YouTube Filtering Is On-Line
ghostcorps writes "After months of promises to IP-holders, the long-awaited filters system for YouTube has gone online. The new system will make it easier, the company claims, for copyrighted clips to be removed. 'YouTube now needs the cooperation of copyright owners for its filtering system to work, because the technology requires copyright holders to provide copies of the video they want to protect so YouTube can compare those digital files to material being uploaded to its website. This means that movie and TV studios will have to provide decades of copyright material if they don't want it to appear on YouTube, or spend even more time scanning the site for violations.'"
a few weeks ago the poll was what perks do google get, well now we know:
unlimited copyright tape library.
Sergey and Larry must have a lot of popcorn.
liqbase
I guess that's the sad thing though, it's no longer the people that made this stuff that own the copyrights. It's huge corporations. This goes for sound and video. Do you think any of the big studios care about artist exposure? They don't care about building a fan base, they care about profit margins.
I personally would like to see Google help users approach and push the limits of fair use of sound and video. I think that a lot of artists would be open to their work being displayed in a tasteful manner without the full work being put online. I also think that the usually low quality of YouTube is a good reason to allow this and that if copyright material is found, they should investigate either shortening it or degrading the quality so that viewers get a taste. What's more, putting a link to sales of the item would be basically free advertising.
I feel especially sorry for the people who build movie montages with unpopular songs for I have watched many of them and purchased a DVD & CD from seeing the two. After watching that particular video, I rediscovered the genius of Sergio Leone after a fan posted that video with one of my favorite bands, The Arcade Fire. Sure, it's just anecdotal evidence but I still view that as original art & innovative.
It's truly a shame that copyright holders are throwing away what could be a beautiful & profitable relationship with fans.
My work here is dung.
They devised a system that's so onerous to the content owners that nobody is likely to follow through, and it allows Google to go to court or PR appearances and tout having a new system in place that would work great if the owners would just use it.
One step down the path for Google to catalog every movie ever made, and provide live streaming of any movie you want direct to your home!
which is totally what she said
Presumably they are creating fingerprints from the original material and comparing those against uploads. It would be interesting to know how well this copes with different codecs and frame rate changes.
Or do they wait for the uploads to be flagged as infringing and then do a dumb binary compare to prevent deleted files being uploaded again.
Any sufficiently advanced bug is indistinguishable from a feature.
Fair use is only a defense to the use of copyrighted material. It is not a right you can assert.
copyright holders aren't going to provide decades of anything since it's up to google to keep copyrighted content off youtube. no reason why a copyright holder needs to go through this when someone else is infringing on their rights
But it's the copyright holder's responsibility to notify Google that the infringement is taking place. Google is under no legal obligation to screen everything.
It's official. Most of you are morons.
There's no other way to automagically scan all submitted videos and decide whether they are copyrighted or not. Only by having a set of material thats deemd 'copyrighted' to compare against can a given clip be tagged as legal or not.
It seems like the best solution to a practically impossible problem.
1. A filter that shifts 70% of pixels one pixel to the left.
2. A filter that munges the rows of pixels around the frame area, distorting the video fingerprint without affecting viewing quality.
3. A filter that randomly inserts the Goatse man for a Fight Club-like single frame.
4. A utility that uploads the clip backwards, and then a browser-player that automatically time-remaps it forward for playback.
5. A watermarking process designed to distort the video fingerprint while remaining invisible to non-AI viewers.
Okay now -- code it.
These stories are free but worth money.
How exactly will this work? Do the copy write holders upload their files and google analyzes them and compares them to uploaded files by its user base? If an uploaded file meets a specific threshold does it remove the file? What about parts of a show? If Fox uploads a 30 min episode of Family Guy and someone uploads a 5 min clip how is that handled. Also I thought you could use up to 30 seconds of a video/commercial/show etc. with out getting in trouble or does that just apply to educational use?
I smoked pot once. But I DID NOT inhale. Will you hire me?
Copyright owners don't need to provide "decades of copyrighted material".
The system will help with reuploads. This means, when a video is marked as pirated, the system will be able to recognize the duplicates and mark them for removal.
This means companies don't need to track the duplicates manually any more but just point to a single sample.
Given varying levels of capture quality and compression, I think this is always going to be a sticky situation. I wonder if the filtering technology can identify partial clips of a copyrighted work and flag those as well.
My real curiosity though, is if Google/YouTube might be trying to build a huge searchable library of video media, as they already did with the books project, and this is a way to sort of lure the content providers in. I'd love to see what kind of license the content providers are extending to Youtube in providing this material.
This comment is fully compliant with RFC 527.
Google finds a way that is only minimally less painful for the **AA to protect their copywrited works, and in turn gets original copies of all of them. I just know this made the **AA truly happy.
Cuban said anyone that bought youtube was a fool, wonder what he thinks about this move?
It sounds to me like the **AA will be hiring in their IT departments soon.. anyone need a job?
Support NYCountryLawyer RIAA vs People
God I hate opt out. Imagine you produce films and TV, then google suddenly says "Yeah, it's all on YouTube by default. But you can opt out using this huge complex time consuming method."
Is this evil?
I mean, isn't anything where you get spammed by default even if there is an opt out option, evil? I know this isn't spam, but it must be pretty annoying for some people (like the BBC who I help fund through my TV license.)
Open source, flash charts
mmmm... I thought that all google (youtube) had to do was to take down the content if they receive a takedown notice...
It's a great service and all but I'd like to see these videos at a higher encode rate. (yes, I'm spoilt).
Kwisatz Haderach
Sell the spice to CHOAM
This Mahdi took Shaddam's Throne
On a side note, they could work out those small bugs first, now couldn't they? Like, clicking on a thumbnai and then finding out it's been removed? Well then why include that result in the search anyway?
Doesn't bother first, but gets really annoying afterwards.
Also, isn't youtube so popular just because of all thr material they're going to remove? Who wants to watch some emos bitching about their day? (Those who want are probably on Myspace anyway).
But at least they can!
Having seen a few stories on this today the thing I still don't understand is how the 'true' copyright holders are identified to start with? What stops Joe Blogs uploading Spiderman 3 and claiming he created it and wants a cut of the revenue?
Or is this aimed solely at the 'megacorps' and not actually a wonderful means of sharing the wealth etc... (On the whole I like the pitch, and if they have a good answer to this problem, it generally sounds like a move the right way - assuming content providers take it up).
I, for one, welcome our new media-holding overlords.
There's a lot of money to be made with this material, besides searching youtube. Even without releasing it.
find -name "*base*" -exec chown us {} \; ; ln -s
Obviously no company is going to actually go through and send google videos of all the stuff they want to protect, but what they CAN do is identify the videos already on gootube that need to be removed as copyrighted, so they can just use the offending videos as the sample to scan for. Prevent the same video clips from ending up online over and over again.
You are right.
Grandparent isn't familiar with how DMCA takedowns work.
The problem is that Congress has created a safe harbor in the DMCA. Youtube can't be sued for copyright violation simply by providing an Internet service, as long as they cooperate with the copyright holder's right to control copying. Since youtube can't tell if somebody owns a copyright on something, requiring them to do so would mean that youtube couldn't exist. Most Internet services couldn't exist. The onus is on the copyright holder to find copyright violations and inform youtube. Congress may have screwed up other parts of the DMCA, but they got this part right.
Youtube is just giving copyright holders the right of prior restraint, at the cost of having to enumerate everything to which they claim copyright.
Don't piss off The Angry Economist
> The problem is that Congress has created a safe harbor in the DMCA.
That's not a problem. It's a solution. It just happens to be a solution that the studios don't like.
Warning: this article may contain humor, sarcasm, parody, and perhaps even irony. Read at your own risk.
Pretty funny that google is trying to con people into building a digital library for them.
Think about how much google has spend just trying to build a library of books, and now they're getting people to build them a media library for free!
There are a lot of Anime Music Videos in there. I fear the artists (either greedy japanese companies or greedy RIAA members) will want to take them off.
:P
But then again, I haven't RTFA so I don't know WTF is Youtube Filtering
the War On Everyone by George W. Bush et al.
You might have missed out on imeem.com or at least ignored them ever since they changed from being a client/IM based p2p network to being a social media site about 2 years ago. But for the last 6 months they've been using automated content filtering for the music that people are posting to the site. Some of the people who register their content are have deals with imeem which allows the free sharing of their music - labels like Warners, Sony, BMG, Nettwerk, Beggars etc etc, and of course there are a few labels who have their tracks reduced to 30 second samples.
It should be noted that imeem announced all its big deals after turning its system on so presumably the content identification system helped make those media deals possible.
How are they going to handle fair use? MY guess: they won't. Your Steamboat Willie parody is not going to be allowed on Youtube.
I wonder how long it will take for the first software to come out that alters vidoes just enough to evade detection...
Warning: this article may contain humor, sarcasm, parody, and perhaps even irony. Read at your own risk.
Other than the sheer scale problem, couldn't a company just run the video through an identification program to ID the actors in the video, cross reference it with an imdb type database with both movies/shows and actors video IQ profile? Couple this with video fingerprinting to dispose of copies. Add in a system to freeze the offending video and allow the user who uploaded to be able to contest the infringement?
$sys$droids
Even though youtube is a video site they should have created an extensive audio fingerprint system.
That would be much better and with copyright material audio is the key. It covers both music and video. It is much smaller amount of data and and is easily identifiable across compression and formats.
Altering just the audio is a little trickier and if the audio is altered enough it really takes away from the viewing expierience sometimes making it unwatchable. Copyright holders would give google an audio fingerprint for their works and youtube would check all audio against that. Music & Video copywritten material could be protected at the same time.
http://en.wikipedia.org/wiki/Acoustic_fingerprint
this is going to be a field day for lawyers
why should it be someone elses job to protect their content?
If you mod me down, I will become more powerful than you can imagine....
A number of pundits out there said that GoogleTV would never fly, but now we know how they're going to get all of those video clips online. Man, Google is pretty smart!
http://youtube.com/watch?v=J9SK_M_nVWA
coding is life
I have come across an instance of youtube deleting hundreds of newsreel films from an account which were public domain for over 60 years.
Maybe youtube should spend some time on finding out if the items they delete are actually in copyright first before deleting them, in addition to spending time on this system.
Azural - instrumentals
...just aid and abet Highly Concentrated Forms of Evil, instead.
(Disclaimer: this post is a wake-up call to all who labor underneath naive good/evil views of corporate entities. I do not subscribe to such infantile views myself.)
Do the copyright owners have to provide the entire damn clip to Google? Or just buy the hash/indexer too from Google, run it through their materials in their secure facility and give Google just the hash data base?
sed -e 's/Chuck Norris/Rajnikant/g' joke > fact
Hey, RIAA, please send me all your original media and I'll make sure there are no shared copies of any of it in my collection ;-)
Nick Waterman, Sr Tech Director, #include <stddisclaimer>
Technically speaking, one wouldn't need to provide google with copies of all infringing video. Youtube could give copyright holders a tool that would create signatures for their media. Then they'd have to give the signatures to Google. If the signature generation algorithm is mildly clever then basic artifacts like frame rate, resolution, and timing should not pose a problem to the detection routine. More cleverness in the algorithm could catch more deliberate circumvention attempts.
> get tea
No Tea: dropped.
The sound track is probably easier to check and we're *much* more sensitive to changes made there, leaving very little wiggle room for deception.
It won't take long for content providers to work around your workarounds. Furthermore, youtube might ban such kind of workarounds. Worse: They might sue those who implement those ideas under DMCA, because your *explicit* intent is to circumvent copy protection measures. You don't want to appear in Fark news as "dumbass", do you?
You guys need to realize that if your intent is to preserve works of art from censorship, you would use either a darknet, or an Anonymous P2P system. I'm not saying the model works, it was just an idea... (<whisper>however, my sources inform me that there are people working in a revolutionary network which will allow you to run your favorite p2p apps on top of it - and even forums and e-mail. Some parts of it already work, but I won't tell... muahahahahaha!</whisper>)
*AHEM* *AHEM* Aaaaaanyway.... (insert angelic smile here)
This can be a great opportunity for content providers to upload commercials to youtube and generate revenue for popular clips, like the good old Bugs Bunny episodes (Little Red Riding Hood is my personal favorite - HEY GRANDMA!). Why? Because in the old TV model, the providers chose the content. In the Youtube model, the viewers choose. In other words, they're more willing to watch a determinate clip and not just get whatever the publisher shoves down their throat.
What am I trying to say? Commercials in copyrighted clips uploaded to youtube will be MUCH MORE effective than commercials in standard TV. Simply because the watcher is 100% decided to watch that clip.
Let's hope the copyright owners choose... <old_crusader>wisely.</old_crusader>
This way, Google will be able to build a large library of copyrighted movies that will become public in 60 years, or when the copyright holder disappears. That's far sighted, if Google supposes that it will remain in business at this time !
What if you aren't actually uploading a clip of a video, but instead a clip in which the video in question is running on say, a TV in the background of the clip?
-S
true, but all they have to do is pay someone $1 an hour in a third world country to surf youtube and find violations. they don't have to go through their archives and turn all of their movies and music over to google for automatic
copyright holders aren't going to provide decades of anything since it's up to google to keep copyrighted content off youtube. no reason why a copyright holder needs to go through this
You mean, other than the DMCA, which says it's the copyright holders' responsibility to do so?
It's the law. It's not up to the copyright holders to dictate anything to Google. If they want their stuff off of YouTube, they need to police their own content.
And this was no accident, either - the law was written this way specifically anticipating cases like this. (Ok, they thought at the time that it was telecom companies who would be most affected, but the result is the same.) The point being that if service providers were forced to police the content on their networks on a continuous basis, it wouldn't be worth it for any of them to be in business. So they lobbied for this provision of the DMCA, and copyright owners acquiesced, knowing that on balance, the DMCA was a huge win for them.
They can't go back now and whine about the fact that they don't like the compromise that they agreed to, and which was the only way they got the DMCA passed in the first place. Unless that was their strategy to begin with - accept the compromise to get the DMCA passed, knowing they'd just pay off congress to amend it later - and I wouldn't put that past them.
What happened to the old Google motto? "Don't be evil." Oh wait they gave that up long ago. Am I the only person who thinks Google's grown too large lately and should be split up. They're worse than Microsoft now. They have their fingers in everyone's pies. Search, online work collaboration, email, maps, digital video, and so on...
I just wish YouTube would 'filter' out Jihadi videos... But they haven't/won't, because its Constitutionally protected 'free speech' for a foreign based terrorist organization to recruit online (I'm sure the ACLU and CAIR will take any cases pro-bono)...
This means that movie and TV studios will have to provide decades of copyright material if they don't want it to appear on YouTube, or spend even more time scanning the site for violations.
Given the amount of work that would entail, I doubt they will provide "decades" worth of comparison files -- they will likely concentrate on recent and/or popular (i.e., majorly profitable) material. NBC may well want to prevent "Heroes" from turning up on YouTube, but something tells me they aren't going into the archives to provide "fingerprints" of "Supertrain" or "Hello, Larry" or the Jean Doumanian era of SNL. (Well, in the latter case they might wish to keep those shows off YT out of sheer embarassment....)
"Every great cause begins as a movement, becomes a business, and eventually degenerates into a racket." -- Eric Hoffer
Nice use of prepared statements! Robert'); DROP TABLE Students;-- would be impotent against your sql-fu.
My business: Farstrider Studios.
I wonder if I inverted the image (rotated it 180 degrees), if the copyright filter would catch me. Turn your monitor 180 degrees to watch, or have a small app to flip the viewer's screen.
"It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
"Oh, I know what you want! You're after my treasure! Well it's mine, ya understand?! Mine! All mine! Get back in there! Down, down, down! Go, go, go! Mine, mine, mine!"
Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
Next months healine: YouTube Hacked Headline 2 Months from now: All copyrighted material ever created available via Kazaa.
Just to make clear - nobody (well, nobody sane) has ever suggested that Google check every new video upload to make sure the uploader has the rights to publish it; that would be impossible anyway. The major problem was with repeat offenses.
However, Google doesn't even have to automatically check for repeat offenses. I.e. if you upload X, it gets taken down because of a DMCA complaint, you can upload X again just fine. The copyright holder will have to file another DMCA complaint. It gets taken down, you upload it again, it gets taken down, you upload it again, it gets taken down, you upload it again, etc.
Some might think "HAHAHA! Suck the loophole, copyright holders!", but this ends up costing Google money and popularity as well (videos that pop up and get removed with some frequency hurt the whole experience more than a video not being available there at all).
So Google finally gets around to checking their existing library for any other video that appears to match X and flag that for removal (probably a quick manual check), and on new uploads tells the user that they may be uploading a video that appears to match X; with any luck they'll have an option for the user to say "no it isn't!" (for parody cases, or complete false positives - however rare), with penalty of having account (temporarily) canceled if they're basically just lying there in order to get the video uploaded anyway.
What I find more interesting is the option for the copyright holder to say "Hang on... we hold the copyright to that, but we know there's an interest in the videos, and users will try to upload it anyway... so why don't we allow that, and actually make a smidgen of money off it by allowing those uploads, but only with advertising?". Excellent, really.
You make it sound like you compare two videos to each other. I don't think that such a utility would be that useful to YouTube, because you'd have to compare each new clip to each clip in the 'banned' column.
Or do you compute some sort of fingerprint which is easier to compare to each of the banned items?
and the material would be available at the stroke of a keyboard. It would be inevitable if Youtube has the material that it will end up available online. YouTube (Google) is positioning itself as the "channel" of the Internet. Part of what they will eventually offer, IMHO, is micro-payments based on viewership. To them, it doesn't matter if it's Gone With the Wind or home-cam video, it's just content. That sort of situation is win-win for the studios. Their next trick will be offering the studios some kind of cut of user-edited videos based on percentage of each copyright holder's material. This would allow users to remix video at will and everyone gets a fair cut of advertising dollars. YouTube benefits from having even more content and a provides a fair playing field for all involved.
On an artistic note, people need material to practice video editing. Being able to recut shots from other projects is a valuable learning experience. Every Naruto fan-vid on YouTube is someone learning to edit.
Josh
gigantino.tv - Heavy but weighs nothing.
What I like most about this scheme is that in order for it to work, it puts a huge onus on the copyright owners to proactively register their works with Google now, to an extent they probably didn't even have to with the US Copyright office. They can no longer complain to Google for lack of protection if they are too lazy to upload everything they own (and for most of the big majors, that's a lot of stuff). This lets Google off the hook and simplifies the takedown process for them, while giving the big media companies essentially what they asked for:
Google as new Copyright registrar. I love it!
With regards to matching-- I agree that accurate matching is probably not all that hard, you could probably reduce everything to 32x32 64 color pixels sampled @ 1 fps and fuzzy match the results and identify the vast majority of stuff-- and let humans check for false positives if necessary-- you could immediately have the system put a vid on "suspension" if it looks to be infringing until an eyeball gets the chance to look at it to confirm. Though I would guess that false positives could be pretty darn rare so that may not even be necessary. Things like uploading copyrighted vids backwards won't be useful to most people but could be included in the match anyway if it was a problem. Even completely shuffling the frame positions of the entire video may not be a good workaround, as you could sort the frames in some way and then compare them, then try them inverted or flipped or shifted-- the worst these operations might do in the long run is cause the matching algorithm to run longer as it tries more and more permutations that one might apply to the content...
On the other hand, Google may have to periodically rerun all the original content through their fingerprinting algorithm to regenerate the database as they tune up its accuracy, which given a huge database of registered works could end up being a resource consuming enterprise...
i for one welcome our cataloging overlords.
I'm doing a (free) video content management system (just a hobby, won't be big and
:-(.
professional like google video) for 386(486) AT clones. This has been brewing
since july, and is starting to get ready. I'd like any feedback on
things people like/dislike in youtube, as my CMS resembles it somewhat
(same logical layout of the web frontend (due to practical reasons)
among other things).
I've currently converted "britney_nackt_xxx.xvid" and "on-night-in-paris.wmv", and things seem to work.
This implies that I'll get something practical within a few months, and
I'd like to know what features most people would want. Any suggestions
are welcome, but I won't promise I'll implement them
JoSch (josch@mister-muffin.de)
PS. Yes - it's free of any youtube code, and it has a multi-threaded encoding process.
It is NOT protable (uses a perl lib only in ubuntu 7.10 etc), and it probably never
will support anything other than porn, as that's all I have
( trac at http://mister-muffin.de/proj )
Youtube may have been first but their video is crap. It's very pixelated.
Censorship on youtube is growing. You can't comment anymore on controversial subjects: No more immediate posting of comments. It's crap. Don't even get me started on 'no commentable' videos.
Also what about the phony fake actors thinking it's their ticket to fame.
And the crappy videos everywhere that have no purpose but SPAM.
Youtube sucks. Please use an Alternative like Blip.tv or Stage6. Both are better quality also.
6. A filter that randomly rearranges every pixel in the video. I call it the Confetti Filter©®(TM).
"Hello, YouTube? Yes, hi. This is NBC. We're sending you a live, real-time feed of all the material we consider copyrighted. It's called Channel 4."
Hopefully this will mean the 8 million Narutp videos will vanish from YT.
I'm worried. Any system that is tolerant enough to be immune to the king of circumvention techniques mentioned would also create a huge number of false positives, especially if the analysis length was short. I'd hate for Star Wars Kid to get taken down because it was flagged as a clip from The Phantom Menace.
Support Right To Repair Legislation.
moviez/moviez ftp.youtube.com
I have to agree with you. Youtube is terrible and their new filtering system is only going to lower the amount of traffic that visits their site.
Who will visit youtube when all that's on it are adolescent pranks shot on cellphones?
He's ripped tons of youtube clips of himself off the site and put them up on his site. He can't own the copyright to a lot of them.
i am going to start an audio posting site, in order to ensure my users do not violate copyright law i am requesting all music labels to submit to me their entire catalog in electronic form for the purpose of building an automated filter.
Snowden and Manning are heroes.
Having worked on video in the past, all of these are easily caught. In fact, the most economical way of catching infringers is to simply pass both videos through low pass filters, and compare the videos over a distance of several frames. If you can find a series of frames in which the majority of the pixels are close, chances are good that it's a copy.
And the clip-backwards technique could likewise be defeated by mimicking your player.
The society for a thought-free internet welcomes you.
So you want it Gorey?
Huge spoiler, don't click unless you want to have the ending to one of the greatest movies of all time ruined forever.
--
WHO ATE MY BREAKFAST PANTS?
> it's up to google to keep copyrighted content off youtube.
How? If you write an article about something, it's automatically copyrighted. This happens whether you officially register for a copyright or not. Registering has benefits in terms of legal actions later, but I'm still not allowed to take your article and put it online myself without your permission.
Given that EVERYTHING is copyrighted, what CAN YouTube display?
You tell YouTube when you upload a video, that you own the copyright to that video, and are granting them permission to show it. If you post something that isn't yours, YOU posted it, YouTube didn't break into your pc and rip it off your hard drive.
How is YouTube supposed to know whether something is copyrighted BY SOMEONE OTHER THAN YOU when you upload it? Two ways:
Passive: Leave it up under the assumption that you did no wrong until you have reason to believe otherwise. If you post Star Wars online, George Lucas can then say, "HEY! That's mine!" and request that it be removed. As I understand it, the DMCA explicitly authorizes this. If I don't like YouTube, should I be allowed to post Star Wars anonymously, report it to the MPAA and kep posting mutated versions of it as YouTube deletes them to feed an MPAA lawsuit against them? On the other hand, this lets the pirates stay a step ahead.
Active: Don't let anything be posted until you verify the owner owns it. You either have to compare the work against every single movie registered with the copyright office (pretty much impossible, even for PCs, are you going to make a database of checksums-of-a-sort of every frame of every copyrighted work to compare frame by frame against the uploaded video? Hollywood has how many hours/years/canturies of content created, to protect both audio and video of? This completely ignores the much largr problem of unregistered copyrighted work. Perhaps a panel could be formed of all the big IP holders, and they'ed have to approve something before it can be posted... except that they've already sent takedown notices on works they don't own, so they might well claim EVERYTHING submitted to them is copyrighted. Even if they took their job seriously though, and only said no on the things they actually owned, what about all the lesser IP holders who then don't get protection?
We can be passive, favor the smalltime pirates and have videos show quickly after posting or active and favor abuse by companies who have demonstrated they'll perform said abuse while greatly increasing the time before anything appears.
The real problem of YouTube is that it's competition. TV execs don't want the competition, and they don't need a legal precedent that allows them to strongarm something off the net that exists for a good purpose.
Should you, if given a CD from a friend (of his band's music) have to have it submitted to a committee to determine that none of it is owned by the RIAA and get an approval patch code to put in your CD player to make it work?
In the Video "Grove Tube" there is a public service announcement about the problems of Venereal Diseases. I firmly believe that this movies message of such a public problem is a shame to loose under the copy write banner. Can someone point me to an anchor that has this important message? Please?
I'm creating a system myself; already for a couple of years now; which is more a FMS (File Management System) instead of a CMS. It supports not only normal videos but also almost any file which can be read out using Linux, Perl and some C++ for the faster routines. This goes from audio-video to documents, 3d files, models, 20 different image formats (thx to ImageMagick) and lots more..
;)
The system auto-converts videos, audio, documents etc to a much more readable format, ready to be casted upon a computer, pda, cellphone, anything which has a webbrowser built in.
The libraries are already at version 4 as we speak and there are still a lot of things missing. Youtube is rather a database, coupled to a website; while the IF I'm designing is rather a website/script which reads out the files immediately ; broadcasting them in different (secure) ways. Combine this with a fully supported XML in/export for the metadata available for that file; an easy policy of changing this data and you got yourself a nice FMS which can do lots more than Youtube.
When I'm getting at version 5 I'm thinking about dedicating earlier versions as OSS; this way diversity can be created around the world without giving away the latest code which is also going to be used for my company. Call me protective although I've also invested my time and money in this system which I sure don't just want to give away like that before hosting it myself first
--- I am known for the ones who want to find me on the net. Is that a privacy risk or a privilege? One might wonder..
A few things that can be done to avoid hash verification ..
;)
- Add a watermark in the video
- Add something in the beginning or the end
- Alter the colors a bit
- Convert to 16:9
lots more which can be done, although these tricks should already defeat any early hash checking code.
--- I am known for the ones who want to find me on the net. Is that a privacy risk or a privilege? One might wonder..
Since Google gives everything out for free, why not give out the analyzer program itself so that copyright holders can generate the necessary data that YouTube will then use for making the comparisons?
To use an analogy, this would be as if Google gave out a checksum generator, and copyright holders would run the Google program on their data and send the computed checksum back to Google.
1) this new copyright protection system is easily circumvented by altering one pixel of one frame in the video, making it pointless and a waste of time 2) assuming big companies do provide the "decades of material", what happens if Youtube gets hacked?