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Microsoft is urging lawmakers in Washington to increase the tax burden on itself and Amazon (Warning: source may be paywalled; alternative source) to help pay for a new higher education fund. "The bill, which was introduced Monday by Rep. Drew Hansen and Rep. Gerry Pollet among others, "would pour about a billion dollars over the next four years into a 'workforce education account,' to be spent on more financial aid as well as more degree slots in high-demand subjects such as computer science, engineering and nursing," The Seattle Times reports. Microsoft and Amazon would be the only two companies included in the highest tax bracket. From the report: The premise now is to put a surcharge on businesses that benefit the most from a highly skilled workforce. That means high-tech of course, as well as professional services firms. The bill proposes increasing the state business and occupation tax by 20 percent on about 40 categories of technical services, such as telecom, engineering, medical and finance. And by 33 percent on tech firms with more than $25 billion in annual revenue. But here's where this goes off the charts, into politically unheard-of territory. It mandates a top rate, a whopping 67 percent business tax increase, for those "advanced computing businesses" with "worldwide gross revenue of more than one hundred billion dollars" per year. There are only two businesses headquartered here that fit that rarefied description. And one of them, Microsoft, is the tax's biggest booster.

But that other company that would also be most on the hook? Apparently it isn't so thrilled to have been volunteered for civic duty by one of its chief rivals. "Amazon was surprised to be included in such a public 'hey, let's do this' by Microsoft," said Rep. Gael Tarleton, D-Seattle, who said she heard that lament directly from an Amazon lobbyist. Added Pollet: "Amazon has groused in meetings down here that Microsoft is doing this mostly as a way of making Amazon look bad."

An anonymous reader quotes a report from Quartz: Since the internet made it easier to illegally download and stream movies and TV shows, Hollywood struggled with people pirating its works online. About $5.5 billion in revenue was lost to piracy globally last year, Digital TV Research found (pdf), and it's expected to approach $10 billion by 2022. Streaming-video services like Netflix and Hulu have made it more affordable to access a wide-range of titles from different TV networks and movie studios. But the availability of cheap content online has done little to curb piracy, according to research published in Management Science (paywall) last month. Customers who were offered free subscriptions to a video-on-demand package (SVOD) were just as likely to turn to piracy to find programming as those without the offering, researchers at Catolica Lisbon School of Business & Economics and Carnegie Mellon University found.

The researchers partnered with an unnamed internet-service provider -- in a region they chose not to disclose -- to offer customers who were already prone to piracy an on-demand package for free for 45 days. About 10,000 households participated in the study, and about half were given the free service. The on-demand service was packaged like Netflix or Hulu in layout, appearance, and scope of programming, but was delivered through a TV set-top box. It had a personalized recommendation engine that surfaced popular programming based on what those customers were already watching illegally through BitTorrent logs, which were obtained from a third-party firm. The study found that while the participants watched 4.6% more TV overall when they had the free on-demand service, they did not stop using BitTorrent to pirate movies and TV shows that were not included in the offering.

As many as five major Hollywood studios have been working with cinema owners to shrink the traditional release window and allow consumers to rent movies on-demand in as little as 17 days after they hit theaters, reports Variety. From the article: Warner Bros. and Universal have been the most aggressive in pursuing an arrangement that would see certain movies receive a premium video-on-demand release within weeks of their theatrical premieres, but now other studios are joining the discussions. Twentieth Century Fox has also begun to talk early releases with theater owners, while Sony is having its own separate talks with exhibitors and is trying to devise its own plan. Paramount, which previously did a pilot program with AMC and a few other exhibitors to release "Scouts Guide to the Zombie Apocalypse" and "Paranormal Activity: The Ghost Dimension" on digital platforms early, has continued to seek a similar strategy. Though different studios are exploring different scenarios, the plan that has gathered the most steam would involve offering up movies for $50 a rental some 17 days after their theatrical opening. Those rentals would be available for 48 hours. The latest round of discussions began roughly 18 months ago.

erich666 writes "In recent months a flood of so-called books have been appearing in Amazon's catalog. VDM Publishing's imprints Alphascript and Betascript Publishing have listed over 57,000 titles, adding at least 10,000 in the previous month alone. These books are simply collections of linked Wikipedia articles put into paperback form, at a cost of 40 cents a page or more. These books seem to be computer-generated, which explains the peculiar titles noted such as 'Vreni Schneider: Annemarie Moser-Pröll, FIS Alpine Ski World Cup, Winter Olympic Games, Slalom Skiing, Giant Slalom Skiing, Half Man Half Biscuit.' Such titles do have the marketing effect of turning up in many different searches. There is debate on Wikipedia about whether their 'VDM Publishing' page should contain the words 'fraud' or 'scam.' VDM Publishing's practice of reselling Wikipedia articles appears to be legal, but is ethically questionable. Amazon customers have begun to post 1-star reviews and complain. Amazon's response to date has been, 'As a retailer, our goal is to provide customers with the broadest selection possible so they can find, discover, and buy any item they might be seeking.' The words 'and pay us' were left out. Amazon carries, as a Googled guess, 2 million different book titles, so VDM Publishing is currently 1/35th of their catalog, and rapidly growing."

awyeah writes "The NY Times reports that the FCC is finally looking into the practice of cable companies requiring use of their set-top boxes to access their digital cable and video on-demand services. The inquiry (PDF) states: 'Consumers can access the Internet using a variety of delivery methods (e.g., wireless, DSL, fiber optics, broadband over powerlines, satellite, and cable) on myriad devices made by hundreds of manufacturers; yet we know of no device available at retail that can access all of an MVPD's services across that MVPD's entire footprint.' Yes, there are a few devices out there — for example CableCARD-enabled TVs, and CableCARD/Tuning Adapter-enabled TiVos and Windows Media Center PCs, but only the cable companies' set-tops can access services other than broadcast TV, such as video-on-demand and pay-per-view. Is it finally time to open these devices and embrace actual standards and competition?" Lauren Weinstein has a cautionary blog post about the world we may be entering if this FCC initiative comes to fruition, which concludes: "I have difficulty seeing how this universe can be made to function effectively in the absence of some sort of regulatory regime to ensure transparency and fairness in situations where the Internet access providers themselves are providing their own content that directly competes with content from the external Internet."

1sockchuck writes "With capital scarce, data center developers are prioritizing projects in northern Virginia, where the Obama stimulus plan and federal shift to cloud computing are likely to boost data center demand from government agencies. This is forcing them to delay or scale back large projects in Santa Clara, setting the stage for a supply/demand imbalance in Silicon Valley, particularly for large space requirements. One potential mitigating factor: some currently occupied data center space could become available through the failure of venture-backed startups."

Josh Levin, Slate Magazine writes "I have a magical box that allows me to watch other people watch TV — their movies, their sports, their cartoons, and their hour-long procedural dramas. And sometimes, usually around 11:30 on Friday nights, their soft-core pornography... I solved the mystery by consulting online message boards. At techie sites like AVS Forum, other voyeurs described their adventures in freeloading. I was intercepting video-on-demand channels through the power of my Samsung's QAM tuner."

Shirlockc asks: "A recent Slashdot thread on how NBC is planning to offer on demand movies, and this NPR story on The Changing Face of Television has me asking: How will content (be it TV, movies, old, new) be distributed? I also include books -- content is content, the medium for the content changes but good content will always sell. Has anyone thought to try a pay-on-demand for content ie., subsidize the production costs by getting the audience/fans to pay for new episodes, thus skipping the broadcast networks? I know there was a campaign to raise money, in this way, to save Star Trek Enterprise, and there was an attempt to bittorrent a Star Trek Spoof recently on a pay-for-download basis. For shows with a decent cult following (eg., Firefly, Arrested Development, etc.) isn't it possible to fund the production without network participation (assuming all license agreements can be cleared?"

RX8 writes "NBC Universal has signed a deal with Wurld Media to make some of their movies available for download via a secure P2P network in 2006. There hasn't been a price released yet, but the movies include what you would get on their existing video-on-demand and pay services plus around 100 older movie titles. Once the material is downloaded, users can only view it for up to 24 hours before it expires."

Gamespot reports that this past week, a portion of the National Cable and Telecommunications Association was set aside to show off a system called gameNET. The group intends to promote video games on demand via current cable setups. From the article: "With the convention proper focusing heavily on the emergence of HDTV and on-demand video services, gameNET followed suit by addressing both issues. Pixel Play, a New York-based on-demand game company, showed off its cable-based games built around the Tetris, Monopoly, Scrabble, Centipede, and Asteroids brands. The market for such games, said a spokesperson, is the emerging casual gamer--typically a female over the age of 40 who is married and has two children."

Control Group writes "Arstechnica has an article up explaining that HBO and Cinemax are poised to prevent recording of on-demand programming, even via analog outputs, on 'compliant digital recording devices' (specifically, digital recorders meeting the Content Generation Management System for Analog, or CGMS-A, specification). HBO claims that since you can get the programming on demand, you don't need to time shift, so don't need to make even one personal copy. And, since the FCC has so far decided not to regulate subscription video-on-demand (SVOD), this is legal: while normal, linear cable comes with the right to time-shift, SVOD does not. Of course, there's nothing preventing a sufficiently determined person from using a non-CGMS-A-compliant device, so odds seem good that this will only inconvenience otherwise-legitimate customers."

David Macfarlan asks: "My father owns a small medical practice and has always desired to get information to himself and his patients rapidly. With recent advancements of 802.11b and powerful Pocket PC's he's developed an itch for information-on-demand through a wireless handheld (preferrably color) while he is in the examination room. A database for the knowledge he's looking to access already exists, and can be queried via any browser. He has approached me on implimenting a system of reliable, fast PDA's which could deliver a browser-based wireless access (within 100 feet) of this system. Is there anyone who has experience with the PPC's, and could offer any suggestions as to which is best suited to such an application?"

angel'o'sphere shares a report: The annual Stack Overflow survey is one of the most comprehensive snapshots of how programmers work, with this year's poll being taken by almost 90,000 developers across the globe. This year's survey details which languages developers enjoy using, which are associated with the best paid jobs, which are most commonly used, as well as developers' preferred frameworks, databases, and integrated development environments.

Python's versatility continues to fuel its rise through Stack Overflow's rankings for the "most popular" languages, which lists the languages most widely used by developers. This year's survey finds Python to be the fastest-growing major programming language, with Python edging out Android and enterprise workhorse Java to become the fourth most commonly used language. [...] More importantly for developers, this popularity overlaps with demand for the language, with Julia Silge, data scientist at Stack Overflow, saying that jobs data gathered by Stack Overflow also shows Python to be one of the most in-demand languages sought by employers.

[...] Rust may not have as many users as Python or JavaScript but it has earned a lot of affection from those who use it. For the fourth year running, the language tops Stack Overflow's list of "most-loved" languages, which means the proportion of Rust developers who want to continue working with it is larger than that of any other language.[...] Go stands out as a language that is well paid, while also being sought after and where developers report high levels of job satisfaction. Full report here.

The PC market is still in decline, according to research firms Gartner and IDC. That's nothing new for the duo to agree on, but coincidentally they also (for the first time?) estimated the exact same number of PC shipments: 58.5 million in Q1 2019. From a report: Gartner and IDC also both found PC shipments were down globally year-over-year. So far, 2019 looks like more of the same. After six years of quarterly PC shipment declines, 2018 brought a positive Q2, a flat Q3 ... and then a negative Q4. Gartner and IDC analysts have pointed to CPU shortages as contributing to this past quarter's decline. But that just seems to be an excuse for reality: The PC simply isn't as in-demand as it once was. The top six vendors were Lenovo, HP, Dell, Apple, Asus, and Acer, per Gartner.

An anonymous reader quotes a report from TechCrunch: In the past, Roku seemed to be more of a neutral platform compared with streaming media player rivals like Amazon Fire TV or Apple TV. The company gave everyone else's content equal footing through its add-on channels and in Roku search, as it had nothing of its own to promote. That's changing with the rollout of Roku OS 9.1, beginning today. The update adds a feature that automatically plays back The Roku Channel's movies and TV shows at times; another that better showcases the channel's free content in genre-focused searches; and one that introduces a new navigation menu with offers for other Roku products.

These features arrive alongside other changes, like a new guest mode and easier sign-in to subscriptions. Among the more innocuous changes are the new guest mode and automatic account linking. Roku in January first announced an "auto sign out mode," which allowed guests to sign into subscription channels using their own accounts instead of the Roku owner's credentials. And guests could specify when their credentials would expire on that device -- a useful feature in particular for Airbnb operators. Today, "auto sign out mode" is being rebranded as "guest mode," and can now be enabled or disabled on select devices. It also now allows Roku owners to sign out the guests themselves. With Automatic Account Link, Roku users won't have to re-enter their credentials when activating a new Roku player or Roku TV -- the subscription data will simply copy over from their existing account. Roku will also be promoting its own content and products to users. For example, when users search for "comedy" or "action," the content is displayed in a layout similar to Netflix with large image thumbnails and rows you scroll through horizontally. TechCrunch notes that while Netflix "lets you drill down into genres, Roku instead is organizing search results by whether the content is free, subscription, on-demand or 4K."

The second row of content points users to Roku's "free" ad-supported content. You can view the release notes for Roku OS 9.1 here.

Alongside its new news and payment services, Apple today also unveiled Apple TV+, a place for its new slate of original shows. The new service, billed as a place for the "highest-quality storytelling," will be available in over 100 countries and released starting this fall through the Apple TV app. From a report: It will be ad-free, on-demand and available both streaming online and downloadable. Pricing will be announced this fall. Apple TV Plus is the company's way of jumping into the streaming video game, where Netflix, Amazon Prime Video, Hulu and others have already established themselves and brought in millions of cord-cutter customers fleeing cable subscriptions. The new service also works as a way for Apple to grow its thriving services business, helping it continue to grow despite lagging iPhone sales.

The company in 2017 hired Jamie Erlicht and Zack Van Amburg from Sony Pictures Television to oversee "all aspects of video programming." The two were responsible for shows such as Breaking Bad, The Crown and Rescue Me. And in the past year, Apple has continually announced original content it's producing -- including a multiyear partnership deal with Oprah and deals with Reese Witherspoon, J.J. Abrams and dozens of others. The company has reportedly gone well past its original $1 billion budget to bring in this list of movie and television A-listers, who are slated to create about 30 shows and a handful of movies.

Comcast announced a $5-a-month streaming video service Thursday called Xfinity Flex, an offering that aggregates on-demand video from your subscriptions like Netflix Amazon Prime Video and HBO, as well as offering free ad-supported shows to watch and options to rent and buy programming. From a report: It essentially replicates some of the features of a cable service but delivers over the internet rather than... well, cable. But it won't have live channels or DVR, and it won't let you watch a live-TV streaming service like YouTube TV or Sling TV, keeping Flex squarely in the realm of on-demand viewing that's less threatening to Comcast's traditional -- and lucrative -- cable TV packages. Instead, Flex will have built-in ways to upgrade to live TV from Comcast. Xfinity Flex comes with a 4K and HDR-ready wireless set-top box with an X1 voice remote, Engadget adds. It's scheduled to launch March 26th, and will be available to customers who have Comcast internet.

China's fleet of electric buses appear to be denting oil demand more than electric cars. "By the end of this year, a cumulative 270,000 barrels a day of diesel demand will have been displaced by electric buses, most of it in China," reports Bloomberg, citing a new report published by BloombergNEF. "That's more than three times the displacement by all the world's passenger electric vehicles (a market where Tesla has a share of about 12 percent)." From the report: Despite rapid growth, the impact on the oil market from electric vehicles remains relatively small. Collectively, buses and electric vehicles account for about 3 percent of oil demand growth since 2011, and 0.3 percent of current global consumption, according to BloombergNEF figures and data from the International Energy Agency. Buses matter more because of their size and constant use. For every 1,000 electric buses on the road, 500 barrels of diesel are displaced each day, BloombergNEF estimates. By comparison, 1,000 battery electric vehicles remove just 15 barrels of oil demand.

Still, the EV market's impact on oil consumption is only going to grow. By 2040, electric vehicles could displace much as 6.4 million barrels a day of demand, while fuel efficiency improvements will erase another 7.5 million barrels a day, according to BloombergNEF's May 2018 long-term EV outlook.

According to a new report from Cheddar, Apple is planning a Netflix-like subscription service for games. "The service would function like Netflix for games, allowing users who pay a subscription fee to access a bundled list of titles," reports Cheddar. "Apple began privately discussing a subscription service with game developers in the second half of 2018, said the people, all of whom requested anonymity to discuss unannounced plans." From the report: It's unclear how much the subscription will cost or what kind of games Apple will offer. The service is still in the early stages of development, and Apple could ultimately decide to abandon it. The company has also discussed partnering with developers as a publisher, according to two people familiar with the talks, which could signal Apple's ambition to assume distribution, marketing, and other related costs for select games. While it's unclear what kinds of games would be included, a subscription service for App Store games could provide a boost to Apple's recurring revenue at a time when iPhone sales are slowing and gaming and esports are booming. Mobile gaming is expected to become a $100 billion industry by 2021, according to the gaming and esports intelligence firm Newzoo.

Data-science job openings are expanding faster than the number of technologists looking for them, says job-search firm Indeed. From a report: Back in August, a LinkedIn analysis concluded that the United States is facing a significant shortage of data scientists, a big change from a surplus in 2015. Last week, job-search firm Indeed reported that its data indicates the shortage is getting worse: While more job seekers are interested in data-science jobs, the number of job postings from employers has been rising faster than the number of interested applicants.

According to Indeed, job postings for data scientists as a share of all postings were up 29 percent in December 2018 compared with December 2017, while searches were only up around 14 percent. "The bargaining power in data science remains with the job seekers," Andrew Flowers, Indeed economist, stated in a press release. [...] Salaries for data scientists are up as well. Average salary in the area surrounding Houston, which topped the 2018 list when adjusted for the cost of living, climbed 16.5 percent since 2017, while the average salary in the San Francisco Bay Area, No. 2 on the adjusted list, jumped 13.7 percent over Indeed's 2017 numbers.