Slashdot Mirror

Smelly Jeffrey writes "The BBC is reporting that the LHC has had all eight of its sectors cooled to 1.9 Kelvin. Their tagline is that it is now 'colder than deep space,' referring to the CMB. LHC engineers have spent nearly $40,000,000 USD on a new system to prevent the 'quench' condition that caused the LHC to be down for warming, repairs, and re-cooling over the last year. The LHC is now cold enough to begin colliding particles in search of the Higgs Boson. High power collisions won't be started until late December, or perhaps early January. However, a low-power beam through parts of the collider could be tested as early as next week!"

An anonymous reader writes "Has anyone setup a system to aggregate multiple ISP connections to form a high bandwidth site-to-site link? Load Sharing SCTP looked interesting, but it doesn't look like it has been widely adopted. Multi-Link PPP appears to be more widely supported for clients, but I can't find any good guides for setting up both sides of the connection for a site-to-site link. The hardware solutions I've found are expensive for a small business. Does anyone have experience using hardware solutions from Mushroom Networks (Virtual Leased Line, p2 of this document), Ecessa (site-to-Site Channel Bonding), or others?"

TechReviewAl writes "Technology Review reports that the Chinese government has for the first time targeted the Tor anonymity network. In the run-up to China's National Day celebrations, the government started targeting the sites used to distribute Tor addresses and the number of users inside China dropped from tens of thousands to near zero. The move is part of a broader trend that involves governments launching censorship crackdowns around key dates. The good news is that many Tor users quickly found a way around the attack, distributing 'bridge' addresses via IM and Twitter."

Vigile writes "When you sell over 100 million handheld gaming systems, everyone wants to be involved in your success; just ask Nintendo. As a company with many different obstacles in its path, NVIDIA could definitely use the boost in revenues that would come from partnering with a company like Nintendo on a handheld system, and it looks like the Tegra processor will make that happen. The NVIDIA Tegra processor is an SoC that runs a set of ARM cores, a GeForce-based graphics core and an HD video processor capable of 1080p output that would definitely give the current Nintendo DS/DSi systems a performance boost in line with the Sony PSP. The 'Nintendo TS,' as it has been dubbed, will apparently be ready for a late winter 2010 release and should put a spark in the mobile gaming market and give Nintendo's developers the power to bring higher quality games to the platform."

TheProphet92 sends along a speculative piece about the future of EA's popular RTS franchise, writing: "EA's real-time strategy games don't have the luxury of extensive funding the way some other franchises do. EA has been milking their game engines for all they're worth and then some. They have been using various versions of the 'Sage' engine for the past half-dozen or so RTS games, and they need money to make a new one. Perhaps an MMO is the way to go for EA, using none other than their famous Command & Conquer franchise."

Hugh Pickens writes: "The New Scientist reports that with a hat tip to Jules Verne's From the Earth to the Moon , physicist John Hunter has outlined the design of a gigantic gun that could slash the cost of putting cargo into orbit. At the Space Investment Summit in Boston last week, Hunter described the design for a 1.1-kilometer-long gun that he says could launch 450-kilogram payloads at 6 kilometers per second. A small rocket engine would then boost the projectile into low-Earth orbit. The gun would cost $500 million to build, says Hunter, but individual launch costs would be lower than current methods. 'We think it's at least a factor of 10 cheaper than anything else,' Hunter says. The gun is based on the SHARP (Super High Altitude Research Project) light gas gun Hunter helped to build in the 1990s while at the Lawrence Livermore National Laboratory (LLNL) in California. With a barrel 47 meters long, it used compressed hydrogen gas to fire projectiles weighing a few kilograms at speeds of up to 3 kilometers per second."

eldavojohn writes "Modern processors rely on wires mere nanometers wide, and now Yale physicists have successfully measured a theoretical 'persistent current' that flows through them when they are formed into rings. The researchers predict this will help us understand how electrons behave in metals — more specifically, the quantum mechanical effect that influences how these electrons move through the metals. Hopefully, this work will shed new light on what dangers (or uses) quantum effects could have on classical processors as the inner workings shrink in size. The breakthrough involved rethinking how to measure this theoretical effect, as they previously relied on superconducting quantum interference devices to measure the magnetic field such a current would create — complicated devices that gave incorrect and inconsistent measurements. Instead, they turned to nothing but mechanical devices, known as cantilevers ('little floppy diving boards with the nanometer rings sitting on top'), that yielded measurements with a full order of magnitude more precision."

Joren writes "In Japan, in a case that has been five years running, the Osaka High Court on Thursday overturned a lower court ruling that had convicted and fined the developer of controversial file-sharing software Winny of assisting violations of the Copyright Law. Originally charged in 2004, Isamu Kaneko, 39, a former research assistant at the University of Tokyo, was declared not guilty, and will not be required to pay a 1.5 million yen fine levied by a December 2006 Kyoto District Court ruling. 'Merely being aware of the possibility that the software could be abused does not constitute a crime of aiding violations of the law, and the court cannot accept that the defendant supplied the software solely to be used for copyright violations,' presiding judge Masazo Ogura said. Furthermore, in siding with the defense, the appeal ruling stated that 'Anonymity is not something to be looked on as illegal, and it is not something that applies specifically to copyright violations. The technical value of the software is neutral.'"

We recently discussed the release of the PSP Go, which drew criticism for many design choices that were of dubious value to consumers. Now, Phaethon360 sends in a story about why Sony felt the need to improve upon the old PSP. "As a format, the UMD was holding the entire platform back. Few people (if anyone) bought into the UMD movie hype Sony attempted to thrust back in 2005. Very soon after that, people realized they could rip their DVDs to a memory stick with the same quality. It's ironic how, as the price of Sony Memory Stick Pro Duo dropped and size increased, PSP UMD sales decreased along with it. It doesn't take too many Howard Stringers to figure out what the problem was." Indeed, Sony was complaining of rampant PSP piracy for quite some time. They cited "legal and technical issues" for not supporting the transfer of UMD games onto the PSP Go; undoubtedly they couldn't find a way to keep pirated games from being copied.

stoolpigeon writes "Rich Internet Applications (RIA) have often been associated with some type of sandbox or virtual machine environment to make desktop features available via the web. Many applications though, have left behind the restrictions and demands of those technologies, implementing RIAs as pure web interfaces. One key technology in this area is JavaScript. It's been well documented that working with JavaScript can be problematic across various browsers. In response a number of JavaScript libraries have been created to alleviate the issues in dealing with different browsers, allowing developers to focus on application logic rather than platform concerns. One such library, focused on providing tools for building RIAs is Ext JS. For the aspiring developer looking to use Ext JS, Packt provides a guide to the library in the form of Learning Ext JS." Read on for the rest of JR's review. Learning Ext JS author Shea Frederick, Colin Ramsay, Steve 'Cutter' Blades pages 309 publisher Packt Publishing rating 8/10 reviewer JR Peck ISBN 978-1-847195-14-2 summary Build dynamic, desktop-style user interfaces for your data-driven web applications. The book is written for people with experience in doing web development. The authors state that a working knowledge of HTML and CSS are important, but experience with JavaScript is not essential. I think that a reader that has not used JavaScript may want to supplement this guide with something that covers the basics of JS. Experienced developers that haven't worked specifically with web programming should have no trouble keeping up. Anyone completely new to the idea of programming, scripting, markup, etc. really will need to take some time to get familiar with those concepts before they dive into this book. The authors do not spend time teaching programming, they are focused purely on realistic applications of Ext JS.

The authors begin by stating that, "Ext is not just another JavaScript library..." and it is understandable that they would feel this way. I am unsure why one wouldn't think so other than a personal preference for the product. That said Ext JS can be used alongside other JS libraries and does provide a lot of features 'out of the box' that make it an attractive choice. The emphasis on RIA widgets and building strong applications is nice as Ext JS is not working to be all things to all developers.

The book is heavy on code and examples but not so much so that it falls into the cook-book style of writing. Learning Ext JS is more of an extended tutorial with ample explanation to help the reader not only understand the code but why certain choices are made. Frederick, Ramsay and Blades have done a good job of working through the examples in a concise manner. While the book is the result of group work, it does not have the feeling of being written by a community. I did not run into an abundance of repetition and topics flowed well. Learning Ext JS also covers installation and integration of the library as well as a very quick survey of tools for development. While short these sections would be extremely important to anyone coming into web development with little experience.

It's a quick read, and doesn't delve extremely deeply into more advanced topics. Rather, a reader new to Ext JS will get a launch that should make the library usable in a practical way and also give them the framework to push deeper. The book was written and published just as Ext JS moved between versions. The new version is backwards compatible with the material in this book and a number of the changes in version three would not have fallen within the scope of this book, so it is still a good place to get started with Ext JS. Those who want to dig deeper will need to look elsewhere.

The brevity of the book wont work for those folks who want to really dig down deep into Ext JS. I on the other hand, wasn't looking for a massive tome to lug around and grind through. I was happy to have a very accessible tool that would get me started quickly and that is what I got. On the other hand I do like to be able to find what I need quickly and nothing is more important to me when learning than a solid index. Unfortunately the only really large ding I have for the book is that the index is weak. It would be a lot worse if the book were larger, so the brevity helps here a bit, but it's still unfortunate. This does make the ebook version a little more attractive. Packt will bundle them at a cost that makes the addition of the electronic copy very attractive. That said, the easy flow does it make it easy to read this book front to back while working the examples. Learning Ext JS just wont be my first choice when I need to quickly check a reference.

I've discussed the shallow coverage, but this does not mean that the book is not useful. The Ext JS library bundles enough functionality into the stock widgets, that decent applications could be written with nothing more. Creating custom widgets is covered and extending existing code as well, but this is later in the book. The material prior to that covers not only the use of the provided widgets but how to tie them together, theme an app and then handling data. This means the reader pretty much has everything in hand to build a stock application. The focus is on dealing with these issues on the client side. The examples do include a small amount of back end code when necessary for the execution of examples. All the examples are available to download from the Packt site and come packaged with all necessary scripts, images, etc.

I've always worked primarily with desktop applications. I've done some work with web applications, but it seems to me that increasingly the tools that I use the most are web based. With technology like Google Gears making those applications available whether I'm connected or not they have become much more attractive. Tools like Ext JS make it much easier for me to transition over to this new way of developing applications. I've found that Learning Ext JS has been a valuable resource in taking what is a great resource and allowing me to get the most out of it more rapidly than I would have otherwise.

You can purchase Learning Ext JS from amazon.com . Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.

stoolpigeon writes "Rich Internet Applications (RIA) have often been associated with some type of sandbox or virtual machine environment to make desktop features available via the web. Many applications though, have left behind the restrictions and demands of those technologies, implementing RIAs as pure web interfaces. One key technology in this area is JavaScript. It's been well documented that working with JavaScript can be problematic across various browsers. In response a number of JavaScript libraries have been created to alleviate the issues in dealing with different browsers, allowing developers to focus on application logic rather than platform concerns. One such library, focused on providing tools for building RIAs is Ext JS. For the aspiring developer looking to use Ext JS, Packt provides a guide to the library in the form of Learning Ext JS." Read on for the rest of JR's review. Learning Ext JS author Shea Frederick, Colin Ramsay, Steve 'Cutter' Blades pages 309 publisher Packt Publishing rating 8/10 reviewer JR Peck ISBN 978-1-847195-14-2 summary Build dynamic, desktop-style user interfaces for your data-driven web applications. The book is written for people with experience in doing web development. The authors state that a working knowledge of HTML and CSS are important, but experience with JavaScript is not essential. I think that a reader that has not used JavaScript may want to supplement this guide with something that covers the basics of JS. Experienced developers that haven't worked specifically with web programming should have no trouble keeping up. Anyone completely new to the idea of programming, scripting, markup, etc. really will need to take some time to get familiar with those concepts before they dive into this book. The authors do not spend time teaching programming, they are focused purely on realistic applications of Ext JS.

The authors begin by stating that, "Ext is not just another JavaScript library..." and it is understandable that they would feel this way. I am unsure why one wouldn't think so other than a personal preference for the product. That said Ext JS can be used alongside other JS libraries and does provide a lot of features 'out of the box' that make it an attractive choice. The emphasis on RIA widgets and building strong applications is nice as Ext JS is not working to be all things to all developers.

The book is heavy on code and examples but not so much so that it falls into the cook-book style of writing. Learning Ext JS is more of an extended tutorial with ample explanation to help the reader not only understand the code but why certain choices are made. Frederick, Ramsay and Blades have done a good job of working through the examples in a concise manner. While the book is the result of group work, it does not have the feeling of being written by a community. I did not run into an abundance of repetition and topics flowed well. Learning Ext JS also covers installation and integration of the library as well as a very quick survey of tools for development. While short these sections would be extremely important to anyone coming into web development with little experience.

It's a quick read, and doesn't delve extremely deeply into more advanced topics. Rather, a reader new to Ext JS will get a launch that should make the library usable in a practical way and also give them the framework to push deeper. The book was written and published just as Ext JS moved between versions. The new version is backwards compatible with the material in this book and a number of the changes in version three would not have fallen within the scope of this book, so it is still a good place to get started with Ext JS. Those who want to dig deeper will need to look elsewhere.

The brevity of the book wont work for those folks who want to really dig down deep into Ext JS. I on the other hand, wasn't looking for a massive tome to lug around and grind through. I was happy to have a very accessible tool that would get me started quickly and that is what I got. On the other hand I do like to be able to find what I need quickly and nothing is more important to me when learning than a solid index. Unfortunately the only really large ding I have for the book is that the index is weak. It would be a lot worse if the book were larger, so the brevity helps here a bit, but it's still unfortunate. This does make the ebook version a little more attractive. Packt will bundle them at a cost that makes the addition of the electronic copy very attractive. That said, the easy flow does it make it easy to read this book front to back while working the examples. Learning Ext JS just wont be my first choice when I need to quickly check a reference.

I've discussed the shallow coverage, but this does not mean that the book is not useful. The Ext JS library bundles enough functionality into the stock widgets, that decent applications could be written with nothing more. Creating custom widgets is covered and extending existing code as well, but this is later in the book. The material prior to that covers not only the use of the provided widgets but how to tie them together, theme an app and then handling data. This means the reader pretty much has everything in hand to build a stock application. The focus is on dealing with these issues on the client side. The examples do include a small amount of back end code when necessary for the execution of examples. All the examples are available to download from the Packt site and come packaged with all necessary scripts, images, etc.

I've always worked primarily with desktop applications. I've done some work with web applications, but it seems to me that increasingly the tools that I use the most are web based. With technology like Google Gears making those applications available whether I'm connected or not they have become much more attractive. Tools like Ext JS make it much easier for me to transition over to this new way of developing applications. I've found that Learning Ext JS has been a valuable resource in taking what is a great resource and allowing me to get the most out of it more rapidly than I would have otherwise.

You can purchase Learning Ext JS from amazon.com . Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.

Last night I finally scraped together the two hours to watch the premiere of Stargate Universe. Since the last two series really ran their course and deserved to end, I was skeptical. At first blush it appears that the show is just Atlantis + Voyager, shot in the documentary style that practically every sci-fi show since Firefly uses. But I enjoyed it, and figured we should have a place to discuss it. The TV landscape needs more real, good sci-fi: there's not a lot of it left, even on the moronically renamed Syfy channel. But maybe this one will have a solid season. I just hope that future episodes don't have so many commercials. I couldn't believe how many ads appeared during this thing.

I Don't Believe in Imaginary Property writes "Red Hat has filed a friend of the court brief with the Supreme Court in regards to the In Re Bilski case, which has become incredibly important due to the possibility that it could redefine the scope of patentable subject matter in a way that affects software patents. In the brief, Red Hat argues that software should not be considered patentable subject matter because it causes economic harm due to patents being granted with vague subject matter, which makes it impossible to say that a given piece of software doesn't arguably infringe upon someone's patent. They also point out Knuth's famous quote that you can't differentiate between 'numeric' and 'non-numeric' algorithms, because numbers are no different from other kinds of precise information." Read below for the submitter's thoughts on an earlier amicus brief filed in the Bilski case by Professor Lee Hollaar.
It's a pity, though, that they don't seem to directly address Professor Lee Hollaar's brief that gave a hand-waving excuse about the Curry-Howard correspondence being merely 'cosmetic' (whatever that means), even though you can turn ZFC into a program (ZFC being the axiomatic framework in which almost all math is done) and you can turn programs into math in order to verify them. Of course, this is the guy who called the successor function 'essentially nonsense', presumably because he doesn't think that mathematicians can differentiate between assignment and equality the way computer scientists can.

I Don't Believe in Imaginary Property writes "Red Hat has filed a friend of the court brief with the Supreme Court in regards to the In Re Bilski case, which has become incredibly important due to the possibility that it could redefine the scope of patentable subject matter in a way that affects software patents. In the brief, Red Hat argues that software should not be considered patentable subject matter because it causes economic harm due to patents being granted with vague subject matter, which makes it impossible to say that a given piece of software doesn't arguably infringe upon someone's patent. They also point out Knuth's famous quote that you can't differentiate between 'numeric' and 'non-numeric' algorithms, because numbers are no different from other kinds of precise information." Read below for the submitter's thoughts on an earlier amicus brief filed in the Bilski case by Professor Lee Hollaar.
It's a pity, though, that they don't seem to directly address Professor Lee Hollaar's brief that gave a hand-waving excuse about the Curry-Howard correspondence being merely 'cosmetic' (whatever that means), even though you can turn ZFC into a program (ZFC being the axiomatic framework in which almost all math is done) and you can turn programs into math in order to verify them. Of course, this is the guy who called the successor function 'essentially nonsense', presumably because he doesn't think that mathematicians can differentiate between assignment and equality the way computer scientists can.

I Don't Believe in Imaginary Property writes "Red Hat has filed a friend of the court brief with the Supreme Court in regards to the In Re Bilski case, which has become incredibly important due to the possibility that it could redefine the scope of patentable subject matter in a way that affects software patents. In the brief, Red Hat argues that software should not be considered patentable subject matter because it causes economic harm due to patents being granted with vague subject matter, which makes it impossible to say that a given piece of software doesn't arguably infringe upon someone's patent. They also point out Knuth's famous quote that you can't differentiate between 'numeric' and 'non-numeric' algorithms, because numbers are no different from other kinds of precise information." Read below for the submitter's thoughts on an earlier amicus brief filed in the Bilski case by Professor Lee Hollaar.
It's a pity, though, that they don't seem to directly address Professor Lee Hollaar's brief that gave a hand-waving excuse about the Curry-Howard correspondence being merely 'cosmetic' (whatever that means), even though you can turn ZFC into a program (ZFC being the axiomatic framework in which almost all math is done) and you can turn programs into math in order to verify them. Of course, this is the guy who called the successor function 'essentially nonsense', presumably because he doesn't think that mathematicians can differentiate between assignment and equality the way computer scientists can.

I Don't Believe in Imaginary Property writes "Red Hat has filed a friend of the court brief with the Supreme Court in regards to the In Re Bilski case, which has become incredibly important due to the possibility that it could redefine the scope of patentable subject matter in a way that affects software patents. In the brief, Red Hat argues that software should not be considered patentable subject matter because it causes economic harm due to patents being granted with vague subject matter, which makes it impossible to say that a given piece of software doesn't arguably infringe upon someone's patent. They also point out Knuth's famous quote that you can't differentiate between 'numeric' and 'non-numeric' algorithms, because numbers are no different from other kinds of precise information." Read below for the submitter's thoughts on an earlier amicus brief filed in the Bilski case by Professor Lee Hollaar.
It's a pity, though, that they don't seem to directly address Professor Lee Hollaar's brief that gave a hand-waving excuse about the Curry-Howard correspondence being merely 'cosmetic' (whatever that means), even though you can turn ZFC into a program (ZFC being the axiomatic framework in which almost all math is done) and you can turn programs into math in order to verify them. Of course, this is the guy who called the successor function 'essentially nonsense', presumably because he doesn't think that mathematicians can differentiate between assignment and equality the way computer scientists can.

Globally Mobile writes "The Register has this article concerning GE's announcement that it has been developing a 1 terabyte DVD-size disk that can be read by a modified Blu-ray player. Peter Lorraine, GE's lab manager, talking at an Emerging Tech conference last week, said that license announcements could be expected soon. He also mentioned the notion of disks having the capacity of 100 Blu-ray disks, implying a 2.5TB or even 5TB capacity, gained by increasing the number of layers used for recording. The discs will be used for high-end commercial niches initially and then migrate to consumer markets in 2012-2015. Also here is a video of the technology explained. Wish we could see this sooner! Reminds me of the technology that Bowie's character came up with in The Man Who Fell to Earth."

KentuckyFC writes "The way radio signals vary in a wireless network can reveal the movement of people behind closed doors, say researchers who have developed a technique called variance-based radio tomographic imaging which processes wireless signals to peer through walls. They've tested the idea with a 34-node wireless network using the IEEE 802.15.4 wireless protocol (the personal area network protocol employed by home automation services such as ZigBee). The researchers say that such a network could be easily distributed by the police or military wanting to determine what's going on inside a building. But such a network, which uses cheap off-the-shelf components, might also be easily deployed by your neighbor or anybody else wanting to monitor movements in your home."

An anonymous reader writes "The infamous Green Dam censorship software has suffered yet another blow. As ZDNet explains, Dam Burst, a tool released by security researcher Jon Oberheide, allows unprivileged users to disable the censorware by removing the hooks that enable it to monitor and block user activity, effectively restoring running applications to their original uncensored state. While the Dam Burst software is currently available at Oberheide's website, community mirrors will undoubtedly be necessary to avoid blocking by the Great Firewall."

pickens writes "The EFF reports that the Supreme Court of Massachusetts has held in Commonwealth v. Connolly that police may not place GPS tracking devices on cars without first getting a warrant, reasoning that the installation of the GPS device was a seizure of the suspect's vehicle. Search and seizure is a legal procedure used in many civil law and common law legal systems whereby police or other authorities and their agents, who suspect that a crime has been committed, do a search of a person's property and confiscate any relevant evidence to the crime. According to the decision, 'when an electronic surveillance device is installed in a motor vehicle, be it a beeper, radio transmitter, or GPS device, the government's control and use of the defendant's vehicle to track its movements interferes with the defendant's interest in the vehicle notwithstanding that he maintains possession of it.' Although the case only protects drivers in Massachusetts, another recent state court case, People v. Weaver in the State of New York, also held that because modern GPS devices are far more powerful than beepers, police must get a warrant to use the trackers, even on cars and people traveling the public roads."

pickens writes "In a victory for Fair Use, Stanford Law School's Fair Use Project has announced that the estate of 20th century literary giant James Joyce, author of the landmark novel Ulysses, has agreed to pay $240,000 in attorneys' fees to Stanford University Consulting Professor Carol Shloss and her counsel in connection with Shloss's lawsuit to establish her right to use copyrighted material in her scholarship on the literary work of James Joyce. When Shloss used copyrighted materials in her biography of Joyce's daughter Lucia, titled Lucia Joyce: To Dance in the Wake, she had to excise a substantial amount of source material from the book in response to threats from the Joyce Estate. However following publication of the book, Shloss sued the Estate to establish her right to publish the excised material. The parties reached a settlement regarding the issue in 2007, permitting the publication of the copyrighted material in the US. Following the settlement, Shloss asked the Court to order the Estate to pay attorneys' fees of more than $400,000. She has now agreed to accept an immediate payment of $240,000 in return for the dismissal of the Estate's appeal. 'This case shows there are solutions to the problem Carol Shloss faced other than simple capitulation,' says Fair Use Project Executive Director Anthony Falzone, who led the litigation team."

selven wrote in with something a bit offtopic for Slashdot, but I figured it's worth a discussion today. He writes "Following Iran's revelation regarding its secret nuclear enrichment plant, western leaders are banding together against it, saying that it violates Articles 2 and 3 of the Non-Proliferation Treaty and suggesting serious sanctions against the country if it refuses to back down on its uranium enrichment program. Iran maintains that its nuclear program is for peaceful purposes only and that it's not fair for the US to be criticizing them in this way while having thousands of nuclear warheads."

Wired reports on a find described September 24 in a note at Nature and the day after at the annual meeting of the Society of Vertebrate Paleontology: a dinosaur fossil bearing true feathers on four limbs. The fossil was discovered in northeastern China, in strata believed to have been deposited between 151 million and 161 million years ago. If that estimate is correct, the newly discovered Anchiornis huxleyi is at least one million years older than the believed age of the more famous winged dinosaur Archaeopteryx.

gijoel writes "Someone with too much time on their hands and access to Auto-Tune has taken clips from Carl Sagan's Cosmos series to make this fantastic song. Watch for the Stephen Hawking cameo."

theodp writes "To celebrate their 50th anniversary, the Insurance Institute for Highway Safety crashed a 1959 Chevrolet Bel Air into a 2009 Chevrolet Malibu. Hate to spoil the ending of the video, but if you find yourself participating in a similar car-jousting contest, pick the Malibu over the Bel Air. (Not that you'll be complaining afterwards if you don't, or doing much of anything.) Guess there is something to those crumple zones after all."

In a recent article for Offworld, Jim Rossignol writes about how the experiences offered by games are broadening as they become more familiar and more popular among researchers and educators. He mentions Korsakovia, a Half-Life 2 mod which is an interpretation of Korsakoff's syndrome, a brain disorder characterized by confusion and severe memory problems, and makes the point that games (and game engines) can provide interesting and evocative experiences without the constraint of being "fun," much as books and movies can be appreciated without "fun" being an appropriate description. Quoting: "Is this collective imagining of games one of the reasons why they tend to focus on a narrow band of imagination? Do critics decry games because games need, more than any other media, to be something a group of people can all agree on? Isn't that why diversions from the standard templates are always met with such excitement or surprise? Getting a large number of creative people to head out into the same imaginative realm is a monumental task, and it's a reason why game directors like to riff off familiar films or activities you can see on TV to define their projects. A familiar movie gets everyone on the same page with great immediacy. 'Want to know what this game is going to be like? Go watch Aliens, you'll soon catch up.' We are pushed into familiar, well-explored areas of imagination. However, there are also teams who are both exploring strange annexes and also creating games that are very much about imaginative exploration. These idiosyncratic few do seem like Alan Moore's 'exporters,' giving us something genuinely new to investigate and explore. Once the team has figured out how to drag the thing back from their imaginations, so we get to examine its exotic experiences — like the kind we can't get at home."

bughunter passes on a report from Wired Threat Level about the effort by Democratic lawmakers to roll back some provisions of the Patriot Act. Three of its provisions expire at the end of this year, and the reform attempt is expected to be attached to legislation to renew them. "Lawmakers are considering key changes to the Patriot Act and other spy laws — proposals that could give new life to lawsuits accusing the nation's telecommunications companies of turning over Americans' electronic communications to the government without warrants. On Oct. 1, the Senate Judiciary Committee likely will consider revoking that immunity legislation as it works to revise the Patriot Act and other spy laws with radical changes that provide for more government transparency and more privacy protections." Among the other likely goals of reform efforts, according to Wired, are limiting the government's power to issue National Security Letters, and limiting "black bag" searches to cases of spying or terrorism — 65% of past searches were authorized in drug cases.

Toe, The writes "Gizmodo details the Long Endurance Multi-intelligence Vehicle (LEMV) (based on the P-791), a spyship from US Army's Space and Missile Defense Command capable of hovering at 20,000 feet. Planned for deployment in Afghanistan, the ship can float for three weeks and carry well over a ton of payload, apparently surveillance equipment. The video on Gizmodo of the P-791 shows that these ships are a hybrid not only of both buoyancy and propulsive lift, but also of both awe and hilarity."

Barence writes "Mozilla has announced that its plans to bring Office 2007's Ribbon interface to Firefox, as it looks to tidy up its 'dated' browser. 'Starting with Vista, and continuing with Windows 7, the menu bar is going away,' notes Mozilla in its plans for revamping the Firefox user interface. '[It will] be replaced with things like the Windows Explorer contextual strip, or the Office Ribbon, [which is] now in Paint and WordPad, too.' The change will also bring Windows' Aero Glass effects to the browser." Update: 09/24 05:01 GMT by T : It's not quite so simple, says Alexander Limi, who works on the Firefox user experience. "We are not putting the Ribbon UI on Firefox. The article PCpro quotes talks about Windows applications in general, not Firefox." So while the currently proposed direction for Firefox 3.7 involves some substantial visual updates for Windows users (including a menu bar hidden by default, and integration of Aero-styled visual elements), it's not actually a ribbon interface. Limi notes, too, that Linux and Mac versions are unaffected by the change.

pickens writes "Dan Berry writes in the NY Times that the State of Alabama is spending millions of dollars in federal stimulus money to combat Cogongrass, a.k.a. the perfect weed, the killer weed, and the weed from another continent. A weed that 'evokes those old science-fiction movies in which clueless citizens ignore reports of an alien invasion.' Cogongrass (Imperata cylindrica) is considered one of the 10 worst weeds in the world. 'It can take over fields and forests, ruining crops, destroying native plants, upsetting the ecosystem,' writes Berry. 'It is very difficult to kill. It burns extremely hot. And its serrated leaves and grainy composition mean that animals with even the most indiscriminate palates — goats, for example — say no thanks.' Alabama's overall strategy is to draw a line across the state at Highway 80 and eradicate everything north of it; then, in phases, to try to control it to the south. But the weed is so resilient that you can't kill it with one application of herbicide, you have to return several months later and do it again. 'People think this is just a grass,' says forester Stephen Pecot. 'They don't understand that cogongrass can replace an entire ecosystem.' Left unchecked, Pecot says 'it could spread all the way to Michigan.'"

satellite17 writes "The BBC notes that the classic space combat / trading sim Elite is 25 years old today. Elite was one of the first 3D games produced for a home computer and also one of the first open-ended games. Odd as it sounds now, this meant that even though it was popular with friends of the creators, David Braben and Ian Bell, they initially struggled to find a publisher. 'They just didn't get it; they wanted a high score and they wanted players to have three lives,' Braben said. It is also credited with influencing quite a few modern classics."

Death Metal writes "In a working paper titled, 'Is Tom Cruise Threatened? Using Netflix Prize Data to Examine the Long Tail of Electronic Commerce,' Wharton Operations and Information Management professor Serguei Netessine and doctoral student Tom F. Tan pull information from the movie rental company Netflix to explore consumer demand for smash hits and lesser-known films. Netflix made its data available as part of a $1 million prize competition to encourage the development of new ways that will improve its ability to introduce customers to lesser-known titles they might find appealing." In short, the researchers say that the Long Tail effect described by Chris Anderson is much less important in the real world than popularly held. Says the article: "The key difference between the opinion of [Anderson's] book and the study by Wharton researchers is how they define 'hits' and 'niches.' In the book, Anderson focuses on the definition of hits in absolute terms such as the top 10 or top 1,000 products, while Netessine and Tan argue that, to take growing product variety into account, one has to define popularity in relative terms, such as the top 1% or top 10% of products, to properly assess the presence or absence of the Long Tail."

chalkyj writes "NCSoft has announced that they will be dropping GameGuard from the western launch of their upcoming MMORPG, Aion. The flawed Korean anti-cheat software has been heavily criticized for employing root-kit like techniques and conflicting with many hardware configurations. The final straw is thought to have been the stability issues experienced by players during open beta and the community outcry it caused. The decision makes Aion, which recently announced over 400,000 western pre-orders, a real contender in the western MMO market."

Fluffeh writes "Violins made by the Italian master Antonio Giacomo Stradivarius are regarded as being of unparalleled quality even today, with enthusiasts being prepared to pay millions for a single example. Stradivarius himself knew nothing of fungi which attack wood, but he received inadvertent help from the Little Ice Age which occurred from 1645 to 1715. During this period Central Europe suffered long winters and cool summers which caused trees to grow slowly and uniformly ideal conditions in fact for producing wood with excellent acoustic qualities. Now scientists are turning to fungi to recreate some of these amazing sounding instruments."

Hugh Pickens writes "For years there have been rumors that the mafia was sinking ships with nuclear and other waste on board as part of a money-making racket. Now, BBC reports on a sunken vessel that has been found 30km off the coast of Italy. Murky pictures taken by a robot camera show the vessel intact, and alongside it are a number of yellow barrels with labels indicating the contents are toxic. The ship's location was revealed by Francesco Fonti, an ex-member of Calabria's feared 'Ndrangheta crime group, who confessed to using explosives to sink this vessel and two others as part of an illegal operation to bypass rules on the disposal of toxic waste. Experts are now examining samples taken from the wreck, and an official says that if the samples prove to be radioactive then a search for up to 30 other sunken vessels believed scuttled by the mafia would begin immediately. 'The Mediterranean is 0.7 percent of the world's seas. If in this tiny portion there are more than 30 (toxic waste) shipwrecks, imagine what there could be elsewhere,' says Silvestro Greco, head of Calabria's environment agency."

shrik writes "After having it struck down as 'unconstitutional' by the Conseil Constitutionnel once, Sarkozy's controversial 'three-strikes' law (known as HADOPI) was once again passed by the French National Assembly, this time allowing for a judge to order the disconnection (without requiring the presence of the accused party!), thus placating some of the administrative concerns. Opponents say they will 'challenge the law again in front of the Constitutional Council because it deprives the accused of being able to defend themselves properly.' Coverage at Ars also points out a provision that says, 'all Internet users must keep their connections 'secure' and are responsible for what happens on them.'"

KentuckyFC writes "Gravitational waves squash and stretch space as they travel through the universe. Current attempts to spot them involve monitoring a region of space several kilometers across on Earth for the telltale signs of this squeezing. These experiments have so far seen nothing. But by monitoring an array of pulsars throughout the galaxy, astronomers should be able to see the effects of gravitational waves passing by. They say such an array of pulsars should effectively shimmer as the gravitational waves wash over it, like a grid of buoys bobbing on the ocean. That'll create an observatory that is effectively the size of the entire galaxy. These observations should be capable of monitoring how galaxies and supermassive black holes evolve together, and shed light on the physics of the early universe. Best of all, the next generation of radio-telescope arrays should be capable of making these observations at a cost of around $66 million over ten years. That's a small fraction of the hundreds of millions that Earth-based observatories have already cost."

KentuckyFC writes "Gravitational waves squash and stretch space as they travel through the universe. Current attempts to spot them involve monitoring a region of space several kilometers across on Earth for the telltale signs of this squeezing. These experiments have so far seen nothing. But by monitoring an array of pulsars throughout the galaxy, astronomers should be able to see the effects of gravitational waves passing by. They say such an array of pulsars should effectively shimmer as the gravitational waves wash over it, like a grid of buoys bobbing on the ocean. That'll create an observatory that is effectively the size of the entire galaxy. These observations should be capable of monitoring how galaxies and supermassive black holes evolve together, and shed light on the physics of the early universe. Best of all, the next generation of radio-telescope arrays should be capable of making these observations at a cost of around $66 million over ten years. That's a small fraction of the hundreds of millions that Earth-based observatories have already cost."

stavros-59 writes "Australia's internet censorship watchdog, ACMA, uses an internet classification system originally intended for children's PC filters. ACMA has now made what must be the most amazing recent decisions of the whole bizarre censorship debate. The Register today has a story about ACMA's decision to force Apple to withdraw their ITMS gift feature from Australia on the basis that MA+ (over 15 and maybe sex) rated movies could not be given to children using the gift cards. The films are also banned on the internet but not at local video/DVD stores as detailed in this Whirlpool Forum post. At the same time, the photographic work of Robert Mapplethorpe (not for the fainthearted) has been classified as PG (Parental Guidance) by the Classification Board — which is not part of ACMA, but an agency under the Attorney General's Department."

NiteMair writes "The Haiku project has finally released an official R1 alpha, after 8 years of development. This marks a significant milestone for the project, and it also debuts the first official/publicly available LiveCD ISO image that can be easily booted and used to install Haiku on x86 hardware. Haiku is a desktop operating system inspired by BeOS after Be, Inc. closed its doors in 2001. The project has remained true to the BeOS philosophy while integrating modern hardware support and features along the way." Eugenia adds this link to an article describing the history of the OS, along with a review of the alpha version."

thrill12 writes "Almost 178 years ago, Charles Darwin set sail in the HMS Beagle, to do the now famous explorations that formed the basis for Darwin's On The Origin Of Species. Now, a group of British and Dutch scientists, journalists and artists set sail again to redo the voyage of the Beagle. This time, they are taking modern equipment with them and they have live connections through Twitter, Youtube, Facebook and Flickr. As they re-explore, and (re)discover, we can join that 8-month-long trip, live over the internet."

KentuckyFC writes "Having created quantum superpositions of photons, atoms, and even molecules, scientists are currently preparing to do the same for larger objects — namely viruses. The technique will involve storing a virus in a vacuum and then cooling it to its quantum-mechanical ground state in a microcavity. Zapping the virus with a laser then leaves it in a superposition of its ground state and an excited one. That's no easy task, however. The virus will have to survive the vacuum, behave like a dielectric, and appear transparent to the laser light, which would otherwise tear it apart. Now a group of researchers has worked out that several viruses look capable of surviving the superposition process, including the common flu virus and the tobacco mosaic virus. They point out that after creating the superposition, scientists will be able to perform the Schrodinger's Cat experiment for the first time, which should be fun (but less so for the virus)."

traycerb writes "It's been 10 years since 9/9/1999, when the Dreamcast launched on American shores. The hardware was ahead of its time; online capability, web browser, a visual memory unit, and a controller that anticipated the much-loved Xbox 360 controller. The games were amazing: Jet Set Radio (the first popular 3d cell-shaded game on a console), Marvel vs. Capcom 2 (still the apotheosis of 2-d fighting; just try finding a copy on ebay), Soul Calibur (still looks good compared to the recent Xbox/PS3 versions), NFL 2K (came out of nowhere, and was so good that it shook EA into spending tens of millions of dollars to seal up exclusivity for NFL rights), and many others. No doubt some of the reasons for the Dreamcast's demise lay with Sega, whose dubious hardware decisions (ahem, 32x) finally caught up to them, in the form of ambivalence from both developers and gamers, just as the console-making world was shifting to the multinationals with big pockets who were willing to spend it on pricey hardware design (or could absorb the cost of faulty hardware design). It was also one of the first consoles widely used for homebrew. In honor of the 10th anniversary, a new game is being released for the Dreamcast, called Rush Rush Rally Racing. The Dreamcast is dead! Long live the Dreamcast!"

traycerb writes "It's been 10 years since 9/9/1999, when the Dreamcast launched on American shores. The hardware was ahead of its time; online capability, web browser, a visual memory unit, and a controller that anticipated the much-loved Xbox 360 controller. The games were amazing: Jet Set Radio (the first popular 3d cell-shaded game on a console), Marvel vs. Capcom 2 (still the apotheosis of 2-d fighting; just try finding a copy on ebay), Soul Calibur (still looks good compared to the recent Xbox/PS3 versions), NFL 2K (came out of nowhere, and was so good that it shook EA into spending tens of millions of dollars to seal up exclusivity for NFL rights), and many others. No doubt some of the reasons for the Dreamcast's demise lay with Sega, whose dubious hardware decisions (ahem, 32x) finally caught up to them, in the form of ambivalence from both developers and gamers, just as the console-making world was shifting to the multinationals with big pockets who were willing to spend it on pricey hardware design (or could absorb the cost of faulty hardware design). It was also one of the first consoles widely used for homebrew. In honor of the 10th anniversary, a new game is being released for the Dreamcast, called Rush Rush Rally Racing. The Dreamcast is dead! Long live the Dreamcast!"

traycerb writes "It's been 10 years since 9/9/1999, when the Dreamcast launched on American shores. The hardware was ahead of its time; online capability, web browser, a visual memory unit, and a controller that anticipated the much-loved Xbox 360 controller. The games were amazing: Jet Set Radio (the first popular 3d cell-shaded game on a console), Marvel vs. Capcom 2 (still the apotheosis of 2-d fighting; just try finding a copy on ebay), Soul Calibur (still looks good compared to the recent Xbox/PS3 versions), NFL 2K (came out of nowhere, and was so good that it shook EA into spending tens of millions of dollars to seal up exclusivity for NFL rights), and many others. No doubt some of the reasons for the Dreamcast's demise lay with Sega, whose dubious hardware decisions (ahem, 32x) finally caught up to them, in the form of ambivalence from both developers and gamers, just as the console-making world was shifting to the multinationals with big pockets who were willing to spend it on pricey hardware design (or could absorb the cost of faulty hardware design). It was also one of the first consoles widely used for homebrew. In honor of the 10th anniversary, a new game is being released for the Dreamcast, called Rush Rush Rally Racing. The Dreamcast is dead! Long live the Dreamcast!"

traycerb writes "It's been 10 years since 9/9/1999, when the Dreamcast launched on American shores. The hardware was ahead of its time; online capability, web browser, a visual memory unit, and a controller that anticipated the much-loved Xbox 360 controller. The games were amazing: Jet Set Radio (the first popular 3d cell-shaded game on a console), Marvel vs. Capcom 2 (still the apotheosis of 2-d fighting; just try finding a copy on ebay), Soul Calibur (still looks good compared to the recent Xbox/PS3 versions), NFL 2K (came out of nowhere, and was so good that it shook EA into spending tens of millions of dollars to seal up exclusivity for NFL rights), and many others. No doubt some of the reasons for the Dreamcast's demise lay with Sega, whose dubious hardware decisions (ahem, 32x) finally caught up to them, in the form of ambivalence from both developers and gamers, just as the console-making world was shifting to the multinationals with big pockets who were willing to spend it on pricey hardware design (or could absorb the cost of faulty hardware design). It was also one of the first consoles widely used for homebrew. In honor of the 10th anniversary, a new game is being released for the Dreamcast, called Rush Rush Rally Racing. The Dreamcast is dead! Long live the Dreamcast!"

stoolpigeon writes "The popularity of web site Will It Blend? is indicative of how people enjoy mashing things together. Of course this kind of sharing and combining has been going on in the arts for quite some time. The new Lev Grossman novel, The Magicians asks 'will it blend?' of two rather popular fantasy series, J.K. Rowling's world of Harry Potter and the tales of Narnia from C.S. Lewis. Grossman's thoughts on both are tossed on top and then the author begins to play a symphony across the full range of buttons from stir to liquefy. What comes out is not children's fantasy but at times a rather bitter mix." Keep reading for the rest of JR's review. The Magicians author Lev Grossman pages 402 publisher Viking rating 7/10 reviewer JR Peck ISBN 978-0-670-020550-3 summary Boy feels socially akward...boy discovers he's magical...boy gets into private magical school. Grossman is an author and critic for Time and has written for a number of high-profile magazines. He is a talented writer and handles his story telling with skill. His characters have depth and this story takes on a very gritty sense of reality, something that is not often found in fantasy. I was impressed with his writing, yet at the same time I was torn with how I felt about the book. I found it to be compelling and at the same time difficult. It took me a few weeks to process the whole thing and get an idea of why the book impacted me the way that it did. I'm going to lay that all out now, but I have to say that when reviewing fiction I work very hard to avoid discussing plot. In this case, it will be impossible to some extent. I don't think I'm going to give away anything that the promotional material doesn't make pretty obvious, but anyone who wants to go into this book knowing as little as possible should stop reading now.

The protagonist, Quentin Coldwater, is a nerd. He's an academic over-achiever living a life of privilege, set on a path of success. He's also extremely unhappy, feeling disconnected from the rest of the world. He struggles with his inability to connect with others and the meaninglessness of life. He has sought out and found some respite in the fantasy world of Fillory, a magical land created and explored in the books of an American author that lived in England. At the start of The Magicians Quentin in on his way to an interview as part of the admissions process for Princeton. But this does not end up as another normal day for Quentin. Rather than his ultimate destination, Princeton, Quentin ends up at Brakebills. Brakebills is a university in upstate New York where students learn magic.

While Hogwarts was not the first literary school of magic, it is the model Grossman has in mind and he is very up front about that fact. The students take part in a magical game called Welters. At one point a team member of Quentin's, Josh, is absent at the start of a match. Quentin hunts him down and the following interaction takes place between the two of them.

Josh stood up. He saluted smartly. "Send me an owl."

"Come on, they're waiting for us. Fogg is freezing his ass off."

"Good for him. Too much ass on that man anyway."

Quentin got Josh out of the library and heading toward the rear of the House, though he was moving slowly with a worrying tendency to lurch into door frames and occasionally into Quentin.

He did an abrupt about-face.

"Hang on," he said. "Gotta get my quidditch costume. I mean uniform. I mean welters."

"We don't have uniforms."

"I know that, " Josh snapped. "I'm drunk, I'm not delusional. I still need my winter coat."

This sliver does a lot to reveal the similarities and differences. Brakebills is very much like Hogwarts in external ways, and completely different in substance. The school is for adults, not children and the life that Grossman portrays is much more in line with reality than fantasy. This is not a book to pick up for a young child. This story contains profanity, sexual content, graphic violence, as well as alcohol and drug abuse. This is where I ran into my first issue with The Magicians. I'll get to that shortly, but first I'd like to finish laying out what the book involves.

Not all of Brakebills is lifted straight from Hogwarts, though I don't think the reader with much experience in reading fantasy will find anything that could really be called new. What there is, as I have mentioned, is very well done. Grossman builds up to moments of palpable tension. He pulls the reader into the life of Quentin and shows real finesse at times. His characters very much come alive, in their brief moments of joy and in their many moments of pain, frustration and loss. Anyone who has felt the hurt of being outside, dealing with the cruelty of others or a general questioning of meaning will be able to relate well to the protagonist.

Eventually school is over and the students graduate. And here is the turn that I think the promotional material makes obvious but some may not want to know about going into reading the book. The second section of the story begins as Quentin and his fellow Brakebills alumni find out that Fillory is real. They immediately prepare to set out on an expedition to the land they've loved since childhood. That Fillory is better spelled N-a-r-n-i-a is just as obvious as the connection to Rowling's work. Quentin and company enter Fillory using magic buttons that take them to an intermediary world of fountains. Jumping into each fountain takes a person to a different world. They have to take care to jump into the correct pool at the base of the fountain that will take them to Fillory. Fillory is a land of talking beasts and magical creatures.

So what sets The Magicians apart from lesser books that lift heavily from other works? Why is The Magicians a strong story while something like Eragon is a weak rip-off? I think it boils down to two elements. First is Grossman's strong writing. Even if this were just a big piece of fan fiction, it would be well written fan fiction. Secondly, this isn't just an homage to the work of others. While Grossman has lifted the settings and externals, the substance is completely different often to the point of taking a position that is completely antithetical to the original work.

My first problem, which I tie to the very adult content is wrapped up in why I read fantasy. I read fantasy on many levels as a form of escape, much like Grossman's character Quentin did. Much of the fantasy I've read is not only fantasy but it is written for children. At the bottom of it all there is no real risk or fear. I read with anticipation, not of an outcome but rather how that outcome will be worked out by the author. There is often death or treachery but it takes on a fairy tale like quality. It does not feel real or cruel but rather cartoonish. Grossman completely jettisons any of this kind of approach. He tackles the safety of these children's tales and eviscerates it. The violence in The Magicians is not cartoonish, it is often cruel even sadistic. There's not much in the way of escapism here. What Quentin finds is that magic doesn't change the basic underlying facts of life, not even traveling to another world does this. This is combined with the fact that much of Grossman's realism includes behavior and speech that isn't something that I would consider normal or appropriate. It may be for others but this isn't a book I would feel comfortable recommending to friends or family.

Then there is my second issue. I've read that Pullman's His Dark Materials trilogy is intended to be a type of anti-Narnia. Well Grossman doesn't just create an alternative world that is contrary to Narnia. He destroys Narnia from the inside. And this caused issues for me in both sections of the book at times. Not because of ideological difficulties with what Grossman puts forward but because it would frequently push me outside the story as it felt like Grossman would move from telling his own story to commenting on the story of another. It isn't that what he has to say about the other stories isn't interesting and that he doesn't bring up intriguing issues and criticisms of both, but rather that it jarred me out of the narrative as the story became more a work of exposition. Something like the flashbacks to History and Moral Philosophy class that fill so much of Starship Troopers. The author shows his hand, that he is more interested in making a point than telling a story.

The fact that a major component of the book is polemic in nature means much of the discussion around the book will not be about plot or setting but rather about the argument the author sets forth. I don't agree with Grossman's premise or conclusions but I do admire how well he states his case throughout the entire book, not only in those portions that might feel a bit preachy. I've read in an interview Grossman did about The Magicians that he feels that Rowling lets her characters solve their problems, rather than resting on divine intervention like the characters of Lewis's works. This is reflected in how he handles the world of each, though I would argue that this is not the case, especially in light of how Rowling's series ended. I think it does explain why he is so much rougher on Lewis.

Anyone looking for a dark story that questions the assumptions and underlying principles of those that are not so dark should really enjoy this book. Any parent that picks it up for their young one because they hear it compared to Harry Potter is in for a rude surprise. Those looking for a fun little escape from the real world wont find it here, though things are so grim at times they may find the real world a bit of a relief after the weight of Grossman's. The Magicians held my attention and I was impressed with Grossman's ability, unfortunately at the same time I was a bit disappointed with how he used that ability. With something this subjective your mileage may vary, and since release The Magicians has hit number nine on the New York Times best sellers list.

Viking set up a number of web sites to support the release of The Magicians. This is not so much about the book itself but will be of interest to readers and I think is an interesting development for book lovers in general. There are four sites TheMagiciansBook.com is a normal promotional site with information on the book. ChristopherPlover.com brings to life the fictional author of the Fillory books. Brakebills of course has a site, obfuscated just like the school itself. Finally there is Embers Tomb a wealth of Fillory related information. The Fillory and Plover sites come across as very genuine and will probably snag a reader or two into some level of confusion. The Brakebills site is a bit too over the top to be taken seriously but then again, with real news sites quoting The Onion and the occasional uproar I see over humor sites like Objective Ministries there probably will be some who think it is a real school.

You can purchase The Magicians from amazon.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.

stoolpigeon writes "The popularity of web site Will It Blend? is indicative of how people enjoy mashing things together. Of course this kind of sharing and combining has been going on in the arts for quite some time. The new Lev Grossman novel, The Magicians asks 'will it blend?' of two rather popular fantasy series, J.K. Rowling's world of Harry Potter and the tales of Narnia from C.S. Lewis. Grossman's thoughts on both are tossed on top and then the author begins to play a symphony across the full range of buttons from stir to liquefy. What comes out is not children's fantasy but at times a rather bitter mix." Keep reading for the rest of JR's review. The Magicians author Lev Grossman pages 402 publisher Viking rating 7/10 reviewer JR Peck ISBN 978-0-670-020550-3 summary Boy feels socially akward...boy discovers he's magical...boy gets into private magical school. Grossman is an author and critic for Time and has written for a number of high-profile magazines. He is a talented writer and handles his story telling with skill. His characters have depth and this story takes on a very gritty sense of reality, something that is not often found in fantasy. I was impressed with his writing, yet at the same time I was torn with how I felt about the book. I found it to be compelling and at the same time difficult. It took me a few weeks to process the whole thing and get an idea of why the book impacted me the way that it did. I'm going to lay that all out now, but I have to say that when reviewing fiction I work very hard to avoid discussing plot. In this case, it will be impossible to some extent. I don't think I'm going to give away anything that the promotional material doesn't make pretty obvious, but anyone who wants to go into this book knowing as little as possible should stop reading now.

The protagonist, Quentin Coldwater, is a nerd. He's an academic over-achiever living a life of privilege, set on a path of success. He's also extremely unhappy, feeling disconnected from the rest of the world. He struggles with his inability to connect with others and the meaninglessness of life. He has sought out and found some respite in the fantasy world of Fillory, a magical land created and explored in the books of an American author that lived in England. At the start of The Magicians Quentin in on his way to an interview as part of the admissions process for Princeton. But this does not end up as another normal day for Quentin. Rather than his ultimate destination, Princeton, Quentin ends up at Brakebills. Brakebills is a university in upstate New York where students learn magic.

While Hogwarts was not the first literary school of magic, it is the model Grossman has in mind and he is very up front about that fact. The students take part in a magical game called Welters. At one point a team member of Quentin's, Josh, is absent at the start of a match. Quentin hunts him down and the following interaction takes place between the two of them.

Josh stood up. He saluted smartly. "Send me an owl."

"Come on, they're waiting for us. Fogg is freezing his ass off."

"Good for him. Too much ass on that man anyway."

Quentin got Josh out of the library and heading toward the rear of the House, though he was moving slowly with a worrying tendency to lurch into door frames and occasionally into Quentin.

He did an abrupt about-face.

"Hang on," he said. "Gotta get my quidditch costume. I mean uniform. I mean welters."

"We don't have uniforms."

"I know that, " Josh snapped. "I'm drunk, I'm not delusional. I still need my winter coat."

This sliver does a lot to reveal the similarities and differences. Brakebills is very much like Hogwarts in external ways, and completely different in substance. The school is for adults, not children and the life that Grossman portrays is much more in line with reality than fantasy. This is not a book to pick up for a young child. This story contains profanity, sexual content, graphic violence, as well as alcohol and drug abuse. This is where I ran into my first issue with The Magicians. I'll get to that shortly, but first I'd like to finish laying out what the book involves.

Not all of Brakebills is lifted straight from Hogwarts, though I don't think the reader with much experience in reading fantasy will find anything that could really be called new. What there is, as I have mentioned, is very well done. Grossman builds up to moments of palpable tension. He pulls the reader into the life of Quentin and shows real finesse at times. His characters very much come alive, in their brief moments of joy and in their many moments of pain, frustration and loss. Anyone who has felt the hurt of being outside, dealing with the cruelty of others or a general questioning of meaning will be able to relate well to the protagonist.

Eventually school is over and the students graduate. And here is the turn that I think the promotional material makes obvious but some may not want to know about going into reading the book. The second section of the story begins as Quentin and his fellow Brakebills alumni find out that Fillory is real. They immediately prepare to set out on an expedition to the land they've loved since childhood. That Fillory is better spelled N-a-r-n-i-a is just as obvious as the connection to Rowling's work. Quentin and company enter Fillory using magic buttons that take them to an intermediary world of fountains. Jumping into each fountain takes a person to a different world. They have to take care to jump into the correct pool at the base of the fountain that will take them to Fillory. Fillory is a land of talking beasts and magical creatures.

So what sets The Magicians apart from lesser books that lift heavily from other works? Why is The Magicians a strong story while something like Eragon is a weak rip-off? I think it boils down to two elements. First is Grossman's strong writing. Even if this were just a big piece of fan fiction, it would be well written fan fiction. Secondly, this isn't just an homage to the work of others. While Grossman has lifted the settings and externals, the substance is completely different often to the point of taking a position that is completely antithetical to the original work.

My first problem, which I tie to the very adult content is wrapped up in why I read fantasy. I read fantasy on many levels as a form of escape, much like Grossman's character Quentin did. Much of the fantasy I've read is not only fantasy but it is written for children. At the bottom of it all there is no real risk or fear. I read with anticipation, not of an outcome but rather how that outcome will be worked out by the author. There is often death or treachery but it takes on a fairy tale like quality. It does not feel real or cruel but rather cartoonish. Grossman completely jettisons any of this kind of approach. He tackles the safety of these children's tales and eviscerates it. The violence in The Magicians is not cartoonish, it is often cruel even sadistic. There's not much in the way of escapism here. What Quentin finds is that magic doesn't change the basic underlying facts of life, not even traveling to another world does this. This is combined with the fact that much of Grossman's realism includes behavior and speech that isn't something that I would consider normal or appropriate. It may be for others but this isn't a book I would feel comfortable recommending to friends or family.

Then there is my second issue. I've read that Pullman's His Dark Materials trilogy is intended to be a type of anti-Narnia. Well Grossman doesn't just create an alternative world that is contrary to Narnia. He destroys Narnia from the inside. And this caused issues for me in both sections of the book at times. Not because of ideological difficulties with what Grossman puts forward but because it would frequently push me outside the story as it felt like Grossman would move from telling his own story to commenting on the story of another. It isn't that what he has to say about the other stories isn't interesting and that he doesn't bring up intriguing issues and criticisms of both, but rather that it jarred me out of the narrative as the story became more a work of exposition. Something like the flashbacks to History and Moral Philosophy class that fill so much of Starship Troopers. The author shows his hand, that he is more interested in making a point than telling a story.

The fact that a major component of the book is polemic in nature means much of the discussion around the book will not be about plot or setting but rather about the argument the author sets forth. I don't agree with Grossman's premise or conclusions but I do admire how well he states his case throughout the entire book, not only in those portions that might feel a bit preachy. I've read in an interview Grossman did about The Magicians that he feels that Rowling lets her characters solve their problems, rather than resting on divine intervention like the characters of Lewis's works. This is reflected in how he handles the world of each, though I would argue that this is not the case, especially in light of how Rowling's series ended. I think it does explain why he is so much rougher on Lewis.

Anyone looking for a dark story that questions the assumptions and underlying principles of those that are not so dark should really enjoy this book. Any parent that picks it up for their young one because they hear it compared to Harry Potter is in for a rude surprise. Those looking for a fun little escape from the real world wont find it here, though things are so grim at times they may find the real world a bit of a relief after the weight of Grossman's. The Magicians held my attention and I was impressed with Grossman's ability, unfortunately at the same time I was a bit disappointed with how he used that ability. With something this subjective your mileage may vary, and since release The Magicians has hit number nine on the New York Times best sellers list.

Viking set up a number of web sites to support the release of The Magicians. This is not so much about the book itself but will be of interest to readers and I think is an interesting development for book lovers in general. There are four sites TheMagiciansBook.com is a normal promotional site with information on the book. ChristopherPlover.com brings to life the fictional author of the Fillory books. Brakebills of course has a site, obfuscated just like the school itself. Finally there is Embers Tomb a wealth of Fillory related information. The Fillory and Plover sites come across as very genuine and will probably snag a reader or two into some level of confusion. The Brakebills site is a bit too over the top to be taken seriously but then again, with real news sites quoting The Onion and the occasional uproar I see over humor sites like Objective Ministries there probably will be some who think it is a real school.

You can purchase The Magicians from amazon.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.

stoolpigeon writes "The popularity of web site Will It Blend? is indicative of how people enjoy mashing things together. Of course this kind of sharing and combining has been going on in the arts for quite some time. The new Lev Grossman novel, The Magicians asks 'will it blend?' of two rather popular fantasy series, J.K. Rowling's world of Harry Potter and the tales of Narnia from C.S. Lewis. Grossman's thoughts on both are tossed on top and then the author begins to play a symphony across the full range of buttons from stir to liquefy. What comes out is not children's fantasy but at times a rather bitter mix." Keep reading for the rest of JR's review. The Magicians author Lev Grossman pages 402 publisher Viking rating 7/10 reviewer JR Peck ISBN 978-0-670-020550-3 summary Boy feels socially akward...boy discovers he's magical...boy gets into private magical school. Grossman is an author and critic for Time and has written for a number of high-profile magazines. He is a talented writer and handles his story telling with skill. His characters have depth and this story takes on a very gritty sense of reality, something that is not often found in fantasy. I was impressed with his writing, yet at the same time I was torn with how I felt about the book. I found it to be compelling and at the same time difficult. It took me a few weeks to process the whole thing and get an idea of why the book impacted me the way that it did. I'm going to lay that all out now, but I have to say that when reviewing fiction I work very hard to avoid discussing plot. In this case, it will be impossible to some extent. I don't think I'm going to give away anything that the promotional material doesn't make pretty obvious, but anyone who wants to go into this book knowing as little as possible should stop reading now.

The protagonist, Quentin Coldwater, is a nerd. He's an academic over-achiever living a life of privilege, set on a path of success. He's also extremely unhappy, feeling disconnected from the rest of the world. He struggles with his inability to connect with others and the meaninglessness of life. He has sought out and found some respite in the fantasy world of Fillory, a magical land created and explored in the books of an American author that lived in England. At the start of The Magicians Quentin in on his way to an interview as part of the admissions process for Princeton. But this does not end up as another normal day for Quentin. Rather than his ultimate destination, Princeton, Quentin ends up at Brakebills. Brakebills is a university in upstate New York where students learn magic.

While Hogwarts was not the first literary school of magic, it is the model Grossman has in mind and he is very up front about that fact. The students take part in a magical game called Welters. At one point a team member of Quentin's, Josh, is absent at the start of a match. Quentin hunts him down and the following interaction takes place between the two of them.

Josh stood up. He saluted smartly. "Send me an owl."

"Come on, they're waiting for us. Fogg is freezing his ass off."

"Good for him. Too much ass on that man anyway."

Quentin got Josh out of the library and heading toward the rear of the House, though he was moving slowly with a worrying tendency to lurch into door frames and occasionally into Quentin.

He did an abrupt about-face.

"Hang on," he said. "Gotta get my quidditch costume. I mean uniform. I mean welters."

"We don't have uniforms."

"I know that, " Josh snapped. "I'm drunk, I'm not delusional. I still need my winter coat."

This sliver does a lot to reveal the similarities and differences. Brakebills is very much like Hogwarts in external ways, and completely different in substance. The school is for adults, not children and the life that Grossman portrays is much more in line with reality than fantasy. This is not a book to pick up for a young child. This story contains profanity, sexual content, graphic violence, as well as alcohol and drug abuse. This is where I ran into my first issue with The Magicians. I'll get to that shortly, but first I'd like to finish laying out what the book involves.

Not all of Brakebills is lifted straight from Hogwarts, though I don't think the reader with much experience in reading fantasy will find anything that could really be called new. What there is, as I have mentioned, is very well done. Grossman builds up to moments of palpable tension. He pulls the reader into the life of Quentin and shows real finesse at times. His characters very much come alive, in their brief moments of joy and in their many moments of pain, frustration and loss. Anyone who has felt the hurt of being outside, dealing with the cruelty of others or a general questioning of meaning will be able to relate well to the protagonist.

Eventually school is over and the students graduate. And here is the turn that I think the promotional material makes obvious but some may not want to know about going into reading the book. The second section of the story begins as Quentin and his fellow Brakebills alumni find out that Fillory is real. They immediately prepare to set out on an expedition to the land they've loved since childhood. That Fillory is better spelled N-a-r-n-i-a is just as obvious as the connection to Rowling's work. Quentin and company enter Fillory using magic buttons that take them to an intermediary world of fountains. Jumping into each fountain takes a person to a different world. They have to take care to jump into the correct pool at the base of the fountain that will take them to Fillory. Fillory is a land of talking beasts and magical creatures.

So what sets The Magicians apart from lesser books that lift heavily from other works? Why is The Magicians a strong story while something like Eragon is a weak rip-off? I think it boils down to two elements. First is Grossman's strong writing. Even if this were just a big piece of fan fiction, it would be well written fan fiction. Secondly, this isn't just an homage to the work of others. While Grossman has lifted the settings and externals, the substance is completely different often to the point of taking a position that is completely antithetical to the original work.

My first problem, which I tie to the very adult content is wrapped up in why I read fantasy. I read fantasy on many levels as a form of escape, much like Grossman's character Quentin did. Much of the fantasy I've read is not only fantasy but it is written for children. At the bottom of it all there is no real risk or fear. I read with anticipation, not of an outcome but rather how that outcome will be worked out by the author. There is often death or treachery but it takes on a fairy tale like quality. It does not feel real or cruel but rather cartoonish. Grossman completely jettisons any of this kind of approach. He tackles the safety of these children's tales and eviscerates it. The violence in The Magicians is not cartoonish, it is often cruel even sadistic. There's not much in the way of escapism here. What Quentin finds is that magic doesn't change the basic underlying facts of life, not even traveling to another world does this. This is combined with the fact that much of Grossman's realism includes behavior and speech that isn't something that I would consider normal or appropriate. It may be for others but this isn't a book I would feel comfortable recommending to friends or family.

Then there is my second issue. I've read that Pullman's His Dark Materials trilogy is intended to be a type of anti-Narnia. Well Grossman doesn't just create an alternative world that is contrary to Narnia. He destroys Narnia from the inside. And this caused issues for me in both sections of the book at times. Not because of ideological difficulties with what Grossman puts forward but because it would frequently push me outside the story as it felt like Grossman would move from telling his own story to commenting on the story of another. It isn't that what he has to say about the other stories isn't interesting and that he doesn't bring up intriguing issues and criticisms of both, but rather that it jarred me out of the narrative as the story became more a work of exposition. Something like the flashbacks to History and Moral Philosophy class that fill so much of Starship Troopers. The author shows his hand, that he is more interested in making a point than telling a story.

The fact that a major component of the book is polemic in nature means much of the discussion around the book will not be about plot or setting but rather about the argument the author sets forth. I don't agree with Grossman's premise or conclusions but I do admire how well he states his case throughout the entire book, not only in those portions that might feel a bit preachy. I've read in an interview Grossman did about The Magicians that he feels that Rowling lets her characters solve their problems, rather than resting on divine intervention like the characters of Lewis's works. This is reflected in how he handles the world of each, though I would argue that this is not the case, especially in light of how Rowling's series ended. I think it does explain why he is so much rougher on Lewis.

Anyone looking for a dark story that questions the assumptions and underlying principles of those that are not so dark should really enjoy this book. Any parent that picks it up for their young one because they hear it compared to Harry Potter is in for a rude surprise. Those looking for a fun little escape from the real world wont find it here, though things are so grim at times they may find the real world a bit of a relief after the weight of Grossman's. The Magicians held my attention and I was impressed with Grossman's ability, unfortunately at the same time I was a bit disappointed with how he used that ability. With something this subjective your mileage may vary, and since release The Magicians has hit number nine on the New York Times best sellers list.

Viking set up a number of web sites to support the release of The Magicians. This is not so much about the book itself but will be of interest to readers and I think is an interesting development for book lovers in general. There are four sites TheMagiciansBook.com is a normal promotional site with information on the book. ChristopherPlover.com brings to life the fictional author of the Fillory books. Brakebills of course has a site, obfuscated just like the school itself. Finally there is Embers Tomb a wealth of Fillory related information. The Fillory and Plover sites come across as very genuine and will probably snag a reader or two into some level of confusion. The Brakebills site is a bit too over the top to be taken seriously but then again, with real news sites quoting The Onion and the occasional uproar I see over humor sites like Objective Ministries there probably will be some who think it is a real school.

You can purchase The Magicians from amazon.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.

David Gerard writes "Remember the good old days of the 1990s, when you could teardrop attack any Windows user who'd annoyed you and bluescreen them? Microsoft reintroduces this popular feature in Windows 7, courtesy the rewritten TCP/IP and SMB2 stacks. Well done, guys! Another one for the Windows 7 Drinking Game."