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Imperial Storm Troopers Skirmish in Latest IP Battle

fm6 writes "According to guardian.co.uk, George Lucas is suing the designer of the Imperial Stormtrooper armor. Andrew Ainsworth took the original molds he used to make the props for the movies, and has been using them to make outfits that sell for up to £1,800 (US$3,600) apiece. Ainsworth has countersued for a share of the $12 billion that Star Wars merchandise has generated since the first movie."

261 comments

  1. Ungrateful Lucas? by Izabael_DaJinn · · Score: 5, Insightful
    Lucas Licensing called the prop designer a "fan" even though he created the Stormtroopers!

    A spokesman for Lucas Licensing said: "We would never want to discourage fans from showcasing their enthusiasm for the movies. However, anyone who tried to profit from using our copyrights and trademarks without authorisation ... we will go after them."

    This guy made one of the really cool things about Star Wars!! We all see the sort of nonsense Lucas came up with without this guy :-( Nothing in the newer 3 movies was there anything as memorable as Stormtroopers. Am I wrong??

    TFA doesn't really say anything about the details of the original contract, but it seems ridiculous for someone with the money of God to come after a little guy who did so much to make his movies distinctive.

    --
    Careful What You Wish For....
    1. Re:Ungrateful Lucas? by NeverVotedBush · · Score: 3, Insightful

      I think that holders of copyrights and trademarks are obligated to protect them or else risk losing the copyright or trademark.

      On the other hand, Lucas could make a sweetheart deal to license the trademarks and copyrights and not be at risk of losing the rights while also doing what sounds like the right thing by the person that contributed a huge amount to the Lucas "empire".

    2. Re:Ungrateful Lucas? by King_TJ · · Score: 4, Insightful

      I thought it was pretty blatantly obvious by now that George Lucas is out to milk the Star Wars franchise for every dollar he can squeeze from it. This sort of thing would be par for the course, coming from him.

      To an extent, that's not even necessarily a "bad thing". One of the moves Lucas made in the beginning which he's often admired/noted for was his shrewdness in securing the rights to royalties on all the toys and products (which Hollywood thought was worthless).

      I think the information we're lacking here is the legal contract made between him and the set designer.... If it's clear that Lucas didn't allow the guy to go off and make money duplicating Stormtrooper outfits, then Lucas is in the right to sue him. Otherwise, I'd say he deserves to lose this case.

    3. Re:Ungrateful Lucas? by Dun+Malg · · Score: 5, Informative

      I think that holders of copyrights and trademarks are obligated to protect them or else risk losing the copyright or trademark. trademark, yes. copyright, no.
      --
      If a job's not worth doing, it's not worth doing right.
    4. Re:Ungrateful Lucas? by Brian+Gordon · · Score: 0

      I think that they're allowed to protect them under law, but that that law is wrong.

    5. Re:Ungrateful Lucas? by silentphate · · Score: 2, Interesting

      The storm troopers were originally George Lucas idea in the first place. What was created by Ainsworth was depicted by what George Lucas wanted to see. I believe that still makes is property of Lucasfilm.

    6. Re:Ungrateful Lucas? by rgmoore · · Score: 1

      Lucas Licensing called the prop designer a "fan" even though he created the Stormtroopers!

      A spokesman for Lucas Licensing said: "We would never want to discourage fans from showcasing their enthusiasm for the movies. However, anyone who tried to profit from using our copyrights and trademarks without authorisation ... we will go after them."

      I don't think that was his meaning, though he could have expressed himself better. The idea is that they aren't objecting to fans wanting to have and wear their own Star Wars costumes and props. What they object to is somebody selling Star Wars stuff without giving them a cut.

      --

      There's no point in questioning authority if you aren't going to listen to the answers.

    7. Re:Ungrateful Lucas? by Anonymous Coward · · Score: 0

      The guy can just move to China and make StrommTreepors suits. They have Polystation consoles, Hike shoes, Pmua jackets, Nckia phones, so I don't think that would be hard to create a StrommTreepors suits line...

    8. Re:Ungrateful Lucas? by dougmc · · Score: 4, Insightful
      I'm not sure it's quite that cut and dried.


      If I ask you to design some futuristic looking armor for some soldiers, and you do so without much more input from me beyond `I like it!', then you'd own the copyright on that. If we both worked on it equally, we'd probably both own the copyright.

      If I paid you to design and make the design for the armor, then the contract would probably say who owned the copyright. If there's no written contract, then there's probably some law (`work for hire') that covers the situation, but I'm not so sure about that.

      In this case, I would have expected that Lucas paid to have the design made, and there was probably a written contract and it probably assigned complete ownership of the final work (including the copyrights) to Lucas. But perhaps Lucas didn't fully lawyer up and there's some holes in this theory ...

    9. Re:Ungrateful Lucas? by Kierthos · · Score: 4, Informative

      Unless I did it as part of a "work for hire" agreement. If he (Ainsworth) did the work under such an agreement, then he doesn't own the copyright (or any creation rights) on the armor he originally created for Lucas.

      --
      Mr. Hu is not a ninja.
    10. Re:Ungrateful Lucas? by garett_spencley · · Score: 1

      "Nothing in the newer 3 movies was there anything as memorable as Stormtroopers. Am I wrong??"

      For better or worse I think that Jar Jar Binx is more memorable.

      mmmm ... for worse. Definitely for worse. Still, more memorable.

    11. Re:Ungrateful Lucas? by ecavalli · · Score: 1, Insightful

      Certainly, but the guy's attempt at countersuing is either designed to point out how idiotic the whole suit is or he's exactly as greedy as Lucas.

      I've been trying to see things from his point of view, but no matter how hard I try, there's just no way to justify giving the guy any part of the merchandise profit from Star Wars just because he's created some replica armor.

      It's akin to a fan fiction author suing for royalties on a series he feels he somehow made more popular by writing a vaguely related piece of literature.

    12. Re:Ungrateful Lucas? by Anonymous Coward · · Score: 3, Interesting

      If I ask you to design some futuristic looking armor for some soldiers, and you do so without much more input from me beyond `I like it!', then you'd own the copyright on that. If we both worked on it equally, we'd probably both own the copyright.


      What if there was already concept art?
    13. Re:Ungrateful Lucas? by ecavalli · · Score: 5, Insightful

      Sigh.

      This is what I get for learning due diligence from /.

      Since the guy was the one who originally created the armor for the films, it all depends on what the original contract said. If it isnt specifically stated that Lucas owns the design of the whole thing, I think the guy does deserve a bit of the royalties, at least as far as they relate to the actual Stormtrooper armor.

      That said, I'd be surprised if Lucas wasn't clever enough even then to write in bits of the contract that state that he owns the whole thing.

      I'd be shocked if this actually goes anywhere.

    14. Re:Ungrateful Lucas? by Eivind · · Score: 3, Informative

      You may -think- so. But you're simply wrong.

      There is absolutely nothing you can do, or fail to do, to "lose" a copyright.

      Trademarks yes, those can be commoditized. But that is completely irrelevant as Lucas does not, infact, have a trademark on the design of the stormtrooper-armour.

    15. Re:Ungrateful Lucas? by Saint+Fnordius · · Score: 5, Insightful

      That's the problem right there. The designer as artist also has unalienable rights, and most likely he signed a boilerplate contract selling Lucas' production company the suits without addressing the issue of derivative designs or casting new suits. Such a thing was probably not even considered a possibility all those thirty-odd years ago.

      The article states that a California court already ruled in favour of Mr. Lucas, but that ruling doesn't apply since Mr. Ainsworth is a Briton and most likely signed his contract under British law. That suggests to me that there may be some merit to the claim, possibly hinging on Ralph McQuarrie's concept design drawings/paintings, but Mr. Ainsworth is also a designer, and I think he could successfully argue that his designs are a derivative but separate artwork, and his counter-suit could have merit.

      I think the real reason for Mr. Lucas' suit is as a warning shot to all of those prop designers who worked for the original Star Wars movies, in an attempt to maintain total control over his merchandising empire. It's not about the money, but keeping control, and I personally feel that it's a very selfish act.

    16. Re:Ungrateful Lucas? by ScreamingCactus · · Score: 1, Interesting

      Copyrights and trademarks, IMHO, were essentially designed to protect the little guy. It's unfortunate that they only seem to work for the "big guy" these days (or should I say, He Who Can Afford the Most Lawyers) but one way or the other, Ainsworth came up with the idea, so he should be free to do what he wants with it. I know that legally, the producers probably own the design, but come on. It WAS his idea. Why can't Lucas let him have his share of the pie? I mean, is any rich person NOT a douchebag these days?

      It's like everytime someone comes up with a great idea and gets rich off it, they turn into a douchebag almost instantly. This is a sad turn of events. I think Lucas was a different person in 1980.

      Honestly, I wish there could be some middle ground. Ainsworth came up with the idea, but it wouldn't have been worth anything if it wasn't for the movie, so they should *both* be able to profit off it. The End. Too bad real life isn't that simple.

      --
      The path to enlightenment is truly through homemade drugs!
    17. Re:Ungrateful Lucas? by WGFCrafty · · Score: 1

      If there's no written contract, then there's probably some law (`work for hire') that covers the situation, but I'm not so sure about that.
      When you buy photographic portraits from professional photographers you get prints of them. If you want more copies you must buy them from the photographer. If you copy them and try to print them you are violating copyright law.

      As far as I know most photography of this sort is done without contract, so I'd assume the creator of a piece of work, not under contract, still owns the rights to what he created.

      I'm not claiming definitive knowledge of this subject, merely an observation.
    18. Re:Ungrateful Lucas? by YeeHaW_Jelte · · Score: 1

      "If it's clear that Lucas didn't allow the guy to go off and make money duplicating Stormtrooper outfits, then Lucas is in the right to sue him."

      I'd say that would be a legal right then, but not a moral one.

      He doesn't have to do it for the money, does he? And I don't see another decent reason to go after one of the creative minds that helped make your movie into a classic.

      --

      ---
      "The chances of a demonic possession spreading are remote -- relax."
    19. Re:Ungrateful Lucas? by carpe_noctem · · Score: 1

      This guy made one of the really cool things about Star Wars!! We all see the sort of nonsense Lucas came up with without this guy :-( Nothing in the newer 3 movies was there anything as memorable as Stormtroopers. Am I wrong??

      Who could ever forget Jar-Jar? He was sure memorable!

      --
      "Quoting famous computer scientists out of context is the root of all evil (or at least most of it) in programming." - K
    20. Re:Ungrateful Lucas? by actiondan · · Score: 2, Informative

      I've been trying to see things from his point of view, but no matter how hard I try, there's just no way to justify giving the guy any part of the merchandise profit from Star Wars just because he's created some replica armor.


      The thing you seem to have missed is that this guy designed the _original_ stormtrooper costumes for the first film.

    21. Re:Ungrateful Lucas? by GauteL · · Score: 1

      "When you buy photographic portraits from professional photographers you get prints of them. If you want more copies you must buy them from the photographer. If you copy them and try to print them you are violating copyright law."

      IANAL, but it depends on whether you hired the photographer to take pictures or whether you are just buying photographs the photographer has taken.

      I know lots of wedding photographers would claim to own the copyright to your wedding pictures, but unless there is a proper contract this may not be the case (in many countries anyway, YMMV). This is because it is considered "work for hire".

      It is for the same reason that all the code you have created for your company as part of your job is the company's IP, not yours, unless otherwise is specified by contract. This is equally true if you are a contracter working for said company.

      The wedding photographer is basically your contracter, and all the photographs taken during your wedding is thus your IP unless you have a contract that says otherwise.

      Personally I'm not that fuzzed unless he starts getting cranky about me copying the photos myself.

    22. Re:Ungrateful Lucas? by ecavalli · · Score: 1

      No. I saw. Take a look at my own response to my comment.

      It's not like I RTFA'd until after that first comment anyway. Heh.

    23. Re:Ungrateful Lucas? by makomk · · Score: 1

      IANAL, but I seem to recall that, at least in some countries, photographers are specifically exempt from the normal works-for-hire laws which would otherwise (if there aren't any contract terms to the contrary) mean that the person paying owned the copyrights.

    24. Re:Ungrateful Lucas? by L4t3r4lu5 · · Score: 1

      The UN should have the person who came up with that cretinous waste of cycles for crimes against humanity.
      They should also support involuntary euthenasia for the voice actor.

      --
      Finally had enough. Come see us over at https://soylentnews.org/
    25. Re:Ungrateful Lucas? by wild_berry · · Score: 4, Informative
      If these were commissioned, designed and made in the UK, then there's no inherent rights remaining. The UK (and Europe) have a maximum of 25 years on Registered industrial design rights, and either 15 years (GB) or 3 (EU) for unregistered design rights. There's the possibility that the designer is riding the shirt tails of the Star Wars phenomenon and is therefore an unlicensed user of its trade mark. But without branding (like "Star Wars(TM) Storm Trooper(TM) Suit!" -- with notes that "Star Wars" and "Storm Trooper" are trademarks of their respective owners) there's nothing to stop him using the public domain property.

      Such a thing was probably not even considered a possibility all those thirty-odd years ago.

      Yes, it was. Trade mark law in the UK is more than a century old; UK has had a Registered Designs Act since 1949 which moves industrial use of copyrighted work from the life + 50 years (as was) of Copyright to a maximum of 25 years when registered with the UK Patent Office.

      I am not a patent or trade mark attorney and this is not legal advice.
    26. Re:Ungrateful Lucas? by sulimma · · Score: 1

      In germany (and probably in the UK, too) each type of use of a work must be licensed seperately and explicitely. Licensing of unknown future uses is not possible (e.g. downloading).

      Reproducing the armor in a movie and building more armors are comletely different uses and it might well be, that the contract covers only one of those.

      Remeber that copyright contracts in the 70ies were not as elaborate as they are today.

      If the future uses restriction is the same as in germany, it is clear, that there was no license to use the armor in computer games or on websites. This would put the designer in a pretty good position for negotiations.

    27. Re:Ungrateful Lucas? by Excen · · Score: 0

      Nothing in the newer 3 movies was there anything as memorable as Stormtroopers. Am I wrong??
       
      Jar-Jar Binks was more memorable to me, but thats merely because he is the first film character I have ever encountered that I wanted to die after only one line of dialogue.

      --
      "No beer until you finish your tequila!" -Leela's Dad
    28. Re:Ungrateful Lucas? by Moryath · · Score: 5, Funny

      As opposed to the US, where every time copyrighted anything comes close to hitting public domain, Dizney sends a bunch of hookers to the congressional offices to "lobby" for an "extension."

    29. Re:Ungrateful Lucas? by Mr.+Underbridge · · Score: 1

      I think that holders of copyrights and trademarks are obligated to protect them or else risk losing the copyright or trademark.

      Trademarks yes, copyrights no. This isn't a trademark issue, so there's no requirement to defend.

      On the other hand, Lucas could make a sweetheart deal to license the trademarks and copyrights and not be at risk of losing the rights while also doing what sounds like the right thing by the person that contributed a huge amount to the Lucas "empire".

      I don't know the guy, but Lucas seems like a real dick. I wouldn't expect that to change.

    30. Re:Ungrateful Lucas? by Mr.+Underbridge · · Score: 0

      The article states that a California court already ruled in favour of Mr. Lucas, but that ruling doesn't apply since Mr. Ainsworth is a Briton and most likely signed his contract under British law.

      Well, Mr. Lucas is a Californite, and the movie was made in the US, so I'd hazard a guess that the contract was done in the US.

    31. Re:Ungrateful Lucas? by RiotingPacifist · · Score: 3, Insightful

      Not sure whether this is +1 funny, or +1 insightful given the recent scandals.

      --
      IranAir Flight 655 never forget!
    32. Re:Ungrateful Lucas? by Saint+Fnordius · · Score: 3, Informative

      IIRC most of the set scenes in the original movie were filmed at Pinewood Studios in the UK. I'm too lazy to check, to be honest.

      Oh, hell. *googlegooglegoogle*

      I was right. :)

    33. Re:Ungrateful Lucas? by hughk · · Score: 1

      StarWars IV was made mostly at Pinewood in the UK with bits done in Tunisia. Most of the props and so on were done locally because at that time, the UK was cheaper for films of this type (lots of studio and SFX shots).

      As for Storm Troopers, it would be a bit difficult to (TM) these as this nickname came from the WW2 Blitzkrieg.

      --
      See my journal, I write things there
    34. Re:Ungrateful Lucas? by Anonymous Coward · · Score: 0

      no, this guy created the troopers, he didn't make something that wasn't part of the movie that became popular.

    35. Re:Ungrateful Lucas? by Shakrai · · Score: 1

      I mean, is any rich person NOT a douchebag these days?

      Sure. Warren Buffet and Bill & Melinda Gates come to mind.

      --
      I want peace on earth and goodwill toward man.
      We are the United States Government! We don't do that sort of thing.
    36. Re:Ungrateful Lucas? by Saint+Fnordius · · Score: 1

      Thank you for your insights. I wonder what case Mr. Lucas is using, as the prop designer is using casts that he himself made, based on his own designs to meet a concept drawing. Thus his sale ought to be legitimate, as far as I can tell. He is offering the buyer a chance to own a casting made from the same moulds used in the first movie, but is not claiming ownership of the trade mark. Mention of "Star Wars" ought to be legitimate, as long as it is not suggested that it is some sort of official merchandise.

      I think that's the loophole Mr. Lucas is trying to claim, portraying the sales as pretending to be "official" or otherwise exploiting the Star Wars trademark. I think it's all bollocks, but that's my personal opinion.

      Oh, to clarify: what I meant about this being considered a possibility was that none of the signatories of that original prop contract ever considered the chance that the moulds could be valuable for making fan costumes. They probably considered the legal framework sufficient, not thinking beyond the next two to three years. It's the same short-sightedness that left the Daleks in Terry Nation's possession, forcing the BBC to go ask permission to use them.

    37. Re:Ungrateful Lucas? by StarReaver · · Score: 0

      Nothing in the newer 3 movies was there anything as memorable as Stormtroopers. Am I wrong?? I don't know...I'm pretty sure Jar-Jar was pretty memorable. In a bad way.
    38. Re:Ungrateful Lucas? by Murrquan · · Score: 0

      The Bill and Melinda Gates Foundation only donates a small fraction of its holdings. In many ways it seems less like a charity and more like a tax dodge. Plus, many of its practices are questionable, such as investing in ethically irresponsible companies that actively cause harm to the people they're trying to help.

    39. Re:Ungrateful Lucas? by Anonymous Coward · · Score: 0

      I believe they were referring to the fans who may have purchased one of these replica suits, not the man who designed them.

    40. Re:Ungrateful Lucas? by Shakrai · · Score: 2, Informative

      The Bill and Melinda Gates Foundation only donates a small fraction of its holdings

      I honestly don't know enough about it to debate you on the other points you bought up but this one seems questionable. The whole point of an endowment is to finance your activities off the earnings of that money so it's sustainable over the long run. You don't spend the money itself.

      --
      I want peace on earth and goodwill toward man.
      We are the United States Government! We don't do that sort of thing.
    41. Re:Ungrateful Lucas? by hey! · · Score: 2, Interesting

      Well, I suppose the first and most important question was what was in the contract? The contract could enjoin this guy from doing anything with the molds ever.

      After that, I'd say the question is who did the actual design? Costumes may be fashion statements, but they can also be props; as props I think they probably deserve the kind of copyright protection that other elements of the movie get. If Lucas sketched out the designs, handed them to the fabricator and said "make a bunch of these", the design would belong to him. If he said, "make me a bunch of futuristic space storm trooper armor," and the guy came up with a bunch of designs from which Lucas picked, then we're back to the contract issue again.

      Yeah, I know about work-for-hire, but work only defaults to that status if it is done by an employee. People who use contract employees should be aware that just because you are paying the work doesn't mean you get copyright; you have to explicitly agree with the other party that they are creating work for hire.

      If Lucas didn't attend to this little detail, this guy's suit over merchandising, even the use of the designs in the subsequent movies, has a great deal of merit.

      Suppose you are a movie producer and you hire a couture house to create designs for a fashion show scene. You don't own those designs unless your contract says so. The fact that some artificer is not a famous and powerful fashion house doesn't alter his default rights to his creative work. It's one of those things you're supposed to pay him for. That's the whole point of copyright: to create rights that can be sold by creators. Authors aren't expected to finance the printing and promoting of their books, they just do the writing and sell off the rights. They can package any subset of rights they care to and sell the at any price they choose to name. You could write a novel and "sell" it to a publisher, stipulating you're only offering the rights to sell copies in even numbered years.

      I'm sure there are standard contracts that cover these points these days; this might not have been the case when Star Wars debuted. Star Wars was a watershed event in the movie industry; there were some movie series that were, in a sense, franchises, like the James Bond movies, but they weren't the kind of multimedia merchandising conglomerates we expect a popular movie series to be today. Captain Blood was a great pirate movie, but nobody expected that restaurants would entice families with Errol Flynn action figures. It would have been unthinkable to make Pirates of the Carribean without a plan to market everything from pirate themed bed sheets to cheesy replica props, and to wring out every last possible merchandising dollar with at least two sequels.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    42. Re:Ungrateful Lucas? by quanticle · · Score: 4, Informative

      The way a foundation works is by donating the the interest, not the principal. Therefore, it makes sense that the Bill and Melinda Gates Foundation will only be donating a small portion of its total assets, since the principal will not be touched.

      --
      We all know what to do, but we don't know how to get re-elected once we have done it
    43. Re:Ungrateful Lucas? by Mr.+Underbridge · · Score: 1

      IIRC most of the set scenes in the original movie were filmed at Pinewood Studios in the UK. I'm too lazy to check, to be honest. Oh, hell. *googlegooglegoogle* I was right. :)

      Allright, well you didn't have to gloat about it! ;) That's what I get for being lazy in the morning.

    44. Re:Ungrateful Lucas? by CogDissident · · Score: 1

      I always knew minnie mouse had red lipstick for a reason.

    45. Re:Ungrateful Lucas? by porkchop_d_clown · · Score: 1

      Lucas Licensing called the prop designer a "fan" even though he created the Stormtroopers!

      Ummm... No. Work on your reading comprehension. Lucas said they wouldn't sue fans, but this guy isn't a fan - he's someone making money off of the Star Wars franchise.
    46. Re:Ungrateful Lucas? by Raenex · · Score: 1

      Certainly, but the guy's attempt at countersuing is either designed to point out how idiotic the whole suit is or he's exactly as greedy as Lucas. It's standard operating procedure to sue in retaliation when somebody sues you. Whether the counter-suit has merit or not is a secondary consideration.
    47. Re:Ungrateful Lucas? by Araneas · · Score: 1
      Storm troopers are from WW I

      http://en.wikipedia.org/wiki/Stormtrooper

      Which also means the term is pre-1923.

    48. Re:Ungrateful Lucas? by dutchmonkey · · Score: 1

      I'm not as sure about the laws in the UK, but I'm a designer working in the US and I've often had to sign a "Work for Hire" agreement â" essentially stating that my client/employer owns the rights to my work once I've been fully paid.

      http://en.wikipedia.org/wiki/Work_for_hire

      I've always seen this in reference to the 1976 copyright act in the US, so the timing's a little funny with a movie from 1977...so who knows how it was defined. But it's worth keeping in mind.

    49. Re:Ungrateful Lucas? by SCHecklerX · · Score: 0

      Sadly, I do see myself somewhat siding with Lucas on this one. The only reason being, that I would be apalled at anybody creating and profiting off of calvin & hobbes stuff (yeah, the stickers on trucks really piss me off, especially those of calvin praying at a cross). Watterson (did) and Lucas continues to fight against people using their stuff, but for totally opposite reasons. Watterson believed in keeping his characters pure to his vision. Lucas is simply greedy. He ruins his own 'vision' on his own well enough.

    50. Re:Ungrateful Lucas? by PieceofLavalamp · · Score: 1

      I thought there were maintenance fees for copyrights that left unpaid could invalidate a copyright.

    51. Re:Ungrateful Lucas? by Anonymous Coward · · Score: 0

      imho, not only is George Lucas clearly ungrateful, he's also clearly abusive and greedy

      personally, I'm so tired of supporting abusive, spoiled ingrates that I no longer purchase CDs or DVDs

    52. Re:Ungrateful Lucas? by Sandbags · · Score: 1

      It's called a non-compete agreement, and usually includes language like this: "any designs, ideas, products, documentation, or other works of art, science, or labor created while in the employ of XXX are the exclusive property of XXX, and XXX reserves all rights to such property for any future use, sale, marketing, likeness, promotional materials, merchandise...."

      This guy didn't create the storm trooper. He didn't create the idea of the storm trooper. He didn't even draw the first mock up of a storm trooper. Lucal and his writing team did all that. They even story boarded a ton of it out before it was approved for filming and received a budget.

      This guy was a highered hand to take Lucas's concepts and realize them into a wearable armor. yes the guy used some creative license, but he did so under the direction and employ of Lucas Arts (or whatever they were called back then). That design is property of lucas arts. he could sell Storm Trooper costumes all he wants, if he was licensed to do so. unfortunately for him, other companies already have those rights, and he was infringing.

      This is cut and dry. there is no case. ...and, if his contract with them as an employee and an artist was for fixed pay (hourly, salary, job oriented, whatever) and did not include merchandising rights, then he gets nothing of their 12 billion... (except to pay the legal fees for George Lucas's attourneys when he looses his countersuit, assuming he has anything left to take).

      --
      There is no contest in life for which the unprepared have the advantage.
    53. Re:Ungrateful Lucas? by Sandbags · · Score: 1

      Actually, one of the clauses in Lucas's legal contract is the the terms of the contract can not be made public, on the pain of forfiting all salary and rights. many film companies do that as they don't want people getting word of what they're planning, but in this case, it might prevent the lawyers on either side from openly discussing those terms.

      My guess, he had an intellectual property clause in that contract. Even I've had one for almost every IT firm I've worked for, and I'm not even a developer...

      --
      There is no contest in life for which the unprepared have the advantage.
    54. Re:Ungrateful Lucas? by westlake · · Score: 1
      The way a foundation works is by donating the the interest, not the principal. Therefore, it makes sense that the Bill and Melinda Gates Foundation will only be donating a small portion of its total assets, since the principal will not be touched.

      The principal will be touched

      "Buffett's gift came with three conditions for the Gates foundation: Bill or Melinda Gates must be alive and active in its administration; it must continue to qualify as a charity; and each year it must give away an amount equal to the previous year's Berkshire gift, plus another 5 percent of net assets.

      In October 2006 the Bill & Melinda Gates Foundation was split into two entities...also announced was the decision to "... spend all of [the Trust's] resources within 50 years after Bill's and Melinda's deaths." This would close the Bill & Melinda Gates Foundation Trust and effectively end the Bill & Melinda Gates Foundation. In the same announcement it was reiterated that Warren Buffett "... has stipulated that the proceeds from the Berkshire Hathaway shares he still owns at death are to be used for philanthropic purposes within 10 years after his estate has been settled."Bill & Melinda Gates Foundation

    55. Re:Ungrateful Lucas? by westlake · · Score: 1
      Such a thing was probably not even considered a possibility all those thirty-odd years ago.

      In 1968 Kubrick ordered the destruction of all sets, blueprints, props and miniatures used in 2001: A Space Odyssey.

      He did not want to see their re-appearance in cheap knock-off productions. I.e., MGM's endless recycling of the ship and robot created for Forbidden Planet.

      Toy versions of the sci-fi props and costumes used in comic strips and the movies appear no later than Buck Rogers and Flash Gordon in the thirties. They became popular again with radio and TV shows like Space Patrol in the fifties.

    56. Re:Ungrateful Lucas? by Mr.+Beatdown · · Score: 1

      The Bill and Melinda Gates Foundation only donates a small fraction of its holdings

      I honestly don't know enough about it to debate you on the other points you bought up but this one seems questionable. The whole point of an endowment is to finance your activities off the earnings of that money so it's sustainable over the long run. You don't spend the money itself.

      Not only do the run their fondation as an endowment, but they actually spend the ENTIRETY of the money that Warren Buffet contributes each year by the same time next year.
      --
      My fellow Americans, let's restore the death penalty for child rapists. Let's do it . . . for the children.
    57. Re:Ungrateful Lucas? by serutan · · Score: 1

      Bah! All you have to do is convince yourself that when the Founding Fathers talked about promoting progress and creativity, they surely must have meant "hiring contract labor."

    58. Re:Ungrateful Lucas? by serutan · · Score: 1

      You can transfer your rights to someone else. Actually, the control Lucas has over the storm trooper uniforms is really the result of a contractual transfer of the innate rights Ainsworth would have had by virtue of creating them.

    59. Re:Ungrateful Lucas? by CompMD · · Score: 1

      They are very good at remembering which congressmen have the Snow White fetish and which prefer Cinderella.

    60. Re:Ungrateful Lucas? by serutan · · Score: 1

      The original terms of copyright protection were for 7 years. For a long time it was normal for copyrights to expire. But at some point lawmakers started extending copyright terms whenever someone with influence wanted to hang onto something. The laws have been tailored to benefit the rights holders of this tiny percentage of material. The vast majority of material has only historical value after a couple decades. But historians and documentarists can't re-use any of it unless they can identify the rights holders. When the cost of doing this is too high because time has obscured the trail, the material just lies there until it's forgotten. That's the modern version of preserving culture.

    61. Re:Ungrateful Lucas? by skeeto · · Score: 1

      Nothing in the newer 3 movies was there anything as memorable as Stormtroopers. Am I wrong??

      NOOOOOOOOOOOOOOOO!!!

    62. Re:Ungrateful Lucas? by geekoid · · Score: 1

      according to the article there was no contract.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    63. Re:Ungrateful Lucas? by quanticle · · Score: 1

      Ah. Guess I was wrong then. It seems that neither the Gates nor Warren Buffet want the Gates Foundation to exist into perpetuity, like the Carnegie or Rockefeller foundations, for example.

      --
      We all know what to do, but we don't know how to get re-elected once we have done it
    64. Re:Ungrateful Lucas? by iq+in+binary · · Score: 1

      That's not a non-compete contract. That's a "For Hire" contract.

      Non-competes are orders of magnitude more sinister than For Hire contracts. As are Associative IP contracts which dictate that all ideas relevant to your field developed during your employ (whether on the clock or off) belong to the employer as well.

      I sign For Hire contracts, stipulating that all the provisions given apply only to clocked hours. I abso-fucking-lutely refuse to sign non-competes and and AIP's.

      As for this guy, I assume he's in the right both morally and legally. From what I've seen his work was not "For Hire". He was hired to turn a couple of sketches into a reality, and was paid for the most part only for the resultant physical armor. He's an artist, not an industrial designer. He has a right to his work that the customer hasn't paid for. Me, an engineer, I generally make it known that certain aspects of my work are not wholly owned by my employer, and generally they are fine with it. I don't accept anything but my designs and directly applicable derivatives belonging to the employer, and the respected manufactured product of such. Rights to my pseudonym, style, signature or name, as well as non-applicable designs in the same field are extra. If I did it off the clock and it isn't quite literally an improved clone of the product/s my company sells, you have no rights to it. I'm an industrial designer, however, and it is pretty generally understood that the design work I've done on the clock is "Paid For," because the design is the key element to the product or manufacture of such. Where as the blueprints (Design) for what I design are THE PRODUCT, Storm Trooper Armor is art. Lucas bought plastic, essentially, nothing more. As long as this guy isn't using the Star Wars trademark wholesale to sell the suits, he deserves every penny he gets. He delivered on his end, he happened to have molds left over (which he paid for, I guarantee), nothing more needs to be said unless there's a contract specifically saying otherwise. If there isn't, fuck Lucas.

      --
      Of all the Universal Constants, here's one I know: Nice guys finish last ;)
    65. Re:Ungrateful Lucas? by Eivind · · Score: 1

      There aren't.

      There -WAS- a time when you needed to "register" your copyright in order to have it take effect, and doing so may in some jurisdictions still make it easier to assert it, but it's no longer a requirement. (and hasn't been for a considerable number of years)

    66. Re:Ungrateful Lucas? by Anonymous Coward · · Score: 0

      The way a foundation works is by donating the the interest, not the principal. Therefore, it makes sense that the Bill and Melinda Gates Foundation will only be donating a small portion of its total assets, since the principal will not be touched.

      For most charitable institutions, you would be correct, but this is not the case for the Bill and Melinda Gates Foundation. The foundation has committed to "spend all of [the Trust's] resources within 50 years after Bill's and Melinda's deaths." This will "ensure that the Foundation Trust [does] not fall into a situation where the vast majority of its expenditures are on administrative costs, including salaries, with only token amounts contributed to charitable causes."

    67. Re:Ungrateful Lucas? by Anonymous Coward · · Score: 0

      knock-off productions. I.e., MGM's endless recycling

      "productions, e.g., MGM's".

  2. Why pay 3600$ fo this... by Datamonstar · · Score: 5, Funny

    when you can just use a RepRap?

    --
    The eternal struggle of good vs. evil begins within one's self.
    1. Re:Why pay 3600$ fo this... by TubeSteak · · Score: 3, Insightful

      I hope this can be the beginning of a new /. meme.

      --
      [Fuck Beta]
      o0t!
    2. Re:Why pay 3600$ fo this... by Monty+Worm · · Score: 1

      Because at the moment, there are less than 10 in existence? Because the bed of a reprap seems to be less than the part of a single one? Because I don't have the space in my flat to house the components to *build* a reprap, and I'm going to sulk until you stop talking about them?

      --
      ... and today's pet project has ... been discarded for lack of time.
    3. Re:Why pay 3600$ fo this... by interiot · · Score: 1

      Because at the moment, there are less than 10 in existence? Yeah, but how long does it take a RepRap to reproduce? A week? If so, then in one week, we'll have 20 RepRaps. A week later 40, then 80, 160, ... In half a year, we'll have 671,088,640 RepRaps.
    4. Re:Why pay 3600$ fo this... by MadnessASAP · · Score: 1
      Not anymore now that you've gone and jinxed it jackass. Everyone knows that the moment someone states it should be a meme it automatically is disqualified. So now you've gone and ruined it and what could have been an amazing meme is now little more then a goddamn POS that will be forever copy and pasted by people who don't know any better.



      Brought to you be the INTERNET HATE MACHINE

      --
      I may agree with what you say, but I will defend to the death your right to face the consequences of saying it.
  3. How much by Saija · · Score: 1

    does it cost to get a girl with a suit like this: http://webzoom.freewebs.com/basementnightclub/Stormtrooper%20Bride.jpg
    ;)

    --
    Slashdot ya no es que lo era! ;)
    1. Re:How much by $RANDOMLUSER · · Score: 4, Funny

      does it cost to get a girl with a suit like this: http://webzoom.freewebs.com/basementnightclub/Stormtrooper%20Bride.jpg
      $4,300.00 at last quote.
      --
      No folly is more costly than the folly of intolerant idealism. - Winston Churchill
    2. Re:How much by Anonymous Coward · · Score: 0

      About $300/hour. But it is only for an "erotic massage" while your "masseuse" is wearing a costume. Anything else that happens is between two consenting adults...

    3. Re:How much by Anonymous Coward · · Score: 0

      Buy now and get a girl of equal or better quality for only $200 more! Thats right, call now and get an 80% discount on the girl 1-800-523-3245 thats 1800-523-3245 terms and conditions may apply this offer not valid in Washington DC please consult your physician before purchasing this or any other part of a complete breakfast

    4. Re:How much by Carthag · · Score: 1

      She looks like a bobble-head.

    5. Re:How much by kylehase · · Score: 1

      Na, I'd prefer the princess Leia's bikini instead.

      Damn, while looking for a picture I came across this... ruined my whole image.

      Damn you google image search!

      --
      You want fun, go home and buy a monkey!
    6. Re:How much by zippthorne · · Score: 2, Funny

      Isn't she a little short for a storm trooper?

      --
      Can you be Even More Awesome?!
    7. Re:How much by ale_ryu · · Score: 1

      Well, that's just plain wrong. Seriously...

    8. Re:How much by mgblst · · Score: 1

      I always wondered what they looked like under that armour.

      Also explains why they were such bad shots.

  4. Cue obligatory... by Mongoose+Disciple · · Score: 5, Funny

    I am altering the deal. Pray I don't alter it any further.

    1. Re:Cue obligatory... by s0litaire · · Score: 1

      in a Yoda like voice: "Has Begun, The Clone armour wars have"

      --
      Laters Sol "Have you found the secrets of the universe? Asked Zebade "I'm sure I left them here somewhere"
    2. Re:Cue obligatory... by Anonymous Coward · · Score: 0

      Lucas: You are part of the Rebel Alliance and a traitor! Take him away!

    3. Re:Cue obligatory... by bill_mcgonigle · · Score: 1

      Your forgot:

      "The more you tighten your grip, Lucas, the more fan costumers will slip through your fingers."

      --
      My God, it's Full of Source!
      OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
  5. He was hired to do a job by CA_Jim · · Score: 0

    He was hired to do a job. He created the items to fit Lucas' vision. It wasn't as if he created them and them sold them to Lucas. Did he negotiate for a piece of the profits then? No, he took a straight payment.

    1. Re:He was hired to do a job by fatalwall · · Score: 2, Interesting

      I have to agree with you here. As a consultant i often subcontract work out and make contracts with these people before the work begins. When they are done making artwork or code that i did not want to make myself the deal is that i own the work. If they wanted the ability to use the work for others i would consider working a deal with them however once the contract has been completed and all the work becomes mine. Same thing here i feel. The biggest part is the base idea came from Lucas. He wouldnt have even made the mold in the first place if it wasnt for lucas hiring him.

    2. Re:He was hired to do a job by nmb3000 · · Score: 2, Informative

      He was hired to do a job. He created the items to fit Lucas' vision. It wasn't as if he created them and them sold them to Lucas.

      How do you know this? I actually RTFA and while I might have missed it, they seemed pretty light on pertinent details like this. I would imagine that it's quite common for a studio to outright purchase prop designs and rights the same way they do pretty much everything else related to a film. If the guy from Weta who created Andúril started selling exact duplicates of the sword don't you think NewLine would call him up for a chat?

      It seems pretty straightforward - if Lucas bought the prop design then this guy is at fault. If Lucas only paid for him to come up with a design then it comes to a question of can the Stormtrooper be trademarked as part of the franchise? How about replica lightsabers?

      --
      "What do you despise? By this are you truly known." --Princess Irulan, Manual of Muad'Dib
      /)
    3. Re:He was hired to do a job by Dun+Malg · · Score: 4, Insightful

      He was hired to do a job. The particularities of employment contracts vary. Unless you are privy to the specifics of the agreement, you, an uninformed goof on Slashdot, aren't really in any position to say.
      --
      If a job's not worth doing, it's not worth doing right.
    4. Re:He was hired to do a job by fatalwall · · Score: 1

      replica light-sabers have to be licensed. Its like anything else out there. If you want to sell mutant turtles you have to buy the rights from the company who created them(or the current owner of the franchise)

    5. Re:He was hired to do a job by corsec67 · · Score: 1

      The particularities of employment contracts vary. Unless you are privy to the specifics of the agreement, you, an uninformed goof on Slashdot, aren't really in any position to say.


      Privy to information? Hah, on /. you are lucky if they even read the article.

      Not like it will prevent 100+ comments.

      (My take: it will depend on exactly what is written in the contract as to who owns the copyright on the armor.)
      --
      If I have nothing to hide, don't search me
    6. Re:He was hired to do a job by Anonymous Coward · · Score: 5, Informative

      By default independent contractors under English law own their work. Assuming this guy was contracted rather than employed, unless otherwise specified by a contract he owns copyright.

      If, as the article says, Lucas bought the helmets by the unit already manufactured that would imply that the guy was an independent contractor. If the guy was an employee he would have been paid at a flat rate and it would have been irrelevant to him home many Lucas then had manufactured. If you buy a dozen prints of an artist's work that doesn't mean you own the original.

    7. Re:He was hired to do a job by wellingj · · Score: 1

      You, Sir, deserve some mod points.

    8. Re:He was hired to do a job by Tsujiku · · Score: 0, Redundant

      I agree.

      --
      Paradox
    9. Re:He was hired to do a job by Anonymous Coward · · Score: 0

      ".......Unless you are privy to the specifics of the agreement, you, an uninformed goof on Slashdot, aren't really in any position to say."

      Since when has that stopped any of us from tendering our opinion?

    10. Re:He was hired to do a job by Anonymous Coward · · Score: 1, Insightful

      Not quite true, in the UK employees also own the copyright to all their work unless signed over beforehand, usually a clause in your contract of employment (but not mine).

    11. Re:He was hired to do a job by L0rdJedi · · Score: 2, Informative

      Bzzz! Wrongo! Maybe exact replica lightsabers that carry a certain name have to be licensed, but Jeff Parks sells Parks Sabers that are completely non licensed. A lot of his designs look just like the ones from the movies. Lucas tried to sue him before Ep 1 came out and was unsuccessful because he couldn't produce the copyrights.

      Everyone here keeps assuming that Hollywood and the Lucas of today is the same as they were back in 1975-76. It was a completely different world back then. Nobody cared about merchandising rights or sequel rights or any of that garbage. That's why Lucas totally owns Star Wars, because Fox didn't give a shit about the rights.

      More than likely, since Lucas didn't expect it to take off the way it did, he had a verbal agreement with the guy to make some armor. Lucas probably didn't give a shit at the time since it was only going to be a stand alone space opera. I'm just wondering why Lucas waited so long if this guy has been doing this for a while.

    12. Re:He was hired to do a job by LynnwoodRooster · · Score: 1
      an uninformed goof on Slashdot

      Well that's a bit redundant...

      --
      Browsing at +1 - no ACs, I ignore their posts. So refreshing!
    13. Re:He was hired to do a job by Neoprofin · · Score: 1

      "All those innocent contractors hired to do a job were killed- casualties of a war they had nothing to do with." Thinking about it again, I don't know if that Clerks quote is Offtopic or Insightful...

    14. Re:He was hired to do a job by JamesRose · · Score: 1

      He lives in the UK now, but he may have lived in the USA then, in which case, pressumably they'd use the default terms of an american agreement. I doubt if you move countries the terms of a deal that was already done change.

    15. Re:He was hired to do a job by wild_berry · · Score: 1

      In the UK, designers for hire own their copyrights. They don't own the Design Right (whether registered or unregistered), the person who commissioned the work does. See UK's Copyright Designs and Patents Act 1988 (as amended), and the UK Registered Designs Act 1949 (as amended).

    16. Re:He was hired to do a job by hughk · · Score: 1

      The first Star Wars was filmed mostly in Pinewood, UK. Props would have been sourced locally, remember in those days, the UK was relatively cheap and their model work was superb (as in Kubrik's 2001). Lucas could not have used a US contract in the UK, he would be forced to use a UK one and in those days, they didn't tend to include clauses as to who held the rights, so as the OP suggests, they default to the external contractor.

      --
      See my journal, I write things there
    17. Re:He was hired to do a job by fm6 · · Score: 1

      That's never stopped us before!

  6. In other news... by Anonymous Coward · · Score: 5, Funny

    Kaiser Wilhelm II is suing them both for use of the term "Stormtrooper".

    1. Re:In other news... by mgblst · · Score: 1

      Kaiser Soze is suing them all, with his law maker.

    2. Re:In other news... by monxrtr · · Score: 1

      It's a perfect example of how artists feel they can "steal" the ideas of others whenever they please without giving the slightest damn.

      --
      "From DNA to P2P, we are all Copycats now. Go Go Copycat Power! Copycat Powers activate! Form of, a Copycat." --monxrtr
    3. Re:In other news... by couchslug · · Score: 1
      --
      "This post is an artistic work of fiction and falsehood. Only a fool would take anything posted here as fact."
    4. Re:In other news... by VoltCurve · · Score: 0

      THis is why history will remember Kaiser Wilhelm II as being the most evil german of all time

  7. Re:Biter bitten by edlinfan · · Score: 1

    I'm sorry, did you even read the summary?

    George Lucas is suing the designer of the Imperial Stormtrooper armor.

    ...not the other way around.

  8. Re:Biter bitten by TooMuchToDo · · Score: 4, Insightful

    RTFA: A california court ruled in favor or Lucasfilms, but since the designer lives in the UK, Lucasfilms has to sue there. Good luck getting a UK court to go along with the same tort bullshit the US passes off as civil law/justice.

  9. Whats in the contract? by mckinnsb · · Score: 4, Insightful

    If the contract signs over all work to Lucas Film, this guy may be in a bit of a bind. If it doesn't, Lucas Film is in a bind.

    I bet you two different contracts are presented.

    Logical mode off: Its a goddamn Storm Trooper Costume! He was making them for 3k! You make millions of dollars! Go home!

    1. Re:Whats in the contract? by nihaopaul · · Score: 1

      you'd have to be pretty stupid to sign over all the original work in a contract if you've been contracted to produce a final product, its a bit like flash, clients either dont read the contracts very closely or they think they own original art work when they only own the final product.

      i work as a designer and get this problem every time, they either ask for the original files and i reply that its outside of the scope of the contract or i try to explain to them in a simple term they might understand.. "When you buy windows do you own the original code used to create the system? What makes you think this is any different?"

      Reason its this way is that i reuse a lot of code from project to project or i write some hot script i would love to use myself, its imperative i retain ownership ad protect my work from modifications, of course i have a value on the work if they want to buy ownership.

    2. Re:Whats in the contract? by mysidia · · Score: 1

      It's possible there is no written contract.

      Maybe he just sold them the physical props, made to order, for cash, with no contract up front.

    3. Re:Whats in the contract? by rgmoore · · Score: 1

      you'd have to be pretty stupid to sign over all the original work in a contract if you've been contracted to produce a final product,

      It depends on what you're designing and how much they're willing to pay. If you're just customizing a basic framework that you expect to re-use on future projects, it doesn't make much sense to sell the original work- unless they're willing to pay you enough to redevelop the framework for those future project, of course. If you're making things one off that you're unlikely to be able to sell again, it doesn't make sense to make ownership of the design a sticking point.

      And that assumes you have the leverage to negotiate your favored position. If you work as an employee rather than an independent contractor, you won't have much choice. Your contract will almost certainly give full rights to all your work to your employer.

      --

      There's no point in questioning authority if you aren't going to listen to the answers.

    4. Re:Whats in the contract? by vux984 · · Score: 1

      i work as a designer and get this problem every time, they either ask for the original files and i reply that its outside of the scope of the contract or i try to explain to them in a simple term they might understand.. "When you buy windows do you own the original code used to create the system? What makes you think this is any different?"

      Which is actually a good reason not to buy windows.

      When my clients hire me to write custom software I always give them an unlimited license to the program, and its source materials. That said, I also generally retain rights for myself as well, as I can often reuse elements of code I've written in other projects, and that amounts to mutual respect.

      When I hire out work to other developers or designers, etc, I always require that they supply the original files. I want the original images, the photoshop/illustrator files, unlimited licenses for the fonts used if applicable, program source code, etc. If they aren't willing to provide it, I'll hire someone else. If it means we can't use a particular image or font, because they want royalties anytime anyone even sees the image or a glyph, then fine, we'll use a different image or font...

  10. Re:Biter bitten by belmolis · · Score: 5, Insightful

    That's a bit too cynical. We don't have all the information here. If Lucas went hired Ainsworth and told him what he wanted and Ainsworth developed the detailed design and the molds, then the basic idea was Lucas's and the design was a work for hire, the rights to which belong to Lucas. It's just like when an engineer designs a chip for Intel - the design belongs to Intel, not the engineer.

    It is possible that the arrangment was different, e.g. that the designer came up with the design and offered it to Lucas, in which case the rights would depend on what sort of contract they entered into (that is, whether Ainsworth merely licensed Lucas to use the design or whether he sold the rights outright), but the fact that a court has already ruled in Lucas' favor suggests a scenario like the one above. If so, it isn't a case of the courts screwing the little guy - it is a standard case of work for hire.

  11. Clone Wars by ryu1232 · · Score: 1

    Seems the Emperor has a problem when the clones are not under his control.....

  12. Merchandising Rights by The+MAZZTer · · Score: 1

    I've watched documentaries and read books about Star Wars... one of the genius moves Lucas made was to make the studios sign away all the merchandising rights to him. This was before merchandising was a big thing (Lucas helped make it big!).

    The question is is do those clauses extend to sold props and replicas of props...? IANAL so don't ask me.

    1. Re:Merchandising Rights by The+MAZZTer · · Score: 2, Insightful

      Ugh I'm tired. A correction.

      Obviously the prop designer is not bound by that specific contract, but he might have had an employee contract or the prop/mold he used might still technically belong to the studio or Lucas or something. Obviously the courts in California found something but the article is light in this area.

  13. Re:Biter bitten by whoever57 · · Score: 5, Interesting

    I'm guessing Lucas screwed this guy in the original contract,
    According to the UK Daily Telegraph there was no contract:

    Mr Lucas, who wrote the screenplay and directed the 1977 film, is understood to have hired Mr Ainsworth through intermediaries in 1976, but it is claimed no formal contract was put in place. The designer received just £30,000 for his work.
    I wonder if the award in the US was a default judgment?
    --
    The real "Libtards" are the Libertarians!
  14. Re:Biter bitten by Duhavid · · Score: 5, Funny

    So, let me make sure I have this straight....

    The Imperial Stormtrooper armour is *not* suing the designer of George Lucas?

    --
    emt 377 emt 4
  15. I'm waiting... by sootman · · Score: 4, Funny

    ... for the Special Edition lawsuit, where Andrew sues first.

    --
    Dear Slashdot: next time you want to mess with the site, add a rich-text editor for comments.
    1. Re:I'm waiting... by esocid · · Score: 1

      Wait, is Andrew is Han? I believe both he and Greedo were pretty shady characters in the books. Can't imagine who to compare Lucas to here.

      --
      Absolute power corrupts absolutely. indymedia
    2. Re:I'm waiting... by Zerth · · Score: 3, Funny

      Duh, Jabba. Have you seen Lucas lately? He's been packing them on eat those little froggies.

    3. Re:I'm waiting... by gatzke · · Score: 1


      Can we get a class action together for breach of trust? I trusted Lucas not to ruin my childhood...

    4. Re:I'm waiting... by RAM_Doubler · · Score: 1

      well done, sir. If only I had mod points...

  16. That's an interesting business model by caitsith01 · · Score: 4, Informative

    So you do work creating IP for people and then refuse to give them the rights to the IP that you create? Let me know how that works out for you.

    I think you will find that the majority of companies who get design work done by independent contractors would have watertight agreements transferring all of the relevant intellectual property to them, for obvious reasons, i.e., that people like you can't then attempt to weasel around their rights with dubious contractual terms and thereby hold them hostage.

    Honestly, I am generally all in favour of limiting the IP rights of companies, but when you do work for a business creating IP and then try to suggest that it's somehow reasonable and equitable that you retain the rights to all of the "original art work" that goes into it then you are being borderline dishonest. Certainly it's reasonable for you to retain IP you create which is not specific to that job; but it would be entirely unreasonable to refuse to relinquish the rights to the 99% finished "work in progress" version of a website, for instance.

    The Windows example is silly, because Windows is not uniquely crafted to each user's requirements (if only), it is a generic piece of IP that is licensed and relicensed.

    --
    Read Pynchon.
    1. Re:That's an interesting business model by lakeland · · Score: 4, Informative

      It seems to be that way where I work.

      We contract companies to write software for us, but then they retain full ownership of that software.

      It means we often don't get to see the source code, and even if we do, we are not permitted to modify it or to get any other company to extend the software, etc.

      I have to admit, I find it foolish to enter into such agreements. When I pay for work I expect to receive IP, but such situations clearly do exist. Other people must just not care so much...

    2. Re:That's an interesting business model by nihaopaul · · Score: 1

      When it comes down to design the client owns the 'final work' not the work created to get the final product, work is licensed for the use it is intended and modifications to it are not allowed, this is typical business in any country.

      this is the difference in "work for hire" and "contracted work". when working with an outside agency for instance the client has a lower overhead, they don't pay licensing for software, computers, operating system, salaries, insurance for the company or people working on the product which in turn gives them a lower cost, but they dont own the work used to create the final product.

      heres an example, client comes to me with video and expects it to be on their site in an accessible format, i license the software to create the work in an accessible format, do they own the software i licensed? its the same as work used to create the final product and the code used in the work. again they can pay 4x-8x the price per month and hire someone to work for them under a contract and own all of the work or contract it out where the contract stipulates the deliverables.

      Works well, done in every agency in every country.

      heres anouther one, client hires a photography studio, they require final results, now, do they own the camera used to create the final work? do they even own the full rights to the work to use anywhere.. the short answer is no, not unless its stipulated in the contract.

      remember when dealing with people that have no clue about an industry but need something from it you need to find a way to explain things on their level, most people understand the windows analogy i use.

    3. Re:That's an interesting business model by LaskoVortex · · Score: 1

      Reason its this way is that i reuse a lot of code from project to project [Windows] is a generic piece of IP that is licensed and relicensed.

      Let me say the same thing yet again in a different way, but attempt to disagree with you by saying exactly what you said, but different and yet trying to make the exact opposite point, but not failing miserably because I will actually support my point:

      You are wrong because the software would be general use and reusable so IP rights would need to be retained by the author.

      --
      Just callin' it like I see it.
    4. Re:That's an interesting business model by Anonymous Coward · · Score: 0

      In that art world this is definately not the case. You hire me for a commercial, you get a commercial. You want the assets, it's going to cost you. This is standard operating procedure. You want a sculpture, you get a sculpture, but not the mold.

    5. Re:That's an interesting business model by timmarhy · · Score: 1
      nonsense.

      lots of places pay for IP to be created that they then only have the rights to use. I can think of 1/2 dozen large software firms that do it right now.

      --
      If you mod me down, I will become more powerful than you can imagine....
    6. Re:That's an interesting business model by endofoctober · · Score: 1

      If a designer signs a "work for hire" contract, then anything created under that contract belong to the client, not the designer, true. It's one of the main reasons designers refuse "work for hire" terms. [Another being that usually the WFH language usually explicitly denies me the right to use MY designs in MY OWN portfolio...uh, no thanks.]

      Under non "work for hire" terms, if you hire me to design it, I'm only contractually bound to give you the finished work. All IP remains with me, the designer, until you pay me for the IP.

      You might find it an "interesting" business model, but it protects the interests of those who use their creative skills to make clients money (in this case a /buttload/ of money). I never sign my IP away unless clients are willing to compensate me for it, and I never, ever, EVER sign contracts with WFH terms. Why should I?

      --
      - Jack
    7. Re:That's an interesting business model by Anonymous Coward · · Score: 0

      If you want full ownership of the software, you will have to pay the full cost of development from scratch. Bespoke software often involves substantial re-use of existing code. A licence to use that code will be a lot cheaper than obtaining the title to that code. Also, the developer won't be able to use third-party code for which they merely have a licence, so you'll have to pay for equivalent code to be written from scratch.

      You wouldn't insist on paying billions of dollars for the title to MS-Windows rather than just a licence to use one copy, would you? Well, the economics aren't actually all that different for bespoke software.

  17. I felt a disturbance in the courts... by Snufu · · Score: 0

    as if a million lawyers filed suit at once, and were enriched.

  18. not really IP by ILuvRamen · · Score: 1

    That's not really IP. It's an actual, physical mould making actual physical objects. This is barely about the stormtrooper image itself.

    --
    Google's Super Secret Search Algorithm: SELECT @search_results FROM internet WHERE @search_results = 'good'
  19. hollywood accounting by fermion · · Score: 1
    It sounds like one of these vague cases where everyone is fighting over the money, even though there is more than enough money to go around. It is why the term "Hollywood accounting" exists, and why so many thinks that the average hollywood executive makes the average investment banker look like mother teresa.

    In any case, the article makes it appear that Lucas just bought several dozen of the costumes, and did not in fact commission the design nor purchase the rights. OTOH, the designer sold the costumes knowing full well what they were to be used for.If this is hte fact pattern, then Lucas asking for money would be like UA asking BMW to pay a royalty for right to produce cars.

    In the end I hope that Lucas has to pay a gob of cash for wasting the time of court to satisfy his greed.

    --
    "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    1. Re:hollywood accounting by wellingj · · Score: 1

      Who says he would be satisfied if he won?

  20. Re:Biter bitten by Anonymous Coward · · Score: 2, Interesting

    It would be extremely unusual for a costume designer (or art department, or set designer, or special effects model builder or whatever) to work for anything but "for hire" or to be able to claim any ownership of their work afterwards. Since this was the 70's and Star Wars was not expected to be the blockbuster hit most likely the guy did the work for a few thousand bucks. There could always be exceptions, like HR Giger, but that's extremely rare and only when the guy's a big name already and can call his own shots.

    Still, even if this is the case, I don't think he got screwed by not making millions for his designs. I mean, that's the nature of the job, and these productions would collapse under their own weight if everyone who has any input could claim a piece of ownership.

    That said this kind of thing isn't all that unusual-- costume makers selling replicas of their designs to fans. I guess it's a little different to be selling molded stormtrooper armor instead of a copy of Galadriel's gown, but still, it's generally accepted as a perk that they can make a little side business out of it, assuming the products are custom orders and not mass produced for costume shops.

    So Lucas is probably in the right, legally, but a complete dick morally. Big surprise.

  21. It can get even more interesting by Anonymous Coward · · Score: 0

    It will depend who did the design. The copyright will rest with whoever did the design and cannot be transferred without an explicit writing to that effect. (eg a copyright transfer or a work for hire agreement in the contract.) Simple enough if one party did the design and can prove it. What if there was a degree of cooperation with elements coming from both sides?

    Ah well, in any case it is likely to be a big win for the lawyers

  22. Re:Biter bitten by TubeSteak · · Score: 1

    Good luck getting a UK court to go along with the same tort bullshit the US passes off as civil law/justice. Well considering that the USA's legal foundation was copied almost wholesale from the UK, maybe you should blame them for the "tort bullshit the US passes off as civil law/justice."
    --
    [Fuck Beta]
    o0t!
  23. Re:Biter bitten by pokerdad · · Score: 1

    but it is claimed no formal contract was put in place.

    Well, I think its a given who is claiming that.

    Its certainly possible this is the case, and 30 years passed might make it more difficult to prove even if they it did exist. But having said that I find it highly improbable that so much money changed hands without a contract.

  24. IP / Contract? by Ihmhi · · Score: 1
    If no contract existed (which, judging by the posts here, it didn't), then as far as I'm concerned Lucas is in the wrong here.

    Lucas bought the suits. The suits, not the designs, and certaintly not the rights to the designs.

    Imagine if this prop guy wins. He has a LOT of past royalties he could potentially collect on - movie posters, action figures, the movies themselves, the three or ten versions of the movie on VHS/DVD/Blu-Ray that already exist and the next dozen or so that will be released in the ensuing decade.

  25. Re:Biter bitten by Jack9 · · Score: 1

    That's a bit too cynical. We don't have all the information here. If Lucas went hired Ainsworth and told him what he wanted and Ainsworth developed the detailed design and the molds, then the basic idea was Lucas's and the design was a work for hire, the rights to which belong to Lucas.

    Even if THAT were the case (which is probably isn't), Ainsworth would still hold the rights to the design. You need a contract stating that the intellectual property is yours, especially when dealing with foreign nationals.

    It's just like when an engineer designs a chip for Intel - the design belongs to Intel, not the engineer.

    Er, in reality you have to sign an employment agreement for that to be true, depending on where the agreement is made.
    --

    Often wrong but never in doubt.
    I am Jack9.
    Everyone knows me.
  26. Laches by Raul654 · · Score: 1

    IANAL, but I'm pretty sure Ainsworth's claims of damages going back to 1977 is a textbook case of laches and will probably be dismissed on those grounds.

    --


    To make laws that man cannot, and will not obey, serves to bring all law into contempt.
    --E.C. Stanton
    1. Re:Laches by asuffield · · Score: 1

      The doctrine of laches applies only to cases where the delay has caused the other party to act differently, and are worse off with the case being brought now than they would be if it had been brought earlier. If this designer had asked for royalties 30 years ago, it should be presumed that they would have been paid them and otherwise the franchise would have continued unchanged, because that's what happened with a whole bunch of other people who did ask for royalties 30 years ago. Don't see how laches applies here, it sounds like a classic case of mistake (Lucas didn't realise he didn't own the rights, the contractor didn't realise he should have claimed royalties up front). Whether or not any money would be awarded for this will depend on the details.

    2. Re:Laches by sco_robinso · · Score: 1

      You make a good point, and are correct. Why has it taken the artist 25ish years to sue Lucas? Most facets of law say you can't acquiesce to a condition for an extended period of time, and then all of the sudden complain.

      This is probably a case where he's counter-suing for such an agregious amount that it begs an out of court solution, which probably won't amount to much more than everyone dropping suit and the creator having to cease and desist.

      If Lucas/Fox had their affairs in order for the original Star Wars, all IP and creations would be signed over to the studio/Lucas. The very fact he's counter-suiing might suggest such a contract was never signed. But in the 30 years of the highly successful franchise, you would have though someone would have sued by now if there was no IP agreement.

    3. Re:Laches by Raul654 · · Score: 1

      The earnings from selling Stormtroper merchandise (and thus the damages Ainsworth can claim) have increased substantially in the 25 years since Lucas started doing it. Lucas is clearly in a more vulnerable position now than if Ainsworth had sued him in 1977.

      --


      To make laws that man cannot, and will not obey, serves to bring all law into contempt.
      --E.C. Stanton
    4. Re:Laches by asuffield · · Score: 1

      The earnings from selling Stormtroper merchandise (and thus the damages Ainsworth can claim) have increased substantially in the 25 years since Lucas started doing it. Lucas is clearly in a more vulnerable position now than if Ainsworth had sued him in 1977.


      Doesn't work that way. He can claim what it was worth 30 years ago, the same as everybody else got when they claimed it 30 years ago (still a fair chunk of money). No reasonable judge is going to give him what it's worth today. A mere increase in value is not sufficient for laches; the essential requirement is that the losing party must have made different decisions as a result of the delay, and that those decisions have left them in a worse position.

      If Lucas had believed that he owed no royalties to anybody and then sold the rights to somebody else (who would now sue him for screwing up), that would be a case for laches - his position has been harmed by the delay. If the royalties would amount to more than it was worth then he could claim he wouldn't have gone ahead with the project if he'd known about this in advance, and that would also be one. But there's nothing like that here.
  27. Re:Biter bitten by davmoo · · Score: 2, Insightful

    Believe it or not, and even now as well as 30 years ago, quite a bit of business is conducted without formal contracts. And for big dollar amounts. In the UK I can't say for sure, but in most US states, a verbal agreement is binding...but it then boils down to who what to who and when they said it. But as this case points out, its always best to get paper. And that's true even when all parties are "friends"...its amazing how fast money can change that friendship.

    --
    I want a new quote. One that won't spill. One that don't cost too much. Or come in a pill.
  28. Re:Biter bitten by kylehase · · Score: 1

    The Imperial Stormtrooper armour is *not* suing the intelligent designer of George Lucas? Fixed that for you.
    --
    You want fun, go home and buy a monkey!
  29. I'm sure this guy has done just fine by Redbaran · · Score: 1

    I've read above that this guy was paid "just" £30,000 for his work. Now, even if that's adjust for inflation and he was paid less than that, I still wouldn't feel sorry for him. If the only thing you put on your resume for the rest of your life is "Designed Storm Troopers Costume", then your career is made! I'm sure he's been reaping the benifits of his work indirectly ever since. Sure, it's not as much as Lucas himself, but he's gotten his share of the pie. He shouldn't be allowed to sell something that's not his, and when he sold the design to Lucas, it stopped being his, end-of-story.

    1. Re:I'm sure this guy has done just fine by SanityInAnarchy · · Score: 1
      and when he sold the design to Lucas, it stopped being his, end-of-story.

      <p>I don't see any mention of him selling the design.</p>
      <p>That's the essential question, then: Did he sell the design, or did he just make the costumes to order, without a contract? If the former, Lucas owns them. If the latter, he owns them, though I doubt very much he should really sue Lucas for anything.</p>
      --
      Don't thank God, thank a doctor!
    2. Re:I'm sure this guy has done just fine by Tacvek · · Score: 2, Insightful

      I've read above that this guy was paid "just" £30,000 for his work. Now, even if that's adjust for inflation and he was paid less than that, I still wouldn't feel sorry for him. If the only thing you put on your resume for the rest of your life is "Designed Storm Troopers Costume", then your career is made! I'm sure he's been reaping the benefits of his work indirectly ever since. Sure, it's not as much as Lucas himself, but he's gotten his share of the pie. He shouldn't be allowed to sell something that's not his, and when he sold the design to Lucas, it stopped being his, end-of-story. Technically, he was not an employee, nor did he have any contract. The whole thing hinges on verbal agreements made so long ago neither could possibly remember the details. Under the circumstances any sane court would need to assume no assignment was made in the verbal agreement, but bar the counter-suit under latches. Lucas may well have a valid trademark case though, as the storm-trooper design may be subsumed into to overall storm-trooper visual trademark, but base design itself it almost certainly not owned by Lucas. A possible end result may be that neither may produce merchandise featuring the storm-trooper design without each others consent from this point forward. The obvious solution toi that would be cross-licensing the design rights for the rights to produce the storm trooper outfits.
      --
      Stylish sheet to fix many problems in Slashdot's D3: https://gist.github.com/801524
  30. why? by blakecraw · · Score: 4, Funny

    The design wasn't even any good. One blaster shot and they're finshed!

    1. Re:why? by prestomation · · Score: 1

      Who the hell modded this insightful?

    2. Re:why? by toby34a · · Score: 1

      The design wasn't even any good. One blaster shot and they're finshed! Or, even better, being hit with twigs, branches, and rocks by pint-sized furry beings.
    3. Re:why? by edwardpickman · · Score: 1

      Worse yet they couldn't hit the ground if they dropped their guns while wearing them. They were kind of channeling Ned Kelly only the armor couldn't stop a blaster round let alone a bullet. They probably would have been better off fighting in "G" Strings so they could at least hit what they aimed at. I guess visually it wouldn't have been as cool having a bunch of guys running around dressed like skinny Sumo Wrestlers with guns. That's an image that sticks with you for all the wrong reasons.

    4. Re:why? by mikael · · Score: 1

      Have you seen the Trojan body armour video.

      --
      Vintage computer adverts: http://www.vintageadbrowser.com/computers-and-software-ads
    5. Re:why? by fm6 · · Score: 1

      Never mind a blaster shot. How about a stormtrooper who can hold off an Ewok with a rock?!

  31. Correct! by Anonymous Coward · · Score: 4, Interesting

    > trademark, yes. copyright, no.

    You are correct in saying that you have to defend a trademark but do NOT have to defend a copyright, so I'll add on to that. IANAL, but unless there was a copyright assignment with a 'written memorandum of transfer' (I learned that one from SCO v. Novell; copyright law being federal, it applies to the whole USA), THE COSTUME MAKERS own whatever copyright there could be on the costume. Though I assume that Lucas owns the trademark. True, it could be a 'work for hire', but I think that only applies to individuals working for some company (and it would probably have to be spelled out), so I don't know.

    I should also mention that while trademarks have to be defended, you are NOT required by law to be a dick when defending them (even if it seems that way). I think it was Second Life where they sent the "Get a First Life!" people a "Permit & Proceed" letter that let them know they were *okay* with using the trademark.

    Lucas? Sounds like he believes he deserves all the money from anything related in any way to Star Wars, even if he did absolutely none of the work in creating it, simply because he came up with Star Wars to begin with.

    So yeah, I'm not really going to take either side here, but I just want to say that if they had any sense, they'd come up with some kind of arrangement that doesn't involve suing each other, or there won't be any money left to fight over.

    1. Re:Correct! by Megane · · Score: 1

      I'm not familiar with this "Get a First Life!" case, but it sounds to me like it could be a valid parody. In that case, the "Permit and Proceed" would be even more cool because it was the exact opposite of an asshole lawsuit for something you don't have the right to sue for in the first place.

      --
      #naabhaprzrag, #sverubfr-000, #agi-fcbafberq, negvpyr[pynff*=' negvpyr-ary-'] { qvfcynl: abar !vzcbegnag; }
    2. Re:Correct! by Anonymous Coward · · Score: 0

      It pretty much can't be a "work for hire". IANAL, but I've actually been involved in a case involving my own software that played out something like this one looks like it's going to. The law may have changed since then, but if not there are only about five or six different types of work that are even eligible to be labeled a "work for hire", and those are things like translations that are not considered "creative" works. Not only that, to be a "work for hire", the contract has to explicitly state the work is a "work for hire".

      So, this isn't a "work for hire". You can bet a large sum on that with a huge amount of certainty.

      If you go back to CCNV v. Reid, a case about who owned the copyright to a statue, who owns the copyright to the molds will depend on where the work was done, how much supervision the mold maker was under, who paid for the materials, and whether or not the contract (if any!) for making the mold transferred copyright to Lucas or otherwise put restrictions on what the mold maker could do with his mold or what came out of it afterwards.

      I'll go out on a limb here and say the guy with the molds probably owns the molds - copyright and all - free and clear, and Lucas is SOL.

      I hope he starts selling Stormtrooper suits with "Han shot first!" molded into them for all eternity.

      And there will be plenty of money left over for both.

    3. Re:Correct! by neomunk · · Score: 1

      You may not have heard of it, but your skills in assumption have told you pretty much the whole story. It went down pretty much exactly how you describe.

    4. Re:Correct! by electrictroy · · Score: 4, Insightful

      IMHO

      George Lucas showed unusual intelligence when he asked FOX Studios for the rights to the merchandise. Prior to 1976, virtually no other filmmakers did that, because it was believed by both directors and studios that "toys" were worthless, and the real money was in the film.

      FOX was more than happy to sign that contract, because they thought Lucas was a fool. Well Lucas turned-out to be smarter than everybody else. And the fact that Andrew Ainsworth in 1976 failed to request payment for post-movie merchandishing is HIS OWN FAULT, and he has no one to blame but himself.

      George Lucas' contract with Fox gives him the right to make money off the merchandise.

      Andrew Ainsworth's contract does not; he could have requested a share, but he chose not to. His own dumb fault.

      --
      The government is not your daddy. Its purpose is not to raid middle-class neighbors' wallets and give it to you.
    5. Re:Correct! by Maxo-Texas · · Score: 1

      I'll take a side... I hope the guy wins at least a hundred million dollars.

      It won't help little guys in the future tho-- the contracts will be more tightly written as time goes on so ordinary folks like this end up with squat.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    6. Re:Correct! by immcintosh · · Score: 3, Insightful

      Now, maybe I'm missing something here, but when a person manufactures some artistic creation, that person by default has the right to profit from said creation. The real question here, it seems to me, is whether the terms of this costume designer's employment specifically gave those rights up. If not, my guess is he has every legal right to sell storm trooper armor to his heart's content.

    7. Re:Correct! by Deadstick · · Score: 1
      Lucas? Sounds like he believes he deserves all the money from anything related in any way to Star Wars, even if he did absolutely none of the work in creating it, simply because he came up with Star Wars to begin with.

      Sounds much like Tandy Corp, with their aggressive guarding of the TRS-80 name. There was a magazine called Softside whose stock-in-trade was listings of games written in BASIC for the Apple, Atari and TRS-80. As soon as the first issue hit the shelves, they were visited by a Tandy lawyer demanding they either pay royalties for being allowed to say "TRS-80" or desist from doing so; they claimed they deserved all the money accruing from so much as mentioning their product in public. The magazine complied by substituting "S-80 bus", which was generic.

      Tandy got its wish: nobody ever mentions Radio Shack computers any more.

      Softside apparently learned the wrong lesson: it threatened action against any subscriber who copied a file from another subscriber: the only legitimate way to use their programs, they claimed, was to type them in yourself. Otherwise you weren't earning the product. It didn't last as long as the TRS-80 did.

      rj

    8. Re:Correct! by doas777 · · Score: 1

      I'm not certain that it is a cool precedent, thought I do salute them for respecting fair use. My fear is that if these "permit & proceed" letters become common place, they may become the defacto standard by which fair use may be evaluated. Thus in the future, without a letter giving explicit permission, everything is considered unfair use by the courts. Not the way I want to play the game.

    9. Re:Correct! by Mr.+Beatdown · · Score: 1

      Actually, the Stormtrooper armor could be construed as a work for hire. In works for hire, a written memorandum of transfer is not required, but the controlling document in determining ownership will likely be the employment contract. If a work is never defined as for hire, even a commissioned work, the rights remain with the original author.

      That having been said, copyright clearly was not central to this case. The question I think was most likely argued over is whether LucasArts actually owns the trademark to the distinctive and unique Stormtrooper armor. From reading the article (heresy, I know) it seems likely there was never a formal assignment of rights, and the key question would have been whether or not LucasArts' unauthorized use of the distinctive Stormtrooper armor is sufficient to establish a valid trademark. California already ruled in LucasArts' favor, and now it's up to the high court in London to enforce California's ruling, or elect not to.

      --
      My fellow Americans, let's restore the death penalty for child rapists. Let's do it . . . for the children.
    10. Re:Correct! by serutan · · Score: 1

      I think that's a good analysis. Isn't it great that we have laws to stop people from re-using an idea until it becomes worthless? The Founding Fathers would approve!

    11. Re:Correct! by geekoid · · Score: 1

      You have a copy of the agreement, and are familiar with 1976 copyright laws?

      oh, no? STFU

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    12. Re:Correct! by mpe · · Score: 1

      You are correct in saying that you have to defend a trademark but do NOT have to defend a copyright, so I'll add on to that. IANAL, but unless there was a copyright assignment with a 'written memorandum of transfer' (I learned that one from SCO v. Novell; copyright law being federal, it applies to the whole USA), THE COSTUME MAKERS own whatever copyright there could be on the costume. Though I assume that Lucas owns the trademark. True, it could be a 'work for hire', but I think that only applies to individuals working for some company (and it would probably have to be spelled out), so I don't know.

      There is a complication here. US copyright law underwent a major revision in 1976. The costume design could easily predate this law change.

    13. Re:Correct! by electrictroy · · Score: 1

      >>>"when a person manufactures some artistic creation, that person by default has the right to profit from said creation."

      Unless your idea is created while on somebody else's dime. For example, any new device I might engineer, automatically becomes the property of my employer, per my contract. Likewise anything Ainsworth created while in the employ of Fox, becomes Fox Studios property.

      --
      The government is not your daddy. Its purpose is not to raid middle-class neighbors' wallets and give it to you.
    14. Re:Correct! by electrictroy · · Score: 1

      No. I don't want to shut the fuck up. I stand by what I said regarding Lucas' contract giving him rights to the merchandise (hence making him filthy rich), and this other fellow failing to make the same request. C'est la Vie.

      --
      The government is not your daddy. Its purpose is not to raid middle-class neighbors' wallets and give it to you.
    15. Re:Correct! by immcintosh · · Score: 1

      Unless your idea is created while on somebody else's dime. For example, any new device I might engineer, automatically becomes the property of my employer, per my contract. Likewise anything Ainsworth created while in the employ of Fox, becomes Fox Studios property.
      Allow me to quote my post to which you were responding if you will...

      The real question here, it seems to me, is whether the terms of this costume designer's employment specifically gave those rights up.
      Like I said, certainly some contracts sign your rights to your creation away in the process, but that's something that generally needs to be part of the contract last I checked. So, again like I said, this really all seems to just depend on whether the guy signed is rights away or not.

      To put it another way, just because you're paying me money to make something, doesn't necessarily mean copyright of what is being made is transferred to you. In fact, it's pretty common for the actual creator to retain full copyright and the employer to obtain an unlimited license for use. I'd be inclined to say this is the "default" under copyright law where contracts don't explicitly state otherwise, but I'm not well versed enough in it to go that far.
  32. Re:Biter bitten by king-manic · · Score: 1

    I'm sorry, did you even read the summary?

           

    George Lucas is suing the designer of the Imperial Stormtrooper armor. ...not the other way around. You missed the bit where the designer was counter suing.
    --
    "There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy."
  33. OW! MY EYES! by plover · · Score: 1
    You bastard!

    I can never un-see that now!

    --
    John
  34. Re:Biter bitten by azakem · · Score: 1

    This isn't traditional tort, it's copyright/trademark. As the US and UK participate in a number of international IP treaties, there is a good possibility that a UK court would be obligated to respect the decision of the US court. IANAL, some lawyer want to clear that up?

  35. Here it comes... by Rai · · Score: 0, Troll

    Cue the whining fanboys to cry some more over the prequels.

  36. Next: Tron Guy by Tablizer · · Score: 1

    I bet the Tron Guy is next. Spandex styling will be set back 20 years.

  37. Protect your IP Addresses by jamesh · · Score: 1

    And here was me thinking that we'd finally run out of IPv4 addresses and that the storm troopers had been deployed to sort the problem out.

  38. It depends on their contract. by Aqua+OS+X · · Score: 1

    All in all, it depends on the contract they signed. If this guy signed away his rights, he's screwed... and if he didn't, he probably has a case.

    --
    "Things are more moderner than before- bigger, and yet smaller- it's computers-- San Dimas High School football RULES!"
    1. Re:It depends on their contract. by adona1 · · Score: 1

      And if he wins, does that mean he can sue Lucas again for copyright infringment in episodes II & III? That clone armour seems to be a derivative work, even if it was retconned into the franchise :)

      --
      Between the falling angel and the rising ape
  39. He's a lawsuit-crazy bastard... by Vthornheart · · Score: 4, Informative

    This isn't the first frivolous lawsuit he's done lately. He tried to sue the pants off of this warehouse company a year ago or so because he kept his storage facility in bad condition and one of his R2D2 props got moldy.

    I don't know the details of it, but my grandmother in law works for a sister company of the warehouse that was getting sued. Apparently it was enough that if it hadn't been dismissed, it would've sent them into immediate bankruptcy.

    --
    -Vendal Thornheart
    1. Re:He's a lawsuit-crazy bastard... by FornaxChemica · · Score: 1

      Maybe in his old age Lucas would be a better lawyer than he is a director.

    2. Re:He's a lawsuit-crazy bastard... by Anonymous Coward · · Score: 0

      This isn't the first frivolous lawsuit he's done lately. He tried to sue the pants off of this warehouse company a year ago or so because he kept his storage facility in bad condition and one of his R2D2 props got moldy.
      I'm not sure how this is a frivolous lawsuit. A highly valuable original R2D2 prop is damaged because the warehouse company maintained their facilities poorly? If I were storing a Van Gogh there with the expectation that the company would maintain a properly climate-controlled environment, then I would be suing the pants off of someone if I checked on my deposit later and found the canvas mouldered beyond recognition.

      The devil is in the details, of course (for example, Lucas leaves his R2D2 prop at Public Storage without any contractual expectation to a certain level of climate control), but I can't from your description what makes this lawsuit frivolous. Is it just because Lucas has more money than god, that sweating the small stuff = frivolous?
  40. Re:Biter bitten by cheater512 · · Score: 5, Funny

    The US has had plenty of time to mutilate it.

    Just like how you guys have mutilated the English language. :)

  41. Re:Biter bitten by Miseph · · Score: 1

    Of course, this case is hardly a shining example of that last sentence... it's hard to call 30 years "fast" change for a working relationship.

    --
    Try not to take me more seriously than I take myself.
  42. Bzzt! Wrong analogy! by celtic_hackr · · Score: 1

    Here's a better analogy.

    King Louis XII hires Galileo to build 50 statues of a Roman Gladiator. The basic idea is King Louis', but the design is the artistic expression of Galileo. Galileo then builds a mold, and makes crushed Marble and concrete statues of his own artistic realization and delivers them to King Louis. Galileo discovers that the statues are a fantastic hit with the royal courtiers, and proceeds to make numerous replicas for sale. Yes, Galileo was hired to make X number of some artform or an artistic design for some artform. Unless, the contract turns over the the rights to that artwork, then the artist is free to make other copies. This is does not on the surface look like a case of work for hire.

    Although you are dead on right about we don't know enough details. Depending on how one defines the Imperial Storm Trooper armor, it could be: art, clothing (which can also be a type of art), a design, a purchase of a defined quantity of a product (i.e. 50 helmets for $70 ea). We don't know why the CA court found in Lucas' favor, perhaps it was a default judgment? Perhaps, Lucas produced the copyright, or the contract. We could argue one way or the other till the cows come home, but the simple truth is the stupid reporter neglects to fill us in with the 5Ws, which are so essentially necessary in order to draw any intelligent conclusion ...

    Oh wait this is /. ...

    Scratch that last comment.

    1. Re:Bzzt! Wrong analogy! by Anonymous Coward · · Score: 0

      What I want to know is how did Louis XII hire Galileo?!

    2. Re:Bzzt! Wrong analogy! by neomunk · · Score: 1

      Bill and Ted did the actual legwork for him... Delivery made possible by a large cave somewhere outside of Constantinople.

      The part I wanna know is, how the Hell did Galileo know how well the French market of a far off 'then' was doing. Now THAT'S good use of demographic data, I tell you what.

  43. Uh Oh by P1aGu3ed · · Score: 1

    Firstly IANAL etc. Now, if Lucasfilm has the copyright to the Stormtrooper (its a Lucas creation), and Ainsworth patents the Stormtrooper moulds (the Ainsworth creation) ... what happens then? Now, its especially entertaining when you have Mr Copyright lawyer introduced to Mr Patent lawyer. The irresistable force meets the immovable object ... Nahhh, lets not go there.

    1. Re:Uh Oh by Tuoqui · · Score: 1

      Patents would have long expired since they're limited to what 20-30 years?

      Copyright however is FOREVER... As long as Disney needs to keep extending Mickey Mouse's copyright so he doesnt enter the public domain.

      --
      09F911029D74E35BD84156C5635688C0
      +2 Troll is Slashdot's way of saying groupthink is confused
    2. Re:Uh Oh by geminidomino · · Score: 1

      Mickey Mouse is not a matter of copyright, Steamboat Willie (the cartoon) is.

      Mickey Mouse is protected by a Trademark, and will be as long as big-D keeps defending it.

  44. Re:Biter bitten by blind+monkey+3 · · Score: 1

    but the fact that a court has already ruled in Lucas' favor suggests a scenario like the one above.
    No offence but it was a US court that ruled on it... a California court.... I think I'll wait to see what another court makes of it before I form an opinion on whether the court screwed this particular "little guy".

    --
    BM3
  45. Re:Biter bitten by Anonymous Coward · · Score: 0

    I don't know. I have had a working relationship change in 30 minutes. It involved alcohol and wasn't at the workplace, but she still won't talk to me.

  46. Appears that Lucas doesnt own the rights. by Anonymous Coward · · Score: 1, Insightful
    From the article,

    Ainswoth said: 'As far as I am concerned I am the original maker and I'm using the original moulds.'

    The prop designer was recruited to design the outfits in 1976 and sold the firsts 50 helmets to Lucas for £35 each.


    It would appear that Lucas was buying a product, if he had intended to retain the rights to this product why didnt he purchase the molds?
    1. Re:Appears that Lucas doesnt own the rights. by DragonTHC · · Score: 1

      apparently he made his own moulds. That does beg the question of whether or not lucasfilm actually owns the rights to the stormtrooper design.

      --
      They're using their grammar skills there.
    2. Re:Appears that Lucas doesnt own the rights. by Doctor_Jest · · Score: 1

      That's a good point... but did the fellow make the molds from Ralph McQuarrie's original concept art, or was it something Lucas hired this fellow to do? If the final design is his, not Lucas', but it's based off art from Ralph, who really does own it?

      If this fellow is a McQuarrie-esque designer for Lucas (and depending upon his contract), he may very well own the design, but like it's been said in this discussion before, he probably doesn't own the molds...

      This should be interesting, to say the least. :)

      --
      It's the Stay-Puft Marshmallow Man.
  47. Where he went wrong by edwardpickman · · Score: 1

    It sounds like Lucasfilm may have screwed up and not gotten a contract. That said where the guy screwed up was using original molds. They are technically the property of Lucasfilm since they paid for them. He may have been in his rights reproducing the design but not using the molds. I used to know John Stears back in the early 80s. He told about Lucas getting him to sign over the rights to R2D2 and the land speeder for the promise of more work. Rights up until then had no value so he opted for the additional work. Well Lucas never hired him again and he figured by that time he had lost 8 mill in licensing fees. Lucas had all the key people sign over all rights after the film was finished. I doubt Lucas can claim that there was prior art since most of the "production" art was actually done after the film was finished so the design probably was his. In truth he should have himself sued decades ago for a cut of the rights but he was a nice guy and didn't. Ironically he probably was within his rights doing that but striking new casts from the old molds he didn't have the right to do. What the court should do is fine him for the amount of props sold and give that money to Lucasfilm but then award him the rights to the design and make Lucas pay him the lost royalties which would amount to 1000X what the suits brought.

  48. Re:Biter bitten by belmolis · · Score: 1

    Er, in reality you have to sign an employment agreement for that to be true, depending on where the agreement is made.

    And do you think that either Intel or George Lucas is so ignorant as not to know the law of the jurisdiction in which it operates and arrange the necessary agreements? The fact is that it in many industries designs are routinely set up as work for hire so that they will belong to the employer. We don't know whether Lucas did this, but it is quite possible that he did, in which case he owns the rights and there is nothing screwy going on here.

  49. Does anybody know what the armor does? by Joce640k · · Score: 4, Funny

    It certainly doesn't stop blasters or light sabers. What use is it?

    --
    No sig today...
    1. Re:Does anybody know what the armor does? by atrocious+cowpat · · Score: 1

      "... It certainly doesn't stop blasters or light sabers. What use is it?"
      It looks kinda ... shiny? Opps, wrong Fanverse, sorry.

      --
      sig? Oh, that sig...
    2. Re:Does anybody know what the armor does? by Anonymous Coward · · Score: 0

      "Imperial Storm Troopers Skirmish in Latest IP Battle"
      TFA doesn't say who the Imperial Storm Troopers are Skirmishing with?!? I don't understand...

    3. Re:Does anybody know what the armor does? by WaltBusterkeys · · Score: 1

      Speaking of light sabers -- who gets to sue the Star Wars Kid for IP infringement?

    4. Re:Does anybody know what the armor does? by sakari · · Score: 1

      Or even rocks for that matter, see Ewoks vs Stormtroopers.

    5. Re:Does anybody know what the armor does? by Jason+Levine · · Score: 3, Funny

      Hey, you go to war with the Rebels with the armor that the Empire gives you, not the armor you wish you'd have. I have heard reports of some particularly creative Stormtroopers adding additional armor to their suits. I find this lack of faith in the Empire disturbing.

      --
      My sci-fi novel, Ghost Thief, is now available from Amazon.com.
    6. Re:Does anybody know what the armor does? by elrous0 · · Score: 1
      In its defense, it does make it hard to move, blocks your peripheral vision, and is hot as hell to wear on Tatooine.

      In other words, it's just as stupid than any superhero costume. You think any real world vigilante would dress like Batman (unless he were looking to commit suicide)?

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    7. Re:Does anybody know what the armor does? by Cro+Magnon · · Score: 1

      You think any real world vigilante would dress like Batman (unless he were looking to commit suicide)?


      Especially with that cape. We saw how dangerous capes are in The Incredibles.
      --
      Slow down, cowboy! It has been 4 hours since you last posted. You must wait another few hours.
    8. Re:Does anybody know what the armor does? by kalirion · · Score: 5, Insightful

      To remove the blood and dehumanize the enemy so that we don't feel like real humans are being killed by the hundreds and the movies can be rated PG.

    9. Re:Does anybody know what the armor does? by pete-classic · · Score: 1
      A few notes on Batman.

      1. He's insane.
      2. He was suicidal at the time he came up with the costume (at least in Frank Miller's version.)
      3. He's a fictional character in a fictional world, and the suit is part of the fictional psychology he uses to intimidate fictional criminals.


      -Peter

      PS: For some reason my ordered list isn't getting numbered int the preview . . .
    10. Re:Does anybody know what the armor does? by ginbot462 · · Score: 1
      --
      Atlas Shrugged : Thematic Story :: Battlefield Earth : Organized Religion
    11. Re:Does anybody know what the armor does? by kalirion · · Score: 1

      Heh, I knew I got that from somewhere, I just forgot where :)

    12. Re:Does anybody know what the armor does? by Rogerborg · · Score: 1

      It certainly doesn't stop blasters or light sabers. What use is it?

      Delivers billions of Credits to Not Affiliated With Lord Cheney^WVader In Any Way Enterprises Inc.

      --
      If you were blocking sigs, you wouldn't have to read this.
    13. Re:Does anybody know what the armor does? by tzjanii · · Score: 1

      Wow. You just turned a pretty hilarious geek joke about the most classic geek movie in history into a depressing and cynical commentary on the state of our society. You might be the most depressing person in history. Congratulations.

      --
      Slashdot is a pretty cool guy eh posts dupes and doesn't afraid of anything.
    14. Re:Does anybody know what the armor does? by docwatson223 · · Score: 1

      -2 for sheer bullshit

  50. Re:Biter bitten by timmarhy · · Score: 1
    who gives a fuck if lucas owns the rights or not? this bloke is probably making less then 100K turnover per year on this little side show he is running. why the fuck does lucas even care if someone else is making such an insignificant profit?

    i'll tell you why, because he's a typical hollywood money grubber. sometimes laws are just plain wrong

    --
    If you mod me down, I will become more powerful than you can imagine....
  51. mod parent funny! by Spy+der+Mann · · Score: 1

    it's funny because it's true!

  52. Re:In other news... MOD UP!!!1111 by Anonymous Coward · · Score: 0

    i'll be still laughing tomorrow!

  53. Re:Biter bitten by ZWoz_new · · Score: 1

    Deem and I think always, that those pesky Romans are guilty for cyber crime laws in most european countrys...

    At least i hope my analogy is not far-far away ...:(

  54. Re:Biter bitten by atlastiamborn · · Score: 1

    I might be utterly mistaken, but I was under the impression that the American English was the more conservative branch of the language.
    Wouldn't that mean that it is the English who have "mutilated" their own language?

    --
    I never apologize. I'm sorry, but that's just the way I am.
  55. Interesting Defense by Selanit · · Score: 1

    Note that this is design right, not copyright. UK law recognizes a difference between the two. Design right applies to the shapes of things.

    I'm interested in Mr. Ainsworth's defense. According to the article, he has two claims in his defense. First, "... that the intellectual property rights to the designs have expired." The Copyright, Designs, and Patents Act of 1988 specifies that design right (as distinct from copyright) lasts 15 years from when the design was first recorded or a finished product first made. Since storm troopers appeared in the very first Star Wars in 1977, and had to have been made in 1976 for the filming, I'd say that's a pretty good defense.

    The article also says he claims that "if they [the rights] do still exist, as the designer he [Mr. Ainsworth] owns them rather than Mr Lucas." That seems rather more dubious to me. Mr. Ainsworth accepted a payment of 30,000 pounds for his work. Even in the absence of a formal contract, that would strongly suggest that he did it as a commission, in which case ownership of the rights would fall to the commissioner (Mr. Lucas in this case).

    It'll be interesting to see how it comes out; and for once we won't have to wait too long, since the case is expected to take ten days.

    1. Re:Interesting Defense by Anonymous Coward · · Score: 0

      Mr. Ainsworth accepted a payment of 30,000 pounds for his work. Even in the absence of a formal contract, that would strongly suggest that he did it as a commission, in which case ownership of the rights would fall to the commissioner (Mr. Lucas in this case). I'd say that's not as clear a case as you make it look, as the contract may have been for the design of the armor or for the production of X pieces of armor (or both). Even if the former overweighs, it's not neccesarily "work for hire" and depends heavily on what the parties entering the contract intended.
  56. What about other cultural references? by madsh · · Score: 1

    I have recently set up a one-man-company to do a little consulting. I had to pick a name for the child and it should help me focus on creation and collaboration using computers among people in organisations.

    out came 3cpo...

    Am I getting myself into all kind of trouble by choosing that name?

    And yes I am not a .com so why bother registering that domain. I am located in Denmark so I will not clutter up the bigger namespaces :-).

    1. Re:What about other cultural references? by geminidomino · · Score: 1

      out came 3cpo...

      Am I getting myself into all kind of trouble by choosing that name? Probably not, considering that the gold-colored droid voiced by Anthony Daniels was C3PO.
  57. That's an interesting Slash-model by Anonymous Coward · · Score: 0

    "We contract companies to write software for us, but then they retain full ownership of that software."

    Generally companies that do that have more than just YOU as a customer. e.g. Game engines, middleware, etc. If your company wants to fund the whole shebang? I doubt anyone has a problem with you retaining all rights. With that all being said, there are companies that put source code in escrow should they go bankrupt, or even some will let you play with the source code. just not distribute it widely. e.g. OSS.

    "I have to admit, I find it foolish to enter into such agreements. When I pay for work I expect to receive IP, but such situations clearly do exist. Other people must just not care so much..."

    Maybe you should think more carefully about what you're paying for. Paying for it all? No problem. Paying for a piece? Welcome to the mass production business model. You pay a small part of the development costs and everyone gets lower prices and wider availability.

    "It means we often don't get to see the source code, and even if we do, we are not permitted to modify it or to get any other company to extend the software, etc."

    It just depends on who you are. e.g. US Government, etc and who you're buying from.

  58. IANAL but you're wrong! by pbhj · · Score: 1

    I'm no lawyer either, but I did work in IP for a time.

    The relevant international "law" would be the Berne Convention and the WTO's TRIPS.

    AFAIK copyright infringement is a tort, I'm not sure what you mean by "traditional torte" (sacher maybe?).

    There is nothing legal to bind a UK court to any agreement of a US court (though an international court in session in the US would be different). Indeed I'd imagine that the UK court was obligated to ignore a US interpretation of international law and assess according to the standards and practice of law in the UK (and where relevant the EU).

  59. Who's a lawsuit-crazy bastard? by pbhj · · Score: 1

    Look, I've never met George Lucas, he may well be a lawsuit-crazy bastard.

    But do you really think he gets involved in any of this? He just swims in his pool of money and hires honeys to wipe his butt for him. It's his lawyers that do the suing.

    He checks that the lawyers are paying their way I'm sure, or rather his accounting team do ...

    Yeah, I know he hires them, but what with the swimming and the butt wiping, etc., I'v sure he doesn't have time to check they're maintaining a reasonable level of ethics.

  60. Re:Biter bitten by dave1791 · · Score: 3, Interesting

    The two dialects have diverged in different directions in the past couple of centuries and neither is correct". The inhabitants of Tangier Island, Virginia, supposedly speak with a dialect as close to Elizabethian English as exists anywhere in the world. If anybody can say that their English is true, it is these people.

    http://www.youtube.com/watch?v=AIZgw09CG9E

  61. Re:Biter bitten by Anonymous Coward · · Score: 0

    "Just like how you guys have mutilated the English language. :)"

    You keep telling yourself that.

    If you consider a few changes of "ou" to "o" and some name changes for things like car parks and lifts to be butchering the English language, I wonder how many people you've met with Cockney or Australian accents. ;)

  62. ewok weapons anybody? by SpeedyGonz · · Score: 1, Interesting

    It certainly doesn't stop blasters or light sabers. What use is it?

    or rocks, or ewok spears ffs.

    but you got to admit, that armor looks l337

  63. When asked by Jabba the Judge... by servognome · · Score: 1

    why he should receive a part of the $12B in merchandise, Ainsworth's lawyer responded, "Because he's holding a thermal detonator!"

    --
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    1. Re:When asked by Jabba the Judge... by bill_mcgonigle · · Score: 1

      Brilliant. Sorry, no mod points today.

      --
      My God, it's Full of Source!
      OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
  64. what a twat by jollyreaper · · Score: 1

    George Lucas is the Bill Gates of scifi.

    --
    Kwisatz Haderach
    Sell the spice to CHOAM
    This Mahdi took Shaddam's Throne
  65. I will NOT thank Lucas by elrous0 · · Score: 2, Insightful
    I will *not* thank Lucas for starting the Hollywood "backend" phenomenon. It's just this sort of thing that led to increasingly out-of-control budgets for "blockbuster" movies that have made them increasingly annoying over the decades. Now we're stuck with droves of movies that are filled with how-do-we-top-ourselves special FX, overpaid celebrity-of-the-moment-actors, extensive audience testing that relentlessly strips anything worthwhile from the original script, product placement that's gone beyond distracting and well into the realm of the surreal, multiplexes that have 800 screens all playing the same 5 movies, shameful tie-in promotions, and many other evils.

    Guys like Lucas and Spielberg sucked the creativity right out of mainstream movies. Back in the 70's, movies like the Godfather could play in a mainstream cinema and even command a big budget. Now those kinds of movies are relegated to the arthouse, with tiny budgets, and with no room for them in multiplexes (that cater only to the Michael Bay movie of the moment).

    --
    SJW: Someone who has run out of real oppression, and has to fake it.
  66. Re:Biter bitten by jollyreaper · · Score: 1

    The two dialects have diverged in different directions in the past couple of centuries and neither is correct". The inhabitants of Tangier Island, Virginia, supposedly speak with a dialect as close to Elizabethian English as exists anywhere in the world. If anybody can say that their English is true, it is these people. Yeah, it's weird! I listened to the audiobook of Thin Red Line and the guy who was always going on about "property," he had that exact kind of accent. It sounded low-brow English and backwoods by turn without his inflection changing at all. It's the kind of thing you'd never notice at first but, after having it pointed out, you can never not notice it again.
    --
    Kwisatz Haderach
    Sell the spice to CHOAM
    This Mahdi took Shaddam's Throne
  67. Re:Biter bitten by quanticle · · Score: 1

    That's just the thing. Star Wars was the first movie to heavily incorporate merchandising. Therefore, its quite possible that the contracts weren't as ironclad as they would be today, simply because neither Lucas nor the designer of the stormtrooper costumes knew what a goldmine they were sitting on.

    --
    We all know what to do, but we don't know how to get re-elected once we have done it
  68. Who paid for the molds? by purpleque · · Score: 1

    Who owns the molds the armor is made from?

  69. Re:Biter bitten by Anonymous Coward · · Score: 0

    This ain't Russia....

  70. Ainsworth was the caster, not the sculptor by Misagon · · Score: 5, Interesting

    Brian Muir is known as the sculptor of the original Stormtrooper armor, and Nick Pemberton is believed to have sculpt most of the helmet. Andrew Ainsworth's company manufactured the outfit. Of course, there must have been some interaction between these people during the process. Some prototypes were made, and refined. It is possible that Liz Moore (who sculpt C-3PO) was involved, but she died in 1976, so it is difficult to tell.

    Andrew Ainsworth's company refined the molds after the production of the first movie to simplify production. It is believed by fans that Ainsworth kept some of the latter molds, which he when setting up his new business in recent years, modified back to produce casts more like the screen-used pieces. Some pieces of his Stormtrooper outfit are recast from pieces made by fans in recent years, who never gave Ainsworth permission to recast their sculpts.

    If you want a Stormtrooper helmet and/or armor, then there are other "fan-made" armor that is actually more accurate to the original (recast from original screen-used armor), and also of better build and much cheaper.

    Lucasfilm is not going after fans making and selling Stormtrooper armor. They are only going after those who are making a high-profile business out of it, like Andrew Ainsworth.

    On the contrary, Lucasfilm is often cooperating with a fan organization called the 501st Stormtrooper Legion, which, being the largest costuming club in the world, has a few thousand members owning Stormtrooper costumes. George Lucas himself has appeared at events to meet and greet members and thank them for their appearance. The name "501st Legion" has even entered official canon, given to a group seen in the last movie. Almost all of the Stormtrooper cosplayers in the 501st Legion bought their armor from one of the dozen makers that exist - none of which has any licensing agreement with Lucasfilm. Licensed armor does not exist.

    --
    "We mustn't be caught by surprise by our own advancing technology" -- Aldous Huxley
  71. As I keep saying... by absurdist · · Score: 2, Funny

    You Brits invented the language. We Yanks merely perfected it. ;)

  72. Re:Biter bitten by Anonymous Coward · · Score: 0

    Aha! So that's what inbreeding sounds like! The video basically said everybody who lives there now is at least 3rd generation BORN ON THE ISLAND. If there are only a few hundred, it means they're all (closely) related.

    p.s. If it didn't say they were from Virginia, I would have assumed they sound distinctly like they're from southern Louisiana.

  73. Re:Biter bitten by fm6 · · Score: 1

    What you say is especially true in the entertainment industry. Reneging on a verbal contract to star in Boxing Helena cost Kim Bassinger millions. Many people who saw the flick say she got off cheap!

  74. Lucas Overreaching by Nom+du+Keyboard · · Score: 1
    George Lucas is overreaching here. I don't know if he got bad advice, or really feels everything about Star Wars came only from him.

    No movie is ever the effort, or vision, of one person. That's why there are all those names at the end of every feature flick. While it may have started with a script, the final product has had input from many sources.

    George, you used to be considered one of the nicest, fairest people in the film industry. You don't need to be a greedy SOB here.

    If George wants to own the copyright to something entirely to himself, let that be Jar Jar Binks.

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  75. Re:Biter bitten by Anonymous Coward · · Score: 0

    Except that "work for hire" is largely an American concept, and the work in question was done in the UK. The US tends to resolve ambiguities in favour of the employer, while the UK tends to treat them as equal parties.

    The main issue is likely to be jurisdictional. If the UK court decides ownership according to UK law, it's likely to favour Ainsworth. Unless he explicitly assigned copyright to Lucas (and if he did, he probably wouldn't even be contesting this case), he still has a copyright interest in the design. OTOH, if the court decides that the issue falls under US jurisdiction, it will simply rubber-stamp the US decision.

  76. obligatory evaluation by cellocgw · · Score: 1

    He's suing his propmaker? There is much anger in this one.

    --
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  77. Wrong target? by lysse · · Score: 1

    Surely it'd make more sense to sue the designers of the guns, for making them completely unable to shoot in a straight line?

  78. Honestly by jasontromm · · Score: 1

    These people are all really greedy. Isn't there enough money to go around? How much more money does Lucas really need?

    --
    "Politicians always tell the truth, when they're calling each other liars."
  79. Re:Biter bitten by Sandbags · · Score: 1

    Wether a contract was in place or not, or if one could even be implied, Lucas Arts does in fact hold copywrite on the design of the stormtrooper uniform. If he wished to challenge that copywrite, I think this guy would have a hard time proving prior art, especially considdering lucas sketched his ideas for the storm troopers on story boards years before the film actually went into production, and further described them in written scripts before that.

    --
    There is no contest in life for which the unprepared have the advantage.
  80. Lucas to Ainsworth: by Anonymous Coward · · Score: 0

    "These aren't the stormtroopers you're looking for."

  81. Re:Biter bitten by cheater512 · · Score: 1

    I am Australian. :P

    We have our own slang but the core of our language is British English.

  82. George Lucas is an wold-class asshole by justdrew · · Score: 1

    but so are people who dress like stormtroopers for fun. Closet fascists every one.

  83. Re:Biter bitten by clem · · Score: 1

    Lord knows you'd never see any misuse of tort law in the UK.

    --
    Your courageous and selfless spelling corrections have made me a better person.
  84. Correction by Selanit · · Score: 1

    George Lucas' contract with Fox gives him the right to make money off the merchandise.

    Andrew Ainsworth's contract does not; he could have requested a share, but he chose not to. His own dumb fault. There's a more informative article over at the Telegraph, which has two important bits of info.

    1) There was no formal contract. In the absence of a formal assignment, it is unclear who owned the rights to the design of storm trooper armour. You could argue it either way.

    2) Ainsworth is a British citizen who lives in Britain, and always has done. Under UK law, the "design right" in the shape of a physical object (which is NOT the same as copyright) expires after just fifteen years. So, in Britain, he's clear to make and sell just as much of the armour as he likes. It's possible that he may not be able to call it "Storm Trooper" armour; Lucas may have a trademark on that name. But he can definitely call it something more generic, e.g. "space trooper armour" or "space armour" or "sci-fi armour" or something.
    1. Re:Correction by electrictroy · · Score: 1

      Oh well in that case, Lucas has no legal standing in the United Kingdom. Anybody can copy his Star Wars models and sell them.

      (shrug). Sucks to be him.
      I don't think he'll go poor. ;-)

      --
      The government is not your daddy. Its purpose is not to raid middle-class neighbors' wallets and give it to you.
    2. Re:Correction by willllllllllll · · Score: 1

      If he drops the capitalisation down to "storm trooper" the trademark goes to the German army in WWI, or whichever member of the allied general staff had to describe what had just rolled up the Western Front.

  85. IP = Internet Protocol? by SgtChaireBourne · · Score: 1

    Seriously, Lucas needs to say whether this is a problem for him concerning copyright (unlikely), trademarks (possibly), or patents (probably not). There is no such this as 'Intellectual Property' There are, however, separate and distinct areas of law each governing a separate topic: copyright, trademarks and patents.

    So, titles like the main post above are simply helping to muddy the waters. This goes double for when the topic of software patents comes up. Please let the bullshit stop. You can do your bit by referring to copyright as such and not as 'IP'. Or by referring to trademarks as such and not as 'IP'. Or by referring to patents as such and not as 'IP'

    Further, unless one is actively choosing to advocate in favor of software patents, lumping them together with regular patents only does a disservice. In the case of patents, differentiate between software patents and patents in the title and the 'tags'. Otherwise it's contributing to the confusion and lumping them in with something different that people have people have been indoctrinated for several generations to feel good about, rather than the new and abominable problem that it is.

    So, choose your label correctly: 'copyright' xor 'trademark' xor 'patent' xor 'software patent'. Except for Internet Protocol (the IP part of TCP/IP) there is no 'IP',

    --
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  86. You are wrong. by jotaeleemeese · · Score: 1

    The creator of something is the only owner when it comes to copyright.

    If there was no specific contract signed then the creator does not lose his rights by default to the employer.

    --
    IANAL but write like a drunk one.