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Norway Liberal Party Wants Legal File Sharing

dot-magnon writes "The Liberal Party of Norway (Venstre) passed a unanimous resolution that advocates legal file sharing. The party wants to legalise sharing of any copyrighted material for non-commercial use. It also proposes a ban on DRM technology, free sampling of other artists' material, and shortening the life span of copyright. The Liberal Party is the first Norwegian political party, and the first European mainstream political party, to advocate file sharing. The Liberal Party's youth wing proposed the resolution."

563 comments

  1. Software? by Whiney+Mac+Fanboy · · Score: 2, Interesting

    It also proposes a ban on DRM technology

    The article only mentions music - what about software? Would Apple and Microsoft have to provide DRM-free versions of their operating systems?

    --
    There are shills on slashdot. Apparently, I'm one of them.
    1. Re:Software? by tehmorph · · Score: 1

      Let's hope so. How about hardware, too? I can see that being a nice way to turn Norway into a haven for the computer underworld in the not-too-distant future.

      --
      Could not open .sig for reading- sanity error
    2. Re:Software? by pv2b · · Score: 4, Informative

      This probably got addressed already, but Apple only provides DRM-free versions of their operating system.
      Mac OS X contains plenty of DRM. FairPlay technology which restricts copying of songs purchased through iTunes (or more precisely, prevents playback unless the DRM technology is used to unlock the file).

      The DVD player software contains DRM software (though thoroughly ineffective, DVD-Jon has seen to that).

      I've also heard there may be some DRM in OS X to prevent hackers from running Mac OS X on a generic PC -- but I'm not clued in on that area sufficiently to make a positive assertion of that.

      Sure, you can argue that the DRM isn't active unless you have DRM:ed files, and it's the files that are the problem, and not the OS itself -- but the fact is that the DRMed files wouldn't be there if they weren't supported by software.
    3. Re:Software? by Kjella · · Score: 5, Informative

      The actual resolution is quite more general, it uses the word "åndsverk" which can be translated pretty much to "copyrightable work". E.g. our copyright law is called "åndsverkloven".

      Their english translation:
      "Ban DRM: The Liberal Party states that anyone who has bought the right to use a product needs a technologically neutral way of using it. This means that distributors can not control how citizens wish to play back legally bought digital music. The Liberal Party wants to prohibit technical limitations on consumers' legal rights to freely use and distribute information and culture, collectively known as DRM. In cases where a ban on DRM would be outside Norwegian jurisdiction, products that use DRM technology need to clearly specify their scope of use before they are sold."

      Trying to stay very literal:
      "Ban against DRM: The Liberal Party is of the opinion that all that have bought the right to use a copyrightable work must have technology-neutral opportunities to use that copyrightable work as one wants. This means that producers and deliverers of technology can not control how citizens for example should play back the music that they have bought. The Liberal Party will therefore prohibit socalled DRM (Digital Rights Management), which are technical limitations to limit the consumers' legal right to freely copy and use information and culture. In those cases where a ban is outside Norwegian jurisdiction, products that contain DRM technlogy shall be clearly marked."

      Worse English, but it preserves a little more of the meaning.

      --
      Live today, because you never know what tomorrow brings
    4. Re:Software? by Jugalator · · Score: 1

      If DRM is outlawed so the operating systems' protective features won't even have to kick in, does it really matter practically?

      I mean, a copy of Vista playing mp3's or DVD's from Pirate Bay won't begin starting up its DRM junk.

      --
      Beware: In C++, your friends can see your privates!
    5. Re:Software? by Whiney+Mac+Fanboy · · Score: 2, Interesting

      but Apple only provides DRM-free versions of their operating system.

      Really? Apple sells a version of OS X that I can run under vmware? I guess the osx86 project can shut down now.

      --
      There are shills on slashdot. Apparently, I'm one of them.
    6. Re:Software? by jZnat · · Score: 1

      I would guess that Apple would need to remove the DRM bits from their software they distribute with Mac OS X (namely the DRM crap in QuickTime). Microsoft, on the other hand, would have to rewrite Vista again in order to appease our DRM-hating overlords.

      --
      'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
    7. Re:Software? by 3vi1 · · Score: 3, Funny

      Damn... When I started to read your post, I thought for sure it was going to say: "If DRM is outlawed, only outlaws will have DRM".

    8. Re:Software? by Anonymous Coward · · Score: 4, Informative

      There's a kernel module called "dontstealOSX" which stops you from running it on a non-Apple box. Unloading the module causes OS X not to run.

      I'm not joking, either.

    9. Re:Software? by FigTree · · Score: 1

      It could be that way because the only versions of Intel OSX are versions that come with the computers. Maybe this will change with Leopard (not counting on it)? Still, they're no Amiga.

    10. Re:Software? by Hadlock · · Score: 1

      ...and nobody has reverse-engineered what this module does? If that's all that it takes to make OSX work on x86, then hell, write a new module that outputs the correct outupt regardless of hardware configuration.

      --
      moox. for a new generation.
    11. Re:Software? by corychristison · · Score: 4, Informative
    12. Re:Software? by Anonymous Coward · · Score: 0

      Mod parent informative?

      Ugh, damn mod points, always seem to have them when there's nothing good to mod up :\

      Thanks for the link/info dude(tte)

    13. Re:Software? by renegadesx · · Score: 0

      I wish I could mod someone down as an "Idiot" Who cops the DRM blame more than any company in existance? SCO?

      --
      Make SELinux enforcing again!
    14. Re:Software? by Johnny+Doughnuts · · Score: 2, Funny

      I've also heard there may be some DRM in OS X to prevent hackers from running Mac OS X on a generic PC -- but I'm not clued in on that area sufficiently to make a positive assertion of that. Yet I'm making this reply from my Athlon 64 x2 - running OS X 10.4.8.
    15. Re:Software? by NotInTheBox · · Score: 1

      While DRM is a form of incompatibility this does not mean that every form of incompatibility is DRM.

      Apple makes Mac OS X for their own hardware which is not just a generic PC.

      If vmware where to emulate a real intel Mac, Mac OS X would run on it. However... vmware does not, so Mac OS X does not.

      --
      What I cannot create, I do not understand
    16. Re:Software? by drsmithy · · Score: 1

      The article only mentions music - what about software? Would Apple and Microsoft have to provide DRM-free versions of their operating systems?

      DRM is an attribute of the media, not the player. Without DRM-encumbered media, the "DRM capabilities" of the player are completely irrelevant, as they are never used.

      Legislate away any possibility of DRM in the player and the market will move fairly quickly to eliminate the additional costs and complexity involved in implementing it in the players.

    17. Re:Software? by Whiney+Mac+Fanboy · · Score: 0

      You misunderstood my post.

      I'm not talking about the DRM in itunes/wmp that prevents you copying media content, but the DRM in the OS that prevents you from copying the OS itself.

      DRM is an attribute of the media,

      DRM is in both the media & the player. Pointing at one or the other is stupid.

      --
      There are shills on slashdot. Apparently, I'm one of them.
    18. Re:Software? by Whiney+Mac+Fanboy · · Score: 1

      While DRM is a form of incompatibility this does not mean that every form of incompatibility is DRM.

      Encrypted binaries that check hardware before allowing decryption is not incompatibility.

      Apple makes Mac OS X for their own hardware which is not just a generic PC.

      Yes.

      If vmware where to emulate a real intel Mac, Mac OS X would run on it. However... vmware does not, so Mac OS X does not.

      No, you have no understanding at all what the issues are here. Here's a cluestick to beat yourself with before posting in future.

      --
      There are shills on slashdot. Apparently, I'm one of them.
    19. Re:Software? by drsmithy · · Score: 1

      I'm not talking about the DRM in itunes/wmp that prevents you copying media content, but the DRM in the OS that prevents you from copying the OS itself.

      Which would be what, exactly ?

      DRM is in both the media & the player. Pointing at one or the other is stupid.

      No, it's not. DRM-encumbered media cannot play on a DRM-incapable player. A DRM-capable player, however, can play both DRM-encumbered and regular media.

      DRM is an attribute of the media. Take that away and the whole issue is moot. Take the DRM capabilities out of the player, however, and the customer will simply get another player, because it is a commodity and it is the media they are really interested in. Attacking DRM via the players is like trying to kill the Hydra by chopping off its heads.

      We have DRM because the companies making the product consumers want - the media - are able to dictate terms to the companies making the commodities - the players. Take out the reason for DRM-capable players and the companies selling the players will quickly drop it from their product lines, as it causes them nothing except increased costs.

    20. Re:Software? by Whiney+Mac+Fanboy · · Score: 0

      Which would be what, exactly ?

      Media. I guess my original post was clear enough. Your reply however led me to believe that you didn't understand that an OS is both player & content.

      A DRM-capable player, however, can play both DRM-encumbered and regular media.

      The way zune can play ITMS songs? The way ipods can play playsforsure content? I think the issue is not as simple as you think.

      Attacking DRM via the players is like trying to kill the Hydra by chopping off its heads.

      Not if it's done through legislation.

      --
      There are shills on slashdot. Apparently, I'm one of them.
    21. Re:Software? by mqduck · · Score: 2, Insightful

      Sorry for being off topic and stating the obvious, but HOW is running a copy of OS X you bought on non-Apple hardware stealing?

      --
      Property is theft.
    22. Re:Software? by Anonymous Coward · · Score: 1, Informative

      Sorry for being off topic and stating the obvious, but HOW is running a copy of OS X you bought on non-Apple hardware stealing?

      I believe that all boxed copies of Mac OS X are upgrade versions. Therefore, by installing OS X on a system that doesn't already have some version of Mac OS installed, you're violating the EULA.

    23. Re:Software? by vertinox · · Score: 1

      Mac OS X contains plenty of DRM. FairPlay technology which restricts copying of songs purchased through iTunes (or more precisely, prevents playback unless the DRM technology is used to unlock the file).

      I don't mean to be semantic (if that is even the right word), but Fair Play DRM is not built into OS X, but rather iTunes.

      iTunes does run on Windows after all and can even be removed on OS X if you really want to get rid of it for some reason.

      Secondly, FairPlay only comes into use when you buy from iTunes Music store. I don't have a single DRM mp3 on OS X at all.

      --
      "I am the king of the Romans, and am superior to rules of grammar!"
      -Sigismund, Holy Roman Emperor (1368-1437)
    24. Re:Software? by pv2b · · Score: 1

      To be even more semantic - FairPlay isn't built into iTunes. It's built into QuickTime. Removing QuickTime on OS X is non-trivial because it's seen as a core OS technology and as such is used by very many applications.

      You'd have just about as much luck removing QuickTime from OS X as removing Internet Explorer from Windows.

      That doesn't mean Apple or some industrious hackers couldn't rip out the part of Quicktime capable of playing DRM:ed files, though.

    25. Re:Software? by Bat+Country · · Score: 1

      The EULA for OS X says that it grants you a legal license to use the purchased software as long as it is installed only on an Apple-branded machine.

      Violating that term invalidates your license, and therefore, you'd be operating the software without being legally allowed to.

      Equivalent to you renting a car under the condition that you wouldn't drive it to Canada, then driving directly to Canada. Even if you paid for it, what you just did was in direct breach of contract and invalidates your contractual agreement with them.

      Then in theory, you're driving a stolen car which you paid for the privilege of using.

      Also, Apple doesn't sell operating systems, just computers which have their operating system on it. You can't buy a standalone OS X.

      I think I should be able to install OS X on any old p3 I've got laying around, but unfortunately, that's how they chose to work their license.

      --
      The land shall stone them with the bread of his son.
    26. Re:Software? by drsmithy · · Score: 1

      The way zune can play ITMS songs? The way ipods can play playsforsure content? I think the issue is not as simple as you think.

      It is. The difference is that I'm talking about general concepts and you're moving the goalposts and picking out specific implementations to try and construct a semantic argument.

      DRM scheme 1 vs DRM scheme 2 is a different discussion to DRM vs non-DRM. The former is a matter of whether or not a player supports a particular DRM _scheme_, the latter is about whether it supports DRM *at all*.

      Not if it's done through legislation.

      Yes, even if its done through legislation. DRM is an attribute of the media. The player can support dozens of different DRM schemes and they're all completely irrelevant if the media doesn't activate any of them. If you legislate against DRM-capable players, all you do is create yet another level of incompatibility and confusion in the market, forcing consuemrs to go out and buy more hardware and hardware manufacturers to change their products (again). Plus they have to deal with all the other markets that haven't enacted such legislation. If you legislate against DRM-infected media, no-one except the content producers has to do anything, or bear any costs.

    27. Re:Software? by Whiney+Mac+Fanboy · · Score: 1

      The difference is that I'm talking about general concepts and you're moving the goalposts and picking out specific implementations to try and construct a semantic argument.

      DRM implementations inevitably lead to imcompatability. The difference between theory & practice is perfectly relevant in the real world.

      If you legislate against DRM-capable players, all you do is create yet another level of incompatibility and confusion in the market, forcing consuemrs to go out and buy more hardware and hardware manufacturers to change their products (again).

      No, you get exactly the same result as if you legislate against DRMd content. You'll end up without DRMd content or players preceeded by a period of incompatibility and confusion in the market.

      --
      There are shills on slashdot. Apparently, I'm one of them.
    28. Re:Software? by Anonymous Coward · · Score: 0

      Sweet I am moving to norway if Canada keeps trying to ban my internet and control my tv and become some sort of police state. Norway is where all the good Metal is from too, like Mithril, and Charon.

  2. What? by gravesb · · Score: 5, Insightful

    The political process working for the people?

    --
    http://bgcommonsense.blogspot.com
    1. Re:What? by Anonymous Coward · · Score: 0

      Yep, working for the people who want to get stuff for free.

      Now the people who aren't going to get paid for their work... that's a different matter entirely.

    2. Re:What? by EyelessFade · · Score: 2, Informative

      Looks like I have to vote Venstere and Sponheim next election year :)

    3. Re:What? by pv2b · · Score: 5, Interesting

      Yep, working for the people who want to get stuff for free.

      Now the people who aren't going to get paid for their work... that's a different matter entirely.
      This mentality is behind a lot of misconceptions when it comes to pirate politics.

      As Pirates (I am a member of the Swedish Pirate Party) we believe there is no inherent right in getting paid for copies. We do however believe in a right to charge for performing a work.

      If artists who are out to make money stop producing due to copyright reform -- good riddance. There'll still be plenty of music and culture left, just as there has always been.

      To take one example, in the Music Industry, even the big labels don't see recorded music as a product any more -- but rather as advertising for other events and products.

      The fact is that technology for unlimited copying is here -- and the laws preventing private exploitation of this technology are outdated and counterproductive. With new technologies, people and products are made redundant. This happens all the time -- today nobody sees the sharp decline in sales and production of horse-whips after the widespread adoption of the automobile as a bad thing for example.
    4. Re:What? by Anonymous Coward · · Score: 3, Insightful

      Except that:
      1. Music isn't the only thing that can be copyrighted. Movies can't exactly be performed live and neither can software.
      2. Since the invention of the printing press there has been technology for nearly unlimited copying save for a small cost for the actual copy. The xerox allowed for private individuals to make copies. Copyrights exist exactly for this reason, saying technology makes it pointless means you don't know the first thing about them.

    5. Re:What? by Marcion · · Score: 1

      It is all that Salmon they eat, makes them smarter and ahead of us lot.

    6. Re:What? by Kjella · · Score: 4, Informative

      Wait until they actually do it first. They're not in government at the moment, and there's a small thing parties that get into power tend to do, I call it a 180 turn. They only have something like 6% of the votes, so even if they still want to, it could die in coalition talks. And beyond that, through the EEC agreement we're bound to implement EU directives like the EUCD, which noone thought was a good idea really. Good sign? Yes. But it's a looooong way from becoming reality.

      --
      Live today, because you never know what tomorrow brings
    7. Re:What? by CRCulver · · Score: 4, Insightful

      Movies can't exactly be performed live and neither can software.

      Movies will still survive through private patronage or government subsidies. A number of important films that are acclaimed as triumphs of cinema were not expected to generate any profit, but the auteur was able to secure funding by people who appreciated his vision. And as for software, the point of the OP remains. People might not necessarily be paid for the duplication of software, but they may nonetheless be paid for its creation. Look at Google sponsoring Free Software projects.

    8. Re:What? by Khaed · · Score: 2, Insightful

      So how exactly is an author supposed to get paid for writing a book? In the case of books, the only performance is the initial writing.

      There's already not much money in writing, unless you're named King or your initials are JKR.

      It takes a long time to write, for example, a good fantasy or sci-fi novel. Yet they could be reproduced costless digitally.

      Books are generally written by a single person, so it would take a very long time to write a book and work full time (which can be seen in the cases of authors who have to do that), which reduces the number of books a person can write in a lifetime.

      How about, and this is really revolutionary, if you want to enjoy someone's work, you kick some money their way so they can continue to produce the things you enjoy?

      Basically, you just don't want to pay for stuff because it can be copied cheaply/freely.

    9. Re:What? by bhirsch · · Score: 1

      Then can you explain why companies holding intellectual property try to prevent its theft? They pay money to create something that can easily be copied, why should they not have exclusive rights on its distribution? Why should you have a right to such intellectual property for free? Just because you want it and claim that protecting it is as outdated as a horse whip?

    10. Re:What? by pv2b · · Score: 5, Insightful

      Except that:
      1. Music isn't the only thing that can be copyrighted. Movies can't exactly be performed live and neither can software.
      2. Since the invention of the printing press there has been technology for nearly unlimited copying save for a small cost for the actual copy. The xerox allowed for private individuals to make copies. Copyrights exist exactly for this reason, saying technology makes it pointless means you don't know the first thing about them.


      There's a big difference between the printing press, the xerox machine, and file sharing.

      The printing press meant that organisations could suddenly print large numbers of copies of a single work. Production of copies wasn't the largest cost any more, it was the actual production of the content. Rightly, copyright was instated to prevent other bookprinters from profiteering off somebodyelses work. To this day, the Pirate Party does not condone or support copyright infringement for commercial gain.

      The Xerox machine was a revolution in copying technology, but was very limited in its scope. It took considerable work to copy books with a xerox machine. It's self-regulating in that way. There wasn't really any pressure to update copyright laws because the societal impacts of the Xerox machine weren't nearly significant enough.

      With file sharing and the Internet, suddenly anybody can make infinite copies at neglible cost of any information that can be stored digitally.

      This is a *good thing*, and is a fact of life -- and the status quo can't be maintained through outdated legislation.

      You make good points that making money off movies might be hard in the future, but the fact is that the big bucks in movies comes from movie theater tickets. The DVD sales are just extra cream on top, and those crappy cams and telecines you see on file sharing networks are definitely no substitute for the real thing.

      Sure, DVD sales may diminish, but that's always been extra cream on top -- not the main bottom line.

      Either way, if you start trying to charge for something that's more convenient than file sharing, they will come. It worked for All Of MP3 (shady non-compensation of artists aside), and it would work for the movie industry too. I for one would rather pay a few dollars to watch a movie in DVD-quality using streaming downloading (entirely possible with technology today) than having to wait a few hours to get it off bittorrent. Instead, the content industry has made their own "legitimate download" services more cumbersome than the illegal alternative, and it'll be their undoing.
    11. Re:What? by LaughingCoder · · Score: 0, Troll

      Government subsidized movies. Oh boy! I bet those will be entertaining (/sarcasm).

      --
      The more you regulate a company, the worse its products become.
    12. Re:What? by emilv · · Score: 5, Insightful

      A big part of the Swedish movie industry is funded by the government.

    13. Re:What? by Khaed · · Score: 3, Insightful

      Movies will still survive through private patronage or government subsidies

      Please God, no. The last thing I want is for the government to be paying for movies to get made. There are a lot of movies made that absolutely fucking suck and I don't want tax dollars going towards subsidizing that. Or music, or books. I don't like it when the government bails out farmers or airlines, either.

      If the government pays for movies to get made, not only are you paying for the movies you like, but you're paying for every movie that you think stinks. The idea of the next Gigli coming out of taxes is horrid. and I've seen the way governments run things, if the government made movies, most of them would be Gigli quality with a Waterworld budget.

    14. Re:What? by pv2b · · Score: 1

      Exactly. So if you expect to get paid, don't go writing a book. The starving author is a staple stereotype of today's society, and it isn't because evil pirates are going around xeroxing his book.

      Making money on books is *hard*, even today, and that hasn't stopped people from writing books.

      So what is it that drives these people to write, even though they almost certainly won't get paid? Probably not copyright.

      Creativity needs outlets, and they'll always exist. Why do you think there's so much great free stuff on the Internet? Free software, free music, entertaining webcomics, and even the occasional interesting blog. I've even read a few books published on the Internet.

    15. Re:What? by Khaed · · Score: 1

      Except I'd rather the authors I like not have to write in their spare time and on lunch breaks. I'd rather they get paid to write, and then have more time to write their books. From a purely consumer standpoint, the idea of less quality books irks the snot out of me. I read voraciously. I don't mind paying for books.

      And there's also a lot of crap free stuff on the internet. People who would never normally be given an outlet, and I have to wade through them.

    16. Re:What? by pv2b · · Score: 5, Insightful

      Then can you explain why companies holding intellectual property try to prevent its theft? They pay money to create something that can easily be copied, why should they not have exclusive rights on its distribution?
      If you actually go back and examine the logic of that statement it borders on the absurd.

      Are you seriously suggesting that if a company has a poor business model it's anybodies fault but their own?

      The companies holding intellectual property do just that, *hold* it. They're not on anybodys side but their own, in fact, I could argue that they're damaging to society.

      I see no reason to continue to support this "industry" based on reinforced outdated legislation. Do you really it's a good idea for a single company to have rights of redistribution to something that's so trivial to redistribute, that millions of people around the world are doing it without even batting an eyelid?

      We don't need the companies help to redistribute things any more. If they don't like it, they're welcome to take their profits, close up shop, and pull out. Culture will find its way without them, even better than before they arrived.
    17. Re:What? by CRCulver · · Score: 4, Informative

      Government subsidized movies. Oh boy! I bet those will be entertaining (/sarcasm).

      A number of European countries have the government subsidizing the arts. However, the government doesn't keep too much track of how the money is spent. Just look at IRCAM in France, a multi-million dollar music and acoustics research laboratory, generously funded by the French state, but whose musical output is entirely free of restraints. Similarly, much of Ingmar Bergman's films were made with state subsidies, and that didn't stop them from being considered masterpieces from film buffs and critics.

    18. Re:What? by Jugalator · · Score: 1

      Why aren't they going to get paid?

      Because people stop purchasing their music just because P2P exist and is used?
      Well, in that case, Britney Spears ought to be living on the streets by now, right?

      --
      Beware: In C++, your friends can see your privates!
    19. Re:What? by CRCulver · · Score: 4, Insightful

      Guess what, most European countries already have had governments subsidizing films for decades and decades, and the result has hardly been Gigli meets Waterworld. Try to remember that your country isn't the only one on Earth and that there are places out there where things are different.

    20. Re:What? by pv2b · · Score: 2, Interesting

      Except I'd rather the authors I like not have to write in their spare time and on lunch breaks. I'd rather they get paid to write, and then have more time to write their books. From a purely consumer standpoint, the idea of less quality books irks the snot out of me. I read voraciously. I don't mind paying for books.

      And there's also a lot of crap free stuff on the internet. People who would never normally be given an outlet, and I have to wade through them.
      True. 99% of everyting is crap. That includes the 99% of crap that get submitted to publishers on a regular basis.

      How do you propose we pay these aspiring big-name writers?

      The fact of the matter -- the problem of the starving author is here, not beceause of copyright law, but despite it.

      If you have a solution to solve it, great. Let's hear it, but it certainly doesn't have anything to do with copyright law.

      Finally, let me point out that neither Venstre nor the Swedish Pirate Party is proposing a complete abolition of copyright -- we just want to make it clear that it should only cover *commercial* exploitation of a work.

      Hardcopies of books will still sell, maybe even more if they're freely available on the net before purchase. I can count several books (of a technical nature) that I have purchased of hardcopies, even though the entire contents of the book was (legally even) available for free on the Internet. This is still not a solution to the starving author problem, but still...
    21. Re:What? by emilv · · Score: 1

      I don't know about you, but I have never read a book on a computer screen, nor have I had the time to print it out (I wouldn't want to read from thos printouts anyway. A book is much better).

      I know this is sort of a bad argument when there's digital paper under development. But then again, there will always be ways to earn money from what people want. You can sell it beforehand and tell your customers that it won't be any new book if they don't pay you. You can sell merchandising (I've seen a few web comics earning their living this way), or you could just trust me when I say that books won't go away any day soon.

    22. Re:What? by owlnation · · Score: 1

      Agreed, Governments need to stay out of any and all creative activities (creative accounting too, but that's wishful thinking....

      But there are other possibilities. There's no reason movies can't be done as performances - Rocky Horror Show being one example. Movies can still make plenty of money as free downloads from sites with ads (text based please). And special edition collectors DVDs will still sell for movies at the thin end of the distribution tail.

      (Note that under the proposed Norwegian system only the original producer has the right to make money from the product.)

    23. Re:What? by Khaed · · Score: 1

      Points taken. I don't think we completely agree, but I don't think we're as far from it as I did when I started my first reply.

      I have no problem at all with severely pulling back the current ridiculousness of the "IP" laws. Most of those are designed to protect stupid business models, and there's absolutely no reason for "author's life plus 99 years."

    24. Re:What? by Anonymous Coward · · Score: 0

      Britney Spears might as well be living on the street. Have you seen the way she's been living her life recently?

    25. Re:What? by Khaed · · Score: 1

      Oh, I know they won't.

      Not until reading digitally is much easier on the eyes.

      However, I'll always like actually holding the book. I don't know why that is, but it only seems to apply to books.

    26. Re:What? by OECD · · Score: 1

      Movies will still survive through private patronage or government subsidies.

      There's another option, one that we've already seen. Sell the 'bugs' on your show (those little ghosted images that are normally used for network ID.) Why advertise a network when you don't need one? Skip the network, get the advertisor to fund the project, and put his logo up in the bug's place. Then release it everywhere.

      Fun part is, the more copies that are made, the more bang the advertisor gets for his buck. Later, you can sell bug-free DVDs for the hardcore fans.

      This idea was brought up by an American scholar at an Aussie university, but I'm blanking on either name. I caught his speech on bittorrent a while back...

      --
      One man's -1 Flamebait is another man's +5 Funny.
    27. Re:What? by pv2b · · Score: 1

      Great! Imagine how boring the world would be if everybody were identical of opinion. So I'm glad we can agree to disagree, and even agree to some point. :-)

    28. Re:What? by Khaed · · Score: 1

      Yeah, but just remember, my ideas are mine until 99 years after I die.

    29. Re:What? by turbidostato · · Score: 1

      This article hides a very strong misconception. Maybe Norway is the first European country "...to legalise sharing of any copyrighted material for non-commercial use", but that's only because in most Europe cultural copyrighted material (everything but software, that is) is *already* -and always has been, free to be copied for non-commercial use.

      Certainly the Pirate Party wants to go beyond this (since they want to include *all* copyrighted material, not only cultural, and they want to include mass media reproduction for free too, as long as it's not made for-profit), but remember that Europe is no USA: here the "private copy" has always been legal.

      "Copyrights exist exactly for this reason"

      Copyrights exist because the king wanting to retain control of intelectual production as he had about real state properties (the copy-right meant just exactly that: the king giving an impressor the right to print copies of a book -and being paid for such copies). So in its very foundations copyright is as anti-democrat as it can be.

    30. Re:What? by NoData · · Score: 1

      Except I'd rather the authors I like not have to write in their spare time and on lunch breaks. I'd rather they get paid to write, and then have more time to write their books.


      If you feel strongly about it, perhaps you should consider patronage. It's a model that supported generations of artists before the advent of modern copyright.

      Really, the modern music/publishing businesses are twisted forms of patronages. Arstists/authors receive advances from publishers/distributors who recoup their losses by profiteering on the sales of low-marginal-cost duplicates, the rights to which they feverishly guard (as we have seen). The artists lose ownership of their creative product in the bargain, and generally get the shaft in compensation as well.

      How about a system where other, more benevolently interested parties (like philanthropists, governments, civic groups, non-profits, or even corporations!) sponsor artistic work? This happens already (especially in the visual and performance arts which are less easily duplicable), but maybe it should be the norm not the exception.
    31. Re:What? by paulmer2003 · · Score: 1

      The fact is that technology for unlimited copying is here -- and the laws preventing private exploitation of this technology are outdated and counterproductive. With new technologies, people and products are made redundant. This happens all the time -- today nobody sees the sharp decline in sales and production of horse-whips after the widespread adoption of the automobile as a bad thing for example.
      Except for the people who made the horse-whips, :)
    32. Re:What? by bhirsch · · Score: 1

      If a company creates something, they do have a certain right (in the liberal market economic sense) to do whatever the hell they want with it regardless of how poor their business model is. The opining of the Norwegian Pirate Party does not negate this. If you are going to argue that laws to protect copyright are outdated because technology to more easily subvert them has been invented, why not argue that the advent of the firearm should mark the end of murder laws?

      These anti-IP arguments essentially break down to the same knee jerk pro-communism arguments that were very prominent 50 years ago. Socializing goods/services for the purposes of making them "free" to the people who want them has rarely demonstrated anything but disaster for those goods/services. Forcing companies to relinquish ownership of goods (even if technology has made them intangible) will have side effects that go far beyond sticking it to the very rich and getting stuff for free.

      (And btw, if you don't like copyright laws, please don't complain the next time someone turns something licensed under the GPL into a closed source product.)

    33. Re:What? by turbidostato · · Score: 1

      "So how exactly is an author supposed to get paid for writing a book?"

      So why exactly has anyone to pay anything for a book nobody asked for?

      By the way, nobody seems to care so much about nobody making profit out of selling fresh water in the streets anymore.

    34. Re:What? by turbidostato · · Score: 1

      "Except I'd rather the authors I like not have to write in their spare time and on lunch breaks."

      Well, then *you* still can pay for their books; or directly subsidize your favorite authors, or whatever.

      Even if you don't pay for new books -heck, even if you restrained yourself from reading anything published past 1900, I don't think you will find scarcity of good literature on your whole life.

    35. Re:What? by Anonymous Coward · · Score: 1, Insightful

      "As Pirates (I am a member of the Swedish Pirate Party) we believe there is no inherent right in getting paid for copies. We do however believe in a right to charge for performing a work."

      Yeah, and as a guy who actually PRODUCES digital work, may I point out that I don't believe that YOU, sir, have an inherent right to take my work, which takes me a huge amount of time to create, redistribute it, and not pay me for work that I created. (And here's a thought, dumbshit: how the fuck do I "perform" my 3D computer graphics work live? How does a programmer "perform" writing an application in front of you? Guess once the original "performance," i.e., the act of creation, is finished, you think it's fair game to simply copy it as many times as you want and redistribute it?)

      "If artists who are out to make money stop producing due to copyright reform -- good riddance. There'll still be plenty of music and culture left, just as there has always been."

      Spoken like someone who either a.) doesn't produce anything of any redeeming artistic value, or b.) deems their actual artistic output to be worthless. In the latter case, if you feel so poorly about the quality of your own work, not only would I probably not buy it, I probably wouldn't even bother with it if it were free.

      "To take one example, in the Music Industry, even the big labels don't see recorded music as a product any more -- but rather as advertising for other events and products."

      Irrelevant, and a bullshit rationalization.

      "The fact is that technology for unlimited copying is here -- and the laws preventing private exploitation of this technology are outdated and counterproductive. With new technologies, people and products are made redundant. This happens all the time -- today nobody sees the sharp decline in sales and production of horse-whips after the widespread adoption of the automobile as a bad thing for example."

      I love how these Eurotrash kids who probably want the Almighty Socialist State to provide them with Cradle-to-Grave Everything would undoubtedly get pissed off as hell if some group of people actually took THEIR benefits, without contributing anything to the commonweal. Hey Mr. Pirate -- whatever happened to the amazing socialist concept of people actually being PAID for their LABOR? Or are you actually advocating "heartless capitalism," where the fruit of someone's labor is simply taken from them, and they're "exploited?" Help us out here, dude. Or is it okay to rip off working artists if "the masses" are doing it?

      I'm tired of morons rationalizing stealing. Artists work to create this stuff, and it's not fucking FREE, just because you can copy it perfectly and redistribute it to your slacker, living-on-the-dole buddies without getting caught.

      And yeah, I know I'm gonna get modded as a troll or flamebait (assuming that the mods actually let my message through at all) but Jesus Christ, this Swedish Pirate guy is a tool.

    36. Re:What? by Lex-Man82 · · Score: 1

      While I'm not sure I agree with this statement I don't understand why it has been modded zero. The coward who wrote it was not trolling.

    37. Re:What? by notamisfit · · Score: 1

      So the fact that musicians can make money elsewhere gives you the right to redistribute their work as you wish?

      I'm not going to argue whether or not the financial aspects of the music business would go kaput if something like this were implemented; it's ultimately a doomed argument because it assumes the same thing that you (in a collective sense, not *you* personally) do: that the output of a man's mind is just another public good to be distributed to all. I don't accept that, and I don't think that I can ever accept that. If James Hetfield or Paul McCartney wants 20 USD a CD, I grumble, but I pay it or listen to something else, simply because it's their prerogative. Not mine, not yours, not the Norwegian Parliament's.

      --
      Jesus is coming -- look busy!
    38. Re:What? by morcego · · Score: 1

      The political process working for the people?


      Nope. As your question proves, this is the political process working for the political parties.

      This proposal is so radical and extremist (fix everything with a single blow) that it will never be approved. However, the party that proposed will still be remembered as such, and many politicians will get reelected.

      This is an obvious attempt to try and convince the people that they are working for them. Well, if it were, they would try using a more subtle tactic, something that did have a chance of getting approved. Say, reducing the copyright time, for starters.

      This ? This is just a circus. Now, where is my bread ?
      --
      morcego
    39. Re:What? by sortius_nod · · Score: 2, Insightful

      Indeed, even here in Australia our government funds a lot of movies. There's a whole government agency Film Finance Australia . You'll find that a lot of our biggest & best movies come from funding provided by FFA. Maybe if US citizens realised that the world is a bigger place than the huge hunk of junk that the USA is then we wouldn't have huge messes like RIAA, MPAA, Iraq, Afghanistan, the list goes on.

    40. Re:What? by Anonymous Coward · · Score: 0

      And btw, if you don't like copyright laws, please don't complain the next time someone turns something licensed under the GPL into a closed source product.)

      Thank you, thank you, thank you.

      In this one sentence, you have expressed a sentiment I couldn't express while reading these posts from people wanting to rid the world of IP rights. Without any sort of incentive for a writer to get paid, for a publisher to risk shareholder money on an artist, etc., this world would be filled with mediocre books, mediocre music and mediocre movies. Tell me J.K. Rowlings, Steven King, Tom Clancy, and others would write so many books if they knew that even though they spent years on a novel, the minute they click that publish button, their work is now in the public domain just because some person or government has deemed that the incremental cost for distributing their work is minimal.

    41. Re:What? by Xelios · · Score: 1

      You make good points that making money off movies might be hard in the future, but the fact is that the big bucks in movies comes from movie theater tickets.
      That's it exactly. 10 years ago it wasn't practical for people to acquire movies online, if you wanted to see a movie you bought or rented it. The entertainment industry was directly supplying something the public couldn't get anywhere else; VHS and DVD copies of movies. Now that's changed, anyone can download a movie to watch at home, so what's left for the entertainment industry?

      Theaters of course. Seeing a movie in a theater is a different experience, and it's one people are willing to pay good money for if the product is good. Recently I caught a glimpse of some new display technologies coming out of HP's labs including a curved display using multiple cheap projectors to produce a screen that surrounds the user's field of vision. Imagine a display like this in a theater environment playing high definition video and good quality sound. I'd certainly pay money to see a good film on such a display rather than watching it on a comparitively small monitor at home. Then of course there's the added fun of watching a film for the first time with many other people, even if you don't know any of them being part of a large audience that's seeing a movie for the first time adds to the experience.

      Initiatives like this are what the movie industry should be working on right now. They have a couple more years at least before streaming DVD quality videos online becomes a common activity, they should be using this time to prepare a new business strategy. Maybe they'll lose some money, maybe they'll end up making more, who knows? It's a risk for them, but the risk in trying to halt technical progress is far greater.
      --
      Murphey's fighting Occam, and we're in the stands.
    42. Re:What? by Have+Blue · · Score: 1

      Or you could just say it worked for iTunes without any weasel-words about non-compensation of artists.

    43. Re:What? by pv2b · · Score: 2, Informative

      If a company creates something, they do have a certain right (in the liberal market economic sense) to do whatever the hell they want with it regardless of how poor their business model is. The opining of the Norwegian Pirate Party does not negate this. If you are going to argue that laws to protect copyright are outdated because technology to more easily subvert them has been invented, why not argue that the advent of the firearm should mark the end of murder laws?

      There is a subtle difference. Bad business models can't and shouldn't be outlawed, but that doesn't mean there should be laws on the books specifically supporting poor business models.

      If I invent wonderful technology that acts as a huge catalytic converter, sucks in smog from cities, processing it into clean air, then putting it back into the atmosphere, should I have the right to require random people from breathing the cleaner air they did not solicit or ask for?

      The analogy isn't 100%, of course, and I don't want to get drawn into a discussion of this particular analogy, but my point is that legislation shouldn't be used to prop up poor business models.

      When it comes to comparing homicide laws with copyright law -- any law is based on a lot of balances. Will an introduction of a law harm or help society as a whole? Does a law represent the predominant values of those within its jurisdiction? It's clear that laws against murder are a clear benifit to society, irrespective of the fact that killing people, even en masse is technically very easy.

      It's not as clear that free distribution of material is harmful in the same way, in fact, we feel that restrictions on redistribution are more harmful to society as a whole than the redistribution itself, which we even feel is benificial.

      These anti-IP arguments essentially break down to the same knee jerk pro-communism arguments that were very prominent 50 years ago. Socializing goods/services for the purposes of making them "free" to the people who want them has rarely demonstrated anything but disaster for those goods/services. Forcing companies to relinquish ownership of goods (even if technology has made them intangible) will have side effects that go far beyond sticking it to the very rich and getting stuff for free.

      There's a big difference between the tangible and the intangible. But please do try to inform yourself better before dismissing pirate idiology as a knee-jerk reaction.

      We in the Swedish Pirate Party have a well-defined ideology based on reform of copyrights, patents and privacy. If you take a few minutes to read our declaration of principles (available from this page, look at the bottom of the page for a link to the file), you can see it's not just a loose cloud of concepts, it's in fact a cohesive argument for reform (not abolition) of copyright and patent laws to fit modern society.

      And if anything is knee-jerk, it's comparing the Swedish Pirate Party or Norwegian Venstre to communists. The Pirate Party has no specific political direction. I am personally of a similar general conviction of the Norwegian Venstre party -- centre-right. But the leadership of the Pirate Party contains people from all sides of the political spectrum.

      (And btw, if you don't like copyright laws, please don't complain the next time someone turns something licensed under the GPL into a closed source product.)

      This is a very good point. In fact, Richard M Stallman has approached the Pirate Party with these concerns in the past.

      In fact, he will be speaking at Göteborg University in about a month, and will specifically take up what he thinks we're doing wrong. :-)

      I don't agree with him on these points, how appealing as they ever seem, though. Basically, he wants to legislate putting source code for proprietary software in escrow, and re

    44. Re:What? by Anonymous Coward · · Score: 0

      Government subsidized movies. Oh boy! I bet those will be entertaining (/sarcasm).

      Only if you have an above room temperature IQ. Otherwise you'll probably find the pulp Hollywood churnes out to be more entertaining.

    45. Re:What? by Reality+Master+101 · · Score: 1, Insightful

      The political process working for the people?

      Which people? The people who create things or the people who just consume things?

      I realize that the consumers vastly outnumber the creative people, but that doesn't mean that it's a big win for society to write something into law that allows unlimited taking. It's also called "The Tyranny of the Majority."

      Personally, I believe in freedom. People ought to be able to sell their wares in any way they want. If you don't like how they're offering it, don't buy it. If you don't like the license, don't buy it. If you don't like DRM, don't buy it. If you want the right to redistribute it any way you wish, only buy products with those rights.

      The creator of something ought to be able to set the terms of his creation.

      --
      Sometimes it's best to just let stupid people be stupid.
    46. Re:What? by pv2b · · Score: 1

      Without any sort of incentive for a writer to get paid, for a publisher to risk shareholder money on an artist, etc., this world would be filled with mediocre books, mediocre music and mediocre movies.
      As opposed to today... a world filled with mediocre books, music and movies? Oh wait. Not much of a difference is there. :-)

      99% of everything is crap. This is a universal constant, and doesn't change with copyright.

      Great litterature, art, music, and science existed way before copyrights and patents were even conceived. Now, given, 99% of that was also crap. Which is why nobody talks about it much these days.

      As an example: Shakespeare, Mozart and Sir Isaac Newton, among many others produced a long time copyright was even conceived.
    47. Re:What? by pv2b · · Score: 1

      I really don't want to point to iTunes as a good example due to their usage of DRM, effectively locking you into a single portable music player.

      I'm as much against DRM as I am against enforcement of copyright law for non-commercial purposes.

    48. Re:What? by Anonymous Coward · · Score: 0
      It took considerable work to copy books with a xerox machine.

      Apparently you're unfamiliar with early printing presses. Someone had to lay out the pages with lead lettering in reverse order one character at a time. They had to take wooden blocks and carve out the inverse of pictures. Then they took their huge, heavy, plate, mounted it to the machine and cranked out one page at a time by: inserting a page, pulling and pushing a lever, removing the page, and repeating. After printing x copies of page one, the plate was disassembled and a new page was laid out. Xerox machines were far, far easier to use than early printing presses.

    49. Re:What? by Brummund · · Score: 1

      Why don't you just write "I'd like someone else to pay for my entertainment." Much shorter and saves network traffic.

    50. Re:What? by Hemogoblin · · Score: 1

      The "unlimited copying" comment reminded me of a presentation I heard in 2005. Essentially, the argument is that since hyperdistribution through bittorrent has been invented and can never be un-invented or stopped effectively, the current distribution model of producer - distributor - consumer can't continue. He argues that since the REAL funding for productions comes from advertisers, the producer should cut out the middle-man and distribute the content themselves. Using embedded advertising and virtually costless distribution, producers can continue to make money and prosper.

      Heres the link: Piracy is Good

      Of course, the presentation was two years ago and the changes he proposed still haven't come to pass. Even so, I think his ideas still have merit and everyone knows industries can be slow to adopt to change.

      Cheers,

    51. Re:What? by joost · · Score: 1

      Books are generally written by a single person, so it would take a very long time to write a book and work full time (which can be seen in the cases of authors who have to do that), which reduces the number of books a person can write in a lifetime.

      I will gladly pay for a real book, and am doing so many times a month.

      Real books are almost impossible to copy.

    52. Re:What? by cpt+kangarooski · · Score: 4, Informative

      If a company creates something, they do have a certain right (in the liberal market economic sense) to do whatever the hell they want with it regardless of how poor their business model is.

      The issue is not whether the creator has the right to do things with the work -- we're all agreed that he has that right. The issue is whether the creator has the right to prevent other people from acting equally as freely with regard to that work.

      That sort of monopoly certainly does not inherently spring from the act of creation. Nor is it commonplace, really. For example, when sushi was introduced to American cuisine, the existing itamae didn't get to keep competitors from making the exact same food. Their hard work in creating the market was exploited by others and this is a fact of life and not a problem with the market or the law.

      Authors do not inherently have the right to keep other people from making copies of their works. But just as the government sometimes grants monopolies to utilities in order to ensure greater public benefits than would be had from a deregulated market, it is sometimes acceptable to grant monopolies to authors provided that the public receives a greater benefit from this than they would if these monopolies, called copyrights, were not granted. The public benefits by having more works created and published but equally by having as few or no restrictions on what they can do with those works. So simply increasing copyright is not an ideal solution, since 1) there is an issue of diminishing returns as to how much creation and publication they encourage, and 2) that would run contrary to the public interest in having less copyright.

      These anti-IP arguments essentially break down to the same knee jerk pro-communism arguments that were very prominent 50 years ago

      Pshaw. If you want a free market then you have to be against copyrights, since they are governmental market regulation. Hell, they're basically a form of subsidy for authors, meant to benefit the public. So really, one would imagine that it would be socialists or communists that are in favor of copyrights, while free-market capitalists are against them. The only reason that the authors and publishers support copyrights is because they benefit so much from them, and they don't want to have to face the additional competition if they were reduced or abolished.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    53. Re:What? by Hemogoblin · · Score: 1

      I know its stupid to reply to myself, but I found some of Mark Pesce's more recent presentations. They can be found at his homepage under Talks.

    54. Re:What? by pv2b · · Score: 1

      I'm very familiar with how early printing presses work. I just didn't feel it neccessary to go into details.

      Either way, neither the Xerox machine nor the printing press (early or modern) are in the same degree as revolutionary as the Internet. Both might as well be just as clunky by modern standards.

    55. Re:What? by Wizard+Drongo · · Score: 2, Funny

      Careful now. That sounds like Un-American terrorist talk! Just because you're not American, and have never been there doesn't mean you can't get dragged off to Gitmo' with your Govt's absolute and total blessing. Ask my country's Gary McKinnon if you fail to believe this.

      --
      The truth shall always be free: Boris Floricic is Tron.
    56. Re:What? by Graham+J+-+XVI · · Score: 0

      I've been a DJ for almost 15 years and let me just say...

      HERE HERE!

    57. Re:What? by hxnwix · · Score: 1

      I'd like to add that, while Xerox machines are a pain to operate in comparison to a p2p app and therefore might seem to represent less of a threat to copyright holders, it is those limitations that make them insufficient in a publisher-less world.

      (When I say publisher-less, I mean that we'd be without the dinosaurs that we call publishers today.)

    58. Re:What? by Oligonicella · · Score: 1

      Now try to tell a writer how they're going to get paid, when it will be perfectly legal to scan and post a book after sale number one. Once more, for the learning disabled; Copyright is not about money at all, it is about the author getting to decide how to distribute their work, not a bunch of I want it free'ers.

    59. Re:What? by wall0159 · · Score: 1


      I think you've fallen into the trap of letting your wants influence your opinions.

      while I agree that "there is no inherent right in getting paid for copies," I think that if you want people to make good art, they need to be paid for it. I don't have a problem with (for example) a band making and releasing albums, but deciding not to tour. If consumers of art want people to do this, then they'll need to be prepared to pay for it. There can only be so many freeloaders before the system collapses.

      Look at the albums the Beatles made after they ceased touring - I doubt many would consider them inconsequential.

      Having said all this, I don't think piracy/copying/sharing is a huge evil in itself, as long as people don't start to think that the consumption of free art is their *right*.

      On a side note, what would you think of China mass-producing cheap copies of Volvo cars, and exporting them to the world? That'd be a bit of a knock to the Swedish economy...

    60. Re:What? by pv2b · · Score: 1

      Yeah, and as a guy who actually PRODUCES digital work, may I point out that I don't believe that YOU, sir, have an inherent right to take my work, which takes me a huge amount of time to create, redistribute it, and not pay me for work that I created. (And here's a thought, dumbshit: how the fuck do I "perform" my 3D computer graphics work live? How does a programmer "perform" writing an application in front of you? Guess once the original "performance," i.e., the act of creation, is finished, you think it's fair game to simply copy it as many times as you want and redistribute it?)
      I never said the performances should be live. A programmer can get a good job maintaining software, if there is insufficient public interest to do this. This is especially the case for a lot of vertical-market stuff like industrial control, billing, payroll, business administration and a lot of boring stuff like that. In addition to that, there are a lot of cases out there of programmers being paid to work on open source. And there are a lot of business models out there that don't rely on the income generated by sales of the programs itself. And they somehow manage to pay their programmers through other sources of income.

      As for 3D graphics work. I am not sure exactly what field of work you work in, but assuming for a moment that you work in some kind of animation, motion pictures for example, movie production will still be able to make money. The big money in movies these days aren't in DVD:s (they're just cream on the top), but on movie theater showings. And I assume that the company wanting to make a new movie to show in said theaters will hire you to do the actual job, not through empty promisises of future royalties.

      But maybe you work in 3D graphics like CAD for some kind of industrial application, or maybe even architectural. In all these cases, you have a right to charge for your *work*. Just like anybody else. Because I sure as hell am not saying you should do your work for free.

      I love how these Eurotrash kids who probably want the Almighty Socialist State to provide them with Cradle-to-Grave Everything would undoubtedly get pissed off as hell if some group of people actually took THEIR benefits, without contributing anything to the commonweal. Hey Mr. Pirate -- whatever happened to the amazing socialist concept of people actually being PAID for their LABOR? Or are you actually advocating "heartless capitalism," where the fruit of someone's labor is simply taken from them, and they're "exploited?" Help us out here, dude. Or is it okay to rip off working artists if "the masses" are doing it?
      Look. I'm not out to stop you for getting paid for your labour. Nothing wrong with that.

      I'm not convinced unlimited private copying of digital data is a rip-off. As far as I see it, it's just a great channel for marketing, not to mention giving a great social benifit in the form of a publically accessible media library. But then again, maybe you think public libraries for good old fashioned books is a bad idea and unfair to the authors.

      Either way, irrespective of what the law says, for better or worse, unlimited copying of digital data is here, and it unstoppable. When the storm comes, there are two kinds of people out there. Those who build wind shelters, and those who build windmills.

      And yeah, I know I'm gonna get modded as a troll or flamebait (assuming that the mods actually let my message through at all) but Jesus Christ, this Swedish Pirate guy is a tool.
      Moderators can not delete posts on slashdot. The only case I know of when a post has been deleted on slashdot has been in response to a copyright claim by the church of scientology. (Irony of all things...)

      And I always browse at -1 anyway. The moderation system fucking sucks. I'd rather not have a bunch of random people with mod points this week to decide what I should read.
    61. Re:What? by zsau · · Score: 1

      What, so Norway's decision to stay out of the EU to preserve some of their sovereignty means that they lose their sovereignty, because now they're bound to implement laws their citizens have no say over by being unable to elect representatives who make these laws? Or have I completely misunderstood?

      --
      Look out!
    62. Re:What? by Waffle+Iron · · Score: 1
      Actually, it would be the Norwegian Parliament's prerogative. If they were to say that the output of someone's mind can be distributed to all, then within Norway, it could be distributed to all. End of story.

      You seem to have confused a government entitlement program that was originally intended as an economic stimulus with some kind of fundamental human right.

    63. Re:What? by Graham+J+-+XVI · · Score: 0

      haha awesome exchange, bravo :)

      p2v, I couldn't agree more with your viewpoints. I'm very much into music and I have similar debates with people all the time on my website. I hope our dreams come true!

    64. Re:What? by Zephyr14z · · Score: 1

      Libraries allow anybody to read just about any book for free, and yet bookstores still exist. Why? Because people clearly have a desire to physically own books, despite the ability to read the material for free. As for reproducing books costless digitally, this is only true if you want to read a few hundred pages on a screen. I, for one, greatly prefer reading something on paper to reading it on a screen, and many people share this preference. Printing it myself or at a printshop(kinkos, etc.) would be more expensive than buying the book in the first place.

    65. Re:What? by pv2b · · Score: 1

      I think that if you want people to make good art, they need to be paid for it.
      I've never said they shouldn't be paid for it. I'm just saying they can get paid for it in better ways than by limiting the natural flow of media in today's world.

      Unfortunately for the artists, and catastrophically for art distributors, you can't make money off distribution any more. Not changing the law isn't going to change that. The world changes, doors close, other doors open. When the storm comes, you can either build a wind shelter or a wind mill.

      The argument of whether artists should be paid or not isn't really relevant to the discussion. The difference is how they're going to get paid. Getting paid for art is damn hard today as it is, and to be honest, I don't really think copyright reform is going to change that a lot.

      On a side note, what would you think of China mass-producing cheap copies of Volvo cars, and exporting them to the world? That'd be a bit of a knock to the Swedish economy...
      I don't support commercial copyright infringement, and neither does my party. But, conversely, if somebody found a way to reproduce cars for free -- I'd take two please. :-)
    66. Re:What? by Khaed · · Score: 1

      Where exactly did I say you should pay for anything you want?

      I said if you want to read the book, kick some money the author's way.

      I'm sorry you seem to take "if you like it, support the author" to mean "pay for books you don't want."

    67. Re:What? by pv2b · · Score: 5, Insightful

      Now try to tell a writer how they're going to get paid, when it will be perfectly legal to scan and post a book after sale number one. Once more, for the learning disabled; Copyright is not about money at all, it is about the author getting to decide how to distribute their work, not a bunch of I want it free'ers.
      Please tell a writer how they're going to get paid, when there's no guarantee that the manuscript he sends out to a bunch of publishers will be accepted or not.

      Not tell him what a great chance he could have of making *some* money by putting his book out on Internet, and selling hardcopies to interested parties.

      This business model works. I have bought several books (technical books, but the idea should extend to fiction too) using this exact method.

      Sure, you can't get paid for every single person who reads your book. Just like the way you can't get paid by every single person who listens to your music as they walk past you on the street. The Internet has made everybody a street performer, whether they like it or not. The only way to stop that from happening is not to perform.
    68. Re:What? by Anonymous Coward · · Score: 0

      Guess what, most European countries already have had governments subsidizing films for decades and decades, and the result has hardly been Gigli meets Waterworld. Try to remember that your country isn't the only one on Earth and that there are places out there where things are different.

      Yes, but look at the quality of American movies and television vs the rest of the world. Like it or not (and many around the world resent the US mainly due to this fact,) American media is extremely popular around the world, and just that single element of American culture alone has a far heavier influence than the whole of any other culture.

      And this isn't because George Bush, the Jews, or some big Corporation is involved in some kind of conspiracy to force American culture upon the rest of the world. Nobody forced you to go buy tickets to see the Matrix, or Titanic. This is because the rest of the world simply likes American culture. I know I do, and I am not afraid to admit it.

    69. Re:What? by Anonymous Coward · · Score: 0

      Pv2b pwns.

    70. Re:What? by joto · · Score: 1

      No, you understood perfectly. Yes, it sounds counter-intuitive, but it's actually true. Whether this is a result of a deliberate sabotage by politicians in favour of joining EU, complete incompetence and gullibility of Norwegian politicians in general, or simply a result of compromises that had to be done in order to get other stuff done, is hard to say. Personally I believe it's a combination of the two first options.

    71. Re:What? by Telvin_3d · · Score: 1

      You might be surprised how much of that 'American Media' you are touting is being created by other countries. the Matrix movies you mentioned? Shot in Australia. Titanic was shot in Mexico. A large number of the TV shows and movies you watch are made in Canada, Australia and New Zealand taking advantage of the government sponsored industries and workers there. They money might be American, but the product is not.

    72. Re:What? by alphamugwump · · Score: 1

      Ultimately, every business model is made possible only by law. For example, the only reason car makers exist is because it's illegal to steal cars. You could, of course, make it legal to steal cars, in which case everyone would have to carry shotguns around with them when they went shopping. Automalls would be few and far between, and they would be surrounded by machine-gun nests. Which would suck, and make life difficult. It would mean that almost nobody would have cars. Stealing is bad because it undermines the operation of society, not because it is "wrong".

      The question, of course, is whether or not the same protection should be afforded to a creative work. Would it be better for society to have free music, free movies, and free books for everyone, given that these works will probably now have much less funding? I don't know. For works of non-fiction, the answer seems clear: they are better off not copyrighted; free education benefits everyone. For music, video, and fiction, the answer is less clear. Could I spend the rest of my life reading free internet fiction? Maybe. Some of the stuff that gets published on paper now isn't much better. Now that people like Piers Anthony and Margaret Weis get published in hardcover, the gap between "free" and "not" is really rather small. And Margaret Weis is one of the _better_ ones!

      Video is harder to justify. Certainly, high-value stuff like Star Wars III would be impossible. Of course, good low-budget stuff like Star Wars IV would still be very doable. I've also heard that cheap anime is "only" tens of grand per episode. So film might survive, if it were funded by hardcore fans.

      For music, I don't think it makes a difference. Professional musicians make their money playing for live audiences. Period. It's only recently that live performances have turned into a kind of advertising.

    73. Re:What? by pv2b · · Score: 1

      Video is harder to justify. Certainly, high-value stuff like Star Wars III would be impossible. Of course, good low-budget stuff like Star Wars IV would still be very doable. I've also heard that cheap anime is "only" tens of grand per episode. So film might survive, if it were funded by hardcore fans.
      You're forgetting about movie theaters. :-) They'll still want to stay in business, and therefore finance creation of high-budget motion pictures.
    74. Re:What? by BronsCon · · Score: 2

      Many, like myself, are no longer willing to pay to go to a theater any longer, either.

      Between 5 minutes of ads before the previews and 10 minutes of ads after them, then having the "copying is theft" message shoved down my throat, I've just wasted a half hour of my life which could have been spent watching the movie I just paid to see.

      I don't mind the previews. It's nice to know what's coming to theaters next week or next month. What kills me is the ads for crap unrelated to the movie I'm here to see and THAT BLOODY COPYING IS THEFT MESSAGE! By the time I sit through that, I'm throughly pissed off and can't enjoy the movie; so I try to sleep through it. If I sleep through it, I'm lucky if I wake up to see the movie I paid for.

      I won't get started on ticket and snack prices other than to say I don't mind paying for the ticket because that's how the studio gets paid and I don't mind paying exhorbitant fees for snacks because that's how the theater gets paid. Well, snacks WERE the theater's meal ticket before the 15 minutes of ads came along; snacks should be cheaper at the theater than the grocery store now, since we have to sit through the ads.

      Someone came in and started talking to me so I lost where I was going with this, so I'll just click Submit (after clicking Preview, that is).

      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    75. Re:What? by pv2b · · Score: 1

      All good points. This doesn't disqualify movie theaters as a business model, though.

      Movie theaters need to get their act straight too, but that's a seperate discussion really.

      The common thread in the entire discussion I guess is for the entertainment industry to stop mistreating the few loyal customers they still have. You can attract a lot more flies with honey than vinaeger.

    76. Re:What? by Merusdraconis · · Score: 1

      This is nitpicking, but:

      The DVD sales are just extra cream on top

      Actually, showing movies in cinemas doesn't account for much of the movie industry's profits. The video game industry makes more money annually than ticket sales do. Most of their money comes from after-cinema sales, to home video and television networks.

      (It's a good thing, too, because people are far less willing to go to movie theaters these days.)

    77. Re:What? by pv2b · · Score: 1

      Their *profits*, yes. But it is my understanding that even without all the after-cinema sales, they'd still break even.

    78. Re:What? by 246o1 · · Score: 2, Insightful

      "Personally, I believe in freedom. People ought to be able to sell their wares in any way they want. If you don't like how they're offering it, don't buy it. If you don't like the license, don't buy it. If you don't like DRM, don't buy it. If you want the right to redistribute it any way you wish, only buy products with those rights."

      Personally, I believe in freedom. People ought to be able to use their wares in any way they want. If you don't like how they're using it, don't sell it. If you don't like the law, ignore it. If you don't like your fans, don't try to sell them things. If you want the right to prevent redistribution of something, only sell it to people you know and trust.

      Your definition of freedom doesn't match mine, I think. And while I respect the rights of people who create things, it doesn't mean that fair use shouldn't be expanded or that letting copyrights expire a little faster wouldn't be best for society.

      --
      Although the moon is smaller than the earth, it is farther away.
    79. Re:What? by morari · · Score: 1

      At least Waterworld accomplished something with its ridiculous budget. Oh wait, I'm the only person in the world that enjoyed the film...

      --
      "He who can destroy a thing, controls a thing." --Paul Atreides, Dune
    80. Re:What? by ASBands · · Score: 1

      That's how Uwe Boll keeps making movies, too. He also literally beats up his critics. It's good to see government subsidies that work.

      --
      My UID is a prime number. Yeah, I planned that.
    81. Re:What? by corbettw · · Score: 4, Funny

      A big part of the Swedish movie industry is funded by the government.

      That explains why the Swedish movie industry, instead of the evil capitalist studio system in Hollywood, USA, dominates the global market for movies.

      --
      God invented whiskey so the Irish would not rule the world.
    82. Re:What? by superiority · · Score: 1

      Pshaw. If you want a free market then you have to be against copyrights, since they are governmental market regulation. Hell, they're basically a form of subsidy for authors, meant to benefit the public. So really, one would imagine that it would be socialists or communists that are in favor of copyrights, while free-market capitalists are against them.
      To be fair, since communism requires the abolition of private property (I'm pretty sure), communists would be against copyright as well. Depending on how you define socialism, you could go either way with that. The pro-copyrightists, in my experience, tend to be the middle-of-the-road, semi-classical liberal, semi-socialist, big-government types.
    83. Re:What? by mpaque · · Score: 1

      As Pirates (I am a member of the Swedish Pirate Party) we believe there is no inherent right in getting paid for copies. We do however believe in a right to charge for performing a work.

      So, it's OK to make free copies of my software, but you are willing to pay for a live performance?

      In that case, I think I'll book Stockholms Konserthus for a very special performance of Der WindowServer, with some very special appearances from little-seen system software.

      Y'all buy some tickets, now!

    84. Re:What? by aardvarkjoe · · Score: 1

      If artists who are out to make money stop producing due to copyright reform -- good riddance. There'll still be plenty of music and culture left, just as there has always been.

      It's funny how this "point" is always bandied about by those who want to abolish copyright protections, and yet the vast majority of of music (/movies/books/whatever) that are being pirated are created by artists who are out to make money.

      Seems to me that artists who aren't out to make money could already freely distribute their work or allow it to be copied for free. In fact, I'd think that they would have a better shot at it now than if we got rid of copyright protection, since they wouldn't have to compete in that arena with the money-loving artists that you look down on. Strange how it doesn't seem to work that way...

      --

      How can we continue to believe in a just universe and freedom to eat crackers if we have no ale?
    85. Re:What? by Anonymous Coward · · Score: 2, Insightful

      You might be surprised how much of that 'American Media' you are touting is being created by other countries. the Matrix movies you mentioned? Shot in Australia. Titanic was shot in Mexico. A large number of the TV shows and movies you watch are made in Canada, Australia and New Zealand taking advantage of the government sponsored industries and workers there. They money might be American, but the product is not.

      American producers, American writers, (mostly) American actors, American directors. It's sold from America, and the proceeds go to the American economy. Since you clearly haven't noticed, not all of the best scenery in the world geographically exists in America. The American film crew paid the foreign country in order to use their location for the benefit of the film, not the other way around.

    86. Re:What? by pv2b · · Score: 1

      So, it's OK to make free copies of my software, but you are willing to pay for a live performance?

      In that case, I think I'll book Stockholms Konserthus for a very special performance of Der WindowServer, with some very special appearances from little-seen system software.
      I must say, the idea sounds intriguing. :-)

      Seriously though, I'll just repeat a segment of an earlier post I made:

      I never said the performances should be live. A programmer can get a good job maintaining software, if there is insufficient public interest to do this. This is especially the case for a lot of vertical-market stuff like industrial control, billing, payroll, business administration and a lot of boring stuff like that. In addition to that, there are a lot of cases out there of programmers being paid to work on open source. And there are a lot of business models out there that don't rely on the income generated by sales of the programs itself. And they somehow manage to pay their programmers through other sources of income.
    87. Re:What? by StikyPad · · Score: 1

      How about, and this is really revolutionary, if you want to enjoy someone's work, you kick some money their way so they can continue to produce the things you enjoy?

      Or how about I just continue to go to the library to borrow the books I want to read and you stop trying to lay a guilt trip just because I don't value something enough to hand over my hard earned cash for it? If you want me to buy something, you'd better have a better incentive than "you should pay me," especially if I can get the same thing elsewhere for little to nothing. And should we only pay for the works of living authors? Should we pay their children? Should I pay if I go to a friend's house to watch something? What if they bring it over to mine? We've got to draw the line somewhere, and "if I like it, and I feel like giving you money" is as good as any. It's not like we collectively commissioned an author to write something. He or she decided to write knowing full well that it might be received well or poorly, and that there are few guarantees of either. Writing isn't a viable career any more than surfing, or playing golf. True, some people may do well enough to make a living at it, but on the whole we do it because we enjoy it. Enjoyment is (or should be) the primary motivation, and anything else is just a fringe benefit.

      Not even Shakespeare tried to make a living selling books. If plays just aren't profitable enough for you, then here's a thought: find other work.

      Basically, you just don't want to pay for stuff because it can be copied cheaply/freely.

      Basically, the publishers would like to charge me as much as they possibly can. They have in the past, and they will continue in the future. Unfortunately for them, they dynamic is changing such that "as much as they possibly can" is decreasing, thanks to the lower cost of electronic duplication. In other words, they wanted to take advantage of the fact that people didn't have their own printing presses in the past, so why shouldn't I want to take advantage of the fact that we do now?

      At any rate, books provide added value, in that you have a convenient, somewhat durable, and highly portable medium. Sure, you can download the text of a book, but unless you like reading off a monitor, or thumbing through sheets of 8.5x11, you'd probably prefer to have a bound book. Some day that may change, but books are probably safe for now.

    88. Re:What? by joto · · Score: 4, Insightful

      Sure, I'm all in favour of having a system whereby people who create stuff, gets paid. However, the current copyright system is not sustainable by any means. Digital technology has changed the landscape, and there's nothing we can do about it, no matter how good the arguments in favour of intellectual property rights are.

      We have always shared intellectual property:

      • If you heard a joke, you have probably told someone else. Telling jokes you didn't make up yourself is not, and have never been illegal. What if you could send someone a whole book as easily? Or an entire library? With digital technology we can!
      • If someone taught you a tune to play on a musical instrument, you would probably teach it to someone else. Doing that is not, and has never been illegal. What if you could send someone a complete musical recording as easily? Or all the musical recordings made in Spain between 1920 and 1935? With digital technology we can!
      • If someone taught you a cool mathematical technique, you would probably tell it to someone else. Doing that is not, and has never been illegal. What if you could send someone a whole computer program as easily? Or all the computer programs ever written that will work on a certain brand of computer? With digital technology we can!

      The creator of something ought to be able to set the terms of his creation.

      Sure, (s)he can either keep it a secret, or (s)he can show it to others. Artificially restricting the terms under which it is copied is something that is an interesting idea, and might have worked in the past, but unfortunately, it no longer works. You can't keep teenagers from having sex either. Perfect digital copies is a revolution in how we communicate ideas. And even though intellectual property rights was a good idea before digital technology existed, doesn't mean it will continue to be so forever. Intellectual property rights will end some time in this century.

    89. Re:What? by Anonymous Coward · · Score: 0

      I believe you're proving his point. Call me when they start funding Swedish porn.

    90. Re:What? by Anonymous Coward · · Score: 0

      Warner Brothers is an American film studio. What difference does it make that the set was physically located in Australia?

    91. Re:What? by servognome · · Score: 1

      As opposed to today... a world filled with mediocre books, music and movies? Oh wait. Not much of a difference is there. :-)
      Sure there's mostly junk, but in terms of magnitude, check out the difference between TV and youtube. TV sucks in general, but there are a some really great shows, now Youtube is just trash, upon trash, upon trash.

      As an example: Shakespeare, Mozart and Sir Isaac Newton, among many others produced a long time copyright was even conceived
      And most art & science was controlled by sponsorship dollars from the economic elite.
      You don't think the rich corps will still find way to make their money? There's still a gap between creating intellectual property and physical property that the individual can't bridge. Without copyright corporations can be even more exploitive in this regard.
      Create a nice painting? Well Poster corp will copy it and sell posters to every college kid sprucing up their dorm room. Create a nice song? Well the music conglomerates will just take the song, give it to a girl band with big breasts and capitalize on their live performances.
      At least now the individual has the option to sell out to get a little bit of return on their hard work.
      --
      D6 63 0D 70 89 81 BB 8E 7B 7C 5F 5D 54 EA AB 73
    92. Re:What? by Anonymous Coward · · Score: 0

      Thees menteleety is beheend a lut ooff meescuncepshuns vhee it cumes tu purete-a puleetics.

      Um gesh dee bork, bork! Es Puretes (I em a member ooff zee Svedeesh Purete-a Perty) ve-a beleeefe-a zeere-a is nu inherent reeght in getteeng peeed fur cupeees. Um gesh dee bork, bork! Ve-a du hooefer beleeefe-a in a reeght tu cherge-a fur perffurmeeng a vurk.

      Iff erteests vhu ere-a oooot tu meke-a muney stup prudooceeng dooe-a tu cupyreeght reffurm -- guud reeddunce-a. Zeere'll steell be-a plenty ooff mooseec und cooltoore-a lefft, joost es zeere-a hes elveys beee.

      Tu teke-a oone-a ixemple-a, in zee Mooseec Indoostry, ifee zee beeg lebels dun't see-a recurded mooseec es a prudooct uny mure-a -- boot rezeer es edferteesing fur oozeer ifents und prudoocts. Um gesh dee bork, bork!

      Zee fect is thet technulugy fur unleemited cupyeeng is here-a -- und zee levs prefenteeng preefete-a ixplueeteshun ooff thees technulugy ere-a ooootdeted und cuoonterprudoocteefe-a. Veet noo technulugeees, peuple-a und prudoocts ere-a mede-a redoondunt. Um de hur de hur de hur. Thees heppens ell zee teeme-a -- tudey nubudy sees zee sherp decleene-a in seles und prudoocshun ooff hurse-a-vheeps effter zee veedespreed edupshun ooff zee ootumubeele-a es a bed theeng fur ixemple-a.
      Your logic is borked! My how the pendulum swings from one extreme to another. Most people would prefer some middle ground: fair use + financial incentive for artists to spend time in the studios i.e. continue producing music CDs/DVDs, but ditch the DRM....
    93. Re:What? by kocsonya · · Score: 1

      How to support authors? By selling convenience. I like books. I mean paper books, printed and bound and all. I'm willing to pay for them. Even if I could download books in PDF form, I'd rather buy the real thing. It's less hassle and as I mentioned, I do actually like the book as an object. So that's one possibility.

      Then the works which have high cultural value but (sadly) very unlikely to be read by a significant amount of the population, well there's always the possibility of government support. Yes, I know, it's a very commie idea but it is actually not completely a pipedream. There are countries in Europe that spend public money an arts and they seem to survive. What's more, they have been producing A&C for many hundreds of years.

      I also like to go to concerts and I like to see performing arts live. Pay the author for live performance of the work. Make live performance be worth going to see it. The latest run-off-the-mill vampire movie rolling off from the Hollywood assembly line might be just as good to watch (or to avoid) at home as in a movie theatre, but say a ballet performance is not the same on the tube as it is in a real theatre. Considering that theatrical performances run at full house, it is possible that there are enough theatre-going deviants in the population to support a live-performance model of such products.

      Maybe authors will suffer a bit. You can't just write a hit and then lean back knowing that the money is going to tick in for 5-7 generations without you moving a finger. Shock and horror, you might even have to continuously work if you want to have a continuous income. You might even ought to have a motivation along the lines of wanting to express something or educate people or share thoughts instead of "making heaps of money".

      Possibly we'd end up with less produce but also possibly with more value.

    94. Re:What? by alphamugwump · · Score: 1

      Movie theaters are obsolete. A good monitor is just a quarter the resolution of a movie projector. All you're really paying for is a bunch of blown-up pixels. And nowdays, movie screens aren't that big anyway. In a few years, it won't be worth the $20 to stand in line for the extra resolution. I'd expect movie theaters to die an even harder death than high-budget films.

    95. Re:What? by umeboshi · · Score: 1

      Considering the federal budget and what it is being used for, I would rather have government subsidized movies for the public domain. Copyright is already a government guarantee of a market advantage, a subsidized movie wouldn't need this protection.

    96. Re:What? by servognome · · Score: 2, Insightful

      Not tell him what a great chance he could have of making *some* money by putting his book out on Internet, and selling hardcopies to interested parties.
      Who is to say the money from hardcopies will go to him? The business model works because only those he assigns rights to are allowed to make hard copies of his book. Now if you totally remove copyright, anybody can make hardcopies of his book.
      --
      D6 63 0D 70 89 81 BB 8E 7B 7C 5F 5D 54 EA AB 73
    97. Re:What? by pv2b · · Score: 1

      I get translated to the Swedish chef? This is because I linked to a Youtube clip with the muppets a few posts back isn't it? :-) Great. Just great.

      Anyway, it's not really a question of business models. They will attend to themselves. There's nothing in law mandating a central cartel of large record companies distributing music, for example. As reality changes, law changes, and so the business models will change with it.

      The fact is that everything today can be and will be copied, and it makes no sense try to keep the technology bottled up as it is. Business will find a way, it always does.

      Bork, bork, bork!

    98. Re:What? by pv2b · · Score: 1

      It's funny how this "point" is always bandied about by those who want to abolish copyright protections, and yet the vast majority of of music (/movies/books/whatever) that are being pirated are created by artists who are out to make money.

      Seems to me that artists who aren't out to make money could already freely distribute their work or allow it to be copied for free. In fact, I'd think that they would have a better shot at it now than if we got rid of copyright protection, since they wouldn't have to compete in that arena with the money-loving artists that you look down on. Strange how it doesn't seem to work that way...
      The artists you mention have one huge advantage. Mainstream media coverage.

      The fact that the mainstream media covers them in a much larger extent means they get the fame, and the large sales, and therefore the large numbers of downloads that goes with it.

      Like it or not, these commercial artists are our current culture, but I for one wouldn't mind it changing and developing and transforming itself into something else. It always does anyway.
    99. Re:What? by Anonymous Coward · · Score: 0

      You are right and Canada is a perfect example of this; especially since a majority enjoy watching more American produced shows and the fiasco lately.

      There are awful foreign produced movies out there and only a couple random ones that get recognized as being good by the Emmy/Golden Globe awards such as a couple Spanish ones this year.

      Just look at imdb.com and it is not that hard to see that the Top 50/100 of any Genre is dominated by American produced companies.

      The socialist or other governments just want a piece of the pie and are willing to crutch the industry in order to pander to their own agenda; hey thats the real world for you.

    100. Re:What? by Anonymous Coward · · Score: 0

      To this day, the Pirate Party does not condone or support copyright infringement for commercial gain.

      But thats a pointless distinction as your own post says, its only worth anything in the pre-internet age as now p2p can replace the "commercial" middleman of the past. Its akin to saying that when the printing press came out you supported unlimited copying on it but where wholeheartedly against anyone making hand copies of work.

    101. Re:What? by pv2b · · Score: 4, Informative

      I don't know if anybody in this discussion is advocating a abolision of copyright.

      The Swedish Pirate Party, which I am a member of, advocates a reduction in the term of copyright to somewhere betweeh 5 or 20 years after the work has been produced, as well as a reduction in scope of copyright only to cover commercial copying.

      This is a far cry from abolishing copyright.

      And as far as I know, Norway's Venstre doesn't want to abolish copyright either, they also want it reformed, not abolished.

    102. Re:What? by Anonymous Coward · · Score: 0

      I get translated to the Swedish chef? This is because I linked to a Youtube clip with the muppets a few posts back isn't it? :-) Great. Just great....

      ...Bork, bork, bork!

      Phew!!! I am glad that you have a sense of humour. It was nothing personal - more of an obligatory response. :-)
    103. Re:What? by pv2b · · Score: 1

      Are you really saying that the people producing media, who are in an exclusive position to be permitted to make a profit of what they're distributing can't do a better job than a bunch of random people on the Internet?

      I for one can think of a lot of things that suck majorly with peer to peer which could easilly be rectified if the actual people producing the content came out and distributed it on the Internet properly.

    104. Re:What? by kennygraham · · Score: 1

      Agreed, Governments need to stay out of any and all creative activities (creative accounting too, but that's wishful thinking....

      But there are other possibilities. There's no reason movies can't be done as performances - Rocky Horror Show being one example. Movies can still make plenty of money as free downloads from sites with ads (text based please). And special edition collectors DVDs will still sell for movies at the thin end of the distribution tail.

      (Note that under the proposed Norwegian system only the original producer has the right to make money from the product.)

      ). There. I can sleep now.

    105. Re:What? by servognome · · Score: 2, Insightful

      The Swedish Pirate Party, which I am a member of, advocates a reduction in the term of copyright to somewhere betweeh 5 or 20 years after the work has been produced, as well as a reduction in scope of copyright only to cover commercial copying.
      I agree that copyrights should be reduced - do a survey, find out that 95% of all revenue occurs in the first X years and set it to that.
      My concern is when you start giving a pass to certain interests (eg non-commercial) you start opening up loopholes in the system and there will be ways commercial interests will try to exploit the legislation. The big corps may be hurt, but they'll always find a way to exploit talent/customers to turn a dime; it's the individual creator that will end up the most hurt.
      --
      D6 63 0D 70 89 81 BB 8E 7B 7C 5F 5D 54 EA AB 73
    106. Re:What? by aussie_a · · Score: 0

      Then feel free to pay, and if enough people agree with you and like the book, they'll also pay. Those that don't agree, won't pay. This game is completely free, and despite that, it and many like it, will continue to exist. Now I don't have to pay for it, but I can if I wish to, and after a month I'll ask myself "did I feel I played it enough to pay $10?" If I answer yes, I'll give them $10, even though I don't have to. If enough people did it, they'd be able to quit their day jobs. Same thing with books. Let the market sort it out, not some draconian law.

    107. Re:What? by Anonymous Coward · · Score: 1, Insightful

      That depends on whether you use Fahrenheit or Celsius

    108. Re:What? by Anonymous Coward · · Score: 2, Funny

      Leave the kid alone, he's in his "Everything American sucks" phase, and so isn't capable of making rational statements about such matters. Most college/university students go through it, regardless of nationality or location.

      He'll outgrow it, eventually.

    109. Re:What? by Shihar · · Score: 1

      Trying to deny the domination of American entertainment in the world is laughable. Sure, Americans shoot movies all over the world. An American production company dragging a crew half way around the world for the perfect shot doesn't suddenly make it a non-American production. It just means that the US doesn't have the right combination of scenery/tax breaks.

      Hollywood DOES dominate the world's entertainment. It is utterly undeniable. That isn't to say that there are not alternatives, just that they make up a just a small fraction of the eyeballs Hollywood steals. I am not saying Hollywood stuff is particularly great, but its mass market appeal is completely undeniable. The amount of money moving through Hollywood dwarfs the GDP of small European nations.

      Now, do I think the world would end if all of a sudden American style copyright protections vanished in this world? Hell no. You would see all sorts alternatives to Hollywood. That said, you wouldn't see Hollywood. Multi-million dollar movies get made only in an environment of copyright and gobs of cash. If that is a good or bad thing... well, that is a matter of taste.

    110. Re:What? by BronsCon · · Score: 1

      And we're preaching to two distinct groups: Thr Choir and Deaf Ears.

      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    111. Re:What? by JebusIsLord · · Score: 1

      No one complains about the decline in horse-whip related sales, because NO ONE CARES ABOUT DRIVING HORSES. I still want to listen to music, and the possibility that some already-starving artists might be starved right out of business concerns me.

      --
      Jeremy
    112. Re:What? by I'm+Don+Giovanni · · Score: 1

      So how does an author "perform" a book? How does a director "perform" a movie? How does Bungie "perform" Halo? Your party platform sucks badly. It's so shortsighted and ill-considered as to be beyond belief. Even with regards to music, how does a song writer (not performer) get paid in accordance to the popularity of his song?

      Oh, and isn't the GPL backed by copyright? Would not your proposal screw over the GPL crowd too, as GPL source code would be freely copyable and used without regard to the GPL license? This is an honest question, not rhetorical.

      --
      -- "I never gave these stories much credence." - HAL 9000
    113. Re:What? by Anonymous Coward · · Score: 0

      "while I agree that "there is no inherent right in getting paid for copies," I think that if you want people to make good art, they need to be paid for it."

      I definitely appreciate your argument, and I agree that money is a great incentive for the production of art. However, I don't necessarily agree that money is a necessary ingredient in the production of "good" art. In fact, I tend to think the very best art is created out of passion, and not because the producer was spurred on by the possibility of getting paid for it. I mean, people have been devoting themselves to making art since long before there was a substantial market for it. It's just what we do. In fact, I'd go so far as to say that the *worst* artwork is created when a person is acting solely in the interests of gaining profit, and isn't painting/writing/coding/drawing/composing/designin g as a form of self-expression.

      Somehow, people have gotten the impression that they can live on Easy Street if they pick up a guitar and strum out a few original songs. We're teaching kids that you'll never have to work for anyone in your life if you just produce some kind of art and then sit back as the profits roll in from selling copies. But that's nonsense. Why should we receive money because someone else is enjoying our work? Unless it cost us a significant sum (which is a different matter that I'm not getting into here), then why should we ask people to pay us to have a copy? It's not like we're parting with anything when they duplicate the information we've gathered (I say "gathered" instead of "created", as all art is just a combination of experiences and influences we've had in our lives).

      There's nothing stopping people from working regular jobs, then going home and creating art in their spare time. It's a hobby, and that's all it should remain. If you can make a living by performing on stage, then great! Otherwise, just give away your recordings online (or sell them for the cost of the material, if it's a CD), and accept that creating art isn't in itself a ticket to a life of luxury.

    114. Re:What? by mrchaotica · · Score: 1

      Hey, guess what: there's nothing stopping you from funding the movie yourself if you want! Remember, he said patronage too. So if you want a non-government-made movie, pay for it yourself (you could even get together with other people, and pool your money). If you don't want to pay for it, you must not have wanted it enough anyway, so you have nothing to complain about.

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    115. Re:What? by I'm+Don+Giovanni · · Score: 1

      As for 3D graphics work. I am not sure exactly what field of work you work in, but assuming for a moment that you work in some kind of animation, motion pictures for example, movie production will still be able to make money. The big money in movies these days aren't in DVD:s (they're just cream on the top), but on movie theater showings.


      That's bullshit. There is a growing market for straight-to-DVD productions, that rely totally on DVD sales. These are things that aren't as big-budget or "grand" to warrant a theatrical release, but are still quality work for which the creators deserve to get paid in accordance with the popularity of the work. And you're totally wrong even for big movies. A significant percentage of movies make more money on the DVD release than they do in theaters. Indeed, many movies lose money at the box office and don't start to turn profit until the DVD release.

      And lastly, your proposal would allow a (unscrupulous) movie theater to play bootleg copies of the movie (since there's no copyright), at cheaper ticket price than the legit theaters, which undercuts even the theater industry.

      Your proposal is quite ill-conceived, and is based on a combination of selfishness and misguided idealism, with nary a thought to the broader ramifications.
      --
      -- "I never gave these stories much credence." - HAL 9000
    116. Re:What? by I'm+Don+Giovanni · · Score: 1

      "Embedded advertising"?
      So the LOTR movies would have the characters drinking Pepsi and whatnot?

      Wow, what a great idea!!

      --
      -- "I never gave these stories much credence." - HAL 9000
    117. Re:What? by dosboot · · Score: 1

      Music goes to live performances for revenue.
      Movies go to selling theatre tickets for revenue.
      Authors go to selling hard copies for revenue.

      Software goes to what?
      PC games go to what?

      I guess the Slashdot response is that software should go Free/Open Source and make their revenue by selling support services. This doesn't work for games though. Even if you think you can resolve this I think we all need to step back and admit that forcing movies to make money ONLY from theatres or music making money ONLY from performances maybe getting a little silly.

      I admit I'm just as bad at filesharing as half the people here. And I recognize that copyright was never intended to handle digital copies which are essentially free to create. I'd like to believe though that if I ever got around to creating that videogame I've been dreaming about that I could be successful selling it without filesharing ruining my efforts. So unless anyone has a better idea than legalizing copyright infringement you can count me as someone who would rather be a filesharing criminal with a dream over being a law abiding file sharer without one.

    118. Re:What? by sethawoolley · · Score: 1

      The proposal was only for legalizing non-commercial performance/distribution of the work, which negates your argument.

      Apparently his argument was actually well-conceived because it already accounted for your exact criticism.

    119. Re:What? by pv2b · · Score: 1

      So how does an author "perform" a book? How does a director "perform" a movie? How does Bungie "perform" Halo? Your party platform sucks badly. It's so shortsighted and ill-considered as to be beyond belief. Even with regards to music, how does a song writer (not performer) get paid in accordance to the popularity of his song?

      "Performing a work" can mean a lot more than simply standing on a stage playing an instrument. The choice of words may have been ill-conceived, but what I meant to say is that you always have the right to charge for your *labour*, and that's nothing I want to remove from anybody. We also don't want to forbid people from selling copies of their own works.

      I should also clarify something from the start. The Pirate Party does not want to abolish copyright, merely reform it. We want to narrow the scope of copyright only to cover commercial duplication of a work, and we also want to reduce the length of copyright to somewhere between 5 and 20 years after the publication of the work.

      With this background, let's take your examples one at a time.

      How does one "perform" a book? I guess that depends on the type of book. For a work of non-fiction, maybe some technical writing, you can be hired by a firm who publishes technical books to write a book on that particular subject. You'd get paid for your labour, and that's pretty much what's reasonable in the rest of the world. Of course, that only works if you have a patron willing to pay you for your labour.

      What if you don't? Let's consider what happens with the current system of copyrights. The person writes a book, with no guarantee whatsoever of any revenue, sends his manuscripts to a bunch of publishers, and if he's very lucky, gets a deal. This is far from a guaranteed source of money as it is. This is irrespective of whether you're covered by current or by proposed reformed copyright.

      The difference with reformed copyright is that promotional copies of your book will be available on the Internet for browsing, a very useful tool when deciding to buy a hardcopy online. (That's one thing missing with online bookstores today -- you can't browse in them, usually.) Sure, the person could theoretically get the file, and read it on his screen, or even print it on his laser printer. It shouldn't be too hard to sell hardcopies given those pretty poor options.

      The fact that a book is available for free online isn't really much different from your local public library really, except it's a lot more accessible, and not only limited to the more popular titles.

      In fact, I have bought lots of books this way, by reading them online first, and then ordering them off the net. Many of these purchases simply wouldn't have happened if I couldn't browse them online first.

      How does a director "perform" a movie? Well. He doesn't. But he gets paid to direct the movie by a movie studio, who in turn makes money on the movie by showing them in movie theaters. The movie theater experience is something a lot of people like to pay for. Movie studios on average break even and even turn a profit even before the movie hits DVD.

      How does Bungie "perform" Halo? Ah, well, that one is a little more difficult. But I can tell you how Blizzard are "performing" World of Warcraft, by selling subscriptions to an online world.

      And how does a songwriter get paid in proportion to his popularity? He would have signed a deal with the artist in question performing his song to give him compensation according to whatever deal they work out. Sure, there'll be MP3's floating around on P2P of it too. But that doesn't matter, because people will still pay to download the songs directly from the artist as long as they're in a nice interchangable format. Why? Because P2P can suck, and the convenience might be worth the money.

      I assume the song writer could even sign a deal with the artist in question giving him a percentage of whatever the artists get through live performances, similar to how

    120. Re:What? by pv2b · · Score: 1

      Games: Sell subscriptions to online services rather than selling shiny discs with game data on it.

    121. Re:What? by pv2b · · Score: 1

      No, that's product placement, which incidentally already happens. Blame that on the pirates I gues...

      Embedded advertising is when you place a little logo in the corner of the screen, just the same way as when you watch TV today. Instead of a logo for the Sci-Fi channel you could put in a logo for a sponsor or some kind.

    122. Re:What? by NotInTheBox · · Score: 1

      What about the library? People can read the books there without buying them.

      --
      What I cannot create, I do not understand
    123. Re:What? by dosboot · · Score: 1

      In other words you are fine if only mutliplayer games get created. I'm not.

    124. Re:What? by Vintermann · · Score: 2, Funny

      "If someone taught you a tune to play on a musical instrument, you would probably teach it to someone else. Doing that is not, and has never been illegal."

      There's a representative from the Ankh-Morpork guild of musicians here, he wants to talk to your kneecaps.

      --
      xkcd is not in the sudoers file. This incident will be reported.
    125. Re:What? by wall0159 · · Score: 1


      "you can't make money off distribution any more"

      I just don't agree with that - and not because of DRM. I think many people are prepared to pay for entertainment they like - althuogh there'll always be a few tightarses.

      "The argument of whether artists should be paid or not isn't really relevant to the discussion."

      Of course it is - how can people dedicate their life to something if they can't eat? I'm not talking about pop music - I'm talking about real music - the kind of music that will disappear in the scenario you describe.

      "I don't support commercial copyright infringement"

      Can you elaborate on why this is? Seems like a double standard to me - either you support intellectual property or you don't. What about all those torrent/p2p websites and their advertising - why is that not commercial copyright infringement?

    126. Re:What? by dosboot · · Score: 1

      With the way computers are proliferating it's not hard to imagine a future where the average person has opposite preferences: digital over analog whenever possible.

      In any case, if you want digital copying of books to be legal you are shutting out a possible avenue for independent authors to release books. If I write a book that has only a small potential audience why should I sign half my rights away to some publisher who isn't going to care 2 cents about his smallest client and probably has no clue how to reach my audience? It'd make much more sense to sell copies of the book online myself, even if the only thing that prevents my customers from making copies themselves is a kind request and the backing of the law.

    127. Re:What? by neaorin · · Score: 1

      Movies will still survive through private patronage or government subsidies. A number of important films that are acclaimed as triumphs of cinema were not expected to generate any profit, but the auteur was able to secure funding by people who appreciated his vision. And as for software, the point of the OP remains. People might not necessarily be paid for the duplication of software, but they may nonetheless be paid for its creation. Look at Google sponsoring Free Software projects.

      Some authors may be able to secure funding, some may not. Let's pick 10 of your favorite authors (any arts field). Now let's say that maybe 5 of them will be skilled enough to secure funding. The world would still lose 5 authors' great works.

    128. Re:What? by Plutonite · · Score: 1

      Good point. I'm not exactly blasted away by "news" that "informs" me the Liberals are fighting against DRM, any more than if it the article was about how the boys and girls at PETA were against skinning seals alive. These "resolutions" are not at all important until they actually become part of legislation. This is not even remotely interesting except that the slashdotters in Norway can entertain us with their speculations on how likely this "resolution" is to pass, and we can take a look at the wording and legal approach of these attempts.

      Apart from that, it's just another day on ./. Wake me up when RMS, or the Swedish piracy party, or anybody with views considered radical by the corporate powers has a half-serious chance at getting some sane law approved by a Western government.

    129. Re:What? by Vintermann · · Score: 1

      See a Wam & Vennerød film sometime, or something by Vibeke Løkkeberg, or perhaps Dis (at one point the lowest ranked film in IMDB). Norwegian film used to be a disaster.

      Government funding for the arts is a problem, but not for the reasons US libertarians believe. Politicians here aren't quite democratic illiterate, they know they can't get away with funding propaganda films for very long. What they do is to leave it to the "experts" - or rather, people with very long, almost completely useless educations. The result is mostly "art films" which no one but the director sees the genius of.

      Now it seems they have adopted more of a "Jesus and the Talents" approach: give more to those who already have a market. Norwegian (and also Swedish) film has improved vastly. I'd rather have a Lukas Moodyson today than wait for a very unlikely new Ingmar Bergman tomorrow.

      --
      xkcd is not in the sudoers file. This incident will be reported.
    130. Re:What? by neaorin · · Score: 1

      [...] and those crappy cams and telecines you see on file sharing networks are definitely no substitute for the real thing.

      So what happens in a few years when everybody will be able to afford HDTV and this will no longer be true?

      Case in point: MP3, which for most folks is as good as CD.

    131. Re:What? by Vintermann · · Score: 1

      Another thing is that we should not think that it is only google that can run a "summer of code" project. Assurance contracts, which are already avaliable from sites like fundable.org (monetary, enforced) or pledgebank.org (non-enforced), allows us to buy open-source developer services in a pretty risk-free manner.

      --
      xkcd is not in the sudoers file. This incident will be reported.
    132. Re:What? by Vintermann · · Score: 1

      Well, wasn't it entertainment you wanted?

      --
      xkcd is not in the sudoers file. This incident will be reported.
    133. Re:What? by asninn · · Score: 1

      Hardcopies of books will still sell, maybe even more if they're freely available on the net before purchase. I can count several books (of a technical nature) that I have purchased of hardcopies, even though the entire contents of the book was (legally even) available for free on the Internet.

      Indeed, and the same goes for non-technical works, too. I don't know about anyone else, but I *like* to read actual books - hardcovers, ideally, printed in an eye-pleasing font on good paper, beautiful bound, with a ribbon and everything you expect from a book. Softcovers are acceptable as well, as long as the paper quality is good; but in either case, the simple fact is that actually holding a book makes reading so much more fun than sitting in front of your computer and staring at the screen.

      And don't tell me I could just print books I got on the Internet - a stack of paper is not the same as a book, either, and besides, once you do that, you'd have to factor in costs, anyway, so the "it's available for free" argument would not apply anymore, either. Oh, sure, the book itself would still be available for free, but tell that to my wallet when I have to pay for paper, ink/toner, and the like.

      Similarly, going to a bookstore is just different from going to some website and downloading a PDF (if it's even a PDF and not just a text file!), and I think I can safely say that I, for one, would still go to bookstores and buy the dead tree editions.

      --
      butter the donkey
    134. Re:What? by neaorin · · Score: 1

      So you're against the current DISTRIBUTION methods. Great, me too. I don't care how you get your entertainment, just make sure the AUTHORS get paid. Abolishing DRM is a step toward that goal, abolishing copyright is not IMO.

    135. Re:What? by mwvdlee · · Score: 1

      So how exactly am I supposed to perform a painting? And why do you want to force every single musician out there to also be a performers. For that matter; how is a software producer supposed to perform an application? Only logical thing here seems to consider running the application as a performance; should we be charged for software by the hour?

      Only being paid for "performance" is one of the worst, most short-sighted and egotistical ideas out there. It only serves your own desire for free content.

      Copyright law needs to be changed, but abolishing it completely is just as extreme as the DRM/DMCA-ridden world of today.

      --
      Slashdot social media options: AIM, ICQ, Yahoo, Jabber and Mobile Text. Why no MySpace?
    136. Re:What? by Julius+King+Robertso · · Score: 1

      There's already not much money in writing, unless you're named King or your initials are JKR.
      In fact, in payment for my writing, I will accept either squillions of dollars, or another n.
    137. Re:What? by cliffski · · Score: 2, Interesting

      "As Pirates (I am a member of the Swedish Pirate Party) we believe there is no inherent right in getting paid for copies"

      thats communism right?
      I'm not trolling, or being negative, I repesct people who believe in communist principles, but often (in my experience) they don't realise what they are.
      You expect people who can manufacture products (songs, software etc) to do so without any expectation of being compensated for the fruits of their labour (assuming those fruits are desired and consumed). That remind me of "to each according to their needs, from each according to their means".

      Of course the flipside of it, is that everyone has to go out and work and abide by the same principle. If you are a farmer, and I'm a software developer, I can pop round your hosue and take some bread and eggs and meat when I am hungry, without paying you. That's how the system works.

      Or do you belive just ins ome special new radical form of communism where people who make physical goods work as capitalists, and the schmucks who make copyable goods have to uphold the communist side?

      --
      DRM-free indie games for the PC and Mac: Positech Games
    138. Re:What? by cliffski · · Score: 1

      "There's no reason movies can't be done as performances"

      excellent, apart from the fact that we only have 1 george clooney, 1 harrison ford 1 etc etc. If everything becomes some low budget stage show, apart from the fact that the matrix would have been pretty pants, we all get to see the dork in the next village cast as Neo, as opposed to a single actor who was determined to be the best for the job.

      Of course, if you can explain how a movie like 'Hero' can be performed at Guildford Theater, I'll eat my words.

      People go to astonishing lengths to justify free downloads.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    139. Re:What? by Carewolf · · Score: 1

      Yes. Voting yourself out of the world, can't keep the world from getting to you.

      Norway was no choice but to follow EU rules because they in Europa, and most of their import is from Europe and most of their export goes to Europe.

    140. Re:What? by OminousZ · · Score: 0

      Oh wait, I'm the only person in the world that enjoyed the film... Untrue! I greatly enjoyed it! Only because of Deacon, though.
    141. Re:What? by servognome · · Score: 1

      just to clarify, most likely you'll find that 95% of all revenue occurs within the first 5-10 years given the revenue drop is logarithmic week-by-week, which is in the time frame previously mentioned.

      --
      D6 63 0D 70 89 81 BB 8E 7B 7C 5F 5D 54 EA AB 73
    142. Re:What? by cliffski · · Score: 1

      always funny to see that piarte classic "i bought a book once" being wheeled out to justify mass copyright-infrinegment.
      Your system means that writers like stephen King, JK rowling, Neal Stephenson, Iain M Banks etc, all knock out books when they get home from WalMart. personally, I'm glad they arent doing that, because I think those authros are good, and that their time is better spent writing great literature than it is stacking tins of beans, which you want them to do for no better reason than 'you cant digitally copy beans'.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    143. Re:What? by Fred+Ferrigno · · Score: 2, Insightful

      Dividing commercial and non-commercial copying is a tricky issue, though, and I'm sure people will find a way to take advantage of it.

      Imagine an internet radio station that transmits a playlist instructing clients to automatically download the next song over legal P2P. Or companies that sell access to private trackers, even though users are still technically downloading from each other. Or a company that sells a cheap TiVo knockoff with Step 1 in the instruction manual: "Download TiVo Software".

      The one thing I will grant you is the radical reduction of the lifetime of copyright. A lot of us wouldn't particularly mind being left out of the loop when it comes to modern music.

    144. Re:What? by master_p · · Score: 0, Flamebait

      So, are you telling us that if you spend 15 hours each day in 5 years of your life writing one of the best novels out there, and it is a worldwide success, you don't care if you are properly compensated?

    145. Re:What? by ajs318 · · Score: 1

      Sure, you can't get paid for every single person who reads your book. Just like the way you can't get paid by every single person who listens to your music as they walk past you on the street. The Internet has made everybody a street performer, whether they like it or not. The only way to stop that from happening is not to perform.
      This is one of the most insightful things I've read on Slashdot in a long time. Thank you!
      --
      Je fume. Tu fumes. Nous fûmes!
    146. Re:What? by KDR_11k · · Score: 1

      I'm usually socialist but I agree on this, government subsidies should be limited to basic goods like food, education, healthcare and utilities because everybody needs it and it should be available to everyone. Movies are a luxury, I don't think the government needs to subsidize any media other than the informational kind (news broadcasts and the like).

      --
      Justice is the sheep getting arrested while an impartial judge declares the vote void.
    147. Re:What? by Knuckles · · Score: 1

      Now let's say that maybe 5 of them will be skilled enough to secure funding. The world would still lose 5 authors' great works.

      Which is different to now how? Are you trying to argue that Hollywood and the music majors give every good artist a chance?

      --
      "When I first heard Daydream Nation it quite frankly scared the living shit out of me." -- Matthew Stearns
    148. Re:What? by h3nning · · Score: 1

      You're of course correct in that there is no inherent right in getting paid for copies. But this arrangement was put in place to make more people able to make a living by creating music (and other works of art). The rest of your arguments are plain wrong.

      First of all, most musicians are not signed on big labels. As a member of a struggling band I don't make any money, I'm actually losing lots. Small bands don't get paid for playing, and almost never get traveling expenses covered. For playing our own songs live we get a small fee from TONO (Norway's Performing Rights Society). About $20 which is split 4 ways. Whoopie.

      Although I believe non-commercial distribution shouldn't be criminal, your solution will make musicians even poorer (remember, most musicians are not signed on big labels, probably not on any label at all). If you still want a varied culture (not just big label crap) you'll have to put another financial compensation plan in place. And then you're back to square 1. You're still paying, but in a different way.

      If you think smaller venues can afford to pay musicians decently, you're wrong. I'd be a happy man if you put together a good plan for compensation for live performances, but I have yet to see anything like this from a self-proclaimed Pirate.

      And just for the record: I'm not out to make money on this at all. I'd just like to be able to cover my own traveling expenses.

    149. Re:What? by geschild · · Score: 1

      And so the 'blame' for the lack of revenue will be moved from 'the Internet' to ePaper. The only reason people still buy hard-copies is because screens are still woefully inadequate to read large amounts of text comfortably. Once that hurdle is gone, hard-copies will disappear like snow in the sun.

      I'm hoping it'll be sooner, rather than later. Anything to help against deforrestation is a plus in my book, for content-publishers, however, it must be their worst nightmare...

      --
      Karma? What's that again?
    150. Re:What? by dk.r*nger · · Score: 1

      The Xerox machine was a revolution in copying technology, but was very limited in its scope. It took considerable work to copy books with a xerox machine. It's self-regulating in that way. There wasn't really any pressure to update copyright laws because the societal impacts of the Xerox machine weren't nearly significant enough.

      No, it takes some (not considerable) work to prepare a book for copying.

      Most college students will at least know which copy-shops in town has ready-to-dump-in-feeder copies of the most popular and/or expensive textbooks in binders in the backroom - or, more recently, as PDFs, ready to print.

      A 1000-page text book costs maybe $120, and has 500 spreads. Scanning a spread on a modern copier takes about 7 seconds, total, so preparing a book for reproduction is about an hour. High cost-of-entry to the casual homeuser, but it you're just a few co-consprators it's nothing.
    151. Re:What? by Anonymous Coward · · Score: 0

      Funny that, it seems to me to be more of a reaction to Americans' over estimating their general importance and greatness, but perhaps not their size.

    152. Re:What? by madcow_bg · · Score: 1

      The Swedish Pirate Party, which I am a member of, advocates a reduction in the term of copyright to somewhere betweeh 5 or 20 years after the work has been produced, as well as a reduction in scope of copyright only to cover commercial copying.
      I agree that copyrights should be reduced - do a survey, find out that 95% of all revenue occurs in the first X years and set it to that.
      My concern is when you start giving a pass to certain interests (eg non-commercial) you start opening up loopholes in the system and there will be ways commercial interests will try to exploit the legislation. The big corps may be hurt, but they'll always find a way to exploit talent/customers to turn a dime; it's the individual creator that will end up the most hurt. Oh, sure!!! Right NOW the big companies are not exploiting the creators to the limit. Somehow they are giving them so much money, but since they are going to have less profit they are going to give them less! Please, tell me how could you think of that? You're not a businessman, are you? Besides, the existance of loopholes is a problem in every law. Fair use is also a loophole for some, but we don't want it taken away, do we?
    153. Re:What? by Anonymous Coward · · Score: 1, Informative

      Ditto for Angelopoulos' films in Greece.

    154. Re:What? by Anonymous Coward · · Score: 0

      Are you into films? Nudge nudge. Swedish films? Eh eh. Nudge nudge, wink wank^H wink. Say no more.

    155. Re:What? by neaorin · · Score: 1

      No, but if an author's vision seems like it has a shot at being appreciated, funding comes from people expecting a return on their investment. That reason would disappear in a copyright-free world. Unless you are already a well-known author, you would only get sponsorship from philanthropists. Am I wrong?

    156. Re:What? by Hittite+Creosote · · Score: 1
      I don't think you picked the best examples in the films "Titanic" and "The Matrix" - James Cameron (writer and producer as well as director of Titanic) is Canadian, Kate Winslet British. The production companies were 20th Century Fox, Paramount and Lightstorm (Cameron's company)

      Carrie-Anne Moss is Canadian, Hugo Weaving Australian, the Matrix films were a co-production between Warner Brothers and Village Roadshow Pictures (Australian).

      So, in just your examples we have Canadian and Australian producers, Canadian writer, Canadian, British and Australian actors, Canadian director, share of the proceeds going to Canada and Australia.

      Now, this doesn't mean at all that the US contribution is at all negligible, but pretending that the product is American, rather than multinational, is misleading.

    157. Re:What? by LaughingCoder · · Score: 1

      Well, if I could charge people to watch it rather than having them all just steal it from me, then maybe I would!

      --
      The more you regulate a company, the worse its products become.
    158. Re:What? by garett_spencley · · Score: 1

      I'm not nearly smart enough to propose alternative business models for writers that actually stand a good chance of succeeding. However, the fact of the matter is that new technologies have replaced old business models countless times in the past, and the digital age is simply another example. It has made traditional publishing and distribution obsolete.

      Whether or not copyright should be abolished or whether or not writers should be able to control their works is irrelevant. Now that every single person with a computer and an Internet connection has been given the ability to make unlimited copies of digital information and redistribute that information to whomever they like people will do it. Despite whether or not it's illegal.

      It's nearly impossible to criminalize something that the vast majority of people do without deeming it wrong. So even if nothing changes with regards to copyright law, DRM and the likes, writers and other artists will be forced to adapt and come up with new and creative business models to survive. It simply does not matter what anyone wants. The only thing that matter is the present reality of the market.

    159. Re:What? by autophile · · Score: 1

      Cory Doctorow seems to be doing all right with that model.

      --Rob

      --
      Towards the Singularity.
    160. Re:What? by Anonymous Coward · · Score: 0

      Norway has never been in the European Economic Community, and never signed any agreement to enter it or its succeeding entities. It is not bound to implement any EU directive as it is not represented in the European parliament, because it is just not part of the European Union.

    161. Re:What? by pv2b · · Score: 1

      "you can't make money off distribution any more"

      I just don't agree with that - and not because of DRM. I think many people are prepared to pay for entertainment they like - althuogh there'll always be a few tightarses.
      I just think you made my point for me.

      What I meant by "You can't make money off distribution" is that the business model of the record company, for example, is dead. There's no need for a distributor such as a record company where distribution of art is trivial.

      This doesn't mean people aren't willing to pay. If an artist puts up music on his web page, letting me download it, and then solititing donations after the fact -- they first of all get a much larger part of the cake than they would otherwise. I know I have done this several times. Their cake may even be bigger. As you said, most people are prepared to pay for entertainment they like. There'll always be a few tightwads out there, true. But those same tightwads will be spreading buzz and the music to other people who aren't so tight.

      "The argument of whether artists should be paid or not isn't really relevant to the discussion."

      Of course it is - how can people dedicate their life to something if they can't eat? I'm not talking about pop music - I'm talking about real music - the kind of music that will disappear in the scenario you describe.
      I'm not sure what kind of real music you're talking about, but many real musicians I've spoken to pretty much agree with my viewpoints.

      And unfortunately, in the Real World, even today, people who dedicate themselves to producing music usually end up working regular jobs supporting themselves, and making very little on the actual production of recording and other work other than performances. This won't really change with copyright reform.

      "I don't support commercial copyright infringement"

      Can you elaborate on why this is? Seems like a double standard to me - either you support intellectual property or you don't. What about all those torrent/p2p websites and their advertising - why is that not commercial copyright infringement?
      False dichotomy.

      We don't believe somebody has the right to make money off somebody else's art. Every time somebody pays for an illegitimate copy, that is very real money that could have gone to the artist going to some profiteering middleman instead.

      However, when a file is copied, nothing is lost by the artist, rather society is enriched by the increased preponderance and amount of art in their reach. A lot of the downloads of the Internet don't mean the person would have bought a copy of the work to start with. A lot of it is equivalent to the window shopping people did before the evil pirates invented the Internet. Like listening to FM radio, or listening to music in listening booths at record stores, or even borrowing a CD from a friend or god forbid, a music tape.
    162. Re:What? by pv2b · · Score: 1
      Great point.

      The fact that a copy is available for free on the Internet doesn't mean people won't pay for it given the opportunity. There are a lot of precedents of works available for free being able to make considerable money off donations.

      It'd make much more sense to sell copies of the book online myself, even if the only thing that prevents my customers from making copies themselves is a kind request and the backing of the law.
      Great idea! Cutting out the middleman is just what's naturally happening in much of the world.

      However, the law is effectively toothless as it is. People *are* making copies en masse, and that's a good thing too. Because it gets your book into audiences it would never have reached before.

      Consider this. How many people would have heard about your self-published work through any other medium if it hadn't been shared? You may make a lot more on a freely available book soliciting donations and selling hardcopies than on a much smaller number of guaranteed sales.
    163. Re:What? by pv2b · · Score: 1

      You can't make a DVD-RIP (or HD-DVD rip or Blu-Ray rip) if no DVD, HD-DVD or Blu-Ray is out on the market.

      The advent of HDTV is going to spoil people quality wise even more, making them demand higher-quality copies.

      Distributing high-quality video on peer to peer is possible, but slow and rather complicated. I for one believe it could be done a lot better if those who produce movies today got their act together. And I'd be willing to pay too.

      As it is, the pirated product is *better* than the commercial product. Sure, it's infinitely cheaper too. That doesn't mean I wouldn't pay for a high-quality video stream or fast download from the producer.

    164. Re:What? by pv2b · · Score: 1

      Strawman.

      As I have said in many posts before, I don't support the abolition of copyright. Only a reform of copyright, which among other things recognises that copyright should only be intended to limit commercial exploitation of works.

      Your entire post is a great example of why no copyright is a bad thing. Too bad that's not actually what I, Norwegian Venstre or the Swedish Pirate Party are advocating. :-)

    165. Re:What? by pv2b · · Score: 1

      Funny you should mention paintings. You couldn't have picked a better example.

      They're one of the few works of arts where the original has considerable value that can't be copied, and the painter continuously develops a new stream of art.

      Copyright law is irrelevant to this, really. A painting can either be commissioned or just made, then sold. Either way, it's the fact that it's an original that drives up its price.

      I don't see anything wrong with photographs of said painting turning up on the web. That's just allowing a much wider audience appreciate a unique piece of art.

    166. Re:What? by nathan+s · · Score: 1

      So how does an author "perform" a book? How does a director "perform" a movie? How does Bungie "perform" Halo? Your party platform sucks badly. It's so shortsighted and ill-considered as to be beyond belief. Even with regards to music, how does a song writer (not performer) get paid in accordance to the popularity of his song? I think there are a couple of misconceptions here. First, authors regularly "perform" their books by doing readings and signings and so on. And there is incentive to purchase their works because some people simply prefer to have a physical artifact than some sort of digital virtual reproduction. Secondly, directors regularly "perform" movies by playing them in theatres that exist on scales that the individual can't really reproduce at home, hence providing a better experience for the movie. And my local IMAX theatre is now renting out time for gaming parties. Who woulda thought.

      I spend most of my spare time creating artworks of various sorts; novels, visual artwork (drawings and so on), and lately quite a lot of music. My primary concern as an artist isn't that some person like you will "steal" my work and that I won't be able to continue producing art. Hell, I don't make money doing it right now as it is, although I've had some small publishing successes and others on the horizon (hopefully). Rather it's that some commercial entity will make use of my stuff and not share their profits with me as they rightfully should.

      And frankly, the "popularity" of music is bullshit. Read that article recently released (search any news source - Google News for instance - right now for Joshua Bell) about the world-class violinist who dressed in street clothes, took a Stradivarius into the Metro, and played for an hour. It's all about promotion, marketing, and the "frame," so to speak. There is a hell of a lot of art that doesn't get a chance thanks to being buried under mountains of overpromoted bullshit and I don't think that anybody deserves to make a billion dollars from a piece of art (Rowlings, anyone?) - that's just obscene.

      The morality of that aside, the notion that private sharing will somehow stop artists from creating is silly. It might stop people who create mediocre crap hoping to get on the mass popularity gravy train, but it will not stop a single person who creates out of sheer desire to do something besides sitting there eating cheese puffs and staring at the television all day long. People who do art for art's sake will always make time on evenings and weekends or else find patrons to support their vision on a more regular basis.

      And for those of us who create for the love of it, getting people to see it is a bonus. Getting paid is even more of a bonus. All we ask is that some corporation not insult us by stealing our work to line their pockets and then suing the people who enjoy our creations in our name, while throwing us pennies on the $10 or nothing at all.
    167. Re:What? by cliffski · · Score: 1

      I could smash your window while your at work and take your TV. The fact that no window has been invented that cant be smashed doesnt mean that the vast majority of people do not behave that way. Personal property did not dissapear as a concept when someone invented the crowbar.

      And in fact, most people realise that taking the fruits of someone elses hard work for free is theft. its only people who have a huge torrent collection and try to rationalise that theft who hide behind "everyone I know does it".

      --
      DRM-free indie games for the PC and Mac: Positech Games
    168. Re:What? by mrpeebles · · Score: 1

      Or do you belive just ins ome special new radical form of communism where people who make physical goods work as capitalists, and the schmucks who make copyable goods have to uphold the communist side?

      This is a very powerful counterpoint to the parent's original post. I think, though, the response could be this- we know how to enforce the right of the farmer to keep people from stealing food off his land. There is a pretty good chance that if I am not skulking around his property at night, I will not be shot at by him for trying to steal his food.

      Seemingly, copyright violation law is becoming different from this. The somewhat controversial claim (though not so controversial on slashdot) is that innocent people are being sued by companies for copyright violation, and they do not have the means to defend themself.

      The largly ineffective efforts to enforce copyright violation may hurt perfectly innocent people in other ways as well- for example, the now debunked claim that Vista might potentially cause mistakes in medical imaging (there was a story on slashdot about this.)

      You may believe the rights of music publishers and artist to be compensated for copies made of their works to be inalienable right. Then it is probably the job of society to bend over backwards, in whatever way is neccessary, to allow them to be compensated. However, if these rights are not inalienable, but instead are simply the result of a contract made between publishers, artists, and the rest of society in the form of copyright laws- well, it may be time to revisit the terms of the contract.

    169. Re:What? by Anonymous Coward · · Score: 0

      I didn't know "he only gets paid once" was such a radical principle. Or do you mean that everybody who're making screws get paid every single time the screw is used or someone makes a screw like it, and that the farmer gets paid for his eggs once when the company buys them and once more when the shop buys them from the company?

    170. Re:What? by pv2b · · Score: 1

      Heh heh. The communist argument again. :-)

      It might interest you to know that Norsk Venstre are not communists or socialists at all. I'd rank them closer to libertarians by the US way of categorising political parties.

      I would also class myself as a libertarian, but that's not a reflection of the Swedish Pirate Party as a whole. We have people from all sides of the political spectrum in our leadership.

      Now, I can't speak for the motivations of those to the left of the spectrum, but from my social liberal standpoint, I basically think that overly broad private monopolies are bad.

      Copyright isn't a natural right, it's an artificial restriction put in place to encourage artists to publish their works by granting them a monopoly on exploitation of that work.

      I believe that an unconditional monopoly on duplication is harmful in that it prevents the otherwise completely natural spread of art.

      However, I believe that a monopoly on commercial exploitation of said work for a reasonable amount of time is a good thing.

      The main difference is that commercial goods can't be infinitely copied by any schmuck at home. When you steal a car, there is a tangible amount of resources and work that has been lost.

      Digital media just doesn't work that way.

    171. Re:What? by neaorin · · Score: 1

      I'm not convinced unlimited private copying of digital data is a rip-off. As far as I see it, it's just a great channel for marketing [...]

      Respectfully, would you like me dictating to you the way you will market the stuff you create?

    172. Re:What? by Anonymous Coward · · Score: 0

      Man I must be in upside-down-world, since the guy asking for less government involvment, and saying that free-market should be left alone, and that artists should just be left to figure out how to make a buck from their work (if at all), with no government-supported guarantee of profit, is being called a communist.

      Or do you belive just ins ome special new radical form of communism where people who make physical goods work as capitalists, and the schmucks who make copyable goods have to uphold the communist side?

      There are key differences. The schmucks who current work in the copyright field have government-monopolies to protect them. This is not capitalist. A capitalist system would remove those monopolies and see what happens (let the market figure it out). Artists could charge for performances, etc. In a communist system, the artists would somehow be compelled or required to do their thing, and release their art to the world.

      No one should be forced to make music for a living, and no one should be forced to make screwdrivers for a living. However, in both cases, we don't need special laws to protect the markets that may (or may not) exist for making art and making screwdrivers. That's capitalism for ya.

    173. Re:What? by neaorin · · Score: 1

      You can't make a DVD-RIP (or HD-DVD rip or Blu-Ray rip) if no DVD, HD-DVD or Blu-Ray is out on the market.

      What market? As soon as somebody gets it and torrents it, it's out there for everyone. It's happening today.

      The advent of HDTV is going to spoil people quality wise even more, making them demand higher-quality copies.

      Distributing high-quality video on peer to peer is possible, but slow and rather complicated. Yeah, just like the vast majority of people are spoiled by MP3 and are screaming for vinyl-quality digital music. And distributing video is somewhat slow, but not for long. What then?
    174. Re:What? by JoddEHaa · · Score: 1

      Ha Ha. It's funny cause NOBODY hates communists like the Norwegian Liberal Party. (or at least their big fat leader, who does nothing BUT talk about the "dangers" of socialism)

      --
      GNUs don't kill people.
    175. Re:What? by emilv · · Score: 1

      If it's supposed to be a "free market", why would we grant some people monopolies for something that wouldn't be profitable otherwise?

      This isn't a question about "communism vs socialism vs liberalism vs capitalism". I am myself a socialist and think that the society as a whole would benefit a lot from copying, sampling and from using other peoples work as a ground for new inventions.

      I was in an argument with pv2b (the one you just called "communist") once, and he was more radical in his opinions than I am. I have a big ideological problem right now because I am a member of the Swedish Pirate Party and at the same time am I worrying about the GPL. He, on the other hand, doesn't care about GPL being useless because everyone will benefit from the copying anyway and he think it is everyones right to build upon a work without having to comply to any artificial restrictions, that "intellectual property" is just nonsense. I would call his opinions liberalism, not communism (remember that you don't take away the original authors right to use his work. You just make a copy of it and build upon it).

      Anyone, from whichever end of the political scale, can have opinions about intellectual property, both pro and against.

    176. Re:What? by pv2b · · Score: 1

      I never said it was easy to make money making music. I just said copyright law doesn't really play a big role in the economics you mentioned.

      Never once have you mentioned that you're currently making considerable money or even any money based on recordings. And the law hasn't even been changed yet.

      In fact, I'm hard pressed to see which part of my post you're refuting. My argument is based mostly on the fact that recorded music is a non-product. And then you counter with the fact that you're not covering your expenses playing music live. Non sequitur.

    177. Re:What? by ghyd · · Score: 1

      There are maybe new economic models to invent. It often happens the main selling point for a software is "support"; like new soundbanks for your virtual synth. Maybe it's the music industry that has become a little too big and industrial to financially support itself, with inane prices for music (that surely pays for the weight of the industry a lot more than for the creation) and near zero adaptation to new technologies that we users live by (thanks to Amazon and Apple and others for that).

    178. Re:What? by Anonymous Coward · · Score: 0

      Or do you belive just ins ome special new radical form of communism where people who make physical goods work as capitalists, and the schmucks who make copyable goods have to uphold the communist side?

      Yes. Because "intellectual property" is an illusion. Artists should be paid for their effort and talent, not the "end product". They put the time and effort into making the original, they should be reimbursed for that. If that end product can be easily duplicated, hey, tough shit!

      If physical products could be copied exactly, with little or no cost in energy, we'd see the "Manufacturing Industry Association of America" screaming about how duplicating ham sandwiches is piracy, and it would make absolutely no difference, because everybody would do it anyway.

      The concept of somebody owning an idea and then demanding payment from others that use that idea is outmoded, and it will die through civil disobedience as successive generations grow up. And maybe this means a lot of artists and musicians will be out of work, and that's sad, but if they can't convince their audiences that they deserve to be supported for their talent, then they're not very good and deserve to die off.

    179. Re:What? by greenbird · · Score: 1

      I'm not trolling, or being negative, I repesct people who believe in communist principles, but often (in my experience) they don't realise what they are. You expect people who can manufacture products (songs, software etc) to do so without any expectation of being compensated for the fruits of their labour (assuming those fruits are desired and consumed). That remind me of "to each according to their needs, from each according to their means".

      No, what you're advocating is that a specific group have their specific industry artificially protected by laws so they can continue using outdated business models to make money. That's more like socialism. No one wants to prevent anyone from making money off the "fruits of their labour". People who make statements like the above have so bought into the propaganda put out by the *IAA that they can't see the forest for the trees. What the *IAA is trying to do is create a legal structure such that they are the only ones who can publish artistic works and in such a manner that they have exclusive control over how any of those works are used. They have largely maintained that control in the past because it was expensive to produce and distribute artistic works. Note that create wasn't included there. They don't create anything. They control the artistic works but they aren't the creators. So what you're advocating is that the creators of artistic works are required to hand over all rights to their works to a third party who then determines how much of the money made off that work is going to go to the person who actually created it.

      Of course the flipside of it, is that everyone has to go out and work and abide by the same principle. If you are a farmer, and I'm a software developer, I can pop round your hosue and take some bread and eggs and meat when I am hungry, without paying you. That's how the system works.

      Again you've got it backwards. What you're advocating is that just because someone spent 2 years writing a book they should be protected by law so that they can live off that 2 years of work forever. I've spent the last 30 years working. I think they should pass a law that I should keep getting payed for everything I've produced in those 30 years so I don't have to continue working.

      --
      Who is John Galt?
    180. Re:What? by cliffski · · Score: 1

      "And maybe this means a lot of artists and musicians will be out of work, and that's sad, but if they can't convince their audiences that they deserve to be supported for their talent, then they're not very good and deserve to die off."

      im glad this didnt happen beore shakespeare, otherwise we would indeed be very sad. It sounds like you dont want the best writers and the best movie directros of software engineers to carry on doing their work, you just want the ones who are best at promoting their work in lieu of actual sales?
      So if I write really shitty books, but Im a hilarious guy when you come along to hear me read excerpts from them (the 'performance'), then you think I should be better rewarded by the market than someone who is a very clumsy, shy introvert who happens to write kick-ass novels.
      I disagree.
      We already have a system that decides what entertainment products are the best, called the free market. If you write something excellent, millions buy it, and you get to do it full time, with a bigger budget / more time in future.
      The system has worked pretty well, its a pity that a bunch of kids want to pull the whole system down rather than shell out a few dollars for entirely optional luxury goods like books and Cds now and then.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    181. Re:What? by cliffski · · Score: 1

      "Again you've got it backwards. What you're advocating is that just because someone spent 2 years writing a book they should be protected by law so that they can live off that 2 years of work forever. I've spent the last 30 years working. I think they should pass a law that I should keep getting payed for everything I've produced in those 30 years so I don't have to continue working."

      nope, totally wrong.

      when you write a book for 2 years you get paid NOTHING, and the BIG chance is you wont sell any and still earn nothing. its a HUGE risk. Did *you* get paid for those 30 years? I suspect you did. It's a different approach to business. Some people risk their labour in the hope of a good return one day, most people risk sod all and take a regular check. Most people who take risky approach earn less than people like you, but that never stops people bitching about the 1% of them that they read about in celebrity magazines.

      newsflash : not every singer is as rich as elton john. not every filmmaker is george lucas. Many risk everything, and lsoe everything, while you are in your comfortable day job with a regular monthly wage.

      "No, what you're advocating is that a specific group have their specific industry artificially protected by laws so they can continue using outdated business models to make money"

      nope, im suggesting we enforce the law. If your employer stopped paying you, youd want them sued right? your just another specific group (waged employees) who would be the very first to run screaming to the law if you didn't get paid.

      By the way, creative works are not a 'closed shop'. If you think its such an easy life creating stuff and selling it, why have you spent 30 years doing the opposite?

      --
      DRM-free indie games for the PC and Mac: Positech Games
    182. Re:What? by drsquare · · Score: 1

      Movies will still survive through private patronage or government subsidies.
      Great, so now I have to pay taxes to make films I don't want to watch? This is effectively communism.

      I can't imagine how effective the film industry would be if you needed a mad billionaire to fund a film.

      And people not paying for films/music/books will take billions out of the economy. I don't see how this is a good thing, it just seems that people want to be cheap.
    183. Re:What? by mpaque · · Score: 1

      A programmer can get a good job maintaining software, if there is insufficient public interest to do this

      OK, seems pretty clear to me. My five years of work to create something new are worthless to you, but if I do a sufficiently poor job of it, you're willing to slip me a few kroner to fix bugs in it.

      Sounds like the take-home lesson is to not waste effort on the original software to make it robust or bug-free, just crank out something flashy, and make it up selling bugfixes on the backside. Nice. Think about that next time you hop onto a modern fly-by-wire aircraft...

    184. Re:What? by drsquare · · Score: 1

      They want file-sharing to be legal, which is effectively ending copyright. Rather than all this weaseling about, why don't they just come out and say they want everything for free?

      And I don't think it's a coincidence that these pirates come from Scandanavia, where high taxation means less disposable income to spend on luxuries.

    185. Re:What? by mmcuh · · Score: 1

      "And maybe this means a lot of artists and musicians will be out of work, and that's sad, but if they can't convince their audiences that they deserve to be supported for their talent, then they're not very good and deserve to die off." im glad this didnt happen beore shakespeare, otherwise we would indeed be very sad. It sounds like you dont want the best writers and the best movie directros of software engineers to carry on doing their work, you just want the ones who are best at promoting their work in lieu of actual sales?
      You are aware of the fact that copyright law did not exist in Shakespeare's lifetime, right?
    186. Re:What? by CRCulver · · Score: 0, Offtopic

      Great, so now I have to pay taxes to make films I don't want to watch? This is effectively communism.

      Unless you live in a Third World failed state, chances are your government already subsidizes at least some amount of art production out of your tax dollars. Pretty much every historical era has considered the arts important to the functioning of a healthy society and therefore worthy of public support. It's not as you suggest some notion that Marx and Engels introduced.

    187. Re:What? by pv2b · · Score: 1

      I'm not dictating anything. I'm offering what I think are helpful suggestions.

      However, copyright is dictating that I may not, for non-commercial purposes, use one of the most basic features of digital media -- to duplicate it freely. I for one don't want people dictating to me what I may or may not do with digital media.

    188. Re:What? by PMBjornerud · · Score: 2, Insightful

      That explains why the Swedish movie industry, instead of the evil capitalist studio system in Hollywood, USA, dominates the global market for movies. Acutally, I think they dominate due to the enormous demand for swedish-speaking movies.
      --
      I lost my sig.
    189. Re:What? by neaorin · · Score: 1

      I'm not dictating anything. I'm offering what I think are helpful suggestions.

      However, copyright is dictating that I may not, for non-commercial purposes, use one of the most basic features of digital media -- to duplicate it freely. I for one don't want people dictating to me what I may or may not do with digital media.

      If that digital content is not created by you then I think you should not be allowed to copy and use it without the creator's consent, regardless of how easy it is to do. You don't HAVE to do it; this isn't food and water we're talking about.

      Once you get that consent, sure, private copy all you like. I think we just see things differently on this topic.

    190. Re:What? by Stormwatch · · Score: 1

      I'm usually socialist but I agree on this, government subsidies should be limited to basic goods like food, education, healthcare and utilities because everybody needs it and it should be available to everyone.
      Hint: there's no such a thing as a free lunch. Whatever a government gives to someone had to be taken from someone else first.
    191. Re:What? by Knuckles · · Score: 1

      if an author's vision seems like it has a shot at being appreciated, funding comes from people expecting a return on their investment

      This ignores that there is a lot of art that will not deliver a monetary return on investment, but nevertheless is interesting or even great art. You can argue that there might be people who will invest for return that is not monetary, but this will still leave out certain artists that cannot procure such investments for whatever reason.

      --
      "When I first heard Daydream Nation it quite frankly scared the living shit out of me." -- Matthew Stearns
    192. Re:What? by dwpro · · Score: 1

      Or do you belive just ins ome special new radical form of communism where people who make physical goods work as capitalists, and the schmucks who make copyable goods have to uphold the communist side?

      I think the problem is that applying the capitalist ideology here requires one to do something counter to their self interest (at least in the short term.) The only reason I'm not copying a farmers goods right now isn't because I'm a good capitalist, it's because I can't in the same way I can copy software.

      --
      Millions long for immortality who do not know what to do with themselves on a rainy Sunday afternoon. -- Susan Ertz
    193. Re:What? by Anonymous Coward · · Score: 0

      If you are a farmer, and I'm a software developer, I can pop round your hosue and take some bread and eggs and meat when I am hungry, without paying you. That's how the system works.

      I used to grow vegetables in my back yard when I lived in the "bad" neighborhood. Sometimes squirres and cats and rabbits would "steal" a few tomatos or lettuce or some such, and occasionally humans would steal a few tomatos, but I really didn't mind since I had plenty and it cost me little to nothing to grow. That is the state of software "piracy" today. If you "pirate" a copy of photoshop that you can't afford and wouldn't buy anyway (like the small animals and poor people who took a few tomatos or nibbled at the lettuce), Adobe has lost nothing.

      The first year I moved into a "better" neighborhood, the damned humans took every single tomato I grew. As soon as a tomato was almost ripe enough to pick, it would be gone. I stopped growing that garden, you can imagine. This is what the **AA says they fear, but it clearly isn't and won't be happening. As long as people keep producing movies and software and music, we don't need laws against "piracy" (but read on, IMO commercial "piracy" should be illegal).

      I've written quite a few articles and such stuff, and many of them have been sucessful in a non-commercial way; the linked Google page lists one, and sites that mention it. Many other articles I've written were widely plagairized; I documented and explained Quake console commands back in my gaming days, and searches made me think it was the most plagairized work on the internet.

      I'd say commercial copying should be subject to copyright, which is why we have the GPL. If you take my work and make money on it without my making anything, then you have wronged me. But if you get a copy of something you would have never paid me for in the first place, I haven't lost anything at all. A "pirated" version of photoshop (or "How to quit smoking cigarettes", another popular article of mine) should carry no penalty provided there is no money involved.

      If I shoplift a CD, the retailer has lost that CD. If I download that CD, nobody has lost anything.

      If I go into Best Buy and get caught shoplifting a CD, I will be arrested for misdemeanor retail theift and might have to pay a few hundred dollars in fines, and damn it, I should be. If I download that same CD and get caught by the MAFIAA, I will be liable for thousands. It seems to me that these laws are bass-ackwards.

      -mcgrew (sm62704)

    194. Re:What? by Anonymous Coward · · Score: 0

      Are you joking? Sweden has a mixed economy. That means that some things are market based, and some things are handled by the collective. You know, like the United States.

      Somehow you've equated Marxism with random acts of unscheduled giving (?) so I'm a little lost.

      In a mixed economy, a people can either express their values through purchasing or through voting. If they vote that the schmucks who make copyable goods have a lower value of labour than people who make less-copyable goods (e.g. food is more valuable than pop music) then the market must bend to that type of regulation. Yes, even in the United States, where there *are* in fact subsidies to Hollywood through tax breaks.

      It would be difficult to find an example of a pure communist or pure market economy. I think the States came close. I believe that was right before the Great Depression.

    195. Re:What? by cliffski · · Score: 1

      So you think that if I'm not reselling it, I should be able to take whatever I want, from anyone, for free? You just put every software, movie, pharmaceutical and music company out of business. prepare to enter a new dark ages.

      As I said, this is communism. To argue for such a system is to say you are unhappy with capitalism, and would prefer a communist system instead. personally, I doubt you get as efective a supply of quality goods and services under communism as you do under capitalism. After all, if I only get the same reward for making a crappy film or an awesome film, am I really going to working that hard? and who is going to decide what movies should have 50 million spent on them? the government? a poll of people on teh interweb? seriously?

      capitalism sucks, but all the alternatives suck way more. Think this stuff through before you try and unravel the old system of payment in return for goods or services.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    196. Re:What? by cliffski · · Score: 1

      I'm aware of the fact that people paid money to see his plays. If they had been able to bittorrent them and not go to the globe, then would he have written any more? Even shakespeare had to eat.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    197. Re:What? by greenbird · · Score: 1

      when you write a book for 2 years you get paid NOTHING, and the BIG chance is you wont sell any and still earn nothing. its a HUGE risk.

      If you spend 2 years writing a book and get nothing for it most likely it's because of the protectionist laws. New technology has reduced the cost of production and distribution to slightly above nothing. If there was a free market you wouldn't have to get your work past the oligarch of gatekeepers that control the industry to make money.

      Did *you* get paid for those 30 years?

      They didn't keep paying me for 90 years after I completed the work because there was a law saying no one could touch my work unless they paid me every time they looked at it. No, unfortunately my industry doesn't have protectionist laws like that. I have to continue working for a living producing new and innovative things if I want to continue getting paid.

      nope, im suggesting we enforce the law. If your employer stopped paying you, youd want them sued right? your just another specific group (waged employees) who would be the very first to run screaming to the law if you didn't get paid.

      That has to be the one of the most idiotic statements I've ever heard. I have had employers stop paying me. You know what I did? I found another job just like the billions of other people who have had employers stop paying them that don't work in industries with protectionist laws. I would get laughed out of court if I sued someone because they stopped paying me for work I completed 20 years ago. But the RIAA wins every case where they sue a band for playing a 40 year old song that the RIAA members didn't even create.

      By the way, creative works are not a 'closed shop'. If you think its such an easy life creating stuff and selling it, why have you spent 30 years doing the opposite?

      I have created stuff and sold it. I just don't happen to work in an industry where they keep paying me forever for anything I create because anything remotely resembling what I created is owned by me also even if it was created by someone else.

      --
      Who is John Galt?
    198. Re:What? by Savatte · · Score: 1

      Telling jokes you didn't make up yourself is not, and have never been illegal

      Which is too bad, because we are now stuck with Carlos Mencia and Dane Cook.

    199. Re:What? by DimGeo · · Score: 1

      I loooove this. Linking copying of information to communism and murder. Just gotta love that!

    200. Re:What? by ultranova · · Score: 1

      There are a lot of movies made that absolutely fucking suck and I don't want tax dollars going towards subsidizing that.

      But they already are. Or do you think that the policemen raided the Pirate Bay for free ? No, enforcing copyrights costs a lot.

      That said, the original premise of "movies can't be performed live" is completely false. Movies can certainly be performed "live": in a movie theater. The theater has resources a private individual can't get due to expenses (big screen and good sound system), and the manager and the movie producer are certainly free to make a contract that keeps the manager from simply copying the film reel to other threaters; the audience may copy, but that doesn't matter, since they still won't have equivalent home theaters.

      But anyway, if the movie industry really can't survive without government subsidizies in the form of an artificial monopolies like copyright, perhaps it should curl up and die ? With computers becoming more and more powerful and electronic (video) cameras becoming cheaper, making movies yourself is slowly becoming a real possibility. Are the big studios really needed anymore ? Bad enough to justify copyrights ?

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    201. Re:What? by Quikah · · Score: 1

      Man, I could care less about the ads (just tune them out, play a game on my phone) or the overpriced snacks (bring a bag of candy with me if I want some). It is the other people that keep me from the theater. The morons that bring a small children to 300 or the Descent. The idiots that won't stop talking. The constant crinkling of candy wrappers. Drives me nuts, much rather just sit at home to watch a movie than have to deal with everyone else.

      --
      Q.
    202. Re:What? by dwandy · · Score: 1

      It sounds like you dont want the best writers and the best movie directros of software engineers to carry on doing their work, you just want the ones who are best at promoting their work in lieu of actual sales?
      uhm ... the best marketed products generally get the most sales. Today. With all the IP laws we have. From the dawn of New Kids (and maybe before?) high-powered music execs have been Fabricating bands. They spend millions promoting their "product" which has nothing to do with talent (not saying they can't lip sync), but with their (perceived) marketability.
      It is in fact far more probable that without entertainment industry backing most musicians would be on more equal footing for marketing expertise, and so it would in fact be again more likely that the cream would in fact rise to the top. Something that is impossible today.

      We already have a system that decides what entertainment products are the best, called the free market. If you write something excellent, millions buy it.
      Yer kidding, right? So the most talented musicians of our time are Brittney, Christina and Justin? You're going to put them on the same level as a Mozart? Or Prince? Or Maynard James Keenan? or Trent Reznor? These guys don't sell anywhere near the number of albums ... talent != sales. Marketing == sales. So we have a system that already behaves in the way you are suggesting is wrong...

      The system has worked pretty well
      The system is badly broken. It's run by people who don't care about music. Their interest is not in promoting the arts (as the US Constition makes allowance for), their interest is in squeezing every last penny of profit for themselves, and they let nothing get in the way of that: not new technology, not societal changes and certainly not the artists or customers.

      its a pity that a bunch of kids want to pull the whole system down rather than shell out a few dollars for entirely optional luxury goods like books and Cds now and then
      It's a pity the music industry has it's head up it's collective arse and has been raping and pillaging (and they call downloaders pirates) the culture of a nation for almost a hundred years. What you call "optional luxury goods" is in fact the Culture of America. Is society and culture a luxury good in your world? Or is culture something that ties us all together, forming the fabric of society, holding us together, giving us a commonality that helps define us?

      Or do you really believe culture is just another thing to be monetized?

      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    203. Re:What? by Corwn+of+Amber · · Score: 2, Insightful

      Have you all lost your minds?

      See the revenue for the first weekend a movie shows, it's pretty much always above the total cost of production.

      That is a fact.

      Therefore, the people who funded the production of movies have no absolute moral right to monopolize the distribution of the works to their profit for the next 70 years after the death of the author or the first publication date.

      That is my opinion.

      --
      Making laws based on opinions that stem up from false informations leads to witch hunts.
    204. Re:What? by cliffski · · Score: 1

      you prefer prince to britney. some prefer britney to prince. I didnt realise you were the universally appointed arbiter of what is good music.
      I bow before you.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    205. Re:What? by cliffski · · Score: 1

      "Did *you* get paid for those 30 years?"

      just to extract from all the waffle, your answer was yes then?
      I thought so.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    206. Re:What? by dwandy · · Score: 1

      So you think that if I'm not reselling it, I should be able to take whatever I want, from anyone, for free? You just put every software, movie, pharmaceutical and music company out of business. prepare to enter a new dark ages.
      Unprovable.

      Unbiased research, however, suggests the opposite will be true.

      Note further the modern day example of fashion, where despite a complete lack of copyright or patent new designs are continually made...they have to, to compete! And to give complete lie to your statement: there are many many many fashion companies, and many are very profitable.

      As I said, this is communism.
      lol.

      To argue for such a system is to say you are unhappy with capitalism, and would prefer a communist system instead.
      ok; if anything, the IP system we have today is anti-capitalist, and much closer to communism than a system without these protections.
      Under the current system there is no competition: you get a total monopoly (even independent work doesn't get you out of it!). A monopoly is the antithesis of competition. Methinks you need to review some basic definitions before you start calling things "communist".... it's like those guys that used to call the GPL communist.
      ...yer funny.
      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    207. Re:What? by gurps_npc · · Score: 1
      It is true that the creator of something ought to be able to set the terms they are willing to sell it for.

      Similarly, the buyer of something ought to be able to set the termst hey are willing to BUY it for

      You want to set the cash value of the item? Fine. Do it all you want. Sell it for $10,000 per copy if you want to. If we don't want to buy it, we don't have to buy it.

      But the other side of that same decision is that we get to decide how long a copyright we are going to give you. If you don't like the short copyright time we offer you, then DON'T write it. Or raise your price.

      You are NOT owed an unlimited duration copyright. We don't have to support your great great grandkids because you wrote something cool. 10 years is MORE than long enough for you to make money. If your item is still being sold in 10 years, that means you wrote something really brilliant, and therefore made a ton of cash during those 10 years. You now have incentive to write a sequel or something else.

      --
      excitingthingstodo.blogspot.com
    208. Re:What? by dwandy · · Score: 1
      Care to actually address anything I said? Or is easier to make crap comments about "preference"? -and are you really going to say that Brit's got the talent of Mozart?...really?

      My comments were not about "preference" (I don't actually like prince) they were about talent -- my personal preference doesn't actually change the talent of an artist. There are plenty of talented artists that never see the light of day: held back by the copyright monopolist gatekeepers that control the mass media in the US. If you won't sell them your soul, they won't let you play.

      So have you actually got anything intelligent to say?

      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    209. Re:What? by Bent+Mind · · Score: 1

      I might add to this that movies existed before the widespread use of VCRs, DVD players, and Blockbuster. People enjoy going out to the theater. Not only is it great for a date, theater owners can make an event of it. Throw in some hype, dress some actors up as characters, add "Smell-O-Vision", hold contests, etc. There is a theater near me that doubles as a bar. Drinking and eating are encouraged during the movie.

      As for DVD sales, I personally prefer a pressed DVD, professionally produced, with all of the jacket material. If I own something, I prefer quality, not a knock-off or counterfeit product. Maybe that's just me?

      The only sales I feel are really being hurt by P2P "Pirates" are rentals. It's the only market where I really see the same type of service being offered by both the studios and the pirates.

      --
      Request a Linux Shockwave player here: http://www.macromedia.com/support/email/wishform/
    210. Re:What? by turbidostato · · Score: 1

      "I said if you want to read the book, kick some money the author's way"

      And I answered I see no reason to pay for a book that's already written and published. If the author wants money for his writing, that's OK to me; he just need to find someone who wants to stablish how much he will receive for it, just as any other productive profession in the world. Once a book is published, it's, well, public.

    211. Re:What? by servognome · · Score: 1

      Oh, sure!!! Right NOW the big companies are not exploiting the creators to the limit.
      They are exploiting but not to the limit. The creators are the ones making the deal with the devil, remove copyright and the devil doesn't even need to deal.
      Write a great song, the big companies will just give it to a sexy group of girls with big breasts to perform it live and not compensate you at all. At least now you have the right to say no to them.

      Besides, the existance of loopholes is a problem in every law. Fair use is also a loophole for some, but we don't want it taken away, do we?
      Everytime you add specific exceptions it adds exponentially more avenues for exploitation.
      It also adds complexity the other way making it more difficult to be in compliance with fair use. By specifically calling out a certain exception, you can end up being in compliance with general fair use, but not with the exception. For example if you have a website that has video clips, and you have a sponsored link to pay for bandwidth charges, you could be considered as a commercial distributor. Rather than the clips falling under fair use laws, your site falls under commercial distribution laws.
      --
      D6 63 0D 70 89 81 BB 8E 7B 7C 5F 5D 54 EA AB 73
    212. Re:What? by Anonymous Coward · · Score: 0

      ah abuse, the last refuge of the self-justifying slashdot copyright thief.

    213. Re:What? by cliffski · · Score: 1

      what is this mionopoly bullshit you are talking about. I started my own software company, i make my own games and sell them over the web. i belong to NO trade body and do not have my business restricted by anyone. This fantasy MAFIAAAAA bullshit exists only in the minds of slashdot readers who use it to justify copyright theft.
      I sell games in a competitive market, I assure you the market exists, and its working. I'm sure I'd notice if the software business was communism.

      BTW, let me know the next time a new catwalk dress took 200 people 5 years to design.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    214. Re:What? by AK+Marc · · Score: 1

      If a company creates something, they do have a certain right (in the liberal market economic sense) to do whatever the hell they want with it regardless of how poor their business model is.

      That is correct. If I create a song, I can have people come listen to me perform it. I can have recording played in closed locations. However, once I open up the song to the public, what rights do I have to it? 500 years ago, none. If I shared something with someone, it was theirs as much as mine. However, people decided to have governments enforce artificial monopolies on art. The "certain right" you present is now thought of as a right to profit, not the right to the social contract that was copyright or patents. If you don't want to share your IP, keep it a trade secret. If you want to share it, you must give it to the Public Domain. Those are the only two choices. However, companies are not playing by the rules. They want the control as if it was a trade secret, but they want it out in the open where it is practically in the Public Domain. They must pick one, but they are instead changing the laws on their artificial monopoly to hurt the people. They have some rights to what they create, but they want complete control.

      These anti-IP arguments essentially break down to the same knee jerk pro-communism arguments that were very prominent 50 years ago.

      Ah yes, anyone not willing to fuck over people for corporate profits, even when the corporations are breaking the law means we are all communists. All hail Karl and the glorious revolution. Yes, I guess wanting fair treatment is considered a communist ideal, given the current state of our country.

    215. Re:What? by KDR_11k · · Score: 1

      Yes, that's what taxes are for.

      --
      Justice is the sheep getting arrested while an impartial judge declares the vote void.
    216. Re:What? by Stormwatch · · Score: 1

      Yes, that's what taxes are for.
      That's what I'm talking about. Taxes are legalized theft.
    217. Re:What? by Millenniumman · · Score: 1

      Movies will still survive through private patronage or government subsidies. That's true in that there will still be movies. But movies as we know them will be gone. The kind of private patronage you are talking about would generally produce highbrow garbage. Government subsidized movies the same, but censored to make sure it can't offend anyone, and maybe a little dumbed down.

      Think PBS, NPR, etc. Mostly nonsense to make listeners feel smart, or just plain nonsense. The best they can do is that show about people going to auctions with stuff they found around their house. And the fund drives are much more irritating than commercials, which are occasionally entertaining.

      Oh sure, a few good movies would be made, but rarely.

      Beyond that, do you really want to have to pay to produce every movie? Rather than pay only for those you want? Because that is apparently your aim here.
      --
      Stupidity is like nuclear power, it can be used for good or evil. And you don't want to get any on you.
    218. Re:What? by jamesmrankinjr · · Score: 1

      Yer kidding, right? So the most talented musicians of our time are Brittney, Christina and Justin? You're going to put them on the same level as a Mozart? Or Prince? Or Maynard James Keenan? or Trent Reznor?

      So your solution is a system where Prince, Maynard James Keenan or Trent Reznor are unable to support themselves creating music full time? Did you ask Prince, Maynard and Trent if they're OK with this?

      -jimbo

    219. Re:What? by jamesmrankinjr · · Score: 1

      This is a far cry from abolishing copyright.

      This is absolutely abolishing copyright, and I think you know this.

      -jimbo

    220. Re:What? by dwandy · · Score: 1

      So your solution is a system where Prince, Maynard James Keenan or Trent Reznor are unable to support themselves creating music full time?
      ermm ... what makes you think they won't be able to make a living creating music without copyright?

      First off, it's not like the record companies pay them any real money for the albums. In fact it seems like they lose money... they make their real money from touring, and copyright won't stop them from touring...
      Secondly, even w/o copyright (and from TFA they're only reforming, not removing) album sales do not have to drop to zero, and proceeds from album sales to the musician also don't have to drop to zero.

      Copyright changes would impact the recording industry. In a brutal way. But it wouldn't stop the artists...

      The recording industry has two jobs: distribution and promotion. The Internet does both more efficiently. In capitalist economic theory when something can be done more efficiently, the old way of doing things dies off...

      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    221. Re:What? by dwandy · · Score: 1
      monopoly: Exclusive control by one group of the means of producing or selling a commodity or service

      i make my own games and sell them over the web
      So ... can anyone sell your game without your permission? (now see definition of monopoly)

      I'm sure I'd notice if the software business was communism.
      I never said it was communism ... I said that the IP protections are anti-capitalist: they eliminate competion.
      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    222. Re:What? by dwandy · · Score: 1

      ah the anonymous personal attack with no substantiation: the last refuge of a troll.

      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    223. Re:What? by Anonymous Coward · · Score: 0

      >BTW, let me know the next time a new catwalk dress took 200 people 5 years to design.
      I like how you believe you have the right to get paid for your work and creativity, but are happy to demean other people's creativity and worth. I think you'd be surprised at the level of effort that goes into clothing design ... and to state its insignificance so casually is not very good for your position.

    224. Re:What? by BronsCon · · Score: 1

      just tune them out, play a game on my phone
      Oh, thanks for reminding me. That's the other reason I don't go. Assholes and cellphones.
      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    225. Re:What? by Anonymous Coward · · Score: 0

      fuck the moderators who moderated this down as "off topic."

      Talking about copyright here is most certainly ON topic.

      Grow up, cocksuckers.

    226. Re:What? by cliffski · · Score: 1

      clearly you do not have a grasp of the economic term 'monopoly'.
      You are equating a monopoly with capitalism again.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    227. Re:What? by mmcuh · · Score: 1

      How do you "bittorrent" a live theater performance?

    228. Re:What? by garett_spencley · · Score: 1

      I doubt either of us is qualified to make any real assertions on what the majority of people believe when it comes to whether or not copyright infringement is "wrong". However, there is a huge difference between stealing something, lending something to someone and making a copy of something. The digital age clouds all three of those. If you download a song are you really "taking" something from the artist ? What if you wouldn't have bought the cd anyway ? How have you wronged them if they neither gain nor lose ?

      These are the types of questions I really wanted to stay away from in my original post because I had no interest in getting into a sociological debate. My only point was that pandora's box has been opened, so to speak. And obviously a lot of people don't have any moral issues downloading copyrighted works otherwise the RIAA and MPAA and author's guilds etc. would not be complaining.

      Reading my original post I realize I made the error of implying that "everyone thinks it's ok". I honestly don't know, nor do I care, what everyone thinks. All I meant was that obviously a lot of people think it's ok.

      However, since we did get on the subject of what other people think, I would like to respond to "its only people who have a huge torrent collection and try to rationalise that theft who hide behind "everyone I know does it".:

      If I had to guess I would say that at least some portion of people who download music online are people who never owned a single CD in their life. Before the Internet came along they just kept the radio on all the time. When they found P2P it was just a cool new way to be more selective about what they wanted to listen to. They never had a single desire to shell out money for a CD and they got music for free on the radio so what's wrong with listening to music on the Internet ? Same concept as far as they're concerned. Only now they're thieves. The fact that the radio stations pay licenses and royalties to play the music is something that has never concerned them and never will. As far as they're concerned they got it for free before so what's the big deal now ? The big key to the moral ease is the fact that a) it was free before and b) they wouldn't have paid for it anyway.

      That's where the real flaw with "most people realise that taking the fruits of someone elses hard work for free is theft." comes into play. The key word is "taking". What are these people taking, exactly ?

    229. Re:What? by bhirsch · · Score: 1
      Life, liberty, and the pursuit of property...

      There is a subtle difference. Bad business models can't and shouldn't be outlawed, but that doesn't mean there should be laws on the books specifically supporting poor business models.

      If I invent wonderful technology that acts as a huge catalytic converter, sucks in smog from cities, processing it into clean air, then putting it back into the atmosphere, should I have the right to require random people from breathing the cleaner air they did not solicit or ask for?

      The analogy isn't 100%, of course, and I don't want to get drawn into a discussion of this particular analogy, but my point is that legislation shouldn't be used to prop up poor business models.

      When it comes to comparing homicide laws with copyright law -- any law is based on a lot of balances. Will an introduction of a law harm or help society as a whole? Does a law represent the predominant values of those within its jurisdiction? It's clear that laws against murder are a clear benifit to society, irrespective of the fact that killing people, even en masse is technically very easy.

      It's not as clear that free distribution of material is harmful in the same way, in fact, we feel that restrictions on redistribution are more harmful to society as a whole than the redistribution itself, which we even feel is benificial.

      I think this is where there is a fundamental misalignment between Pirate Party politics and "class liberal" society. Most Western nations (and many Eastern ones now) theoretically exist under the pretense that society is the sum of the individuals and that we help society by helping ourselves. Stripping individuals (by that I mean the many shareholders of firms that hold IP) of their property rights for the sake of bettering society is philosophically contradictory to classic liberalism.

      There's a big difference between the tangible and the intangible. But please do try to inform yourself better before dismissing pirate idiology as a knee-jerk reaction.

      We in the Swedish Pirate Party have a well-defined ideology based on reform of copyrights, patents and privacy. If you take a few minutes to read our declaration of principles (available from this page, look at the bottom of the page for a link to the file), you can see it's not just a loose cloud of concepts, it's in fact a cohesive argument for reform (not abolition) of copyright and patent laws to fit modern society.

      And if anything is knee-jerk, it's comparing the Swedish Pirate Party or Norwegian Venstre to communists. The Pirate Party has no specific political direction. I am personally of a similar general conviction of the Norwegian Venstre party -- centre-right. But the leadership of the Pirate Party contains people from all sides of the political spectrum.

      I admit my knowledge of your party's platform is lacking, but "reforming" copyright laws in order to rob people of legally obtained or created property is of a definite political direction.

      And anyway, what we propose is a reduction of the term of copyright to around 5 or 20 years after production of the work, in contrast to 70 years after the death of the author as is today. We also want to clarify copyright to only cover *commercial* usage of a work. So the possible "harm" to copylefted free software, in my opinion, is also limited.

      Imagine a piece of software that takes an individual 10 years to right compared to a small house that might take another individual 10 years to build. Both individuals invested a large portion of their lives in creating property, but why should the software developer be robbed of his ability to earn a return on his software, whereas the homeowner can hold his house for however long he wants and then sell it at a market rate?

      The underlying problem with your proposed reforms is that they will injure and possibly eliminate entire commercial markets. It's easy to think

    230. Re:What? by bhirsch · · Score: 1

      As a matter of fact, property and life are two of the most significant natural rights. Communism typically involves being robbed of individual property rights in order to better society.

    231. Re:What? by bhirsch · · Score: 1

      I hope for your sake you never become ambitious enough to create something valuable that people are willing to pay for.

    232. Re:What? by AK+Marc · · Score: 1

      I do on a regular basis. I'm essentially on retainer for my creative abilities. Sure, my company calls it "salary" but it's pre-paying me for what I might create. I create solutions to problems. I get paid to create, and it lets me make lots of money. Perhaps you should create with a better business model than you are using. It isn't that people aren't well compensated for creating things of value, it's that people that create things of value want to demand when and how others can gain access to the creation after it is done. Patronage worked for the longest time for artisans, and that's essentially the agreement I have with my employer.

    233. Re:What? by bhirsch · · Score: 1

      Don't you get to demand when and how other can gain access to your creations, or are you an indentured servant of some sort? Who dictates the terms under which you produce valuable goods/service? What if technology were created and laws pass that enabled others to duplicate and redistribute your creations to the public?

    234. Re:What? by AK+Marc · · Score: 1

      Don't you get to demand when and how other can gain access to your creations, or are you an indentured servant of some sort?

      I am an indentured servant. It's called "employee" in the US, though.

      Who dictates the terms under which you produce valuable goods/service?

      My employer and I came to an agreement on the terms.

      What if technology were created and laws pass that enabled others to duplicate and redistribute your creations to the public?

      It wouldn't matter to me at all. My employer may have some trouble if every solution, internal work product, and other objects derived from my creations were shared with competitors. But I would still be paid the same and not care one bit (aside from the possible harm to the people that pay me if it would affect their ability to continue to pay me).

    235. Re:What? by bhirsch · · Score: 1

      If the creations of you and your peers can be utilized by your employers competitors, how can you expect your employer to earn a normal rate of return, stay in business, and keep you employed? To simplify things a little: Which company would you invest in, the company that pays for its innovations, or the company that utilizes them for free?

      Wouldn't those creative abilities of yours suddenly find themselves without funding? Would you be willing to solve this glitch by forgoing the lots of money you make and work for free?

      Back to my original point, enough experiments have been tried in the past to rid people of property rights. The existence of technology to subvert property rights is not the reason for dismantling copyright laws, but it was the reason for their existence.

    236. Re:What? by AK+Marc · · Score: 1

      I understand your point and disagree. I believe that absolutely no intellectual property rights is better than the system we have now.

      Which company would you invest in, the company that pays for its innovations, or the company that utilizes them for free?

      I would look at which company can apply them. Also, a trade secret is what most everything I do is considered. It is a creative work, but it is not copyrighted (in the usual sense of the word), nor patented, nor a trademark. The vast majority of intellectual property is a trade secret, and most everything would work well if that was the only protection available. Just because I can't patent an idea doesn't mean I'm required to publish the specs and send them to my competitors.

    237. Re:What? by Anonymous Coward · · Score: 0

      Rebuttals:

      1- I download movies from amule/bittorrent and i frecuently go to cinema (and i pay for entrance) and i frecuently see movies on TV (and i see advertisements). TV and cinemas are a for-profit usage, so authors get money from here and this is okay for me. What is debated is non-profit usage (p2p and others). For soft i run Linux and other free (for speech) programs.

      2- Yes, and everybody buy books and althought everybody can photocopy them since decades ago. Nobody is saying any form of copyright must dissapear, i defend copyright in for-profit usages. We are saying that nowadays copyright law is outdated because is from printing press age, when any publisher was a for-profit guy. Nowadays there are some publishers (for profit) and a lot of home copiers (non profit), and law needs to adapt to this new reality. Parliaments have two options nowadays: to allow non-profit copying or to outlaw most of people. No longer is possible to outlaw just a handful of publishers that don't follow the rules, home copiers are nowadays doing most of the copies. Copyright law is quickly becoming a new Dry Law just because copyright law is outdated.

  3. Near-exact copy of a Swedish Piratpartiet document by pv2b · · Score: 4, Interesting

    Interestingly enough, this is an almost word-for-word translation of the Swedish Pirate Party's declaration of principles.

    The Swedish Pirate Party didn't explicitly permit this copying, except for declaring their pages to be "No Copyright". I guess Venstre practice what they preach, and the Swedish Pirate Party has also come out with a statement saying that they welcome this act of copying. :-)

    More information about this (in Swedish) from Piratpartiet can be found here.

  4. Get ready by tehwebguy · · Score: 4, Funny

    WTO complaint in 3..

    2..

    --
    -- lol pwned
    1. Re:Get ready by Anonymous Coward · · Score: 0

      I can't stress enough how perfect your sig is for that post.

      Br For those reading this far in the future, his current sig is "--lol pwned".

    2. Re:Get ready by mmcuh · · Score: 3, Insightful

      WTO complaint? About a program of a political party in a member state? That hasn't been implemented in any way? From a party in opposition? Not to say that the lobbyists and noise-makers will not lobby and make noise to make sure that no other mainstream parties follow Venstre, but I doubt the WTO will have anything to say about it any time soon.

    3. Re:Get ready by Anonymous Coward · · Score: 0

      Did you not read? They are not banning outside their jurisdiction - which includes foreign imports. They only require these products to be clearly labelled as containing DRM technology.

    4. Re:Get ready by Anonymous Coward · · Score: 0

      WTO? You mean the "trade organization" that regulates trade in favor of the big bucks (corps & governments) INSTEAD of simply opening the world for free trade?

      Oh yes. And heaven forbid if people would just trade music the way THEY want, without listening to the big labels.

      (So, let's see if after more than 80 (eighty!) minutes since last post I still need to "slow down, cowboy." Seriously, what are those dickheads at /. smoking?)

  5. I say go for it. by Bongo+Bill · · Score: 1

    This will prove an interesting test case, and demonstrate once and for all the results of unrestricted file sharing.

    --
    ...but is it art?
    1. Re:I say go for it. by geoskd · · Score: 1

      This will prove an interesting test case, and demonstrate once and for all the results of unrestricted file sharing.
      We already have an excellent test case. China has been operating under a structure where piracy (for profit) is more rampant than legitimate sales. This has not resulted in chinese culture shutting down, rather it has converted Chinese artists into "street performers" as another poster here suggested. We have our test case, and the only people who lost out were the monopolistic corporations, and the wealthy artists. The big winners are the rest of the artists, who labour to make a living out of it, and the public interest. Granted, the artists who earn their keep performing live, do not have it easy, they will typically perform 50 to 60 hours a week, but they draw a decent income for the work level, and if it weren't hard, they wouldnt call it work. The net result is that the Chinese "get rich quick" artists don't even bother, adn the only ones left are the ones who are serious about their art.

      Just think a world without "Armeican idol"! I, for one, cosider that a plus all by itself.

      -=Geoskd
      --
      I wish I had a good sig, but all the good ones are copyrighted
    2. Re:I say go for it. by Bongo+Bill · · Score: 1

      We have a test case for physical piracy in a heavily rural country. Now we're going to get one for digital piracy (in which nobody pays anything) in a postindustrial country (where the people are more affluent and discriminating). That's enough of a difference, I think, to call it a different scenario. You know the **AA think the same way.

      --
      ...but is it art?
  6. tyranny of the majority by Anonymous Coward · · Score: 2, Insightful

    A similar argument should be made that IP rights to pharmeceuticals should be overturned, so that any company should be allowed to produce knock offs of drugs.

    That would certainly bring down prices for consumers quite a bit... for existing drugs. However, it would disincent pharmeceutical companies to make the mammouth R&D investments needed to discover new ones.

    1. Re:tyranny of the majority by Anonymous Coward · · Score: 0

      Seriously, current pharma companies are not the people who get research done. It might very well "disincent" them if they couldn't get cushy 20-year monopolies to make their abysmal brute-force mouse-liquidizing drug search methods break even. But patent monopolies simply enable them to work hard instead of smart. If they didn't have the crutch of patent monopolies, they'd have to >gasp investigate and learn things, working smarter to produce designed drugs. Just as linux would only get stronger if microsoft lost its copyright monopoly "incentive" for windoze and decided to quit, so would actual intelligent open, scientific drug research only get stronger if the evil bastard pharma companies of today quit.

    2. Re:tyranny of the majority by pv2b · · Score: 4, Interesting

      A similar argument should be made that IP rights to pharmeceuticals should be overturned, so that any company should be allowed to produce knock offs of drugs.
      Yes!

      In fact, the Swedish Pirate Party (of which I am a member) uses the pharmaceutical industry as an example of an area where patents are harmful.

      The pharmaceutical industry today spends more money on advertising than on R&D, and also receives a very large bulk of its funding through government grants and other subsidies.

      Getting rid of the patent system would be a big win for society at large. Maybe then we'd get more drugs for things like AIDS and not as many drugs for erectile disfunction. :-)

      Speaking of AIDS drugs, a lot of people in the third world can't afford AIDS treatment because of the artificially inflated drug prices due to patents. Are pharmaceutical patents really worth their cost in human lives?

      No -- let the governments continue to fund pharmaceutical research -- maybe more than before, and get rid of patents. It's better for everybody in the long run, except for Big Pharma.
    3. Re:tyranny of the majority by KonoWatakushi · · Score: 5, Insightful

      A similar argument should be made that IP rights to pharmeceuticals should be overturned, so that any company should be allowed to produce knock offs of drugs. Agreed.

      That would certainly bring down prices for consumers quite a bit... for existing drugs. However, it would disincent pharmeceutical companies to make the mammouth R&D investments needed to discover new ones. What mammoth R&D investments? At best, this would would kill the mammoth advertising expenditures, which arguably should not exist in the first place. Most of the (minimal) investment is in researching replacements for existing high-margin drugs, which are dissimilar enough to avoid patents but functionally identical.

      In any case, these companies most certainly don't have our health or best interests in mind. Investment in medicine should be driven by need rather than profit, and the existing system is clearly a massive failure.
    4. Re:tyranny of the majority by ResidntGeek · · Score: 1

      they'd have to >gasp investigate and learn things, working smarter to produce designed drugs.
      And in the meantime, people would DIE.

      Maybe they wouldn't. Maybe you're right, maybe drugs would be produced faster that way. Would you be willing to risk your life? How abou your mother's life? Or your arthritic grandfather, would you be willing to risk increasing his pain, just to make their research methods more scientifically pleasing?
      --
      ResidntGeek
    5. Re:tyranny of the majority by Ajehals · · Score: 5, Insightful

      See, I don't get this argument. Ignoring any principals and/or pro-anti patentability stances, are you suggesting that if the pharmaceutical companies didn't get the huge amount of protection they get the would simply close up shop? they would go from making less money, to making *no money*?. As I understand it pharmaceutical companies benefit from all sorts of things they don't pay for, from R&D at universities, through to government subsidies. They make a huge amount of money, making less, or having to collaborate wouldn't be a bad thing for the users of their products. And anyway, what use is a treatment for a disease you have if you cant afford it?

      Oh, and what about the fact that some drug companies research and development aims are geared toward high value markets (dieting and beauty for example, which can be addressed through other means) rather than areas that would help large sections of the population with actual illness (where a drug may be the only option)? The market forces involved force company's to do what is best for their bottom lines, most of the time, Not what is best for society as a whole. With a shift of our IP related legislation, maybe that would change.

    6. Re:tyranny of the majority by Arker · · Score: 5, Informative

      Would you be willing to risk your life, your mothers life, your arthritic grandfathers pain, just to ensure the profits of the big pharma companies?

      Well, you're doing it now, and you have no choice.

      --
      =-=-=-=-=-=-=-=-=-=-=-=-=-=-
      Friends don't let friends enable ecmascript.
    7. Re:tyranny of the majority by ZombieRoboNinja · · Score: 3, Insightful

      Hey, great idea! Let's put the politicians in charge of ALL medical research! I'm sure the Bush administration would do a swell job allocating money to promising areas like stem cell research, birth control methods, the morning after pill (that they improperly kept the FDA from approving for over-the-counter), etc.

    8. Re:tyranny of the majority by Gibbs-Duhem · · Score: 1

      I would point out that it is necessary for political elements to have extreme views in order to enact substantial change. It's a matter of good negotiating -- if you come in saying that all you want is to limit copyrights to 10 years, and patents to 4 years, you'll get 30 years and 12 years. Those impractical people suggesting that patents be abolished entirely (which I admit I have a personal stake in, as I'm a research scientist and one of my few routes to making it big is coming up with a really awesome idea) need to exist in order to make limiting patents to four years sound reasonable and middle-ground (though from my experience, 4 years really isn't even enough time to bring most things to market, 7 years is more reasonable in cases of non-software stuff). The middle ground perpetually shifts, according to the fraction of people on each extreme. Simply watch those around you and you will see it to be true. The majority of us don't like conflict, our views are a mere reflection of the views of those we respect, except for those things which we have personally invested ourselves in. I doubt very much that more than a handful of people here have personally invested themselves beyond lip service to the cause of limiting copyright and patents. How many people who complain to the end of time on here have even called their congressman (or whatever the appropriate legislator would be for your country)? The only time I've contacted my legislator about technology policy was when Quinn was under fire for endorsing ODF, and that was more out of indignation that the legislature thought it knew better than the technology director for the state of Massachusetts. I am personally invested in only a few things, as are most of you. The rest of my opinions on the world, are, by and large, a synthesis of the opinions of those around me. The extremists on either side shape that opinion, coloured by my trust of the source, and my own partiality towards libertarianism.

    9. Re:tyranny of the majority by pv2b · · Score: 1

      Good point. But I distrust the government to allocate funding just as much as I distrust Big Pharma. :-)

      In Europe, government funding of organisations for the advancement of arts has worked relatively well in the past, I see no reason for it to work in the future for pharmaceutical development, as long as it's not politicised.

    10. Re:tyranny of the majority by Anonymous Coward · · Score: 1, Insightful

      Developing a brand new drug is incredibly expensive, involving many rounds of clinical trials and government reviews. The fact that drug companies spend a lot on advertising has nothing to do with their huge fixed investment required to research and test the drug and getting it approved for production. Maybe some of the R&D can be outsourced to places like India and China, and I'm sure some of it has, but in the end you need substantial numbers of incredibly bright scientists with advanced degrees willing to work for many years on what is essentially a gamble, something that may turn out to be almost a complete waste of time. And you need to conduct many rounds of those expensive trials (and sometimes you still end up with a disaster like Vioxx).

      And no, financially it's not an easy business to run either.

    11. Re:tyranny of the majority by pv2b · · Score: 1

      Yes. Yes. That's all well and good. But patents aren't the only source of income for pharmaceutical companies to create R&D. There are other methods of funding pharmaceutical development that are already in place -- such as government grants, and research done in academia, that don't involve artificially inflated prices on the newest drugs.

    12. Re:tyranny of the majority by pv2b · · Score: 1

      I meant to paste a link into my reply above, but somehow I must have lost it before it got lost. Oops.

      Anyway, I suggest you read the Swedish Pirate Party's stance on the position of pharmaceutical patents. It's a much more eloquent document than I could hope to reproduce in a slashdot comment at this hour. :-)

    13. Re:tyranny of the majority by turbidostato · · Score: 1

      "I'm sure the Bush administration would do a swell job allocating money to promising areas like stem cell research, birth control methods, the morning after pill"

      Well, even then it would be a "four year ban" for such researches that you can help to eradicate with your vote next elections.

      Currently what you have is a perpetual ban on things like malaria, cholera or AIDS research that *do* kill people in the millions because it doesn't fit on the big pharma portfolios, so go figure.

    14. Re:tyranny of the majority by Anonymous Coward · · Score: 0

      As for government subsidies, the US government basically paid for much of the research that led to the Internet, and today subsidizes nonprofits such as the IEEE and W3C, and is heavily invested in the telecoms that own and operate much of the backbone. Other governments subsidize portions of the Internet as well. Since the Internet is government subsidized, by your logic, people should not have pay to advertise on sites such as this one. Instead, all ads should be accepted for free, perhaps with a lottery to determine which ones will be featured on the home page on any given day.

      With enough imagination and wishful thinking you can come to believe anything.

    15. Re:tyranny of the majority by notamisfit · · Score: 1

      A substantial portion of the "AIDS research" is in fact done by private companies, more so than say, government-funded health institutes. And why is malaria such a killer? A bunch of governments buy into some scare story about DDT, banish the stuff more or less worldwide, and now you expect taxpayers to dole out billions for the deaths caused by government incompetence?

      --
      Jesus is coming -- look busy!
    16. Re:tyranny of the majority by Ajehals · · Score: 1

      I would point out that it is necessary for political elements to have extreme views in order to enact substantial change.

      Sadly true - mainly because there is not sufficient popular awareness as to what is going on, ask the average person why a drug such as Herceptin is so expensive. The answer you are likley to get is the cost of production. In reality as I am sure you are aware given your position, the manufacturing process is hardly a factor in cost, to the point where research into alternative production methodologies (GM crops for example) is not pursued by the pharmaceutical companies to any great degree (although others do fund it). If these people were aware how much of the cost of these drugs is down to the marketing (quite a large chunk), and down to the testing regime's (even bigger chunk) and then the approval process. I am sure there would be more pressure on various world governments to do something about it, either through subsidy or collective agreements (a central body to provide approval for a drug, rather than multiple requirements for example).

      If you come in saying that all you want is to limit copyrights to 10 years, and patents to 4 years, you'll get 30 years and 12 years.

      Personally I think the length of copyright is less important in this field, it is the patents that are the issue. A company should not be permitted to simply take a competitors product and copy it, they should however be able to independently re-create the product, in my personal opinion there should also be no limitations on creating derivative products, as long as they meet some sort of bar as to usefulness and are sufficiently novel. Even saying that however I do believe that periods of copyright are too long, 10 years for a device, 7 for a drug, 5 for software and 3 for music/video would be something that appeals to me. That dropping scale in my opinion would reflect both the rate of change within the respective areas, and also the benefit to the public of the copyright being removed.

      Those impractical people suggesting that patents be abolished entirely (which I admit I have a personal stake in, as I'm a research scientist and one of my few routes to making it big is coming up with a really awesome idea) need to exist in order to make limiting patents to four years sound reasonable and middle-ground (though from my experience, 4 years really isn't even enough time to bring most things to market, 7 years is more reasonable in cases of non-software stuff).

      Patents are the most interesting question in this area, there are huge issues as to patentability (too many things are being patented that should not be...). More over, patents on discovery are not the same thing as patents on creations. It is simply wrong for anyone to be able to find a naturally occurring material or organism and to patent it. That includes in my opinion things like genes and naturally occurring molecules. Research should be heavily state funded, and the results of such state funded research should be openly available, anything that is in the national / public interest should be subject to mandatory license (not popular but important).

      As for recognition and personal gain for those carrying out the research (after all that's what we are all after to some degree) isn't ability and recognition a currency all of its own within academia and research organisations? doesn't that kind of fame(?) ensure that you are employable and able to demand higher and better wages, or be granted better bursaries and grants? That said, I can see the issues surrounding personal renumeration it just isn't easy to find a sensible middle ground. Should you get nothing fr helping to cure cancer - of course not, should you get 2 billion dollars for doing so? probably not that much either, especially if it means that the cure you have hypothetically discovered becomes prohibitively expensive to actually use. Now replace the you in those statements to 'a company' - in my view

    17. Re:tyranny of the majority by notamisfit · · Score: 1

      No. Instead they involve artificially reduced prices, with the bulk borne by taxpayers. And with price controls inevitably come shortages. (I'd rather have expensive drugs when I need them rather than cheap drugs that might arrive in 6-8 months because everyone and their grandmother went out and got a prescription at the earliest possible moment).The question of whether $1000 in my pocket is worth some African boy's life is ultimately a decision to be made by me, not by almighty Government.

      --
      Jesus is coming -- look busy!
    18. Re:tyranny of the majority by ResidntGeek · · Score: 2, Insightful

      Oh, but their research methods *do* work. I know it's fun to bash pharmaceutical companies, but the fact remains that if you get infected with MRSA, you'll be damned glad all those lab mice died to bring you vancomycin and linezolid, won't you?

      --
      ResidntGeek
    19. Re:tyranny of the majority by pv2b · · Score: 1

      Non sequitur.

      The Internet is an open system. Anybody can hook their stuff up as long as they get themselves a connection. There are no license fees due to any organisation holding patents on Internet technology. The Internet itself is a success story in openness, and demonstrates that large complex technological systems can be created without resorting to patents for financing, or closed standards, or other restrictive legislation.

      The Internet is what it is today *because* of how unencumbered by patents and how open it is.

      There's a difference between the infrastructure passing packets on the Internet and the actual sites on the Internet. As far as I'm aware, there are no direct government subsidies to sites like this one, so they have to make do with ads. And I see no real need for any either, seeing sites like this work just fine, and don't really rely on any kind of copyright law. In fact, sites like this thrive on the fact like people like you and me partially relinquish copyright to get our comments published, and that the web allows hyperlinks to other web sites, allowing Slashdot to quote entire articles without it costing them a dime.

    20. Re:tyranny of the majority by pv2b · · Score: 2, Insightful

      The laws of supply and demand still apply without patents.

      In case of a shortage, unless there is some kind of mechanism (like a patent) limiting production capacity, production capacity will increase, and more players will enter the market, lured in by the higher prices.

      I never said the price of production should be subsidised. There's a difference between subsidising research and production. The current system is actually a kind of production-based subsidy, come to think of it. :-)

      (By the way. I vaguely remember somebody accusing me of being a communist in another thread. Still think that applies?)

    21. Re:tyranny of the majority by turbidostato · · Score: 1

      "A substantial portion of the "AIDS research" is in fact done by private companies"

      Yes. To some extent I add the AIDS example as a "flamebait". Due to AIDS affecting first world citizens you can see a lot of research going on it. ...But curiously enough, instead of some cure to AIDS what you have are treatements to chroniquize it with the net result of hundred of thousands dollars of revenue on each long-lived patient. And, of course, those treatments don't manage to reach third world people where is where most people are dying from this illness.

      "And why is malaria such a killer? A bunch of governments buy into some scare story about DDT"

      Yeah sure. DDT is all well and good and all evidences about its theratogeny come from the red-masonic consortium for world dominance with Rachel Carson in head... that somehow avoids vaccines and cheap treatments "just in case" someone gets infected, DDT or not DDT (even if DDT has been too heavily banned -you're right that properly used it more than probably made more good than bad in third world countries, it does nothing to do with the fact that while pharma is expending tens of millions of dolars on say, cosmetic research they expend peanuts on third world epidemias like cholera or malaria).

    22. Re:tyranny of the majority by dbIII · · Score: 1

      The pharmaceutical industry today spends more money on advertising than on R&D

      Yes - we also get the old argument that medication costs more in the USA because of all the R&D money spent. Consider as a recent example the vaccine used to prevent a type of cervical cancer - more expensive in the USA with this excuse but developed in Australia with Australia taxpayers money, so the excuse is a lie. The same holds with a lot of European developed medication. If you reduce this sort of greed driven stupidity the net will have less of the cheap drugs spam that is aimed at the USA in vast amounts. Personally I don't think it will be long before we see a lot of deaths from fake medication in developed countries to match those that are occuring in places like Nigeria - sugar water in recycled insulin packaging and many other examples.

    23. Re:tyranny of the majority by Oligonicella · · Score: 2, Insightful

      Of course you have a choice. You can wander into our national forests and gather the herbs you think will help. You can pray for devine intervention. But you're right, to use the drugs developed by a company, you pretty much have to buy from the company.

    24. Re:tyranny of the majority by FigTree · · Score: 1

      In my opinion taking many pharmaceuticals drugs is very much [i]like[/i] walking into the woods to get the plants you think you need to get well. As far as I know we [i]still[/i] don't know what the mechanism of action for SSRIs are... I don't know about you but I don't like that.

    25. Re:tyranny of the majority by wrook · · Score: 1

      What mammoth R&D investments?

      Actually, R&D investments can be quite large. It takes a lot of money to do medical trials. And with the way research is going at the Universities these days, it doesn't seem like we're going to be getting a lot of trials done there. The standard approach (as far as I can tell -- my father works in this area, but I'm not an expert) seems to be that Universities do the upfront research. That is they find a drug that is promising (who knows how -- seems to be mostly random from what I can tell). Then they license (or sell, or give away) the patent to an external company for "development". This generally means guessing how the drug works, patenting everything that might possibly work as well, and then going into a series of trials. These trials take years. Sometimes more than 10 years. They involve large numbers of both highly and not-so-highly paid people. My father tells me that $10 million dollars is a reasonable amount to put into a drug before it can be sold.

      But here's the kicker. After putting a few million into the drug, usually you find out it doesn't work. Or it works, but not as well as something already on the market. Remember that they don't really understand *how* these drugs work in totality. It's not like they observe something and then think "Hey, let's make a drug to fix that". It's usually the other way around. They notice a drug doing something and they go "I wonder how it does that". So the bottom line is that R&D is relatively expensive and risky. It wouldn't surprise me in the least that each commercially successful drug cost up to $100 million to develop when you take into account all the failures.

      With the up front expenditure and the risk, investors (well the drug companies actually) want a "good" return on investment. 10-20x is probably what they are looking for. So that means they want $1-2 Billion. As mentioned, most of that money is spent trying to lock in a market. Since they have spent so much money upfront, they are now trying to reduce their risk. Since many drugs might have similar effects, they have to advertise the hell out of it in order to lock in their return.

      Anyway... The gist of all this is, you can't just get rid of patents and expect the drug companies to survive. They won't. And like it or not, we're dependent upon them. In order to actually make something like this work, you need to substantially increase research spending in Universities. Drugs have to get *all the way through trials* before they are handed over to the manufacturers. In the end, this is a good idea because it will be waaaaay cheaper (probably up to 10x). But people are going to have to agree to pony up some significant tax increases to get it to work. And that's politically difficult to achieve.

      Lately, I've been thinking that a better way to go would be to leave the drug patent system alone. Simply increase spending in drug research and trials in the Universities. And also mandate that any research funded substantially by public money be ineligible for patent protection. That way you allow private companies to do their own research and to charge ridiculous amounts of money. But you create a system where *if you are funding correctly* the cheap generics will win out in the end. The advantage is that if you get the funding wrong, you still get the drugs being produced.

    26. Re:tyranny of the majority by Anonymous Coward · · Score: 0

      Speaking of AIDS drugs, a lot of people in the third world can't afford AIDS treatment because of the artificially inflated drug prices due to patents. Are pharmaceutical patents really worth their cost in human lives?

      I'm going to ask you an honest question here: do we really want to save these people? Why?

    27. Re:tyranny of the majority by pv2b · · Score: 1

      Because they didn't have a choice in where they were born, and whether they were born at all. We have a responsibility to look after our own, at least by making sure we're not *actively* screwing them over.

    28. Re:tyranny of the majority by servognome · · Score: 1

      What mammoth R&D investments? At best, this would would kill the mammoth advertising expenditures, which arguably should not exist in the first place.
      You do realize that advertising $$ are an indication of a competitive market. If you hold the patent on the sole drug to help with disease X, you don't need to advertise. If you are trying to push a brand name product with a generic equivalent you'll need to spend massive amounts to convince people that your exact same drug is better. That's why J&J spends over a quarter billion dollars a year advertising Tylenol.

      Investment in medicine should be driven by need rather than profit, and the existing system is clearly a massive failure.
      How has it failed? Shortages of medicines usually occur because there is no profit so few companies manufacture.
      --
      D6 63 0D 70 89 81 BB 8E 7B 7C 5F 5D 54 EA AB 73
    29. Re:tyranny of the majority by Arker · · Score: 1

      But you can't have access to a genuine competitive market for those services, which is the point.

      --
      =-=-=-=-=-=-=-=-=-=-=-=-=-=-
      Friends don't let friends enable ecmascript.
    30. Re:tyranny of the majority by the_womble · · Score: 2, Insightful
      You could hardly pick a worse example. Patents are an inefficient way of funding pharma R & D and give companies the wrong incentives - and they require extensive government subsidies on top of it.

      P.S. Links are to my blog. I do know the subject - if you want my background go to the about page on the site in my sig.

    31. Re:tyranny of the majority by Vintermann · · Score: 1

      It's hard to imagine drugs research becoming politicised. Anyway, when allocating funding for things they don't know much about, politicans here try to figure out who the experts are, and ask them. That works great for science, but not so good for the arts.

      --
      xkcd is not in the sudoers file. This incident will be reported.
    32. Re:tyranny of the majority by Vintermann · · Score: 1

      Don't spread the old DDT myth.

      DDT for agricultural use was banned. DDT for vector control wasn't banned anywhere as far as I know. The reasons for this were sound: By the time the bans (on agricultural use) came around, DDT was next to useless because mosquitoes had developed resistance to it. For a large part, agricultural use of DDT (which dwarfed vector control use) was the reason for that resistance.

      And Rachel Carson? She explicitly supported use of DDT against malaria!

      The very people responsible for resistance, the DDT manufacturers who would rather sell to grow crops than save lives, are now promoting this lie. And you believe it, because it fits so nicely into your anti-government world-view.

      --
      xkcd is not in the sudoers file. This incident will be reported.
    33. Re:tyranny of the majority by Arker · · Score: 1

      You're using "work" as if it were an absolute. Any system will "work" in some sense of the word. But a competitive market can certainly be predicted to work much better.

      --
      =-=-=-=-=-=-=-=-=-=-=-=-=-=-
      Friends don't let friends enable ecmascript.
    34. Re:tyranny of the majority by Anonymous Coward · · Score: 0

      "What mammoth R&D investments?"

      http://healthcare-economist.com/2006/04/29/802m/

      $802 million. I don't know about you but that seems 'mammoth'-ey to me.

    35. Re:tyranny of the majority by cliffski · · Score: 2, Insightful

      a friend of wine works for a large company researching cancer drugs. The reason they spend a lot of money (and trust me, they do) researching this, is that they know that patent law / trademarks etc will mean that if the drugs work, they will get their investment bank, and the banks that lend them the money (and the shareholders) are working with the same idea in mind.
      That company would close its doors right this second if they had no way to protect the fruits of their research. Why would a shareholder invest in them anymore when they could invest in the indian company sat on its hands waiting to copy their work?

      Teenagers vote for party which promises free stuff. wow, I'm so impressed. When the teenagers grow up and get jobs and realise the way the world works, and that people who make digitally encoded goods also need to eat, they will realise how naieve they were when they suggested this stupidity. If you let motorists vote on wheteher we should abolish parking fines and speed limits, they would vote for that too, but it doesn't mean that society would be better off without those laws.
      Why not just go the whole hog and stand on a platform of zero taxes and free beer for all?

      --
      DRM-free indie games for the PC and Mac: Positech Games
    36. Re:tyranny of the majority by Carewolf · · Score: 1

      Hey, That's less than what you spend on invading Iraq..

    37. Re:tyranny of the majority by LizardKing · · Score: 1

      Kiss goodbye to any new drugs if anyone can make "knock offs" as soon as a new one comes to market. IT costs roughly 800 million USD to bring a new drug to market - who's going to bother if you can't get a reasonable return on that investment?

    38. Re:tyranny of the majority by ajs318 · · Score: 1

      I'd be for that, at least in the case of drugs used by National Health Services. As a (reasonably healthy) taxpayer, I am paying for sick people's drugs. I don't begrudge them a single penny of that money; I know that if (absit omen) I were to get sick, I would receive the treatment I needed without having to worry about paying for it.

      What I do begrudge, however, is the money paid to drug companies for patent licences. The first obligation of the NHS should be to save lives, not create profits for fatcat drug barons. (I firmly believe that queue-jumping private patients should pay patent licence fees, and also private healthcare should be taxed and the money raised spent on the NHS.)

      --
      Je fume. Tu fumes. Nous fûmes!
    39. Re:tyranny of the majority by Anonymous Coward · · Score: 0

      In Europe, government funding of organisations for the advancement of arts has worked relatively well in the past
      LOL!!!

      I take it you don't work in the industry and thus have no idea how inefficient and broken the government funding of the arts in Europe are. If pharam was handled in the same way you'd only get treatments for diseases that the members of the relevant government board where actually sufferning from.

    40. Re:tyranny of the majority by Aceticon · · Score: 1

      Allow me to point out a small thing:

      - Which kind of medicine will maximize revenue for a drugs company: something that cures a sickeness or something that removes the symptoms as long as you keep taking it (ie something you take for the rest of your life)?

      Now couple this with the fact that the current patent system will grant patents on chemical compound and all compounds derived from it (in other words, in a whole family of compounds). In some countries they even give patents for specific genes.

      So what do you get when you couple the motivation to make more money with the ability to close off a whole area of chemistry for several years????

      *think about it*

    41. Re:tyranny of the majority by ResidntGeek · · Score: 1

      But the discussion was about dicking around with laws for the specific purpose of changing their research methods. That's not a competitive market working better.

      --
      ResidntGeek
    42. Re:tyranny of the majority by N3wsByt3 · · Score: 2, Insightful

      "The question of whether $1000 in my pocket is worth some African boy's life is ultimately a decision to be made by me, not by almighty Government."

      Only if you live completely isolated from society, which no human does.

      All societies inherently have laws that govern the conduct of its populace. Claiming something else is nonsensical or wishful thinking; I could say "The question whether I want to save someone I see is in trouble, is ultimately a decision to be made by me". Just as yours, this seems rational, if your premise is, that you're the measurement of everything (e.g. an egocentric premise).

      Alas, in practise, I will be dragged before the court by the state if I refused to aid someone in trouble when I could.

      Now, why is that? Simply, because the premise you start with is not generally accepted. The reason it's not generally accepted is because such a self-centered premise would mean there is no way to maintain that society. (It's impossible for a society to keep existing if each individual is of the opinion that he holds all rights.) Now, you could dispute which rights and which not, but that's ultimately arbitrary, and depends on the willingness of the state, it's government, and in a democracy, the majority of its people. It's not, however, something you're inherently entitled too, as you seem to imply.

      --
      --- "To pee or not to pee, that is the question." ---
    43. Re:tyranny of the majority by N3wsByt3 · · Score: 1

      "How has it failed?"

      You must have missed this:

      http://archives.cnn.com/2002/HEALTH/conditions/01/ 29/safrica.aids.patents/index.html

      Basically, patents make monopolies, monopolies make products more expensive, expensive products mean not all people can buy it - especially the weaker/poor populace who often needs it the most. Since the product here is medicine, and medicine is about health (if not life and death) of people, there most certainly IS a problem when patents are a hinderance in saving as much human lives as possible.

      --
      --- "To pee or not to pee, that is the question." ---
    44. Re:tyranny of the majority by pv2b · · Score: 1

      Did that friend of yours tell you that a lot of pharmaceutical research is already financed by the government?

      I don't know how it works where you live (you didn't say), but here in Sweden, pharmaceuticals are developed through income through patents as well as government funding.

      There's nothing to say pharmaceutical development and pharmaceutical production couldn't be effectively split up. As long as the government is still there to pay for pharmaceutical research, there's no real problem.

      The fact is that within Sweden, domestically, for pharmaceuticals in particular, we have a system known as the high cost protection system. Basically, if you need prescription meds for a lot of money, the government will pay them for you once you exceed something like US $250 per year. The system is actually gradulal and a little more complicated than I just mentioned, but that's not really important.

      So, basically, our government is funding pharmaceutical research both directly, and indirectly by paying the inflated prices back to those same pharmaceuticals through a high cost protection company.

      Frankly, the idea of a compensation based on profit per dose which is the current model of pharmaceutical companies offends me. Reproducing medicine is relatively cheap -- except in cases where the production is so expensive the cost is actually jusified. Case in point - one popular over-the-counter antihistamine known as Clarityn recently dropped in price 20x because the patent expired.

      Pharmaceutical research should be funded through the numbers of unique drugs produced, through government grants (as it is today), and not by deciding what drug will let the company get the most patent revenue.

    45. Re:tyranny of the majority by Hatta · · Score: 1

      What mammoth R&D investments? At best, this would would kill the mammoth advertising expenditures, which arguably should not exist in the first place. Most of the (minimal) investment is in researching replacements for existing high-margin drugs, which are dissimilar enough to avoid patents but functionally identical.

      Not to mention that most of the truly novel research is paid for with government grants.

      --
      Give me Classic Slashdot or give me death!
    46. Re:tyranny of the majority by Hatta · · Score: 1

      You do realize that advertising $$ are an indication of a competitive market.

      Massive advertising budgets are an indication that the consumer doesn't actually need what is being pushed.

      --
      Give me Classic Slashdot or give me death!
    47. Re:tyranny of the majority by greenbird · · Score: 1

      That would certainly bring down prices for consumers quite a bit... for existing drugs. However, it would disincent pharmeceutical companies to make the mammouth R&D investments needed to discover new ones.

      Several recent studies have shown that their making "mammouth R&D investments" in creating one off drugs that have the same effect as current drugs not creating new drugs. Eliminating the patents might force them to continually invest in creating innovative new drugs to stay ahead of everyone else rather then creating a drug one atom different than one about to go off patent so they can patent it and continue their monopoly.

      --
      Who is John Galt?
    48. Re:tyranny of the majority by greenbird · · Score: 1

      But the discussion was about dicking around with laws for the specific purpose of changing their research methods. That's not a competitive market working better.

      No the discussions was dicking around with the protectionist laws that are restricting competition in the market thus creating a competitive market rather than an industry where research is specifically geared towards exploiting the current protectionist laws.

      --
      Who is John Galt?
    49. Re:tyranny of the majority by Hatta · · Score: 1

      Hey, great idea! Let's put the politicians in charge of ALL medical research!

      Better yet, lets use ALL our politicians FOR medical research! At least that way, they might contribute something good to society.

      --
      Give me Classic Slashdot or give me death!
    50. Re:tyranny of the majority by servognome · · Score: 1

      Basically, patents make monopolies, monopolies make products more expensive, expensive products mean not all people can buy it - especially the weaker/poor populace who often needs it the most.
      Patents lead to investments - an expensive medicine that becomes cheap because patents expire, is better than no medicine.
      --
      D6 63 0D 70 89 81 BB 8E 7B 7C 5F 5D 54 EA AB 73
    51. Re:tyranny of the majority by cdrguru · · Score: 1

      The problem has nothing to do with production and everything to do with trials and testing. Inbetween someone getting a bright idea and figuring out that a compound in tree bark can help with certain types of cancer and a drug being available comes years of testing and trials.

      These are not done by governments or educational institutions even through that may be the source of the original idea.

      Why would it cost anything to take a drug from Australia and produce it in the USA? Again, after some drug issues in the 1960's the USA does its own pharmaceutical trials. Period. So no matter where the drug comes from, someone is going to spend hundreds of millions of dollars on trials.

      The problem is that after the trials are completed what is being proposed would throw open the doors to "production companies" that invested nothing in the trials or research and have everything to gain from simply producing the drug. This is always a bad idea because the production company with no investment has nothing to lose from bad or carelessly made products.

    52. Re:tyranny of the majority by jamesmrankinjr · · Score: 1

      There's nothing to say pharmaceutical development and pharmaceutical production couldn't be effectively split up. As long as the government is still there to pay for pharmaceutical research, there's no real problem.

      The drugs you use in Sweden were funded by the U.S. consumer. You don't have enough money in the Swedish government to develop the new drugs you need. Once the patent system is gone, the amount of money available for drug research will also plummet, barring a massive increase in tax revenues to replace that funding. (And for Sweden, wouldn't that put your tax rate somewhere north of 100% GDP?)

      -jimbo

    53. Re:tyranny of the majority by dryeo · · Score: 1

      What are you talking about? It only took a few years for mosquitoes to become DDT resistant. They were moving to heavier and heavier organochlorine based pesticides back then before switching to various organophosphorus pesticides that at least broke down. The organophosphorus pesticides are closely related to nerve gas and also have major problems with insects evolving resistance.
      I'm sure I got the spelling of the above wrong, its been over 25 years since I had a pesticide ticket.
      http://www.washingtonpost.com/wp-dyn/content/artic le/2005/06/04/AR2005060400130.html
      http://en.wikipedia.org/wiki/DDT

      --
      https://en.wikipedia.org/wiki/Inverted_totalitarianism
    54. Re:tyranny of the majority by Anonymous Coward · · Score: 0

      The world is thankfully not just the US. Your government is not the only one. Even if the US government only supported research within erectile performance enhancers and anti-terror drugs (or anti-drugs drugs!), I'm confident other countries would work on serious issues.

    55. Re:tyranny of the majority by LupusCanis · · Score: 1

      And that "however" is exactly why IP rights ot pharmeceuticals should not be restricted. Generally I'm anti-big business and anti-IP (you know what I mean) but by virtue of how the pharmeceutical industry works, they are an exception. They are vital and they need lots of money going in, as this money goes towards developing cures for diseases.

    56. Re:tyranny of the majority by hauntingthunder · · Score: 1

      "What mammoth R&D investments?" The fucking tests to make sure your fraking head doesnt explode you twonk

      --
      You will never get to heaven with an Ak 47... But A Zu 30 is good for Low Flying Cherubim
  7. UberBan by j00r0m4nc3r · · Score: 1

    At first I thought it said they wanted to ban:

    DRM technology
    free sampling of other artists' material
    shortening the life span of copyright

    Couldn't quite grok that..

  8. How dare those communists... by heretic108 · · Score: 4, Insightful
    ...refuse to close the barn door, and make those fraudulent claims that the horse has already bolted!

    Anyone in their right mind can see the horse clearly inside its stall within the barn, lazily chomping out of its nose-bag. If you can't see it, your vision must be impaired - get to your nearest RIAA office and book in for the next available seminar.

    I'm sure there must have been a lot of ferry operators put out when the Channel Tunnel opened up to connect road traffic between the UK and France. But in that case, the ferry operators didn't have any significant pull with government, so the tunnel went ahead.

    To borrow Russel Crowe's line from Master and Commander, we have to choose the 'lesser of two weevils':
    1. Widspread infringement of intellectual property
    2. Increasing concentration of intellectual property amongst an elite oligopoly which is working to mutate the intellectual property regulations into a force which increasingly represses expression, invention and communication and squashes competition
    --
    -- In the beginning was the WORD, and the WORD was UNSIGNED, and the main(){} was without form and void...
    1. Re:How dare those communists... by Anonymous Coward · · Score: 0

      Increasing concentration of IP?
      How can something that's not limited and has no barrier to entry like ideas be concentrated we can all create new ideas or stories or photos or videos we just choose not to because it's too hard. We would rather just get it from someone else. Also I don't see how making something that is intended for non comcomercial use like most all IP to be free to that use.

    2. Re:How dare those communists... by Supreme_101 · · Score: 1

      Europe only screamed holland for me. i think i might just move to norway and make day-trips to amsterdam since ill have a lot of spare change from not buying software :D

    3. Re:How dare those communists... by Oligonicella · · Score: 1

      False dichotomy.

      As one comment notes, you cannot concentrate ideas, being as how they can originate in any mind. Also, it is not necessary to choose widespread infringement or an extreme, but a more moderate position.

      Or, you could just uncheapen and buy the things people offer or not and quit trying to extricate them for free.

    4. Re:How dare those communists... by Jeff+DeMaagd · · Score: 1

      Increasing concentration of intellectual property amongst an elite oligopoly which is working to mutate the intellectual property regulations into a force which increasingly represses expression, invention and communication and squashes competition

      Did this become some sort of calling card? I don't understand why an individual needs to express themselves with other people's work. That's not all that inventive in my book. I think this is kind of like calling wearing an Abercrombie sweater as some form of original expression.

      The part of competition doesn't necessarily make sense either. It's not that hard to make reasonably original works to compete with someone else's works.

    5. Re:How dare those communists... by heretic108 · · Score: 1

      I don't understand why an individual needs to express themselves with other people's work. That's not all that inventive in my book. I think this is kind of like calling wearing an Abercrombie sweater as some form of original expression.
      Albert Einstein once said "If I have seen further it is by standing on the shoulders of giants".

      Nearly all creativity employs existing material as building blocks. Traditionally, these building blocks have tended to be in the public domain, which has given new inventors huge creative freedom. If Einstein, as the poor patent clerk that he was in the early 20th century, had to buy a patent license from Lorentz and Associates for the use of the Lorentz Transformation, and pay for copyright clearance from Issac Linear Models for the use of calculus theorems etc, then we'd never have got the Theory of Relativity, and all the many amazingly good things (and some amazingly bad things) which have come from it.

      What I'm saying is that the large intellectual property stake-holders, the (MP|RI)AA, BSA etc are working to privatise the very raw materials with which people think and express themselves. Ask any software developer working for a company which has been hit with a lawsuit for infringment of a trivial submarine patent for a simple commonplace programming technique.

      I hold that until/unless there is major reform in the very concept of intellectual property as a legal entity, then society as a whole in its present globally-wired state will enjoy more creative flow without it.
      --
      -- In the beginning was the WORD, and the WORD was UNSIGNED, and the main(){} was without form and void...
    6. Re:How dare those communists... by AK+Marc · · Score: 1

      As one comment notes, you cannot concentrate ideas, being as how they can originate in any mind.

      You can concentrate the marketable ideas. Yes, you can't stop me from thinking about a better mousetrap, but you can stop me from making it.

  9. Re:To be honest by Anonymous Coward · · Score: 0

    Kenya! Kenya, Kenya, Kenya....

  10. Giving away other people's barn. by Anonymous Coward · · Score: 0

    "The party wants to legalise sharing of any copyrighted material for non-commercial use."

    And just how much of that copyrighted content originated from Norway?

    1. Re:Giving away other people's barn. by Marcion · · Score: 1

      Lene Marlin is fantastic, worth it just for that.

    2. Re:Giving away other people's barn. by Anonymous Coward · · Score: 0

      Eh? Anyway the point is that it's easy to be magnanimous with other people's property. I'd be more impressed with Norway's proposal if it also applied to their copyrighted material as well (assuming they have any to speak of).

    3. Re:Giving away other people's barn. by Anonymous Coward · · Score: 0

      Would you raise the same objection to the ban on cocaine in the US? Nearly all of it comes from foreign sources.

  11. Wish we had medium size political parties by MaizeMan · · Score: 3, Interesting

    From the wikipedia article (assuming it hasn't been to horrible vandalized by my fellow slashdotters yet) I'm not sure if I would describe this as a MAJOR political party with maybe one twentieth of the norwegian vote. Still a bigger organization that the Swedish Pirate Party, perhaps this is a positive sign of things to come. Makes me wish we had political parties somewhere between the the wacko fringe (Green, Reform, etc) that no one takes seriously and the big two which both seem to owe too much to the **AA to ever consider taking a position like this one.

    1. Re:Wish we had medium size political parties by Chandon+Seldon · · Score: 3, Informative

      The United States system prevents there being more than two serious parties. European countries tend to use proportional representation to solve the problem. In the United States, that doesn't work because our congresmen represent geographic areas - but the problem could be signficiantly reduced if we used a voting system like http://en.wikipedia.org/wiki/Approval_Voting or http://en.wikipedia.org/wiki/Condorcet_method that didn't severely punish third party votes strategically.

      Another potential tactic would be to promote subparties. The final elections are solidly locked down to Democrat or Republican, but the actual Democrat/Republican primaries are much more open - an organized "branch" of a major party could probably get their candidate nominated with an effort that is possible to achieve.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    2. Re:Wish we had medium size political parties by westlake · · Score: 1
      In the United States, that doesn't work because our congressmen represent geographic areas

      Senators are elected state-wide. House members represent districts of roughly equal population and more or less clearly defined constituencies. Los Angeles alone sends about fourteen members to Congress.

      You do not successfully re-write copyright law by ignoring the economic and political interests of the state which sent Reagan to Washington and The Terminator to Sacramento.

      the problem could be signficiantly reduced if we used a voting system like {the Condorcet method] that didn't severely punish third party votes strategically.

      The Geek looks at structure and ignores culture. There is a tradition of winner-take-all, a dislike of multiple choice questions that begins in grade school and a profound distrust of coalitions that gives very small minorities inordinate power.

    3. Re:Wish we had medium size political parties by Chandon+Seldon · · Score: 1

      The Geek looks at structure and ignores culture. There is a tradition of winner-take-all, a dislike of multiple choice questions that begins in grade school and a profound distrust of coalitions that gives very small minorities inordinate power.

      That's a cop-out, and not a very good one at that. There is absolutely cultural inertia that will resist any change, but I see no reason why Approval Voting is any less "winner take all" or any more "multiple choice" than the current voting method is. Further, I don't see how either method that I suggested encourages "coalitions that gives very small minorities inordinate power". You still need to get the plurality of voters to vote for you before you win.

      The two party system in the United States definitely doesn't act to prevent coalitions that give small minorities inordinate power. All it does is makes sure that those coalitions are consistent, so that corporations have to make less campaign contributions to make sure the winner likes them.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    4. Re:Wish we had medium size political parties by Anonymous Coward · · Score: 0

      The problem is that there is only one person elected per area, not the area representation per se. We (Norway, at least) work around area representation by having many people from each area, and compensating for fractional people on a national level ("utjevningsmandat").

    5. Re:Wish we had medium size political parties by asninn · · Score: 1

      In the United States, that doesn't work because our congresmen represent geographic areas [...]

      You've got a bicameral parliament already, though, don't you? Why not just use one house (say, Senate) to ensure that the states have their say and that the small ones don't get overriden all the time, and turn the House of Representatives into, oh, I don't know, a house of *representatives*? :)

      Of course, adopting a better voting system that actually seeks to capture voter intent would be a good idea as well.

      --
      butter the donkey
    6. Re:Wish we had medium size political parties by jez9999 · · Score: 1

      The easiest way to eliminate the problem would be to defeat the ridiculous notion that one person can accurately represent millions, and did away with the geographical representation idea altogether. I'd far rather vote for a part than a single person that I don't even know well. How many times have we heard on Slashdot people saying that their congressman/senator doesn't represent them? It's bullshit.

  12. Anyone remember the Vikings? by Anonymous Coward · · Score: 0



    Anyone remember the Vikings? Here comes da Judge! Only, no one will care because, well, because they are from Norway. hahahahaha

  13. I wonder by AlphaLop · · Score: 0, Offtopic

    what Norway's immigration policy is. I am retiring and living on a catamaran in about 10 years and I was thinking about leaving the USA anyway if it does not stop becoming so politically and religiously insane over here.

    --
    It's only paranoia if your wrong...
    1. Re:I wonder by owlnation · · Score: 1

      what Norway's immigration policy is. I am retiring and living on a catamaran in about 10 years and I was thinking about leaving the USA anyway if it does not stop becoming so politically and religiously insane over here.
      So, in other words, you're pining for the fjords?
    2. Re:I wonder by Anonymous Coward · · Score: 0

      Nah, he's just tired and shagged out after a long squawk!!

    3. Re:I wonder by Kamineko · · Score: 1

      He said 'catamaran', not 'katamari'. The fjords are still there, they haven't been gobbled up just yet. :P

  14. Get off my lawn! by Sodki · · Score: 1

    Damn kids with their non-commercial file sharing and anti-DRM legislation.

  15. Not impossible, just different. by Kadin2048 · · Score: 4, Interesting

    There are business models that can allow for the production of books without DRM or copyright, but they're different than the systems we're used to. You can write and publish serials, rather than books, and use the free publicity that copying gives you to your advantage: tell your audience that if you don't get paid x, the next installment won't be released. There are a few authors (notably, Steven King) who have experimented with approaches like this (although his was slightly different). Writing in such an environment is less of a solitary activity, where the writer closets him or herself away and returns after some time with a book to hawk, than an interactive one, where the writer needs to constantly maintain the relationship with his benefactors.

    In truth, there probably wouldn't be as many books written, but I'm not sure that's necessarily bad per se; I think our current system encourages the overproduction of many forms of "art" basically on speculation, far more than the market really demands and is willing to pay for, which is why there are so many out-of-work artists of various stripes, e.g. authors who have written books that nobody wants to buy. An approach that resulted in nothing being written without a market for it would result in less pages produced annually, but it would lead to only the stuff that people were actually willing to pay for getting written.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
    1. Re:Not impossible, just different. by Khaed · · Score: 2, Interesting

      Paper books don't have DRM. I'm not arguing defending DRM in ANY way, and I hope no one took my comment that way. I think DRM is insulting and a waste of everyone's time.

      I've read my share of crappy published books, that much is true, but it's one of the markets where publishers are less inclined to take risk publishing a crap book, because profits are so low. With the possible exception of self-help and diet books, which, like that stupid cheese moving book, are inexplicably popular.

      I just don't think eliminating copyright completely is the right path. That's not to say I think the current system is perfect; I'd be fine with a ten-year-from-publication limit. Or even five. Of course, at this point anything is better than "99 years after the author kicks it." And I think software patents are stifling. But for entertainment, I can see the need for copyright and a monopoly on distribution.

    2. Re:Not impossible, just different. by melikamp · · Score: 1

      But for entertainment, I can see the need for copyright and a monopoly on distribution.

      Specifically concerning the entertainment, what is that "need" you are talking about? Who needs and what do they need? I know that publishers need copyright law so that they can create an artificial scarcity of digital reproductions. But you obviously mean something else.

    3. Re:Not impossible, just different. by Oligonicella · · Score: 1

      No, writers need copyright law so as to keep jerks from distributing their work free to a million and not earn a penny.

    4. Re:Not impossible, just different. by Oligonicella · · Score: 1

      Well, everything you wrote would be true sans one detail. Reality. The world does not work that way, and unless you come up with a model that works in the real world, your model is worthless.

      Those authors have experimented, and are not doing it now, because it doesn't friggin' work. Been tried -- didn't work.

      Also very nice of you to dismiss as worthless so much that you have no interest for. Perhaps you're not their market, eh?

      "An approach that resulted in nothing being written without a market for it would result" in not a single new author selling anything ever again. How the hell do you think they break in? Publisher speculation.

    5. Re:Not impossible, just different. by Anonymous Coward · · Score: 0

      ... and returns after some time with a book to hawk... A hawk is a bird. You're thinking of the word "hock" -- as in to hock your wares.
    6. Re:Not impossible, just different. by pv2b · · Score: 1

      Maybe if some jerk distributes an unknown work to a million people, another thousand people will buy his book. Better than zero.

      And unfortunately, the law doesn't stop this from happening today. The law is toothless. Either you give it more teeth, and make your country into a police state, or you let go.

    7. Re:Not impossible, just different. by QuantumG · · Score: 1

      The fact that people can sell books has little to do with copyright and a lot to do with the expense of making books.

      If every book were scanned in and placed on the Internet, along with a like to a shop where you can buy the dead tree, the sale of books would go through the roof. Why? Because you could search the contents of books for what you're looking for and people like books.

      --
      How we know is more important than what we know.
    8. Re:Not impossible, just different. by joto · · Score: 1

      I agree that writers need money. Without money, writers would starve. That means writers will either have to get a job in addition to writing (something many writers already do). Or that they will have to come up with some other way to get paid from their writing. I do not see this as a problem. If I was a writer, and I wanted to write a book, I would do so whether I got paid for it or not, because I would consider writing fun.

      Money as a motivator works more efficiently for boring tasks, (such as selling insurance or making hamburgers) than for creative tasks (such as composing a symphony or writing a novel)

      I do not agree that writers should have a right to keep jerks from distributing their works for free. If "distributing a work" consists of something as simple as forwarding an e-mail to your friends, no-one should have the right to deny people that. Just like no-one should have the right to stop me from retelling a story, or playing a musical tune.

    9. Re:Not impossible, just different. by I'm+Don+Giovanni · · Score: 1

      "Writing in such an environment is less of a solitary activity, where the writer closets him or herself away and returns after some time with a book to hawk, than an interactive one, where the writer needs to constantly maintain the relationship with his benefactors."

      Sounds like a recipe for writers constantly catering to the least common denominator. Your proposal is sure to produce, not only fewer works, but, ironically, a higher percetange of utter trash.

      --
      -- "I never gave these stories much credence." - HAL 9000
    10. Re:Not impossible, just different. by dryeo · · Score: 1

      Actually the reality is authors who distributes their works for free (and of course sell hard copies) do very well as people like nice hard copies of books and most important is free books equals publicity.
      Go here and read the first page, http://www.baen.com/library/ and while there download some books.

      --
      https://en.wikipedia.org/wiki/Inverted_totalitarianism
    11. Re:Not impossible, just different. by asninn · · Score: 1

      I just don't think eliminating copyright completely is the right path.

      You're putting up a strawman, though. Whoever has been suggesting that copyright should be eliminated completely?

      --
      butter the donkey
    12. Re:Not impossible, just different. by Anonymous Coward · · Score: 0

      personally I'm glad that shakespeare got paid, rather than knocking out his plays after a hard days work stacking shelves at ye olde walmart. That way we have a lifetime of his work, rather than the two or three half assed plays we would have got with your system.

    13. Re:Not impossible, just different. by witekr · · Score: 1

      A possible problem with your scenario is that in the future it's very possible that people will own devices that are just as (or even more) convenient than a paper book. Sony's Reader is an early example. One day, it might be common to own a portable book-sized computer with an insanely high resolution screen. Then there would be barely any reason to buy paper copies of books, and.. [writers starve because of widespread eBook torrents]

      You can already find most books illegally online as eBooks. Currently, the only thing preventing this from being a problem to writers and publishers is that LCD's on laptops and PDA's are cumbersome and hard-on-the-eyes.

    14. Re:Not impossible, just different. by CmdrGravy · · Score: 1

      I think Charles Dickens write a lot of his books as serials which shows that it can be a successful method of writing and produce good quality work.

    15. Re:Not impossible, just different. by CmdrGravy · · Score: 1

      Actually no:

      Hawk - verb (used with object)

      1. to peddle or offer for sale by calling aloud in public.
      2. to advertise or offer for sale: to hawk soap on television.
      3. to spread (rumors, news, etc.).

      -verb (used without object)

      4. to carry wares about for sale; peddle.

      You see, you learn something everyday don't you.

    16. Re:Not impossible, just different. by CmdrGravy · · Score: 1

      In fact you learn 2 things every day because Hock does not mean what you think it means either.

      Hock
      1. Pawn
      2. the state of being deposited or held as security; pawn: She was forced to put her good jewelry in hock.
      3. the condition of owing; debt: After the loan was paid, he was finally out of hock.

    17. Re:Not impossible, just different. by Anonymous+Cowpat · · Score: 1

      I think every schoolchild in the world would be eternally grateful if Shakespeare had only written two or three plays.

      [After getting an autograph, Blackadder floors Shakespeare with a right cross.]
      Blackadder: That is for every schoolboy and schoolgirl for the next 400 years. Do you have any idea how much suffering you're going to cause? Hours spent at school desks trying to find one joke in A Midsummer Night's Dream? Years wearing stupid tights in school plays saying things like "What ho, my Lord!" and "Oh, here comes Othello talking total crap as usual...". Oh, and...
      [Blackadder kicks Shakespeare's shin.]
      Blackadder: That is for Ken Branagh's endless, uncut, four-hour version of Hamlet!
      Shakespeare: Who's Ken Branagh?
      Blackadder: I'll tell him you said that. And I think he'll be very hurt.

      -Blackadder Back & Forth

      --
      FGD 135
    18. Re:Not impossible, just different. by Anonymous Coward · · Score: 0

      I guess you are joking, but just for clarification: There were no copyright law when Shakespeare lived.

    19. Re:Not impossible, just different. by QuantumG · · Score: 1

      And then the system will have to change again. Ain't life a bitch?

      --
      How we know is more important than what we know.
    20. Re:Not impossible, just different. by joto · · Score: 1

      Removal of copyright would probably not have hurt Shakespeare much back in his time. He was able to make a living from the plays he wrote by performing them. The same way most professional musicians today are able to make a living from their music by holding concerts.

    21. Re:Not impossible, just different. by Anonymous Coward · · Score: 0

      Half of Slashdot. Thanks for playing.

    22. Re:Not impossible, just different. by Khaed · · Score: 1

      In addition to what the anon said about half of slashdot, I was under the mistaken impression that the poster I originally replied to was suggesting we eliminate copyright.

      further down, OP points out he doesn't.

      The strawman I put up was an accident, not intentionally done for the purpose of arguing a point.

    23. Re:Not impossible, just different. by Khaed · · Score: 1

      I always thought "hock" had something to do with spitting. As in, "hock a loogie" (lugie? loogy? Snot confuses me so...)

    24. Re:Not impossible, just different. by shark72 · · Score: 1

      "Those authors have experimented, and are not doing it now, because it doesn't friggin' work. Been tried -- didn't work."

      Well, that's the whole point behind the movement to weaken copyright law. There's Creative Commons, GNU, and good old-fashioned releasing stuff for free or even releasing it into the public domain in the hopes of priming a secondary revenue stream. Some people choose these methods; most do not. And that's the problem. Not enough producers are releasing their stuff for free, so we want the laws changed to effectively force them to. Market economics aren't enough of an incentive for producers to distribute their works freely, so I think the rationale here is that the works of the producers are far too important for the producers to dictate how they're sold and distributed. The desires of the consumers should outweigh those of the producers, and we'll change the laws if we have to. Anybody who's read Atlas Shrugged is familiar with this line of reasoning.

      It's a bit rough to admit that you're part of a majority that wants to take away the rights of a few, so a common tactic is to come up with reasons why the producers don't deserve those rights. This is why, when discussing P2P, piracy, and the like, we often talk about the greed of musicians and record companies, their stupidity (ie. their inability to grasp the superiority of the "give it away for free" model -- thus creating a nice tautology), and their lack of talent. They have enough money; they don't deserve any more, and they lack the brainpower to embrace the P2P model. Thus, P2P users are actually the heroes here: we're righting some economic wrongs, and we're using our advanced intellect for the cause of good.

      Students of American history will also recognize these tactics. The majority (the European settlers) wanted to take the land away from the few (the American Indians), so we created notions like "manifest destiny" and painted the original residents as being drunken savages. The rest was fairly easy.

      --
      Sitting in my day care, the art is decopainted.
  16. In Europe liberal means capitalist by Anonymous Coward · · Score: 0
    For the sake of principle:

    In Europe the word liberal roughly translates to capitalist. In other words Venstre is a right wing party.

    1. Re:In Europe liberal means capitalist by hr.wien · · Score: 1

      Seeing as though "venstre" means "left", I think you might be wrong there Bob. :)

    2. Re:In Europe liberal means capitalist by perkr · · Score: 1

      In other words Venstre is a right wing party.

      No they are not. They are socialists.

    3. Re:In Europe liberal means capitalist by zerblat · · Score: 2, Informative

      "Venstre" refers to the party's position on parlamentarism when the party was formed, in 1884. They were for it, Høyre (which means right), was against it. Nowadays, Venstre more of a right-wing party, and will typically collaborate with Høyre (which is a conservative party).

      --
      Please alter my pants as fashion dictates.
    4. Re:In Europe liberal means capitalist by mmcuh · · Score: 1

      In Europe the word liberal roughly translates to capitalist.
      It does not. Liberal means liberal. If you insist on placing political parties on a dumb left-right scale, it is probably true that Norwegian Venstre would end up quite a bit to the right of the labour and socialist parties in terms of wealth distribution (but also quite a bit to the left of the conservatives). Also, the name "Venstre", which does mean "Left", has nothing to do with socialism - it goes back to the time after the French revolution, when the French parliament was divided into the "left" - basically liberals who wanted more individual freedom and equality - and the "right" - the conservatives who wanted to preserve the old social structures. Socialism wasn't even invented yet. Denmark also has liberal parties using similar names ("Venstre" and "Radikale Venstre"), but in most other countries "left" now is politically equivalent to communism, socialism, or the labour movement.
    5. Re:In Europe liberal means capitalist by Anonymous Coward · · Score: 0

      For the Americans in the audience, it bears mention that they are to the left of the Democratic Party, aka "left wing".

    6. Re:In Europe liberal means capitalist by Brummund · · Score: 1

      No, they are not.

      Social liberalism is pretty far away from socialism.

    7. Re:In Europe liberal means capitalist by Anonymous Coward · · Score: 0

      They are to the left of the Democrats, but that's mostly because the Democrats are to the far, far right. The US doesn't really have any left-wing parties.

  17. Get over here! by Jugalator · · Score: 1

    Seriously, we need this party in Sweden like... Now! :-)

    We have the Pirate Party, but it would be awesome for a party to stand behind a clear language like this.

    Wow, even shortened copyright times from the currently ridiculous ones? And pay to use samples commercially?

    One's mind boggles!

    --
    Beware: In C++, your friends can see your privates!
    1. Re:Get over here! by Anonymous Coward · · Score: 0

      *Scorpion voice*

      GET OVER HERE!

    2. Re:Get over here! by Spug · · Score: 1

      What? Do you think what they said was clearer than what Piratpartiet says? It's copied almost verbatim from Piratpartiet's program.

  18. Re:Near-exact copy of a Swedish Piratpartiet docum by Jugalator · · Score: 1

    Yeah, but the subtle details that differ is where I like the Norwegian suggestion more. I still believe copyrights are important, and using samples commercially should of course make one have to pay for it IMO. Personally, I feel the Swedish PP is a bit too radical even for me, although on a philosophical level, maybe they do know better. *shrug* It's really hard to tell for me, because the society they suggest is so radically different.

    --
    Beware: In C++, your friends can see your privates!
  19. Holy mother of cow !!! by unity100 · · Score: 1

    I had heard that scandinavian countries were generally on the edge of liberal & humanist & progressive thoughts and policies, but, doh, this just hit the jackpot. Its like some dream becoming real.

    1. Re:Holy mother of cow !!! by Hatta · · Score: 1

      I had heard that scandinavian countries were generally on the edge of liberal & humanist & progressive thoughts and policies

      Not really. Try finding pot in Sweden for instance.

      --
      Give me Classic Slashdot or give me death!
    2. Re:Holy mother of cow !!! by unity100 · · Score: 1

      excuse me, but i am not able to see smoking crack as a liberty.

    3. Re:Holy mother of cow !!! by Hatta · · Score: 1

      Can you read? I distinctly said "pot" not "crack". But in any case, sovereignty over one's own biochemistry is a fundamental human right. If someone else controls your biochemistry, they control you.

      --
      Give me Classic Slashdot or give me death!
    4. Re:Holy mother of cow !!! by unity100 · · Score: 1

      again, excuse me, i dont distinguish between smoke, pot, crack whatever and whatever. i see all substances altering consciousness with the possibility of having any degree of addiction, other than meditation of course, in the same "pot".

    5. Re:Holy mother of cow !!! by Anonymous Coward · · Score: 0

      "other than meditation of course, in the same "pot"."

      Of course you don't smoke, drink alcohol or even eat chocolate, do you?

      On the other hand saying crack and pot being the same is quite analog to say "I don't distinguish chineses from each other, to me are all in the same pot": that won't make all chinese being equal but will mark you as an ignorant.

    6. Re:Holy mother of cow !!! by unity100 · · Score: 1

      i never have smoked, i never drank anything containing alcohol, i rarely (maybe 2 or 3 times a year) eat chocolate, and even then i never have experienced any alteration positive or negative in my consciousness after eating any type, brand or amount of chocolate yet.

    7. Re:Holy mother of cow !!! by Hatta · · Score: 1

      Well you can choose to ignore the differences between substances if you want, but that just makes you ignorant. If you had an open mind, you might find that drugs are not the bogeyman and when used responsibly they can enrich your life immensely. But then you seem to like being ignorant and prejudiced, so I'm not going to bother arguing. Doesn't it feel nice being holier-than-thou?

      --
      Give me Classic Slashdot or give me death!
    8. Re:Holy mother of cow !!! by unity100 · · Score: 1

      i especially used the word "meditation" in the context so it would ring a bell within the empty recesses of your mind. its not the ignorance what is dangerous, but arrogance.

      i am able to get to various states of mind without using any substance, and by natural means.

    9. Re:Holy mother of cow !!! by rundgren · · Score: 1

      Actually, the pot-thing is less of a problem here in Norway. It's expensive but easily available.. *tokes*

  20. Don't hold your breath! by Gonoff · · Score: 1

    I can's answer for the USA but in Europe, we have had Youth Sections of major political parties coming out with sensible ideas for years.

    Then the old farts in the "grown up" sections deny that they would ever do such a wicked thing.

    For example, we have all heard for years that banning certain recreational drugs should be dropped. Everybody knows that this would be a good thing. Then the 50something year old hypocrites put down their cigars and whisky and prevent it!

    --
    I'll see your Constitution and raise you a Queen.
    1. Re:Don't hold your breath! by pv2b · · Score: 1

      Except this actually *has* made it from the youth section to the main party. That's why this is a big story.

      Youth sections holding opinions like this (albeit less well-defined) is nothing new. It's a joke among us in the Swedish Pirate Party that we actually have 8 youth sections. Our own, and one for every single major political power currently represented in parliament. :-)

    2. Re:Don't hold your breath! by rundgren · · Score: 1

      Coincidentally the very same youth party that proposed this resolution, last year voted that the ban on soft drugs should only be maintained if they could be proven harmful.

  21. Translation by Arker · · Score: 2, Informative

    My translation, done quickly just now, so errors are possible:

    The Norwegian Liberal Party, equivalent to the Swedish Liberal Peoples Party, today took the program of the Pirate party and made it their own.

    At the ongoing national convention a pronouncement was adopted unanimously, which excepting that it has fewer details is a direct translation of the essentials of the program of the Pirate Party with regard to cultural ecology, with further wording from the subheadings of the program. Intention to "encourage all non-commercial collecting, enjoyment, processing and dissemination of culture" - also the Pirate policy. The only part of the Pirate policy the Norwegian Liberals are not adopting is the repeal of the cassette tax.

    The Norwegian Liberal Party sits in the opposition in Norway with 5.9% of the 2005 vote.

    The Pirate Party welcomes the copying.

    --
    =-=-=-=-=-=-=-=-=-=-=-=-=-=-
    Friends don't let friends enable ecmascript.
    1. Re:Translation by Kjella · · Score: 1

      The Pirate Party welcomes the copying.

      They should - on the "mainstreamness" scale their principles just went from being a 0.6% party (Pirate Party - Swedish 2006 election) to a 6% party (Liberal Party - Norwegian 2005 election). One more jump like that and it'll be at 60% and laws can be passed ;). Also the socialist left have been dabbling with the same ideas, they love the idea of public goods. And the progress party will jump at anything that gets populist votes, which are usually young males, which are also the biggest pirates...

      If they keep up honking the goverment off, like Apple is doing now with the iTunes store (they've also been in trouble with our consumer protection agency over the iPod, not a good rep) then DVD-Jon could become the least of their worries. Already we basicly sabotaged the EUCD, which says that circumventing DRM is prohibited unless it's for the purpose of playing back on "relevant playback equipment". But that is a huge gaping hole in the EUCD, which relies on tools being de facto illegal, not some discussion of intent which must be settled by courts.

      There's an expression from Star Wars that is way overused on slashdot, but in this case I really think it applies. Squeeze us too hard, and you'll find yourself at the wrong end of a very consumer-friendly and very industry-unfriendly law. It's not that easy to buy laws around here, unless EU hands them down on us.

      --
      Live today, because you never know what tomorrow brings
    2. Re:Translation by cpt+kangarooski · · Score: 1

      There's an expression from Star Wars that is way overused on slashdot, but in this case I really think it applies

      E chu ta?

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  22. Re:Near-exact copy of a Swedish Piratpartiet docum by pv2b · · Score: 1

    The Society the Swedish Pirate Party is proposing is hardly radical nor different. We just want laws to match the current information society that is already developing.

    The society where these singing muppets on Youtube is technically illegal because the copyright owner has most probably not explicitly permitted Youtube to share that particular piece of video.

    But does the presence of this clip and hundreds like it diminish our society? No! It improves it! I feel the world is a much better place now I know that singing muppets are only a few clicks away. :-) Not to mention all the derivative works...

  23. 5.9%.... by gnud · · Score: 2, Informative

    Well, the liberal party in Norway is the smallest of the mainstream parties. In the latest election (2005) they got 5.9% of the votes.
    The next party down the line is the Workers Communist Party =)

    Election results from 1906 and onwards can (of course) be found on wikipedia: http://en.wikipedia.org/wiki/Venstre_(Norway)#Elec tion_results.2C_parliamentary_elections_1906-2005

    1. Re:5.9%.... by Kjella · · Score: 1

      Well, the liberal party in Norway is the smallest of the mainstream parties. In the latest election (2005) they got 5.9% of the votes.
      The next party down the line is the Workers Communist Party =)


      Well, they're also five times larger than them, and ten times the size of the pirate party in Sweden. Also they are above the minimum (4%) and are represented in parliament, something you can't say about either of the other two. And unlike the US, third parties do matter a lot and parties of that size have been and are in government. They were in government both 1997-2000 and 2001-2005, and could easily be it again in 2009. It is not entirely unlikely that we might have a minister of culture from this party then, which should scare everyone in the MAFIAA that knows where to find Norway on a map (i.e. not many)

      --
      Live today, because you never know what tomorrow brings
  24. Terrorist State by Anonymous Coward · · Score: 3, Funny

    How long before Norway is declared a terrorist state?

    1. Re:Terrorist State by DogBotherer · · Score: 2, Funny

      There's certainly enough oil there to make the invasion worthwhile! :-)

    2. Re:Terrorist State by Anonymous Coward · · Score: 0

      You wouldn't even have to invade. All the oil is found offshore, so all you'd need to do is to plop down some heavily defended oil rigs in the north sea and start pumping up the good stuff.

  25. Good on ya, Norway by burySCO · · Score: 1

    Meanwhile, Canada's Bush-Lite government about to adopt US DMCA laws :'(. I'm ashamed to be Canadian today.

  26. Before we all start jumping up and down... by Anonymous Coward · · Score: 0

    Please note that this is a suggestion from "Unge Venstre".
    "Unge / Ung [partyname]" Is a name for a party's younger support members, an organization whose task it is to recruit (young) new members, and give them a taste of politics.
    Its pretty popular in Northern Europe for political parties to have support groups like that, where political discussions are made in a lighter tone and focused on youth problems.
    Also, the "young-party"-ies are not as serious as the "main" parties, and you can often hear of them suggesting leagialization of marihuana, prostitution, higher speed limits and so on, without any of that being taken seriously.

    And also, the party Venstre got 6.0% of the votes in the last election. But hardy anything spectacular, im affraid.

  27. Technological neutrality by EmbeddedJanitor · · Score: 1

    Does this mean that software bought to run on a Windows PC should also run on a Mac, Linux PC, whatever?

    --
    Engineering is the art of compromise.
    1. Re:Technological neutrality by cpt+kangarooski · · Score: 2, Insightful

      Well, I think there's a big and clear difference between writing software for a platform generally as opposed to adding DRM which not only isn't needed to make the software function, but which in fact deliberately impairs functionality.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    2. Re:Technological neutrality by Hadlock · · Score: 2, Interesting

      Slippery hill argument!
       
      What if I owned a PSP and wanted to play the New Super Mario Bros. on it? Would I be justified in warezing the rom and hacking my PSP's firmware to play it, so long as I sent my $30 check to Nintendo Norway? Could I request Microsoft release NT3.5 for my super nintendo so that it's cross platform?

      --
      moox. for a new generation.
    3. Re:Technological neutrality by cpt+kangarooski · · Score: 4, Informative

      Well, looking at the earlier post in the thread, the platform is that "producers and deliverers of technology can not control how citizens for example should play back the music that they have bought."

      So from this we can expect that authors would not be required to release works for all platforms, but cannot interfere, e.g. by using DRM, with attempts by their customers to make those works function on other platforms.

      So you could not download a ROM and hack it, but you could buy a copy of the game, rip the ROM, and then hack it to run on a PSP. You could not force MS to release NT for the SNES, but if you bought a copy, you could try to get it to run on the SNES. That's how I'm understanding it, anyway.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    4. Re:Technological neutrality by mrchaotica · · Score: 2

      What if I owned a PSP and wanted to play the New Super Mario Bros. on it? Would I be justified in warezing the rom and hacking my PSP's firmware to play it, so long as I sent my $30 check to Nintendo Norway?

      Why not? Considering that in your example Nintendo still got their fair price for the game, can you think of anything that's actually ethically wrong with your scenario anyway? I can't.

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    5. Re:Technological neutrality by drsmithy · · Score: 3, Interesting

      Does this mean that software bought to run on a Windows PC should also run on a Mac, Linux PC, whatever?

      No, it means it should not be artificially restricted from doing so.

      This is a completely separate issue from _requiring_ software to be multiplatform.

    6. Re:Technological neutrality by drsmithy · · Score: 1

      What if I owned a PSP and wanted to play the New Super Mario Bros. on it? Would I be justified in warezing the rom and hacking my PSP's firmware to play it, so long as I sent my $30 check to Nintendo Norway?

      Yes.

      Could I request Microsoft release NT3.5 for my super nintendo so that it's cross platform?

      Of course. Microsoft, however, would be under no obligation to provide it. Such compulsion would be a completely different situation.

  28. Re: Content From Norway by TaoPhoenix · · Score: 1

    Lasse Gjertsen!

    http://www.youtube.com/watch?v=JzqumbhfxRo

    "If you want to download the audio from this video, go to
    http://www11.nrk.no/urort/user/?id=36781
    It's a norwegian page where I uploaded some of my music. (Lytt = Listen to, Last ned = Download)"

    That's the guy who doesn't exactly know how to play any instrument, but uses mix editing like the old amiga samplers used to do. The funny part is he does a lot of it from his camcorder, so watching the jerky images on top of surprisingly clean soundtracks is funny.

    P.s. All the corporations fake their "location" anyway, so we'll just borrow their trick and funnel things through a Norwegian distribution center. (Think about it - is an American Singer managed by a German label American or German content?)

    --
    My first Journal Entry ever, in 8 years! http://slashdot.org/journal/365947/aphelion-scifi-fantasy-horror-poetry-webzine
  29. Hardly a mandate by Gavin86 · · Score: 0, Redundant

    Doing just simple preliminary research on the party shows that the Norwegian Left have received only 5.9% of the vote in the Norwegian parliamentary election of 2005, which amounts to just 10 seats of a 169 seat parliament.

    Fun idea, but keep dreaming...

    --
    "Progress comes from the intelligent use of experience."
  30. Way to break the GPL (Unintended consequences) by CustomDesigned · · Score: 1

    If this comes to pass, companies can distribute closed source products based on GPL software - as long as they are free as in beer. Imagine the possibilities. This idea is solving the wrong problem. The root problem is not copyright law, it is the monopoly old style record labels still hold over music distribution - and all the artists that have signed their life away in the (perhaps justified) belief that it was the only way they would ever be able "do" music.

    1. Re:Way to break the GPL (Unintended consequences) by cpt+kangarooski · · Score: 2, Insightful

      If that would be the worst thing to happen from abolishing copyright law, then I'd say that we'd be pretty lucky. After all, preserving the GPL is not more important than dealing with the massive problems surrounding everything else.

      That being said, I don't think that abolishing copyright is the best thing to do, but I do think that serious reform is needed.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    2. Re:Way to break the GPL (Unintended consequences) by DimGeo · · Score: 1

      They're not saying that. They want free non-commercial use of copyrighted stuff & shortened copyright lifespan for everything else. The GPL would do just fine.

    3. Re:Way to break the GPL (Unintended consequences) by pv2b · · Score: 1

      Actually, the GPL would be very slightly reduced in its effictiveness.

      It'd be entirely possible for somebody to redistribute copies of a binary based on altered source code without releasing the source code, as long as he were doing it non-commercially.

      Also, a shorter time of protection means older GPL code can be appropriated into commercial software.

    4. Re:Way to break the GPL (Unintended consequences) by Anonymous Coward · · Score: 0

      The GPL was written to prevent code from being put under copyright... and you're saying that, by eliminating copyright, the GPL no longer applies... so, wehat's the problem?

    5. Re:Way to break the GPL (Unintended consequences) by CustomDesigned · · Score: 1

      The GPL relies on copyright law for enforcement. It uses copyright to prevent abuse of copyright. That is why it is called copyleft.

    6. Re:Way to break the GPL (Unintended consequences) by DimGeo · · Score: 1

      I agree, but the general spirit of the GPL would be upheld (although it's exact effects will not apply everywhere).

  31. Policy Implications by OakLEE · · Score: 1
    While this is a very interesting development, the party's proposals raise as many questions as they provide solutions.

    From the article (emphasis added):

    Free file sharing: Technical development has made it possible to spread culture, both popular and niche, across the globe at minimal cost. We need new ways of compensating artists and copyright holders, to make free file sharing possible. Laws and regulations, both national and international, need to be changed so they only regulate limitations of use and distribution in a commercial for-profit context.

    The Liberal Party seems to be suggesting two things here. The first is a quid-pro-quo arrangement with artist and copyright holder; you let us share your works in an unrestricted manner, and we will come up with some alternative scheme for compensating you. The problem is, the Liberal Party offers no such scheme in their declaration. The most apparent scheme would be some form of government subsidization, but that would have two potentially damaging effects on content creation, (1) it would put the government directly in charge of "creating culture"; and (2) it would move the cost in creation from those who want the creative content (i.e., consumers) to the cost of society as a whole. The first is alarming for obvious reasons, it effectively gives the government a giant platform from which to advocate its own views (i.e., massive viewpoint discrimination). The problem with second, is that if all of society is sharing in the cost of content creation, the content created will come to reflect the majority viewpoint in society. Niche forms of expression would receive little public support (and thus little public funding), and the end result would be a monolithic culture.

    The second is that while the Liberal Party advocates regulations and limitations on use and distributions in a commercial for-profit context, such protection would not extend to digital distribution of content, such as iTunes and other online stores, which file sharing (in the context they are promoting it) would make inviable. This leaves only physical distribution of content as the one form of protected, for-profit, commercial distribution. This protection is illusory at best, since physical distributions such as CDs and DVD's are easily convertible into a digital format, which can then be shared without protection or consequence.

    This basically leaves the Liberal Party in the position of advocating for the abolishment of content creation as a method of business, since the only way one can make money off of content creation is by restricting access to that content. Live performances, bieng the exception, this would be impossible in a world where legal file sharing would essentially give content a supply of infinity (and thus creating a demand price of zero).

    Then again, this might not be a problem for Norway, as their culture only culturally profitable exports are the works Henrik Ibsen and "Lovefool" (and I think the Cardigans might actually be Swedish.) J/K :-P
    --
    The sun beams down on a brand new day, No more welfare tax to pay, Unsightly slums gone up in flashing light...
    1. Re:Policy Implications by mmcuh · · Score: 2, Insightful

      This basically leaves the Liberal Party in the position of advocating for the abolishment of content creation as a method of business, since the only way one can make money off of content creation is by restricting access to that content. Live performances, bieng the exception, this would be impossible in a world where legal file sharing would essentially give content a supply of infinity (and thus creating a demand price of zero).
      No one is efficiently restricting access to "content" today - everything that is released on digital media (and some analog) that is a tiny bit interesting to people in general is available on the filesharing networks within days. And yet the music and movie industries are still making money by the barrels.
    2. Re:Policy Implications by coopex · · Score: 1

      I'm ashamed to admit that I took the time to look the up, but wiki says the Cardigans are Swedish (though this shame has died alot since Leo went from Titanic to The Aviator and The Depareted.)

      --
      The road to hell is paved with good intentions.
    3. Re:Policy Implications by cdrguru · · Score: 1
      Money is still being made because of two reasons:
      1. The penetration of high-speed broadband Internet connections is not 100%. Trying to download even music on dial-up is painful enough that people would rather go to the store and pay money for a CD rather than downloading. One side effect is I know a number of people that have gone from $10-20 a month dial-up service to $20-$60 broadband connections just so they can download music and other stuff.
      2. There are people that believe (however wrongly) that breaking the law is somehow "wrong" and should not be done. Rather than download music for free they go to the store and buy.
      3. Another group are the folks that simply do not know how to download stuff. Commercial software to download movies and music is coming and it will sell because there are significant numbers of people that are not familiar enough with what is available for free and too afraid to just download some random unknown program that promises free music and movies.

      Both of the first two groups are rapidly dwindling. The first group because of increased penetration and loss-leader pricing to garner marketshare. When you have DSL connections priced at $14.95 per month, you will displace dial-up if the customer can get DSL.

      The "old farts" that believe there is a law against downloading stuff are getting old and dying. When they are gone, almost nobody will be paying for music, movies or anything else that can be downloaded.

      The clueless folks will be handled by commerical software that will be sold in stores, at least for a while. We've seen movie copying software in stores, why not music stealing software?

      Yes, the media companies are going to have a problem. Soon. Why would anyone that believes (a) there is nothing wrong with downloading and (b) better get yours before the door closes buy music, movies or anything else that can be downloaded?
  32. Unprotected contents to the reserve by kentsin · · Score: 0

    To reserve the cultural of our creation, all contents should be archived by some appointed institute, or institutes which register for that purpose. All publishers should submit un-encrypted content for archival purpose.

  33. The current law in Norway is pretty reasonable: by viking80 · · Score: 1, Informative

    The current law in Norway is pretty reasonable:
    1. Download all you want legally
    2. Break any copy protection on your own stuff (DVD-Jon won in supreme court)
    3. Share what you own with your friends.

    Just dont sell copies for money.

    --
    don't cut it off www.mgmbill.org
    1. Re:The current law in Norway is pretty reasonable: by z-man · · Score: 1

      Perhaps you should invest in a new addition of your law books.

      1. The recently revised "åndsverklov" strictly prohibits the downloading of copyrighted material under most circumstances.
      2. You are allowed to break the copy protection if the media is not playable on relevant equipment, but in general it's not permitted.

      Quoting Åndsverksloven 53a:
      Det er forbudt å omgå effektive tekniske beskyttelsessystemer som rettighetshaver eller den han har gitt samtykke benytter for å kontrollere eksemplarfremstilling eller tilgjengeliggjøring for allmennheten av et vernet verk.

      Det er videre forbudt å:
      a) selge, leie ut eller på annen måte distribuere,
      b) produsere eller innføre for distribusjon til allmennheten,
      c) reklamere for salg eller utleie av,
      d) besitte for ervervsmessige formål, eller
      e) tilby tjenester i tilknytning til

      innretninger, produkter eller komponenter som frembys med det formål å omgå effektive tekniske beskyttelsessystemer, eller som kun har begrenset ervervsmessig nytte for annet enn slikt formål, eller som i hovedsak er utviklet for å muliggjøre eller forenkle slik omgåelse.

      Bestemmelsen i denne paragraf skal ikke være til hinder for forskning i kryptologi. Bestemmelsen i første ledd skal heller ikke være til hinder for privat brukers tilegnelse av lovlig anskaffet verk på det som i alminnelighet oppfattes som relevant avspillingsutstyr. For tekniske innretninger til beskyttelse av et datamaskinprogram gjelder i stedet det som er bestemt i 53c.

      Bestemmelsene i første ledd skal ikke være til hinder for eksemplarfremstilling etter 16.

    2. Re:The current law in Norway is pretty reasonable: by Kjella · · Score: 4, Informative

      Man, you manage to get many points wrong at once:

      1. Was illegal for computer software since long ago, became illegal for music, movies etc. in the new copyright law of 2005
      2. DVD-Jon was never in the supreme court, the prosecution dropped the case after having lost twice. Furthermore, his trial was before the 2005 law introducing the EUCD which added anti-circumvention to the law.
      3. True, unless it's covered again by the 2005 anti-circumvention paragraphs - it preempts it explicitly.

      Also you might want to read this (norwegian), which shows that nobody agrees on what rights we have exactly.

      --
      Live today, because you never know what tomorrow brings
    3. Re:The current law in Norway is pretty reasonable: by z-man · · Score: 1

      In case anybody is in need of an English translation of the current Norwegian copyright law: http://www.ub.uio.no/ujur/ulovdata/lov-19610512-00 2-eng.pdf

    4. Re:The current law in Norway is pretty reasonable: by syousef · · Score: 1

      Furthermore, his trial was before the 2005 law introducing the EUCD which added anti-circumvention to the law.

      So fucking what. America has decided it can convict people for breaking anti-terrorism laws passed retrospectively. The law gets bended and twisted by those in power all they want and lately America just shuts up and takes it or tries to justify it.

      --
      These posts express my own personal views, not those of my employer
  34. wow by bigmauler · · Score: 1

    I for one applaud them.

  35. maybe Asia countries should adopt this law by hackingbear · · Score: 1

    So Asian countries cannot fight the millions of pirated software/video/music sellers on the street are considered irresponsible and damned, even though their laws recognize the intellectual properties of these copyrighted materials.

    but European political parties are salvaging humanity and culture by promoting the legalization of piracy in the name of sharing?

    Maybe China and other Asian countries should adopt this Nowagian political party's law to quiet down all the international complains.

    1. Re:maybe Asia countries should adopt this law by Anonymous Coward · · Score: 0

      Asian countries cannot fight the millions of pirated software/video/music sellers on the street are considered irresponsible and damned

      No, they aren't. At least not by the people championing the latter. Different people -- gosh, imagine that, a group that doesn't agree on every issue.

  36. Re:Near-exact copy of a Swedish Piratpartiet docum by cpt+kangarooski · · Score: 1

    using samples commercially should of course make one have to pay for it IMO

    I think it depends. For example, if someone makes a collage, which is the visual arts equivalent of sampling, they are often protected by the fair use and de minimis doctrines, even if they are acting commercially (e.g. they make a bunch of copies of the collage and sell them). I don't think that anyone has serious problems with this. So why then should musicians face such difficulty merely because they're working in a different medium?

    If the sampling is excessive, and non-transformative, then requiring licensing seems alright, but moderate transformative sampling should be permitted freely. And frankly, I think that sampling is an area where the fourth factor in fair use really falls down: there's only a market for samples because the courts haven't been favorable to samplers, but the samples themselves don't act as market substitutes for the whole works from which they originate. I don't think that this sort of catch 22 (i.e. if it interferes with a market, it weighs against fairness, but there's only a market because it's not fair) is appropriate.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  37. I imagine this is thought through very well. by heinousjay · · Score: 0, Troll

    Brilliant. Simply brilliant. Let's destroy a huge portion of the world's ability to feed their families so some kids don't have to pay for music and software anymore. Yeah, I don't see anything wrong with that. I NEED MY ENTERTAINMENT, DAMMIT!

    --
    Slashdot - where whining about luck is the new way to make the world you want.
    1. Re:I imagine this is thought through very well. by T+Murphy · · Score: 1

      I agree with your viewpoint. I have no clue how making media distribution legal is supposed to help anyone. If consumers do not compensate artists, government has to take all of the responsibility. People have mentioned that the government can fund the arts just fine, but that is when it does not have a monopoly over its funding. If you argue that the arts will be supported by patrons of the arts, then the arts will be controlled by the elite, rich few, and unlike the current industries they will have no reason to pay attention to consumers (the industries are starting to pay attention). And idealist thinking that the arts will be maintained by the artist's love for their work, without care for compensation realistically will lead to a trickle of good art and nothing more, as somewhere along the line every good-willed artist will be lacking something because of the lost market. Publishers, instrument manufacturers, equipment companies and distributors will all have issues finding funds enough to support music, same goes with related industries for other arts. Such a system cannot readily support such a broad spectrum of genres as is available today. Along similar logic, pharmaceutical IP rights need to remain protected, at least to some degree. I understand that drugs are very much inflated in prices (not to mention non-drug medical supplies, which are even worse), and I would like to see such profiteering end, but I would like to see medicine maximize its ability to progress. If people are so concerned about marketing dollars not going to R+D, how does a lack of IP rights help? Instead of trying to get the consumer to buy their drug because of the pharmaceutical benefits their copyrighted drug provides, they have to get the consumer to buy their version of the same drug over the other companies (Pepsi and Coke are close enough to the same, and they certainly like to advertise). Also, the companies are like any other- they work for profit. If there are no IP rights, there is no profit in R+D, except for the two days that they are the only ones with a new drug out, so they will likely have no interest in funding it at all. If you want to see more and cheaper drugs that are vital for a person's health, or their life, open-source pharmaceuticals is not the answer. Government subsidizing, along with funding termination if a company does not produce enough work towards beneficial drugs, might be something in the right direction (think education funding).

    2. Re:I imagine this is thought through very well. by Richard_J_N · · Score: 1

      Re pharmaceuticals, let me illustrate with the UK. Here, at least 95% of all health spending is spent by the NHS (National Health Service), therefore (indirectly), by the government/taxpayer. Drug development is financed by high sale prices. [Data: when a drug goes generic after patents expire, its cost falls to about 20%; also the big pharma companies spend about 15% of turnover on R therefore the true cost of a drug is about 35% of its sale price]. I think that govt/universities should fund all the research, and contract out clinical trials/manufacturing to the big pharma companies, but not give them any IP. The taxpayer still funds everything, but more efficiently.

      There are some other important considerations:

      1)Even now, most of the work on a new drug is done by universities or by charities. So most of the IP "belongs" to the citizens anyway.
      The drug companies get a disproportionate return for their share.

      2)Ethical issues: people can make progress/cooperate/publish without worrying about legal issues; researchers can work on fields in which there is only a small market for sales; 3rd world citizens can have access to drugs at cost price; combinations of drugs in a single pill can be manufactured without needing approval from each IP owner.

      3)Safety: there's no commercial pressure to market a dangerous drug.

      I think the UK should unilaterally abandon patents - and it would be hugely good for our economy.

    3. Re:I imagine this is thought through very well. by h0llar · · Score: 1
      Hello T,

      I'm a College student in Maine and I cant afford My Medical bills or most commercial software. The later of the two led me hear to answer your comment. By way of choosing to use Linux.

      In my opinion the argument that the flow of good Art will slow to a trickle, code weavers will dry up and guitarists will stop playing music when we make copyright and D.R.M. laws FAIR is a bunch of crap.

      I belive this because I see it everyday when I boot Ubuntu or Knoppix and everything just works. I see it right now looking at Mozilla Firefox I don't spend 50% of my time and half my cpu cycles running Malware scans. Theres an Increase in productivity for you.

      Furthermore

      I for one will continue to advocate open source software, reject D.R.M. and "Intellectual proprietary.".

      Many people seem to believe that Norway's putting itself at the forefront if a political movement that may be the story of my generation. How we Control the Peoples access to data, its content and depth thereof.

      I do agree with you on one thing the current climate or copyright law and D.R.M. is easily comparable the state of big Pharmaceutical. Our coverage is like our software and fear is used to push pills like they were Norton Anti virus.

      As for it copyright fairness leading to bad health Norway has a great social health care system, here I cant afford a month of meds. I have to pick them up a few at a time and I am not alone there.

      If you were to step into my shoes you might just smack the words out of your own mouth...

  38. Not by a long shot. by Kadin2048 · · Score: 2, Interesting

    These anti-IP arguments essentially break down to the same knee jerk pro-communism arguments that were very prominent 50 years ago. Socializing goods/services for the purposes of making them "free" to the people who want them has rarely demonstrated anything but disaster for those goods/services. Forcing companies to relinquish ownership of goods (even if technology has made them intangible) will have side effects that go far beyond sticking it to the very rich and getting stuff for free.

    I disagree fundamentally. There is no pro-"subsidization" at all. In fact, quite the opposite. The entire concept of intellectual "property" requires that a society enforce certain totally artificial rules in order to encourage people to do things that they would, presumably, otherwise not do. They are demanding that everyone pay money to the government, in the form of taxes, for enforcing restrictions on individuals' physical-property rights that only benefit a very small number of content monopolies.

    You have no fundamental right to control what another person can do with information. There is an essential difference between someone breaking into your house and stealing a bunch of manuscripts on your desk, and between copying something that they bought legitimately from a publisher. The idea that I can publish and sell you a printed sheet with something written on it, but at the same time prohibit you from photocopying it (or, for that matter, making it into a collage or papering your catbox with it) is completely artificial. It represents an assault on one right -- that of being secure and having control over one's own possessions -- in exchange for a vaporous goal of engineering society in a way that a minority feel is beneficial. Sounds a lot like communism to me.

    That some of the same political parties who support a re-evaluation of intellectual "property" laws also support other measures, some of which are redistributive or socialist, does not necessarily imply that anyone who is anti-IP is a communist. To say that is dishonest and discourages meaningful discourse; frankly it borders on McCarythism. There are many people, myself included, who are unconvinced of the merits of the current IP law framework and system, but who are sharply critical of redistributive ideologies.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
  39. I guess you haven't heard of Cory Doctorow by Anonymous Coward · · Score: 0

    Cory gives his books away for free on his website. That doesn't stop him from selling a lot of copies.

    http://www.craphound.com/index.php?cat=5

    See for yourself.

    1. Re:I guess you haven't heard of Cory Doctorow by Mountaineer1024 · · Score: 1

      Mod coward up

  40. Most of that "advertising" by Ogemaniac · · Score: 1

    consists of free drugs they give to doctors to distribute to the poor and eldery. Somehow, you failed to mention that. Either you didn't know this fact, in which case you have no idea what you are talking about, or you DID know this fact, and are being dishonest. Which do you plead guilty to?

    Only about 10% of pharma advertising is direct to consumer. A little more than half is the aforementioned drug donations, and the rest is pharma-to-doctor. The latter may not be perfectly excuted but is obviously necessary in some form, and it will never be cheap.

    1. Re:Most of that "advertising" by pv2b · · Score: 1

      I was aware of pharmaceutical companies giving generous samples to doctors as advertising. But I don't think pharmaceutical companies give a rats ass about poor and elderly people. If they did, they wouldn't be raising such a stink over generic drugs in third world countries.

      Pharmaceutical companies are only charitable when it suits their own purposes.

    2. Re:Most of that "advertising" by alphamugwump · · Score: 1

      Pharmaceutical companies are only charitable when it suits their own purposes.
      And your point is what? Charity is charity, even if it's done for advertising.
    3. Re:Most of that "advertising" by Corporate+Troll · · Score: 1

      Most of that "advertising" consists of free drugs they give to doctors to distribute to the poor and eldery. [...] A little more than half is the aforementioned drug donations.

      I really have a hard time believing that. Why would they do that? I don't see any help in brand recognition, nor development of consumer loyalty (they are poor and sick, chances are they will never be able to afford the drug). There is no rationale for spending advertisement that way.

      I really need a link to a reputable source to even consider your post truthful.

    4. Re:Most of that "advertising" by Ogemaniac · · Score: 1

      Companies don't "care". People do.

      Having worked for major corporations, I can assure you that they are composed of human beings (surprise!) who by-and-large care about what they do and are proud of the value you they bring to their customers.

      Second, virtually all companies are only chartible when it suits their own purposes. Indeed, it would be a violation of their charters for it to be any other way. On the other hand, most individuals are little different, and donate or volunteer because of various "returns" they get on their investment.

    5. Re:Most of that "advertising" by Ogemaniac · · Score: 1

      Doctors regularly give free "sample" drugs to the poor and elderly. Some of these people find that the drugs work, and will find ways to stick with them when the samples run out. If they had been asked to pay up front for a drug they don't know works, most would have passed and never found out in the first place.

      It costs the pharmas almost nothing (the number they record in their marketing budget is the sales cost, not their production cost), buys them some goodwill, and generates customers.

    6. Re:Most of that "advertising" by Corporate+Troll · · Score: 1

      In other words it's not "giving away". It's "get the first one free"... and you know what kind of people actually use that technique.

    7. Re:Most of that "advertising" by N3wsByt3 · · Score: 1

      1)I think his point was that that kind of 'charity' doesn't really help where help is needed the most. In fact, it isn't charity at all, if you consider it an essential element of charity that it is meant to help people in the first place, instead of being a side-effect. For example, if companies would pollute my surroundings, but that would somehow help me (or people specialised in cleaning up pollution), I still wouldn't consider it charity from the part of those corporations.

      2)The parent poster was pointing to the hypocrisy when drug-corps use the nominator 'charity' on conduct/methods that has nothing to do with wanting to help people, but rather with making a profit. If you deny that intention is a major factor, you deny a great many things in human behaviour, and how we classify it.

      --
      --- "To pee or not to pee, that is the question." ---
    8. Re:Most of that "advertising" by Ogemaniac · · Score: 1

      Is there something wrong with giving the first one free? Actually, its often more than one. It's pretty much up to the doctor's descretion who they give them to. My grandmother has received quite a few of these free drugs from her doctor over the years. When the free ones ran out, sometimes the doctor had more, sometimes he had something equivalent, and sometimes she decided to buy whatever was the best deal. Should we condemn the pharmas for this?

  41. They just want an easier way to by Disharmony2012 · · Score: 1

    distribute their black metal music. Hail Satan!

  42. Slightly Exaggerated by Brian+Cohen · · Score: 3, Informative

    The Liberal party of Norway is a relatively small party that received only 6 percent of the vote in 2005, and has been shrinking since its creation. But unlike the Pirate Party of Sweden they do have 10 (out of 169) seats in parliament.

    1. Re:Slightly Exaggerated by GrievousMistake · · Score: 2, Insightful

      Still, it is good to see a "real" party speaking out on copyright.
      When I first saw the article, I thought it was just another irrelevant statement from Unge Venstre, but it seems it really is the main party's opinion.
      I find it especially important that they speak out against the ridiculous length of copyright we have today, the creators lifetime + 70 years. It would never stand up in good debate.
      I'm not sure how strongly they are planning to push this agenda, and it could easily turn out to be just a weak attempt at vote grabbing by pandering to the youth, but I actually think this could net them votes like mine if they followed up on it with hard plans.

      --
      In a fair world, refrigerators would make electricity.
  43. [OT] Moderation of AC:s by pv2b · · Score: 1

    Anonymous Cowards start at 0 points.

    He hasn't been modded down. Nobody felt the need to use a mod point to mod him up. That's all. :-)

  44. bread and circuses by Descalzo · · Score: 1

    This ? This is just a circus. Now, where is my bread ?
    It's in the free health care bill.
    --
    I cried real tears when Li Mu Bai died.
  45. non-commerical only? by QuantumG · · Score: 1

    If you're going to permit people other than the copyright owner to make copies of a work, why should the exchange of monies change that? Instead of limiting the scope of the law to non-commercial activities, how about just defining a minimum royalty payment requirement.

    --
    How we know is more important than what we know.
    1. Re:non-commerical only? by ajs318 · · Score: 1

      Or, for that matter, have the Copyright Office themselves define the royalty payment; and then anyone is free to make a copy of the work, as long as they pay that amount of money to the copyright holder. (When monopoly vendors are allowed to determine their own selling prices, the public invariably suffer.) If you created a temporary exception where copyrighted works could be mortgaged and only the lender's nominated agents were permitted to make copies until the mortgage were discharged, this would mean every copyrighted work would get the chance to "pay for itself"; but also, there would be more of a competitive market in good music. (Imagine if supermarkets could manufacture their own CDs and DVDs instead of reselling the major labels' discs.)

      --
      Je fume. Tu fumes. Nous fûmes!
  46. That's it, I'm in favor of DRM now by corbettw · · Score: 0, Flamebait

    I've been on the fence for some time now about DRM and copyright. There are some good arguments on both sides of the aisle for the issue. But if a Socialist party is coming out against DRM and copyright, then it must be a good idea. Considering that Socialists don't believe in or respect private property rights, and always seem to be in favor of destroying property to further the power of the state, if they're against DRM and copyright then those must be a net boon to society.

    --
    God invented whiskey so the Irish would not rule the world.
    1. Re:That's it, I'm in favor of DRM now by pv2b · · Score: 2, Insightful

      Norsk Venstre isn't socialist. Don't confuse socialism with social liberalism. :-)

      If anything, by US terms, they're closer to Libertarians than anything.

      Whether that makes you for or against DRM is up to you. But holding opinions depending on who happens to share those opinions is counterproductive.

      By the way, I hear enjoys breathing air. Maybe you should consider that next time you take a breath? :-)

    2. Re:That's it, I'm in favor of DRM now by mmcuh · · Score: 1

      What on earth makes you think that Venstre are socialists?

    3. Re:That's it, I'm in favor of DRM now by corbettw · · Score: 1

      From the Wikipedia entry on social liberalism:

      It has been a label used by progressive liberal parties in order to differentiate themselves from classical liberal parties, especially when there are two or more liberal parties in a country. Unlike classical liberalism which embraces a strictly laissez-faire philosophy, social liberalism sees a role for the State in providing positive liberty for individuals.

      Libertarianism is classical liberalism, social liberalism sounds like more Socialist hogwash. And while it may seem silly to some, I stand by my assertion that if Socialists are in favor of something, I'm against it (or vice-versa) unless there is compelling evidence in favor of the thing. As I already mentioned, I was on the fence about DRM, but since Socialists are against it, I'm in favor of it. They're just wrong on too many things to assume they'll ever be right.

      --
      God invented whiskey so the Irish would not rule the world.
  47. They sound like America's Democrats! by Anonymous Coward · · Score: 0

    The Democrats here in the USA are just like your politicians!

    A populist party...a party of freedom and liberty...a party for the people!

    Wow, now I'll go take a legal bong hit to celebrate all the freedoms I have in America!

    And then I'll share some mashups with a few of my friends online!

    Ow my head....I just woke up to the nightmare.

  48. Just out of curiosity... by jschottm · · Score: 1

    How do you make (or plan to make) your living?

    1. Re:Just out of curiosity... by pv2b · · Score: 1

      I am currently an Electrical Engineering student, and I also have a job at the side as a part-type sysadmin.

      In other words, who knows exactly. :-)

  49. That doesn't mean it's a good idea. by Kadin2048 · · Score: 3, Insightful

    No, nobody bothers to do it now, because as a society we spend an awful lot of resources enforcing a framework of laws which allow them to produce art on speculation and then sell it like aspirin tablets, over and over, and prohibit people from making further copies of something they've already purchased. With a framework like that in place, there's no reason to try and build an audience and sell serials. You'd be a fool to, particularly if you're a publisher (where starving writers will send you manuscripts for free on the sheer hope that you'll decide to read a page while blowing your nose or wiping up a coffee spill with it and maybe give them a contract).

    But that doesn't mean it's a good system, or that on the whole -- when you include the costs of the current system, generally taken for granted -- that an alternative system that was more directly market-driven wouldn't be preferable.

    And it's not as though direct-patronage systems don't work, they've obviously worked fairly well in the past; it's also well understood that subscription services work very well in many media, where you pay less for any individual unit of information than to a continuous stream of information -- the value of such services would likewise be unaffected.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
    1. Re:That doesn't mean it's a good idea. by jamesmrankinjr · · Score: 1

      And it's not as though direct-patronage systems don't work, they've obviously worked fairly well in the past;

      What empirical evidence do you have that patronage systems "obviously worked fairly well in the past"? What you are really saying is that the only art that will be created is art that rich people like, no?

      it's also well understood that subscription services work very well in many media, where you pay less for any individual unit of information than to a continuous stream of information -- the value of such services would likewise be unaffected.

      What motivation is there to pay for a subscription service instead of making a copy of your friend's copy of the subscription material for free?

      -jimbo

  50. Incorrect by Gerbo · · Score: 1

    This is incorrect. The Red Electorial Campaign in Norway (Raud Valallianse/Raudt) has proposed and promoted this in their program for years. In the upcoming elections, also they will be promoting this. On a more curious note, the Red Electorial Campaign was the first political party in Norway to have their program on the world wide web and to make use of the internet.

    1. Re:Incorrect by rundgren · · Score: 1

      The Red Electoral Campaign is a communist party. Enough said

    2. Re:Incorrect by Gerbo · · Score: 1

      Yes. Quite right. And?

  51. tyranny of the lovable. by Anonymous Coward · · Score: 0

    "In any case, these companies most certainly don't have our health or best interests in mind"

    How many things have you bought over the years were YOU have the best interests of the producer in mind? Don't ask of others that which you're unwilling to give.

  52. What?-Netcraft confirms old fashion is dead. by Anonymous Coward · · Score: 0

    "As Pirates (I am a member of the Swedish Pirate Party) we believe there is no inherent right in getting paid for copies."

    And yet you benefit as others do from a system of mass-production were every "copy" is paid for.

    "We do however believe in a right to charge for performing a work"

    I'll be giving reading from my new book. I should be in your neighbourhood say about 2212.

    "If artists who are out to make money stop producing due to copyright reform -- good riddance. There'll still be plenty of music and culture left, just as there has always been."

    That's why the GPL should be abolished, because as we both know, coders will still continue to create quality code cheerfully to a "non-abusive" audiance like Broadcom, and Linksys. Just to name a few.

    "The fact is that technology for unlimited copying is here -- and the laws preventing private exploitation of this technology are outdated and counterproductive."

    I wasn't aware that treating others with respect was "outdated and counterproductive". I also wasn't aware that it was "outdated and counterproductive" to honor our agreements with others. Maybe humanity should consider that technology isn't so much a permission slip as it is a pause to consider what one is doing is right or wrong (or has technology rendered that too "outdated and counterproductive"?)

  53. They've got my vote by TwoPerfect · · Score: 1

    Well, not really since I'm under 18 and I don't live in Norway.

    But just introduce online elections and they'll definitely take the cake. And when they do, I wonder how many political parties around the world will follow suit? Everybody loves free stuff from the net!

    --
    Topic Sold Separately - A blog about everything, anything, and sometimes not
    1. Re:They've got my vote by Anonymous Coward · · Score: 0

      How do you make online elections secret?

      The problem isn't making sure that authorities can't find out how you voted. That part can probably be solved.
      But how do you make sure that you can't sell your vote? How do you make sure that the buyer of your vote isn't watching while you vote from your home?

      When voting is anonymous, you can still agree to sell your vote. But the voter has no way to tell whether you delivered.

    2. Re:They've got my vote by ajs318 · · Score: 1

      Use DRM, of course!

      I already worked out how to subvert an election. First you need to know "who knows whom" and build up a picture of everyone's existing social networks (friends, neighbours, family). Then you "publish online" the election results including who voted for whom. You use restrictive DRM to "password-protect" the election results (everyone has a unique username and password), ensuring that nobody sees anybody else's personalised version of the election results (though ostensibly it's for some sort of security thing like allowing a cursory check but preventing blatant vote-buying ..... you don't let it be even guessed that the results are personalised), that it can't be printed out, and that it can only be viewed for a limited time (just long enough to check your own vote, not long enough to read everyone's vote). And also to annoy penguin-shaggers :) In each person's copy of the results, you make sure that that person's vote, and the votes of their family and friends, are recorded correctly; but the votes of strangers are fair game for alteration to match the desired result.

      So you look up your own vote and see it went the way you wanted. Good. Feeling curious, you use the remainder of your allotted time to check up on your ex-coal-miner uncle (Labour, check); your grandmother (Conservative, check); the dippy tart down the road with the blue hair (Green party, check) and the old bloke who goes out in his slippers and moans about kids and "too many d**kies" (BNP, check). All looks good so far. Since most of the electorate are strangers to you, you won't have a clue how they voted anyway and certainly wouldn't spot if their votes had been altered. Everyone sees their own vote, and those of their friends and family, rendered correctly; and if everyone sees that their own vote was recorded correctly, then nobody can complain!

      The only way you can find out that there is anything afoot is to compare two mutual strangers' versions of the results side-by-side (so the "owner" of each list is likely to have their vote altered in the other). And that can be said to constitute a form of treason (since it's interfering with a democratic election) and so punishable by the death penalty. Also, how exactly do you go about asking a stranger for whom they voted?

      --
      Je fume. Tu fumes. Nous fûmes!
    3. Re:They've got my vote by pv2b · · Score: 1

      How would DRM stop somebody selling their vote allowing the vote-buyer to stand over his shoulder to verify that the vote is being cast according to specifications?

    4. Re:They've got my vote by ajs318 · · Score: 1

      It doesn't. What it does do, though, is ensure that even if the voters voted for a different party, the party that wants to get in, gets in.

      --
      Je fume. Tu fumes. Nous fûmes!
  54. Not by a Norway shot. by Anonymous Coward · · Score: 0

    "I disagree fundamentally. There is no pro-"subsidization" at all. In fact, quite the opposite. The entire concept of intellectual "property" requires that a society enforce certain totally artificial rules in order to encourage people to do things that they would, presumably, otherwise not do."

    Interesting. I wasn't aware that a reciprocal agreement was "totally artificial", although I do agree for the need for rules "in order to encourage people to do things that they would, presumably, otherwise not do" considering the historic record shows an overwelming tendency for destructive behaviour on humanities part, both individualistic and as a group.

    "You have no fundamental right to control what another person can do with information."

    Well aside from the argument someone put forth before that information isn't art. It is a perfectly reasonable thing for a society to ask that others don't compete with the original creator using an exact copy of their works. If you truely wish to compete? Then invest the effort in coming up with an original work to do so. Likewise I should point out at least copyright as stated in most societies was established with creators and society in the central roles. Not copiers and society.

  55. Case in point by tygt · · Score: 1
    There's a technical manual I had access to - freely available, with owner's copyright, on their website. I can download it freely, and I can print it.

    I can't buy it.

    Damn.

    I realize I'm probably a dinosaur in that I get more out of printed copy than what's on my screen - I like having a book I can open up and read. My nice dual 1680x1050 LCD's definitely aren't anywhere near the quality of the printed copy.

    I ended up printing it at Kinko's so I could get a decently bound (spiral bound - opens 360 flat) at my own cost - more than $20 total; I remember when I would've gotten a free copy from the chip rep. I'd've happily bought a copy from them anyways, even though it's free on-line - I just want to be able to use both!

  56. What?-Ramifications. by Anonymous Coward · · Score: 0

    "Of course it is - how can people dedicate their life to something if they can't eat? I'm not talking about pop music - I'm talking about real music - the kind of music that will disappear in the scenario you describe."

    There's several factoids that get lost in all these "my rights" discussions.

    1-IP is not just about music, or software, or movies, or books, or...you get the point. It's about the creative output of every human being.

    2-Substitute piracy for IP in the above sentence and reread.

    3-Our society (not just the US) is becoming as Alvin Toffler said, a knowledge economy. One and two need to be considered in that context.

    Unfortunately I don't think anyone here has presented their arguments (pro or con) that far seeing. Just in the nearness of "me".

  57. Global Economy by andersh · · Score: 1

    Actually quite a lot of films made in the US today are financed from abroad - and the profits also go there. Most production companies do not sell their products directly - they have distributors in each country. Not sold from America in other words.

    Since the German government instituted a tax incentive program to encourage film making Germans have been funding lots of Hollywood movies. Not that the German government wanted to support Hollywood.. but that's just politics for you.

    Oh, and companies like Universal is partly owned by the French Vivendi group. Columbia is owned by Sony of Japan... TimeWarner is publicly traded. etc

  58. Wrong by Anonymous Coward · · Score: 0
    Sure, DVD sales may diminish, but that's always been extra cream on top -- not the main bottom line

    These days, the DVD *IS* the lions share of the profits - mostly due to the number of people going to the cinema reducing dramatically.

  59. They will die anyway by Anonymous Coward · · Score: 0

    Speaking of AIDS drugs, a lot of people in the third world can't afford AIDS treatment because of the artificially inflated drug prices due to patents. Are pharmaceutical patents really worth their cost in human lives?


    If these people do not have this medicine then they will die.
    If there people do have this medicine then they will die (from starvation, war, overpopulation, pestilence, etc etc etc).

    Agreed: The big pharms want their money for what they spent to make the drugs, and the last thing they want is to sell it for rock bottom in a 3rd world country and then have it shipped to a 1st world country.

    However: If they did increase their hearts and sold it for free/very little then they wouldn't get anything out of it and the impact isn't so great in the end. Between dying of a disease and dying from lead poisoning these people don't have much choice.
  60. Translation from Norwegian by donatzsky · · Score: 1

    Who are Kripos and EFN?

    Here's my translation for those that don't understand Norwegian:

    Note: Arne is

    Arne is interested in Japanese samurai films. They can only be bought from Japan and are all Region 3. Arne makes his DVD player (including his pc) region-free in order to watch the films.

    Arne's 3 year old daughter plays wildly with the children-DVDs he's bought. Many have been damaged. Arne therefore makes back-up copies of the DVDs after he buys them. Since Arne is not very good with computers a colleague does it for him.

    Arne has many DVDs. When he's travelling he transfers some of them to his iPod in order to watch them on the plane.

    Arne har lastet ned tusenvis av låter fra forskjellige nettbutikker. Dette har kostet mange tusen kroner. Arne klarer ikke å ta sikkerhetskopi av alt på egenhånd.Han vet at det er viktig å ta sikkerhetskopi. Derfor lagrer han musikken på en ekstern lagringstjeneste (f.eks mp3tunes.com) slik at musikken ikke forsvinner hvis maskinen hans går i stykker.

    1. Re:Translation from Norwegian by donatzsky · · Score: 1

      Gaah, pressed "submit" instead of "preview" :(

  61. Translation from Norwegian (proper) by donatzsky · · Score: 2, Informative

    Here's my translation for those that don't understand Norwegian:

    Arne is interested in Japanese samurai films. They can only be bought from Japan and are all Region 3. Arne makes his DVD player (including his pc) region-free in order to watch the films.

    Arne's 3 year old daughter plays wildly with the children-DVDs he's bought. Many have been damaged. Arne therefore makes back-up copies of the DVDs after he buys them. Since Arne is not very good with computers a colleague does it for him.

    Arne has many DVDs. When he's travelling he transfers some of them to his iPod in order to watch them on the plane.

    Arne has downloaded thousands of songs from various on-line shops. This has cost him a lot of money. Arne can't make a backup of all of them on his own, but he knows that it's important to make a backup. He therefore stores his music on an external service (such as mp3tunes.com) so that they won't disappear if his pc breaks down.

    Arne uses some of the songs he has downloaded as ring tone on his mobile.

    Arne's mother has been given a Creative player for Christmas. Arne has bought a lot of music on iTunes that his mother would like to listen to. He therefore converts said music so it can be played on his mother's Creative.

    In USA Arne found the perfect game for kids. When he came home he found that the game was unusable because it was the wrong region. He thus wants to modify the Playstation so that his daughter can use the game.

    Arne's wife is blind. Many of her favourite writers have published books that are only available as e-books. She wants to have them read aloud. This is not possible, so Arne uses a program found on the net to read aloud the books.

    Note: I'm Danish, not Norwegian, so there may be some slight errors.
    Also, who are Kripos and EFN?

    1. Re:Translation from Norwegian (proper) by Kjella · · Score: 1

      Also, who are Kripos and EFN?

      Kripos is the organized crime division of the police, which also deals with all sorts of IT and Internet crime, making up procedures and methodology for the normal police etc.
      EFN is the norwegian branch of Electronic Frontier Foundation.

      --
      Live today, because you never know what tomorrow brings
  62. The swedish party thread by master_p · · Score: 1

    In all the years of slashdot, I have never seen half a thread occupied by one person. It's impressive.

    So this thread it is officially named 'the Swedish party thread'.

    Since it is a party, is the famous Swedish chef invited??? :-)

    1. Re:The swedish party thread by AlXtreme · · Score: 1

      Zee svedeesh purete-a perty kerma vhure-a threed! Bork-bork-bork!

      --
      This sig is intentionally left blank
  63. not to detract, but copies arent bad. by plasmacutter · · Score: 1

    not to detract from your original point, but functionally identical drugs which work differently enough are not bad from a consumer standpoint either.

    each drug has its unique side effects, and even drugs with similar advertised function do not necessarily work equally across all people.

    the best example i can think of is antidepressants, another example would be antibiotics.

    imagine if we had stopped at penicilin. not only would millions be excluded from treatment by allergies, hundreds of the most common infections would now be untreatable due to built up immunity.

    --
    VLC FOR MAC IS DYING! IF YOU DEVELOP, PLEASE SAVE IT!!
  64. Their move Evolved than us by POds · · Score: 1

    Is it just me or has anyone else noticed the progressive thinking coming out of this part of the world. Its as if people from Norway, Denmark and like areas are all a little further evolved in their thinking compared to the average or average Westerner!

    I wonder what it is?

    Anyway, I love that someone is thinking in a manner that it puts pressure on those who are on the other side of the coin, I.e. RIAA (?), and friends.

    --


    Giving IE users a taste of their own medicine since 2005 - http://pods.-is-a-geek.net/
    1. Re:Their move Evolved than us by mmcuh · · Score: 2, Insightful

      Progressive thinking indeed. One of the largest parties in Norway, Fremskrittspartiet, who got 22% at the last parliamentary election in 2005 and had the largest support of all parties last year (35%), wants to ban Islam in Norway and stop refugee immigration. The government in Denmark cooperates with Dansk Folkeparti (13% of the votes 2005), who opposes a "multiethnic Danish society" and opposes the separation of the state and the christian church. They have produced this nice pamphlet http://www.danskfolkeparti.dk/cgi-files/mdmgfx/var e1-big-141-1-25862.jpg ("Denmark's future - your country, your choice").

      Norsk Venstre may seem like reasonable people, but they are in the minority. Norway and Denmark, just like the rest of the world, have a huge surplus of idiots.

  65. Then McD is world's best food? by Anonymous Coward · · Score: 0

    Let the flames begin :]

  66. Ban on DRM is a terrible idea by Spy+Hunter · · Score: 5, Insightful

    I can't believe that people are seriously considering a ban on DRM. I suppose I should have realized that it's natural to try to fix a problem by making a new law, but when the problem *is* the law, you should fix it by repealing the problematic law, not making more.

    There is absolutely zero need to ban DRM, for one simple reason: DRM doesn't work, has never worked, can't ever work. All DRM schemes are fundamentally flawed, at a deep technological level. The only course of action necessary is to remove all laws protecting DRM, thus making it completely legal to make, distribute, even sell software and/or hardware for the explicit purpose of breaking DRM. Completely legal copies of DeCSS, FairUse4WM, QTFairUse, BackupHDDVD, etc would be available everywhere. Entire companies could be founded to muster the resources to perform sophisticated attacks on DRM hardware and software (perhaps even a brute force cryptological attack would be feasible in some cases with enough resources). Modchips, firmware hacks, replacement toner cartridges with DRM lockout chips, etc would all be readily available.

    In such an environment, all DRM would be futile. After a few more thwarted schemes, even the most stubborn holdouts in the RI/MPAA would have to see the light. DRM would go away of its own accord, and it would all be the result of *repealed* laws instead of new ones. Fewer laws on the books is a good thing.

    --
    main(c,r){for(r=32;r;) printf(++c>31?c=!r--,"\n":c<r?" ":~c&r?" `":" #");}
    1. Re:Ban on DRM is a terrible idea by Eivind · · Score: 2, Interesting
      It can't work against a determined opponent.

      It can work sufficiently well that a large portion of the people with playstations, for example, are in practice unable to make a backup of their game and have that backup work.

      This is a fact -- despite you being correct: there are ways to break it, and determined people can indeed manage to copy and play playstation-games.

      I don't think banning DRM is needed. I would however advocate an either-or approach:

      For a work to enjoy copyrigth, it should be published in an open unprotected form. If you have your own technological mechanisms for restricting what people can do with your work, then obviously you don't need copyrigth *aditionally*.

      Besides, no current DRM-system has adequate (as in ANY!) mechanisms for ensuring the balances of copyrigth, such as the expiry of protection or fair use.

    2. Re:Ban on DRM is a terrible idea by Anonymous Coward · · Score: 0

      It will still be a while before companies get it into their head that DRM doesn't work, if at all, most likely because the people in charge don't understand technology, in which case they'll just think it is the implementation that is flawed and not DRM itself. DRM is still a pain for the average consumer whether it can be bypassed or not.

      This proposed law is a good thing and I can't see how it can cause problems.

    3. Re:Ban on DRM is a terrible idea by MooUK · · Score: 1

      You're suggesting that companies should have to choose between either copyright or DRM - between legal, enforceable protection or flimsy, bypassable technological protection?

      This sounds like a very good idea.

      (amusingly, the captcha for this post was "company".)

    4. Re:Ban on DRM is a terrible idea by Jesus_666 · · Score: 2, Interesting

      Norway can ban DRM by local law. They can't repeal the EUCD (the EU's equivalent to the DMCA) because that's a European directive. The best Norway can do is to make the EUCD unenforcable and lobby against it in the EP.

      We should welcome this as it is the first big step of defiance against the EUCD. If Norway banned DRM it would give the anti-EUCD lobby some much-needed ammunition.

      --
      USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
    5. Re:Ban on DRM is a terrible idea by fastest+fascist · · Score: 2, Insightful

      Correct. Banning DRM would result in banning commercial DVDs from Norway. Anyway, the very reason we have laws banning circumvention of DRM is that the technology doesn't work. A law banning circumvention of DRM is in effect the same as a law banning copying of works labeled with a "do not copy" sticker.

    6. Re:Ban on DRM is a terrible idea by Anonymous Coward · · Score: 1, Insightful

      There is absolutely zero need to ban DRM, for one simple reason: DRM doesn't work, has never worked, can't ever work. .. until you wake up and find your CPU encased in epoxy, trusted platform chip grafted to it with all sorts of tamper resistance built in.

    7. Re:Ban on DRM is a terrible idea by pv2b · · Score: 3, Insightful

      Norway isn't a member of the European Union.

    8. Re:Ban on DRM is a terrible idea by mmcuh · · Score: 2, Insightful

      No, but it's a member of the EEA (the European Economic Area) and thus must implement the EUCD anyway. Unless they claim that the EUCD is incompatible with the European Convention of Human Rights (which it very well may be) or other treaties, and take it to the European Court.

    9. Re:Ban on DRM is a terrible idea by Lornelin · · Score: 1

      I fully agree that this is welcome news, however there's a few things you should know:

      1. It is perfectly possible for a country in the EU to refuse implementing directives (as for instance Latvia is doing in one case), what happens is that if they are stubborn enough in their refusal they can be fined by the European Court of Justice.

      2. Norway is not part of the European Union, so they can do whatever they want. That's the beauty of national sovereignty... =)

    10. Re:Ban on DRM is a terrible idea by CopaceticOpus · · Score: 1

      DRM doesn't work in the sense that it doesn't lock down content. However, it does limit people. I know several non-technically oriented people who wouldn't have a clue how to back up a DVD. If not for DRM, this would be easy on a PC without downloading software of questionable legality (and maybe spending a couple hours reading doom9 forums.)

      I still have to deal with DRM when I rent a DVD. For legal reasons my player enforces "restricted operations" so I am forced to watch ads before the movie. Other people are having big headaches trying to get HDMI connections working properly due to buggy DRM technology.

      Companies will keep trying DRM for a long time so long as it is allowed. It will never succeed in preventing all copying, but it will manage to annoy people, waste their time, and sometimes prevent them from doing basic things like viewing and copying information. Society would certainly benefit from a DRM ban.

    11. Re:Ban on DRM is a terrible idea by LarsG · · Score: 1

      Norway is not part of the European Union

      True. But as others mentioned, Norway is a member of the EEA. Which binds Norway to implement certain EU directives, including the EUCD. Compliance with implementation of directives are done by the EU Commission for EU members, and by the EFTA Surveillance Authority for EEA members.

      Which makes this more like grandstanding by the Liberal Party, little more is likely to come of this than some media coverage. Changing Norwegian copyright law to the extent they propose would require changes to EU copyright directives and the international Berne/WIPO copyright treaties.

      --
      If J.K.R wrote Windows: Puteulanus fenestra mortalis!
    12. Re:Ban on DRM is a terrible idea by chris_7d0h · · Score: 1

      Well, these european countries (norway, sweden ..) don't have laws which prohibit cracking or circumventing DRM so that's not an issue.
      However, these "bans on DRM" encourages hardware manufacturers and distributors of DRM-shielded data for these devices to provide this restriction-less behavior "out of the box" for average Jane to enjoy.

      DRM circumvention schemes are still rather technical and requires more work than simply plugging in your ipod and moving the music to your hard drive for enjoyment on your connected Hi-Fi equipment.

      --
      In a society that believes in nothing, fear becomes the only agenda ~ Bill Durodié
    13. Re:Ban on DRM is a terrible idea by Eivind · · Score: 1
      Yes.

      I'd even go further. If you want society (laws, courts, police) to assist in protecting your rigths by taking advantage of copyrigth, you need to do your part to ensure that society gets maximum benefit from your work. I suggest that only software that is published with sourcecode (or atleast that has sourcecode in escrow, to be released on expiry of copyrigth) should enjoy protection.

      The current "balance" is fully out of whack, the publishers insist on those rigths given to them by copyrigth while at the same time doing their darnedest by technical measures to prevent the public from enjoying the rigths *they* have by copyrigth law. What's mine is mine, and whats yours is mine too. That's not a fair deal.

      Aditionally, copyrigth should be turned back to the minimum period nessecary to stimulate the creation of new works. Nobody knows what period this is, but everyone knows its much shorter than currently. Does *anybody* really believe that authors (or musicians, or programmers) exist that say, essentially: "Ok, since I get 100 years copyrigth on this book, I'll write it, if I where to get only 25, I'd not bother." ? That is completely implausible. Even more so for software and music than for books.

    14. Re:Ban on DRM is a terrible idea by Spy+Hunter · · Score: 1

      I like your ideas. I'm especially a fan of encouraging the release of source code in copyright law. Personally, I am of the opinion that many of the worst problems in computing today can be traced back, at their root, to the industry practice of distributing software in an opaque, obfuscated, immutable format.

      It would be interesting to apply these principles not only to software, but to other copyrightable works as well. Copyright law could take a page from the GPL and mandate availability of the "preferred form of the work for making modifications". It would be great if you could get a copy of the music you own in uncompressed multi-track format; you could make your own karaoke version or techno remix quite easily. You could get books you own in a word processing format and easily convert them into ebooks, run them through a text-to-speech program, etc. Software is far from the only area where this change would make sense.

      --
      main(c,r){for(r=32;r;) printf(++c>31?c=!r--,"\n":c<r?" ":~c&r?" `":" #");}
    15. Re:Ban on DRM is a terrible idea by Spy+Hunter · · Score: 1

      Then you can take your computer down to your local completely legal DRM-cracking shop, where they will apply epoxy-dissolving solvents, then hook up industrial logic analyzers and bus sniffers or perhaps even electron microscopes, probe the inner workings of your TPM chip and break it. There is no DRM that can stand up to a well-funded and determined opponent, and if a DRM system protects works of any real value, there will be no trouble in finding opponents or funding. The only reason this doesn't happen more often today (though it *does* happen; who do you think develops commercial modchips?) is the fact that DRM is protected by law. Remove that protection, and the best minds in the world will be focused on breaking DRM if that's what it takes.

      --
      main(c,r){for(r=32;r;) printf(++c>31?c=!r--,"\n":c<r?" ":~c&r?" `":" #");}
    16. Re:Ban on DRM is a terrible idea by Jesus_666 · · Score: 1

      Well, he does have one point - Norway can't lobby the EP. At least not any more than groups like the FFII. Then again, the FFII has been quite successful, so Norway definitely has something to work with, despite not being a member of the EU.

      --
      USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
    17. Re:Ban on DRM is a terrible idea by frednofr · · Score: 0

      Norway is a member of the EEA (see link below), and, according to this wikipedia entry, "The non EU members of the EEA have agreed to enact legislation similar to that passed in the EU in the areas of Social Policy, Consumer Protection, Environment, Company Law and Statistics. (1. pillar)" http://en.wikipedia.org/wiki/European_Economic_Are a

  67. How do you define DRM? by TheVelvetFlamebait · · Score: 1

    How do you differentiate between DRM and a proprietary format? Couldn't companies create a new format that requires obfuscation and/or encryption? Where do we draw the line?

    --
    You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
  68. copyright free world by N3wsByt3 · · Score: 1

    "No, but if an author's vision seems like it has a shot at being appreciated, funding comes from people expecting a return on their investment."

    Perhaps, but the question of the parent poster remains. Let's take your own example, but related to your 'investement'-reason:

    "Some authors may be able to secure funding (from companies, in your case), some may not. Let's pick 10 of your favorite authors (any arts field). Now let's say that maybe 5 of them will be skilled enough to secure funding (from companies). The world would still lose 5 authors' great works."

    You see? Nothing really changes, you just replaced a chance to get funded by the government or philantropists with those by (movie)companies. Yes, in the first case, the appreciation is not (or at least less) based on the question how big the profits will be from the movie... but is that really a bad thing? Unless one wants to insinuate that movies are better when they become more profitable for the companies, this seems irrelevant.

    However, european movies have shown this to be a false argument; many of the EU movies *were* in fact art-jewels, where many of the commercially inspired films from hollywood were crap. Of course, there was some crap in subsidised movies, and some good hollywood-commercial ones, but all in all most people would agree that plain commercial-oriented films are far from the best the movie-industry has provided.

    But regardless of WHOME authors get funding from, you will always have 5 who succeed, and 5 who don't (as it were). So one could as readily say it's a shame one has lost 5 authors' great works, because they weren't skilled enough to convince movie-companies of their commercial potential.

    The reasons why those authors get funding or not may change, but the argument you used hasn't, and the endresult doesn't differ.

    --
    --- "To pee or not to pee, that is the question." ---
    1. Re:copyright free world by neaorin · · Score: 1

      You see? Nothing really changes, you just replaced a chance to get funded by the government or philantropists with those by (movie)companies. Yes, in the first case, the appreciation is not (or at least less) based on the question how big the profits will be from the movie... but is that really a bad thing?

      It's not a bad thing at all, but even today the first case happens a lot less than the second one. There are only so many philanthropists and public money out there; there's a lot more "venture capital". I hope you get my point... If today you can't convince anybody (for whatever reason) to fund your project, good luck doing that when the for-profit companies will get out of the game. The sources of money won't get replaced, just a lot more scarce.

      No, change the distribution but keep the copyright so the authors get paid, regardless of type of use (commercial or otherwise). I for one would like more culture to be available for a price, than less for free. But that's just me.

    2. Re:copyright free world by N3wsByt3 · · Score: 1

      "It's not a bad thing at all, but even today the first case happens a lot less than the second one.[] If today you can't convince anybody (for whatever reason) to fund your project, good luck doing that when the for-profit companies will get out of the game."

      Well, I think that's largely due to self-enforcement of the current system. It has largely taken over the old philantropists and government-funded subsidies just *because* the capitalist-market-driven orientated thinking rules our current timeframe. I mean, why would the government spend on anything if they are convinced (or perhaps misguided into thinking) that the private sector can do better in all area's, be more efficient and cheaper than if they would invest in it?

      I'm not saying this isn't the case sometimes (I'm not a communist, after all ;-), but sometimes the idea is taken too far. I definitely believe that the state does a better job sometimes, *if the premise is to help as many people as possible*. And there lies the difference; the duty of the state is (or at least should be) towards the benefit of as much of its citizens as possible. The duty of a private company is..to make profit.

      There are areas where both things overlap, and there is no discord between those two goals; companies making a profit is, in general, goodfor the populace as well. But while the two different goals can get along quite well, they are not the same, and where and when there is a conflict betwen the profits of companies and the benefits of the populace (as in the case of medicine and public health), then the state has the right and the duty to go for its citizens, NOT the profits for companies. In the USA (and EU more and more too) the current corporatism consiniously erodes that primary objective of the state, with the consequence that politicians do not hold to the benefits of the populace, but rather cater to the (money of) the corporations.

      Hmm...anyway, I have disgressed somewhat. :-)

      If the current system of patents and copyrights were abolished, its almost certain that their would be an increase in philantrophy and government-subsidies in that area. Where is where I think you are wrong in your argument that it wont be replaced. I don't know if *everything* would be replaced to the same amount, true, but then again, if it means less crap, I wouldn't mind too much. But your basic mistake is, that you seem to think it's something static; that, if copyrights were gone, no other mechanism would pop up to at least compensate for a large part.

      I, however, I'm quite sure the government would fill in the gap, as well as new forms of philantrophism. In that regard, I read an article somewhere which stated that, with our new technology (notably the internet), a new form of philantropists could come up as well; not (only) the old ones - rather limited amount of people - with large amounts of money to spend, but huge masses with a limited amount of money.

      The only thing you would need for that to work, is a system that makes payment very easy for small amounts (and easy to set up/use). Paypal still doesn't do the trick, but I think a system with pre-paid cards, like something you buy for cellphones or buy-cards from certain shops, would do the trick. I mean, if ordinary people (fans of a music-group, say) would be able to support their group with some small money-incentives, and enough can do it, then that group doesn't need to search for one rich philantropist; it just has to be good enough to have a loyal fan-base.

      I'm just saying; there ARE possibilities our culture and society at large could deal with no patents/copyright just fine. The perceived disastrous impact it would have (as often claimed by companies that own those copyrights and patents) are severely exagerated, IMHO. In fact, I remember some paper where they researched the inventions made in countries (during the 19th century) where they had patents versus where they didn't have any. The conclusion was, that, though it did show a

      --
      --- "To pee or not to pee, that is the question." ---
    3. Re:copyright free world by neaorin · · Score: 1

      [...]I don't know if *everything* would be replaced to the same amount, true, but then again, if it means less crap, I wouldn't mind too much.[...] What's "crap" to you doesn't seem like crap to others. Nobody pays for what they deem to be crap. Personally I like a system where people vote with their wallets what they like... Anyway, it seems you agree with my first argument - that less will be produced.

      But your basic mistake is, that you seem to think it's something static; that, if copyrights were gone, no other mechanism would pop up to at least compensate for a large part.

      I, however, I'm quite sure the government would fill in the gap, as well as new forms of philantrophism. [...] The government only has so much money. If I wanted to nitpick I could say it will have even less, as a few industries will all but disappear, and you don't tax donations (am I wrong here?). The annual budgets generally get spent and then some (deficits anyone?) on things like health care, education, and yes, culture. Where is all that extra money going to come from?

      As for new forms of philanthropy, it's just speculation at the moment. People generally have been known to look after their own interest first.

      Of course, in a certain sense, we can both speculate as much as we want. But wouldn't you think it would be interesting to actually try it out? Sure, knock yourself out, just not where I live :) It just seems to me like there are a lot of things that weren't totally thought out in this rush to "legal file sharing"... Lots of loose ends, lots of speculation.
    4. Re:copyright free world by N3wsByt3 · · Score: 1

      "What's "crap" to you doesn't seem like crap to others."

      True, but nevertheless it can not be denied that there *is* crap. Thus, the only thing remaining is to ask oneself if, on average, films that are made purely for the money are more often than not crap compared to films that are made as an art form. I would claim it is, and I'm not exactly the only one to think so, if I may be so bold. Certainly, I've watched commercial movies too, and some were not too bad...and some where actually crap, indeed. But, you know, even of commercial films who were succeses at the boxoffices and I went watching myself, I have no difficulties acknowledging they're weak shadows of real strong movies.

      Which is another way of saying that "voting with their wallets" isn't really a good measurement of the quality of a film. In fact, if you would put all my money I spend on movies together, I think the majority of it will have gone to commercial films as well...but as I said, that doesn't mean I don't realise that the quality of those films is often less than some EU-movies I've seen who weren't box-ofice successes. I'd rather go with critical acclaim then by pure wallet-voting, if one does need some measurement of quality. I know it's popular (especially by UDA citizens) to consider all value in terms of money and profit, but there really is more than that to measure something for its worth.

      "Anyway, it seems you agree with my first argument - that less will be produced"

      Well, what I SAID was that I don't know: I can't exclude the possibility. And neither can you that the amount would remain the same, or even augment. It's just speculative. It could be it gets less, but that would depend entirely on the mechanisms that would pop up in the place of movie-corps (and to what degree). Seen the fact that in the EU, many directors/movies are already subsidised, and the quality as a whole is better then the average hollywood production, I can't feel to think that maybe you are a bit to pessimistic about government funding.

      "The government only has so much money. If I wanted to nitpick I could say it will have even less, as a few industries will all but disappear, and you don't tax donations (am I wrong here?)."

      I'm not sure; I don't know how much the movie-industry contributes to the GDP or overall taxes of the USA. I doubt it's anything compared with, say, a war in Iraq. As for the EU; there it would be completely negligable.

      "The annual budgets generally get spent and then some (deficits anyone?) on things like health care, education, and yes, culture. Where is all that extra money going to come from?"

      From taxes. I'm not sure what you're getting at. Budgets are never fixed completely; they always differ from year to year. It's true all want a part of it, education as well as defence...but you seem to think it would amount to double digits of the GDP, while even with a huge boost it wouldn't go beyond a single digit. In the past, governments have always shifted money to diferent departments, including an extra 3 billion a month for wars, or to reform eucation, or, indeed art. It's nothing beyond the impossible to do it when the movies needs to be extra subsidised.

      "As for new forms of philanthropy, it's just speculation at the moment. People generally have been known to look after their own interest first."

      Heh.There we go again, with the typical self-centered explanation. I think people have been reading too much 'the selfish gene' and not realised it's been long shown to be flawed. In reality, people do not 'generally' look after their own interest at all. In fact, there was a research done to look at the *actual* behaviour of people, and they found that the only ones who actually behaved as if people were mostly motivated by self-interest where the economists who used those theories and psychopaths. all the rest of humanity wasn't nearly as self-centered as the neo-capitalistic mentality seems to consider as fact. "Man, beast and zombie" is a book who gives some refreshing i

      --
      --- "To pee or not to pee, that is the question." ---
    5. Re:copyright free world by neaorin · · Score: 1

      "What's "crap" to you doesn't seem like crap to others."

      True, but nevertheless it can not be denied that there *is* crap. It can't be denied that there is crap TO YOU. People buying it do not find it crap, and as such, it is NOT crap in an absolute sense. Conversely, they might think what you entertain yourself with is crap, but of course, it is not. Not everybody thinks like you and likes what you like :)

      Thus, the only thing remaining is to ask oneself if, on average, films that are made purely for the money are more often than not crap compared to films that are made as an art form. I would claim it is, and I'm not exactly the only one to think so, if I may be so bold. See above. You're not exactly in the majority either, if we are to believe the sales numbers.

      Which is another way of saying that "voting with their wallets" isn't really a good measurement of the quality of a film. In fact, if you would put all my money I spend on movies together, I think the majority of it will have gone to commercial films as well...but as I said, that doesn't mean I don't realise that the quality of those films is often less than some EU-movies I've seen who weren't box-ofice successes. See above and above-above. Seriously dude, nobody put you in charge of judging quality for us all. Let us choose.

      I'd rather go with critical acclaim then by pure wallet-voting I'd rather go with the latter. See,we think differently :). What do we do, take a vote I guess.

      I'm not sure; I don't know how much the movie-industry contributes to the GDP or overall taxes of the USA. I doubt it's anything compared with, say, a war in Iraq. As for the EU; there it would be completely negligable.

      Way to own the discussion with an Iraq reference. It has absolutely no relevance on this topic.
      Also, one of my complaints was the lack of hard data and abundance of speculation by all people pushing this (piratpartiet.se etc.) How do you know it would be negligagle? What is the general estimate on spending for this?

      "The annual budgets generally get spent and then some (deficits anyone?) on things like health care, education, and yes, culture. Where is all that extra money going to come from?"

      From taxes. I'm not sure what you're getting at. Budgets are never fixed completely; they always differ from year to year. It's true all want a part of it, education as well as defence...but you seem to think it would amount to double digits of the GDP, while even with a huge boost it wouldn't go beyond a single digit. In the past, governments have always shifted money to diferent departments, including an extra 3 billion a month for wars, or to reform eucation, or, indeed art. It's nothing beyond the impossible to do it when the movies needs to be extra subsidised.

      Like I said, data please, no speculation. Do you have an estimated tax increase (just for, say, movies & co, without counting the pharmaceutical patent reform discussed elsewhere in this thread?) If not, are you prepared to push this with "we'll figure the cost later"? I'm not.

      "As for new forms of philanthropy, it's just speculation at the moment. People generally have been known to look after their own interest first."

      Heh.There we go again, with the typical self-centered explanation. I think people have been reading too much 'the selfish gene' and not realised it's been long shown to be flawed. In reality, people do not 'generally' look after their own interest at all. I must be living on another planet then :)
      In this context, it means "if people have a choice between paying and not paying for something, generally they'll choose the latter". Let's just leave it at that.

      There is no real gain in being eternally conservative. Societies change; they always have and they always will. I don't really have fear of a changing society, but perhaps that is different for people who mistrust any big change. Change can be good, or it can be bad. I support good change, I just don't think this proposal is it.
    6. Re:copyright free world by N3wsByt3 · · Score: 1

      "It can't be denied that there is crap TO YOU."

      No. You have missed my point. While what we think is crap may vary, it is a FACT that there is crap -to EVERYONE (even though people don't always agree on what's crap). For instance, I can show quite clearly that it's not only to me: do *you* denie there is crap? Does, in fact, anyone?

      You also missed my point about 'the wallets decide'. For instance, we both know (well, I presume) that box-office sucesses are NOT always succes due to their greatness. In fact, many elements contribute to it being a succes, mass-advertising being one of the most prominent one. Do you denie that? Does anyone?

      So basically, wallet voting != the best movies. Pretending that the amount of profit a film gathers is the only, or even the most accurate measurement of how good the quality of a film is, borders to the ridiculous. Since almost no EU film reaches the level of a typical commercially succesful hollywood movie regarding ticket-sales, that would mean, according to your reasoning, that no EU film was ever better than such commercial movie. You claim I'm in a minority here, but I dare you to find a majority (of people whome have seen EU films and compare that to the typical commercial hollywood film), who come to the conclusion wallet voting is, effectively, a measurement for quality.

      It sounds cool as a simplistic soundbite, and it has the advantage of being straightforward and simple to check, but the fact is, no one actually really *believes* a commercial succes necessarily defines a quality picture.

      I know, this is a concept difficult to swallow, especially for USA-citzens, but 'sales numbers' do not equal quality. If that really would be true, there wouldn't be anyone who would deny a sucesful commercial film is still crap. I doubt many people do that. I even wonder if you think that. Hasn't there been any blockbuster where you thought: fuck, that's crap, I've seen much better which had much less sales numbers? I doubt that.

      So, you might fulminate against what you perceive as me 'chosing' for you, but that's not my point. My point is, to demonstrate wallet voting != a film of quality. Mind you, I do not claim the two can't be possible: there certainly ARE blockbusters who were very good too, but I doubt anyone really 'goes with the latter' of defining quality with sales numbers.

      "Like I said, data please, no speculation."

      Well, ok...but please adhere to that principle yourself. Where is your hard data that patents and copyright are benefical to the populace at large? I *did* give you the links and references, right? Not only to the pirate bay, but also to a whole plethora of researchpapers which strongly indicate the current patent and copyrightsystem just doesn't do what it is supposed to do. I find it a bit puzzling you shrug off all that so easily (well, you DID read some of it, right?). I'm still waiting for *any* link to *your* hard data demonstrating the beneficial effect patents and copyright has to society.

      I'm sure we can both agree that, if hard data is required, it must come from both sides of the debate. A dozen researchpapers have - I think you will agree - more weight than mere idle speculation.

      As for the estimated cost: as far as I can find on wikipedia and the internet, the average cost of a film is 110.000.000 dollar, and the average amount of films from the USA is 200. That means an average of 22 billion. The GPD of the USA is more than 13 trillion, which means that it's 1/590 - far less than a double digit, as I said. As far as the reference to Iraq is concerned, while I appreciate that it is a sensitive matter, in this discusion it *was* relevant, because it demonstrates the possibility of a government to free massive amounts of money (far more than what would be necessary to subsidise films). And the war in Iraq is quite obviously paid by taxes, too. If it is *possible* to do so for an illegal war, it is possible to do so for other things as well: your objection that something like that would be

      --
      --- "To pee or not to pee, that is the question." ---
  69. Liberal in Europe == Libertarian in US by Russ+Nelson · · Score: 2, Informative

    Just so's you know, these are not a bunch of leftists as would be US liberals. "Liberal" in Europe means the same thing as "Libertarian" in the USA.

    --
    Don't piss off The Angry Economist
  70. We're both right by pv2b · · Score: 1

    DVD's provide the lions share of the *profits*, but a movie will still break even on movie theaters.

    Also, copyright reform won't stop copyright owners from selling copies of what they've produced. As long as it's more convenient than peer to peer, and it's priced reasonably, people will come, if they intend to pay.

    If they don't intend to pay, they won't come either way.

  71. 3% of the vote is not mainstream! by JoddEHaa · · Score: 1

    Calling Venstre a mainstream party is not quite sane. And neither are their representatives.

    --
    GNUs don't kill people.
    1. Re:3% of the vote is not mainstream! by mmcuh · · Score: 1

      "Mainstream" in politics is usually not defined as "the guys who get the most votes", but rather "the guys with the least extreme views". In Scandinavian countries, almost all the parliamentary parties are considered "mainstream" (there are hundreds, or thousands, of parties outside the parliament), and Venstre most definitely - compare to Fremskrittspartiet (brownshirts) or Sosialistisk Venstreparti (socialists).

  72. Norway can say goodbye to the WTO by malevolentjelly · · Score: 0

    This tiny political movement is not going to fly. The country would get dropped from the WTO in a heartbeat. They're talking about literally legalizing robbery.

    First, the market and free things:

    If any of you are American and support this, you're idiots. All we really export is IP nowadays... it's a huge asset to our economy. A political party is trying to pass a movement that's effectively robbing tons of hard-working Americans and their businesses. You think games, music, and movies are free to make?

    If you're not going to buy them, then when do you pay us back for the cost of making these things? Have you not taken ECON101? Sometimes things that are convenient for us as individuals are bad for our nations and economy. It would be cool if food was free, but then who would grow it?

    Don't give me a cathedral and the bazaar argument, either. If these arguments made any sense, there would be a communist or highly-socialist super-economy destroying us from overseas-- and don't cite China; they're not operating as a communist country internationally.

    The open source model works, don't get me wrong. Like software, anything can essentially be copied. If we all chipped in and performed tasks to support each other at no cost, we wouldn't have to pay for anything! But we use a market economy to micro-manage compensation for work completed and general influence over production and macro-manage the demand and delivery for products. One of America's new primary roles is the production and subsequent defense of intellectual property. Welcome to 'where did my computer come from?' or 'how come I have food?'

    If you're purchasing Microsoft profits, you're supporting Redmond, WA and its surrounding area. It's a lovely area that is largely fed by Microsoft- a huge boon to Seattle, not unlike Boeing. I'm sure Apple has a similar position in Cupertino. When you're just using Linux, you're simply sending our jobs to China! (They can make Linux, too!)-- that's where large firms like Motorola get their userspace operating systems. China!

    Next, why this is bad for us and Norway:

    As members of the world economy, you can't just produce products and gain international favors and contracts while utterly robbing your competitors-- (yes, we compete with Norway in the music market.) Not okay, not profitable, not beneficial.

    NOT happening.

  73. I imagine this is presented very well. by Anonymous Coward · · Score: 0

    Well I see your post is still alive and has replies. Here's mine. Your post can best be summed up as. Do the alternatives give a wide variety of choice? And do the alternatives give an acceptable quality? With the present system I do have a wide variety to choose from (even if my fellow slashdotters feel they may be crap). And a lot of it is of an acceptable quality (also irrespective of my fellow slashdotter's opinions). And last there's a socially acceptable punishment-reward (accounting for degrees of risk) system in place to encourage more of what I enjoy. So far as I can see none of the suggestions presented meet all three of the criteria.* Some are even worse by assuming that the audiance has something it may not have due to either geography, or economic conditions. e.g. broadband, computers. The present system isn't perfect (but the alternatives are worse), but there are socially acceptable means for correcting that situation. I see that a lot of suggestors aren't using them, or using them poorly.

    *There's also the historic record that shows that the "gravy train" came about because of the widespread acceptance of IP. Not the denial of. Assuming that removing the forces that brought that "train" about will still continue the "same ol, same ol" is shortsighted, and niave.

  74. Culture may want to be free by br0d · · Score: 1

    but if you are going to pass basically communist legislation and erase the financial incentive for the creation of intellectual property, you also have to accept the fact that the quality of that sort of work may no longer be professional. Sure, tons of people create amazing things as a labor of love, but the labor of finance is something which helps that love labor along. Would great bands like the Who have even persisted if they had no intellectual property rights during their heyday? Why is it that so many people I know are constantly complaining about the state of music today, and how much pop sucks, and yet so many also want to create a disincentive for artists to take on music making as a potential career? If you have ever put any love into a piece of artwork, you know inherently that you do not want OTHERS arbitrarily deciding what rights your work does and does not have...I mean you completely pulled it out of the ether, independently of them. I'm not rabid about file sharing but I'll tell you that I am sick and tired of the redundant, transparent, and cowardly rationalizations I read online, year after year, and I wish more people would just cowboy the fuck up and say "I felt like stealing something."

    1. Re:Culture may want to be free by rundgren · · Score: 1

      a copyrighted work != property!!
      Therefore, this is not "basically communist legislation."

    2. Re:Culture may want to be free by br0d · · Score: 1

      How is this niggling legal rationalization any different from the rationalizations I was talking about above? Bottom line is, you are taking something away from someone else when they do not want you to do so. Be a man and admit it, rather than falling back on dumb excuses. I don't care to judge people's ethics, but denial is annoying.

    3. Re:Culture may want to be free by James+McGuigan · · Score: 1

      There are two definitions of "value", the intrinsic value of its usefullness, and the scarcity/status/monetary value.

      For creative works, like software, its intrinsic value to society would be greatest when everyone who had a use for it had a copy. By making software non-free this increases the cost to society, both in terms of time and money, as well as reducing the software's potential value as some people who could have benefited will choose to not to purchase. The greater the price the less society as whole benefits.

      Now if the monetary cost of the software is zero, and assuming there are no other incentives to produce software, then no future software will be created and society will not receive benefit from potential software that was not created. As the profit from selling software increases, then the motivation to write software that will sell is increased and to the extent that sellable softare corresponds to useful software, society will benefit from its intrinsic usefullness but suffer the burden of its monetary cost.

      However, to the extent that society finds software useful in of itself, it will provide indirect incentives for its creation. Money is simply a fungable, low hassle and standardized incentive system, which tends to be obsessively focused on in our society often to the exclusions of other motivations and purposes for our actions.

      Intellectual "property" does not exist except in the minds of men, is an economic policy which "in theory" is designed to balance these two formulas at the optimal point where the overall benefit to society is greatest. In practice, and in recent decades, the focus has shifted to optimizing the second, monetary formula without regard for the intrinsic benefits to society at large. A readjustment of copyright laws, or even their abolition, would re-balance these formulas, though only time would tell if it was a more optimal alignment than our current system.

      In short, our pollititions will have to decide if they want to let ideals to get in the way of a perfectly good business model.

    4. Re:Culture may want to be free by Anonymous Coward · · Score: 0

      Well, you wrote "basically communist legislation", and this sounds quite stupid because many non-communist people (even people who hate communism) don't feel copyright is property, neither reform is communism.

      Was USA Constitution made by communists?. Copyright expires, property doesn't. That's exactly USA Constitution says. From your point of view USA Constitution is "basically communist legislation", and the same is true for "fair use".

      Is Walt Disney a communist company?. They took Grimm brothers tales to make movies sans permission (copyright expired firts).

      If you fall in a fallacy, be a man and admit it.

  75. So much for Capitalism by Krojack · · Score: 1

    If I was a musical artist I would no longer allow my music to be sold in Norway. If I was a popular musical artist living in Norway.. I would be getting ready to pack my bags and move.

    This is the "whats mine is yours" communism method.

    1. Re:So much for Capitalism by Anonymous Coward · · Score: 0

      Yeah, who wants an entire country listening to your music? Certainly not me.

    2. Re:So much for Capitalism by rundgren · · Score: 1

      a copyrighted work != property!!
      I can personally guarantee you that these people are certainly NOT communist. They just realize that capitalism should sometimes change to better serve the people AND the corporations, and that is what this initiative is trying to accomplish.

    3. Re:So much for Capitalism by Cessen · · Score: 1

      If I was a popular musical artist living in Norway.. I would be getting ready to pack my bags and move.

      Right... because live concerts don't exist, and even if they did they certainly wouldn't bring in any money...

      The thing that continually baffles me is how little acknowledgment is given to the money-making power of performances. Even movies have their theater runs (which, incidentally, are what a movie's supposed "success" is based on, not DVD sales). And television has advertising revenue.

      Honestly, the business models of the movie and TV industries are already set up to not need copyright law. The part that depends on copyright (DVD sales) is secondary, not primary.
      And in the case of the music industry, the publishers might take a hit, but not so much the musicians. From what I understand, the musicians in most cases make their money from concerts far more than CD sales (although in some genres I imagine that's not the case).

      So would abolishing copyright reduce profits? Sure.
      Would it make any of those industries crumble? Probably not.
      At worst it would make movie studios more cautious about leaks before theater release, and music publishers might get exposed as the no-longer-necessary dead weight that they are.

      That being said, I'm not in favor of abolishing copyright law. I'm not even in favor of legalizing the non-commercial file sharing of copyrighted works. But I do think that copyright law as it stands now is absurdly (strong emphasis on "absurdly") out of whack with the present world, and I think making DRM illegal and severely shortening copyright terms are both extremely good ideas.

    4. Re:So much for Capitalism by mmcuh · · Score: 1

      Norway is a member of the EEA, so if you didn't allow your music to be sold in Norway you couldn't sell it in any other EEA state either (Iceland, Liechtenstein, and the entire EU).

  76. terminology by Anonymous Coward · · Score: 0

    When you run OS X on a machine other than a pretty Apple box, it's called an iSore.

  77. For the love of art by Pfhorrest · · Score: 1

    An approach that resulted in nothing being written without a market for it would result in less pages produced annually, but it would lead to only the stuff that people were actually willing to pay for getting written.

    I heartily agree with your post, but I'd like to add one thing further. In addition to works which people are actually willing to pay for, you'd also end up with those works which are made just for the sake of them being made - because the author/artist/etc just felt the need to create them and had the means to do so available. The cost of production and distribution continues to decrease with improvements in technology (granted, the former more slowly than the latter). The average lifestyle in the industrialized world is becoming more leisurely and luxurious all the time (which is not to deny all the social ills there are today, but would you rather be an average citizen of $INDUSTRIALIZED_COUNTRY today, or an average citizen of that same country 500, 300, even 100 years ago?). With these two factors combined, I imagine we'll continue to see more and more works being produced by talented 'amateurs' just for the love of the art, because they had something to say or a vision in their head that they just had to share with the world. And that, IMO, is most often the highest quality work out there.

    --
    -Forrest Cameranesi, Geek of all Trades
    "I am Sam. Sam I am. I do not like trolls, flames, or spam."
  78. It's all about the distribution channel by cdrguru · · Score: 1

    100 years ago, it was all about industrial capacity. Today, it is distribution. The large pharmaceutical companies have a distribution channel that requires products to be fed in. It doesn't matter if they don't have some new wonder drug ready, they need a product.

    Just making lots of asprin doesn't cut it anymore.

    The "solution" of making patents on drugs disappear means the distribution channel is still there and needs to be fed. Unfortunately, all there would be are the same versions of existing drugs. Why would anyone create something new to stock up someone else's distribution channel?

  79. Stop with "this is communism" shit already by unity100 · · Score: 1

    dont be morons.

    MANY stuff, like minimum wages, retirement, weekly vacation rights, maximum working hours, social security and such, things you all care about much have sprung up from socialism/communism.

    extreme prototype versions of these were tested with time, modified and made to work in conjunction with other principles of society.

    if not, you would be working monday till sunday 12-14 hours, only getting a break from the work after sunday mass until monday morning.

    this is the same thing with filesharing/music/ip thing.

    filesharing may be extreme now. just as intellectual property shit (excuse me here, as it is really in the point of being shit right now) is.

    in time a balance will be reached, and everyone will be happy.

    up until then, "the people", the billions who constitute most of the human civilization on this world will be having to do their downloads in a kinda illegal position, and musicians/artists will be serving as underdogs to already stinking rich and spoiled media/publishing barons.

  80. small correction: by N3wsByt3 · · Score: 1

    The logical flaw of your reasoning lies in the fact that

    1)your premise isn't substantiated,
    2)AND you make a false dillemma out of it (patents and medicne, or no patents and no medicine, as if that were only the two possible options).

    Patents are *supposed* to lead to investments. However, in reality patents are more than not used to stiffle innovation. In reality, the huge profits those companies make go primarily into marketing, NOT R&D. And the relatively small investment (compared to the overall profits and what goes to other departemtns like marketing and the legal teams) that remains, is that really the best return one can get? Is that the most efficient (in terms of being beneficial to the populace at large instead of being most beneficial for the monopolist) we can get?

    I doubt it. ( http://www2.piratpartiet.se/referenser/the_reform_ of_intellectual_property )

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    1. Re:small correction: by servognome · · Score: 1

      Patents are *supposed* to lead to investments. However, in reality patents are more than not used to stiffle innovation. In reality, the huge profits those companies make go primarily into marketing, NOT R&D.
      Most of that marketing is in the form of free samples, so essentially half that marketing goes back to subsidizing consumers.
      As I mentioned before much of that marketing goes towards drugs in competitive markets (generic equivalents, or many substitutes). So getting rid of exclusivity will result in more spent on advertising.

      And the relatively small investment (compared to the overall profits and what goes to other departemtns like marketing and the legal teams) that remains, is that really the best return one can get? Is that the most efficient (in terms of being beneficial to the populace at large instead of being most beneficial for the monopolist) we can get?
      12.5% of revenue spent on R&D is inline with what the electronics industry invests. The drug corps must spend on R&D because they constantly need new patents to replace those that are expiring. If they don't get new drugs to market, they go out of business.

      I would say that patent protections are too long and should be reduced (avg time for drug to recoup it's investment is 8.5 years).
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    2. Re:small correction: by N3wsByt3 · · Score: 1

      "Most of that marketing is in the form of free samples, so essentially half that marketing goes back to subsidizing consumers."

      Ermm...you *are* aware that the link you gave does not really speak in favor of such practises, right? Consumers are not 'subsidised'; they are given a sample to try to hook them to the product. they do not do it out of chatity. The difference may be lost to some, but it amounts to this: companies care about profits, not what is best for the people. For instance, it has already been demonstrated many times that there have been companies who promoted new drugs (also with examples) which were in effect less effective than old drugs - but those had lost their patents. It is more profitable for drug-companies to *sell* drugs with patents, *regardless* of the benefits. Sure, they can't just sell crap, because there is much govenment control and they are liable if something happens, but I have no doubt that they would promote and sell things that don't work at all, if it gives them profit. In fact, they already do: http://en.wikipedia.org/wiki/Homeopathy

      So, I fail to see your argument here; do they keep giving free samples to people who tried it? I doubt it. Thus, once people are acustomed to the product, they have to pay later on, and then they pay for *expensive* patented drugs, instead of generic ones, which might work as well, but don't get the 'free example' treatement. How is theis beneficial to the populace? However they market it; the purpose is still marketing, and that money is not going to R&D.

      "So getting rid of exclusivity will result in more spent on advertising."

      If that would be true, then companies that sell generic drugs would spend more on advertising then companies that sell patented drugs. I have never seen any researchpaper that substatiated such a claim. If you have such a link, please provide it, I would be more than interested to read it.

      "12.5% of revenue spent on R&D is inline with what the electronics industry invests."

      Exactly. Another area where patents have shown to be a burden to innovation and cheaper products. Or didn't you mean the IT-sector? Regardless, I don't see how comparing a weak sign of R&D of one sector (which is heavily based on patents) with another, equally weak sign of R&D in another sector (which is also heavily based on patents). If anything, it indicates that patents might have something to do with it, as was my point.

      "The drug corps must spend on R&D because they constantly need new patents to replace those that are expiring. If they don't get new drugs to market, they go out of business."

      It's the first time I see a monopoly being defended as a good way of promoting innovation. Monopolies inherently go against the free market - with its basic tenent of competition, which *is* supposed to be the most beneficial to end-users, consumers and a stimulus for innovation. If I remember correctly, the R&D of academic research is way higher than 12.5%, so the argument that patents are necessary for innovation seems to fail on more than one front. It's true they seldom come to the actual marketing of drugs, but that's mainly due to the fact the government has endorsed patents in the first place, and leaves it up to companies and their patents. It's far from certain this is the best solution, however (as in: most beneficial to the largest amount of its citizens and society as a whole).

      "I would say that patent protections are too long and should be reduced (avg time for drug to recoup it's investment is 8.5 years)."

      Hmmm...that number comes from where, exactly? Does it include government subsidising - which, btw, already happens a lot, EVEN with private monopolistic drug-companies. But, ok, say it's true... while patents suck, they would suck less if they are less long, I agree. And also, I'm well aware there is no chance in hell the patentsystem will be thrown out: it's too well entranched by now, and too powerfu

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      --- "To pee or not to pee, that is the question." ---