · Score: 0

      it's just because you eat at shitty restaurants.

    10. Re:Not seeing past one's nose by Anonymous Coward · · Score: 0

      Wait, are you talking about fast-food places or restaurants? You seem to be confusing the two.

    11. Re:Not seeing past one's nose by dave420 · · Score: 1

      Stop going to shitty restaurants, and your problems will be solved.

    12. Re:Not seeing past one's nose by Talderas · · Score: 1

      The restaurants I go to I think may have music but it's soft enough that I don't notice it when I'm reading and these places are fairly empty, I typically go on off times on weekends. I find the far more distracting element to holding a conversation in a restaurant is the other patrons.

      --
      "Lack of speed can be overcome. In the worst case by patience." --Znork
    13. Re:Not seeing past one's nose by Anonymous Coward · · Score: 0

      this is ridiculous
      i just had a $250 per person meal last week, for 4 of us it was a grand. wonderful meal. in the midwest.
      they were tastefully playing classic rock that we all enjoyed

      another fine dinner last week had mozart playing, which my son, wife and i discussed. in boston

      finally, at a very high end restaurant down south, they had a great live bluegrass band playing.

      sounds like you go to boring assed restaurants.

    14. Re:Not seeing past one's nose by Anonymous Coward · · Score: 0

      "Very high end restaurant...live bluegrass band."

      Of course if you go to some BBQ rib joint, there might be some music playing. It's fun. I wouldn't call that fine dining, but yeah it's not fast food, either.

      But if you specifically want to avoid loud music at restaurants, which is what we're talking about here, surely you can find something in the same price range.

  16. This ain't no disco by Anonymous Coward · · Score: 0

    Oops. I just got sued.

  17. DJ paid, restaurant pays by Anonymous Coward · · Score: 1

    Looks to me like the judge overlooked "double-billing" in this case.
    If the DJ paid for a license as part of his business, then the restaurant owner hired him, then BMI is double-billing.
    The licensing of the music is intrinsic to the DJs business.

    Looks like someone ( judge, jury?, lawyers...) will get a trip to disneyland.

    Oh - IANAL. So this really is an opiniom that smells better than the case described in the summary.

    1. Re:DJ paid, restaurant pays by Lehk228 · · Score: 1

      the DJ does not pay a performance license, it is up to the venues to buy one.

      --
      Snowden and Manning are heroes.
  18. Re:Capitalist logic by ichthus · · Score: 4, Interesting

    If the DJ did indeed pay a fee to play said songs, then I don't see why another should be paid by the restaurant owner.

    EXACTLY. What if the DJ had played the songs in a park? Would the city have to pay BMI's licensing shakedown fee?

    --
    sig: sauer
  19. Extending this logic by Anonymous Coward · · Score: 1

    Wouldn't the logical extension of this logic be that if a bar has the TV on a station, and that station plays content that contains a song, then BMI can go after the bar for unlicensed reproduction?

    The TV content provider paid a license for redistribution, just like the DJ did. Is there a difference I am missing?

    1. Re:Extending this logic by Joe_Dragon · · Score: 1

      commercial tv costs more home and public view tv costs more then Private View tv

  20. Can anyone explain this bullshit? by Anonymous Coward · · Score: 1

    Can someone explain how this shit works?

    I thought the whole idea behind copyright was that it allows the author (err, I mean, rights-holder) to license the production of copies, which leads to the term *copy*-right. Thus, since the disc is licensed, the copy-right has already been enforced.

    Now I suppose what people may argue is "but you create another copy of the music in the air and in people's heads when you play the disc." However, we've already been over this. Last century, this was one of the arguments that software publishers used to force you to agree to their shrink-wrap licenses, e.g. "if you don't agree to this license, then you can't use this software, because using it copies it into your computer's RAM and without this license you cannot legally make that copy." However, the courts rightfully decided this was complete bullshit, and that any copies of the data on a distribution medium that are necessary for the normal use of a work are automatically permitted. This is why publishers have resorted to "you must check this box before the software will function" instead, as the courts have yet to tell them that that too is complete bullshit.

    Thus, what argument do the music publishers have? If playing a music disc is indeed any sort of copy, it's already permitted simply because of the fact that the disc itself is already a licensed copy and it is impossible to utilize that licensed copy without playing the disc. So what is thier argument that they are somehow entitled to further compensation?

    1. Re:Can anyone explain this bullshit? by Anonymous Coward · · Score: 0

      The problem is a CD is licensed for personal use. Any public broadcast is not. I think the problem in this case is that the owner was under the impression the jukebox that was installed was already licensed for public broadcast. In the article he says "he thinks it is". He's also refused to talk to lawyers and judges so this is a default judgement since it seems he didn't appear in court to fight it. He things since he believe this to be BS, he shouldn't have to deal with it at all. That ignoring it will make it go away.

    2. Re:Can anyone explain this bullshit? by Anonymous Coward · · Score: 0

      Copyright is more than just the right to make copies. There is also a right for public performance at issue here. So if you are playing music in your restaurant which is a public performance of the work and your license does not give you that right then you are violating copyright too. A regular old music CD, purchase off iTunes or wherever, or streaming services will undoubtedly say in the fine print that you are just getting private performance license or not public performance right granted or something with similar effect. Same thing for sports bars that want to televise sports games. They cannot just display a normal consumer cable or satellite feed, they have to pay for a more costly cable or satellite account that permits them to play games in their sports bar.

    3. Re:Can anyone explain this bullshit? by Anonymous Coward · · Score: 0

      See the rights granted under copyright law https://www.law.cornell.edu/uscode/text/17/106

    4. Re:Can anyone explain this bullshit? by Anonymous Coward · · Score: 0

      What personal use license? I didn't sign any fucking license when I forked over money and got a piece of plastic containing some notes on it in return.

    5. Re:Can anyone explain this bullshit? by dave420 · · Score: 1

      Hint: You don't have to sign something for there to be a license of use.

    6. Re:Can anyone explain this bullshit? by david_thornley · · Score: 1

      Read up on copyright law. When you buy a copy of something copyrighted, you get certain rights automatically. Public performance is not one of them. (Making copies in your computer in the process of execution is one of them.) Therefore, under US copyright law, you need some sort of extra permission for a public performance.

      US copyright law isn't completely about regulating production of copies. There's a few other things.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
  21. Re:Capitalist logic by Anonymous Coward · · Score: 0

    Now if the restaurant gave the music to the DJ. Now maybe the restaurant could be held for not paying.

  22. Poor guy never answered the complaint by JonZittrain · · Score: 5, Informative
    The court didn't actually weigh the case, since the restaurant never answered the complaint. That's too bad, as most restaurants *don't* owe fees thanks to the Fairness in Music Licensing Act, the result of the NRA (National Restaurant Association) beating the music licensig lobby. It says that you don't have to pay fees:

    (ii) in the case of a food service or drinking establishment, either the establishment in which the communication occurs has less than 3,750 gross square feet of space (excluding space used for customer parking and for no other purpose), or the establishment in which the communication occurs has 3,750 gross square feet of space or more (excluding space used for customer parking and for no other purpose) and--

    (I) if the performance is by audio means only, the performance is communicated by means of a total of not more than 6 loudspeakers, of which not more than 4 loudspeakers are located in any 1 room or adjoining outdoor space;

    So most establishments have a defense. Maybe this one did. But the judge heard from only one side since the restaurant never showed up to court. Too bad.

    1. Re:Poor guy never answered the complaint by Anonymous Coward · · Score: 0

      Good work on the followup. Should have been in TFA.

    2. Re:Poor guy never answered the complaint by penguinoid · · Score: 1

      >>> “I don’t talk to the judges. I don’t talk to anybody. I just don’t want to talk to any of these people, because it’s illegal to try and take money from people,” he insists.

      I wish there were more people like him. I hope they spend tons of money trying to get him to pay up, and fail.

      --
      Don't waste your vote! Vote for whoever you want, unless you live in a swing state it won't matter anyways
    3. Re:Poor guy never answered the complaint by Anonymous Coward · · Score: 0

      I've never understood that whole "you lose if you don't show". This isn't about who ate the last cupcake, it's a point of law.
      If there's an established law, then shouldn't the accusation be moot?

    4. Re:Poor guy never answered the complaint by Anonymous Coward · · Score: 0

      How does his restaurant make money if they can't regally take money from people in exchange for food and service?

    5. Re:Poor guy never answered the complaint by 91degrees · · Score: 1

      That does kind of explain the courts decision.

    6. Re:Poor guy never answered the complaint by radarskiy · · Score: 1

      'I've never understood that whole "you lose if you don't show".'

      The way courts in the US work is that the judge is only supposed to base their decision on the case as presented by the plaintiff and the defendant. This is to prevent a judge form injecting their own "facts" as all of the relevant testimony, law, and precedent are public records.

    7. Re:Poor guy never answered the complaint by penguinoid · · Score: 1

      How does his restaurant make money if they can't regally take money from people in exchange for food and service?

      The restaurant doesn't take their money. The customers give the restaurant money. You can bet we'd all have a different opinion on restaurants if they took your money by threat of force whether you wanted to buy something from them or not, even if they then gave you food.

      --
      Don't waste your vote! Vote for whoever you want, unless you live in a swing state it won't matter anyways
    8. Re:Poor guy never answered the complaint by JustNiz · · Score: 1

      Kinda makes you wonder how could it be that the complaint was never answered yet the restaurateur was down $8200 in attorney fees. Especially if the case was so cut-and-dry that the Fairness In Music Licencing act already covered him.

    9. Re:Poor guy never answered the complaint by Anonymous Coward · · Score: 1

      For two reasons:

      * You lose if you don't answer.
      * The prevailing party gets reasonable attorney's fees in this type of lawsuit.

      So, they prevailed because he didn't show up to court.

    10. Re:Poor guy never answered the complaint by taustin · · Score: 1

      The court didn't actually weigh the case, since the restaurant never answered the complaint.

      And that's the end of any sympathy they might have had coming from me. No matter how ridiculous the lawsuit is, if you don't answer it, you deserve to lose.

    11. Re:Poor guy never answered the complaint by taustin · · Score: 1

      So, if he, say, poisoned you with bad food, on purpose, you would agree that you shouldn't have any expectation of being able recover your medical costs? Because he can't be troubled to obey the law?

    12. Re:Poor guy never answered the complaint by taustin · · Score: 1

      I've never understood that whole "you lose if you don't show". This isn't about who ate the last cupcake, it's a point of law.
      If there's an established law, then shouldn't the accusation be moot?

      How else could it possibly be? If the judge (or jury) hears only one side, how can they possibly consider the other side? Your position is literally irrational and disconnected from reality.

    13. Re:Poor guy never answered the complaint by JonZittrain · · Score: 1

      Yeah, that's the other parties' fees, I think. And the docket turns out to have a lot of activity for a case that only had one side chugging along. There's an "infringement report" (which seems to put this place over at least some of the caps for the statutory exemption). It looks like a banquet hall that hosts events, etc. There's a lot of correspondence (including what seems to be a BMI license application from the restaurant proprietor in which he allegedly underrepresented the restaurant's max capacity by a factor of 9 or 10). The law is, I and others have pointed out, weird here -- lots of rules that no one would guess.

    14. Re:Poor guy never answered the complaint by Anonymous Coward · · Score: 0

      Those were attorney fees "won" - which means fees the plaintiffs paid their attorneys. Not what the restaurant owner spent.

    15. Re:Poor guy never answered the complaint by Registered+Coward+v2 · · Score: 1

      >>> “I don’t talk to the judges. I don’t talk to anybody. I just don’t want to talk to any of these people, because it’s illegal to try and take money from people,” he insists.

      I wish there were more people like him. I hope they spend tons of money trying to get him to pay up, and fail.

      Nah, they'll just a lean on his restaurant.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    16. Re:Poor guy never answered the complaint by Foobar+of+Borg · · Score: 1

      I've never understood that whole "you lose if you don't show". This isn't about who ate the last cupcake, it's a point of law. If there's an established law, then shouldn't the accusation be moot?

      How else could it possibly be? If the judge (or jury) hears only one side, how can they possibly consider the other side? Your position is literally irrational and disconnected from reality.

      Thank you. I just discovered my new sig.

    17. Re:Poor guy never answered the complaint by russotto · · Score: 3, Insightful

      And that's the end of any sympathy they might have had coming from me. No matter how ridiculous the lawsuit is, if you don't answer it, you deserve to lose.

      One organization sues people to justify its existence. The other makes food. No point in the second bothering to answer in court any more than the BMI lawyers should agree to a cook-off. The outcome in either case is pre-ordained, and answering can only drive up the costs.

    18. Re:Poor guy never answered the complaint by dwillden · · Score: 1

      If not for this provision anyone who knows they are going to lose would just fail to show up. If sued sorry but you have to make your case if you want to win. Trying to ignore it will just hand the victory to the side that bothers to show up, as in this case It makes no sense to do it any other way. Don't show and the judge only has the opposition's side to go off of. And thus has no choice but to rule for the side that showed up.

      --
      I'm too lazy to compose a creative sig.
    19. Re:Poor guy never answered the complaint by ZeroWaiteState · · Score: 1

      When you say "bother to show up" you are talking about a $10,000+ investment every time it happens. It's not like you just put on your sneakers, get in your car, and drive to the courtroom. Filing scatter-gun lawsuits which don't really have any chance of winning on their legal basis alone, hoping a percentage of respondents won't be able to afford responding to every legal complaint, is abuse. The fact that some civil courts endorse it (because they like to keep their docket full) doesn't make it any less so.

    20. Re:Poor guy never answered the complaint by ZeroWaiteState · · Score: 1

      The FISA judges apparently thought it was possible.

    21. Re:Poor guy never answered the complaint by david_thornley · · Score: 1

      One organization provides licenses for lawful public performance of music to justify its existence. I'd expect that at least 99% of their business is quietly collecting small amounts of money, granting licenses, and distributing money to songwriters, and none of this involves lawsuits.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    22. Re:Poor guy never answered the complaint by david_thornley · · Score: 1

      In what respect did the judge do anything different? The judge got all available testimony and applied law and precedent. It isn't the judge's fault that the defendant didn't provide any testimony. It isn't the plaintiff's fault either. With the defendant not responding, the judge really has no choice but to accept the plaintiff's testimony as correct, since nobody is disagreeing with it, and the judge cannot investigate for himself/herself.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    23. Re:Poor guy never answered the complaint by russotto · · Score: 1

      One organization provides licenses for lawful public performance of music to justify its existence. I'd expect that at least 99% of their business is quietly collecting small amounts of money, granting licenses, and distributing money to songwriters, and none of this involves lawsuits.

      Except for "songwriters", you've described the Mafia in that second sentence. When someone doesn't pay, the Mafia breaks bones and shoots people. BMI uses lawyers instead. Restaurants, on the other hand, don't have lawyers (or legbreakers) on staff, typically. Going to court against BMI is playing on their home territory. Unless you also have a tough legal staff, you've lost already.

    24. Re:Poor guy never answered the complaint by radarskiy · · Score: 1

      I think you have replied to the wrong message, since you and I are actually agreeing.

    25. Re:Poor guy never answered the complaint by dwillden · · Score: 1

      Regardless, you fail to show up, it shows you don't care about the results and you hand a default judgment to the other side, because you couldn't be bothered to show up. And yes if that's how you choose to show up, pulling on your sneakers and driving to the court room is better than not showing up at all.

      --
      I'm too lazy to compose a creative sig.
    26. Re:Poor guy never answered the complaint by Anonymous Coward · · Score: 0

      Fuck YOU.

  23. and they wonder by gonar · · Score: 3, Insightful

    and they wonder why people feel no guilt about pirating music. the BMI/RIAA/MPAA/most record labels are corporate middleman thugs who care nothing about the content they are "licensing" but only about how many $$ they can extract out of the pipeline.

    how many of those $24k went to the 4 ARTISTS who's work was "infringed"? probably about 0.7 microcents.

    how much "damage" was actually done to those artists by the infringement? they probably actually made money as likely somebody at that restaurant that night heard the songs, was reminded of a happier time in their life and went on iTunes and bought a Rolling Stones or Elton John CD.

    --
    The difference between Theory and Practice is greater in Practice than in Theory.
    1. Re:and they wonder by Anonymous Coward · · Score: 0

      you realize that unless they sent money directly to the artists that nothing you pay for itunes or buying a cd goes to the artist - it's all swallowed up by "packaging fees", "shipping fees", "marketing fees", "wiping my ass with the artist's money fees" to the point that only while on the road doing concerts will the artists actually make anything.

  24. Greed by pubwvj · · Score: 1

    "How many times do they want to get paid for the stupid music?"

    Every time you play it.
    Every time you hear it.
    Every time you hum it.
    Every time you think it.

    Refrain: Greedy buggers bugger you every time they can!

  25. My personal journey on this issue by Anonymous Coward · · Score: 0

    When Napster burst on the scene, I was of a mind that people downloading music were greedy cheating bastards. Over the course of about 5 or 10 years my perspective changed. However, I didn't become anti-copyright. I became anti-corporatist. That's the larger problem. Copyright is just one of their many weapons. Rulings like this are what caused my perspective to shift. So. I refuse to engage in the mental masturbation that would have us re-name downloading to "sharing", but at the same time I'd like to see entities like BMI just die already. Every sale they don't get helps a little. You see, they had a chance to keep their system going fairly. They didn't use it. Also, people like this are corrupting my government, so any sort of moral argument kind of lost its punch.

    1. Re:My personal journey on this issue by ChrisMaple · · Score: 1

      I became anti-corporatist.

      So you have no objections to sole proprietorships or partnerships? Only corporations? How strange.

      --
      Contribute to civilization: ari.aynrand.org/donate
    2. Re:My personal journey on this issue by Foobar+of+Borg · · Score: 1

      I became anti-corporatist.

      So you have no objections to sole proprietorships or partnerships? Only corporations? How strange.

      Why is this strange? Sole proprietorships and partnerships have to be more careful since they do not have limited liability. A corporate charter grants many rights not enjoyed by companies owned by individuals or groups without a corporate charter.

  26. I claim prior art on Brown Sugar by WillAffleckUW · · Score: 2

    It's an old blues song and BMI owes a lot of people a lot of money

    --
    -- Tigger warning: This post may contain tiggers! --
  27. This line TFA is confusing by The+Grim+Reefer · · Score: 2

    BMI regularly sues eateries, bars and other businesses for playing music without coughing up licensing fees, which range from $357 annually for a jukebox to $5.85 per audience member for a week's worth of live performances.

    Do they mean live performances by the artist that recorded the song? If so, that's an even bigger scam than I would have guessed.

    If it's for a band that is covering the song, WTF? back when I played in various bands, you could cover anything you wanted to live. It was only an issue if it was newer than 20 years (or whatever the period of time was) and sold it on a recorded format. As far as I can recall, once it was past a certain age, anyone could make money off of recording their own version of it. You only got sued if you didn't license a newer song or get permission from the rights holder.

    1. Re:This line TFA is confusing by omnichad · · Score: 1

      So I take it you were performing in the 1830's back when copyright was under 30 years?

      If the artist that recorded the song is signed up with BMI to receive royalties, then they have authorized BMI to collect on any public performance. It's up to the venue to pay that.

      If you're in a band, you don't pay the fees yourself. They are paid by the venue (which is the point of the situation in the article). If you want to record a cover song and release it on CD, then you would have to license it yourself (unless you're under a label - then they'll do it).

      Copyright doesn't somehow become invalid before its time as some exception for cover songs. So whatever you had believed at the time, it was probably just a way to stay under the radar to not get sued.

  28. Let's try this out... by Anonymous Coward · · Score: 0

    Follow the money.

    Go ahead, pay the license for playing the music, however, multiple auditing firms will follow the money from start to finish to see how much went to the "artists" and how much went into BMI's wallet.

    From there, if the percentage is what we all know that it is - ie - negligible, then sick the US AG's office on them for RICO Violations - ie - blackmailing, extortion, copyright abuse, etc...

    That's all it is these days, extortion, blackmail, copyright abuse - pure and simple.

  29. Re:Capitalist logic by TsuruchiBrian · · Score: 4, Insightful

    If you are going to mix physical and intellectual property rights, let's do it properly.

    If you go to McDonalds and buy a big mac, and go home to eat it, but aren't actually that hungry and decide to share it with a family member, McDonalds should be able to sue you for unauthorized distribution of their property. When you purchased your big mac you were only purchasing the right for yourself to eat it, not the public at large. When you shared your big mac with someone who did not pay for it, you deprived McDonalds of a potential big mac sale, and are therefore culpable for restitution owed to McDonalds.

  30. Re:Capitalist logic by Anonymous Coward · · Score: 1

    If I request that the authors and musicians perform their same old song once more, and they do in fact show up, then they can expect to get paid again. If I play the damn recording that I paid for on equipment that I paid for in an establishment that I rent, decorate and heat, then they can fuck the hell off.

  31. Re: Capitalist logic by Anonymous Coward · · Score: 0

    Talk about taking a page out of the Mafia's playbook. "If you don't pay US the licensing fee, we go to court!" Does BMI offer "protection" services as well? I bet Elton John was giving his best recorded performance ever recorded. It fits perfectly with capitalist logic "I reap the profits while others do the work."

  32. Re:Capitalist logic by Opportunist · · Score: 4, Insightful

    Well, that's the problem about comparing music with, well, pretty much anything else: Everything else gets consumed and has to be replaced when it's being, well, consumed.

    When he serves a meal, it's eaten and he has to redo it to sell it again (provided he doesn't engage in disgusting practices like "recycling" uneaten food). When my bartender serves me a cocktail, he has to make another one if he wants to sell it again. Pretty much anyone but content providers have to manufacture something again after they sold their original one if they plan to sell another one.

    That's not the case with content. Content can be reproduced ad infinitum at little to no cost. There is very little else that you could use as a commodity that shares this trait.

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  33. Re:Capitalist logic by thaylin · · Score: 1

    food cost is typically going to be 10% yes, but labor is going to be 20-40%, then rent, electricity, etc. You will be lucky if you get a 20% profit margin. BMI gets 100% profit off this.

    --
    When you cant win, ad hominem.
  34. Re:Capitalist logic by markdavis · · Score: 1

    >If the DJ did indeed pay a fee to play said songs, then I don't see why another should be paid by the restaurant owner.

    I doubt the DJ did pay the correct commercial performance royalty fee in the first place (in fact, I bet lots of them are not paying the correct fees). Although I don't see how that could make the RESTAURANT liable, it would make the DJ liable, if he was hired. I read the article and it is not well written and lacks key information necessary to form any real conclusions.

  35. BMI by Anonymous Coward · · Score: 0

    Use guns? Violence?
    Sorry, BMI has pre-empted that. Any attack on their offices will be an act of terrorism.
    Their new address:
    BMI
    7 World Trade Center
    250 Greenwich Street
    New York, NY 10007-0030
    Phone: (212) 220-3000

  36. Re:Capitalist logic by Ichijo · · Score: 1

    Each new meal requires new material

    No, I think the atoms are usually recycled.

    --
    Any sufficiently unpopular but cohesive argument is indistinguishable from trolling.
  37. Re:Capitalist logic by Sowelu · · Score: 1

    Costs they paid and investments they made in the past are still things that happened. No way is it 100% profit. Just like licensing an old movie or TV show to play on air, or serve from a streaming service...yeah it was made a long time ago and the creators and publishers aren't exerting any effort now, but when they made the initial investment, part of their calculation was the return on the long tail.

  38. "stupid music" nails it too by ChipMonk · · Score: 1

    I wouldn't pay a penny to listen to either of those no-talent hacks.

  39. Re:Capitalist logic by OrangeTide · · Score: 1

    Would the city have to pay BMI's licensing shakedown fee?

    I don't see why not. I'm sure BMI agrees with my legal analysis.

    --
    “Common sense is not so common.” — Voltaire
  40. Said the what with the what now? by wonkey_monkey · · Score: 1

    Giovanni Lavorato [...] says the disc DJ brought into the eatery paid a fee to play tunes.

    Can we have that in English? The article isn't much better...

    The disc jockey DJ brought into the eatery by his son also paid a fee to play tunes

    Brought in by whose son?

    --
    systemd is Roko's Basilisk.
    1. Re:Said the what with the what now? by Frederic54 · · Score: 1

      It's like the ATM machine we see sometimes :)

      --
      "Science will win because it works." - Stephen Hawking
    2. Re:Said the what with the what now? by wonkey_monkey · · Score: 1

      Hate those things. I can never remember my personal PIN number.

      --
      systemd is Roko's Basilisk.
  41. Re:Capitalist logic by geekmux · · Score: 1

    If I request that the authors and musicians perform their same old song once more, and they do in fact show up, then they can expect to get paid again. If I play the damn recording that I paid for on equipment that I paid for in an establishment that I rent, decorate and heat, then they can fuck the hell off.

    So, artists should only get paid for live entertainment. Got it.

    Just curious what's a reasonable amount to charge for any recorded works then? Would $500 a CD be reasonable for a budding artist? I mean, it might be a while before they can eat again if they're not touring for food 360 days a year.

    (Believe me I'm on your side, let's both remember these legal actions and reactions are mainly for the lawyers that created them.)

  42. Dateline: New York by wonkey_monkey · · Score: 1

    Rohr, who represented Bobby Dee’s

    - but sounds like he's representing BMI -

    said it makes sense for businesses to be in harmony with licensing groups like BMI. “It’s actually foolish not to do it,” he said, noting the licensing cost is less than a legal proceeding.

    Is that like how it makes sense to pay protection money, because it costs less than having your store smashed up or burnt down?

    It shouldn't be "foolish not to do it." It should be "fair to all involved to do it."

    --
    systemd is Roko's Basilisk.
    1. Re: Dateline: New York by Anonymous Coward · · Score: 0

      Fuck BMI in their collective assholes using the broomstick the bar owner gives to his cleanup crew until it breaks.
      I steal all my movies AND music. Fuck you too if you dont like. Kiss my fucking ass bitch.

    2. Re:Dateline: New York by roc97007 · · Score: 1

      Sadly, a lot of law practice is like that these days -- you pay not because it's just, but because it's cheaper than going to court.

      --
      Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
  43. Re:Capitalist logic by aitikin · · Score: 1

    "How many times do they want to get paid for the stupid music?"

    Dunno. How many times do you want to get paid for serving the same stupid meals?

    Sure, we all hate the MAFIAA, but it's rather odd how you feel capitalism is suddenly a one-way street.

    Not exactly an apples-to-apples comparison.. Each new meal requires new material, each play of a song does not.

    If the DJ did indeed pay a fee to play said songs, then I don't see why another should be paid by the restaurant owner.

    Odds are rather good that the DJ did not pay the fee that is associated with entertaining an audience. Most DJs are unaware that's any different from buying the CD itself.

    The fact that he probably even advertised (not made clear FTA) that there was a DJ playing makes the restaurant far more culpable as an "entertainment" venue than merely a restaurant. As many other posters have pointed out, this was used as a form of entertainment and should be treated as such. I don't necessarily like the tactics, nor necessarily agree with the sum, but at least, for a change, the musician gets a solid chunk of it.

    --
    "Don't meddle in the affairs of a patent dragon, for thou art tasty and good with ketchup." ~ohcrapitssteve
  44. Re:Capitalist logic by Anonymous Coward · · Score: 0

    99.99999% is pretty close to 100%

  45. Ignorance of the law by kruach+aum · · Score: 1

    is not an excuse. The law itself may be unjust, but I don't understand why this is so hard to understand. There may be a reason you run a restaurant instead of work as a quant, but still.

    1. Re:Ignorance of the law by Anonymous Coward · · Score: 0

      There may be a reason why a restaurant owner makes far more money than a quant, especially after the subprimes' crisis. The reason is that many quants post idiotic comments on slashdot now, right?
      Jerk.

    2. Re:Ignorance of the law by Anonymous Coward · · Score: 0

      ignorance of the law may not be an excuse
      BUT given the number of laws on the books, ignorance of the law is a flat out inevitability

      if you did nothing at all but wake up, start studying law texts, go to sleep, repeating for a year, then at the end of that year there would be more laws you don't know about then at the start.
      Yes, that is how fucked up the system is

  46. Re:Capitalist logic by Anonymous Coward · · Score: 0

    They can hardly sell CDs at $10. If they were selling them at $500 a copy, I'd expect them to sell one copy each to the mothers of the band members. Coincidentally that would also be their main source of food, if they tried to live of $500-CD sales. So they have to work for their money and not just shake down restaurants. Boo-fucking-hoo.

  47. Re:Capitalist logic by Noah+Haders · · Score: 1

    BMI pays the songwriters. They're basically authors, not entertainers.

  48. Re:Capitalist logic by Anonymous Coward · · Score: 0

    You should probably read up on how it actually works. Double-billing for internal costs isn't uncommon.

  49. Re:Capitalist logic by BitterOak · · Score: 1

    If the DJ did indeed pay a fee to play said songs, then I don't see why another should be paid by the restaurant owner.

    EXACTLY. What if the DJ had played the songs in a park? Would the city have to pay BMI's licensing shakedown fee?

    If the owner of the park (the city government perhaps) were charging admission or otherwise benefiting commercially from the performance of the music, then yes they would have to pay the license fee.

    --
    If I can be modded down for being a troll, can I be modded up for being an orc, or a balrog?
  50. Re:Capitalist logic by Anonymous Coward · · Score: 1

    "So, artists should only get paid for live entertainment. Got it."

    Yes, this is exactly how it should be.

    The artists get paid directly (fewer middle-men) and their rewards are directly commensurate with their hard work.

    Society benfits through the increased value placed in the artists' live performance and the repeated playback is good for everyone.

    If the artist stops working then they stop being paid, just like everyone other honest and decent person on the planet.

    Sounds like a plan. How do we make it happen?

  51. I have a solution by roc97007 · · Score: 1

    All restaurants should switch to that fake "teenage" music from 1970's sitcoms.

    --
    Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
  52. Re:Capitalist logic by Anonymous Coward · · Score: 0

    They should be touring most of the year even if they're not a budding artist and selling CDs they've created from the merch table along with T-shirts and whatever else they have.

  53. How many times do they want to get paid for the st by Anonymous Coward · · Score: 0

    Forever and ever and ever and ever. Parts of the song, the song on different media, if they thought you were thinking the song in your head, whenever. If you hum the song stuck in your head, you are giving a public performance of the song, and owe them money. The stupid that is music copyright is an a greedy corporation with bought and paid politicians and boardroom manufactured laws. Sonny Bono became evil incarnate because of his DMCA. Also the Micky Mouse(tm) protection act was bought and paid by private dollars and drafted in a private companies boardroom for paid-off politicians to enact to enslave the greater populace. Its free money forever. Even if the composer, performers and lyricists great grandkids are all dead, those holding paper will demand compensation. You thought the mafia was a protection racket? You ain't seen nuttin!

  54. Re:Capitalist logic by LoyalOpposition · · Score: 2

    If the owner of the park (the city government perhaps) were charging admission or otherwise benefiting commercially from the performance of the music, then yes they would have to pay the license fee.

    You mean like if they charged property taxes or sales taxes to maintain the park?

    ~Loyal

    --
    I aim to misbehave.
  55. Benefits of no backgroiund music by jc42 · · Score: 1

    You get more mileage from a cheap pair of speakers.

    One of the most popular cafes in this town is successful in great part because of their lack of background music. It's not a fancy place at all, just a deli-style counter with fairly good sandwich and salad makings, lots of good pastries, and a variety of (non-alcoholic) drinkables. I've lost track of the number of times I've seen groups decide to go there explicitly because conversation is possible.

    Of course, I can see other restaurant owners deciding to go with the music because it interferes with conversation, so people will just eat and then free up the table for the next customers. Groups that are talking tend to stay around too long for a truly "commercial" establishment. This may well be the main reasons that eateries pay for licenses to play music. They want you to eat and get out in as short at time as possible, not sit around and talk.

    The local cafe mentioned above is frequented by the local political crowd, and by the leaders of many local organizations. My wife is involved in organizing an upcoming music & art & food festival, and most of the organization's meetings have been held in that cafe. The cafe's owners presumably like serving this local function (and they also cater events in your home if you prefer). Maybe there's only enough of that sort of business to support one such eatery locally, or there's nobody else that wants to get into that niche.

    --
    Those who do study history are doomed to stand helplessly by while everyone else repeats it.
  56. It's not that you lose if you don't show... by The+Last+Gunslinger · · Score: 1

    It's that if you don't answer the complaint, then the plaintiff files a motion for summary judgement. Hearing no objection from the defendant, judges typically grant such motions, legally affording plaintiffs all relief they were seeking in their complaint, which nearly always includes attorneys' fees.

    Of course, then the plaintiff has to actually collect on the awarded judgement.

  57. This summary is the worst by Anonymous Coward · · Score: 0

    Just put the link to the article if you can't think of what to write about it.

  58. learn to google by NotQuiteReal · · Score: 1

    It is easy to find rich DJs.

    But still, your point is valid.

    --
    This issue is a bit more complicated than you think.
  59. BMI SHILL by Anonymous Coward · · Score: 0

    They own the copyright so it is their right to do this if they wish. It may be thuggish in your view, but it is their stuff to license and it's their job to enforce their license terms.

    If you own a venue that plays music, pay your fees directly or buy your music from a service that does it for you. If you choose to go without a license, you are violating the copyright and they can come after you if they want. Sorry, but that's how this works.

    Dollars to donuts you are a BMI shill

    1. Re:BMI SHILL by Anonymous Coward · · Score: 0

      From the article...

      Lavorato, who has been in business for 25 years, says he has a license from the city of Linden that allows him to have live music in his establishment. The disc jockey DJ brought into the eatery by his son also paid a fee to play tunes, Lavorato believes.

      http://www.djforums.com/forums/showthread.php?5548-BMI-Music-License&p=62430&viewfull=1#post62430

      If the musical performance is taking place on the premises, the establishment is responsible for obtaining public performance rights. This responsibility cannot be passed on to anyone else even if musicians hired by management are independent contractors and exceed or ignore specific instructions on what music can or cannot be played. Since it’s the establishment that’s being enhanced by music, the establishment is responsible for ensuring it is properly licensed, similar to other legal responsibilities a business must handle.
      This is Item number 16 on BMI's Website

      Given the above, it sounds like the establishment is responsible, not the DJ.

      In my opinion, I feel it's time to cut copyright to 30 years for media (not text).

  60. Re:Capitalist logic by Qzukk · · Score: 1

    How many times do you want to get paid for serving the same stupid meals

    Bad analogy.

    The restaurant paid for the flour they used to make your pasta. Now the FIAA is coming after you because you enjoyed the pasta made from their flour but you did not pay them for the right to enjoy their flour. Never mind that you paid the guy who paid for the flour, you're a flour-stealing thief because they say so.

    --
    If I have been able to see further than others, it is because I bought a pair of binoculars.
  61. The Quiet of Aldi by Pauldow · · Score: 1

    This is why I do my grocery shopping at Aldi. They don't have background music, and they pass the savings on to me.
    There the only sound is the beeping of the UPC scanner at the register. It's much less stressful.

  62. No they dont by Anonymous Coward · · Score: 1

    all copyright became forfeit when public domain was suspended.

    They reneged on their side of the contract... there is no obligation for us to uphold ours.

  63. Play Russian Roulette on CD & Read 14th Amendm by tanstaaf1 · · Score: 1

    Nothing reasonable about BMI. The license fee from them starts around $1,000 a year for a small sized restaurant and does NOT include any live music. It can go WAY higher from there. They charge by the foot and have all manner of legal crapola in their contract for collecting other fees from you if you miscalculate your situation. And, note, BMI only licenses SOME music. It is NOT ASCAP, and I don't believe paying BMI will cover you if you don't happen to know which agency licenses what. And there are other license holders as well. So it's really a legal minefield playing ANY sort of music in your for-profit business. Live band? Beware, beware, beware! You maybe *thought* you were licensed for that particular song? Wanna play Russian roulette? Most restaurants are very marginal in profits so a $20K judgement will probably put a high percentage of them out of business pretty quick. But the saddest thing is there really isn't any solid way to protect your business. An employee plays something even one time or against your policy from normal Pandora or Apple or Spotify? You can be screwed seven ways from Sunday. Probably the best deal out there right now for commercial businesses which want to play popular music is Pandora THROUGH DMX. http://www.dmx.com/pandora/. It was about $25/month last I checked. But you DO need a hardware piece and that hardware requires a fixed IP address if you have other things on your network. So the $25/month becomes $50/month. That is $600/year. So you are approaching BMI prices again. And you STILL have risk from other license holders. And you still can't play live. Nor anything which isn't being MEASURED and tracked by the DMX hardware. Jamendo offers another path if you can play "unknown" artists doing unknown songs. They are from europe and license independent music and have a provision for businesses at something like $60/year. And I understand (but what do I know?) that you are okay if you play music copyrighted before 1921 or something. But note that an old piece of music will still have a copyright if someone performed it and copyrighted their "interpretation"/ performance. So....landmine there as well. What is the answer? Maybe revoke the fourteenth amendment (https://en.wikipedia.org/wiki/Fourteenth_Amendment_to_the_United_States_Constitution). Or give up hope. It's an ugly future as the corporations now have vastly more rights than mere humans.

  64. going after arcade operators with a Guitar Hero Ar by Joe_Dragon · · Score: 1

    the music industry was even going after arcade / locations operators / locations with a Guitar Hero Arcade calming they needed to pay jukebox fees as well. They lost that case or there was some kind of out of court settlement

  65. places dancing game, pinball or any arcade machine by Joe_Dragon · · Score: 1

    places dancing game, pinball or any arcade machine may be at risk from a law suit http://arcadeheroes.com/2015/0...

    and they did this years ago with Guitar Hero Arcades.

  66. Re:Capitalist logic by gnupun · · Score: 1

    If you go to McDonalds and buy a big mac, and go home to eat it, but aren't actually that hungry and decide to share it with a family member, McDonalds should be able to sue you for unauthorized distribution of their property.

    But when you share your big mac, you lose the opportunity to enjoy the part you gave away. So this sharing is different from music sharing, it's more like cut and distribute.

    Suppose you bought a big mac and your family has 5 members including you. You placed the big mac in a food cloning machine and it generated 4 more big macs for the remaining family members. As you'd expect, McDonalds is going to sue you for paying for 1 big mac while consuming 5 big macs.

    This analogy above is similar to a music sharing you know about -- buying one copy of a song and sharing free clones with dozens of friends and strangers.

    IOW, your analogy is flawed.

  67. They're making friends everywhere by Karmashock · · Score: 1

    These guys really don't seem to get that laws are generally only as enforced as people want them to be. They keep this shit up and no jury is going to stand with them. And at that point, what is their copyright worth?

    They need to charge a reasonable rate in a reasonable cost structure.

    --
    I've decided to stop wasting my time responding to AC trolls/sockpuppets... so if you want a response from me... login.
  68. Hmmm. Sponsor copyright free music? by Maxo-Texas · · Score: 1

    Pay for hire some musicians to write generic songs for the restaurant businesses and place those songs in the creative commons.

    Generic rock as background music would be fine. If people are dancing to it probably less so. Don't think people dance to benny and the jets.

    There are tens of thousands of songs now. If they want a particular song, perhaps they need to pay top dollar.

    But that's their choice.

    --
    She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
  69. try looking at Jamendo.com by Anonymous Coward · · Score: 0

    https://www.jamendo.com/en/welcome

    Music provided by artists who keep all their copyrughts, CC-licensed, distribution by bit-torrent from the users, and they license out radio-streaming to businesses that doesn't incur al of the extra licensing costs, so they don't have to pay off the PRS/BMI.

  70. Mind-boggling by Anonymous Coward · · Score: 0

    "Bennie and the Jets" is a song that criticizes the rampant commercialization of the music industry, look 'er up. Anyone got any duct tape?

  71. Re:Capitalist logic by Anonymous Coward · · Score: 0

    Well, if restaurant impossible is to be believed, the standard menu pricing is take cost of food and triple it to figure out what to charge. So at least according to Robert Irvine, material cost is 33% and labor/energy bills takes up another 33% and the last 33% is to pay the bills and yourself. And based off a guy who cooks most his own meals, yeah, I can believe that. It typically costs me a bit more than a third the cost of restaurant price for my food cost to prepare an equivalent meal to what can be found in a restaurant, because I don't buy in bulk.

  72. A few.. by JBMcB · · Score: 4, Insightful

    One license for transferring music data off a storage medium. One license for converting digital music data to an analog form. One license for each speaker reproducing the sound, including woofers and tweeters. One license per 10m^3 of space where the mean audio is within two deviations of the average loudness of the music.

    If you are listening to said music, you need a license for that, and another if you are planning on remembering listening to the music, plus a re-performance license if you are going to hum a substantial portion of the primary melody in the shower later.

    --
    My Other Computer Is A Data General Nova III.
    1. Re:A few.. by __aanbvm4272 · · Score: 1

      you sound like the George Harrison song "Taxman" If your feeling cold I'll tax the heat. If you go for a walk I'll tax the street.

  73. Re:Capitalist logic by TsuruchiBrian · · Score: 1

    But when you share your big mac, you lose the opportunity to enjoy the part you gave away. So this sharing is different from music sharing, it's more like cut and distribute.

    Hence the difference between intellectual property and physical property.

    Suppose you bought a big mac and your family has 5 members including you. You placed the big mac in a food cloning machine and it generated 4 more big macs for the remaining family members. As you'd expect, McDonalds is going to sue you for paying for 1 big mac while consuming 5 big macs.

    Thereby turning a physical property issue into an intellectual property issue. Presumably you used your own atoms and energy (i.e. your own physical property) to make copies of the big mac.

    IOW, your analogy is flawed.

    Woosh. It was supposed to be.

  74. Re:Capitalist logic by Joe_Dragon · · Score: 1

    city government has a legal team and they can just say you can't play music there with out first asking the city Also the city can just ban the people doing the licensing shakedown. Even they lose a court case they can not pay it and have little risk.

  75. Re:Capitalist logic by Jack+Griffin · · Score: 1

    Suppose you bought a big mac and your family has 5 members including you. You placed the big mac in a food cloning machine and it generated 4 more big macs for the remaining family members. As you'd expect, McDonalds is going to sue you for paying for 1 big mac while consuming 5 big macs.

    IOW, your analogy is flawed.

    Good luck with that line of reasoning.
    I have a garden. I buy plants all the time and use clippings and or seeds to grow more copies of it.
    When I was a kid we bought a pedigree dog. We bred it and sold genetic copies of it
    IOW, your analogy is flawed.

  76. What price CDs? by careysb · · Score: 2

    In the case of a business, you're playing music for the same reason the artist is making it; to entertain others.

    Same reason you play it in your own home when others are also present.

    That's why a music CD costs a lot more than a blank CD, correct?

    The price of CDs were established when they first went public based on the cost of manufacturing. Now the cost of manufacturing is 5 cents and they still charge the same amount because they know that's the price the market will bear.

  77. Re: going after arcade operators with a Guitar Her by LocalH · · Score: 1

    Citation? As a GH fan, I honestly don't remember hearing this and would like to read more about it.

    --
    FC Closer
  78. Re:Capitalist logic by Anonymous Coward · · Score: 0

    Everybody in the area got to enjoy the heavenly smell of that delicious burger, and McDonald's didn't get paid. It's a goddamned travesty!

  79. Re:Capitalist TRADE logic by Anonymous Coward · · Score: 0

    Just wait until these trade agreements go through. If you make this nonsense illegal, McDonalds in other countries will sue your government instead to recoup the 'lost profits'.

  80. They're in survival mode... by Anonymous Coward · · Score: 0

    You'd think the music industry would love the exposure that public performances give them from restaurants, stores and the like. On more than one occasion, I have been inside of a restaurant or such and liked a particular track enough to go home and BUY the track off of Amazon. How many other individuals have done this?

    I'd also like to know how they see the performance of a track a violation of copyright if the track has been paid for. I doubt anyone will be walking into a shop wanting to record the tracks that are playing to sell illegally.

    So, if the music industry wants to charge an exorbitant fee to have the privilege to play the music in the establishment, proprietors won't buy the license or the music to play in their establishment. They'll just play tracks that aren't under the auspice of ASCAP/BMI/RIAA or won't play anything at all. Then the exposure of their 'product' won't be nearly as high.

    This is a stupid business decision. The free market is catching up to them and they are trying to claw themselves out of the box their business model and backwards ideas placed them in, that's all.

  81. Re:Capitalist logic by KGIII · · Score: 1

    You make it happen by creating your own music and living according to your chosen licensing scheme. You do not get to force others to license according to your desires. Make your model, try to make it profitable, and see if it is viable. I wish you luck. Seriously, no - I do wish you luck. I love concerts and frequently attend them. Sometimes I will even go see bands I do not really like just for the ambiance.

    --
    "So long and thanks for all the fish."
  82. murder solves everything by Anonymous Coward · · Score: 0

    let's just get rid of all these "people" at BMI and this won't happen to anyone else.

  83. loosing them by juarabiz · · Score: 1

    yes i think like that

  84. Thats is stupid for many reasons by bobjr94 · · Score: 1

    Given the value of a song seems to be 99 cents, they are claiming damages of $24,000 ? So they are saying by this place playing 4 songs, they lost $24,000 in lost sales and there for each person in the restaurant would have bought these songs 500 times, if they didn't get a free performance. These laws are dumb and have no real word fair value, it's all a made up amount by lawyers. btw: If you want to be safe, play the radio or a for business radio service (like xm radio for business), they deal with licensing.

  85. Re:Hmmm. Sponsor copyright free music? by bobjr94 · · Score: 1

    That's alot of work for a coffee shop that hardly turns a profit in the first place, hiring song writers and musicians to record songs for them. They are probably looking at $500 per song. You would want atleast 50 songs per day to prevent the same 5 from repeating 20 times per day. The safest thing is just play the radio, or get something like xm for business, its about $30 a month and they pay the performance rights, as its specifically for restaurants and places of business.

  86. Who is...What is.. by Anonymous Coward · · Score: 0

    "Bennie and the Jets" and "Brown Sugar?"

    And how many other people gave a shit?

  87. Re:Capitalist logic by Anonymous Coward · · Score: 0

    in a lot of cases copyright has been extended since the music was made, so no the long tail was not part of their calculations

  88. What a corrupt system by Anonymous Coward · · Score: 0

    It's just sad that society tolerates hucksters like the BMI. This is akin to racketeering. There is a foul stench of Mafia about this behaviour.

  89. "the law says" by Skapare · · Score: 2

    "the law says" ... change the law ...it's all a big scam ... or change the lawmakers.

    --
    now we need to go OSS in diesel cars
  90. Every Single TIme by Anonymous Coward · · Score: 0

    Subject line says it all. Oh, and they don't want to give any of it to the artist, too.

  91. RIAA, MPAA and similar orgs need to go away by Anonymous Coward · · Score: 0

    This statement says it all:

    "How many times do they want to get paid for the stupid music?"

    How many other industries can charge infinitely for the same work, over and over without any logical sense? It's absolutely ridiculous. Those double-dipping greedy bastards need to go away ASAP.

  92. Re:Capitalist logic by Anonymous Coward · · Score: 0

    Frankly your family member should be able to sue you for sharing a big mac with them.

    Pain and suffering and all that.

  93. Re:Capitalist logic by gnupun · · Score: 1

    My analogy is not flawed. No human owns the rights to the genes in your seeds or pedigree dogs. So you are free to clone marketable things from those seeds/dogs. Also, making genetic copies, as you say, is quite time consuming and expensive since you have water the seeded land frequently and have to feed/maintain the pedigree dog before & after she gives birth to the puppies. It's nothing like the simple copy files command used to pirate music.

  94. Re:Capitalist logic by rhazz · · Score: 1

    No human owns the rights to the genes in your seeds...

    You are technically correct, but only because corporations own those rights.

  95. Re:Capitalist logic by Anonymous Coward · · Score: 0

    So I buy a hammer, I use it until I have no need of a hammer. Then I lend it to my neighbor who needs it.

    Oh no! I redistributed the hammer!

  96. Time for a sea change by RogueWarrior65 · · Score: 1

    IMHO, this is indicative of what's really wrong with this country. It's not the mean, evil, greedy, CEOs. It's the musicians, actors, athletes, and people who are famous for being famous who have been deluding into thinking that everything they do is awesome and worthy of perpetual fees. It's gotten so bad that these people think that they're brilliant at everything when in reality they don't know anything. But legions of fans are so blinded by the star power that they are willing to believe everything that comes out of their mouths no matter how wrong or inane. Further, it's gotten to the point where ordinary people aspire to be famous far more than they do to be a physician or a scientist. The most dangerous aspect of all of this is that these people subconsciously know that famous people don't have to work hard for their money. It gets thrown at them. Therefore, they erroneously believe that nobody who has a lot of money earned it through hard work and ingenuity. Ultimately, the people who have money thrown at them have no appreciation for the money and the hard work it takes most people to earn it.

  97. BMI has its operating costs. by alfredo · · Score: 1

    Cocaine is not that cheap. The music industry in Nashville would grind to a halt if it wasn't for drugs and alcohol.

    --
    photosMy Photostream
  98. Re:Capitalist logic by Talennor · · Score: 1

    As you'd expect, McDonalds is going to sue you for paying for 1 big mac while consuming 5 big macs.

    No, I would not expect that. I might be convinced of this, but it's by no means obvious. I can see how such a food cloning machine might change the food industry a lot.

    --

    //TODO: signature
  99. Why do people still call it theft? by jgoemat · · Score: 1

    Unless by "stealing musing" you mean actually stealing physical media, it isn't theft. That's like taking a person's picture being called kidnapping.

  100. Re:Capitalist logic by omnichad · · Score: 1

    BMI gets 100% profit off this.

    Auditing nearly every business with chairs from afar is hardly a cheap operation.

  101. Re:Capitalist logic by omnichad · · Score: 1

    I don't believe it's possible for the DJ to pay the fees, since it depends on things like the venue's square footage and seating capacity. It's almost certainly a venue's responsibility.

  102. Ownership by backslashdot · · Score: 1

    In the future, money will be made by owning things. Wait, I am sorry that's not just the future that's how it has always been. If you don't own property, or part of a company, or some intellectual property. There is no money in work, unless the work is generating property for you. In the future as robots do most of work .. it will be even harder to get income without having investments.

    Instead of worrying about unemployment, government should worry about the uninvested. Government can tax the factories and give out shares to the uninvested, so they casn get dividends and live off that. If you won't have any investment, how do you expect to retire? Oh yeah by investing in social security. Not bad.

  103. Re:Capitalist logic by david_thornley · · Score: 1

    This is a copyright issue. When you get a legal copy of something under copyright, the law in the US specifies things you may and may not do without further permission, and public performance is in the "may not" category. However, you may do quite a few things with your specific copy, like enjoy it privately, prop up a table leg with it, or physically modify.

    To the best of my knowledge, McDonald's has not copyrighted the Big Mac, so copyright law doesn't apply, and the purchaser gets full rights to the burger. Even if it were copyrighted, you could divide it with another as long as you did not produce another copy.

    --
    "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
  104. Re:Capitalist logic by david_thornley · · Score: 1

    No, the restaurant (in this analogy) has a magic flour machine that produces flour with only trivial consumables, much like a CD that produces music with only trivial consumables. The magic flour machine company is happy to let people use their machines, but it charges for flour.

    --
    "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
  105. Re:Capitalist logic by TsuruchiBrian · · Score: 1

    The point of my post was to highlight the absurdity of treating physical and intellectual property as interchangeable.

  106. Ditto for professional sporting events by Anonymous Coward · · Score: 0

    The disclaimers at the end of each and every NFL, MLB, NHL, PGA, et al sporting event that is televised warns of the same consequences about public presentation of the material or subsequent descriptions. So if you own a restaurant, bar, club et al you need to pay the piper.

  107. Re:Capitalist logic by Jack+Griffin · · Score: 1

    . So you are free to clone marketable things from those seeds/dogs. Also, making genetic copies, as you say, is quite time consuming and expensive since you have water the seeded land frequently

    That takes no effort. A lot of plants can be copied simply by cutting a branch and letting it fall in the dirt. Some don't even require that, they break or fall naturally then just start growing by themselves. It's actually less effort than downloading and copying a file. Imagine in the Gardeners Industry Association of American knocked on your door randomly and ask for royalties for any plants you had in your garden that you didn't have a license for?
    The whole idea that a vendor can sell you something, then control how you use it in future, is flawed. You either sell it or you don't. This whole end user license model is a device of tyranny and I will continue to pirate as a form of protest against it.
    If artists want to get paid, then do what every other business has to do and come up with a business model that works, or find another job.

  108. Mystery solved... by Anonymous Coward · · Score: 0

    If anyone's wondering why more and more people feel content to be poor, or at least, not strive to make large amounts of money, it's because it seems increasingly these days that it's pointless to do so, when some fucking assholes can just come along and rob you with a piece of paper, for some stupid shit like this.

    Once upon a time if you wanted music in your home or business, you had to pay someone to play it, (or obviously, play it yourself). Then along comes Edison with his phonograph, and suddenly, the equation changed. It was essentially a PARTIALLY disruptive technology. The device itself couldn't MAKE music, it could only reproduce it. At some point, any piece of recorded music had to have SOMEONE to make it, by which I mean perform it in the presence or general direction of a microphone.

    As a result, someone got the idea that because ONCE UPON A TIME people were willing to pay someone to make music, that that means that people should still have to pay even though the people being paid aren't actually DOING THE WORK. Imagine if I came to your home, and cleaned it for you, and then in perpetuity, if you want your home clean again, you have to pay me, even though I am only ever going to do it that one time. So if you put everything back where I put it, and then remove anything that wasn't there when I cleaned it, you have to pay me again. Sound like bullshit? That's because it is.

    By the same logic, every time you drive your car, a royalty or licensing fee should have to be paid to the people who would have raised the horse you would have had to have ridden to go wherever you went in your car, a fee to the people who would have made the bridle for your use of the steering wheel, a fee to the people who would have made the saddle you would have sat on but did not, choosing instead to sit in the chair behind the aforementioned steering wheel, and a SEPARATE fee EACH to the guys who made stirrups, and spurs for your use of the floor mats, the gas pedal, and the brake. And if your car is a stick shift... well, you get the idea. Let's not forget, farriers will have to be paid for your use of the tires, and asbestos miners for your use of asbestos-free brake-pad alternatives.

    If you use alternating current electricity, you'll have to pay Thomas Edison's estate or descendants, to compensate them for the fact that since you're using what is basically Nikola Tesla's poly-phase A/C system, you're NOT using his D/C system, and he, and his descendants, heirs, assignees, etc., are all entitled to royalties from your use of electricity since once upon a time, before Tesla struck out on his own from Edison and developed his superior A/C system, if you wanted to use electricity, you would have HAD TO PAY HIM.

    To add insult to injury, many of us now use Tesla's A/C system to power electronic devices, which means using A/C power to... GENERATE D/C electricity in such devices as the ONE YOU'RE USING TO READ THIS! You owe him SOOOO MUCH MONEY!

    Or maybe we need to recognize the absurdity of continuing with this fundamentally flawed, failed system for compensating "artists," etc. Copyrights should really only allow you to prohibit someone claiming your work as his/her/their own, (plagiarism,) rather than allowing you to use the law as a cudgel for extortion. How much more of this kind of shit will people tolerate? I don't know, but I'll tell you... it's going to get ugly before the end.

  109. Re:Capitalist logic by Anonymous Coward · · Score: 0

    The DJ paid for the music he used to host the event. Now the [insert acronym soup] is coming after you because you enjoyed the music but you did not pay for the right to enjoy the music. Never mind that you paid the DJ who paid for the music, you're a music stealing thief because they say so.

  110. Re:Hmmm. Sponsor copyright free music? by Maxo-Texas · · Score: 1

    I was speaking about the restaurant industry as a whole. It would cost them less than a penny each to have songs created. You know- just like programmers collectively write programs and make them public domain.

    Even Houston alone has 4000 restaurants so $25000 for songs would be a one time expense of about $6.25 per restaurant.

    --
    She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
  111. Re: going after arcade operators with a Guitar Her by Maxo-Texas · · Score: 1

    google "guitar hero lawsuit dropped". Tons of articles.

    Lead result
    http://www.wired.com/2013/02/a...
    Judge Dismisses Axl Roseâ(TM)s $20M Guitar Hero Lawsuit

    --
    She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
  112. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion