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David Brin on "Attack of the Clones"

dpt writes "Science fiction author and scientist David Brin caused quite a stir at the time with his article on The Phantom Menace, and now here are his thoughts on Episode II. Not being as harsh, it hasn't received much attention, but it's an interesting read anyway."

238 of 533 comments (clear)

  1. The Biggest Problem... by tjensor · · Score: 4, Insightful

    ... with the new star wars films is nostalgia. We look back on the original three films with rose-tinted glasses, when really the dialogue sucked, the plots were generic, and acting not up to scratch.
    The only new crime of the new trilogy is the over-reliance on CGI.
    PS this isnt a troll I actually love Star Wars :-)

    --
    <fnord>OBEY</fnord>
    1. Re:The Biggest Problem... by MoneyT · · Score: 5, Insightful

      But the thing about the original films was that they had a believeable flow. There was an empire and giant evil machine with drones to do their bidding. There were the remnants of the Jedi, calmly biding their time until the events allowed Luke to be brought into his own and hopefuly push forward and bring them back from near extinction. There were the Rebels, a small on the run group constantly trying to stay one step ahead of the empire. Hit and run attacks, going for weak points instead of all out brute force. And then there was the rest of the world. They didn't like the control they were under, but they didn't have a lot of say, so they just lived on. The worlds had believeability, the machines had believeability. The big energy guns had big cables, the ships and switches and dials and buttons, not just lights on a pannel. The problem with the new star wars movies is things aren't believeable, there are no motives, just actions.

      --
      T Money
      World Domination with a plastic spoon since 1984
    2. Re:The Biggest Problem... by 0xdeadbeef · · Score: 2, Interesting

      But it was acceptable in those films, because it didn't really strain credulity. In this new batch, Lucus has underminded the previous films with shit like "midicholorians" and "vigirn births", and the acting is even worse. The stilted dialougue between Anakin and Queen Whatsherface is so bad its like hearing fingernails on a chalkboard! Make it stop!

      And whats with the political intrigue so simple a child can follow it? Was that his intention? Perhaps he hopes it will sell more toys, if kids want to reenact the Senate debate.

      And the racial stereotyping? Is it some sort of one-upsmanship with Star Trek? I don't know which is more offensive, the Shylock Ferangi or the "ah so" Trade Federation. Oh, oh! Meesa Jamaican retard!

      I still enjoy the old films. I even liked the Timothy Zahn sequels. That's why I hate these movies, it's like George Lucas wanted to take a big chunky dump on everything he's done before.

    3. Re:The Biggest Problem... by garcia · · Score: 2

      why does the plot still suck? why does the movie rely on CGI that looks only slightly better than the original film's? why does the acting really suck?

      I hated all the SW movies, especially AotC. It was boring, the movie didn't hold my attention, and I was certainly unimpressed by the CGI after seeing other movies (LotR).

      I am not trolling either. I really think that the movie (for all the money that gets sunk into it) should be a lot better than it is.

    4. Re:The Biggest Problem... by NanoGator · · Score: 5, Insightful

      "The only new crime of the new trilogy is the over-reliance on CGI. "

      Not true. The original trilogy had character. Without a Han Solo'ish character, Jedi are quite boring.

      Plot is nowhere near as important as the characters. Don't belive me? Ask people why they like Monsters Inc. 0 people will say "Because I think it's cool how Sully provided power to the Monster world without scaring children!"

      --
      "Derp de derp."
    5. Re:The Biggest Problem... by aardvarkjoe · · Score: 4, Insightful
      Then why does the younger generation, many of whom have just recently seen the originals as well as the new movies, still agree that the new ones suck? My younger sister saw all the SW films, old and new, within the last couple years -- and was in agreement that the originals were far better movies.


      The suckage of AotC goes way beyond "not living up to the nostalgia." If the originals had been this bad, they would have been consigned to the trash heap, and these new ones would have never been made.


      And no, I have no intentions of wasting my five dollars and three hours on the third movie. I'll find a decent book to read and do something enjoyable with my time.

      --

      How can we continue to believe in a just universe and freedom to eat crackers if we have no ale?
    6. Re:The Biggest Problem... by IIRCAFAIKIANAL · · Score: 2

      "Because I think it's cool how Sully provided power to the Monster world without scaring children!"

      AUUUGH!!! You ruined it!!! I'm watching that movie tonight you know!

      Thanks a lot.

      Slashdot is like spoiler central for me - this is the third time this has happened to me here in the last six months.

      (I'm not really mad *at you*, it's an old movie, but that doesn't mean I can't be annoyed, right? ;)

      --
      Robots are everywhere, and they eat old people's medicine for fuel.
    7. Re:The Biggest Problem... by mblase · · Score: 3, Insightful

      We look back on the original three films with rose-tinted glasses, when really the dialogue sucked, the plots were generic, and acting not up to scratch.

      True, but recognize that "Star Wars" was superior to almost any other science fiction/space opera out at that time. The special effects alone deserved accolades, and some of them still do. The concept of the Force was something the non-book-reading public had yet to encounter in sci-fi.

      Up until then, sci-fi in tv and movies was almost all about robots, aliens, spaceships, invasions, monsters and laboratory experiments gone awry. All the general public had to know about sci-fi was the original "Star Trek", "Battlestar Galactica", "Space 1999", "Buck Rogers". Nothing too cerebral there.

      The Force was a good concept to add to an otherwise pretty, but ordinary movie like "Star Wars", and "The Empire Strikes Back" made it even better with some clever plot twists and delightful character development that was ten times deeper than what "Star Wars" had bothered with. "Return of the Jedi" tied it all up with by far the best F/X of the trilogy and lots of great action.

      We expected too much from the new trilogy, is the problem -- the basic story is good, but the acting just isn't there and the digital special effects have overwhelmed the characters completely. Plus there's been a decade and a half with some really good science fiction since then. "The Matrix" alone, which opened mere weeks before "The Phantom Menace," showed everyone that sci-fi didn't have to be about spaceships and aliens in order to kick butt.

    8. Re:The Biggest Problem... by Don+Negro · · Score: 2

      You'll feel better knowing that the original poster got that wrong. Nothing's been spoiled.

      --

      Don Negro
      Perl 6 will give you the big knob. -- Larry Wall

    9. Re:The Biggest Problem... by NanoGator · · Score: 2

      "(I'm not really mad *at you*, it's an old movie, but that doesn't mean I can't be annoyed, right? ;) "

      Ya still can't be annoyed. I didn't give away anything. heh. As I attempted to point out in my post, that wasn't the point of the movie. (B'sides, I flubbed it a bit. So you really don't know, do ya?)

      --
      "Derp de derp."
    10. Re:The Biggest Problem... by NanoGator · · Score: 2

      "Not that character doesn't matter, it just can't carry a story with no plot. A story with a great plot and no great characters, while not a great thing to see, can still be followed and enjoyed. "

      Aristotle was not a movie maker. Nor is his advice valid today, as hundreds of years have passed since he supposedly said that.

      "A story with a great plot and no great characters, while not a great thing to see, can still be followed and enjoyed."

      Maybe in books, but not in movies. Even then, the only way a plot's going to appeal to you is if it relates to you in some way or another. Which is fine for you, not for everybody else. if the plot doesn't relate to you, then you need a character to help you out.

      Ideally, you need a good plot AND good character interaction. You can compensate for a failing plot with good characters, but you cannot compensate for bad characters with a good plot except maybe on the individual level.

      --
      "Derp de derp."
    11. Re:The Biggest Problem... by Watts+Martin · · Score: 3, Interesting

      "Battlestar Galactica" came out in 1978 and "Buck Rogers" in 1977--both were capitalizing on Star Wars to some degree. ("Rogers" was probably in the planning stages before Star Wars' release but they clearly knew of the movie, and "Galactica" never made much effort to hide its influences. And, while I'm honestly not much of a "Star Trek" fan, when the original series was good it was good on a level that George Lucas never came close to. The Empire Strikes Back made an effort, but mostly thanks to screenwriter Leigh Brackett (who's almost certainly responsible for the clever plot twists and delightful character development).

      I really didn't expect too much from the new trilogy because I lost a lot of respect for Lucas the more I watched his career and the more I learned about the development of Star Wars itself. (The Phantom Menace is much closer to his original draft for Star Wars, before people convinced him that he needed to have a mythic story and turned him on to Joseph Campbell.) I had, however, expected that Lucas might have been wise enough now to recognize his limitations and to bring other screenwriters on from the start. Instead. Sadly, that doesn't seem to be the case.

    12. Re:The Biggest Problem... by NanoGator · · Score: 2

      Didn't raelly read my post, didja?

      Amusing, iddn't it?

      --
      "Derp de derp."
    13. Re:The Biggest Problem... by Anonvmous+Coward · · Score: 2

      I like how people act like you gave something away when you said "Nobody's going to say they cared about that".

      Piece of advice for everybody: UNDERSTAND what the guy's saying before you respond. A bunch of you sound like idiots, particularly when you overdraw on literalism.

    14. Re:The Biggest Problem... by susano_otter · · Score: 3, Insightful
      Aristotle was not a movie maker. Nor is his advice valid today, as hundreds of years have passed since he supposedly said that.

      Aristotle is talking about stories and storytelling, is he not? The nature of stories is timeless, and while storytelling techniques may have changed since Aristotle's time, storytelling principles--being closely bound to the nature of stories--have not.

      Since Aristotle is talking about things that don't change over time (the nature of stories and the principles of storytelling), if his advice is not valid today, it must never have been valid. He was just as wrong about stories "hundreds of years" ago as you say he is today.

      Advice doesn't have to be contemporary to be valid. "Don't murder people" has been around far longer than you or I (or Aristotle), but just because we've forgotten who "supposedly" said it first, that doesn't mean it's suddenly now bad advice.

      As for the question of whether Aristotle really said it or not is irrelevant to your argument: the wisdom of the statement can easily be tested without resorting to argument by authority. In fact, arguing that it must be good advice because "Aristotle said it" is just as foolish as arguing that it must be bad advice because "Aristotle is dead now". But I digress.

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    15. Re:The Biggest Problem... by gorilla · · Score: 2
      The nature of stories is timeless

      I disagree with this. The nature of stories on the printed page, in live performances, and in recorded performances are all different. A live performer can react to his audience. A book and a movie can't. On the other hand, a book taps directly into the readers imagination, while both plays and movies have to deal with what they present. This means that movies are unlike both books and plays, and the nature of them is unique and unknowable to anyone before 1930 or so.

    16. Re:The Biggest Problem... by Lemmy+Caution · · Score: 2

      Compressed post: the medium is the message.

    17. Re:The Biggest Problem... by RandomCoil · · Score: 2
      My younger sister saw all the SW films, old and new, within the last couple years -- and was in agreement that the originals were far better movies.

      I can think of four reasons:
      1) The new movies really are worse.

      2) She saw them in an order that made the newer ones less appealing.

      3) She was more forgiving of the corniness of the old movies because, well, they're old.

      4) She liked the style of the old movies more (not better/worse, just different).

      or, my favorite,

      5) She's been listening to you and everyone else complain about them and "knew" the new ones weren't going to be as good as the old ones.
      And no, I have no intentions of wasting my five dollars and three hours on the third movie. I'll find a decent book to read and do something enjoyable with my time.

      Yeah, sure. And no one who reads Slashdot uses Windows... :P
    18. Re:The Biggest Problem... by beleg777 · · Score: 2

      when really the dialogue sucked, the plots were generic, and acting not up to scratch.

      First, I disagree that the dialog sucked. It was at least no worse than the new movies. Second, I think a generic plot is better than a bad plot. Seriously, maybe the origionals did have a generic plot, but it was well done. The new movies have a bad plot and while rising above a mediocre plot isn't all that hard, rising above a bad plot is quite a trick.

      But the acting comment I don't understand. Between the James Earl Jones, Harrisson Ford and Alec Guinness the movie had some good acting. Definately not any of their best performances, but those were all solid performances. Then you have Carrie Fisher,Billy Dee Williams and Frank Oz, who put up some decent performances. I mean, the acting will never be Braveheart quality, but it was far from sub-par.

      --

      Science may someday discover what faith has always known.
    19. Re:The Biggest Problem... by dbrutus · · Score: 2

      The CGI looks only slightly better than the original films because these are prequels. After the entire nine movie series is finished, they're intended to be viewed in order. You can't have good looking CGI in 1-3, models in 4-6, and really good CGI in 7-9. They're specifically matching the visuals in 4-6. If they ever get around to making 7-9 they'll probably ramp up the tech then.

    20. Re:The Biggest Problem... by susano_otter · · Score: 3, Insightful

      I think that you are confusing "design" with "implementation". I don't dispute that modern storytelling techniques are often radically different from those techniques used in the past--though not as different as you might think. This is different from the nature of stories.

      But what is the nature of stories, anyway? A simple answer might be that the nature of stories is to communicate. This seems like a reasonable answer, and if we look into the past we see that it applies just as much to pre-historic cave paintings as to the contemporary novel. Looking forward, it's reasonable to assume that this nature will not change in the future. Likewise, the nature of storytelling is to communicate the story. A storyteller of any age, using any technique, can be judged against this standard. The thing being communicated is different in different times and places, but the fundamental principle of communication that defines a "story" does not.

      If we take "communication" as the unchanging nature of stories, then we can interpret Aristotle as follows: "Plot is more important than character, in order to successfully communicate the story." The question then becomes "is Aristotle correct?"--and this question can be applied just as appropriately to modern stories as ancient ones. By the same token, his assertion will be just as correct in the ancient context as in the modern one, so if he's wrong today, then he was wrong back then, and if he was right back then, he will be right today.

      Unless, of course, he has also confused implementation with design: his audience might have better received plot-driven communication than character-driven, leading him to believe that the implementation of his time was inherent to the nature of stories themselves. If he is wrong at all, I suspect that he is wrong in this way--and that he always has been wrong.

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    21. Re:The Biggest Problem... by susano_otter · · Score: 2

      Condensed reply: So I should look to the nature of Slashdot to find the meaning of your post? If you spoke to me, should I expect to understand your words by studying the way in which air transmits sound, or the workings of your vocal chords? If your statement was made in Spanish, would your meaning change?

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    22. Re:The Biggest Problem... by Anonvmous+Coward · · Score: 2

      "Advice doesn't have to be contemporary to be valid. "Don't murder people" has been around far longer than you or I (or Aristotle), but just because we've forgotten who "supposedly" said it first, that doesn't mean it's suddenly now bad advice."

      Bad example, killing people is not a theme that has changed over time. Let me fix your metaphor:

      "Spank your child when he or she is bad."

      Good advice a few years ago, not good advice today. The reasoning is that children are better understood today. More is known about how parenting affects a child. (Supposedly)

      Movies != Theater. Apply theater acting rules to a movie, and you get ... a bad movie! All it takes is the tiniest bit of study of the two mediums of story-telling and you'll realize that you use different media to tell different stories. There's a reason that cartoonists don't go into animation. Movies are not a good medium for telling complicated plots. What they are good at is showing character development.

      The fact that theater is still around should say something of importance to this thread. Movies didn't make theater go extinct. Cameras didn't make paintings go extinct, yadda yadda yadda. If movies only needed to follow the well established rules of theater, then theater would be gone. Simple.

      Aristotle cannot tell people how to make movies any better than I can teach time travel etiquette to Captain Janeway.

    23. Re:The Biggest Problem... by Anonvmous+Coward · · Score: 2

      " If your statement was made in Spanish, would your meaning change?"

      Probably.

      I am 14 years old. -- Yo tengo catorce anos. -- I have 14 years.

      Here's another one:

      You're right! -- Tienes razon! -- You have reason!

      Yes, your meaning changes when you go from English to Spanish. Not sure how relevent it is to your point. I apologize, I didn't understand it. (I didn't understand the whole compressed post bit...)

    24. Re:The Biggest Problem... by Lemmy+Caution · · Score: 2
      Well, no and yes. You can't understand any Slashdot post without understanding it as a post, with the context and assumptions and implicit understanding that frames the activity of writing and reading Slashdot posts. This includes the ability to include hyperlinks, the understanding of the (lack of) demonstrated credentials of the participants, the essentially anonymous nature of the exchange, the structure of the post by which we are in a threaded discussion under the rubric of a posted article, etc. etc. The "meaning" of the act of making the post is circumscribed by all the conventions that build the medium in which it occurs.

      My post was a quote from once-spurned by later-rehabilitated media theorist Marshall McLuhan (of Annie Hall fame). It shouldn't be taken as absolutist or reductionist.

    25. Re:The Biggest Problem... by aardvarkjoe · · Score: 2
      5) She's been listening to you and everyone else complain about them and "knew" the new ones weren't going to be as good as the old ones.


      I doubt it. She saw the new movies before I bothered; and I've never been a huge fan of Star Wars in general -- I've seen the originals a couple times, but I certainly wasn't walking around spouting about whether I thought it would be great or not. And, although you obviously can't verify this, I'm of the opinion that she's capable of discerning a good movie from a bad one.


      As for your last comment -- I only see 3 or 4 movies per year; Episode 3 will not be among them. And I don't have or use Windows. :)

      --

      How can we continue to believe in a just universe and freedom to eat crackers if we have no ale?
    26. Re:The Biggest Problem... by susano_otter · · Score: 2

      Normally, I don't reply to ACs, but I'd like to clear something up: I'm not proposing that all wisdom is timeless. I am proposing that we have clear proof that some wisdom is timeless. Whether or not Aristotle's wisdom is timeless is a different question altogether.

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    27. Re:The Biggest Problem... by susano_otter · · Score: 2

      Thank you. I think I have a clearer understanding of your point now. I'll not deny that understanding the medium (or context) of a message will generally help in understanding the message itself. Conversely, ignoring the context will often result in ignorance of the message.

      But.

      If I write a novel preaching the evils of vivisection, and then later a movie is made on the same subject, the movie will not say that vivisection is good because it is a movie (and not a novel), but because the message has changed.

      Using the medium itself to be the message is a clever trick, but useless if if you have no message to convey. If the artist has no idea in his mind, then his medium will convey only the message, "Look at me! I am blobs of paint!" Thus my assertion that message must exist independent of medium, in order for the medium to do its proper work.

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    28. Re:The Biggest Problem... by Anonvmous+Coward · · Score: 2

      a.) If you look closely, I'm not an AC.

      b.) Wisdom is only as timeless as what is considered right or wrong. Nature, for example, does not subscribe to our wisdom. "Thou shalt not kill...", there are lots of cannibals out there.

      I'm not arguing with you for the sake of arguing, instead the point I'm attempting to make is that nothing is constant.

    29. Re:The Biggest Problem... by Lemmy+Caution · · Score: 2

      The meaning of a novel about the evils of vivisection *is* largely different than a movie about the evils of vivisection. For one thing, no movie or novel has as its meaning just "vivisection is evil." It will have as its meaning "vivisection is evil because," and then the "because" will be followed by textual complications or information that are largely unique to the literary form, or probably graphic imagery that is unique to the filmic form. The 2 media will work at entirely different levels. The framing information that comes in to the viewer is so different in either case - the clothing of each character, facial expressions, the ability of a novel to make digressions in a way that film cannot, the fact that it is far easier to separate a discourse from the character that delivers it in a textual medium than in a visual one, that even a quick glib and succint "moral" like the one you described will be essentially different in each case.

    30. Re:The Biggest Problem... by susano_otter · · Score: 2

      Ah. Well, I have no objection to Anonvmous Cowards! I apologize.

      Sometimes arguing for the sake of arguing is fun!

      In that vein, I'll point out that "nothing is constant" is a self-refuting statement. It presupposes a constant baseline against which the constancy of everything else can be measured. If you deny the baseline, then you have no basis for assessing the constancy of anything, one way or the other. You can't even make the statement unless you have a constant.

      Once the class of constants has been admitted, it simply remains to determine what things are a member of that class. Doing violence to you for my own amusement is pretty constantly wrong, and I imagine you'd be the first to reject any ideology that argued otherwise.

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    31. Re:The Biggest Problem... by susano_otter · · Score: 2

      I'm afraid you've lost me. It seems like you're saying that the message of a movie is something like this:

      "Vivisection is wrong because of how graphically the bloodshed is depicted, and how vivid the expressions of agony are on the face of the victim, and how resoundingly his screams echo in our ears."

      You contrast this with the implied message of the novel, which seems to be:

      "Vivisection is wrong because of the insights into the vivisector's motives that the novel affords us."

      It seems to me that in this light, no story can either tell the truth or tell a lie. It will start out by attempting to do one or the the other ("vivisection is wrong because..."), and then promptly fall apart as the medium takes over with ruthless efficiency: "vivisection is wrong because the medium makes it seem wrong".

      By this logic, "drinking Kool-Aid is right because Jim Jones makes it seem right".

      Or have I misunderstood you?

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    32. Re:The Biggest Problem... by Simon+Garlick · · Score: 2
      "Hokey religions and ancient weapons are no match for a good blaster at your side, kid."

      Isn't that one of Harrison Ford's lines in Raiders of the Lost Ark?

      Oh no, that's right -- that's one of Harrison Ford's ACTIONS in Raiders of the Lost Ark :)

    33. Re:The Biggest Problem... by Lemmy+Caution · · Score: 2
      Now you are confusing the message with the truth- or propositional-value of the message. Stories can consist of truths and lies, but not be a truth or a lie (it can fail as a reliable documentary because of specific falsehoods and omission, but that's entirely different.) Very, very, very little communication is disinterested exchanges of propositions for evaluation for truth-value, and even most of that is structured by its delivery and accompanies other information (the reliability of the teller, the motive for the exchange, etc.)

      Additionally, any story or film that is entirely reduceable to one polemic is ridiculously trivial - and probably doesn't exist.

      And using narratives to tell "truths" can create lies. I can tell a based-on-fact true story about a compassionate, thoughtful Nazi. Outside of any context, that true story contributes to a lie. The easy answer to that problem is that it is a lie of omission, but every narrative makes a virtually infinite number of lies of omission - there are no complete stories.

    34. Re:The Biggest Problem... by GlassUser · · Score: 2

      Reminds me of those old computer games where they had a book of "paragraphs" 'cause there wasn't enough room to hold dialog too. To prevent you from reading the whole thing and knowing what to do in the game, they put in some really whack, or just completely wrong stuff. I liked it. :)

    35. Re:The Biggest Problem... by (void*) · · Score: 2
      No, I think you have just read "truth" into what susano_otter is saying. A movie's (novel) message can be "vivisection is wrong becuase of the intentions of the man", or it can be "vivisection is wrong becuase it was depicted graphically and made me hate it". These are distinct messages and it CAN be both.


      The truth value of that proposition, is independent of our judgements about which message is more apt for which movie.

    36. Re:The Biggest Problem... by Luyseyal · · Score: 2

      indeed, "nothing is constant" should be reformulated as "everything changes" which is consistent with itself.

      The closest argument contra is: But, then the fact of change would itself be constant.

      However, the fact of change is dependent on the existence of things. So, when things cease to exist, the fact of change changes (i.e., it ceases to exist).

      -l

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    37. Re:The Biggest Problem... by hkmwbz · · Score: 2
      No motives, just actions?

      You do realize that what you are seeing when watching episode 1 and 2 are Anakin's journey towards the dark side? You also see the schemes cooked up by Palpatine in his attempt to gain power. Episode 2 is a lot better at this than episode 1, as it really shows you how Anakin starts moving towards the dark side. It also shows us how Palpatine carefully planned the fall of the Republic.

      If you watch episode 1 and 2 expecting the usual basic plot with "Good vs. Bad", you will be disappointed. That's not what they are about at all. They operate on another level than the standard adventure story seen in the Original Trilogy.

      Episode 2 is a lot more subtle most of the time, and you will see a lot of foreshadowing. This is a good thing, and one really should watch the OT before watching episode 1 and 2.

      If you don't understand the motives behind people's actions in episode 2, you should perhaps consider looking beyond the basic plot playing out on the screen. You need to gather the threads to get a bigger picture of what is really going on.

      To me, it sounds like you are expecting a new OT, when this is clearly not what the new movies are about.

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    38. Re:The Biggest Problem... by susano_otter · · Score: 2
      The truth value of that proposition, is independent of our judgements about which message is more apt for which movie.

      Thank you.

      That truth value is also independent of whatever meaning you extract from the medium. Thus, the message.

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    39. Re:The Biggest Problem... by susano_otter · · Score: 2

      So far, so good. But I still need something unchanging, otherwise I have no baseline against which to measure change in other things. How can I know what change is, unless I already have a clear idea of what constancy looks like?

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    40. Re:The Biggest Problem... by Luyseyal · · Score: 2

      the idea of constancy is abstracted from observed change.

      while I cannot point to anything around me that hasn't changed, things like that building over there, set against the grass and trees in the rain, change slowly enough for me to abstract an idea of constancy, i.e., the process of change slowed to an ideal state of stopping.

      then we're back to whether the definition of change can change. I think it changes if everything ceases to exist, but maybe that's a non-standard belief. ;) (i.e., the old example of: If nothing exists, does 1 + 1 equal 2? Many of my professors would say that "Yes, 1 + 1 = 2 still holds" whereas I'm inclined to say "Only if someone is around to classify the void into sets... but then it wouldn't be a void.")

      -l

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    41. Re:The Biggest Problem... by Anonvmous+Coward · · Score: 2

      "In that vein, I'll point out that "nothing is constant" is a self-refuting statement."

      Not true. The definition of nothing never changes. Once you have something, nothing ceases to be. Therefore, the definition of nothing cannot ever possibly change.

      Heh I just got up so don't beat me up too hard, I'm just goofin around.

    42. Re:The Biggest Problem... by MoneyT · · Score: 2

      I fully agree that Ep2 was much better than Ep1. Infact, it had me looking forward to Ep3. It had the feel of the original movies, but it was still missing something. True the characters had more motives in this one, but it still didn't seem nearly as well done as the first trilogy. And like I said, Lucas has lost that detailed nitty gritty things look like they would work look and abandonned it for shiny new eye cady for a lot of things. Granted this is before the OT, there's lot's more money floating about, but some of the new designs and ideas are too out there for what the OT had in mind. True there is more subtlety in how the politics of things are playing into the system, but it's not quite the tale most of us were expecting. However, I have highhopes for Ep3 as I think the disasterous Ep1 was merely a nessesary evil.

      --
      T Money
      World Domination with a plastic spoon since 1984
    43. Re:The Biggest Problem... by susano_otter · · Score: 2

      Clever!

      No worries, I'm still a little groggy myself.

      I think I have a clearer understanding now, but I feel like I've reached my limit of understanding. I'm not sure I can do anything more at this point except withdraw to contemplate the things you've mentioned.

      Thanks! It's definitely been fun. We should do this again some time :)

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    44. Re:The Biggest Problem... by hkmwbz · · Score: 2
      Episode 1 wasn't too bad. It was entertaining enough. It was a nice intro to the new trilogy.

      You should expect episode 2 to take place in more "shiny" environments. After all, the people we are dealing with are politicians and their helpers. They don't generally hang out in dirty caves. They have clean clothes, clean rooms, everything. The OT takes place among the rebels - and they are a rag-tag bunch of, well, rebels, who don't have the same "polish" as the politicians you see in the current movies.

      What tale were you expecting? It is about Anakin's journey towards the dark side, and Palpatine's rise to power. It told those stories nicely.

      Episode 3 should be very nice. It will apparently be darker and more violent.

      The OT isn't very spectacular if you think about it. The story is a bog-standard "good vs. bad" thing, the acting is bad, etc. It does have its charm, and despite its flaws, it drags you in. Most people today view it through rose-tinted glasses.

      You aren't supposed to compare the two trilogies in this way, because they are completely different kinds of movies.

      --
      Clever signature text goes here.
    45. Re:The Biggest Problem... by Anonvmous+Coward · · Score: 2

      "Thanks! It's definitely been fun. We should do this again some time :)"

      Same, cheers man. :)

      AnonV

    46. Re:The Biggest Problem... by susano_otter · · Score: 2

      Thanks! This clarifies things a bit for me. Now, I shall go and meditate on what I've learned :)

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    47. Re:The Biggest Problem... by Luyseyal · · Score: 2

      /me grins

      -l

      --
      Help cure AIDS, cancer, and more. Donate your unused computer time to worldcommunitygrid.org. Join Team Slashdot!
    48. Re:The Biggest Problem... by (void*) · · Score: 2

      But the point is that if you take the film or novel seriously, you will necessarily choose the meaning that maximizes the truth.

  2. Hes right but.. by trevinofunk · · Score: 3, Insightful
    Its a smidge late isnt it??

    I mean, shouldnt a critique of the movie be out, say, within a month or two of the movie being released??

    1. Re:Hes right but.. by Plutor · · Score: 2

      Hey, at least it isn't TWO FULL YEARS late.

    2. Re:Hes right but.. by jdbo · · Score: 2

      Its a smidge late isnt it??

      I mean, shouldnt a critique of the movie be out, say, within a month or two of the movie being released??


      You're right - the millions of words that have been written on films (and don't forget TV!) should be thrown out immediately. Someone better tell my former film history professors to ditch their current projects, too. Sure they'll be crushed, but once I explain that those movies aren't shiny & new, I'm sure they'll move on to new careers.

      While we're at it, let's ignore all cultural products that are more than a few weeks old - reflection (and especially re-consideration) is always bad, bad bad! And the concept that the passage of time can enable objectivity and new perspectives - that's all hogwash!

      (Boy, this would have made my art history courses at school so much easier!)

    3. Re:Hes right but.. by babbage · · Score: 5, Insightful
      Nah -- initial review tends to come out immediately, but it seldom amounts to more than "what was the movie about and would you want to pay to see it now". More thoughtful literary criticism tends to come later, and really that's what this review is an early example of (note how a lot of it seems like just crib notes in no particular order -- I can see Brin turning this stuff into a book later if he wanted to).

      Literary criticism can actually get more interesting as time goes on. What if anything does "Blade Runner" have to say now that we have cloning? Does "Seven Samurai" or "Magnificent Seven" inform the debate on terrorism today? How does a character like Charles Foster Kane illustrate what we now see in people like Rupert Murdoch or, for that matter, Bill Clinton?

      Every generation gets to reintrepret stories, whether those stories are Star Wars movies, Shakespeare's plays, or the epics of the Greeks & Romans. The first generation gets a first crack at such review, but really it takes time for the first wave of interesting stuff to fall out, and the revisionism that later generations can bring can be even more interesting, even if it makes purists wince. Compared to that slower, more thoughtful criticism, the puff pieces you get to see right when the movie/book/etc comes out are for the most part pretty boring & useless.

    4. Re:Hes right but.. by haggar · · Score: 2

      What if anything does "Blade Runner" have to say now that we have cloning?

      You know, "Blade runner" was a piece of art. It may not have been art for all people's sensitivities, but for many it had more than just future prediction as a value. The book on which it's based is even more artisticly exciting while at the same time more nutty.

      However, I would say that cloning is not directly the subject of the movie. In fact, we don't know the technology behind the creation of "artificial humans", their genetic code might have been cooked up from scratch. The whole point is that they are -artificially- created, not just clones. Human clones would be, in fact, just as human as we are. A fine example is given by twins: a clone is nothing but a twin born later.

      --
      Sigged!
  3. At least Lucas appreciates irony... by brooks_talley · · Score: 5, Funny

    From Time magazine, as quoted in the Brin piece:

    [Anakin] can't let go of things. It makes you greedy. And when you're greedy, you are on the path to the dark side...

    Cheers
    -b

  4. Re:Blah by Dark+Paladin · · Score: 2

    Um, yeah.

    Considering that Mr. Brin has written some of the best science fiction out there (I particulary enjoyed Earth), I'd say he *can* do, and does very well.

    Just my opinion. I could be wrong.

  5. Re:Blah by dvdeug · · Score: 2

    Those who can't do, bitch.

    You know what? David Brin can do; he's pretty clearly in the top 100 science fiction writers of this century. Maybe if you could write like him, you would instead of bitching about his writing.

  6. Re:By David Brin, Ph.D. by Anonymous Coward · · Score: 3, Funny
    Mod this guy up. He's gott a Ph.D. and OBVIOUSLY knows more than the others.

    -A. Coward Ph.D

  7. Re:Blah by unicron · · Score: 2

    I found the article fragmented and poorly written. His "plot holes" were so thin I was reminded of movie-mistakes.com, where a "plot hole" is a piece of paper moving between someone's left and right hand over the course of 10 minutes.

    --
    Finally, math books without any of that base 6 crap in them.
  8. Evil by mmarlett · · Score: 5, Interesting
    From the article:
    "[Sith] are cold and calculating, almost robotic -- in the standard Hollywood motif of offering audiences snidely-superior villains to hate. In fact it's almost silly the way they calmly keep telling Luke to give in to his anger, reminding him of what he's been warned about. But they don't seem to give into anger themselves."

    A girlfriend of mine had a cat that would sit and watch you all day long, not moving, not reacting to anything. If you got close enough, it would try to claw your eyes out. If you escaped and could still use your eyes, you would see the cat sitting there looking at you calm and cool. That cat was evil.

    Giving into anger is more about making a person evil than it is about displaying emotion. Any master is calm, cool and collected. Luke was a student, not a master. They wanted him to be an evil student, and the quick path to that is anger.

    Overall, I don't think that article was any more accurate or insightful than the movie it chose to criticize. It, too, was somewhat obvious and full of factual errors. (Lucas did not direct all five movies, for example.) I'm glad he found it entertaining, though.

    1. Re:Evil by chazzf · · Score: 2

      Lucas has only directed three.

      He directed Star Wars, The Phantom Menace, and Attack of the Clones. The Empire Strikes Back was directed by Irvin Kershner, The Return of the Jedi by Richard Marquand. So while this is his first that didn't end with a reactor being shot, he'd only done it twice before.

      ~Chazzf

      --
      No statement is true, not even this one.
    2. Re:Evil by gorilla · · Score: 2

      However it's his 5th with 'story by' or 'written by' credit, and out of those, 3 did have the little ship blowing up the big round ship storyline. I'm still sure that Leigh Bracket's influence on the storyline of ESB is the majority, and responsible for it's excellence.

  9. Twinge of Jealousy? by theRhinoceros · · Score: 3, Interesting

    The biggest irony is this -- I could scribble a 3 paragraph outline that would save Lucas. It would explain every awful inconsistency/paradox in his universe.

    To me, something about Brin's vehemence moves him from "critique for criticism's sake" into "personal beef with Lucas"-land. Or more likely he envies Lucas' success compared to what he considers more legitimate and well-written sci-fi (his own work?).

    1. Re:Twinge of Jealousy? by brooks_talley · · Score: 2

      I totally agree. He makes a few good points, but then he brings up Hitler / the Holocaust not just once, but *twice*. Not exactly the sign of an evenhanded critic who just has some stylistic/technical issues with a movie plot.

      Cheers
      -b

    2. Re:Twinge of Jealousy? by (void*) · · Score: 2

      Even Lucas himself has admitted that Hitler/the Holocaust was some of the source of inspiration for the ideas in Star Wars. Godwin's Law is irrelevant, for bringing up the Nazi's is ontopic. Godwin's Law only works becuase of offtopic references to the Nazism/Hitler.

    3. Re:Twinge of Jealousy? by kubrick · · Score: 2

      I think that's because he feels that Lucas' attitudes lend themselves a little to easily to a fascist conclusion -- it's telling that one of those Holocaust quotes is from Orwell, the archetypal fighter against fascism.

      --
      deus does not exist but if he does
    4. Re:Twinge of Jealousy? by Anonymous Coward · · Score: 3, Interesting

      Sorry, not anonymous, just lazy. This is David Brin, inviting you all to drop by http://www.davidbrin.com/

      Also there's a Hard Science fiction discussion group - one of the oldest & best on the internet - that you could check out at http://www.mccmedia.com/mailman/listinfo/brin-l

      And of course I would prefer the world pay me as much as Lucas & give me his resources. Like any american egotist I think I'd do a better job. So? I recognize the irony and acknowledge it with a smile.

      The point you miss, with your leap to diss my character, is that I have laid out for you all the elements that could make GL's universe actually make sense. It's right there and I'm not the only one who could weave the elements together. Elements that would make Anekin's struggle and fall less of a silly farce and more of a truly intense and surprising(!) twist.

      I'll bet some of you can figure it out.

      No, it ain't jealousy. It's the deep resentment of a movie goer and sci fi fan with high standards. EMPIRE STRIKES BACK promised us a fantastically wonderful story, enjoyable by the adult in all of us, as well as the kid.

      We haven't been given that. I have as much a right as anybody to complain.

      With cordial regards,

      David Brin
      www.davidbrin.com

      PS come on by and talk about some real science fiction

    5. Re:Twinge of Jealousy? by Chris+Burke · · Score: 2

      Hi.

      Out of curiosity, did you notice the part in Episode 4 where the Empire blew up an entire planet?

      How is comparing the person who committed these acts to Hitler not appropriate?

      --

      The enemies of Democracy are
    6. Re:Twinge of Jealousy? by susano_otter · · Score: 2

      Have you read any of his literary criticisms (like the one under discussion, for example)? If you did, you might allow that he's a good critic, even if he's also a bad novelist. And why should we pay any attention to your criticism of Brin? Where's your body of superlative fiction to back it up?

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    7. Re:Twinge of Jealousy? by spun · · Score: 2

      I've read a lot of Mr. Brin's work. I find it among the best modern science fiction written. So I'll take a bite at the plot.

      Uniting the force. Yoda had brought on an artificial schism between the light and dark side of the force in order to gain power for himself and the Jedi order. In reality, the force is one. There is no yardstick external to reality by which to measure good and evil.

      Anakin is revealed to be a hero, working in concert with Obi, who only pretended to defect to the dark side. In reality, he knew the division was a false one, and his character would stand up to the challenge.

      I'm not sure of all the details, as in how all the inconsitancies wrap up, but I haven't given it much thought. Brin is right, it is obvious when you look at it (or at least it's obvious to me after all his clues.)

      --
      - None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
  10. What AotC Needed... by secondsun · · Score: 4, Interesting

    I think what would have really put Episode 2 over the top would have been if Count Dookoo was fighting the Dark Side. If he had seen the Sith's rise and the Jedi's incompetence, he should have moved to build an army and defeat the Sith before it took over the Senate, or at least gather enought power to form a decent resistence. Then everything mostly could have worked in the plot. Why kill Obi-wan? Because obi-wan knew where they were. Why fight the Jedi? The Jedi were being used as pawns of the Sith and had to be stopped before they caused too much damage.

    Of course this is just one CS majors ramblings, but I would have liked to see that.

    --
    There is nothing wrong with being gay. It's getting caught where the trouble lies.
    1. Re:What AotC Needed... by Geckoman · · Score: 3, Insightful
      I wholeheartedly agree! Right up until Dooku met Palpatine at the end, I was hoping he really was fighting against the Sith.

      In fact, I was really hoping/expecting that he'd be killed at the end, and his dying words would be, "You've just destroyed the only force in the galaxy that could have stopped the Sith...."

      I love the idea of Palpatine manipulating his enemies into destroying eachother so that he could seize control. Kind of nihilistic, I know, but it lays a far richer foundation for Episode 3.

    2. Re:What AotC Needed... by kalidasa · · Score: 2

      I wholeheartedly agree! Right up until Dooku met Palpatine at the end, I was hoping he really was fighting against the Sith.

      I think we're intended to believe that Sith apprentices start out this way, and that their anger eventually leads them to make bad decisions, and that somewhere along the way they are backed into a corner and have to make a compromise to survive, after which they are under their master's almost total control. Then they can only think of killing off the master and adopting their own Sith apprentice. It would fit in with the whole Robert Graves interpretation of Indo-European myth - the king and tanist - and could be shoehorned into Campbell quite easily.

      Of course, it's silly . . .

  11. Re:Blah by Telastyn · · Score: 2

    Indeed, the very last paragraph's suggestion on how to actually make star wars make sense would be exceptionally cool.

  12. The Case for by wiredog · · Score: 5, Interesting
    the Empire


    In all of the time we spend observing the Rebel Alliance, we never hear of their governing strategy or their plans for a post-Imperial universe. All we see are plots and fighting. Their victory over the Empire doesn't liberate the galaxy--it turns the galaxy into Somalia writ large: dominated by local warlords who are answerable to no one.

    Which makes the rebels--Lucas's heroes--an unimpressive crew of anarchic royals who wreck the galaxy so that Princess Leia can have her tiara back.

    1. Re:The Case for by CaffeineAddict2001 · · Score: 2
      Which makes the rebels--Lucas's heroes--an unimpressive crew of anarchic royals who wreck the galaxy so that Princess Leia can have her tiara back.
      Why would anarchists want to give someone their tiara back?
    2. Re:The Case for by Gulthek · · Score: 2

      Ah, yes. But that is another writer's interpretation of the rebel alliance. Sure it was approved by Lucasarts, perhaps even by Lucas himself, but it's still not part of the official movie canon.

      I've actually just finished re-reading Zhan's series and I noticed a *lot* of similarities to the action scenes in Zhan's books and those in Attack of the Clones. Still, reading those books makes me all nostalgic for the span of time preceding The Phantom Menace. What Zhan and other SW writers came up with for the SW future is far, far better than Lucas' mangling of the SW past.

    3. Re:The Case for by Gulthek · · Score: 2

      Good lord!

      "I'll take the style of the Old Republic any day."

      But where's the substance?

      "You seem to be forgetting that it is your precious Empire that slaughtered millions in the destruction of Alderaan."

      How many people were onboard the first Death Star, the second? C'mon man, you know the second had conscripted construction crews working full time even as the rebels attacked. Remember that they were having trouble getting the regular construction crews to work hard enough, and that they were going to redouble their efforts? How, exactly, do you think he was figuring that he would do that? Call a conference and just tell the crews to step on it?

    4. Re:The Case for by nadador · · Score: 2

      Okay, this article is even more innane than the currently discussed one. While there are occaisonal good points, and some blatant pandering to the Weekly Standard's core audience, I can't get past this line:

      Make no mistake, as emperor, Palpatine is a dictator--but a relatively benign one, like Pinochet. It's a dictatorship people can do business with.

      Benign? Pinochet? Head... hurts... too... much...

      I would guess that there a more than a few people, slashdotters among them, that would argue that Mr. Pinochet's time in power in Chile was more torture, murder, corruption, and deception than benign.

      --

      Outside of a dog, a book is a man's best friend. Inside a dog, its too dark to read.
    5. Re:The Case for by Rude+Turnip · · Score: 2, Informative

      Insert "Clerks" quote here:

      Dante: My friend here is trying to convince me that any independent contractors who were working on the uncompleted Death Star are innocent victims when it was destroyed by the rebels.

      Customer: Well, I'm a contractor myself. I'm a roofer - Dunn and Reddy Home Improvements --- and speaking as a roofer, I can tell you a roofers personal politics comes into play heavily when choosing jobs.

      Randal: Like when?

      Customer: Three weeks ago I was offered a job up in the hills: beautiful house, tons of property-a simple reshingling job. They told me, if I could finish it in one day, I would double my price. Then I realized whose house it was.

      Dante: Whose house was it?

      Customer: Dominick Bambino's

      Randal: "Babyface" Bambino? The gangster?

      Customer: The same. The money was right, but the risk was too high. I knew who he was, and based on that I turned the job over to a friend of mine.

      Dante: Based on personal politics.

      Customer: Right. And the next week the Foresci family put a hit on Babyface's house. My friend was shot and killed. Didn't even finish reshingling.

      Randal: No way.

      Customer: I'm alive because I knew the risk involved with that particular client. My friend wasn't so lucky. Any contractor working on that Death Star knew the risk involved. If they got killed, it's their own fault. A roofer listens to this [taps his heart], not his wallet.

    6. Re:The Case for by ConceptJunkie · · Score: 2

      Don't look now, but "Chunky Dump" is the sombrero-wearing Frito Bandito rip-off that follows Obi-Wan around in the third movie annoying everyone and defeating Darth Soddom (the swishy, swarthy, well-armed but limp wristed new Sith Lord in Episode 3) with a carelessly dropped beef Enchirito.

      Watto turns out to be a terrorist... he's the one who killed Owen and Beru. Jar-jar can't find watermelon and jerked chicken on Alderaan and uses his telepathic powers to make Tarkin destroy it and the Trade Federation, after being so soundly thumped by one of Lucas' dime-a-dozen gazillion-to-one shots make reprise in episode 3 to plead "Me so solly!" The stormtroopers aren't cloned from Jango Fett, because he's competent, they're all cloned from N'Sync. Dooku is actually spelled "Duke U" referring to the former Secretary-General of the UN (the implication being that the UN is evil) who is mysterious killed by what turns out later to be a nasty case of Ptomaine from the new villian above. Ewoks turn out to be a shunned group of Wookiee midgets and "Y Chihuahua" turns out to be a really filthy Wookiee curse word, and then in the final climax to 26 years of filmmaking Lucas reveals that Palpatine is a Republican.

      --
      You are in a maze of twisty little passages, all alike.
    7. Re:The Case for by DaytonCIM · · Score: 2

      Make no mistake, as emperor, Palpatine is a dictator--but a relatively benign one, like Pinochet.

      Ummm... must I point out the obvious? That Pinochet's regime kidnapped, tortured, raped, and murdered thousands in Chile. I'm really at a loss as to how Jonathan V. Last could have possibly come up with that comment... sarcasm maybe? If so, bad taste.

      I can't phantom how Lucas didn't send his Imperial lawyers into action after that comment.

    8. Re:The Case for by jaoswald · · Score: 2

      Because she is one of them. The barbarians sacked Rome, but they also crowned themselves rulers of Rome.

    9. Re:The Case for by artemis67 · · Score: 2

      Personally, I'm finding that the creation of the Empire is just a little bit too silly. Considering the vastness of the Empire, and how many powerful people there are in the universe could benefit by actively installing their own government, why are we only seeing this one guy (Palpatine) doing EVERYTHING from cutting deals with the Trade Federation, to placating the Jedi, to baking the cookies?

      In this grand, master plan to overthrow the peaceful government, isn't there anyone else who is plotting with him? And by that I DON'T mean the "Darth Flunkies" that get sent out to battle the Jedi. Where's all the collaborators? Where's his inner circle of political associates?

      What we're seeing in the prequels is the kind of political setup you expect to see in a kid's movie -- like the author (Lucas) has little to no concept of how the real world outside of Hollywood works. It's not as cringingly bad as Highlander II, where Michael Ironside walks into a bizzarely lit boardroom, kills the CEO, and appoints himself the head of the company... no, not that bad, but it's darn close.

      If an empire this vast can be overthrown by one guy with political ambition, then maybe it deserves to fall. There's obviously very little checks and balances in this system.

    10. Re:The Case for by argel · · Score: 2
      The problem I have with the Weekly Standard article are all the faulty assumptions in the Galactic Republic section, the foundation for the rest of the article.

      The only view we have of the Republic is after the plot to overthrow it has been set in motion, apparantly for some time given when the clones were ordered. That means our entire perspective is tainted since for all we know the Republic could have been working fine up until that time. Heck, could any government withstand such a concerted, systematic, and well thought out plan to subvert it?

      Additionally both Anakin and Amidala are being manipulated by the the same people plotting to overthrow the Republic so their perceptions are also tainted and lack credibility. The Count Dooku references are (again) tainted since we can infer that this was all part of the plan. We need to know if there were a credible group of seperatists before the overthrow plan was put in motion.

      In effect the the premise of the article is that we know the Republic is bad becuase the people in the process of overthrowing it made it bad therefore they must be good. But what kind of argument is that?

      And if you do not like that one, here is another one: Just because George Lucas wanted to show us a sucessful coup de tat in motion does not mean that the government being overthrown was bad before that plan was put in motion.

      --

      -- Argel
    11. Re:The Case for by Gulthek · · Score: 2

      Not when there are civilians involved, or in the case of my argument conscripted (i.e. forced) workers.

    12. Re:The Case for by Gulthek · · Score: 2

      Kevin Smith rules, but there must have been conscripted workers or slaves hammering away at that second death star. Most likely they were still a few on the first one as well. Someone's gotta do the grunt work that requires a brain :-)

    13. Re:The Case for by mgblst · · Score: 2

      I see what you are saying... the rebels are like terrorists... this is starting to make sense.

      And George Bush is the Emperor... I can see that. He is still pushing to attack Iraq, even though they accepted his original demands.

      "He will join us or die!"
      "Yes, yes"

    14. Re:The Case for by Bob+Uhl · · Score: 2

      Sigh. This always comes up. Pinochet was a `relatively benign' dictator. As opposed to the trul malignant ones: Stalin, Pol Pot, Hitler, Mao. Pinochet just a few thousand opponents and collateral damage--those boys killed hundreds of millions. Nowhere near the same league.

  13. Lucas' peers by GuyMannDude · · Score: 3, Interesting

    Yes! Lucas needed to whittle the Jedi down in a tragic and colorful way. But couldn't he have shown them suffering calamity despite behaving cleverly and well? Doesn't he have peers to workshop this stuff against?

    Good question but I suspect that Lucas honestly believes that he has no peers. It's unfortunate because the scripts that came out of his colaboration with Kasdan were pretty good, IMHO. Yes, I know Lucas co-wrote AOTC with someone from Indiana Jones Chronicles but I argue that this guy was just a yes-man for Lucas. Lucas really needs to team up with a good, known writer to come up with an interesting story for Episode 3. Maybe he'll come to his senses and realize that he needs some help in the script department for his final Star Wars film. We can only hope.

    GMD

    1. Re:Lucas' peers by mekkab · · Score: 2

      word to that.

      I'm not bent on having all things PC, but the moment I saw TPM all I could think was: "how could something this blatantly racist (both the jar-jar rasta's and the asian traders) get past anyone?!"

      I think all the secrecy surrounding Star Wars products is their down fall. No one whose purse strings aren't attached to the man can say "Yo, this BITES!"

      --
      In the future, I would want to not be isolated from my friends in the Space Station.
  14. Re:Blah by rgmoore · · Score: 4, Insightful
    Those who can't do, bitch.

    So what? Brin is most definitely not in the "can't do" category. He's a fantastic author who's won a stack of awards for his Science Fiction writing. I'll admit that the one movie made from one of his books was awful, but the blame for that lies clearly on Kevin Costner's shoulders, not Brin's.

    --

    There's no point in questioning authority if you aren't going to listen to the answers.

  15. Beauty is only skin deep... by sphealey · · Score: 5, Interesting
    Beauty is only skin deep - ugly goes to the bone.

    The problems and holes in TPM could have been fixed with some quick editing and a couple of reshot scenes. It wouldn't have approached the first Star Wars, but then again very little does.

    AotC was so utterly, unredeemably bad that it is unfixable. Sheesh - once glance between Harrison Ford and Carrie Fisher in ESB carried more romantic tension than 30 minutes of moping between what's his name and Natalie. "Let's go to the mall Anni". As my 8 y.o. said "Yuck". How perceptive is the mind of a child.

    sPh

    1. Re:Beauty is only skin deep... by Anonymous Coward · · Score: 5, Insightful

      Anakin acted like a 19 year old who was in lust and confusing it with love. That is because he was portraing a 19 year old who was having a great deal of trouble getting his hormones under control. BTW, I am the parent of a 19 year old. I've seen some awfull sappy scenes, and heard some terroribly corny dialoge, comparable to the worst in AotC, not from a movie, but from my sons room.

    2. Re:Beauty is only skin deep... by (trb001) · · Score: 5, Insightful

      You make an interesting point, were that I hadn't posted already and could mod you up.

      I think part of the real irony of people bashing the romance between Anakin and Padme is that they are holding these characters up to a higher level than what the characters should be at in real life. Anakin is late teens, Padme is early/mid 20's. They play the romance exactly as it would be in real life. You have Anakin who has never loved before all of a sudden getting this rush of feelings (remember your first HS crush? compare...). Add Padme, a 20-something who doesn't take this kid seriously and attempts to brush off his advances. Mind you that she has never loved before either since her life has been spent in the political spotlight. Two first loves in the later part of their life? Come on, you can't tell me that half the 20-something computer geek virgins wouldn't have a romance dialogue similar or WORSE than what AOTC had.

      --trb

    3. Re:Beauty is only skin deep... by dvdeug · · Score: 2

      I think part of the real irony of people bashing the romance between Anakin and Padme is that they are holding these characters up to a higher level than what the characters should be at in real life.

      Star Wars is not a realistic movie; it's an epic movie. Romeo and Juliet doesn't have realistic characters. Do you think Romeo and Juliet would be better if we added a scene where Romeo tells his buddy: "Oh man, her she comes. I can't do this; I mean, she's a Capulet, and I'm not and what were our parents think? But, oh man, she's hot. What do I do?" Yes, if I wanted to watch that on tape, I could point a video recorder at myself; that's _exactly_ why I don't want to see it at the theater.

      I prefered TPM to AOTC; I prefered to see Jar-Jar, then a whiney teenaged brat, no matter how much more realistic the latter is. Epic heros should have tragic downfalls, not whiney teenage ones.

  16. Re:Blah by Dark+Paladin · · Score: 5, Funny

    Biggest damn plot hole in the history of all plot holes:

    C3PO: Hi, I'm a droid.
    Owen: Hey, didn't I meet you before?
    C3PO: No, I don't think so.
    Owen: Yeah, you're C3PO. Build by Anakin Skywalker, right? You're the one who told everybody how itchy you were so you could get Padme to oil you up.
    C3PO: I have no idea what you're talking about.
    Owen: My dad married his mom! We worked together for about 10 years or so. Remember the whole sandpeople incident, where they came and kidnapped her for no reason? Or how we've been raising her grandson - your creator's son - for 18 years now? By the way - why didn't he ever come back and look in the local phone directory under "Skywalker" - he might have found out his son was right here.
    C3PO: (Waves his hand before Owen.) We are not the droids you remember.
    Owen: (Dazed.) You are not the droids I remember.
    C3PO: (Waves hand again.) You want to purchase us. And give me an oil bath.
    Owen: Bath.

    Call me strange, but I think there was just a little plot hole there. Maybe a small one.

  17. Re:Twinge[...] Yeah, but read his 3-paragraphs by chewmanfoo · · Score: 2, Insightful

    Absolutely true. If you look at the prequels critically, as films and not as special-effects demonstrations, you see glaring holes in logic, motivation, purpose, etc. Brin ties all the problems up in three paragraphs. Absolutely astounding.

  18. Re:I didn't spend seven years at Evil Medical Scho by KelsoLundeen · · Score: 2

    Nor did I spend two years at Evil Graduate School for an MA, two years at Evil Writer's Workshop for an MFA, and six years at Evil Graduate School for a Ph.D., but I don't go around signing my posts as:

    Kelso Lundeen, M.A.,M.F.A.,Ph.D.

    There's just something off-putting (and tacky) about tacking your credentials on stuff like this. I think it's an attempt by Brin to make sure folks know 'whereof he speaks', but it's annoying.

    Strut your shit in your work, not in the byline for chrissake.

  19. Re:There's no sound in space. by ceejayoz · · Score: 2

    Yes, everyone knows there's no sound in space. Yes, Kubrick did it right. No, Kubrick didn't have 10 minute long space fighting sequences.

    Mute your TV during the space combat scenes in Star Trek, Star Wars, etc. and see how it is. Just stop whining about it and let the rest of us enjoy the cool sound effects.

  20. Re:By David Brin, Ph.D. by Dannon · · Score: 3, Funny

    My father (who also has a doctorate) would quote the first Austin Powers movie on this:

    "I didn't go through four years of evil medical school to be called Mr. Evil."

    --
    Good judgment comes from experience.
    Experience comes from bad judgment.
  21. But Lucas doesn't even understand Yoda... by sphealey · · Score: 2
    The main reason this movie was my favorite is the fact that you get to see Yoda kick some ass and in what I believe was a realistic way for Yoda to act as a Jedi
    I think we were all waiting for Yoda to finally get mad. But rather than bouncing around like a bumblebee on crack, wouldn't it have been more in character for him to remain calm and collected, as Alec Guiness/Obi Wan does when he finally faces Vadar? Sauraman pulling things off walls and running around like crazy, while Yoda makes one smooth, effortless move after another?

    And please explain, why just five minute after Obi-Wan convinces Annikin that he must abandon Padme to "do his duty", does Yoda abandon his duty to the Republic in order to save two useless Jedi?

    sPh

    1. Re:But Lucas doesn't even understand Yoda... by ceejayoz · · Score: 2

      Yoda was no longer needed in the main battle, as it'd already been won - just mopping up left.

      A Sith lord, though, would be far more dangerous to the Republic. Thus, Yoda went where he could be more of service.

    2. Re:But Lucas doesn't even understand Yoda... by sphealey · · Score: 2
      Yoda was no longer needed in the main battle, as it'd already been won - just mopping up left.

      A Sith lord, though, would be far more dangerous to the Republic. Thus, Yoda went where he could be more of service.

      Agreed, but that is what I am talking about. Yoda went for the main evil-doer, Count Sauraman... I mean Dooku. Slapped him around and was just about to put the cuffs on him. But when Dukoo threw a tiny little 20m granite pillar on top of Obi-Wan and Anikan, Yoda lets DoKo go in order to save the one-armed men, I mean O-W and A.

      Which is exactly what Obi-Wan had just told Annnoboy he couldn't do. And while her acting ability ain't too great, Padme was way cuter than either of the bad-swordfighting-Jedi and a lot more worth saving.

      sPh

  22. Cheech and Chong by DaytonCIM · · Score: 5, Funny

    Next movie will surely have a Chicano low rider caricature help Obi-Wan
    make his escape with the twins.


    Anyone know if Cheech and Chong are free?

  23. Meaning what...? by SirWhoopass · · Score: 2
    The one bitch against Lucas that I believe is completely incorrect is the idea that he's "sold out", "greedy", and "just doing it for the money".

    He's, basically, an artist (maybe not a good one, but an artist nonetheless). He likes to make movies and he likes to control every aspect of his movies (he was originally into editing, but switched to directing because he wanted more control).

    He's made a whole lot of money, but what does he do with it? Does he have huge mansions or fleets of yachts? No. His lifestyle is quite simple for how much money he has. Lucas uses his money to build the coolest special effects shop, sound studio, and movie sound system companies. He uses it to further his movie work. In the A&E Biography about Lucas, a friend recalled how Lucas was still living like a starving idependent film maker, even after Star Wars. His friends had to remind him that he could afford better.

    His movies may not be great, but I don't think for one minute that he's making them because he's greedy.

    1. Re:Meaning what...? by brooks_talley · · Score: 5, Insightful

      So you think it's just coincidence, or lack of foresight or something, that LucasFilm is notorious for releasing not one, not two, not three, but *four or more* versions of each film to the home video market? The initial ones being downright crippled, then gradually getting better?

      How about the fact that they had to scale back the number of merchandising tie-ins for AotC because there was so much press about how TPM was basically a 2 hour vehicle for cross-promotions of toys, ties, and KFC

      His lifestyle, which you point out, actually argues my point: when people are greedy, they often *don't* have mansions, yachts, harems, etc, because it isn't about enjoying wealth, but rather accumulating it.

      George Lucas definitely had some potential, but speaking in present tense, he's about as much of an "artist" as Brittney Spears -- he may be in complete technical control of movies, but he is absolutely a slave to public opinion when it comes to what to make, because he's greedy and the primary interest is in maximizing revenue, not producing quality movies. Sometimes it works in our favor (everyone hates Jar-Jar, we get less Jar-Jar), sometimes it works against us (must include a cheesy romance to capture the female demographic). That's par for the course in Hollywood, I know, but my point is that he's no exception... and that, with customer-abusive attitudes in video release and merchandising, he is actually one of the worst.

      Cheers
      -b

    2. Re:Meaning what...? by SirWhoopass · · Score: 2
      I don't know if it's LucasFilm being notorious for multiple versions as much as the fans are notorious for wanting it. Ignore the "Special Editions" for a second... Star Wars does have both letterbox and pan-and-scan releases. So do many movies. Lord of the Rings is doing the same thing with their DVD release. Star Wars is no different than other mega-blockbusters in that regard. The "Special Editions" are a different issue. The reason there are four versions of each original Star Wars movie is because there are two each of the originial and special edition. The question is, were the special editions released because Lucas is greedy? I don't think so. People flocked to see them. Lucas wanted to revision his work with new technology. Maybe not a good idea, may you and I don't like it, but it's his work.

      Star Wars always had merchandising tie-ins. As kids, people loved the Star Wars toy at KFC. Then they got older and saw it was just cheap merchandising. Back in the early 80s their parents knew all that stuff was merchandising. Try to find a "Star Wars fan" that's over 40 years old. The movies are, and always were, mindless entertainment with a lot of stuff for the kids. Today's 20-30 year olds are just upset the movie is still mindless entertainment for kids instead of something aimed at them.

      I may believe your argument about Lucas being greedy more if he was simply accumlating wealth. He's not. He rolls it back into the movies (via THX, ILM, etc). I think he's a guy who loves to make movies. He's not very good at directing or storytelling, but he's got the resources to keep at it.

      ...

    3. Re:Meaning what...? by SirWhoopass · · Score: 2
      Does that make it ok to make crap?

      In Lucas' case? Sure. Why not? It's not like he's abusing a monopoly position to prevent you from seeing other movies. Far from it. The work on Lucas' movies has spawned ILM and THX, which has made a whole lot of other movies better.

      You don't really think that Bill does, or ever did, like making software, do you? :-)

      ...

    4. Re:Meaning what...? by rseuhs · · Score: 2
      Bill is certainly keeping OEMs from installing other OSes.

      Various other things like purposely breaking .doc formats is already legendary.

    5. Re:Meaning what...? by rseuhs · · Score: 2
      Sure.

      How typical. Microsoft destroying free market with crazy OEM-contracts? Sure.

      Microsoft destroying innovative companies like Go with vaporware (PenWindows) - only to finish said vaporware and then discontinue it anyway? Sure.

      Microsoft puposely breaking .doc formats and therefore causing millions (if not billions) of damages in lost productivity and useless upgrades? Sure.

      Microsoft ignoring industry-standards (OpenGL) and pushing incompatible APIs (DirectX) only to make Windows less compatible? Sure.

      Yeah, sure. Everything is fine, sure.

      Now go away and get a clue.

  24. Darth & Obi Wan ... a team? by mustangdavis · · Score: 5, Interesting

    His crazy plot for Ep III sounds interesting ...
    It would definately make Lucas look like a genius, but like the good doctor, I don't believe that Lucas would be smart enough (or would let his ego deflate enough) to use this terrific plot that has been presented infront of him.
    Consider the possibilities: Yoda and the Emperor working together the whole time .... Darth & Obi-Wan setting this whole thing up to bring balance to the force ... how crazy would this be! Lucas would forever be known as a movie genius!
    This would also answer the question of how the Emperor became so powerful with the force ... we still don't know where he learned the ways of the Dark Side ... maybe it was Yoda that taught him ... That would REALLY mess things up!
    Think about it ...Yoda trained Dooku, who has obviously played a part in Anakin's turning to the dark side by showing him how powerful it is. Yoda trained Qui-Gon ... who trained Obi-Wan, who trains Vader. And if Yoda trained Sidious!!! WOW! At that point, maybe the universe should have been focused on pointing a death star at the little green bastard! ... or maybe Yoda was so smart that he knew this would rid the Universe of the Jedi and prevent the Jedi from taking over (for the long haul) ....
    That story line definately has possibilities!

    1. Re:Darth & Obi Wan ... a team? by Crispy+Critters · · Score: 3, Interesting
      His crazy plot for Ep III sounds interesting ...I don't believe that Lucas would be smart enough (or would let his ego deflate enough) to use this terrific plot that has been presented infront of him.

      One of Brin's Salon articles from 1999 contains this quote: "How come we never see Yoda take on an enemy with a light saber? Come on master, fire it up and battle a Sith Lord! That's a battle I'd pay to see!" Maybe Lucas does pay attention.

      He certainly dropped that stupid midichlorian crap quickly enough.

    2. Re:Darth & Obi Wan ... a team? by disco_stu00 · · Score: 2, Funny

      Of course he paid attention.

      After all, Brin said "That's a battle I'd pay to see!"

    3. Re:Darth & Obi Wan ... a team? by TMB · · Score: 2

      The one piece of hope I have that Lucas might actually do it is that it would finally explain why he filmed Episode IV first...

      However I don't agree that it resolves everything... in particular, it doesn't explain why Yoda tells Luke about Leia.

      [TMB]

    4. Re:Darth & Obi Wan ... a team? by Xerithane · · Score: 2

      It would definately make Lucas look like a genius, but like the good doctor, I don't believe that Lucas would be smart enough (or would let his ego deflate enough) to use this terrific plot that has been presented infront of him.
      Consider the possibilities: Yoda and the Emperor working together the whole time .... Darth & Obi-Wan setting this whole thing up to bring balance to the force ... how crazy would this be! Lucas would forever be known as a movie genius!


      It's kind of laid out, albeit vaguely. Yoda still lives because without Yoda, the force becomes out of balance. Vader and Obi wan are balanced. When Luke shows up, net positive so Obi Wan sacrifices himself. I think the line, "I will grow more powerful than you can ever imagine" means more like, "You are causing the force to collapse upon itself."

      The only thing that pisses me off is that it does end up going out of balance anyway. I've always held onto the vague belief that Yoda was kept alive on purpose because by Yoda being alive, Palpatine was stronger. Of course, I think the whole thing is drivel I just want to find some reason to go watch it because it has good eye candy.

      That story line definately has possibilities!
      Definitely.

      --
      Dacels Jewelers can't be trusted.
    5. Re:Darth & Obi Wan ... a team? by PMuse · · Score: 2

      Well, the prophecy does say the chosen one will bring balance to the force. Not that it will necessarily stay balanced. Particularly after the chosen one is dead.

      --
      "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
    6. Re:Darth & Obi Wan ... a team? by Trogre · · Score: 2, Informative

      Yoda trained Qui-Gon ... who trained Obi-Wan, who trains Vader. And if Yoda trained Sidious!!!

      Yoda trained Dooku, Dooku trained Qui-Gon.

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    7. Re:Darth & Obi Wan ... a team? by Xerithane · · Score: 2

      Well, the prophecy does say the chosen one will bring balance to the force. Not that it will necessarily stay balanced. Particularly after the chosen one is dead.

      True, what I'm thinking is why were they so stupid to train the chosen one if they are bringing balance. Apparently the ever-wise Jedi council overlooked their monopoly on The Force.

      --
      Dacels Jewelers can't be trusted.
    8. Re:Darth & Obi Wan ... a team? by PMuse · · Score: 2

      Yeah, I wondered about that, too. Given that the Jedi counsel dominates/monopolizes use of the force. Given that they only use the light side. Given that the Sith are always two and two only.

      Why would the Jedi Counsel view balancing the force as a good thing? Is it not obvious to them that a lot of Jedi must die to get down to balance?

      If "bring balance to the force" means something more interesting, such as "allow a practitioner to use both sides of the force safely", thus acheiving great things that single-side practitioners cannot, that'd be cool. But I've never gotten the sense that Vader or Luke ever achieved any understanding of the force that was better than Yoda's light-side-only-must-you-use dictum.

      --
      "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
    9. Re:Darth & Obi Wan ... a team? by nurightshu · · Score: 2

      I was always under the impression that Luke was learning to use Dark Side techniques at the beginning of Return of the Jedi. Look at the change in clothing choice -- much more what you'd see on a swingin' badass Sith practitioner than one of those ascetic, dead-from-the-neck-down Jedi. Plus, when he enters Jabba's palace, he does use the Force-chokey-thing on the Gamorrean guards.

      By the way, does anyone have a definitive answer for what the Force-chokey-thing is called? I've heard some people call it the Grip, some call it an injure-kill. Just wondering.

      --
      They that would sacrifice their .sig space for that cliched Franklin quote deserve neither.
    10. Re:Darth & Obi Wan ... a team? by PMuse · · Score: 2

      I don't know the specific name for the choking. I'd have just called it "telekinesis." I've always thought that Jedi powers were rather limited in number, with wide ranging applications.

      1. prescience (from Yoda's long-range futures to Anakin's pod-racing reflexes)
      2. telekinesis (lifting/tossing objects, choking people, enhanced jumping/acrobatics, enhanced strength of sword arm)
      3. limited telepathy (mind control, passing long-distance mental messages, sensing other users of the force)
      4. throwing/catching lightning
      5. unity with the force (longevity, ghost-at-death)

      I'd be pleased enough with the interpretation that Luke was learning some of the dark side in RoTJ, but I'm not sure we have enough evidence to be sure. The clothing change may simply be an attempt to turn Mark Hammel into an action hero -- make him look neat and competent in a 1980s, we-must-reject-disco kind of way. Also, we have to remember that this was the first time Lucas had put a Jedi knight in his prime on screen. He was probably still figuring out what one should look like. That the costume was black in color is a strong point for the dark side, though.

      As for choking the Gamorrean guards, it's a way for Luke to quickly establish his reputation with Jabba's people -- to put on the image of a bad-ass. Plus, it's nonlethal, so Jabba doesn't have a grievance about dead guards. Qui-gon wouldn't have hesitated to do the same, though if anything he'd have been more arrogant about it.

      Anyway, I do like the idea of Luke and his generation learning to use all of the force. Lessons like "anger can be a source of strength and endurance but will produce tragedy if not tempered by love." A balancing of yin and yang that is better than allowing either to dominate.

      I don't see Lucas doing this, though. It seems to me that his Jedis begin with "first deny the body" and follow with "eliminate your desire" on their path to a sterile enlightenment. We'll see what Episode III brings.

      --
      "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
  25. In space, no one can hear you snore... by sammaffei · · Score: 2, Insightful

    And we all remember how rivetting 2001 was (Monolith, snore, Monolith on Moon, snore, Monolith in Jupiter orbit, snore, etc...)

    Hey, Star Wars is a space soap opera (sorta like Flash Gordon or Buck Rogers). 2001 is hard-core science fiction. Two distinct genres.

    Please don't place a burden on something that doesn't deserve it.

    --

    Political correctness is the newest form of slavery.

  26. Getting angry can turn you evil by maddskillz · · Score: 2, Insightful

    I thought this article was an interesting read, and he made some really good points. The fact that I neither love or hate star wars makes this it a little easier to look at this objectively.

    The one thing that I couldn't agree with was when he said getting angry can turn you evil is a down right lie. He then brings up an obligatory Hitler reference. A better example would be if, say a military group attacked you, and you decided to completely annihliate everyone who is from their country. You fighting the group is not evil, but you going overboard and killing everyone is! Of course you would have had no reason to fight them at all, but you were mad at what they did to you.
    Hope that makes sense!

    1. Re:Getting angry can turn you evil by NFNNMIDATA · · Score: 2, Insightful

      Yes and it wasn't getting angry that was the problem - doesn't anyone actually watch these movies? The emporer wanted luke to try to kill him, an unarmed old man. Then he tried to get luke to kill his own father. Murderous rage and post-murder guilt is the path to the dark side, just like in real life.

    2. Re:Getting angry can turn you evil by jaoswald · · Score: 2

      Oh, come on. The emporer isn't an innocent unarmed *bystander*. If you believe the Empire is evil, then he is the ultimate target of all the Rebel sacrifice. A soldier who takes a shot at the enemy leadership isn't experiencing *murderous* rage, he's just using adrenaline-driven anger to get the job done. It isn't good for his health, but it is good for the cause, and it his job.

      Lots of soldiers have to kill the enemy. It's a foul thing, it ain't pacifism, and it isn't glorious, but it isn't evil, either. Just brutal, nasty, but necessary. If you have any humanity, it will deeply affect you, but if you realize it was all ultimately for the cause of good, then you will deal with it.

      Murderous rage is burning down villages, raping civilians, and killing prisoners and surrendering enemies, which doesn't serve any cause.

      Lucas has us believe that somehow killing the emperor ipso facto would turn Luke evil, while killing stormtroopers apparently doesn't have that effect.

    3. Re:Getting angry can turn you evil by JohnG · · Score: 2

      Not really, the conflict could not have been resolved without killing storm troopers. It could have been resolved without killing the emperor.

  27. the fix-all? by jdjensen · · Score: 3, Interesting

    I read David Brin's article and noticed that he keeps mentioning how the whole series can be "redeemed" should Lucas decide to do "something special" to the plot. Of course, Brin never enlightens us to his fix-all plot twist.

    Well, I think I might be on to what he's talking about. How cool would it be if Anakin's drop into the Dark Side was manipulated and guided by Yoda (and maybe some other elite Jedi) with the expectation that he'd eventually bring balance to the force in VI: ROTJ? Yoda ( or perhaps a council even higher than the ovenmit?) allows certain attrocities to go unchecked because he has a higher prophecy to fulfill. When I think about the possibilities, this could really put a brilliant and completely new spin upon the Star Wars universe. If done correctly, it really could be the next Empire Strikes Back in terms of having a plot that is more than predictable pubescent garbage (don't get me wrong, I love Star Wars).

    But at any rate, those are my thoughts, and I'll admit that I don't read the forums and gossip websites at all. Does anyone else have any ideas as to what this "something special" which David Brin is referring to might be?

    1. Re:the fix-all? by wiredog · · Score: 5, Interesting
      Here

      All evidence points to Yoda as co-villain with the emperor all along -- one lightside of the force lying-pompous-schmuck and one darkside heavybreathing-sadist-schmuck. QuiGon was dimly aware of this problem, which is why he tried bypassing Yoda -- twice! -- and yearned for balance. So did Obiwan. And their student? How esthetic it would be for QuiGon and Obiwan to turn out to have been right and Yoda wrong!

      How about this? Annakin self-hypnotized an inner core of himself to hide behid a mask while pretending to be the emperor's lackey, getting ready for a day of reckoning with BOTH of those sanctimonious bastards, Yoda and Palpatine! It works!

      Here's part of the SALON article that never got included:

      Oh, wait. I get it. Annakin was actually a secret agent spy all along! Here's the secret facts:

      Vader's the one who sent the secret plans to Leia's ship! He arranged for the droids to get away, and coincidentally land just a few miles from his hidden son! (It explains why Obiwan "hid" Luke on the one planet Darth (I mean Anniken) was most familiar with in the whole universe. The same PART of that planet. It only makes sense if the two were really in cahoots!)

      Remember how, a little later, Vader talks Tarkin into "letting them go so we can trace them"? Likewise, he's the only close-up witness to Obiwan disappearing, when he supposedly "killed" his master in that sword fight! (Maybe he actually helped Obiwan pull a vanishing act.) Note that the "fight" with Obiwan distracted the guards & helped let Luke get away!

      But there's more! Remember how Vader "chased" Luke in that Tie fighter... which had the chief effect of turning off all the antiaircraft guns and giving the boy a clear shot to blow up the first Death Star! (From which event, Vader is conveniently the only Imperial survivor.)

      Recall how in The Empire Strikes Back Vader offered to make Luke co-ruler? (Presumably it would thus be a nicer dynasty than the emperor's). Then in Jedi recall how Vader brought Luke aboard the second Death Star? Could it be because he knew the kid would irritate the emperor and get him upset enough to finally let Darth get a crack at him from behind?

      I knew there had to be some reason why Vader didn't seem to detect his own daughter -- all filled with that magic force shit -- when he grabbed her arm and looked into her eyes in Episode... um... IV is it? Then he drug-interrogated her, without detecting any Force? Can there be any explanation except that he already knew?

      Pah! He let them both get away deliberately! And whenever they needed guidance, there were the droids... his own special droids, assigned to help and guide his children to their destiny.

    2. Re:the fix-all? by Aexia · · Score: 3, Informative

      Does anyone else have any ideas as to what this "something special" which David Brin is referring to might be?

      Anyone who read the *entire* article might.

      In fact, a scenario is possible, if Vader and Obi-Wan conspire together against BOTH Emperor and Yoda. Go on, follow all the movies with this possibility in mind.

      Why else would Obi-Wan 'hide' Vader's son in Vader's home town? Their final 'deathfight' distracts the guards to let Luke/Han/Leia get away. How else do you explain that Vader grabs/interrogates Leia, yet never detects her force? Watch carefully... Vader's 'chase' of Luke in the first film clears all the other Imperial fighters off his son's back and halts the antiaircraft guns, giving the kid a clear shot! And guess who's the only Imperial survivor?

      It goes on and on! (Including the coincidence of whose droids carry the message.)

    3. Re:the fix-all? by danro · · Score: 2

      What movies? I thought these were historical documents.

      Galaxy Quest is so underrated.

      --

      "First lesson," Jon said. "Stick them with the pointy end."
  28. Re:Blah by unicron · · Score: 3, Informative

    Except for the countless times people on this board have mentioned that in the Star Wars universe, droid routinely have there memories wiped out. Shit man, it's like the most posted message on this site.

    --
    Finally, math books without any of that base 6 crap in them.
  29. I can't possibly agree in a more disagreeable way by beleg777 · · Score: 2

    [i]True, it helped that my expectations were low. Still, I found myself quite enjoying the first half of the film!

    While I agreed with his overall response I completely disagree with most of his points. I didn't like the first half, except maybe the first scene where Obi-Wan jumps out the window. It was the second half that was enjoyable. While the plot held itself together better in the first half of this the dialog was painful.

    I've found that I really dislike this guy, and the way he presents thing. But I often agree with his opinions. At least on movies.

    --

    Science may someday discover what faith has always known.
  30. Dissent is Good by DaytonCIM · · Score: 4, Insightful

    There are many who will take offense at Brin's comments. But as a fan of Sci Fi it is Brin's duty to question Lucas and call him on his mistakes.
    If more people step up and speak the truth about how much of a "let down" both of the "new" Star Wars films have been, maybe George will spend a little more time writing the third and less time worrying about the CGI.

  31. Re:What happens when you have a kid by RocketJeff · · Score: 2, Interesting
    You stop going to the theater to see obviously mediocre/generic films like this one and, moreover, you get a lot more critical of mediocre/generic films you do happen to make the mistake of seeing - you only get so many baby-sitting days....
    Wow - that totally sums up my feelings for (not) seeing AotC. We get out to see a 'grownup' movie about once a month (if we're lucky) so we try to pick one we know we're going to like.

    We wasted a 'movie night' on TPM so we passed on AotC. If the reviews (professional and peer) were outstanding we would have seen it, but they were all 'it's better, but not great.'

    When I heard that it was going to be out on IMAX, I considered going to it but as my wife said "Why, so we can see a so-so movie on a bigger screen?"

  32. One thing that bothered me by Chris+Pimlott · · Score: 2

    How is Palpatine supposed to explain the clone army? "I propose to create a grand Army of the Republic... oh look, I already have one, isn't that handy?" As they said in the movie, it takes years to develop, breed and train a clone army, so coming up with one at the drop of a hat should raise of few eyebrows.

    1. Re:One thing that bothered me by Chris+Pimlott · · Score: 2

      The point is, if some bozo come up to Palpatine and says, "Hey! where'd you get that fancy army?" He doesn't have to answer him, THE CLONE ARMY WITH GUNS GETS TO.

      Then why trick the council/congress/whatever to agree to form an Army of the Republic anyway? Remember, Palpatine is still maintaining his persona as an honest politician; he only shows up at the Jedi-arena-planet as Darth Sidious.

  33. Re:Good vs Evil by Mr_Matt · · Score: 3, Insightful

    Exactly.

    Reading this guy's article, I was amazed at how seriously he took SWII. Taking entire paragraphs to point out plot inconsistencies, complaining about the simplistic notion of Jedi thoughts on anger, Anakin's mother, etc., etc. makes me wonder if he doesn't realize that for George Lucas, this whole Star Wars thing is pure escapism - a giddy, whimsical throwback to B-grade kiddie serial flicks from another time. Of course there's no Spielbergian display of 'inner conflict of the human hero' - that's how the genre works. The Lone Ranger would have been out of place in Saving Private Ryan but he'd be in familiar company in a Star Wars flick. Even special moments of angst (Luke looking at setting twin suns, Han contemplating a return to attack the original Death Star) are stock B-movie cheesy moments. It's What Makes Star Wars Fun.

    Don't get me wrong - the guy's allowed to take Star Wars seriously. But this whole 'disgruntled fan-boy' criticism just seems like a waste of time, kind of like posting about it on Slashdot.

    Hey, wait a minute... :)

    --


    But what does my opinion matter, I just vote here. It's not like I have any money or anything.
  34. Re:Blah by eric+peterson · · Score: 5, Funny

    Well, that works for half the equation. Maybe Owen is a droid too.

  35. Re:Star What? by hey! · · Score: 5, Insightful

    Chalk it up to movies 2001:A Space Odyssey.

    We'd been conditioned to see space as an antiseptic place, full of glaring bright light, shiny technology, and alien experiences. The original thing about the first SW movie was the way it visually reimagined space to be grungy, bange-up, and lived-in, full of low life characters who were perfectly comprehensible even if they spoke some weird electronic lanuge and looked like a pile of congealed excrement. Star Wars opened up outer space to the great unwashed.

    --
    Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
  36. Post-Sundiver suggestions... by freeBill · · Score: 3, Informative

    ...obviously start with Startide Rising, a much better book set in the same universe (The Uplift Saga, which has six volumes). The Uplift War is just as good, even though I suspect it was conceived as a giant pun. It may also appeal to your Libertarian instincts.

    Then you're faced with a choice. If you just can't get enough Uplift, the last three books of the saga are really one story or trilogy and introduce many new and interesting ideas. But the climax is not as satisfying as Startide or Uplift War.

    If you liked the eco-libertarian side of The Uplift War and (especially) Startide Rising, Earth develops these ideas much more fully, but it may not be entirely non-unsettling to a true believer in the Libertarian Cause.

    If you liked the puns in The Uplift War, Kiln People delivers puns at a rate which has to be seen to be believed. This book also does a lot better job of transferring the mystery genre to sci-fi than Sundiver. And he even explains why his gumshoe maintains a running dialog in his head.

    If you like Asimov's Foundation, then Foundation's Triumph will be of interest. Otherwise ignore it.

    Perhaps his most interesting book was written with Gregory Benford -- Heart of the Comet, biological sci-fi set in deep space.

    --
    Eternal vigilance only works if you look in every direction.
  37. Re:By David Brin, Ph.D. by GuyMannDude · · Score: 2

    The man worked hard to get his doctorate, and you bitch about him showing his accomplishments on his sleeve? Bugger off, mate.

    That's "Dr. Mate" to you, A.C.!

    GMD, Ph.D.

  38. Re:Twinge[...] Yeah, but read his 3-paragraphs by Dr.+Manhattan · · Score: 2

    Okay, I give. Where are those three paragraphs?

    --
    PHEM - party like it's 1997-2003!
  39. Re:David Brin by Enry · · Score: 2

    I've read 1/2 of Earth and 1/2 of The Postman, and found the writing horrible. I get annoyed with Harry Turtledove's writing at times (it gets repetitive), but at least the plot keeps things going.

  40. Lucas wants it both ways by MichaelPenne · · Score: 4, Insightful

    Right, but, Lucas seems to want folks to feel there _is_ a message in his films, claiming to be inspired by the work of Campbell (who definitely claimed that even 'escapist' cultural myths reveal the underlying philosophy of a culture).

    So Brin is critiqeing from the view that Lucas does want to be taken seriously.

    I happen to agree that Lucas just wants to make a bunch of money and play with some cool new digital toys & that he is using Campbellian patterns in his stories because they are recepies for popularity, not because he actually wants or expects his stories to teach or shape the culture.

    But a central theme to Campbell's work was that popular myths _do_ shape and teach...

    1. Re:Lucas wants it both ways by RedWizzard · · Score: 2
      Right, but, Lucas seems to want folks to feel there _is_ a message in his films
      Says who? I've never heard anything from Lucas to suggest he expects us to take them seriously. When asked "why did Phantom Menace suck so much?" he said something like "I wrote it for the kids". As you say Campbellian techniques are recipies for popularity and Lucas used them freely, but that does not mean he subscribes to the "must shape and teach" aspect.
    2. Re:Lucas wants it both ways by RedWizzard · · Score: 2

      Yeah, I'll give you that.

  41. Re:Aesthetics and futility aside... by SirSlud · · Score: 2

    My problem is that with so much money riding on the success of these movies, that its hard for me to take the guilty pleasure of enjoying such a scene when one could plausibly construe the scene as an easy-to-make marketing ploy.

    Between all the crossovers, cameos, in jokes, and plot ploys in hollywood entertainment these days, its increasingly difficult for me to enjoy my guilty pleasures. When I know whoever owned the rights to the characters/franchise/brands involved is making a crudload of money off of pandering to my guilty desires instead of challenging them or surprising them with novel ideas, I just want to turn the TV off. As a fan of various shows, characters, etc, sometimes I feel downright exploited .. as if somebody out there knows what kind of cultural crack I'm unable to resist, and is making some phat cash of peddling me 'the goods' ...

    Well, back to Yoda. Really, I much prefered the mystery. We all knew Yoda could kick some Imperial ass, so did we *really* have to see it? I much preferred the mystery, but now I am ruined. :(

    --
    "Old man yells at systemd"
  42. Did you read the addendum? by mekkab · · Score: 5, Informative

    Bottom of the page.

    I don't care if he's jealous. His addendum RAWKS!

    God, it's so good, I wish I'd thought of it!

    note to self: read more of his books!

    --
    In the future, I would want to not be isolated from my friends in the Space Station.
  43. Re:Blah by Doppleganger · · Score: 2

    And yet, R2 recognized Obi Wan...

  44. Terrorists by BESTouff · · Score: 2, Insightful

    Do you realize that in nowadays' political atmosphere, the Rebels would be seen as terrorists and the evil Empire would look more like ... well.

    1. Re:Terrorists by AtaruMoroboshi · · Score: 2


      HA! Someone mod parent up!

      Hilarious!

  45. Re:A minor correction by bje2 · · Score: 2

    um, marquand directed it, but lucas still wrote it...giving the controlling nature of lucas, i'd be willing to bet that the "shoot the reactor and then run" part or rotj was lucas', not marquand...marquand just directed the story that lucas gave him...

    --

    "Facts are meaningless. You could use facts to prove anything that's even remotely true." - Homer Simpson
  46. "They all look alike to me" by wowbagger · · Score: 2

    It could be that Owen considered droids beneth notice - the classic "They all look alike to me". As such, the only reason he would consider C-3P0 special were the memories that were erased. Upon meeting the wiped 3P0, nothing would be present to trigger any familiarity.

  47. Bitter much? by Dirtside · · Score: 3, Insightful

    Brin makes some interesting points in these anti-Lucas screeds of his, but the strongest feeling I get from them is one of bitter resentment. I think Brin has a particular idea of what constitutes "real" SF, and Lucas's success with his paltry "pseudo-SF" is grating. That, I can understand, but it does Brin no good to come up with spurious logic and silly accusations to try and denigrate Lucas... to what purpose, I can't tell.

    For example, Brin is fond of pointing out how unhealthy it is to repress your emotions -- something he claims the Jedi faith is based on. The problem is that the Jedi have no problems with the existence of negative emotions -- merely with acting on them. Controlling yourself to the point where you don't even have any negative emotions is nigh-impossible; but recognizing when you are having those emotions, and waiting until you are calm before you act, is where the wisdom lies.

    Brin also makes the odd assumption that just because Lucas shows a character doing something in a movie, means that Lucas thinks that real people should act that way in real life. His quote from Orwell is almost apropos, except that a movie is different enough from a gas chamber that the comparison is silly. I'm not saying Brin has to like Lucas's beliefs or philosophy, but to claim that there's some crime being perpetrated against humanity because of the entirely fictional things that happen in a movie, is just dumb. Criticizing a movie for bad writing, bad direction, and bad acting is certainly fine, but why does Brin see such a threat against real adult morality from these films?

    --
    "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    1. Re:Bitter much? by Dirtside · · Score: 2

      No, you useless troll, to follow my logic, someone with "real wisdom" would feel anger and rage, and then wait until they calmed down before acting. Acting from emotions is what causes many of the problems in the world; responding the same way isn't going to make things better.

      "The significant problems we face cannot be solved at the same level of thinking we were at when we created them." -- Albert Einstein

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
  48. Re:Blah by Clock+Nova · · Score: 2, Informative

    How many protocal droids have we seen in th3e movies so far that look exactly like Threepio. Quite a few. In fact, usually the only difference is that their coverings are a slightly different shade.

    Also, keep in mind that Threepio's coverings have been completely replaced by the time he and Owen meet again. He is a completely different color.

    Why should Owen necessarily recognize him?

    --
    There they were, sitting in the van with all those dials, and the cat was dead. -V. Marchetti, CIA
  49. Re:Blah by unicron · · Score: 2

    He was friendly, he didn't recognize him.

    --
    Finally, math books without any of that base 6 crap in them.
  50. Brin Should Talk by N8F8 · · Score: 2

    I've read most of his books. Not because I find his books especially well written, but because I'm a Sci-Fi junkie. His characters tend to feel like cardboard propups. Not that I'm defending Lucas' crap either.

    Why oh why can't Hollywood make decent Sci-Fi movies? Most of the sci-fi movies that get made are absolute torture to watch. I suspect it has to do with the fact that most decent movies today are made with relative shoestring budgets. Crap lie Star Wars and Star Trek and even Minority Report.

    Another may be that the Directors involved in the production are too powerful and have too much control over everything. Does anyone believe Lucas was told the Romance scene was completely horrid? I can't beleive the actors managed to spout that tripe without barfing or laughing in Lucas' face.

    --
    "God fights on the side with the best artillery." - Napoleon, Marshal of France - speaking truth to power
    1. Re:Brin Should Talk by anonymous+cupboard · · Score: 2

      Pitch Black was hardly mainstream Hollywood. It was a US/Ozzie co-production. I don't think it really hit distribution until its critical success at film-fests.

    2. Re:Brin Should Talk by anonymous+cupboard · · Score: 2
      I would certainly that LOTR wasn't really mainstream Hollywood but unlike Pitch Black, the money came completely from the US (Give or take some tax breaks by the Kiwis, but that certainly used to be the same for Oz).

      The other point is that a studio film often has better links into the distribution system. If it is really crap, they won't necessarily pick it up but they won't always look at an independent foreign production.

  51. Re:There's no sound in space. by uberdood · · Score: 2

    No, Kubrick didn't have 10 minute long space fighting sequences.

    No, he simply had that gawd-awful 10-minute long starfield journey THROUGH the monolith.
    --
    "Population 1,656"
  52. Re:And I just finished reading Sundiver by Salsaman · · Score: 2

    I enjoyed David's The River of Time, which is a short story collection.

  53. Humans remember appliances... Riiight. by Fig,+formerly+A.C. · · Score: 2, Informative
    Yeah, I'm sure I could still identify that toaster that I sold at a garage sale 18 years ago, too. Especially since it was in pieces when I got rid of it.

    I think droids are a commodity in the SW universe, much like toasters are today. Mass produced, identical, and when you come down to it: mere tools.

    Why would Owen remember it?

    --
    Murphy was an optimist.
    1. Re:Humans remember appliances... Riiight. by ShieldWolf · · Score: 2

      What was your toaster's name? What did its voice sound like? What were its aneurisms like? How many times did you carry on a conversation with it?

      C-3PO is such a commodity that he even has a nickname: threepio. Did Chewie puts him back together again when he was blown apart to not waste parts?

      I think bigger questions are:

      1) WHY IN GODS NAME did Anakin think building a protocal droid would help his Mom in the first place? How about a cleaning droid or a cooking droid?
      2) What sense do slaves make at all in a world with Droids?

      Lucas screwed up, it's okay, the sky won't fall, say it with me. ;)

      -Shieldwolf

      --
      just = (My)Opinion.toCents();
    2. Re:Humans remember appliances... Riiight. by Fig,+formerly+A.C. · · Score: 2
      What was your toaster's name? What did its voice sound like? What were its aneurisms like?

      Whatever I programmed them to be. ;-)

      How many times did you carry on a conversation with it?

      Never, I just kept telling it I didn't want any toast! (Red Dwarf)

      C-3PO is such a commodity that he even has a nickname: threepio.

      Yes, and my dog Rover had a unique name too.

      Did Chewie puts him back together again when he was blown apart to not waste parts?

      I've fixed a broken car before. Sometimes it is better to fix the more expensive appliances than to let them die.

      1) WHY IN GODS NAME did Anakin think building a protocal droid would help his Mom in the first place? How about a cleaning droid or a cooking droid? 2) What sense do slaves make at all in a world with Droids?

      I agree, this has bothered me as well. Maybe the droid parts were laying around, and the parts he had were for a protocol droid? I doubt Anakin fabricated any major parts for 3P0. Still, I agree with you here.

      Lucas screwed up, it's okay, the sky won't fall, say it with me. ;)

      IT. :-)

      Honestly, this steaming turd that Lucas pulled out of his ass is so twisted up it looks like a pretzel.

      --
      Murphy was an optimist.
    3. Re:Humans remember appliances... Riiight. by dbrutus · · Score: 2

      Seriously, all labor saving devices are used only when people are more expensive than the TCO of the device. Human labor, when it gets cheap enough, will replace machines. Slave labor can easily fit into this economic reality. How a slave gets expensive droid parts, puts them together into a functioning more valuable droid, and doesn't have the fruit of his work taken by his master for his own profit is much more problematic. It's still a plot hole, just a bit more refined.

    4. Re:Humans remember appliances... Riiight. by tapin · · Score: 2
      What was your toaster's name? What did its voice sound like? What were its aneurisms like?

      I don't think my toaster has ever had an aneurism. Neither, for that matter, has Threepio.

      Bonus points for spelling the wrong word right though, especially hereabouts.

  54. Brin is right by Animats · · Score: 3, Insightful
    He really is right. Lucas is a great producer and a good director, but he also does his own scriptwriting, at which he is at best mediocre. He has his own studio, so he doesn't have anybody above him to tell him when he sucks. As Brin says, "Doesn't he have peers to workshop this stuff against?". No, he doesn't; he only has subordinates.

    What Lucas is good at is production-value overload. In Episode I, there's a new major set every 90 seconds. That's really what keeps people from being bothered by the bad dialogue and inept action.

    Yes, it makes money, but so does Pokemon.

  55. Lucas models Vader after himself (read it) by gosand · · Score: 2
    I really find this quote interesting...

    In a recent Time Magazine article, George Lucas explains the depressingly foreordained saga of Anakin Skywalker's slide into evil-demigodhood by saying: "He turns into Vader because he gets attached to things. He can't let go of his mother; he can't let go of his girlfriend. He can't let go of things. It makes you greedy. And when you're greedy, you are on the path to the dark side, because you fear you're going to lose things, that you're not going to have the power you need."

    So in essence, Lucas has modelled the Vader character after himself. The series has so much potential, everyone can see that. But Lucas is content to drag it down to the lowest level, simply because he is greedy.

    I also really like the author's suggestion for Episode Three, which is a major plot twist. I have thought about it, and I think it could work very well. I'd have to review the previous movies to see if it works all the way through the trilogy, but I think it would. He proposes that Obi Wan and Darth Vader are actually teaming up against Yoda and the Emperor.

    I think it would be a cool twist to reveal that the Empire is really the good guys, and the Rebels are the bad guys. There was a whole article on this somewhere, and I thought it was a pretty unique and intriguing analysis of the saga.

    --

    My beliefs do not require that you agree with them.

  56. Most pressing question in the article by branteaton · · Score: 2

    "Doesn't he have peers to workshop this stuff against?" Ouch! That hurt all the way over here, and it wasn't even _pointed at me_! George - all work and no peer review makes a director - weird.

    --
    this .sig intentionally inane.
  57. Re:Blah by Marasmus · · Score: 3, Interesting

    1. Owen had VERY little interaction with the droids in AotC.
    2. The droids are all named by their model number. In a universe, it's clear that there are likely millions of each model droid. There'd be no reason to think that a C3PO is the C3PO he dealt with about 20 years prior.
    3. Droid memory erasures, as mentioned by many people.
    4. If you watch the original film, Owen goes out of his way not to select C3PO or R2D2. It's Luke who's so damn adamant about getting C3PO, and they only get R2 because the other unit burnt out before it moved 50 feet... My thought is that he had some sort of subliminal memory of droids like these ones, and thus didn't like them. If memory serves, he actually bitches about them to Luke in Episode IV. He's also very pushy about Luke taking them up to Anchorhead to have their memories erased. Interesting. :)

    Though I do like your comment about Padme and the oil bath. :)

    --
    .... um, i lost you after "0110100001101001".
  58. Re:It is just a movie... by sielwolf · · Score: 2

    Jesus, just enjoy it. Quit over analyzing it.

    Um. Well there are two schools of thought when it comes to a form of art:

    1. Those who enjoy it for its own sake.
    2. Those who enjoy it for intellectual reasons.

    Take anything: music, film, fine art. Whatever and you will find these two camps (the second being smaller than the first).

    Now your post title is "It's just a movie" so I assume you are in the first camp. Basically the rule of thumb is if you liked the movie or not. Binary. Runs. or Hangs. And that's fine.

    The second group are those who take an active interest in looking deeper into a form of art. The political reasons. The creator's own personal relations to it. Larger social meaning and how it fits into the larger genre. Here analyisis brings deeper understanding of the film and thus more pleasure than just sitting back and watching it.

    A good parallel is David Sirlin's editiorials on Street Fighter II. His gist? Either you enjoy video games just to play them, or you enjoy them by winning (and winning takes analysis of the deeper mechanics of the game).

    In all things either it is just a meaningless pastime or a deep and profound experience. Passive enjoyment or active involvement. Understand that there are people who enjoy the same things you do but for different reasons.

    --
    What is music when you despise all sound?
  59. Enough of the Campbell Crap Already! by nagora · · Score: 2
    Campbell was a deluded idiot taken in by Fraudian BS which he applied more or less at random to those stories which could be made to fit while ignoring those that didn't. Who cares if Star Wars fits his shitty formula story telling? If I want formula story telling I can get it on TV any time I want.

    This is not to say that Star Wars has been a goldmine of originality, of course.

    TWW

    --
    "Encyclopedia" is to "Wikipedia" what "Library" is to "Some people at a bus stop"
  60. Good Point: Y O D A by SomeOtherGuy · · Score: 3, Interesting

    There has to be more to Yoda than meets the eye. First he (apparentlly) has no clue as to what is going on around him in the most recent films. Second -- Their is a questionable amount of mystery as to why he went into hiding during the last 3 star wars movies. I think Brin has a good theory that Lucas could use to tie up the MANY loose ends in this story. I just can't help but think that Yoda's mysterious actions and apparent ignorance is the biggest outstanding mystery of all.

    --
    (+1 Funny) only if I laugh out loud.
  61. Re:I didn't spend seven years at Evil Medical Scho by rhombic · · Score: 2

    The only people I ask to address me as Doctor are those who introduce themselves as Dr. whomever. Everybody else just calls me by my first name. I've always felt that as long as I have confidence in my knowledge and abilities, I don't need to push the handle.

    --
    1984 was supposed to be a warning, not an instruction manual.
  62. has no one read the article? by 7-Vodka · · Score: 2

    Oh, wait this is /. of course not.
    Brin makes an outlandish suggestion. What if Vader and Obi won were working together against both the jedi and the empire? It would explain all the inconsistencies in the 5 movies so far!
    Go read the article, it's right at the bottom. Awesome idea.

    --

    Liberty.

  63. Re:Blah by User+956 · · Score: 2

    Seriously. He did a great job summing up every single Disney movie ever made:

    The hero begins reluctant, yet signs and portents foretell his pre-ordained greatness. He receives dire warnings and sage wisdom from a mentor, acquires quirky-but-faithful companions, faces a series of steepening crises, explores the pit of his own fears and emerges triumphant to bring some boon/talisman/victory home to his admiring tribe/people/nation.

    --
    The theory of relativity doesn't work right in Arkansas.
  64. Re:Aesthetics and futility aside... by IIRCAFAIKIANAL · · Score: 2

    heheh,

    seeing Yoda fight was like losing one's virginity - couldn't wait for it to happen, but it was almost anti-climactic after the fact.

    But who wants to stay a virgin? I'd rather have an experience than anticipate it - that's just me :)

    "I much preferred the mystery, but now I am ruined. :("

    Lucas popped your cherry. I guess he should have been more gentle. Seeing Yoda fight like kermit on crack was a little rough. I feel your pain.

    --
    Robots are everywhere, and they eat old people's medicine for fuel.
  65. Re:It is just a movie... by (trb001) · · Score: 2

    This is typically the stance I take when someone starts to critique Star Wars as well. I do, however, enjoy hearing intelligent critiques and laughing about the shortcomings with friends.

    This is not one of those times.

    This man's article falls short in several areas. First and foremost, he's plain wrong on some of his assumptions.

    Let's not even go into micro-illogicalities, like having CP30 work for 'Uncle Owen' for ten years... then later they won't recognize each other at all.

    I mention this because it's hinted again and again that Anakin will "unite" the schism in the force. But this has been poorly foreshadowed at any level. Have we even a hint what this MEANS?

    Has he forgotten there's another movie coming, one which takes place between AOTC and ANH? Perhaps Lucas is leading us on because, oh, I don't know...he wants us to eagerly anticipate and try to predict what really DOES happen? I, for one, would be horribly disappointed if GL tried to hammer some of these things home with a sledge hammer, it would take away from my imagination.

    Minor nitpick... did anyone notice the repeated use of the phrase 'fire on the Federation starship!' and 'don't let the Federation starship get away!'

    What are these guys -- Klingons?


    Trade Federation. I'm not going to dictionary.com to lookup the word's definition, but I'd guess there are plenty of reasons to use it, and I guarantee it was around before Star Trek.

    Yoda -- the green-asbestos oven mitt

    Again and again, we see Anakin being punished for being, er, human.

    A dig at Star Trek? What do you want, a monopoly? Hey, people have enjoyed 100 times as many hours of that universe as they have yours, George. Live with it.

    Despite every flaw, there IS a way that Lucas could weave all the threads together and pull a miracle of cinematic legerdemain, causing it all to make magnificent sense.

    I'd wager my house that he won't do it.


    I have serious problems with people giving THIS TYPE of criticism of George Lucas. He has, quite arguably, the most succesful saga ever seen on the screen. Millions upon millions of people flock to see his movies, more often than not 3-4 times in the theatres alone. Typically, finding someone who hasn't seen Star Wars is met with "What?! How's that possible?!". If it's a guy being asked, I'd outright disbelieve them. My point is, unless you can come up with a reason contradicting why the better part of the world has seen Star Wars and thoroughly enjoys it, I don't think criticism of GL really stands.

    --trb

  66. Re:Blah by unicron · · Score: 2

    Maybe their memory data is stored differently than their personality data...MAN THIS CONVERSATION JUST GOT LAME.

    --
    Finally, math books without any of that base 6 crap in them.
  67. Why that article is crap by chazzf · · Score: 3

    Okay, I'm tired of seeing this thing linked to, so I will post my rather extensive rebuttal. Even if the author was joking, which I don't think he was.

    I'm not going to deal with his ignorance of the Expanded Universe, I don't like his reasons but I'll let it be. I'll refute him with the movies.

    The notion that the Emperor was a benign dictator like Pinochet--I don't know where to start. I'm sure Chile would be most impressed to learn that Pinochet was "benign." Thousands killed for political reasons is not "benign."

    Now, he has a point that Alderaan was probably armed. Most planets are. That's not illegal. Destruction of those weapons would have been a legitimate military exercise. Now, I ask you this: is it legitimate to slaughter civilians to destroy those targets? Especially if you're doing it to blackmail a resistance leader? Who happens to be a member of your own governing body? That would be akin to Bush nuking New York because Hillary Clinton would blow him. I mean, really. Who's the author trying to kid?

    He speaks of the system of regional governors, owing their fealty to the Emperor, and what a nice system was and how the Emperor's death would shatter it all. First of all, it's not much of a system if it takes one man (in a galaxy of quadrillions or more) to hold it all together. That they would squabble speaks poorly of Palpatine's judgement.

    Yes it's true that the Empire is a meritocracy. Do what we say or we kill you. Do it right while doing what we say or we kill you. Never does he question the ethics of such a policy.

    How are Uncle Owen and Aunt Beru traitors? They bought two droids secondhand from junk dealers. The droids weren't stolen, so all you can get them on is harboring fugitives. Except, those droids were abandoning ship. Hell, C-3PO didn't even know what R2-D2 had. If you want to get technical, R2-D2 should be gotten for possessing stolen goods, 3P0 for aiding a felon...There were no grounds for executing them, especially since without the droids there was no proof. I didn't see the Jawas give Owen a receipt.

    As for his bashing of the Jedi, I will suggest to him "hubris," and ask him if the Jedi ever killed innocent people at random. Moreover, the Jedi are elevated by biology, and the cultivation of resultant abilites. A meritocracy, of sorts. Isn't that what he thought was so great about the Empire?

    As for the Republic putting down the rebellion...they were simply a regime fighting a violent group committed to their overthrow...like the Empire.

    His article is amusing, but I see people taking it seriously, thus I must point out these inconsistencies and logical fallacies. The Empire benign? Please...

    ~Chazzf

    --
    No statement is true, not even this one.
    1. Re:Why that article is crap by Chris+Burke · · Score: 2

      The "argument for the empire" article I agree was way over the top. In his other articles on Star Wars, I think he was spot-on in his criticism, but here he took it to an extreme. I -think- this was meant to be tounge-in-cheek, because in his criticism of the movie he takes issue with forgiving Vader -because- he was so evil. So when he then says "I like the empire more", you're not supposed to take it that seriously. I think.

      So in that light, most of your response is accurate, though maybe not overly relevant.

      But here's a couple:

      As for his bashing of the Jedi, I will suggest to him "hubris," and ask him if the Jedi ever killed innocent people at random. Moreover, the Jedi are elevated by biology, and the cultivation of resultant abilites. A meritocracy, of sorts. Isn't that what he thought was so great about the Empire?

      Genetics isn't a meritocracy. Sorry, but Lucas ruined any hope at implying that being a Jedi was skill-based (which it WAS in Episode 4-6) when he introduced "midichlorians".

      As for the Republic putting down the rebellion...they were simply a regime fighting a violent group committed to their overthrow...like the Empire.

      Like the Confederates, they seemed to simply want to leave the union. That's not a rebellion, it's cessesion. Of course, they were being controlled by someone who -was- working to overthrow the Republic, but the Republic by and large didn't know that.

      That's about it.

      --

      The enemies of Democracy are
    2. Re:Why that article is crap by Chris+Burke · · Score: 2

      Okay, for some reason I thought David Brin wrote that article... I don't know why. But anyway, that nullifies my evidence of it being tounge-in-cheek. Oh well. I -did- agree that it was mostly nonsense. :)

      --

      The enemies of Democracy are
  68. Re:It is just a movie... by rseuhs · · Score: 2

    And what about those who enjoy analyzing it?

  69. Re:Blah by jejones · · Score: 2

    Let us know when you win a Nebula or Hugo, OK?

  70. Re:Blah by jaoswald · · Score: 2

    R2 was being *sent* explicitly to Obi-wan Kenobi, on Tatooine. Remember that little message that R2 had to deliver? From a daughter of Vader, to the trainer of Vader, using a droid of Vader, on Vader's home planet, which just happens to have Vader's son on it as well. Of course, I know the Lucas fans will say there is some lame way (are human memories routinely erased in the Star Wars universe?) that *Vader* doesn't notice this, but still can remember enough about Obi-Wan and his past to say that Kenobi's "failure will be complete."

    Anyhow, to get back to the parent post: it's rather hard to deliver a personal message without being able to recognize the recipient.

  71. Re:Phantom Menace by SuiteSisterMary · · Score: 3, Interesting

    Same thing that Hitler did, several of the Roman emperors, and so on.

    In the first movie, he gets the largely ceremonial post of Supreme Chancellor; he officates the Senate, which basically means he gets to 'recognize' who is speaking. Also, he likely gets to form 'subcommittees' for things that the Senate has decided to 'investigate' such as the problems on Naboo. Otherwise, probably lots of kissing babies and opening bridges.

    Also, and far more insidiously, he plants the idea that the Senate is too big and bloated to actually do anything in a timely fashion.

    In II, he engineers a war crisis. Then, he gets himself granted 'emergency powers.' The analog here is Republican Rome; an Emperor would appoint a Dictator (Speaker) who would wield absolute power during times of war, then hand control back to the civilian gov't when the crisis was past.

    Now that he has those powers, he can keep them until HE decides that the 'crisis' has passed. But it won't have. He'll next put into place the command struture of the Empire; Moffs rule systems, Grand Moffs rule sectors, and report back to him. The Senate, at this point, is rubber stamping things. Then, as we hear at the start of IV, he dissolves them, and the Republic becomes the Empire.

    Also, expect him to do something to turn the Galaxy at large against the Jedi; he'll probably point out how they were completely incapable of stopping the Kamino insurrection, for example. Then, he'll have them hunted down and killed behind the scenes.

    --
    Vintage computer games and RPG books available. Email me if you're interested.
  72. The reason it will never happen by Dephex+Twin · · Score: 2

    This is an extremely interesting twist in the plot, but I don't think it has any chance of happening. Not because of Lucas's ego or anything like that though. I think it won't happen because Yoda is such a beloved character. It would be like if in the new Indiana Jones movie we find that Indy has joined the Nazis, or something like that (well maybe not THAT bad, but you know). Lots of people would be really pissed.

    If a slightly different version of this plot existed, where Yoda doesn't actually have evil intentions and isn't really working with the the Sith, then maybe there's a chance. Like Vader and Obi-wan decided Yoda needed to be curbed but not because he was evil. I dunno.

    Just my thoughts.

    --

    If you want to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
    1. Re:The reason it will never happen by Gulthek · · Score: 2

      Beloved?? Yoda? Sorry but I have to agree with Brin on this one. Yoda easily rivals the emperor in underhanded manipulation of those around him to get what he wants. Why didn't he tell Luke, oh by the way, Vader's your pop? He wanted to manipulate Luke into killing his own father, without him even realizing it.

      Even the very first time I watched ESB and ROTJ I didn't understand Yoda's stretch of an excuse for his deviousness. The Phantom Menace and especially the Attack of the Clones have only deepened my misgivings about Yoda. He seems so much more ... dark, than in the original trilogy. If nothing is going on behind the scenes with Yoda then GL is doing a terrible job of portraying Yoda as a wise and benevolent master.

    2. Re:The reason it will never happen by Saint+Fnordius · · Score: 3, Interesting

      I agree. This can turn out to be a "what have I done?" sort of realisation. With a broken, dispirited Yoda fleeing to Degobah and the High Council doing penance for his sin (getting slaughtered covering his escape).

      I always felt that the hate that fuels the most powerful of the Dark Side is self-loathing. Vader hating himself for what he has become, and what he must do to maintain order. Palpatine could be driven by a hated of all that opposed his dream of a unified government, of all of those bickering fools. And probably a good deal of self-loathing for realising what price he paid for power.

      Yoda's lesson at the end of Episode 3 could be that in denying all emotion, the Jedi imbalanced their souls. That with their concentration on the science of the Force, they forgot that it was a mystic power above science and "midichlorians". The Balance that Anakin/Vader brings is the balance between rational logic and passion. A spiritual illumination (rathar than a metaphysical balancing) that almost comes too late.

  73. Re:Good vs Evil by susano_otter · · Score: 2
    When I take in a story about Good vs. Evil, I prefer not to come away thinking, "Good is stupid, evil is clever, good is incompetent, evil gets the job done, good is irrelevant, evil rises and falls by its own hand, &c."

    There are much better, truer, more uplifting stories about Good vs. Evil out there. George's vision makes me want to join the Empire, seek out the Dark Side, and thus avoid being an incompetent, lying little scrotum hiding out in a swamp.

    Your rallying cry of "the theme is valid, so the story is good!" only carries so far. After that, the heart and mind revolt, and I look for better stories.

    --

    Any sufficiently well-organized community is indistinguishable from Government.

  74. Re:By David Brin, Ph.D. by Dannon · · Score: 2

    Sheesh, lighten up. I don't need to put a tag in there, do I? At least the moderator got it...

    Neither is a doctorate in Space Physics the same as a doctorate in Polical Science, or a doctorate in chiropractic medicine.

    All the same, having a doctorate in any field implies a strong degree mastery within that field. And, people may have different reasons for using their titles either in formal writing or in dealings with others.

    In formal writing, formal speaking, and in "expert's" work (including anything from engineering to medicine), it's a way to preemptively answer the question of, 'who are you that your claims count for anything'. Answer: I am an acknowledged master of my field of knowledge, and I have worked hard to attain this level of knowledge, I have the papers from an accredited institution to prove it.

    In the military, and in certain halls of academia, it's a way of establishing pecking order. 'Who are you that I should do what you say?' Answer: I'm your professor, or your commander, Mister, so mind your manners.

    And, some folks just prefer to be called 'Dr.' the way some folks prefer a nickname or their middle name over their full name. Or the way some women prefer 'Ms.' over 'Mrs.' or 'Miss'. I know of at least one Dr. who has a feminist aversion to gender-specific titles, and I respect that. My father just prefers Dr. to his former military title.

    In other words, however he wants to sign his name, it's his biz.

    --
    Good judgment comes from experience.
    Experience comes from bad judgment.
  75. Re:Star What? by One+Louder · · Score: 2, Informative

    It's a matter of context. The 70's were full of "anti-hero" movies - Bonnie and Clyde, Dirty Harry, etc - that people were longing for simple Good vs Evil plots and action. Darth Vader was unambiguously bad, Luke Skywalker was unambiguously good. Star Wars was a breath of fresh air in a very dark decade for movies.

    Of course Star Wars was derivative - that's a big part of why it worked. We didn't have to contemplate the brooding anti-hero's motivations. The robots were from Kurosawa, the final Death Star battle was from Dambusters and other WWII movies, and the overall structure from old movie serials like Flash Gordon. This was familiar ground writ large.

    Raiders of the Lost Ark succeeded for much the same reasons.

  76. There are plot holes in both directions. by Rui+del-Negro · · Score: 2

    It is not a "terrific plot", and it's not terribly original, either (I've been hearing similar theories since Episode 1 was released). As Brin himself points out, it can't work for one simple reason: Darth Vader killed far too many people.

    I mean, maybe he could have been forced to kill a couple of people just to convince the emperor he really was on the dark side. A tough moral choice but in the end he decided the sacrifice of a few was necessary to save the majority, sort of thing. But when the undercover agent kills more people than the godfather, then there's no way you can make him turn out to be a good guy after all.

    No, I think Episodes 2 and 1 really did more damage than Episode 3 can possibly fix. And what's worse, if you see them in the new order, the original movies (which are excellent) will now seem to be full of contradictions. Lucas might as well have made a completely separate story (same universe, perhaps, but not directly connected to the original movies).

    After I saw Episode 1, a friend of mine asked me "so, how did you find the plot?" and I said "I didn't".

    The only way to fix things is if, in Episode 3, J.R. wakes up and all this turns out to have been a dream.

    RMN
    ~~~

    1. Re:There are plot holes in both directions. by Rui+del-Negro · · Score: 2

      I was referring to Vader. The idea was that Vader (and possibly Obi-Wan) were working against Yoda and Palpatine (the Emperor). That would explain why Yoda keeps lying, why Obi-Wan doesn't seem to remember the droids, why Vader doesn't seem to notice that Leia is a Jedi, why Luke was "hidden" in plain sight, and so on.

      RMN
      ~~~

    2. Re:There are plot holes in both directions. by Rui+del-Negro · · Score: 2

      That could also have been Jedi hell. There were flames involved. But I agree that joining Yoda, Vader and Obi-Wan in that scene in RotJ sort of implies they're all on the same side (which is odd in itself, since Vader killed half the galaxy). Unless, of course, that was just a vision that Luke had (ie, "his mentors", whatever).

      But there's still no way Yoda can be both wise and good (why else would he keep making the wrong decisions and deceiving people?) and no way Vader can be both powerful and evil (how else could he not have spotted that Leia was his daughter?). But also no way that Vader could be a good guy in disguise (or he wouldn't have killed all those people). The characters are just gridlocked.

      I still think my Dallas ("it was all a - bad - dream") theory could bring some consistency to the SW plot.

      RMN
      ~~~

    3. Re:There are plot holes in both directions. by Luyseyal · · Score: 2

      But when the undercover agent kills more people than the godfather, then there's no way you can make him turn out to be a good guy after all.

      Thus the ending of Get Carter (the original), a good movie. :)

      -l

      --
      Help cure AIDS, cancer, and more. Donate your unused computer time to worldcommunitygrid.org. Join Team Slashdot!
  77. Re:David Brin by jdbo · · Score: 2

    It's OK for fans of a genre/author to comment, but not other people who also work in the same field?

    I can understand the "conflict of interest" argument re: making a living out of making things/making a living out of critiqueing the made things", but you appear to be basing this on the idea of "bad taste".

    I think this is the sort of thing that should happend much more often - it's also the sort of thing that gets little publicity, as it's not in the distributor's (movies, TV, books, etc.) financial interest for the audience to feel conflicted about buying into X.

    Critics tends to be "3rd-parties" to provide a comfortable layer preventing the audience from feeling conflicted about what they are interested in seeing.

    Here's exactly the sort of thing that studios hate: "I like Director A + Director B; A trashed B's last movie - am I allowed to like them both anymore??!!" Very junior high.

    Adults can be more sophisticated about their patronage choices... but XXX made how many hundred million?

  78. Sure there is! by sharkey · · Score: 3, Funny
    "Look back over the series, and you notice a lot missing from his universe: memorable talk and wit..."

    Just a few:
    • What an incredible smell you've discovered!
    • Will somebody get this big, walking carpet out of my way?
    • Laugh it up, fuzzball!
    • You Rebel scum!
    • Angle the deflector shields.
    These beg the question, "Where do they come up with this stuff?"
    --

    --
    "Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
  79. SciFi channel by sckeener · · Score: 2

    I can remember sitting in the theater watching AotC and leaning over to whisper to my friend that this could have been a SciFi channel special.

    I was annoyed I paid money to see it and glad my wife wouldn't see it until it was 2nd or worse in the box office for 2 weeks in a row. I think AotC was a perfect made for TV popcorn show....

    that is it.

    --
    "Only one thing, is impossible for god: to find any sense in any copyright law on the planet." Mark Twain
  80. Re:David Brin by PD · · Score: 2

    It's OK for fans of a genre/author to comment, but not other people who also work in the same field?

    That's right.

    Imagine this:

    Michael Jackson: Bon Jovi Sucks!

    In this case, we'd all think MJ was an idiot for criticizing another musician.

    Now, imagine this:

    Michael Jackson Fan: Bon Jovi Sucks!

    No big deal. A fan can declare that they like or hate something freely.

  81. Re:And I just finished reading Sundiver by Salsaman · · Score: 2
    Yes agreed. I read the book a long time ago, and was excited when I heard that a film was in the works.

    But after hearing all the reviews about how awful the film was, I've never been able to bring myself to watch it.

    I thought Practice Effect was a good read as well, but again it was a long time ago I read it.

  82. Re:Blah by bryanbrunton · · Score: 2


    "I found the article fragmented and poorly written."

    Hmm, maybe that's cause the article was _fragmented_ (it was clearly a hodge podge of Brin's thoughts on the subject) and also written with _little attention to detail_ (poor doesn't really apply here). The guy clearly has better things to do than spend lots of time correcting spelling mistakes on random thoughts on some B movie he took his kids to see.

  83. Re:Blah by unicron · · Score: 2

    Leia got the droid off the ship with the message for Obi-Wan, she just really lucked out she did it above his home planet.

    Ok, that's a stretch, but still.

    --
    Finally, math books without any of that base 6 crap in them.
  84. A question or two by bonch · · Score: 2

    Do you think a viewer in the theater will sit and think through such explanations as they watch the poor dialogue on the screen? Or would a viewer rather just see a good emotional performance that conveys to them all of those explanations in the first place? It's called acting.

    For someone who is "all of a sudden getting this rush of feelings" and another someone who "has never loved before either since her life has been spent in the political spotlight," you'd think their performances would better reflect those emotions. Instead, I had to come to Slashdot for trb001 to describe it out to me because the dialogue and acting was so poor.

    From what you describe, I should have been seeing incredible passionate romance in the AOTC I saw. But I didn't.

    1. Re:A question or two by Bob+Uhl · · Score: 2
      From what you describe, I should have been seeing incredible passionate romance in the AOTC I saw. But I didn't.

      I think you misread. The point is that it's not incredibly passionate romance from the outside--it's just another ridiculous schoolboy crush. We've all had them, and they seemed so real, so vibrant, so powerufl at the time. But in hindsight, and from the outside, they were foolish. I think that Lucas may be one of the few directors (there are several others, of course) who takes some time to show the very real inanity of `romance.'

      It took me some thinking to realise it--but I'd figured it out in about 4 minutes during the movie. Heck, that's why Anakin is such a twit: he's a moaning & griping 19 year old. They're not meant to be pleasant!

    2. Re:A question or two by bonch · · Score: 2

      Well, if you consider it an achievement for Lucas to have filmed a badly acted romance with poor dialogue and no chemistry, then by all means, give him that crown.

      Claiming that he purposely made it corny and bland is one of the more inane arguments I've heard. What is Lucas showing about any "very real inanity of 'romance'"? I didn't see any romance in the film I saw. Nothing "so real, so vibrant, so powerufl." I didn't even get the message of how "foolish" Lucas was supposed to have been making it all seem.

      The romance wasn't unpleasant because it was acted that way; it was unpleasant because it was trying to be good but failed.

  85. Re:Phantom Menace by SuiteSisterMary · · Score: 2

    Actually, it's amusing that you bring that up. The US of A has been in a legal 'state of emergency' since the late 1930s, as I recall; I'll have to go find the reference.

    --
    Vintage computer games and RPG books available. Email me if you're interested.
  86. Re:Blah by Chris+Burke · · Score: 2

    The article or the movie?

    If you can come up with a good reason why Anakin ignored his mother for ten years and why Amidala, Obi Wan, or anyone else who was friends with Anakin with enough money for a Speeder couldn't have easily bought her freedom other than plot necessity, then I'll believe you might have a point.

    --

    The enemies of Democracy are
  87. Re:How to fix the plot by (void*) · · Score: 2

    No, he is saying if you assume some of the good guys are really bad guys and vice versa, their meaningless, plot-convenient actions would suddenly have true motivations.

  88. Not exactly... by Chris+Burke · · Score: 2

    He's saying assume that the Emperor AND Yoda are the bad guys, and that Obi Wan AND Vader are the good guys.

    --

    The enemies of Democracy are
  89. Re:The "Latino" in the movie by garyrich · · Score: 2

    Yes, he certainly is and certainly was played as Maori in the film. I'm reminded of the uproar in jewish circles about the "shylock character" of the junk dealer in TFM. He's not supposed to be jewish - he's supposed to be italian. Not only is he supposed to be italian, he is obviously a deliberate parody of Dino Delaurentis...

    --
    -- your Web browser is Ronald Reagan
  90. a dig at star trek? by Foaf · · Score: 2

    brin thinks that the mention of "Federation starships" is a dig at Trek. I thinkn he's grasping at straws.

    The ships belonged to the Trade Federation. I'm guessing it's called Trade Federation because Alliance was already taken and other synonyms like Union or Guild might have caused different "issues".

  91. Re:Blah by hyperizer · · Score: 2, Interesting

    Exactly. I thought the whole reason Luke was on back-woods Tatooine ("If there's a bright center to the Universe you're on the planet that it's farthest from,") was so Vader couldn't find him. I was sorely disappointed to see that Anakin had been born and raised on Tatooine too, and that he and Luke's mother return for frequent visits. Everyone in the Republic seems to know about the place. Can't George come up with any more planets?

  92. Re:By David Brin, Ph.D. by CaptainCarrot · · Score: 2
    Because it qualifies him to take the tone he does. GMD has never mentioned his degree before that I've seen, but he mentions it here to make his point. His remark was not a troll, but a valid complaint from a "member of the club."

    A Ph.D. is not something that is waved about publically in polite society, even in academia. I should say especially in academia. It's pretty much assumed that all faculty members have one, so the important title is the one that indicates their position. Consequently, "Dr." suggests that they have no other title worth mentioning, and the really high-strung academic types will regard it as a positive insult.

    In normal society, only MDs and holders of similar degrees such as DDS or DO -- that is, those who actually treat ailing people -- are addressed socially as "Dr." Everyone else, including boastful Ph.D.s, are "Mr." or "Ms". Just ask Miss Manners. That Brin insists on trumpeting his degree does him no credit.

    --
    And the brethren went away edified.
  93. Re:Oh, didn't mean in the Star Wars world... by Gulthek · · Score: 2

    I was just saying that most of the people I know don't view Yoda as a very good character and would be happy to see this plot twist put into play.

    But I do believe your are correct, it just wouldn't fly with most of the fans.

  94. Why SF writers should critique SF movie directors by geekotourist · · Score: 2
    I'm reading comments that suggest Brin is wrong in criticising Lucas, for reasons that include "Brin must be jealous" (well, yes, *I'd* like 40 billion dollars- it doesn't mean I can't say bad things about Microsoft) or that it is rude for artists to criticise others in their field. I think Lucas needs to hear what Brin or other SF writers think of his work, and I'd argue that Brin and Lucas aren't in the same field at all...comparing the two:

    Brin- science fiction writer, where writers:

    • must be familiar with current SF literature and scientific developments of the past 40 years.
    • Often send drafts out to other writers / scientists (many other SF writers are both- Benford, Vinge, Forward...) for criticism before the final version.
    • go to conventions where discussions and panels cover recent discoveries in science, technology and medicine.
    • know about and read the bleeding edge writers (because of things like the Nebula and Hugo Awards (read nominees here)) like modern space opera writer Clute, makes up his own plausible-sounding mathematical systems Greg Egan, Alistair Reynolds and, writing from the other side of the singularity, Charlie Stross.

    Lucas- science fiction (though he won't admit it) movie / TV director, where directors:

    • can get away with plots and backstory that were already old 30 years ago in the SF literature
    • Don't want to admit to being SF, so don't read or seek criticism from other SF writers. (Anecdotal evidence- they rarely participate in regular SF conventions (instead going to Media Cons) and even more rarely hang out in the audience, listening and learning.) Leads to situations like Whelon thinking Firefly is original because it is gritty and doesn't have phasers.
    • Aren't aware of the state of the art in scientifically consistent (even if not plausible) technobabble. Apparently not aware of the evil overlord's rules and other long-known lists of cliches to avoid.
    • Don't have any idea about recent SF writers- the critics don't either, and so the movie/TV show will always be compared to one of "Wells, Verne, Bradbury, Star Trek, Star Wars, Bladerunner (or rarely PKDick) and The Matrix," all nice but they could use some higher standards. Leads to critics calling movies like Harris's Fatherland ("ohhhh, what if Hitler *won* WWII?") original, because they don't know that the SF subfield of alternate history is decades old.

    But I doubt Lucas will ever hear Brin: Lucas seems to have surrounded himself with yesmen, who rarely pass on negative articles. (Plus, for him to listen would be evidence that his work and inspiration came in part from SF and the space opera of his youth.)

  95. Re:And I just finished reading Sundiver by Galvatron · · Score: 2

    I agree with the folks who tell you to stick with the Uplift books. I would say that really, everything of his I've read has been pretty good. One in particular I urge you not to overlook is Heart of the Comet. A collaboration with Gregory Benford, it starts off as a fairly mundane "expedition finds life on Haley's Comet" story, but then really gets interesting.

    --
    "The question of whether a computer can think is no more interesting than that of whether a submarine can swim" -EWD
  96. Top Ten Sexually Tilted Lines in "Star Wars" by mgblst · · Score: 3, Funny


    "She may not look like much, but she's got it where it counts, kid."
    "Curse my metal body, I wasn't fast enough!"
    "Look at the size of that thing!"
    "Sorry about the mess..."
    "You came in that thing? You're braver than I thought."
    "Aren't you a little short for a storm trooper?"
    "You've got something jammed in here real good."
    "Put that thing away before you get us all killed!"
    "Luke, at that speed do you think you'll be able to pull out in time?"
    "Get in there you big furry oaf, I don't care *what* you smell!"

    Top Ten Sexually Tilted Lines in "The Empire Strikes Back"

    "And I thought they smelled bad...on the outside!"
    "Possible he came in through the south entrance."
    "I must've hit it pretty close to the mark to get her all riled up like that, huh kid?"
    "Hurry up, golden-rod..."
    "That's okay, I'd like to keep it on manual control for a while."
    "But now we must eat. Come, good food, come..."
    "Control, control! You must learn control!"
    "There's an awful lot of moisture in here."
    "Size matters not. Judge me by my size, do you?"
    "I thought that hairy beast would be the end of me!"

    Top Ten Sexually Tilted Lines in "Return of the Jedi"

    "Rise, my friend."
    "Open the back door!"
    "Hey, point that thing somewhere else!"
    "It's just a dead animal..."
    "Not bad for a little fur ball."
    "How can they be jamming us if they don't know we're coming?"
    "Come here, I won't hurt you. You want something to eat?"
    "Keep on that one, I'll take these two"
    "I want you to take her. I mean it, take her!"
    "I don't think the Empire had wookies in mind when they designed her, Chewie."

  97. Speaking as a 19 year old... by Burning1 · · Score: 2

    ...myself, I can testify to the complete accuracy of your statements.

    It took one bad relationship for me to realise that lust really was a world apart from love, and 5 more "interesting" relationships to get anywhere close to having understanding and control over my feelings.

    Yes, AotC had tacky romantic dialog... Yes, we all cringed... No, it was not crappy romance, or bad writing; it was 100% accurate material from someone who remembers being 19 and "In Love."

    Geeze, I remember telling a girl I was interested in that running around flashing Loscon in a pair of speedos just wouldn't be the same without her. How many of you have said equally wierd things..? : )

    (Out of curiosity, I wonder how many people here will suddenly respond... "Oh, so *you're* the one who..!"

  98. Re:David Brin by jdbo · · Score: 2

    Sheesh, does noone here appreciates the value of rivalry and competition? ;)

    Musicians, authors, artists, etc. are all on some level entertainers - there's a long long long historical record of rivalries between poets, painters, musicians, etc. Check out what Byron wrote about his contemporaries- or better yet, what the wrote about him!

    More recently, the Oasis/Blur rivalry between Blur + Oasis was an _obsessive_ topic in the UK music scene for _years_.

    This sort of rivalry can be genuinely productive, by making both sides work harder to top the other. "Competition" is a concept you might read up on...

    Certainly, if MJ said "Bon Jovi sucks" we'd go "Dumbass". Then again, MJ and Bon Jovi travel in _very_ different musical circles - their music isn't expected to influence each other, let along compete in the marketplace. Perhaps if he had something relevant to say then it would be worth listening. The fact that he most likely doesn't says more about the division between genres in the current music market than it does about his right to comment on the work of other musicians.

    Brin, on the other hand, is an acclaimed SF author, and Star Wars is an SF phenomenon (movies, books, etc.). This is his ballpark! This is is area of expertise! He's not only expected, but practically _required_ to have an opinion on Star Wars! Does he have to publish his opinion, no...

    But guess what? By publishing his opinion he can provide entertainment and insight to others, and add to conversation of ideas in his chosen field of practice.

    In this case it is hopeless that Lucas will actually listen to another human being, but that in no way deprives Brin of his right to call "foul!" on something he sees as polluting the marketplace he works within.

    Whooops, guess I let myself get trolled. Alas...

  99. Re:Brins Knowledge of Philosophy by (void*) · · Score: 2
    Are you sure Lucas is talking about Eastern philosophy, and not the simple-minded Westerner's philosophy of Good-vs-Evil?


    David Brin's well-reasoned and critical approach comes the Western tradition of analytic philosophy. Now can I ask you for exactly where your critique comes from?


    Comparative philosophy, here we come.

  100. Re:critique of the critique by (void*) · · Score: 2

    Read carefully. Brin is saying that this fact was never communicated in the film. And he does provide a good reason for ignoring everything written about the Star Wars universe.

  101. Unfortunately, yes by freeweed · · Score: 2

    Episode II: Attack of the Clones plays on American paranoia about Mexican immigration with its army of lookalikes marching in lockstep by the tens of thousands. The fact that the soldiers are bred on the planet Kamino --- which sounds like the Spanish word 'camino' --- is a dead giveaway to the bias and bounty hunter Jango Fett even looks Latino

    Brin quotes what the Latino community is complaining about, then goes on to say that *normally* he'd consider this PC hysteria, but maybe, just maybe, there's something to it.

    I completely lost him at this point. I'm sorry, but 'Kamino' for all we know could have been taken from the old El Caminos. Maybe Lucas was a car buff. And you damn well better believe if he never hired Latino actors for his movies, the shit would hit the fan. Considering that Boba Fett is widely considered by fans to be one of the 'coolest' Star Wars characters, I don't quite see how this is a bad thing for Latinos.

    You might as well say that Lucas has a thing against car buffs with dark hair - your argument would hold about as much water.

    And God forbid he ever use characters with any accents again (the other common 'racism' complaint of late with Star Wars). Know what? By making a character sound/look/act different, that's is PRECISELY what makes them alien. That's not racism, that's human nature. Trek has been doing this for decades now (hordes and hordes of alien races who look *similar* to us, but maybe with a different skin color), and I don't see any mass outcry against it. You have to make aliens different somehow, or else they wouldn't be.. alien. Accented English is a very effective medium for this - human beings of the same species speak in different accents, why wouldn't different species? Of course, the odds of them speaking the same language at all are pretty slim, but you have to draw the line somewhere unless you want the next Star Wars (now with no racial stereotypes!) to look like a foreign film filled with subtitles.

    Methinks Mr. Brin, much as I love most of his writing, wants very badly to jump on the bash Lucas bandwagon. All he's done is re-hash the same tired criticisms of Lucas and Star Wars, wrapped in bigger words and more obscure concepts.

    --
    Endless arguments over trivial contradictions in books written by ignorant savages to explain thunder in the dark.
  102. Re:Bah by Kredal · · Score: 2

    What, blowing up Alderan isn't evil enough for you?

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  103. Re:David Brin by PD · · Score: 2

    I wasn't trolling, the moderators are just idiots.

    All your points are well taken, but I disagree with you that criticism of others is necessary for competition. Maybe *you* should brush up on it, and you might get rid of the misconception.

    People who are in the public eye don't improve their image by being catty. The only way to rise above cattyness is to be really really good at what you do and ignore everything that you might consider lesser than you. That's part of a formula for a good public image.

  104. Re:Star What? by Luyseyal · · Score: 2

    the ships are fugly. give me flying space junk ANYday! go Explorers!

    -l

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  105. Re:David Brin by jdbo · · Score: 2

    While I appreciate your high-mindedness, I would be terribly upset to live in a world where people didn't hold strong opinions, and express them with equal vigor.

    Certainly, David Brin may lose some audience members who are offended by the release of his unfettered opinion into the terrifying wilds of the public mind - however, I much prefer this approach to the the ice-cream smooth "personas" taken on by the majority of public figures.

    Could Brin's tone have cleaned up his tone a bit? Sure, but he was clearly aiming for casual, non-academic tone - he wished to engage with other SF fans on a personal level, while applying his professional expertise. By taking on a casual tone, he would avoid the pedantic sensibility that he railed against in his essay. So what that he talked some shit - if you were offended, I'm sure you're not the audience he was trying to persuade.

    As for me, I find his willingness to call it as he sees it refreshing, esp. when the other choice is to pretend that he and all other professional SF authors/writes/directors/etc. (incl. Lucas) are members of a secret elite who may never be seen to comment on each other in public outside of making simple reassuring and supportive grunts.

    So many "public figures" are afraid to have opinions - there's a real difference between acting civility and avoiding conversation entirely. In a choice between narcissistic self-involvement and engagement with the outside world, I find the public figures who are willing to engage in an actual conversation with the public to be far more compelling than, oh, for example... George Lucas. (sorry, that was low. but fun and appropriate.)

    OTOH, I will allow that it is certainly possible to take this approach to far as well - for an example of this, check out Harlan Ellison. However, IMHO Brin has _plenty_ of karma left to burn before he goes from "opinionated" to "crank".

  106. Lol by beleg777 · · Score: 2

    No, that was an example of above average acting in a film that fills a similar role. Comparing the acting to, say, One Flew Over the Cookoos Nest or Shawshank wouldn't exactly be a fair comparison. Apples to oranges and all that.

    --

    Science may someday discover what faith has always known.
  107. Re:It is just a movie... by KH · · Score: 2

    Minor nitpick... did anyone notice the repeated use of the phrase 'fire on the Federation starship!' and 'don't let the Federation starship get away!'

    What are these guys -- Klingons?

    Trade Federation. I'm not going to dictionary.com to lookup the word's definition, but I'd guess there are plenty of reasons to use it, and I guarantee it was around before Star Trek.


    I personally found the comment funny because I thought the same thing while watching the Episode II. Particularly interesting was the fact that the Republic's ships were called "spaceships" while Federation ships were called specifically "starships." In Star Trek, it's the starship Enterprise.
  108. Re:Blah by User+956 · · Score: 2

    Er, I don't think that "Fantasia" follows that plot at all.

    Have you ever seen Fantasia? It fits, albeit in a fucked-up drug-haze way.

    But then, it's a fucked-up drug-haze movie.

    --
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  109. Re:Phantom Menace by MattJ · · Score: 2

    "' The analog here is Republican Rome; an Emperor would appoint a Dictator (Speaker) who would wield absolute power during times of war, then hand control back to the civilian gov't when the crisis was past."

    Well, the first problem with this description is that when Rome was a Republic, there was no Emperor. That, in fact, is why it was called a Republic.

  110. Re:"Caused Quite a Stir?" by mekkab · · Score: 2

    I hope yr implying that he orally ingested said 30 lbs of feces.

    otherwise it wouldn't be right.

    --
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  111. Re:Phantom Menace by SuiteSisterMary · · Score: 2

    Depends on which point of history; you'd have Imperial Rome, Republican Rome, Imperial Rome with a Senate doing useful things, Imperial Rome NOT using a Senate to do useful things....

    But, aye, I should have said 'The Senate would appoint a dictator....

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  112. Re:Star What? by belroth · · Score: 2

    Dark Star did the grunge low-life in space bit three years before Star Wars.

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  113. Re:Brins Knowledge of Philosophy by (void*) · · Score: 2
    With all due respect, I think the Easterner's metaphysics is way too overrated. They make for a good survivalist attitude towards life and the universe. That's about it. There's nothing extremely deep about it, and it definitely does not suit all sorts of temperaments.


    The reason for this is not to be a troll. I say this becuase I was brought up an Easterner, and I know too many people who claim deep understanding, when the point of it is not *understanding*. Thus my criticism.


    David Brin's literary decontruction of George Lucas is perfectly right. His method of borrowing the tropes of Eastern mysticism lacks true understanding of the mind of a oriental philosophers. And it shows, in his ridiculous plotline.

  114. Re:Star What? by GMontag · · Score: 2

    Not to mention that Lucas has the noisiest light in the universe as well as the most sound conductive vacumes of any galaxy!