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Audiofan writes: Just when we thought Sony learned their lessons from past formats DOA, they are at it again this time by teaming up with IMAX and select partners to certify the "IMAX movie experience" for home theater setups. Will Sony be on the losing side against already established Dolby Vision and HDR10 or will they leverage IMAX's immersive picture and sound quality on top of these other technologies? This smells like a format war or at the very least more consumer confusion. The new certification and license program from IMAX and DTS will give what they say to be the highest-quality image and sound experiences for home theater. "IMAX and DTS [as well as partners Denon, Marantz, Sony, and Paramount Studios] aren't clear as to whether this will be significantly different from DTS:X immersive 3D sound other than to say, 'The DTS:X codec technology (is) integrated in home audio equipment to deliver an IMAX signature sound experience,'" reports Audioholics. "To be accepted into the program, leading consumer electronics manufacturers will design top-of-the-line 4K HDR televisions, A/V receivers, sound systems and other home theater equipment to meet a carefully prescribed set of the highest audio and video performance standards, set by a certification committee of IMAX and DTS engineers and Hollywood's leading technical specialists."

The report notes that the program will use an IMAX post-production process "to digitally re-master content to produce more vibrant colors, greater contrast and sharper clarity," as well as "deliver an IMAX signature sound experience."

Audiofan writes from a report via Audioholics, written by Gene DellaSala: Variety is said to be the spice of life. Why only eat cherry Starbursts when you can sample orange, watermelon, lemon, etc? The same applies to multi-channel surround sound upmixers. But the folks at Dolby apparently want you to eat only one flavor. Their flavor. Dolby recently issued a mandate to all of their Atmos licensee partners to restrict usage of third-party upmixers with any Dolby signals including 5.1/7.1 DD, DD+, TrueHD and Atmos. That means if you're running a DTS Soundbar, it won't process a Dolby signal, or no dice if you want to use the Auro-Matic Upmixer for a native Dolby signal. Is Dolby doing this to protect their IP or to monopolize consumer audio like they tried to do with their patented Atmos-enabled speaker? The copy of the mandate that was sent to all of Dolby's licensee partners has the following guidelines: Native Dolby Atmos content shall NOT be up-mixed, surround or height virtualized by any 3rd party competitor upmixer (ie. DTS or Auro-3D); Channel-Based DD/DD+, Dolby TrueHD 5.1 and 7.1 codecs shall not be height virtualized by any 3rd party upmixer (ie. DTS). (This implies height virtualization without height speakers. DTS has this capability but Auro-3D does not).

Audioholics notes the company will however "permit third party upmixing and/or surround virtualization of channel-based codecs that support Dolby Atmos rendering as long as the third party doesn't license their own upmixing technologies to third parties."

As for why Dolby is issuing this mandate to its licensees, it may come down to two reasons: control quality of content so that their upmixer is only used with their software; put an end to Auro-3D and strike a blow to DTS.

Audiofan writes: Will the new YouTube Music streaming service provide the soundtrack to your life? Google believes that its ability to harness the power of artificial intelligence will help the new service catch up to its rivals in the music streaming business. Google's latest attempt to compete with Spotify and Apple Music may finally have what it takes if it doesn't creep users out in the process. While the service officially rolls out on Tuesday, May 22nd, only some users will be able to use it at launch. What separates YouTube's music streaming service from the competition is its catalog of remixes, live versions, and covers of official versions of songs. It also uses the Google Assistant to make music recommendations based on everything it knows (and can learn) about you and your listening habits. "When you arrive at the gym, for example, YouTube Music will offer up a playlist of hard-hitting pump-up jams (if that's your thing)," reports Audioholics. "Late at night, softer tunes will set a more relaxing mood."

YouTube Music is free with ads, but will cost $9.99 for ad-free listening. There is also YouTube Premium, which will cost $11.99 per month, and will include both the ad-free music service and the exclusive video content from the now-defunct YouTube Red.

Audiofan writes from a forum post on Audioholics: The Star Trek fan-fiction controversy that resulted in legal battles between CBS/Paramount and Axanar Productions concluded last week. However, CBS/Paramount have finally put forth its long-awaited guidelines intended to clarify acceptable fan-fiction so that it won't get the creative Star Trek fan sued for copyright infringement. But in doing so, it may have launched Star Trek fan-fiction's torpedo casket into space with a solemn salute. To be or not to be is the question which we ask about the future of Star Trek fan film. Some of the new guidelines for avoiding objections when making your own Star Trek movies and posting them to YouTube include: The fan production must be less than 15 minutes for a single self-contained story, or no more than 2 segments, episodes or parts, not to exceed 30 minutes total, with no additional seasons, episodes, parts, sequels or remakes. Part of the non-commercial requirements include: CBS and Paramount Pictures do not object to limited fundraising for the creation of a fan production, whether 1 or 2 segments and consistent with these guidelines, so long as the total amount does not exceed $50,000, including all platform fees, and when the $50,000 goal is reached, all fundraising must cease. The fan production cannot be distributed in a physical format such as DVD or Blu-ray. If the fan production uses commercially-available Star Trek uniforms, accessories, toys and props, these items must be official merchandise and not bootleg items or imitations of such commercially available products.

An anonymous reader writes Details have emerged on the new UHD Blu-ray spec and players set to start shipping this summer. UHD promises resolutions 4X greater than Blu-ray 1080p as well as much higher data rates, enhanced color space and more audio options. But, will consumers care, and will they be willing to upgrade their HDTV's, AV Receivers, and Blu-ray players to adopt a new format whose benefits may only be realized on ultra large displays or close viewing distances? The article makes the interesting point that UHD isn't synonymous with 4K, even if both handily beat the resolution of most household displays.

An anonymous reader writes: Object-based audio is supposed to be the future of surround sound. The ability to pan sound around the room in 3D space as opposed to fixed channel assignments of yesterday's decoders. While this makes a lot of sense at the cinema, it's less likely consumers rush to mount speakers on their ceilings or put little speaker modules on top of their existing ones to bounce sound around the room. Leading experts think this will be just a fad like 3DTV was. What do you think?

SchlimpyChicken writes "Turns out 3D television can be inherently dangerous to developing children, and perhaps to adults as well. There's a malaise in children that can prevent full stereopsis (depth perception) from developing, called strabismus or lazy-eye. It is an abnormal alignment of the eyes in which the eyes do not focus on the same object — kind of like when you watch a 3D movie. As a result, depth perception is compromised. Acting on a hunch, the guys over at Audioholics contacted Mark Pesce, who worked with Sega on its VR Headset over 15 years ago — you know, the headset that never made it to market. As it turns out, back then Sega uncovered serious health risks involved with children consuming 3D and quickly buried the reports, and the project. Unfortunately, the same dangers exist in today's 3D, and the electronics, movie, and gaming industries seem to be ignoring the issue. If fully realized, 3D just might affect the vision of millions of children and, according to the latest research, many adults, across the country." The Audioholics article is a good candidate for perusing with Readability — the pseudo-link popups are blinding.

For home theater buffs who want (or already have) a high-def system using component-video connections, time may be growing short. Audiofan writes with this story, which begins: "Digital HD (high definition), like that enabled through HDMI and Blu-ray, is awesome. It offers amazing picture and audio quality. It allows you to conveniently connect one single cable to provide both picture and sound. It is royally going to screw up a lot of homes next year. Wait, what was that last part? After December 31, 2010, manufacturers will not be 'allowed' [to] introduce new hardware with component video outputs supplying more than an SD resolution (480i or 576i). Should this go through as planned, it's going to disable or throw a wrench in a lot of existing custom installations as soon as the end of this year." The AACS in the headline stands for Advanced Access Content System, the industry scheme to block "the analog hole" by controlling content from storage media to eyeballs.

SchlimpyChicken writes "Lexicon and THX apparently attempted to pull a fast one on the consumer electronics industry, but got caught this week when a couple websites exposed the fact that the high-end electronics company put a nearly-unmodified $500 Oppo Blu-ray player into a new Lexicon chassis and was selling it for $3500. AV Rant broke the story first on its home theater podcast with some pics of the two players' internals. Audioholics.com then posted a full suite of pics and tested the players with an Audio Precision analyzer. Both showed identical analogue audio performance and both failed a couple of basic THX specifications. Audioholics also posted commentary from THX on the matter and noted that both companies appear to be in a mad scramble to hide the fact that the player was ever deemed THX certified."

An anonymous reader writes "It's great that unelected bureaucrats in California are clamoring to save energy, but when they target your big-screen TVs for elimination, consumers and manufacturers are apt to declare war. CEDIA and the CEA are up in arms over this. Audioholics has an interesting response that involves setting the TVs in 'SCAM' mode to meet the energy criteria technically without having to add additional cost or increase costs to consumers. 'In this mode, the display brightness/contrast settings would be set a few clicks to the right of zero, audio would be disabled and backlighting would be set to minimum. The power consumption should be measured in this mode much like an A/V receiver power consumption is measured with one channel driven at full rated power and the other channels at 1/8th power.' This is an example of an impending train wreck of unintended consequences, and many are grabbing the popcorn and pulling up chairs to watch."

Audiofan writes "Enthusiasts have long suggested the PlayStation 3 to their family and friends as one of the better and most affordable Blu-ray players. Lately, prices of Blu-ray players have been coming down, but the PS3 is still one of the better options out there. Sony is taking advantage of this by starting to offer game demos on their Blu-ray offerings. While these demos will only be playable on the PS3, they hope the extra value will help drive sales."

Alien54 writes "Audioholics has a fun read regarding a recent legal dustup involving Monster Cables. The well-known (some might say notorious) cabling company sent a cease and desist letter to Blue Jeans Cable over a supposed patent violation. What the Monster folks couldn't have known was that Blue Jeans president Kurt Denke used to be a lawyer. His response is as humorous as it is thorough. ' Let me begin by stating, without equivocation, that I have no interest whatsoever in infringing upon any intellectual property belonging to Monster Cable. Indeed, the less my customers think my products resemble Monster's, in form or in function, the better ... If there is more than one such connector design in actual use by Monster Cable as to which appropriation of trade dress is alleged, of course, I will require this information for each and every such design. On the basis of what I have seen, both in the USPTO documents you have sent and the actual appearance of Monster Cable connectors which I have observed in use in commerce, it does not appear to me that Monster Cable is in a position to advance a nonfrivolous claim for infringement of these marks.'"

mrnomas writes "What's to blame for the declining CD sales? Is it that manufacturers are putting out more and more 'safe' (read: crap) music while independent musicians are releasing online? Is it because iTunes is now the third largest music retailer in the country? Or is it just that CDs are becoming obsolete?" Quoting: "Forbes.com [ran] an article showing that CD sales are expected to be down 20% in 2008 (slightly higher than the 15% drop initially predicted). Why such a drop? What's truly happening is a gradual shift away from physical media to downloadable formats. What this indicates, so far, is that US sales of digital music will be growing at an estimated rate of 28% in 2008, however physical sales will drop even further, resulting in a net overall decline.""

mrnomas writes with a link to the Audioholics site, which wonders why the HDMI standard is such a mess? The article's author suggests that the format was designed for the benefit of the content-producers and not the consumer. The result is a signal that's hard to route and switch, as well and unnecessarily complicated cable assemblies. They reach back to the DVI standard to see what might be done to make HDMI a little more consumer-friendly, with numerous technical elements woven through the discussion. "DVI lacked a couple of things which the consumer audio/video industry wanted. It was implemented on a variety of HD displays and source devices, but it was confusing for the consumer because of the many variants on the standard and different connector configurations, and it didn't carry audio signals. A consortium to develop and promote a new interface, HDMI, was formed; the idea was to come up with a standard which could be implemented more uniformly, was less confusing, and offered the option of routing audio signals along with video."

An anonymous reader writes "'1080p provides the sharpest, most lifelike picture possible.' '1080p combines high resolution with a high frame rate, so you see more detail from second to second.' This marketing copy is largely accurate. 1080p can be significantly better that 1080i, 720p, 480p or 480i. But, (there's always a "but") there are qualifications. The most obvious qualification: Is this performance improvement manifest under real world viewing conditions? After all, one can purchase 200mph speed-rated tires for a Toyota Prius®. Expectations of a real performance improvement based on such an investment will likely go unfulfilled, however! In the consumer electronics world we have to ask a similar question. I can buy 1080p gear, but will I see the difference? The answer to this question is a bit more ambiguous."

An anonymous reader writes "'Nobody likes false starts' - claims the assertive and risky article "10 Reasons Why High Definition DVD Formats Have Already Failed" published by Audioholics which outlines their take on why the new Blu-ray Disc and HD-DVD formats will attain nothing more than niche status in a marketplace that is brimming with hyperbole. Even though the two formats have technically just hit the streets, the 'Ten reasons' article takes a walk down memory lane and outline why the new DVD tech has a lot to overcome."

soupisgoodfood writes "Light Blue Optics Ltd. have developed a laser-based projector called the PVPro. It's small enough to fit into a cellphone or PDA. Some specs: Supports resolutions up to 2048x1280; No moving parts; Infinite focus; Green monochrome, with a colour version expected late 2006; Max consumption of 1.4W with an average of <350mW. Looks a like a good solution to the increasing problem of smaller devices trying to display more information."

Anonymous Coward writes "Just when we thought the dust settled on the last format war between CD-R's we see a new one brewing with DVD recordable discs. DVD -R9/+R9 will apparently be the next technological slugfest where there are no rewards for second place. With all of these new recording format options made available to the public, how can any consumer intelligently know which one to buy into?"

HawKe writes "OLEDs are back in the news and Audioholics reports on what makes the technology so special as well as who leads the pack in currently shipping products, vaporware, and displays that are on the horizon. The crux of the matter is whether or not OLEDs, the "eco-friendly" choice, can outpace current LCD and plasma display advances. In order to enter and dominate the home theater and computer display markets, they must not only establish themselves, but also beat the leaders in price and performance."

HawKe writes "OLEDs are back in the news and Audioholics reports on what makes the technology so special as well as who leads the pack in currently shipping products, vaporware, and displays that are on the horizon. The crux of the matter is whether or not OLEDs, the "eco-friendly" choice, can outpace current LCD and plasma display advances. In order to enter and dominate the home theater and computer display markets, they must not only establish themselves, but also beat the leaders in price and performance."

HawKe writes "Audioholics reports today on details of Infinium Labs' new Phantom Gaming Service which is to be unveiled at this year's E3 in Los Angeles. The service looks to be geared towards a wider demographic rather than the hard core gamer, but for the price of included Phantom hardware (basically free) it appears to be a good compromise - the article explains the PC 'console' is 'free of charge to consumers who sign a two-year contract for a basic subscription to its flagship online gaming service at $29.95 per month. Consumers can also opt to buy this advanced gaming 'receiver' and required accessories without a commitment for $199'." S!: GameDaily also has a feature interviewing Infinium's Kevin Bachus, in which it's confirmed: "Infinium is concerned about protecting its IP and its consumers. To that end, Bachus and Infinium have hired Andrew Huang, the MIT grad student who gained fame for hacking the Xbox."

HawKe writes "Audioholics reports today on details of Infinium Labs' new Phantom Gaming Service which is to be unveiled at this year's E3 in Los Angeles. The service looks to be geared towards a wider demographic rather than the hard core gamer, but for the price of included Phantom hardware (basically free) it appears to be a good compromise - the article explains the PC 'console' is 'free of charge to consumers who sign a two-year contract for a basic subscription to its flagship online gaming service at $29.95 per month. Consumers can also opt to buy this advanced gaming 'receiver' and required accessories without a commitment for $199'." S!: GameDaily also has a feature interviewing Infinium's Kevin Bachus, in which it's confirmed: "Infinium is concerned about protecting its IP and its consumers. To that end, Bachus and Infinium have hired Andrew Huang, the MIT grad student who gained fame for hacking the Xbox."

An anonymous reader writes "With all of the new digital TV displays flying out the door, its easy to to think that life is good on the road to high definition. But, as Audioholics reports today, cheaper displays are using inexpensive processors that result in video delays of up to 60 milliseconds (that's about 2 frames of video). This means that the video processing (deinterlacing, video scaling, etc) delays the picture so that the audio is out of sync. Add to this inherent delays in some LCD and plasma units and the problem can be more than a little noticeable. As of right now only a few manufacturers are building audio lip-sync delay into their products to compensate."

An anonymous reader writes "According to an article at Audioholics, a firmware bug was just discovered in the Scientific Atlanta 8000SD and 8000HD DVRs (Digital Video Recorders) which renders them unable to record. This firmware bug was discovered when the units attempted to recognize February 29th on the programming guide. The units are apparently unable to recognize this date, and as a result, shut down all record functions. All other aspects of the 8000 will continue to work. So far, it looks like no previously recorded material was lost. Scientific Atlanta is apparently in "Emergency Session" working on a software patch. The problem began occuring on the 23rd when the 7-day program guide first began to encounter the February 29th programming."

An anonymous reader writes "The differences between LCD, Plasma, DLP, LCOS, D-ILA, and CRT are revealed, as well as their associated advantages and disadvantages, as Audioholics post a new version of their Display Technologies Guide With advances companies like Intel (LCOS) and Texas Instruments (HD2+) are making in chip technologies and cost reductions, one wonders just how soon CRT based TVs will become an antiquity we discuss with our grandchildren as they install their new high resolution, lightweight, affordable displays on their walls."

Anonymous Coward writes "It appears manufacturers such as Toshiba will soon be rolling out HD DVD players. The HD DVD format, as opposed to the Blu-Ray standard, involves minimal changes to the manufacturing plants that currently produce DVDs. This should allow for a smoother transition for consumers to adopt this new format. This article DVD vs HD-DVD summarizes the differences of the two formats and benefits of the latter."

HawKe7 writes "Wireless MP3 in your home? You betcha! Audioholics recently reviewed Yamaha's new MusicCAST Digital Music Server. The MusicCAST can store your entire CD collection in PCM/MP3 formats and stream it wirelessly to clients stationed throughout your home (track, genre and artist info are provided automatically via on-board Gracenote CDDB). Use your imagination... wireless audio throughout the home from a centralized server, digital PCM storage of your entire CD collection, creation of customized playlist CDs with the included CD-R drive... lots of valid uses for this type of tech. The unit is apparently a solid performer (not to mention a FAST CD ripper - just under 5 minutes), with excellent MP3 and PCM audio playback and compatibility with existing 802.11b networks. Though the unit is priced out of reach for some with an MSRP of $2800, it is an impressive system for those who want the latest and the best."

HawKe7 writes "Wireless MP3 in your home? You betcha! Audioholics recently reviewed Yamaha's new MusicCAST Digital Music Server. The MusicCAST can store your entire CD collection in PCM/MP3 formats and stream it wirelessly to clients stationed throughout your home (track, genre and artist info are provided automatically via on-board Gracenote CDDB). Use your imagination... wireless audio throughout the home from a centralized server, digital PCM storage of your entire CD collection, creation of customized playlist CDs with the included CD-R drive... lots of valid uses for this type of tech. The unit is apparently a solid performer (not to mention a FAST CD ripper - just under 5 minutes), with excellent MP3 and PCM audio playback and compatibility with existing 802.11b networks. Though the unit is priced out of reach for some with an MSRP of $2800, it is an impressive system for those who want the latest and the best."