...does shutting down the internet just lead to more unrest? Wouldn't a better strategy be, "Eithiopia is footing the bill to make Netflix free during peak protest hours"?
The British often linguistically treat "mathematics" as though were the plural of some noun "mathematic". But the -s is the nominative -s.
How do we know that these are really different affixes, and not just the same affix doing a range of jobs? Partly we know from history. The plural -s comes from an Old English case suffix (-es or -as). The verb one has derived from the suffix -eth (or -ath) in earlier Englishes. The adverbial one is related to the possessive 's. And our friend the nominali{s/z}ing (=noun-making) suffix generally affixes to roots from classical Greek.
It's easy to find other uses of the nominative -s -- for example, almost any high-level subject of study such as mechanics, physics, economics, linguistics -- but now many are long and common enough to be frequently abbreviated by common people. For example, few people talk about "economics" often enough to shorten it to "econ" or "econs" (though when they do, it's usually "econ").
This also is one of the cases that led me to rule of thumb "(modern) English people can't speak English". Americans seem to hang on to the "old way" of speaker longer than the British do.
Wikipedia is also more accurate than many people give it credit.
YMMV. My friend in organic chemistry said it was better than her textbook, accurate, and mostly free of junk contributions because most people don't understand it well enough to argue about it. The math pages seem to be aimed at college graduates who are all at least conversant in abstract algebra. The electrical engineering articles are aimed at high school level of understanding -- and God help you if it has the slightest relationship to audio, because that brings out all the horribly ill-informed A/V nuts.
I'd speculate that the more readily a high school sophomore can understand the basics, the lower the education level of those involved will be, and the more people who know what they're talking about will be squeezed out.
Supposedly, their power transmission system is based on some sort of high-energy plasma being piped throughout the ship, and every piece of technology they have can be made more or less effective by simply funneling more power into it, even if you have to steal that power from things like lighting or life support. (For example, the computer calculates more quickly, shields become firmer, sensors extend their range and resolution, etc.)
So -- bearing in mind that "pipe more high-energy plasma from one part of the ship to a completely unrelated part" is default behavior in any crisis -- that in mind, it's amazing things don't blow up constantly.
Back in the documentary "Crumb", on underground commix icon Robert Crumb, R.C. demonstrated how he took a lot of photos and drew scenes from them rather from memory, because it's easy to mentally tune-out a lot of very big, annoying things about modern life: billboards, power lines, transformers. He didn't want to miss them when he drew, so he took photos to force himself to acknowledge them with photos.
Sure enough, once he pointed it out, I realized that was one of the things that made his work both very solid/real and also very gritty. When there's no panels with large swaths of empty, blue sky, it really forces you to acknowledge everything we've put in the way.
In anime, it could be similarly an attempt at heightened awareness/realism, or a form of social commentary, or a subtle nod that the characters are in the Ugly Real World and not the Sparking Virtual Reality or Romantic Past.
The old extension model gave you access to everything. I hesitate to call them "hooks", because when people here that they usually think of a well-enumerated API option or port. It wasn't that. Everything was made of modules with a defined module API. Any extension could leverage any model by talking to it. That made you able to do literally anything with their model.
Do you want to cut out the (then) Gecko rendering engine and instead use IE's (then) Trident rending engine? An extension did that. Do you want to filter everything that goes to the (then) SpiderMonkey JavaScript engine before the code is run? An extension let you do that. Do you want to leverage the rendering engine to view a webpage in a way that it was never intended (say, as hierarchical text)? An extension did that. Do you want to inject your own code into every page you're shown? An extension did that. Do you want to add support for a new or obsoleted protocol (like gopher), or new image formats? You could do that. Do you want to implement completely new UI features, such as dragging-to-rearrange tabs? That was an extension, later added to the main program.
The trouble is that most extensions did really banal shit like changing the UI by modifying the chrome. And when Firefox revs and redefines chrome element (and the mediocre extensions do not update at all), all of a sudden the browser gets laggy and leaky and doesn't work like customers expect, and Mozilla looks incompetent. They had the same problems with their CSS-based themes, which is why they started moving back to customizable by mostly-meaningless skins (in their Jetpack initiative).
Now by moving to Google Chrome's API model, they've finish cutting out most of the wild, wooly, user-generated code that made it less stable... but also the only thing that makes Firefox unique or useful in a modern browser. It did it's job and ended IE dominance. With the passage of time it has forgotten the goal of making a browser that was lightweight. Modern web features make it impossible for it to be nearly as cross-platform as it was. They rarely ever supported user choices over API standards (they always had to be badgered into things like 'never deny the user access to the menu'), so it's hard for me to believe them when they claim any kind of moral superiority. They only care about user choice so long as it doesn't make work for them. So other than the fact we have a _different flavor_ of chrome now, what's there to be thrilled about?
... as an engineer for an IC company, I had to translate bug reports into firmware release notes suitable for corporate customers. (These days we automate it through a combination of JIRA and repo comments.)
For those of you who actually write release notes, what guidelines do you use? There was no formal standard or best practices to follow in our group: the de facto standard was a balance between whatever our engineer (usually the same guy over many releases) thinks is enough info, and what our customers (also engineers) badger us about being not enough info.
Should one make any attempts at levity, or keep it strictly to business? If somebody is reading your document, it's probably because something went wrong. They are short on time and reading a document they didn't want to deal with, trying to solve it quickly. They are already angry. All humor in documentation is thus inherently tone-deaf and insulting. It is never worth doing, and we all want to punch you.
How much information is appropriate in release notes? You must first understand our customers: they build systems of many ICs (and don't devote a lot of time to any one vendor), their companies are segmented by function (so the driver guy and the platform guy never talk to each other, everything is write once/change never, and iterative design is a dirty word), and they are very risk averse (they think it's our job to prove to them that nothing is ever risky). Here's what we end up giving them:
* Bug fixes: Sometimes too many little ones to be worth enumerating, collected under "bugs fixed". But usually there are some big ones, or at least specific ones that your customer noticed and called you on. Give a description of what the issue did and something that suggests you traced it to root cause and didn't just move data around until a test passed. "Resolved an issue whereby the widget exhausted streamer overhead and data was lost." An ugly fact: giving too much detail about what went wrong and how you fixed it actually makes customers ask more questions, which means more busywork. (The Japanese notion of process means asking a lot of nonsensical questions, to be answered in the form of a spreadsheet, repeating ad nauseam.)
* Errata: customers won't always move to the latest/greatest firmware: they'll stick with what they last validated internally. Some bugs were found to be around for a long time. You need to note these newly-known bugs in your errata for the previous releases when you rev the document. This is covering your ass; you've warned them. Also, it lets you sum up many bug fixes as "fixed all other previous errata".
* New unexpected features: If a customer does actually upgrade mid-project, it'll be to fix an intolerable bug, and then they'll get new features they weren't expecting along with the fix. Assume that the release notes are the only new document that they will ever read after switching... and thus the only document that describes new features. Give the interface, an example, and any required system configuration changes needed to live with it. Think of it as a one-page white paper on the new feature.
* New expected features: "(finally) added support for Industry-Expected Feature." Done. (Paradoxically, the bigger the new feature, the smaller the release note comment can be.)
* Changed/removed features and changed interfaces. Most customers will hate that you change an interface at all, but it's unavoidable.
On a related note: early in life, I found that I'm the only one I know who ever reads help files, release notes, and EULAs. I taught myself Matlab as a grad student in about a week by using their immaculate help system. I knew about long-standing but poorly-advertised features and bugs my coworkers didn't, because I actually read the damn release notes. I was not surprised at all that my mother-in-law's Samsung TV is spying on her, or that Windows 8 phoned "home" to various universities, because they told you they were going to do so in the EULAs. If you don't read the documentation, you're going to be worse off. If you're an engineer who thinks documentation is a "someday" task or a "check box item" for a release, then you're horrible, and I hate you.
Every single "Like" widget on every webpage phones home to FaceBook. This basically lets them track everyone, everywhere.
If you want to keep two identities separate, you need to clear cookies, probably clear various super-cookie method, and/or turn off javascript. Or at least have NoScript set up with ABE rules to keep FaceBook javascript only on FaceBook. Or more easily, use a separate computer in addition to all the basic identity segregation that Leila used.
And bear in mind that this will only get worse as time goes on. As web sites move from a page model to an app model, the Web API standards will give sites more and more vectors to track users, undermine privacy protections, and enforce compliance with excessive requirements.
Even if they try to do a legal run around based on tribal sovereignty, the simple fact remains that it's against Federal law for credit card companies to do business with casinos. This is what originally killed the American online gambling industry. (And while I think that basic goal was short sighted, it is what it is.)
Credit card companies care a lot more about pissing off the Feds than they do about doing business with what they admit is a shady, untested casino scheme. The money is good, I'm sure, but the legal theory would have to be rock-solid to convince them that they're not going to just burn through it all in legal fees and penalties.
It would actually be easier to go to President Trump -- literally the most sympathetic possible person for this cause -- and bitch about how all those casino dollars are going off-shore to GoldenPalace.com, and get him to put a pet bill through a Republican-controlled Congress.
Of course, you're not competing with the real world. You're competing with the past. For the most part, this means film, but it can also just mean "at whatever resolution we eliminate all the digital artifacts we accidentally put it". This matters for both Hollywood movies, and for most TV shows.
Say you're watching a DVD source on a 4K screen. You interpolate to fill in the missing data, but that's more missing data than available data and the contrast is terrible. When your screen resolution is better than your source like this, you have to rely on little (but still visible) tricks like digital grain to make it look less unnatural (as they did relatively successfully with, say, the old A&E/BBC version of Pride & Prejudice, and less successfully with the movie 300. To avoid this entirely, you have to re-sample the original source at a higher rate, which means going back to a higher-resolution master. For older material that means film. For newer material, it may mean you're just SOL.
A case study: All the episodes of the original Star Trek were shot (including special effects), edited, and mastered on film. That master was broadcast using analog technology, or digitized to some resolution for DVDs, Blu-Ray, etc. When screen resolution goes up, you can't just upscale the DVD or Blu-Ray and get good results indefinitely: you have to go back to the master and re-capture a higher-resolution digital version from that. The resolution of 35mm film is roughly equivalent to 20 megapixels.
Most of the Next Generation was shot, edited, and mastered on film, but a few effects were produced and edited in using digital 3D. For those 3D models, they had to do some digital archaeology and re-creation to replace (not scale up) those effects without artifacts. And then you get to Star Trek: Deep Space Nine, were a lot was modeled in 3D, and it was all edited and mastered digitally assuming the TV resolution of the time. There's no film master of higher resolution to go to, so DS9 (even the human actors) will just look worse and worse as the screen resolution goes up, forever.
Theoretically, 8K is approaching the point where you can good and truly digitally re-master most older media -- getting as good as you ever got with film -- and thus the point where the technology tops out... at least until Hollywood starts digitally filming in 16K.
Exactly. The SSN works as intended: it identifies a person. Proving that someone calling in on the phone actually _is_ the person that number identifies is a completely different problem.
I would also mention that -- since the metal itself has to "compute" it's next state at any moment using the underlying formulae of physics -- that this really proves that the digital computation we're used to is inferior to the quantum computation available to the particles themselves, or to even more exotic computational methods that a hypothetical alien computer might use.
Do-Not-Track was mostly promoted by the advertising industry, as a feel-good, toothless preference people could set that distracted from the fact that all their data was still being collected and processed the same way it always had been. It didn't let users opt out of collection, it gave industry a chance to opt in to non-collection, which none of them did.
(This post has nothing to do with the thrust of the article: that people's minds leap quickly to obvious-but-nigh-impossible things rather than possible-but-subtly. But they made the mistake of putting forth an example (Blade Runner) which is more interesting to talk about than the premise itself, so here's some comments on sci-fi storytelling.)
If the past is another country, the future is an alien planet. We can conjecture on a number of technologies that may become available, or even practical and common, and others which will fail or die off -- though our track record on all of these is pretty shoddy -- but if pursued rigorously and thoroughly, along every human pursuit, what you'll get is a slice of life that's utterly incomprehensible to your audience.
For example, we could (and did) predict a network like the internet, but no one really understood what it would be like to be connected to everything all the time. It's just as foreign for people growing up today that something as trivial as an address, driving directions, a phone number to be known to someone, even many people, but not to you. (Something as ridiculous as a 31-month FBI investigation to determine the true lyrics and possible obscenity of the song Louie Louie seems utterly impossible now, even for the Federal government.) Looking back, you can understand it, if not really appreciate it. Looking forward, it's incomprehensible.
We don't aim to predict the future because 1) we are very likely to fail, and 2) succeeding would make a bad setting for a story to be understood by any modern audience. This is why most movies either go "five minutes into the future" (where very little fundamentally changes, but you focus deeply on those changes) or else hundreds of years in the future where anything and everything could have plausibly changed. In either case, you can believably put forth a setting that is mostly familiar to an audience, where you can be sure that any difference you see is actually relevant to the story.
"The first technology revolution caused World War I," he said, "The second technology revolution caused World War II. This is the third technology revolution
Yeah, this was sort of "when the Germans bombed Pearl Harbor" statement. The first technological revolution was more coincident with the Civil War than anything else. World War II was started in every conceivable by Word War I -- they're basically one big rolling wave of political and economic turmoil.
"You know, I saw an article that pointed out to me that there's actually a lot of interesting study going on in this field. Maybe some of it could help us." "So you understand it enough to apply it?" "Not especially." "Should we fire you and find someone who does?" "You know what, it was just a suggestion. Fine, let's just XOR this and difference those and call it a day."
I'm pretty sure the primary motivation for putting in a touchscreen is that the Echo is really limited with a voice-only interface. For anything complicated, it tells you to use their linked App.
For example, it can add something (approximating what) you said to a shopping list or to-do list, but it cannot remove them. for that you need to go to the App.
It can't handle questions or requests with more than one result. For example, it can play a song by name, but God help you if the library contains multiple covers, different songs of the same name, or just lacks the song altogether. ("No, I do not want the Rockabye Baby interpretation of 'Stairway to Heaven'; no one wants that.")
It is also incapable of introspection, since everything goes out to a server. You'd think it would be able to answer basic questions like "Alexa, what's your MAC address" out of the box, at least enough to get you a connection to said server. (It still can't answer it once you connect to a server.)
Adding a screen could in theory fix these problems. It also demonstrates a willingness to completely ignore everything that's wrong with the product's signature feature, voice control. If Amazon can't actually fix those problems at some point, it will lose big to Apple and Google. For that matter, since it's nothing more than a crappy command line interface, I'm surprised the Microsoft hasn't killed it already.
... Is that none of care how much the music industry loses in royalties, because they already manage to squeeze us for too damn much.
You could argue YouTube derives a good amount of its value from hosting content copyrighted by other people -- because at the end of the day, that's what people want to see, not other people's home movies. However, you also have to realize all of that "value" is derived from the fact that it's the only place to find things that people already think should be free by now.
Basically, if they didn't publish the couldn't claim the extended copyright, so they published rather than let them become free.
There is something to be said for the way copyright manages to keep some popular collections alive and well-tended, rather than rotting away in a cellar. (There is also something to be said for the way copyright manages to keep less popular collections buried and rotting away in a cellar.)
I have only been to a big box theater once in the last decade. And that was a mistake. And I blame my wife.
For everything else, we go to the Alamo Drafthouse. No screaming babies (unless you go to the special weekend showings for tortured moms who have to bring their screaming baby). No teens sneaking in shitty booze and talking through the whole damn thing. Nobody on cellphones. No tripping over everyone else because there is no walkable aisle in front of the seats.
The only bad thing I can say about it is that the food -- not concessions, plates of food for adult humans -- is too pricey.
I pity people who don't live near one, but considering how fast they're spreading -- not to mention the knock-off chains like iPic and Flix Brewhouse, or the smaller independent theaters with a similar sensibilities -- I think kid-free films will be a big thing in the coming years.
I haven't updated firefox in a long time. Sadly, it no longer even works in my corporate environment. As a long-time user though, I can hope that this is finally the act that causes share to plummet enough to make them realize that extensions are the ONLY good thing left about Firefox. If Mozilla wants to survive, it will have to cope.
Or it will die, and web will belong totally to Google.
Nobody's going to go through the trouble to delete something that doesn't matter
While I sympathize with Mr. Kick, and remain skeptical of the new administration, this statement is just stupid.
Things get deleted all the time, especially by people who later decide they would prefer the information were still up. Every time a website gets refreshed, they may preserve the data from before the refresh, but the data from two refreshes or more gets mangled. In any organization, there will be data rot.
Now, the fact that this is a government organization makes the problem even worse, because now there are legal reasons that compel then to take down reports or documents after some period of time. For example, if something goes to a hearing which finds in favor of the defendant.
If I could tattoo "Hanlon's Razor" onto the back of every blogger's hands, I would.
Slashdot Mirror
...does shutting down the internet just lead to more unrest? Wouldn't a better strategy be, "Eithiopia is footing the bill to make Netflix free during peak protest hours"?
There's no reason to argue... it's actually pretty easy to explain how the (modern) English are wrong:
Separated by a Common Language: Math(s)
The British often linguistically treat "mathematics" as though were the plural of some noun "mathematic". But the -s is the nominative -s.
How do we know that these are really different affixes, and not just the same affix doing a range of jobs? Partly we know from history. The plural -s comes from an Old English case suffix (-es or -as). The verb one has derived from the suffix -eth (or -ath) in earlier Englishes. The adverbial one is related to the possessive 's. And our friend the nominali{s/z}ing (=noun-making) suffix generally affixes to roots from classical Greek.
It's easy to find other uses of the nominative -s -- for example, almost any high-level subject of study such as mechanics, physics, economics, linguistics -- but now many are long and common enough to be frequently abbreviated by common people. For example, few people talk about "economics" often enough to shorten it to "econ" or "econs" (though when they do, it's usually "econ").
This also is one of the cases that led me to rule of thumb "(modern) English people can't speak English". Americans seem to hang on to the "old way" of speaker longer than the British do.
... that I'll no longer get to chuckle at a "news" channel called CCTV, or have to explain to non-Americans why that's funny?
Wikipedia is also more accurate than many people give it credit.
YMMV. My friend in organic chemistry said it was better than her textbook, accurate, and mostly free of junk contributions because most people don't understand it well enough to argue about it. The math pages seem to be aimed at college graduates who are all at least conversant in abstract algebra. The electrical engineering articles are aimed at high school level of understanding -- and God help you if it has the slightest relationship to audio, because that brings out all the horribly ill-informed A/V nuts.
I'd speculate that the more readily a high school sophomore can understand the basics, the lower the education level of those involved will be, and the more people who know what they're talking about will be squeezed out.
Supposedly, their power transmission system is based on some sort of high-energy plasma being piped throughout the ship, and every piece of technology they have can be made more or less effective by simply funneling more power into it, even if you have to steal that power from things like lighting or life support. (For example, the computer calculates more quickly, shields become firmer, sensors extend their range and resolution, etc.)
So -- bearing in mind that "pipe more high-energy plasma from one part of the ship to a completely unrelated part" is default behavior in any crisis -- that in mind, it's amazing things don't blow up constantly.
Back in the documentary "Crumb", on underground commix icon Robert Crumb, R.C. demonstrated how he took a lot of photos and drew scenes from them rather from memory, because it's easy to mentally tune-out a lot of very big, annoying things about modern life: billboards, power lines, transformers. He didn't want to miss them when he drew, so he took photos to force himself to acknowledge them with photos.
Sure enough, once he pointed it out, I realized that was one of the things that made his work both very solid/real and also very gritty. When there's no panels with large swaths of empty, blue sky, it really forces you to acknowledge everything we've put in the way.
In anime, it could be similarly an attempt at heightened awareness/realism, or a form of social commentary, or a subtle nod that the characters are in the Ugly Real World and not the Sparking Virtual Reality or Romantic Past.
The old extension model gave you access to everything. I hesitate to call them "hooks", because when people here that they usually think of a well-enumerated API option or port. It wasn't that. Everything was made of modules with a defined module API. Any extension could leverage any model by talking to it. That made you able to do literally anything with their model.
Do you want to cut out the (then) Gecko rendering engine and instead use IE's (then) Trident rending engine? An extension did that. Do you want to filter everything that goes to the (then) SpiderMonkey JavaScript engine before the code is run? An extension let you do that. Do you want to leverage the rendering engine to view a webpage in a way that it was never intended (say, as hierarchical text)? An extension did that. Do you want to inject your own code into every page you're shown? An extension did that. Do you want to add support for a new or obsoleted protocol (like gopher), or new image formats? You could do that. Do you want to implement completely new UI features, such as dragging-to-rearrange tabs? That was an extension, later added to the main program.
The trouble is that most extensions did really banal shit like changing the UI by modifying the chrome. And when Firefox revs and redefines chrome element (and the mediocre extensions do not update at all), all of a sudden the browser gets laggy and leaky and doesn't work like customers expect, and Mozilla looks incompetent. They had the same problems with their CSS-based themes, which is why they started moving back to customizable by mostly-meaningless skins (in their Jetpack initiative).
Now by moving to Google Chrome's API model, they've finish cutting out most of the wild, wooly, user-generated code that made it less stable... but also the only thing that makes Firefox unique or useful in a modern browser. It did it's job and ended IE dominance. With the passage of time it has forgotten the goal of making a browser that was lightweight. Modern web features make it impossible for it to be nearly as cross-platform as it was. They rarely ever supported user choices over API standards (they always had to be badgered into things like 'never deny the user access to the menu'), so it's hard for me to believe them when they claim any kind of moral superiority. They only care about user choice so long as it doesn't make work for them. So other than the fact we have a _different flavor_ of chrome now, what's there to be thrilled about?
... as an engineer for an IC company, I had to translate bug reports into firmware release notes suitable for corporate customers. (These days we automate it through a combination of JIRA and repo comments.)
For those of you who actually write release notes, what guidelines do you use?
There was no formal standard or best practices to follow in our group: the de facto standard was a balance between whatever our engineer (usually the same guy over many releases) thinks is enough info, and what our customers (also engineers) badger us about being not enough info.
Should one make any attempts at levity, or keep it strictly to business?
If somebody is reading your document, it's probably because something went wrong. They are short on time and reading a document they didn't want to deal with, trying to solve it quickly. They are already angry. All humor in documentation is thus inherently tone-deaf and insulting. It is never worth doing, and we all want to punch you.
How much information is appropriate in release notes?
You must first understand our customers: they build systems of many ICs (and don't devote a lot of time to any one vendor), their companies are segmented by function (so the driver guy and the platform guy never talk to each other, everything is write once/change never, and iterative design is a dirty word), and they are very risk averse (they think it's our job to prove to them that nothing is ever risky). Here's what we end up giving them:
* Bug fixes: Sometimes too many little ones to be worth enumerating, collected under "bugs fixed". But usually there are some big ones, or at least specific ones that your customer noticed and called you on. Give a description of what the issue did and something that suggests you traced it to root cause and didn't just move data around until a test passed. "Resolved an issue whereby the widget exhausted streamer overhead and data was lost." An ugly fact: giving too much detail about what went wrong and how you fixed it actually makes customers ask more questions, which means more busywork. (The Japanese notion of process means asking a lot of nonsensical questions, to be answered in the form of a spreadsheet, repeating ad nauseam.)
* Errata: customers won't always move to the latest/greatest firmware: they'll stick with what they last validated internally. Some bugs were found to be around for a long time. You need to note these newly-known bugs in your errata for the previous releases when you rev the document. This is covering your ass; you've warned them. Also, it lets you sum up many bug fixes as "fixed all other previous errata".
* New unexpected features: If a customer does actually upgrade mid-project, it'll be to fix an intolerable bug, and then they'll get new features they weren't expecting along with the fix. Assume that the release notes are the only new document that they will ever read after switching... and thus the only document that describes new features. Give the interface, an example, and any required system configuration changes needed to live with it. Think of it as a one-page white paper on the new feature.
* New expected features: "(finally) added support for Industry-Expected Feature." Done. (Paradoxically, the bigger the new feature, the smaller the release note comment can be.)
* Changed/removed features and changed interfaces. Most customers will hate that you change an interface at all, but it's unavoidable.
On a related note: early in life, I found that I'm the only one I know who ever reads help files, release notes, and EULAs. I taught myself Matlab as a grad student in about a week by using their immaculate help system. I knew about long-standing but poorly-advertised features and bugs my coworkers didn't, because I actually read the damn release notes. I was not surprised at all that my mother-in-law's Samsung TV is spying on her, or that Windows 8 phoned "home" to various universities, because they told you they were going to do so in the EULAs. If you don't read the documentation, you're going to be worse off. If you're an engineer who thinks documentation is a "someday" task or a "check box item" for a release, then you're horrible, and I hate you.
Every single "Like" widget on every webpage phones home to FaceBook. This basically lets them track everyone, everywhere.
If you want to keep two identities separate, you need to clear cookies, probably clear various super-cookie method, and/or turn off javascript. Or at least have NoScript set up with ABE rules to keep FaceBook javascript only on FaceBook. Or more easily, use a separate computer in addition to all the basic identity segregation that Leila used.
And bear in mind that this will only get worse as time goes on. As web sites move from a page model to an app model, the Web API standards will give sites more and more vectors to track users, undermine privacy protections, and enforce compliance with excessive requirements.
Even if they try to do a legal run around based on tribal sovereignty, the simple fact remains that it's against Federal law for credit card companies to do business with casinos. This is what originally killed the American online gambling industry. (And while I think that basic goal was short sighted, it is what it is.)
Credit card companies care a lot more about pissing off the Feds than they do about doing business with what they admit is a shady, untested casino scheme. The money is good, I'm sure, but the legal theory would have to be rock-solid to convince them that they're not going to just burn through it all in legal fees and penalties.
It would actually be easier to go to President Trump -- literally the most sympathetic possible person for this cause -- and bitch about how all those casino dollars are going off-shore to GoldenPalace.com, and get him to put a pet bill through a Republican-controlled Congress.
... is, "as resolution goes up, you'll want a bigger screen if you don't want to move your couch".
Of course, you're not competing with the real world. You're competing with the past. For the most part, this means film, but it can also just mean "at whatever resolution we eliminate all the digital artifacts we accidentally put it". This matters for both Hollywood movies, and for most TV shows.
Say you're watching a DVD source on a 4K screen. You interpolate to fill in the missing data, but that's more missing data than available data and the contrast is terrible. When your screen resolution is better than your source like this, you have to rely on little (but still visible) tricks like digital grain to make it look less unnatural (as they did relatively successfully with, say, the old A&E/BBC version of Pride & Prejudice, and less successfully with the movie 300. To avoid this entirely, you have to re-sample the original source at a higher rate, which means going back to a higher-resolution master. For older material that means film. For newer material, it may mean you're just SOL.
A case study: All the episodes of the original Star Trek were shot (including special effects), edited, and mastered on film. That master was broadcast using analog technology, or digitized to some resolution for DVDs, Blu-Ray, etc. When screen resolution goes up, you can't just upscale the DVD or Blu-Ray and get good results indefinitely: you have to go back to the master and re-capture a higher-resolution digital version from that. The resolution of 35mm film is roughly equivalent to 20 megapixels.
Most of the Next Generation was shot, edited, and mastered on film, but a few effects were produced and edited in using digital 3D. For those 3D models, they had to do some digital archaeology and re-creation to replace (not scale up) those effects without artifacts. And then you get to Star Trek: Deep Space Nine, were a lot was modeled in 3D, and it was all edited and mastered digitally assuming the TV resolution of the time. There's no film master of higher resolution to go to, so DS9 (even the human actors) will just look worse and worse as the screen resolution goes up, forever.
Theoretically, 8K is approaching the point where you can good and truly digitally re-master most older media -- getting as good as you ever got with film -- and thus the point where the technology tops out... at least until Hollywood starts digitally filming in 16K.
Exactly. The SSN works as intended: it identifies a person. Proving that someone calling in on the phone actually _is_ the person that number identifies is a completely different problem.
I would also mention that -- since the metal itself has to "compute" it's next state at any moment using the underlying formulae of physics -- that this really proves that the digital computation we're used to is inferior to the quantum computation available to the particles themselves, or to even more exotic computational methods that a hypothetical alien computer might use.
Do-Not-Track was mostly promoted by the advertising industry, as a feel-good, toothless preference people could set that distracted from the fact that all their data was still being collected and processed the same way it always had been. It didn't let users opt out of collection, it gave industry a chance to opt in to non-collection, which none of them did.
(This post has nothing to do with the thrust of the article: that people's minds leap quickly to obvious-but-nigh-impossible things rather than possible-but-subtly. But they made the mistake of putting forth an example (Blade Runner) which is more interesting to talk about than the premise itself, so here's some comments on sci-fi storytelling.)
If the past is another country, the future is an alien planet. We can conjecture on a number of technologies that may become available, or even practical and common, and others which will fail or die off -- though our track record on all of these is pretty shoddy -- but if pursued rigorously and thoroughly, along every human pursuit, what you'll get is a slice of life that's utterly incomprehensible to your audience.
For example, we could (and did) predict a network like the internet, but no one really understood what it would be like to be connected to everything all the time. It's just as foreign for people growing up today that something as trivial as an address, driving directions, a phone number to be known to someone, even many people, but not to you. (Something as ridiculous as a 31-month FBI investigation to determine the true lyrics and possible obscenity of the song Louie Louie seems utterly impossible now, even for the Federal government.) Looking back, you can understand it, if not really appreciate it. Looking forward, it's incomprehensible.
We don't aim to predict the future because 1) we are very likely to fail, and 2) succeeding would make a bad setting for a story to be understood by any modern audience. This is why most movies either go "five minutes into the future" (where very little fundamentally changes, but you focus deeply on those changes) or else hundreds of years in the future where anything and everything could have plausibly changed. In either case, you can believably put forth a setting that is mostly familiar to an audience, where you can be sure that any difference you see is actually relevant to the story.
"The first technology revolution caused World War I," he said, "The second technology revolution caused World War II. This is the third technology revolution
Yeah, this was sort of "when the Germans bombed Pearl Harbor" statement. The first technological revolution was more coincident with the Civil War than anything else. World War II was started in every conceivable by Word War I -- they're basically one big rolling wave of political and economic turmoil.
This sort of thing comes up a lot, actually.
"You know, I saw an article that pointed out to me that there's actually a lot of interesting study going on in this field. Maybe some of it could help us."
"So you understand it enough to apply it?"
"Not especially."
"Should we fire you and find someone who does?"
"You know what, it was just a suggestion. Fine, let's just XOR this and difference those and call it a day."
...to let constituents choose the medium where they're most comfortable when being ignored.
I'm pretty sure the primary motivation for putting in a touchscreen is that the Echo is really limited with a voice-only interface. For anything complicated, it tells you to use their linked App.
For example, it can add something (approximating what) you said to a shopping list or to-do list, but it cannot remove them. for that you need to go to the App.
It can't handle questions or requests with more than one result. For example, it can play a song by name, but God help you if the library contains multiple covers, different songs of the same name, or just lacks the song altogether. ("No, I do not want the Rockabye Baby interpretation of 'Stairway to Heaven'; no one wants that.")
It is also incapable of introspection, since everything goes out to a server. You'd think it would be able to answer basic questions like "Alexa, what's your MAC address" out of the box, at least enough to get you a connection to said server. (It still can't answer it once you connect to a server.)
Adding a screen could in theory fix these problems. It also demonstrates a willingness to completely ignore everything that's wrong with the product's signature feature, voice control. If Amazon can't actually fix those problems at some point, it will lose big to Apple and Google. For that matter, since it's nothing more than a crappy command line interface, I'm surprised the Microsoft hasn't killed it already.
... Is that none of care how much the music industry loses in royalties, because they already manage to squeeze us for too damn much.
You could argue YouTube derives a good amount of its value from hosting content copyrighted by other people -- because at the end of the day, that's what people want to see, not other people's home movies. However, you also have to realize all of that "value" is derived from the fact that it's the only place to find things that people already think should be free by now.
They actually did press "The Beatles: the Copyright extension album".
https://www.theguardian.com/mu...
Basically, if they didn't publish the couldn't claim the extended copyright, so they published rather than let them become free.
There is something to be said for the way copyright manages to keep some popular collections alive and well-tended, rather than rotting away in a cellar. (There is also something to be said for the way copyright manages to keep less popular collections buried and rotting away in a cellar.)
I have only been to a big box theater once in the last decade. And that was a mistake. And I blame my wife.
For everything else, we go to the Alamo Drafthouse. No screaming babies (unless you go to the special weekend showings for tortured moms who have to bring their screaming baby). No teens sneaking in shitty booze and talking through the whole damn thing. Nobody on cellphones. No tripping over everyone else because there is no walkable aisle in front of the seats.
The only bad thing I can say about it is that the food -- not concessions, plates of food for adult humans -- is too pricey.
I pity people who don't live near one, but considering how fast they're spreading -- not to mention the knock-off chains like iPic and Flix Brewhouse, or the smaller independent theaters with a similar sensibilities -- I think kid-free films will be a big thing in the coming years.
I haven't updated firefox in a long time. Sadly, it no longer even works in my corporate environment. As a long-time user though, I can hope that this is finally the act that causes share to plummet enough to make them realize that extensions are the ONLY good thing left about Firefox. If Mozilla wants to survive, it will have to cope.
Or it will die, and web will belong totally to Google.
Nobody's going to go through the trouble to delete something that doesn't matter
While I sympathize with Mr. Kick, and remain skeptical of the new administration, this statement is just stupid.
Things get deleted all the time, especially by people who later decide they would prefer the information were still up. Every time a website gets refreshed, they may preserve the data from before the refresh, but the data from two refreshes or more gets mangled. In any organization, there will be data rot.
Now, the fact that this is a government organization makes the problem even worse, because now there are legal reasons that compel then to take down reports or documents after some period of time. For example, if something goes to a hearing which finds in favor of the defendant.
If I could tattoo "Hanlon's Razor" onto the back of every blogger's hands, I would.