Slashdot Mirror

jonerik writes "Salon has this article today about the troubles behind the scenes for Showtime's "Stargate SG-1." Since Michael Shanks left the show in October (a result of his unhappiness with the show's change in focus to "X-Files"-influenced government conspiracy plotlines), women have been abandoning the show in droves. The problems come at a bad time. MGM, which produces the show, is looking to be bought out by a sugar daddy. And the Sci-Fi Channel, which is taking the program over from Showtime for its sixth and final season, can't be happy at the prospect of ending up with a troubled show with plummeting ratings and a fanbase in revolt. " I have yet to see the more recent episodes, but several of the episodes I have seen have been quite excellent (and some others well... weren't) but I know a lot of people who consider SG1 among the best SciFi on TV. Personally I'll take Lexx & Farscape over it, but its not bad.

Lots of .NET stories in the news today and yesterday; it's a total coincidence that Microsoft started a huge marketing push on Wednesday, including the occasional Doubleclick ad running on Slashdot. BrendanL79 writes: "Peter Wright at Salon.com contributes to public awareness of Microsoft's .NET with this exuberant piece. The praise borders on sycophancy ("Gutenberg ... Babbage ... now Gates") with no apparent tongue in his cheek. Comments?" Reader vw writes: "Active State has just released Visual Perl 1.2, Visual Python 1.2, and Visual XSLT 1.2 as plugins for Microsoft's Visual Studio .NET. Wonder how long it will take for a Mono hack." Numerous readers pointed to several stories about a buffer overflow problem in Visual Studio .NET which was supposed to be immune to buffer overflows - but it had passed Microsoft's stringent new security audit.

dioscaido writes: "From reuters: 'Washington police are building what will be the nation's biggest network of surveillance cameras to monitor shopping areas, streets, monuments and other public places in the U.S. capital, a move that worries civil liberties groups, The Wall Street Journal said on Wednesday.'" Aragorn_2002 writes "I found this new article on Salon.com about how feds are subpoenaing book-purchasing records. Just imaging if they start to use DMCA and the new Anti-terrorist bill to subpoena someone buying books on breaking encryption." If you've ever ordered from Amazon, this might concern you. Update: 02/13 21:30 GMT by M : The full WSJ article is available on MSNBC.

It's been a while since the last iteration of Slashback, so tonight there are updates and errata on several recent stories. Read on below to find out more about Harlan Ellison's battle with copyright infringers, why modding your Linksys WAP might not be as cool as you thought, internet access in Wellington, New Zealand, the results of the NASA poll on space priorities and more.

How many anecdotes? Drestin writes "Looks like all the flame mail and traffic to WinInfo for the recent 'Windows more secure than Linux' article prompted it's author, Paul Thurrott, to reply with his opinion. He tells us to think with our heads, not our hearts."

Several readers complained about my original (since updated) headline, and they're all right. As Kathleen Ellis put it:

"I find this title to be rather misleading. Bugtraq is a security mailing list that happens to be archived on security focus' web site (it is also moderated by one of SecurityFocus' founders, but bugtraq content is not subjected to SecurityFocus editorial control), and WinInformant is really the one making the assertion, based on their analysis of Bugtraq list traffic.

As an occasional SecurityFocus reader (and occasional writer), I am particularly concerned that your headline (and the attribution of the assertion to SecurityFocus) will make SecurityFocus look bad. As a professional in "the industry" and as someone who follows computer security very closely, I am confident most sensible members of the security community will quickly realize that the assertion is of extremely dubious merit and your attribution could make SecurityFocus look extremely foolish."

Here, why don't you pay? TheGeneration writes "Recently Salon had an article about public money being used to write private code (ie, for a university.) The article apparently moved Richard Stallman enough to write a response and opinion. Stallman sites his own reason for leaving MIT such as his inability to write free software while under their employ. Stallman discusses ways to sidestep University control of free software, and how to get admins to allow software developed under them to be licensed as free software."

For your personal museum's display cases. airrage writes "As a follow-up to the early design docs for some of the earliest ATARI games. More fascinating, is the 30 Secrets of Atari. Did Jobs ever do any work? Finally, the creater of ATARI's adventure has a web site. Check out his work on virtual nano-technology and his presentation on creating Adventure. They sure didn't have much to work with did they?"

Connecting everything to everything. seanadams.com writes: "Our company has just published the firmware source code for our SliMP3 Ethernet MP3 player, previously reviewed on Slashdot. The firmware, written entirely in assembler, includes our super-compact TCP/IP stack for the 8-bit PIC microcontroller. The license allows for non-commercial use, so I hope this will be of interest to PIC hackers! If you're interested in experimenting with Ethernet and TCP/IP on the PIC, we will have an integrated PIC+CS8900 module and development kits available next month."

Next stop is telepathy. ruvreve writes "An update to a previous article featured here on Slashdot. Wellington is offering not only city-wide gigabit ethernet they are also offering wireless access. Currently it is still 11Mbps but plans are to make it 56Mbps down the road."

Not someone I'd want to mess with anyhow. yndrd writes "As a follow up to a previous Slashdot story about Harlan Ellison's feud with what he considers to be pirates of his work, Ellison has reached a settlement with Critical Path Inc. who will create software that enables Ellison to immediately delete postings of his work on the RemarQ service. The (somewhat) full article is here. He's still ready to rumble with America Online, the other party in his lawsuit."

The dirty side of quick n' dirty. nailgun writes: "http://www.maokhian.com/wireless/wap11.html has before-and-after oscilloscope traces of the spectra of a power-boosted (hacked) Linksys WAP. From the traces it is apparent that power-boosting does no good, since all (or nearly all) additional power is blasted out in neighboring frequencies. Boost your Linksys and you'll step on all other WAPs in the neighborhood. These are cool pictures too."

This took a survey to determine?An Anonymous Coward writes "Remember the Space Survey Thread? Where NASA was asking for our opinion on where to go in space? Well, the results are in. Lo and behold, we all want to go to Mars."

It's been a while since the last iteration of Slashback, so tonight there are updates and errata on several recent stories. Read on below to find out more about Harlan Ellison's battle with copyright infringers, why modding your Linksys WAP might not be as cool as you thought, internet access in Wellington, New Zealand, the results of the NASA poll on space priorities and more.

How many anecdotes? Drestin writes "Looks like all the flame mail and traffic to WinInfo for the recent 'Windows more secure than Linux' article prompted it's author, Paul Thurrott, to reply with his opinion. He tells us to think with our heads, not our hearts."

Several readers complained about my original (since updated) headline, and they're all right. As Kathleen Ellis put it:

"I find this title to be rather misleading. Bugtraq is a security mailing list that happens to be archived on security focus' web site (it is also moderated by one of SecurityFocus' founders, but bugtraq content is not subjected to SecurityFocus editorial control), and WinInformant is really the one making the assertion, based on their analysis of Bugtraq list traffic.

As an occasional SecurityFocus reader (and occasional writer), I am particularly concerned that your headline (and the attribution of the assertion to SecurityFocus) will make SecurityFocus look bad. As a professional in "the industry" and as someone who follows computer security very closely, I am confident most sensible members of the security community will quickly realize that the assertion is of extremely dubious merit and your attribution could make SecurityFocus look extremely foolish."

Here, why don't you pay? TheGeneration writes "Recently Salon had an article about public money being used to write private code (ie, for a university.) The article apparently moved Richard Stallman enough to write a response and opinion. Stallman sites his own reason for leaving MIT such as his inability to write free software while under their employ. Stallman discusses ways to sidestep University control of free software, and how to get admins to allow software developed under them to be licensed as free software."

For your personal museum's display cases. airrage writes "As a follow-up to the early design docs for some of the earliest ATARI games. More fascinating, is the 30 Secrets of Atari. Did Jobs ever do any work? Finally, the creater of ATARI's adventure has a web site. Check out his work on virtual nano-technology and his presentation on creating Adventure. They sure didn't have much to work with did they?"

Connecting everything to everything. seanadams.com writes: "Our company has just published the firmware source code for our SliMP3 Ethernet MP3 player, previously reviewed on Slashdot. The firmware, written entirely in assembler, includes our super-compact TCP/IP stack for the 8-bit PIC microcontroller. The license allows for non-commercial use, so I hope this will be of interest to PIC hackers! If you're interested in experimenting with Ethernet and TCP/IP on the PIC, we will have an integrated PIC+CS8900 module and development kits available next month."

Next stop is telepathy. ruvreve writes "An update to a previous article featured here on Slashdot. Wellington is offering not only city-wide gigabit ethernet they are also offering wireless access. Currently it is still 11Mbps but plans are to make it 56Mbps down the road."

Not someone I'd want to mess with anyhow. yndrd writes "As a follow up to a previous Slashdot story about Harlan Ellison's feud with what he considers to be pirates of his work, Ellison has reached a settlement with Critical Path Inc. who will create software that enables Ellison to immediately delete postings of his work on the RemarQ service. The (somewhat) full article is here. He's still ready to rumble with America Online, the other party in his lawsuit."

The dirty side of quick n' dirty. nailgun writes: "http://www.maokhian.com/wireless/wap11.html has before-and-after oscilloscope traces of the spectra of a power-boosted (hacked) Linksys WAP. From the traces it is apparent that power-boosting does no good, since all (or nearly all) additional power is blasted out in neighboring frequencies. Boost your Linksys and you'll step on all other WAPs in the neighborhood. These are cool pictures too."

This took a survey to determine?An Anonymous Coward writes "Remember the Space Survey Thread? Where NASA was asking for our opinion on where to go in space? Well, the results are in. Lo and behold, we all want to go to Mars."

nexex writes: "This story seems brings the patent debate home; specifically, should a company or person be able to 'own' your DNA? Obviously researchers want to profit from their discoveries, thus funding new research. But critics counter they are profitting at the expense of our health, citing restrive screening licenses for things such as breast cancer and Alzheimer's. Citing a figure from a UK activist group, 500,000 gene or gene sequence patents have been applied for worldwide. Another excellent article on this issue from Salon.com was from a couple years ago."

polar_bear` writes: "Looks like the folks who animated 'Final Fantasy' are on their way out of business. Salon has the scoop. Despite being visually stunning and fairly entertaining, it didn't manage to bring in enough bucks to cover production -- even though Aki Ross was hot enough to make Maxim's 'Hot 100' for 2001. Square Co. is looking for a buyer for the Honolulu-based movie production unit. Anybody have several hundred million dollars I could borrow?"

An Anonymous Coward writes: "AP is reporting that the average color of the universe is a "sprightly" turquoise-green. If only they'd known before the new iMacs came out! Link is to Salon.com."

Slashback this evening brings you news and updates on several previous stories, including (not limited to) @home service, Linuxgruven, and some followups to Slashdot book reviews.

More news you can use on the @home front. Anubis333 writes: "After a while talking with customer support, I have learned that Comcast@Home (Soon to be ATT Broadband) has instituted a network-wide cap on user upload to 15KB! (Thats not much more than dialup) Also, they have now capped Usenet news access. What am I paying 50 dollars a month for again? More info on usenet here.

Upon even longer hold times, I found out that when Comcast switches over to ATT the cap will be set to 128KB and the usenet caps will be lifted, also they will support more groups. The full change over will be complete by the end of Feb. Any users in the Savannah Ga. Area, they will start here Jan. 15 and end in early feb. Call support for exact local dates if interested."

Yessir, about oh, yea big by a few more inches ... Dave contributed a link showing a side-by-side comparison of the current Apple laptop line, including the new bigger iBook. Shame about the resolution, though ...

By their fruits ye shall know them. zsazsa writes: "According to the St. Louis Post-Dispatch, Missouri Attorney General Jay Nixon has sued James Hibbits and Michael Webbs, the two founders of Linuxgruven for deceptive business practices. He alleges that interviewers were actually salespeople paid to enroll job applicants in training programs costing up to $3,150."

Would the FSF call Sun "GNU-minded"? maitas writes: "It seems that Sun has removed Solaris for Intel from its free download list. It's really sad to see a company that promotes its 'GNU minded' culture to go back on the few good things it had made. They even removed the Solaris source code from their site! Sad, sad, sad."

That them thar' book larnin' Stardance points to an interview at Salon with Steve Grand, in which the "designer of the artificial life program 'Creatures', talks about the stupidity of computers, the role of desire in intelligence and the coming revolution in what it means to be 'alive.'" You may remember Grand's book Creation: Life & How to Make It, reviewed on these pages. Speaking of reviews, several readers have contributed links to the New York Times' review of Lawrence Lessig's new book.

Masem writes: "Salon has a well-written article article on the recent revival of much of the USENET archives from '81 to '90 by Google. It mentions that much of the recovery was thanks to years of work in transferring data off 140-some 10" magnetic tapes (~120megs of data) to a more conventional format in order to recover much of the early posts. Even a reference to the previous Slashdot story is made." Update: 01/07 23:52 GMT by T : btempleton adds: "O'Reilly Network asked me to do an article on similar themes and rememberances of USENET history." Thanks, Brad.

mizukami writes: "Salon.com is running a story about universities moving to profit from code they've developed, rather than release it into the public domain as has been the norm in the past. The story gives the Bayh-Dole Act of 1980 as a leading cause."

mizukami writes: "Salon.com is running a story about universities moving to profit from code they've developed, rather than release it into the public domain as has been the norm in the past. The story gives the Bayh-Dole Act of 1980 as a leading cause."

fakeamerican writes: "Here's a lengthy article in Salon about Ion Storm's rise and fall, written by a former employee and lifelong friend of John Romero." Shows what goofing off in class can getcha.

The New York Times has an article about Verizon lobbying for rate increases and to remove all requirements that Verizon provide telecom services to competitors, claiming that being a large, sluggish monopoly is somehow advantageous in responding to disasters, although Verizon hasn't managed to restore phone and data service in large areas of Manhattan yet. In a related story, an association of small ISPs has surveyed its members and come to the revelation that the Bells are stifling competition.

nknouf writes: "A recent article on Salon talks about how college radio stations that webcast could face fee increases from $623/year to $10,000 to $20,000 per year. What's more interesting is information that Congress is considering a bill called the Music On-Line Competition Act, co-sponsored by Rep. Chris Cannon, R-Utah and Rep. Rick Boucher, D-Va. The bill aims to "break the hammerlock the recording industry has over music distribution." My favorite quote, from Rep. Cannon: Napster is "one of the coolest inventions of modern times.""

nknouf writes: "A recent article on Salon talks about how college radio stations that webcast could face fee increases from $623/year to $10,000 to $20,000 per year. What's more interesting is information that Congress is considering a bill called the Music On-Line Competition Act, co-sponsored by Rep. Chris Cannon, R-Utah and Rep. Rick Boucher, D-Va. The bill aims to "break the hammerlock the recording industry has over music distribution." My favorite quote, from Rep. Cannon: Napster is "one of the coolest inventions of modern times.""

imrdkl writes: "Salon is running an feature about the history of the WebRing since Yahoo! bought it last September. The article goes on to give an outlook on Yahoo! itself, including how WebRing has recently been sold to one of the original developers. Webring seemed to me to be a really nice neighborly concept, but it seems at least some of the ringmasters reckon it should die now."

imrdkl writes: "Salon is running an feature about the history of the WebRing since Yahoo! bought it last September. The article goes on to give an outlook on Yahoo! itself, including how WebRing has recently been sold to one of the original developers. Webring seemed to me to be a really nice neighborly concept, but it seems at least some of the ringmasters reckon it should die now."

legLess writes "Scott Rosenburg, Salon's VP of operations, wrote an interesting article for Web Techniques about Salon's subscription system. It goes into a fair amount of technical detail (JavaBeans and JSP on Linux for login and authentication; Perl, HTML::Mason and MySQL (CD: and oracle) for content). He also talks about their subscription numbers, what drove them to do it, and their plans for the future (technical and operational). A little fluffy, but still a good read."

An anonymous coward sent in: "Mike from Techdirt has written an article in Salon.com about how he is the bermuda triangle of broadband, and how the government should kick him out of the country if they really want to save the broadband industry. Apparently, he's been kicked off 4 or 5 different broadband networks in the past year alone as each company went bankrupt or gave up the business."

An anonymous coward sent in: "Mike from Techdirt has written an article in Salon.com about how he is the bermuda triangle of broadband, and how the government should kick him out of the country if they really want to save the broadband industry. Apparently, he's been kicked off 4 or 5 different broadband networks in the past year alone as each company went bankrupt or gave up the business."

Lawrence Lessig's new book, The Future of Ideas: the fate of the commons in a connected world , is strongly related to his previous book, Code and Other Laws of Cyberspace . In Code, Lessig pursued his thesis that the computer code behind all online activities functioned as a set of laws, and the impact that that has on regulation of the online world. In Ideas, Lessig explores a related concept that was hammered on heavily during the Microsoft anti-trust cases -- that holders of intellectual property (copyrights and patents) will squelch freedom and innovation online. The Future of Ideas author Lawrence Lessig pages 352 publisher Random House rating 9/10 reviewer Michael Sims ISBN 0-375-50578-4 summary Suppressive efforts by entrenched industries threaten innovation in cyberspace

Ideas has been reviewed in Salon and in the Washington Monthly; the book has a promotional website as well.

Lessig starts off by looking at the idea of a "commons," a community resource of some sort. The traditional commons is a public park or piece of land, but Lessig is more interested in looking at less-traditional commons on the 'Net and other communications systems. He moves on to examining some of the innovations that have been spurred by the recent growth of the Net -- typically startup companies that have taken advantage of the commons represented by TCP/IP and HTTP to provide a new service or product. If you follow Slashdot religiously, you probably read about most of these companies at least twice -- once when they started offering their innovative new whizbang, and again when they were sued by Megacorp, Inc., and shut down. The final part of Ideas covers the lawsuits, or more precisely the efforts by entrenched players to keep anyone else from playing. The distinction is important, because lawsuits are not the only way to keep upstarts from being able to participate: control of the code is also an important tool. For every control through lawsuits story that Slashdot runs, there's an equivalent story about control through code.

Just as in Code, Lessig is not optimistic about the future. Why should he be? So far, despite every warning, every attempt to sound the alarm, the forces trying to shut down innovation are winning in an utterly convincing fashion. A blurb compares the book to Silent Spring, the famous book about the environmental effects of DDT. Silent Spring was more or less successful -- DDT is now banned for most uses in the U.S., and the book had great effect in raising environmental awareness, but overall, environmental quality has continued to suffer. Lessig's book is not likely to be as successful. Attacking DDT was relatively easy compared to attacking the unlimited expansion of intellectual property, which has many multi-billion dollar companies willing to fight to defend their continued erosion of the public commons.

This should suffice to summarize Lessig's book. The ideas in it should not be unfamiliar -- Lessig is hardly the only one espousing this point of view today, though he is one of the most articulate. The final chapters have Lessig's suggestions for ways to reverse this trend of quashing innovation -- different ways of managing the electromagnetic spectrum to produce a better wireless commons (it's worth noting that the unlicensed 2.4 Ghz band has been the source of most recent wireless innovation), ways to create an Internet commons on the wired network (some municipalities are already doing this, laying municipal fiber to the home and following an open access policy), changing copyright law and patent law to put more code in the public domain, changing contract law so that end-users can't be forced to sign away their rights. All are good suggestions. Despite the hopeful notes in parentheses just above, most of these suggestions stand little chance of being adopted any time soon. But perhaps Rachel Carson was looking at much the same uphill battle against DDT.

Ideas is most comparable to The Control Revolution by Andrew Shapiro, an earlier effort to explore the changing dynamics of control on the net. Shapiro was much more optimistic, and writing without much of the recent evidence that Lessig uses to make his point that innovation is being squashed thoroughly. If you will, there is an optimism scale -- John Perry Barlow defines one end of the scale, Shapiro is in the middle, and Lessig occupies the pessimistic side. Smart money is on Lessig.

All in all, it's a fine book. I think I prefer Code though, for a variety of reasons -- I find the central premise of Code to be less obvious, more ground-breaking. Or perhaps I've just read so much about "innovation" during the Microsoft trials that I can never again read the word without wincing. As with Code, Lessig has extensive footnotes, making this a scholarly work (for the scholars) but a perfectly readable book even for non-scholars. In any case, it's strongly recommended.

You can purchase this book at Fatbrain. Want to see your own review here? Read the book review guidelines, then submit using Slashdot's web-submission page :)

Our friends at Salon have an article "The Return of Lord British" about what Richard Garriot has been up to in the last year since he's left Origin. It is mostly about Lineage (a mmporpg ^? ), but it touches on EA mismanagement (new tagline "We create write-offs").

Our friends at Salon have an article "The Return of Lord British" about what Richard Garriot has been up to in the last year since he's left Origin. It is mostly about Lineage (a mmporpg ^? ), but it touches on EA mismanagement (new tagline "We create write-offs").

Gallowglass writes: "Salon has written a review of the Xbox which damns with extremely faint praise." There was a big hoopla in Times Square last night, but apparently no one pied Bill Gates. So, for all you poor souls who lined up to give money to the borg: does it work? Any blue-screens yet? :) Update: 11/15 15:23 GMT by M : Okay, I'm sorry. That's green screen of death, not blue screen.

abde writes "The Tick finally premieres this Thursday on FOX at 7:30 PM CST. Looks like Patrick Warburton finally gets to spread some creamy Justice on our toast!" Here's hoping that this show comes close to it's source materials. It's in a tough time slot, so I really hope it sticks around long enough to find a footing. Good luck to you Ben (I know you're reading!) In other TV news, Salon reviewed The buffy musical which aired on tuesday. Since my local basic cable doesn't provide UPN, I haven't seen it. I've been loving FX syndicating what is easily among my favorite shows: hot chicks, sharp humor, and monster killing. It may be the perfect show. I just wish TV was available via FTP.

JosefK writes: "Film & Video is running an interesting and fairly in-depth article on the technology that's been used by Peter Jackson's crew and WETA for the production of the Lord of the Rings. From satellite video feeds for overseeing remote shoots, to the development of WETA's Massive program for depicting large scale battle scenes with tens and hundreds of thousands of "agents" (and it runs on Linux!), the article covers the gamut of the interesting things Peter Jackson's been doing Down Under." And Salon is running a lengthy article on the increasing use of Linux in the special effects industry.

Jeremi writes: "Salon has a brief article about a new content self-rating system being proposed to Congress in lieu of government-imposed restrictions. I wonder if this is a good thing or bad, and whether or not it will succeed where previous attempts failed?"

Jeremi writes: "Salon has a brief article about a new content self-rating system being proposed to Congress in lieu of government-imposed restrictions. I wonder if this is a good thing or bad, and whether or not it will succeed where previous attempts failed?"

Rocknalle writes: "As reported on The One Ring queues have have already started lining up for The Fellowship Of The Ring. Team GladBlad (having placed themselves nr. 1-4 in the queue), are reporting live from the event via notebooks and and cellular networking (9.6 Kbps rules! :-). Visit GladBlad and see what happens when geeks goes outside." The other LOTR news I know of is a description of the journalistic teaser trailer. Salon seems to have liked what they saw.

A_Non_Moose sent us an article from Salon that talks about how file extensions are one of the tools used by Microsoft to extend their mind and market share. It's a very simple idea but its honestly something I'd never thought about. Definitely worth a read, and a few neurons to realize how its really the simplest of things that will guarantee that this monopoly isn't stopped even if Microsoft's deep pockets didn't let them buy the law.

mertzman writes: "Rather than wait for the government assaults on civil liberties to reach full steam, ClearChannel, one of the nation's largest radio networks, has decided to do some censorship on their own! According to F***edCompany, ClearChannel has created a list of banned songs with "questionable content" in light of the recent tragedies. Stuff ranging from Drowning Pool's "Bodies" to Nena's anti-war hit "99 Red Balloons" have made their list." ClearChannel owns many radio stations, so this probably affects you. Update: 09/18 18:30 GMT by M : The San Francisco Chronicle has more on this - ClearChannel says it isn't an official mandate, just some sort of internal memo circulating. Update: 09/18 23:18 PM GMT by T : Fuzzy points out that "snopes.com has an explanation of the ClearChannel hoax. ClearChannel has also sent out a press release saying they have released no such list."

Everyone out there who set up content mirrors helped the spread of information survive as well as it did. After the tremendous crush yesterday, conventional news sources seem to have largely recovered. However, people are still cushioning the network burden with their own mirrors and original reporting. We'll be putting up occasional updates as necessary, but for now hit that link below and you can read a ton of stories on all aspects of the story.

Ian Peon writes: "SF Gate has a short article on how the Internet "proved its mettle as a communications facilitator in a time of crisis." Kudos to all those who kept things running!"

An anonymous reader writes: "The who, what, and how are detailed in this Boston Herald story. The weapons were smuggled in the razor cases. And in order to get to the cockpit, they terrorized the stewardesses, killing a few in order to lure the pilot out. Once the pilot was out, they took control of the plane. They have identified a car driven by 5 arabs had flying instruction in arabic. The men have been traced back to different arab countries."

This WorldTribune.com story claims that Israeli intelligence reports favor the idea that the attacks may have had the backing of Saddam Hussein's Bagdhad government. According to a submission from UberOogie ,Osama bin Ladin denies involvement in the attacks. The claims, speculation and disclaimers will no doubt continue.

Connord D writes: "View the Survivor's Register Please, PLEASE go to the survivor registers, register that your looking for your family, tell your friends, pass the word around and identify those that have survived and those that are missing. Help worried families either confirm the fates of their loved ones so that they can mourn, or help them find those people that are missing." And Brian Mears, LAN Systems Operations Manager for Computer Sciences Corporation, writes: "I have created a forum on my website to allow families and friends of survivors to post messages and communicate with each other concerning this most tragic period." Here's the link: http://www.ntadmin.net/forum/.

It would be a godsend if the various survivor registries would pool their data, or if someone sets up a google-like search engine to reach all of them at once.

oo7 writes: "CNN has a stream of the first plane crash. If you'd like to download it you can from the videos section of this site; it has news updated as fast as I can and streams as fast as I can capture. Please forward any unknown news and links that you may have."

pKa writes: "The last image from WTCs 77th floor webcam is available on a few sites around the net. The original WCTA.org cam-site is dead, but available in Googles cache, where you can see the dark screen (camera already dead, most likely) at 09:52:52, 09/11/01 - just before the buildings crashed. Article (in norwegian) with screenshots available here" The stream of concern that yesterday's events will lead to an illiberal attitude toward privacy is growing into a torrent: vena writes: "CNN reported on television broadcast earlier today that the NSA was now going through volumes of recorded cellular calls for calls made by passengers on the planes. Clear admission."

GothChip writes: "Ananova are reporting that just hours after the terrorist attack on New York, the FBI started approaching ISPs asking for help in installing Carnivore."

mkelley writes: "This is only the beginning folks...looks like the internet is going to be blamed for this...Wired has a story that is sure to cause panic. This is going to be the goverment's way to push wiretapping into your email and web surfing. In this time of crisis, people in high places are going to use this to get their agenda through. "Blame the Internet" is going to be the rallying cry for everything ..." If you're interested in the details of the planes the terrorists chose, a Semi-Anonymous Coward writes: "American Airlines flight 77 confirmed down, crashed into the Pentagon, Washington DC. Flight 77 (Dulles to Los Angeles) is scheduled as a Boeing 757-200:

Boeing 757-200 data and history:

American Airlines Boeing 757-200 photos:

• American Airlines flight 11 confirmed down, crashed into World Trade Center New York. Flight 11 (Boston to Los Angeles) is scheduled as a Boeing 767-200:
• Boeing 767-200 data and history
• American Airlines Boeing 767-200 photos

United Airlines flight 175 confirmed down, crashed into World Trade Center New York. Flight 175 (Boston to Los Angeles) is scheduled as a Boeing 767-200:

• United Airlines Boeing 767-200 photos

United Airlines flight 93 confirmed down near Pittsburgh in Pennsylvania. Flight 93 (Newark to San Francisco) is scheduled as a Boeing 757-200:

• United Airlines Boeing 757-200 photos: United Airlines Boeing 757-200 photos"

Nutcase was the first to write with news from the AP that "Dmitry Sklyarov, 27 and ElComSoft Co. Ltd. of Moscow were charged with five counts of copyright violations for writing a program that lets users of Adobe Systems' eBook Reader get around copyright protections imposed by electronic-book publishers." Here's a link to the AP story at the Washington Post. Here is the story at Salon as well. Update: 08/29 01:57 AM GMT by T : Here's the EFF's release on the indictment, too -- including information about where to go if you'd like to demonstrate your reaction publicly.

Reckless Visionary writes "Salon has a great article about what it's like to get on the MPAA's bad side. It's a first hand account of what happens when you are accused of violating the DMCA and commentary on the "guilty until proven innocent" nature of today's copyright laws." Pirate movies. Lose access. You are guilty. And this guy was on vacation when it happened, so there's no need for accountability. Hope you don't depend on your net access.

Reckless Visionary writes "Salon has a great article about what it's like to get on the MPAA's bad side. It's a first hand account of what happens when you are accused of violating the DMCA and commentary on the "guilty until proven innocent" nature of today's copyright laws." Pirate movies. Lose access. You are guilty. And this guy was on vacation when it happened, so there's no need for accountability. Hope you don't depend on your net access.

David M. Sweeney writes: "Salon has posted a news item that states, "Rows of tiny crystals that armor the skeleton of a certain kind of starfish act as an array of microscopic lenses that would be difficult for even the best engineer to duplicate, researchers say." These lenses have a number of possible applications in computing and telecom. Wonder what PETA will have to say when Intel opens its first starfish farm..."

David M. Sweeney writes: "Salon has posted a news item that states, "Rows of tiny crystals that armor the skeleton of a certain kind of starfish act as an array of microscopic lenses that would be difficult for even the best engineer to duplicate, researchers say." These lenses have a number of possible applications in computing and telecom. Wonder what PETA will have to say when Intel opens its first starfish farm..."

A number of readers have written in about the Salon story talking with Gary Groth's recation to Scott McCloud's pieces on the intersection of the comic and the Internet. Groth's feelings are much different then McCloud. I love the comic book format (am currently reading Cerebus, The Dreaming and Bone amongst others) and think is an interesting issue - 'specially considered within the greater question of "art" and digital media.

schussat writes: "This brief AP article describes a lawsuit that alleges that syncing a Palm Pilot "damages or destroys the motherboards on certain PC brands." Does anyone know more or have experience with this? Is it even possible to cause damage? The article is not very detailed."

McSpew writes: "This article at Salon describes how much startup venture money went to buying $700 Aeron chairs. Personally, I think Aerons suck. I'm sitting in one now and my back is killing me--I can never get this damn chair adjusted right, or to get it to stay in a configuration close to comfortable for very long. The wonderful high-tech mesh fabric acts like sandpaper and wears holes in my pants. I honestly miss the boring chair I had at my last job. Am I the only person who hates Aerons?" Aerons are stylish, but not everyone finds them the comfortable work chairs they're supposed to be. Here's one that looks truly comfortable.

A dog'n'pony show is that delightful moment where some $1000 suits and the investors wearing them politely demand to be shown why they've paid you a salary for the last three months without hearing anything back except "we're all working hard here" and "stop bothering us and it'll get done faster." You pray the software works as well now as it did at 5AM when you finally killed the last display bug and headed home for a quick shower. Just two words of advice: don't cheat. Like VisuaLABS did with its "tiled LCD screens," or the Pentagon with its "missile defense test," you'll get caught. ...or will you? Tell us your best demo war stories.

Thanks to coli for passing along last Thursday's press release from VisuaLABS. This is a company that has been telling investors that they have what they call "GroutFree(tm)" technology, which joins multiple LCD screens invisibly into one, large, flat screen.

On July 3rd, investors were wowed by the demo of the company's "42 inch diagonal flat screen display" prototype. Sheldon Zelitt, VisuaLABS' Chairman and Chief Scientist, said, "It was our great pleasure to share an early look at that technology with our loyal shareholders at the Shareholders' Meeting."

And on July 26th, we got another press release -- this one titled "VisuaLABS Announces That Its Primary Technologies Are Not As Represented And Dismisses Sheldon Zelitt." It turns out that "the large screen GroutFree prototype demonstrated at the Annual Meeting was, in fact, a standard 42 inch plasma television purchased by Sheldon Zelitt ... at a local Calgary consumer electronics retailer ... The Committee believes that no working prototype of a device incorporating the GroutFree technology exists."

While all this was going on, the Pentagon was busy launching two missiles and making them smack into each other. This is the missile defense justification, the one scientists say can't be done, the umbrella that will protect the U.S. and its allies from all those Third World dictators who just have to deliver their nuclear warheads the hard way.

The big test came on July 14, when a target missile (avoiding mishaps) was launched and successfully blown to pieces by its interceptor. Bush was "pleased." CNN showed us the debris radar. And Michael Kelly of the Washington Post stuck it to the "liberal critics," pointing out that "The 'Smart People' Were Wrong." As he wrote:

"In the blink of a video screen going blinding white on July 14, it became impossible to offhandedly disdain a missile defense system as 'weapons that don't work.' It does work."

Yep! So phase one of our missile defense plan is complete. Now we go on to phase two, which is to convince all our enemies to install GPS transmitters in all their missiles.

Oh, you didn't know the test missile had a GPS transmitter on board? Well, you do now.

My favorite part is that the test missile actually launched a Mylar balloon as "chaff" to try to fool the "kill vehicle." Luckily, the balloon didn't have GPS.

So what's your favorite dog'n'pony story? Ever had a demo fail in some especially embarrassing way? Ever cheated? Ever get caught? C'mon, you can tell us...

Update: 08/01 08:00 PM by J : I'm seeing a lot of discussion of the relevance of the GPS. Here's Defense Week which claims the "prototype interceptor was able to find a target warhead partly because the target signaled its location to the interceptor for much of the flight, and the transmissions formed the basis of the targeting orders."

And thanks as always to Slashdot readers for posting more information. monopole points out this link, or take your pick, this one -- they're plans from last year, but still interesting:

SR. DEFENSE OFFICIAL: And we take the GPS data, and we fuzz it up quite honestly, because GPS is a lot more accurate than radars. Okay? [...]

Q: Well, actually, would you then use the degraded GPS, or would you just the regular GPS that you use as a fallback -- (inaudible word)?

SR. DEFENSE OFFICIAL: (Inaudible.)

STAFF: Use the regular GPS.

SR. DEFENSE OFFICIAL: Regular GPS.

4/3PI*R^3 writes: "Alan Docherty, the editor of Internet Freedom News has an interesting piece in Salon's Technology & Business section. Apparently, the Creative Industries Task Force wants teenagers in the UK to learn the evils downloading MP3's, e-mailing newspaper articles, and exchanging JPEGs. As quoted from Prof. Jessica Litman of Wayne State University, "Many of them believe, for example, that if you buy a CD, you buy the right to share it." Minds are so much easier to manipulate when they are young." Heh. For the record, since I've read some of Litman's work, I should point out that her statement quoted here is definitely intended to be ironic.

4/3PI*R^3 writes: "Alan Docherty, the editor of Internet Freedom News has an interesting piece in Salon's Technology & Business section. Apparently, the Creative Industries Task Force wants teenagers in the UK to learn the evils downloading MP3's, e-mailing newspaper articles, and exchanging JPEGs. As quoted from Prof. Jessica Litman of Wayne State University, "Many of them believe, for example, that if you buy a CD, you buy the right to share it." Minds are so much easier to manipulate when they are young." Heh. For the record, since I've read some of Litman's work, I should point out that her statement quoted here is definitely intended to be ironic.

4/3PI*R^3 writes: "Alan Docherty, the editor of Internet Freedom News has an interesting piece in Salon's Technology & Business section. Apparently, the Creative Industries Task Force wants teenagers in the UK to learn the evils downloading MP3's, e-mailing newspaper articles, and exchanging JPEGs. As quoted from Prof. Jessica Litman of Wayne State University, "Many of them believe, for example, that if you buy a CD, you buy the right to share it." Minds are so much easier to manipulate when they are young." Heh. For the record, since I've read some of Litman's work, I should point out that her statement quoted here is definitely intended to be ironic.

4/3PI*R^3 has the dubious honor of being the first of dozens of submissions: "Salon has a story on how Microsoft is bullying cash strapped school districts into purchasing "compliant" licenses for Microsoft software. Best quote from the story concerning financial problems of education and the added burden that Microsft is placing on them: "It's kind of like AIDS in Africa and the drug companies," Kowalski says. "Can anyone expect a dying person to be concerned about the drug companies' profits?"" It seems silly to bitch about this - work at getting schools to use Free and free software instead.

4/3PI*R^3 has the dubious honor of being the first of dozens of submissions: "Salon has a story on how Microsoft is bullying cash strapped school districts into purchasing "compliant" licenses for Microsoft software. Best quote from the story concerning financial problems of education and the added burden that Microsft is placing on them: "It's kind of like AIDS in Africa and the drug companies," Kowalski says. "Can anyone expect a dying person to be concerned about the drug companies' profits?"" It seems silly to bitch about this - work at getting schools to use Free and free software instead.

mrsalty writes: "Salon is running an interview with ex-dotcommer Philip Brandes. For a modest fee ($140 US) Brandes will teach you the secret of making money in the skin trade. " Ah, a nice respectable trade -- every parent's dream for their business-school dropout child.

As you might have expected, several of the slashdot folks went to see A.I. this weekend. Jon Katz and I were brave enough to write about it. In case you've been dead for the past six months, there's a huge game being run to promote the movie (though the plot of the game apparently has little to do with the plot of the movie). Read on for a thorough dissection of this much-hyped tale of the robot boy who can (sniff, sniff) love. (Usual warnings about spoilers apply.)

michael: Looks like I get to go first. Let's get some basics out of the way. Some reviews by others: Slate, Salon, Wired. You may want to read the short story that started it all. But if you see the movie, you'll find that the short story has less influence on the movie than a famous and beautiful poem by W. B. Yeats, The Stolen Child. Since it's out of copyright, and since it happens to be one of my favorite poems, and since you uncouth heathens could use some exposure to beauty, I'm going to reproduce it here.

The Stolen Child

Where dips the rocky highland
Of Sleuth Wood in the Lake,
There lies a leafy island
Where flapping herons wake
The drowsy water-rats
There we've hid our faery vats,
Full of berries
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand

Where the wave of moonlight glosses
The dim grey sands with light
Far off by furthest rosses
We foot it all the night,
Weaving olden dances,
Mingling hands and mingling glances
Till the moon has taken flight,
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And is anxious in its sleep
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand

Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams,
Leaning softly out
From ferns that drop their tears
Over the young streams
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand

Away with us he's going,
The solemn-eyed
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast
Or see the brown mice bob
Round and round the oatmeal chest
For he comes, the human child
To the waters and the wild
With a faery, hand in hand,
From a world more full of weeping then he can understand

--W.B. Yeats, 1889

The poem itself in is in the movie in two places, and crops up in several other places as well - "Till the moon has taken flight" takes on literal meaning, for example. Faeries, yep, we got faeries. And there's no one more solemn-eyed than a kid who sees dead people.

I'm sure one of the other slashdot authors will go into the whole Kubrick/Spielberg deal so I'll skip it. The movie is slow, light on dialogue, heavy on music and long meaningful camera shots. (It reminded me of The Thin Red Line several times.) The audience didn't particularly appreciate the slower scenes (one anonymous coward in the back row shouted out "Boring!" at one point), which makes me think this isn't going to be a box-office smash. The acting is superior - a great deal of effort has been expended in having the mechanicals show a consistent face to the world - they don't break character in the slightest, not even an extraneous eye-twitch. Special effects are also superior - rarely in your face, but always there, and entirely realistic. (I'm going to ignore the aliens.)

One area I kept looking for was hard-coded limits on robotic behavior. These robots have neither the First, nor the Second, nor the Third Laws of Robotics, which seems like a foolish design oversight. Several major plot points would been eliminated if the robots were obedient ... but why would humans make disobedient robots? At the very least, it seems like emotion would come well before disobedience on the robot evolutionary scale.

Anyway, A.I. is well worth seeing, at least once. I don't know if time will call this a masterwork or not. It's certainly a fine piece, worthy of respect, and it will certainly be referenced in the many future movies about artificial intelligence (just wait and see), but it seemed to fall a bit short of master-level.

Jon Katz: In A.I., Steven Spielberg (and the ghostly spirit of Stanley Kubrick) has made one of the most astonishing and original scientific fairy tales of all time. The movie is unlike anything you've ever seen, visually or conceptually. Like so many Hollywood movies of the past decade or two, it doesn't quite know how to end, but that's a minor squawk against the backdrop of a masterpiece of story-telling genius and moral power. Through the life of a lost boy -- an artificially engineered one -- Spielberg has brought a fresh, contemporary eye to enduring questions of moral responsibility and technology, and their impact on human life. Be prepared: this is a very disturbing movie. In cinematic terms, Spielberg has chillingly evoked Mary Shelley. He combines his dramatic flair and his acute sensibilities about childhood with fantabulistic animation and design. Spoilage warning: Plot is discussed, no endings.

This is the story of David (played wonderfully by Haley Joel Osment), a robotic boy sent out into a world ravaged by ecological catastrophe (global warming has submerged the great coastal cities of the earth). Although the future is filled with mechanical beings, David is the first child programmable to feel and need love, and to dream his own dreams. His desire to love a mother deeply, once activatd by a spoken imprint sequence, is irreversible. If the relationship doesn't work, David must be destroyed.

Osment's tormented robot-kid is disturbingly convincing, especially his transformation from a machine trying to learn about emotions into a sentient being overwhelmed and consumed by them. Alternately predictable and inappropriate, endearing and creepy, he struggles to fit into a conventional family. Henry and Monica, the parents who take him in (Frances O'Connor and Sam Robards) have accepted that their biological son, who is in a coma, will never awaken.

Already, the moral lines are drawn powerfully around this family, a stand-in for our morally obtuse society. Henry agrees to bring a robot child into his home as a surrogate kid without even telling his wife, to help assuage her grief. Monica, mourning her stricken offspring, is a sucker for a loving kid, even a programmed one. David is used in the most profoundly unthinking way. At first, Monica is unnerved by this alien creature, then succumbs to his unequivocal affection.

But their son Martin does recover, and comes home angry and jealous. Here, the movie moves directly into Frankenstein territory. In one powerful scene David is so anxious to be like Martin, whom his new mother loves so deeply, that he starts wolfing down food, which nearly destroys his delicate circuitry. Goaded by their manipulative and somewhat unpleasant natural son, Henry and Monica come to believe they have a monster in their home rather than a loving child, and are overwhelmed by what they've done. Just like Victor Frankenstein, they take no responsibility whatsoever for this creature, sending him away into the dark woods.

David's "mother," to whom he is now forever devoted, takes him out for a drive and abandons him -- an echo of countless fairy tales -- rather than return him to the cybernetic firm that will destroy him. The film's lively middle section depicts a world in which thugs roam the countryside looking to torture and hunt down "mechas," capturing them for a "Flesh Fair," a carnival billed as a celebration of life devoted to "demolishing artificiality" and securing a truly human future.

David's creator Professor Hobby (William Hurt), also stands back as this tragedy unfolds, more curious about his experiment and its commercial possibilities than he is concerned for its consequences. It's a scathing rendition of America's ostrich-like attitudes about technology, as it unleashes AI, fertility, genetic and other technologies on an unprepared world, all in the name of progress, health, or convenience.

In fact, as in The Matrix and almost every other movie which deals with AI, the film delineates a world already sliding into civil war: humans ("orgas," for organic) caught between technological and environmental issues, feel increasingly endangered by the intelligent machines that are more adaptable than they are. It's interesting that almost no artist or futurist looks at AI and the future and sees much good.

As a renegade sex robot called Gigolo Joe (the phenomenal Jude Law) explains to David, whom he's befriended, humanity has belatedly come to regret devloping AI machines unthinkingly. "They made us too smart, too fast, too many," Joe says, perhaps presciently.

Dark and ominous from the beginning, the movie now turns wrenching. Wickedly, Martin has urged his mother to read aloud the story of Pinocchio, with which David becomes obsessed. He sees the parallels between his own story and the wooden puppet's, and he sets out at all costs to find the Blue Fairy who will transform him into a real boy so that his missing "mother" will love him as much as she loves her biological son. But by now, David is no witless, gullible Pinocchio. He is obsessed and resourceful, and has evolved in decidedly non-Disney ways.

The shadow of Stanley Kubrick, who conceived the movie based on a short story by Brian Aldriss, falls darkly across this ground-breakingly inventive tale. There are embedded visual and thematic references to A Clockwork Orange, and 2001: A Space Odyssey, along with Star Wars and E.T. There's even a sly homage to Pinocchio's "Pleasure Island." And the story draws heavily from the fairy tale genre, especially all those Grimm's fables about kids being abandoned in dark and menacing woods. Kubrick apparently spent many hours talking with Spielberg about the movie, but died before he could tackle it.

But Spielberg really honors him here. This movie is as disquieting as it is eerie, gorgeous and thoughtful; it dares to take on the serious issue of humanity's pell-mell rush to fiddle with human life -- from AI to robotics to genomics -- without realistically or carefully considering the consequences. You can almost hear the technologists of the future explaining why they couldn't possibly have foreseen the impact of the forces their predecessors unleashed.

When Mary Shelley sounded this warning in Frankenstein, technology was primitive and noninvasive, still a somewhat abstract fear. The world in whic David "lives" is not only imaginable but, by many accounts, is almost upon us, at least in terms of the possibilities of AI and the rapid evolution of computer systems into a sort of species.

Speielberg reminds us that we aren't ready. Not only may many humans get hurt, but so may the new machines, along with nature itself. It's a provocative twist on a big and powerful premise. What are we? What are we going to be?

There's a Freudian twist or two as well. What David yearns for is what the shrinks tell us we all want at some point -- pure, undiluted love from and time with Mom. David's fight for that is heroic, down to a shocking and unexpected series of endings, certain to be controversial and upsetting to many. (Parents who bring little kids to what they think is just another Spielberg yarn will be in for an unpleasant surprise). David develops some less attractive human qualities as well. Spielberg seems to be suggesting that it's all too easy to ultimately create machines that behave like humans, but we might not like the results.

This ability, he seems to warn, distracts us, lets us off the hook, prevents us from asking the most signficant question: What does it mean to be human, and what kind of humans do we want to be? That question doesn't often come up when it comes to technology, where the question is more apt to be: how can we create more cool stuff?

A.I. is shocking and haunting, beautiful and unique. For all his sometimes icky Boomer sentimentality, Spielberg's ability to grow artistically, to make deeper, richer, more inventive movies, qualifies in my book as an epic acheivement. When it comes to science, this movie begins where 2001 leaves off, and then goes a galaxy or two farther.

Cialti writes "Salon has a very interesting article with Monika Henziger, Google's Director of Research, about their search technology and where they're going with it. "