Hackers: The Art of Abstraction
scubacuda writes "Wired: Inspired by McKenzie Wark's The Hacker Manifesto , Madrid's MNCARS's exhibit, Hackers: The Art of Abstraction , explores the connections between hackers, artists and anyone engaged in any kind of creative work. The centerpiece of the exhibition are documentary films and videos made by independent filmmakers and hackers from all over the world, including Freedom Downtime by Emmanuel Goldstein, Free Radio by Kevin Kayser, The Hacktivist by Ian Walker, Unauthorized Access by Annaliza Savage, New York City Hackers by Stig-Lennart Serensen and Hippies From Hell by Inne Pope."
It's by a journalist, and its about hackers and artists. I bet it's entirely free of inaccuracies and pretension, then!
Chaos is what drives the creative process, I believe it was Heidegger that said that All Creation is Destruction, which makes sense because when you create something you destroy its original state, the unadulterated, virginal state before creation!
Post apocalyptic gaming goodness
Well, maybe for the few true geniuses out there. But for most hackers it's merely a skill, maybe a craft at most.
Hackers and Painters by Paul Graham is a great read on why artists and hackers have similar interests and mindsets. A must-read for hackers.
There is only one hacker manifesto:
Apologies to phrack for the lameness filter edits.
==Phrack Inc.==
Volume One, Issue 7, Phile 3 of 10
The following was written shortly after my arrest...
\/\The Conscience of a Hacker/\/
by
+++The Mentor+++
Written on January 8, 1986
Another one got caught today, it's all over the papers. "Teenager
Arrested in Computer Crime Scandal", "Hacker Arrested after Bank Tampering"...
Damn kids. They're all alike.
But did you, in your three-piece psychology and 1950's technobrain,
ever take a look behind the eyes of the hacker? Did you ever wonder what
made him tick, what forces shaped him, what may have molded him?
I am a hacker, enter my world...
Mine is a world that begins with school... I'm smarter than most of
the other kids, this crap they teach us bores me...
Damn underachiever. They're all alike.
I'm in junior high or high school. I've listened to teachers explain
for the fifteenth time how to reduce a fraction. I understand it. "No, Ms.
Smith, I didn't show my work. I did it in my head..."
Damn kid. Probably copied it. They're all alike.
I made a discovery today. I found a computer. Wait a second, this is
cool. It does what I want it to. If it makes a mistake, it's because I
screwed it up. Not because it doesn't like me...
Or feels threatened by me...
Or thinks I'm a smart ass...
Or doesn't like teaching and shouldn't be here...
Damn kid. All he does is play games. They're all alike.
And then it happened... a door opened to a world... rushing through
the phone line like heroin through an addict's veins, an electronic pulse is
sent out, a refuge from the day-to-day incompetencies is sought... a board is
found.
"This is it... this is where I belong..."
I know everyone here... even if I've never met them, never talked to
them, may never hear from them again... I know you all...
Damn kid. Tying up the phone line again. They're all alike...
You bet your ass we're all alike... we've been spoon-fed baby food at
school when we hungered for steak... the bits of meat that you did let slip
through were pre-chewed and tasteless. We've been dominated by sadists, or
ignored by the apathetic. The few that had something to teach found us will-
ing pupils, but those few are like drops of water in the desert.
This is our world now... the world of the electron and the switch, the
beauty of the baud. We make use of a service already existing without paying
for what could be dirt-cheap if it wasn't run by profiteering gluttons, and
you call us criminals. We explore... and you call us criminals. We seek
after knowledge... and you call us criminals. We exist without skin color,
without nationality, without religious bias... and you call us criminals.
You build atomic bombs, you wage wars, you murder, cheat, and lie to us
and try to make us believe it's for our own good, yet we're the criminals.
Yes, I am a criminal. My crime is that of curiosity. My crime is
that of judging people by what they say and think, not what they look like.
My crime is that of outsmarting you, something that you will never forgive me
for.
I am a hacker, and this is my manifesto. You may stop this individual,
but you can't stop us all... after all, we're all alike.
+++The Mentor+++
..don't panic
I believe that art (fine art) and computers are integrally related in the methods of abstract creativity requried for the initial creative phase. After that, they deviate in the techniques and level of creativity required. Fine art generally allows for more creativity, because there is not necessarily the business push to "get it done now". As a fine artist whose day job is I.T. related, I can say that it is an easy transition.
stuff |
Mitnick, Escher and Lamo: an Eternally Twisted Pair.
just the first though that came to me with the description of the book...
Not because of your reasons but I agree. The act of calling ANYTHING related to precise science "art" can not be anything but a mis(ab)used metaphore. People are getting carried away in their desire to approach science achievements to art.
1. No sig. 2. ???? 3. Profit!!!
That godforsaken article reads like a legal document! Surely it wasn't written by any kind of literary hacker. I quit reading after the third paragraph.
Remember that KISS principle thingamajig.
- IP
..that 'art' was whatever an 'artist' managed to sell for money to someone with even less insight into what art is than myself...
I may know little about art in a formal manner, but I know what I like. To me, a piece of art should in some way speak to the beholder on an emotional level. By that definition, hacking is not an artform - at least not in my eyes. YMMV off course, but I would define it rather more as a skill or a knack than as an (artistic) ability.
Everything in the world is controlled by a small, evil group to which, unfortunately, no one you know belongs.
This expansion of the term "hackers" is a great idea. Now if we could just combine it with the idea of making really "creative hacks" patentable, we might have a solution to the whole mess of US Patents, and democratize the gold rush towards the "patent extortion money" pie.
Think about it for a moment. Creativity deserves to be patentable. Once a hack is patented the "hacker" will then try to dissuade others from using it till they pay him for the rights to use it. Thus we have transferred the policing of the hack to the hacker itself! That is advantage number one.
Advantage number 2 stems from the fact that why let SCO (and other similar scum) try to get away with the patent extortion money. Let all the others who are really creative (hackers) get a share of it too. This way, everyone, programmers, artists, musicians, writers, engineers, chemists, and so on, are now eligible for patents (much better than the measley copyrights) and the patent extortion pie.
And the bonus advantage of making the "creative hacks" patentable is that it would flood the US Patent Office and wash away its patenting sins, and maybe force it to stop giving out dumb patents.
.
To see a world in a grain of sand, and then to step back and see the beach where the sand lies
Plan9; the most beautiful code in the most beautiful OS with the prettiest mascot.
There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
not suer I agree with you. why can science not be art also? science is not as exact as it seems. if you look at the work of artists such as escher. many of their famous artworks are based firmly on mathematical principles (ie strange loops, isomorphism, recursion etc).
dave
Linux, Gnome, KDE, OpenOffice, Mozilla, and ummm lets choose, VI.
These code bases are beautiful works which entail blood, sweat, passion, and thought. There are pieces of Art that I think shouldn't qualify as its not an expression of the creator, yet just a piece of art for arts sake.
Just as not all code is something that is enjoyable for many reasons but some being that the end result sucks or the code is so piss poor the end result sucks.
Is Linus a genuis, nope, is he quite possibly the most creative man in OSS programming, sure. I don't think Linus is a superhuman by any means, but I do know he posses the talent to see something and then make it happen. Just as you can have an artist look at a canvas and then paint the mona lisa on it. Its the coders that can see a picture of what they want the end product to look like and make it happen, is the same as an artist looking towards a canvas and seeing the finished product before anyone else can.
So yes, hacking is an art form, but like any art, not just anyone can do it.
Ignore the "p2p is theft" trolls, they're just uninformed
Why do all these programmers want to be considered artists anyway?
An artist is someone who ignores function and concentrates on form where they think beauty lies. An engineer is someone who sees beauty in pure dedication to achieving a function in the most efficient fashion.
A perfectly calculated arching cantilever is beautiful, a painting of a waterfall is just an inferior copy.
-- An Engineer
Beep beep.
so are we all, we are all artists carving our creative juices through the continuing torrent of everyday ups and downs...
wooooooooooaaaaaaaaaaaaaahhhhhhhh heavy man!
Or maybe someone is trying to pull the wool ?
Nice try.
---
Not a sig.
Streaming video of NEW YORK CITY HACKERS plus extras available at http://uit.no/breifilm/4276/1 (norwegian). Direct movie link: http://uit.no/breifilm/4276/3
Hacking an Art? Hardly. Don't try to further glorify this nonsense, little hacker groupies.
And if anyone is considering reading the article with the lame 'manifesto', just read this one paragraph with its rambling, babbling nonsense...
"Production produces all things, and all producers of things. Production produces not only the object of the production process, but also the producer as subject. Hacking is the production of production. The hack produces a production of a new kind, which has as its result a singular and unique product, and a singular and unique producer. Every hacker is at one and the same time producer and product of the hack, and emerges in its singularity as the memory of the hack as process."
Trying to sound intelligent and profound? You fail miserably.
Sorry, you're wrong. Code is art. We're talking about design, not mechanics. Questions like: functional, procedural, or object-oriented design paradigm? Plug-ins or scripting for extension? How will networking and persistence be handled? How will the software test itself? Which design patterns should be applied in what combination?
The choices require experience and creativity, and it is truly art and beauty at the design level. If you can't see it as art, then sorry, you lack the design experience to understand.
The mathematician, contributor to the Manhattan Project -- and a founder of modern computing -- John von Neumann, considered by knowledgeable colleagues to have contributed to all fields of mathematics except topology and number theory, disagreed. Describing the qualities of a good mathematical proof, von Neumann wrote : (John von Neumann as quoted in William Poundstone, Prisoner's Dilemma).
Perhaps unsurprisingly, given von Neumann's seminal influence on computer programming, his description of a good mathematical proof reads to me very much like a qualities I expect to see in a good algorithm, function, or class when I'm reading or writing code. Foe me, elegance is always of first importance when I -- and I use the word consciously -- craft code: a function that does not flow, a class the instances of which cannot be used in an elegant and (at least from the user's point of view) transparent way, is almost always bad code, and illuminates a lack of understanding on the part of the coder.
Kludges are offensive, not because they don't work -- the only justification for a kludge, after all, is that if nothing else, it works -- but because they are indicative of a lack of craft, and because they indicate a lack of understanding, either on the part of the coder himself, or the on the part of framework/clases/language he is coding in or with. A kludge is bad because it is the pulled thread in the fabric of the program, a pulled thread that threatens or exposes a potential for further and MORE disastrous unravelling.
Opinions on the Twiddler2 hand-held keyboard?
If you say Artists ignore function, pop-art (and boatloads of later art) has apparently escaped your radar.
"/Dread"
I'm in junior high
yes and when you become a Man not a Boy you will realise the difference in your outlook is immense, but of course you know best right ?.
funny how those that cry "everything should be free" the loudest seem to have somene else picking up their part of the bill (in this case parents)
The Microwave heating abilities were discovered when fried pigeons kept falling down around a radar-center somwhere. (No, I didn't bother to google)
It was definetly not an invention out of a ingenious mind, more like a random discovery when doing something completely unrelated.
Out of chaos/not-chaos, this would have to be chaos. But I'd rather say coincidental.
Not Buzzword 2.0 compliant. Please speak english.
You sir, are mistaken :)
Ok, the letters themselves may not be random, but it's still a nice piece of code!
Not Buzzword 2.0 compliant. Please speak english.
Actually, the most important thing I've found in art is the very thing that so many pseudo-artistic/expressive people loathe: limitations.
The most creative things I've seen/done involved some kind of restriction on the methods, tools, subject, viewpoint, etc.
In that sensem, it's chaos and limitations, like pouring plaster (chaotic) into a mold (limitation). Like sculpture, it's not what you put in, but what you leave out.
Not entirely true....
Even in poetry you have to remain within the confines of what defines "poetry".
If I just pour some ink on the page, make a big ol' ink blob... that isn't poetry.
If I crumple up some paper in a big ball, that isn't poetry.
If I cut off my ear and stick it in a plastic box, it isn't poetry.
If I run naked through my back yard, it isn't poetry.
-- by Ephemeriis (315124) on Monday March 01, @08:42AM (#8428306)
Now that's poetry...
Q.
Insert Signature Here
Hoffstadter references... what will the world bring next? :)
Q.
Insert Signature Here
I think there are as many definitions of what constitutes "art" as there are aspiring artists (or their parasitical campfollowers, art critics).
I'm a traditionally trained commercial artist. (You are welcome to slashdot my site at spanishcastle.com to confirm that pronouncement). I also have done a limited amount of programming. I find them to be two distinctly different experiences, but not altogether different. I think any act of creation done in the pursuit of excellence can be considered art.
However, I tend to prefer my own simple formula for answering the age old question: is it art? They are:
1) Is it beautiful? (which is a loaded question, too, really)
2) Would you have it in your home? (or, in the case of large works, in your town?)
3) Five hundred years from now, when some future archeologist digs it up, will it still be recognizable as art?
Obviously, some art forms are simply too ephemeral (like music or dance) to meet these conditions completely...although you could also argue that the best of them are preserved in one fashion or another (symphonies are committed to paper, and dances are taught to the next generation)
I think programming might be considered more akin to graphic art than fine art.
Fine art is a form of expression. I am not sure how well programming does this. Were it not for commented code, I don't how one could discern the author of a great piece of code from another.
Graphic art is a form of communication, which programming is designed to do, after a fashion. It is a means whereby a person may communicate with a machine.
Perhaps only machines know the difference? Perhaps we are bearing witness to a new form of art: machine art. Maybe one day, sentient machines will look and marvel at the elegance and simplicity of some tidy bit of code with the same fascination and admiration we might admire an artist's rendering of our own universe today.
I'm still waiting for both hardware and software manufacturers to address the issue of permanence, though...
Kids throwing rocks because they didn't know what was behind the wall. Perhaps the most astute analogy to hackerdom there is.
Too bad you can't see it.
Programming is essentially a creative endeavor where beauty emerges from the harmonious implementation of function - i.e. a function (creation) in harmony with the object (material or imagined) which is the program's intention to model and with a given set of factors or rules (the API, language, instruction set.) This kind of creativity is in this sense more akin to that expressed in building architecture and industrial design than that expressed in the fine arts and philosophy.
Terming programming as a fine art is quite a stretch apart from the latter's primary concern - which is the creation of beautiful objects. Programming's primary concern is the creation of interactive models of objects in harmony with their material or imaginary counterparts and the boundaries that define the model space.
In this other sense, the aesthetic pleasure derived from programming or observing beautiful code is similar in nature to that derived from the construction or contemplation of philosophical concepts - both can recur to visual metaphors but are in essence invisible.
HAD
Work drives the creative process! Chaos doesn't drive anything, chaos is.
Then comes the designer with purpose and skill.
From there emerges, through work, the Masterpiece by imposing order in chaos.
"Just as neither an engine nor an orchestra
nor a sports team can perform without
the integrated cooperation of all its parts,
so a work of art or architecture cannot fulfill
its function and transmit its message
unless it presents an ordered pattern."
-Rudolf Arnheim
Art work is there to create an atmosphere, to procure an emotion, so it has a function.
Its not because the function is psychological that it is inexistent. The summit is to be able to associate beautiful with practical form, and that's what design is all about.
I have seen beautiful designs by hackers, so to me many have artistic concepts, and are inspired.
Hacking a way of slicing reality for mathematical minds?
A good cook is creative in his art so is a doctor undertaking a chirurgic operation, so is, so is so is.....
All professions have their amount of creativity, and some are more creative then others, no matter the occupation.
In all cases, the inventor has to master the rules who define the medium he applies, thus to use the maximum possibilities, for the creation to be well balanced, i.e. ingredients in the case of a dish, colours for a painting, sounds for music, etc...
I really can't wholeheartedly suggest that anyone RTFM[anifesto]--it is pretty tough going. (Incredibly, it is apparently shorter than previous versions. Groan.)
The manifesto attempts to redefine "hacker" as pretty much anyone who reworks intellectual material. At this stage of the world, this includes a substantial swath of humanity. Politically, this places a bunch of knowledge workers alongside each other in the trenches, all working to reap the benefits of their insights rather than being victimized by the amusingly named & nefarious "vectorists," who aspire to possess not only all means of communication (vectors) but stocks of information (archives) and flows of information (?just-in-time news coverage?) as well.
Under the banner that information should be free, the manifesto envisages a fairly nebulous post-factional regime that sounds a lot like contemporary anarchism.
To worry about whether or not you like the idea that hackers are artists is to get it exaclty backwards, the point of this is to convince all other knowledge workers that they are hackers. I think that the manifesto author presumes that other knowledge workers should be being flattered by being considered hackers, and that they will be so tickled that they will embrace the notions of the manifesto.
This is not to say that there is not some food for thought here; though sometimes obscurely worded, it really does have some interesting takes on the economy of invention. My caution to readers of the comments, is that whether or not you support this broadening of the term hacker, be careful that you don't accidentally side with a political agenda simply on the basis of that definition.
The idea that something is "art" is a pretty recent idea, in the big scheme of things. What distinguishes "art" from a well crafted thing is difficult to define.
Throughout most of history there were people who mastered crafts. They might be sculptors, painters, cabnetry-makers... And we might look at what they did and say "Hey, that's art! He's a real artist." But what does that mean?
The programmer who writes a workable kludge is a craftperson, and doesn't aspire to art. Yet if s/he is trying to do something more than simply get the damn program to work, the code might be art. It might be beautiful. It might be clever. Might even be a commentary on larger themes... rather like what I conceive of as art.
In my wholly subjective view, craft is craft, art is craft that aspires to do more. And if that is so then why couldn't a hacker produce art? But feel free to disagree!
How many true hackers really exist? Seems to me that it's mostly just script kiddies anymore.
One bad monkey spoils the whole barrel.
Actually my Monty Python book is written that way...
Q.
Insert Signature Here
Elegance is a kind of beauty, so call it art if you like. I prefer the word craft. Before you take offense at this, I also think that the term craft has been devalued by assuming that the distinction is only one of skill. Artists study technique to improve their craft, but there is fine art with poor craft.
And there is great craft that isn't art, Paul Revere, or any comparable silversmith would likely been called a craftsman rather than an artist, although he made beautiful unique objects that reside in fine art museums today. Not everyone who made such things was regarded as a craftsman, only one dedicated enough to do it well. Beautiful craft can be so compelling that it gets called art, but I'd submit that is largely because true craft has become rare when everything is mass produced.
Mass production and devaluing craft has also lowered tolerance for trivial imperfections. Why try to make something when it won't be machine perfect? It is easy to forget other values than surface polish. Since I like to make things myself, I decided to try making my own wedding ring, forging it from silver. It could have been perfectly smooth, but my wife asked that I leave planishing marks on it so that it still had the marks of being hand made.
Craft is a worthy pursuit in itself. Music is good example, since not everyone who plays a musical instrument is an artist. Today, relatively few play instruments, but as recently as my great-granparents generation, in order to have music one had to be with people who played it, or play music oneself. In this age of recorded music, many fewer people make music, and their expectations are distorted by popular music and its production values. A singer's voice is corrected, tracks are played until they are perfect and then overlaid with other pieces developed similarly. The result is spectacular, but hearing a friend sing and play the guitar means much to me.
I'm not sure I can define the distinction between art and craft, but I think it may be a matter of intention and limitations. For example, commercial art (which I would describe as a craft) has very specific and narrow intentions from the outset. If there is ambiguity, it is within very safe boundaries. Craft is typically engaged in with a particular purpose from the outset.
Ultimately, the distinction is nearly meaningless. I may find a work of art less compelling than craft. I like to make this distinction to call attention to the values of craftsmanship, but call it art if you like.
Assembly is the reverse of disassembly.
The process is not driven by chaos. The process is driven by the desire to overcome chaos.
because you sure don't sound like one.
engineers get paid. all the great inventors and scientists do get the culture and notice.
einstein? hawking? edison? linus? wozniac?
for every michelango, there is a newton.
if you were an artist you'd know we don't get paid shit for any of the work we care about. most of it goes un-noticed until after we die, and that's only if we were truly ahead of our time and actually a master.
there is no recognition. only authors and musicians and film-makers ever get theirs, and that's partly due to the money making machine pushing them out to profit.
near as i can figure, those of us who wear both hats want to be artists because that's our true love. art has a romanticism that science can definitely match, but oh, the girls in the art deparment! we don't have so many of those in grad level cryptanalysis courses.
many feel like being an artist would make them love their work, and it might, but it's all pretty random tho. it's just as easy to fall astray in either field. the grass looks greener, but it's all the same grass. art can often appear to be this "anything goes!" charade that appeals to engineers designing very specific, limited nuggets of their internal abstractions.
at least engineers can pay the bills. that's ultimately what it comes down to... do you want to have the money to have a family and be secure? then science and engineering. or can you can ride on the wind and eat ramen, getting regularly kicked out of a shoebox? then art.
m.
A line from the hacker manifesto referenced in the post, would serve as a valuable business lesson to many:
"To produce is to repeat; to hack, to differentiate."
Hmm first time poster long time listener. Sorry had to say that as this is my first post. Art to me is about the process of creating but so yes any form of creation is an artistic expression but at the same time the purpose of art is to convey an emotion or feeling. So I have to ask how does programming touch people? Yes it changes life and makes things easier for people and it enriches them but does it really make them aware of what they have been unaware of or in other words does it leave them with a feeling. Programming by nature is a tool used to develop other tools. The other question that I would like to put out there is who can really see the artful work of it. Do we put the source code in places so that it can be enjoyed? So do you spend time looking and really appreciating the code and learning how to read it to see the programmer behind the programming? No all we usually look at is how effective and efficient the code is. It is a cold dead language to me that expresses ideas and processes but how can it be alive it if does not express emotions to me. The real beauty is something behind the scenes of what is created. Seem to be rambling but that is fun sometimes too. Also would like to add sorry if this thread was started somewhere else had to get these thoughts out. So how does programming embody what it means to be alive and to live in this world. Does it do that by my previous statement that our world is becoming more stale and logical with the lose of feeling. I understand the moments of developing simplifying and optimizing to the point where you have to step back and wow did i do that and that makes it all so simple and elegant. But want emotions have been felt by other programmer's? For me it is mostly frustration (not knowing), insight(knowing), and exhilaration on completion(doing). But again art is in the eye of the beholder. So what one sees as pure truth and pure beauty to another is just a waste of time and energy. So the question in itself is subjective. Boy I love to dance with my logic traps some times. Well that is all for now.
Either math and science are eternal and true, and immune to post-modern relativism, or the equation 1+1 = 2 is itself a subjective, mutable act of creativity.
/.er) trumpeting the virtues of technical writers as post-modern poets, and with good reason. If EVERYONE is a poet (including programmers writing code, and livejournal angsty teenagers discussing their emotional issues) then NO ONE is. Coming from an English major background, originally, I certainly agree that most (if not all) forms of thought are at their core interchangeable; certainly creativity and subjectivity have more to do with programming, engineering, and (even) math than has been previously widely recognized by society.
Let me put it another way: you are very arrogant in assuming that all (or most) programming is an analogue to poetry itself, in that you fail to account for other forms of writing. A technical writer (or as they call them these days, "communicator") has to add "style and flavor" to his or her documentation -- no one wants to trudge through yet another textbook of a MAN page, and top-selling technical books (like most from O'Reily) distinguish themselves by making their dry subjects engaging and fun. I don't see you (or any
I think, however, that the only true example of programmer-as-poet would be in video game coding (or related technologies): just as the poet must, say, use the single image of a snowflake to make you remember all the glorious visions from your life surrounding winter, so too must the video game coder make the way some leaves ripple in virtual water remind you of all the beauty of natural waters you have ever seen. Just as the poet tries to remain on the "cutting edge" of thought and philosophy, the video game coder must remain on the edge of technology and the representation of reality.
From what I understand the concept of "hacker" (and what does that word mean, really, after all), I would argue that most programmer-hackers are more like essayists, slowly and thoroughly handing society back its ass through remolding preconceptions. I guess so many programmers and developers (including you) refuse to think of themselves, rhetorically, in broader terms because "OMG THAT FUCKING EVIL ENGLISH TEACHER MADE ME WRITE AN ESSAY NO WAY I'M GOING TO BE THOUGHT OF AS AN ESSAYIST" while "OMG BEOWOLF IS SUCH A COOL POEM I'M LIKE TOTALLY A POET, TOO!"
...reads like obfuscated pap. I just can't get through it without zoning. Seriously. I'm in my early 30s, and have been 'hacking' computers and other sundry things since I was a wee tyke. But this guy's manifesto (which precious few hackers would even read due to their profound ADD) sounds like a whole world of intellect was opened up to him after he saw that 'Hackers' movie. zzzzzzzz....
You are both thinking of engineering, rather than architecture. While it's true that the latter encapsulates some of the former, there's a reason that the architecture department is part of the School of Fine Arts at most universities.
The Editor of Linux User & Developer
Richard Hillesley wrote a great article in issue 36 titled
"The Poetry of Programming".
In it he detailed the connection between E De joncourt,
Charles Babbage, Ada Augusta and Lord Byron.
Truely enlightening.