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Researchers Create an Automatic Backup Band for Singers

Researchers at Microsoft Labs are hoping to allow untrained singers to have their own automatic backup band in the near future. A new piece of software, "MySong", promises to take a sung melody and using a probability computation algorithm, generate an appropriate chord accompaniment. There is also a video of the process on the Microsoft Labs website. "'The idea is to let a creative but musically untrained individual get a taste of song writing and music creation,' Morris told New Scientist. 'There was nothing out there that could take a sung vocal melody as an input and then generate appropriate chords to accompany it. [...] Since people rarely sing at precise frequencies, MySong compares a sung melody to the 12 standard musical notes. It then feeds an approximate sequence of notes to the system's chord probability computation algorithm. This algorithm has been trained, through analysis of 300 rock, pop, country and jazz songs, to recognize fragments of melody and chords that work well together, as well as chords that complement each another.'"

230 comments

  1. Hope they are not wasting much money on this. by suso · · Score: 4, Informative

    This is nothing new. The first piece of music hardware/software I saw that did this was called Vivace or something like that and it came out back in 1994. There are also other programs in the past and present that do this.

    1. Re:Hope they are not wasting much money on this. by PunkOfLinux · · Score: 3, Insightful

      Fuck this. This is just going to make pop music even MORE dreadful to those of us who actually appreciate the artistic quality of music. Oh, look, some blond whore can screech into the mic and it'll make the whole damn song for her! Yay! Yes, let's take one of the most important part of music creation and base IT off of a formula now, too.

    2. Re:Hope they are not wasting much money on this. by CRCulver · · Score: 1

      Ditto. Back in the mid-1980s IRCAM released software that could accompany a live pianist or flautist, even adapting to his own personal style.

    3. Re:Hope they are not wasting much money on this. by D'Sphitz · · Score: 5, Insightful

      Uh, so don't listen to it... I don't understand why people like you get so angry over pop music, welcome to the free world where you can listen to whatever music you like, and hopefully let others do the same.

    4. Re:Hope they are not wasting much money on this. by PunkOfLinux · · Score: 1, Informative

      Because it's fucking impossible to find decent music around here, where we don't have any specialty music shops. All it is is pop shit. I'm sick of it.

    5. Re:Hope they are not wasting much money on this. by davido42 · · Score: 0

      It's basically the American Idolification of music, only "one louder", or rather, "one suckier". They are training it to 300 songs that are representative of the least common denominator of various genres.

      Let's face it, most people are not talented musicians, and even fewer are talented at songwriting, so I think it's safe to say we won't be getting any huge breakthroughs of talent here.

      What I look for in music is something unpredictable, which is exactly the opposite of what this app will do. .. though of course, they may have thought of that too. Just push the "give me something innovative" button, but people don't want innovative. They want to hear the same old shit. So they'll get a typical 1-4-5 progression, or whatever. But here's the rub.. it will be hugely popular, as in Guitar Hero.

      I hope they at least put in some pitch correction, because seriously, some of you really need some help. :-)

      --

      BitWorksMusic.com -- odd tunes for odd times

    6. Re:Hope they are not wasting much money on this. by King_TJ · · Score: 5, Informative

      The thing is, music has ALWAYS been based off mathematical formulas at its core. The "art" really lies in the musician picking and choosing options that work well together to create something pleasing to the ear. (Well, that plus the skill of being proficient in playing an instrument of choice, and/or talent in singing the vocals well.)

      I've played with software in the past that promised to build backing tracks "automatically". There's a pretty neat one called "The Jammer Pro", for example, or the more rudimentary "Band in a Box" software.

      The thing is, you still have to make musical decisions as to which portions of what they generate you'd like to keep, which you'd like to delete, and which give you some good ideas, but need "tweaking" to make the best use of them.

      The Jammer Pro, for example, would let you drag and drop in a "session rock guitarist" for example, and would write electric guitar solos to go along with the chord changes and tempo you specified as the "core" of your song. Some of these were really good! But you had to audition everything it made, and hit "redo" a lot to discard ones that weren't so good, before it came up with something that was a "keeper".

      I really don't envision a computer creating perfect "backing tracks" in real-time to any vocals sung into it. It's more like, it'll sometimes/often make "passable" ones, fun for karaoke or practicing -- but not worthy of recording.

    7. Re:Hope they are not wasting much money on this. by J.F.+Gallay · · Score: 5, Informative

      Vivace (now Smartmusic) uses preprogrammed MIDI files to accompany. It does not make it up. I teach harmony, and let me tell you that the vast majority of pop music out there is incredibly limited in its harmonic vocabulary. Out of all typical harmonic devices used to support a melody, your standard radio material probably uses about 5% of them. So, while this does seem to be a pretty simple and effective implementation of the same processes I teach to students, it is not that hard to do. As long as you set your sights on typical pop music, you can churn out the songs very quickly with sophomore-level training. As a professional musician myself, I for one welcome our new harmonic....oh, never mind.

    8. Re:Hope they are not wasting much money on this. by Anonymous Coward · · Score: 0

      I doubt they're wasting too much money.

      I graduated college a few years ago. One of the projects some peers of mine undertook for an undergraduate class took several songs as inputs to form a basis of judgement of other songs, thus enabling their classification by genre. They uploaded this progress to an free learning website, similar to MIT's OpenCourseWare, called Connexions.

      A link to the "course" my friends created describing their project: http://cnx.org/content/col10216/latest/

      (The following year I took this same course; we were able to identify the volume, pitch and duration of a clarinet based on samples we created. This would enable the acquisition of the melody as described in the article summary through trivial code manipulation.)

    9. Re:Hope they are not wasting much money on this. by mpathetiq · · Score: 4, Informative

      I'm not sure if you realized it, but the machine you are using to post on Slashdot can also be used to research, discover AND purchase all kinds of music! It's amazing!

    10. Re:Hope they are not wasting much money on this. by Chyeld · · Score: 1

      Welcome to the tubes young grasshopper.

      If you want music that matches your tastes, look for it. Don't bitch that the local sheepmart doesn't carry it. Sheepmarts cater to sheep. If you aren't willing to be a sheep then don't bitch about the fact that the selection isn't tailored for you.

      If you honestly CAN'T figure out how to look for it, then you need to turn in your nick.

    11. Re:Hope they are not wasting much money on this. by SeekerDarksteel · · Score: 2, Interesting

      I really don't envision a computer creating perfect "backing tracks" in real-time to any vocals sung into it. It's more like, it'll sometimes/often make "passable" ones, fun for karaoke or practicing -- but not worthy of recording.

      Given that pop music is already arguably not worthy of recording, I'm not exactly sure that there's any impediment to this being used for pop music.

      --
      The laws of probability forbid it!
    12. Re:Hope they are not wasting much money on this. by PunkOfLinux · · Score: 1

      Yeah, not that easy for me, sorry!

    13. Re:Hope they are not wasting much money on this. by Anonymous Coward · · Score: 0

      Hey, see that thing in front of you? It's called a computer. It can connect to this new-fangled techno-widget called "Da Interweebs". You must have one because you're posting to this website. Da Interweebs let's you find ANY kind of music you could ever imagine. Often times even free! WOW. What a concept. Welcome to 2008.

    14. Re:Hope they are not wasting much money on this. by Moridineas · · Score: 1

      Because it's fucking impossible to find decent music around here, where we don't have any specialty music shops. All it is is pop shit. I'm sick of it Around here? Welcome to the Internet my friend, feel free to look around.

      But seriously, I too hate other people and their preferences. Liking MUNDANE music--what jerks!
    15. Re:Hope they are not wasting much money on this. by MightyYar · · Score: 1

      I think you need to lighten up... this looks like a lot of fun.

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
    16. Re:Hope they are not wasting much money on this. by gnick · · Score: 1

      I think it's safe to say we won't be getting any huge breakthroughs of talent here. Maybe not - But perhaps this is the technology that's fueling the New Kids reunion. Are you really implying that you expect to see nothing new and innovative when they come back on the scene? Wow - Maybe one of us just doesn't know what good music is...
      --
      He's getting rather old, but he's a good mouse.
    17. Re:Hope they are not wasting much money on this. by Anonymous Coward · · Score: 0

      Yeah, not that easy for me, sorry! Do you live in antarctica or something?
    18. Re:Hope they are not wasting much money on this. by DCstewieG · · Score: 2, Informative
    19. Re:Hope they are not wasting much money on this. by Otter · · Score: 4, Insightful

      Exactly. People seem to have missed the point that this is an interesting innovation in expert systems, not a request to hold forth on how whatever dreary, droning indie crap they listen to makes them superior to everyone around them.

    20. Re:Hope they are not wasting much money on this. by waveformwafflehouse · · Score: 1

      This isn't going to make pop music more dreadful. The amount of bands and songwriters pumping out the same derivative progressions delivered with heartless predictability reached a critical mass years ago. The entire major record label business model is based off predictable pop, and that's in part why they are now failing.

      The way I see it, art will always be art and the soft landscape paintings you see in Country Kitchen will always be temporary and forgotten.

    21. Re:Hope they are not wasting much money on this. by PunkOfLinux · · Score: 1

      yeah, thing is, if I wanna buy, say, a cd of Dvorak "New World Symphony" I can't go to a store around here.

    22. Re:Hope they are not wasting much money on this. by Anonymous Coward · · Score: 0

      Yeah, but check out the video. No matter what you sing, it chooses the same accompaniment. Amazing!

    23. Re:Hope they are not wasting much money on this. by Anonymous Coward · · Score: 0

      Huh? Care to justify your dismissal of his excellent point?

    24. Re:Hope they are not wasting much money on this. by Kingrames · · Score: 1

      Sounds like the perfect opportunity to apply Genetic Programming.

      In time, the algorithms generated could adapt to your preferences, and your backup band would actually have some substance.

      --
      If you can read this, I forgot to post anonymously.
    25. Re:Hope they are not wasting much money on this. by t33jster · · Score: 1

      This is scary from an artistic point of view - one melody can be accompanied by a wide variety of modal harmonies. The decision is the artist's. Handing over the decision to a piece of well-written software kills that aspect of the art and replaces it with science. The idea of replacing human thought with mechanical decisions conjures thoughts of Skynet & the Matrix.

      The good news is that it will take well-written software, and this terrible idea is being developed by M$. Move along. Nothing to see here.

      --
      Take off every 'sig' for great justice.
    26. Re:Hope they are not wasting much money on this. by Anonymous Coward · · Score: 0

      New World Symphony is the first frigging one! One of the other posters was right. You should turn in your nick and get a new one. "Lazy Good For Nothing Waste of Skin" sounds like an appropriate one.

    27. Re:Hope they are not wasting much money on this. by ardle · · Score: 2, Informative

      I'm not exactly sure that there's any impediment to this being used for pop music. I agree - in fact, since pop music is formulaic, it's probably best suited for this ;-)
    28. Re:Hope they are not wasting much money on this. by imgod2u · · Score: 1

      Why is that such a bad thing? So long as Skynet isn't trying to kill you, is there any issue with it making music for you? Really, I would NOT mind a Summer Glau robot making me coffee and running my errands, so long as she doesn't "terminate" a bunch of schoolchildren along the way.

    29. Re:Hope they are not wasting much money on this. by ObsessiveMathsFreak · · Score: 2, Funny

      I post on a teletype you insensitive clod!

      --
      May the Maths Be with you!
    30. Re:Hope they are not wasting much money on this. by hobo+sapiens · · Score: 5, Insightful

      As a musician, I actually think it's kind of neat. I could actually have some fun with something like this.

      Machines cannot replace musicians. Music is emotional. It is improv. It is creative. Machines do as they are told, and even if they have some complex AI going on, they can still only function according to the parameters they are given. And since a human has to program the machine, the machine cannot be a better musician than the person or persons who programmed it. There is a difference between playing chords to a song and making it your own. Think of all the jazz standards, for example. How many different versions are there of, for example, Misty? Countless. Or how many songs use Gershiwn's "Rhythm" changes? Check this out: http://songtrellis.com/changesPage. Lots of chord changes there. But each version of each song is unique. Music is art. It's not about who is technically "better" or who plays the changes perfectly; oftentimes it the deviations from perfection that can make a song so compelling. Until someone makes a machine with the ability to improvise in response to the lead singer or soloist, convey emotion, *enjoy* music, and discover new things through taking risks and making mistakes, musicians won't become obsolete whatever that means, as if people won't still enjoy making music even if machines *could* do it better.

      It's a neat toy, and nothing more. And if crappy pop music uses machines for a backing band, who would even notice? With that form of music, the background music is like the tires on your bike, you don't care about them until they blow. The teenies who buy that crap don't care about music, they are buying into a fantasy that they can be cool and popular and all the crap the pop icon represents. I'd bet that the musicians who back the likes of the Backstreet Boys and Britney and so forth hate it anyhow, they are probably being paid well to be musically bored to death. I feel sorry for those guys. It'd be such a drag to back up a bunch of no talent rich kids. Now, that's a perfect job for machines. Automate the mundane, do the interesting stuff.

      --
      blah blah blah
    31. Re:Hope they are not wasting much money on this. by PopeRatzo · · Score: 5, Funny

      Oh, look, some blond whore can screech into the mic


      Some Blond Whore is one of the best new bands out there. You should give them a listen.

      --
      You are welcome on my lawn.
    32. Re:Hope they are not wasting much money on this. by hobo+sapiens · · Score: 1

      Haha, yes, the NKOTB reunion. A close source tells me that they have been carefully planning this for years. You may think that they are just doing because a decade of meth use, cross dressing, and frequent and questionable use of mayonnaise have landed them into some financial woes, but that's what they want you to think. They are lulling everyone into a false sense of complacency and then WHAM! just like that, they are going to blow you away. Just you wait, you with your sarcastic NKOTB bashing. Just... you... wait...

      --
      blah blah blah
    33. Re:Hope they are not wasting much money on this. by sexconker · · Score: 1

      "Wow, that's pretty neat!"
      "Oh wait - this is MS? Lame."

      Fucking slashdot.

    34. Re:Hope they are not wasting much money on this. by Mr.+Bad+Example · · Score: 1

      > I post on a teletype you insensitive clod!

      A teletype? Luxury.

      I'm posting on a telegraph key.

    35. Re:Hope they are not wasting much money on this. by Anonymous Coward · · Score: 0

      Huh? Care to justify your dismissal of his excellent point?
      Huh? Care to justify your dismal existence at this point?
    36. Re:Hope they are not wasting much money on this. by wootcat · · Score: 1

      Will M$ want royalties, or at least partial copyright control?

      --
      I'm really a low 5-digit Slashdotter, but this ID is where I am now.
    37. Re:Hope they are not wasting much money on this. by Anonymous Coward · · Score: 0

      Some Blond Whore is one of the best new bands out there. You should give them a listen.

      Ewww, they're just like sooooo last week.
      You should check out 'Drunken Uncle does Karaoke"

    38. Re:Hope they are not wasting much money on this. by RotsiserMho · · Score: 1

      I, for one, welcome our new harmonic overtones...

    39. Re:Hope they are not wasting much money on this. by SoupIsGoodFood_42 · · Score: 1

      Uh, so don't listen to it...

      Sometimes it's hard to escape -- TV, movies, shops, etc.

      No need to overreact like the parent comment, though. He came across as a bit of a snob.

    40. Re:Hope they are not wasting much money on this. by J.F.+Gallay · · Score: 1

      As a brass player, your comment resonates with me.

    41. Re:Hope they are not wasting much money on this. by acheron12 · · Score: 1

      Oh, I wish I had a telegraph key.

      I'm posting on two rusty electrodes, with nothing to connect them but my tongue!

      --
      there is no god but truth, and reality is its prophet
    42. Re:Hope they are not wasting much money on this. by mdwh2 · · Score: 1

      welcome to the free world where you can listen to whatever music you like, and hopefully let others do the same.

      It's also a free world where he can say that formulaic chart pop music is crap, and he thinks this software will make it worse.

      (I didn't get the impression that he thought the software should be criminalised or anything like that.)

    43. Re:Hope they are not wasting much money on this. by ConceptJunkie · · Score: 1

      They are lulling everyone into a false sense of complacency and then WHAM! just like that, they are going to blow you away.

      So are you saying they are going on a double-bill reunion tour with WHAM!?

      --
      You are in a maze of twisty little passages, all alike.
    44. Re:Hope they are not wasting much money on this. by tikal2k · · Score: 1

      Electrodes would be a much needed improvement! All I have is a pointy twig with which I make holes in the punchcards.

    45. Re:Hope they are not wasting much money on this. by billcopc · · Score: 2, Insightful

      It's a simple function of a limited resource. Only X many albums can be reasonably marketed in a year. The more shit acts there are, the less room that leaves for respectable artists.

      I'd much rather have algorithmic vocals than algorithmic music, but I don't sing so I'm clearly biased.

      --
      -Billco, Fnarg.com
    46. Re:Hope they are not wasting much money on this. by Fear+the+Clam · · Score: 1

      Ewww, they're just like sooooo last week.
      You should check out 'Drunken Uncle does Karaoke"


      Naw, they sucked even back when they were The Pogues.

    47. Re:Hope they are not wasting much money on this. by dubz · · Score: 1

      And since a human has to program the machine, the machine cannot be a better musician than the person or persons who programmed it. As a programmer, I can tell you that oftentimes the results a good program generates surprise even the author.


      Anyway, in this case, the program has been trained using 300 real songs. That's where more of the artistic nature of the program lies, and not necessarily with the programmer.

    48. Re:Hope they are not wasting much money on this. by dubz · · Score: 1

      And since a human has to program the machine, the machine cannot be a better musician than the person or persons who programmed it. As a programmer, I can tell you that oftentimes the results a good program generates surprise even the author.

      Anyway, in this case, the program has been trained using 300 real songs. That's where more of the artistic nature of the program lies, and not necessarily with the programmer.

    49. Re:Hope they are not wasting much money on this. by SpiderClan · · Score: 1

      I think the point is that though many people don't like the Top 40 nonsense, myself included, the rest of us just don't listen to it and don't complain about it.

    50. Re:Hope they are not wasting much money on this. by jqpublick · · Score: 1

      The thing is, music has ALWAYS been based off mathematical formulas at its core. The "art" really lies in the musician picking and choosing options that work well together to create something pleasing to the ear. (Well, that plus the skill of being proficient in playing an instrument of choice, and/or talent in singing the vocals well.) Humans have been practising music for at least as long as we've been practising mathematics, if not longer. Mathematical formulas may well have been sitting there, waiting for us to discover them, but that doesn't mean that everyone who has ever made music saw the mathematics at the core of it, and understood music to be inherently mathematical. Ever since Bach though, we've been thinking of music as the notes on the page. Music isn't 'based off mathematical formulas at it's core', it's borne of impulses that are older and more atavistic by far which themselves are a result of the process of our biology through time. So are our minds but we make music first and then our minds kick in and try to understand and we figure out the maths of it. Watch a child sing sometime and you'll see what I mean. Discovering rules for the harmonics of a string and extrapolating from there may help us understand how we hear music, but it doesn't describe music per se.
    51. Re:Hope they are not wasting much money on this. by joseamuniz · · Score: 2, Informative

      And since a human has to program the machine, the machine cannot be a better musician than the person or persons who programmed it.

      This must mean that the people who created cars must run pretty fast.

      Computers have a very fast raw processing power. The fact that someone comes up with an algorithm does not mean that he can run it in his head at the same speed as a computer would. For that reason, the computer might be able to do much more (in our timescale) than the human who created it. If you don't believe me, go to Matlab and ask it to graph some complicated function.

      I'm not denying that computer programmers cannot come close to replicating a human being's creative process at this point. However, I don't see a priori reason as to why this will always bee impossible, as you seem to suggest. I think creativity is just a set of processes that we don't understand... yet.

    52. Re:Hope they are not wasting much money on this. by Gage+With+Union · · Score: 2, Insightful

      Machines cannot replace musicians in many circumstances yet. Music is emotional. It is improv. It is creative. Machines do as they are told, and even if they have some complex AI going on, they can still only function according to the parameters they are given.

      I am a Music Information Retrieval researcher, and I would emphasize that while programs do not "create from scratch" yet, neither do humans. The notes do not come from the ether, and all that life experience plays a role (I'm also a composer, so I can verify this, too). Our programs do not yet have a lifetime of experience with music, so perhaps it is not a fair comparison?

      Until someone makes a machine with the ability to improvise in response to the lead singer or soloist, convey emotion, *enjoy* music, and discover new things through taking risks and making mistakes, musicians won't become obsolete whatever that means, as if people won't still enjoy making music even if machines *could* do it better.

      We don't have all of those things yet, but we do have many parts of this, and we had it a long time ago (check out the works of Robert Rowe and George Lewis for instance). George Lewis' software had a listener and could make musical decisions about what he was playing, as well as what it was playing. We don't have a universal improviser for every style, but not every musician plays every genre either. Still, there's more going on that just the commercial stuff...

      I would also propose that Turing is a goal. We're quite a ways off, but there are examples: Phil Winsor has had the music generated by his programs used for TV commercials. There's been quite a bit of progress with machine learning algorithms and self-organizing maps in the field of Music Information Retrieval. We have rulesets for expressive performance (KTH and Generative Theory of Tonal Music) that give reasonably human performances of MIDI data, and we're working on combining these systems with analyses of expert performers.

      I have no interest in replacing human performers with computers, but I would love to humanize computer performers.

    53. Re:Hope they are not wasting much money on this. by thegrassyknowl · · Score: 2, Interesting

      As a programmer, I can tell you that oftentimes the results a good program generates surprise even the author.

      And as a GOOD programmer I can tell you that the results of a GOOD program come as no surprise to me because that's how I intended it to work!

      As for music generation, someone said that music is emotional and yadda yadda. What the? Have you listened to any modern "music" lately? It's all the same shit with the same whiny lyrics about either drugs or sex and it's generally terrible.

      Good music is coming harder and harder to find. The Internet was supposed to open up new roads to finding music but instead all the shit found its way here and swamps the few good things that are available. The advent of computers has made it easy for any Tom, Dick or Harry to produce an album and release it online; and a lot of them are really just the same whiny dicks that like garbage popular music.

      My friend is in an excellent punk band. They do a mix of covers and originals, play a lot of gigs and sell CDs. Their latest offering was all made on the computer and they spent a lot of time using the computer to adjust the timing of particular notes or drum beats to make it sound better. Not that the result is bad but now it sounds like any other mass produced band; perfect; missing all the raw "randomness" that is a performance. They can do this because they're not paying some pro engineer at studio rates to do it for them - it's all in their own time.

      This is not to say that all music is bad, just that the amount of good stuff is dwarfed by the sheer enormity of bad stuff that's popping up day after day.

      A tool that lets any tool scream into a mic and generates a backing track for them seems like it's only going to exaggerate the amount of bad "music" that gets released into the wild when every tom, dick and harriet thinks they've got a winner because the computer processed the hell out of them and they don't sound god-awfully out of tune with even themselves anymore.

      --
      I drink to make other people interesting!
    54. Re:Hope they are not wasting much money on this. by Trogre · · Score: 2, Insightful

      And create. Don't forget you can use that computer to create music.

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    55. Re:Hope they are not wasting much money on this. by ozmanjusri · · Score: 1
      http://www.pandora.com/ [pandora.com]

      Dear Pandora Visitor,

      We are deeply, deeply sorry to say that due to licensing constraints, we can no longer allow access to Pandora for listeners located outside of the U.S.

      Last is good though.
      --
      "I've got more toys than Teruhisa Kitahara."
    56. Re:Hope they are not wasting much money on this. by jaguth · · Score: 1

      Oh, look, some blond whore can screech into the mic and it'll make the whole damn song for her! Yay! I'm pretty sure Britney Spears had someone else write her songs, but it was her talent (breasts, ass, ect.) that got her where she is today. Come on, give these blond whores some credit!
    57. Re:Hope they are not wasting much money on this. by Tablizer · · Score: 1

      Out of all typical harmonic devices used to support a melody, your standard radio material probably uses about 5% of them.

      Most of them are based on simple ratios (1/2, 1/3, 3/4, etc.), both in chord's notes ratios and chord progressions. Complex ratios sound dissonance (sour) to most people, for good or bad. Our brains just like the sound of the simpler ratios in general when it comes to music.

    58. Re:Hope they are not wasting much money on this. by Anonymous Coward · · Score: 0

      Ha Ha! How I love living in Ithaca. There are like 3 record shops in this place.

    59. Re:Hope they are not wasting much money on this. by Tablizer · · Score: 1

      Uh, so don't listen to it... I don't understand why people like you get so angry over pop music, welcome to the free world where you can listen to whatever music you like

      Talk about, Pop Musik, Talk About, Pop Musik, Shoobee Dubee Doo Wap...

    60. Re:Hope they are not wasting much money on this. by chthonicdaemon · · Score: 1

      And since a human has to program the machine, the machine cannot be a better musician than the person or persons who programmed it.

      So the programmers of Deep Blue could all beat Kasparov?

      I am a musician myself, and I have often been struck by how much of 'creating' music is 'finding' music -- messing around with different chords or inversions or melodic manipulations until you find something that sounds good. The brain is a computer, we're just not so clued up on the program.
      --
      Languages aren't inherently fast -- implementations are efficient
    61. Re:Hope they are not wasting much money on this. by Iamthecheese · · Score: 1

      Now make and test 100,000 of these using genetic algorithms, and you have made a machine that can appreciate music!

      --
      If video games influenced behavior the Pac Man generation would be eating pills and running away from their problems.
    62. Re:Hope they are not wasting much money on this. by ScreamingCactus · · Score: 0

      I'm actually somewhat optimistic about this. If the singer sucks, the singer still sucks, but now they just suck with backing vocals/chords. But what if someone *is* talented but doesn't have the time/money/connections/luck/whatever to find some good accompaniment? Well this may give them the chance to create a more robust piece of art than they could alone. As with any good tool, I'm sure it will be used for both good and evil, and I don't believe it will ever be able to replace a talented person, but for someone who has little to work with, I think it may be a very useful tool indeed.

      --
      The path to enlightenment is truly through homemade drugs!
    63. Re:Hope they are not wasting much money on this. by Anonymous Coward · · Score: 0
    64. Re:Hope they are not wasting much money on this. by hummassa · · Score: 1

      Are you a sheep or a wolf??

      --
      It's better to be the foot on the boot than the face on the pavement. ~~ tkx Kadin2048
    65. Re:Hope they are not wasting much money on this. by Tolkien · · Score: 1

      http://www.youtube.com/watch?v=JdxkVQy7QLM All music coming from MySong will be identical.

    66. Re:Hope they are not wasting much money on this. by Anonymous Coward · · Score: 0

      As someone who, like most people in this world, likes music, but doesn't really "get" it, I have always wondered: What makes good music?

      If the standard radio material is so limited in scope, does it make it bad music? What makes a song good? Why do people like music that I hate? Can one song really be "better" than another by some metric other than popularity? Are the songs I love considered "good" musically?

      At the end of the day, while I know what I like, it's hard for me to clearly explain why I like it. So does it really matter?

      (I am not being argumentative or anything here, I really do wonder, and perhaps you have some insight with your musical background.)

    67. Re:Hope they are not wasting much money on this. by pandrijeczko · · Score: 1
      At least with a blonde whore singer, when the video comes on you can turn the sound down & just have something nice to look at.

      If you want EVEN MORE DREADFUL, take a classic rock song, have a few black female singers perform a poor quality version of it, then get some big black bloke (or even worse, a white bloke who thinks he's a black bloke) to talk all over it.

      --
      Gentoo Linux - another day, another USE flag.
    68. Re:Hope they are not wasting much money on this. by Chyeld · · Score: 1

      Pointless question as both will answer to the name "Sheep".

    69. Re:Hope they are not wasting much money on this. by Cyberskin · · Score: 1

      Technically not an expert system since it's trained on a dataset. More then likely a neural network...either Back-Propogation or possibly Kohonen. It's a nice AI innovation, but we're a long way off from ever replacing a voice. Symantics and pragmatics shape our inflection and intonation. We won't have a decent AI singing voice until we have Terminator (an AI with human-like faculties that give context to the language it learns).

      --
      Vervata Web Monkey
    70. Re:Hope they are not wasting much money on this. by orangesquid · · Score: 1

      Warning: there are lots of run-on sentences, because I'm thinking very quickly and want to write it all down before I lose my train of thought.

      The problem with perfectly aligning notes and sounds is that it destroys the individualistic nature of the instruments and just makes a wall of tonal sound. My best guess as to how the brain separates multiple sources of sound is by following sequences of sounds with similar harmonics that all occur at the same time, but not quite the same time as another source of sequences of sounds with its own set of harmonics (which could be pretty similar, or very different; the more different they are, the easier it is to distinguish the two, but I'll talk more about that in a minute). In other words, if a bass and guitar are playing at the same time, they don't align perfectly (naturally, anyway, because musicians aren't robots), so the brain can tell sounds coming from the bass (which have bass-like harmonics) apart from sounds coming from the guitar (which have guitar-like harmonics) very, very well. (I don't mean really bad mis-alignment produced by amateur or intoxicated musicians wherein an instrument sounds like it's being played off-beat, but rather slight mis-alignment on the order of a few milliseconds or so.) If the separate instrumental tracks are digitally edited to line up precisely, the only distinguishment between the bass and guitar is that they have separate harmonics and range; they no longer have *any* separation of when the notes are played. Consequently, it's much harder to tell the two apart unless your "ear" (as musicians say, but it's actually a part of the brain) is very well-trained to know exactly what harmonics and range each instrument has. However, even this is no guarantee, as basses and guitars cam vary quite a bit in just how they sound. Distorted guitars make this even more difficult, because the harmonics all get amplified to be nearly as loud as the fundamental frequency, so you can't hear the quieter harmonics of the bass, just the bass's fundamental frequency; since the human ear isn't very sensitive to sounds that low, you'd really have to crank up that part of the spectrum to tell what the bass is playing, but that also will increase the volume of the bass drum, so it doesn't even work that well, since percussive sounds have so many loud harmonics that they can mask other instruments.

      (Note: I'm leaving out other interesting behavior in the time domain, which also helps the brain tell sources of sound apart. For example, when a string on the guitar is plucked, the pitch is initially slightly high, from the plectrum increasing the tension in the string, but then falls back to its resonant frequency. For a piano, this effect is much different, because the hammers don't increase the tension in the strings nearly as much. Also, on a guitar, the volume of the note has a fast rise time, then quickly drops to a somewhat linear decay (it's somewhat linear rather than nearly linear for several reasons: there's always slight differences in behavior from a real-world string because of the geometry of the string, interactions between resonances of different strings, interactions with the resonances of the body of the instrument, and the endpoints of the string, e.g. the bridge and nut on a guitar, which don't quite behave like an ideal physical endpoint). In a piano, each hammer actually strikes three strings, which are tuned to the fundamental frequency and sometimes harmonics*, but not neccessarily with perfect, simple fractional ratios. The interactions between these resonant strings and the body of the piano also causes some interesting modulation (mostly of the volume.))

      (* = See this WP article about temperament for a very interesting discussion and history of how instruments are tuned. The methods vary dramatically from strings to woodwinds to brass to static-pitch instruments (piano, xylophone, etc.). If you tune an instrument so that it has perfect 4ths and

      --
      --TheOrangeSquid Is it any wonder things seem so awry? We swim in a sea of confusion and don't have to think to survive
    71. Re:Hope they are not wasting much money on this. by Fumus · · Score: 1

      I don't know about you, but in lots of offices where I come from people like to set up a radio and all that's on those radios are five pop songs playing over and over again. Sure, you can say that the radio pisses you off but everyone else will protest and say that if you don't want, you shouldn't listen. It's a free world and all that...

    72. Re:Hope they are not wasting much money on this. by PopeRatzo · · Score: 1

      Ewww, they're just like sooooo last week.
      You should check out 'Drunken Uncle does Karaoke"

      Naw, they sucked even back when they were The Pogues.
      See, now that's funny as hell.
      --
      You are welcome on my lawn.
  2. I've got a craving by AdamReyher · · Score: 1, Funny

    Okay, that jingle seriously made me want some Bob's Deli right about now.

    --
    The Computations of AdamR
    http://www.adamreyher.com
    1. Re:I've got a craving by mdd4696 · · Score: 0, Redundant

      "Bob's Deli, we put stuff on your bread. Bob's Deli, our food contains no lead."

  3. Finaly, this is what the music companies needed! by arkham6 · · Score: 4, Insightful

    Now they just need to have artificial voices sing music, and random word generators to make lyrics, and the music companies can stop paying those pesky artists!

  4. Shouldn't be too hard... by EaglemanBSA · · Score: 3, Interesting

    ...considering how unimaginitive most bands are today - the 1-4-5-1 progression is so prevalent in pop music, you can hum most songs on the radio within the first two minutes of listening to it.

    Experiment: pick three Linkin Park songs (from their frist couple of albums), play the first, and sing the melody from the second or third over it. You'll be amazed at how different they aren't.

    --
    Quiz: True or False -- On a scale of 1 to 10, what is your middle name?
    1. Re:Shouldn't be too hard... by Anonymous Coward · · Score: 0

      No kidding. I was mildly impressed when Greenday learned to play a fourth chord in their songs....somewhere around the release of their "American Idiot" album.

      8-)

    2. Re:Shouldn't be too hard... by EmagGeek · · Score: 2, Funny

      Don't forget the tired but reliable 1-5-6m-4 for emo songs that need at least one minor chord to project all that angst... oh my.. how angsty...

    3. Re:Shouldn't be too hard... by Gat0r30y · · Score: 1

      Well I think thats the point. Pop muzac has gotten so predictable, you can guess what genre of crap the singer has chosen (probably just a simple bayesian filter, maybe a neural network) and throw in an appropriately awful background.

      --
      Prediction: The real iPhone killer is going to be sex robots from Japan. Think about it.
    4. Re:Shouldn't be too hard... by Anonymous Coward · · Score: 0

      It's funny, because it's true. At this very moment, a guy across the hall is playing Linkin Park. The current song has that 1-4-5-1 progression!

    5. Re:Shouldn't be too hard... by Sciros · · Score: 1

      I can't disagree with what you actually posted, but as far as this software goes, it all comes down to the training data. If it's mostly trained on top-40 pop, which is simple, formulaic, and doesn't really deviate much from the same few chord progressions, then it will be quite good at auto-generating top-40 pop-style music. It will of course be rubbish at everything else.

      Training it on diverse music would be ideal if they had a lot more training data to work with. Otherwise you'll end up with very incoherent phrasing in the music. Two or three chords taken together might work, but longer progressions will start to sound weird and possibly introduce unintuitive key changes, etc.

      If you throw thousands of songs at it, it will be able to map longer chord progressions properly, and you might get entire verses to sound coherent.

      Basically I imagine it's the same approach used here as in statistical natural language translation. The baseline system probaly just uses n-grams, mapping sequences of n given notes to sequences of "most-likely corresponding" chords. (Notes may be identified by pitch+duration in this case.)

      --
      I like basketball!!1!
    6. Re:Shouldn't be too hard... by eldavojohn · · Score: 1

      Shouldn't be too hard... On the contrary, that's precisely why I think this will be difficult. I think bands like Linkin Park rely directly on their delivery method and cosmetic appeal instead of the chord structures. Just because a song is simple doesn't make it inferior to a complex song. Often times, it makes it more accessible to a larger audience.

      The user of this software can put in the great lyrics and vocals but this is going to fail on delivery of someone who is thinking Tool but receives straight forward mediocre rock.

      That said, I have listened to their comparison with Band in a Box and I must agree that their system is much much better. I don't know if they've selected only the ones that work or not but I think for these melodies that I've heard it's quite useful.

      I don't think musicians will hate this without trying it and I think it would be a valuable tool for musicians stuck on how to smooth over some chord changes. I admit I am interested in plugging in the vocals from tunes I've written to see what it comes up with.

      I have read a book by ... Schumann I think? Where the intro claims that any songs conceived chords and melody separately (one before the other) is destined to be sub par and that truly great works will come from those that can conceive them at the same time. An orchestral snob maybe but something to think about. This tool implies you know the melody which would disrupt his process and encourage inherently deficient songs.
      --
      My work here is dung.
    7. Re:Shouldn't be too hard... by qengho · · Score: 4, Interesting

      Linkin Park songs...You'll be amazed at how different they aren't.

      Somebody took two songs, pitch-shifted one (and probably tweaked the timing a bit) and built an MP3 with one song in each speaker.

    8. Re:Shouldn't be too hard... by CompCons · · Score: 3, Insightful

      All music is fomulaic. How do you think Beethoven was able to compose music even after he went deaf? Bach's music has been used as an example of how the mathmatics of music is similar to Godel's theory. Ever seen two musicians "jam" together? Ever wonder how they can sound so great even though it's the first time they've ever played together? It's becuase it's formulaic, once you know the formula for jazz you can play with any jazz musician (assuming you can play an instrument). Get off your ignorant high horse. Our ears are trained to favor harmonious sounds and reject dischord. There are alot of very talented "pop" artists. The only reason they are considered "pop" artists is becuase their music became popular! That means alot of people like it, it doesn't mean it's crappy music.

    9. Re:Shouldn't be too hard... by Gordonjcp · · Score: 1

      It's actually worse than that - a lot of bands are really just reusing other tunes with a few tiny little changes. The Sugababes "Push The Button" can edit really nicely with Wham "Last Christmas", for example - next time you hear "Push The Button" think of the little sparkly bell break from "Last Christmas" over the verse pattern.

      The track "Talk" by Coldplay contains a direct lift of the hook from "Computerlieb" by Kraftwerk, and it's fairly poorly credited.

    10. Re:Shouldn't be too hard... by stranger_to_himself · · Score: 1

      Loads of songs, even brilliantly original songs have a 1-4-5 progression. Look through a Dylan or Beatles songbook and you'll find hundreds. That doesn't make them bad or not worth listening too.

    11. Re:Shouldn't be too hard... by Anonymous Coward · · Score: 0

      Almost All Music, Debussy and Schoenberg notwithstanding, is based on modifications of and varations to the three chord progression: I-IV-V-I (or I-V-IV-I).

      Nonetheless, I find this kind of thing to be very interesting as a music/programming exercise, but totally useless as a music/composition application.

    12. Re:Shouldn't be too hard... by kellyb9 · · Score: 2, Funny

      Experiment: pick three Linkin Park songs (from their frist couple of albums), play the first, and sing the melody from the second or third over it. You'll be amazed at how different they aren't. I'll take your word for it.
    13. Re:Shouldn't be too hard... by mochan_s · · Score: 1

      Do you think chord progression is all there is to music? Do you think an exotic chord progression makes a good song? What about rhythm and melody and instruments and it's timbres? You can write a thousand songs in that chord progression and all be very very different and interesting.

      I've heard the Linkin Park and Nickelback examples. The songs suck by themselves but you combine them together and it sounds pretty interesting.

    14. Re:Shouldn't be too hard... by Skidge · · Score: 4, Funny

      Someone did the same with Nickelback (or some other similar crappy band) a few years ago.

      Ah-ha! Google found it for me:

      http://www.thewebshite.net/nickelback.htm

    15. Re:Shouldn't be too hard... by ardle · · Score: 1

      What's the hacking potential for this kind of thing? I don't mean firmware or hardware, I mean "make it do something it wasn't designed for". You never know, they might be used for something cool, like musicians use samples, records, Stylophones etc...

    16. Re:Shouldn't be too hard... by hobo+sapiens · · Score: 2, Insightful

      Oh, don't be so quick to dismiss the humble I-IV-V.

      Sure, it's easy to pick up and make a song with it. Sure, pop, rock, and just about everything else is built around the I-IV-V. That doesn't dilute the power of the I-IV-V. There's a lot to be said for taking a simple canvas and working with it. It comes from the blues and evolved to jazz (in the form of ii-V-I). It's a formula, and one that you can squeeze a lot out of. I could point you to some songs that use a I-IV-V that would blow you away. You probably could too. The V-I is a natural resolution and that's really what the I-IV-V is built around. I can think of loads of songs that are really just V-I and accomplish the same effect (there's a reason the IV is called the subdominant). In fact, show me a song that *doesn't* use some inversion of a V-I turnaround at least once and I'll show you a song that goes nowhere.

      The I-IV-V is like bread: it's been around forever and ain't going anywhere. It's a staple. Don't hate the recipe just because some people can't cook.

      --
      blah blah blah
    17. Re:Shouldn't be too hard... by Anonymous Coward · · Score: 0

      How do you think Beethoven was able to compose music even after he went deaf?


      Beethoven had perfect pitch, so that example doesn't work as well as you want it to.
    18. Re:Shouldn't be too hard... by rHBa · · Score: 1

      This could put a lot of 'music' producers out of business. Stock, Aitken and Waterman for example.

    19. Re:Shouldn't be too hard... by ResidntGeek · · Score: 1

      oh god, it's true! I'm listening to Robert Johnson using the same progression! That guy's just a shamelessly exploitative pop singer! He should learn to play better music, then more serious music fans will respect him.

      --
      ResidntGeek
    20. Re:Shouldn't be too hard... by EaglemanBSA · · Score: 1

      Before (or after, as the case may be) you call me ignorant, you may want to know a bit more about me - I've studied music since I was 7 years old (almost 20 years now), playing/singing professionally in some venues (including 'jamming'). Of course music is formulaic! Listen to the blues; it's such a regular formula, anyone can play it. My point was, as formulaic as music is, this prediction program isn't that much of a feat.

      That being said, I love variety, and I love experimentation/musicality. My ears are trained to like harmony, but once in a while, some significant dissonance can be just as beautiful. In medival times, musicians were threatened to be burned at the stake if they used 'el diablo de musica' (a minor fourth) in their music, while it's so common, it's part of many major melodies today (hum 'Maria' from West Side Story, for example).

      I didn't say the music was crappy, or that I don't like it - I rather enjoy listening to Linkin Park while I'm working out. I was trying to make the point that it's rather predictable. I also like, for example, the Youngblood Brass Band, whose latest album features some really progressive music that isn't quite so formulaic. It is very dissonant, loud, rhythmic, and beautiful.

      --
      Quiz: True or False -- On a scale of 1 to 10, what is your middle name?
    21. Re:Shouldn't be too hard... by Darby · · Score: 1

      Don't forget the tired but reliable 1-5-6m-4 for emo songs that need at least one minor chord to project all that angst... oh my.. how angsty...

      What would E-B7-E-D-E-D-E-C#7-F#-B7-E be on that scale? Bonus points if you can name the song ;-)

    22. Re:Shouldn't be too hard... by Crabbyass · · Score: 1

      In medival times, musicians were threatened to be burned at the stake if they used 'el diablo de musica' (a minor fourth) in their music, while it's so common, it's part of many major melodies today (hum 'Maria' from West Side Story, for example). Not to be "one of those guys", but it's called an augmented fourth (or diminished fifth), more commonly known as the tritone (three whole tones apart). And it's latin name was "diabolus in musica". You're right though, about it's history. Then again, those old periods in music were so full of rules and formulas, that the composers who's music survived the test of time were the ones that BROKE those rules and formulas (Palestrina, Monteverdi, Bach, etc.)
    23. Re:Shouldn't be too hard... by Crabbyass · · Score: 1

      Playing a I-IV-V-I progression is not the same as playing over a I-IV-V-I progression.

    24. Re:Shouldn't be too hard... by EaglemanBSA · · Score: 1

      Heh, my mistype. Can I play Hillary and say I 'misremembered'? :-D

      --
      Quiz: True or False -- On a scale of 1 to 10, what is your middle name?
    25. Re:Shouldn't be too hard... by EmagGeek · · Score: 1

      Sorry, that has FIVE different chords, so is therefore beyond the scope of my music comprehension :)

      Hah, sorry, can't name it.. not near my piano or guitar.

    26. Re:Shouldn't be too hard... by pklinken · · Score: 1

      In fact, show me a song that *doesn't* use some inversion of a V-I turnaround at least once and I'll show you a song that goes nowhere.
      Time Remembered, by Bill Evans .. though I'm not quite sure what you mean by 'some inversion of a V-I turnaround'.
    27. Re:Shouldn't be too hard... by Abreu · · Score: 1

      Your mouth is so stuffed with truth, it comes out of your ears!

      --
      No sig for the moment.
    28. Re:Shouldn't be too hard... by jbengt · · Score: 1

      My ears are trained to like harmony, but once in a while, some significant dissonance can be just as beautiful.
      Dissonance is an integral part of harmony, and is the driving force of harmonic progression. Discordance is opposed to concordance, and is not necessarily harmonic.
      Sorry for being pedantic
    29. Re:Shouldn't be too hard... by hobo+sapiens · · Score: 1

      I checked out that song...nice. I thought I heard some ii-V-I turnarounds in there, but I could be wrong. Do you *know* the changes for that song? What are they?

      What I meant by inversions of I-IV-V are things like the venerable ii-V-I or even maybe a VIIdim-I. Same principle. All of those and many more are derivatives of the I-IV-V. Jazz finds one of its roots in the blues, and jazz brought the I-IV-V with it. Yes, I know...even a ii-V-I isn't technically a I-IV-V, but its the same concept and really serves the same purpose. It's a turnaround, it provides tension and release. It propels the music along.

      I-IV-V in itself can go a long way. Listen to the blues, and hear how much those guys squeezed out of that progression. Complex changes aren't the only way to make music interesting. I understand what you meant...people play three chords and wheedle and warble over it and call it music. But that doesn't mean that the I-IV-V change is bad. It's a white canvas, it's up to you to paint it.

      --
      blah blah blah
    30. Re:Shouldn't be too hard... by WithLove · · Score: 1

      What would E-B7-E-D-E-D-E-C#7-F#-B7-E be on that scale? Bonus points if you can name the song ;-) What is "If" by Pink Floyd?
    31. Re:Shouldn't be too hard... by pklinken · · Score: 1

      Thanks for replying!
      The original leadsheet doesn't have a single dominant chord in there, but it's quite possible there are some in the recording you heard, it's a jazz musicians trade to add some :)
      I'm in a bit of a hurry at the moment, but i will post the chords, and a longer reply, later.

    32. Re:Shouldn't be too hard... by Darby · · Score: 1

      What is "If" by Pink Floyd?/i

      Well played Sir!

    33. Re:Shouldn't be too hard... by Weedlekin · · Score: 1

      "Listen to the blues; it's such a regular formula, anyone can play it."

      There is a vast range of music that qualifies as blues, ranging from simple 8 and 12 bar 3 chord stuff through New Orleans blues, some of which has an extremely complex harmonic structure, right up to stuff like Gershwin's Rhapsody In Blue, which isn't an easy piece to play by any stretch of the imagination.

      --
      I'm not going to change your sheets again, Mr. Hastings.
    34. Re:Shouldn't be too hard... by pklinken · · Score: 1
      Okay, here goes, IIRC:

      Time Remembered
      Bm7 | CMaj7(#11) | FMaj7(#11) | Em7
      Am7 Dm7 | Gm7 | EbMaj7(#11)| AbMaj7(#11)
      Am7 | Dm7 | Gm7 | Cm7
      Fm7 | Em7 | Bm7 | %
      Ebm7 | Am7 | Cm7 | F#m7
      Bm7 | Gm7 | EbMaj7 | Dm7
      Cm7 | % ||

      It's a weird tune .. there are plenty of tritone intervals in it, the melody is often a #11 over a Maj7 or a 13th over a m7, but none of them seem to resolve in the way a dominant's tritone would.
      Makes it rather difficult to improvise over if you're used to ii-V-I progressions :)

      I-IV-V in itself can go a long way. Listen to the blues, and hear how much those guys squeezed out of that progression. Complex changes aren't the only way to make music interesting. I understand what you meant...people play three chords and wheedle and warble over it and call it music. But that doesn't mean that the I-IV-V change is bad. It's a white canvas, it's up to you to paint it.

      I think this was in reply to a grandparent, because i said nothing of the sort, I agree though.
    35. Re:Shouldn't be too hard... by hobo+sapiens · · Score: 1

      Eh, not sure who I replied to. This new layout on /. is a bit confusing. I dunno, someone seemed to say that I-IV-V is categorically lame and I had to jump on it. I might have misread, too.

      Thanks a lot for posting the changes to that song. Ever go to http://sontrellis.com? It has the changes to lots of songs (mostly gifs) as well as midi sequences that you can play over. This song is there, but no chord chart. Now I can play over the midi sequence and know what I am playing over without having to figure it out.

      Nice talking with you.

      --
      blah blah blah
    36. Re:Shouldn't be too hard... by pklinken · · Score: 1

      That site seems to be more about fencework, but i know which one you meant :)
      I mostly play from realbooks or by transcribing the song if it's not in a realbook .. I often found that there are mistakes in both online resources and realbooks though, so i try to check with a recording or my teacher..

      Playing a nice I-IV-V gospel groove for breakfast is great for starting the day!

  5. This is perfect by KDR_11k · · Score: 1

    Now all we need is the RIAA to put their automatic pop singer software on the shelves and we can have our own band!

    --
    Justice is the sheep getting arrested while an impartial judge declares the vote void.
  6. ....... and just what we would expect by rimcrazy · · Score: 1

    I'm sure there is a hidden back door to the RIAA to get your IP address so they can come knock on your door because you stole someones music in singing your own songs

    --
    "TV, a medium as it is neither rare nor well done." Ernie Kovacs
    1. Re:....... and just what we would expect by poot_rootbeer · · Score: 1

      I'm sure there is a hidden back door to the RIAA to get your IP address so they can come knock on your door because you stole someones music in singing your own songs

      The Recording Industry Association of America only gives a damn if you steal recordings of music.

      Steal a melody or chord progression and the thugs that come to cap your ass will be ASCAP's.

  7. RIAA should take note by athloi · · Score: 1

    This will further devalue the pop music product that made record labels so much money.

    The walls are falling in on an industry that cashed in on people's inability to tell good music for bad.

    This is good news for all musicians who make music worth listening to, as opposed to music worth blaring out of a radio in the background while you IM, buy corporate media on Amazon.com, watch TV and send pictures of your weener to "girls" you met on myspace.

  8. Oblig. Simp. by ettlz · · Score: 1

    "Thank-you, NASA!"

  9. Finally! by virgil_disgr4ce · · Score: 1

    Now we can focus even more closely on repeating, copying and imitating already tired simulacra and finally do away completely with pesky things like creativity and insight! The technology of tomorrow, today!

  10. A love letter by dauthur · · Score: 1

    Dear Microsoft, Thank you for putting together a completely custom safety-net band! I fell of my real band's wagon and landed in your loving arms. Now I'm making millions with my hit band "The Superficial Octaves"! -Dick Richards PS: Give Billy a kiss on the cheek for me, eh?

    1. Re:A love letter by agendi · · Score: 1

      I think you meant "custom safety.NET band!"

      --
      I just can't be bothered.
  11. Bye, Bye, Miss American Pie... by EmagGeek · · Score: 1

    This is certainly the day the music died....

    tag: thedaythemusicdied

  12. Re:Finaly, this is what the music companies needed by dotancohen · · Score: 1

    This was supposed to be around in 1984, according to Orwell. It fact, I've suspected that it has been for years.

    --
    It is dangerous to be right when the government is wrong.
  13. This will work for a while, but... by ramsejc · · Score: 1, Funny

    Just wait until our backup-singing overlords get tired of playing second fiddle to some dumb human with no musical training. Can you guess what will happen next?

    One of them will go solo, and win American Idol, and then what? This country is evidently forced to love the winner of that show, no matter how horrid their singing may be. (Daughtry excluded. That man can sing. Then again, he did not win.)

    Or does anyone else realize that the initials of American Idol are 'AI'?

  14. Isn't this old hat? by Pope · · Score: 1
    I'm surprised this wasn't invented by Stock Atiken Waterman!

    Bonus video! :)

    --
    It doesn't mean much now, it's built for the future.
    1. Re:Isn't this old hat? by Missing_dc · · Score: 1

      What a perfect opportunity for a rickroll.

      Too bad I can't get youtube at work. (that may be a rickroll above)

      --
      How amazed would you be to suddenly find that you just forgot what I wrote and you needed to reread my post.... again.
    2. Re:Isn't this old hat? by Pope · · Score: 1

      Not a rickroll, a S-A-W parody by Morris Minor and the Majors.

      --
      It doesn't mean much now, it's built for the future.
  15. What a waste by HaeMaker · · Score: 1

    "Talk about pi**ing your money away. I hope you kids see what a silly waste of resources this was." -- Frances Smith, "Christmas Vacation"

    1. Re:What a waste by MightyYar · · Score: 1

      "He worked really hard, Grandpa!"

      "So does a washing machine."

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
  16. Yay bring on the Eurovision Song Contest.... by lililalancia · · Score: 1

    More bland Europop creations, how inspiring is that!

    1. Re:Yay bring on the Eurovision Song Contest.... by mjwx · · Score: 1

      More bland Europop creations, how inspiring is that!
      Do you really want another ABBA?

      Really?
      --
      Calling someone a "hater" only means you can not rationally rebut their argument.
  17. How cheap can the RIAA get? by SilverBlade2k · · Score: 1

    They sue people on 'behalf' of the artists, but the artists get almost nothing. Now they are going to the software so that all they have to do is buy the software once and not pay anybody else.

    1. Re:How cheap can the RIAA get? by turgid · · Score: 1

      I thought all the backing music was done on digital audio workstations by the record company producers anyway. No actual session musicians involved. This just streamlines the process a bit, giving a bigger profit margin.

  18. Power for the matrix! by swm · · Score: 1

    I'm working on this program called MyEar.

    It's a probability computation algorithm that has been trained, through analysis of 300 rock, pop, country and jazz songs, to recognize fragments of melody and chords that work well together, as well as chords that compliment each another.

    I'm going to feed the output of MySong directly into the input of MyEar, and get all those annoying humans completely out of the loop.

    And then...and then...I'll plug the humans into little VR pods, one per human (they'll never notice the difference)...and then I can tap off the energy they generate for my power needs--I mean, my computers' power needs--yeah, yeah, that's it...I've got this big matrix of computers, and then need a lot of power...

  19. DMC-whA? by sirroc · · Score: 2, Interesting

    So who is to blame if a song input from a user results in a generation of notes that is already has a copyright?

    1. Re:DMC-whA? by Thinboy00 · · Score: 1

      So who is to blame if a song input from a user results in a generation of notes that is already has a copyright? Officially and for the moment disregarding the existing copyright, the user holds copyright over any output that was produced based on his (her) input (IANAL, this isn't a law firm etc.). Therefore, the program is a tool for creation. Now considering the copyright, if RIAA never finds out (obviously they're the copyright holder), you could probably safely discard it without a lawsuit, but technically, you should be responsible for its output if it comes from your input. Again, IANAL, this isn't formal legal advice, YMMV, talk to a real lawyer etc.
      --
      $ make available
    2. Re:DMC-whA? by Zironic · · Score: 2, Interesting

      In Sweden anything that has been made by a machine can't be copyrighted so I'd guess you can't get sued for it and the RIAA might even risk losing their copyright.

    3. Re:DMC-whA? by mdwh2 · · Score: 1

      In Sweden anything that has been made by a machine can't be copyrighted so I'd guess you can't get sued for it and the RIAA might even risk losing their copyright.

      So how does that work for everything from electronic instruments, to a computer program spewed out by your compiler?

    4. Re:DMC-whA? by Zironic · · Score: 1

      Well, the idea is that there is a baseline level of creativity needed to make a work that is copyrighted and by definition machines can't be creative so if you make a machine that makes songs by itself those songs arn't creative and thus can't be copyrighted.

      Now in this specific example there is still creative work in doing the vocals and the machine is just doing the backup but if you had another program to make the vocals automatically you could have real fun :P

    5. Re:DMC-whA? by rk · · Score: 1

      So, what you're saying is once machines achieve sentience and creativity, Sweden should better change their copyright rules or a good defense against hordes of autonomous robot warriors?

    6. Re:DMC-whA? by Thinboy00 · · Score: 1

      So, what you're saying is once machines achieve sentience and creativity, Sweden should better change their copyright rules or a good defense against hordes of autonomous robot warriors? All your copyright are belong to us!!!
      --
      $ make available
  20. Microsoft Idol. by morgan_greywolf · · Score: 5, Funny

    That's about what I was thinking. Actually the first thoughts out of my head were:

    "Oh, for fuck's sake! Is creating and playing music really that fucking hard?" I mean, people have been doing this shit for CENTURIES, folks! Millennia even!

    I can just see it now:

    Seacrest: Welcome to Microsoft Idol! And welcome to tonight's first contestant, Sanjaya! In our last round, Sanjaya blue-screened our backup computer band....can he make a comeback tonight? Let's find out!

    1. Re:Microsoft Idol. by Metasquares · · Score: 3, Insightful

      Creating complex music (not 1-4-5 stuff) is actually rather hard. Deceptively so, in fact, because it doesn't always sound hard until you actually try to write it and you realize that nothing sounds the way you thought it would.

  21. What if the program works? by MobyDisk · · Score: 1

    So... with all the Slashdot musical taste elitism going on, I'm kinda worried.

    What happens if I hear something generated by this program and I like it? Does it mean I have no musical taste? Does it mean I am just a machine, being entertained by a machine? Am I no longer creative? Does it mean I am a (Goth|Emo|Yoboy) and I can't post any longer?

    What if it turns out that my brain, and thus my tastes, are actually just a neural network? What if someone has determined how to make that network respond with through automated music generation? Should I refuse to listen to music after that? Does it make me less human? What if I actually wrote a program years ago in BASIC that made music I liked? Do I need the outside world any longer?

    1. Re:What if the program works? by jordan314 · · Score: 1

      Luckily for you it doesn't work too well. The algorithm doesn't seem to have any understanding of functional harmony in chordal movement except in the 5-1 cadences in the end. It's an interesting concept but it sounds about as useful as auto-accompaniment on cheap keyboards.

  22. knock off by suck_burners_rice · · Score: 1

    Microsoft will probably do this in order to compete with Apple's GarageBand software (which I don't think has a feature like this, but nonetheless). Perhaps, having put all kinds of glitzy graphics into Vista (which IMO are really ugly), it's now time to make a knock-off of iLife.

    --
    McCain/Palin '08. Now THAT's hope and change!
  23. Re:Finaly, this is what the music companies needed by English+French+Man · · Score: 1

    Force feeding the rules of music composition to a computer is possible, but it will always lack the artistic imagination needed to make good music.

    --
    If I'm wrong, please correct me ; learning is better than being right.
  24. Reason #87923642 why your music is suks by J4 · · Score: 1

    I think the brain power would be more well spent if they created a robot that does research.
    The humans seem to only ever think of bad ideas.

  25. gah. by apodyopsis · · Score: 1

    Gah.

    I strongly suspect this will end up like the "watercolour" and "oils" filters on photoshop - as in "interesting, but no substitute for talent".

    Expect to see this IP in karaoke and sing along machines to convince gullible people they have talent (and less money).

    I have this weird mental image of George Gerswhin arguing with his new electronic piano (yes, I know he's dead) before throwing it out of his window.

  26. Wow, William Hung Can Now Have A Backup Band! by Skeetskeetskeet · · Score: 0

    I just threw up in my mouth a little.....

    --
    Yeah, my karma sucks....but so do the mods.
  27. Nothing out there? by theplate · · Score: 1

    MS: 'There was nothing out there that could take a sung vocal melody as an input and then generate appropriate chords to accompany it."

    There ARE these things called Hands that can operate things like Guitars and Pianos.

    1. Re:Nothing out there? by SpiderClan · · Score: 1

      Yeah, but how do you convince people they need to buy those from you?

  28. Just what we need... by darkcatalyst · · Score: 1

    A bunch of crap music coming from tone-deaf people with no concept of melody.

    Oh wait, we already have MySpace...

    --
    This is what entropy is for.
  29. what ever happened to talent? by gsmraxe · · Score: 1

    I've been a musician for over 20 years and some of the self-proclaimed "vocalists" I've run across need automatic pitch shifters so they can sing on key. Another percentage of them need heavy effects on their voice, ala sinead o'connor (sp?).

    But then again, 15 years ago you needed to at least know a little about computers to use them. microsoft killed that, now they're going to kill what's left of needing a little musical ability to be a musician.

  30. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  31. just keep it I-IV-V by ruggerboy · · Score: 1

    "probability computation algorithm"

    So much for deceptive cadences!

  32. Paging Spider Robinson... by Minwee · · Score: 4, Funny

    Sure, first you reduce every song to a sequence of twelve standard notes. Then you start applying regular expressions to match the patterns, and before long it's meloncholy elephants everywhere.

  33. Yes, but... by Nerdposeur · · Score: 4, Insightful

    ...even if you can get it to create long, coherent chord progressions, it still will have to stick to chords that match whatever was sung. Even if the system knows how to do jazzy chord changes and secondary function chords and such, an amateur singer won't sing a melody that will flow well with that.

    The melody and the chord structure fit together very intimately. If someone doesn't "hear" the chords they want in their head, they probably won't sing a melody that will need an interesting chord progression behind it to make it work.

    And of course, for any given melody, there are multiple possible progressions (do you want a IV or a I chord here? Or maybe a V7/V?). The singer will need to have the musical sense to choose which one they want.

    1. Re:Yes, but... by Sciros · · Score: 3, Interesting

      You're absolutely correct on all points. The system will create "best guess" chord progressions, in any case. I assume it's able to create several guesses based on a probability threshold the user sets initially (probably something like "show me the top 5 most 'fitting' progressions").

      Based on what it's trained on, the system will show certain tendencies. If after training it's boxed up and given to a user to work with (no further training possibly by user), then the user will have to learn what these tendencies are and adjust accordingly.

      And yes, to not create total rubbish the singer will have to have some musical sense. Just like how a "language model" is used to pick out the most-likely-to-be-correct translation from a lattice that the translation model generates in statistical natural language translation systems, the singer might need to pick out what he/she desires out of a set of possibilities the music generation system presents.

      So, if your point was that this system will not be able to instantly fulfill an amateur singer's desires, then you're definitely right. Ideally the system would be able to be further trained on music the amateur singer personally enjoys (or wants to emulate), and would also learn from the choices the singer makes when selecting progressions generated by the system. Over time, then, it would do a better job of mapping the singer's vocals to what he/she wants to hear as an accompaniment.

      --
      I like basketball!!1!
    2. Re:Yes, but... by dkleinsc · · Score: 4, Interesting

      That is and it isn't true. As someone who's often responsible for improvising harmonies to match a melody, it's quite possible to provide an interesting harmony to a boring melody and vice versa.

      My personal favorite example here is the popular song "Turkey in the Straw". The traditional harmony goes something like this (assuming the key of C):
      verse: C-C-C-C-C-C-G-G-C-C-C-C-C-C-G-C
      chorus: C-C-C-C-F-F-F-F-C-C-C-C-C-C-G-C
      However, this is a very nice more complex harmony:
      verse: C-C-C-C-C-Am-Dm-G-C-G/D-C/E-C/E-F-D/F#-G-C
      chorus: C-C-C-C-F-F/E-Dm-G-C-D-D#dim-C/E-F-D/F#-G-C

      The melody works either way, but the harmonies are quite different.

      --
      I am officially gone from /. Long live http://www.soylentnews.com/
  34. Automatic Software With a Bullet by Doc+Ruby · · Score: 1

    I can't wait for music to feature the quality, innovation and depth of soul that Microsoft is known for.

    Oh, wait - that's what's wrong with all the music already being made with the last generation of music technology.

    --

    --
    make install -not war

  35. Twofo Goatse by Anonymous Coward · · Score: 0

    Goatse in your face! Goatse up your ass![goatse.ch]

    You nerds love it.

  36. re by JohnVanVliet · · Score: 2, Funny

    what ever happened to talent like ELP or Boston

    --
    "I don't pitch OpenSUSE Linux to my friends, i let Microsoft do it for me
  37. eh, could have been worse by maxch · · Score: 1

    as far as microsoft goes, this piece of software will probably suck.

  38. oblig by Anonymous Coward · · Score: 0

    I,for one, welcome our auto-chording Microsoft DRM-wielding overlords.

  39. Re:Backup/Restore by TheRealMindChild · · Score: 1

    They call this karaoke.

    --

    "When life gives you lemons, don't make lemonade. Make life take the lemons back!" -- Cave Johnson
  40. Anyone know the chords? by Dancindan84 · · Score: 1

    Anyone know what the chords would be to, "Dear Aunt, let's set so double the killer delete select all"?

    Somehow I have doubts as to the reliability of this...

    --
    "Always forgive your enemies; nothing annoys them so much." - Oscar Wilde
  41. Art vs. Craft by doctechniqal · · Score: 1

    I especially liked the use of the phrase "creative but musically untrained individual" and its implications. I would think a singer using this program would at the very least need to be able to sing on key and in a recognizable rhythm. Of course, given a melody in a time signature the program can't track, it may be capable of producing some aleatoric masterpieces.

  42. Singing in Tune trick by Simonetta · · Score: 4, Funny

    I 'discovered' that the best way to sing in tune (with recordings, or a group) is to cup one hand about one foot (@30cm) in front of your mouth and cup the other hand behind one of your ears.

      While singing, your voice bounces off the hand in front of your mouth and then gets redirected into your ear. Then you can adjust the pitch of your voice to harmonize with that of the recording. This really makes a difference in your ability to sing in tune.

      I thought that this was my secret trick until I saw the BeeGees on television long ago and Robin Gibb was using the same 'hand behind ear' technique to get his complex falsetto parts just right. The studio monitor fed his voice towards his ears.

        I know, I know, the BeeGees, don't laugh, during the years 1975 to 1979 they were best male ensemble vocalist group in the popular music world. Dorks maybe by current standards, but who are Slashdaughters to judge in that regard?

        Anyway, I realize that the last thing a Slashdot reader will ever do is sing. But most Slashdot readers have an obsession with doing things right, should the need ever arise, then in regards to singing, this is how it can be done right.

        I suspect that this Microsoft program, like all Microsoft pop culture products, will go nowhere and die a slow, embarrassing death should it ever get released. It sounds to me (bad pun) like the auto-play features found on those plastic WalMart keyboards that are too cheap and dumb to have MIDI ports included on the back. Microsoft should put this code into open-source and take a tax write-off on the development costs.

        And speaking of which, just exactly WHY is Microsoft researching automatic computer music product generation? If I recall correctly, don't they make personal computer operating systems and business software. I guess that it must be that since they found and eliminated all the bugs in their primary products that they were looking for a new challenge. And they want to get some of the glory that is coming from the Rock Star plastic button guitar weirdness that is currently popular among the less-musically-inclined sector of the population.

    1. Re:Singing in Tune trick by Anonymous Coward · · Score: 0

      decabuddy is a plugin used frequently to create up to 9 harmonies with any single note, it's been out for years and works pretty damn well.

      Simonetta, microsoft is working on voice recognition software, this is probably just a biproduct of their studies that might end up being a gadget to add, or they're creating garageband xp.

    2. Re:Singing in Tune trick by Anonymous Coward · · Score: 0

      And speaking of which, just exactly WHY is Microsoft researching automatic computer music product generation? Since there's a lot of math in music, it's an easy way for a computer geek to pretend he's an artist.
    3. Re:Singing in Tune trick by Anonymous Coward · · Score: 0

      And speaking of which, just exactly WHY is Microsoft researching automatic computer music product generation? If I recall correctly, don't they make personal computer operating systems and business software.
      They also have one of the top industry research labs in the world.

      MS corporate also, in case you didn't notice, makes the XBox, games, etc.

    4. Re:Singing in Tune trick by pazuzuzu · · Score: 1

      I suspect that this Microsoft program, like all Microsoft pop culture products, will go nowhere and die a slow, embarrassing death should it ever get released. Actually, Microsoft Research does some interesting work - consider this great paper: Pastry (PDF) The thing about Microsoft research is that they're almost completely separate from Microsoft. I don't even know if they've ever provided a solid product for Microsoft. So quite possibly this is not intended to become a real product, it is, as you indicated, a toy.
    5. Re:Singing in Tune trick by turgid · · Score: 1

      The great thing about being tone deaf is that you can sing along to absolutely anything and it always sounds great. I do my singing in the car.

  43. Re:Finaly, this is what the music companies needed by MopedJesus · · Score: 1

    >Now they just need to have artificial voices sing music, and random word generators to make lyrics,

    And they can call it Britney Spears.

    --
    -- VOTE -- Moped Jesus in '08!
  44. Nickelback... by andrewd18 · · Score: 1

    The idea is to let a creative but musically untrained individual get a taste of song writing and music creation
    We have that already. It's called Nickelback. And it sucks.
  45. could be good by ahree · · Score: 1

    as a middle/high school music teacher who uses all available technologies to teach music, this could really be a good thing.

    why? simple. the goal, or _a_ goal of music education is to bring a meaningful experience of music to a student. this program might help with that.

    and i'm just speaking of formal music education. for someone on their own, they can use the program to get a start and then learn more/deeper as they progress.

    just because it might use 'standard' chord progressions doesnt meant a person cant have a meaningful experience of music - especially an inexperienced person. again, they can always learn more later.

    for those of you who negatively (and, i daresay, often uselessly) criticized up above, remember that not everyone is in the same place, musically. if only one person becomes more musical because of this then it's served its purpose, no?

    1. Re:could be good by busydoingnothing · · Score: 2, Insightful

      As a music teacher, it is your paid duty to believe and repeat to students that everyone can play music. Have you ever considered the possibility that this is a lie? Have you ever considered that some people are made for certain things and others aren't? Everything is not for everyone. Singing karaoke makes someone a singer as much as Guitar Hero makes someone a guitar player as much as Madden 08 makes someone a football player.

      There's this notion of talent and notion of passion. These two go hand in hand. A person has a talent for music, and it is their passion that carries them through to bring this talent to fruition. Does it take a fancy piece of software to help someone discover this talent? Last time I checked, singing started with an open mouth and an "Aaahhh."

      Is it elitist for me to believe this? I don't think so. Yes, I am a musician. I started with the clarinet in the 2nd grade and became the youngest player in advanced band. When my friend was trying to learn/play trumpet in 5th grade, he struggled with Mary Had a Little Lamb after several weeks; I picked it up once and played it through. Since then, I learned guitar, bass, piano, and drums. I only took lessons for guitar, the rest are self-taught.

      Yes, it takes time and practice, but it also takes talent, and I believe this is something that is natural. I've tried different sports but was never any good. My dad has tried to teach me about cars but I've never had any interest. In an increasingly isolated world, we're starting to forget that everyone in society fits a certain piece of the puzzle that makes up that society. We try to be everything all of the time when we don't need to be. If my car breaks down, I can have my dad work on it. In turn, when he can't fix a computer problem, he can turn to me. When a guitar player needs a beat, he can meet up with a drummer and jam. When a singer needs backing vocals, he or she can meet like-minded individuals and form a group. We have the internet now to make this more possible, yet we seem to be going the opposite direction and disconnecting from everyone else, trying to forge our own miniature frontiers in our homes and apartments.

      Let the singers sing, let the musicians play music, let the athletes play sports...we are individual parts of a whole, not whole individuals.

  46. Its like the Simpon's come to life! by sizzzzlerz · · Score: 1

    Cue the Sound Machine and let the Party Posse magic begin!

    Yvan Eht Nioj

  47. Did you notice? by Anonymous Coward · · Score: 1, Interesting

    Did you notice that ever since the firehose appeared these Microsoft boosters got more frequent?

  48. Headline Correction by eno2001 · · Score: 2, Interesting

    Was: "Researchers Create an Automatic Backup Band for Singers"
    Correct Version: "Researchers Create a BAD Automatic Backup Band for BAD Singers"

    OK. That was silly of me. But, I do have to say that if all music in the future was created like this, I'd probably stab myself in the ears. It's early in this game though... I suspect that once the concepts of the software are ironed out, the addition of more interesting chord progressions will happen. I'm still wondering how real musicians would wind up finding any use for this?

    I've been using computer based music sequencers since the mid 80s and I think the last thing any real musician wants to see is "Microsoft Composer". I can see it now, instead of Clippy, they'll have "Wolfy" which will be a horrid caricature of Mozart appear every time you start to create a song:

    1. You make something using minor 7ths and 9ths and Wolfy shows up, "I see you're writing an 'unhappy' song, would you like to make your song happy"?
    2. You start sequencing something very abstract and atonal and this is the way you've worked on music for nearly three decades, up pops Wolfy, "It looks like you're having trouble getting started, would you like me to show you how to do a basic major C chord progression"?
    3. You start inputing some heavy polyrhythms, and Wolfy butts in again, "Your song appears to be too rhythmically different, do you need help with a standard 4/4 beat"?

    Ugh... more and more reduction to the lowest common denominator. Back in high school a friend and I came to the conclusion that all highly popular music would eventually be one note surrounded by 4/4 beats and grunts for lyrics. This software certainly seems to be taking things in that direction.

    I keed I keed.

    --
    -"...bad old ideas look confusingly fresh when they are packaged as technology" - Jaron Lanier (Digital Maoism on Edge.o
    1. Re:Headline Correction by Tenebrousedge · · Score: 1
      Not to argue with or detract from any of the points that you are making, but the reference to your high school experience would be a wonderful thing to omit, for the greatest amount of credibility and influence.

      ...does Word/Office still have Clippy? I always thought that was kind of a lame holdover from the Microsoft Bob thing. It's been years since I've used anything other than notepad or OpenOffice on a Windows machine; I'd hoped Clippy had died a natural and unmourned death in the interval.

      --
      Those who advocate genocide deserve every protection afforded by law, and none afforded by common human decency.
    2. Re:Headline Correction by eno2001 · · Score: 1

      Nice attempt. Subtle even. Still... there is no more Clippy. I just like to beat people over the head with the mistakes of Microsoft. I don't touch Windows if I can help it.

      --
      -"...bad old ideas look confusingly fresh when they are packaged as technology" - Jaron Lanier (Digital Maoism on Edge.o
    3. Re:Headline Correction by The+Queen · · Score: 1

      one note surrounded by 4/4 beats and grunts for lyrics

      That is the band my neighbors listen to at 2 a.m. on the weekends.

      --

      The House Between - Original Sci-Fi Series
    4. Re:Headline Correction by Anonymous Coward · · Score: 0

      Hiphop Music???

  49. Screensaver Art by helixcode123 · · Score: 1

    This concept brings to mind "Screensaver Art." Some of the Linux 3d screensavers generate very beautiful pictures, but it differs from what a human artist would come up with (differs != better/worse). So it is, I think, with computer generated backing tracks.

    Also, as a backing musician (keyboards), I can tell you that a lot of what I play depends on the realtime interaction I'm having with the vocalist that I'm backing up. I'm not sure how well a computer is going to be at picking up the subtleties of a vocalist's performance.

    --

    In a band? Use WheresTheGig for free.

  50. Neural Networks coming into thier own. by Cyberskin · · Score: 1

    I think the most interesting thing about this software is that they are obviously using some form of Neural Networks to implement the algorithm, Ok...possibly a Genetic Algorithm, but I think a NN would be more easily implemented here and more flexible because you could train more then one network with different sets of inputs and they would come up with a variety of options to choose from. Anytime a piece of software has to be "trained" it's most likely a neural network behind the scenes. Of course it won't match what a good musician could come up with anytime soon. After all a human being's set of input is not only all the music he's ever listened to, but his entire life experience.

    --
    Vervata Web Monkey
  51. Huh by ajs318 · · Score: 1

    This is no good -- it's been done before. What I really, really want is a real live robot orchestra, all playing actual real full-size instruments, and with some kind of wireless interface for uploading MIDI files. And the robots should have some form of vision system, so that they can be conducted!

    I'd settle for a string quartet first, though .....

    --
    Je fume. Tu fumes. Nous fûmes!
  52. Please don't buy this by Riddler+Sensei · · Score: 2

    All I do, every day, is music. I am majoring in music and I don't have any GEs this quarter - I spend all my daytime surrounded by it. As such I LOVE helping non-majors with their music GE homework or talking to people about music (and not just "such and such music is good" but we discuss our OWN ideas on music that WE wrote). Now from that stand point this is absolutely awful. Why would they come and take a class for fun, learning, social interaction, and sell-fulfillment when they can belt into a computer mic like an over-sexed jackass? This is hardly "getting a taste of music creation" and it's just going to encourage people to continue to ignore music culture as a whole. Please don't spend money on this software so you can scream wildly and make a hardly listenable tune. Take that SAME money and free time and go buy a couple of lessons from a local guitarist/pianist/clarinetist/whateverist. The majority of us "classically trained musicians" aren't nearly as snooty and erudite as culture would have us look - we WANT to share this gift with you guys.

    1. Re:Please don't buy this by hal2814 · · Score: 1

      "Please don't spend money on this software so you can scream wildly and make a hardly listenable tune... The majority of us "classically trained musicians" aren't nearly as snooty and erudite as culture would have us look"

      Or that you would have yourselves look? You do yourself no favors by assuming that any music made with this new software will be "hardly listenable tune." The process of making music is always getting simpler. This is just potentially another facet of that. I'm sure it's not a 100% solution but nothing ever is.

  53. Oblig. Grammar Correction by treeves · · Score: 2, Informative

    "Compliment each another"?
    chords and melodies cannot compliment one another, however, they can complement one another, like complementaty colors.
    and "each another" is just sloppy.
    I've got mod points, so I'm not worried too much about burning karma...thus the latent grammar Nazi comes out.

    --
    ...the future crusty old bastards are already drinking the Kool-Aid.
    1. Re:Oblig. Grammar Correction by treeves · · Score: 1

      pre-emptive spelling correction: complementary, not complementaty.

      --
      ...the future crusty old bastards are already drinking the Kool-Aid.
  54. This is not the future I ordered. by zuki · · Score: 1

    As any statistician would weigh in, the number of songs they've analyzed is far too puny to generate any kind
    of usable data past the novelty of the first couple of times someone will hear or interact with this device.

    When looking at the number of attributes and sophisticated tagging and analysis that goes on for a service
    like Pandora, I'd wager that there is no way to generate something interesting for humans with less
    than twenty to forty times more songs taken into account, not to speak of the number of interactive live
    parameters the user should be able to modify in real time.... and even then it'll be restricted to certain
    specific genres.
    That's actually the depressing part, to listen to what the developers pick as being relevant and worthy,
    and what they'd deemed unfit to be analyzed and incorporated into their data set, the 'cultural imperialism'
    bit which I'd be quite wary of, and which may be impossible to avoid.

    As always, the future is nothing but a collection of the best and the worst aspirations of humankind.
    I didn't realize until now that removing the fun out of learning to play an instrument and discovering
    the magic of interacting with others as a band was worthy of a team of people's time.

    This makes me picture a time not too far into the future where other people may in turn be willing to pay a
    great deal of money to be in an environment where nothing is fake, with no commercials, no electronic
    networked distractions keeping us tethered, and no artificial simulacra, approximations of things that
    once held a poetic value in life, (and which from all appearances will have become a ubiquitous
    advertiser-sponsored bonanza of mediocre cultural algorithmically-generated blandness, which may be the
    only thing that the less fortunate of us who cannot afford to experience the real thing will ever know....)

    Philip K. Dick is having a field day!

    Z.

  55. Combine it With Vocaloid for Completeness by WBDinnigan · · Score: 2, Interesting

    It would be interesting (well, at least to me) to see this technology run in connection with Yamaha's Vocaloid technology. Vocaloid, as Wikipedia puts it, "is a singing synthesizer application software developed by the Yamaha Corporation that enables users to synthesize singing by just typing in lyrics and melody."

    http://en.wikipedia.org/wiki/Vocaloid

    The English version doesn't work very well, but the Japanese version called "Hatsune Miku" doesn't sound all that much worse than the average pop idol. That, admittedly, isn't saying much, but it's a neat little thing in a way. Well, to me.

    If both were used in concert with one another, we'd have a wholly computer-generated voice being accompanied by a wholly computer-generated backup band. The human intervention comes in with the user typing the lyrics in, however.

  56. Free Software by RichiP · · Score: 1

    Are there any free software equivalents that I can try right now? I guess it can be broken into two parts: 1) One takes an audio sample and generates chords, and 2) one that generates accompaniment based on the chord pattern.

    There should be a third part to the module: 3) modify the chord and it would change your sung words or sounds to the follow the chord. Or at least keep all your notes for a given chord in line with the current chord.

  57. I've gotta fever! by stewbee · · Score: 1

    "I've gotta a fever! And the only prescription is more Cowbell!" [/Christopher Walken]'

  58. MS likes Rhythm changes by MonkeyBoyo · · Score: 4, Interesting

    If somebody asks to be accompanied on an unknown song, most musicians will initially try the 4 chord progression known as Rhythm changes (named for Gershwin's "I've got Rhythm"). Often it works, and in listening to MS kludge it seems they likes their Rhythm changes.

  59. Ballmer song? by awtbfb · · Score: 2, Funny

    Has anyone set this to "Developers! Developers! Developers!" yet?

  60. People don't sing in similar frequencies.... by asterix404 · · Score: 2

    "Since people rarely sing at precise frequencies".. As any f-transform will tell you a human voice is going at about an infinite number of different sized, distinct sin waves. Maybe I just have a huge pet peave when I hear things like this because the only thing that actually produce a single frequency is an object. Human voices never do... in fact 2 people singing with the same note have different sin patterns... anyway

    1. Re:People don't sing in similar frequencies.... by poot_rootbeer · · Score: 1

      As any f-transform will tell you a human voice is going at about an infinite number of different sized, distinct sin waves. Maybe I just have a huge pet peave when I hear things like this because the only thing that actually produce a single frequency is an object

      Any Fourier transform will also tell you that a pitched sound (like a piano note, or a flute, or a human voice singing) has a 'fundamental' frequency that's noticeably stronger than other frequencies. And the next-strongest frequencies are usually multiples of that fundamental within the harmonic series.

      With this type of frequency analysis, it is not hard to quantize a sung note to one of the 12 equal-tempered pitches, even in real time.

  61. not again! by JBBottom · · Score: 1

    I have heard it all before - http://www.fileprompt.com/

  62. Irony by Toreo+asesino · · Score: 1

    This algorithm has been trained, through analysis of 300 rock, pop, country and jazz songs, to recognize fragments of melody and chords that work well together, as well as chords that complement each another. The irony being that just after this process, it slaps 18 layers of DRM on so no-one can hear it anyway.
    --
    throw new NoSignatureException();
  63. I'll believe it when I see it. by JK_the_Slacker · · Score: 1

    I've seen their voice recognition software in action.

    --
    I'm waiting for a "-1 somepeoplejustshouldn'tgetmodprivileges" meta-moderation.
  64. Oh, those crazy scientists at Microsoft Labs by Anonymous Coward · · Score: 0

    I was wondering how they could top the big-ass table for a completely useless "innovation", but, by God, they've done it! Way to go, guys!

  65. Same piano tune? by electricbern · · Score: 1

    Is it just me or all the music "MySong" has created sound the same. Do I miss the point and merging the same piano with a recording of the user's voice is suddenly such a big achievement?

    --
    alias possession='chmod 666 satan && ls /dev > il && tail daemon.log'
  66. Re:Finaly, this is what the music companies needed by EdZ · · Score: 1

    Computer-generated vocals? Vocaloid 2 (though there are more Japanese voice packs than English ones at the moment) can belt out a pretty acceptable tune.
    Lyric generation? If SCIgen can generate a fake scientific paper, then the drivel that constitutes most pop music shouldn't be too hard.

  67. blaaaarrrrrrgggggfffffff... by pizpot · · Score: 1

    My response: "woop-ti-do"
    10 year olds: "that sucked."

  68. Reminds me... by Misch · · Score: 1

    Reminds me of a former professor's work, "GenJam", from Al Biles at RIT.

    It really sounds like something similar. Al Biles' software incorporates a genetic algorithm along with training from a human ear to choose "what sounds good".

    It looks like the difference is that this generates full chord structures, instead of individual notes, and is designed to work with voices, which aren't as well trained.

    Al's project has been at work for quite some time now, but he wrote a couple of chapters for "Evolutionary Music", released in 2007.

    --

    --You will rephrase your request for me to go to hell. Goto statements are not acceptable programming constructs
  69. oh noes by kris.montpetit · · Score: 0

    Thank you M$ for another piece of software that falls just that little bit short of interesting. This is going to spawn so many annoying youtube music videos

    *goes back to playing rock band*

  70. Advantages and Disadvantages by Ralph+Spoilsport · · Score: 1
    Advantage:

    Drummer doesn't show up late and completely hammered.

    Disadvantage:

    Drummer is always on time and always perky.

    Advantage:

    The keyboard player isn't a dick.

    Disadvantage:

    The keyboard player doesn't voice chords in weird ways to give the music a sense of "motion".

    Advantage:

    You don't have to haul a Hammond B3 or Mellotron around with you.

    Disdvantage:

    Ummm. None on that one. Hammonds are a pain and Mellotrons are touchy cranky dinosaurs that are impossible to tune.

    Advantage:

    The guitar player doesn't pull all the chix.

    Disadvantage:

    You don't pull any of the chix anyway, because you're not a guitar player. You're a dweeby techno geek pretending to be a rockstar. There's nothing wrong with that - heck - Caribou's latest record, Andorra, is proof that a techno geek can make dead brilliant music. But you're still not gonna get groupies.

    Advantage:

    You get to be part of the problem - producing art in an age of mechanical overproduction.

    Disadvantage:

    You get to be part of the problem - producing art in an age of mechanical overproduction.

    So, over all, it seems like a bit of a wash to me. Just another section card at HMV...

    RS

    --
    Shoes for Industry. Shoes for the Dead.
  71. Intermission by lewko · · Score: 1

    Hey, thanks for listening. We'll be back right after I reboot the band...

    --
    Do you or your partner snore? - Visit www.snoring.com.au
  72. some people don't like plastic money by reiisi · · Score: 1

    Or maybe they don't like to put the number into a web site. Or maybe they have credit problems (ergo, where they live).

    --
    Computer memory is just fancy paper, CPUs just fancy pens with fancy erasers; the 'net is just a fancy backyard fence.
  73. Imperfection is good by bowlman · · Score: 1

    In order to make interesting music with this one would have to screw with the algorithm. Make it do crazy stuff and if it produces 1 second of brilliance then it would be worth more than all the predictable crap that it would normally produce.
    The imperfections in sound processing equipment and musical instruments is what makes them unique and interesting. In fact, music producers pay thousands for these imperfections. A singer's voice is memorable if there's an imperfection that makes it immediately noticeable from others. etc. etc.
    I guess this will help people write "songs" but I don't think they will be good at all. Because good songs are more than just about the melody and the lyrics. Its also (if not more) about the music that backs it right down to the production values that recorded it.

  74. Now I can finally digest George Bush's Speachs by jaguth · · Score: 1

    Barack Obama knows how to get our attention with his super-fresh ringtone beats (http://www.barackobama.com/mobile/), now maybe I can finally understand what George Bush is preaching after filtering his speaches through MySong.

  75. No, the "art" lies is creating something that... by RexDevious · · Score: 1

    kid's parents can't stand.

    Jazz...
    Rock...
    Metal...
    Rap...
    House...

    Each progressively more annoying to previous music lover's than the last.

    And now a type of music that has intentionally untrained singers, *AND* huge security holes? Well, if the album didn't annoy mom and dad, just wait'll they see what those Russian hackers are doing with their credit card!

    BTW - you can't take a short cut to create the next style of popular music by doing something obviously designed to sound horrible, like throwing a cat at a piano. John Cage already tried. That only impresses the music departments at major universities for some reason.

    Seriously though, I do look forward to seeing concerts where the "back up dancers" are actually just spandex clad MCSE's. Ooo, and the VH1 special which takes you back stage where they rehearse before the tour!

    "And patch, and turn, and scratch your butt, and belch, reboot, and blame nVidia..."

  76. Virtual pop stars. by mjwx · · Score: 1

    I've been saying this for a while now, we will have entirely virtual pop stars within 20 years.

    The holy grail of industrial scale music production is to remove humans from the creation. Right now the music industry takes in young "artists" (I use that word loosely) and creates their image for them, writes their songs for them, trains them on how to act and sing entirely so that they may appeal to the largest possible audience. This is why Rap and manufactured pop are the largest genres of music produced these days. From a business stand point why deal with a band who is already established, writes their own songs and has their own image and following? They will be difficult to control, you cant change them to appeal to more consumers, production will not happen on schedule and they may all of a sudden decide to break up or stop playing so its easier if you have someone you have shaped from day 1. By creating their public image, writing all their songs, etc. you essentially own them which makes good business sense as you can change the product at will as well as meet production deadlines and sales quota's.

    This is why the creations of music should not be an industry.

    This method is flawed and ineffective as they still rely on a person to actually perform the work. who does have their own mind (no matter how limited it is) and will occasionally act in a manner contrary to their well crafted image (drugs, speeding or whatever else the tabloids report). If they had the capacity to produce a realistic sounding human voice they are half way to producing the ideal pop star, one that always performs on time, never says the wrong thing, doesn't do drugs or gets on the wrong side of the law, one that can be changed at will to appeal to the largest possible audience. Combine this with a convincing CG video and some people wont even be able to tell that there isn't a real person behind this. Combine both of these with song writing AI and they will never have to pay royalties again (but that is probably a long way off) which would be the music industy's wet dream.

    Microsoft has taken the first step towards virtualizing pop stars, it seems fitting that they are involved. Fortunately we are still a long way off from from an actual vocal recreation and a properly convincing CG (having an engine that could be interacted with in real time would be the ultimate goal). Unfortunately we are still stuck with manufactured Pop and Rap like Britney Spears, 50 Cent and Simple Plan.

    --
    Calling someone a "hater" only means you can not rationally rebut their argument.
  77. Abba haters! by Tablizer · · Score: 1

    Rats! This news is gonna hamper my release of the AbbaTron 5000, my masterpiece of AI and music. Bastards!

  78. Babe alert by Tablizer · · Score: 1

    There is also a video of the process on the Microsoft Labs website.

    In the vid, "Britney" (not her real name) is a cute babe. I dig the Betty Boop look. Maybe I'll send her a loooooove song also. Ratz, I'm married. Nevermind.

  79. Four Yorkshiremen by acheron12 · · Score: 1

    Well, back in my day we had it tough. We had to punch holes through 2-inch thick cards using nothing but a matchstick, 12 hours each day for tuppence. And the coffee machine could only make awful lukewarm coffee!

    --
    there is no god but truth, and reality is its prophet
    1. Re:Four Yorkshiremen by Weedlekin · · Score: 1

      We'd have given anything for punched cards. We had to lay out binary code using rocks that we quarried with our bare hands, and carried on our backs up hills, one ton rocks for 0, and two ton rocks for ones. Then they'd be smashed to bits by men with hammers called Digital Rights Managers, and we'd have to go down to the quarry and start again.

      --
      I'm not going to change your sheets again, Mr. Hastings.
  80. And The Most Important Band Of The Last 20 Years by nick_davison · · Score: 3, Informative

    Most music journalists will flag Nirvana as being the most important band of the last 20 years.

    Watch the beginning/end of Dumb on MTV Unplugged. Kurt outright admits that they can't normally play Dumb and On A Plain back-to-back "because they're exactly the same song" but that TV editing will fix it.

    8 million people bought Nevermind (On A Plain)
    4 million people bought In Utero (Dumb)
    5 million people bought MTV Unplugged (both)

    Apparently a good song is still a good song, even if you record it as two separate ones.

  81. Re:Hey look you're still a loser!!! by Anonymous Coward · · Score: 0

    You sound like a sore loser.

  82. Re:Hey look you're still a loser!!! by Anonymous Coward · · Score: 0

    Haaaa!! Check this out. It looks like keineobachtubersie is nothing but an angry troll who got totally bitch-slapped by an Anonymous Coward. By the look of his lame comebacks, it looks like he bent right over and proudly took it up his ass. Geez, how low can you get? That faggot should learn to man-up. I don't see why he's crying in his pillow now. He had a perfect opportunity to fight back, but all he could say was "dewd, ur a lier!!".

    Oh well. I'm glad I'm not him.

  83. :-( movie reference lost... by hummassa · · Score: 1
    --
    It's better to be the foot on the boot than the face on the pavement. ~~ tkx Kadin2048
  84. Re:Hey look you're still a loser!!! by Anonymous Coward · · Score: 0

    BONUS POINTS IF YOU'RE NOT A LOSER FANBOY!

    Isn't it spelt fanboi?

    Cheers, mate!

    (Sorry, I had to add a little text here to get round the lameness filter. It thinks I'm yelling.)