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Slyck Interviews the MPAA
An anonymous reader writes "P2P community and news source, Slyck, interviewed vice president Dean Garfield of the MPAA. Topics covered range from the MPAA's thoughts on BitTorrent, Limewire and DRM. Garfield acknowledges that they do not have much of a grip on the file-sharing world as they would like to believe."
The motion picture industry is working aggressively to take advantage of wide array of digital distribution platforms
He misspelled "ban".
Send email from the afterlife! Write your e-will at Dead Man's Switch.
as much as a mis-translation from legalese.
Have you been touched by his noodly appendage?
I've misread what you wrote as "The moron picture industry".
Sorry.
It's hard to have a grip on anything p2p these days, since most p2p users have more than a single client depending on their interests/needs. Sometimes, bit-torrents come in handy, other times people resort to eMule/limewire and the various sorts of softwares available. Big deal. Kazaa really did it best when they got into the market and spread like wildfire before the competition. Their use of advertising helped give them a profit and in turn, feed back into making them a stronger company. And now with skype, what a landslide that was... The future of p2p is going to be up to the communities of people and their needs. It's not enforcable like it once was, shutting down warez servers one at time like the old-days. It's everyone and everywhere these days and gripping the market as a whole is next to impossible. Good luck
Given that few would support commercial piracy, and given the poor publicity over the use of DRM, how much of their problem is directly caused by commercial piracy?
Garfield: "We are studying that issue, but do not have a real answer. Identifying the scope of the commercial versus the open source problem is no easier than discerning real data on p2p usage.
Eh? Where in that question did he infer the interviewer was talking about open source anything? This sort of ridiculous statement about the open source by a clueless muppet with no idea what open source is, let along how it works, just makes him look like a jerk. The interviewer clearly meant commercial piracy as in a person selling what they make with a DVD duplication system in their garage as opposed to someone sharing something they've downloaded either through a P2P network or giving copies to their mates.
Gah. Idiot.
http://twitter.com/onion2k
How much of their problem is directly caused by commercial piracy?
Garfield: "We are studying that issue, but do not have a real answer. Identifying the scope of the commercial versus the open source problem is no easier than discerning real data on p2p usage.
Last time I checked, 'open source' and casual piracy were not synonymous.
That's truly dumb. Educating parts of the market by beating people with a piece of legal two-by-four is not productive. Advertise, promote, share information and engage with the people you're trying to reach is healthier and more likely to create understanding.
"The motion picture industry is working aggressively to take advantage of wide array of digital distribution platforms and to provide consumers a wide array of legitimate options for enjoying movies and television shows.
Hey, way to be about 15 years late. Everyone with a half a brain realizes that Hollywood should have changed their distribution methods when the Internet usage became widespread, instead of *ignoring* the problem.
"One way to look at this issue is through an analogy. At present, when you purchase a car there is computer technology in the car that keeps track of your average speed, but that technology is accepted and is viewed as net value add. However, if that technology were to automatically report the fact that you speed to the authorities then peoples perspective would change. DRM is the same. The technology is a part of a balance that is struck with the consumer."
Ewwwwwwwwwwhaaatttttt? The device doesn't curb your usage of speed; am I the only one that doesn't see how this analogy is supposed to work?
I'm going to step out on a limb and say that this war on piracy is like the war on drugs -- a glorious method of wasting resources. There's nothing you can do to keep people from *acquiring* media however they want; just as you cannot keep drugs out of America.
Yeah.
I would like to say what the MPAA do have a firm grip on , though it would be considered rather untoward in polite company(Hint , it includes all of them partaking in corporal punishment of monkeys )
The only things certain in war are Propaganda and Death. You can never be sure which is which though
They want all the economic advantages of the latest tech advances, but they don't want to pass those benefits on to their customers, nor even allow their customers the same tech or advantages. This is called gouging and people respond appropriately to it.
At present, when you purchase a car there is computer technology in the car that keeps track of your average speed, but that technology is accepted and is viewed as net value add.
Correct in terms of a car, but that's where he (and the **AA's at large) go wrong on DRM.
When I'm going down the road, I WANT to know how fast I'm going. I don't want to wait until the nice police officer decides to pull me over and inform me of it, nor do I want to find out a bit too late that I'm taking a curve way faster then I should. Therefore, indeed, the speedometer is a value add-it's something that I, the owner of the car, WANT in my car (and in fact, even if legal not to have one, would not purchase a car without one.)
DRM by definition cannot be a "value add", only a "value subtract". No consumer buys a DVD saying "Man, I hope they made it hard for me to back this thing up!" or "I sure hope this will refuse to play on my computer without installing a bunch of intrusive software".
To fight the war on terror, stop being afraid.
"One way to look at this issue is through an analogy. At present, when you purchase a car there is computer technology in the car that keeps track of your average speed, but that technology is accepted and is viewed as net value add. However, if that technology were to automatically report the fact that you speed to the authorities then people's perspective would change. DRM is the same."
There are two key problems that his analogy brings up. First of all, consumers would obviously resist this hypothetical speed tracking hardware. Perhaps something like this will be implemented some day, perhaps not. But it will surely be fought, and rightly so. Until the Supreme Court overturns Roe v Wade and we lose our constitutional right to privacy, that is.
But the real difference is that speeding is often an issue of life and death, both for the driver and for everyone else on the road. Piracy isn't even remotely analogous. Even if the industry could prove that piracy is hurting them so much, the "hurt" here is loss of profit. I apologize for not sympathizing with your pain, my rich corporate friend.
"The technology is a part of a balance that is struck with the consumer. The creative community distributes high quality digital content and the consumers accept that they can't randomly and wantonly redistribute that high quality digital content."
As a consumer, I do not accept that I can't randomly and wantonly redistribute their content. He's talking about how he wants things to be, and then he characterizes consumers as agreeing with him. Someone needs a reality check.
Although I do like his use of the word "stuck". Personally, I like to think that a bargain is only good if one side is getting shafted because they lack the legal and legislative resources to stand up for themselves.
"Cornflakes are not the innocent critters they seem"- Sterling Morrison
"We are committed to making sure that the digital distribution of content is a reality."
.mp3 file, or you can deliver that clean .mp3 file yourselves, gain some good publicity from that and get more from people who'd rather buy a clean .mp3 than pirate it if possible.
It already is a reality, you just missed the boat by about a decade.
"For example, we are still trying to learn more about what people want for entertainment, how do the(y?) want it, and how we strike a balance that is fair and gives people choice."
I can answer that for you, we want it cheap (as in ALOT cheaper than CDs), easy to download and without DRM. That will stop a larger proportion of piracy than your existing methods of beating old and young alike with legal documents. I mean you basically have a choice, use DRM piss off a large proportion of your audience, however pirates will just strip the DRM away (don't be naieve enough to think that it won't be cracked) and it'll be shared as a clean
Garfield acknowledges that they do not have much of a grip on the file-sharing world as they would like to believe.
Well, yes, as proven by the fact that file-sharing still occurs.
qntm.org
Seriously, are they really that out of touch with reality or is it a smokescreen to cover up even more malice towards us?
"We want to tell stories about fantasmigorical pirates not spend much of our resources on fighting piracy. It should come as no surprise to you that every studio is committed to making movies and television shows that people love and are willing to see. Some times we are successful, but when we are it is not from a lack of trying. No one gets up in the morning and says today 'I am going to make a really bad movie.'"
They say are committed to making movies and television shows that people love and are willing to see, but usually they have run out of ideas and just remake the television shows into movies that will make money.
For example, which one of these bombs would you say was a good idea?
The Dukes of Hazzard?
Starsky and Hutch?
Fat Albert?
Lost in Space?
The Mod Squad?
Scooby Doo?
I was not willing to see any of them, but I guess Hollywood is in a creativity crisis and the MPAA is not helping.
Nobody gets up in the morning and says I want to make a bad movie, but they DO get up and say I want to make a movie that will make a reasonable profit regardless of the insipid and tedious script.
He who knows best knows how little he knows. - Thomas Jefferson
...because when I first say the headline I thought it said they had interviewed Garfield the cat.
Coder's Stone: The programming language quick ref for iPad
Identifying the scope of the commercial versus the open source problem is no easier than discerning real data on p2p usage.
Ah, yes. Those problematic open source P2P authors.
Mr. Garfield, I like hacking on P2P software. You can sic attorneys on every visible open source P2P author, and all that will happen is you will drive people underground -- and you don't need much of an underground to write all the software that anyone could ever use. You aren't going to manage to stop the production of open source P2P software.
Perhaps you'd like to look at Microsoft, Mr. Garfield. Microsoft has greater annual revenues than *all your member studios put together*. Microsoft has *clout*.
Microsoft wasn't able to quash open source development, despite spending an awful lot of money and effort on it, Mr. Garfield. I'm going to give you *very* slim chances of succeeding where they failed.
What are you going to try? PR? Microsoft did that. They called Linux a virus. They said it exposed users to liability. They said that it was insecure, and that it was *communist*, Mr. Garfield. It didn't work.
How about legislation? Maybe, if you're *really* lucky, you can manage to pay enough legislators to vote in laws criminalizing the production of software that is used to cause greater than some degree of purported damages. I don't think that you can manage that -- you'd face opposition from a lot of tech types, and a number of legislators have noticed that people don't *like* stories in the newspaper about nine-year-old girls being sued for thousands of dollars. But let's say that, despite all that, you manage it. There are a *lot* of open source programmers overseas, Mr. Garfield, and software does not understand national boundaries. The US government made export of encryption code illegal due to national security concerns for a long time. What happened? Encryption development and distribution continued, from overseas. It didn't do any good. You can't quash software development.
You going to try to track down all the people copying software and music and movies down? Mr. Garfield, one of the primary functions of a computer is to reproduce and distribute data quickly and accurately. There is *huge* demand for this, demand which far exceeds and outweighs any demand for entertainment. They have a device which does *exactly* what you don't want. There are *too many people* that want to be able to copy around movies for this to work.
How about a technical solution, Mr. Garfield? You spent plenty of effort trying to lock up DVDs -- that didn't work (you excluded Linux from your supported platforms, which was pretty stupid and put a lot of very smart Linux-using techies and crypto types to work on the problem, but even if you hadn't, it wouldn't have lasted long). You want to try again? Well, there are a lot of security types who would love to take your money and can guarantee you the moon, but it isn't going to happen.
You want to try keeping digital data from becoming analog? Good luck.
You want to try keeping analog data from becoming digital? This is a new, interesting one. You're now trying to plug a hole that requires *one* person with *one* analog-to-digital encoding device somewhere in the *world* per movie. It makes no more sense than trying to use CSS to keep people from getting at DVD content. It's just not a feasible approach.
I know that this is a really appalling concept, and one that you probably don't want to entertain. But it is possible -- just possible -- that your only solution is to reduce costs to where the convenience and guaranteed quality of buying your product from you outweighs the inconvenience of pirating. That means that you have to trim all your excess fat. That means that maybe you can't spend hundreds of millions of dollars producing and marketing a movie. Maybe you can't *have* actors that get tens of millions of dollars for every work. Maybe you need to use CG, and can't afford to recompen
Any program relying on (nontrivial) preemptive multithreading will be buggy.
That is from Slyck! Last time I checked those technologies did things like disabling HD output unless you are using HDMI (with support for a no-copy flag). WTF?!? Not only are most HD displays manufactured to this date lacking an HDMI input, but such technology eliminates my FAIR USE RIGHT to make a full quality backup! What kind of a sell-out crappy-ass solution is that?
If you want to make sure I never pirate content here are a few tips:
Once these requirements are met, all my media will be obtained 100% legally because it will just make sense!
I am willing to pay a reasonable amount for convenience, quality, and flexability.
I find laziness to be an excellent motivator.
but I own a computer repair store in a town of about 5,000. I am the only one. I do not support DRM or anything with 'Trusted Computing', and NEVER will, for that matter. When someone asks what they should use to get music, I point them to Limewire. I preload Limewire, FireFox, AVG, Nero OEM, and Ad-Aware, on all the PCs I sell. I put the burdon of DRM reactions on the MPAA, RIAA, and those who sell broken music that violates my customer's fair use rights. When a customer has a Sony rootkit problem, I fix the problem, then give them Sony's number for their corporate office, and the number of a good lawyer. If a customer has music with DRM attached to it, I have tools to strip the DRM from the songs, then re-encode them into mp3 format. I now have 3/4ths of the town's file sharers on limewire, and am going strong. I don't put ANYTHING on a customers computer that restricts what they can, and cannot do with THEIR OWN machine. Untill the entertainment industry gets their act together, and stops infecting people's private property with viruses, and spyware, lobbying our elected officials, and continued cyber-terrorist activity, I will continue to recommend Limewire, and fight them with what resources, and influence I have. And at the moment Mr. Garfield, my business is expanding, fast, and vastly increasing.
When government fears the people, there is liberty. When the people fear the government, there is tyranny. - Jefferson
BitTorrent
Slyck: With your outreach to Bram Cohen, it appears that you are trying to bridge the gap between file-sharing developers and content providers. How do you think this interview can bridge the gap between file-sharers and the MPAA?
Garfield: "Stereotypes are often borne out of silence and a lack of understanding. (understand us, we're greedy) This dialogue, as well as our work with Bram and others, is aimed at creating greater understanding through conversation and action. (or coercion)
"The motion picture industry is working aggressively (aka, threatening to sue people) to take advantage of ( or exploit) wide array of digital distribution platforms (aka universal controll) and to provide consumers (aka coerce into using) a wide array of legitimate (aka, we can strangle you with content controlls) options for enjoying movies and television shows. Slyck is a great venue for sharing our plans (aka siezing controll) for the digital future and gaining feedback."
Legislation
Slyck: Do you feel that the future of your industry will better be served by legislative means only or through negotiated compromise and cooperation to eliminate the sources of first run high quality pirated material?
Garfield: "Even in the movies it is rare that silver bullets truly work. (aka we make crapy content most of the time) Our strategies for addressing the promises (of total controll) and pitfalls (loss of monopoly) of the digital age are and have to be multi-faceted. In some instances our solution (coercion) will be legislative (bought off)in others it will be based on negotiated compromise (lawsuits). It is worth noting that those two principles are not mutually exclusive. It is often said that the legislative process is like making sausage - - it is a messy compromise. (no 100% monopoly) Even where we go down the legislative route there is always a lot of dialogue and compromise." (and payola)
Thinking that this implied a reluctance on their part to litigate, we then asked; Does the MPAA feel its legal actions, on behalf of its member companies, helps or deters transition P2P users to legal alternatives?
Garfield: "We think that it helps to move P2P users away from the illegitimate (ones that we can't monopolize) systems. When people understand that the risks and costs of engaging in this conduct are significant many of those people will stop. (so death threats are next) Not everyone does change their behavior and right now we are having the unintended effect of helping to move people from one illegal service to another. (oops) LimeWire has recently soared in popularity (it has? is this a trap?), because of the closure of other illegal P2P services. That is not lost on us. We are working on strategies to address that problem. (perhaps physical torture and violence?)
"Moreover, as we roll out more and more legitimate alternatives ( that we can monopolize) we will also have a greater impact (ream people for more overpriced content). We also know that many people, not Slyck readers but others, don't often recognize that downloading and posting movies via some P2P groups is illegal (they don't care) and some parents don't know what kinds of things their kids are doing on line. ( aka - consider suing the parents too) It is our hope that these suits will raise community awareness to piracy (boarding ships and murdering people? NOT! ) and its consequences (our cartel gets broken) and I think our legal actions help to achieve that goal." (to restore the cartel)
Statistics
Given that few would support commercial piracy, and given the poor publicity over the use of DRM, how much of their problem is directly caused by commercial piracy?
Garfield: "We are studying that issue, but do not have a real answer. Identifying the scope of the commercial versus
Hackers and the user community are always one step ahead of the RIAA and MPAA.
It's nice that you move directly from a recreational activity that (might) harm the person who engages in it and no one else, to an activity that prematurely ends another's life ... good to see we all have a little perspective here on /. ...so it's not so obious to people that it should be illegal, which is why there is relatively high use and even countries where it is actually legal... where exactly is murder legal or tolerated?
I actually think the analogy isn't too bad: The only reason that pot is illegal and alcohol & tabacco aren't is pretty much an accident of history. There's no actual reason to distinguish between these drugs (and they are all three drugs, but only two are legal).
If you think imaginary property and real property are the same, when does your house become public domain?
He accidentally wrote "working aggressively" instead of "failing to".
it's a blue bright blue Saturday hey hey
...or that they can come up with a cheap technical fix which will roll back the clock all the way to LPs, where you couldn't make copies at all without permission.
On the contrary, taping your LPs was legal and accepted. All of us geezers (especially nerdy geezers) did it. Bring a blank cassette to a friend's house, tape his new album.
When I bought an album, it got played exactly once, and taped as it was being played. The cassette sounded nearly as good as the LP, even on good equipment, and a lot better than the LP sounded after it had been played (and dropped) a few times at drunken partys. When the cassette got eaten, record a new one.
I do that with my CDs now; no way would I take a factory CD (especially of the limited edition indie CDs I buy) in the car.
These days they have DRM, where nobody but a nerd (or a kid with a sharpie or a finger to hold the shift key down with) can make more than nn copies of their CDs.
You should google k5 for "birth of a label sanctioned pirate radio station" (I think that was the name).
That's truly dumb. Educating parts of the market by beating people with a piece of legal two-by-four is not productive. Advertise, promote, share information and engage with the people you're trying to reach is healthier and more likely to create understanding.
And how is the MPAA supposed to deal with people who are fully aware that copyright infringement is illegal? You can "advertise, promote, share information and engage" with such people forever, and they'll still pirate copyrighted material. The Slashdot community constantly argues that if the MPAA/RIAA offer legal movie/music online stores and advertises against piracy, it will stop. It's time to face up to the fact that a lot of people out there are simply breaking the law and are fully aware of it. Copyright infringement is a civil offense, which means copyright holders (e.g. MPAA) are responsible for enforcing their copyrights; and when they do enforce copyrights, Slashdot starts criticizing them for it. I know the MPAA/RIAA has done things that are questionable to say the least (the recent Sony DRM debacle being a perfect example), but I don't see why their primary philosophy, that copyright holders should be able to enforce their copyright, is being attacked.
I have discovered a truly remarkable proof of this theorem that this sig is too small to contain.
In Sweden DVDs might be 199-249sek for new and well known movies (currently Fantastic Four, SW ep3, Batman Begins). A sek is 7.95 usd at the moment, so that's 25-30 usd for a movie here.
Then they usually drop to 149sek and stay there if the movie is good (same with games). If they're really old or not that good, they drop to 89sek or '2 for 99sek' after half a year or so.
The Chair Corp. comic(*00-12)
I think he didn't mean open source was a problem, but the task of getting accurate numbers on OSS usage data. i.e. how many Linux installations there are vs. the number of Windows installations. (Due to the nature of Linux distribution, there is no accurate way to count exactly how many are using it.) I think he's saying they have the same problem with P2P vs. legit distribution - they have no way of gaining any remotely accurate statistics about exactly how many people are doing it. In short, he was using the example of getting accurate statistics on open source usage to illustrate the sort of problems with trying to get accurate P2P numbers.
retrorocket.o not found, launch anyway?
This tells me that they don't want to persue the people in the industry who are actually leaking the content. They don't want to litigate against thier own. They'll sue a little girl, but not some lacky that works in the industry. You'd think that they'd be interested in at least tracking the propagation path. Hell I'd be interested in that.
On a different note, I'm a movie junky. When a new movie that I really want to see I want to see it on a big screen with an awesome sound system, with my redvines, popcorn, and cherry coke. My roommate actually got a pre release of Ep.1 and I refused to watch it on his 21" computer monitor at VCD quality. It would ruin the experience.
What I don't like it the whole "event" marketers try to create (one of my bigest pet peeves about Apple as well). When it is ready to release, f*cking release it!!! The artificial scarcity only makes me annoyed, sometimes pissed off enough to hold out buying it, sometimes violate copywrite as a means of flipping them the bird. Don't treat your customers like imbeciles (even if they are).
"It's because they're stupid, that's why. That's why everybody does everything." -Homer Simpson
Last night I was having dreams that were a bit like twisted news coverage. There were reports of corrupt elections, training grounds terrorists had used were discovered, human rights were restricted - gays couldn't marry and women were having rights threatened. The Canadian military was moving into Florida in an attempt to free the people. Judge Judy had sentenced corrupt FDA leaders to take massive doses of laxatives, and had sent the CEO of Diebold to a cage at the zoo to be with some very aggressive animals during mating season. International protests were covering the actions of Sony and a major drug company. After complaints of flu shots being more painful than usual this season, it was discovered that they'd secretly been injecting us with RFID chips. Sony had secretly been shipping CDs and DVDs with RFID chips in the plastic, and the bio-data of the purchaser was linked to the serial numbers in the media as purchasers passed through scanners by store exits.. People who'd attempted to use their media in an unauthorized way were mysteriously dying. It turned out that when players of net-enabled Xbox and Playstation games were shooting opponents, they were killing those who'd put discs in their PCs as their shots triggered toxic releases from the in-the-flesh RFID chips. Sony executives denied any connection to the terrorist conspiracy (the plan to stick their asses outside and simultaneously fart in the direction of Washington D.C. at 12 midnight on New Year's Eve was unrelated), saying that they weren't the ones doing the shooting, and they were simply keeping people in line while giving gamers the realism they wanted.
Just then I woke up, MPAA president Dan Glickman, was on the Tavis Smiley show on PBS. He confessed that theatre attendance was down, partly due to a shift to DVDs and partly due to consumers not finding the movies compelling enough. The following segment didn't explicitly say that the music industry was lacking great new artists and material, but it featured members of Earth, Wind and Fire whose legacy status was reflected by the line "from 8-track to iPod".
I'm no law student, but according to a lawstudent friend of mine there's actually a huge difference(we've debated the fair use subject again and again).
check item 16. @ http://copylaw.com/new_articles/fairuse.html
They can do what they want, say what they want but I will never ever pay a dime to the music/movie industry after all the shit they done.
The MPAA has announced that it has taken "Slyck" hostage, commenting "you'll get him back once all P2P filesharers have turned themselves in."
" It is often said that the legislative process is like making sausage - - it is a messy compromise"
The actual quotation is "Laws are like sausages, it is better not to see them being made" and it's attributed to Otto Von Bismarc.
So the MPAA dpesn't us watching the legislation they push through Congress. That way we're completely ignorant of the destruction of our online rights in regard to information sharing. Cute.
Only two things are infinite, the universe and human stupidity, and I'm not entirely sure about the universe - Einstein
I am sorry to point out that my bubble is still intact, unburst, but:
"Roe v. Wade, 410 U.S. 113 (1973), was a landmark United States Supreme Court case establishing that most laws against abortion violate a constitutional right to privacy, overturning all state laws outlawing or restricting abortion."
That's the very first sentence of the wikipedia entry on Roe v Wade.
"Cornflakes are not the innocent critters they seem"- Sterling Morrison
The various ..AAs of the world should take a page out of the lawmakers' books. When a proscribed activity beomes so widespread that enforcement of a prohibition becomes impossible, both politically and effectively, then sensible Governments legalise, regulate, and tax it. I'd like to see the content creation industries face up to the fact that their best option is to not only run their own BitTorrent trackers and seeds, but also to license others to do so. I just so happen to like content which at least attempts to exercise the brain cells, yet there is none on TV where I live. I therefore get my miniscule ration of programmes over the Internet via index sites which specialise in my kind of content. I would have no problem with having to pay a small fee to view the material I like to watch. Ideally, for convenience, I would like to see the various fees being collected by my ISP as part of my regular bill in return for accessing a BitTorrent tracker & seeds not only on their local network, but also any other licenced provider. Just like my ISP provides e-mail facilities. Note that I _*DO NOT WANT*_, nor am prepared to pay for, any content which has been ruined by being riddled with parasitic advertising messages.
Transcript: Dan Glickman, Tavis Smiley
Tavis Smiley: Good evening. From Los Angeles, I'm Tavis Smiley. Tonight, a conversation about the state of the movie business with Dan Glickman, chair and CEO of the Motion Picture Association of America. The former Kansas congressman heads up the MPAA at a crucial time. He must contend with increasing concerns about sex and violence in movies, DVD piracy and the continuing political debate over Hollywood's perceived liberal bias. Dan Glickman must also fill the large shoes left by Jack Valente who was Hollywood's top lobbyist in Washington for 38 years.
Also tonight, from the legendary R&B group, the Elements, "Earth, Wind & Fire," Verdine White, Philip Bailey and Ralph Johnson stop by. This fall, the Rock & Roll Hall of Famers are out with their 23rd and latest CD, called "Illumination." We're glad you've joined us. That's all coming up right now.
Announcer: "Tavis Smiley" is made possible in part by Toyota, makers of the 2006 Toyota Camry. Toyota, now, that's moving you forward. This portion of "Tavis Smiley" is brought to you by Wal-Mart. We embrace diversity and strive to uphold its ideals for our customers and our associates. We are committed to our community partnerships, and we are an equal opportunity employer. And by contributions to your PBS station from viewers like you. Thank you.
Dan Glickman
Learn more about this guest.
Tavis: Dan Glickman is the chairman and CEO of the Motion Picture Association of America, although tonight we will call him the opening act for "Earth, Wind & Fire." He took over at the MPAA following Jack Valente's 38-year run as Hollywood's top lobbyist. Prior to his new post, he served in the House of Representatives for nearly 20 years, representing his home state of Kansas. From 1995 to 2000, he was US Secretary of Agriculture, you'll recall, under President Bill Clinton. I'm pleased to have him here in LA. Mr. Glickman, nice to have you here, sir.
Dan Glickman: Thank you, Tavis.
Tavis: How does it feel to be opening act for a group like "Earth, Wind & Fire"?
Glickman: I'm just shaking in my boots, actually. I hope I don't hurt their routine.
Tavis: Yeah, I'm sure you won't, sure you won't. Let me start, before I get to the MPAA, with the news of today. You are a former member of Congress, former member of a presidential cabinet. Today's big news, Tom DeLay has been indicted. The Majority Leader has to step down at least temporarily while these charges go forward. What's your sense of what this does to politics in Washington, Republican politics, what Democrats are going to make out of this? A lot of heat on Tom DeLay for months now. And today he officially has to step down.
Glickman: Well, I actually served with him for a period of years when I was in the House. It's not good when any public official, Republican or Democrat, gets indicted. It further diminishes the public view of public officials, whatever party they are. And I don't know enough about the facts. I think that will have to run its own course. I do think that this is kind of a symbol of excessive amounts of money in politics. I mean, politics today involves just this frenetic search for money by anybody in office or running for office.
And I think that this is the kind of the natural evolution of what happens when people rush too hard to race for the dollar. Again, not knowing the facts, we'll have to watch how it turns out. But you know, I'm sure that it's not going to make people feel better about politics in this country. But look, if he committed a felony, he'll have to pay for that.
Tavis: In light of this indictment, and many before it, certainly, Republican and Democrat to your point, in light of Hurricane Katrina and the ongoing debate about what the government did not do and how they did not respond quickly enough, FEMA hearings for Michael Brown earlier this week, I wonder whether it is your sense that the public trust in the integrity of our body politic is, in fact, eroding
I think you could write some sci-fi stories....