Star Wars' Han Solo Spinoff Directors Quit In the Middle of Shooting (theverge.com)
hondo77 writes: Due to "different creative visions," Phil Lord and Christopher Miller are no longer directing the Han Solo movie, despite filming having started in January. The film is still scheduled to be released in May 2018. "Phil Lord and Christopher Miller are talented filmmakers who have assembled an incredible cast and crew, but it's become clear that we had different creative visions on this film, and we've decided to part ways. A new director will be announced soon," Kathleen Kennedy, president of Lucasfilm, said in a statement. The Han Solo spinoff is set to star Alden Ehrenreich as a young Han Solo, with Woody Harrelson as his mentor, Donald Glover as a young Lando Calrissian, and unspecified roles for Emilia Clarke and Thandia Newton.
Wasn't a fan of the force awakens (ending on what was basically a third death star run ruined the movie for me. Sure it's better than 1-3 but that should never, ever be a benchmark for Star Wars.). Sure, Rogue One managed to have an original ending and it was a movie I even enjoyed but given the recent history of Star Wars movies I don't have high hopes at all for the Han movie given this move.
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Star Wars' Han Solo spinoff directors quit in the middle of shooting
They should have shot first, and then quit.
FU, Lucas. You are the personification of the Peter Principle.
Although I think they should let Star Wars universe die (As well as the Star Trek Universe) as they are a fictional universe of a different age and the new storylines are hacked into the universe rules.
But if they are going to continue they should just move forward. The backstory will only lead us to conflict with our preconceived notions of the person. Han Solo for me while had some adventures before they were mostly just petty crimes and doing the odd jobs, getting involved with some bad people and trying to get money.
Now this could be an interesting story, but let's do it with an other person someone we don't know and watch them evolve. Not someone that we can observe like looking in the old photo album.
If something is so important that you feel the need to post it on the internet... It probably isn't that important.
ESPN knows all too well
There was 15-20 years of awesome extended universe history, covering every aspect of the universe from 10 years prior to 25 years after the original trilogy.
What do they do? Rather than finding periods in-between those works, or doing the smart thing, and running with an entirely new set of characters with minor character parts/cameos from any surviving original cast members up to reprise their roles, they instead choose to canonically shit all over the years of plot development they tacitly supported to keep Star Wars going, and in fact utilized in their *OWN* official materials (videogames, star wars encyclopedias, etc, even published/produced/copyrighted by LucasFilm/Arts/Games companies themselves!)
The only reason Star Wars survived as it did was because of the secondary media production market, and they SHIT ALL OVER IT. Trek has been doing the same since the reboot (Or TNG/Generations/DS9/Voyager depending on what was important to you.)
What is my point with all this? That it is really time for people to band together on creating non-commercially owned replacements for these universes. Tolkien, Trek, Wars, etc, figure out what people cared most about from each, turn it into a new living breathing universe, and each contribute new stories to it (But try and not stink it up with a Death Star Run 3, or Dark Horse Super Emperor Clones, or Trek continuity errors in canon materials.)
Transferrable Copyright today is just the right to rape our nostalgia while keeping us from being able to improve it when a 'new creative direction' is taken on the 'official' branch. Whether it is Dungeons and Dragons, Battletech, Crimson Skies, Shadowrun, or any of the aforementioned media franchises. It is time for *US* to remind them who allowed them to benefit from their overall meagre creativity, and turn it into a media powerhouse.
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It's all been done to death in the Extended Universe, of which they have stated 'since we don't own it, none of it happened', even though they licensed those same people to create new stories in the universe, AND supposedly vetted them before they were released.
Trek at least set out an up front policy that licensed Trek stories are never canon. Whereas Wars/Lucas integrated them into a large part of the story and gaming pantheon, much of which was taken by fans as canon up until the midichlorians, anakin built c3po, and cloned Boba Fett plotlines shat all over the EU.
Rumors being reported suggest their attempt to interject revisionism into the Solo character were not appreciated by Lawrence Kasdan.
Kasdan is the screenwriter behind The Empire Strike Back, Raiders of the Lost Ark, and this movie (with his son, Jon).
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Never a good sign...
I think that
This article claims they were fired: The Hollywood Reporter
SLOWER TRAFFIC KEEP RIGHT
Something something something franchise something something something
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Contacts and agreements for projects with a budget as high as a film like this should involve enough negotiating, commitment, honesty and planning to avoid such a large problem. My suspicion is one of the following happened: The negotiations were nowhere near comprehensive. Someone was dishonest with themselves or the other party during the negotiations. Someone went back on their commitments during the negotiations. Those directors must be in quite the comfortable position of they can afford to drop such a lucrative contract.
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Mark Hamill apparently completely disagreed with how Luke Skywalker was written in The Last Jedi. Seems to me that a lot of the newer chefs in the kitchen think they can improve the original, actually universally loved, characters and stories. I wonder if that was at play here.
If you want to tell a Star Wars story that really diverges from the past, that's totally fine. Get the studios to actually give you a semi-blank canvas that is set in that universe. Everyone will be better off for it.
The story is that the directors had problems with Kathleen Kennedy, who runs LucasFilms and is their boss, from day one. Basically they couldn't get along with the CEO and she fired them. Kennedy has a pretty good track record in the industry and picking a fight with her was not a great plan. Plus, remember news leaked out that Rogue One had re-shoots and lots of people concluded that the only possible outcome was a disastrous movie that would fail spectacularly. Rogue One made half a billion at the box office. I thought it was pretty good. These guys' claim to fame is they made 3 comedy movies that turned a profit. Losing them with most of the shooting done is not a tragedy and the final result may still be pretty good and probably more in line with what the bosses expect than what they were planning on doing themselves.
Spinoff Directors Quit In the Middle of Shooting
I can only hope the difference in creative vision went something like this:
"You know what, fuck this sequel/prequel/spinoff bullshit. I've had enough of it. Every damn thing coming out these days is nothing more than a shitty recycle of an older movie that tries to justify itself with a half billion dollars worth of 21st century special effects, or the 17th movie in a drawn-out storyline that should have died long ago. Give me an original storyline with a new concept for once."
Here's your 2023 summer movie lineup to prove a point:
Resident Evil: Gotta Catch 'Em All, Part 2
Fast and Furious: Lunar Drift
Pirates of the Caribbean: Hanna Montana's Revenge
Transformers: Rise of the Transgender
Star Trek: Teen Spock and the Vulcanettes
Sharknado Mayhem 4D: Movie Theater Wetsuit Edition.
I disagree on the Rogue One ending though. Once it occured to me that they were really going to make the end of Rogue One match the start of A New Hope to the letter the end became much less interesting. Halfway through the end scene it was clear that all involved were doomed. Of course the transmissing HAD to happen. But Darth Vader HAD to find out. The two main characters HAD to die etc. Not very interesting.
Knowing where a movie is going ahead of time does not by itself make it less interesting. In virtually all superhero movies you know the main character is going to live and the ending will probably be a happy one. Most of the time the story is rather predictable too. Doesn't make it uninteresting as long as they make the journey getting there fun. To use the classic example, we all knew the Titanic was going to sink before anyone walked into a theater.
I was really hopefull afther The Force Awakens, since it was for me a great 'setting the scene' movie.
I suppose they had to get back to baseline after the prequels. Really it was just a reboot and the movie was for all practical purposes nearly a scene for scene remake/update of A New Hope. It was done well enough but this was ground that Star Wars has covered several times now which was disappointing to me at least. Predictable doesn't need to mean identical. The Force Awakens was something of a love letter to A New Hope and that's fine but I have to admit I wasn't expecting a remake.
and they are going to rape Indy in Indiana Jones 5.
The reward for this is that the mouse get's an other copyright extension.
south park knows the mouse is doing.
https://www.youtube.com/watch?...
Does this mean we won't see Pizza the Hut's cameo in the new movie?
Disney will get its space princess drek made one way or another.
And it will be unwatchable garbage either way.
I would assume that these guys wound up with only a fraction of the money they could have made. I suspect at the directorial level they have a cut of the gross, or at least before some expenses. Regardless, I'm sure they walked away from a pretty big payday.
Who knows what actually happened, but regardless of the money I'm sure they quit at the point where it would be most painful for the people they work for.
I'm sure there's some backbiting that results from this and some favors will be called in to try to deny them future jobs and/or their boss may have to give up more to hire people in the future.
I don't think "superhero" movies are a good example. They're the epitome of high-budget junk with no original plot or quality of story. - just action.
What do you think Star Wars is if it isn't a super hero movie? Jedi are nearly the epitome of super heroes. Furthermore I completely disagree that super hero movies inherently lack original plots or good stories. Sturgeon's law applies to any genre of movie you care to mention. Some of the stories that are coming out of the comic books these days are absolutely awesome stories and only a narrow minded snob would think otherwise. You could argue that the story could have been realized better but the stories themselves are often great.
They sell well to kids wanting to watch their favourite marketing device, but you'll find very few superhero films on any critics "must watch" top films.
I can name quite a few superhero movies that are must see cultural touch stones. Star Wars and Empire Strikes Back are two of them.
Have gnu, will travel.
So a remake of 4?
Disney Starwars are worst garbage ever. George Lucas is spinning in his grave.
A young Luke Skywalker having sex with Leia Organa. Like, totally crushing her pussy. While Han Solo watches, with tears falling down his cheeks and his hand furiously stroking his penis.
The only thing I've even heard of that they directed was 21 Jump Street. I remember seeing the previews and thinking: looks like they bad TV show made into even a worse movie--and no, I don't give a fuck about rotten tomatoes or critics opinion.
Did nobody learn from the disaster that was "Young Indiana Jones"? The magic is gone, don't try to recreate it.
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Tell Disney i have his money.
Weird. Disney said they were fired.
I didn't even know a Han Solo spinoff was coming next year.
But I did know that something was coming next year, because this year we're getting Episode VIII, and Disney is whoring Star Wars out for annual films, whether anyone wants them or not.
The fact that the directors have quit implies that we've got another unnecessary, unoriginal turd on our hands.
I'm hoping that Episode VIII falls well short of the box office watermark that Episode VII set. Disney needs a hard reality check. For my part, I won't be seeing it until the BluRay hits Redbox.
Episode VII was such a fucking turd. In a few years, the Empire has rebuilt itself, rebuilt another massive superweapon, lined up a bunch of fancy new toys, turned and enlisted a new force-using apprentice for a new big, bad, shadowy dude and paired him up with a new rank-and-file military type so they can fight the same old battles over plans/maps that, surprise surprise, are stored in a cute little droid.
Fuck off. It's basically a remake separated by a generation, just like Jurassic World was. And just like Jurassic World, it makes no fucking sense. Logistically, how did all of this happen in the short time since the last movie? How did no one learn from past mistakes? This isn't a failing to earn from history scenario, we've got characters who lived through the mistakes. And we're not talking about wishy washy lessons about human behavior. We're talking about simple practical fucking details.
Why design a third huge super weapon with a cartoonish "blow this lil bit up and destroy the whole thing"? Why not proactively guard that weak point? Why hide things in little droids? We know they have radios. If you have a map of where a missing person went, and then a missing chunk of that map where the trail cuts off, why not just search around the missing chunk of that map? Oh, because you didn't even have that part of the map because your droid was having a rest? When and how did the droid collect the data? You can't have a tech poke at the droid and wake it up?
And why the fuck do you need to find Luke Skywalker so badly? You need an army (that you control) and a functioning government. Or did you already forget the failures of the Jedi Council? Herp Derp, we're a religion and we kind of act as knights but also as political advisors but we also hate war and politics. Herp Derp, we're getting involved in politics and wars, might as well just trust this slimy politicians and use this army of clones we didn't know we bought to fight... wait, who are we fighting and why? Blockades? Communications disruptions? One little shit stain planet? OH JAR JAR U SO SILLY! Herp Derp, I guess the government turned on us and used that army against us, now we're all dead except for 2 special dudes who are key characters in the original movies.
Why design a dinosaur park without heavily armed guards at each exhibit? Hell, we managed to murder a gorilla in about 4 seconds because of some shitstain child with useless parents. Why have a cage for the new, super dangerous dinosaur that ONLY has a dinosaur-sized gate? Why not have a man-sized gate to the side, so you can have people enter and leave without risking the dinosaur escaping?
These aren't the directors you're looking for
If you enjoy the old lore they can't really take that away. Sure, you won't get any more, but it doesn't devalue what you already have.
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word is, they did not quit, they were fired..
Well, at least they shot first.
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With all due respect to both of them, I get it. Who's directing this?
What exactly about star wars filming is tech news?
I think it's because they had to take a recording of her voice from the old movie, and in the old movie she never said "a new hope".
But we all know when she did say the word "hope".
404555974007725459910684486621289147856453481154 in hex is "You sank my Battleship?"
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Their roles are going to be as eye-candy with skimpy clothing. Token speaking parts, maybe. A bit of BDSM, for those who like such things.
It's Hollywood. You expected better?
I can't say that I'm particularly enthralled by the prospect. I'm wondering if the Star Wars franchise is going to become the first movie series where I've got a catch-up list that's into double digits.
And will it become the first such series where I'm double hexadecimal digits behind the most-recent version?
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