Linspire Accused Of Misusing Creative Commons Art
SuperDuG writes "Seems that intellectual property and copyright laws are something that Linspire still doesn't seem to have a firm grasp of. Their flash intro has with it some popular Linux images made by a rather talented artist. An email to Klowner was the first notice he ever got about the images being hijacked, not once has Linspire requested permission to use these images in their ad campaign. They seem pretty similar to me, you be the judge."
I think everyone can acknowledge right now that we'd be better off without them, right?
500GB of disk, 5TB of transfer, $5.95/mo
I also see what I recognize as a stock Associated Press photo of Bill Gates, and I wouldn't be surprised if the other photos were borrowed without credit (or payment) as well.
Well, now we know the seven last letters of Linspire are just there by accident and do not denote a particular skill of them.
It seems that Graphical Artists in any Marketing division seem to run into this problem all the time.
Aren't the images on kde-look public domain? Or is there a disclaimer that forbids this?
"Some things have to be believed to be seen." - Ralph Hodgson
Lawsuits from both The Rolling Stones and Microsoft are pending.
Don't blame Durga. I voted for Centauri.
So, the CC license wasn't applied when the flash demo was created, in fact it was a response to the art appearing on the commercial site. It's clear the the material was previously being offered "free" to anyone who wanted to download it, without any mention of a copyright. but does that imply a right to use the materical by a business. If you offer items for download, but do not state your intentions, does this allow commerical vendors to make a profit out of your work. I think that now that he has applied the CC license, future uses in presentations would be protected, but I am not sure of the offending one.
The grass is only greener, if you don't take care of your own lawn.
But the host of the demo sounds so polite. That's got to count for something. right?
is just to use art that nobody would want to copy anyways. OpenOffice.org figured this one out earlier this week.
If Linspire believes they have rights to Mark's images because they sponsor www.kde-look.org where his images are available as backgrounds?
I'm not saying they are right for taking, altering, and using the images without his permission. I, too, think they have violated the Creative Commons license. But I have seen cases where companies have appropriated images, information, and physical property from groups or organizations that they sponsor.
The companies believe they have paid for it with their sponsorship (wrongly, IMHO)
If "disco" means "I learn" in Latin, does "discothèque" mean "I learn technology"?
In the US, *everything* is copyrighted by default. This means that unless there is explicit permission given (in the form of a license, or a grant of rights), copyright must be assumed. In other words, the fact that it was on a web page means nothing, the fact that there was a 'download' link means nothing, the fact that there was no mention of copyright means nothing - in the absence of a license or grant of rights, copyright law holds that you cannot use the work without written permission of the author.
This title is misleading because the artwork had no CC license when originally posted. If your offer up your creative material with no copyright protection and state that it is free for all to use, why shouldn't Linspire (or for that matter Microsoft or SCO) feel free to use it?
Changing the license afterwards like the author did in this case is also your right, but it is like shutting the gate after the horse has bolted.
FWIW, I've seen the same artwork in other Live CD's (Slax comes to mind) so Linspire aren't the only people who grabbed it.
It's a shame that this company who is supposed to be bringing the spotlight to desktop linux, is bringing it in such a way. First, we had the Microsoft mockeries on the website, and now blatant stealing of someone else's work. The sad thing, is that there are those out there who will start to think that open source software is about stealing other's source, and that that would be the only reason to keep it open. Sad, but probably true. It's companys like these that we don't need bringing a bad name to linux. I think it is time for the Lindash/Lindows/Linspire, whatever people to mature up a little bit.
while true ; do echo this is my sig; done
I'd post a URL to the demo but the Mac I'm on has inadequate mousing abilities.
Come, let us all softly tremor with sorrow, for the one buttoned mouse has gotten the better of this poor soul.
Copyright means all rights reserved. Publishers don't even publish "public comments" from usenet in their for-profit publications because they don't want the hassle of securing permission from all the copyright holders. The fact I release a limited portion of my rights to this work doesn't mean I release all of them - that's how copyright works. That's how GPL works.
That's why it's called the GNU General Public License, and not the public domain.
I really respect that Lindows^WLinspire is doing what it can to give OSS an outlet to the non-/. public
That being said -- there is something about that organization that rubs me the Wrong Way
Another fact about this story that leaves me wondering -- the Klown website very sneakily says (paraphrased) as of 24 April is licensed under ... Well, inquiring minds want to know: PREVIOUS to 24 April, under which (if any) license was it released under?
Of course, I am sure I don't need to point out that under US Copyright law (assuming for the moment that the artist is producing his work in that country -- and Linspire is definitely based in the US ofA ), the mere production of the work attaches copyright to the creator of the work, and s/he is under no obligation whatsoever to delineate the ways in which it can be used by others.
This is important people: Whatever you write is copyright by definition. In absence of verbiage to the contrary (i.e. GPL, CC, BSD), nobody can usurp your product. Another question: Can someone who Is A Lawyer quote some caselaw on active-protection as applied to copyright? (I know how it applies to trademarks, but copyright != patent != trademark )
How does the Slashdot Effect happen given that no slashdotters ever RTFA?
> Is it really proper to allow artists to make money off of GPLed code?
If we went by that ideas, you'd be implying that every book to do with GPL/OSS things should be free and that the authors should make no profit...
The GPL doesn't forbid people from making money off of their software... let me repeat that ... The GPL does not forbid people from making money off of their software.
The GPL basically says 2 things: First people are free to modify or redistribute however they wish (they can even charge money). Secondly the GPL program must come with (or at least have freely availiable) the source code to the program.
The Creative Commons liscense is trying to do the same thing with artwork that the GPL has done for software. The difference is there really isn't a 'source code' for art other than the artist's head. So the stipulation is keep it out of commerical products unless you have a specific licsense to do so. Which really is the same effect the GPL has on software.
The Anti-Blog
But they're still using "LindowsOS" in much of the presentation. Good grief.
Proverbs 21:19
Well, depending on how much the artist depends on art for his income, I'm not sure that it could be much worse. I use a great deal of commercial art in my work, and I think most of the people I contract with for artwork sell to me because they need to pay the rent (or enjoy RAII-approved CD now and then...). There is no excuse for a sizable commercial entity like Lindspire to be misusing other peoples work in even a small way (and, really, a flash intro on your flagship web site is not a small misuse).
"Who are in control, they are not in control of anything - they don't even control themselves!" - Glen Beck
I don't think that's reasonable at all. If I'm a journalist, and I cover a free concert, does that mean I can't claim that time with my employer? Are my stories and photos public domain? In any other context, that doesn't make sense.
It's like the new Firefox logo. I don't get that either. Is it really proper to allow artists to make money off of GPLed code? It may very well be legal, but I don't think it's right.
Why not, anyone else is allowed to. You may have noticed Red Hat charges for GPL'd linux too. GPL doesn't necessarily mean free as in beer.
However, they goad Microsoft with the Lindows name (Hint: if Baba Wawa pronounces the names of both softwares in an identical fashion, you blew it) and then changed to a name that is Lame in everything but the name itself. And now this...
Don't blame Durga. I voted for Centauri.
There's no hypocracy here at all...
Copyright is generally a neutral thing. It's neither good nor bad.
Music is generally considered something people want to share and is good. The problem is how expensive and restrictive the music has been and worse, how the RIAA has chosen to go about enforcing the copyright. Instead of addressing people's concerns, they've decided to sue people and create technology which limits freedom.
But no one that I know is against artists getting compensated.
Here, we have someone who is giving his art away, but with the restiction that if you use it to make money- you have to negotiate something with him. A company has decided to use his work for just that purpose. So now people are upset.
Copyright is implict - he doesn't have to put a license up to be covered. His work == his copyright. Personal use of it on someone's desktop can fall under fair-use, but incorporating it into your product's main sales speel does not. Publishing a license for it would have helped clarify the issue of course.
Forget thrust, drag, lift and weight. Airplanes fly because of money.
Close.... nutters in the music thing say "Copyright is... uh.. FLEXIBLE because.. I.. uh.. um... I don't want to pay the price that they ask, but I don't want to stop listening to their music... er.. no.. wait.. uh.. THE RIAA IS CHARGING TOO MUCH MONEY SO I'M HELPING TO DESTROY AN EVIL EMPIRE BY IGNORING COPYRIGHT LAW AND RIPPING OFF COPIES OF THEIR SONGS!!!!"
Alito: A vote for Alito is a punch in the eye to put that bitch back in her place!
Every project, artwork, etc. that is released at kde-look.org can specify a license. Look for it under the Description section. The default is GPL.
What makes you say that? The have already used it. They will end up paying fair value for it, plus any lawyer fees.
I get the impression from your comments that you think this is a minor infraction. I take it you are not a commercial artist?
"Who are in control, they are not in control of anything - they don't even control themselves!" - Glen Beck
http://www.kde-look.org/content/show.php?content=2 045
^ notice the post date.. mid-2002
Lindows wasn't a sponsor at the time I'm quite sure, if my memory serves me right. Also the submission system on kde-look allows you specify a license, and at the time the wallpapers were posted, they didn't have that feature.
Not only is kde-look sponsored by Linspire (they pay a large chunk of the bandwidth), I distinctly remember when kde-look was going to the toilet because they couldn't afford their bandwidth. They were saved by the sponsorship of Linspire.
kde-look is appreciated and actively used by users of KDE for enhancing the look of their KDE desktop. Many theme writers and icon developers use it exclusively to post their KDE material.
It should also be made clear that a lot of the art of kde-look is given under a free license, not a none-commercial license.
Unless I see a post from the artist complaining about the use of his art, I'm going to consider this article a troll because of the weak tie-in to the Microsoft trademark dispute.
Do not spread "09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0" over the internet, thank you.
If a spammer were to start a linux distro, it would be a lot like Linspire.
The guy who owns Lindows is a confirmed scammer. I really wish this company would just go away.
* cheesy, stupid names
* raping debian's bandwidth
* taking much, not giving back anything
* uninspired, copycat mentality
* loudmouth
* no attention to security (everyone runs as root)
Can anyone name anything good about these people?
Did you bother taking a look at the side-by-side comparisons? I mean, all they did was take the exact original image and plaster text over it.
Douglas P. Price
Does anyone here think critically?
Does all this Knee-Jerk, Anti-Lindows/Linspire trolling ever once take into account that as a corporation, Linspire/Lindows didn't say: "Hey! Let's go rip off as much stuff as possible, and not pay people for it..."
Can anyone consider the possibility that someone who made up that Flash Presentation used the material and didn't happen to mention they lifted it?
It happens all the time.
It doesn't require Linspire to be an evil company looking to rip people off, and make a buck off someone's work.
It just takes one person who isn't clear on copyrights, and assumed they could use that artwork without permission. They might not even have realized they were doing something wrong.
How many people do YOU know, who totally understand IP and Copyright laws?
I'm getting tired of the automatic Anti-Linspire sentiment expressed by most Linux people. Linspire has given back A LOT to the Linux community. They've donated big bucks to WINE, KDE, Reiser-FS, and other projects. Go check their website.
And if you read their financials in the item about their upcoming IPO, if they are making money... They've sure fooled everyone.
copyright is BAD when protecting music
No, DMCA is bad when protecting bogus copy protection mechanisms. :) I don't think anyone here would seriously argue with you about the validity of the musicians'/RIAA's copyright on their own music.
"Wow, you're like some kind of superhero able to ward off happiness and success at every turn."
-- Ryan Stiles
I agree completely about the GPL and profit; however, I would have to add that the Creative Commons license is more restrictive than the GPL. Otherwise I would suspect that the use in question here would be allowed.
They took an image (no argument here - illegally), made minor changes to it and are now commercially distributing it. If the Creative Commons license was similar to the GPL, then as long as the source to the image (the flash presentation could be considered a compiled work) was available - this would be allowed. The Creative Commons is more restrictive than the GPL.
If find it interesting that a license like Troll Tech's is considered so terrible (when it is much like the Creative Commons), but everyone is so understanding about artists rights.
Home Automation & Linux -- now I know I'm a geek
What's a hypocracy? A country run by hypocrites? ("hypocrats?") That seems not inappropriate...
What makes you say that? The have already used it. They will end up paying fair value for it, plus any lawyer fees.
It's all about damages. This artist has no reputation to damage. You seem to think that Joe Blow's art getting used is the same as Big Name Artist's art getting used. Sorry, it's not the same.
I get the impression from your comments that you think this is a minor infraction.
As a matter of fact, it is.
I take it you are not a commercial artist?
No, but I work with a real commercial artist. Very few artists make a lot of money from their art. Sorry, but this guy is not Wyeth. His art is worth about $100, and that's if I want to buy an original using traditional mediums
Sometimes it's best to just let stupid people be stupid.
What's your point about Calvin & Hobbes? Is it the "pissing Calvin" stickers that seem to adorn every pickup truck in the U.S.A.? That is a violation as far as I understand, and as far as the creator of C&H is concerned, but he doesn't give a rats ass aparently. Imagine a sticker of Mickey Mouse pissing on things. Disney would be up in arms over that. Disney wouldn't let me make an exact duplicate or a derivitive work of Mickey. Why is this any different?
Copyright infringement is ok if *I* do it, but not some company.
This guy should sue their pants off, but when the RIAA does it, they are evil.
The GPL is the only license that should be used, but these images have severe restrictions, but that's ok, because stopping commercial use is somehow more noble. I wonder when that gets added to the GPL.
We are all for compensating the artists being screwed by the RIAA, but since we don't know how to do that, we just download it for free, ensuring that the artist will receive no money, instead of the percentage they would have gotten had you purchased the CD.
I actually find Slashdot to be more of a comedy site at this point.
Another day, another example of the cavalier attitude that Robertson has regarding IP, the community, everything...
:s
Michael Robertson is a strange creature, bucking the trend like Steve Jobs, but only in very, very bad ways. The funny thing is (funny in a really perverse kind of way), Jobs is generally the guy Linux zealots love to hate (he was the cool kid in school). Robertson is the Linux-popularising martyr for FOSS, the almost untouchable.
Back in the day, MP3.com was lauded as visionary, a chance for the music companies to make something of online distribution, and so on. When the RIAA poo-pooed this and went after MP3.com, he played the prima donna and we all boohooed together - Michael tried so hard, he really cared about us, he identified with us, he wanted to free intellectual property. He was on our side. When MP3.com died, defeat reverberated around the geek/FOSS world...
So then this thing Lindows appears on the horizon, with talk of full Windows application compatibility, something that was later dropped when the WINE team realised what a prick Robertson was. When any other company makes crazy claims like that, someone will get on the case. In this case, the Lindows team rewrote history to erase this little hiccup from their PR. There are murmurs on the Internet about how source is not posted and so on, but somehow Lindows carries on.
Then Robertson takes on Microsoft. Robertson is the Man again, the Good Guy fighting against every true geek's arch nemesis. When he loses, Microsoft are evil bastards beyond reproach (I am not suggesting that this isn't the case, but bear with me...).
I think perhaps this could be put a clearer way - ask yourself only "Is my enemy's enemy always my friend, no matter what?" Personally, my answer to that would be no, but I suppose YMMV. Put it this way, I have no desire to ally myself with a person whose sole motivation to free the world from the shackles of IP (which would of course undermine the GPL) serves only to allow him to continue to profit off the unpaid labour of others.
Robertson is not a visionary. He's the asshole who was never tough enough to beat all us Slashdot-reading geeks up, but never missed the opportunity to hurl abuse from just round the corner. And he strikes me as being from the same sort of management school as McBride - his ethics are about as loose.
iqu
There are some questions to ask:
Where exactly did Linspire get the works from?
When they did get the works, what was the copyright notice?
I look at kde-look.org and there are no explicit copyright notices; yet the purpose of the system is to allow people to download and use backgrounds, suggesting an _implied _license that anyone who puts a background there is making it available for fairly unrestricted use. You like to argue this, but I am trained in Law and this is how it is intepreted. The "hairy" questions are always over "just what are the terms of this implied license", usually the courts have to argue about it.
Note that if you just put an image on your webpage, there is no implied license that you're allowing anyone to use it, so any copying other than the intended purpose of viewing and so on is infringement. However, when you put an image into a system that is _designed_ to allow people to download it, it can be said that you are agreeing to an implied license.
In fact, if you go to the kde-look and choose "Upload", you have to choose a license (GPL, LGPL, "Other", etc) for your work, but when you are a downloader, there is no display of the license. This is a problem that kde-look needs to fix.
It seems to me:
(a) the author (Klowner) and kde-look.org have a few issues to sort out regarding the proper clarification and visibibily of copyright licenses for their works;
(b) Linspire may be acting within the law, but we need to know more information;
In fact, in this case, kde-look could be liable: because if Klowner did apply the appropiate license on upload, but didn't display it for downloaders, yet Linspire relied in good faith upon an implied license, then in fact, neither Linspire or Klowner did anything wrong: the fault is with kde-look who negligently didn't indicate the proper rights for the work.
...although, under present copyright law, everything is "born copyrighted" whether there is any notice or not--to put up material on a public website without a copyright notice, as was apparently done before adopting the Creative Commons license, seems to me to be inviting infringement.
Sure, the Lindows folks should have known better--but so should Klowner.
Just how hard is it to write "Copyright [year] by [so-and-so], all rights reserved?"
When in doubt, add a copyright notice. Whether or not it actually changes the legal situation, it definitely changes people's behavior. Even if you plan to grant permission to just about anyone for just about anything, putting a copyright notice on your work greatly increases the probability that people will ask.
"How to Do Nothing," kids activities, back in print!
If you meant the latter, there's no such thing as intellectual property laws. If you meant the former, then what do you mean by "intellectual property", and how is that different from copyright? After all, you did list them as two distinct things.
This has been your words-to-avoid public service announcement. We now return you to your regularly scheduled program.
Nope, no sig
has this guy been accused of increasing the prices of his product (for no good reason)?
;-)
does he have a monopolistic hold of the airwaves and the mainstream?
does he go after people that use his art (not for profit..) and sue them?
does he lobby the US government in order to make unconstituional laws that protect their monopolistic position?
apples and oranges my friend
Get paid to code OSS
I myself have noticed alot of confusion concerning the usage of the creative commons licences. The original idea seemed simple to me - pick which clauses you want and list them. They even provided simple icons to help mark what your licence allows. But apparently alot of people just don't get it. I don't know how many sites I have seen that simply state that thier works are available under a creative commons license, without bothering to mention which one.
However the problem is not entirely the fault of the artists. I went back to the creative commons site today, and it took me ten minutes to find the original simple page explaining the different licences. Before that I went through their "Choose a licence" path it and they actually encourage people to mark the works on their websites vaguely as being under a creative commons licence. To get the terms of the specific license you must click on the link.
This is bad practice. People are used to the name of the license telling them roughly what you can do with the licence. GPL, BSD, Open Source, Shareware, Freeware, these all give you at least a rough idea of what you can do with the work. Therefore someone stumbing on the Creative Commons Licence for the first time would naturally extend what they know to think it is yet another licence. But it isn't - it is a collection of licences.
Consider the first time someone encounters a creative commons licence. Unsure of what it is suppose they actually do click the link on the bottom of the page and read the (very nice and clear) human readable creed. They will then think "okay that is what they creative commons licence allows" and never bother to click on any other link again, because they think they already know what the licence allows.
I do not think that creative commons concept is too confusing for people, but it is different, and the way it is being handled does nothing to indicate to people that it is different. At the very least people should display the applicable clause icons next to the creative commons link, so that people may notice that there is something different.
PS:
This does not directly apply to this case since prior to April 24th these had no licencing information, and after that the notice was clearly displayed, and in either case Lindows should have contacted the author to get permission. It is just a side discussion.
Well, I dunno. Copyright law says that fair use is "limited" sharing, right? And the Constitution says that copyright is for a "limited" time, right? And Congress and the Supreme Court say that any amount of time less than forever is limited, so therefore sharing with any amount of people less than everyone is equally "limited".
I get the impression from your comments that you think this is a minor infraction.
As a matter of fact, it is.
Why? Because he's not rich? That's a stunningly ignorant attitude. How do you expect someone to ever become 'big-name' if they can't afford to pay the bills because people ignore the copyright on their works? There is just so much wrong with that attitude I don't even know where to start.
You can't just twist around the meaning of fairness and say "this guy is more important, so it's not allowed, but this guy is less important, so who cares." The law must be applied equally. We're all equal. There cannot be some people who are "more equal" or the whole damn system implodes.
Copyright protects anyone and everyone who produces a creative work. If the judge decides that the "fair value" of his work is $100, fine. But he deserves absolutely every penny of that $100. Only the reparations scale with damages, his rights do not. As the previous poster said, "They will end up paying fair value for it, plus any lawyer fees."
Random and weird software I've written.
Copyright is neither good nor bad, it is simply a legal way of protecting anything from illegal copying, for a very long, arguably far too long, period of time. Amongst other things, it makes a claim that you made that thing on that date, so that it can be enforced from a time period starting from then, or a different period from the date of you, the author's death. Copyright does not protect the GPL, it is enforceable as a licence agreement (i.e. a Contract) which you accept when you use the software, and has recently been upheld in a German court. (Copyright laws internationally make more or less teh same set of provisions, as they are based on the Berne convention, the US also being a signatory, so it would most probably also he upheld by a US court if someone such as Darl McBride was stupid enough to challenge it, as we may soon see....) With no GPL, the copyright would in fact prevent you from making copies (everything which is created is copyright unless explicitly stated otherwise, although it is best to make the satement), but the GPL, like all contracts, gives you some, in fact lots of, rights, in return from you accepting that you will not limit anyone else's righs as far as that piece of software is concerned.
The only way that copyright would support the GPL in any way is that the GPL is a document. It gives you rights to make verbatim copies, so no problem there, but copyright law would disallow making, for example, perverted versions of the GPL, containing a clause which assigned all rights to Sir Bill Gates, and passing the copies off as real.
BTW I have rerely if ever seen anyone here say that music should not be subject to copyright protection. It is fair that the artists should earn a living. What is usually debated is that most of us think that you should be free to play your DVD anywhere, on any equipment, so pernicious laws such as DECSS are very wrong indeed. Copying the DVD is an offence under copyright law, it does not need encryption to be enforceable, and why should someone with a room full of Linux computers have to buy a Windoze box or a DVD player, just to play the thing, which he has paid for? The music and cinema industries are very wrong on that point, the RIAA are clearly fascist, and the law is an ass.
Likewise if you own a piece of music, it might even be an old, delicate and valuable LP, you ought to be allowed to make a copy so you can enjoy it in the car, or on a portable player. Again the fascists say no, you can't, but you are not making a copy for anyone's use but yourself, and not depriving the artist of income. Hence the frequent debate about music, it is about not being able to make copies for legitimate use, or even for backup.
As to linux art, I have not seen the items in question, but if they were not put in the public domain, any use contrary to copyright law, or as allowed by a licence such as the GPL,is quite wrong.
IMHO most people here will want copyright to be applied fairly, sensibly and reasonably.
- Where is the confirmation from the author that he didn't give permission? I see only one website which claims he doesn't
- Where is any kind of response from Lindows regarding this? Do they even know that it's copyrighted?
I'm all for protecting peoples rights, but I don't think we should go around making accusations until all the facts are in.Avantslash - View Slashdot cleanly on your mobile phone.
Ohhhh, it's Wednesday, 'Copyrights are good day.'
SCO and Eolas should use this to their advantage.
I wish slashdot would just publish a schedule, "Ok, yea, MS, we'll like you on alternate Thursdays."
How about actually listing some real complaints with the CC instead of some vague deragatory remarks. A creative commons licence depends on the terms you select, and does indeed meet Debians and FSF's definition of free for many of these options. In fact the free software foundation recomends that you use a Creative Common licence for works other than software and documentation. Furthermore, I have talked to Richard Stallman about this and he agrees that different types of works need different types and amounts protection and that when he started the FSF he did was only concidering software, and does not project his moral beliefs of software copyright and patents onto all copyright and patent.
The creative commons creates a common set of licences that simplify things for the creator, distributer, and consumer. It also creates a single umbrella movement for encouraging more open licencing of works. It is a valuable work.
So what. I made Icons that are all over the place, and I dont care. If he didn't have a CC license on it before, they were probably used then. Besides, Lindows sponsers the kde-look.org. He ought to be happy that they give him and others a place to display their work.
Also who is this guy that made the webpage? Is he speaking for the author? Where is the Authors response?
BTW: Did anyone contact Linspiredows a call before flipping out about it?
"If you have done 6 impossible things this morning, why not round it off with breakfast at Milliways" -- hhgg
I am copying this here because I don't think its fair to jump to conclusions without knowing the facts!!!!!
ananicon writes (this is further down in the replies):
This is extremely interesting on many levels since the artist changed the licensing terms for his art 2.5 business days ago. What were the licensing terms before then? The artist doesn't say, and neither does his web site. I'm not saying the artist is right and Linspire is wrong, but these questions are entirely unanswered:
1. What were the pre-4/24 Creative Commons licensing terms? Did the artist change the terms after Linspire had already grabbed the art and used it? If so, it's pretty oily for an artist to change the licensing terms for their art *after the fact.* I'm not saying this happened, but to be blunt, there's no documentation either way.
2. By default, the user isn't obliged or required to notify the person whose art they're using as long as they abide by the CC license. Look it up and see for yourself on creativecommons.org.
3. The person posting this story says "not once has Linspire requested permission to use these images in their ad campaign." Uh, no shit Sherlock. If the artist's pre-4/24/04 license didn't forbid their use in a commercial medium, Linspire isn't required to get his permission - it's self-evident in the license.
Sorry, but until there are more details, the person posting this story may either be 100% right or 100% f*cked-in-the-head. For now, I'd hold off on crucifying Linspire until all the details are reported. So far, they haven't been...
[ Reply to This | Parent ]
Is it the "pissing Calvin" stickers that seem to adorn every pickup truck in the U.S.A.? That is a violation as far as I understand, and as far as the creator of C&H is concerned, but he doesn't give a rats ass aparently.
Actually, Bill Watterson (creator of Calvin and Hobbes) threatened to sue the company that made those stickers, and the company has since changed the stickers to a different image which is apparently not considered derivative. Watterson is known to be very protective of his copyrights; he won't even license the images for merchandising. Some information here.
"Think Jar Jar here." Is there anyone on this entire site who would choose to educate Jar Jar rather than bashing him?
It is applied equally. He can shut them down just like Big Name Artist. The difference is in what is actually damaged. This artist has no reputation to damage, therefore, he gets little compensation. As it should be. The law is not intended to be a lottery, it's intended to be fair, based on what is actually damaged.
Sometimes it's best to just let stupid people be stupid.
...which makes it a minor thing. The burden of proof is going to be on the artist to prove that his art was instrumental in creating income. Since that's particularly absurd in this case, I doubt that he has a big pile of money waiting for him.
Sometimes it's best to just let stupid people be stupid.
The question would come down to whether Creative Commons has any value in the eyes of the court. Copyright law is pretty clear on all of this. If you create it it is yours whether you put that little symbol next to it and register it or not.
Unless Linspire can prove that he had the license under the general Attribution license when they used it then they are out of look. I just checked the google cache and it showed non-commercial. Either way - no matter what CC license you use they must always give credit where credit is due.
err are you just trying to be obtuse or is it a natural gift. While I don't support pirating music in any form, I've not seen anyone on ./ EVER advocate ripping tunes and then using them for commercial gain. The core of the ./ argument rational or not, is the PRIVATE PERSONAL USE involving format shifting, and the PURE OUTRAGE at the music industries monopolistic market manipulationn and continued gouging of both the consumers AND the producers.
errr....umm...*whooosh* *whoosh* Is this thing on ?
Other than the copyright issues, the Linspire presentation was actually pretty well done...too well done for your average internal marketing dept.
It is possible that those images were hijacked by a outside marketing/production resource without Lindow's knowledge! If this piece was outsourced, chances are that Lindows was unaware. If that is the case, who is ultimately responsible;
-Lindows? or
-the Marketing firm? or
-the Indian labor pool that the Marketing firm subcontracted the coding and creative work to?
It appears the offending images (and the section/chapter of the flash they were in) have been removed. No apology or recompense for Klowner though, I guess?
"They've canceled the show but we're still here. What does that make us?" "Big Damn Junkies, Sir!" "Ain't we just"
Michael Robertson here - CEO of Lindows.
Let me provide some facts. In a flash tutorial hosted at Linspire.com there is a chapter which talks about Linux in which we used 3 background images from the Kde-look site by the author Mark Klown. Lindows downloaded these images from Kde-look (coincidentally - a website which Lindows financially sponsors - that doesn't affect the licensing issue). There is no creative common license indicator on the web pages that host these images.
From the email trail someone named "Jim" alerted Mark to the free flash tutorial on April 20th. Mark changed the license on his own website for the images in question to a Creative Commons license on April 25th. Then someone created a website accusing Linspire of violating the Creative Commons license and "stealing" the images. After which Slashdot prints a headline saying that Lindows is accused of violating the Creative Commons license.
Mark never contacted us saying that he had changed his license. He never contacted us saying he did not like the way the images were used. I wished he would have because this whole soap opera would have been avoided. I did send Mark email once I read the Slashdot story to get his input which is when he told me that he just recently changed the license on his website. He said he was going to put notification on his website about our situation.
It's disappointing to me because Slashdot runs this controversial headline then thousands of people read it and believe it. I think you should run the correction in the same place that you ran the original story. How about another story saying how easy it is to head-fake slashdot editors with a webpage and an email?
-- MR
Can we change ROTFLMAO and all similar expressions to SOAC(PIMU)SBAPC*?
Because I really don't believe that anyone actually sees a moderately funny item on the internet and promptly falls off their chair, only to proceed with the action of "Rolling on the Floor".
Actually, ROTFLMAO is a bit like eBay respondents writing "AAAAA++++++++" just because someone successfully shipped them a fucking product. If the package arrived and you weren't overcharged, then that's an A.
Save the AAAAA++++++++ for when they send their hot wife over to personally deliver the package in her bikini and then have her proceed to fuck your brains out.
OK?
Good.
Back to eBay...
* Sitting On A Chair (Probably In My Underwear), Slightly Bemused, And Perhaps Chuckling
'Thats they exact same thing a banana wrench monkey.'
This is second only to my fear of the systematic failure of the 4th branch of the government, the press. Unfortunatly the risks have become systematic and the problems created by the overfunded movie industry have soured the quailty and diversity of the information crossing the airwaves. You only need to combine knowlage of how Clear Channel operates with the recent failed attempt by the FCC to localize more of radio and tv bandwidth to understand how diversity and competition has become all but extinct. When was the last time you saw a non-PBS nightly news show completely devoid of entertainment news? When was the last time you saw an copyright counterpoint on any news program? The press is as important as public schools at maintaining the knowladge to keep the republic funtioning fairly well.
I play the drums, and went to music school for a year. Even in the early nineties the doors where closing for talented musicians as contracts became more impossible to satisfy and end. Good musicians can't get attenion without the industry, until the Internet that is. After reading an earlier edition of the book All You Need to know About the Music Business I realized what a weak position artists crawl in from. Only the very best break even. Although not the authors intention, I realized what a waste of time it was to do business with Hollywood. Of course they where the only game in town until about 1995. Right around the time I decided on a career in computers.
"And I've seen firsthand how long it can take for a property to go from being a zero-money, self-published labor of love, to being published by a small underground publisher (for no money), to being optioned and developed as a possible TV series (and if you're not aware, you don't make much money at all from something "in development", not until it actually makes it to the air.) It's been pretty close to twelve or thirteen years."
Personally I believe this is due to a lack of competition. If the companies couldn't afford so many middle men, due to unearned money going to blatent nepitism, then things would move much faster. You may like working with some of those people, but if they aren't making the actual show better, they are overhead. This is likely to end pretty quickly. In about another 3 years individual PC's with have the horsepower to do decent homebrewed special effects, another 3 after that rendering semi realistic people at film quality level. Also 2-4 hour flash card based cameras can be used for gritty live action now. Combine this with creative commons licenced/original music and amatuer voice acting, and teenage punk's will be writing directing and "acting" whole home sitcoms. You already see these home series parents in flash cartoons. The age of 4 year legal holdups to licence a book into a movie is ending one way or another. Even now you see the industry grudgingly plucking successful net artists up in shorts and series. I even expect Internet TV to become popular as the (real)cost of creating regular shows goes down.
Even if new compitition from home doesn't scare TV as we know it dead, there is nothing special about 14 years. 28 years would still be a major improvment. According to your numbers that would still give the company 14 years of DVD sales.
"And, money aside, it's just as important for the copyright holder to have a say over what's done to their property. If anyone can edit a book, or turn a book into a movie, then anyone can edit it and completely change the meanging."
But think about what you are sayin
Novel theory: Modern Man evolved from psychopath