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Webcaster Alliance Threatens To Sue RIAA

detroitindustrial writes "The Washington Post reports that the Webcaster Alliance is threatening to sue the RIAA under the Sherman Antitrust Act. In their letter to the RIAA, the Webcaster Alliance alleges that the RIAA and the Voice of Webcasters negotiated in collusion and, 'were apparently intent on either eliminating their competitors and/or raising barriers to entry in the market for small commercial webcasting.' It goes on to say that the RIAA also wanted to eliminate smaller webcasters, who tend to play more independent material, in order to maintain their monopoly on music distribution."

87 of 303 comments (clear)

  1. RIAA Sues Radio Stations for Giving Away Music by Khakionion · · Score: 5, Interesting

    It's about time. The subject line refers to an article on The Onion about RIAA's intolerance for FM radio stations giving away music. Unfortunately, it is a very real problem here on the Internet. Hopefully this, in conjunction with the backlash noted on The Register today (it's on Slashdot's "Register" sidebar), even Joe Sixpack will wake up to the RIAA's ridiculous behavior.

    --
    OMG! Wau!
    1. Re:RIAA Sues Radio Stations for Giving Away Music by spiritraveller · · Score: 2, Interesting

      It's true though, radio stations do have to pay for the music they play. And not just for the recording either. They also have to license the words of the song and the notes of the music...

      And they probably pay a lot more than $2000 a year...

      This sucks for commercial-free internet radio.

    2. Re:RIAA Sues Radio Stations for Giving Away Music by LostCluster · · Score: 5, Informative

      Recording and radio are two very different models for distributing music. Recorded music is sold in a play-when-you-want-it form that the artist and their promoters expect to be paid for. Radio is the establishment of a channel through which music is pushed, and the artists see this as a promotional vehicle.

      Artists need radio airplay to start their carrers. Hardly anybody will pay to hear an artist they've never heard before, so it's a critical first step in becoming an established artist so they can make sales with CDs and concert tickets. It's the free samples they give away so people will be more likely to buy the products.

      The thing is, the RIAA tries to keep radio stations on a tight leash. If you want to have early access to the hot new song from established artist A, you have to play the songs from the not-yet-known-to-anybody artists B, C, and D. They RIAA tries hard to claim that there's not a specific quid-pro-quo, but everybody knows its the stations that are most cooperative in playing the arists the label wants played that get the most access to that label's popular artists.

      This is why the RIAA would like to see the small time indie webstreamers vanish... if they're playing indie music they'll create demand for the artists who aren't being distributed by the RIAA members, and effectively steal market share from them. If it were possible for an artist to establish credibilty through non-RIAA means such as indie webstreamers and P2P downloads, and then get thier songs onto over-the-air radio stations, that artist could then enter the concert market and bypass the RIAA altogether. The RIAA would like the rule that you must already have an RIAA-published CD before being heard radio channels to hold true because that cements their role in the process, however the technology now exists to promote an artist without ever having a CD... and that's what really scares the RIAA.

  2. In soviet russia.. by Anonymous Coward · · Score: 5, Funny

    Monopolistic Corporations sue you.

    Oh wait..

  3. Bout Time by Izago909 · · Score: 5, Interesting

    It's about damn time. They should have been stopped when they extorted royalties from webcasters who would never play any pop filth that they 'represent'. Why should someone have to pay royalties to a body that doesn't hold any of the rights to the content that's being played?

    SomaFM forever!!

    1. Re:Bout Time by MrLint · · Score: 2, Insightful

      Can you substantiate this claim? It seems that it would be patently illegal to ask for payment to play music that the RIAA members dont have copyright on.

    2. Re:Bout Time by Anonymous Coward · · Score: 2, Insightful

      That's the point, it SHOULD be illegal, but because of bullshit laws, it isn't.

    3. Re:Bout Time by Qzukk · · Score: 4, Interesting

      Can you substantiate this claim?

      Easily done. The law that enforces the royalties on streaming music (originally CARP, now the Small Webcaster Settlement Act) declares that Soundexchange (A division of the RIAA) to be the official receiver and distributor for all noninteractive digital performance royalties (from their FAQ).

      What I would like to see would be for some small bands to set up their own streams, pay Soundexchange their $500 minimum yearly royalty, then sue Soundforge in small claims court, if Soundforge refuses to pay the full $500 back. In the absence of a contract permitting Soundexchange to keep any of the money, there is no reasonable expectation that any of that money belongs to Soundexchange.

      From those judgements against soundexchange (maybe if enough showed up, a class action suit could be had?), it would be interesting to see where it could go next... perhaps some kind of action against them being the Royal Royalty Collector since they have been shown (by the lawsuits) to be behaving in bad faith, and that an independent company should be responsbile for royalty distribution.

      --
      If I have been able to see further than others, it is because I bought a pair of binoculars.
    4. Re:Bout Time by LostCluster · · Score: 4, Informative

      Yep, that's the "statutory royalty" clause.

      Basically, it's the same thing as radio broadcasters. Because it'd be impossible to accurately account for all the micropayments involved, radio stations simply make an all-covering per-listener-times-per-song (take the average number of songs per hour, multiply by hours in a month, multiply by the station's average rating) fee to an group that divides up the money. Some margin of error mistakes happen, but it's a pretty fair system.

      The problem comes that the rate that OTA radio is paying per-listener-per-song is about half of what web streamed radio pays per-lister-per-song, which were the fees that came down and killed most of webstreaming. This group is now accusing the RIAA of cheating during the process that determined the fee to get a more-favorable-to-the-RIAA outcome.

    5. Re:Bout Time by squiggleslash · · Score: 2, Insightful
      You missed the actual important bit in your "pay particular attention to":
      all small webcasters would pay at least $2,000 a year to record labels and artists -- in exchange for a break on high, per-song rates.
      In other words, webcasters who reject this agreement (and they have the right to) need to negotiate alternative terms on a "per-song" rate. These alternative terms could include, and wouldn't be limited to, playing music from alternative labels exclusively with contracts negotiated with them seperately.

      This agreement doesn't apply to "all webcasters". It applies to all webcasters who agree to the terms. Rejection is possible, and indeed some would say desirable if it means smaller, more independent, labels get more airplay and better exposure.

      Agreeing to the RIAA terms is only important if you want to play music whose copyright holders are represented by bodies belonging to the RIAA. Hobbiest webcasting being what it is, this isn't strictly necessary and given the Standard Oilish nature of the agreement (Standard Oil demanded rebates from railroads that carried its oil for every barrel shipped regardless of who's oil it was, Microsoft did something similar with DOS and Windows throughout the eighties and nineties, and now it appears that if you sign up with the RIAA you're liable for all music, RIAA-member-owned or otherwise) it would actually be better for webcasters to NOT sign up and concentrate on finding alternative sources of music.

      They exist. And the more webcasters stop playing RIAA member music and start seeking out independents, the stronger they'll become.

      --
      You are not alone. This is not normal. None of this is normal.
    6. Re:Bout Time by merodach · · Score: 2, Interesting
      It seems that it would be patently illegal to ask for payment to play music that the RIAA members dont have copyright on.

      The RIAA may not own the copyrights to the songs on a record (depending on the contract signed by the artist/group), but what they do own (IIRC) is the copyrights on the particular performance of the songs on the record. A slight but important difference essentially allowing a webcaster who does not use the RIAA member performance but instead uses an artist-owned performance to avoid royalties to the RIAA for playing it. Of course, the non-RIAA owner could asks for royalties on playing that performance...

      --
      ***Blackholes are where the gods divided by zero.***
  4. Besides reading slashdot... by Dumbush · · Score: 4, Interesting

    Is there anything we can do to help Wedcaster Alliance on this case

    1. Re:Besides reading slashdot... by darth_MALL · · Score: 5, Funny

      Yes..start calling them the Webcaster Alliance ;)

  5. You'd better watch out, RIAA by Anonymous Coward · · Score: 5, Funny

    because if you don't behave, I too will write a letter I won't show you threatening to sue you.

    And then I'll tell slashdot. Muahahahaha!

  6. Fairly difficult to trust a group ... by burgburgburg · · Score: 3, Funny

    whose acronym is VOW. Or is that just me?

    1. Re:Fairly difficult to trust a group ... by sharkey · · Score: 2, Funny

      Better than Webcasters And Network Giants.

      --

      --
      "Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
  7. classic RIAA by Anonymous Coward · · Score: 5, Insightful

    From the article:
    "...the RIAA negotiated with a group called Voice of Webcasters, which represented fewer than 15 Internet radio stations..."

    This is classic RIAA. IT's funny becuase they wouldn't have so much trouble selling people on the idea of good behavior regarding the copying of music if they themselves were more honest brokers.

    1. Re:classic RIAA by LostCluster · · Score: 4, Informative

      Typical straw-man situation. They struck a deal with the 13 webcasters most friendly to them, rather than the webscasters that they already ran out of business. They're trying to claim those 13 represent the whole population of webcasters, but they don't.

  8. Sherman Anti-Trust Act Nothing by MBCook · · Score: 5, Interesting

    Sherman Anti-Trust Act nothing, I bet it wouldn't be that hard to come up with a RICO complaint against them. They sure sound like they're about to cross the edge to me. Do what we tell you (don't download stuff) or we'll make you regret it (erase your hard drive) sure sounds like racateering to me. Do they do anything to try to stop indie lables? If you can't make a RICO complaint against them now, at the rate they're going, I can't help but wonder how long it will be before they do qualify.

    --
    Comment forecast: Bits of genius surrounded by a sea of mediocrity.
    1. Re:Sherman Anti-Trust Act Nothing by Target+Drone · · Score: 3, Informative
      Do what we tell you (don't download stuff) or we'll make you regret it (erase your hard drive) sure sounds like racateering to me

      It's only racketeering if you threaten to do something illegal. At the moment erasing a persons hard drive is illegal and so the RIAA could be charged under the RICO act if they were to make this threat. However they are lobbying to make it legal for them to erase peoples hard drives so that they will not be gangsters (in the eyes of the law anyways).

  9. and what exactly is stopping small labels? by SuperBanana · · Score: 3, Interesting
    It goes on to say that the RIAA also wanted to eliminate smaller webcasters, who tend to play more independent material, in order to maintain their monopoly on music distribution.

    What prevents smaller webcasters from hooking up with those indie labels? A record label can set any license they want. If SuperBanana Records(and the artist) wants to let webcasters play 'It Aint Easy Being Yellow' by the Bananaettes, so be it, right?

    1. Re:and what exactly is stopping small labels? by Telastyn · · Score: 3, Interesting

      The more appropriate question is more likely "What prevents artists from hooking up with those indie labels?"

    2. Re:and what exactly is stopping small labels? by Elwood+P+Dowd · · Score: 3, Insightful

      The laws in place don't allow record labels to pick a price. There is a fixed price, which is far higher than small webcasters can afford. It doesn't matter if indie labels, or anyone else, feel like lowering the bar.

      This law wasn't to benefit copyright holders, it was to benefit advertisers by bringing about market consolidation (forcing small webcasters out of business).

      --

      There are no trails. There are no trees out here.
    3. Re:and what exactly is stopping small labels? by pizzaman100 · · Score: 3, Funny
      What prevents smaller webcasters from hooking up with those indie labels? A record label can set any license they want. If SuperBanana Records(and the artist) wants to let webcasters play 'It Aint Easy Being Yellow' by the Bananaettes, so be it, right?

      Lots of potential lawsuits here.

      -Harry Belafonte suing for the use of the word "banana". Chiquita might get in on the action too.

      Jim Henson productions, the song title is an obvious knockoff of "It's not Easy Being Green"

    4. Re:and what exactly is stopping small labels? by CrowScape · · Score: 2, Informative

      No, they get more albums sold going with the bigger labels, but they get far less money per album and they have to shoulder the overwhelming bulk of the financal burden for publicity. In fact, aside from uber-popular bands, you'll go into debt as an artist under the RIAA whereas if you were with an independant label you might have had a shot at making a comfortable living. You go with the RIAA for fame, not money.

      --
      common sense: noun
      What those who are ignorant of the subject matter think; usually wrong.
  10. Who Are They? by Anonymous Coward · · Score: 4, Informative

    From their FAQ: "Webcaster Alliance was formed to encourage fair treatment and growth for webcasters of all sizes, from the smallest hobbyists to large terrestrial radio stations. Webcaster Alliance works to address the technological, legislative and content development and distribution issues that face webcasters, the streaming media community and streaming media listeners."

  11. Music? by stripe · · Score: 2, Interesting

    If one can sue over copyright infringment based of a reppetitive set of tones, what is to stop someone from generating millions of tonal combintations with a computer copyrighting the lot of them and suing every "artist" that ends up duplicating them?

    1. Re:Music? by Anonymous Coward · · Score: 3, Funny
      If one can sue over copyright infringment based of a reppetitive set of tones, what is to stop someone from generating millions of tonal combintations with a computer copyrighting the lot of them and suing every "artist" that ends up duplicating them?

      In the end a lone voice will be heard... "Needs more cowbell."

    2. Re:Music? by JUSTONEMORELATTE · · Score: 4, Funny

      If one can sue over copyright infringment based of a reppetitive set of tones, what is to stop someone from generating millions of tonal combintations with a computer copyrighting the lot of them and suing every "artist" that ends up duplicating them?

      Oh, sure. Next you'll be telling me that someone can just copyright all possible Phone Numbers?

      --

    3. Re:Music? by TomSawyer · · Score: 2, Funny
      If one can sue over copyright infringment based of a reppetitive set of tones, what is to stop someone from generating millions of tonal combintations with a computer copyrighting the lot of them and suing every "artist"

      uhm, you might just want to consider listening to a different music genre and reconsider that thought. I think having to put artist is parenthesis should have tipped you off.

      --
      If you disagree then it must be overrated, redundant or trolling.
    4. Re:Music? by FsG · · Score: 3, Funny

      Why limit yourself to just music? If a CD-ROM holds 700MB (4,900,000,000 bits), then there are 2^4900000000 potential CDs. Patent them all, and sue any and everyone who releases a CD-ROM.
      ...
      By the way, one of those disks will have Taco's editor password on it. :)

      --
      I made a PHP/MySQL library that prevents SQL injection & makes coding easier!
    5. Re:Music? by Dylan+Zimmerman · · Score: 2, Funny

      Actually, unless his password is 700 MB long, then quite a few would have his password, along with every password on /. and every comment that can possibly be posted, as well as every possible moderation variation on those comments. The ASCII goatse troll would get a +5 Insightful! The world as we know it would collapse (most likely, under the weight of the CDs required to hold all of the combinations).

      There would also be one with a really REALLY huge number of digits of pi.

    6. Re:Music? by ATMAvatar · · Score: 2, Funny

      Just patent the case where all bits are 0, and sue blank CD manufacturers - you'd only need one patent, and you'd get a fair share of the total money you would get in patenting all possibilities.

      --
      "They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety."
    7. Re:Music? by Jerf · · Score: 2, Informative

      If one can sue over copyright infringment based of a reppetitive set of tones, what is to stop someone from generating millions of tonal combintations with a computer copyrighting the lot of them and suing every "artist" that ends up duplicating them?

      First, and most importantly, because no judge in the land would buy this argument. No conceivable perversion of copyright law's reasons for existing could justify this. (It can't even be said to meet the creativity criterion, IMHO, and yes, I do know how low a bar that sets.)

      Second, it is well established that if the same expression is duplicated, entirely independently of each other, both authors have full rights to the expression. It is rare, but it has happened. Copyright does not magically give you rights to all possible incarnations of your expression, it only protects people deriving other expressions from your expression. In real life, in most domains, the odds of duplication are so low as to be irrelevant, but music is an exception.

  12. Commercial vs Non Commercial Radio Stations by GillBates0 · · Score: 5, Insightful
    Okay, I've been thinking about this for the last few weeks.

    Do all radio stations have to pay royalties, or only commercial radio stations? I think it's the latter, since our college runs its own non-commercial radio station and they don't have to pay any royalties that I know of.

    A majority of the online radio stations are non-commercial, as in, they don't run radio stations for money. Most are run by shoutcast and other hobbyists anyway. So, why should these radio stations have to pay royalties, if their real-world (pardon the expression) counterparts do nt have to?

    --
    An Indian-American Hindu committed to non-violent thought/speech/action alarmed by the global explosion of radical Islam
    1. Re:Commercial vs Non Commercial Radio Stations by Anonymous Coward · · Score: 5, Informative

      They pay royalties to organizations that give money directly to the artists, thus bypassing the record companies! Really!

      BUT, Congress and the FCC decided that webcasting counts as mechanical reproduction, not just broadcasting, so you've gotta pay royalties to the record companies as if you were selling copies of their CDs. (Or offering them for download.)

      This is called *CORUPTION IN THE GOVERNMENT*, boys and girls!

    2. Re:Commercial vs Non Commercial Radio Stations by Elwood+P+Dowd · · Score: 4, Interesting

      There are specific laws for webcasting that are different from those regarding radio broadcasts.

      Why should there be different laws? Otherwise, it would be too cheap to run a webcast! There would be so many different webcasters that advertisers would never know which market was listening to which stations, and labels would have no way to ensure that their product was adequately represented. Mass hysteria! Dogs and cats living together!

      I'm not exaggerating. That's actually the reason. Congress just wanted to bring about "market consolidation."

      ClearChannel only webcasting.

      --

      There are no trails. There are no trees out here.
    3. Re:Commercial vs Non Commercial Radio Stations by gilroy · · Score: 2, Informative
      Blockquoth the poster:

      Radio stations don't pay royalties at all.

      This, I am pretty sure, is not true. What about ASCAP etc.? I think there might be a compulsory-license thing going on, but I know that radio stations can't go down to Wal-Mart, buy some CDs, and just start playing them.


      The crime is, Congress mandated that webcasters be treated in a ridiculously more harsh manner than regular broadcasters, all in the name of "market consolidation".

    4. Re:Commercial vs Non Commercial Radio Stations by 1nt3lx · · Score: 2, Interesting

      RTFM.

      I got a 5 watt FM transmitter a few years ago, scavenged mic, repaired a mixer, built an antenna. I ran a coax from the basement to the garage, and put the antenna up on the roof. I had a couple hundred MP3s that I'd downloaded on a 56kbps before the days of napster.

      After a few hours I decided this was no longer any fun because nobody was listening. I tried to sell the whole rig on Ebay. It got delisted and I was told it was contraband.

      Come to find out, after I RTFM, the whole thing was very illegal and I would have been looking at several hundreds of thousands of dollars in fines for FCC licensing violations, antenna placement procesdures, song licensing, and several others. Well I took the whole rig down and was thankful I didn't get cought.

      The whole experience was kind of fun. I don't remember where I put the transmitter, though. Perhaps it's cemented into the patio.

    5. Re:Commercial vs Non Commercial Radio Stations by LostCluster · · Score: 2, Informative

      Radio stations pay royalties only to the artist organizations, but web streamers have been ordered by law to pay both the same fee tot he artist, and a seperate fee to the labels. The resulting fee effectively doubles the cost of playing a song because it's about the same number.

      But these netstreamers are claiming that the RIAA cheated in the process to determining number. The RIAA presented to CARP, the division of the Library of Congress named in the law as the authority who sets the statutory rate and reviews it from time to time, an "agreement" between the RIAA and VOW. This group of webcasters is saying that the talks between the RIAA and VOW didn't result in a useful agreement because many of the webcasters who have to pay this statutory rate aren't members of the VOW, and in fact are small scrapy competitors to the VOW members. Their claim is that the VOW rolled over and agreed to a price that hardly anybody can afford because the VOW members wanted to commit industry suicide (which effectively happened, look at all the webstreams that vanished as soon as the CARP ruling came down) because the VOW membership is too closely aligned with the broadcast interests who would benefit from the lack of webstreaming.

      If this new royalty applied to the over the air radio stations too, you'd be sure they would have activated their lobbists by now...

    6. Re:Commercial vs Non Commercial Radio Stations by paranoia2k · · Score: 2, Informative

      Do all radio stations have to pay royalties, or only commercial radio stations? I think it's the latter, since our college runs its own non-commercial radio station and they don't have to pay any royalties that I know of.

      Most CDs out there have fine print on them indicating a copyright and prohibiting any public performance or broadcast without a license. Just because you are a radio station doesn't give you the right to broadcast them, regardless of whether or not you are commercial. Think about it -- why should you automatically have the right to broadcast someone else's work for free? Instead, radio stations generally pay a license fee to ASCAP and/or BMI on a yearly basis. The vast majority of artists have agreements with one of these entities, so paying the fee essentially gives you a blanket license to broadcast (most) released CDs. There are no limits on how often you can play pieces or how many people can listen.

      If your station is not paying any licensing fees (they probably are, but it's buried deep in their budget and isn't given a second thought since everyone has paid these fees for many years), they are either limiting themselves to playing exclusively independant artists that have given some kind of permission to play their works, or they're broadcasting music illegally. (I too worked with my non-profit college station and we sure as hell paid those license fees).

      A majority of the online radio stations are non-commercial, as in, they don't run radio stations for money. Most are run by shoutcast and other hobbyists anyway. So, why should these radio stations have to pay royalties, if their real-world (pardon the expression) counterparts do nt have to?

      You've always had to pay fees to broadcast, regardless of how you were doing it. There has to be some form of compensation for artists. Many webcasters have been paying ASCAP/BMI license fees over the years (they are much much more reasonable than the RIAA fees). The ones that weren't paying were broadcasting just as illegally before the RIAA came along with their fees.

      I think the issue is not paying fees in general. It's really that the more recent RIAA fee structure is in addition to the ASCAP/BMI licenses. The (flawed) argument is that a webcast is considered a copy of the music, so there should be a per-performance, per-listener fee. But the quality is still not a true copy and you could argue that it's equivalent to a strong FM signal -- hence no different than a normal radio station. Yes it's true that an mp3 stream is more convenient to manipulate and burn to a CD, but I don't think that's enough of an argument.

      Radio stations do not need to pay the RIAA fees unless they are simulcasting over the web. And when they do have webstreams, the fees are significantly lower (for non-commercial at least) than internet-only broadcasters. Webcasters generally have a harder time generating ad revenue due to the more limited listener base, yet they have to pay higher fees. Does it make sense? No. It's just a really messed up system. And it's killing a lot of good streams.

    7. Re:Commercial vs Non Commercial Radio Stations by Theatetus · · Score: 2, Funny

      VOW member 1: Tell him about the Twinkie, Ray

      VOW member 2: looking concerned What Twinkie?

      --
      All's true that is mistrusted
  13. The grand plan by DigiShaman · · Score: 4, Interesting

    The grand plan in the current music industry is to condition people over many generations to a specific..managible genre of music. AKA SPAM-IN-CAN CorpRock Musak. It makes perfect marketing sense. If you can manage and control what users listen to, then you can better predict your profit margins. Ever notice how all the "Alternative" music sounds the same of the past 15 years? Utter crap. And to add more salt to the wound, there is even talk in the industry to scientifically figure out what waveforms people like...err I mean music for even better corp-rock crap

    --
    Life is not for the lazy.
    1. Re:The grand plan by DeltaSigma · · Score: 5, Interesting

      Underground subcultures are very much aware of this situation. It's generally regarded as a hostile act meant to destroy our culture.

      Allow me to explain. Sometimes a government body's political boundries encompass two very different cultures. In a case where a smaller culture is regarded as a potential threat, problem, or nuisance the government may attempt to breed them out of existance. Sort of a peaceful genocide, it's quite simple. Noone gets killed, noone's locked up, or harmed in any way. However the government creates incentives for businesses to set up in this particular area of the country. Thus the mainstream population moves to this area in pursuit of jobs. Over the years the two cultures interbreed until the differences that once seperated the two cultures are spread so thin that, for all intensive purposes, that culture no longer exists. This is a very real problem that anthropologists are constantly attempting to combat.

      The recording industry, or at least the RIAA, is attempting to do the same thing. They're taking mainstream music, tweaked to sound more punk, metal, gothic, hip-hop or what have you. In the mainstreams pursuit to be an "inDUHvidual" they cling to this facade and claim to be what we are. Over time start-up bands attempt to imitate these fake bands, the media begins to depict this coincidentally (hah) more media-friendly subculture as the true subculture, and over time what we really are and what we're really about is lost in the stream of time.

      For the most part, we've lost punk to this crap already. Oh don't get me wrong I'm sure there's still a few bands and a few isolated groups which fit the original ( and political ) description of punk. However most of the punks I knew became disheartened. Their clothes, music, literature, EVERYTHING, became very difficult to find amidst this mainstream regurgitation.

      Metal's suffering from the same onslaught as we speak. Nu-Metal threatens to destroy another subculture very near and dear to me in time.

      My subculture sees the beginnings of the same thing for us. On the gothic front, the media appears to have chosen a multi-faceted attack with television and the popularization (helped along with a little advertising) of dark television series. Buffy was a very good example. Fashion's a little less hard to pick apart amidst the season's change of fashion obsessions so I won't speak of any direct threat there. Honestly I doubt I could pick those things out if I tried. And, though it seems to have taken them a while, I've heard the RIAA finally has a band calling themselves "gothic" that they're parading around MTV.

      Some might be happy to be rid of us. Indeed there's a great many selfish people who can't see beyond their own form of living. To these people I would express my regret that they could not understand what we are. We're nothing more than a culture which holds valuable its traditions and similarities. By departing from mainstream into the gothic subculture I've learned a lot about society. And despite what mainstream sources will tell you, goths, punks, metal-heads, rivet-heads, etc., are NOT anti-cultures. That is to say, we're don't join the groups we do because we oppose mainstream in its entirety. Rather, we join these groups as they better fit our lifestyle. It was easier for me to make friends amongst goths than it was at random.

      In any event, here's how it relates to you, the reader, if you're not part of a subculture. I mean, if you're totally mainstream this isn't going to hurt you. Are you christian though? Do you like christian music? Yeah, that won't survive if the RIAA gets its way. Actually anything that mainstream, pop/rock advertising doesn't cover will eventually be destroyed if things continue as they have been.

      If you've ever liked something besides pop/rock, I reccomend you invest a bit more in ANY alternative source of music. Be it web distribution, independant labels, classic radio stations, whatever. Support everything that isn't mainstream.

  14. May not turn out as planned by Tha_Big_Guy23 · · Score: 5, Insightful

    While their intentions are noble,(Read: It's about time someone went after the RIAA)I don't think that they'll have the money available to pull off an anti-trust lawsuit against the RIAA. The RIAA could probably throw enough money into the lawsuit to keep it in courts for ages. These independant webcasters are going to need some help if they have any chance of pulling this off. I may sound negative, but it's the truth.

    --
    If you're looking here for something insightful or thought provoking, you're probably looking in the wrong place.
    1. Re:May not turn out as planned by appcoal · · Score: 2, Insightful

      This could be an attractive case for a contingency fee. The Alliance represents a significant number of webcasters. The damage per webcaster can be determined pursuant to a formula (e.g., songs played * overcharge per song), which means that the case could be tried as a class action. Any damages verdict would then be tripled under the Sherman Act. I'd say, if the case has merits, there should be no shortage of enterpreneurial lawyers to take it on. But what about the merits? I don't know enough about the market to have a feel for the second argument in the letter (monopolization of the sound recording market), but as a general matter, it is tough for a plaintiff to sue for a rate adjustment under the antitrust laws (e.g., based on an essential facilities theory), in particular if the industry is regulated by a rate-setting body. The first argument, "elimination of competition in the small webcasting market," may be a winner, if the Alliance has proof. There is probably no monopolization claim (Section 2 of the Sherman Act) because neither the RIAA/its members nor the VOW webcasters have sufficient market power (70% or more) in that market. (The Alliance concedes that barriers to entry are low.) Thus, the only option that's left is a conspiracy claim under Section 1, e.g., a group boycott (of the VOW members), together with an upstream supplier (the RIAA/members) to deny lower input prices to the VOW/members' competitors in order to drive them from the market. Sounds good, however success depends entirely on whether the Alliance plaintiffs will be able to prove a conspiracy (i.e., an agreement to restrain competition among the VOW members and the Alliance/members). If the Alliance has gotten its hands on smoking gun documents, the RIAA will settle this case in a heartbeat. If it didn't (and if the RIAA is confident that there are no discoverable "bad docs"), the RIAA will fight and the Alliance will have a very hard time getting past summary judgment.

  15. I have some sympathy for the RIAA by PhysicsExpert · · Score: 2, Funny

    Although many people here at slashdot don't agree with the RIAA and their anti digital stance I think that we have to have some sympathy with them here. Unlike traditional radio it is easy to make copys of songs that have been webcasted and then place them on peer to peer networks such as bittorrent and napster. What inevitably happens is that people will record internet radio stations all day and then put all the CD quality songs up for download, thereby harming the music industry.

    What might be a better idea is to limit webcasting to unsigned bands that need the publicity. In this way we could listen to tracks first before buying and the inevitable piracy would actually work in favour of the music industry.

    --
    All that glitters has a high refractive index.
    1. Re:I have some sympathy for the RIAA by common_sence · · Score: 2, Insightful
      What inevitably happens is that people will record internet radio stations all day and then put all the CD quality songs up for download, thereby harming the music industry.

      (sarcasm)Yea, all the streaming audio I hear is CD quality.(/sarcasm)

      For the vast majority of Internet users, listening to streaming audio is only a substitution when it isn't possible to hear it on a real radio.

      Of course, there is another way to hurt them. STOP BUYING THEIR CRAP! Get involved with the local music scene, or anything to promote indie labels, indie bands, etc. When ppl stop buying their products, they'll be forced to take notice.

      Buncha greedy pigs...

      --
      sig? No thanks, I don't smoke.
    2. Re:I have some sympathy for the RIAA by Xcott+Craver · · Score: 5, Informative
      There's a lot to dispute here.

      | Unlike traditional radio it is easy to make copys [sic] of songs that have been webcasted

      As others have pointed out, this is not at all unlike traditional radio. Capturing from an FM radio station probably gives you better quality.

      | and then place them on peer to peer networks such as bittorrent and napster

      Neither of these are presently peer-to-peer networks.

      | What inevitably happens is that people will record internet radio stations all day

      History tells us that this is not what inevitably happens. Nor do people spend all day scanning in library books and thus putting book publishers out of business.

      | and then put all the CD quality songs up for download

      ...definitely not CD-quality songs...

      | thereby harming the music industry.

      Possibly, but I'd like to see more evidence that the distribution of crappy MP3s really cuts into record company sales.

  16. Hobbyists should pay for their hobby by Anonymous Coward · · Score: 5, Insightful
    However John Simson of the RIAA's collection arm, SoundExchange, argues that broadcasters should pay for their hobby.

    "The average hunter spends around $1,800 per year on their hobby. How much do photographers spend?" he told us. "It's all well and good to run a hobby, but Kodak doesn't give out free film. It's only right to pay a reasonable fee," he said.


    Hobbyists should pay for their hobbies; unless that hobby contributes something to society. A hunter hunts for himself, usually. A photographer takes pictures for his own enjoyment, usually. I am a Paid on Call Firefighter. That's my hobby. And I get 9 dollars an hour when I'm on call and 7 bucks per hour for training. The independent broadcasters contribute to society, too.

    The RIAA should be subsidizing them.
  17. Lawsuits by $exyNerdie · · Score: 5, Funny


    Not to sound like trolling but looking at the number of lawsuits being filed these days, legal profession seems very appealing compared to IT and so far it hasn't been affected by outsourcing either !!

    1. Re:Lawsuits by Alizarin+Erythrosin · · Score: 2, Funny

      That's it! I just had a genius solution on how to solve the economy problem!

      Here's the plan: we do away with money and just SUE people for the things we need! I need some computer parts, so I'll sue Newegg for some stupid thing, they'll fold, and I'll get parts in a settlement! Next I'll take on the grocery store for some more beer!

      --
      There are only 10 kinds of people in this world... those who understand binary and those who don't
    2. Re:Lawsuits by Lord_Dweomer · · Score: 2, Insightful
      " legal profession seems very appealing compared to IT and so far it hasn't been affected by outsourcing either !!"

      Law likely won't be outsourced. Last I checked you needed to be in the courtroom to argue a case. But you're right, America is being reduced to a country which consists solely of service professions, law, medicine, marketing, entertainment, and food. Welcome to America.

      --
      Buy Steampunk Clothing Online!
  18. Re:what's soma FM? by Anonymous Coward · · Score: 2, Informative

    what's soma FM?

    http://www.somafm.com

    enjoy
    you're welcome

  19. This is good news! by RCAMVideogames · · Score: 3, Interesting

    I make a living off of copyrighted material. These webcasters are forced to ethier stop or go underground becuase of the RIAA. This monopoly has no positive impact on the people outside of the record industry. There motive must be to keep the real radio and new services like XM alive. Therefore internet radio must be stopped. Thanks to ole Sherman, we don't have to take their trash.

  20. Where do i send my donations? by stang7423 · · Score: 5, Interesting

    The RIAA has gotten out of control. This suit looks like ond of the best counter attacks that has been launched against the RIAA. Now I want to give some of my hard earned money that would have otherwise (according to the RIAA) gone for recorded music to help support the legal fees of their oppostion.

  21. A small step for man? by scottymonkeypants · · Score: 3, Interesting

    I think that this is a step in the right direction. More groups should be challenging the stranglehold that the RIAA currently has on the music industry, and this is a good beginning.

    This isn't just about getting free music, either, nor is it about not having to hear "crappy pop music" on the radio or whatever. It's about the RIAA and the major labels screwing over their artists and everyone else on the planet in the name of making a buck. Their business model simply isn't effective anymore.

    I think we need to see more moves like this, and then things will finally start to change.

  22. Immoral, unethical by Archfeld · · Score: 2

    but illegal no sadly not, in fact it is legal and the LAW OF THE LAND. After all our elected/payed official have stood up for the rights of those that put them in office and made a broad statement, that the average netzine is a HACKER, a THIEF who given any chance will steal anything, ohhh and we are all terrorist supporters, are anti american way, hate god and most of us are sexual deviants in some way or the spam would not be soo bad...If we will just step aside, let the government and corporation 'fix' things for us everything will get better, AND/OR people will stop complaining so much....

    --
    errr....umm...*whooosh* *whoosh* Is this thing on ?
  23. greed by geekmetal · · Score: 2, Interesting
    Webcasters of all sizes have wrangled with the recording industry since 1998, when Congress passed a law requiring Internet radio stations to pay royalties to artists and record labels.

    The RIAA by far looks to be the greediest of all in corporate america. There sure should be more musicians like Tom Petty out there who need a little support in tuning down the greed.
    As long as the small stations can survive we will have music

    --
    There are two kinds of egotists: 1) Those who admit it 2) The rest of us
  24. To quote Data from TNG... by SunPin · · Score: 2, Funny
    Good for you.

    Thank you for your deep contribution to this /. discussion.

    --
    Laws are for people with no friends.
  25. Why are web radio stations different? by Hamster+Lover · · Score: 3, Informative

    In a related article it was stated that DTV pays royalties of 6.5% of revenue for their digital broadcasts. I inferred from the article that traditional radio stations pay much less percentage wise. Canadian radio stations pay 1.4% of total revenue, if I am not mistaken.

    Now, if we assume that the minimum royalty rate for a small web broadcaster of $2000 represents 6.5% of revenue then the RIAA assumes that a small webcaster produces about $31,00 of revenue per year, or about $2600 a month. The question is, does that seem like a reasonable assumption? I don't think any small webcaster makes anything close to that, if anything at all after salaries, equipment costs, etc. This leaves established radio stations or corporations with money as the only players in the game, small webcasters are completely out of it financially. I wonder what percentage of revenue the RIAA thinks $2000 dollars represents for a small webcaster.

  26. Webcasters continue to sell out freedom, film at 1 by poptones · · Score: 3, Interesting
    I'm sick to death of hearing about webcasters pissing and moaning about the RIAA. If these fuckers really cared about embracing indie music there's nothing at all stopping them from picking up artists who have not entered the belly of the beast. There's a real opportunity here to exact a fundamental change not only in distribution, but in the way popular new music becomes popular - but just like MP3.COM, these players really don't believe the hype they're seliing. They don't even believe in their own product, which is the reason they incessantly lobby for "rights" to the other guy's prpoduct.

    What they want is the "freedom" to give even more hype to the same old shit the RIAA is already peddling; To help further enlave us all to the old Hollywood lobby.

    There is a world of music out there, much of it completely unrepresented in the US - artists that would LOVE exposure from these "independant broadcasters." Yet these alleged "independants" don't care for that - no, they want "the right" to help spread the boy band gospel.

    Fuck the RIAA... and fuck these online broadcasters. Maybe they'll sue each other into oblivion and we can be rid of all of it.

  27. Bulshit by poptones · · Score: 3, Interesting
    This is why the RIAA would like to see the small time indie webstreamers vanish... if they're playing indie music they'll create demand for the artists who aren't being distributed by the RIAA members, and effectively steal market share from them

    There's nothing at all stopping these "broadcasters" from playing non-RIAA label music. There's no way the RIAA can prevent it. And this fact is irrelevant, because it's not the non-RIAA music these "indies" want. The RIAA is fighting to retain control of their own poduct - they cannot control product to which they have NOT paid for rights.

    The broadcasters, like you, have no argument here. If they want to play music from unsigned artists, they can. And if they would sign those artists to contracts before the RIAA gets to them, granting them rights to play given works no matter what, then the RIAA couldn't even prevent it after they signed the artists.

    But the artists aren't going to do that because they see the RIAA as the master of the market, and lawsuits like these only perpeptuate that control.

    These "independant broadcasters" are enemies of the revolution.

    1. Re:Bulshit by AlaskanUnderachiever · · Score: 5, Interesting

      More importantly, they're the most anal retentive paperwork carrying of any broadcaster out there. Try to escape fees and you're going to have to be able to sit down and show EVERY song you played since you went "independent". I should know I worked for one. We had an entire room that was devoted to nothing BUT proving we were 100% legal. Yes you can do it, but you better be prepared to not only fight but have the ammo to figh in the first place.

      --
      Find out about my new childrens book: SS Death Camp Criminal Batallion Go To Monte Carlo For The Massacre
    2. Re:Bulshit by LostCluster · · Score: 4, Interesting

      The broadcasters, like you, have no argument here. If they want to play music from unsigned artists, they can. And if they would sign those artists to contracts before the RIAA gets to them, granting them rights to play given works no matter what, then the RIAA couldn't even prevent it after they signed the artists.

      You missed something here. Signing such a contract giving rights to play to your early recordings before signing an RIAA contract just doesn't happen. Because signing such a deal makes it certain that an RIAA contract isn't coming your way. If you try to promote yourself the RIAA's system, then the RIAA's system will see to it that they are closed to you. Any radio station that plays even a small ammount non-RIAA music is punished by non-access. They'll find whatever artist is hot at the moment in their section of music all over the closest station in format to them in their area. It becomes very hard to compete when your opponent has all of the major artist exclusives such as interviews and local-premire songs and you don't.

      The broadcasters, like you, have no argument here.
      I'm a broadcaster? I didn't know that...

      But the artists aren't going to do that because they see the RIAA as the master of the market, and lawsuits like these only perpeptuate that control.
      Hold on, did you RFTA? The RIAA isn't suing webcasters, a group of webcasters are suing the RIAA for anti-competitive behavior during the legal process that set the webcasting rates because they presented an agreement between the RIAA and the a group "representing the webcasting industry" that didn't include any representation for them, yet they're bound by this statutory price too. They're basically accusing the RIAA of cheating Microsoft-style.

    3. Re:Bulshit by recursiv · · Score: 3, Insightful

      Do you think a major label would turn down a chance to sign another Moby?
      Hell fucking yes they would turn down a chance to sign "another Moby". They don't need another Moby. Moby is nothing special. They can create an artist out of nothing who has no talent that sells twice as much as Moby. They do it all the time.

      Go to Detroit and you can find, in just about any record collector store, early singles and EPs from Seger, Nugent, Romantics, MC5 - music that wasn't on a major label. Sure didn't stop those guys from becoming arms of the machine.
      Yes, but you have to go to a record collector store to get those. Those certainly aren't being sold at Best Buy. I'll bet those albums didn't sell very well compared to their later sales figures either.

      My position is actually that the RIAA exists because there is actually a demand for the service it provides. People don't know what music to like. The service the RIAA provides is to tell them. I'd wager that if the RIAA was abolished, a similar organization would form to take its place.

      There is no doubt that music exists outside the RIAA. People who actually like music already know this. They already know how to get music they like. But the majority of people don't really care about music that much. Certainly not enough to spend time researching different genres and artists. It's much easier just to be told what to like. And there's money to made doing the telling, so it's only natural that the RIAA is so big.

      --
      I used to bulls-eye womp-rats in my pants
    4. Re:Bulshit by Surak · · Score: 2, Interesting

      There's nothing at all stopping these "broadcasters" from playing non-RIAA label music. There's no way the RIAA can prevent it. And this fact is irrelevant, because it's not the non-RIAA music these "indies" want. The RIAA is fighting to retain control of their own poduct - they cannot control product to which they have NOT paid for rights.

      But under *their* terms. A major radio station in Detroit *does* play unsigned music. Despite *numerous* requests from their listeners to expand this playing of local bands, WRIF confines their local bands coverage to a show that airs only from 10-11 p.m. on Sunday nights exactly when no one is likely to even hear them. (Remember, this is a UAW town. ;) Any one know what NBC did when it wanted to kill off the original Star Trek in the 1960s? That's right, they gave it a 10-11 p.m. slot on Sunday nights. Ratings plummeted. (This is part of the reason Roddenberry decided to take ST:TNG to syndication.)

      When I asked a
      the program director at WRIF, he told me that it was due to their RIAA contract that they didn't expand their local bands coverage much beyond the 10-11 p.m. slot of Sunday. It's why they don't mix indie music with major labels.

      But that's just what these smaller broadcasters want to do.

      If indie music catches on, RIAA becomes irrelevant. It's the same reason they're suing filesharers, as I've said before.

      These guys are *just* shy of violating RICO. RIAA isn't an association, it's a *cartel*. Only THEY get to decide what the public likes and listens to. If you don't like it, don't listen they tell you.

      If you don't believe me, e-mail Podell. He'll tell you what he told me IRL. (Well, I'd assume anyway)

  28. The Endgame by felonious · · Score: 5, Insightful

    When will everyone wake up and realize that when they buy cd's, tapes, etc. that they are indirectly supporting the RIAA? Yes we all love music but we risk our musical freedom buying the products the RIAA sells. I have almost 1000 store bought cd's but I can no longer buy them from such a monopolistic, evil diety as the RIAA.

    They want to dictate who, what, when, where, why and how I buy and listen to my music. It's my fucking choice and they have forced me to boycott all they sell. I can get anything I want free so I'll go back to that method.

    Sueing your customers into a lifelong debt is unjustified and narrowminded bullshit in it's basis. By setting examples in ruining the avergae person's financial life is completely uncalled for and I will not have any part in supporting these fucks in buying their products.

    If anyone has any self-respect or ethics then they'll also refuse to support this ridiculous entity called the RIAA. We stop buying they start to get the message.

    Fuck the RIAA...you can't shit where you eat...unless you're Hilary Rosen:)

    --
    You aren't free to do anything, until you've lost everything.
    1. Re:The Endgame by angle_slam · · Score: 2, Insightful
      We stop buying they start to get the message.

      Not that simple. Sales are down and RIAA members are using it as proof of P2P's effect on sales.

  29. I was following you until... by lpret · · Score: 4, Insightful
    I was following you until you said: " they see the RIAA as the master of the market, and lawsuits like these only perpeptuate that control."

    I don't see how a lawsuit against them will help them. If you mean that it acknowledges that they are indeed the top dog, that has already been conceded by all parties.

    But I will say that after listening to internet radio, not only has my musical taste become more mature, but I have bought more CDs since these groups cannot be found on P2P. Indie groups are the future of music -- and the RIAA is scared of the future because it will trump their pop music.

    --
    This is my digital signature. 10011011001
  30. Re:Webcasters continue to sell out freedom, film a by edrugtrader · · Score: 5, Insightful

    they are not lobbying for the rights to play the RIAA's product... they are demanding that they not pay the "RIAA webcaster surcharge fee" if they don't play RIAA music. they are doing exactlly what you are bitching about them to do. the RIAA basically got the government to believe that if you are playing music over the airwaves, it must be the RIAA's music and thus they deserve a cut of the fees. with airwaves that is easy, the FCC charges you to broadcast and gives some to the RIAA. with the internet there is no FCC getting paid so the RIAA wants the same money from the web caster even if they aren't playing RIAA music.

    The college stations don't have to pay because colleges are a state protected institution.

    --
    MARIJUANA, SHROOMS, X: ONLINE?! - E
  31. Yes there is! by lpret · · Score: 3, Informative
    Go to their website, and if you read the FAQ, there's a section called "DOES WEBCASTER ALLIANCE NEED ANY KIND OF HELP?"

    Support monetarily, or writing your congressmen (and women) or any other expertise you might have. Do what you can, it can only help.

    --
    This is my digital signature. 10011011001
  32. Re: "independent broadcasters" vs webcasters by cait56 · · Score: 3, Insightful

    I am fully in favor of music creators being able to collect payment for their work. However, there needs to be some fairness between over-the- air broadcasters and over-the-net webcasters.

    I fail to see any reason why the artist or label is entitled to more payment because the "broadcaster" is using the Internet to deliver the music.

    The Anti-trust act may be fully applicable if the real point is that the RIAA and record labels prefer the over-the-air broadcasters (with heavily concentrated ownership) to the truly independent webcasters.

    And anyone who believes that radio broadcasters exercise "independent" judgement in their selection of music obviously never listens to the radio.

  33. Fat chance by CausticWindow · · Score: 2, Insightful

    I'm studying business law, and stuff like this is what I know best. These guys have as much chance as a snowball in hell.

    I wish it were otherwise, but the odds are against them.

    --
    How small a thought it takes to fill a whole life
  34. This says is all! by felonious · · Score: 3, Funny

    Let me preface this by saying it's not goatse. This is funny as hell though. RIAA Personified Maybe it will feel the wrath of being slashdotted?

    --
    You aren't free to do anything, until you've lost everything.
  35. A new revenue model by lavaface · · Score: 3, Insightful

    Don't forget, the record industry is getting hit on TWO fronts-production and distribution. As the prices for audio software and hardware falls (~$1500 for a starter studio rig), almost anyone can produce music if they know how or have a friend who does. With the internet, you have worldwide distribution (if you can get people to listen) Filtering mechanisms like blogs can be used to establish "music cooperatives." These cooperatives could actively promote music for AND raise money for contributing artists by selling records/songs directly. The record company's are the ultimate middlemen. They DO provide promotion services and front tour money. However,more often than not, this money comes out of the artist's royalty earnings. I trust the collective judgement of millions of musiclovers to sort the cream from the crap(to mix some metaphors) For artists', the best way to make money is consistently put on a great show and deliver music that defines a scene. The open source community should work on tools to further both the production, distribution, AND COMPENSATION aspects of music.

  36. Re:"Independent broadcasters" Are Illusory by cait56 · · Score: 2, Insightful
    The objective of every broadcaster, commercial and non-commercial, is to attract and keep an audience. If the station puts being independent ahead of playing something the audience likes, it will flounder.

    Great idea. It would even work if every radio station were independently owned and operated, trying to maximize its revenue in honest competition.

    You need to review some recent FCC "rulings" (i.e. adminstrative acts of sabotage against the spirit of the law that they are supposed to be enforcing).

  37. They've already done that by yerricde · · Score: 3, Interesting

    Over the 95 years of copyright, the music publishers have already done that, employing thousands of songwriters to write the estimated 9 million songs in the collective catalogs of BMI, ASCAP, and SESAC. In my journal, I've predicted how this could cause a chilling effect on songwriting.

    --
    Will I retire or break 10K?
  38. Yet another example of trampling over RIAA rights by geekee · · Score: 2, Interesting

    You'd think in a free society that the owner of a copyrighted work could choose the price to allow it to be broadcast. Not so in the USA, however. Antitrust is an affront to basic freedoms. You do not have a right to someone elses work at a price of your choosing.

    --
    Vote for Pedro
  39. Wrongo, Mary-Lou... by poptones · · Score: 3, Informative
    they are not lobbying for the rights to play the RIAA's product... they are demanding that they not pay the "RIAA webcaster surcharge fee" if they don't play RIAA music.

    Wrong. the RIAA has no control over unlicensed music. The RIAA can no more prevent me from sharing my own music than it can prevent you from sharing my music that I shared with you.

    These "indies" are fighting explicitly for the right to broadcast commercial music already owned by RIAA affiliate members. Apparently you didn't RTFA, so I will quote for you the relevant part right here...

    However, to be commercially viable, the Alliance believes that small webcasters need a mix of Mainstream Material and Independent Material. The Alliance is concerned that recent developments in the market for Mainstream Material have seriously jeopardized the commercial viability of its members by eliminating the ability to stream a commercially significant amount of Mainstream Material.

    Ergo, I said...

  40. In other news by compjma · · Score: 2, Funny

    Microsoft uses $40 billion pile of cash to buy RIAA. When questioned about the controversial move a spokesman was quoted as saying "We couldn't resist, we just liked their style."

  41. Re:Where ya going with this? by Izago909 · · Score: 2, Interesting

    I don't like payola either, but they do have every right to do it.

    I thought payola was illegal. Wasn't some radio personality in Ohio (I think) dragged in front of congress half a century ago, along with many others, for taking bribes to play music?
    If I remember correctly, this guy got a stiff punishment, much more so than peope who admitted to taking several times the ammount he took, because he was playing (and making popular) "black" music?

    Another thing that demonstrates how opposed to change the recording industry is would be the ferocity in which it has hung on to the busisness models and practices it adopted from it's mafia roots. Theres an old anecdote about a guy walking by an urban high rise. He sees a black man being hung outside a window by his feet. He asks someone "What's going on up there?". The stranger replies, "Renegotiation his record contract." Who's being hung out the window now?

    Besides, I'd like you to find one artist played on somaFM, bassdrive, boups.com, ukbass.xrs.net, or MANY otehrs, that is signed to a label represented by the RIAA. You are being forced to take the word of a self-riteous, monopolistic corporation that they will distribute the money to the people whom deserve it. I will trust them about as far as I can throw them.

  42. Find a real way to make money instead of looting.. by tdk2fe · · Score: 2, Interesting

    It appears to me that this dispute is over the royalties that the RIAA has set for playing their licensed music (As opposed to a few posts I read which claimed the RIAA expected royalties on anything played over the internet).

    However, to be commercially viable, the Alliance believes that small webcasters need a mix of Mainstream Material and Independent Material. The Alliance is concerned that recent developments in the market for Mainstream Material have seriously jeopardized the commercial viability of its members by eliminating the ability to stream a commercially significant amount of Mainstream Material
    I personally think its these "Alliance" members who are in the wrong. They claim that in order to run a successful business, they need to play Mainstream music which belongs to other people, and that those other people are charging them too much to play something they don't own. In a capitalist society, the RIAA has the right to set whatever price they wish, and enter into agreements with whomever they wish and on whatever grounds they agree on. I don't think that because i've managed to develop a successful company, I should be forced to charge people a lesser rate for my product because people can't afford it. These 'Alliance' members realized that they aren't going to make any money off of artists nobody has heard of, and so now they want a piece of what the RIAA has built. These webcasters should look into an alternative business model, or try to find a new way to do something that would have value to people, instead of looting from an established company. Oh wait, I forgot, hardly any webcasters make a profit... so why are we here in the first place?

  43. It's a Sony by yerricde · · Score: 2, Informative

    Do [RIAA members] have the patent on music, or something?

    Actually, Sony is an RIAA member, and Sony does hold several patents related to the Compact Disc Digital Audio standard.

    artists that have never had anything to do with any RIAA company.

    If your stereo system was made by Sony, then you have done business with an RIAA and MPAA member. If you have a Sony CD recorder or have used Sony CD-R media, then you have done business with an RIAA and MPAA member. If you shot your album cover with a Sony digital camera, then you have done business with an RIAA and MPAA member. Sure, Sony Electronics and Columbia Records are quite autonomous within Sony Corporation, but they still share profits under NYSE:SNE. Likewise, if you connect to the Internet through AOL or Road Runner, then you have done business with Warner Communications, an RIAA and MPAA member.

    --
    Will I retire or break 10K?
  44. jwz's take on webcasting by six11 · · Score: 2, Informative

    jamie zawinski has a great article on webcasting legality on the webpage for his nightclub.

  45. im glad. by Mark19960 · · Score: 2, Insightful

    someone needs to stop the RIAA from becoming a micro$oft.
    besides, they put out crap anyhow, what happened to being original and innovative?
    seems like these days the new thing is to suppress innovation, or anything new. unless you control the purse strings, of course.

  46. Flat out wrong. by Marc2k · · Score: 3, Informative

    Firstly, he said he worked for a radio station, not ran a Shoutcast stream. Secondly, I too worked for an independent (college) radio station, and can corroborate that YES, YOU DO have to record the title, artist, and time whenever you broadcast something. This is not a problem of organization, this is official FCC rules.

    Your argument is exactly like me never recording any purchases, and when the IRS audits you, saying, "Well come on over and check out my place, I couldn't logically have any expenditures besides what's in my house!". It's a matter of law, not of file structures.

    --
    --- What