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Music Industry Staggers While Film Industry Blooms

GLX writes "The LA Times is running an article that explores the idea that while piracy has been the (supposed) bane of the music industry, it has yet to be felt in the video industry..." "Yet to be felt" might be too strong, but DVD sales are booming, and don't seem to be much crimped by illegal copying.

176 of 426 comments (clear)

  1. Movie industry makes sale worthwhile by Anonymous Coward · · Score: 5, Insightful

    I'd take a DVD over a DivX any day. I like the extra features on them and the quality is noticeably better.

    MP3s offer the same quality (almost) as CDs and the music industry has no extra offerings on their discs except a bunch of songs that you haven't heard on the radio, usually with good reason.

    1. Re:Movie industry makes sale worthwhile by galaga79 · · Score: 2

      I'd take a DVD over a DivX any day. I like the extra features on them and the quality is noticeably better.

      I never understood why people make DivX rips of their DVDs for backup purposes. The loss of features and quality (as you're are technically transcoding) in the conversion process seems to far out weigh the convenience of not getting out of your chair to find that DVD disc.

      Mind you I must admit I wouldn't mind a DivX copy of AOTC and/or FOTR to tide me over till the DVD releases later this year, but I am prepared to wait and support films I enjoyed.

    2. Re:Movie industry makes sale worthwhile by Wylfing · · Score: 5, Insightful
      This is a very good point. Mod parent up.

      The enormous difference between MPAA and RIAA is that MPAA devised a new format and put it into the market and then let consumers decide whether or not to buy. People opted for DVD on their own [1]. It just so happens that DVDs won't let you make copies, but frankly few people ever make copies of movies (and the movie rental business has proven very successful).

      The RIAA on the other hand does not invent a new format. Instead they just go to government and try to get copying ruled illegal, or try to quietly slip copy-resistant CDs into the market (no new features; same quality). If RIAA could come up with a new way to package music with a bunch of new features that just happened to be copy-resistant, well, maybe consumers would opt for it.

      [1] The DMCA surely helped the DVD push, but it didn't require anyone to buy them. The market could have opted away from DVD.

      --
      Our intelligent designer has never created an animal that we couldn't improve by strapping a bomb to it.
    3. Re:Movie industry makes sale worthwhile by Jucius+Maximus · · Score: 5, Insightful
      "The enormous difference between MPAA and RIAA is that MPAA devised a new format and put it into the market and then let consumers decide whether or not to buy. People opted for DVD on their own [1]."

      The DVD was not devised by the MPAA. It was developed by technology companies like Toshiba, Philips and Sony. These companies wanted to advance digital media and home entertainment experience, while the MPAA would have been perfectly happy to sell VHS forever if the market allowed for it.

    4. Re:Movie industry makes sale worthwhile by Jucius+Maximus · · Score: 2
      "Or not. Wasn't it Jack Valenti (head of MPAA) who compared the Sony beta recorder to the Boston Strangler? "

      That was just the initial 'resistance to changing sales model' that the RIAA is showing now to the convergence of internet useage and music exchange. When the MPAA finally embraced the change it was all good and well for them, making them tons of money each year.

    5. Re:Movie industry makes sale worthwhile by curunir · · Score: 2

      Not to nitpick, because I basically agree with you that CDs should cost a lot less than they do...

      ...but CDs don't have the benefit of theater revenues. People don't go out and drop $8.50 to hear a CD played. Also remember that the recording industry feels that spending millions of dollars promoting an album is absolutely necessary. That drives up costs a lot.

      I personally don't see this driving sales as a whole, but more driving sales from of one album at the expense of others but this can be beneficial to them because they can encourage the sale of music by acts that have contracts favorable to the record companies.

      But your point is basically correct. The record industries need to find a value-add to get us to pay for their product or lower the price significantly. The movie industry has successfully done that...it isn't worth it to pirate a movie for most people.

      --
      "Don't blame me, I voted for Kodos!"
  2. Some comparisons ... by dzym · · Score: 5, Insightful

    A music CD ripped to MP3 typically takes somewhere around 60 to 100 megs of space, with individual tracks averaging around 5 megs each--and can be downloaded separately. A movie of good-length typically takes around 600-700 megs in DivX ;-) format, currently the most popular "moviez" format. This cannot be downloaded and subsequently enjoyed in chunks. Pirating movies takes a substantially higher amount of bandwidth per movie than small-time MP3 warezing, and the bulk of the music industry's loss comes from the high amount of 'small-time" MP3 pirating.

    1. Re:Some comparisons ... by R2.0 · · Score: 5, Insightful

      "the bulk of the music industry's loss comes from the high amount of 'small-time" MP3 pirating."

      Beware of assuming the precedent. Your statement about the industries "losses" assumes a tie to sharing over P2P networks, which is a fallacy (or at least an unproven hypothesis)

      Attn Hillary Rosen et al:

      First prove to me that the losses (if indeed there are any real losses in an industry notorious for cooking its books) are caused definitively by sharing and not by a combination of crappy music and poor management.

      Then prove to me that file sharing networks are illegal per se, and not just that the actions of individuals are illegal.

      Then prove to me that the industry's distribution plans are not monopolistic and illegal in themselves.

      Then you can cross the bridge to the Holy Grail. Until then, argue about the air speed velocity of an unladen african swallow, because it's just about as relevant.

      --
      "As God is my witness, I thought turkeys could fly." A. Carlson
    2. Re:Some comparisons ... by srmalloy · · Score: 3, Interesting
      "the bulk of the music industry's loss comes from the high amount of 'small-time" MP3 pirating."

      Beware of assuming the precedent. Your statement about the industries "losses" assumes a tie to sharing over P2P networks, which is a fallacy (or at least an unproven hypothesis)
      It would be interesting to see, if there was some way to get a statistically valid survey performed, how much money people spent on entertainment over, say, the last three years, broken out into spending on movie theatres, videotapes, CDs, and DVDs. Without numbers to prove it, I can't say with any assurance, but I'd be willing to bet that a significant fraction of the 'loss due to MP3 pirating' the RIAA claims is really a loss from people walking into a media store and deciding that their $20 is better spent on a DVD than a CD.

      I haven't seen that disposable income has taken any abrupt jump in the last year, so with the amount of money available to spend on entertainment, if DVD sales are surging, that means that other forms of entertainment are going to have less money spent on them -- and that means that CD sales are going to take a hit. But the RIAA won't accept that; the premise that the market will provide them with monotonically increasing sales is Holy Writ to them, so any drop in their sales must, a priori, mean that piracy is the reason people aren't buying CDs.
    3. Re:Some comparisons ... by Kibo · · Score: 3, Interesting

      But even more importantly, there is a cost of pirating vs a cost of buying. I can walk into most stores, and get almost any DVD for less than $20 bucks, including special child-proofed editions of Memento with extras all over the place. CD's? Whoa! Maybe, is it on sale? And further more when I buy a movie I know for a fact I'll be getting around 2 hours, give or take, of enjoyment. With music, I suppose I could sit there and listen to the whole album before I buy it, after all it might only take 20 minutes, on a 74 minute cd.

      I'm forced to observe that music costs as much as movies, occasionally more, provides far less entertainment for that expense, and for your trouble assumes you're a criminal just because that's one of many choices a person has. With the music industry so quick to screw me, and music downloading being so cheap and convienent, I sometimes wonder why I don't do it.

      Not that I'm happy with companies like Disney, buying up movies like Kiki's Delivery Service and then not making them available on DVD, or making only vastly inferior versions of eXistenZ available forcing me to get the canadian import. Damn region crap.

      Those businesses who choose not to serve their customers take a page not from Adam Smith's book, but from Lenin's, and they deserve all the mercy and compasion the free market reserves for such businesses.

      --
      --Jimmy has fancy plans; and pants to match.
    4. Re:Some comparisons ... by dinotrac · · Score: 2, Insightful

      That's all fine, but are you preparted to prove that you have some right to other people's work? A right that comes without compensation, without legal basis?

    5. Re:Some comparisons ... by Eric+Damron · · Score: 3, Insightful

      We don't have to "prove" any of your requests. Sharing MP3s without the permission of the copyright holder is illegal. Period.

      Does it hurt the music industry? The question is irrelevant.

      Does the music industry use monopolistic practices? The question is irrelevant.

      Are file sharing networks illegal per se? The question is irrelevant.

      If you don't like the copyright laws then work to change them.

      Stealing music is illegal. Period. End of story.

      --
      The race isn't always to the swift... but that's the way to bet!
    6. Re:Some comparisons ... by Eric+Damron · · Score: 2

      'So, they can just choose to shut down sharing networks without having to prove that they are illegal? Well, for your information, not all MP3s come from a source copyrighted by the RIAA.'

      If you would take the time to actually read my post before spewing out tripe you would see that I didn't say that P2P was illegal or that it should be shut down. Further, I specified that it was illegal to trade MP3s without the copyright holder's permission.

      Obviously it is possible that the copyright holder will give his/her permission and is the reason I included that caveat.

      'Does the Music Industry use monopolistic practices? the quesation is highly relevant.'

      Really? Relevant to what? Certainly not to whether or not stealing IP is illegal. No, it is not relevant.

      ' But anyway, the post you replied to wasn't trying to determine whether 'stealing music' is 'illegal''

      I am perfectly aware of what the poster was saying. The argument that copying IP doesn't hurt anyone is frequently used as a way of absolving one from any guilt in the violator's mind. I have even heard people arguing that stealing other people's intellectual property was "good for their business."

      My point is that whether it is good or bad for the copyright holder's business is IRELEVANT. The copyright holder has the legal right to decide how his IP will be disseminated.

      Maybe you don't like the fact that I commented on the obvious implication of what the poster was saying but then you do not control this conversation, do you?

      --
      The race isn't always to the swift... but that's the way to bet!
    7. Re:Some comparisons ... by Rakarra · · Score: 2
      Well, for your information, not all MP3s come from a source copyrighted by the RIAA.

      When 99% of the content transfered over a filesharing network is illegal, then it doesn't really matter if 1% is legal or not.

    8. Re:Some comparisons ... by himi · · Score: 2

      It might be useful to turn that one around, actually . . .

      By what right does one person restrict another's ability to use and share information that they have acquired from somewhere?

      That's the core of the problem with the current clash between the IP supporters and the sharers (though they may not really know it): this is pure information that people are trying to control, and once that's been released there are no natural barriers to its dissemination.

      Legal barriers to copying were created specifically to make information something that could be owned, in order to encourage people to make it available (which would, in the natural order of things, make that information universally available, and hence impossible to profit from in the normal way). They don't change the fact that information has no natural barriers to dissemination, they merely create legal barriers to that end.

      Personally, I'd argue that I have a right to any information I can get my hands on, and once I have that information I have a right to do whatever I want with it. Releasing information to the public is exactly the same as giving it away freely - there are no natural barriers to stop it's spreading, or to stop it's use. That's the way things work when there are no artificial barriers put in place. It's also a very nice way for things to work - it means I can take all the information I have and use it to create more information, without worrying about ownership or compensating anyone else, or anything like that, things that would normally stymie my creativity greatly. It also means that /I/ can't get any compensation for my creativity. But then, why should I get compensation for building on other people's works? Why should the people I built on get compensation for building on /their/ foundations? All everyone ever does is take an idea and add a bit of creativity to it - this is a valuable exercise, but it's entirely useless if you /can't/ take that idea in the first place.

      So, what does anyone gain by making information something that can't be shared universally? Well, whoever 'owns' that information presumably gains some profit from selling it, and everyone else gains in some limited way from having the information available, even if they're not allowed to build on it without jumping through hoops.

      How does this compare with the case where the information is made freely available to be built on? In this case, the creator of the information gains less, possibly no profit from it (there are definitely models where profit can be gained, and the creator can generally provide some unique qualities related to this information that may allow profits in related areas). At the same time, /everyone/ else gains vastly more than they would have had: they can now take this information and build on it, without any limitations other than their own creativity. Disney can make animated features out of it, playwrites can create salacious parodies laced with all sorts of crap that the originator would never have thought of, writers can create books based on it . . . Anyone can do anything they want. Shakespeare's works are perfect examples of this: think how much has been built on /their/ foundations, that would not have been built if they hadn't been in the public domain.

      Copyright laws supposedly strike a balance between these two sides: enough ownership to allow creators to profit, but not so much that other's can't build. And that's a wonderful idea (I won't go on about how current variations on copyright laws destroy the balance completely - this is more a tract on the underlying philosophy and how realities have changed).

      The problem with copyright laws in the current technological climate is that the actual barriers to dissemination of information have suddenly dropped to almost nothing. Before the digitisation of everything, there were real physical and economic barriers that meant that the originator of a piece of information had a seriously big head start when it came to profiting from that information, regardless of copyright laws or anything like that. Now, though, that has disappeared. Digitised information comes damned close to matching the idealised notion of information that can be universally shared with no natural barriers. It's now just as easy to send someone a copy of a book as it is to tell them about it - two ways to disseminate information, one of which is perfectly legal, the other not, and both conceptually almost identical.

      This doesn't change the fact that the concepts behind copyright are nice. It /is/ generally a good idea to compensate people for their creative work, and no one argues otherwise. What /has/ changed is the workability of current copyright laws: there are no actual barriers remaining, which means that the originator of any piece of information is in almost the same position as everyone else when it comes to profiting from it. No amount of law-making or discussion of the rights of creators will change that - it's just something people have to get used to.

      It seems to me that creators can take one of two roads now: they can try to create an artificial scarcity of the information they create, so that the old model will still work, or they can look for some other way to profit from their creativity. That's where things are now, and as I said, no amount of laws or assertions of people's rights will change the reality.

      So, to summarise the philosophical side, I don't think the question is what right do you have to someone else's work; rather, the question is what right does anyone have to limit the uses one can make of information one posesses, and what right does anyone have to demand compensation for adding their creative bit to the sources they build on.

      The pragmatic side of this is simple: the compromise of copyright is a law which will only work when there are real barriers to the sharing of information, outside the legal controls. Without those barriers, some other compromise needs to be found.

      Or, we can lock information up so tightly that it becomes useless to us - this seems to be the favoured approach of the commercial creators . . . I'd rather not see that happen, personally.

      himi

      --

      My very own DeCSS mirror.
    9. Re:Some comparisons ... by ryanwright · · Score: 2

      but I'd be willing to bet that a significant fraction of the 'loss due to MP3 pirating' the RIAA claims is really a loss from people walking into a media store and deciding that their $20 is better spent on a DVD than a CD.

      In the last three years, I've purchased over 100 DVDs.

      In the same amount of time, I've purchased zero CDs. That's right: Zero, zip, nadda. When I was in high school and CDs were new, I recall paying about $14 for one. Now, they're $18-$20. I don't know what the hell happened, but I'm not spending that kind of money for an album with maybe two or three good songs. Not when I can get a 2 hour movie for the same price.

      (Hilary's logical conclusion: Force the motion picture industry to raise prices! Yay!)

      --
      -Ryan, with the unoriginal sig
    10. Re:Some comparisons ... by dinotrac · · Score: 2

      Ah, the standard shlock debaters trick. Use a generic word like information to mask the actual problem.

      Copyright does not restrict access to information in any way. Copyright is designed to protect authorship, not to restrict the flow of information. In fact, you will find that pure information cannot be copyrighted. Classic examples include contest rules, recipes and phone books.

      Trouble is, books and songs and paintings and the like are more than information in much the same way that automobiles and airplanes and houses are more than metal and glass and brick.

      It's ok to get philosophical, but you should do it honestly. This whole "information" charade denigrates artists and authors, pretends that they make no unique contribution. If that were the case, however, that they truly add no value, then there should be no market in pirating -- oops, liberating their product.

      In fact, it does more. It turns the moral and just (that the spoils of creation should rightly flow to the creator) on its head (any old bozo should be able to appropriate your work without consideration).

    11. Re:Some comparisons ... by iabervon · · Score: 2

      I think the losses (and I think they are starting to do actually worse these days, maybe even worse by more than other people) come in part from sharing. But much more, I think they come from an increasing perception that paying for recorded music doesn't benefit anyone deserving (unless you can somehow get in touch with the artists personally). Better to copy the music, get it used, listen to stuff you already have, etc, and then reward the bands you like by going to their concerts.

      People like bands. That's all that's ever made money for the RIAA. Increasingly, high-profile bands have been saying that the RIAA does nothing good for them. Nobody wants to pay a third party to screw over everyone involved.

      Furthermore, it's been easy for a long time to avoid paying the RIAA; early 90s consumer equipment will give you good, fast copies of tapes (and tape copies of CDs). People bought copies of things their friends had because they thought it was the right thing to do. Now the perception is that it is better not to buy music when possible. So long as people have this attitude, the RIAA is in serious trouble.

    12. Re:Some comparisons ... by himi · · Score: 2
      Copyright does not restrict access to information in any way. Copyright is designed to protect authorship, not to restrict the flow of information. In fact, you will find that pure information cannot be copyrighted. Classic examples include contest rules, recipes and phone books.
      How can these things be anything /but/ information, if digitising them results in a copy that could be considered equivalent to the original? That's the whole point of digital data storage: you take some representation of something, and convert it into a big number. The encoding scheme and that number /are/ that piece of data, and if that's equivalent to the original, then the original was obviously a piece of information that /could/ be encoded that way.
      It's ok to get philosophical, but you should do it honestly. This whole "information" charade denigrates artists and authors, pretends that they make no unique contribution. If that were the case, however, that they truly add no value, then there should be no market in pirating -- oops, liberating their product.
      Would you like to explain to me how calling something information denigrates it? This seems to be beyond my feeble mind, which sees the word 'information' as the appropriate term for describing meaningful data: that's how the word is used in computing, at least. Meaningful data is hardly an insult, unless you find the idea of calling art 'data' insulting.

      I also can't help wondering where you got the idea that I was pretending that people creating new things made no unique contribution. In fact, I explicitly stated that they add their own creativity to the mix, and that this added value. I also stated that people using other's creations added their own creativity, and that this was an endless cycle of building on other's works. Yes, each person is adding value, but each person is also deeply indebted to those they're building on - should we force anyone who wants to create something new to seek out all their possible sources of inspiration and pay them money? Only the first people in the chain? Or the first two, if they happen to be alive? Where does that end? And why should one person get something for free from the public domain, when another has to pay? Was one worth more than the other, because one author died 150 years ago and one died 50 years ago?

      I'm not saying there's no value in these things, I'm arguing with the idea that the person who created them deserves some unique right to profit from them. After all, that person was building on other's work - why should he profit when /they/ won't?
      In fact, it does more. It turns the moral and just (that the spoils of creation should rightly flow to the creator) on its head (any old bozo should be able to appropriate your work without consideration).
      Okay, there you just sank into the realms of bullshit. "moral and just"? What's moral and just about that line of reasoning? It's probably a good idea, if you want those creators to keep on doing whatever it is they're doing (though even that is debatable where 'art' is concerned, since most art is done for personal reasons, not profit), but moral and just? Moral, that one person should profit from something when millions might profit otherwise? Just, that one person should profit when those this person used don't? I'm not entirely sure I like your morality, or your idea of justice.

      Bah. I'm disappointed - I was looking for a reasonable discussion, not a collection of straw man arguments and ad-hominem attacks. Thankyou for ignoring my argument and ruining my day.

      himi
      --

      My very own DeCSS mirror.
    13. Re:Some comparisons ... by God!+Awful · · Score: 2


      First prove to me...
      Then prove to me...
      Then prove to me...

      Since when has the burden of proof been transfered from the copyright violator to the copyright holder? Sure, that's any easy way to win any argument when the other party wants to argue more than you do. It's much easier to nitpick at someone else's argument than to formulate your own.

      I'm going to stick a gun to your head. I'll let you go, but only on three conditions:

      First prove to me that guns don't kill people, people do. Otherwise, I won't feel guilty when the gun kills you.

      Then prove to me that your life is good for society as a whole. As we all know, when the founding fathers included "thou shalt not kill" in the constitution, they meant for that protection to only apply for the first 12 years of your life.

      Then prove to me why you should be allowed to have a monopoly on your blood when I have a colony of pet vampire bats who are equally deserving of it.

      Ignore the fact that I have no right to point the gun at you in the first place. That's not relevant here, apparently.

      -a

    14. Re:Some comparisons ... by dinotrac · · Score: 2

      Re: recipes, contest rules, phonebooks
      They are not copyrightable, though elements of them may warrant copyright protection.

      For one who claims to wish a reasonable argument, you certainly back away from one. You started by asking for proof of some things. I asked if you were willing to prove your right to take someone else's work, to take the fruit of their labor and creativity without compensation, without consideration.

      You may think justice, equity and morality are bullshit. I don't. I certainly Hope that I never do business with you, rely on you to tell the truth in a trial, or count on you to perform any important duty.

  3. Warning by Slashdot's+Attorney · · Score: 2, Funny

    Slashdot does not condone piracy of music, videos, or software. The above information is presented for entertainment purposes only, and should not be construed as approval of any illegal action.

  4. My take on it by rattler14 · · Score: 4, Interesting

    IMHO, there is very little difference between mp3 and CD quality. Yes, there are differences, and audiophiles will point this out every time. But the fact is, most users don't care.

    Now DVD's vs DIVX. Not only can the quality suck (artifacts all the time), but the sound can be totally out of sync, which is really really annoying. Plus, unlike mp3 CD's which can be played in just about any new CD player, DIVX does not play in standalone DVD players without hacking the hardware.

    But, this could change...

    --
    my last sig was too controversial... now, a new and improved useless sig!
    1. Re:My take on it by JWW · · Score: 2

      Great point. The basic gist is that if you were to make a coaster out of DVD-r media, you could have just as well bought the thing. Two failed burns and you're losing money.

      Also the biggest thing about DVDs is ... THEY GO ON SALE. Sure they start out at $20, but after 3 months many can be bought for $15 or less. Older movies often go for less than $10 dollars. Old CD's never go on sale. The CD from which I have downloaded the most mp3s is over 20 years old. Sure its a classic, but at the store its STILL $16.

      The biggest difference between the Video and Music businesses is that the Music business is run by a price fixing cartel. Screw 'em, if I walk into Walmart with $16, I'll walk out with a DVD and not a CD every time.

    2. Re:My take on it by inkfox · · Score: 2
      Consensus seems to say the major factors are differences in quality and playback. In addition I posit that the difference in features and even the price of copying (real copying, not converting it to something else) a DVD isn't favorable. With many DVD's running around $15 to $20, with surround sound, subtitles, menuing, and extra features, it just doesn't seem to be worth it to make a dvd-r/ram/rw duplicate, judging from blank dvd media prices at mainstream places like Ciircuit City, which run about $8/disc, $6-$7 for a 3-pack. That's already about 50% of the cost of the actual thing.

      Not to mention the price of the burner. I just bought a HP DVD+RW and it set me back about $450. CD-RW burners can be had for one tenth of that price.

      --
      Says the RIAA: When you EQ, you're stealing bass!
    3. Re:My take on it by Trepidity · · Score: 2

      -V 0 isn't really good with LAME -- it lowers the ATH threshhold below what the GPSYCHO model can really accurately handle, so you end up with a bunch of wasted space for no quality gain. Better command-lines are "--alt-preset standard" (avg. 180-200 kbps) and "--alt-preset extreme" (avg. 230-250 kbps), which have been extensively tweaked by double-blind tests over at hydrogenaudio.org (I would put what each preset stands for, but much of their quality gain comes from code-level tweaks that you can't replicate with your own command line).

  5. Urie needs a clue-by-four. by Cutriss · · Score: 5, Insightful

    "How are people going to justify stealing a movie by saying it isn't any good after the movie's already a $100-million hit?"

    There's a difference between earning $100M in the box office, and *spending* $100M to make radio stations and Top 40 charts play music that doesn't have public appeal behind it.

    "Urie says his company doesn't heavily research consumer attitude, noting, "We tend to ask how can we make more money and sell more product, not deal with consumer gripes."

    And therein lies the problem.

    --
    "Mod, mod, mod...and another troll bites the dust."
    1. Re:Urie needs a clue-by-four. by ObviousGuy · · Score: 2

      There's no doubt that they deserve to go broke, but the question is if you are going to break the law to help bring them down.

      --
      I have been pwned because my /. password was too easy to guess.
    2. Re:Urie needs a clue-by-four. by tbmaddux · · Score: 2
      How are people going to justify stealing a movie by saying it isn't any good after the movie's already a $100-million hit?"

      Single counter-example. "Wild Wild West." Made $113,745,408 according to the all-time box office numbers at IMDB. I'm sure there are other examples.

      Making $100M, especially nowadays when the hype is enough to get a few people to go to the opening and pay astronomical ticket prices, doesn't really say anything about whether the movie is "good" or not. "Good" is an issue of personal taste, not earnings, be they at the box office or at the record store.

      I'm not too shocked that Mr. Urie doesn't seem to grasp this.

      --
      Can't you see that everyone is buying station wagons?
    3. Re:Urie needs a clue-by-four. by einTier · · Score: 4, Insightful

      Urie says his company doesn't heavily research consumer attitude, noting, "We tend to ask how can we make more money and sell more product, not deal with consumer gripes."
      I think GM did the same thing in the 70's, 80's and arguably well into the 90's. Maybe Urie should ask how it's working out for them -- they used to have a greater than 50% share of the automobile market.
      And then they got cocky. "Those stupid consumers will buy anything we put our name on! We don't have to make better cars, we're GM! We know what they want better than they do!" Seems like a real good way to do business to me.
      The RIAA is falling down the same trap. They've gotten so used to being the only outlet that they got used to telling us what we want instead of listening to what we want. You've got to focus on making the customer happy, then you can sell more product and make more money in the long run. By treating your customer like an idiot, you'll make more in the short term, but you'll lose brand loyalty, and ultimately, your customer base.

      --
      -------------------------------------------------- $665.95 -- retail price of the beast.
    4. Re:Urie needs a clue-by-four. by jandrese · · Score: 2

      I don't need the law, I can just stop buying CDs (whoops, already did). The problem is that the RIAA is now saying that I'm not buying Britney Spears because I'm obviously getting them off P2P networks. The truth of the matter is I'm not getting Brittney Spears because she can't sing. Still, the record industry is going to try to charge me (via laws and fines) for that Spears album anyway, since the problem is obviously not on their end.

      --

      I read the internet for the articles.
    5. Re:Urie needs a clue-by-four. by DohDamit · · Score: 2

      Urie needs another whack. I don't download mp3's, even though I have the cable modem. I don't steal anything. I buy what I want. I don't want some fuckhole telling me what I should spend my money on. I NEVER give money to the asshole if the nice guy is also available. Furthermore, I don't like the shit they're putting out for the most part. For the stuff I do like, I have never bought beyond the second album for any artist. Why? Because it sounds the SAME. I have my cd collection. It numbers around four hundred. Do the math, I'm too lazy. What it gathers up to is is this: I don't need any more music that sounds like what I already have. Fuck him and his attitude.

      I have a feeling people like myself(twenties, earn a good salary, male, hate motherfuckers like him) are hurting his bottom line a whole hell of a lot more than a bunch of teen agers on their parent's DSL/cable modem.

  6. In related news... by Jon+Abbott · · Score: 5, Informative

    Vivendi Universal and Sony Corp. are preparing to sue individual song swappers... I'm curious how this will be done.

    1. Re:In related news... by Lothar+0 · · Score: 2

      My moral impulse says that it would be a horrible idea. My Machievellian side says it's a terrific idea - have them incur public backlash by dragging the neighborhood 14-year-old song-swapper before a judge and maybe get these insane laws overturned in the process.

      --
      "Anonymous Coward" is for whistleblowers, not unpopular opinions.
    2. Re:In related news... by Cpt_Kirks · · Score: 2, Informative

      Isn't Vivendi Universal circling the bowl? They are about to join the ranks of Enron, Worldcom and Martha Stewart...

    3. Re:In related news... by Rupert · · Score: 2

      This would be the same Vivendi that is paying their ex CEO $18 million as a reward for getting their stock suspended four times?

      I think they have bigger problems than individual song swappers.

      --

      --
      E_NOSIG
  7. Interesting pricing by jhines · · Score: 5, Insightful

    When the CD soundtrack costs as much as the DVD withe the movie and more, that explains a LOT.

    DVD movie prices are going down, and consumers feel they have value. They don't feel the same way about overpriced CD's.

    1. Re:Interesting pricing by BoBaBrain · · Score: 2

      Spot on.

      It is much more expensive to buy a soundtrack on (cheap) CD than it is to buy the whole film itself on (costly) video.

      Having said that, watching a pirated movie on your PC sucks, while listening to a pirated CD isn't too bad at all. Maybe when PCs come with 72" flat screens the price of DVDs will rocket...

      --
      I am a Karma Library.
    2. Re:Interesting pricing by Tune · · Score: 2, Insightful

      > Music doesn't have that initial money from a movie theater type situation.

      How about concerts, festivals and movie sound tracks? In your line of thinking, shouldn't life recordings, sound tracks and "best-of collections" be far less expensive?

    3. Re:Interesting pricing by Fat+Casper · · Score: 2
      Something that people have to realize is that movies come out in movie theaters first and make big $$$. Then they come out on DVD and it is just a bonus for the studios.

      So? I'm a consumer, and I don't recognize the inherent right of any company with a flawed business model to deserve a profit. I If I can buy a DVD for less than the soundtrack, I've got issues. The DVD has the music on it- I could legally get on LimeWire and download backups of the music I just bought without neeeding a soundtrack.

      CDs are overpriced, plain and simple. Yes, artists are underpaid. They deserve a larger piece of a smaller price. The labels and the RIAA are the problem, and I'm not going to subsidize their abuse of the consumers- or our radio choices.

      --
      I spent a year in Iraq looking for WMD and all I found was this lousy sig.
    4. Re:Interesting pricing by SerpentMage · · Score: 3, Interesting

      And that is the entire crux of the issue.

      The movie industry is based on the concept of making new movies and then "renting" them. They have diversified their income that no one thing can hit them too hard.

      Movies make money from sales at ticket office, sales to rentals, sales to individuals, sales to hotels, sales to TV stations and movie channels. What do radio stations sell? A CD and some sales to Radio stations (even that is the other way often).

      The point is that the music industry screwed up in not figuring out how to make money elsewise.

      The movie industry simply were better business people....

      --

      "You can't make a race horse of a pig"
      "No," said Samuel, "but you can make very fast pig"
    5. Re:Interesting pricing by SerpentMage · · Score: 3, Informative

      You have that wrong. Movie companies only make 25% of their income from theaters. Movie companies make more money renting the movie out in terms of DVD's, etc.

      Check the stats...

      The movie industry now wants to get into the rental business by selling 4 Euro DVD's that only allow you to play the movie once. After that it is garbage. The home market is MUCHO BIGGER for the movie industry.

      --

      "You can't make a race horse of a pig"
      "No," said Samuel, "but you can make very fast pig"
    6. Re:Interesting pricing by Zelet · · Score: 2

      But life recordings, sound tracks and "best of collections" don't make 150 million in a single weekend.

      I'm not saying that the music industry is right in their pricing. I think CD are overpriced by about $9 a piece. But, at the same time you can't compare the price of a DVD with the price of a CD because there are movie theaters and video renting to help fund the production of movies.

      --
      ...And when they came for me, there was no one left to speak out for me." - Martin Niemoeller (1892-1984)
    7. Re:Interesting pricing by Saint+Fnordius · · Score: 2

      The sad thing is that most record companies and movie companies are just arms of one bigger company- see Sony, Disney, AOL Time Warner, Viacom, and so on. Is this a case of the home video division being determined not to repeat the mistakes of their music division brethren? Or are they playing "drug dealer", trying to get us hooked on their DVD crack?

      I think it's just a case of inertia on the part of the recording execs. They can't see how lowering prices could boost sales. Or rather they can, and realise it'd help the little guys more. They don't care about the music, the musicians, or even the "Industry". They just care about their empires.

      (BTW: when you see a really cheap CD amongst a lot of high-priced crap, don't you instictively think that it must be even crappier? It takes effort to overcome their conditioning.)

    8. Re:Interesting pricing by Jeremi · · Score: 2
      But, at the same time you can't compare the price of a DVD with the price of a CD because there are movie theaters and video renting to help fund the production of movies.

      Of course, offsetting the above is the fact that movies take an order of magnitude more money to produce than music CDs do. (Yes, they do. Anyone who tells you otherwise is probably referring to the obscene amounts of money spent on the promotion of certain CDs... a cost which is an artifact of a flawed business model, and not a cost that is inherent to the medium itself)

      --


      I don't care if it's 90,000 hectares. That lake was not my doing.
    9. Re:Interesting pricing by God!+Awful · · Score: 2


      The DVD has the music on it- I could legally get on LimeWire and download backups of the music I just bought without neeeding a soundtrack.

      These days, a lot of films have soundtracks that were "inspired by the movie." You'll probably find one song over the opening credits and another over the closing credits. The rest may not even appear in the film at all.

      CDs are overpriced, plain and simple.

      I don't know why a DVD for a movie that I am probably only ever going to watch 2 or 3 times is worth more than a CD that I will probably listen to 100 times or more.

      -a

  8. Bane by Mr_Silver · · Score: 3, Insightful
    The LA Times is running an article that explores the idea that while piracy has been the (supposed) bane of the music industry

    Oh, I'm pretty damn sure that piracy is the bane of the music industry.

    It's just that they sell truck loads of absolute rubbish to 14 year old Britany Fans/N-Sync/Backstreet Boys/etc who don't go and download their music.

    This is what makes up a very good proportion of the vast amount of money they make.

    --
    Avantslash - View Slashdot cleanly on your mobile phone.
  9. Ummmm....Price? by the+Man+in+Black · · Score: 5, Insightful

    I'm impressed that no one mentioned the fact that I can get the new Collector's Edition of "The Evil Dead", complete with 4 hours of extras and a special "Necronomicon cover" for ~$20, while Britney Spears most recent 65 minutes of suck costs about the same?

    1. Re:Ummmm....Price? by mbbac · · Score: 2, Funny

      Where can I get a DVD with 65 minutes of Britney Spears sucking?!? Dammit, man! Provide a link!

      --

      mbbac

    2. Re:Ummmm....Price? by TheGreenLantern · · Score: 5, Funny

      The problem is, many more people out there (read: teenage girls) would rather have the Britney Spears CD than the 8th "Special Edition" of Evil Dead. Even with the Necronomicon cover.

      If Sam Raimi was a teen heart-throb, you'd better believe you'd be paying over $20 for that DVD.

      --

      It hurts when I pee.
    3. Re:Ummmm....Price? by samael · · Score: 2

      How many hours of watching does that collectors edition get? Most people watch a movie 3 maybe 4 times tops. Add in a watch of the 4 hours of extras and that's 20 hours total.

      How many times do you listen to an album? I've listened to some of mine over a thousand.

    4. Re:Ummmm....Price? by Titusdot+Groan · · Score: 5, Informative
      How about comparing apples and apple sauce:

      Harry Potter and the Sorcerer's Stone (Full Screen Edition) DVD $15.99

      Harry Potter and the Sorcerer's Stone - Original Motion Picture Soundtrack $13.99

      The full DVD with the movie, games, deleted scenes, a 360 view of Hogwarts, etc. etc. is only $2 more expensive than the soundtrack for the same movie.

    5. Re:Ummmm....Price? by CProgrammer98 · · Score: 2, Interesting

      Try Amazon.co.uk

      Harry Potter DVD - £16.99
      Soundtrack CD £17.99

      Truly Bizarre!!!

      --
      And the people shall be oppressed, every one by another, and every one by his neighbour Isaiah 3:5
    6. Re:Ummmm....Price? by Fat+Casper · · Score: 2
      The full DVD with the movie, games, deleted scenes, a 360 view of Hogwarts, etc. etc. is only $2 more expensive than the soundtrack for the same movie.

      That's the full DVD including the soundtrack. So, buying the soundtrack on its own, without the movie or special features only knocks $2 off the price. As an added bonus it comes in a cheaper, more breakable case.

      --
      I spent a year in Iraq looking for WMD and all I found was this lousy sig.
    7. Re:Ummmm....Price? by killmenow · · Score: 2
      Yeah, but here's a good example of a DVD that I thought was worth the purchase: Almost Famous. Now, say what you will about whether you liked the movie or not, because it's a moot point.

      The DVD, for ~USD$25 came with:
      • One DVD with theatrical release, plus directors narrative audio track
      • One DVD with "directors cut" of the film, before it was titled
      • An audio CD with six songs "by" Stillwater
      Now, that audio CD is in my car and gets listened to frequently. I've watched the theatrical release and the "Untitled" version several times each, and listened to the aggrandizing directors audio commentary track.

      More importantly, you couldn't buy the audio CD elsewhere...(that I know of). Point being: the movie studios are generally better at understanding what it takes to make the experience and packaging the whole thing for the consumer. It makes it a better buy. Your average CD is one to three good songs you'll soon be sick of hearing because of heavy rotation and seven to ten you'll never hear on the radio and be thankful for it.

      It's natural that one will sell and the other will falter without artificial rules and restrictions to prop it up.

      That being said, The Eminem Show my friend let me borrow is a good listen (mostly because it makes me laugh) but something I would never buy because to me, it's not worth USD$18.
    8. Re:Ummmm....Price? by killmenow · · Score: 3, Funny
      So, buying the soundtrack on its own, without the movie or special features only knocks $2 off the price.
      That made me think: Perhaps the problem is the sheer arrogance of the music industry. They think that of all the content on a $16 DVD, the music contributes 87.5% of the value! The actual movie, extras, etc. are relatively unimportant at only 12.5% of the value...Shit! I get it now! The only reason we watch movies is FOR THE MUSIC!!!
    9. Re:Ummmm....Price? by 1g$man · · Score: 2

      But... which do you spend more time using: your average DVD, or your average CD?

      I think DVDs should cost less than a CD. I'll probably watch the DVD 2 or 3 times at most then it'll sit on the shelf for ages, whereas the CD will be listened to hundreds of times.

      That's why I rarely buy DVDs. It's cheaper to rent even a couple times.

    10. Re:Ummmm....Price? by praedor · · Score: 2

      Did you say "65 minutes of suck"?! Hell, her music sucks royal ass but her? I'd let her suck me for 65 minutes. How do I get in on that?

      --
      In Bushworld, they struggle to keep church and state separate in Iraq as they increasingly merge the two in America.
  10. If the music wasn't so shit ... by NotZed · · Score: 3, Insightful

    ... people might buy more of it.

    Get off the "pirate" crap, the music is shit (and overpriced, esp in USA, thanks to your protective trade policies), and thats the real reason nobody is buying much of it.

    Large corporations (the real pirates) making carbon copies of the latest plastic fad, trying to guide the public tastes, and mostly just getting it plain wrong.

    The only guy I know who copies stuff all the time, copies movies just as much as music. And I can't imagine him with a sword cutting your legs off - some pirate.

    --
    _ // `Thinking is an exercise to which all too few brains
    \\/ are accustomed' - First Lensman
  11. Video piracy is newer by micromoog · · Score: 2

    Music piracy has been going on en masse for several years. Video piracy is newer. It's just a matter of time and technology . . .

  12. No hardware player... by Kjella · · Score: 2

    It's that simple..... I got computers right-left and center.. I'm considering making one of them my PVR, but having a simple CD/DVD player that I could just pop in a burned CD-R into would be so much simpler, for good and for bad. But I suppose hardware MPEG4 decoding is coming (the card for PC is already here) so I suppose there's only a matter of time before a standalone player incorporates it, well that is if anyone dares...

    Kjella

    --
    Live today, because you never know what tomorrow brings
  13. Simple Math by MBCook · · Score: 3, Insightful

    Would you rather pay $20+ for a half hour of music (when was the last time you bought a CD that was actually near 74 mins?) or pay that same $20 or so to buy a 2 hour DVD that also has extras? That's what I thought. DVDs are actually worth the money they cost, while CDs are grossly inflated. IMHO of course.

    --
    Comment forecast: Bits of genius surrounded by a sea of mediocrity.
  14. piracy is a red herring. by uncoveror · · Score: 4, Interesting

    Hollywood made more money the Memorial Day weekend of 2002 than at any other previous time. Piracy is no threat to them. People who watch pirated movies on their computer are just sneak previewing, and will go to a theater. People who buy pirate DVDs at the flea market for fewer than ten dollars won't pay full retail for legit ones. People who do pay full retail for legit ones wouldn't be caught dead in a flea market or with DVDs from one. When you boil it all down, piracy is a non-issue. Shutting it down would not get Hollywood or the recording industry any richer. They are wasting their resources fighting it, and would waste our resources if Congress gives them tax money to combat piracy. This is all true of the recording industry as well. They are not interested in anything but protecting their power over artists.

    --
    The Uncoveror: It's the real news.
  15. Re:Multiple transfers by dzym · · Score: 2

    Try watching the movie in sections at the same time. Can't do that.

    Again, it's a matter of convenience and practicality.

  16. 65 minutes of Britney sucking? by jonr · · Score: 2

    Scares me and intrigues me at the same time...

  17. Re:Multiple transfers by RatFink100 · · Score: 2

    It would - but most movie downloads are via p2p noetworks, usenet or IRC not ftp.

  18. Realistic Pricing by DeadBugs · · Score: 2

    DVD's generally are priced pretty good compared to CD's. I spend an average of $12 for each new DVD. I have found some for $6. Most these DVD's come loaded with extras and multi-disc sets. CD's are priced way too high, with no extra's. I usually get my CD's from a used CD store. $18.00 for a new CD is outrageous.
    Of course maybe the DVD industry has not been able to get together and fix prices like the CD industry.

    --
    http://www.kubuntu.org/
  19. Ok, so let's figure this out.. by sporty · · Score: 2, Interesting

    Dvd's have been around for what, about 4 years? Anyone find the back to the future dvd yet? No. But many other movies out of the past and present are coming to dvd. Music has been on cd for at least 10 years.

    Now here's the clincher. Music now-a-days just sounds like carbon copies of everything. Remember bands like Bush, Motley Crue, Metallica (before they sold out), Rob Base, Run DMC and the likes? Today's day and age seems more of a rehash of everything that's already been done. Why buy crappy music much less rip it?

    --

    -
    ping -f 255.255.255.255 # if only

    1. Re:Ok, so let's figure this out.. by Jucius+Maximus · · Score: 3, Informative
      "Dvd's have been around for what, about 4 years? Anyone find the back to the future dvd yet?"

      Why don't you do some research and find out? The reasons wht this movie have not been released yet (and the officially annouced DVD Region 1 release date) have been available for some time now. The non-appearance of this film on DVD so far is not an evil conspiracy.

      FYI: There is currently a DVD BTTF available but it is a bootleg of the chinese laserdisc. The real product is coming.

    2. Re:Ok, so let's figure this out.. by sehryan · · Score: 2

      Today's day and age seems more of a rehash of everything that's already been done.

      Thats because music runs in a cycle. Look back 10 years ago. Same thing as is going on here, music hit a wall, became repetitive. Then grunge came along and kick started music (also helped usher in CDs).

      Now go back about 12 years...disco was waining, becoming repetitiver. And then 80s came along and started all over again (ushering tapes this time).

      Now go back about 10 years before that. The Beatles to disco transition. And 10 years before that, the Elvis to Beatles. And it keeps going. You even see it in classical, though the cycles are much longer (100 - 150 years).

      My theory is that we are getting ready for the next wave. Music has hit a wall, a new distribution method is bursting at the seams...I would bet that by 2005, we will be riding high on the next wave, and the RIAA will have embraced MP3s, or some variant.

      --
      The world moves for love. It kneels before it in awe.
    3. Re:Ok, so let's figure this out.. by sporty · · Score: 2

      Point being, there are more in the realm of CD's than there are in DVD's.

      --

      -
      ping -f 255.255.255.255 # if only

    4. Re:Ok, so let's figure this out.. by MrHanky · · Score: 2, Interesting
      Now here's the clincher. Music now-a-days just sounds like carbon copies of everything. Remember bands like Bush, Motley Crue, Metallica (before they sold out), Rob Base, Run DMC and the likes? Today's day and age seems more of a rehash of everything that's already been done. Why buy crappy music much less rip it?
      Interesting post, mostly because you are wrong. There's a lot of good, new music on the market these days. Much of it is both better and more original than the bands you list here. Of course, that also means it's more "difficult", and therefore it's not marketed as heavily.

      I suggest the record companies really have a marketing problem: all the shit they try to shove down people's throats is, well, crap. :-) It doesn't create an interest in music, doesn't stimulate one's curiosity in new (or old) genres. The bands they advertise are just products, or commercials disguised as products (Spice Girls was a commercial for the product Spice Girls). The culture around it is lacking.

      So where does this leave the interesting new music? You don't need marketing to make music, so it will still be made. And it will have an audience, since most people know some other people, and will tell them to listen whatever they listen to themselves, if they think it's of any interest. That's culture. Take part in it yourself, and you will find many people make good music, even though RIAA tells you it's out of fashion these days. The fact that the large record companies suck should not prevent you from listening.
    5. Re:Ok, so let's figure this out.. by Misch · · Score: 2

      Then grunge came along and kick started music (also helped usher in CDs).

      That's not really true... the real ushering in of CD's came from the recording industry itself, who decided on the death of vinyl. They changed their policies and decided that they would no longer buyback unsold vinyl records. This change caused many many many retailers to not stock vinyl anymore, and stock CD's instead, as there was far less risk in selling something that they could give back to the recording industry.

      --

      --You will rephrase your request for me to go to hell. Goto statements are not acceptable programming constructs
    6. Re:Ok, so let's figure this out.. by sporty · · Score: 2

      That's not totally true. Rap now is nothing like rap as it was in the 80's. Hell, disco and folk music is a rarity in today's music.

      --

      -
      ping -f 255.255.255.255 # if only

    7. Re:Ok, so let's figure this out.. by sporty · · Score: 2

      Granted, good music will always be made, the music industry itself, the people who make the round thingies we listen to (records or cds) is less about getting the good music out there but the next sexy/outrageous thing out. Britney spears and Ozzy's little girl seem more about glam and wow and less about writing original music.

      --

      -
      ping -f 255.255.255.255 # if only

  20. Interesting pricing by Zelet · · Score: 3, Insightful

    Something that people have to realize is that movies come out in movie theaters first and make big $$$. Then they come out on DVD and it is just a bonus for the studios.

    Music doesn't have that initial money from a movie theater type situation. I think that is why the record companies are more scared and more affected by piracy.

    (Although, I feel that CDs are overpriced and DVDs have much more value per $)

    --
    ...And when they came for me, there was no one left to speak out for me." - Martin Niemoeller (1892-1984)
  21. Maybe It's Not Piracy... by dbretton · · Score: 2

    That's hurting so much.

    Maybe, just maybe , it has something to do with that a DVD costs almost the same as a CD these days...

  22. Consumer dollars shifting by Demon-Xanth · · Score: 2

    This appears to be more of a function of consumer dollars shifting to something that IS coming out with new and good material.

    The music industry has been so stagnant that new material worth the gas to drive to the store is rare. There are GOOD movies on DVD that people want to watch. They can claim piracy is killing them but until they wake up and realize that they have to market stuff the record sales are going to fall.

    --
    If you think education is expensive, you should try ignorance -- Derek Bok, president of Harvard
  23. OTOH by Lysander+Luddite · · Score: 2

    Pink Floyd and the Beatles continue to sell well 20-30 years after their release.

    Don't blame teenie boppers only for a large number of sales.

  24. It's called 'entertainment value' by interstellar_donkey · · Score: 4, Insightful

    There is a very simple line of logic industry leaders seem to forget. People will often spend more money on things they enjoy then something they don't.

    The sad fact is, the quality of main stream music has continued to fall, and yet the industry seems to continue to put greater and greater restrictions into what can enter into the market.

    The quality of movies seems to fluctuate, but at the very least, one can say that every year we get quite a few movies that are highly entertaining. This is despite the fact that the market already has quite a few restrictions as to what can enter.

    Simple solution? Stop making music that is'nt entertaining, start charging prices that are out of sync with the quality of the product.

    --
    The Internet is generally stupid
  25. It's a matter of value added by Ride-My-Rocket · · Score: 3, Interesting

    When you buy a DVD, you usually get higher quality output, less volatile / damage-prone media, and the quality won't crap out with extended use. In addition, you usually get a bunch of extras / goodies tossed in, such as interviews, Easter eggs and deleted scenes. Plus, you're able to rent a DVD first if you don't wanna buy it outright, sample the goods, and then decide if it's worth it to buy it.

    With music CDs, you can't conveniently sample the music before you buy it. Or maybe you can, if you go to a Virgin MegaStore and stand at one of those kiosks for 90mins, but that's not for me. Music CDs don't have any *bonus* features beyond what you hear on the radio, and it's rare when you ever hear more than a single song or two on the radio, to give you an idea of whether the price of the CD is worth the quality of the entire album.

    So am I surprised that the music industry is faltering at a time when video is booming? No. Piracy does and will continue to happen -- you can bitch about it, or you can improve your legit product and/or change your business model to make it more attractive.

    Do I have a good solution for how the music industry can solve its woes? Nope. But I don't feel sorry for them -- they've been dragging their feet for decades, exploiting the lack of choice of musical options by jacking prices way up for shoddy, over-produced sound. And they continue to do it......... and so, I continue to pirate most of my music and only buy those items I deem worthy of my hard-earned greenery.

  26. It's in the difference of use by r_barchetta · · Score: 3, Informative


    I'd suspect (though I have no proof) that a significant factor here is that a good number of people do most of their music listening on their computer (at work or otherwise). This is certainly true for me. Thus the mp3 format is so popular. Small files that sound good. And they're easily accessible right at your desk.

    A movie is a totally different experience. I will always choose to watch a movie on my 27" tv rather than a smaller (even 19" is too small) computer monitor. Screen size is important. And in addition to that my couch is more comfortable and my stereo speakers are better than my computer speakers. Why on earth would I watch movies on my computer? (OK, maybe while travelling but that's a different environment anyway.)

    Not to mention what others have already brought up: Divx quality is noticeably lower than DVD quality, while mp3s can and do approach CD quality.

    There. Those are my pre-coffee thoughts on the matter.

    -r

    --
    Just because something is free does not mean you have to take it.
    1. Re:It's in the difference of use by Shelled · · Score: 2

      I think you have it backwards, a good number of people who listen to music on their computers download mp3's. I'd wager the vast majority still use radios and personal portables. The Slashdot audience is a skewed sample.

  27. Re:just wait for dvd burners by killmenow · · Score: 4, Interesting

    Copying a DVD with a DVD-R/+R/-RW/+RW burner is ok if you want to lose (or completely redo) the menus, extra features, etc. If all you want to copy is the film track itself, ok, but because all the DVD (re)writeable formats are single layer, many DVDs require a 2:1 burned DVD to original DVD ratio. So, your menus will not work unless you redo them.

    And if all you want is the film itself, get yourself a decent DVD player and rip the DVD to SVCD on a CD-R. Much cheaper than burning DVDs and (imho) just as good quality.

    On another note, I d/l-ed a DVD to SVCD rip of LoTR/FoTR that took 4 CD-Rs to burn, but is excellent quality. I will buy this DVD. Call me what you will for supporting the companies that try to thwart fair use, etc. but it's good and I expect additional features on the DVD would hook me if the movie itself hadn't already.

  28. Renting of movies? by taeric · · Score: 3, Interesting

    I would think one of the major differences in the movie versus music debate would be that you can rent movies.

    Sure, this doesn't mean any difference at all to the high tech computer user who would be willing to download anything. However, for the average layman who isn't sure about a movie, it can be picked up for rent at the local video store for relatively cheap. Especially if you go in with a few friends for a cheap night of entertainment.

    Compare this with music CD's. If you aren't sure about an album, you have very limited choices. You can buy it and hope it isn't horrible, you can not buy it, and finally, you can download it. In all cases, the price is either non existant, or at least 14 dollars (US).

  29. Prices make the difference by anewman · · Score: 2, Interesting

    Take for example, a CD. $20. Now, all DVD's (whether you buy them in store or on a place like Amazon) are, at the most, $20. Old classics, such as Airplane! and the like, can be had at some places used for as little as $6. The quality of the product is higher, and the price is right. As long as Hollywood can keep putting out some decent movies, the same fate that befell the music industry should not happen.

  30. Freeloading movies _is_ getting easier... by cca93014 · · Score: 2, Insightful

    Some points:

    - The Divx format is getting better all the time - it is currently far better than VHS, for a 1 disk per movie rip. 2 Disk per movie films are generally of very high quality. Not DVD quality, but not far off.
    - Broadband is slowly getting cheaper and more prevalent. Within a few years I can't really imagine more than 10% of the net using dial-up.
    - Some p2p apps are VERY good. Edonkey, for example, pretty much maxes out my 1024 downstream when a new release comes out. It's relatively simple to get working - about as painless as Napster was.
    - People are slowly getting DivX capability in their living room, be it through a PC connected to the TV, a DreamCast or no doubt fairly soon a ps2/xbox.
    - The releases are coming thick and fast. Especially if you dont live in the US. dvd rips are often out before the film is in theatres here in the UK.
    - CD burners and Blank CDs are ridiculously cheap.

    Put that lot together and I'd say the movie industry should be pretty worried.

  31. Re:It's just that the movie industry is REALISTIC. by RatFink100 · · Score: 2

    It might also have something to do with the fact that a movie can make a profit through the theatrical release. The DVD/VHS/TV rights revenues are just a bonus.

    Is there an equivalent for music? There's not enough money in radio airplay revenues to outset the 'promotional' costs involved in getting the airplay in the first place.

    Touring? Big bands make big bucks on tour. Lucky and talented smaller bands break even. Most are losing money but doing it for love of music or hopes of future success. So unless you're already famous through radio and CD sales - don't expect to make a mint on the road.

    That only leaves the CD sales themselves. Hence the reason why they are more anti- 'sharing/piracy' (delete according to your pov)

  32. Lunacy by The_Shadows · · Score: 2

    "How are people going to justify stealing a movie by saying it isn't any good after the movie's already a $100-million hit?"

    Lots_of_money_made != good_movie

    Heck, by Urie's logic Phantom Menace was good. *shudder* ugh. Jar-Jar. */shudder*

  33. This one should have an OBVIOUS tag. by Tinfoil · · Score: 2, Insightful

    With so many ISP's now capping usage and a half decent quality movie going at around 650 megs it's quite obvious why the movie industry isn't getting hit as hard. I am capped at 5GB allowing for less than 8 movies total leaving no room for MP3's and pr0n.

  34. Maybe because by BrodieBruce · · Score: 2, Insightful
    people see a movie, like it a lot, and then buy it. For many, movie piracy is just a way of obtaining an early copy of a film before--and only until--they can purchase it on dvd. And of course, a way to avoid paying to see a movie that doesn't look like it's worth the money.

    On the other hand, there are very few cds that I like completely. I listen to less than half the songs on 90% of the cds I own. I'd be willing to pay $1 per song in .wav format, but I can't do that for every song I want. And I really don't give a darn for paying $20 for a cd half full of songs I don't like, songs which I think the artist may have recorded only to fill the rest of the cd.

  35. People Updating Their Collection by fishlet · · Score: 5, Insightful

    I know not everybody does the same thing that I do, but when CD's first arrived I was eager to replace many of my favorite cassette tapes because of the CD's higher quality and convenience. I wonder if DVD sales aren't for similar reasons. Now that you can get many older movies for less than 10 dollars... I bet many people are just upgrading their collections. Like CD's, that'll probably drop off as people for the most part have what they want and the only thing left to get is new releases.

  36. would you want to? by gimpboy · · Score: 2


    Try watching the movie in sections at the same time. Can't do that.


    while some movies might break up into convenient pieces for viewing, most dont. i personally wouldnt want to watch the first 15 minutes of a movie then the minutes :50 through 1:05, the catch up on :30 through :40, etc.

    every movie would be like pulp fiction.

    really though, for most people who get the bulk of their music from the net, downloading movies is really not that big of a deal. alot of them are students taking advantage of their fast connections at school or friends of people with fast connections.

    --
    -- john
    1. Re:would you want to? by ceejayoz · · Score: 2

      every movie would be like pulp fiction.

      Or Memento...

  37. It's an Historical Fact.... by 3seas · · Score: 3, Insightful

    That during times of social stress, such as war and/or poor economic times, the film industry does better.

    The reasoning is quite simple. People want to excape the harshness of reality, even if only for the break of 2 hours.

    I suspect the record industry wouldn't had noticed any decline, but perhaps even a boost, had they not pissed, moaned,
    and called consumers pirates in general (which doesn't help the consumer excape anything).

  38. DVD Sales Booming by Te1waz · · Score: 2, Insightful

    Doesn't say much about VHS sales.
    I'd say a fair percentage will be people re-buying what they already have on VHS.
    The fact that the re-released movie will often have a load of extras and 'collectable' packaging and it's the consumers choice to rebuy makes it a valuable retail adition.
    Meanwhile the Music Industry trying to lock-down usage with copy-protected CDs that are incompatible with the Compact Disc standard hoping to cash in like DVD and you can't get more out of touch than that...

    I'm sorry, I've forgotten what my point was...

    --
    From my Autobiography - "Lifestyles of the Sad and Desperate"...
  39. Don't get too excited about Hollywood by jht · · Score: 3, Insightful

    It's not like the Hollywood studios "get it", either. The reason the DVD format is booming is because it actually delivers reasonably good value at a reasonable price. Most CD's do not. It's also a lot more trivial to rip tunes than it is to rip a movie - and as a playback device the computer today is well-suited to MP3 playback but today is only really a movie playback device for the truly hardcore geek.

    Remember, in many cases the record companies _are_ the movie companies (Sony, AOLTW, etc.). It's not like they've seen the light or anything. These are the people who fund the MPAA (MPAA vs. 2600, anyone?). They just got lucky with DVD and hit a consumer sweet spot. For now.

    --
    -- Josh Turiel
    "2. Do not eat iPod Shuffle."
  40. Re:DVDs good value for money? by SerpentMage · · Score: 2

    And this is where I find it funny that in Switzerland I can buy cheaper DVD's than in the rest of Europe.

    I typically pay per movie about 20 Euros maybe 25. I have no idea why DVD's are cheap here, but they are and I am very happy about it.

    --

    "You can't make a race horse of a pig"
    "No," said Samuel, "but you can make very fast pig"
  41. DVDs have value-add by totallygeek · · Score: 2

    I am an avid punk rock collector. Now with more than 400 compact discs in my collection, I have never bought into the idea that the Internet causes music piracy. I have more than enough bandwidth and burners to download what I want, but purchase the CD to get the liner notes and silk screened art on the compact disc itsself. Did I go buy a CD with the two "Major Tom" songs when I just wanted to hear them once? No, I downloaded them and have since deleted them, but I think the majority of rabid downloaders wouldn't buy compact discs regardless. They are the type that bug people that have purchased the CD in order for them to make a copy.

    Now, I also like movies. My DVD collection is not impressive by any means, but I think piracy will be COMPLETELY different in the movie market, so long as the industry keeps in mind value-add. DVD movies can come with so many extras that you wouldn't get if you ripped just the movie. Even with an exact duplicate of the DVD, some movies contain information booklets in the DVD jacket. If you marry the purchase of the content with the need for the packaging, you will end up with less piracy (IMHO).

  42. True, BUT... by Andy+Dodd · · Score: 2

    The cost of "developing" the content is far smaller.

    A lot of artists can barely get a middle-class income for their efforts - Whereas Hollywood spends millions just to produce the movie.

    If CDs sold for $5 and artists got only 25% of that, they'd STILL be making far more money than they do now.

    --
    retrorocket.o not found, launch anyway?
  43. Rentals by Cpt_Kirks · · Score: 3, Insightful

    You can rent a DVD for a couple of bucks. You watch it a couple of times and that's it.

    Music is different. You listen to it over and over. Most people don't watch movies dozens (or hundreds) of times.

  44. Re:usenet rar and par by gimpboy · · Score: 2


    The problem with usenet is storage. Your ISP does not like to store huge amounts of binaries. They clean out the big groups too often, causing parts to go missing. Often finding the missing part can take days or weeks.


    thats where the pars come in. they can reconstruct missing rar files. also, if your isp doesnt have a good news server you can get a commercial one. i believe they cost around 10 or 15 dollars a month-if it's worth it to you.

    Also, breaking big files up and reassembling them is a bit of a pain. It is *WAY* easier to just stick the file in your shared directory. Most users just go that path.

    i could be wrong but i'm pretty sure there is an easy way to automate the breaking up portion. reassembling them isnt that hard:

    #this recovers any missing rar files
    #as long as there are less than 'n'
    #rar files missing
    $par r base_file_name.part01.PAR

    #this restors the rar's
    $rar x base_file_name.part01.rar

    #cleaning up directory
    $rm -rf *.P* *.rar

    really it's not that hard. hell with a little scripting it could be automated. i would imagine that windows has a point and click version.

    --
    -- john
  45. I can't believe nobody is mentioning this by WebMasterJoe · · Score: 2

    Well, the most obvious reason I can see, ignoring everything else, is the fact that to get acceptable quality video, a movie is going to take up several gigabytes of disk space. This may not seem like much to the average slashdotter, since we no doubt have our cable modems and 100 gig hard drives, but a lot of consumers are still working with their 4-20 gig hard drives and 56K modems. To these people, the size of these movies are inconceivable and the time it would take to download them is just too long. And DVD burners are still too expensive (and they probably don't let you copy DVDs anyway) to justify purchasing one instead of a legitimate copy of the movie.

    Then there are the P2P apps which just aren't reliable enough for consumers to download the entire movie that they want. You can usually get a song with minimal trouble, but try downloading a 1200 megabyte file - they're rare enough that you can't usually download from multiple sources, and there's a really good chance you'll lose the connection anyway.

    We've got the technology, but we don't have the critical mass of users with broadband and huge hard drives who also share movies on the same P2P network and leave their computers running all the time. There isn't much point in considering the other reasons people are listing here because the difficulty of digitally pirating movies is enough to eclipse other motivating factors. Although, incidentally, I agree that DVDs are much more worth their price for the quality of the product.

    --
    I really hate signatures, but go to my website.
  46. Extras for music disks by Thagg · · Score: 3, Insightful

    I was surprised to read in the article that one of the most important reasons that DVDs do so well compared to CDs is that so many extra features are included with DVDs. It makes sense, you can't see this extra stuff any other way -- it's not in the theaters. On the movies that I work on, the compilation of extras for the DVD has gone from being an afterthought to an integral part of the production. As DVD sales become a larger part of the 'box-office' for films, it wouldn't surprise me if the extras became as big a job as the original effects (we're an FX company, and so far the extras have focused on FX).

    For some albums, there could be wonderful extras. The VH1 Behind the Music show on the making of the Graceland album, for instance, was absolutely wonderful. It had Paul Simon going through the various elements of each song on the original 24-track tape, describing what each element was, where it came from, and what it was meant to convey. He also talked about the lyrics, in a wonderfully honest and reflective way. I'd be happy (ecstatic, even) to pay $20 for a CD if it came with that kind of stuff.

    Unfortunately, much of the pop music today probably doesn't stand up to that kind of in-depth analysis. But these 'extras' might really help distinguish high-quality well-thought-out music from the pap. Well, one can hope.

    thad

    --
    I love Mondays. On a Monday, anything is possible.
  47. CD pricing outrageous!! by MtViewGuy · · Score: 2

    I agree with what you said.

    Think about it: here in the states, the price of album length Compact Discs have reach US$18 per disc--an outrageous price in my opinion! CD's should be priced more like US$10-US$11, which would cut down the incentive to pirate CD's.

    Meanwhile, the price of Region 1 DVD's are amazingly cheap: you can get most discs for anywhere between US$15-US$25, and even large sets are reasonably priced for what you get.

    With the price of console DVD players dropping under US$100 and with DVD-ROM drives so cheap nowadays, no wonder why DVD's are exploding in popularity.

  48. When the masses leave the mass market by sixdrift · · Score: 3, Insightful

    It is easy to blame somebody else when you have a problem. When you monopolize an industry and then crank out near clones of the same basic beat and rhythm over and over and over, why should you wonder? Could it be that over-saturation of the market is taking place? Could it be that people think your product sucks? Could be.

  49. can someone PLEASE point me in the direction by night_flyer · · Score: 2

    of a MAINSTREAM band that is ORIGINAL? I have yet to find many. No originality, no passion, nothing that I want.

    --


    Thanks to file sharing, I purchase more CDs
    Thanks to the RIAA, I buy them used...
  50. A good movie, by oliverthered · · Score: 2

    A good movie will still make $100,000,000 if it's re-released 5 years down the road.
    (without any tarting up), no matter how many people own pirate coppies.

    --
    thank God the internet isn't a human right.
  51. Apples and Oranges by ivan256 · · Score: 2

    Aside from the fact that there's not good way to have an enjoyable experience with a downloaded unauthorized copy of a movie right now, there one difference that throws off this whole comparison.

    The quality of video available to the public is increasing, and the prices are decreasing.

    The quality of music (both the audio quality and the quality of the product) is decreasing, while the price is increasing.

    As an aside, has anyone noticed how the variety of music available in music stores has decreased tremendously lately? It's almost impossible to find something specific if it wasn't a top 40 hit in the last 30 years.

  52. Re:It's a simple equation by mark_lybarger · · Score: 2

    regarding processor speed... i'll guess that within 3-4 years, she won't still have that machine. i'm just guessing here, but lots of computers are used in the business world. they're on a 2-3 year plan. using a 3 year old machine at work myself right now (p2 366), i realize why those cycles are in place. you can get more work done when you're not spending time waiting for the system to respond to your input. when you're at home typing a document, sure a P-166 will handle that fine, but business just don't work that way.

    back to bandwidth speed, of course you're not complaining with your SDLSL, most people don't really dent the throughput on those systems on average. there's a reason you're not on 56k dial up. it takes time to connect each time, and though it's usable for browsing, it's not lightning, and any use other than simple browsing is SLOW.

  53. Re:DVDs good value for money? by Tune · · Score: 2

    That's not the point. I don't buy DVDs, I tape TV programs, using a crappy VHS.

    Sure you can get your stuff a lot cheaper. I'd merely like to point out that many stores put a high tag on DVDs and most customers buy their discs in these stores, merely because customer satisfaction is in seeing - buying - using withing a short timespan; not having to turn on your computer, find a descent price and having to wait for a day or so. Many people have access tot good shopping centres within walking distance.

    And in the end, what it comes down to in a free market, is that based on supply and demand, DVD vendors - like CD vendors - ask an unreasonably high price. We probably all agree that most people would not bother about p2p sharing if music discs would cost $4 and video discs $6. And that doesn't mean you have to rip off any artist.

  54. Value maybe?? by Astin · · Score: 2

    The way I see it, I can buy a DVD that gives me a 2 hour movie, hours of behind-the-scenes footage, deleted scenes, alternate versions, multiple commentary, languages, subtitles, easter eggs, DVD-ROM features, background information on the cast, crew, etc, etc, etc.. All of this in unique cases, layouts, booklets, etc.. And how much does it cost me? As little as $15 (CDN), and rarely more than $35. What does a CD cost me, which has MAYBE 50 minutes of music on it, if I'm lucky a creative set of liner notes, and a "secret" track tacked on at the end? Anywhere from $10-$30.

    I was never a BIG CD buyer to begin with, but over the past 5 years I've bought maybe 4 or 5 CDs total, because NOTHING out there interests me, not because I'm a rampantly pirating. I've been shoring up my jazz collection mostly, which involves a lot of Coltrane, Getz, Peterson, Powell, and the like, nothing new. Just about everything out there is made to be enjoyable for a couple months of casual listening and then you're sick of it. When someone like Alicia Keyes is touted as a "piano prodigy" I want to be sick. The fact is that the recording industry is offering us nothing worthwhile.

    To compare music to movies is an apples and oranges situation. One utilizes one of our senses and is often limited in what it's capable of offering as a bonus (the odd enhanced CD notwhithstanding), the other is being thought of while main production is occuring. Filmmakers look towards the DVD market now so that NO scenes get thrown out, interviews and commentaries are lined up in contracts, and the consumer gets something worthwhile. I don't feel bad about being short $30 for a double-disc DVD of a movie I can watch time and again and still say "Hey, I haven't checked out the commentary of the visual effects supervisor."

    In short, DVDs cater to their market far, FAR better than CDs do. That's why one market is exploding and the other is dying. Piracy plays such a small role. I know just as many people who download DiVX movies as mp3s.

    --
    - In hell, treason is the work of angels.
  55. Re:DVDs good value for money? by demaria · · Score: 2

    There are now quite a few DVD players with a built in VHS VCR for playback and recording.

  56. Prices, again. by autechre · · Score: 2


    If we're strictly talking about value/dollar and leaving out any politics, mainstream DVD releases are a much better deal than mainstream CD releases. Many people have pointed out why already. This is not to say that I feel comfortable buying either at the moment.

    Independant music will continue to have CDs which are full of varied songs of good quality. It will continue to cost less than mainstream music, and will continue to be composed of artists and labels who are mainly concerned with getting their music heard.

    Are there bad bands on indpendant labels? Oh, yes. But try this: visit http://www.cmj.com. Try to find a local college radio station (a real college station, not one that just rebroadcasts NPR and isn't even run by students [coughJHUcough]) and tune in. Whether you like world music, electronic, hip hop, jazz, rock, punk, folk, or whatever, I'm sure that you can find several independant artists to your liking.

    There are still major label releases worth buying; the recent albums by Gorillaz ("G-sides") and Badly Drawn Boy ("About a Boy") really stand out (and these get played on college radio, too). Radiohead and Tool have never let me down. But, _in_general_, if you want more for your money, try to find some independant artists that you like. It costs less to see them live, too.

    --
    WMBC freeform/independent online radio.
  57. Two Words by st0rmshad0w · · Score: 3, Funny

    There are only two words that need to be said to explain why the music industry is tanking (if it is indeed, which I doubt):

    American Idol

  58. Good Grief! by beleg777 · · Score: 3, Insightful

    "Urie says his company doesn't heavily research consumer attitude, noting, "We tend to ask how can we make more money and sell more product, not deal with consumer gripes."

    Ok, being out of touch is one thing. But openly saying that he doesn't care about his customers, just how much money he makes? It makes me sick that a person like this can be taken seriously. I know American business is all screwed up, but when people can actively ignore the desires of the customers and expect to prosper, ugh, something needs to be fixed.

    And for that matter, how can anybody not realize that satisfying customers IS a way of making more money?

    --

    Science may someday discover what faith has always known.
  59. I hate dvd "features" by Eugene+O'Neil · · Score: 3, Insightful

    I never understood why people make DivX rips of their DVDs for backup purposes. The loss of features and quality (as you're are technically transcoding) in the conversion process seems to far out weigh the convenience of not getting out of your chair to find that DVD disc.

    What "features" are you talking about? The FBI warnings and other crap you are not allowed to fast forward through? The menu systems that freeze if you click the wrong sequence of buttons? The Foreign language soundracks I don't understand? "Special" features that are not compatable with my machine?

    I specifically remember the moment I knew I would have problems with DVDs. I wanted to watch the DVD of "office space", but when I put it in my machine, I saw a screen that looked exactly like a computer desktop with a download progress-bar.

    Annoyed, I tried to fast-forward, but I couldn't. The bar inched across the screen, making disk-drive noises, but just before it was finished the computer "crashed" and displayed a message that said "press enter to continue". After freaking out for a minute, I realized there was actually an enter button on my remote, so I pushed it. That took me to the main menu.

    A harmless joke, right? Well, in this case, yes. But it made me realize that when I put a DVD in my machine, I am giving up control to the author of the DVD. He can tell me when I can fast forward or not, and he can put any other arbitrary barriers to watching the movie he wants. Once I became sensitive to the issue, I have noticed hundreds of little examples of this phenomenon. The possibilities are endless, and I shudder to think what will happen when the big corporations really start taking advantage of them.

    When I rip a DVD, I am taking back control. I choose the track, I rip it, and then I can do anything the hell I want with it, just like I could with VHS. If the makers of DVDs were not so fixated on taking control of my "viewing experience", maybe I would just go with the flow... but they have already gone too far, and they are only planning on going farther.

    1. Re:I hate dvd "features" by squaretorus · · Score: 2

      This kind of riping is much like in the old days of games on the C64 - when we ran programs to rip the graphics out of them - you could take all the sprites and backgrounds and put them into a draw program!

      Why? Because you wanted to! You never did anything with them, I sometimes used them in my own games - but then, only about 10 people ever played my games!

      Ripping a DVD is the same. I SERIOUSLY hate having to watch warnings and stuff, EVERY SINGLE TIME I watch a movie! Sheeeesh! Give me a DVD player that ignores all that crap and I'll buy 10!

    2. Re:I hate dvd "features" by donk,+the+magic+llam · · Score: 2, Interesting

      check out www.nerd-out.com/darrenk/ for options on removing "UOP" or "User Operations Prohibited" from various DVD players (usually via a patched FW that can in many cases be flashed by burning it onto a standard CDR with a specific filename). I've done this on my DVD player (an Apex AD-600A), and it lets you skip whatever you want and jump back to the title screen whenever you want. Actually, by default (without any patching) you can make the Apex AD-600A disable all menus and just let you choose which tracks you want. You can just turn them off with a button on the remote. I don't think features like this are usually available on the like of Sony and Pioneer players... If your looking for a fun (in the hacker sense) DVD player, get a cheap-o one with an ESS chipset and a standard IDE interface. You can make them play MP3s, MPGs, view JPGs off a standard CD, or you can add a 80gig hard-drive, or compact-flash reader and use it like a jukebox for under $200US...

    3. Re:I hate dvd "features" by fishbowl · · Score: 2

      >What "features" are you talking about?

      I know enough people who'd say, just the running commentary is a big enough feature to make the format attractive.

      You fell for the joke in Office Space?

      --
      -fb Everything not expressly forbidden is now mandatory.
  60. Hmmm $19 for a DVD vs. $18 for a CD by gelfling · · Score: 2

    That's why you nimnertz!!!! For like 1 whole dollar more I can get the whole fucking concert in home theater sound vs. the audio CD.

    The whole music industry is run by retarded drunken monkeys and they deserve nothing short of flaming death.

    1. Re:Hmmm $19 for a DVD vs. $18 for a CD by WildBeast · · Score: 2

      good point. Afterall, hundreds of millions are invested to make a nice movie. How many millions do they invest in making an audio album? Geez. Audio CD's shouldn't cost over $10 Canadian.

  61. Look at the last war period... by farrellj · · Score: 2

    The last time there was a major war happening that the states were involved with, I am willing to bet people went out to see more movies than bought music! (That includes sheet music sales since that was the more popular form of "distributing" music back then)

    ttyl
    Farrell

    --
    CAN-CON 2019 - Ottawa's only book oriented Science Fiction Convention! October 18-20, Sheraton Hotel, Ottawa, Canada h
  62. Message to RIAA: It's the price, stupid! by dcavanaugh · · Score: 5, Insightful
    Compare a DVD movie to an audio CD. At Walmart, a DVD costs maybe $22, whereas a new-release CD costs $14. Then again, you can rent the DVD at Blockbuster for a few bucks, whereas there is no such thing as audio CD rental.

    The movie is 2 hours of audio + video, with production costs running into the millions. The CD is maybe 1 hour of audio (15 minutes of good stuff diluted with 45 minutes of filler), with a production budget that is a tiny fraction of what the movie costs to produce. The blank media & burning cost of the DVD is probably 5x the cost of the CD. I'm ignoring the promotional costs of both because the hype machine runs at full blast for both anyway.

    There is at least 10x the amount of data on a DVD compared the CD. At $22, it's just not worth finding a way to download & store all those gigabytes. If you can rent the movie for $5 at Blockbuster, it's not even worth considering the piracy alternatives. On the other hand, saving $14 by waiting 10 minutes to download & store 30 megabytes (for 15 minutes of audio)is a much more attractive proposition.

    In my unscientific little survey, the CD price is roughly 65% of the DVD price. For 15 usable minutes of audio??? Which can be easily ripped, burned, and shared??? This would be like the bicycle industry pricing the average bike at $5000 and then wondering why (a) nobody is buying bikes, (b) motorcycles are selling just fine at $8000, and (c) there are these patent-infringing criminals who copy our designs and make bikes for themselves with parts from Home Depot. We must stop the criminals because they are killing our business!

    Emulate the orignal (uncrippled) Napster. Collect $5/month from every customer for unlimited MP3 transfers. Watch the piracy problem disappear. It's that simple. My current budget for CDs is $0, which would increase to $60/year under this arrangement. RIAA, it's your choice: do you want me to pay you $60 or $0 per year? Hint: If you choose $0 you will have a revenue problem.

    The audio piracy problem exists only beause the recording industry's business model encourages it. The DVD industry survives because the prices are not so high as to encourage the pirates, and there are low-cost rentals to make sure they get some money from all potential customers. On the other hand, the audio industry sells only complete albums at inflated prices, without meaningful low-cost options for those who pass up the chance to buy the whole enchilada at full list price. These idiots will soon be getting 100% of nothing, which is precisely what they deserve. If there was an economic category for the Darwin awards, the RIAA would get my nomination.

    1. Re:Message to RIAA: It's the price, stupid! by dcavanaugh · · Score: 2
      You're right about their disorganization and tendency to disagree. Yet they do a remarkable job of keeping the prices in line across-the-board. If their members are so disorganized, how is it that they get nailed for price fixing every so often? The answer is simple: they can cooperate when they want to.

      Flat-fee service would be the only way to go. A pay-per-download service would get clobbered by the same P2P "aftermarket" that exists today. Kids (who don't have credit cards or other online payment options available) would trade files amongst themselves, UNLESS their families were "download club" members and could get whatever they want, pretty much whenever they want it. My theory is that it is more profitable to get some revenue from everyone than it is to make sure that each track is paid for.

      It would not be all that hard to make a flat-fee service work. All they have to do is take the RIAA portion of profits and distribute to the labels and artists, proportional to the total downloads, artist by artist, label by label. Such a method would be equitable and would produce a hell of a lot more revenue that what they do now. Current thinking in the music industry seems to be fixated at the high end of the price vs. volume curve. Their pricing (partially assisted by P2P) has reached the point of diminishing returns, but they aren't ready to admit it.

      Note that copy protection is meaningless, no matter what the industry does. "Harry Potter" was released on DVD, allegedly without Macrovision. It won't be pirated all that much because the price does not really encourage piracy. If it were priced at $300, Macrovison wouldn't help -- the hackers would get the job done and the pirate copies would be everywhere. It's the same story with all the hare-brained DRM audio file formats. If the music industry fixed the underlying business problem, the piracy problem would be small enough to be ignored.

    2. Re:Message to RIAA: It's the price, stupid! by dcavanaugh · · Score: 2
      Do you have telephone service via conventional landline? Does your rate include unlimited local service? The teenyboppers spend alot more time on the phone than you do, yet everyone pays the same rate. I might spend more time watching basic cable TV than you do, but that isn't metered either. If basic cable was all pay-per-view, I wouldn't be viewing OR paying. Even cell phone plans (unlimited long distance/roaming/night/weekend) are slowly becoming flat-rate. Sure, you can buy a pay-as-you-go cell phone, but it's not a bargain for most people. Would you buy software that was pay-per-click?

      If there were such a thing as pay-per-download service, it would have to co-exist with the flat-rate plan. By the time you downloaded some miniscule number of files, your cost would exceed the flat-rate cost. It's like visiting a fast food restaraunt and spending the extra 10 cents to upgrade your medium soda to a "big gulp". Such a thing would be by design, because the people selling the service would like to see a steady stream of monthly income, without having to worry about the sporadic fluctuations in revenue caused by seasons, weather, news, etc. They still have to count the downloads to calculate the royalty distributions, but the customer should perceive the service as a buffet. Otherwise, the download service would have about as much appeal as pay-per-view CNN.

      The music industry waited far too long to sieze the high ground in this battle. The fight against Napster (instead of buying it or making a deal) was a hall-of-shame strategic blunder. At this point, they need to settle for something that generates revenue from the broadest possible audience. To accomplish this, they need an "ultra-simple" business model -- something that is universally perceived as a bargain. As soon as they try to determine who should pay more, the game reverts back to piracy.

      I don't care if the teenyboppers download 10x as many files as I do. I don't care how much they pay, either. As a customer, it's all about my cost and my benefits. At $5/month, the only people who would opt out are the ones who don't buy or download much of anything.

  63. What am I getting for my $20? by techstar25 · · Score: 4, Informative

    DVD Movie: usually over 3 hours of audio and video
    The movie itself (widescreen and fullscreen)
    The movie with a directors commentary
    Isolated score
    Trailers
    Deleted scenes
    Outtakes
    Music videos
    "The Making Of" Featurettes and Documentaries
    Actor bios
    Production photos and notes
    DVD-Rom material for your computer

    Music CD: usually 30-50 minutes of audio only
    8-15 Songs
    Sometimes some multimedia to view in your computer
    Sometimes will not play in your computer at all

    The American consumer isn't that dumb.

  64. Downloading Movies by javacowboy · · Score: 2

    It's much easier to download music than it is to download movies. The average movie file is 600 Mb. The average MP3 is 4 Mb. Add to that the fact that it's much easier to rip audio CD's into MP3's than it is to copy DVD's into AVI's or MPEG's, and the supply of downloadable movies will be far lower than the supply of MP3's. Thus, there's a huge supply-demand imbalance on file-swapping programs (like KaZaa) for movie files. As a result, downloading a movie file can take forever, due to the fact that 20 million people are trying to download the same movie file at the same time.

    Perhaps that's why the movie industry hasn't suffered as much as the recording industry.

    --
    This space left intentionally blank.
  65. Umm....supply has nothing to do w/production cost? by moncyb · · Score: 2

    Supply is directly tied into production cost, so production cost has everything to do with supply.

  66. Unit price? by camfucius · · Score: 3, Insightful

    I don't know about all of you but my mp3 collection is pretty diverse. I have a song or 2 from hundreds of different 'artists'. But rarely do I have more than 3 songs from the same 'artist'. And more than likely those 3 songs aren't even on the same cd(and yes I have downloaded other songs from their cd's...I just don't keep them because they suck). What do you suppose the chances of me going to buy a $16 cd with 1 or 2 songs that I like on it? Indeed, not very good. Now when I buy a DVD I watch(and like) the whole thing. To me $16 isn't bad for 2 solid hours of entertainment. But in the case of most cds the entertainment lasts around 15 minutes. Not such a good deal. DVD: $8/hr CD: ~$60/hr Just a thought. --------------- Sometimes I feel bad about 'stealing' the music, but that feeling usually passes when I actually do buy a cd and find that 3/4 of the songs are terrible. You can't tell me that the 'artists' don't know that most of the music that they are putting out will never want to be heard. They have to know. And if they do know, why don't they release a cd 1/2 as often and have twice as much good music on a cd. Then I would consider it a better deal. Otherwise aren't they sorta stealing from us? Also, I'm just curious: Has anyone else ever tried to return a cd because the music on the cd was so terrible? We would do it with any other product, wouldn't we?

  67. What is a good movie? by IPFreely · · Score: 2
    The confusion seems to be in the definition of "Good". To those of us who watch, "Good" has to do with the story, acting, production quality and some other things.

    To a movie company, "Good" is a movie that makes lots of money. By their definition, a 100M$ movie is good no matter who liked it or not. The finest acting and story that only make 20M$ is not a "Good" movie to them.

    --
    There is nothing so silly as other peoples traditions, and nothing so sacred as our own.
  68. More interesting by tkrotchko · · Score: 2

    What's more interesting to me is the MPAA didn't WANT to diversify, they courts essentially forced them into that position.

    Maybe the RIAA could learn something there.

    --
    You were mistaken. Which is odd, since memory shouldn't be a problem for you
  69. Here's the RIAA's problem by Jason+Levine · · Score: 4, Insightful

    While the movie companies try to entice us to buy by adding extras like deleted scenes onto their discs (thus improving the overall quality of the disc), the RIAA is more concerned with starting lawsuits and draining every last dollar out of consumers than improving their product.

    See these quotes from the article made by Jim Urie, president of Universal Music and Video Distribution:

    Urie says his company doesn't heavily research consumer attitude, noting, "We tend to ask how can we make more money and sell more product, not deal with consumer gripes."

    (Actually, if they dealt with consumer gripes you'd probably sell more product and make more money.)

    Urie argues that lowered prices won't make a dent in downloading, saying, "The fact that consumers can steal music sort of trumps anything else we can do."

    The article makes the very good point that most people have a certain amount they'll spend on entertainment. If CD's and DVD's cost about the same, then the consumer is going to look at how much "bang for the buck" they're getting with each. A DVD is typically packed with extras. A CD, if you're lucky, might have some tiny pictures and lyrics on the insert. No wonder consumers would rather buy the DVD than the CD.

    --
    My sci-fi novel, Ghost Thief, is now available from Amazon.com.
  70. Movie: 2 hours of entertainemnt. CD: 3 minutes. by Maul · · Score: 2

    I know this is likely redundant, but:

    Maybe the RIAA is not making as much money as they'd like (they are still making tons of money, though - I don't see any record execs power-lunching at McDonald's yet) because people are fed up with buying a CD for one or two decent songs while the rest of the album is crap.

    At least when I buy a movie I know I like I get 2 hours or so of entertainment out of it, for just about the same price as the 3-6 minutes of entertainment I get out of a CD's one or two good songs.

    Additionally, I personally bought more music when Napster was still around, because through Napster I previewed songs from the CD other than what was being played on the radio. Eventually I either deleted the song or bought the CD. I also discovered a lot of stuff I would have _never_ heard of otherwise.

    Also, we're in the middle of an economic downturn. Maybe, just maybe, people aren't buying as much music because it isn't enough value per dollar.
    If I'm budgeting my entertainment spending, I'm going to opt to pay $20 for a DVD rather than $20 for a CD, because the DVD has more value.

    --

    "You spoony bard!" -Tellah

  71. More than 32 movies? ATA isn't hot-swap. by yerricde · · Score: 2

    Each takes 7gb of space, which is about $7 at current IDE drive price levels

    Assume a fellow has 224 GB of space in all. Now, if he has more than 32 movies, then in order to watch the movies that are on another hard drive, he will have to swap drives. Because ATA drives are in general not hot-swappable, he will have to shut down his computer, open the case, put on a grounding wrist strap, pull his drive out, insert another drive in his computer, close the case, and start it back up again.

    --
    Will I retire or break 10K?
  72. LA Times is Biased by Amazing+Quantum+Man · · Score: 2

    As an LA resident, I can tell you that their so-called reporters tend to take the xxAA's word for granted. They almost never question the "billions in piracy" claims.

    Though at least this article did mention at the very end that Universal tried to kill the VCR, and that it wound up saving the movie industry.

    --
    Fascism starts when the efficiency of the government becomes more important than the rights of the people.
  73. head in the sand by Trepidity · · Score: 3, Insightful

    You have to be wanting to blame the music industry and wanting to exonerate filesharing to not think that mp3s are negatively affecting music sales.

    Have you talked to people recently? Do you know anyone except for audiophiles who still buys a significant number of CDs? Of the people I know, I and one of my friends are the only ones who still buy more than a few CDs per year -- everyone else downloads mp3s and burns them to audio CDs. Most people I know haven't bought a single CD in the past two years. And it's not because they don't like the music that's coming out -- it's because they already burnt their own CDs. "Why should I pay $12 for something I can get for free?"

    Certainly the music industry is pretty crappy, and most of its solutions to the problem are unworkable and hurt legitimate customers, but I don't think you can blame everything on them. People's tendancy to not pay for anything unless they absolutely have to (or are forced to) is the cause of a lot of the problems.

    1. Re:head in the sand by Mr.Intel · · Score: 2
      You have to be wanting to blame the music industry and wanting to exonerate filesharing to not think that mp3s are negatively affecting music sales.

      Not necessarily. There are other factors besides MP3s that one has to look at if we are to see the real picture. Several others have already mentioned them but here they are:

      Cost vs. entertainment value. DVD upped the ante for everyone with their special features, non-linear viewing model and reduced wear. On top of that you get 2+hours of entertainment for ~$20. CDs give you max 74min for ~$20.

      People have a stable amount of disposible income. They have to choose where to spend it and given the above, usually choose DVD over CD. I wish I have some survey statistics handy, but it seems logical.

      I can hear most music on the radio for free. Granted I loose control and have to hear ads, but the latter is common of almost all entertainment forms. Movies will always require me to pay to see them (without addressing pirating).

      Despite your assertions, most people who buy movies and music are not able or capable of getting pirated media. Therefore, pirating is a moot point. For those that are capable, I find it more common for people to follow the "try before you buy" method when it comes to music. I do. I have bought 10 CDs this year alone. Most after I have downloaded the MP3s and decided if I like it.

      I won't tell you that MP3's aren't affecting CD sales. I will argue that the affect is minimal and that what the RIAA says about it is far from the truth.

      --
      ASCII tastes bad dude.
      Binary it is then.
    2. Re:head in the sand by Trepidity · · Score: 2

      I'm particularly perplexed by your last assertion -- that most people who buy movies and music are not able or capable of getting pirated media. I agree on movies -- it requires some degree of patience and technical knowledge to find and download 650mb divx rips. But pirated music is very easy to find for even completely non-technical people. My mom has used both napster and audiogalaxy (until both were shut down), because she had heard about them on CNN, and they were ridiculously easy to install/use. I don't really know any people who own a computer with an internet connection who haven't at least downloaded a few mp3s, and most have downloaded more than that.

    3. Re:head in the sand by Mr.Intel · · Score: 2
      My mom has used both napster and audiogalaxy (until both were shut down)

      Sounds like you answered your own question. Even with a vast array of MP3 sites, the number of people donwloading versus buying is quite small. Napster at it's peak was about 10 million users. In 1990, there was a billion CD's sold worldwide. I don't have the numbers for last year but I am sure it is about the same, if not more.

      ...it requires some degree of patience and technical knowledge to find and download 650mb divx rips. But pirated music is very easy to find for even completely non-technical people.

      Why one way for movies and another for MP3? From a tech savvyness perspective it should be the same... Right now, I can get both movies and music on Morpheus/Kazaa. Same interface, same technical skill. The real issue is patience. It takes me 2 minutes to download a song and most of a day to get a movie. That (and the quality thing) is the real issue to pirating movies.

      --
      ASCII tastes bad dude.
      Binary it is then.
    4. Re:head in the sand by Rakarra · · Score: 2
      "Why should I pay $12 for something I can get for free?"

      Except $12 is rare, usually it's $16 or $17+ instead. That's why I've cut back greatly on my purchase of new CDs, and a number of my friends have as well -- we absolutely refuse to pay $17 for a CD. I don't get anything off of the filesharing networks, I just browse the used CD shops (and fortunately for me, there are several good quality used stores around here).

    5. Re:head in the sand by Rakarra · · Score: 2
      Even with a vast array of MP3 sites, the number of people donwloading versus buying is quite small. Napster at it's peak was about 10 million users. In 1990, there was a billion [oneoffcd.com] CD's sold worldwide.

      You're not really comparing the same thing, though. How many albums on average did those 10 million users download? Find the answer to that, and you'll have something to compare to the billion CD sales.

  74. Why the music industry is in trouble by Animats · · Score: 2
    • "When I walked through Best Buy the other day, I was amazed to discover that the DVDs for "Austin Powers" and "Rush Hour" cost exactly the same as the movies' CD soundtracks."
    • Everybody who likes "oldies" already has a copy of everything they like.
    • The conversion from vinyl to CD is complete. And CDs last a long, long time.
    • Rock peaked a long time ago, all house music sounds the same, and the bad-boy rap star thing is over.
    • In each genre, the best work has already been done. Nobody has produced a great new symphony in a century. The best rock was made decades ago. The best rap is a decade old. Any new performer must compete with the all-time greats of the past.
    Recorded music is becoming a mature, low-margin business. Nothing wrong with that, except that the industry doesn't accept it yet.
  75. The best yet by SomeOtherGuy · · Score: 2

    I think this is the best article yet on pointing out what the issues are.

    CD's are losing popularity because the consumers are growing smarter about "spending their dollars smarter". CD's are WAAAAY to expensive and in most cases 90% filler with 1 or 2 catchy songs that they are hoping get picked up by radio and video to make them superstars (if this was not the case you would see 10 songs from each CD released as videos/singles because the quality would be such -- instead the artists themselves are saying that most of the CD's are subpar when they release another new full length CD with another good song or two, rather than trying to expeose tracks 3-10 on their previous work). The music industry is trying to play smoke and mirrors saying that it is the internet's fault. But on the flip side -- these same "pirates" are buying DVD's and going to movies in droves. The money is being spent where the consumers feel they are getting the squarest deal.

    --
    (+1 Funny) only if I laugh out loud.
  76. Re:That's great by Sloppy · · Score: 2, Informative
    Now they're going to start litigation against their customers.

    No, the people they're going to sue aren't customers. The customers are the ones who pay money to them in exchange for CDs. The people they're considering suing are mp3z d00dz who don't pay. See the difference?

    --
    As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  77. McMusic by mrseth · · Score: 3, Funny

    I recently joined a gym that constantly plays what I am guessing is currently popular music (or perhaps what the RIAA would like to ram down our throats). If this is the case, then I would say they're suffering because the music plainly sucks. It all sounds the same, the videos look the same and there is hardly a distinction to be made between songs. It is what I call McMusic. It generally consists of a constant thumping synthesized base drum and not much else in the way of instrumentation and the lyrics are never about anything more imaginitive than about who she wants to fuck or who has fucked her and dumped her or some other relationship psychodrama. On some "songs" they sample other songs that weren't even good when they were popular. I would be happy to NEVER hear "Jack and Diane" again but some idiot thought it would be a great idea to sample the fist few chords and make a sappy, crappy, syrupy love song out of it. Then there's another idiot that ripped off the theme for "The Young and the Restless" that is pure torture to listen to. Perhaps the worst of all though is the one where they've taken the main theme from Pachelbel's Cannon in D minor and put another set of sappy lyrics to it. I mean, am I the only one who thinks Brittany Spears' voice sounds a lot like an infant crying? It's awful. What happened to real music that is interesting to listen to? Where thought and inventiveness of the music can take the listener to places they've not been yet? I can only name a few recent bands that are entertaining to listen to. I am hard pressed to name any that I think are truly musical pioneers. Probably anyone who is doing great things musically either doesn't look like a model and can't dance like N'Sync so the music industry doesn't want them.

  78. "griping" customers.... by KoshClassic · · Score: 3, Insightful

    If there was a format similar to DVD but more analagous to the way CD albums are packaged, you'd have a format like DVD only each DVD would include 10-12 movies (only 1 or 2 that you actually wanted to see) and cost 10-12 times as much as a current DVD (so more like $200 instead of $20) - No one would buy these, either.

    On the flip side, if there were an audio format packaged in a way that was analagous to DVD's, you'd have CD's with just the one or two good tracks on them, the video for the song and maybe even an interview with the artist, and they'd cost maybe $3, I suspect consumers would nab them up in droves. The funny thing is that we almost have this, they're called CD singles, only they don't cost $3, they cost often $7-8, and the available selection primarily corresponds to the mindless dribble that gets programmed on most FM radio stations by the corporate drones at Clearchannel and their ilk.

    Any industry that doesn't listen to the "gripes" (as Mr. Urie stated) of its customers ought to consider a) how long it will be before it simply has no customers, griping or otherwise and b) Why it would, in turn, expect its customers to give darn about its own gripes - after all, who needs whom more?

    Now, granted, no one can blame Urie for being upset - while he and his cohorts were busy ignoring customer "gripes", others who have paid attention (read: Shawn Fanning etc.) have empowered Urie's customers to do something about it since he himself was unwilling to do so.

    More ominously for Mr. Urie, I think, is that at the same time an unintended side effect has been that all his competition has been empowered - by this I mean the small unsigned bands (who, until now, have been forced to adopt a "If you can't beat 'em, join 'em" attitude towards the record labels and their dubious policies) are now achieving previously unheard of levels of promotion and public awareness.

    In fact, I would not be at all suprised if the next Napster or AudioGalaxy is created by a group of artists who are willingly providing their own works for free or for a small fee - the only thing they'll need to achieve critical mass is enough artists, who, by all rights, should eventually figure out who they're better off with, each other or the record labels.

    --
    Understanding is a three edged sword. - Ambassador Kosh Naranek, Babylon 5
  79. Re:I've said it before by ceejayoz · · Score: 3, Informative

    I have broadband, and I've bought more CDs than I ever did before Napster and its ilk. I've found some phenomenal music (Apocalyptica, for example) that I would never have found in a mass-market music store, and bought every CD they've made because I downloaded their stuff and loved it.

  80. Missed opportunity by gonerill · · Score: 2

    The headline for this article should be "MP3s fiddle while DVD Burns."

  81. Re:Interesting pricing -- WRONG! by SomeOtherGuy · · Score: 2

    Something that people have to realize is that movies come out in movie theaters first and make big $$$. Then they come out on DVD and it is just a bonus for the studios. Music doesn't have that initial money from a movie theater type situation. I think that is why the record companies are more scared and more affected by piracy.

    You can compare the money a movie makes in it's theatrical release with the money artists make going on tour. Thus putting the comparison of buying DVD's and CD's back on the same level.

    --
    (+1 Funny) only if I laugh out loud.
  82. Re:Technology--Hard disk space and BANDWIDTH and b by meehawl · · Score: 2

    For a long time, MP3's were computationally intensive enough that they were annoying to use on anything less than a pentium II.

    Ah you kids! It did suck, but I was making MP3s *and* burning them on CDs on a Cyrix sub-Pentium machine back in the early 90s. Still have some of the MP3 albums I recorded from then ("I can get *HOW* many hours onto one CD?) and they are great. I made them because it beat carrying dozens of albums to and from work and there were no reliable and/or acceptable streaming radio sites.

    My only regret? That I converted so many tracks using only 128Kbps. CD blanks were not cheap then (try $10+) and every MB counted!

    --

    Da Blog
  83. Music industry completely different. by towaz · · Score: 2, Interesting

    The music industry has not followed the example of the film industry. If you download a movie and find it a good film you are more likely to purchase the dvd for the better quality and the extra content. Download some music and they is no incentive for the getting the album. Maybe if another cd with a few extra's like making of the music video or interviews would persuade custoemrs to buy the album.

    --
    "I disapprove of what you say, but I will defend to the death your right to say it." - Voltaire
  84. movies are good,music is not by bigpat · · Score: 2

    The situation is pretty simple. The current batches of movies are good and are reaching all audiences. The current batches of music and pop stars aren't even worth the download for the most part.

  85. Re:Interesting pricing -- WRONG! by Zelet · · Score: 2

    no because the record companies don't see that much money from concert tours

    --
    ...And when they came for me, there was no one left to speak out for me." - Martin Niemoeller (1892-1984)
  86. Vocabulary by st0rmshad0w · · Score: 2

    "Urie says his company doesn't heavily research consumer attitude, noting, "We tend to ask how can we make more money and sell more product, not deal with consumer gripes."

    Perhaps he needs to re-introduce the word "customer" into his vocabulary. How many items that you've purchased recently (besides food/drink) have you actually consumed?

  87. Seen Memento Limited Edition DVD? by Wraithlyn · · Score: 2

    The Memento Limited Edition DVD has the most monstrous menu system I ever hope to see in my life. The play disc is bad enough... a grid of maybe 50 words, and you have to hunt for the 5 that actually do something.

    But the special features disc really takes the cake. To get to a SINGLE feature, you have to: a) pick a particular picture from a large group. b) answer a bunch of irrelevant quiz slides, c) when you get to a specific one, you have to pick a certain choice to start making the slides move SIDEWAYS. d) keep picking this same choice to slide sideways until you get to another specific slide e) pick a certain choice from the final fake quiz slide.

    Once you have done this, you get to a menu for a SINGLE FEATURE. Want to watch a different one? Repeat the above steps with a different picture for step a). Takes like 3 minutes to get to each feature. Absolutely ridiculous.

    On a positive note, the packaging is quite cool... I especially like the genuine post-it note stuck to the inside of the case which reads "Watch". Hehehe :)

    --
    "Mind, as manifested by the capacity to make choices, is to some extent present in every electron." -Freeman Dyson
  88. No kidding by Wraithlyn · · Score: 2

    This guy Urie should be shot. Not only does he openly admit to not caring about consumer concerns, check out this gem:

    'Urie argues that lowered prices won't make a dent in downloading, saying, "The fact that consumers can steal music sort of trumps anything else we can do."'

    But people have always been able to steal music, since the invention of the tape recorder. So now they're using piracy as an excuse to not improve their product offering. They simply refuse to even acknowledge the possibility that piracy is encouraged by low quality and overblown pricing. What a load of bullshit.

    --
    "Mind, as manifested by the capacity to make choices, is to some extent present in every electron." -Freeman Dyson
  89. Re:The Primary Reason why... by Nick+Driver · · Score: 2

    Such musicians are already out there.

    Yes, but there are too few of them at the moment. Musicians number too few percentage of the overall population right now. Even the stores that sell musical instruments have been hurting the past several years. Back in the early 1980's I used to work in a guitar & keyboard store... There were a lot more musicians in the population back them. Instrument sales was thriving. Now it's dead. We need to achive musician-saturation of the general population again, only then there will come good music commercially available on store shelves again.

    And you're right, with rubbish being all there is sold and promoted these days, who even wants to become a musician anymore? :-(

  90. Yes, they will prove it all to you - then what? by AKAJack · · Score: 3, Insightful

    There's a fundamental flaw in what you're asking. They don't have to prove any of what you say. Even if everything that they've said is just FUD raising banter (as well it may be.)

    The law is on their side and no matter how much we scream about "fair use" or "...but I wanna!" the facts remain that the U.S. is run by industrialists who have a sympathetic administration in power.

    Feel free to take the high moral ground, but in this country you have no rights to ask the things you ask. Period. Sure I want to know the answers too, but you should really spend your time fighting the fight on the same field of play where the battle is actually occuring as opposed to in some theoretical sandbox where everybody plays by the rules of a gentleman.

    In the power struggles of corporations perception=reality. No contest. Look, all hackers are Kevin Mitnick and he is evil. CNN said it so it must be true.

    If Hillary says the music industry will collapse unless the U.S. Congress enacts a bill that denys Common Carrier status to ISPs then it will happen. You can hold your breath waiting for that to happen because you won't be going blue in the face waiting.
    As soon as the trial runs of "we're doing what the consumer asked and selling our music on the Internet" fail that will be all the proof your elected official needs to roll over. Now he'll have some tangible evidence that people want to steal and won't buy at any price. Then it's all over.

    So fight the fight on the terms on the table or be prepared to be a casualty.

    You're going to be reamed out and cross-threaded by Big Brother and don't even know why.

    As always YMMV.

  91. Reality check: Is the music industry dead yet ? by AftanGustur · · Score: 2


    piracy has been the (supposed) bane of the music industry,

    The music industry is *dead* ???

    --
    echo '[q]sa[ln0=aln80~Psnlbx]16isb572CCB9AE9DB03273snlbxq' |dc
  92. Staggering stupidity causes music industry decline by cartman · · Score: 2

    I am a consumer with significant disposable income. I want more music and I am trying to BUY more music. Interestingly, the music industry does whatever it can to prevent the sale.

    The industry is doing everything possible to prevent people from previewing music before buying. The industry has shut down all file swapping services, and has not provided any alternatives. The radio stations play the SAME 10 SONGS over and over, endlessly. You can't rent music. Internet radio stations are actively being shut down.

    I guess I am supposed to buy music "sight unseen!" That's much like wandering into a car dealership and saying "I'm buying a car, I want a test drive," only to be told: "NO! That's driving-piracy. You either buy up front or you GET OUT!" Naturally, I would go to another dealer.

    Most industries do whatever is possible to shove their products in your face. It's annoying, but it's reasonable: they're trying to increase their sales. The music industry is doing everything possible to prevent me from buying their products. Bizarre.

    The music industry does not even conduct market research, because:

    We tend to ask how can we make more money and sell more product, not deal with consumer gripes

    Umm...How do you intend to make more money and sell more product if you don't deal with consumer gripes? You are SELLING A PRODUCT. What a bunch of fucking idiots.

  93. Re:There is audio cd rental by dcavanaugh · · Score: 2
    Sure, you can get CDs (and videos) for free at the library, but they have only a tiny fraction of what is available.

    I agree, there is lots of good stuff at libraries, and most people don't know it. In fact, libraries do a great job of providing the stuff you can't get at the local book/music/video store. However, that's the point. Although libraries do a great job with books, but they don't compete all that much with the conventional audio/video stores.

    Can I visit the library and pick up a very enjoyable CD or DVD? Sure, but if I want something specific (ficticious example: the latest Eminem CD), I would not show up at the library and EXPECT to find it. In that case, it's really the local store (travel to Walmart + $14) vs. P2P (15 minute download). The recording industry's chances of extracting a small fee for the download are a whole lot better than trying to bully me into choosing the "travel to Walmart + $14" option, or perhaps the "travel to library + $0" option.

  94. You're 1/2 right by schon · · Score: 2

    The music industry isn't worried about illegal copying for the current market conditions - they're concerned about the future.

    This is 100% true.. but it's WHY they're worried that's the problem.

    Up until the recent past (say, 5 years ago), the music labels were the only way to reach a national (or even international) audience... if you wanted to become famous, you needed them.

    With the advent of the Internet, that's no longer the case - any musician in the world can get international exposure without needing a record label... it's slowly starting now, but in the future, there will be NO need for a record label at all..

    RIAA members are worried about the future, because they realize that they've become obsolete. It's about control, not copyright infringement.

  95. CDs are too @#$@% expensive. by quintessent · · Score: 2

    The price of a DVD is not that different from the price of a CD. The difference:

    DVDs have hours of video and high quality surround sound.

    CDs have an hour of run-of-the-mill digital stereo.

    Other factors:
    - People are boycotting the RIAA Trust, because of the way it treats artists, fans, and other companies. For example: MP3.com, whose pants got sued off for letting people listen to their own music.
    - Britney Spears
    - "N" Sync
    - What's playing on the radio? Same thing as an hour ago. And they want us to buy that garbage?
    - Now the RIAA is trying to crash your computer when you put a CD in.
    - Services like Napster, which help people find music they will like, are being shut down.
    - "N" Sync

  96. When will a customer buy recorded entertainment? by alizard · · Score: 2
    The answer is obvious.

    The consumer will pay for an entertainment product when he is convinced he is getting value for money.

    As for why the consumer doesn't feel that he's getting value for money when buying CDs, this quote from a record industry exec says it all:
    Urie says his company doesn't heavily research consumer attitude, noting, "We tend to ask how can we make more money and sell more product, not deal with consumer gripes."

    I'm not sure if the journalist is as clueless as "Or are they just products of an Internet culture that has them believing that whatever's on the Web is free for the taking?" suggests or it's that given that this is the local paper for the entertainment industry, he can't say what he really thinks. Or if he simply didn't read through the entire article before hitting the send button.

  97. Music in the Net economy by steveha · · Score: 2

    The music studios are not taking advantage of technology. They could set up a system for selling songs, where their cost would be very close to zero, and then charge a small amount per song and still make money.

    Instead of doing that they continue to sell CDs, and they try to sabotage any new way to sell music that comes along. They are doing what they can to prop up the price of CDs, even though they are now much cheaper to produce than they were when they first came out.

    It used to be that all the most popular songs were released on "singles" (small records) for a couple of bucks; these days if you want the popular song you must buy a CD with many other songs. The best way to make money is to give people what they want; this isn't giving people what they want. It is not surprising that people would rather download the one song they want than pay $18 for a CD.

    If the music studios aren't careful, they will become irrelevant. It used to be that the only way to make any money in the music business was to sign up with a big studio; but now, with the Internet, it is possible to make music, advertise the music, and sell the music, all on your own and without signing your life away. Go to mp3.com and look around. There is a ton of music there you can listen to, and a ton of CDs you can buy, and all without the music studios being involved. CDs there go for around $8 or so!

    The amount of action in the music world is not getting smaller; just the amount of dollars the big music studios are seeing. The Net economy is starting to route around them. They claim piracy is killing them, but it's the world changing around them and they have their heads in the sand.

    steveha

    --
    lf(1): it's like ls(1) but sorts filenames by extension, tersely
  98. yes by Trepidity · · Score: 2

    So your point then, is that the RIAA's efforts to stop casual music piracy have been at least somewhat successful, and thus they should continue along the path they've been following?

  99. stop shopping at Tower Records by Trepidity · · Score: 2

    Nobody I know pays $17 for anything other than import or limited edition CDs. The only places that you can find such ridiculous prices are the Tower Records and their online equivalents (like cdnow.com). For popular music, Best Buy generally sells everything for around $12-$14. For more obscure stuff, cheap-cds.com has a fairly good collection, with the majority of CDs being $15, shipping included. If you like punk music, you can almost always order cds for $10-$12, shipping included, directly from the label. And as you mentioned, used CDs are quite cheap. Ebay is a good place to get used CDs -- if you want anything that's been popular in the last 10 years, you can get it really cheaply (Green Day's 1994 hit Dookie typically sells for around $1, for example).

    1. Re:stop shopping at Tower Records by Rakarra · · Score: 2
      Actually, I've found some of the best prices at cdnow.com. But I don't buy the type of music you'd find at Best Buy anyway.

  100. Re:That's great by Rakarra · · Score: 2
    No, the people they're going to sue aren't customers. The customers are the ones who pay money to them in exchange for CDs. The people they're considering suing are mp3z d00dz who don't pay. See the difference?

    They're not necessarily suing the guys who never pay. They're suing the guys who take their large CD libraries, rip them, and put them all up for download.

  101. (-1 Inward looking American) by hayden · · Score: 2
    The Foreign language soundracks I don't understand?

    Do you know that people outside of the US buy stuff! And sometimes they don't even speak American! Freaky huh?

    --
    Nerd: Derogatory term typically directed at anybody with a lower Slashdot ID than you.
    1. Re:(-1 Inward looking American) by Eil · · Score: 2


      DVDs are regioned. That is, discs sold in the U.S. can only be played on U.S. machines. Same is true for Europe, Japan, Austrailia and every other DVD-marketed region out there. In this case, there is absolutely no reason for French, German, et al audio dubs and subtitles on discs sold in the U.S. to even be in any other language than English. [1] In light of this, the author of the parent post has a legitimate gripe.

      By the same token, if I were Japanese and living in Japan and own a Japanese DVD player, I would expect any movies that I bought to only have Japanese soundtracks and/or subtitles.

      Now don't get me wrong. I am not a fan of DVD region coding in any way shape or form. However, the designers of DVD made the case that region coding would allow for "localization" (or regional customization) of all movies sold. Take note, however, that this is not the way region coding is being used. Instead, it's being used to prevent the selling of discs outside of the market that they were manufactured for.

      1. Though one could make a case for Spanish soundtracks and subtitles being included.

  102. RIAA emulates OPEC's cartel pricing by MtViewGuy · · Score: 2

    From reading your post, I personally think the biggest problem with the RIAA is simple: they are engaged in cartel pricing to fix prices for audio CD's.

    It is that cartel power that causes album length audio CD's to cost for the most part US$18 in the large record stores (Tower, Virgin Superstore, Sam Goody, etc.) and US$14 at discount stores like Wal-Mart and online retailers.

    Somehow, the RIAA is very clueless about why cartels fail: cartels encourage consumers to find ways to circumvent the producer. The reason why places like Napster became extremely popular is the fact consumers got tired of paying the steep prices for audio CD's and the fact audio CD's contain way too much filler material not of interest to consumers.

    The only way the RIAA can put an end of music piracy is simple: price audio CD's more realistically. They should be priced more like US$10-US$11 per disc retail, at price that would drastically cut down the incentive to pirate music.

    dcavanaugh, you wrote: There is at least 10x the amount of data on a DVD compared the CD. At $22, it's just not worth finding a way to download & store all those gigabytes. If you can rent the movie for $5 at Blockbuster, it's not even worth considering the piracy alternatives.

    The reasons why most consumers won't want pirated movies over the Internet are as follows: 1) the picture quality is mostly vastly inferior to the original DVD; 2) a movie in DiVX format is 500 to 800 megabytes in size, a daunting task to download even with broadband connections; 3) people like the extra features on DVD discs, and 4) DVD prices are very reasonable (US$15 to US$25 per set for the vast majority of DVD releases).

  103. Re:Insightful? Hardly by Eric+Damron · · Score: 2

    'Likewise, its illegal to share mp3's. But that doesn't make it WRONG. Congress no longer cares about your or my rights. They care about protectingt the RIAA members. That means we have a moral right to ignore laws that enable the RIAA and the people they represent.'

    I hope you can see the flaw in your logic. We have no 'moral right' to ignore the law. What you purpose is anarchy. You certainly have no right to ignore the law just because you don't agree with it.

    Your way of thinking will get you some quality time in jail with Bubba the Butt Fucker.

    --
    The race isn't always to the swift... but that's the way to bet!
  104. Read Nelson Mandela's autobiography. by jotaeleemeese · · Score: 2

    There you can learn about unjust laws and when it becomes justifiable to break them.

    Only sheep follow the laws without questioning the motives behind them.

    --
    IANAL but write like a drunk one.
    1. Re:Read Nelson Mandela's autobiography. by Eric+Damron · · Score: 2

      'Only sheep follow the laws without questioning the motives behind them.'

      And only fools mindlessly break the law.

      I'm not saying never question the laws. I'm saying work through the system to change what needs to be changed. There is no doubt in my mind that a lot of politicians are corrupt low-life bastards that only care about being re-elected. Who would sell their mother's souls for a few points in the polls.

      If you really want to make a real difference then work to get these bastards thrown out.

      --
      The race isn't always to the swift... but that's the way to bet!