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Why Your e-Books Are No Longer Yours

Predictions Market sends us to Gizmodo for an interesting take on the question: when you "buy" "content" for Amazon's Kindle or the Sony Reader, are you buying a crippled license to intellectual property when you download, or are you buying a book? If the latter, then the first sale doctrine, which lets you hawk your old Harry Potter hardcovers on eBay, would apply. Some law students at Columbia took a swing at the question and Gizmodo reprints the "surprisingly readable" legal summary. Short answer: those restrictive licenses may very well be legal, and even if you had rights under the first sale doctrine, you might only be able to resell or give away your Kindle — not a copy of the work.

295 comments

  1. I got a better lawyer by gnutoo · · Score: 5, Insightful

    I think I'll stick with Lessig's opinions and the surprisingly readable US Constitution.

    How to sell your copy of Hary Potter only touches on the madness of paper based copyright applied to digital files. If these books are no longer mine, they are no longer the library's either. Do we really want a future where anyone and everyone can be cut off of knowledge at the flip of a switch? Where "owners" must be trusted with the raw material of history? No.

    The answer to all this is very simple. The lower cost of publishing should bring lower protections and fewer created rights because fewer incentives are required. Advertising costs have not declined, so it is easier to recoup publishing investments now than ever. Worse for high cost, established publishers technology makes old laws contradictory and insane. Publishers want to make "unwet water" and outlaw the normal stuff by dominating the channels of distribution - the no real library future. We should allow people to make exact copies of almost all works and distribute them freely. It's really that easy and companies that can't live with that kind of freedom should look for a new line of honest work.

    1. Re:I got a better lawyer by StreetStealth · · Score: 2, Interesting

      That's all very well and good, but legal protections do you little good when technological measures in the market are present to prevent you from exercising whatever rights may be in question. Even if the supreme court says sometime next year "Ok, you can totally resell digital files you paid for!" the downloads in your Kindle are still trapped there, bound either by arcane cryptographic systems, the DMCA, or, as it stands now, both.

      --
      Your mind is clear / The things that you fear / Will fade with how much you / Believe what you hear
    2. Re:I got a better lawyer by Anonymous Coward · · Score: 0

      Wow, not two hour ago you were shilling your own sockpuppets. People who moderate you should know about that, regardless of whether or not what you happen to be writing makes sense. It only encourages your dishonest behavior.

    3. Re:I got a better lawyer by Creepy+Crawler · · Score: 1

      Then we need to create a segregated community: their content and Our content.

      Copyright is on their side, as it is on ours. The GPL is one answer, in terms of software and documents. Other viral-like licenses also spread that openness of the gated community. "If you accept our free work, you must do the same."

      The other half is thus copyright statements: Sue the corporate bastards when they do violate the GPL (and thus, copyright). What is it again... 750$-35000$ per violation? Up to 150000$ per for intentional misuse?

      If the corporate copyrighters want to play, let us play too. When they distribute our (collective) works on CD's or DVD's, we need to strike at them as hard as we can.

      --
    4. Re:I got a better lawyer by jg1708 · · Score: 1

      I found you comment, or at least the first line of it, t be unnecessarily rude, and the rest of your comment to not really be on point. Whether you choose to purchase these e-books or not does not change the fact that this product exists, and because it exists, someone needs to analyze the nitty-gritty legal details of e-books going. Instead of flippantly dismissing these student's work for no better reason than they are not Lessig, why don't you comment on the content of their work?

    5. Re:I got a better lawyer by Fulcrum+of+Evil · · Score: 1

      Go one better: require publishers to enable the general public to exercise their rights.

      --
      "We returned the General to El Salvador, or maybe Guatemala, it's difficult to tell from 10,000 feet"
    6. Re:I got a better lawyer by shmlco · · Score: 1, Insightful

      "Then we need to create a segregated community: their content and Our content."

      Cool. I eagerly wait your next book.

      You know, the one you're going to spend the next year writing, and that you're going to donate to the world, free of charge?

      Odd, isn't it, that it's easy to advocate that eveyone else give away their work for free?

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    7. Re:I got a better lawyer by Metasquares · · Score: 2, Insightful

      I don't know about entertainment authors, but many scientific writers already do this. Certainly we give our publications away freely, if not our books, and most of us are perfectly OK with that. (The publishers tend to lock the works up for profit which we don't receive any of, which isn't OK, but that's a whole different issue).

      Give your works away for free if you want the greatest exposure to your ideas. Sell them if you want to monetize them. But at least have the decency to allow fair use.

    8. Re:I got a better lawyer by Creepy+Crawler · · Score: 2, Interesting

      How sad you must be..

      So, only books count as content in your world? I see many a ways to make content that builds upon others, expanding all. Cooperation is almost always better than competition, except in cases that all sides gain from ones work. Consider it, if you will, a challenge of ideologies: a Vi vs Emacs, or KDE vs Gnome, or KOffice vs OppenOffice.. Advancements in one lead to advancements in all, at the detriment of none.

      And, I guess we can't count on creators to make content freely available, can we? Something about Trent Reznor rings a bell.. or that sci-fi publisher that gives books out online.. or a multitude of short story writers that freely write because they enjoy telling a story... These people most assuredly do not exist.

      True, we do enjoy eating, but people who have that need to create will do so, monetarily or not. It is our best interest that they continue to do so, without the parasites that live upon them currently.

      --
    9. Re:I got a better lawyer by Oligonicella · · Score: 3, Insightful

      "I think I'll stick with Lessig's opinions and the surprisingly readable US Constitution."

      The surprisingly readable clause:
      To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

      "The lower cost of publishing should bring lower protections and fewer created rights because fewer incentives are required."
      "We should allow people to make exact copies of almost all works and distribute them freely."

      It doesn't at all sound like the copyright clause of the Constitution. You might reread that clause and notice the word exclusive.

    10. Re:I got a better lawyer by TubeSteak · · Score: 1

      Even if the supreme court says sometime next year "Ok, you can totally resell digital files you paid for!" the downloads in your Kindle are still trapped there, bound either by arcane cryptographic systems, the DMCA, or, as it stands now, both. I don't know how nonsense like this got modded up.

      You don't have to be a lawyer to know that the Supreme Court would never make such a useless ruling. First, someone would bring up the DMCA as an issue, if not the individual(s) bringing the suit, then through an amicus brief. Second, since the Supreme Court is... Supreme, they get to decide which is greater, the DMCA or the doctrine of 1st sale and then they are free to strike out or create exceptions to whatever portions of the DMCA they feel is necessary, assuming they decide the DMCA needs more exceptions.

      Some Judges are stupid, but not the ones on the Supreme Court.
      --
      [Fuck Beta]
      o0t!
    11. Re:I got a better lawyer by erroneus · · Score: 2, Informative

      You don't read much fan fiction do you? There's a lot of written work out there that is written by individuals and put out there free of charge; small stuff and large stuff alike. Some people just want to be read and some people write because they enjoy it. Not every 'artist' does it for money and it could be argued that it's not art if it's done for money in the first place. (Kind of like prostitution isn't making love...)

    12. Re:I got a better lawyer by Planesdragon · · Score: 1

      Advertising costs have not declined, so it is easier to recoup publishing investments now than ever You seem to be under the impression that copyright is intended to protect the publisher. It isn't.

      Quite the opposite, actually.
    13. Re:I got a better lawyer by HAKdragon · · Score: 1

      As pretentious as he may seem sometimes, Cory Doctorow seems to do pretty well. Most of his work is available on the Project Gutenberg.

      --
      "Our opponent is an alien starship packed with atomic bombs. We have a protractor."
    14. Re:I got a better lawyer by Stanistani · · Score: 1

      Well, I'm spending three years writing several books, and they're appearing right here.

      You can even watch me (and other authors) write in this forum.

      When they're done, they will still be available. Added content will be in the paper version on Lulu.

      Is that a fair example?

      Of course, I love writing, and choose this method freely.

    15. Re:I got a better lawyer by sempernoctis · · Score: 1

      We should allow people to make exact copies of almost all works and distribute them freely. It's really that easy and companies that can't live with that kind of freedom should look for a new line of honest work.
      Well, that's just plain and simple good ol' fashioned Communism :-P .
    16. Re:I got a better lawyer by nomadic · · Score: 1

      Second, since the Supreme Court is... Supreme, they get to decide which is greater, the DMCA or the doctrine of 1st sale and then they are free to strike out or create exceptions to whatever portions of the DMCA they feel is necessary, assuming they decide the DMCA needs more exceptions.

      I don't think they'd see it that way, though; they would say their job is to interpret the law, not create it. Since the doctrine of first sale was based on a statutory provision of the U.S. Code rather than some inherent aspect of the Constitution, a later law, such as the DMCA, could alter it.

    17. Re:I got a better lawyer by russotto · · Score: 1

      You don't read much fan fiction do you? There's a lot of written work out there that is written by individuals and put out there free of charge; small stuff and large stuff alike.


      And this stuff has to stop. It's all against copyright, even if some authors and publishers don't choose to enforce it. With a proper copyright regime the way God and Disney intended it, there would be no fan fiction without the explicit permission of the copyright holder; it's a serious violation of the expansive derivative work rights of the original authors, punishable by those same harsh statutory damages the RIAA seeks.

    18. Re:I got a better lawyer by Lunatrik · · Score: 1

      But it is a bit different for us: we still get *paid*. Unlike authors of fiction novels or other individuals that get paid on a books-sold basis, academics are generally paid by the university or other organization to produce their works.

    19. Re:I got a better lawyer by CodeBuster · · Score: 1

      We should allow people to make exact copies of almost all works and distribute them freely. Then, as the Nike corporation is so fond of saying, just do it.
    20. Re:I got a better lawyer by shmlco · · Score: 1

      "Of course, I love writing, and choose this method freely."

      Of course you did. Just how many offers from Bantam did you turn down?

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    21. Re:I got a better lawyer by innocent_white_lamb · · Score: 1

      Most of us on Slashdot aren't book authors, but we (or at least, a lot of us) are programmers. I'm sure you've heard of programmers -- the guys who write Free Software like Linux and OpenOffice and the like.

      --
      If you're a zombie and you know it, bite your friend!
    22. Re:I got a better lawyer by redxxx · · Score: 1

      It's a shame that copyrights don't need to be defended universally to be enforced, like trademarks. Then, IP owners would be compelled to crack down sharply on their fans who produce fan fiction, and the 'genre' could be put out of commission forever. Sure they would be alienated and would probably stop even casual support of the products they once loved, but I wouldn't have to always know that, even though I don't read it, fan fiction is out there on the same internet as me.

    23. Re:I got a better lawyer by chazbet · · Score: 1

      Like those who misread the 2nd Amendment by not reading the whole thing, you're skipping the important words: To Promote the Progress of Science and useful Arts. If current copyright law isn't doing that, it needs to be amended until it does.

    24. Re:I got a better lawyer by Stanistani · · Score: 1

      Didn't like having your nose pushed in, did you?

      You were shown to be incorrect, so you changed the subject.

      I've not had any approach from Bantam, although I would welcome one. I have been published by another company, and they sent me several nice checks. That was some time ago, and I am reentering the field after a long absence. I felt this would be a good approach.

      My response to your original point stands.

      You are welcome to write a work of fiction - bring it to me and I will constructively review it and give you my opinion - and even help you rewrite it - for free. Of course, you may not value my help - and if you don't that's fine.

      I believe in giving back to the community - they aren't just customers - they are my readers.

  2. Re:I got a better lawyer^Widea by tomhudson · · Score: 4, Insightful

    Embed advertising in ebooks, the same as in magazines and newspapers, and give the ebooks away.

    Advantages

    1. "Content is king" - it'll be seen
    2. Targeted market
    3. Reflects the lower cost of production/distribution
    4. Easier to disintermediate - greater portion of the revenue ends up in the authors' pocket/purse/wallet/bank account
  3. Total crap by religious+freak · · Score: 1

    Worked wonders for the music industry, right? How long do you think it would take to hack a "kindle code"?

    --
    If you can read this... 01110101 01110010 00100000 01100001 00100000 01100111 01100101 01100101 01101011
    1. Re:Total crap by zdude255 · · Score: 1

      Probably at least 10 years, by which I mean 5 months tops.

    2. Re:Total crap by freedom_india · · Score: 1

      Yeah, but you should be get your hands on a kindle first.
      With amazon devoting the entire first page to Kindle, it seem it is a big failure for amazon.
      So don;t expect to see one soon.

      --
      "Doing what i can, with what i have." ~ Burt Gummer
    3. Re:Total crap by jimbojam · · Score: 1

      Exactly. And the print industry is more backward than music or film. Youtube changed the landscape of video distribution. New technologies will change the way we buy our print products. It just aint going to be kindle. There are already sites up that do free online magazine print like http://www.fracknaps.com/

  4. Give it time by Anonymous Coward · · Score: 5, Funny

    "Surprisingly readable" because the authors ain't actually lawyers yet.

  5. WARNING:PARENT IS LINK TO FINAL MEASURE - NIMP.ORG by tomhudson · · Score: 3, Informative

    Last part of url: http%3A//members.on.nimp.org/

  6. Re:Not only that... by Adradis · · Score: 2, Informative

    Nimp.org link, yet again.

  7. The Madness Continues by Whuffo · · Score: 5, Interesting
    Copyright was intended to provide a compromise between the needs of those creating works, and the needs of the public. The deal was that we'd give the authors a monopoly for a limited time in exchange for them releasing their works to the public domain.

    What's happened since is that the creators sold out to corporations and the corporations have been throwing their weight around with our lawmakers. The term of copyright has been extended and re-extended to the point where virtually nothing is entering the public domain anymore. They've even filed (and received) copyrights on things that were previously in the public domain.

    Not satisfied with their greedy taking of the public domain, they decided to move on to getting paid multiple times for the same thing. Enter "digital rights management" and such travesties as the DMCA. That effectively puts an end to the first sale doctrine and completes the process of locking up all "intellectual property" (interesting phrase, isn't it?) and completely eliminates any possibility of anything entering the public domain.

    The deal was that we'd give them a exclusive right over the works for a limited time in exchange for them releasing the works to the public domain. Our corporate government has eliminated the need for the rights holders to release their works to the public domain, so the deal is broken. They don't deserve their exclusive right over the work either; the deal is broken, remember?

    This will all work out in the long term, our corporate masters will do their utmost to spin this into something that's supposedly good for us. But we're not fooled, are we?

    1. Re:The Madness Continues by timmarhy · · Score: 4, Interesting
      I like the idea of making them pay property tax on it if they continue to insist on calling it property.

      not only that but make it law that they can declare what ever value they like for their IP, BUT anyone can purchase it from them for that price.

      so they can give a true value for their IP, get all the protections of regular property in exchange for paying tax on it.

      the current setup is a total free fucking ride for so called IP companys.

      --
      If you mod me down, I will become more powerful than you can imagine....
    2. Re:The Madness Continues by Microlith · · Score: 2, Insightful

      I don't pay taxes on my Playstation 2, or on my couch.

      Do you want to try and estimate what the value, and tax, associated with any given open source project is? Who would pay it?

      Do you want Microsoft to be able to forcibly buy out the Linux kernel? How about the Apache Project?

    3. Re:The Madness Continues by sheepofblue · · Score: 1

      This is largely due to the fact that few who benefit the most actually created the product. Mickey Mouse is a prime example. In the past the actual creator of the character benefitted and prospered because of his creativity. Now a conglomerate run by people who focus on money more than entertainment or families are the chief beneficiaries. The copyright has been extended to a time far beyond the life of the creator to benefit parasites (http://en.wikipedia.org/wiki/Sonny_Bono_Copyright_Term_Extension_Act). Further the new characters created enrich stock holders and board members but seldom authors. Sadly Mickey is not an exception but rather the norm.

    4. Re:The Madness Continues by wwrafter · · Score: 1

      How about this as a solution:
      If the company can prove that they receive > 50% of their income from a specific copyright, they can keep it forever.
      Otherwise, it expires in 10 years, period.

    5. Re:The Madness Continues by Draek · · Score: 1

      Why? the problem here isn't copyright which, besides having a duration about 10x longer than the optimal, works just fine. The problem here is DRM and the way it's being used to deprive us of our rights, so what you have to attack is *that*, not copyright itself.

      I, personally, propose mandating by law that all non-military use of cryptography has to disclose the algorithms for it, (presumably) making DRM useless while avoiding damaging saner uses of said technology, though being neither a lawyer nor a cryptoanalyst I'm not sure about how such a law would work. Still better than copyright taxes, though.

      --
      No problem is insoluble in all conceivable circumstances.
    6. Re:The Madness Continues by calebt3 · · Score: 1

      I don't pay taxes on my Playstation 2, or on my couch. You are not making money off of your PS2 or you couch.

      Do you want Microsoft to be able to forcibly buy out the Linux kernel? How about the Apache Project? If Linux and Apache go public domain beforehand, there is not much MS could do but plagiarize it. And that would only be necessary if you had to forfeit all rights to it when it was sold. I think of it more as an unrestricted license: you still "own" it, but whomever pays your price gets to do whatever they want with it (including give it away for free).
    7. Re:The Madness Continues by calebt3 · · Score: 1

      they can keep it forever Heck no. Just because >50% of their income comes from it now, that doesn't guarantee that it always will. It needs to be re-evaluated every 2-3 years.
    8. Re:The Madness Continues by chromatic · · Score: 1

      You are not making money off of your PS2 or [your] couch.

      I'm not making money off of the copyrights I hold to free software I've written. Does that mean I don't get to keep the copyright?

    9. Re:The Madness Continues by calebt3 · · Score: 1

      You are not making money off your software because you chose not to. Making money off of your furniture (besides selling once) is more difficult.

    10. Re:The Madness Continues by techno-vampire · · Score: 2, Informative
      What's happened since is that the creators sold out to corporations and the corporations have been throwing their weight around with our lawmakers.


      No, that's not what happened. What did happen is that the US became a party to The Berne Convention, which specifies a minimum term for a copyright of the life of the creator plus 50 years. I won't say that various corporations aren't happy with this, but the idea has been part of copyright law in Europe for over a century.

      --
      Good, inexpensive web hosting
    11. Re:The Madness Continues by Graymalkin · · Score: 1

      Making cryptographic algorithms public will not eliminate encryption-based DRM. Encryption isn't secure because the algorithm is unavailable it is secure because it relies on the inherent difficulty of inverting the functions used to transform the data. With any worthwhile encryption system all the source code would give you is assurance that you wouldn't be able to break it in any reasonable span of time.

      You're right to say copyright isn't the issue but you're wrong to say DRM is the issue. DRM is also not the problem. What is broken is the infrastructure of the whole system. Copyright gives a temporary monopoly to the creator of some artistic work. That original creator then signs over those rights to a corporation and then they are recognized as the creator of the work. Because corporations can outlive individuals restrictions like "life of creator + 50 years" are meaningless. Said corporations also have enough money to fund legislation that locks public access to their copyrights and guarantees permanent monopoly over their copyrighted holdings. Laws like the DMCA and Berne Convention weren't bought and paid for by individual artists interested in protecting their copyrights but instead by incredibly wealthy corporations ensuring their control over their holdings. Vast amounts of our modern culture is locked in the vaults of corporations and will never fall into the public domain as long as those corporations have any say in the matter. They will never give up what is effectively free money.

      --
      I'm a loner Dottie, a Rebel.
    12. Re:The Madness Continues by Anonymous Coward · · Score: 0

      If someone walks up to you and offers you the declared value of your property, you have the right to refuse them. Why should this be different for IP if you want to give all other property rights?

    13. Re:The Madness Continues by leabre · · Score: 1

      Copyright is not the problem. DRM is. It subverts the whole agreement that eventually the work will expire into the public domain.

      What should happen, rather, is something close to: if you restrict the usage of your electronic works with technical measures, then you should also lose copyright protection because in essence, you are tyring to prevent copying, printing, format shifting, whatever else. If you want someone to lock up a copyist of your electronic work for 20 years and fine them $250,000 per percieved distribution or duplicate and make them a felon and confiscate all their electronic possessions, then don't lock your work with DRM and be fair to socieity.

      Frankly, that'll never happen. As a society, we've allowed some very large and powerful corporations to controls the whole production and distribution channels to the point that they are so profitable, they must not lose any of it to make their next quarterly profits earnings for their share holders. That means they can't let copyrights expire, then can't have it easy for people to copy from friends, they must keep inventing new formats that people will have to purchase while old formats expire and phase out, the media must not be very resistant to damage else they won't be replacing it soon enough, ideally we should pay for everytime we watch, listen, or think of one of their works.

      That is because a corporation must always make more money or face shareholder revolt. Except, the RIAA and MPAA are non-profit organizations. Yet, they are well funded by extremely profit oriented corporations.

      Ok, don't forget, they must make it as difficult as possible for people to circumvent the need for services of the producers and distributers so that there isn't another possible loose end for losing revenue.

      The problem is further propelled by the fact that the politicians need money to campaign for next term and the majority of money comes from lobbyists, not the people. They only need to people to vote them in but beyond the vote, the money comes from special interest groups. That is why they can lie, cheat, steal, and defaud the people all they want and practically get away with it with impunity. But should they offend a significant monied interest, and its certain political suicide. That is becase the people aren't in control of their representatives, and because the people are generally apathetic and care only about cheap prices and great luxury, and because the people aren't directly responsible for voting significant representatives, anyway.

      That is why things are the way they are.

      Thanks,
      Leabre

    14. Re:The Madness Continues by Anonymous Coward · · Score: 0

      What's so great about that idea? Big corporations, the one who abuse the system in the first place, will find a way to pay the tax and pass the cost on to us, the consumer. The government who receives the tax will turn around and pat the big corporations on the back - just like they've been doing for the past 60 years. The small guy publisher won't be able to afford the tax and he loses his rights.

    15. Re:The Madness Continues by TGoddard · · Score: 1

      You're right that making good encryption algorithms public has no impact on their security. The problem is that encryption cannot have any effect when the keys are provided. Once the key is in the hands of the attacker your only protection is obscurity and it's a damned poor one. In DRM your recipient is your attacker - the encryption is only another form of obscurity. The most recent large-scale system of DRM key distribution, AACS, is an example of an extremely well designed system which is ultimately pointless. Once the user can decrypt the content (which they must be able to do) it can be copied however they please. Even after they start using the terribly misnamed `traitor tracing' features (which give different readers slightly different data), I anticipate it will be trivial to use several readers and recombine the fingerprinted fragments to thwart detection.

    16. Re:The Madness Continues by zenkonami · · Score: 1

      Wait...are you saying the creators don't deserve limited time exclusive rights on the distribution of their creations any more because they "sold out"?

      People, I know we all want to "fight the man" and stick it to him, but let's not forget the people that are actually hurt here. If the corporations actually played fair and just, I say let's have them involved in this system. For those that don't, and that probably is the majority of the big guys, off with their heads, and let's return control to the people at the beginning of this chain of production...the content creators.

      But while we're doing that, let's not allow them to be stomped on while we rewrite our way of looking at things. Plain and simple, if you agree with supporting those limited time exclusive rights on distribution granted by copyright law, DON'T REDISTRIBUTE THE CONTENT until such time as is appropriate per the law and the content creator. While you're at it, write your congressmen / ministers / etc... and keep bugging them to change the laws. Write your authors and ask them to push for similar things to make this fair for all.

      Otherwise, sooner or later, the money is gonna stop because some people don't want to pay for their content (ever), and a lot of that content you value is gonna stop, too. Will people always write for pleasure? Sure, but from Shakespeare to Stephen King, don't tell me pleasure was the sole motivation. Don't tell me they would have had time to create their more amazing works had they also had a "day job." And let's not take that all out of context as if they never did. Sure, many of us require multiple sources of income while we're starting out...but if at some point we don't have the time, energy and money to really devote to something, it can be very difficult to produce high quality work.

      I'm not saying that all aspects of the profession tend toward high quality, but I will say that moving in the opposite direction will tend toward overall mediocrity.

      --

      Do You Experiment?
    17. Re:The Madness Continues by zenkonami · · Score: 1

      I don't pay taxes on my Playstation 2, or on my couch.

      You are not making money off of your PS2 or you couch. But I will pay income tax on my "intellectual property" when it sells. Or should I be taxed twice for creativity?

      --

      Do You Experiment?
    18. Re:The Madness Continues by Anonymous Coward · · Score: 0

      Congress cannot impose a direct tax on property as it is against the constitution. Property is one of our essential protected freedoms. The only sort of direct tax they can do is an equal tax on all 50 states, not on individuals.

      For instance, sales tax isn't a tax on the item you are buying, it is a tax on the act of making a sale for which the price of the good(s) is used as the basis for what amount to tax. (Sort of a semantics dance which shouldn't be allowed if you ask me, but no one did.)

    19. Re:The Madness Continues by calebt3 · · Score: 1

      Isn't real estate subject to that? Property taxes and taxes for selling it?

    20. Re:The Madness Continues by sgtrock · · Score: 1

      "They've even filed (and received) copyrights on things that were previously in the public domain."

      Can you give an example? The only ones that I can think of off the top of my head all involve getting a copyright on a re-telling of a story. The movie Beowulf, for example. (I've never seen it, so I make judgments as to how bad or good it is. I only bring it up because it's a recent example.)

    21. Re:The Madness Continues by russotto · · Score: 1

      But while we're doing that, let's not allow them to be stomped on while we rewrite our way of looking at things. Plain and simple, if you agree with supporting those limited time exclusive rights on distribution granted by copyright law, DON'T REDISTRIBUTE THE CONTENT until such time as is appropriate per the law and the content creator. While you're at it, write your congressmen / ministers / etc... and keep bugging them to change the laws. Write your authors and ask them to push for similar things to make this fair for all.


      Not only could I die of old age waiting for the laws to change for the better (or any given copyright to expire), the universe could assume a constant temperature before it happens. "Obey now, change the law later" is simply a cry to knuckle under. The law isn't going to be changing, except to the worse. The only choices are to give in or to disobey.

      How about this as an alternative: Pirate all you want now, under the unjust copyright regime we have currently, but quit doing so when copyright laws return to something more reasonable (say at a minimum, no DMCA 1201, copyright terms of considerably less than lifetime, no statutory damages for non-commercial infringement, and a narrower meaning of "derivative work", and no DMCA 512 counter-counter-notices).

    22. Re:The Madness Continues by CodeBuster · · Score: 1

      Unfortunately, the way that the law works in most jurisdictions is that intangible property (i.e. ideas, music, movies, etc) is not taxable and even though physical manifestations of this property (i.e. cds, dvds, books, papers, etc...) could exist and be considered unsecured property (i.e. unsecured as opposed to real property where the property itself can serve as a collateral if the taxes aren't paid) they are generally either (1) worth less than $5000 dollars or (2) fall under the definition of miscellaneous personal property and are not subject to tax. This is generally how it works in California, but I would bet that the laws in most other states are similar in this regard since property laws are usually well established and defined.

    23. Re:The Madness Continues by Steve001 · · Score: 1

      I've been a supporter of a simple rule for works entering the public domain: 100 years from the date of initial release. By then, every individual who had a direct hand in the creation of the work would likely have passed on.

      But I do see a coming time when the situation of works not being allowed to enter the public domain will come back to harm the corporations. Imagine this scenario: 10 years from now a major movie studio wants to release a new movie. One major problem: Because nothing has been allowed to enter the public domain in so long, every profitable story idea is too close to an existing work (although it might be slightly different, it's not different enough). IMHO, I think this may a factor in the increasing number of sequels and remakes that have been released in recent years.

    24. Re:The Madness Continues by zenkonami · · Score: 1

      Not only could I die of old age waiting for the laws to change for the better (or any given copyright to expire), the universe could assume a constant temperature before it happens. "Obey now, change the law later" is simply a cry to knuckle under. The law isn't going to be changing, except to the worse. The only choices are to give in or to disobey. You are precisely part of the problem. I never said change the law later. Try to change it NOW.

      How about this as an alternative: Pirate all you want now, under the unjust copyright regime we have currently, but quit doing so when copyright laws return to something more reasonable (say at a minimum, no DMCA 1201, copyright terms of considerably less than lifetime, no statutory damages for non-commercial infringement, and a narrower meaning of "derivative work", and no DMCA 512 counter-counter-notices). Here's the problem with your alternative. Not only could I die of old age waiting for the laws to change for the better (or any given copyright to expire), the universe could assume a constant temperature before it happens. "Disobey now, wait for the law to change later" is irresponsible laziness allowing the status quo to continue. The law isn't going to be changing, except for the worse. At least not without some kind of action. If you're just going to sit around, "pirate" material and wait, you are just looking for a free lunch for as long as you can get it, at the expense of those who created the material you desire.

      If indeed the consumer governs the market, then the consumer needs to stop participating in the market to change it. We need to convince others to stop participating in that market till it changes. Simply disobeying the laws by unauthorized redistribution of copyrighted materials merely empowers the larger corporate interests because they see that there is still value there (because people still desire the content), and thus in their minds profit to be had. If they don't see profit to be had, THEN they will have to give up on that market or adapt to it, particularly if it's clear that there is still value to the content, but no-one wants to participate in their method of valuation.

      But the useless disobedience of torrenting and retorrenting ebooks, music and film without the copyright holder's permission is not gonna make them do anything but fight harder. And frankly, the lawyers involved love that people like yourself are willing to perpetuate this game. They don't want a dialogue, or a solution to the problem. They want us vs. them, right vs. wrong, because it keeps them in business. You can still get your content under threat of punishment, the author doesn't get paid, the publishers are indignant...

      It is critical to please the consumer, but economics is not exclusively about the consumer. If the content creator doesn't get reimbursed for materials the consumer wants, the content stops.

      Now if the author is writing for pure pleasure and not profit, then there's no problem here...but then those authors aren't pushing books through publishers and external marketing campaigns. They're just posting the books on their websites for download...so this discussion is not about them because they've already chosen to exercise their copyrights in such a way that the reader is allowed to redistribute the information a certain way. This discussion IS about those who are trying to make a living off of writing and publishing. If you don't like the way they do things, STOP ACQUIRING THEIR MATERIAL. Don't let it show up in torrents. Don't share it with your friends. Tell people not to buy it. If distribution comes to a crawl, no matter how good you think the content is, that system will have to shutdown or change.

      I don't understand why it's so hard for some people to see that they are perpetuating the very system they aim to bring down. It happens on the other side as well, as I've cited about the music industry in previous posts...where they unsustainably work to the detriment of the content creators who provide them with their material, as well as working against the very consumers they need to stay alive.
      --

      Do You Experiment?
    25. Re:The Madness Continues by russotto · · Score: 1

      You are precisely part of the problem. I never said change the law later. Try to change it NOW.

      Not going to happen. The other side is too strong at present.

      Here's the problem with your alternative. Not only could I die of old age waiting for the laws to change for the better (or any given copyright to expire), the universe could assume a constant temperature before it happens. "Disobey now, wait for the law to change later" is irresponsible laziness allowing the status quo to continue. The law isn't going to be changing, except for the worse. At least not without some kind of action. If you're just going to sit around, "pirate" material and wait, you are just looking for a free lunch for as long as you can get it, at the expense of those who created the material you desire.


      Contrary to popular opinion, the inverse of a valid argument is not necessarily a valid argument. If I obey now, the copyright absolutists get what they want, I don't get what I want, and therefore I lose 100% and they win 100%. If I disobey now, I get more of what I want, they get less of what they want, and I lose less and they win less. Either way, the law won't be changing for the better. If it did, THAT would also be at the expense of those creating the material -- opposition to any such expense is support of the status quo.

      This discussion IS about those who are trying to make a living off of writing and publishing. If you don't like the way they do things, STOP ACQUIRING THEIR MATERIAL. Don't let it show up in torrents. Don't share it with your friends. Tell people not to buy it. If distribution comes to a crawl, no matter how good you think the content is, that system will have to shutdown or change.

      I don't have that kind of power. People are going to keep buying the material no matter what I do.

      Besides, if everyone who violated current copyright laws was to stop doing so, all that would happen is that the copyright absolutists would have total victory. Prohibition wasn't repealed by voluntary halt to bootlegging, nor can copyright absolutism be stopped by a voluntary halt to copyright violation.

    26. Re:The Madness Continues by Valdrax · · Score: 1

      You are not making money off of your PS2 or you couch. Most people aren't making money off their real estate either, until it comes time to sell, and that's covered by capital gains taxes just like for collectibles.

      The income from copyrights is already taxed, by the way.
      --
      If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
  8. Other Side of the Spectrum... by WarpedCore · · Score: 1

    Alright, I know "super book" sounds kind of stupid. I can kind of agree with the argument that the Kindle itself acts as one book versus the content within it being individual pieces of work. It's almost the same for the Nintendo Wii's Virtual Console. Technically, you can download different pieces of video game software that originally came from different cartridges (which you see on e-bay) but when it comes down to licenses and what you own, you can't take out bits and pieces of it from your Wii. The entire collection you download is tied to that individual console. It sort of makes each console it's own "super rom". It's an interesting legal argument because... all these works were once sold on their own, individually. It could spark the argument that these books through either my Wii example or Kindle are derivative works and not original publications instead of digitalized reprints... if that makes sense.

  9. Caveat Emptor by justsomecomputerguy · · Score: 5, Insightful

    It bears repeating: The RIAA, The MPAA and all the other sue-the-customer organizations really really do want to make so that eventually you the consumer have NO RIGHTS, zip, zero, nadda to own anything.

    Making everyone pay a fee each and every time they want to listen to or read or view something is their eventual goal.

    You will own NOTHING.

    You will have NO RIGHTS to view ANYTHING unless you pay their fees.

    That IS the eventual goal.

    Figure out how to tell this to non-librarians, non-techies

    1. Re:Caveat Emptor by mapkinase · · Score: 1

      Actually, I do not mind that.

      Look at all the work of human creation. It's either new and perishable, or old, uncopywritable and eternal.

      I do not really think that people would want to keep their Spears CDs or their Windows 95 CDs forever...

      Same goes for "Fortran 66 for VAX" textbook. Same goes for Dan Brown's Da Vinci Code.

      Information should be processed, learned and discarded. It's timed material, like anything else.

      I will be happy to pay less for the most recent O'Reilly of the most recent fashionable programming language with the condition that my license to read it will expire in 4 years.

      The current ownership crisis is imaginary anyway. We do not own anything. Franklin's character from his timeless almanac said that you can consider yours only what you have eaten.

      Everything we own will be gone after we die anyway. :-)

      --
      I do not believe in karma. "Funny"=-6. Do good and forbid evil. Yours, Oft-Offtopic Flamebaiting Troll.
    2. Re:Caveat Emptor by The+End+Of+Days · · Score: 4, Insightful

      What I find most interesting about the argument over copyright is how it boils down to two groups justifying why their greed is more meaningful and important.

    3. Re:Caveat Emptor by chromatic · · Score: 1

      I will be happy to pay less for the most recent O'Reilly of the most recent fashionable programming language with the condition that my license to read it will expire in 4 years.

      This might be a poor example; O'Reilly uses the Founders' Copyright system.

    4. Re:Caveat Emptor by Anonymous Coward · · Score: 0

      You will have NO RIGHTS to view ANYTHING *even if* you pay their fees.

      There. Fixed that for you.

    5. Re:Caveat Emptor by mapkinase · · Score: 1

      Thank you, sir. That is what I have thinking all the time.

      --
      I do not believe in karma. "Funny"=-6. Do good and forbid evil. Yours, Oft-Offtopic Flamebaiting Troll.
    6. Re:Caveat Emptor by pentalive · · Score: 1

      So you want to be able to read it for 4 years.. The market forces want you only to be able to read it ONCE, then pay the fee again.

    7. Re:Caveat Emptor by skeeto · · Score: 1, Troll

      What I find most interesting about the argument over laws putting serial killers in jail is how it boils down to two groups justifying why their greed is more meaningful and important.

    8. Re:Caveat Emptor by toriver · · Score: 1

      Nice how your lame derail fails to see the difference between criminal law and civil law.

      But if serial killers had the same lobbying power as the industries, I am sure serial killers would NOT be put in jail.

    9. Re:Caveat Emptor by zenkonami · · Score: 1

      Accurate. Mod up.

      --

      Do You Experiment?
    10. Re:Caveat Emptor by Anonymous Coward · · Score: 0

      But the thing is: MOST business transactions are predicated on greed. For example: I want the car for nothing; you want to sell it to me for as much money as you can get; we eventually either agree on a price or walk away from the transaction.

      My rules are: I don't 'buy' things with DRM. And I expect to pay less for a digital artifact than for one sold on paper, CD, vinyl or tape. (Oddly, I don't so much object to the idea of DRM on rentals (e.g., the new Apple video rental thing), possibly because that's explicitly not a sale, and explicitly has time-limited, equipment-limited terms.)

      We (as a culture) have not yet resolved the rules of copyright for the digital world. Old-world copyright largely makes no sense in the digital realm (in that EVERYTHING you do with a digital artifact involves copying), and modern laws, like the EU Copyright Directive, or the DMCA are a fascistic attempt to apply the old rules to the new world.

      What's amusing to me is see 'copy protection' tried again and again and again (on 80s cassette-based computer games, on 90s disk-based computer games, on music, then in the 2000s on music downloads and video downloads). And being given up on again and again and again. DRM ultimately fails, not because the technology is inherently flawed (though it is), but because it pisses off the customer.

    11. Re:Caveat Emptor by mapkinase · · Score: 1

      Looks like I missed something. Help?

      --
      I do not believe in karma. "Funny"=-6. Do good and forbid evil. Yours, Oft-Offtopic Flamebaiting Troll.
    12. Re:Caveat Emptor by skeeto · · Score: 1

      I see mods don't look at the parent post. I should have quoted it I guess.

    13. Re:Caveat Emptor by skeeto · · Score: 1

      The serial killer wants to stay out and kill and doesn't want to go to jail. The public doesn't want the serial killer not in jail out killing people. That's two parties with conflicting ideas on what shouls happen based on personal gain, just like I had stated.

    14. Re:Caveat Emptor by The+End+Of+Days · · Score: 1

      It also might have something to do with the fact that killing people causes harm, but charging money for entertainment merely causes inconvenience. In my eyes, this is the second most interesting thing about the copyright argument: the utter lack of perspective.

    15. Re:Caveat Emptor by russotto · · Score: 1

      Look at all the work of human creation. It's either new and perishable, or old, uncopywritable and eternal.
      [...]
      Same goes for "Fortran 66 for VAX" textbook.

      I guess you've never done any retrocomputing. Or research. Or re-architecting. For instance, Slashdot users in general seemed quite interested in the code to the original Adventure when Dennis Jerz dug it up last year, and I converted it to run on modern machines. That would have been hard to do without a copy of the TOPS Fortran reference manual, which is quite readily available today precisely because it _didn't_ expire when people didn't think it was worth paying DEC for anymore.

    16. Re:Caveat Emptor by lysse · · Score: 1

      Well, for a start, not buying your entertainment on physical media makes that job a hell of a lot easier for them. The first sale doctrine only exists because you can't divide the content of a book (or a CD, or a DVD) from its physical manifestation, and the physical manifestation is no different from any other form of property. Dispose of that physical manifestation, and what remains to support first sale..?

      If you want to stop that trend, insist on physical media. Not just on the right to back up to physical media, because you can't sell your backup; insist on getting a physical manifestation, something for which title can be transferred - something on which to hang first sale. The alternative is to wait for the law to recognise that a licence to hold an MP3 is of the same nature as the leasehold to an apartment, including transferability... and there are powerful forces opposed to that.

    17. Re:Caveat Emptor by CodeBuster · · Score: 1

      Figure out how to tell this to non-librarians, non-techies They don't care, it is sad but true. The majority of the people are so used to being nickled and dimed and so ignorant of their rights that they will continue handing over their nickles and dimes for whatever junk the entertainment industry continues to push out. There are fewer and fewer free thinkers growing up in America with each generation now. In a few more generations the America that we knew will be just a footnote in the sanitized history books, a historical curiousity of democracy similar to that brief period of time in the Athens of ancient greece, but fading once more into memory in the face of tyrany and conformity.
    18. Re:Caveat Emptor by mapkinase · · Score: 1

      The question is not about "needing" "Fortran 66 for VAX" textbook." The question is about "owning" it.

      --
      I do not believe in karma. "Funny"=-6. Do good and forbid evil. Yours, Oft-Offtopic Flamebaiting Troll.
    19. Re:Caveat Emptor by russotto · · Score: 1

      Yes, and the fact is that if people did not "own" their "FORTRAN 66 for VAX" textbooks, they would have stopped paying for them years ago, and then when retrocomputing or research people wanted one, they would be quite difficult to obtain.

    20. Re:Caveat Emptor by mapkinase · · Score: 1

      I think there are too many assumptions here of a particular mode of non-ownership.

      --
      I do not believe in karma. "Funny"=-6. Do good and forbid evil. Yours, Oft-Offtopic Flamebaiting Troll.
  10. Uh-oh. by Anonymous Coward · · Score: 0

    I better get coding on a "AdBook" extension for Magazinilla, then.

  11. This is 100% consistent with current copyright law by CajunArson · · Score: 5, Informative

    Courts have expressly not extended doctrine of first sale to electronic files like mp3's and it would make perfect sense to extend that to ebooks. The thing to remember about first sale doctrine is that you do NOT own the "content" of a book you purchase. If I go out and buy The DaVinci Code I have 0 ownership interest in the story. What I DO have an ownership interest in is the actual physical book and the ink printed in that book. I can go out and resell the book or give it away and there is nothing the copyright owner can do about it (famous early case from 1909 about a publisher that sued Macy's for selling its books below the price the publisher wanted. Copyright had nothing to do with the eventual sale price because first sale doctrine meant the publisher lost control of the physical books after it had made the initial sale, Macy's was not bound by further contractual obligations either).
          However, looking at statute there are exceptions to first sale. One is rental of music: Ever notice how you can get a movie from Netflix but not a CD? The same applies to software (with a narrow exception for videogames so places like Gamestop can stay open). This rule goes way back to the '70's & 80's when it was pretty obvious that music "rental" places were just fronts for mass copying of music. You'd go in, rent a record, and there would be blank tapes by the checkout and a wink & a nudge. See Section 109 of the copyright act for more on this.
          In the digital age, the same reasoning that applies to the exceptions to first sale doctrine has been extended to digital downloads. Here the actual instantiation of the copy is merely a set of bits sitting on a drive. It is too difficult to be able to make an actual "sale" of the instance when transferring it over the Internet. Before you say "but I delete the file after I send it!", the courts considered that and do not buy the argument. That's why the article notes that selling your entire eBook would count: you are transferring a physical manifestation of the copyrighted material instead of trying to play games with moving bits around.

        Where CAN there be limitations on sales of actual physical items: Well, most of the limits in the article have nothing to do with copyright. Instead, they are contractual limitations which you agree to when you purchase the eBook. Copyright gets confused with many other kinds of law, but don't forget once you are in privity (aka you make a deal to buy a book from Amazon) then the contract will likely be much more relevant than generic Copyright law.

    Disclaimer: IANAL but I am a 2L in copyright class right now.

    --
    AntiFA: An abbreviation for Anti First Amendment.
  12. The Right to Read by Anonymous Coward · · Score: 5, Informative

    Just thought this was an opportune time to reference The Right to Read

  13. Fine idea. by gnutoo · · Score: 3, Insightful

    That sounds like a great way to do things and I'm sure there are many, many others.

    What I'm interested in is preserving our rights. Publishers can think of ways to make money without robbing us of the ability to help our neighbor and without assuming draconian control of information. For them to violate our rights, we must agree to be threatened and prosecuted for doing things that are not crimes. It is better to keep them from making laws that threaten us than it is to try to do their job for them.

    Publishers already know how things will work in a free society. They are not stupid and this is why they fight so hard. They understand that the broadcast era is over and with it their ability to control opinion and profit from every aspect of popular culture. There will be profits but they will be distributed and much closer to the artist than they are now. The big record companies, movie companies and paper publishers are out of luck and the damage done to public institutions will follow. With freedom comes truth and from truth we can expect justice. Without freedom, expect great injustice.

    1. Re:Fine idea. by shmlco · · Score: 2, Insightful

      It's all very well to speak of "publishers" in a derogatory sense, but totally ignore the fact that we're also talking about "authors". You know, the people who spend a year or so up front WRITING those books.

      What I'm interested in is preserving EVERYONE'S rights.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    2. Re:Fine idea. by aleph42 · · Score: 4, Interesting

      Oh, please.

      the **AA always use that point, but everybody knows that theyare the only one who are going to lose in the new system (or in this case, the publishers are).

      They only sell a centralised organisation to distribute content. And there is nothing they could invent to preserve the same insane margins that they had in the old system (well, publishers may not do as much money as Universal, but still).

      On the contray, authors can find inventive new ways to reach the public and leverage the increased audiance and ease of use to get as much or more revenues.

      Maybe some authors won't do as much money anymore; maybe some won't even make a living and will have to find an other job. But I don't think that there will be that many of them; and by definition, they won't be missed very much.

      And if you don't beleive that the new system can reward authors, look at blogs: millions of authors getting advertising money, which is based directly on their success, and will either make them some extra cash or push them to make blogging their day job.

      --
      Don't take my posts literally; it's just code to control my botnet.
    3. Re:Fine idea. by Oligonicella · · Score: 0

      You do not get to determine how someone else distributes their work. You have no authority to do so That desire is only driven by the cheapness of not wanting to pay for something you desire. Nice of you to determine how an author should execute his business.

    4. Re:Fine idea. by peterarm · · Score: 3, Insightful

      I call bullshit: I have self-published a PDF-only book on Lulu, and I made $16 per copy. This book is currently for sale with a real publisher, and I would miss the PDF royalties *very* much if they evaporated. (My book is copied on BitTorrent, and there's nothing I can do about it.)

      Authors are real people with families and mortgages; this isn't just some juvenile "you vs. the **AA" thing -- that may be true to a degree for records or movies where the **AA is evil, but it's not true for books. Many publishers are decent individuals, and authors aren't exactly millionaires...

    5. Re:Fine idea. by The+Spoonman · · Score: 3, Insightful

      And they have no authority to determine how I execute mine. I want my books in a digital format so I can read them on my laptop, my PDA, my computer at work, my e-book reader...whatever. If you want to reduce my rights just to read your book, well, sorry I ain't going to buy it and you lose a sale. Only a fool would continue to release their art using "the old ways". I've purchased quite a bit of music and literature that I started out by downloading copies the author published for free on their site. I've then either donated or purchased a print copy, if it was good. If it wasn't, I didn't waste my money. These authors typically sell more copies of their books than those who go through traditional channels, indicating the marketplace is heading in that direction. It's the marketplace that decides how products are sold, not the content producers. We just want to pay them to share in their ideas, why is that a bad thing? Yes, some people are going to take advantage of the situation and never pay for everything. Boo-hooo. When I was a waiter I learned early: some people are never going to tip, but at the end of the night, my average per table was what was most important. With a little bit of work, you can download pretty much any book on the market today, yet books are still being sold everyday. Wonder why that is?

      --
      Which is more painful? Going to work or gouging your eye out with a spoon? Find out!
      http://www.workorspoon.com
    6. Re:Fine idea. by Joe+Tie. · · Score: 2, Insightful

      I'd say the customer is the one who gets to say how the transaction goes, or rather if it does. And if I can't read the ebook, I'm not going to buy it.

      --
      Everything will be taken away from you.
    7. Re:Fine idea. by Anonymous Coward · · Score: 4, Insightful

      Sorry, but you're completely wrong.

      First of all, the only reason there is a market for the author to distribute his works is because of the artificial construct we have created in copyright. Without copyright, an author has basically two choices: sell it once or hide it. With copyright the author has two different choices: sell it lots of times according to the collective rules of society or hide it. That's basically it. Anything else (e.g. giving it away) is just a variation of those two choices.

      Second, while the author is completely free within this system to do whatever the hell he or she wants, the reality is that if what he or she wants is to make money, then the market, not the artist, ultimately decides how the work is to be distributed. The only reason the market is not having its say right now is due to oligarchies such as the RIAA or because the market is relatively new (i.e. the ebooks market).

      That desire is only driven by the cheapness of not wanting to pay for something you desire.

      Your ad hominem argument is driven by your inability to think about and discuss the issue rationally.

    8. Re:Fine idea. by Mr2001 · · Score: 2, Insightful

      I would miss the PDF royalties *very* much if they evaporated [...] Authors are real people with families and mortgages The folks who made a living selling buggy whips were real people too, with their own families and mortgages to worry about. Some of them, the ones who wouldn't or couldn't adapt to a changing world, lost their ability to provide for their families.

      That's sad.

      But you know what? Our society is better off now, because we were willing to bite the bullet and tell those people, "You're going to have to find another way to earn a living." If we had used the force of law to protect their incomes, those few people would've been better off -- at everyone else's expense.

      We're in the same situation now. Some people won't or can't adapt to a world where they can't make a living selling copies of information: a world where their talent as artists and authors is still valuable, but only when it's applied directly, not indirectly via copyright.

      Some of those people will be left behind, and that'll be sad too, but it's necessary. And just like the era of the automobile brought in a whole new set of jobs to replace the ones that were lost, so will this era.
      --
      Visual IRC: Fast. Powerful. Free.
    9. Re:Fine idea. by Mathinker · · Score: 1

      > With a little bit of work, you can download pretty much any book on the market today, yet books are still
      > being sold everyday. Wonder why that is?

      Sorry to undermine you point (which I agree with) but it could very well be because society hasn't made the shift to preferring ebooks to paper ones, for whatever reasons.

      You should have used music for your example instead, since it seems to me that society has made the shift in that sector.

    10. Re:Fine idea. by wall0159 · · Score: 3, Insightful

      Yeah. Unfortunately, most people base their actions on selfishness, and try to justify them later by moralising...

      While it makes sense to revise some of the ideas of copyright for internet distribution - I don't think it makes sense to advocate the wholesale destruction of 'Intellectual property' as a concept. I don't believe that cheapskates and freeloaders should define public policy.

      While I have shared original music on Jamendo (for example), I also know that my day-job is dependent on the fact that I am creating value for my company by creating new ideas and writing software. These are not tangible, and in the absence of IP protection would be nearly valueless (in a monetary sense, to the company - I realise they would likely have some value to society as a whole. But then, isn't that the point of copyright - to reward those that contribute to society, and hence hopefully encourage more to contribute. If there were no IP laws, my company would likely not exist)

    11. Re:Fine idea. by WNight · · Score: 4, Interesting

      What's the link? If it's any good I'll talk about it at least, and may buy it if I really like it.

      As for how you make money, why do authors deserve a perpetual income from a one-time creation?

      Write a book, get lifelong monopoly rights. Write a song, get lifetime royalties but no control. Build a chair, sell it once. Design a neat house, watch everyone design their own with your neat idea while you get nothing. Do someone's accounting and have no rights to the figures. Spend time and resources compiling a factual text and find all the facts duplicated on someone's website.

      It's a little arbitrary what's blessed.

      Why do you, by virtue of the specific way you make marks on paper, deserve society footing the bill for your copyright protection?

      Without chair-builder's monopoly rights, do carpenters stop making chairs? Without control over similar designs, do architects stop designing houses? Without protection for facts, do news agencies quit reporting?

      Some profit motives (like writing games) goes away, but others remain (sponsoring a game to sell console hardware). id Software wouldn't have the incentive to write Quake, but what if Sony had them write it for the Playstation, to encourage gamers to use their product? Sony payed a lot for temporary exclusivity of Grand Theft Auto (not technologically enforced - simply because only the playstation port was released).

    12. Re:Fine idea. by toriver · · Score: 4, Insightful

      The point is that the anti-consumer industries - that is, the industries trying to restrict more and more what someone who bought their products can do with them - forget that copyright is a government-granted monopoly and not a "natural right". Copyright stems from back in the day when "work" was stuff like smithing and tilling fields. Sitting around on your ass writing books or painting did not put food or tools into the community. But the lawmakers saw that cultural products had intrinsic value, and thus created an incentive for creators to make a living from their art but also ensured that those works would eventually enter the public domain and become part of the shared culture.

      Then we got the industry (where "art" is replaced by "product") and the lobbyists (who fight to keep works out of the public domain) and now "the artists" have been superseded by organizations that cry their crocodile tears over the plight of the artist, while in reality representing soulless commercial entities who provide crappy contracts unless you are very smart or very famous and can dictate your own terms.

      You are right that we "do not get to determine how someone else distributes their work" - but Congress (in the case of USA) does.

    13. Re:Fine idea. by dogugotw · · Score: 1

      Books = chairs
      eBooks chairs

      If I print a book or make a chair, it's A physical object and I can extract money from the sale of physical item. If someone buys 10 chairs or 10 books, I get paid 10 times.

      If, on the other hand, I release a book in eFormat and someone else chooses to copy and distribute it for free, I get squat. I may or may not get follow on sales but the fundamental issue is that I've lost control of my distribution channel.

      I agree that restrictive DRM methods are stupid. I understand creative content and give due (ie $$) for eContent I use. I follow the author's copyright (or left or CC or...) requests.

      This is not an easy nut to crack. For creators who believe that sharing for free leads to extra cash, that's fine. For those who feel they should control the distribution, that's fine too but almost impossible to do since electronic content is made for distribution.

    14. Re:Fine idea. by Baumi · · Score: 1

      I would miss the PDF royalties *very* much if they evaporated [...] Authors are real people with families and mortgages The folks who made a living selling buggy whips were real people too, with their own families and mortgages to worry about. Flawed analogy: People didn't buy whips anymore because they had no more meed for them. On the contrary, people nowadays still want to get writers' works, they just don't want to pay for it anymore.

      If we had used the force of law to protect their incomes, those few people would've been better off -- at everyone else's expense.

      We're in the same situation now. Some people won't or can't adapt to a world where they can't make a living selling copies of information: a world where their talent as artists and authors is still valuable, but only when it's applied directly, not indirectly via copyright. So how would that work? Why should I spend months or years researching and writing a book, if there's absolutely nothing to stop people from freely distributing it once its out there? Sure, some people are still going to writem but it'll be fewer, and I fail to see how our culture would benefit from that. (Of course, society would be better off without greedy corporations trying to destroy fair use rights and extending copyright ad infinitum, but completely taking away any creator's rights is not the answer, either.
    15. Re:Fine idea. by Loconut1389 · · Score: 1

      Perpetual income from real sales I believe in. If there's a demand for the original CD or the original Book- great for the author. I disagree about perpetual income for music when it comes to royalties for playing it on the air or making covers, etc. I think you're confusing the issue.

    16. Re:Fine idea. by rolfwind · · Score: 3, Interesting

      You're wrong. Some buggy whip manufacturers didn't have to change, some made a successful dive into S&M products.

    17. Re:Fine idea. by Anonymous Coward · · Score: 0

      I've heard this argument time and time again. You obviously have NOT written a novel. I am completely against copyrights for a number of reasons, but to think that an author shouldn't earn on a novel more than once (as per your chair analogy) is downright insane. I spend years on each novel. I do all right for myself, but not enough to pay all the bills. I don't write for the money; I'm just fortunate enough to have found a fan base. But for any first time novelist, or any non-A list novelist for that matter, your statement fails on every level. Since the novel does not yet have a proven audience, it's value is relatively low. After spending years on it, how much is the author supposed to sell for? 10K? 5k? 20k? Now, take into consideration that a 10k advance on a first novel is pretty darn good nowadays. And you want this to be a one time fee? No earning in perpetuity? Why? So some large corporation can make all the money off of future sales instead? What kind of messed up system is that?

    18. Re:Fine idea. by zenkonami · · Score: 1

      Except that unlike the switch from Horse & Carriage to Automobile, many (not necessarily the parent) are advocating the continued presence of the content without the continued presence of the revenue. Publishers help authors by doing much of the dirty work so that authors can get on with doing what they do best...writing books. People in this chain should get paid for their work if people want the content. I don't give a damn what format the content is presented in, whether it be electronic or paper...it's the content that I'm interested in...it's the content that has value to me. Unless I plan on using the book as a paperweight, or burning it as fuel, the paperback has no value to me, and nor do ones and zeros. It's the content we pay for.

      If people could get past the notion that this argument is about the container and start realizing that it's the content that the creator is trying to sell, and it's the content that the consumer is trying to buy, then maybe we could stop having these ridiculous arguments.

      Trading buggy whips for manual transmissions is not analogous in this discussion to trading paperbacks / hardcovers for e-books. In the former it is the physical objects and the work they accomplish that gives them value. In the latter, it is the content of those objects, and not the objects themselves (those are another discussion entirely) that hold the value in this discussion.

      --

      Do You Experiment?
    19. Re:Fine idea. by MMC+Monster · · Score: 1

      So how would that work? Why should I spend months or years researching and writing a book, if there's absolutely nothing to stop people from freely distributing it once its out there? Sure, some people are still going to writem but it'll be fewer, and I fail to see how our culture would benefit from that. (Of course, society would be better off without greedy corporations trying to destroy fair use rights and extending copyright ad infinitum, but completely taking away any creator's rights is not the answer, either. Absolutely agree. Content is king. Why should people spend their own time and money to create content and not be compensated adequately for it. If I know I'm not going to make more than a couple thousand dollars for that novel I've been working on for the last 5 years, I might as well let it just die and use my time more efficiently.
      --
      Help! I'm a slashdot refugee.
    20. Re:Fine idea. by cpt+kangarooski · · Score: 1

      Without control over similar designs, do architects stop designing houses?

      You might want to look at 17 USC 102(a)(8) and the corresponding definition at 101. But do bear in mind your question, and then really, really wonder why the hell it needs to be there at all! It's quite recent, having been added in 1990.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    21. Re:Fine idea. by dpiven · · Score: 1
      Some people won't or can't adapt to a world where they can't make a living selling copies of information: a world where their talent as artists and authors is still valuable, but only when it's applied directly, not indirectly via copyright.



      So how does an author "directly" apply his talent? Personally, I don't think Don Knuth would be too willing to hit the road and read "The Art of Computer Programming" to an audience... and I don't think I'd be all that willing to sit through the whole thing and take notes when he gets to the algorithm I would have otherwise looked up in a book.

    22. Re:Fine idea. by cpt+kangarooski · · Score: 4, Insightful

      Yeah. Unfortunately, most people base their actions on selfishness, and try to justify them later by moralising...

      While it makes sense to revise some of the ideas of copyright for internet distribution - I don't think it makes sense to advocate the wholesale destruction of 'Intellectual property' as a concept. I don't believe that cheapskates and freeloaders should define public policy. ... But then, isn't that the point of copyright - to reward those that contribute to society, and hence hopefully encourage more to contribute.


      Sadly, you sound selfish to me. But don't get me wrong; that's perfectly fine.

      Copyright is based on selfishness. The public is greedy; it doesn't care about authors for their own sake, it only cares about having more works created and published, and having those works for free, sans any kind of restriction or protection, so that it can do what it pleases with them. Copyright is simply a policy to try to satisfy that greed, by stimulating creation and publication, with as few restrictions as possible, for as little time as possible. If the benefit to the public of the stimulus is outweighed by the harm to the public of the restriction, it isn't in the public interest.

      There's no intent to reward authors at all. The idea is to exploit their selfishness so that they'll do things -- create and publish works -- that are in the public interest. Copyright is no reward; it's a bribe. And it's not meant to be a generous bribe. If an author would create and publish a work in exchange for a 5 year copyright, it would be idiotic to offer him a 6 year copyright; it'd be idiotic, even if the author would prefer it.

      So basically, we have a system that is geared around public selfishness, but with a recognition of the fact that immediate gratification might be quite weak, and that a delay can produce vastly greater results (like allowing cattle to mature, be milked, reproduce, and then be eaten, instead of having lots of veal but causing cows to go extinct). It functions by exploiting the selfishness of authors, who in some cases will not create and publish works without a bribe. (Those that would create and publish anyway don't deserve to be bribed, obviously)

      Selfishness is the very heart of copyright. It's a system that works best -- for the public, I don't care about authors -- when cheapskates and freeloaders administrate it, since we want to maximize the net public benefit. Generosity would interfere with that.

      Your position is understandable as an author; you are selfish, and want to increase what you get, regardless of the effect on the public. You wouldn't respond to copyrights at all if you weren't, so no one is upset with you. It's just important that we ignore you for the most part, and only give you the bare minimum that it will take in order to get you creating.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    23. Re:Fine idea. by cpt+kangarooski · · Score: 2, Insightful

      Why should I spend months or years researching and writing a book, if there's absolutely nothing to stop people from freely distributing it once its out there? Sure, some people are still going to writem but it'll be fewer, and I fail to see how our culture would benefit from that.

      The public benefits from having more works created and published. The public _also_ benefits from being unrestricted with regard to works, so that they can be republished for minimal cost (rather than the monopoly prices charged by copyright holders), altered, etc. In an ideal world, we'd have both.

      This isn't an ideal world, though, so we wind up trading a bit of the latter kind of benefit in order to get a more than proportionately larger increase in the latter. The idea is to get as close to that ideal as possible, so we look to maximize the public benefit: terms that are just barely long enough to encourage creation and publication, but by all means so short that they don't interfere much with the public.

      completely taking away any creator's rights is not the answer, either

      It can be. Copyright is artificial, and a lack of it is the natural state of things. It's our baseline for judging how good a copyright system is: does it produce a greater public benefit (more works created and published and unrestricted) than having no copyright at all? I think that some form of copyright (much less than we have now) would produce a greater benefit, but it's certainly possible that none would. So abolishment always has to remain on the table as a possible option.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    24. Re:Fine idea. by Tom_RFD · · Score: 1

      | I don't think it makes sense to advocate the wholesale destruction of 'Intellectual property' as a concept.

      I am. The term intellectual property implies that there's a complete set of laws protecting intangible things like ideas or software. There aren't. There are only a few different laws sometimes protecting legal monopolies over some things, some of the time. It's nothing approaching normal property rights, which is good, because it shouldn't.

    25. Re:Fine idea. by AlecLyons · · Score: 1

      This buggy whip and automobile stuff again. Come on, it really doesn't apply here.

      If people don't want to buy buggy whips because they have a car, fine. The buggy whip industry is dead and everyone else can get on with their lives.

      If this chap can't recoup his costs of writing that book because people are unwilling to pay for it (not because it isn't great, but because a large enough proportion of potential buyers are greedy and selfish and can steal it with no perceived risk) then he's going to be less inclined to write another. Repeat this pattern over and over and suddenly a whole bunch of potentially great books don't exist, and our culture is poorer for it.

      What exactly are you saying? That *writers* need to find another way to earn a living?

    26. Re:Fine idea. by hairyfeet · · Score: 2, Interesting
      Please mod this guy up.Despite what these distributors and the *.AAs of the world say about "pirates" what these bozos are pulling is what every robber baron has tried to do since the beginning of time,which is to control the market.Make no mistake,to these people money is strictly hoarded and carefully applied toward the primary goal,which is POWER.After all,once you have made yourself the gatekeeper and sole distributor you can always jack up the price later.These bozos want everything wrapped up in shiny DRM with nice prison terms for those that dare break it,not to protect the "creators",but to ensure that all content has to go through them for any chance at a mainstream audience.


      Be it books,music,games,movies,etc they simply don't want there to be a free market,because then you could choose not to play in their DRM games.When you purchase DRM,you get absolutely nothing in return.The maker of the DRM can take away that which you have paid for at any time.After all,you didn't actually "buy" the content.What you "bought"(rented) was a license to "use"(until they say different) the file containing the content according to a EULA that nearly always gives the distributor the right to change the rules at any time.Sad to say that if ebooks of this type end up the defacto standard we could very well end up with libraries becoming nothing more than Blockbuster videos for words.


      We can only hope that the world at large doesn't buy into their shell game,because sadly here in the US they can get any law they want passed by whipping out their collective checkbook.And our media will happily parrot whatever the suits want them to say.I am just waiting on the newsspeak to become as bad as the scene in Airplane II "Four alarm fire makes way for glorious new tractor factory!" or in this case "New eternal copyrights and digital defenses are paired with ten year mandatory prison sentences to protect poor starving artists against rampant organized Internet thievery!" But as always this is my 02c,YMMV.

      --
      ACs don't waste your time replying, your posts are never seen by me.
    27. Re:Fine idea. by bumburumbi · · Score: 1

      Those who buy books are also real people with families and mortgages. With electronic goods delivered via the internet, the marginal cost of creating one extra copy is virtually zero. By putting your pdf file on BitTorrent, society as a whole has gained the utility of extra copies without cost. The problem, it seems to me, is twofold: How do we as a society ensure that under these conditions of almost costless reproduction, authors will recieve ehough compenstation for their work to be encouraged to continue writing. The other problem is how do we make sure that knowledge produced in electronic form only, will be preserved and available to future generations.

    28. Re:Fine idea. by Jinjuku · · Score: 0

      YAWA (Yet another weak analogy).

      Buggy whips when way of the dodo. Books are going the way, of well, BOOKS. It's not like buggy whips went from leather to virtual leather. They were no longer needed.

      That is why I don't purchase any virtual whatever (books, music,movies) if I can avoid it. Having the physical media gives me one critical thing: ABSOLUTE control of what I purchase. If I do something wrong with that, there are existing laws to protect the person that had an original thought and should be rewarded for it.

      To all you "I don't believe in imaginary property" people, go to hell. You ain't going to get your way (which is every thing every one else does should be free).

    29. Re:Fine idea. by sempernoctis · · Score: 2, Interesting

      The difference is that the government wanted to stimulate the production of creative works. That's why copyright (and patent) law was created in the first place. If you compile facts into an original work, that also gets copyright protection (though the individual facts may separately be used...you didn't create them, you just compiled them). But of course, nobody enforces this outside the academic community because researchers don't pay RIAA or MPAA dues. The real problem here is that with the comparatively massive resources the MAFIAA has and their ability to use them to lobby the government, the rights of a few corporations are being prioritized over the rights of the individuals buying and producing the content, so copyright law now serves more to allow publishers to extort money from consumers than to reward artists for their work.

    30. Re:Fine idea. by Anonymous Coward · · Score: 0

      This argument doesn't seem appropriate. Your buggy whip example is essentially telling people they have to move on from an industry that is dying. In other words, their product is no longer as useful to society. However, with authors, artists, etc. you're implying that society still values their work and still wants it produced, but that because the means of distributing it have fallen to zero that you think this finished product itself should now be valued downward (close to zero?). These are completely separate issues. Am I missing something?

    31. Re:Fine idea. by Anonymous Coward · · Score: 0

      "The folks who made a living selling buggy whips were real people too, with their own families and mortgages to worry about. Some of them, the ones who wouldn't or couldn't adapt to a changing world, lost their ability to provide for their families."

      Bad analogy. The situation is different for artists and authors, as the product (unlike buggy whips) is still in huge demand. The problem is one of people breaking the law and depriving them of their earnings, rather than the market no longer wanting what is being produced.

      "Some people won't or can't adapt to a world where they can't make a living selling copies of information: a world where their talent as artists and authors is still valuable, but only when it's applied directly, not indirectly via copyright."

      Oh sure. How about programmers make their living by selling T-shirts or doing live tours. I mean it's not real programming unless you can see the sweat on their brow and the crowd is cheering them on, is it?

    32. Re:Fine idea. by reebmmm · · Score: 1

      I can't speak to whether the right to the fruit of ones own labor and creativity is a natural right, but, in the US, copyright is a CONSTITUTIONAL right. Art. I, Sec. 8, Cl. 8. It even predates freedom of speech in the US Constitution. It is one of the few times that the Constitution actually speaks to what CONGRESS is supposed to do.

      Everything else you say is gibberish.

    33. Re:Fine idea. by BrowncoatJedi · · Score: 0

      Mr 2001, I'll be less polite than the others. You're just an idiot. And you're trying to justify your theft of music and software that I'm sure sits on your hard drive right now. Get real.

    34. Re:Fine idea. by Anonymous Coward · · Score: 0

      Mod parent "+5 LMAO"

    35. Re:Fine idea. by CrashandDie · · Score: 0

      There's a very simple reason why there is a major difference between art and objects.

      Art remains, objects turn to dust.

      How many chairs in your house do you have that are 100+ years old ? How many books do you own that were written 100+ years ago ?

      A chair is a chair, and you don't really need to translate a chair to be usable in another country. A chair doesn't allow you to reflect ideas, bring knowledge, or even understand new things. Don't forget, you won't be able to use your chair for anything else than sitting on it, on the other hand, books have been used to change the world. Without books, you wouldn't know how to build a chair... At best, you would've cut a tree and sat on it. Don't insult the things that made you who you are.

      The main idea here is that authors do not get paid for the material product, but for the ideas they're spreading.

      Think bigger, or better yet, start thinking. It's not because you don't understand the concept of wanting to learn it doesn't exist.

    36. Re:Fine idea. by Baumi · · Score: 1

      The idea is to get as close to that ideal as possible, so we look to maximize the public benefit: terms that are just barely long enough to encourage creation and publication, but by all means so short that they don't interfere much with the public. I basically agree with that. I think 70 years after the creator's death is actually too long for the current state of culture. For most works, something like 10 or 20 years after creation or first publication should probably be more than enough. It shouldn't be too short a time span, though, otherwise publishers could simply wait until copyright expires and then exploit a work without compensating the author at all.

      completely taking away any creator's rights is not the answer, either
      [...]
      I think that some form of copyright (much less than we have now) would produce a greater benefit, but it's certainly possible that none would. So abolishment always has to remain on the table as a possible option. Sure, I just don't think it's a valid option. IMHO there needs to be some way for an artist to prevent others from stealing their works - at least for a certain amount of time to reward them for creating the work in the first place. Otherwise, we'd be back in an era where only the idle rich can afford to invest time into creating art.
    37. Re:Fine idea. by shmlco · · Score: 1

      "Copyright is artificial, and a lack of it is the natural state of things."

      You do NOT want to go there. "All men created equal..." is an equally artificial concept. "The right to life, liberty, and pursuit of happiness..." likewise. The "natural" order of things would be the survival of the fittest, with the strong taking what they want whenever they want and the weak digging among the scraps, or doing without entirely.

      However, an enlightened society recognizes those principles and attempts to apply them. Sometimes successfully, sometimes not. And the same applies to copyright law. I totally agree that a better balance needs to be struck, but the founding fathers recognized the need for protections and also the need to encourage and promote the development of works of art and science.

      Is a better system possible? Perhaps. Then again, the current system encourages the production of thousands upon thousands of works each year, all produced "on spec", and all available to you and I to enjoy for an infintesimal fraction of the costs of creation and production.

      So dazzle me. What system do you propose that's "fair" (another artificial concept) to content creators and consumers alike? That's guaranteed to make the same amount of work available, if not more? That doesn't require forcing something people DON'T want (advertising) on them just so they can get what they do want?

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    38. Re:Fine idea. by vux984 · · Score: 1

      Flawed analogy: People didn't buy whips anymore because they had no more meed for them. On the contrary, people nowadays still want to get writers' works, they just don't want to pay for it anymore.

      Nope.

      Your analysis is flawed. People don't pay buggy whip manufacturers for whips because they could get their new fangled buggy's to go without them.

      Today, people don't pay pay publishers to reproduce content because they found their new fangled book readers to get content without them.

      people nowadays still want to get writers' works

      Oh... ok, no problem then. So there is still a demand for writers' works, just no demand for a service to reproduce them at inflated prices. So clearly writers need to find a new way of getting compensated for their works, as collecting a royalty at the point of reproduction is going to go nowhere.

      So clearly the writer will need to be compensated -prior- to releasing the book. But how could that work? Lots of ways. Use your imagination. You could release the first chapter, and hold the rest for ransom, and only release the book once you've made your ransom... and its true you might have to release a few books gratis to build up a reputation so that others will be following your work, and be willing to pay your ransom... for example I'd toss a few bucks towards getting new books release from a few dozen authors out there, or you can look to sell the rights to the movie industry, and at the end of the day people will still pay a small amount of money if you make it easier to buy from you than to steal. And there will be a market for handsome printed dead-tree books for a long while yet ... (I'm only for legalzing non-commericial reproduction -- if someone wants to re-sell your books in some form, or make a movie out of it, I fully support protecting those rights for you.

      "But but but... I'll make less money and won't be motivated to write," you moan.

      Tough shit. How many thousands of garage bands never break even yet they create music endlessly. Hell, how many get signed to a label and still never get into the black? Tolkien really wrote Lord of the Rings for his kids. Van Gogh never made it big while alive yet he never stopped painting. How many authors have faced thousands of rejection letters yet keep writing?

      Seriously if your only motivation is a guaranteed income become a plumber or an electrician.

      There are plenty of people out their who will create in there spare time because they love the arts. And there are plenty of ways for artists to get compensated without tying their income to having basic non-commercial reproduction illegal.

    39. Re:Fine idea. by shmlco · · Score: 1

      "Your position is understandable as an author; you are selfish, and want to increase what you get..."

      Right. And the parasite who wants anything and everything given to him for free isn't selfish either? Your argument boils down to saying that EVERYONE is selfish, on both sides of the table. A position that--to be honest--is scarely illuminating.

      "...and only give you the bare minimum that it will take in order..."

      Since market forces apply here as well, I suspect that we need a little more than the "bare mimimum". These people, especially the successful ones, tend to be among the most creative minds on the planet. As such, creating works for you to enjoy and ponder has to be worthwhile, otherwise, most any sane person with a house and family would simply do something else.

      Further, your argument tends to imply that authors are interchangable cogs in the machine, another fallacy. Most any smuck can run a cash register at McDonalds, and his compensation is valued as such. The number of people, OTOH, who can write an Atlas Shrugged or The Shining or Stranger in a Strange Land or Lord of the Rings are exceedingly rare and valuable treasures.

      And unlike you, I have no problem whatsoever compensating them for their efforts.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    40. Re:Fine idea. by Tranzistors · · Score: 1

      Oh please! 1) Constitutional is still not natural. 2) Parent is talking about origins of copyright, and mind you, that is not USA.

    41. Re:Fine idea. by arkhan_jg · · Score: 1

      Baen books demonstrate clearly that DRM free downloads make authors more money, not less, because more people can buy and read the book anywhere on anything. Convenience trumps price for people who might be customers.

      Baen books also demonstrate that making some books completely free increases sales of other books by the same author, and even paper versions of the same book. I know I personally have read some of the free ones, then gone on to buy paper versions of those and other books by the same author (I would buy ebooks, but I prefer old fashioned paper for the higher resolution at the moment, given the choice)

      Publishers are losing out in the current world, because they've failed to grasp the change in reality, and are mostly engaged in making the online versions more difficult and expensive with less rights than physical distribution in a failing attempt to preserve their physical monopoly, and thus continue to make profit as a middleman at both the author's and audience's expense. Those days are coming to an end. There's still money to made connecting the producer of rare creative and clever work (the author) and the paying audience willing to see more creative and clever works created. Abusing both and keeping most of the money from both of them? That should die as a business model.

      The philosophy behind the baen free library sums up much that makes sense about the way forward for the distribution of copyrighted works.

      --
      Remember kids, it's all fun and games until someone commits wholesale galactic genocide.
    42. Re:Fine idea. by cpt+kangarooski · · Score: 1

      A position that--to be honest--is scarely illuminating.

      I wish that were the case. Sadly, most people tend to forget this. It's important to bear in mind, since it means that selfishness is not a pejorative in the context of copyright policy. There's nothing wrong with it, and in fact, copyright only exists because one side is selfish, and only functions because the other side is.

      As such, creating works for you to enjoy and ponder has to be worthwhile, otherwise, most any sane person with a house and family would simply do something else.

      Sure, but minimally worthwhile. So long as the incentive to create (which is the sum of the incentive provided by copyright as well as other non-copyright-related incentives, such as fame, or self-expression) trumps the incentive of the author's best alternative it need not be one iota larger. After all, doling out copyright incurs a public expense. It should not be done lightly, nor unnecessarily. If an author will work for a pittance, it is irresponsible to give him, say, two pittances.

      Further, your argument tends to imply that authors are interchangable cogs in the machine, another fallacy.

      This isn't copyright's problem; this is a market problem. It is astoundingly improper for copyright policy to suggest that one artist is superior to another. That's a matter of subjective taste, and is not something we want the government involved in, at least, not here. For example, I think that Ayn Rand was a crap author who wrote crap; you seem to like her. Were either of us to dictate on a per-author basis, who should and should not get copyrights, the other would be rightly upset.

      Thus, rather than pursue quality, copyright can only pursue quantity, assuming that the more works that are created, the more good works will be created; it's Sturgeon's law at work. By not directly compensating authors, and instead only giving them an economic advantage compared with others who would reproduce the same work, we let the market decide which authors are good or which are bad, or at least, which are popular and which are not, which hopefully is close to the same thing.

      So no, I don't mean to imply that authors are interchangeable, but I am saying that copyright policy can't prefer one over another.

      And unlike you, I have no problem whatsoever compensating them for their efforts.

      Okay. In that case, I am prepared to write an absolutely terrible book that would never sell on its on merits. But, I am going to put a hell of a lot of effort into it. It will be like the Heaven's Gate of books. Do you plan on compensating me, merely because of effort?

      I wouldn't.

      Copyright is meant to serve the public interest, not to reward authors. It might happen to have an effect of rewarding authors, among other things, but that's really quite incidental. It's like dangling a carrot in front of a mule to get it to pull a cart; the carrot -- and the mule -- are just means to an end.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    43. Re:Fine idea. by cpt+kangarooski · · Score: 1

      It shouldn't be too short a time span, though, otherwise publishers could simply wait until copyright expires and then exploit a work without compensating the author at all.

      The thing is, they're actually unlikely to do so!

      Remember, a copyright is really not all that valuable to an author standing alone. The value of the copyright comes from selling or licensing it to a publisher, who then in turn exploits it to make money from the public. Publishers dearly value the period of exclusivity that a copyright provides, and generally loathe the idea of publishing public domain works that anyone can publish. Public domain works aren't very profitable to them; due to competition, they have to be priced at marginal cost plus a very modest profit. These days, that can be effectively zero. That's great for the public, but not for publishers.

      So I wouldn't worry about that at all. Short terms would, if anything, encourage publishers to publish works more rapidly, instead of sitting on them. Look at Disney -- they publish something for a couple of years, then stop, to rebuild demand. If anyone could churn out copies of their movies, that tactic wouldn't work for them.

      IMHO there needs to be some way for an artist to prevent others from stealing their works - at least for a certain amount of time to reward them for creating the work in the first place. Otherwise, we'd be back in an era where only the idle rich can afford to invest time into creating art.

      No, authors should never be rewarded. Only incentivized, and then only where it serves the public good. Further, there was plenty of art prior to the existence of copyright, and much of it didn't involve the 'idle rich,' either as creator or patron. Really, it's more an issue of the society and economy over all.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    44. Re:Fine idea. by Mr2001 · · Score: 1

      Flawed analogy: People didn't buy whips anymore because they had no more meed for them. On the contrary, people nowadays still want to get writers' works, they just don't want to pay for it anymore. You're overlooking the point of the analogy: people don't want to buy copies anymore because they have no more need for anyone else to make copies. People can now make their own copies for virtually nothing.

      The act of writing new works, however, is something people will still be willing to pay for, because most people aren't writers. That's what I meant when I said authors' talent is still valuable, but only when applied directly.

      So how would that work? Why should I spend months or years researching and writing a book, if there's absolutely nothing to stop people from freely distributing it once its out there? You should do it if you can get someone, or a few hundred someones, to pay you for it - if you can convince them that the benefit they'll receive from the book's existence is worth paying you to write it.

      (You should also do it if the benefit you'll receive from writing it is worth the time it'll take you, but let's ignore the volunteer side of things for now.)

      See, the key here is to realize that the work of an author is not to sell books, print books, or distribute books. The work of an author is to write books. And once you've been paid for writing the book, it doesn't matter how many people "freely distribute" it, because you've already been compensated for the time and effort you put into writing it.
      --
      Visual IRC: Fast. Powerful. Free.
    45. Re:Fine idea. by Mr2001 · · Score: 1

      Why should people spend their own time and money to create content and not be compensated adequately for it. If I know I'm not going to make more than a couple thousand dollars for that novel I've been working on for the last 5 years, I might as well let it just die and use my time more efficiently. I agree completely. If you can't convince people to pay you a price you feel is fair for your writing, then that probably means your writing isn't good enough (or at least marketable enough) to make a living off of, and you should go into another line of work rather than wasting 5 years of your life on something that won't turn a profit.

      Copyright encourages people to do just the opposite: to spend their time producing things that, ultimately, won't sell enough copies to justify the cost of producing them. For every best-seller, there are thousands of books that end up losing money. If authors would insist on being compensated for their work, like everyone else is, instead of taking royalties from the sale of copies, they'd know ahead of time whether it was worth doing.
      --
      Visual IRC: Fast. Powerful. Free.
    46. Re:Fine idea. by cpt+kangarooski · · Score: 1

      "All men created equal..." is an equally artificial concept.

      No, that one's about right, I think. Plunk anyone down on a desert island, and they'll probably get by about the same. Certainly none of them, as tabulae rasae, would have a great advantage over another. It's human societies that introduce material inequalities.

      "The right to life, liberty, and pursuit of happiness..." likewise. The "natural" order of things would be the survival of the fittest, with the strong taking what they want whenever they want and the weak digging among the scraps, or doing without entirely.

      That's right.

      And here's the thing: Since that would not be a very good society, and since we can imagine that there are better ones, we can work to create a better society which is more pleasing to those who live in it. If such a society is possible, and better, then it ought to be implemented. Further, the society which is best for the most would be the one to pursue, where multiple options are available. If, however, no better society than the natural one is possible, then the natural one is the best you've got.

      Likewise, there is no natural copyright, but if a copyright system were possible which more greatly satisfied the most people (i.e. the public at large), then it would be worth implementing, so long as the cost of doing so didn't outweigh the benefit, and so long as it remained better than the natural alternative. Further, the one which most greatly satisfied the most people for the least cost to them would be the best. If this is possible, it ought to be done; if not, then no copyright at all is the best you can manage.

      And this is exactly what I have said. As it happens, I do think that there is some copyright system that is better than none at all, but no copyright is the baseline against which we must measure any copyright system, and is a valid alternative, should it turn out that we cannot come up with something better. Our present system is not the best possible, I suspect, and I sometimes worry that it is not very far from being worse than none at all.

      but the founding fathers recognized the need for protections and also the need to encourage and promote the development of works of art and science.

      They didn't recognize the need for it, they felt that it might, or might not, be useful. That's why neither copyrights nor patents must be granted, but why the government merely has the power to grant them, or not, as it sees fit. Also, most of them likely didn't care one way or the other. Only a few of them were concerned about the matter, and even they had bigger things on their mind, most of the time.

      Then again, the current system encourages the production of thousands upon thousands of works each year, all produced "on spec", and all available to you and I to enjoy for an infintesimal fraction of the costs of creation and production.

      That's not good enough. The public good consists of having works created, published, and not copyrighted. Reducing copyright protection, in scope and length, is to the public benefit. If fewer works are created as a result (which would be a surprise, for even very large reductions, the system is so bad right now), but there is proportionately greater freedom with respect to those works, then it can still be an improvement. The idea is to get the most works possible, for the least protection; not the most works, period.

      What system do you propose that's "fair" (another artificial concept) to content creators and consumers alike?

      I'm not interested in fair, and I'm certainly not interested in what authors want. I'm interested in the public interest only. Authors are of no concern, save for how they might affect the public interest. Does a dairy farmer care about the comfort of his cows? Only if it affects the milk. That's why cows live in barns, and not palaces.

      That's guaranteed to make the same amount of work available, if not more?

      As already noted, I don't care

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    47. Re:Fine idea. by Mr2001 · · Score: 1

      To all you "I don't believe in imaginary property" people, go to hell. You ain't going to get your way (which is every thing every one else does should be free). If such people actually exist, I'm not one of them. I'm happy to pay someone for doing a job I can't do, like writing a book or recording a song.

      But they don't want me to pay them for doing what I can't do. That's the problem. They want me to pay them for copies of books and songs, when I can already make all the copies I'll ever need for almost nothing, once the original has been written.

      Figure out what it costs to write the original, ask for that much money, and the people who want it to be written will pay. If there are enough of them, then you get paid, you release the work, and everyone gets to enjoy it freely (since you've already been paid a price you decided was fair, it doesn't matter how many people eventually a copy). If there aren't, then your work isn't worth as much as you thought, so either lower your price, come up with a better idea to write about, or go into another line of work.
      --
      Visual IRC: Fast. Powerful. Free.
    48. Re:Fine idea. by dwandy · · Score: 1
      Sorry, but you're completely wrong. And an Anonymous Coward to boot.

      Without copyright, an author has basically two choices: sell it once or hide it. With copyright the author has two different choices: sell it lots of times according to the collective rules of society or hide it. That's basically it. Anything else (e.g. giving it away) is just a variation of those two choices.
      Trent Reznor disagrees with you.
      He made 2500 signed units that people paid $300 for. Copyright law was unnecessary for this to occur (trademark maybe, to ensure that the public got authentic works. And since these orders were placed directly with nin.com, trademark doesn't even really play into it. Maybe later, when copies go for re-sale, trademark will be important again in this discussion.)

      So basically, you need to find a way to make people value what you're selling, over a copy of what you're selling. In principle, this is no different than BMW wanting you to value their copy of the model-T more than Honda's copy of it. Obviously, when what you're selling is content, and this content can be easily copied then you need to do something more creative than BMW in order to differentiate The Original from the copy.

      As he sold all 300 copies, it's clear that Mr. Reznor has been succesful in generating something that people will pay for: to the tune of $750-thousand. And another $850-thousand from people who either just like him enough to pay for something they could get for free, or believe that paying for it is easier than finding a pirate copy. And that all in the first week.

      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    49. Re:Fine idea. by Mr2001 · · Score: 2, Insightful

      What exactly are you saying? That *writers* need to find another way to earn a living? Yes, exactly.

      The analogy isn't between buggy whips and writing, it's between buggy whips and selling copies. Fewer people want to pay for copies in a world where they can make their own copies for free, just like fewer people want to pay for buggy whips in a world where they can get around without a horse and buggy.

      Writers, musicians, and everyone else who makes a living by selling copies needs to wrap their head around that. Their talent -- the act of coming up with a story and putting it into words -- is still valuable, and if they charge directly for using it, they can keep making money, because people will always want to read new stories.

      The idea that a writer's job is to sell books is a relic of a time when copying books was difficult and copyright was easy to enforce. Now, copying is trivial and copyright is virtually unenforceable. That doesn't mean writing won't be viable anymore, only that selling books won't be a viable way to make money as a writer.
      --
      Visual IRC: Fast. Powerful. Free.
    50. Re:Fine idea. by Mr2001 · · Score: 1

      So how does an author "directly" apply his talent? Personally, I don't think Don Knuth would be too willing to hit the road and read "The Art of Computer Programming" to an audience... A writer directly applies his talent by getting people to pay him for writing new works - just like an architect directly applies his talent by getting people to pay him for designing buildings, or a teacher directly applies his talent by getting people to pay him for teaching.

      That may sound glib, but it's really that simple. There are details to work out, of course, but that's what the market is good at: connecting the people who have money and want to spend it on a service to the people who want money and have a service to provide. As long as people care about having new works to read (or watch, or listen to, etc.), there will be demand for the services of those who can create them.

      Here's one example of how it might work: suppose Don Knuth announces that he has an idea for a new book, and he needs $50,000 within six months to write it. You go to his web site and see a graph with a little red line counting up to $50,000, and you can click to contribute as little or as much as you want. If you contribute $50, it's held in escrow, and the book is that much closer to being written.

      If he reaches his goal, then he begins writing; the money is frozen, to be released according to some predetermined schedule (half now and half when it's complete, maybe). Maybe contributors get something special (their names listed in an appendix, a 10-minute phone chat with Don, etc.), or maybe the release of the book is enough of a reward.

      On the other hand, if he fails to reach the goal, then everyone's money is refunded; he can either try again with a lower price or a better idea, or conclude that his writing isn't marketable and go into another line of work.
      --
      Visual IRC: Fast. Powerful. Free.
    51. Re:Fine idea. by Mr2001 · · Score: 1

      Except that unlike the switch from Horse & Carriage to Automobile, many (not necessarily the parent) are advocating the continued presence of the content without the continued presence of the revenue. No, I don't think they are. They might think they are, but they aren't.

      If someone says "I don't want to pay for books anymore", then they might think they're advocating a world where the only books that get written are the ones that are written for free, out of pure love of writing. And if you read their posts, you might think that's the world they're advocating too.

      However, even if we abolished copyright tomorrow, we wouldn't end up in that world.

      There would be some authors who just loved writing enough that they kept doing it for free, sure. But there would also be some authors who said, "Look, I know I can write a better story than these hippies who do it for nothing, but I need to pay rent. Give me a few bucks and I'll show you what I can do." Some of them would suck, but some of them would be able to command more and more money for their work as they prove themselves.

      Even without copyright, the act of writing is still worth something. That's where the value in a book comes from, after all -- the author puts it there before the first copy is ever sold.

      If people could get past the notion that this argument is about the container and start realizing that it's the content that the creator is trying to sell, and it's the content that the consumer is trying to buy, then maybe we could stop having these ridiculous arguments. I'll raise you one more: it's not the content that the author is trying to sell, it's his own labor. The "content" is a sequence of words, which is essentially just a big number, and it has no more inherent value than the speed of light or the first million digits of pi. Figuring out what that number is in the first place -- which sequence of words makes a good story -- is the hard part.
      --
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    52. Re:Fine idea. by easyTree · · Score: 1

      The "natural" order of things would be the survival of the fittest, with the strong taking what they want whenever they want and the weak digging among the scraps, or doing without entirely.

      You are describing the movie/music industry I believe... The strong being those with the ability to organize to the detriment of the weak, those without the ability to organise. For in today's world, strength is measured in social ability not physical prowess. Unfortunately, the common man is soon to become extinct and then there'll be only a world populated by businesspeople and politicians, all feeding from oneanother.
      .
    53. Re:Fine idea. by cpt+kangarooski · · Score: 1

      but, in the US, copyright is a CONSTITUTIONAL right

      Ooh, too bad. No, you're wrong, and it's sad to see that in someone who managed to cite it properly.

      The clause is merely the granting to Congress of one of its powers. There are plenty of such powers: the power to borrow money, to tax, to spend, declare war, have a navy, etc. Congress isn't obligated to grant copyrights, it is merely empowered to. Whether or not it does grant copyrights depends on whether or not it feels like doing so. The Constitution places a few limits on what those copyrights can be like, but otherwise, the choice is entirely in the hands of Congress. They are well within their authority to abolish copyrights altogether. That would be perfectly constitutional.

      So I think it's wrong to think of copyrights as a constitutional right, as that term is generally understood. No author is guaranteed by the Constitution to get a copyright. He can't successfully demand one if Congress is unwilling, just like how if Social Security (an exercise of the spending power) was abolished, my grandmother couldn't force the government to continue to send her checks.

      It even predates freedom of speech in the US Constitution.

      Not in any meaningful way, it doesn't. The Constitution was written without guarantees of civil liberties. The federalists said that it didn't need them, since it was obvious that those rights were protected anyway, and that explicitly listing any would cause people to wrongly think that only the enumerated rights were protected, which wasn't anyone's intent.

      But they couldn't get the Constitution as-written adopted by the states without promises that it would be amended to include a Bill of Rights. Since those involved were pretty honorable, it was promised that this would happen, and the promise was enough for the anti-federalists to come around. And indeed, shortly thereafter, a Bill of Rights was written and mostly became law. (There were 12 proposed amendments, 10 of which were adopted, one adopted just recently after collecting dust for two hundred years, and one lying around that is unlikely to ever become law, but which is still pending.)

      So it is generally considered that free speech and copyright exist at the same status. And since we have a last-in-time rule in the US, if this weren't the case, then the First Amendment, having come after the Copyright Clause, would be considered to render the latter inoperative. So I imagine you won't want to make a fuss.

      It is one of the few times that the Constitution actually speaks to what CONGRESS is supposed to do.

      The Constitution no more suggests that Congress should enact copyright laws than it suggests that Congress should declare war. It merely allows Congress the opportunity to do so. (And only because the states made such a hash out of it, which is practically the reason for our entire government!)

      When the Constitution wants Congress to do something, it is clear about it, and uses the word 'shall.' Such as "The Congress shall assemble at least once in every year...." As a result, if Congress failed to convene one year, they'd be acting unconstitutionally. (For all that it would matter; I can't see how that's anything other than a political question.)

      Really, if you're going to invoke the Constitution, would it trouble you so much to read the thing?

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    54. Re:Fine idea. by psychodelicacy · · Score: 1

      Perhaps. Certainly you're right when it comes to instructional books and so on. But I think people would still pay for those.

      The more fundamental question here is about art. Traditionally, artists write or create music or paint because they have a talent and/or they love to do it. If they make money, that's a bonus. I sing a lot. Sometimes I get paid for it. Mostly I do it because I enjoy it - it's not a waste of time because it's something I enjoy and that makes me feel fulfilled. The first English poets didn't get paid for their work - that didn't stop someone from composing Beowulf. T. S. Eliot worked for a living all his life - as a teacher and then a publisher - and still produced astoundingly beautiful and well-crafted literature.

      So, you know, I can't say I'm that upset if you give up your novel because it'll only make you a few grand. If you're not driven to finish that story without financial incentive, why do you imagine it'll grip your readers?

      --
      A closed mouth gathers no foot.
    55. Re:Fine idea. by Anonymous Coward · · Score: 0

      I don't think Don Knuth would be too willing to hit the road and read "The Art of Computer Programming" to an audience

      You might be surprised.

    56. Re:Fine idea. by arminw · · Score: 1

      ....Is a better system possible?.....

      How about restricting copyright to real live, breathing human creators of the work for their lifetime? There would be no selling, trading, for hire, assigning or inheriting of copyright. The originator can assign only commercial reproduction rights to one entity for an agreed upon time, not more than 5 years at a time. After 5 years the creator of the work may renew or not or make another 5 years agreement with another distributor.

      Let everyone to make copies for their own personal use, but allow the creator of the infringed work to sue for up to ten times the sales value of every infringing copy made. The work must be available for NEW purchase as long as the originator thereof lives. If not, then it automatically becomes public domain. That would force originators to see to it that books and other works don't go out of print.

      Make copyright work for the creating artists, not the fat cat corporations, as is now the case.

      --
      All theory is gray
    57. Re:Fine idea. by toriver · · Score: 1

      Everything else you say is gibberish.

      No it's not but you obviusly have no counter to it so you act childishly instead. Or perhaps "gibberish" is something you apply to any criticism of the mutated copyright laws that now protect the interests of an industry and not those of the public.

      Others have pointed out to you that the Constitution's granting of rights to Congress is not the same as the copyright laws themselves. They are contained in USC Title 17 which you can find here. Maybe it is time you actually read them?
    58. Re:Fine idea. by Anonymous Coward · · Score: 0

      Design a neat house, watch everyone design their own with your neat idea while you get nothing.

      Actually, architectural works ARE copyrighted.

    59. Re:Fine idea. by plague3106 · · Score: 1

      Really? Stephen King won't be missed much? What about Chuck Palahniuk? Full time writers. I would say that they would be, and those that write as a hobby won't produce works as great as say Shakespear, who was also a full time writer. To become a good writer takes hours and hours of actually writing.

      Your comparison with blogs is stupid; no one cares enough right nwo about a blog to copy it to THIER site and give it to their friends. Which would NOT reward the blogs author.

      Just because you produce soemthing that is more than the sum of its parts (paper and ink) doesn't mean that there is no value in what these people do.

    60. Re:Fine idea. by plague3106 · · Score: 1

      Yes, some people are going to take advantage of the situation and never pay for everything. Boo-hooo. When I was a waiter I learned early: some people are never going to tip, but at the end of the night, my average per table was what was most important.

      Change "some" to "most" and you'll have a point. Oh, and it's interested that you form your opinions because others may have treated you unfairly that it's ok to treat someone else like that. Nice line of reasoning. "My life sucks, so it's ok if it sucks for everyone else too."

      With a little bit of work, you can download pretty much any book on the market today, yet books are still being sold everyday. Wonder why that is?

      Because lugging around a computer isn't quite as easy as carrying a book? Because if I loose my book, I've only lost one book, but if I lose something like the kindle, i've lost everything?

    61. Re:Fine idea. by plague3106 · · Score: 1

      Well, the Constitution is natural, since people are natural, and those that created the Constitution believed in Natural Rights. Perhaps you would be wise to look more into the philosophy behind the Constitution.

    62. Re:Fine idea. by Anonymous Coward · · Score: 0

      Obviously you've never heard about Creative commons, an option to giving it or hide it. Take a look. http://creativecommons.org/

    63. Re:Fine idea. by The+Spoonman · · Score: 1

      Change "some" to "most" and you'll have a point.

      I could do that, but then I'd be lying. Your sentence is the basis of the MPAA & RIAA's claims. Unfortunately, as has been shown time and time again, that's not the case. The only time "most" applies is if you're saying "most people who download music/books/movies also purchase those songs/books/movies".

      Oh, and it's interested that you form your opinions because others may have treated you unfairly that it's ok to treat someone else like that. Nice line of reasoning. "My life sucks, so it's ok if it sucks for everyone else too."

      You're a daft, clueless twit, but I'll try to make it understandable: I was not basing my opinions of the situation on my experiences, I was RELATING my experiences to the conversation. The point of the conversation was that, yes, SOME people will download books/music/movies/etc illegally and never pay for it. They are in the overwhelming minority. By actively targeting them as the only example of your customers, you are punishing the majority for the actions of the minority. Better to just ignore the minority (as I did with the tippers) so you can concentrate on pleasing the majority who are actual, money-paying customers.

      Because lugging around a computer isn't quite as easy as carrying a book? Because if I loose my book, I've only lost one book, but if I lose something like the kindle, i've lost everything?

      Again, you missed the point. But, to address your comments: says you. I always have my laptop with me (I purchased a small one specifically for that reason), so your first argument doesn't hold water. Secondly, the point of items like the Kindle is they're the size and weight of a single book, but you can carry hundreds within that format. Finally, if you lose the Kindle, no big whoop: either redownload the book, which these services usually allow, or get a new one and restore from your computer. You haven't lost anything. And, to combat the argument I hear welling up: yes, a Kindle or laptop is an expensive thing to lose. I would think most people would put a lot more effort in ensuring they don't lose it over the amount of effort put into not losing a single book. If they don't, that's their own stupid fault. Me, I've never lost a book, so I'm not worried about losing a laptop.

      --
      Which is more painful? Going to work or gouging your eye out with a spoon? Find out!
      http://www.workorspoon.com
    64. Re:Fine idea. by plague3106 · · Score: 1

      I could do that, but then I'd be lying. Your sentence is the basis of the MPAA & RIAA's claims. Unfortunately, as has been shown time and time again, that's not the case. The only time "most" applies is if you're saying "most people who download music/books/movies also purchase those songs/books/movies".

      Ya, shown time and again by asking people "would you also buy the song or book?" Of course most say they would... most people don't like to admit stealing.

      You're a daft, clueless twit, but I'll try to make it understandable: I was not basing my opinions of the situation on my experiences, I was RELATING my experiences to the conversation. The point of the conversation was that, yes, SOME people will download books/music/movies/etc illegally and never pay for it.

      Right, I'm a clueless twit, because somehow being a waiter and author are even remotely related. Dumbass, they aren't. Your waitering experience is meaningless; you aren't producing anything, you're carrying stuff from point A to point B without dropping it. Big fucking deal. Sorry, but that's nothing like creating a book that actually DOES become part of our culture.

      They are in the overwhelming minority. By actively targeting them as the only example of your customers, you are punishing the majority for the actions of the minority. Better to just ignore the minority (as I did with the tippers) so you can concentrate on pleasing the majority who are actual, money-paying customers.

      Again, you aren't creating anything, or really doing anything at all of importance. You just look really, really stupid comparing being a waiter, which COULD be fulfilled by monkey's in uniforms, with an author or director.

      I always have my laptop with me (I purchased a small one specifically for that reason), so your first argument doesn't hold water.

      Oh ya, more anecdote! That explains all the laptops everyone sees on the beach, huh?

      Secondly, the point of items like the Kindle is they're the size and weight of a single book, but you can carry hundreds within that format. Finally, if you lose the Kindle, no big whoop: either redownload the book, which these services usually allow, or get a new one and restore from your computer. You haven't lost anything.

      Well, you lost the hundreds of dollars on the device. Not exactly pocketchange, especially if we're talking about a laptop.

      And, to combat the argument I hear welling up: yes, a Kindle or laptop is an expensive thing to lose. I would think most people would put a lot more effort in ensuring they don't lose it over the amount of effort put into not losing a single book. If they don't, that's their own stupid fault. Me, I've never lost a book, so I'm not worried about losing a laptop.

      Ya, I take steps not to have my laptop or kindle stolen; like leaving it at home when I go to the beach. I seriously doubt someone will ever walk off with my latest .Net programming book while I go into the water... leaving the laptop on the towel is just begging for someone to take it.

    65. Re:Fine idea. by Pope · · Score: 1

      Because fundamentally different things result in different treatment. Honestly, these reductio ad absurdam arguments are laughable.

      --
      It doesn't mean much now, it's built for the future.
    66. Re:Fine idea. by The+Spoonman · · Score: 1

      Ya, shown time and again by asking people "would you also buy the song or book?" Of course most say they would... most people don't like to admit stealing.

      If only it were that simple, but it's not. I'm talking about people who have downloaded items for free (legally, of course) and then purchased a copy or donated to the author.

      Right, I'm a clueless twit, because somehow being a waiter and author are even remotely related. Dumbass, they aren't. Your waitering experience is meaningless; you aren't producing anything, you're carrying stuff from point A to point B without dropping it. Big fucking deal. Sorry, but that's nothing like creating a book that actually DOES become part of our culture.

      Because every book becomes part of our culture...but, again, you missed the point because you're fucktard. So, I'll type slower: the occupation has nothing to do with it. If you're an author, and you sell 50 million copies of your book, and a million people stole a copy of the book, you're still ahead. If, however, you're not an author, but a fuckwit who put out yet another piece of shit just to sell a piece of shit, then, yes, you're going to care about squeezing every single penny out of every single person who's read your book, regardless of whether they enjoyed it or not. The latter is the model we have today, which explains why there's so many bad books on the market.

      Again, you aren't creating anything, or really doing anything at all of importance. You just look really, really stupid comparing being a waiter, which COULD be fulfilled by monkey's in uniforms, with an author or director.

      Well, since I haven't been a waiter in over 20 years, your rapier-like attacks on them isn't doing anything except prove that you can't grasp a simple comparison that has nothing to do with occupation.

      Well, you lost the hundreds of dollars on the device. Not exactly pocketchange, especially if we're talking about a laptop.

      If only there were a method that you could INSURE your laptop against loss or theft...huh, if someone comes up with something like that, they could probably make a mint.

      --
      Which is more painful? Going to work or gouging your eye out with a spoon? Find out!
      http://www.workorspoon.com
    67. Re:Fine idea. by plague3106 · · Score: 1

      If only it were that simple, but it's not. I'm talking about people who have downloaded items for free (legally, of course) and then purchased a copy or donated to the author.

      And again, in those studies there is no way to prove that a person that downloaded initally actually purchased later.

      Because every book becomes part of our culture...but, again, you missed the point because you're fucktard. So, I'll type slower: the occupation has nothing to do with it. If you're an author, and you sell 50 million copies of your book, and a million people stole a copy of the book, you're still ahead. If, however, you're not an author, but a fuckwit who put out yet another piece of shit just to sell a piece of shit, then, yes, you're going to care about squeezing every single penny out of every single person who's read your book, regardless of whether they enjoyed it or not. The latter is the model we have today, which explains why there's so many bad books on the market.

      Really? If I write a book, and no one reads it, it becomes part of our culture? Culture means "shared among a large group of people." Go look it up. You really are a dumb motherfucker aren't you? The majority of authors aren't the ones that sell 50 million, and NO author starts off selling that many. They start off having a small fanbase and have other retards that couldn't write a book to save their life say there are "many bad books on the market." You focus soley on those that have made something in their career. You never look at them though when they first start out. The way it is now, the "bigger" authors are helping the smaller one. Because Stephen King can sell 50 million, a publisher will take a risk on a smaller author that hasn't yet built his base.

      You seem to forget that all those "bad books" on the shelves are there because there ARE people out there that wish to buy them. They may not be a majority of people, and they never might be. Yet you would say what they enjoy is crap? Go fuck yourself. The system as is gives people a lot of variety, and beauity is in the eye of the beholder... not some pompus ass angry that he didn't get tipped because he likely did a shit job as a waiter.

      Well, since I haven't been a waiter in over 20 years, your rapier-like attacks on them isn't doing anything except prove that you can't grasp a simple comparison that has nothing to do with occupation.

      You say I miss the point, yet it's you and your stupid personal experience that is missing it. It takes a lot of time and effort to become a good writer, and the current system allows people to invest in that time and effort. Your system would totally destroy that. I guess we can go back and have what we did before; rich people paying someone to write or paint, but then only the rich get art. Just how I want our society.

      If only there were a method that you could INSURE your laptop against loss or theft...huh, if someone comes up with something like that, they could probably make a mint.

      Ya, because insurance will get the other stuff on my laptop back. Like my bank account details, the pictures I've taken so far on my vacation. Oh and thanks for reminding me of another expense; report the loss, and I get to pay higher insurance premiums, and let's not forget I still have an out of pocket deductable, which may mean I'm still out the full price anyway. YAY!!!

      Moron.

    68. Re:Fine idea. by Anonymous Coward · · Score: 0

      Aww, is someone sad cause he won't be able to hoard information forever? Those mean ol' hackers are making it hard for baby to charge money for something that costs him nothing? Poor thing, have a lollipop. Someday you'll have a real job and it'll all be better.

    69. Re:Fine idea. by The+Spoonman · · Score: 1

      And again, in those studies there is no way to prove that a person that downloaded initally actually purchased later.

      Sure there is, just check the receipts.

      Really? If I write a book, and no one reads it, it becomes part of our culture? Culture means "shared among a large group of people." Go look it up. You really are a dumb motherfucker aren't you?

      You're the one that said all books become part of our culture. So, that dumb motherfucking came from you.

      The majority of authors aren't the ones that sell 50 million, and NO author starts off selling that many. They start off having a small fanbase and have other retards that couldn't write a book to save their life say there are "many bad books on the market." You focus soley on those that have made something in their career. You never look at them though when they first start out. The way it is now, the "bigger" authors are helping the smaller one. Because Stephen King can sell 50 million, a publisher will take a risk on a smaller author that hasn't yet built his base.

      What precisely is the color of the sky in your little world? Very few publishers are going to take on a smaller author because the publishing industry is about selling books, not "art". They couldn't care less if some unknown author has the next great American novel or not. They're going to give a publishing slot to a known seller, given the choice.

      You seem to forget that all those "bad books" on the shelves are there because there ARE people out there that wish to buy them.

      Nope, sorry, not true. They're there because some publisher THOUGHT they could sell them. They languish on the shelves for a few weeks and then are sent on to book outlets that you see popping up all over the place. If they don't sell there, they're destroyed. For someone who claims to know the industry, you probably should actually spend some time here before spouting lies everywhere.

      They may not be a majority of people, and they never might be. Yet you would say what they enjoy is crap? Go fuck yourself. The system as is gives people a lot of variety, and beauity is in the eye of the beholder... not some pompus ass angry that he didn't get tipped because he likely did a shit job as a waiter.

      Wow, you really are one of the dumbest people I've ever talked to.

      You say I miss the point, yet it's you and your stupid personal experience that is missing it. It takes a lot of time and effort to become a good writer, and the current system allows people to invest in that time and effort. Your system would totally destroy that. I guess we can go back and have what we did before; rich people paying someone to write or paint, but then only the rich get art. Just how I want our society.

      Again, the color of the sky? The system, as setup today, does not encourage artists of any kind. The music industry, the publishing industry and the movie industry are all about making money. There's no "art" involved. If it makes money, AND can be considered "art", so be it...these industries are only interested in the former. They're designed to ripe all of the artistic content out of an artist, "tweak" it for maximum profit and then dumping it on an unsuspecting audience. Under the system proposed by the intelligent people (which is why you don't understand it), artists provide their works directly to the public and the public decides if they want to buy it or not. The artist loses nothing by doing so. By signing with a publisher/label/studio today, they give up their works entirely for a small (VERY SMALL) percentage of profits. You might want to read up on Nine Inch Nails. In particular, pay attention toward the end where they tried to give fans the right to remix THEIR music, but it was blocked by the label that "owned" the music.

      --
      Which is more painful? Going to work or gouging your eye out with a spoon? Find out!
      http://www.workorspoon.com
    70. Re:Fine idea. by Tranzistors · · Score: 1

      Taking the definition from the wikipedia:
      >A natural right is one that is claimed to exist even when it is not enforced by the government or society as a whole[..]
      Taking this definition, copyright is unnatural. Not only it has to be enforced by law, but this law is constantly broken. Not only it is not natural, it doesn't seem natural.

      >Constitution is natural, since people are natural
      With this statement you render term 'natural' useless. Can you name at least one thing, that is not natural by your definition?

    71. Re:Fine idea. by chazbet · · Score: 1
      I'd mod you up if I had points.

      Copyright attempts to place a legal restriction on what is technologically feasible, but what is technologically feasible will occur regardless. Our sad experiments with Prohibition and drug policy should teach us that. If obeying copyright is onerous compared with the ease of copying, copyright has no chance. If copyright terms were modest constraints with a reasonable and finite limit, society could put up with them for the relative benefit of enticing greater output. But the relative benefits ought to be measured against the real cost of attempting to stop the tide of improving ability to produce and transmit information.

      I fully agree the default ought to be maximum public access to use, copy, and modify, with the proviso that, in point of fact, technology is giving us the tools to assert public access despite restrictions.

    72. Re:Fine idea. by WNight · · Score: 1

      I know blueprints are protected, but the features they describe (cosy breakfast nook) are not.

    73. Re:Fine idea. by WNight · · Score: 1

      Your veiled insults are charming, thank you, they enhance the conversation.

      You miss my point about factual books. If we really wanted to protect the source of knowledge we'd work out a way to pay royalties on scientific knowledge. But we don't. It's perfectly legal to take a factual book someone else wrote and rewrite it in your own words, describing all the same things but with slightly different wording.

      Further, my point was that copyright was arbitrary, like patents and other 'IP'. The words of a lunatic are protected, but not the findings of a genius. Algorithms aren't patentable, unless you implement them as software. Copyrights allow independent creation of identical works resulting in two people owning separate copyright on their own work. Patents are first-come-first-served. Even if by all accounts someone overheard the inventor describe the machine to a friend yesterday he'd get the patent and the inventor would get nothing.

      If I invent something and you write a book about it, your work is protected far longer than mine even though by most reckonings 'Soul of a New Machine' was easier to write than the computer was to design.

      What written works would you want if you were trapped on a deserted island? Time magazine (60s and 70s issues) or Wikipedia? One was written for profit and wouldn't have existed without copyright, the other existed as soon as people had a collaborative place to create it.

      If we really wanted to reward people how about we take the money spent enforcing copyright, building DRM, etc, and simply give it, as a tax-free gift, to those whose inventions/creations have most enriched our lives in the last year. Obviously it's good for the life of the creator as some works have staying power. Or, we could just monitor what works people had/requested to see what was in demand and divvy it up that way. No monopolies. No ability to keep someone from accessing to work.

    74. Re:Fine idea. by WNight · · Score: 1

      Not the features they describe. Nobody could reproduce Falling Water's blueprints but they could commission someone to do something identical to it.

      Besides, it's arbitrary what is and that was my point. Some things are blessed and their creators enjoy government protected monopoly rights, other nearly identical things are not and their creators enjoy day jobs.

    75. Re:Fine idea. by WNight · · Score: 1

      How about, whatever people will pay for it? I have no problem with the idea of authors getting paid.

      But how about we find a way to do it that doesn't grant anyone monopoly rights over certain words. A way that doesn't necessitate the creation of DRM, or the DMCA to punish those who tinker. Ideally a way where nobody who wanted to access a work was ever denied.

      I don't want it to be illegal to show someone a book I'm reading, even if that means sending a PDF to my friend around the world. Books and other knowledge are, in the end, only useful when shared and copyright is about restricting our ability to do so.

      Sorry, I don't believe in restricting information to promote information.

    76. Re:Fine idea. by plague3106 · · Score: 1

      Sure there is, just check the receipts.

      And I'm sure all these surveys you quote did that. Sure..

      You're the one that said all books become part of our culture. So, that dumb motherfucking came from you.

      No I didn't. I see your reading comprehension is as bad as your debating skills.

      Wow, you really are one of the dumbest people I've ever talked to.

      I notice when you have no point you resort to insults.

      What precisely is the color of the sky in your little world? Very few publishers are going to take on a smaller author because the publishing industry is about selling books, not "art". They couldn't care less if some unknown author has the next great American novel or not. They're going to give a publishing slot to a known seller, given the choice.

      Hey, stupid, every publisher wants to sell the next great American novel, BECAUSE IT WILL SELL A LOT OF COPIES. And you call me dumb? You lack even the most basic of reasoning skills, in addition to not being able to comprehend English correctly.

      Nope, sorry, not true. They're there because some publisher THOUGHT they could sell them. They languish on the shelves for a few weeks and then are sent on to book outlets that you see popping up all over the place. If they don't sell there, they're destroyed. For someone who claims to know the industry, you probably should actually spend some time here before spouting lies everywhere.

      There's no increase in book "outlets." I know you will believe whatever you like, after all I know you can't handle being wrong. The reason some people never tipped you was because you probably sucked as a waiter. But you can't handle critism of yourself, so you invent nonsense and spout it as fact.

      Do all books sell well? No. That's why there may only be three copies of something on a self. But to say that most books follow yoru pattern is simply retarded. The book stores would all be out of business.

      Again, the color of the sky? The system, as setup today, does not encourage artists of any kind. The music industry, the publishing industry and the movie industry are all about making money. There's no "art" involved. If it makes money, AND can be considered "art", so be it...these industries are only interested in the former. They're designed to ripe all of the artistic content out of an artist, "tweak" it for maximum profit and then dumping it on an unsuspecting audience. Under the system proposed by the intelligent people (which is why you don't understand it), artists provide their works directly to the public and the public decides if they want to buy it or not. The artist loses nothing by doing so. By signing with a publisher/label/studio today, they give up their works entirely for a small (VERY SMALL) percentage of profits. You might want to read up on Nine Inch Nails. In particular, pay attention toward the end where they tried to give fans the right to remix THEIR music, but it was blocked by the label that "owned" the music. Giving away their music is working well for them. Note, they only charge $5 for the complete "CD"...which will net them higher profits than if they'd sold them through the labels at $17-18/CD. I read Rick Dakan's novel "Geek Mafia" for free...and then purchased a print copy of it. As soon as it fits in the rotation, I'll download the latest chapter, and if I like it, I'll buy it.

      Perhaps you should research why da Vinci painted the Mona Lisa or Michelangelo the Sistine Chapel. The fact that artists today give too much of their rights away is not a problem with copyright law, its a problem with artists negotiating their contracts. As an aside, NIN doesn't NEED to give anyone the right to remix; parady and remixes are covered under fair use.

      The new system works, that's why iTunes is doing so well. The old systems were in place to make publishers/labels/studios rich. The new systems are actually making the ARTISTS rich. And, really, isn't that what you want?

      iTu

    77. Re:Fine idea. by The+Spoonman · · Score: 1

      Well, this was fun yesterday, but you're either a clueless twit or a shill, so I'm done playing with you.

      --
      Which is more painful? Going to work or gouging your eye out with a spoon? Find out!
      http://www.workorspoon.com
    78. Re:Fine idea. by cpt+kangarooski · · Score: 1

      Blueprints were traditionally protected as graphic works, just like paintings. The structures described in the blueprints were not protected however. This changed, with the Architectural Works Protection Act of 1990 (yet another horrible thing added to our law due to our joining the Berne Convention); now, not only are blueprints doubly protected, but the buildings themselves are copyrightable as well. Some architectural features may not be protected, but some are, and of course, entire structures are as well.

      In one interesting case, a builder copied some plans, and unlawfully built the house described therein. The copyright holder sued for a permanent injunction against the homeowner ever selling the house, since it would be an infringing distribution. (First sale doesn't apply to unlawfully made copies)

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    79. Re:Fine idea. by plague3106 · · Score: 1

      Right, you keep telling yourself that anyone that doesn't agree with you is a twit or shill. Can't possibly be that your argument is crap, and you really don't know what you're talking about.

    80. Re:Fine idea. by The+Spoonman · · Score: 1

      Yes, you're absolutely right. You and your superior intellect win. Congratulations on your pyrrhic victory. I'm sure there's now a chance you'll get laid.

      --
      Which is more painful? Going to work or gouging your eye out with a spoon? Find out!
      http://www.workorspoon.com
    81. Re:Fine idea. by plague3106 · · Score: 1

      Ouch, must have hit a soft spot for you.. truth hurts, huh?

    82. Re:Fine idea. by WNight · · Score: 1

      I was meaning features like a porch, or open kitchen, etc. The implementation of these is protected but the general idea should not be.

      You could design a low-end house and have copyright protection. However, if you designed the best layout ever and optimized traffic flow, even if it revolutionized house layouts, you wouldn't get any monopoly rights or rewards.

      I mainly meant this to illustrate that we don't grant these rights to encourage creation, or we'd give them for actual creations and revolutionary ideas. It's just arbitrary welfare to some industries.

      btw, what is the standard for derivative works in architecture?

    83. Re:Fine idea. by cpt+kangarooski · · Score: 1

      However, if you designed the best layout ever and optimized traffic flow, even if it revolutionized house layouts, you wouldn't get any monopoly rights or rewards.

      Well, no, that's incorrect. A copyright wouldn't protect that, but a patent could. Remember, that the various rights schemes, such as copyrights, patents, and trademarks, don't overlap in what they protect, but that they may protect various and different aspects of a single object. E.g. an arcade game might have patentable gameplay and parts, copyrightable software and art, and trademarkable names and logos.

      I mainly meant this to illustrate that we don't grant these rights to encourage creation, or we'd give them for actual creations and revolutionary ideas.

      Copyrights don't protect any kind of ideas. They are, however, meant to encourage the creation and publication of creative works. Well, unless the system has been corrupted in some way.

      Given that architecture was a thriving field prior to the passage of the AWPA, and that it doesn't seem to be thriving even more than it had been, nearly 20 years later, it is obvious that copyrights for architectural works are a failure in that they have not encouraged the creation and publication of architectural works. It's other things -- the health of the housing and real estate markets, the need for new office space, the available money for public buildings, etc. -- that control that field. Since it has no beneficial effect, and since any copyright inevitably has a detrimental effect (which is only tolerable so long as the benefit outweighs it), the AWPA should be repealed, and copyrights for architectural works should be voided. It was a stupid idea at the time, and it's a stupid idea now. If it ever stops being a stupid idea, we can think about re-enacting it.

      btw, what is the standard for derivative works in architecture?

      Same as for anything else, with the caveats of 17 USC 120 and the noncopyrightability of "individual standard features" from section 101.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    84. Re:Fine idea. by cpt+kangarooski · · Score: 1

      How about restricting copyright to real live, breathing human creators of the work for their lifetime? There would be no selling, trading, for hire, assigning or inheriting of copyright. The originator can assign only commercial reproduction rights to one entity for an agreed upon time, not more than 5 years at a time. After 5 years the creator of the work may renew or not or make another 5 years agreement with another distributor.

      Why? If an author wants to retain his copyrights, or only license certain rights for a short term of years, he is perfectly free to do so under the present system. If he wants to sell his rights entirely, who the hell are you to tell him that he cannot? Authors are not children, and you are out of line for proposing such a paternalistic system. Authors should be free to make whatever deals they want, which they can get, just like everyone else, in every field.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    85. Re:Fine idea. by arminw · · Score: 1

      .....If he wants to sell his rights entirely.....

      Fine if that's what he/she wants to do. However, it has to be renewed every 5 years for the life time of the creator, a real live flesh and blood person, not a fictitious creation of the state. If not renewed, or upon death of the creator, the work becomes public domain. The creator may assign the renewal chore to someone else if wanted.

      This means for example that copyright for Mickey Mouse would have expired when Walt exited this world. The renewal requirement would allow works that the creator didn't care about any longer, enough to renew, to be available to all of us.

      --
      All theory is gray
    86. Re:Fine idea. by WNight · · Score: 1

      I was meaning something below the level of patentability.

      You know a pass-through (glassless window) between the kitchen and dining room? What if you were the first person to design this, or these days, to chop out the entire wall to open up the area? It's not technological, and can be described easily to your builder who could do the same, and can be varied any number of ways while still serving the same purpose. I don't think there are any protections that cover this sort of thing.

      My point was that it could end up being a society changing feature, but that because it doesn't meet the standard for copyright or patent (trademarks not really being relevant in this case) you wouldn't get a monopoly. Someone was saying that we need copyrights/patents to spur innovation - my point was that they are tangentially related to rewarding innovation and societal advances.

      This to illustrate my claim that we don't give these out to help the world or encourage invention (or we'd give them to people who do neat things, without restrictions on what accomplishments can be rewarded). Clearly they're just a bone to people doing specific things, in specific industries. Arbitrary as I said. Corporate welfare for the industries with lobbyists.

      Re: architectural works, it seems like you should be able to tour a building with a copyrighted design while taking detailed notes to have your architect design someone exceedingly similar. Like reading LotR and saying "Small weak hero, king of dying race, elves, unspeakable evil in attractive wearable form, etc..." to a ghost-writer who creates something with the same essential elements.

    87. Re:Fine idea. by cpt+kangarooski · · Score: 1

      Well, you do know, right, that even today, copyright terms are set depending on the kind of creator? Works that are created by a natural person have life+70 terms, and anonymous/psuedonymous works and works made for hire have the shorter of either 95 years from publication or 120 years from creation. (There are a few variations on this for more specialized cases; the rules are not a model of simplicity)

      So if, for example, Alice creates a work that is not a work made for hire, and then sells the copyright to BobCo, the copyright term would still be Alice's life+70. It doesn't change just because the copyright holder does.

      So I think that your objection is basically unfounded.

      Of course, I would prefer a flat term of years. Say, renewals every 2 years for a maximum of 24 years (i.e. the first term and 11 renewal terms), except for some kinds of work (e.g. computer software) which might have fewer renewals allowed. There's no good reason to have terms based on the life of the author. Terms should be as short as possible while encouraging the creation and publication of as many works as possible. Since in the vast majority of cases where there is copyright-related economic value to a work (which itself is rare), that value mostly comes in the first few years, if not earlier, longer terms don't make sense. Further, they add unpredictability to the system, since no one can make plans around the latest date that the work could enter the public domain.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    88. Re:Fine idea. by cpt+kangarooski · · Score: 1

      I was meaning something below the level of patentability.

      You know a pass-through (glassless window) between the kitchen and dining room? What if you were the first person to design this, or these days, to chop out the entire wall to open up the area? It's not technological, and can be described easily to your builder who could do the same, and can be varied any number of ways while still serving the same purpose. I don't think there are any protections that cover this sort of thing.


      They'd usually be unpatentable because they'd lack novelty or nonobviousness, I think. The pass through window seems to me like it would be patentable if it were invented anytime recently. Just because it lacks moving parts, or is essentially a negative space (i.e. it's not like a special kind of wall, it's a hole in any kind of wall) doesn't mean it's not patentable subject matter.

      Someone was saying that we need copyrights/patents to spur innovation - my point was that they are tangentially related to rewarding innovation and societal advances.

      Well, we don't need them, per se. There are lots of other incentives to create and invent that are unrelated to copyrights and patents. But they are a sometimes-useful artificial incentive to add to the natural ones. Copyright surely didn't cause Van Gogh's "Starry Night" to be created, but it probably did play an essential role in "Die Hard."

      In any case, though, no, they aren't a reward for improving anything. An copyright on a piece of Vogon poetry is just as much a copyright as a copyright on anything else. So long as the work is eligible, all copyrights and patents are the same. It is the market that rewards those who hold the rights to the works and inventions that the market values the most. The rights are just a funnel to ensure that those rewards go to the rightsholder, and not someone else.

      This to illustrate my claim that we don't give these out to help the world or encourage invention (or we'd give them to people who do neat things, without restrictions on what accomplishments can be rewarded). Clearly they're just a bone to people doing specific things, in specific industries. Arbitrary as I said. Corporate welfare for the industries with lobbyists.

      No, not if the system is working. Which isn't to say that it's working all that well right now. But they are meant to help the world, by (in part) encouraging certain kinds of creation and invention. Reinventing the wheel is not all that helpful, so novelty is a condition for patentability. Things that don't work are not helpful, so utility is a condition, etc. The restrictions are to encourage the right kinds of works and inventions, not to discriminate amongst the recipients of the rights.

      Re: architectural works, it seems like you should be able to tour a building with a copyrighted design while taking detailed notes to have your architect design someone exceedingly similar. Like reading LotR and saying "Small weak hero, king of dying race, elves, unspeakable evil in attractive wearable form, etc..." to a ghost-writer who creates something with the same essential elements.

      Yeah, you can do that. There's no bright line, though, between the idea and the expression. Go too far to one side, and people can unjustly copyright ideas merely for having expressed it in a single form. Go too far the other way, and someone can print their own DVDs of Star Wars just by changing a few names here and there so that it's not a 100% exact copy. So you have to be cautious.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    89. Re:Fine idea. by WNight · · Score: 1

      Well, I'd call monopoly rights a reward, even if I still had to make them profitable.

      I know that the government doesn't give a copyright on lame poetry as a reward, but it gives the reward of a copyright to encourage the industry in general.

      So my point was mostly that these are industry and circumstance specific grants, not a general "thanks for your good idea" reward.

      That's what I meant about the standards for patents. If we were just being nice and rewarding helpful ideas we'd reward anything original and useful. As is it must be unpublished, technological, etc. Not to discriminate, but discriminatory in that it selects only some members from a set.

      The guy who said "don't follow too closely in traffic" got nothing. The guy who put cats together with laser pointers got a patent. In other words, totally unrelated to social utility or actual inventiveness.

      I know this isn't news. I was merely using it to support my statement of 'arbitrarily granted', by which I mean not based on utility but on unrelated (political) rules (such as having to applying for a patent instead of just sharing the idea).

    90. Re:Fine idea. by cpt+kangarooski · · Score: 1

      Well, I'd call monopoly rights a reward, even if I still had to make them profitable.

      Why? The monopoly can only funnel the economic value of the work to the copyright holder; it can't create the value. A work that is a flop is a flop whether or not it is copyrighted. Just being able to say you have a copyright on something doesn't seem like it'd have much of an incentivizing effect.

      I know that the government doesn't give a copyright on lame poetry as a reward, but it gives the reward of a copyright to encourage the industry in general.

      Well, not merely to encourage them, but to encourage them when, and to the degree that, it serves the public interest.

      Not to discriminate, but discriminatory in that it selects only some members from a set.

      Well, that's because we're not all that interested in encouraging mere good ideas. The ideas have to be valuable enough in several ways to make encouraging them worthwhile. For example, they have to be novel, since we don't want to encourage people to reinvent things we already have. They have to be useful, since non-useful inventions aren't very valuable. They have to be reduced to practice, since raw ideas also aren't that useful; an idea that there should be an ftl drive is nice, but worthless since it's just an idea. A working ftl drive is far more valuable, and worth encouraging, and so we require reduction to practice of some sort.

      (political) rules (such as having to applying for a patent instead of just sharing the idea).

      If someone is willing to share the idea for free, without making it known that he desires a monopoly, why should we give him a monopoly? I'm perfectly happy to thank him, but since the monopolies are unavoidably harmful, they should only be granted when they yield a greater good than harm, and when necessary. People who invent for free don't deserve patents, since they weren't necessary to encourage them to invent.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    91. Re:Fine idea. by WNight · · Score: 1
      If merely owning a copyright has no value, why do people value them? Certainly a grant is a grant, even if you don't get around to using it fully.

      As for why we grant patents, consider this. If I had a working FTL drive and described it to someone at the wrong time, I wouldn't get a patent. If someone overheard me discussing notes with someone and wrote their own proposal, they'd get the patent. It's *not* about value to society, it's about complying to the rules that were left when the last leech was finished lobbying, to get a bigger scrape of the pie than you'd be given, if the rules weren't screwy.

      People who invent for free don't deserve patents, since they weren't necessary to encourage them to invent. When you reward something, what do you get? Are you proposing we reward innovating? No. Helping society? No. Boosting the market by rewarding good ideas? No. You're proposing we help someone who is a snoop and good at filling out forms, over the inventor of the thing they snooped.

      Patents are pretty much guaranteed not to be of use to society. Those who could, simply did. Those who couldn't whined until we gave them handouts. If we believe the free market to be effective, then why do we need to restrict it for its own good?

      If you want inventions, pay inventors. If you want people to fight over 'IP' rights, pay lawyers.
    92. Re:Fine idea. by cpt+kangarooski · · Score: 1

      If merely owning a copyright has no value, why do people value them?

      Do they? With the terrible laws on the books, virtually everything that anyone writes or draws is copyrighted as of the moment they are created; I don't recall people valuing those copyrights all that much. I suppose if someone were pretty ignorant and easily impressed....

      As for why we grant patents, consider this. If I had a working FTL drive and described it to someone at the wrong time, I wouldn't get a patent. If someone overheard me discussing notes with someone and wrote their own proposal, they'd get the patent.

      No. In the US, at least, a patent applicant has a decent amount of time to apply for a patent (the deadline is 1 year after the invention is first publicly used or described, or is offered for sale), and the patent can only be granted to the inventor, if it's granted to anyone, not merely the first person to register. Where there are multiple people claiming to be the inventor, each seeking the patent, an interference procedure takes place where the various applicants have to dig up evidence to prove who was the inventor, and who was merely the runner-up.

      Of course, the bad reforms currently being proposed would materially change this (if they're constitutional, which I doubt in some regards), but I'm opposed to them, and judging by what you've written, you probably ought to be as well.

      No. You're proposing we help someone who is a snoop and good at filling out forms, over the inventor of the thing they snooped.

      No, I'm not. Of course, if the real inventor never stepped forward, and no one else ever discovered that the applicant in such a case was not the real inventor, then it's hardly our fault that we were tricked into granting a patent to the wrong person. Fraud on the PTO is a serious offense, but it can be hard to know that it has happened.

      Those who couldn't whined until we gave them handouts.

      Well, no. You don't just get a patent; you have to invent something patentable, first. The PTO doesn't grant patents merely for whining about them. (Unless you discovered some sort of patentable method of whining, I guess)

      If we believe the free market to be effective, then why do we need to restrict it for its own good?

      We don't believe it to be effective. Patents, and copyrights, are government granted monopolies meant to help subsidize certain parties to do certain things. A free market is when everything is in the public domain; a specific invention or creative work is a commodity, after all, and should be priced accordingly.

      If you want inventions, pay inventors.

      It doesn't work that well, actually. It's been tried, historically, and it usually doesn't work out. The nice thing about the system we've got is that a patent doesn't incur a great financial cost to the public unless the invention is popular during the patent term. If no one cares (ever, or yet), then it doesn't greatly effect them. Contrast this with if we specifically paid bounties for inventing things, which would always incur a significant cost, even if it turned out not to be a worthwhile invention. Further, bear in mind that the bounties are almost always lower for desirable inventions than if we just gave the inventor a patent so that he could be a monopolist for years and years. Patents are a better incentive, and yet less of a burden on the public in many cases.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  14. Pirating software you own for your own use. by Anonymous Coward · · Score: 0

    I have a pattern I follow with digital media. As soon as I pay money for something, I back it up, then crack the working copy. (no matter what the file format, enough digging on the internet will eventually turn up a crack.) As soon as the DRM is rendered moot, that motherfucker is MINE.

  15. Where to buy by Deliveranc3 · · Score: 1

    irc.nullus.net

    Contribute please.

  16. so.... by Anonymous Coward · · Score: 0

    All your E-book are belong to us?

  17. reduced rights for reduced price by fermion · · Score: 4, Interesting
    When I bough a record I had the 'right' to copy that record onto tape and other medium, and, normally, I kept the record as a backup. I could in fact sell the original item, under the assumption, not always true, that I did not keep the copies The same is true for CDs. I do not think anything in the constitution or copyright law gives me the right to sell the copies and keep the original or vis versa, though I know many people did. Likewise giving copies to friends was not protected behavior, but it happened.

    With the VHS tape, we are not so lucky. Though VHS was relatively easy to copy, people want to put you in jail for ripping a DVD. Madness. Waste of police enforcement resources. But people are happy because frankly, in inflation adjusted terms, movies are comparatively cheap now, unless you pay the early adopter fee. In addition, studios add original content to DVDs so it not just the same old stale product.

    What I can't understand is how they expect to move towards downloaded movies, that cost more than a DVD and has less content, or ebooks that have nothing but restrictions. It is not that first sale doctrine should necessarily apply. We are not buying a physical product, at least not in most cases. But If I the lowly consumer must give up some flexibility, then so should the publisher

    And herein, I believe is the problem. We see overall that publishers are not making equal sacrifices. We here that studios are still charging packaging and return product percentages when there are not packaging or physical product. Likewise newspaper prices have been going up, allegedly, because of the increasing price of paper, ink, and transportation, yet many publishers refuse to leave those expensive relics behind. Evidently those items are not so expensive when compared to the loss of physical ad revenue. The NYT Times want $15 a month for the electronic edition.

    So here is the issue we are going to see with E-Books. Cost of a paperback, $8. Cost of an E-Book, $10. Fine, there is a connivence fee, but if I can't resell it, if I can't put it on whatever device I want to use a the moment, I can;t return it the next day, then why the hell am I a paying the same amount for a book? To maintain the luxury corporate offices in New York, Paris, and London. I don't think so. Just like iTMS, Just like the DVD, if you are going to restrict use, give me something in return. For books the logical thing is price. No paper costs, no overstock costs, no shipping costs. I know the publishers are saying, well, a hardback is $30, so we are giving you a 60% discount. But you are not. I could wait a month or two and buy that hardback second hand for $10. Now I can't. The publisher will be getting all the money for every sales. So compromise and don't be the greedy bastards that never learn and put this country on the brink of financial crisis every 40 years of so. Sell the ebooks for $5-8 and I bet that all this will go away. If you are going to create a market where you control everything, be a compassionate fascist and give your peasants a break.

    --
    "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    1. Re:reduced rights for reduced price by zenkonami · · Score: 1

      I have to agree with this. In fact, I think one of the best solutions to the problem of selling digital media is to price is significantly lower. I think the consumer is smart, and knows that, in this case, we aren't laden with the overhead of paper costs, artwork, binding, shipping, marketing materials, etc... Consequently, many of those jobs would have to go away. Consequently there is no reason for an E-Book to cost as much as a hardcover. You'd think this would be a boon for publishers, actually. They could churn out more product with less work. They could have a much wider array of authors on their roster, because if someone isn't selling, it really isn't costing them nearly as much (especially taking into account strips and remainders.)

      There is very little involvement necessary at this point in creating a book and selling it electronically. The author -- The file -- The publisher -- SOLD -- The reader. In many cases, the author might do better serving as their own publisher if they have sufficient notoriety to support themselves and market their work. Either way, there is very little physical cost in that chain. You're not paying for all those things I mentioned above.

      --

      Do You Experiment?
    2. Re:reduced rights for reduced price by Anonymous Coward · · Score: 0

      And this is exactly why the current ebook or audiobook business models are doomed. They are fantastically overpriced, most people won't touch them. Let alone the issues of giving them away when they are through with them.

    3. Re:reduced rights for reduced price by pbhj · · Score: 1

      >>> The publisher will be getting all the money for every sales.

      Why would any currently established author bother using a publisher?

      (1) Rent some web-server space and a reasonable web-tech (developer/designer),
      (2) pay your Adobe ebook license fee and distribute it yourself
      (3) ... [I must have missed something]
      (4) Profit.

  18. Garage Sales by the_Bionic_lemming · · Score: 4, Interesting

    Garage sales sell lots of books for oft near a dime.

    I have at least a years backlog built up to read.

    If people turn their backs on the cash grab, then the folks trying to grab cash will painfully learn the lesson.

    --
    _ _ _ Go for the eyes Boo! GO FOR THE EYES!
  19. Hypothetically... by Anonymous Coward · · Score: 1, Interesting

    Does this mean if I purchase DRM'ed videos, I can sell my hard drive that contains them?

    1. Re:Hypothetically... by calebt3 · · Score: 1

      Along with any personal data you might have left on there. Sure.
      As long as you didn't get the video from an optical disc.

  20. Um, duh ? by Gothmolly · · Score: 1

    So you buy a weirdly-licensed 'electronic' book, and then somehow later, when you go to sell it, its either electronically or legally crippled? Hello, cash is king, its either a book or it ain't. Don't be too proud of the technological terror you've spawned.

    --
    I want to delete my account but Slashdot doesn't allow it.
  21. Okay then by warrior_s · · Score: 1

    as I understand... they are saying that we do not own the physical copy of the book so that is why we can not sell it..

    Then using this same logic .. how can *they* sell the electronic copy in the first place?

  22. Re:This is 100% consistent with current copyright by molarmass192 · · Score: 1

    Ok ... so, sticking with the I'm selling the physical media, not the content, line of reasoning, here's my argument; I purchase the eBook, then a) print a hard copy -then- b) burn the file to a CD. According to the "physical manifestation rule", I could sell either the pile of paper, the CDROM, or my eBook reader without violating any laws?

    --

    Good people do not need laws to tell them to act responsibly, while bad people will find a way around the laws-Plato
  23. Fixed ideas. by Anonymous Coward · · Score: 1, Insightful

    "Short answer: those restrictive licenses may very well be legal, and even if you had rights under the first sale doctrine, you might only be able to resell or give away your Kindle -- not a copy of the work."

    The price of quick convienence is issues like this arise. This is why the part in copyright law about being in a "fixed medium" should have been the norm. Buy your digital books fixed onto a memory chip. Loaning, selling, etc would have been the same as a physical book. The only difference is that your reader allows only limited copies (like a library would) and not retain any backups (like a dead tree book).

    ---
    Heh! My captcha is "deterred".

  24. And "The People" too... by Jane+Q.+Public · · Score: 1

    Quote: "While the restrictions on e-books may initially seem inconsistent with the rights granted for hard-copy books, these differences are the consequence of new digital products outgrowing traditional copyright doctrines. Such issues are currently being examined by legal scholars and industry insiders, but only time will tell whether this degree of control over digital media is acceptable to society."

    First off, I disagree that "digital products" have "outgrown" anything. On the contrary, I fail to see any new issues that digital text brings to the table. These very same issues were debated hundreds of years ago, and the circumstances are not substantially different at all. The solutions were the body of copyright laws we have enjoyed for the last couple of hundred years (until recently, that is). And those laws cover the issues just fine!

    Second, in response to the final sentence of the quote above: I don't think we have to wait to see what society thinks of "this degree of control over digital media". The people are pissed. They are staying away from copy-protected music in droves, and have been straining hard to crack DRM where it is found.

    The people HAVE spoken and are speaking. And they are clearly saying "NO!" Loudly and repeatedly.

    1. Re:And "The People" too... by rohan972 · · Score: 1

      On the contrary, I fail to see any new issues that digital text brings to the table. These very same issues were debated hundreds of years ago, and the circumstances are not substantially different at all.
      As I understand it, one difference that digital text brings is a difference in the reason for copying. Specifically, when copyright laws were introduced, the copying being prevented was commercial, ie printers producing books for sale without paying the author. The possibility of someone making a copy of a book for their neighbor would have been remote, taking a book and distributing copies worldwide for free impossible. Now, much of the copying is done by individuals who are not in business producing copies at all.

      In the first instance, the printers were not changing the market books were sold in, they were taking share of that market without paying royalties. Each copy still had to be paid for, even if they could be produced marginally cheaper. The physical production and distribution of the book still had to be paid for.

      In the second instance, the copiers are changing the market, diminishing or even possibly destroying the business model of charging per copy. The production and distribution of copies can be done at virtually zero cost.

      I'm not arguing the rightness or wrongness of it, but it is certainly different. Whether people think it's right or wrong, there seems to me to be another profound difference: The unauthorised printers could be found and stopped. This largely does not seem to be the case with digital copying.
    2. Re:And "The People" too... by harlows_monkeys · · Score: 1

      First off, I disagree that "digital products" have "outgrown" anything. On the contrary, I fail to see any new issues that digital text brings to the table

      With digital products that are not tied to a physical medium, one major new issue they bring to the table is that a used copy is as good as a new copy.

      Think about that a minute. If I buy a copy of a normal book, and read it, and sell it to a used bookstore, that copy is going to be a little worn. And if you buy that used copy, read it, and sell it, it is a little more worn, and so on.

      Since people like new books better than used books, this puts a limit on the secondary market. Not so with a digital book.

      Let's do some numbers, to get a feel for this. Say a new digital book sells for $10. Someone opens a used digital book site, which buys the used books for $8, and sells them for $9. I have no idea if $8/$9 would be what the market will settle on, but the exact numbers don't matter.

      As a reader, I have no reason to buy my books from the publisher for $10, if I can find them for $9 at the used site.

      Furthermore, if I think I'm going to read a book 9 or less times, I have no reason to keep it. Buy it for $9 the first time, and sell it back for $8 when I'm done. If I want to read it again, I can buy it again, and sell it back when done again. It effectively costs me $1 to rent the book for a single read, versus $9 to buy it.

      When a new book is released, you'll have the first few readers buy it from the publisher. As the faster readers finish it, and sell to the used site, some new readers will pick it up there. So what you have is a rapidly growing used market, which, unlike with physical books, is a perfect substitute for the new books from the publisher.

      Essentially, the original publisher's market size is the maximum number of people that want to be reading the book simultaneously.

      And note that because the book is purely a digital file, the storage costs for the used store are insignificant, as are the transaction costs for buying and selling. In fact, the used bookstore site could be set up to pretty much run itself. It could make a profit with the spread between their buy price and sell price being much lower than the $1 I hypothesized in my example. And there will be competition between different used sites, which will drive the spread down. I think the spread will be pennies, not dollars.

      Consider what that means. If you can sell back a used digital book for $0.10 less than what you paid for it, it now might take a hundred reads to make it worth keeping the book, instead of buying it temporarily whenever you want to read it. This ensures that most people will immediately sell back any book they read, which makes sure the used market always has a good supply of every book.

      The good news for the reader is that this greatly lowers the cost of reading. The bad news for the publishers is that this means that when they publish some new book, a lot more of us readers will be willing to wait--we have a bunch of other material from the used stores to read. We can wait for the new book to show up used. The number of people who will want to simultaneously read a new book will be much lower than it is now.

      So, what digital text brings to the table is a complete and fundamental change in how the book market works

  25. Re:This is 100% consistent with current copyright by icegreentea · · Score: 2, Insightful

    Wouldn't that run into some problems with reproduction? This is why photocopying and book and then selling the photocopy isn't allowed, or why the DVDs on sale in Chinatown for 3 bucks are illegal.

  26. Easy solution: hard copy by MasterC · · Score: 4, Informative

    The Kindle is $399. The books listed on the Kindle page are $9.99 each. Picking a random book: Sue Grafton's T is for Trespass. Kind price: $9.99. Hardcover price: $17.79.

    (Something I find extremely interesting is Amazon compares the kindle price to the hard cover list price ($26.95) AND does not link to any other versions of the book, but the hard cover sure does. It seems they are intentionally wanting to give the false sense of "what a deal!" and making it harder to jump to a non-kindle version.)

    $7.80 may look like a lot (Amazon will tell you $26.95-$9.99=$16.96 ...more than double the market price difference) but is having the ebook worth the difference? Grafton's previous book -- S for Silence -- is $7.99 for paperback ($4.24 if you buy 3rd party to Amazon) and $6.39 for Kindle (again, Kindle page doesn't list other editions). A whopping $1.60 difference. $1.60 to [legally] be permanently locked to that copy with your Kindle with no rights to sell that copy to any one, nor transfer to other devices, etc. (I don't think I need to list them).

    Is $1.60 (or -$2.15 if 3rd party) or $7.80 worth it to switch to Kindle? Not to me, so I'll stick to being a tree-killer. I won't ever switch to ebooks that trap my money and ability to do as I please.

    (I also don't own HD DVD (hah!) nor Blu-Ray and never will until I can play them under my OS of choice, but I digress.)

    Honestly, if it comes down to DRM books and DRM movies where I can't read/play on the device of my choice then I'll happily give them up. But it won't be for long because the time will come when good creators of books and film will not be hamstrung by those who demand DRM. That is if the recent digital "experiments" by known musicians are of any indication.

    --
    :wq
    1. Re:Easy solution: hard copy by DetpackJump · · Score: 1

      (Something I find extremely interesting is Amazon compares the kindle price to the hard cover list price ($26.95) AND does not link to any other versions of the book, but the hard cover sure does. It seems they are intentionally wanting to give the false sense of "what a deal!" and making it harder to jump to a non-kindle version.) That's simply not true. Look at The God Delusion, for example, and they compare against the list price of the paperback, not the hardcover. The book you picked is only available in hardcover, except on the secondary market (and if you look, one of the ones they list is actually the hardcover). Also, the page for the book you mentioned links to all the other version of the book which are available.
      # Also Available in: Hardcover | Paperback | Audio CD (Audiobook,Unabridged) | Audio CD (Abridged,Audiobook) | Hardcover (Large Print) | Audio Cassette (Audiobook,Unabridged) | All Editions http://www.amazon.com/T-is-for-Trespass/dp/B000W915M6/ref=sr_1_1?ie=UTF8&s=digital-text&qid=1206253865&sr=1-1

    2. Re:Easy solution: hard copy by Anonymous Coward · · Score: 0

      (Something I find extremely interesting is Amazon compares the kindle price to the hard cover list price ($26.95) AND does not link to any other versions of the book, but the hard cover sure does. It seems they are intentionally wanting to give the false sense of "what a deal!" and making it harder to jump to a non-kindle version.)

      Gently put. Well done.

      I worked in new and used books for a while. Hardcovers, as much as I prefer them, do not sell. Hardcovers only have a viable market because they are forced on customers by witholding the softcover option for the first print run. The moment there is a choice, the hardcover sales are trivial, new and used. It's dishonest to compare the kindle price to the hardcover.

      And funny you should mention Sue Grafton, because that genre has the lowest demand for hardcovers, and the highest customer resale rate. The bulk of those readers count on trading in paperbacks for other books in whatever series they're working through at the moment. This non-resellable kindle business is a stupid gouge that doesn't reflect the reader market at all. Which is a missed opportunity because these people are perfectly happy to spend a few dollars each time, but gouge them like that and they /will/ say fuck it and just take an illegal copy of an ebook, or ignore ebooks altogether.

      Price ebooks correctly and you've got a real market: most people have limited shelf space. Price ebooks to reflect their non-resale value, pack them into bytes instead of inches, and give readers the warm knowledge that each one they've bought put a couple of dollars directly into the pocket of the author they like. Done correctly, ebooks will encourage the creation of more new works. Right now publishers are doing exactly the opposite
    3. Re:Easy solution: hard copy by MasterC · · Score: 1

      That's simply not true. Look at The God Delusion, for example, and they compare against the list price of the paperback, not the hardcover.
      Oh, holy crap dude. My point still stands that they compare to the list price and not their selling price. It's still deceptive.

      Also, the page for the book you mentioned links to all the other version of the book which are available.
      That goes to another complaint I've had about Amazon with time: their pages are choked full of crap that is basically the antithesis to the minimalist "Google design". I didn't even *see* that list you quoted.

      Look at the paper version and its right there at the top that links to the other versions. Hardcover shows the same thing. Audio CD shows the same thing. The Kindle is the only of the seven editions that does not have this "Also Available In" box right at the top. The *only* edition. Ditto for The God Delusion.

      Really, your rebuttal is nit picking the finer points of my post and doesn't refute my thesis: Amazon is trying to deceive users into buying Kindle.
      --
      :wq
    4. Re:Easy solution: hard copy by MadUndergrad · · Score: 1

      Me, I'll just buy the book in physical form and pirate the e-book version to read on my xo. I like having the dead-tree version anyhow, and I'll be damned if I'm going to pay twice for the same thing. Where's the extra cost? A little OCR work? Bah.

    5. Re:Easy solution: hard copy by kalirion · · Score: 1

      Can't they just make DRM transferable? As long as there's only one working copy of the work at a time, that should be fine with them, no? You would be able to resell/transfer the license to another party, but your own copy would become invalid in the process. Same for transferring it to any other DRM-compatible device you own.

  27. Re:This is 100% consistent with current copyright by CajunArson · · Score: 1

    That's exactly right. Doctrine of first sale is independent of making unauthorized copies.

    --
    AntiFA: An abbreviation for Anti First Amendment.
  28. Re:I got a better lawyer^Widea by Fael · · Score: 3, Insightful

    What a stup

    (PLEASE WAIT FOR AD TO LOAD ...)
    (ENLARGE YOUR PEN1S NOW ASK ME HOW)

    endously great idea.

  29. Dosnt Matter by BountyX · · Score: 1

    In the end its all free and public anyways. Ebooks, software, music. Dosn't make it right, but I wouldn't worry about any ebook restrictions becuase people will always find a way to distribute if they have the will. I'm not supporting copyright infrindgment, I'm just saying the licensing will have little effect on what's available in the public domain (legitimate or not).

    --
    Trying to install linux on my microwave, but keep getting a kernel panic...
  30. Truth in advertising by LihTox · · Score: 4, Insightful

    What lets companies get away with this is that consumers don't know about it, and stores toss around words like "buy" and "sell" when the more appropriate term might be "(indefinite) lease". Let's pass a law forbidding e-book sellers from saying in their advertising "Buy this e-book!" or "We have e-books for sale!"; if they are forced to say "Buy a license for this e-book!" or "Lease this e-book!" and consumers will get the idea that something is up, and become informed.

    Ditto for DVDs, music, software, or anything else where the manufacturer claims to be selling licenses.

    1. Re:Truth in advertising by xtracto · · Score: 1

      Yeah, and while doing that, the license should enforce advertisers to state "buy this dead tree with some spilled ink forming specific glyphs which we are licensing for you to see but not to reproduce"

      Because you know, when you obtain a dead-tree book, you are just buying the paper, but the content is still not yours.

      --
      Ubuntu is an African word meaning 'I can't configure Debian'
    2. Re:Truth in advertising by base3 · · Score: 1

      The paper book doesn't evaporate when you buy a new computer or reader. The paper book can be lent to a friend or sold. I agree with the OP that the word "buy" shouldn't be allowed to be used in advertising any DRM-tethered "product".

      --
      One CPU cycle wasted on digital restrictions management is ONE TOO MANY.
    3. Re:Truth in advertising by Tranzistors · · Score: 1

      This should work in EU, there costumer deception is against the law :)

  31. Easy solution: hard TO copy by Anonymous Coward · · Score: 0

    "But it won't be for long because the time will come when good creators of books and film will not be hamstrung by those who demand DRM. That is if the recent digital "experiments" by known musicians are of any indication."

    Ahem! I suggest you read the section on DRM. The issue isn't black and white.

    1. Re:Easy solution: hard TO copy by MasterC · · Score: 1

      Ahem! I suggest you read the section on DRM. The issue isn't black and white.
      I propose that it is black & white. DRM exists to allow a producer to dictate what the consumer can and cannot do. Anyone who desires to dictate what a consumer can and cannot do, I contend, will not provide more freedom than the law allows and so will always remain on my black-list.

      If I can't do more with an ebook than I can with a paper book then I don't want it. Ever.

      If I can't buy an iTune and put it on a portable player of my choice then I don't want it. Ever.

      If I can't buy a movie and watch it on my platform of choice then I don't want it. Ever.

      It's very black & white for me, but I'm a liberty-toting libertarian: what do you expect?
      --
      :wq
    2. Re:Easy solution: hard TO copy by leabre · · Score: 1

      I agree. Back in 2002/2003 I purchased a great deal many ebooks. When my system crashed and I had to get a whole new PC there was no way to recover my ebook at read them on my PC.

      I purchased a very expensive ebook for a technical database theory book that wasn't easy to find printed ($300 if wanted it in hardcover) but when I went to unlock it (I pad half as much for the e-copy) the publisher had recently gone belly up (versatext I believe it was) so I wasn't every able to unlock to ebook and the middle-man who sold me the ebook actually knew they went belly up but wouldn't refund me or credit me. Not that maybe I couldn't have sued, it wouldn't have been worth the expense of the trouble.

      Since then, I've actively refused to purchase anything that will lock me to a device without recourse and this includes certain types of software activation schemes that lock to the hardware configuration, also.

      BluRay and HD-DVD and DVD are okay with me because they can be backed up with the right software. But I'm not in the mood to even attempt to rip an EBook, I simply won't stop purchasing the printed copies. I have a personally programming book library of over 900 books collected over the past 10 years or so, too. Nothing beats being able to take a 5 lbs. book with me to read wherever I choose. But I'll admit, it would be much better to put them on a memory chip and take them all with me or have them in case of a fire or something, so it won't be so difficult ot replace.

      In the end, though, ebooks are not always cheaper than printed. Many of the printed books I've purhcased in the last year on Ebay or used on Amazon I've picked up for as much as 80-90% discount from the new price and some even for $2.00 where they were listed as $74.88 new. I e-copy will never be discounted with age. If anything, the older that locked format the less likely I'll be able to use it with new devices as there will always be a new DRM scheme or ebook format for the devices of tomorrow. Old copies will become useless and financial losses.

      Thanks,
      Leabre

  32. Re:I got a better lawyer^Widea by zotz · · Score: 1

    No thanks to the advertising in my books.

    The last time I was prompted to write on eReaders and eBooks I put this up:

    http://zotzbro.blogspot.com/2007/11/ereaders-and-ebooks.html

    I sure hope these nasty plans don't end up having a place in my life. I hope others manage to stay away too. We can do better.

    all the best,

    drew
    http://packet-in.org/wiki/index.php?title=Main_Page
    Packet In - net band making libre music. You can get some gratis.

    --
    FreeMusicPush If you want to see more Free Music made, listen to Free
  33. nimp.org by symbolset · · Score: 1

    I've written this up here. Classic GNAA troll turns virus link spammer. Avoid.

    --
    Help stamp out iliturcy.
  34. Re:This is 100% consistent with current copyright by Cadallin · · Score: 1
    Sorry, but while the case law may be clear on the issues, that is irrelevant. The judgements are bad law, in the same style as the doctrine of "Separate but Equal."

    Sorry, but technology has developed, and as a result, some things are less valuable than they used to be. Shockingly, the buggy whip makers want to maintain the value of their product, but that's just not in society's best interest.

    Also, Privity doesn't matter. For a number of reasons. Arguably, these are contracts made in bad faith on the part of the sellers. Hell, the provisions often made for denial of liability by sellers make them so on their face. Whether the legal system chooses to acknowledge this or not, it certainly provides the moral backing for Civil Disobedience. Other grounds include the highly questionable benefit of these corporations at serving society's interest in the promotion of art.

  35. Re:Not only that... by Anonymous Coward · · Score: 0

    But Yahoo! News has been reporting a whole load more reasons for this movement. It's worth a look. You've got fail.
  36. we do not own the physical copy... by freedom_india · · Score: 1

    ...and they do not have our physical money. Hence they can't "spend" the money we pay them for the book except under conditions we specify.
    I faced the same issue with a now-defunct ebook retailer: www.paperbackdigital.com
    I had bought about 8 mobi format ebooks from them and when i needed to visit their website to reset PIDs for my PocketPC, they were closed.
    I felt like a dork.
    Fortunately my credit card was just billed, so i disputed all the payments i made to them.
    If i can't get their product, they can't get my money.

    --
    "Doing what i can, with what i have." ~ Burt Gummer
  37. Re:I got a better lawyer^Widea by Junior+J.+Junior+III · · Score: 1

    Content isn't king in any advertise-subsidized medium, it's the advertiser's revenue streams. They'll censor what they fear will alienate their viewers, they won't subsidize what they think won't sell. Advertising is horrible for content, unless the power that the sponsorship dollar holds over creators and audiences can be limited.

    --
    You see? You see? Your stupid minds! Stupid! Stupid!
  38. The simple solution is ... by celtic_hackr · · Score: 1

    to always download your e-books onto a blank memory stick. Then you should be able to use the first sale principle. However you'd have to be able to prove that the stick you sold was the original download. Selling a copy of one's book could never be legal without throwing out the Constitution and copyright law around the world. One can't legally sell a copy of one's Harry Potter book that one xeroxed off on that fancy color copier at work either. So people stop whining about not be about to sell copies that they morally and legally shouldn't be doing anyway. Of course, IANAL, and there is that contractual thing that you agree to when you buy a book from these leaches, so that has to be considered too. Or you can get your e-books free from the Gutenberg project. Or you can get a REAL book and not be bothered with this crap. Then you are free to cut it apart and scan it in yourself, you lazy pucks. ;')

  39. Re:This is 100% consistent with current copyright by dangitman · · Score: 1

    However, looking at statute there are exceptions to first sale. One is rental of music: Ever notice how you can get a movie from Netflix but not a CD?

    I don't think this has anything to do with the 'first sale doctrine.' Rather, Netflix is in the business of renting movies, not renting music. There's no law stopping them from renting music CDs if they wanted to. That's just not the market they are going after. If they were after that market, then they'd probably be called "Netmusic" instead of "Netflix." Does anybody really want the CD rental market,anyway?

    --
    ... and then they built the supercollider.
  40. Re:This is 100% consistent with current copyright by Anonymous Coward · · Score: 1, Interesting

    But if I do, in fact, delete the file after sending it then it's not a copy.

    Since the deleting part is not verifiable and violates human nature, the courts give the copyright owner the benefit of the doubt at the expense of the buyer's first sale rights.

    DRM could be used to verify that the deletion happened, but the copyright owners have no incentive to set up such a system.

    Perhaps the courts will eventually figure this out and shift the benefit of the doubt in the consumer's favor.

    If the copyright owner is not willing to set up a civilized DRM system, then the buyer should be trusted to perform the deletion.

  41. Takes an hour to OCR a book by slaingod · · Score: 1

    It only takes an hour to OCR a normal 3-400 page book. Problem solved. It takes even less to simply scan it in and use a 15MB PDF to read. If you are really desperate you could set up a kindle with decent lighting and a high megapixel digital camera and snap away to your hearts delight. 2-3 seconds per page * 300 (if you do single side, 150 if you do both at once) is 10 minutes to 'scan' a book. You could probably even automate it, if Kindle has an auto page turn feature, or you have something that can press a button every once in a while.

    --
    http://blog.slaingod.com
    1. Re:Takes an hour to OCR a book by russotto · · Score: 1

      Sure, bypassing DRM is simple enough. I've suggested loading an OCR font onto a book reader to do it, or even a digitally encoded font to make the OCRing even faster. But the fact that bypassing DRM isn't too hard doesn't make DRM acceptable, particularly when both the bypassing of the DRM and the process that it enables (reproducing the book without the permission of the copyright holder) are illegal.

    2. Re:Takes an hour to OCR a book by slaingod · · Score: 1

      A lot of 'reader' software only support certain fonts, though it might be possible to rename an OCR font as Times New Roman for instance. But typically even this isn't necessary. On windows for instance you can use DPI settings or choose large fonts combined with a very high screen size (think virtualization) to screen capture anything out there currently with 99.99% accuracy (ie. one error every 10 pages-ish). Can't screen cap something? That's what virtualization was made for... screen cap on the host, not the guest.

      Obviously OCR fonts and the like don't work for Kindle, but 8Mpixel screen shots (or HD video) of it probably would, assuming the camera was mounted. My point was to offer a practical solution to the 'they don't let us, so what do we do' sentimentality of the post. I think the 'DRM isn't acceptable' posts on SlashDot have pretty much been covered. My point was that it isn't too hard to get around on a personal level, and as long as you don't distribute your efforts, there is no (very low) risk.

      --
      http://blog.slaingod.com
  42. Link also INSTALL VIRUS by Billly+Gates · · Score: 1

    Thank god Nod32 blocked it. Or part of it??

    Running a full virus scan right now.

    Anyone who clicks on it I would advise you to remove the exploit.dialogArg.A virus. Hopefully firefox 2.0.12 patched teh javascript vulnerability it uses to install itself.

  43. Re:This is 100% consistent with current copyright by MulluskO · · Score: 1

    "There's no law stopping them from renting music CDs if they wanted to."

    Apparently, there is. Ditto for computer software except for limited purpose machines like video game consoles. You can read it for yourself -- or maybe you can't.

    --

    Too busy staying alive... ~ R.A.
  44. Re:I got a better lawyer^Widea by glitch23 · · Score: 1

    Embed advertising in ebooks, the same as in magazines and newspapers, and give the ebooks away.

    Oh no, don't lend credence to pay per click ads in PDFs.

    --
    this nation, under God, shall have a new birth of freedom. -- Lincoln, Gettysburg Address
  45. E-books comments by Anonymous Coward · · Score: 0

    These are the exact reasons that e-books have never held much interest for me, at least regarding content that I would have to pay for. The hard copy of most every book can be bought at an extremely cheap price if you're willing to wait until some schmuck lists the book on Amazon for a penny.

    Also, our library system has a complicated and convoluted process so that library card holders can download audio books as well as e-books, but the format is so restrictive that it wasn't worth the bother. I can't copy the sound files to my MP3 player and I can't move an e-book to the portable device of my choice. If I'm going to sit there connected to the Internet using my desktop or laptop, then I'll just buy the real book used or check it out from the library. At least if I buy a real book, I can do what I want with it when I'm done.

  46. Re:I got a better lawyer^Widea by popo · · Score: 2, Funny

    Until someone develops an AdBlock for eBooks.

    I just removed AdBlock from my system for exactly this reason. One can't bitch about draconian efforts to extract money from consumers, and then circumvent the one last option left to content producers: ad revenue.

    .

    --
    ------ The best brain training is now totally free : )
  47. Limited times. by Spazmania · · Score: 1

    I'm pretty sure that the "limited times" were intended to be well inside the lifespan of the author/inventor. I wouldn't care so much about reselling my copy if I knew it would be public domain in 10 years anyway.

    --
    Moderating "-1, Disagree" is simple censorship. Have the guts to post your opinion.
    1. Re:Limited times. by NormalVisual · · Score: 1

      Exactly - from the creator's perspective, current copyright terms are not of a "limited time" at all.

      --
      Please stand clear of the doors, por favor mantenganse alejado de las puertas
  48. Mod Parent Up and REJECT BOOK ADVERTIZING!!! by RobBebop · · Score: 4, Insightful

    Actually, don't mod parent up because he was an Anonymous Coward, but as an aspiring author I would say that anybody seeking to use their writing to shill for advertisers does not deserve to be read.

    I am in support of the business model where readers can experience an author's work from a free digital download... and then vote with their pocketbook by making a "donation" if they think what they "experienced" was worth it.

    That is --- "read now, pay later". I think the days of "pay now, read later" are numbered.

    Then again, I am continually refining my manuscript so that it will be readable for a mass audience. As is, the compliments I get are that the "story" is awesome but the actually story-telling is lacking (which I am, of course, working on).

    --
    Support the 30 Hour Work Week!!!
    1. Re:Mod Parent Up and REJECT BOOK ADVERTIZING!!! by tomhudson · · Score: 3, Interesting

      What is so bad about having, for example, a mention in the acknowledgments or preface "this book sponsored by so-and-so"?

      Just because web advertisers overdo advertising to the point that we're all pretty much "ad-blind" doesn't mean that, properly done, an ebook won't be effective.

      Most books don't even earn thair advance money - which is typically less than $5,000 http://www.tobiasbuckell.com/2005/10/05/author-advance-survey-version-20/ - note the comments about self-selection that would tend to bias the reported amount upward.

      So, rather than having a seriously limited run, why not make it so that it's free for people to pass around, etc? The books that are little more than ad-paks will be displaced by the higher-quality books with only one or two ads, since people are more likely to find the latter more useful and more likely to pass a copy or 5 along to friends and coworkers.

      "Free is good" - free as in cost, free as in the right to make copies and pass them along, free as in the author can choose who and how the sponsor is presented in his or her work.

    2. Re:Mod Parent Up and REJECT BOOK ADVERTIZING!!! by RobBebop · · Score: 2, Interesting

      What is so bad about having, for example, a mention in the acknowledgments or preface "this book sponsored by so-and-so"?

      I want to answer your question with one of my own. What is so bad about having legislators or judges in the government who are sponsored by so-and-so? I admit that the comparison between entertainment and politics is extreme, but hopefully you agree that ensuring a stream of money to finance future projects is as important for writers as it is for politicians. A writer who takes money from Exxon might be tempted or persuaded to change minor points in his or her plotline to be more oil-friendly.

      "Free is good" - free as in cost, free as in the right to make copies and pass them along, free as in the author can choose who and how the sponsor is presented in his or her work.

      I agree. In my original post I mentioned giving readers a "read now, pay later" option. This would benefit the economy by ensuring that only authors with good stories will develop readerships. And *those* readers with tell their friends. And a fraction of the satisfied readers will click on the appropriate "Donate now" links on the novel's website and the author will get a very clear idea whether people are "buying" his (or her) work or not. In theory, writers who sell well will get the coveted opportunity to quit their day jobs and write full-time.

      I even encourage giving interested parties the freedom to develop derivative works, but only on stories which have produced a certain level of revenue to satisfy the needs of the author (i.e. to prevent Hollywood from producing a film and profit from it without paying a dime for the rights). You can read more about that theory here.

      --
      Support the 30 Hour Work Week!!!
    3. Re:Mod Parent Up and REJECT BOOK ADVERTIZING!!! by LatencyKills · · Score: 1

      I've got to disagree with you there. I have a friend who has now published three books on dog training for hunting, each one with a full page ad on the back cover for whatever dog food company paid to have it printed and circulated. The advertising allows him to get his book out there, which I don't think he would be otherwise able to do, and it doesn't detract from the enjoyment of the book at all (provided dog training for hunting is something you enjoy).

      --
      Jealously hoarding mod points since 2007.
    4. Re:Mod Parent Up and REJECT BOOK ADVERTIZING!!! by STrinity · · Score: 1

      as an aspiring author I would say that anybody seeking to use their writing to shill for advertisers does not deserve to be read.


      And that is why you will always be an aspiring author.
      --
      Les Miserables Volume 1 now up with my reading of
    5. Re:Mod Parent Up and REJECT BOOK ADVERTIZING!!! by Original+Replica · · Score: 2, Insightful

      What is so bad about having legislators or judges in the government who are sponsored by so-and-so?

      If I have a book that I find to be offensive or a failure, I can burn it. Extend that to legislators and judges and I would have no problem with them being publicly sponsored by so-and-so.

      --
      We are all just people.
    6. Re:Mod Parent Up and REJECT BOOK ADVERTIZING!!! by tomhudson · · Score: 1

      What is so bad about having, for example, a mention in the acknowledgments or preface "this book sponsored by so-and-so"?
      I want to answer your question with one of my own. What is so bad about having legislators or judges in the government who are sponsored by so-and-so? I admit that the comparison between entertainment and politics is extreme, but hopefully you agree that ensuring a stream of money to finance future projects is as important for writers as it is for politicians. A writer who takes money from Exxon might be tempted or persuaded to change minor points in his or her plotline to be more oil-friendly.

      The legislators and judges are ALREADY sponsored by the taxpayers.

      "Free is good" - free as in cost, free as in the right to make copies and pass them along, free as in the author can choose who and how the sponsor is presented in his or her work.
      I agree. In my original post I mentioned giving readers a "read now, pay later" option. This would benefit the economy by ensuring that only authors with good stories will develop readerships. And *those* readers with tell their friends. And a fraction of the satisfied readers will click on the appropriate "Donate now" links on the novel's website and the author will get a very clear idea whether people are "buying" his (or her) work or not. In theory, writers who sell well will get the coveted opportunity to quit their day jobs and write full-time.

      I even encourage giving interested parties the freedom to develop derivative works, but only on stories which have produced a certain level of revenue to satisfy the needs of the author (i.e. to prevent Hollywood from producing a film and profit from it without paying a dime for the rights). You can read more about that theory here [2076book.com].

      My model eliminates the whole concept of piracy by encouraging free sharing of the work right from the beginning, without any "if you liked this please donate some money" guilt-as-revenue-model.

      Also, your $90k limit is VERY high, considering that most books don't earn back their pubishers' advance (average of $5k). BTW, if you can't churn out a couple thousand words a day on a regular basis, day in, day out, you probably don't want to quit your day job and become a full-time writer.

    7. Re:Mod Parent Up and REJECT BOOK ADVERTIZING!!! by jtev · · Score: 1

      Depending on what genre you wish to publish, you may want to consider talking to Baen. They seem to have been doing pretty good with that model, though, the way that they expect donations is by you actually.... purchasing the book. They just don't put any electronic restrictions on the e-books. This is because people are more likely to buy books they have already read, or that are from an author they have already read. Oh, and obligatory Library Website and CD collection links

      --
      That which is done from love exists beyond good and evil
  49. Then make it a liscense... by T+Murphy · · Score: 1

    Personally, if I were interested in buying an e-book, I would be intending to read the book once, and be done with it. If I want to read a book again later,I may as well buy a paper copy of it. Assuming people generally agree on this consumer model, why not make e-books 1 year rentals, or something along those lines?

    Since I assume most e-book consumers intend to be one-time users (this is my general perception), reselling would be high, and the digital nature means copies aren't readily destroyed, so basically books would rapidly stop selling new copies. Book sellers would not like this, so if they rent the book, there would be no way to have resell rights (lending rights may be a question, but that is a smaller issue), and prices could drop a little since publishers can get money from the paper edition still if the e-book customer decides to get a permanent copy. While those who want to keep their digital books would be unhappy, there needs to be enough room for companies to be profitable and not be under bombardment from everyone.

    Maybe it isn't the most efficient solution, but it's an idea to consider.

    1. Re:Then make it a liscense... by dosun88888 · · Score: 1

      Your first paragraph is completely out of line with my experience. I'm currently in the process of trying to replace over 10 thousand books with digital copies for storage considerations. It's difficult to move that many books or dedicate rooms to boxes and boxes of books.

      I'm one of the few people (apparently) who dislike physical books. I don't even like trying to hold on to a hardcover to read it.

  50. Re:This is 100% consistent with current copyright by dangitman · · Score: 1

    OK, so what is this law you speak of?

    --
    ... and then they built the supercollider.
  51. Re:This is 100% consistent with current copyright by Frankie70 · · Score: 1

    Ever notice how you can get a movie from Netflix but not a CD?


    Yes. It's because people hear a single CD far far more times that they would watch
    a single movie.
  52. Re:This is 100% consistent with current copyright by MulluskO · · Score: 1

    Section 109, as linked above in this thread.
    http://www.copyright.gov/title17/92chap1.html#109

    --

    Too busy staying alive... ~ R.A.
  53. Re:I got a better lawyer^Widea by WNight · · Score: 3, Insightful

    You've got the right to hit mute, even if ads are how the publishers make their money in the long run.

    Turn it back on and clear the block list. Then block only annoying ads.

    They'll be able to see viewing statistics for the ads and they should realize that some users are blocking some of the ads. Blocking the real garbage keeps from rewarding the jerks, and gives the people who play nice a better chance. If they investigate they might find that giant pulsing banners aren't popular...

  54. Re:I got a better lawyer^Widea by Tyrdium · · Score: 1

    It's been done, actually; see Wowio. The author gets something like 50 cents per ebook downloaded, and while it is currently for the US only, I believe they are working on being able to serve other countries. Works quite nicely, assuming you're in the US.

  55. Re:I got a better lawyer^Widea by tomhudson · · Score: 1

    I was thinkng more along the lines of the author soliciting one or more sponsors for their books, and the books then being distributed for free.

    Lets face it - most books don't earn their advance, so

    1. the author isn't losing any money
    2. the author can either accept or reject individual sponsors, and also decide what formats of sponsorship/advertising are acceptable
    3. broader distribution, since its free to the reader
    4. since the advertiser has a fixed cost for the book, its in their best interest to promote it as much as possible, to reap the largest incremental return

    It doesn't have to be pdfs with click-thrus - it can be something as simple as a preface acknowledging "this book sponsored by [insert name here]".

  56. Re:I got a better lawyer^Widea by zenkonami · · Score: 1

    Embed advertising in ebooks, the same as in magazines and newspapers, and give the ebooks away. Frankly, so long as actual books are still available in their traditional form, I think this is a perfectly logical approach. You get the convenience of storing multiple texts on a single display, with the inconvenience of advertising, for the convenient price of "free", and can conveniently distribute it to whoever you like (doing double duty...promoting the work on behalf of the publisher, and sharing material that you enjoy or found useful.) If you don't want the advertising, you spend money on the hard/soft copy, get to "own" the copy, and get first sale rights.

    The end-user (reader) is happy, the author and publisher get paid, and the advertisers get additional exposure via technical media - and at a reasonable gamble if they advertise on something they think could be the next big thing. I'm not really sure anyone loses in this deal.
    --

    Do You Experiment?
  57. Re:I got a better lawyer^Widea by tomhudson · · Score: 1

    Which sort of ebook are you more likely to pass along - one that's full of useful content and enjoyable, with only one or 2 discrete ads, or one that's chock-a-block with link spam?

    The market will sort it out, just like it always does. When you come across one of those "link farm landing pages", do you click on the links, or do you just close the tab?

  58. Re:This is 100% consistent with current copyright by toriver · · Score: 1

    But if I do, in fact, delete the file after sending it then it's not a copy.
    Yes it is, since you can only send copies; that is, a copy of the content is transferred and not the physical file, which is removed after the transfer. The real issue here is that classic copyright and the first sale doctrine apply to physical copies, and new laws have to come up with proper equivalents for purely electronic media.
  59. Re:This is 100% consistent with current copyright by dangitman · · Score: 1

    I've read that, I don't see how it doesn't also ban the rental of DVDs, after all, they have a soundtrack on them. Also, if you read it, you will notice that you are allowed to rent CDs and computer games with permission of the copyright holder. Also, if this law is in effect, then why are there so many places that rent computer games around? And how does Blockbuster rent music on CDs if it is illegal?

    --
    ... and then they built the supercollider.
  60. Re:I got a better lawyer^Widea by tomhudson · · Score: 1

    Content isn't king in any advertise-subsidized medium, it's the advertiser's revenue streams. They'll censor what they fear will alienate their viewers, they won't subsidize what they think won't sell. Advertising is horrible for content, unless the power that the sponsorship dollar holds over creators and audiences can be limited.

    ... and that's why we can't trash advertisers like Microsoft on slashdot ... except we can, and do. Content is still king - otherwise, Microsoft wouldn't feel compelled to spend advertising dollars on sites with a large anti-Microsoft readership.

    "the power that the sponsorship dollar holds over creators and audiences can be limited" is a given. You're not forced to choose any particular sponsor or sponsorship format. For example, say you write an ebook on Java ... and Sun likes it enough to decide they want to sponsor it, with a "sponsored by Sun" on the frontispiece, and a link inside to their site, in return for $10k and 1 year exclusivity (that you can't release another edition for one year - exclusivity wouldn't apply to distribution. Since the idea is to make it free for the end user, you, and anyone else, can distribute as many copies as you like of that edition).

    Why not take the deal? The average advance on non-fiction books is less than $5k - and most of the time, that's all the money the author sees. This puts more money in the writer's hands, gets much broader distribution, recognition, etc., and doesn't limit the reader's rights to copy, pass along to others, etc. (unlike that Piece of Shit amazon kindle reader, that only lets you "rent" your ebook, even though you paid for it!!!).

    I've written a couple of product/technical manuals for companies - when you do the math, the pay per hour is MUCH better than what you'll find in the publishing industry, but the exposure is severely limited - only their own customers see it, since only they are interested. I certainly didn't care that they could make as many copies as they wanted ... it was sponsored work, it paid the bills, and everyone was happy.

  61. Re:I got a better lawyer^Widea by tomhudson · · Score: 2, Interesting

    Which would you rather have?

    • Option 1: A proprietary format eBook that you can't copy, share, pass around to others, back up to other media, etc., even after you paid for it?

    • Option 2: A free eBook that you can copy, share, pass around to others, back up to other media, etc., and that didn't cost you a cent?

    Having a business act as your books' sponsor doesn't mean turning it into the eBook equivalent of an ad-jammed web page. That would be counter-productive. A notice that "this book is sponsored by xyz corp" on the front page, and an ad on one the inside cover pages for the same sponsor, with no other advertising by the sponsor or anyone else (so as not to dilute the ads' value) should be sufficient if the eBook is any good.

    Now which of the two above options appeals more to advertisers? An eBook that has only limited distribution rights, and that they can't give away ... or one that, if it's any good, will be passed around all over the place? And which of the two will they be more likely to promote?

    Free (as in freedom) wins every time, if done right.

  62. Re:This is 100% consistent with current copyright by MulluskO · · Score: 1

    I did read it. You're allowed to do anything with the permission of the copyright holder. A phonorecord has specific meaning under the law and does not include DVDs. There are not so many places that rent computer games. Blockbuster does not offer music for rent where I live.

    The main point here is that NetFlix may rent DVDs to the public with or without the approval of the film industry. If they wanted to rent CDs they would require the blessing of the music industry in order to do so. The RIAA bought and paid for the copyright act, so it is likely they oppose the idea of CD rental altogether.

    --

    Too busy staying alive... ~ R.A.
  63. If I wouldn't have already enough reasons... by fluch · · Score: 1

    If I wouldn't have already enough reasons to not obtain any kind of e-book reader, this is just another one. After all, there is nothing more sexy than an own library where you visualy can see the content! :-)

  64. I Don't Have Any by RAMMS+EIN · · Score: 0, Redundant

    I don't have any e-Books, because all I've ever heard about them was DRM and proprietary lock-in.

    I don't know why this is news.

    --
    Please correct me if I got my facts wrong.
  65. Re:This is 100% consistent with current copyright by dangitman · · Score: 1

    I'm not buying it. The act talks about the musical performance rights in the recording. Movies have those, too. Why would a DVD recording of a musical performance be any different to one on CD? Under the legal definition, a DVD also counts as a "phonorecord."

    --
    ... and then they built the supercollider.
  66. Re:This is 100% consistent with current copyright by Anonymous Coward · · Score: 0

    Ever notice how you can get a movie from Netflix but not a CD? Impressive reach.
  67. Re:I got a better lawyer^Widea by rolfwind · · Score: 1

    I prefer:

    Option 3: A eBook you pay for but one that you can copy, share, pass around to others, back up to other media, etc.

    But instead I'm getting your option 1 from distributors. Or I can get Option 2 w/o ads from Pirate Bay. Even iTunes these days are selling open format higher quality mp3s for a premium (so I heard). What use is the dream of digital books (no space wasting library) if it is cancels out the benefits with encumbered DRM bullshit?

    I'm mostly looking at Textbook publishers. Those are the ones going to be in the biggest shit: the only reason they can begin to charge so much is that people NEED those books to pass school/college. No other genre has this benefit and hence most books are priced much lower. I know many people who download movies simply because they hate paying for the thing and being wapped over the head with FBI warnings, having their DVD players hijacked with no skip commercials, etcetera when they can get a superior product online for free.

    As to your point: not every model can live in the advertising world. Some subjects are too esoteric or the audience is too small. I don't mind -- I don't mind paying and supporting something: I DO HATE however being treated like a criminal AFTER I paid and seeing the freeloaders having something significantly better.

  68. buy the frigging book by kardar · · Score: 1

    It's not like you can't buy the book.

    You have a choice.

    Buy the book. Then it's not a problem anymore.

    These "electronic papers" are very new, anyway. There's the pauses and other nonsense. Even PDF is "locked up", in a way.

    So is Postscript.

    What about XML?

    I'll hold out for a universal standard for electronic paper -- an open source one. One where I can purchase an e-copy as I would a PDF and just be trusted with it.

    This e-copy then, like a flac or an mp3, would go onto one of many digital devices (just as a PDF would go onto one of potentially many computers or laptops or whatever).

    So let's just say -- no to PDF and PS, and yes to open standards for some sort of e-paper thing, and lots of competing e-paper devices that display color and don't have strange pauses and flashes and whatever.

    It's a good idea, but it needs competition. Lots of competition.

    But I guess the real question is this... I download a PDF of an e-book. Can I sell it to someone? I wonder if that question is yes, because how is that supposed to work?

    Could I register myself somewhere? Register my purchase and register my sale? How about the person purchasing it from me - if s/he goes through the same registering process that I went through when I purchased it, then s/he'd be registered and would be able to sell it whenever s/he chose to.

    This is a problem that needs a solution. It wouldn't make much sense to drop the price more than the cost of producing a digital copy vs the cost of producing a hard copy.

    This isn't anyone's fault -- this is something we need to figure out a solution to.

    Luckily, we still have the option of purchasing the hard copy. Perhaps we could get the rights to the e-stuff along with a hard copy? Or download the e-copy while the hard copy is arriving in the mail?

    This isn't anyone's fault.

  69. My own ebook by BigBadBus · · Score: 1
    I am writing my own ebook, which I have decided to market myself, without any support or help from anyone. I decided to write such a tome because the deals given to authors, unless you are an established author, like Patricia Cornwell etc., is incredibly poor. For instance, a friend of mine writes books on ocean liners. They sell for about £15 (approx. $30). For every 1000 sold, he gets just £1000! By "doing it yourself", you get to keep just about all the cash, less postage and CD costs etc.

    I haven't yet decided whether I shall be selling copies of my book on ebay or amazon, but this report gives me cause for concern.

    Incidentally, the URL for information on my ebook is at http://www.paullee.com/book_details.php

  70. Re:I got a better lawyer^Widea by zotz · · Score: 1

    "Which would you rather have?

            * Option 1: A proprietary format eBook that you can't copy, share, pass around to others, back up to other media, etc., even after you paid for it?

            * Option 2: A free eBook that you can copy, share, pass around to others, back up to other media, etc., and that didn't cost you a cent?"

    Well, gee, let's see...

    None of the above?

    Option 1 is a non-starter.

    If that only leaves Option 2 and there are no others, and Option 2 entails forced ads in or about the text itself... Is also a non-starter. Plus, they could only ensure the ads were there if the format is DRM based in the first place.

    Option 3. Buy a Free standards based formatted ebook for way less than the paper version.

    Option 4. Buy the paper version and get the Option 3 ebook version included automatically.

    all the best,

    drew
    http://packet-in.org/wiki/index.php?title=Main_Page
    Packet In - net band, libre music, some available gratis.

    --
    FreeMusicPush If you want to see more Free Music made, listen to Free
  71. Re:I got a better lawyer^Widea by dotancohen · · Score: 1

    Regarding your sig, what is the true meaning of -1 Redundant?

    --
    It is dangerous to be right when the government is wrong.
  72. Depends on your definition of ads by DrYak · · Score: 1

    One can't bitch about draconian efforts to extract money from consumers, and then circumvent the one last option left to content producers: ad revenue.


    But other people think there's a slight difference between discrete, well targeted, non-obtrusive text ads, and the fucking huge pile of blinking crap coloured like a clown on a LSD-bad-trip running free through in a fluorescent paint factory.
    The former is what would work the best, the latter is what the web has become - if you turn off AdBlock for a couple of seconds.
    Thank you Flash, thank you animated GIF, thank you <BLINK> tag : your contributions really made the web an enjoyable experience.

    Now please excuse me as I go adding another layer of thick black paint to my googles...
    --
    "Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
  73. Re:I got a better lawyer^Widea by AlecLyons · · Score: 1

    They can, and they will. People want everything for themselves, sure you can recognise that as a bad thing, but who can blame them?

  74. Its a revokable right to read by nurb432 · · Score: 3, Informative

    Don't forget that at any time ( if you are using some sort of online-DRM system ) that what you purchase a right to read for can be yanked from you in an instant.

    All it will take is one judge to declare the 'book' violated some copyright and it suddenly disappears off readers all over the country. Or how about the government decides its 'forbidden information', once again causing 'books' to disappear. ( after reporting back who had the copy for further investigation. how dare they want to learn about the forbidden fruit ). Your so called contract is null and void at that point and you possess something that is considered illegal.

    Oh, and that little clause in all contacts that lets THEM change the terms... "now we are moving to a pay pre read model, id you don't accept this agreement all previous contracts are null and void" and then once again, poof goes your 'book'.

    No thanks, ill keep my paper thank you very much. ( even self-scanned unencumbered books will eventually get bit by the 'not licensed to view' DRM bug once they lock all machines down to were ALL content must be authorized by a central body or its rejected and reported )

    --
    ---- Booth was a patriot ----
  75. Nonsense by protobion · · Score: 1

    Does the first sale doctrine apply if I download the e-books to a cheap 5 Euro USB stick and sell away my USB stick (library of 30 or so e-books) ?

    I am selling the medium, ain't I ? Or are they going to whine and say : "Oh no, your USB copy is a copy from the RAM of your machine, and you must sell off the RAM chip while it holds your copy in buffer!"

    I see MP3 Deja vu coming...

    --
    Essentia non sunt multiplicanda praeter necessitatem.
  76. Re:I got a better lawyer^Widea by Junior+J.+Junior+III · · Score: 1

    There are success stories and there are scandals. We have pretty unrestricted speech here at slashdot, it's true. But we're largely user-generated content, aside from the occasional so-called slashvertisement article. But look at the mass media and how controlled the message is on television, compared to a more free medium such as youtube. Audience-generated content will always be less restricted than professionally produced content. Look at the video game industry's influence on video game reviews, compared to the independence and integrity of Consumer Reports. It's a real danger, one that we need to take seriously.

    --
    You see? You see? Your stupid minds! Stupid! Stupid!
  77. Re:I got a better lawyer^Widea by tomhudson · · Score: 1

    If that only leaves Option 2 and there are no others, and Option 2 entails forced ads in or about the text itself... Is also a non-starter. Plus, they could only ensure the ads were there if the format is DRM based in the first place.

    Option 2 in no way implies that - its not like we're talking about turning eBooks into the equivalent of crappy web pages. An acknowledment of sponsorship on the frontispiece along the lines of:

    "The author(s) wishes to thank XYZ for their kind sponsorship of his/her/their work."

    ... and maybe their logo and web site, and a paragraph of what they do that is congruent to the topic of the book, and that might interest readers ...

    ... should be enough, if the eBook content is actually of good enough quality. Advertisers understand that too many ads dilute both the quality of the ad and the quality of the product.

    The author gets the gelt/sheckels/euros/bux, the sponsor gets both advertising and, with any luck, some buzz and goodwill, the environment gets less pollution from 4-colour printing, paper, distribution chain, etc., and the consumer gets a free eBook that has zero DRM, and a license to copy and distribute far and wide.

    The eBooks that have higher-quality content, the fewest ads possible, ad the least restrictive licenses, will displace the "eBook as Web Page full of AdSense" or "eBook as the new proprietary locked-in licenseware" crapware quickly enough, because:

    1. people are more likely, and more able, to redistribute the higher quality/least intrusive sponsorship version
    2. people who write the higher quality eBooks will benefit from higher visibility, and ultimately higher revenue, since their subsequent eBooks will have a proven track record of high quality and don't need to be jam-packed with ads to make the sponsor a profit.
  78. What's the Appeal Anyway? by morari · · Score: 1

    It's hard enough to find a comfortable position to read actual books in, let alone sit and read through a novel at my computer. I have a few eBooks, but when I really want to read something I just go buy it. Books aren't that expensive really, and they're nice to have around on the shelves to show off to your television watching friends. :P

    --
    "He who can destroy a thing, controls a thing." --Paul Atreides, Dune
  79. I disagree by Jane+Q.+Public · · Score: 1

    I disagree with that reasoning, and there is ample evidence to support my view.

    The problem is that the "original" distributors are not conforming to the actual market... rather, they have been trying to force the market to conform to their old business model. This has happened before in many industries, including publishing. Lately it has been occurring throughout the media (publishing, movies, music) industries.

    The publishers and distributors blame the cheap cost (there IS cost) of copying and distributing. However, they ignore what the customers in their market have been telling them loudly and clearly for a long time now, which is: "Since it is cheap to produce and distribute, you should be selling it for a low price!"

    Even 150 years ago, if you asked an author if, all else being equal (including their total royalties) they would rather see 100 copies of their book sold or 1,000,000 copies, I doubt a single one of them would have said "100".

    The media companies want to incorporate the reduced cost of distribution, and sell their 1,000,000 copies, but continue to make profits at the "100 copy" rate. And that is not realistic. Or moral or ethical, really. Especially considering the royalties they have been trying to weasel out of.

    The commercial media industry has simply not been selling copies at the prices that the market and technology allow and even demand, nor have they been distributing in forms or "packages" that their customers want. However, they have the ability to do so easily, as evidenced by the fact that others ARE doing so, if in an unauthorized manner.

    And not all of them are unauthorized, either. Trent Reznor has been making a (relative) killing with his new "Ghosts" releases, sold directly to customers over the internet, bypassing the traditional distribution channels completely. In fact, I have tried his free download and I plan to buy the complete work this week. Reznor and company now have no need to "share" the wealth with bloated, bureaucratic media companies, and he AND his customers are happy... without the use of any copy protection!!!

    It works. The "problem" is not a problem at all, it is simply the inability (or refusal) of giant corporations to change their ways. There is no threat in this to societal order at all, nor to existing law, nor to the concept of traditional publishing. Merely a slightly different market, which those companies could make a huge profit in if they would simply CHANGE. Note that one of the companies in question here is Sony, which has been one of the worst offenders in that regard.

    1. Re:I disagree by rohan972 · · Score: 1
      bypassing the traditional distribution channels completely.

      Merely a slightly different market...


      If the traditional distribution channels are bypassed completely, you have a market that is more that "slightly" different, it is substantially different. It is essentially the destruction of (that segment of) the industry.

      If you accept Thomas Jefferson's idea that books are capital...

      "Books constitute capital. A library book lasts as long as a house, for hundreds of years. It is not, then, an article of mere consumption but fairly of capital, and often in the case of professional men, setting out in life, it is their only capital."
      ... then we now have a situation in which significant amounts of capital can be aquired, by individuals of average means, at no cost and without diminishing the holdings of others. All that remains is to ensure that there remains incentive for the original work to be created. Pay per copy business model may well still exist, but will have a diminished role, as evidenced in the software industry with F/OSS, where pay per copy exists, but is diminished, ie no longer the predominant form of distribution (within the F/OSS model, yes I am aware that MS still exists).

      To be able to aquire capital without significant effort or forcibly removing it from someone is indeed a radical change in the societal order. I'm also not exactly clear on what I said that you disagreed with. Your first point ...

      The problem is that the "original" distributors are not conforming to the actual market... rather, they have been trying to force the market to conform to their old business model.

      ... was that the market has changed, which is the point (perhaps ineptly) that I was trying to make.
  80. Re:I got a better lawyer^Widea by zotz · · Score: 1

    "Option 2 in no way implies that - its not like we're talking about turning eBooks into the equivalent of crappy web pages. An acknowledment of sponsorship on the frontispiece along the lines of:

    "The author(s) wishes to thank XYZ for their kind sponsorship of his/her/their work." ... and maybe their logo and web site, and a paragraph of what they do that is congruent to the topic of the book, and that might interest readers ... "

    If I understand you, I am cool with that. So long as it doesn't try and preclude options 3 and 4. It is not perhaps a goal I am aiming for in the end unless you have more in mind though. One thing. I am not anti business. I am not anti income. I am not anti profit.

    I am working on a page of ideas for income for our band "Packet In" that might interest you and that might parallel some of this.

    http://packet-in.org/wiki/index.php?title=Income

    Our first album is available now under a CC BY-SA license.

    http://www.packet-in.org.nyud.net/repo/RPM08/RPM08_plutekmaster_v1.4.ogg

    I am sure we would all be at least somewhat happy to have a little income from our efforts. Some of us might even be OK with a lot of income from our efforts.

    all the best,

    drew

    --
    FreeMusicPush If you want to see more Free Music made, listen to Free
  81. Not a new thing by Anonymous Coward · · Score: 0

    This is by no means a new thing. Valve and steam have been doing this for years. Back in the good 'ol days, you used to be able to lend somebody a game cartridge or CD. With steam, licenses are non-transferable, just like the licenses in the article.

    The only way to transfer a license on steam is to give your whole account to somebody else. If we took that analogy to old school video games, if you ever wanted to lend one of your games to someone else, you'd have to lend them your entire collection!

  82. already happened by miriam_e · · Score: 1

    I'm surprised that people keep thinking that this rental of our culture is something that is coming soon. Sadly, it is already here. What most people don't seem to realise is that encumbered ebooks guarantee that everybody will be locked out of all their encrypted books sooner or later. When you have to re-install your operating system or upgrade your computer your ebooks no longer recognise your system and refuse to open. I've had this happen to me on a couple of occasions, which stung me so badly that there have been a lot of books I've wanted very much to buy, but haven't. I have very little money and can't afford to throw it away on renting expensive books. Now the only ebooks I buy are unencumbered ones. Baen Books sell (and give away) a lot of ebooks by current top-ranking SF writers, all without locks of any kind, in a number of formats, including plain vanilla html. It has worked really well for them. Every time they give away a free book it boosts sales of their for-profit items. They are living proof that the dopey protectionist arguments that many publishers make are total hokum.

  83. Re:I got a better lawyer^Widea by tomhudson · · Score: 1

    I would forget CD Baby - just run the math for their own numbers - $65 million for 150,000 artists, works out to an average of $433 per artist. $35 intial fee + 9% of $433 ($38.97) really works out to 20%. Given that their figures are based on 9 years, its doubtful you'll even see your initial outlay the first year or two. Even worse if they keep $4/physical cd.

    In other words, most of their sales are from people who signed up with them, then told other people "you can buy my stuff online -check it out." They could have made the same revenue selling it to those same people directly.

    Checking the "important details page" confirms this:

    The stores have to BUY it one-way from the distributor if they want to sell it. (This is IMPORTANT for you to understand!)

    The distributor will not be accepting returns, which means stores will consider this a special-order item.

    In other words : your fans won't just find it sitting in the bins at any of these stores. Your fan will have to talk to the person at the counter, and place a special-order for it.

    Being available in a database won't make hundreds of stores order it. Usually the store will only order your CD from Super D if someone has already come into their store and paid for a special-order of your CD in advance. Unless you are doing a special promotion with a store to get them to buy a few copies then send your fans to that store to purchase it.

    Keep at it - you might not find something that works, but if you don't continue to look, you dfinitely won't.

  84. Re:I got a better lawyer^Widea by tomhudson · · Score: 1

    WRT options 3 and 4:

    Option 3. Buy a Free standards based formatted ebook for way less than the paper version.

    Option 4. Buy the paper version and get the Option 3 ebook version included automatically.

    Option 3 - why would someone "buy" a "free" ebook? If you meant "Buy a standards-based eBook for way less than the paper version", I think a free version (as in price and as in beer) would beat the "paid" version in the marketplace;

    Option 4: There's certainly nothing stopping people going the "No Starch Press" route ... check out what they're doing with torrents.

  85. Re:I got a better lawyer^Widea by zotz · · Score: 1

    "Option 3 - why would someone "buy" a "free" ebook?"

    I will reword it then:

    Option 3. Buy a Libre standards based formatted ebook for way less than the paper version.

    "Option 4: There's certainly nothing stopping people going the "No Starch Press" route ... check out what they're doing with torrents."

    Not what I am suggesting exactly, but not a problem per se. See what Baen are doing as well: http://www.baen.com/library/

    all the best,

    drew
    http://packet-in.org/wiki/index.php?title=Main_Page
    Packet In - net band, libre music, some available gratis

    --
    FreeMusicPush If you want to see more Free Music made, listen to Free
  86. Re:I got a better lawyer^Widea by zotz · · Score: 1

    "I would forget CD Baby"

    From their site:

    "For a simple $35 setup, CD Baby can get your music selling worldwide on cdbaby.com, Apple iTunes, Rhapsody, Napster, eMusic and many more."

    There are things I don't like about them, but the above is the interesting bit for me so far and why they made the list.

    Do you know of any other simple way to get your music placed with those other stores?

    Plus:

    "We take all credit card orders for your CD, online or through our toll-free phone number, and ship it to them within hours."

    Doing business online is not simple for me where I live.

    Now, one thing I want to see happen is for people to start dealing with informal groups of individuals such as ourselves:

    http://zotzbro.blogspot.com/2008/03/online-collaboration-meets-online.html

    That would make life a whole lot simpler if it works out how I think it could.

    all the best,

    drew
    http://packet-in.org/wiki/index.php?title=Main_Page
    Packet In - net band - libre music, sometimes gratis

    --
    FreeMusicPush If you want to see more Free Music made, listen to Free
  87. Bullshit by RecycledElectrons · · Score: 1

    1. I own copies of thousands of ebooks for my Sony PRS-505, and I do control them. I didn't buy DRMed crap.

    If I do pay for DRMed music or video, copy protected software, anything covered with a license agreement, etc...that was not advertised and marked as such...then I pursue it as I would any fraud case. I file criminal complaints, sue, picket, dispute the charges.

    I may not have killed any stock holders yet over an undisclosed EULA, but it's only a matter of time. LOCK & LOAD!!!

    Andy

  88. Re:I got a better lawyer^Widea by tomhudson · · Score: 1

    Thanks for the link to Baen. I had read about that in an editorial in one of the SF mags I buy every month, but hadn't gotten around to looking up the url.

  89. Re:I got a better lawyer^Widea by tomhudson · · Score: 1

    Nowadays, anyone can send money to your bank account with a simple email. No special "merchant account"account, no paypal, nothing.

    Its verifiable at both ends, unlike paypal, where you send your money and you take your chances.

    You might want to look into that - its part of most banks on-line banking stuff.

  90. Ownership by Anonymous Coward · · Score: 0

    Ownership is such an outdated concept.

    You don't own anything now a days, it's all 'licensed' to you.

    -You don't own your cellphone, the hardware/software combination is licensed to you.

    -You don't own your operating system / computer, it's licensed to you.

    -You don't own your game-console, it's licensed to you.

    Why go through all the hassle of 'ownership', just accept the terms and you will be happy. You don't mind it for your cellphone, computer, game console, etc, just let it be!

    I hope that the **AA strictly enforce their ownership, people have been running amok for far too long. It's time to let them know who really owns 'their' computer.

  91. Ebooks with advertising by aldwin · · Score: 1

    Australian author Matthew Reilly did just that with his book Hover Car Racer. He made it freely available for download as a PDF with embedded ads several months before the hardcopy version was available in stores. He also had for download images and a paper model of the main vehicle.
    I recall reading an interview with the author where he said that it made sense financially, and he disparaged the earlier effort by Stephen King with his "pay as you go" model. I personally downloaded it but also bought the hardcover when it was available, but I was likely to do so anyway as I'm a fan of his work. My wife had a teenager in a class she was teaching (the book is aimed at "young adults", very much unlike his other works) who after reading the downloaded version went and bought a copy.

  92. Re:I got a better lawyer^Widea by zotz · · Score: 1

    "Nowadays, anyone can send money to your bank account with a simple email. No special "merchant account"account, no paypal, nothing."

    Do you know if that works worldwide? I am not a US resident and do not have a US bank account.

    all the best,

    drew
    http://packet-in.org/wiki/index.php?title=RPM08_Final_Tracks
    Spaceman - a complete album of copyleft libre music available gratis at this time.

    --
    FreeMusicPush If you want to see more Free Music made, listen to Free
  93. Re:I got a better lawyer^Widea by Anonymous Coward · · Score: 0

    Or the masses will take over print like they did video with youtube. If we think film media companies are backwards in their thinking print are even worse. Sites like http://www.fracknaps.com/ will become the norm.

  94. Re:I got a better lawyer^Widea by tomhudson · · Score: 1

    I know it works in Canada.

  95. Re:I got a better lawyer^Widea by Keeper+Of+Keys · · Score: 1

    For the love of money, someone mod parent up. Fixed that for ya.
  96. Re:I got a better lawyer^Widea by zotz · · Score: 1

    "I know it works in Canada."

    Well, here where I am, if I understand things right, I can't even get a paypal account that can receive payments.

    all the best,

    drew
    http://packet-in.org/wiki/index.php?title=Main_Page
    Packet In - net band - libre music, some gratis

    --
    FreeMusicPush If you want to see more Free Music made, listen to Free
  97. Setting the record straight... by Garwulf · · Score: 2, Informative

    Sorry that I'm not replying in a specific thread, but I'm seeing a lot of misconceptions in this discussion, and I want to hit as many of them as possible with just one post. I am a published author, as well as an editor, and I am now also the owner of a small publishing company that recently put out its first book - so understanding the ins and outs of this is very important to what I do.

    First of all - the issues with e-books and first sale doctrines. When it comes down to it, copyright law is in regards to how copies are made (while this does involve the public to some degree, it's far more about how creative artists deal with their distributors and keeping one group from ripping off the other). If you buy a print book, and then resell it, or give it away to somebody, you are not making a copy. However, that's not something you can do with an e-book - if you give a copy of a Kindle book you just bought to a friend, you are actually making a copy, and that does violate copyright law. So that's where the problem lies. It is not a conspiracy to take people's rights away.

    (Think of it like this - it's the difference between buying a book and giving your friend a copy, and buying a book, photocopying it, and then giving your friend the photocopy.)

    Second - where e-books are going. A few people here are talking about how DRM on e-books are going to wipe out libraries. This is complete garbage. It is absolute nonsense in part because libraries are protected under copyright law in most countries (even in the United States, the "Sonny Bono" act had special dispensation for libraries). But, it is mostly nonsense because in order for e-books to wipe out libraries, the e-book would first have to wipe out the print book, and that just isn't going to happen.

    I'm speaking from experience here - e-books are really a lot like radio. They're great for getting samples out, but if somebody really likes what they're reading, they want a copy of it on paper. The last time people were talking about how books were going to go digital, I was there in the ranks of e-book authors in the great "e-book revolution." And I had absolutely everything going for me - I was the author of Diablo: Demonsbane, the e-book launching the entire official Diablo fiction line, and Diablo II had sold millions of copies, which back then was almost unheard of for computer games. Advertisements for Demonsbane were showing up on Battle.net, so pretty much every Diablo multiplayer fan had at least some inkling that the book existed.

    To this day, eight years later, I don't think the book sold more than 1,000 copies. And I was one of the e-book authors who did WELL - about the only thing I didn't have going for me was that I wasn't Stephen King.

    By 2001, the e-book revolution had fizzled, and a bunch of publishers, Pocket Books included, stopped releasing them. And Demonsbane was released in every read-only format you could get, including Acrobat Reader. And it wasn't DRM that killed it, believe me. I've had a lot of time to think about why the print book didn't even notice the e-book assault was happening.

    Frankly, it all comes down to barriers to entry. If you think about it, most of the technology that has caught on has been reducing barriers to entry for something. Take music, for example. We started off with the record, and then moved to the tape, which was smaller and more compact. Then came the CD, which had no moving parts. And now there's the MP3, which doesn't require a CD. But there was always a barrier to entry in music. That's not the case with a print book.

    A print book requires only the ability to read, your eyes, and a light source. An e-book requires more - you need a power source, and a reader of some sort, be it a computer or a Kindle, etc. The readers are subject to obsolescence, as are the file formats. So, instead of removing barriers to entry, an e-book raises them.

    Now, an e-book does have its purposes, and if you're on a long trip, it is far more handy to

    --
    Robert B. Marks
    Author, Demonsbane in Diablo Archive
  98. Re:I got a better lawyer^Widea by tomhudson · · Score: 1

    Screw paypal. You don't need a paypal account to receive paypal payments - just an email address and a bank account ... https://www.paypal.com/uk/cgi-bin/webscr?cmd=p/ema/index-outside

    In other words, paypal is trying to intermediate themselves between the banks, which already offer this exact same service, sans the paypal fees. If you have a bank account and online banking, your bank (at least in most parts of the world) offers this. You may need to dig around their web site a bit, or ask your customer service rep how to set it up, but it works.

  99. Re:I got a better lawyer^Widea by zotz · · Score: 1

    "If you have a bank account and online banking, your bank (at least in most parts of the world) offers this."

    Well, I have a bank account but haven't wanted online banking, but I will check into it and perhaps set up an account with online banking specifically for this purpose if any of the banks down here will offer this to me.

    all the best,

    drew
    http://packet-in.org/wiki/index.php?title=Main_Page
    Packet In - net band

    --
    FreeMusicPush If you want to see more Free Music made, listen to Free