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Similarities Between DeCSS And The Connectix VGS Case?

bahamat dropped this interesting tidbit into the inbox: "Has anyone compared the DeCSS case to the Connectix VGS case? The facts surrounding both are very similar: A company produces content on disks and provides an expensive player on which to view the content; then another company reverse engineers the player to produce a software version for very cheap. The big company sues the little company. In the case of Sony vs Connectix, Connectix won, the court ruling was that Sony can't bar someone else from producing compatible player. It seems to me that this case has already set a precedent for the DeCSS case. Really, what's so different about the two? Has the DeCSS legal team approached the case from this way?" One thing to note: the win in the VGS case is on patent grounds, the two copyright claims in the suit are still undecided. It was copyright law, namely the DMCA, which the decision on the DeCSS case is based. Still, are there any similarities between the two that may make a legal difference to the 2600 case when it is appealed?

132 comments

  1. Maybe I'm wrong but.... by Mike+the+Mac+Geek · · Score: 2

    Wasn't a big part of the DeCSS legal strategy the Sony/Connectix case... until Connectix won? Then the MPAA kinda let it fall by the wayside.... I may be wrong for all I know, but I think I'm right.

    Anyway, as a Mac User, I use CVGS to play on my iBook. It ain't a tv, but it plays real nice, I have all the memory cards I want, plus screenshots of cool game sequences make great backgrounds. All Connectix has to do now is make a version for the DVD Macs for the PlayStation 2. I think that'll work out real nice....

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    -------------------------------------------------- ---- The man, the myth, the something or other.
    1. Re:Maybe I'm wrong but.... by DeeKayWon · · Score: 1

      I seem to remember this, too. I think that was an example of their secondary defense after the trade secret bullcrap fell through on them. Then the judge ruled in favor of Connectix and they dropped that in favor of the circumvention issue.

      At least, that's the way I think it is. I may be wrong. The level of caffeine in my bloodstream is dangerously low.

    2. Re:Maybe I'm wrong but.... by baka_boy · · Score: 2
      ...and have no problems emulating the high-end custom graphics hardware, or the multi-core processor...on standard Mac hardware...oh, I guess that would cause some problems, woudn't it?

      Remember, personal computers are designed to do many things fairly well. Game consoles very few things, but do them very, very well. The console makers also sell them as loss leaders, and make back their money on officially licenses games -- which means that much of the hardware they include would cost much more than the unit retails for, if you could get it all for a standard computer.

    3. Re:Maybe I'm wrong but.... by Mike+the+Mac+Geek · · Score: 1

      I have little to no doubt that connectix can fake a PS2 on Mac Hardware. It may take G4 to do it, but I have no doubt. Hell, the lowest CVGS can run on is a first gen iMac, but if you use something faster it tends to run better. How many people thought years ago that any game system could be emulated on a computer? I mean, which one is really moving faster in advancement? Consoles or Computers? Or are they, as I figure, moving parallel. Consoles may move up, but Computers are always there, and vice-versa.

      Or maybe I should just go back to playing my Dreamcast. I think I hear Marvel Vs. Capcom 2 calling me....

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      -------------------------------------------------- ---- The man, the myth, the something or other.
    4. Re:Maybe I'm wrong but.... by Azog · · Score: 1

      If they are selling the hardware at a loss, and make back the money on the games, you would think that they would be thrilled to have people using emulators. Those people will just buy the profitable games and skip the loss-leader consoles.

      So what's the problem? They would make even more money.

      I expect that sometime not long after the PlayStation 2 comes out, a high-end PC with the latest and greatest video card would be able to emulate it. So, Sony had better plan to make the money on the games and not the console.

      Torrey Hoffman (Azog)

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      Torrey Hoffman (Azog)
      "HTML needs a rant tag" - Alan Cox
    5. Re:Maybe I'm wrong but.... by billcopc · · Score: 1

      Ok then, let's just all buy PS2's, dismantle them for parts and upgrade our boxen with the underpriced gear. I could use a DVD player and that nifty little graphics chipset alongside my Geforce2. That'll teach Sony =)

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      -Billco, Fnarg.com
    6. Re:Maybe I'm wrong but.... by Cratylus · · Score: 1

      I think a good part of that is the support issue. If the people buying the game are all playing it on the same hardware, then the game should behave the same for all people. Throw in the mix of hardware environments that is today's PC, along with a few different emulator packages, and you lose the uniformity. The game companies would get bogged down with calls from Junior wondering why Final Fantasy 38 crashes on his machine when he gets to the final boss screen.

  2. Not really... by kreyg · · Score: 3


    The DMCA applies to the DeCSS case because there was encryption envolved ("access control"). Nothing of the sort in the Sony case.

    It didn't have to be good encryption, they just had to try.

    Lame, but true.

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    1. Re:Not really... by DrQu+xum · · Score: 1

      The DMCA applies to the DeCSS case because there was encryption envolved ("access control"). Nothing of the sort in the Sony case.

      It didn't have to be good encryption, they just had to try.

      Lame, but true.

      Ah, I see. So if I applied rot13 to protect my new commercial data distribution media and someone used /usr/games/rot13 and not my licenced decryption program to view it, they're in violation of the DMCA.

      In the eyes of the DMCA, a lock made out of tissue paper is a lock nonetheless.

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      DrQu+xum: Proof that the lameness filter doesn't work.
    2. Re:Not really... by kreyg · · Score: 1


      So if I applied rot13 to protect my new commercial data distribution media and someone used /usr/games/rot13 and not my licenced decryption program to view it, they're in violation of the DMCA.

      Yes.

      Now, if we could get a case involving THAT kind of violation in front of a court, instead of someone well more than three times removed from the creation of the unlicensed decryption program, and burying the case in half-truths and FUD, maybe we would get reasonable legal decisions.

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    3. Re:Not really... by Jeremi · · Score: 1
      Now, if we could get a case involving THAT kind of violation in front of a court

      Just out of curiosity, has this ever been tried? Say the EFF wants to establish a good precendent, so it splits into two organizations, EFF1 and EFF2. EFF1 makes a product and "protects" it with rot13. EFF2 decrypts the product, and EFF1 sues EFF2. They go to court, argue out the case in front of a judge, and get a decent precedent set.

      Or is that just stupid?

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      I don't care if it's 90,000 hectares. That lake was not my doing.
    4. Re:Not really... by Seqram · · Score: 5

      This is one of the things that troubles me about the DMCA. Well, that and everything else about it. By saying that it's illegal to try to crack encryption--even lousy encryption--they basically make everything potentially encryption. Microsoft gets annoyed at StarOffice being compatible, and tired of changing its format each release? No problem. The Microsoft Word document format is access-control, and anyone caught trying to read it is in violation of the DMCA. Neener neener.

      The real Seqram has Slashdot ID... Oh, who cares, who'd want to impersonate me anyway?

    5. Re:Not really... by DrQu+xum · · Score: 1

      Not stupid to us /. legal experts :), but a judge would probably laugh it out.

      Getting a judge to laugh out loud in full court is not exactly the precedent we'd like. At the very least, it'd prove that judges are not actually deceased and being strung up by marionettes and controlled by rather large conglomerates. (What? Imply that Kaplan might be a MPAA puppet? GOD, NO!)

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      DrQu+xum: Proof that the lameness filter doesn't work.
    6. Re:Not really... by kreyg · · Score: 1

      As long as "laughed out of court" is the standard precedent for all future DMCA cases, I'd call that a win.

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      sig fault
    7. Re:Not really... by dirk · · Score: 2
      Ah, I see. So if I applied rot13 to protect my new commercial data distribution media and someone used /usr/games/rot13 and not my licenced decryption program to view it, they're in violation of the DMCA.

      In the eyes of the DMCA, a lock made out of tissue paper is a lock nonetheless.


      Everyone seems to be harping on the fact that CSS isn't a "good" encryption sceme, and therefore should be ignored. What does constitute a "good" encryption scheme? And who gets to decide? Does anything that gets cracked automatically become a "bad" encryption scheme? Is PGP "bad" because it has been cracked? Sure, it took longer than CSS but it was cracked nonetheless. Does it have to take a certain number of days to get cracked before it is "good"? They made an honest encryption attempt, figuring on the fact that is is illegal to crack it. Seems thats good enough to fit under the DMCA, like it or not

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      "Information wants to be expensive" - Stewart Brand, the same guy who said "Information wants to be free"
    8. Re:Not really... by um...+Lucas · · Score: 1

      No... if they only rot13'ed it, anyone could stand up and say that they didn't take reasonable precautions to prevent the decoding of whatever it was that was encoded. or at least, that's my guess as to what the outcome would be...

    9. Re:Not really... by MaxGrant · · Score: 5

      You've been had by the MPAA's 'logic' if you can't see this. It doesn't matter if it was a good encryption scheme or it was a feeble one. Once the scheme was known it was broken, gone, and voided. MPAA wants to rewrite the history of that event in a very Orwellian fashion, by making it illegal to know about it. Apply this to a larger context, and it becomes illegal to publicize other feeble encryption schemes. This makes sites like Bugtraq illegal, and the l0pht, instead of providing a service by embarrasing Microsoft, is now illegaly reverse-engineering their encryption scheme.

      Which puts people like me right behind the eight-ball. It's my job to seek out those kinds of vulernabilities and protect my very real production system against them. But under the DMCA the act of seeking out vulnerabilities is now 'sneaky' and 'hackerlike' behavior. Regardless of whether it's to keep ahead of genuine theives or become one myself, the ruling that Kaplan has laid down doesn't differentiate. The MPAA has people snowed on this piracy thing. The fundamental truth is, it is not the problem of the law, the justice system, or the community at large that the MPAA chose such a childish, feeble scheme to protect their works. It's out in the open now and it is not my responsibility or yours or anyone else's to give up our constitutional rights to talk about what we choose to talk about or think about what we choose to think about just to protect their lame-ass scheme. They are left with exactly the tools that they've always had to defend against piracy, which are 1) punishing pirates when they're caught. And 2) punishing pirates when they're caught. Prevention of the means of piracy should not be the public's problem. But the DMCA makes it the public's problem, and in the process stomps on our right to THINK about piracy. It's the beginning of thought control and it's absolutely terrifying.

      What really cracks me up is that if they'd just kept their mouths shut they would be having no problems. I predict very confidently that if the prices of DVD's remain at the astonishingly low rates they are now, piracy of DVD's will remain almost nonexistent no matter how easy they become to pirate. For the same reason that videotape piracy is pretty much a thing of the past; it's cheap to buy a videotape and you can be assured that you're getting a good quality copy. When videotapes were $80, they weren't worth buying, but having a friend run off a copy was worth the effort and the relatively minor risk. If DVD remains in the ~$20 range, they will never have a major problem with DVD piracy. But I imagine that just like the RIAA the MPAA is planning to jack prices up on this new format once it's taken over the market. And in order to secure their market, they think, they're doing their level best to make piracy impossible. Except that they don't seem to be very smart about it. I predict that if much more of this goes on the DVD will go exactly where DIVX went -- nowhere. The DVD section in any movie rental store I see is still a small percentage, less than 10%, usually, of the stock, and the selection is truly awful, most of the time. If the stink of what's happening in Jester Kaplan's court gets into the public's face people will stay away in droves from the new formats, and this incredible racket that the MPAA has planned for themselves will evaporate like so much vague speculation. But that's just my hope.

    10. Re:Not really... by dracus · · Score: 1

      > Everyone seems to be harping on the fact that CSS isn't a "good" encryption sceme, and therefore should be ignored. What does constitute a "good" encryption scheme?

      A good encryption scheme is one that is more trouble then the information it is protecting is worth, but not much more. Which is what really makes CSS an insult on top of injury. The encryption scheme is so bad, it wasn't even worthy of protecting videos on DVD.

      > And who gets to decide?

      Unfortunetly, the courts. They are the body that decides all cases like this. It is a preception of legality.

      > Does anything that gets cracked automatically become a "bad" encryption scheme? Is PGP "bad" because it has been cracked? Sure, it took longer than CSS but it was cracked nonetheless.

      Almost. It depends on how much trouble the information is to decrypt. If, once an encryption scheme is cracked, it still takes more effort then the information is worth, then the scheme is still good. CSS is a particularly bad case for this, because the only people who would decrypt it don't profit from it. DVDs can be (easily) copied without decrypting them, and the only real reasons to decrypt it is 1: political statement 2: play it on a system that you can't afford to put a hardware decryptor into 3: prove that you have the technical prowess and 4: build a collection of media you don't think is worth buying. Otherwise, you would either buy a bootleg or an original. The prices are low enough that they are easy enough to afford for the one you really want.

      > Does it have to take a certain number of days to get cracked before it is "good"?

      It is not a matter of days. It is more a matter of willpower.

      > They made an honest encryption attempt, figuring on the fact that is is illegal to crack it. Seems thats good enough to fit under the DMCA, like it or not

      Well, that is the problem. The DMCA is trying to do the impossible (namely, providing legal restriction over who can posses knowledge when the people benefiting from the restriction are not willing to implement adequete restrictions themselves), and, by forcing the issue, damaging alot of solical structured assumed and taken for granted, such as free speech. CSS is not an honest attempt, it is a half-assed attempt, and should not be afforded the protection of the courts. The point is that this is not the sort of thing that should be left up to the courts, and you can not legislate the type of activities behind DeCSS out of existence. All it took was someone asking a couple of questions, and a desire to see how the world works. And they are trying to make that illegal?

    11. Re:Not really... by kreyg · · Score: 1

      What does constitute a "good" encryption scheme?

      Part of the point is that there does not and can not exist a perfect "copy control mechanism."

      In the rot13 case... if DVDs had been rot13 encoded instead of CSS encoded, rot13 would have become exactly as illegal as DeCSS, because it allows unauthorized access to a copyrighted work.

      Hey, there's an interesting question - is it possible for EXISTING, LEGAL tools to become ILLEGAL under the DMCA if anyone EVER encrypts a copyrighted work with them?

      Anyway, good or bad is not the point - there can never be one good enough, and if it's really bad it's still illegal to crack it under the DMCA (even accidentally I would imagine). That's just absurd.

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    12. Re:Not really... by Paul+Johnson · · Score: 2
      [MS could claim that] The Microsoft Word document format is access-control, and anyone caught trying to read it is in violation of the DMCA.

      Not so. First of all, if MS format was protecting something (say, if Word supported an encrypted read-only format) then it would be protecting the Word document rather than interoperability with Word.

      Second, reverse engineering to allow compatibility is explicitly allowed under the DMCA. So it would still be illegal.

      Paul.

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      You are lost in a twisty maze of little standards, all different.
    13. Re:Not really... by linuxrunner · · Score: 1

      But this thing is..... A case can be made for almost anyone now. Look at how many people have jobs in the computer security industry. This is almost saying that they can't even look for the holes in security becuase it would be illegal. my $.02 Linuxrunner

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      www.slightlycrewed.com - Because aren't we all?
    14. Re:Not really... by DrQu+xum · · Score: 1

      As long as "laughed out of court" is the standard precedent for all future DMCA cases, I'd call that a win

      It's not a win until the DMCA is ruled unconstitutional by the Supreme Court...
      ...then we can start celebrating and watching our DVD's on whatever computer we damn well feel like.

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      DrQu+xum: Proof that the lameness filter doesn't work.
    15. Re:Not really... by studerby · · Score: 1
      So if I applied rot13 to protect my new commercial data distribution media and someone used /usr/games/rot13 and not my licenced decryption program to view it, they're in violation of the DMCA.

      Yes.

      Probably not. (The problem with a lot of recent laws, including the DMCA, is that nobody knows for sure until the courts decide things a time or three. A rather "chilling" system if you ask me.) Anyway, the relevant line of the DMCA (from the relevant portion is No person shall circumvent a technological measure that effectively controls access to a work protected under this title. Under standard legal theory of interpreting legislation, every word is supposed to be significant, and I would guess that "effectively" might be interpreted in such a way that rot13, etc. would be interpreted out of the picture. IANAL, just a guess...

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      .sig generation error:468(3)

    16. Re:Not really... by isil · · Score: 1

      right now, dvd's are still considered to be the realm of the 'techophile' (those that cannot live without crystal clear sound and picture or that new gadget). divx died because it was a pay to play system. those low prices are incentive to drive the market. software drives the hardware market and dvd technology is no different. the more titles to be selected from, the more likely people will invest in a player.

      will prices be jacked up later? probably but not by much. when the software dries up, so does the hardware. there is always a nextstep. i imagine that next step to be full feedback VR. if today's dvd technology wants to remain marketable the way vhs has, it will need to keep those prices down.

    17. Re:Not really... by jsfetzik · · Score: 1

      So what we need to do is have someone use RC5 instead of rot13. RC5 is at least as 'effective' as CSS. Then we can sue all the folks that have software that tries to break it, distributed.net, etc. ;)

    18. Re:Not really... by kreyg · · Score: 1


      1201(b)(2)(B): a technological measure `effectively protects a right of a copyright owner under this title' if the measure, in the ordinary course of its operation, prevents, restricts, or otherwise limits the exercise of a right of a copyright owner under this title.

      I would say rot13 restricts or limits (i.e. steps must be taken to view the data).

      If a judge disagreed, I would want a VERY specific line where one type of encryption is effective and another is not.

      The real problem is that the use of encryption AT ALL goes beyond the rights of the copyright owner and infringes on the purchaser's rights of fair use, unless the DMCA overrides previous copyright law, which it expressly says it does not.

      I don't mean to rant, but I find the concept of a corporation telling me what I can or cannot do - in the privacy of my own home - fairly offensive. To have my private actions limited in such an arbitrary and ill-defined way, and for something as trivial as movie entertainment, is just disgusting.

      Or would be if I was living in the States, which I'm not. Neener neener neener. :-)

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  3. Here's a difference by Anonymous Coward · · Score: 4
    What's so different about the two?

    You can sing DeCSS.
    You cannot sing the Virtual Game Station.

    1. Re:Here's a difference by cannes · · Score: 1

      Is this song copyrighted? Actually it's kind of a cool song. ooh.. and it can even be found on Gnapster.

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      AK
    2. Re:Here's a difference by Nic-o-demus · · Score: 4

      I have to agree (and not just because I made the song). The point of the song is to (try to) help some of the non-geek types out there realize that the core of the DeCSS issue is source code == free speech. Of course, it can be copyrighted and patented etc.- just like other forms of speech. But (until the DMCA) if it isn't any of the above (unless it's seditious?- I'm not familiar with those laws), it's free. We have an obligation to our children and theirs to educate people as to what the real issue is.
      The issue is the DMCA took copyrights one step further and not only addressed illegal copying, but made technologies that could possibly lead to copying illegal. [analogy]In other words, not only is it illegal to copy that copyrighted poem, it's now illegal to tell someone how to build a xerox machine[/analogy]!
      We were going through a phase in this country where we realized there needed to be some legislation addressing the new technologies, our legislating bodies were a little inexperienced and made some mistakes, and now we're bringing them (or the MPAA is :-) into the open so that they get fixed. I think that as soon as they realize the current legislation went a bit to far, or as soon as the Supreme Court does, we'll see some things turn against corporate entities and turn for the good of the little people (us geeks).

    3. Re:Here's a difference by MaxGrant · · Score: 2

      Well, it's definitely not on the same level as, say, "Hey Jude" or "Stairway to Heaven." But I gotta like it. Did you actually rehearse that? Or did you just play chords and read the code aloud. However you did it, it's a recorded work of music, and copyrightable. And free speech.

      Actually listening to your song made me think of something else rather frightening. I have spent quite a lot of time and effort 'reverse engineering' the recordings of various bands and artists. In fact I used to get paid pretty regularly for other bass players to come over to my house, give me a tape of whatever they wanted to know, and have me transcribe it for them in tablature. Under the logic being applied in the DMCA, that act may be a violation of the intellectual property rights of (insert lame top 40 artist here). I've 'reverse engineered' hundreds of songs. I wonder if this analogy would make sense if someone took it, inscribed it on a bass guitar, and smacked Judge Kaplan over the head with it. Repeatedly. The fact that I can KNOW and understand how a song was played, and make that knowledge available to others, does not mean I am pirating the work in question or taking away profits from the originator of the work. It's a rarer ability than the ability to, for example, understand the words (at least until the last 10 years or so of music). But that is essentially what DeCSS is all about. Someone with good 'programming' ears transcribed the encryption scheme that was very plain to them in the CSS algorithm and made it public. Just like someone like me can very plainly understand a bass line and chord structure that is so much mojo to even another bass player . . . it's something I think I am going to write to my congressbeing(s) about.

    4. Re:Here's a difference by joeysmith · · Score: 2

      I have my own little analogy that I spent 15 minutes talking over with a Congressional Candidate on the telephone today (he made the mistake of claiming on a pamphlet that he would answer questions if people would simply call his campaign office...guess he doesn't know much about me ;)

      If computer coders are held responsible for how their code is used, that's like running out and putting Smith & Wesson (or appropriate manufacturer) employees in jail everytime a crime is committed with a gun.

      Bill Gates should be in jail. I mean, it's HIS company that writes the Operating System that Napster was (originally) written for, right? He's mass manufacturing "pirate ships"!

    5. Re:Here's a difference by Nic-o-demus · · Score: 1

      No, I didn't rehearse it [sg]. (I don't think I even remember the chords- though I know I was planning on using the c-chord a lot. Maybe I could use your services :-)

      Yes, I think your perspective hits the issue right on the head. Perhaps the legislators have decided that laws prohibiting the copy of copyrighted materials just weren't being followed, so they'll "nip it in the bud" or something. Accidentally (?) they happened to infringe on our rights. I think they'll get the clue soon.

    6. Re:Here's a difference by jovlinger · · Score: 1

      but surely if you can Sing the body electric then singing the virtual game station shouldn't be so hard?

    7. Re:Here's a difference by linzeal · · Score: 1

      titanic pirate systems

  4. You hit the nail on the head-- by DarkEdgeX · · Score: 4

    ...the reason it won't really apply is because it was a patent dispute. Not to be redundant, but as you said, the copyright suits are undecided and those are what would carry the most weight in the 2600 case.

    A case that I think *does* apply to this is the Sega v. Accolade case (hosted on www.eff.org in their case law section, so they're already aware of it, I'm not sure if the defense brought it up however..). In that case, Accolade reverse engineered the Sega Genesis to create compatible games for the console. After releasing some titles for the system, Sega made a change to their hardware to display the Sega logo everytime the system booted (or rather, whenever code from the cartridge issued a specific, BUT REQUIRED, initialization instruction).

    The similarities here are that Accolade was reverse engineering the console for compatibilities sake. Really, the case of DeCSS is the same-- except in this case, the end result desired was a piece of code/software which could decode and play the content. (Although it could go both ways, couldn't it? Now that CSS's algorithm is known, you could (if you desired anyway) encode your own content.

    But back to the Connectix case; I admit, I wish it could be applied, but for the reasons you stated, I just don't think it can. Maybe the appeals judge will be more inviting of case law and the idea that the motion picture industry is basically trying to create their own monopoly. (And HOPEFULLY the appeals judge will be more mindful of the 1st amendment!)

    --
    All I know about Bush is I had a good job when Clinton was president.
    1. Re:You hit the nail on the head-- by um...+Lucas · · Score: 1

      They withdrew it, Connectix hailed victory, and then Sony refiled a new suit the next day, actually...

      From MacInStart.com:

      Sony Sues Connectix (Sony Link)
      Sony has sued Connectix on 2 different sets of claims; 9 copyright and trademark claims and 11 patent claims about the popular Sony PlayStation Emulator, Virtual Game Station, which won MacWorld Expo San Francisco 1999's Best of Show award. 7 of the 9 copyright and trademark claims were dismissed by the court and 2 will be reviewed for dismissal possible in early September. Connectix filed a petition to dismiss all of the 11 on the grounds that there were technical complications in Sony's filing, and in Connectix's opinion Sony has not established that they have ownership to the patents.

      The day before the hearing on the motion to withdraw the claims, Sony voluntarily withdrew all 11 patent accounts, then the next day Sony brought back 6 of the 11 accounts. Where does that leave Connectix and Sony now? 2 of the original 9 are before the court, and 6 of the original 11 claims are before the court. 12 out of the way and 8 to go. Now the court reviews it and sees if it proceeds in court. I asked the CEO of Connectix, Roy McDonald, if this is keeping him up at night worrying about these lawsuits. Roy observes, "It is a small part of out business. Our main retail is Virtual PC, and the largest amount of development and future growth relates to the application of our emulators to business applications. So the company is growing both in mac emulation retail space and enterprise space, although the console space is the profitable area; and although we love the product we produce there, it represents a small fraction of our business."


      So... if you think any precedent has been set, or even that Connectix is actually out of the woods yet, wrong. The Register had a good article on the story as well, if you want to look there for more references...

  5. I doubt it. by DeeKayWon · · Score: 1

    The main attack that the MPAA is taking is over the circumvention issue. Not that DeCSS can enable viewing on non-sanctioned platforms, but that under the strict letter of the law (which lawyers are well-known for following instead of the spiritof the law) DeCSS is a circumvention device that is illegal under the DMCA.

  6. It was mentioned in the trial a lot by Anonymous Coward · · Score: 4

    The defense did try to use that case, along with the betamax case and the Rio case. Unfortunately, the judge felt that all those cases didn't apply because the DMCA had changed the law, and this case was on whether or not DeCSS violated the DMCA.

  7. I wonder if this does apply to Server Emulators to by Ashran · · Score: 1

    Does anyone know if this does apply for Server Emulators (like EverQuest Server Emu at HackersQuest.
    I've got couple of cease and desist letters from Verant (sub company of Sony), but ignored them all.

    --

    Before you email me, remember: "There is no god!"
  8. Differences by dorzak · · Score: 4
    For one thing Connectix went into the case as a respectable business. The media has made the DeCSS defendents look like and sound like "evil hackers" and "criminals."

    Has anybody looked at how intertwined the music industry is with the "traditional" news media?

    1. Re:Differences by RickHunter · · Score: 1

      Movie industry, in this case. And I think that, between them, they own pretty much every major news agency in the country, don't they?


      -RickHunter
  9. DeCSS vs Emulators by AndyChrist · · Score: 2

    Emulators may make it possible to play pirated game CDs (hasn't Bleem! been hacked for that?), but unlike DeCSS, they don't make it any easier to copy and distribute the things to begin with. (Because they're already in realistically stored/transmitted sizes). Not that DeCSS is NEEDED for movie piracy, but it has helped some people do it.

    Speaking of internet piracy on the net, why the hell are the MPAA so up in arms about DeCSS because of the quality it allows (good rips more easily), when it hasn't been any worse than bootlegs taken in theaters with video cameras? Jeez, been on IRC, lately? Hardly anyone bothering with DVD rips, compared to all the movie-theater bootlegs. The quality doesn't seem to bother people, because the experience is already pretty degraded watching it on a computer screen. (So long as it isn't absolutely terrible)

    Really, has DeCSS made a practical difference to internet movie pirates (like me?)

    1. Re:DeCSS vs Emulators by plague3106 · · Score: 2

      Actually from what i understand, deCSS has NEVER been used in pirating a DVD, the MPAA couldn't find one person that did. Anyone know of anyone that has?

    2. Re:DeCSS vs Emulators by a_cussword · · Score: 1

      bleem, inc. (note the lowercase 'b') had to design bleem! in such a way as to work with PAL and NTSC games. The copy protection hardware in the PSX is the same device that holds the region code for the entire machine. Thus, bleem! does not support region codes, and therefore does support the use of CD-R media.

      bleem!'s performance is actually increased when using CD-R media, as the reader in conventional CD readers is of high quality, while using a CD-R in a modded PSX degrades performance. The PSX's reader is a really low-quality part, so Sony makes the CD's black, to reduce reflection/refraction of the laser.

      My point is that bleem! will play pirated PSX games out of the box, no hacks required. But it can't be used directly for piracy, much the way DeCSS can't. It's a workaround for not having the right hard/software for the media you are licensed to use.

      --
      And I looked, and behold, the pokemon all spontaneously combusted.
  10. Copyright or Patent infringement? by Vuarnet · · Score: 3

    One thing to note: the win in the VGS case is on patent grounds, the two copyright claims in the suit are still undecided. It was copyright law, namely the DMCA, which the decision on the DeCSS case is based.

    Actually, from the article:Sony brought suit to suspend sale of the product claiming copyright infringement and tarnishment of the PlayStation name and other marks. After the Ninth Circuit Court of Appeal rejected Sony's claims, Sony subsequently alleged that Connectix infringed eleven of its patents, seems like Sony lost 7 of their 9 copyright infringement suits, and afterwards they withdrew their patent infringement suits. That's not the same as they losing their case.

    So, to clarify things a bit, I think this was the way things went (feel free to correct me if I'm mistaken!):
    - Sony launched 9 copyright infringement suits.
    - Court of Appeal rejected 7 claims.
    - Sony then started 11 patent infringement suits.
    - Just before the Court of Appeal decided wether to dismiss Sony's case, Sony voluntarily dismissed their case.

    Let's hope Sony got wise and saw the monetary logic on getting more consumers to play their games (in their PCs), and while they would not make mroe money selling PlayStations, they'd probably recover by the increase in PlayStation games.

    *Sigh* And all I've got is just a lousy Nintendo...but hey, I've got Unreal Tournament in my PC.

    --
    Tongue-tied and twisted, just an earth-bound misfit, I
    Learning to fly, Pink Floyd.
    1. Re:Copyright or Patent infringement? by d.valued · · Score: 1

      Let's hope Sony got wise and saw the monetary logic on getting more consumers to play their games (in their PCs), and while they would not make mroe money selling PlayStations, they'd probably recover by the increase in PlayStation games. There is a difference... The boxes cost a lot more to produce (on a cost-sale-profit basis) than a CD. Even with a dark plastic. Selling the disks is where they get the bulk of the profit involved with PlayStation.
      "And they said onto the Lord.. How the hell did you do THAT?!"

      --
      I used to be someone else. Now I'm someone better.
      Real life is underrated.
    2. Re:Copyright or Patent infringement? by a_cussword · · Score: 1

      Exactly. Almost every console since the Atari 2600 has been either sold to distributors for either a loss or at cost. Guess the people at Sony believe there are exactly zero honest people in the world that would rather own a legit PSX disc than use a pirated one.

      I use bleem! and only have legit games. Whoever got money for me buying those wouldn't have that money if VGS/bleem! were killed in court. Those corporate types are geniuses.

      --
      And I looked, and behold, the pokemon all spontaneously combusted.
    3. Re:Copyright or Patent infringement? by tgibbs · · Score: 1
      seems like Sony lost 7 of their 9 copyright infringement suits, and afterwards they withdrew their patent infringement suits. That's not the same as they losing their case.
      What's more, Sony withdrew the patent infringement charges only to reinstate them with modifications. Connectix declared victory, but AFIK the case is still pending.
  11. Legal steps by lynnBlack · · Score: 1

    In the Sony case the technology was patened but in the DeCSS case the encryption is copyrighted. therefor falling under the DMCA. The practicality of copying DVD's doesn't seem to be an issue only that some form of PERSEVEVED copyprotection has been "compermised".

    --
    "Never trust a computer you can't throw out a window." -Steve Wozniak
  12. Encryption AND copying, and all the rest. by ZahrGnosis · · Score: 3

    Yeah, the main difference is the DeCSS case's reliance on the DMCA's encryption and circumvention clauses.

    First off, PlayStation games were formatted bizarrely, but noone ever argued that this was "encryption", nor that it was covered bythe DMCA's "effective access control" wording. I'm not sure if this is fortunate or not... it could be that had Sony gone this direction, they could have had as much success as DeCSS, but I think that's unlikely.

    One of the reasons Sony would have a tough time fighting under the DMCA is because nothing was being copied by Connectix, or its software. They wrote an emulator, plain and simple. The problem with DeCSS, not that people ARE using it to copy, but that the prosecution has managed to convince the courts that it is a tool for copying.

    There's a fine line there, but it matters a lot. After all, the "C" in DMCA stands for copyright. Sony wasn't worried about copying (publicly), only about emulation. The MPAA is (right or wrong) crying about copyright, so, I imagine the two are legally unrelated.

    As usual, IANAL. ;-)

    1. Re:Encryption AND copying, and all the rest. by interiot · · Score: 2
      • First off, PlayStation games were formatted bizarrely, but noone ever argued that this was "encryption",

      So if Sony suddenly claimed that the Playstation hardware was intended as encryption, would they suddenly have a case?

      Or what about Dreamcast's "GDROM"s? GDROMs were intentionally designed to prevent copying. Not by encryption at the bit level, but by hoping that someone wouldn't figure out a way to make compatible hardware. That seems to be exactly what Playstation's game plan was.

      DMCA allows for devices which allow interoperability. But what happens when non-interoperability is intended as a form of copy-protection?

    2. Re:Encryption AND copying, and all the rest. by DarkLordV7 · · Score: 1

      Some newer Playstation games use some kind of encryption that bleem! bypasses... like Final Fantasy VIII and Chrono Cross.

    3. Re:Encryption AND copying, and all the rest. by a_cussword · · Score: 1

      Proofs! FF8 -and- CC work on older versions of bleem! almost perfectly. The issue with FF8 is that saveing didn't work until 1.5a I think, which is unfortunate because 1.4 was much faster than 1.5b, which is the current version.

      And whoever said PSX games are formatted wierd, stick one in your CD drive. It used regular 'ol CDFS.

      --
      And I looked, and behold, the pokemon all spontaneously combusted.
  13. Clean Room by Anonymous Coward · · Score: 3

    Connectix made a lot of headway in court when they were able to show that their emulator was developed in a 'clean room' environment - with only the Playstation APIs to implement to. Sony tried to argue that their APIs were protected by copyright and ended up losing. (To me, thats kindof like GM can't read Ford's drivers manual)

    Now, i am certainly not an expert on DeCSS development (and someone please fill in the details or correct me where wrong), but my impression is they obtained certain 'keys' from officially branded DVD hardware/software decoders. And in turn, use those keys to decode/emulate a DVD player. If so, then DeCSS is not a 'clean room' environment, per se. And MPAA could argue that this key was stolen IP.

    Anyways, I see this is an important difference between the two cases.

    Tom

    1. Re:Clean Room by GooberToo · · Score: 1

      On the other hand, the information was publicly visable and accessable. This is exactly like published API's. Just because they messed up doesn't mean that it's not usable.

  14. Really, what's so different about the two by jms · · Score: 4

    Really, what's so different about the two?

    In the Connectix case, the judge had no connection to either party.

    In the DeCSS case, the judge was deciding the legality and enforcability of a player market control scheme that his own law firm -- his colleagues -- personally designed for the MPAA.

    What a fortunate coincidence for the MPAA!

    It seems to me that if it takes a judge 91 pages to make the argument that he should not recuse himself from a case, something is wrong.

    1. Re:Really, what's so different about the two by streetlawyer · · Score: 2
      It seems to me that if it takes a judge 91 pages to make the argument that he should not recuse himself from a case, something is wrong.

      Errrrrrrr .... well, pardon my French, but if it "seems to you" this way, then you know fuck-all about the legal system, and your opinions on the matter are of interest only to yourself, your mother, and, bizarrely, five slasdhot moderators.

      And, your comment about Judge Kaplan's "colleagues" (here's a clue: Judges Aren't Members of Law Firms) having "designed" the market control scheme is both a lie, and certainly actionable.

      The DeCSS case is very certainly damaged by idiotic zealots.

    2. Re:Really, what's so different about the two by molog · · Score: 2
      Are you the lawyer for J-J-J-Julius games?
      Molog

      So Linus, what are we doing tonight?

      --
      So Linus, what are we going to do tonight?
      The same thing we do every night Tux. Try to take over the world!
    3. Re:Really, what's so different about the two by isil · · Score: 1

      can judges own stock?
      if so, does judge kaplan own stock in any of the plaintiffs?

    4. Re:Really, what's so different about the two by jms · · Score: 2
      First off, I was mistaken. It only took Judge Kaplan 51 pages to make the case that he shouldn't remove himself from the case.

      Here, in Judge Kaplan's own words, from those 51 pages:
      [Mr. Garbus claimed that] he had learned from his colleagues that a witness had testified the preceding day that Paul, Weiss, the firm of which the undersigned was a member prior to his appointment to the bench in 1994, had represented Warner in 1993 "concerning DVDs"
      Mr. Garbus introduced a 1996 deposition that drew out some details of this relationship. It reads, in part:
      A. Stuart Robinowitz at this time was a partner at Paul, Weiss who was advising us on DVD matters. And he is now a senior adviser to Time Warner. He's since retired from Paul, Weiss. And he's a senior adviser to Time Warner.

      Q And what was he advising Time Warner about?

      MR. COOPER: Just subject matter.

      Q Just subject matter, not advice, the subject matter. In the areas of advice, as opposed to the specific advice.

      A He advised us on-first of all, and primarily why we got him involved, was he's an antitrust lawyer. And there were all these meetings of-

      Q Don't tell content, just tell me subject.

      MR. COOPER: Antitrust is sufficient.

      Q There were meetings that involved antitrust issues and you talked to him about-

      A Yes, and he attended some of those meetings.
      Judge Kaplan also admits, that a deposition introduced by Mr Garbus:
      "makes clear, as the oral statements of July 11 did not, that Mr. Robinowitz was consulted as an antitrust adviser, apparently in connection with meetings concerning Warner's relationship with Toshiba in the development of DVD.
      Warner's relationship with Toshiba is completely at the heart of the case. Judge Kaplan left the law firm Paul, Weiss in 1994. This is right around the time that the intermediate company DVD-CCA was formed, insulating the Studios and player manufacturers from anti-trust allegations by inserting a "not-for-profit" organization between them. The DVD-CCA didn't spring out of nowhere. In fact, the DVD-CCA uses Toshiba-developed CSS technology. The entire legal framework for the Studio/DVD-CCA/Player manufacturer trust was created at that time, and Kaplan's law firm was advising Warner on how to avoid anti-trust problems in it's relationship with Toshiba with regard to DVDs!

      Now, six years later, Judge Kaplan finds himself on the bench charged with deciding if the "antitrust-proof" legal framework that his own law firm, in which he was a partner, helped design in 1993 is valid! Judge Kaplan's answer was to completely dismiss any allegations that there were anti-trust issues to be decided in this case.

      How convenient for the plaintiffs that Judge Kaplan was unable to find any anti-trust issues in this case. Of course, if Judge Kaplan had found anti-trust problems with the relationship between the Studio/DVD-CCA/Player manufacturers, then he would have bit the hand that had fed him from 1970 through 1994, including 16 years as a partner in the law firm, and would have embarassed his former Paul, Weiss colleague, Time-Warner senior advisor (as of 1996) Stuart Robinowitz.

      That's the problem with Judge Kaplan deciding this case.

      And yes, I would consider two fellow partners in the same law firm to be "colleagues."

    5. Re:Really, what's so different about the two by streetlawyer · · Score: 2

      There were no anti-trust issues in the case, which is why Garbus dropped this line of defense. Whatever the situation regarding antitrust, it would not alter the plaintiff's rights under the DMCA; the law under which the suit was brought.

    6. Re:Really, what's so different about the two by jms · · Score: 3
      Of course there's anti-trust issues. The MPAA is using their copyrights on motion pictures to enforce a monopoly on what consumer features DVD player manufacturers are allowed to build into their equipment. The real threat of DeCSS is not consumer copying of DVDs. The threat of DeCSS is that if it is legal, then player manufacturers no longer need to sign a contract with the DVD/CCA which forbids them from building players with digital outputs, macrovision-free analog outputs, the ability to skip commercials at the beginning of DVDs that the MPAA wants you to watch, etc.

      There are plenty of other programs that can extract the contents of a DVD, but the MPAA never sued over them, and apparently does not care. The only difference between DeCSS and these other methods is that the other methods are merely hacks to existing licensed DVD implementations, and not suitable for manufacturing unlicensed players, like DeCSS is.

      You'll notice that the MPAA is now targeting the livid project -- an open source DVD player, not a copier. Going after 2600 obviously did nothing to stop the distribution of DeCSS, but Kaplan's wildly overbroad injunction does give them legal ammunition to go after and try to kill any unlicensed players that include consumer-friendly features that the MPAA wants no one to have, like the ability to make any fair use whatsoever of materials on DVDs.

      The letter the MPAA is currently sending out to sites mirroring DeCSS says:
      DeCSS is a software utility that decrypts or unscrambles the contents of DVDs (consisting of copyrighted motion pictures) or otherwise circumvents the protection afforded by the Contents Scramble System (CSS) and permits the copying of the DVD contents and/or any portion thereof. As such, DeCSS is an unlawful circumvention device within the meaning of the Digital Millennium Copyright Act, 17 U.S.C. 1201(a)(2),(3).


      Copyright law is supposed to allow you to copy portions of works under certain legally defined circumstances. Kaplan's ruling says that no, sorry, but the parts of copyright law that benefit consumers of DVDs no longer apply. Only the parts of copyright law that benefit the MPAA apply.

      Garbus dropped the line of defense because Kaplan would near none of it, not because there were no anti-trust issues.

      If you can't see the anti-trust issues in this case, then I just don't think we're going to agree on anything.
  15. main reason 2600 lost... by unformed · · Score: 4

    is that regardless of the purpose that DeCSS was created for, it *did* bypass the DVD access controls. Due to that fact alone, it was in violation of the DMCA. The next trial will not question the legality of DeCSS, but rather the constitutionality of the DMCA...and its THAT case we should be atching intently, as it will change the way things work with copyrights in the future

    1. Re:main reason 2600 lost... by sjames · · Score: 5

      s that regardless of the purpose that DeCSS was created for, it *did* bypass the DVD access controls.

      That ignores (as the judge did) the legitimate purpose of DeCSS. DMCA does make exception for things which have a legitimate purpose.

      Otherwise, they'll have to ban soldering irons, debuggers, and text books on home electronics and programming (especially embedded devices)

    2. Re:main reason 2600 lost... by Miriku+chan · · Score: 1

      dont give them any ideas ;)

      --
      shaolin punk, activist post-industrial
    3. Re:main reason 2600 lost... by superkorn · · Score: 1
      The judge ignored those arguments because he decided not to look at the legality/constitutionality/intelligence of the DMCA. And if you throw out the fact that the law itself is inherently dumb, then DeCSS is pretty clearly illegal under the DMCA. Possible legitimate uses of DeCSS never really entered into the judge's mind. If I remember correctly, Kaplan dismissed that argument with about one sentence in the eventual verdict.

      Supposedly the next level of court will be more open to looking at the legality of the DMCA itself...

    4. Re:main reason 2600 lost... by Xentax · · Score: 1

      It does bypass CSS access control. However, there is an exception that ALLOWS circumvention of access controls "to establish interoperability with" existing, alternative systems. In the DeCSS case, the end goal was to create a Linux software DVD player. Linux, I think we can all agree, qualifies as existing alternative (and a Free one, at that). So, bypassing CSS in order to make a DVD viewable on Linux falls within allowable circumvention of an access control.

      My question is whether the judge ignored this fact, or if this just wasn't stressed enough during the case.

      Xentax

      --
      You shouldn't verb words.
    5. Re:main reason 2600 lost... by sjames · · Score: 2

      The judge ignored those arguments because he decided not to look at the legality/constitutionality/intelligence of the DMCA.

      Actually, it's worse than that. DMCA specificly says that tools that have legitimate purposes (such as normal viewing, interoperability, or some completely unrelated activity) are NOT in violation of DMCA even if it CAN be used for an illegal purpose.

      Thus, DeCSS SHOULD be OK under DMCA since it is used to view legitimatly purchased DVDs (an allowable thing) in Linux (interoperability).

      So, the judge chose to completely ignore an easy to grasp legal use of the tool and effectively declared that it has no use other than piracy.

    6. Re:main reason 2600 lost... by Jon_S · · Score: 1

      n the DeCSS case, the end goal was to create a Linux software DVD player. Linux, I think we can all agree, qualifies as existing alternative (and a Free one, at that). So, bypassing CSS in order to make a DVD viewable on Linux falls within allowable circumvention of an access control.

      My question is whether the judge ignored this fact, or if this just wasn't stressed enough during the case.


      While I admit that I did not read the whole decision, I think that the Judge said that making a Linux DVD player was never the intention of deCSS, and that's why the exception didn't apply. He said that hte whole DVD-on-linux issue was brought up only as an excuse, and the real reason was piracy.

      This ignores, of course the fact that deCSS was released via the Livid mail list (DVD-on-Linux). However, (and I may be mistaken somewhat here) the only binaries released were windows DLL's, which suggested use only for copying purposes.

    7. Re:main reason 2600 lost... by Flower · · Score: 1
      imho, I think Kaplan chose to ignore the hows and whys behind MORE's re efforts. From what I've read he completely disregarded the fact that having the program run on Windows and copying the vob files to the hd were felt to be neccessary for proof of concept.

      I wonder. I am not a programmer, nor do I understand the technical side of making a DVD player but what if the algorithms were simply put into a library? CSS encoded files go in with a decoded stream coming out. Nothing more. Would this have been legal in Kaplan's opinion? DeCSS in that form would not have been functional for copying vob files. While I assume it would be trivial for someone to write code to get this hypothetical library to copy the decrypted files the library itself couldn't.

      --
      I don't want knowledge. I want certainty. - Law, David Bowie
    8. Re:main reason 2600 lost... by David+Gould · · Score: 2


      DMCA does make exception for things which have a legitimate purpose.

      I am not a lawyer, but I've been known to play one on Slashdot, and it looks to me like there are two separate things here: the act of circumventingan access-control mechanism and the distribution of tools with which to do so. The DMCA does make exceptions for legitimate purposes to the prohibition against circumventing, but not to the one against distributing tools for circumvention:

      About circumvention, it says "No person shall circumvent a technological measure that effectively controls access to a work protected under this title" (1201(a)(1)(A)), and later "The prohibition contained in subparagraph (A) shall not apply to persons who are users of a copyrighted work which is in a particular class of works, if such persons are, or are likely to be in the succeeding 3-year period, adversely affected by virtue of such prohibition in their ability to make noninfringing uses of that particular class of works under this title" (1201(a)(1)(B)).

      Then about distributing, it says "No person shall manufacture, import, offer to the public, provide, or otherwise traffic in any technology, product, service, device, component, or part thereof, that- (A) is primarily designed or produced for the purpose of circumventing a technological measure that effectively controls access to a work protected under this title; (B) has only limited commercially significant purpose or use other than to circumvent a technological measure that effectively controls access to a work protected under this title; or (C) is marketed by that person or another acting in concert with that person with that person's knowledge for use in circumventing a technological measure that effectively controls access to a work protected under this title." (1201(a)(2)). Note that those disclaimers about other significant purposes sound nice, but don't really help much: A DVD player based on DeCSS (like LiViD) should be legitimate, since it is has nothing to do with infringing copyrights, but it would still be out because it it all about circumventing access controls.

      It kind of makes sense (albeit in a Salem-witch-trial sort of way: "If you do drown, you must not be a witch. Congratulations, you're acquitted!"), since in the latter case, the person distributing the tools is not doing any actual circumventing, legitimate or otherwise, so there's nothing to which to make the exception apply. The crime is making the tools available to others, presumably because you have no control over whether or not they use it legitimately.

      The catch, of course, is that the tools are necessary in order to perform those legitimate circumventions. The only ways one can do it are to develop the tools oneself or to acquire them from someone else. Breaking CSS is beyond the abilities of nearly everyone, which only leaves getting DeCSS from someone else -- making it illegal for people to distribute it makes those legitimate uses impossible for all but the extremely few people who can do it themselves. The effect is still to eliminate fair use, though indirectly, by making it impossible rather than illegal.

      This seems to be where the DMCA's constitutionality needs to be attacked. CSS and, really, all copy-protection (let alone access-control) mechanisms are really attacks by the publishers against people's fair use rights. They can't exactly be called "unconstitutional", because they're not laws -- they're not even done by the government -- but they are dirty tricks. Until now, at least, it was an arguably fair game between the publishers and the community: their best efforts to make strong protection mchanisms against our best efforts to circumvent them. Now, however, DMCA allows them to cheat in the game by running whining to the government whenever we succeed. It "effectively" gives force of law to whatever restrictions the publishers want to put on the use of their works.


      David Gould

      --
      David Gould
      main(i){putchar(340056100>>(i-1)*5&31|!!(i<6)<< 6)&&main(++i);}
  16. Wasn't it about timing? by Error27 · · Score: 2

    Before and after DMCA?

    Instead this why the lawsuit is in California instead of someplace else?

    Perhaps I should look some of this stuff up. But instead I'll let people cuss at me if I'm wrong.

  17. Another DeCSS question by ErikSev · · Score: 2

    While it's fairly obvious IMHO that code is a form of expression and should be covered under the first ammendment, the judge says code is more functional than expressive. Has anyone thought about the Perl Poetry contest? Seems to me that stuff is about as expressive as you can get, as much as regular poetry or any other form of expression. Has the DeCSS thought about this argument?

    Erik

  18. Nope, doesn't apply. by the_quark · · Score: 5
    The issue in DeCSS is that the DMCA (Digital Millenium Copyright Act) prohibits breaking encryption. In section 1201(a)(1)(A), it states, "No person shall circumvent a technological measure that effectively controls access to a work protected under this title." Connectix gets out for two reasons - first of all, Sony wasn't trying to control access to a DMCA-protected work. Additionallty, there is a great grey area defined in 1201(f)(2), "REVERSE ENGINEERING," which specifically states "...[A] person may...circumvent a technological measure...for the purpose of enabling interoperability of...a computer program with other programs..." which almost seems written to get Connectix out from under DMCA.

    DMCA's biggest problem is its inherently split personality. In 1201(a)(2), it prohibits the manufacture or import of devices primarily intended to circumvent "effective" copyright measures. But, in 1201(c)(1), it states, "Nothing [in section 1201] shall affect rights...including fair use, under this title." That's right, boys and girls - you have the right to copy that DVD, it's just illegal to make a device to do it!

    So, as usual, this is just folks who haven't actually read the law running off on tangents. Yes, it's a good analogy. But the law very clearly prohibits some things (building a device to defeat an "effective" copyright control system) and clearly doesn't prohibit others (building an emulator). Read the law before you post.

    Oh yeah, and for all of you thinking, "Well, if DeCSS can break it, by definition, it isn't effective," the law has an answer to that, in 1201(b)(2)(B): An effective measure is one that "in the ordinary course of its operation, prevents...the excercise of a right of a copyright owner." DeCSS isn't in the "ordinary course of its operation," therefore, it doesn't make the copyright control ineffective! In fact, there is some argument that, if I simply put a bit on my content (much like the copyright bit in the MP3 standard) that said, "Don't copy me," and all the players in the market enforced that bit, making a player that ignored it would be prohibited by DMCA!

    There's not any clever legal arguments to get out from under this. Either the Supreme Court strikes it down (which it conceivably could do simply for being so internally inconsistent in stating that fair use is OK but you can't build a device to enable fair use, or perhaps on first ammendment grounds), or We The People get Congress to revoke the law. Us against Disney, Microsoft, the MPAA and the RIAA...Hmmm. I know who's the favorite on this one...

    (DMCA information taken from The EFF. Large amounts of legal verbage have been removed from the quotes above in order to make them actually readable.)

    1. Re:Nope, doesn't apply. by Teun · · Score: 1

      The issue in DeCSS is that the DMCA (Digital Millenium Copyright Act) prohibits breaking encryption. In section 1201(a)(1)(A), it states, "No person shall circumvent a technological measure that effectively controls access to a work protected under this title."
      But that's just the issue: the encription does NOT control the access! Any player you buy has the key(s) to deceipher and play the work (DVD content). The only thing it '(DeCSS) does is enable similar access on other platforms than M$!
      I'm quite sure that no licence on a DVD or DVD player says you can only access it through a Bill Gates systems.

      --
      "The likes of Facebook and WhatsApp are free to those whose privacy is of zero value."
    2. Re:Nope, doesn't apply. by AntiNorm · · Score: 2

      But that's just the issue: the encription does NOT control the access!

      But through the encryption, the MPAA/DVDCCA is able to control access. They come up with a proprietary encryption scheme (CSS), license it out ONLY to those who they choose to license it out to, and basically tell the others that they are out of luck (even though they have a right under fair use laws to access the data). You're right in that DeCSS enables access on non-M$ systems, but since DeCSS isn't licensed use of CSS, it doesn't make the MPAA happy.

      I'm quite sure that no licence on a DVD or DVD player says you can only access it through a Bill Gates systems.

      Then why hasn't the MPAA/DVDCCA authorized any Linux/OSS developers to use CSS?

      =================================

      --

      I pledge allegiance to the flag...
      of the Corporate States of America...
    3. Re:Nope, doesn't apply. by sqlrob · · Score: 1

      Then why hasn't the MPAA/DVDCCA authorized any Linux/OSS developers to use CSS? I think you are half right. Isn't it licensed to a linux (not OSS) company? I thought a player was coming out RSN.

    4. Re:Nope, doesn't apply. by AntiNorm · · Score: 2

      I think you are half right. Isn't it licensed to a linux (not OSS) company? I thought a player was coming out RSN.

      IINM there is such a product in the works. But..it will be proprietary. Chances are, you will have to pay for it like most any other commercial software package. The problem here is that end users will be paying extra $$$ for a CSS "licensed" player -- something they should not have to do. VHS players don't require MPAA licenses and proprietary formats, CD players and Walkmans (Walkmen?) don't require RIAA licenses and proprietary formats, so DVD players should be no different, regardless of whether they are hardware based or software based, and regardless of what OS they run on.

      =================================

      --

      I pledge allegiance to the flag...
      of the Corporate States of America...
    5. Re:Nope, doesn't apply. by superkorn · · Score: 1

      Those other kinds of formats you mentioned are not digital, with the exception of CD's. And you can see where having unprotected digital product got the RIAA. That is the rationale of the MPAA in implementing CSS: they thought it would stop them from having the situation the RIAA now has. Of course they stepped all over fair use rights along the way, which is the real reason this case is important. Comparing DVD's to other kinds of media players and their lack of licenses is not the way to win the case. There is nothing inherently illegal about protective encryption for intellectual property (in fact the DMCA sort of encourages it) but in this case it infringes on other, more important rights.

    6. Re:Nope, doesn't apply. by Maserati · · Score: 1

      There's one big reason for Sony to not be able to sue Connectix under the DMCA. Virtual GameStation came out in 1998 (iirc) and the DMCA hadn't been enacted yet. QED.

      --
      Veteran, Bermuda Triangle Expeditionary Force, 1992-1951
    7. Re:Nope, doesn't apply. by mosch · · Score: 2

      Then why hasn't the MPAA/DVDCCA authorized any Linux/OSS developers to use CSS?

      Actually if you read the DVDCCA FAQ you'll find that Sigma Designs has plans and a license to make a Linux DVD player. Non open-source, but it's something anyway.

      God bless america, land of the free.


      ----------------------------
  19. Connectix didn't win, really by Trevor · · Score: 2

    Considering that Connectix lost all ability to provide VGS when the GS was hot, I would say that Connectix won the battle but lost the war.

    1. Re:Connectix didn't win, really by a_cussword · · Score: 1

      True, that. And don't forget that they picked a wierd choice for initial development. While mac G3's and above are relatively easy to develop for, as you don't have to worry as much about driver issues and hardware compatibility, the mac market is so much smaller than the PC market.... Also, while VGS has better game compatiblity than bleem!, the image and sound quality of b! is rediculiously higher, not to mention the emulation is at times -too- fast, where VGS can easily get bogged down.

      --
      And I looked, and behold, the pokemon all spontaneously combusted.
  20. Re:Stop that! by the_quark · · Score: 1

    Just stop reading at one hundred words. :p

  21. Re:Stop that! by the_quark · · Score: 1

    Are you kidding me? You've gotta count, man!

  22. The big issue isn't even in watching the movie... by AFCArchvile · · Score: 3
    ...I think its really about the region code being bypassed. The MPAA and the designers of DVD resemble big brother in this issue. They want to control where disks bought in a specific area can be viewed. As far as I remember, it goes like this: Region 1: US, Canada, maybe Mexice 2: Japan 3: Europe the rest, I don't know, probably like the Middle East, Africa, and so on.

    This is thought control on the source level. Essentially, DeCSS is a war cry against this.

    --
    "Ancillary does not mean you get to rule the world." --U.S. Circuit Judge Harry Edwards, speaking to the FCC's lawyer
  23. Help develop the analogy by wendy · · Score: 5
    The obvious answer is that the DMCA changes the picture. Pre-DMCA, Connectix was sued for copyright infringement -- copying the Sony BIOS before clean-room designing an emulator. Post-DMCA, 2600 is sued for trafficking in a circumvention device, in violation of 1201(a)(2).

    Connectix was found to have engaged in infringing copying but won on the defense of fair use. Its temporary copies were necessary to gain access to the unprotectable functional elements of the Playstation BIOS, and its resulting emulator was a transformative use of the copy. Judge Kaplan told the defendants in the DeCSS case that fair use was not a defense to circumvention of access control devices. That's still a major point of contention, of course.

    But, it's not over yet.

    We need to draw a closer parallel between the cases, to argue that the DMCA did not so change the landscape and thus that the reverse engineering and interoperability endorsed by the 9th Circuit must still be permitted. There's lots of great language in the Connectix opinion that claims of copyright infringement can't be used to cut off access to unprotected ideas and functional elements. Can we extend that logic to say that even "access controls" endorsed by the DMCA can't be used to cut off that same unprotected information or fair use of the underlying content? Putting a ROT13 on a work shouldn't cut off fair use.

    Join the fight at Openlaw!

    --

    -- Openlaw: Fighting for fair use and the public domain

    1. Re:Help develop the analogy by Winged · · Score: 1

      I thought one of the points of the DMCA was that reverse-engineering for the purpose of creating a compatible implementation was specifically a defense?

      Regardless, the reason this got to court in the first place was because of the -violation of the license agreement- of the software player they found the unencrypted key from. The obvious rule would be, in this instance, that "you cannot be bound by any contract that you sign that would limit your legal protections". (Especially in California, where such is specifically prohibited by law.)

      Any thoughts?

    2. Re:Help develop the analogy by EricEldred · · Score: 2

      There is more than one case involving DeCSS and the DMCA. I believe this discussion applied to the New York case, called Universal Studios vs. Remeirdes. The defendant has been dropped and replaced with Emmanuel Goldstein (Eric Corley), publisher of 2600.

      The New York case turns not on the license agreement but the "trafficking" in "circumvention" "devices" part of the DMCA, which means it is a case in federal district court under copyright law. The district court judge has ruled that Internet hyperlinks to DeCSS code is in violation of this section of the DMCA. That decision is under appeal.

      The California case is in a state superior court and does turn on "trade secret" violations alleged by many individuals on the Internet all over the world. It is possible that the DVD-CCA (Copyright Control Authority--it was set up by the movie studios and some hardware makers) will also claim violations of the click-on license agreement that may or may not have come with the Xing software DVD player.

      Reverse engineering is a claim by defense in both cases. You are correct that plaintiffs' charges are baseless, for yours and other reasons. Nevertheless, defense costs a lot of money and time and your assistance is appreciated.

      You may learn more about the cases at EFF and in the OpenLaw forum at Berkman Center at Harvard Law School.

  24. Didn't Sony drop VGS suit? Connectix didn't win. by LameBrain · · Score: 2

    I could be mistaken but i thought that Sony dropped the VGS suit when it became clear that they would lose. It was speculated that they dropped the suit specifically so that it would not set a precedent against them in the future.

    Can someone verify this? I could be wrong and i'm at work now so can't spend time looking it up.

  25. Re:The big issue isn't even in watching the movie. by interiot · · Score: 2

    What about the DVD players that don't pay attention to the region code that were produced by Sony and the like?

  26. Unlicensed manipulation of data by Anonymous Coward · · Score: 3
    The VGS attempts to be instruction for instruction identical to that of the PSX. Hence, by attempting to maintain strict adherence to the PSX program on the CD, all manipulation of the data falls withen the parameters that the author intended. For purposes of a PSX game publisher, the PSX hardware and VGS software provide the same number of *expected* features.

    DeCSS adds an additional feature which is that the results from the software is a preferable format for any user choosen manipulation of the data. I key aspect of the DeCSS trial was the fact that CSS data is not approbate for recompressing via DivX. Since being able to achieve further compression of the DVD content was note an intended feature of the DVD author, the DeCSS software is considered to provide an unexpected and undesired additional feature.

    However, with the rate at which technoligy is going (60+ GB hard drives, Gigabit ether, etc.) it seems questionable as to how long remanipulation is going to be desirable for transfer. Probably withen the next 24 to 36 months their will be a reasonable size number of people with the equipement to easily do byte-for-byte duplication such that DeCSS is no longer desired as part of the pirating process. Please keep in mind that while it is presently not human noticable that the "Divx'd" DVD copies are degraded from the orginial. Once technology catches up with the the size of DVD images, why bother producing a degraded copy? At the that point in time that technology provides for making identical copies preferable the DeCSS will cease to be a popular tool for copyright infingment and will only have a popularized purpose of accomplishing playback. Hence, I believe the present "win" against DeCSS has only short term benfits for DVD publishers and in that regard was probably fairly pointless.

  27. Re:The big issue isn't even in watching the movie. by AFCArchvile · · Score: 1
    Then you're in luck. You can buy DVDs in India for $10.00 (no, I haven't verified that, but I do know that DVDs in India are cheap).

    Personally, I'm waiting for a DVD player for Windows 2000 that will allow you to do screenshots and sound grabs that are not in excess of 45 seconds. Come on! The code is broken already!

    --
    "Ancillary does not mean you get to rule the world." --U.S. Circuit Judge Harry Edwards, speaking to the FCC's lawyer
  28. You must have missed the discussion about EVs..... by BrynM · · Score: 1
    There was one post that was close to 100 lines (well I counted 68).

    bm :)-~

    --
    US Democracy:The best person for the job (among These pre-selected choices...)
  29. Slashdotters getting smarter?!?! by e_lehman · · Score: 1

    The remarkable thing about this article is the number of on-target replies. This is a techie-nerd site, right? But I read post after post making careful distinctions about intellectual property law, weighing obscure precedents, quoting the U. S. code. Certainly, there is still abundant need for "IANAL" around here, but the level of legal sophistication on Slashdot has grown immensely in recent months.

  30. I have a question sir by ThoreauHD · · Score: 1

    I was wondering. What is encryption, in and of itself. Is it only software based? Is it hardware? Is it placing a smoke cloud between you and your enemy? For me, encryption can be putting a "pull" sign on a convenience store door, when you really have to "push" it. It can be all those things, and anything that keeps people out. I think that all of the rules and rights we have now are simply an illusion to make us feel better. If the door doesn't keep people out, then it isn't encryption. It's a door.

  31. Chicaco Tribune coverage.. by Nic-o-demus · · Score: 3
    Here's what the Chicago Tribune had to say about the New York case:
    With the Digital Millennium Copyright Act, Congress has catered so completely to copyright holders that everyone else must resort to legal loopholes in order to exercise their First Amendment rights.
  32. I 'spose I can use DeCSS legally outside the USA by yuri+benjamin · · Score: 1

    It's really interesting following the DeCSS discussions on /. I'm wondering where we stand here in New Zealand. I know the US govt has in the past tried to impose its will on small countries like NZ. I haven't bought a DVD drive yet but when I do I'm going to use DeCSS. BTW we non-Americans have had strong encryption for years in spite of your silly laws. It just means buying German or Australian software instead of American software - bwahaha!

    --
    You make the mistake of thinking you can educate the fundamental stupidity out of people. You can't.
  33. No by delmoi · · Score: 1

    Connectix never broke any copyright protection.

    --

    ReadThe ReflectionEngine, a cyberpunk style n
  34. Re:I wonder if this does apply to Server Emulators by a_cussword · · Score: 1

    The EULA you agree to when you install the game and use the service (yes, there are two EULA's on this kind of software, and a code of conduct.) says that you agree not to either produce or use the software in any way that the company doesn't like.

    --
    And I looked, and behold, the pokemon all spontaneously combusted.
  35. The MP3 is gone ... by AftanGustur · · Score: 1

    The server states that the file cannot be found..
    --
    Why pay for drugs when you can get Linux for free ?

    --
    echo '[q]sa[ln0=aln80~Psnlbx]16isb572CCB9AE9DB03273snlbxq' |dc
  36. A four-letter word (or acronym) by dido · · Score: 2

    DMCA. There's the anti-circumvention clause in that stupid law which your legislators have been dumb enough to pass. Since DVD has an anti-circumvention technology: CSS, however lame-ass and weak it is, never mind that anyone who hasn't fallen out of a tree could break it in five minutes with pencil and paper, the law's designed to protect it. Ain't it silly? It's creating a legal solution to what is essentially a technological problem. In this case, the MPAA's problem is that technology has passed them by; the notions of copyright it depends on are obsolete, so they need to change its business models to adapt to the Internet world, and abandon their obsolete notions of "intellectual property" forever. Their notions of copyright were dying around 1991 when Tim Berners Lee and Linus Torvalds began their work. By now, almost ten years later, it's not only dead, but stinking to high heaven. They should get it in their heads to bury that corpse before it creates more virulent infections such as the DMCA. It won't kill them either, just force them to make less money than they're accustomed to making. "Whether you like it or not, History is on our side. We will bury you." --Nikita Khruschev "You had your time. The future is our world. The future is our time." --Agent Smith

    --
    Qu'on me donne six lignes écrites de la main du plus honnête homme, j'y trouverai de quoi le faire pendre.
    1. Re:A four-letter word (or acronym) by wiredog · · Score: 1

      The quote '"Whether you like it or not, History is on our side. We will bury you." --Nikita Khruschev' reminds me of the t-shirt I saw which said "God is dead - Nietsche" and below it: "Nietsche is dead - God"

      And remember, the GPL depends upon copyright.

  37. Re:The big issue isn't even in watching the movie. by onion2k · · Score: 1

    The only Sony factory multi-region player that I know of won't do signal conversion. That means Region 2 DVDs will play back in PAL, Region 3 in NTSC, and Region 1 in whatever they have in America (PAL/Secam/NTSC or whatever). That way it'll only play Region 2 on your UK telly, but they can advertise it as 'Factory Multi Region, not a 3rd party mod'.. and bump up the price. And it means they don't have to make more models, thus lowering the production costs.

  38. Re:The big issue isn't even in watching the movie. by Quila · · Score: 1

    Zoning was a good idea in theory, because a movie release more or less could go like this:

    1. Movie released in U.S.
    2. Movie released abroad
    3. Often before the end run of the release abroad, the DVD is available in the U.S. (maybe even before the foreign release)
    4. People buy the U.S. DVD and don't bother going to the movies.
    5. =Broke theaters

    Of course they were stupid enough not to envision zoneless or multiple-zone players. Johansen in the 2600 trial even said it is common practice to buy zoneless DVD players where he lives. And most European DVD players can play NTSC DVDs, but you have to have a TV capable of displaying the signal. Computer DVD players are often zoneless and play either PAL or NTSC.

    And this was also designed before the popular WWW to make it easy to get DVDs interationally, so maybe the MPAA has an excuse for their stupidity

    BTW, did you notice there's a zone just for China? All the Chinese government has to do is tell a studio not to produce an objectionable movie like Red Corner or Kundun in zone 6 or forget selling anything in China anymore. Then shoot anyone in China who sells zoneless DVD players.

  39. Re:The big issue isn't even in watching the movie. by luckykaa · · Score: 1

    1 - US, canada
    2 - Japan, Europe (Bizarre, but hey!)
    3 - Aisa.
    4 - Australia/NZ
    5 - Africa, India
    6 - China

  40. Re:The big issue isn't even in watching the movie. by luckykaa · · Score: 1

    I haven't seen a 25" or larger TV for a while that won't handle an NTSC signal or at least a PAL 60.

  41. Reverse Engineering by rivertrog · · Score: 1

    Everyone is forgetting way back in the days of the IBM PC .... Compaq engineers basically reverse-engineered the PC's BIOS chip and produced a compatible version, which sparked a whole new era for pc's.. and thats the reason we have clones... if Compaq had never reverse engineered that chip, IBM and the whole x86 architecture would probably be similar to the APPLE machines....
    If someone made a mac clone these days , a la compaq in the 80s, I think somehow the mac scene would be a whole lot better off... except they'd probably get sued before they got anything to the market.......

    1. Re:Reverse Engineering by rivertrog · · Score: 1

      Apples machines haven't died off , have they?

  42. Re:The big issue isn't even in watching the movie. by radja · · Score: 1

    I have been known to be wrong, but I think it's even illegal to sell a zoned DVD player in new zealand...and with a bit of luck some more countries too.

    //rdj

    --

    No one can understand the truth until he drinks of coffee's frothy goodness.
    --Sheikh Abd-Al-Kadir, 1587
  43. Distinction needs to be made between "code" and by eclectro · · Score: 1

    "circumvention device". The DeCSS is not a device until it is compiled and executed until then, DeCSS is nothing more than a bunch of symbols on a piece of paper or t-shirt. You publish code.
    However, the MPAA does not say this. They tell website operators to "remove the circumvention device from your website." IANAL, but what kind of language is this??? See the letter that the MPAA sent cryptome.org today for an example of this.
    They cannot say "please remove the code that you have published on your website" because publishing involves speech, which the DeCSS is. When it is compiled and executed, your computer becomes a decryption device , placing it under patent laws. Is the DeCSS patented? If it is, then the US patent office has already published it. Then it follows that it is your computer that is the circumvention device not the DeCSS code by itself.
    Another thing that gets me is the mishmash of copyrights and patents. Two different things, or two different temporary "granted monopolies". People should not be allowed to use one "monopoly" to increase the power of the other (i.g. dealing in software patents), because that power has not been granted by the constitution. The constitution separates the two because they were intended to deal separately with two different things, not act together. For many years, they had about the same amount of power until "copyright creep" started taking place, continually increasing its power until now you have the DMCA controlling "devices" overtaking the power of patents. Software should either have a copyright or a patent, but not both. If it can be copyrighted, then I should be able to have rights like "first sale" and "fair use" that have been argued the century before last when a publisher put a EULA on the first page of a book. If the software is a patent (i.g. a device that configures a computer), then I expect to be able to copy it in twenty years when the patent expires (and I mean the actual software created by the company using the patent). Just because you flash a contract in front of somebody's face or toss it in with the shinkrap doesn't mean you can usurp somebody's constitutional rights, and I consider having patents and copyrights acting as two separate entities as one of those rights. What we see now is the result of abuse of these two constitutionally "granted" temporary monopolies. Taking a power that was niether "implied" nor "granted", they shaft the public out of their due - the very reason why the constitution grants patents and copyrights in the first place.
    What the MPAA is trying to do is extend copyright privilege to devices (even they have to refer to the refer to DeCSS as a "device", otherwise their arguement gets flushed down the toilet where it belongs) all the while basking in the newfound powers of the copyright law/DMCA.

    --
    Take the cheese to sickbay, the doctor should see it as soon as possible - B'Elanna Torres, "Learning Curve"
    1. Re:Distinction needs to be made between "code" and by RickHunter · · Score: 1

      Excellent post! Someone, moderate this guy up!

      Yes, that is one of the things they're doing. They're also trying to avoid having to give their information to the patent office (and, through them, the public) to gain legal protection. CSS decryption was, IIRC, a trade secret. That means that no-one knows about it, but if you find out about it through legal means, there's nothing they can do to touch you. Now they claim that legal means are illegal under both the EULA and the DMCA (a device that effectively cracks encryption).

      Slightly off-topic: is it me, or is the wording of the "device that effectively breaks access controls on a protected work" section very ominous? It seems to me that "they" could use that to ban almost anything that they didn't like. "See, your honor, if used in this way, this particular class of gadget can be used as part of a device to circumvent our protection! Therefor, its illegal!"


      -RickHunter
    2. Re:Distinction needs to be made between "code" and by hobbit · · Score: 1

      You are dead right. It's almost perfectly analogous to the difference between publishing details of how to make LSD in your kitchen, and making LSD in your kitchen.

      Hamish

      --
      "Wise men talk because they have something to say; fools, because they have to say something" - Plato
  44. Self-defeating.... by PinglePongle · · Score: 2

    So, here's my take.

    2600 will probably loose - they have been painted as evil hackers in court, the copyright-owners are on a bit of a roll right now, and it's an election year.

    What strikes me is that these huge organisations - both the "content creators" like Disney, and the software shops like Microsoft, seem to forget where their ideas come from. Never read a good book, watched a good film, heard a good song, used a good program created by a faceless organisation - to survive, these Intelectual Property-based organisations need one thing more than anything else, and it is TALENT.

    The DMCA, the DeCSS and Napster cases - they all serve to turn those talented folks who could be making them rich into sworn enemies. Which self-respecting geek would go to work on a new form of encryption for DVD players ? Which teenage band who have been chucked of Napster is going to sign with a major label ? (well, maybe if the money was right...)

    Somewhere in Hollywood, there is high-priced consultant scaring the studios, saying "look at Napster ! In 3 years time, everyone will have broadband access to the net, and the same will happen to your DVD content ! You will have to give up all that you hold dear !". The knee-jerk reaction is instantaneous.

    Someone, somewhere is going to figure out a way to get rich from content in the new digital age, where information can not be protected by encryption and still be publicly available and run on cheap hardware.

    I bet it won't be the existing powers.

    Won't be me either, if I keep wasting my time posting to Slashdot....

    --
    It's all very well in practice, but it will never work in theory.
  45. MPAA begged for trouble, and got it... by Kjella · · Score: 2

    What seriously pissed me off about the CSS system is:

    1. Region coding. Why? Because I want to play the films I own, if I moved across regions, if they weren't released in my region, or at least much slower, or I could simply get them cheaper in another region. I'd call it discrimination, but I don't think the UN would hear me out.

    2. Force feeding. I know of at least one DVD which has *required* parts, and I'm not talking about the legal section, it's commercials/trailers. Even on a video player you can skip what you don't want.

    3. Playability. I don't understand the problem with releasing a software-only binary-only self-encrypting Linux player, like those on windows. It's not like the MPAA didn't have a market, or couldn't afford it. Not that I use it (Win2k actually is kinda ok if getting it to the same price as Linux), but I *know* they could have done it had they wanted. But I suppose they'd rather have you go buy a stand-alone player....

    --
    Live today, because you never know what tomorrow brings
    1. Re:MPAA begged for trouble, and got it... by vjlen · · Score: 1

      1. Region coding. Why? They're protecting their industry. They don't want mass importing to hurt local sales when a particular title is released elsewhere, since money is spent translating or subtitling or dubbing the movie. Of course, this didn't stop Buena Vista when Princess Mononoke was to be released on DVD....

  46. Does DMCA Eat itself? What if . . . by werdna · · Score: 3

    you encrypted an original work of authorship, say a CSS-player, which infringes no copyright, but does in fact facilitate circumvention of the anti-copying technology of another?

    What if a prospective plaintiff "broke" the encryption thereby and obtained evidence of for its own DMCA case?

    Would not the plaintiff also have broken the law thereby?

    Say the plaintiff seeks injunctive relief under DMCA -- in so doing, would a defendant be coming to equity with unclean hands, precluding an injunction?

    In an analogous case under copyright law, where a plaintiff makes copies of a derivative work to obtain evidence of an infringement, the Court overlooks the incidental infringement by the plaintiff as a form of fair use.

    But that is the fundamental difficulty of the DMCA -- it doesn't provide for fair use. What is good for the goose -- is it also good for the gander?

    This is certainly not legal advice -- I haven't any thoughts one way or the other if this approach could work. But I'm wondering if it points to holes in fundamental DMCA policies. In particular, if there is no fair use as a defense for one side, how can the court rationalize a judge-made defense for the other?

    My point is this -- DMCA gives far more than "additional protection" for copyrightable content -- it also permits exclusive rights to the ability to manufacture DVD players, giving patent-like protection to a technology that is not, in fact, patentable. In addition to everything else, this cuts at the heart of more fundamental IP policies. Fair use is necessary to make IP Copyright law tenable. Likewise, the scope of patent law was very clearly defined to make patent law tenable.

    Now we have a new body of IP law, putative circumvention technologies, which are not limited by scope or by time or inventorship.

    Bleah!

  47. Zoning and such. by grahamsz · · Score: 2

    Well yeah that is the concept behind zoning.

    The problem is that it doesn't work. I would reckon about 60% of dvd players sold in the UK are either zoneless or have easy hacks to make them so. Some will even resample NTSC dvds to give proper PAL output.

    Films in the UK sometimes take a VERY VERY long time to get out. I'm pretty sure I saw EdTV on cabletv in canda over 6 months before it's uk theatre release (that was only 3 or 4 months ago).

    The zoning system allows studios to release to a sample audience (typically the us and canada) and if the film fails then they haven't wasted the expense of promoting it globally.

    The problem is that UK DVDs are generally of quite poor standards. It is not unusual to see mpeg encoding defects in them. They frequently lack the extended features found in US discs. They often lack multilingual soundtracks. It is not at all easy to buy a disc in the uk with a DTS encoded soundtrack for high end 5.1 speaker systems.

    I prefer US DVDs for these reasons alone. Add to that the fact that they are typically released a few months earlier and cost quite a bit less and you can see the problems.

    Perhaps the worst UK dvd I came across was that of the film 'Human Traffic'. I thought they had come up with some ultra cunning way of defeating DeCSS only to find that the disc wasn't even CSS'd in the first place :)

    Interestly enough i'm not sure if that film was ever released in the USA since it came from a uk studio (afaik) and was banned in several other countries because of recreational drug use in it.

    The MPAA dont want to adapt. They dont want to face a world where they have to do a simultaneous worldwide launch to films. They dont want the profit loss they would have by selling dvds at US prices the world over. Just like the RIAA dont want a world where artist dont need to be signed to make money.

    What I fail to see though, as other users have commented, is what a US judgement would do to UK consumers. Perhaps it might set a precedent but we dont have a DCMA. We do however have a right to disassemble software, and also to free speech.

    Why dont the UK arm of 2600 take over decss distribution?

    Then again they manage to arrest johansen in norway... bastards.

  48. DMCA Does Not Apply by FunkyDemon · · Score: 1
    How can the DMCA apply? 2600 didn't write the program. I don't remember anything in the DMCA that made hyperlinks illegal. The author is not American and hence is not bound by the DMCA.

    I find this rather shaky, but the American legal system is strange to begin with. (How can you be acquited of murder, yet be found guilty in a civil suit?)

    FunkyDemon

    1. Re:DMCA Does Not Apply by Sloppy · · Score: 2

      How can the DMCA apply? 2600 didn't write the program. I don't remember anything in the DMCA that made hyperlinks illegal.

      They plaintiffs say that it applies to 2600 because of the "traffic" clause -- 2600 trafficking in a device to cirvumvent. The hyperlinks were prohibited because Kaplan did not have sufficient mental fortitude to realize what the consequences would be if he ruled that linking is trafficking.


      ---
      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  49. Re:Didn't Sony drop VGS suit? Connectix didn't win by Sloppy · · Score: 1

    I think they recently refiled it. (About a week or so ago?)


    ---
    --
    As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  50. Are password recovery programs legal? by perp · · Score: 1
    Companies like ElmSoft sell utilities for recovering lost application passwords. I'm sure these tools have been used to "circumvent copy protection"; certainly they are capable of it.

    If I were to encrypt a Word document with the built-in encryption (no matter how feeble the encryption), it would be considered copy protected. Someone should sue someone about this.

    I guess it's different when a large company's "revenue stream" is in jeopardy.

    --
    There are two kinds of sysadmins: paranoids and losers. I'm both kinds.
  51. two points by davonds · · Score: 1

    The first is, the appeal can only consider evidence brought forward in the original case.

    The second is slightly off topic, but had the same standards been applied to hardware, we wouldn't have a PC dominated world. On a level playing ground, (without the proliferation of inexpensive PC clones)the apple Macintosh would easily dominated the personal computer market over IBM. On the other hand, the higher cost of computers would have slowed greatly the distribution and expansion of the personal computer market, which in turn would have slowed the development of faster and better hardware, software, storage density, and of course the internet. Then again, we wouldn't have all these entertaining law suits to deal with either.

  52. The Most Important Difference.... by declana · · Score: 1

    ...the resulting program. In Connectix the reverse engeneering of the program allowed Connectix to create an emulator. The program did not allow a copy to be made of the purchased game as a result. The only issue was where the purchased game could be played on the computer and if the copying performed by Connectix was a fair use of reverse engeneering. If DeCSS had been released in the same fashion you may have had the same result as Connectix. In other words, it might have passed based on fair use if instead of a bare crack of the encryption it was a licensed program which allowed emulation i.e. play on linux but not copying. That difference along with the Judge's perception of the 2600 website and linux board killed the case. The real test of the de-encryption section of the DMCA will be a program like Connectix, not one like DeCSS.

  53. Re:(Not so) Clean Room by tgibbs · · Score: 1
    Connectix made a lot of headway in court when they were able to show that their emulator was developed in a 'clean room' environment - with only the Playstation APIs to implement to.
    No, that's not true. From the court decision (http://www.gpla.homepage.com/CASES/OTHER/9915852. html)
    Connectix engineers purchased a Sony PlayStation console and extracted the Sony BIOS from a chip inside the console. Connectix engineers then copied the Sony BIOS into the RAM of their computers and observed the functioning of the Sony BIOS in conjunction with the Virtual Game Station hardware emulation software as that hardware emulation software was being developed by Connectix. The engineers observed the operation of the Sony BIOS through use of a debugging program that permitted the engineers to observe the signals sent between the BIOS and the hardware emulation software....

    Once they had developed the hardware emulation software, Connectix engineers also used the Sony BIOS to "debug" the emulation software. In doing so, they repeatedly copied and disassembled discrete portions of the Sony BIOS....

    Early in the development process, Connectix engineer Aaron Giles disassembled a copy of the entire Sony BIOS that he had downloaded from the Internet. He did so for the pur- pose of testing a "disassembler" program he had written. The print-out of the source code was not used to develop the Vir- tual Game Station emulator. Connectix engineers initially used this copy of the Sony BIOS to begin the reverse engi- neering process, but abandoned it after realizing that it was a Japanese-language version.

    So Connectix engineers were not working just from API's, but from actual Playstations and disassembled code. However, Sony was not able to show that any actual Sony code is in the VGS, and the judge ultimately ruled that Connectix's use of Sony code was not "substantial" enough to make the VGS an infringing product.
  54. Re:Why allow access control / copy protection? by MaxGrant · · Score: 1

    I agree with the last half of your post. But you misread my intent; the strength or weakness of the encryption scheme is not society's problem. Businesses accept a certain level of risk when they go out into the world to do their business. If they're not willing to accept the risk of piracy, for example, for easily and perfectly copied media, they need to just get out of that business. If that risk becomes part of public concern and policy to negate, then we have our government controlling the economy, and putting legal means in to ensure that a business which should in a free market, fail because of their own poor decisions, does not. What does that remind you of?

  55. Re:Why allow access control / copy protection? by Tom_N · · Score: 1
    Well, we do have laws against theft (I know, not exactly the same thing as copyright infringement), and they apply even if a store does something like leaving a valuable diamond necklace in an unbarred and non-alarmed window in a seedy part of town.

    On the other hand, the police have no grounds to arrest a customer of a nearby hardware store and charge them with a felony just because they have happened to purchase a hammer or a glass cutter.

    Can't you just picture the Incompetent Jeweler's Association of America (IJAA) demanding a law to criminalize possession of anything that somebody could use to break a glass window? And going on about how badly "the economy," and "the sanctity of store windows," would be hurt if they did not get their way?

  56. A simple answer by fm6 · · Score: 1
    The DeCSS case is about distributing a crack. The VGS case is about using a crack.

    Example: as I write, I'm wearing one of those Copyleft T-shirts. Owning the T-shirt is perfectly legal. Wearing the T-shirt affords others a chance to copy the source code down and use it, which makes me a distributor of illicit source code. (The concept of "illicit source code" is, of course, profoundly silly, which is why I bought the shirt.) Then again, one could construe owning a shirt as evidence of intent to wear it... oh, well, let's not go there.

    Now, suppose I have a change of heart and stop wearing the shirt. But I decide to start building DVD players, so I scan the shirt and use the code to design my players. I somehow make the embeded code inaccessible, so I'm not violating the DMCA. But I am infringing on whatever licenses and patents are involved in manufacturing DVD technology. I don't imagine it's hard to get permission to use this technology, but if I don't bother and the owner chooses to take notice, I can expect a lawsuit similar to the one Sony filed against Connectix. Assuming, of course, that whatever protection DVD technology has is more solid than Sony's.

  57. DeCSS Case by harman009 · · Score: 1

    An intereseting aspect of DeCSS has gone unnoticed so far: The DeCSS is a player ONLY for LINUX systems. Since NONE of the companies so far have come out with a player for LINUX, DeCSS has no copyright to violate! Undoubtedly, there will be LINUX specific code in there which will not be compatible with the rest of the OSes - the algorithm may be generic, but the final executable or LINUX source has to be LINUX specific. Thus in the absence of any similar product in LINUX, DeCSS should be given a copyright for having such a system under LINUX

    --
    One Master - One Apprentice
  58. Re:Why allow access control / copy protection? by MaxGrant · · Score: 1

    Thank you. That is EXACTLY what I was getting at. Knowing how to thieve is NOT the same as actual thieving. That is the difference between a free society and a society in which thought is controlled. And not only that, your example points up the absurdity of trying to control people's presumed intentions rather than dealing with the consequences of their acts. Confiscating all hammers wouldn't be enough -- rocks would have to be made illegal!

  59. Even more ambiguous by David+Gould · · Score: 2


    a technological measure that effectively controls access to a work [...] "effectively" might be interpreted in such a way that rot13, etc. would be interpreted out of the picture

    There seems to be an even deeper ambiguity than some unknown criterion for how strong the protection has to be. Does "effectively controls access" mean that it is an effective means of controlling access, or just that its effect is to control access?

    If it's the former, then there are the questions the rest of you have been talking about, namely, "How 'effective' does it have to be?" -- and, strictly speaking, as soon as it has been cracked, doesn't it by definition cease to be "effective"?

    But if it's the latter, which seems to me to make more sense semantically, "effectively" doesn't mean that it is actually effective, but only that that is what its effect is, i.e., that that is what it is intended to do. The phrase simply refers to any copy-protection or access-control mechanism (the equivocation between copy-protection and access-control, by the way, is an even bigger problem, since that's the part that ignores fair use). So, yes, I guess rot13 (or XOR, for binary data) would qualify, since simply applying it to a standard file format would cause the files to appear unreadable to a standard application and a naive user.

    For a similar example, have you ever seen a multimedia CD-ROM on which the media files were in a folder with a "hidden" flag set, so it wouldn't appear on the desktop? To get at the files, you have to copy the entire disk to your hard drive (where the directories are writable), then use a low-level filesystem editor to unset the flag. Now I think that would count as "effectively" controlling access, since to a naive user, or a knowledgable but unmotivated one, its effect is to make it so the content can only be accessed through the accompanying application, even though it is trivial for a knowledgable and determined user to get around it. I don't think that this would make low-level filesystem editors illegal ( at least I hope not ) because this is clearly not their primary function, but perhaps public posting of the technique would be, (uh-oh!) since it makes it possible for people who already have the necessary tools but don't know how to do it. This could be another interesting case, since the circumvention does not require any specific tools, but simply a bit of knowledge.


    David Gould

    --
    David Gould
    main(i){putchar(340056100>>(i-1)*5&31|!!(i<6)<< 6)&&main(++i);}
  60. Copy-protection vs access-control by David+Gould · · Score: 2


    DeCSS SHOULD be OK under DMCA since it is used to view legitimatly purchased DVDs (an allowable thing)

    Sorry, not allowable. Viewing is, of course, a non-infringing use, but using DeCSS, even for that, still involves "circumventing a technological measure that effectively controls access to a work", so it's still illegal under DMCA. The real problem is this equivocation between "copy protection" and "access control", since that is where the notion of "fair use" gets forgotten. Even worse, it can cover uses for which you would not even have needed to invoke "fair use" (such as viewing), if the publisher adds a more restrictive access control. This seems to be where the DMCA's constitutionality really needs to be challenged.


    David Gould

    --
    David Gould
    main(i){putchar(340056100>>(i-1)*5&31|!!(i<6)<< 6)&&main(++i);}