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Webcasters and Record Industry Both Appeal Royalty Ruling
jonesvery writes: "Both Webcasters and record companies are appealing the proposed royalty structure suggested by an arbitration panel, according to this LA Times story. It should surprise no one that the Webcasters feel that the proposed royalties are absurdly high, while the record companies wants them to be higher -- at levels set in independent deals negotiated between the RIAA and a couple of dozen companies. The fact that many of the companies that made these independent deals with the RIAA couldn't make enough money to both pay the royalties and stay in business doesn't seem to worry the record companies much. Funny, that..." We did an earlier story about the royalty ruling. The internet radio community seems to be just a bit upset about the whole thing.
DJ Ari from Digitally Imported has a lot of good information on what it means to the larger of the (still) free stations. They also have some information on what you can do to help them out.
http://www.di.fm/sos.php
The fee is $1.40 per thousand listeners for Internet-only stations, and 70 cents per thousand listeners for over-the-air stations that simultaneously broadcast online.
How would the record companies enforce such a payment structure? It seems to me that would be no method of counting the listeners that couldn't possibly be altered by the webcasters especially with all the different webcasting programs out there. Does anyone have a clue how the Record Companies were planning to accurately count listeners?
check out this link: http://www.ruf.rice.edu/~willr/cb/sos/
This quote from the article says it all, "The rates should be closer to the deals negotiated between the RIAA and more than two dozen companies, RIAA attorney Steve Marks said, even though many of those companies are no longer Webcasting or even in business."
... if anyone can answer that for me without being flippant, I'd love it.
Did I miss something?
Wouldn't you want to partner with those who are distributing your product to ensure your revenue is generated? If you price your product too high you cease to get ANY revenue at all. Period.
What is going on? Why is the RIAA hellbent on staying in the 20th century? Seriously
Have we ever seen any industry at any other time do the same thing?
There are lots of good internet raido broadcasts and broadcasters. Im listinging to my favorite one right now and hes gonna have to take his stream off line soon because of these money grubbing bastard companys.
This saddens me. the whole RIAA/MPAA/DMCA stuff just pisses me off. i think im gonna move to another country this is all such BS.
RIAA aka. EVIL, That's outrageos! I think that's kinda steep, not to mention that the on-air stations should be albe to broadcast it under the same license, it only makes sense really.
I mean what's next, is RIAA gonna' start suiing people for humming the lyrics of songs?!?!
Reece400@@@myrealbox.com,
With webcasting you know EXACTLY how many listeners you have. With over-the-air radio, you do it by sampling. Why the hell should an exact plus over-the-air company pay twice as much as an only over-the-air network? Is the total audience of the over-the-air networks EXACTLY equal to the internet audience?!
Basically just another way to screw more money out of a new media outlet. WABC (New York AM station) had to stop streaming because they just streamed their live feed to the 'net, but got sued out of it because they didn't pay MORE MONEY for their Internet ads!
Do the advertisers for AM radio stations REALLY think that people on the Internet will pirate their ADs in digital format to spread them as MP3s!!!!!!
Hell is approaching Earth at a scary speed.
Vote monkeys into Congress. They are cheaper and more trustworthy.
If you don't like the fee structure that the record companies propose then don't pay it and go out of business. Webcasters aren't entitled to the rights to broadcast music that isn't owned by them. As owners of the music, the record industry can and should be allowed to do whatever they want with their property. If they want to charge $1 million per song broadcast then that's their right. Who gave these arbitrators the right to fix the price that an American business charges?
It's no surprise at all that the record companies want to charge fees so high that they drive webcasters out of business. From the very beginning, record company executives have felt threatened by the presence of the Internet -- and not just because of piracy, either. In short the Internet, especially file sharing networks like gnutella threaten their ascendancy. It's a new technology that threatens their economic and political power base and they'd like nothing better than for the Internet to relegated to a galaxy far, far away.
Of course, if these companies were more enlightened, more willing to (gasp!) work hard for their money, take calculated risks with new talent, and in general remain competitive, they would gradually shift their business model to take advantage of the Internet instead of resisting it...
Expressing my concerns, that the rates are meant to remove the pioneers "Small Business" in order to make room for Large Corporations. Here is how it works, you innovate, someone else sees it, and proceeds to force you out of business. I guess it is too hard these days to offer better services.
Get a free ipod.
Does anybody else suspect that the RIAA has the impression people'll be able to keep the music they stream?
I think they're worried ppl will use streaming broadcasts to thwart copy restricted CD's, so they're limiting that to only the companies willing to shell out $$$ to play them.
I feel sorry for the people getting burned by this, but every time the RIAA makes another heavy handed attack on the internet, I feel like they're that much closer to being dissolved.
"Derp de derp."
Again... how do you apply this outside of the USA? Obviously the net suddenly doesn't stop at national boundaries (unless you're in China), so whilst the various parties keep arguing over royalties just listen to stuff from abroad, like the ogg stream of BBC Radio 1.
It would be prudent for US broadcasters to place their servers outside of the USA, or do they determine royalties from source of origin?
This will be the end of such wonderful music resources like Groove Salad and Digitally Imported. These two stations are largely responsible for me purchasing any CD's at all last year. I don't like any of the ultra-narrowband content being shoved down commercial radio, I don't listen to it. The only music I purchase comes from college radio and netcasts.
Instead of allowing natural forces to broaden everyone's musical horizons, the RIAA is stifling it back to the 20th century model. If they keep being sucessful in court, the only way to fight them will be to turn music into a grass roots listener supported movement. This can only be done by enabling good musicians to run their own businesses to support themselves. This means being internet-savvy and moving away from standard CD-distribution. It means not signing the deal with the devil and trying to make it on your own with live performances and micropayment downloads.
Sites that facilitate this could act much like record lables in the promotional aspect - they would serve only to group together musicians of common genre. Instead of taking most of the artists' revenues away, they can charge a low, flat listing fee for each artist per month, which in quantity could still be quite profitable for the wise entrepreneur.
It comes down to the fact that 90% of everything is STILL crap, and only the top 10% of musicians will make any real money at it. But it will still be 100X more than what the current RIAA model allows. It will be the breadth of availability, not the quantity of each genre, which will improve.
When art combines with money, it can be a bad thing if not done right. When it is done right, it's a pleasure to make a living doing what you love.
--Mike
A + B = C
A. Net radio plays corporate music
B. People buy corporate music heard on net radio
C. Corporations make more money
Oh wait, that's silly math. Here's how the real world works:
W + Q = Z
W. Corporations charge net radio to play music. Net radio disappears.
Q. Corporations continue to rape musicians up-the-butt with a silver broomstick. Musicians walk kinda funny.
Z. Corporations whine when profits plummet, so they pull politico puppet strings to make tens of millions of Americans criminals and continue to consume corporate welfare and pass more laws to prop up their failed business models.
The webcasters and the record industry both agree to do something!
- SV
I don't watch my SNL but I love that classic old skit (or was it skitS) about two guys yelling to passerbys: Someone called, they want their something back!
ANyone know what i'm talking about?
"Hey, Stewart - how 'bout you get her pregnant?"
Funny shit.
Who cares if the internet radio stations can't stay in business if they actually pay for the music they play? As a musicians, I get so tired of the arguement "cd's are too expensive so i just download it instead"
Well cars are expensive too, so should you just steal those? Lets respect musicans and pay them for all their hard work, please!
I'm not sure about other wedcasters, these are just my opinions.
The very idea of having to pay royalties for the songs I play through a web cast is outrageous. I run a shoutcast from my computer, the playlist is managed by my girlfriend. The bitrate is set much lower than cd quality, and is really mostly for her and her friends enjoyment. The thought that the RIAA wants to charge me for broadcasting sub-standard quality music that one could record just as easily from a radio, is absurd. Radio stations broadcast music for several reasons:
1. entertainment. This I would rank as the primary focus of radio stations... people want to be entertained, and the less it costs them, the better.
2. To promote the artists. Lets face it, without radio stations and music video channels, most people would never buy the albums from the local music store. We hear a song that we like, find out who its by, and buy the album. I don't believe I have ever heard of somebody going into a music store and picking a random album and buying it because they thought it looked interesting. The music industry just doesn't work that way.
Why should I have to pay the music industry to entertain there fans, and to promote there music? When was the last time you heard ANY company complain about free advertising?
I could see the headlines now: "Microsoft Sues small-town software company for promoting microsoft software." This doesn't make sense, and neither does royalties on webcasts. Forcing webcasters to pay a royalty on a webcast is like making them pay the RIAA to promote the RIAA's product.
There is no piracy involved in this. There is no music bootlegging, or recording and any such thing. If the webcast listeners want to record and distribute illegal copy's of 24kbs, 22.05kHz, Mono music, by all means, let them. But do not make the webcasters pay for this. We want to entertain, and we want to promote our favourite artists. This is all, and the only fee we should have to pay, is the fee to obtain legal copy's of the music to begin with. This would merely involve taking a trip to our local music store, and purchasing a copy of the artists album.
Thomas A. Knight
Author of The Time Weaver
I wonder what the founding fathers would have thought of these guys taking copyright to such an extreme that it threatens the usability of new technology.
Engineers have taken the time to create, patent and license technology to stream audio over the web. Now, copyright holders of the audio content are trying to price content so high that the use of the patented invention becomes infeasible.
I would think that copyright was never intended to be a weapon to strangle invention.
Just my $.02. Keep the change.
Some people have a way with words, and some people, um, thingy.
That argument is libertarian bullshit that's totally ignorant of history.
The record industry has historically abused its monopoly power at every chance it had. It's happening today, it happened when radio stations first became common, and it happened when phonographs where first introduced. (Did you know that early phonographs could only be legally played on some phonograph players (those who paid the bribes to the copyright holders), and the records could never be loaned, sold, etc.)
The abuse was so bad that Congress made an exemption for phonographic copyrights, and phonographi copyrights alone. ANYONE can produce and sell a compilation CD of ANYTHING, and the copyright owner can't do anything to stop it as long as the compilation producer pays a modest compulsary licensing fee set by statute. Likewise radio stations and other commercial users can pay a compulsary licensing fee and tell the RIAA representative to get lost when they try to force the station to pay more, or change the presentation, or whatever.
On the one hand I'm surprised that the RIAA is trying this same shit once again. The public may not be aware of its sordid history, but the industry lawyers and regulators certainly are and there is absolutely no chance that compulsary licensing will be enacted for webcasts. The only question is the amount charged... and this proposal is *way* too high, and the burden to documenting individual users is far too high. In particular I remember that small college radio station example - the numbers were so high that I think it would be cheaper for the station to pay the compulsary licensing fee and distribute free CDs containing their entire playlist to every student than it would be to operate the webcast for a few weeks!
On the other hand, there's a libertarian born every second. Libertarian principles aren't bad, but most libertarians have a big blind spot when it comes to the fact that there are some "bad players" who have a CENTURY (or more) of demonstrated history abusing the rights of others whenever they have half a chance. Only the government is able to stop this abuse - individuals and smaller companies simply don't have the resources to fight them.
For every complex problem there is an answer that is clear, simple, and wrong. -- H L Mencken
And that's really a shame.
Because if people had just behaved properly, the production and distribution costs for publishing music would have plummeted to nothing. It costs very little these days to produce a listenable music track. And the medium to distribute said music track is still open and very inexpensive.
But greedy people just HAD to have 'the same old crap' that they'd always listened to. So they had to rip it off commercial media and distribute it widely.
Now the big studios will come down on us all, including those who would have benefitted from the flatter, easier to enter digital medium.
It's spoiled for everyone who could have used the open format. It'll be closed by DRM, because a bunch of kids proved it couldn't happen any other way.
Some observations:
The RIAA does payola to get the manufacutred 'hit' music air.
The RIAA doesn't give a damn about independent minded station, so long as they pay the royalties, to them of course
The internet comes along and viola, listeners can actually select what they want to listen to, give immediate feedback to stations, and usurp control from the highly engineered controls the RIAA has spent decades putting in place, as the number of outlets mushrooms (remember for a moment how the Congress protected local TV stations in cable markets?)
The RIAA resists, makes it painful to broadcast over internet, download music listeners actually want, in effect trying to maintain control
Rather than find and develop talent, the RIAA, if not already, will probably develop computer generated 'hits', hire professional actors and dancers to just mouth the words and so on (it has actually been the case for decades that companies assemble writers, peformers and studio musicians for manufactured pop, now imagine it without the studio musicians and writers, just a fine tuned program)
Technology being as advanced as it is, home users or small groups of interested parties can manufacture thier own music and distribute, even sell MP3's, bypassing RIAA altogether
RIAA becomes less relevent if they lose control. As those who hold stake in such companies apply pressure to maintain profit and share value, the battle intensifies to maintain control, pushing legislation to cripple technology and make fair-use rights moot
Pundits and forum posters lament the seeming idiocy of the RIAA in the face of a new fronteer
A feeling of having made the same mistake before: Deja Foobar
OMG, that fucking news anchor skit was awesome.
The Ted Coppel and Dave Letterman impersonations were friggin' amazing. Who was the guy impersonating Letterman?
why exactly is this a per *listener* royalty charge? shouldn't it be per *song*?
what if they "own" exactly zero percent of the content being webcast?
2000 Presidential Election coverage. You know you liked it. Don't even pretend.
Ok, so the current rate for over-the-air broadcasters is $0.0022 per listening hour . Or assuming 4 and a half minutes per song,
.0165 cents per person per song. And they want webcasters to pay .14 cents per song. What the hell are they thinking?
$0.0022 / ( 60 / 4.5) = $0.000165
or
The people on the panel must have invested money at the height of the dot-com boom and figured it was payback time....
I rimmed all those Mtn. DEWs, you fuck.
--GABE
Yes it was me posting. I posted all the anon comments in this thread, even about me being a great cocksucker (which I am, ask any of my fellow grade 10 male friends). Please click here. I am a troll and want to be modded down. Click on my posting history and if you look hard enough you will see I troll journals and post goatse links. Hahaha, you clicked the link and saw God!
-the one and only pirodude!
Oh, was I ever badly trolled. I am so gulible and stupid and I don't know how to spell. I wish I was dead or failing that, badly raped by a tribe of african elephants.
-pirodude
P.S. Please look into my posting history and mod my comments down. Thanks, FAGS!
ARGH!
We are dealing with numerous issues at the same time in situations like these, and we need to deal with each piece before we can really solve this situation.
Alright, I'm down off my soapbox. Just remember that there are reasons, even if we don't know them. The goverment doesn't just keep secrets to piss us off, and the RIAA doesn't want our money just so we can complain about it. The RIAA wants our money so it can be there to complain about in the years to come.
That what was all this school was for... to teach us how to solve our own problems. -- janeowit
That I agree with the RIAA. Let them make thier own deals with each company. Watch how very very few or even none at all come to them. Hence blocking off the entire source of income. I hope the RIAA wins it. Also I wish the streaming places to start doing more indie work along those lines. Perhaps if the RIAA can see that they will get either a small % or nothing at all we will see how greedy they are. then if the RIAA starts thier own streaming we can organize a boycott to deny them money.
But the thought really hurts those who are making a living streaming the music as it stands. So my idea is probably a bad one. Tis a thought though.
-THIS SPACE FOR RENT!
Sir, I believe you are an idealistic RIT CS student that spends way too much time/effort on his GNU/posts. Please get a life. Thank you.
-Gabe's apartment-mate, Mark
Why am I ignored so much?
-- Hexadecimal.
Why would the RIAA want to fight streaming compulsory licenses? Because of Pressplay and Musicnet of course! The RIAA wants music to be pay-per-listen, and Musicnet and Pressplay, are an attempt at that. Letting other companies stream music competes with the 200 streams a month offered by Musicnet. Why take money from the middleman(Webcasters) when you can screw the customers yourself?
even playing independent music like that, you will still have to pay the $500 minimum annual fee for webcasting.
and while on the royalties for playing the songs themselves, there are certainly provisions in the CARP proposal about artists that fail to choose an agent (i.e. the RIAA/Sound Exchange), but exactly how that part all works isn't very clear at this point.
it seems to me that even using music that the RIAA has absolutely no stake in, they will still collect money from it's use under the current proposal
Does anyone know if there is currently any legitimate, ie. agreed upon by real law-makers, law or legislation anywhere that says radio stations must pay for internet broadcasts? If so, where would that information be found, and does anyone think that such a law could be effectively policed, given the vast number of radio stations across the US alone?
Sometimes I doubt your commitment to Sparkle Motion.
SaveInternetRadio.org or http://208.3.135.80/
Good clearinghouse on the whole issue and links to your representatives. Speak out now or shut up later.
Could webcasters negotiate their own royalty structure with independent bands? Sure you're getting a mixed bag when you do that, but a lot of the local bands I've taken in in various cities have really good stuff. Why not just tell the RIAA to get bent and only do business with musicians who aren't owned by "The Man"?
I'm trying to teach myself to set people on fire with my mind... Is it hot in here?
Please. CongressCRITTER, please.
Infuriate left and right
Because they want the power. The internet will eventually bypass the labels entirely, with bands distributing their own music from their own web site. No middlemen whatsoever. There would still be studios, but little neighborhood ones would be fine, and no distribution networks, no scouts running around the country scoping out bands, etc. This is what the labels fear most. They want to impress people with how important they are, in inverse proportion to how important they actually are. The internet threatens to show that they are wearing no clothes, and that scares the pants off them (so to speak!)
Infuriate left and right
Isn't this similiar to what MS has been doing even if the medium & media is different?
Actually, I will profess a bit of ignorance. How can the RIAA or any other organization for that matter, can dictate terms over and above the one's already negoiated between webcaster and artist(s)? It's not their artist. It's not their IP. The independents would seem to be safe from the RIAA meddeling. The ones who are under the RIAA thumb are the ones who have to worry. The ones by the way, whom most here consider crap.
Wouldn't it be wonderful if the RIAA priced their homogenized crap out of the broadcast market?
"Hello, Listeners! Tonight I'm playing an album by a very talented group you haven't heard of yet. They haven't signed a deal with the RIAA, so we can afford to play their music."
"Those of you who called in requests for Destiny's Child and N'Sync, sorry! We can't afford to play that shit anymore!"
-jcr
The only title of honor that a tyrant can grant is "Enemy of the State."
What exactly has been done to define "webcasting?" The very term seems completely outdated. No one uses the "web" (HTTP) to deliver music any more. So what is the difference between webcasting and standard radio? Let's examine.
Is it having a web page? Of course not. Regular radio stations have web pages, same as webcasters. So clearly the web page itself is not the key factor.
Is it being digital? I don't think so. Consider the new XM satellite radio systems as well as small regionalized experiments with digital radio transmissions. Yet these would seem to be considered closer to tranitional radio than webcasting.
Is it being interactive? This is a big issue for the record companies...but how much control is required before something is interactive? Almost every radio station lets you e-mail song requests. So then, if a "webcaster" used the same mechanism, and disable any form of direct control, wouldn't they fall under the same category as radio stations?
Is it the content delivery mechanism? Consider the hypothetical situation where my computer has an FM radio card. Clicking on a link tunes my radio card to a radio station playing the song I want. Now I'm doing something interactive, web-based, and on-demand...everything that would seem to point to it being a webcaster, but since the music is coming in over standard radio waves, is it?
All of this brings me to my idea...let's grow 802.11 wireless networks specifically for broadcasting music. We aren't webcasting, it's radio wave transmission...same as regular radio stations. The 802.11 spectrum is licensed by the FCC, same as regular radio station.
Then once we are all broadcasting music via radio waves in our localized region, let's join the NAB and pay the same low royalties as regular radio stations. Could they stop us? What could they use to draw a distinction between one form of radio wave carrying music and another?
- JoeShmoe
.
-- I wonder which will go down in history as the bigger failure: the War on Drugs or the War on Filesharing
It seems obvious to me why the "big 5" want the rates to be so high ...
... but charging per-listener will create an instant monopoly. Like broadcast radio, the charge should be per-performance, irrespective of the exact listener count, and the rates should be identical to the broadcast rates. If anything, they should be lower, because internet broadcasts have markets that are smaller then radio broadcasts by orders of magnitude. Sky-high internet radio royalties serve no other purpose but to make internet radio uneconomical for everyone ...
... This is how they plan to steal the entire market for internet radio and put everyone else out of business...
... if the same five corporations that hold the vast majority of the important musical copyrights in modern popular culture all have "internet radio" divisions, then it doesn't matter how much the royalties are -- in fact, the higher, the better, for them.
No matter what the rate is per song per listener, it won't put those five corporations out of business, because, for that specific list of five corporations that dominate the recording industry, royalty payments comprise what is very close to an in-house money transfer. They are in the unique position to be proportionally both the payer and the receiver, and if these royalty rates go through, they will have a guaranteed instant monopoly over internet radio. No one else could possibly afford to go into the business.
Such an outsider -- someone else who wants to start an internet radio station. will have to pay the royalties, but unlike the big 5, who get most of the money back, they won't get ANY of the money back, because they aren't the copyright holders.
Now don't get me wrong, the copyright holder should be paid
... except for the "big 5", who are being handed a brand new monopoly on a silver platter.
That impression of Letterman sucked! The only person who can pull it off well is Norm MacDonald.. but SNL fired him long ago. Bastards.
Not All Who Wander Are Lost
That argument is libertarian bullshit that's totally ignorant of history.
Right! America doesn't even have royalty.
Oh. Oh, I see...
"Goodness me, how unlike the FBI to abuse the trust of the American public." -- The Onion
Speaking as someone who'd be directly affected by the imposition of royalties, I'm not opposed to them in principle. I think it's fair that I pay a reasonable fee for the use of someone else's product.
Is the RIAA a bunch of evil monopolists? Probably. Are they hysterically trying to defend an obsolete business model by suing their enemies out of existence? Absolutely. Neither of those two characterizations change my opinion that it's fair to reasonably compensate someone for use of their product.
My station is small, but growing. Under the proposed rate structure, my royalty liability for the past 30 days would be about $14 (9,683 performances multipled by $0.0014 per performance). That's inexpensive, but a 10x increase in my listener base (not that unreasonable, since I'm small) woudl jack that to $140 for the past 30 days. I'm not willing to pay that for a hobby that generates no income.
The current proposal is unacceptable, but not because of the concept of royalties. It is unacceptable because it's designed to eliminate small webcasters. I'll support and adhere to a ruling that provides for fair and reasonable payment for use of the RIAA product.
Duane
dj@disintegrator.net
Disintegrator Internet Radio - The Best Of The 80s
Really, they do. Just say 'fuck you' to the entire industry.
Start new record companys that tell bands 'hey, we're not as flashy as the big guys, but at least we won't screw you'
Start new radio stations online that don't conform to the big business/crap model that oozes over the airwaves.
Basically just stand up and say 'you know what? The entire music industry just sucks.' and start over from scratch.
Lets ignore the screwed up radio situation and broadcast online. Lets ignore the repressive record distribution system and sell CDs online.
Why go to court? Why even bother with the industry. Let the record executives sit around with their Britney Spears and other assorted flavors of the day. Just ignore them.
Let the real artists use the net in earnest to try to make a living. Hey, if your in a band, why try to work hard to get a record contract, considering that even if you get a contract, there is a 90% chance you'll end up in more debt then when you started?
Just say fuck you. Leave them alone. Let the big businesses keep doing this crap that they do, let them fail. Don't try to play their game. Use the Net and whatever non industry channels you can find and try your darndest to succeed that way.
Hey, I've got broadband. If a good rock station is out there that plays GOOD music I've never heard of, I'll stream it, and if I really like something, I'll probably buy the CD.
The Internet is generally stupid
That argument is libertarian bullshit that's totally ignorant of history.
I'm a Libertarian, and I'm fully aware of the history of sound recording and the idiots who have opposed it at every turn, despite the fact that every advance in recording technology has vastly increased their income.
I think it's worth pointing out that a real Libertarian would object to the RIAA running to the government for privilege after privilege (like the blank tape tax that they got in exchange for rolling over for Tipper Gore's labeling demands, or Disney's creeping perpetuities on the big-eared rat.)
most libertarians have a big blind spot when it comes to the fact that there are some "bad players" who have a CENTURY (or more) of demonstrated history abusing the rights of others whenever they have half a chance.
Most Libertarians take note that when the bad players want to run roughshod over the rights of others, the tool they use to do so is the government, more often than not.
-jcr
The only title of honor that a tyrant can grant is "Enemy of the State."
If you study biology, you will learn that the most succesful parasites are those that don't overly weaken their hosts. Parasites that suck the life out of a host kill the host, then they have to look elsewhere. Such parasites are more likely to die off.
A lesson the RIAA (and MPAA) have not yet learned....
www.eFax.com are spammers
As one industry website points out,
The myth of the "perfect digital copy" is just that -- a myth. This should be the heart of the attack. The argument that current royalty rates would put Internet radio out of business is irrelevent if you accept the claim that Internet radio is threatening to put the recording industry (a much larger industry) out of business.On the other hand, try this on for size.
-
Find a reasonably good quality net broadcaster.
- Make a copy of a good song off of that net cast.
- Make a copy of that same song off of the radio
-
Play back an original CD of the sound, followed by the netcast, and then the radio copy.
-
notice which is the best, and which is the worst.
Although a 'perfect' copy of a CD is possible, it takes 300Kbits to do so. A 128Kbit MP3 is good, but I can tell the difference between a CD and an MP3 when played on my rommate's (MP3 CD capable) car stereo.Internet radion, on the other hand, rarely reaches those rates. looking at the Real audio's tuner page shows 3 station:
KASR FM Radio (sports) broadcasts at 20Kbits/second (I'd describe it as grotty)
Euromix Radio(" Pop to house, trance, techno and energy remixes from DJ Daizzy, ToolMix, Terry Tate and..") broadcasts at 32K bits/second. This is actually better quality than many netcasters, but you can definitely tell that it's a net cast. even with pure voice content in a language I can't understand. KASR radio (specializing in classical music, and thus a good representative of the "high end" of the quality scale) broadcasts at 64Kbits/second. Decent quality, but -- at 6:30AM, on a Sunday -- they're at their audience limit. I can still hear the bite of audio compression (when I can reach them). --- In fact, they're not up to the quality of AM radio -- much less FM.
Going to their search listing for "Seattle", (where Real Audio is based) shows stations rangingr from 20K bps up to 96K for Groove Radio (split between audio and video). I actually found a listing for a Chicago station that claimed 256K/sec, but I couldn't get to them. (I'm guessing that they're also a video/audio mix).
When I worked at GlobalMedia.com (now defunct), we had people who could squeeze the last bit of quality out of a 64K audio stream... (some webcasters don't quite understand what the issues are for getting a decent quality webcast). Even so, the quality never stood up to broadcast radio -- much less the CD player on my computer going through my (25 year old) receiver.
-----
Once you debunk the 'perfect digital copy' myth, then you can get on to the question of what's a resonable royalty rate, as opposed to what would compensate the RIAA for their supposed loss of business.
Sometimes boldness is in fashion. Sometimes only the brave will be bold.
Judges know when they've made a good ruling if both parties are unhappy. ;-)
-Adam
the letter A's placement.
I'm going to reiterate a post I made to another Slashdot "royalty" thread a few weeks ago.
The proposed royalty tree is ludicrous. After all, they're proposing that I pay *them* to give *their* "artists" free publicity. Considering I generate no revenue from the project I'm about to discuss, this is unacceptable!
I'm currently developing a web application called "laconica," which is slated for release in early 2003. Basically, the software permits the users to manipulate the playlist by vote. You could even add music to it. However, such a webcast would be almost impossible to operate legally. First, you would purchase the requisite $500 *license* to be a non-profit channel.
Now, as a non-profit broadcaster, you'd pay $0.05 per every song played. Oh, wait, but laconica is configured with six "genre channels" by default. So, per the CARP, you'd pay $0.14. Although such a small amount of money may appear affordable to casual observers, basic mathematics teaches us that it'd cost $67.20 (assuming that all songs are three minutes in duration and this is a twenty-four hour broadcast) per day to broadcast. That's $2,083.20 per month. But don't worry, I'm certain that the RIAA will have their own manipulative, uninteractive webcasts (laden with ads) for all of us to listen to, designed solely to boost revenues. On one hand, they're ingenious. The RIAA eliminates any chance of an innovative competitor by legislating a monetary defense.
Do you like German cars?
You add the music by submitting the MP3; people then preview it, and, provided it's good, vote it higher.
Har har.
Do you like German cars?
Royalties are so bad that "Happy Birthday" (the royalties of which go to the Girl Scouts and Boy Scouts) can't be used at scouting functions without permission and there has been litigation to that effect.
That's because the Scouts don't own "Happy Birthday". AOL does through its Warner-Chappell Music Publishing division. Perpetually.
Will I retire or break 10K?
The recording companies are a product of government fiat.
Try this: The recording companies as we know them are a product of government fiat. Because of the government fiat, yes, they have been able to make a viable business model of peddling the same mindless pap for years. However, if they had been forced to compete on artistic merit a century ago, they would have a) gone out of business, b) changed their product, or c) discovered what the public wanted was, in fact, the mindless pap that they were pushing, and done well. In any case, without the interference that started giving them power, regulation wouldn't be needed today. In the case of A and B, everybody would be happier--there would be better music, more competition (--> lower prices), etc.; in the case of C, we'd be in about the same boat as today, but if it's what the people really want, well, I suppose they deserve it.
"Make it ten--I am only a poor corrupt official."
--Captain Louis Renault (Claude Rains), Casablanca
True, but should the RIAA demand royalties for artists that aren't even theirs? Should they get ANY money from a webcaster for an independent production?
How many people have an internet connection at work where they can listen all day to a streaming broadcast?
One person listening for hours is worth more than a few people listening for 15 minutes on their way to work. Then it's not such a gamble that their ads get hurt.
"Derp de derp."
Will somebody please enlighten me as to how my post was a troll? Unfair moderation really sucks.
Do you like German cars?