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Pirate Bay Closure Sparked P2P Explosion

Barence writes to share that the closure of The Pirate Bay seems to have done nothing to stem the flow of potentially copyrighted materials. In fact, there has been an estimated 300% increase in the number of sites providing access to copyright files, according to McAfee. "In August, Swedish courts ordered that all traffic be blocked from Pirate Bay, but any hope of scotching the piracy of music, software and films over the web vanished as copycat sites sprung up and the content took on a life of its own. 'This was a true "cloud computing" effort,' the company said in its Threats Report for the third quarter. 'The masses stepped up to make this database of torrents available to others.'"

560 comments

  1. Eh Sonny? by fuzzyfuzzyfungus · · Score: 4, Insightful

    "The more you tighten your grip, Tarkin, the more star systems will slip through your fingers."

    1. Re:Eh Sonny? by Anonymous Coward · · Score: 0
    2. Re:Eh Sonny? by Conspiracy_Of_Doves · · Score: 5, Funny

      "Strike me down and i will become more powerful than you can possibly imagine"

    3. Re:Eh Sonny? by squidfood · · Score: 5, Informative

      "The more you tighten your grip, Tarkin, the more star systems will slip through your fingers."

      Yah, this sort of behavior should be called the Tarkin Effect, not the streisandeffect as currently tagged.

    4. Re:Eh Sonny? by Sumbius · · Score: 4, Funny

      Commander, tear this ship apart until you have found those torrents, and bring me the seeders! I want them alive!

    5. Re:Eh Sonny? by Anonymous Coward · · Score: 0

      Routing around damage yet again

    6. Re:Eh Sonny? by Captain+Splendid · · Score: 4, Funny

      Yah, this sort of behavior should be called the Tarkin Effect, not the streisandeffect as currently tagged.

      I think the Catholic church might claim prior art.

      --
      Linux, you magnificent bastard, I read the fucking manual!
    7. Re:Eh Sonny? by Blakey+Rat · · Score: 1

      Your Tauntaun'll freeze before you reach the first marker!

    8. Re:Eh Sonny? by monkeyboythom · · Score: 1

      It's a twahp!

    9. Re:Eh Sonny? by joebagodonuts · · Score: 1

      Then I'll see you in hell!

      --
      "Give a woman two glasses of wine and some pad thai, and they'll agree to just about anything." the Sports Guy
    10. Re:Eh Sonny? by Anonymous Coward · · Score: 0

      Give me the location of the rebel base and I will spare your home world?

    11. Re:Eh Sonny? by Eldragon · · Score: 1

      "ahem, excuse me. I would like to refer the court to the Roman empire, 180 to 192 AD. Any prior art claims made by catholic church are null and void!", exclaimed Emperor Commodus. Just then, Herod the great stormed into the courtroom to the astonishment of all.

    12. Re:Eh Sonny? by UnknownSoldier · · Score: 1

      Newton said it first, er third :-)
      "For every action, there is an opposite and equal re-action."

      You see the same meta-issue(s) with book censorship/banning, gun control, games being labeled as violent, etc.

    13. Re:Eh Sonny? by Anonymous Coward · · Score: 0

      I want them alive!

      Do you mean the torrents or the seeders? :-)

    14. Re:Eh Sonny? by kat_skan · · Score: 1

      Yah, this sort of behavior should be called the Tarkin Effect, not the streisandeffect as currently tagged.

      Heh. Nice try Babs, but I'm afraid you're stuck with this one forever.

    15. Re:Eh Sonny? by commodore64_love · · Score: 1

      Wesa got a grand army. That's why you no liking us meesa thinks. \

      --
      "I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
    16. Re:Eh Sonny? by Anonymous Coward · · Score: 0

      yeah.... it's like squeezing a big fat turd. You need to pick it up gently as you bring it to your mouth and suck on it like a big black cock.

    17. Re:Eh Sonny? by llamasniper · · Score: 2, Informative

      For each of us you IP ban, 10 more seeders will take his place

    18. Re:Eh Sonny? by bronney · · Score: 1

      That's what she said.

    19. Re:Eh Sonny? by Bysshe · · Score: 0

      Geez, didn't you read the blurb before the movies? "A long time ago in a galaxy far far away"

      Could very well be Star Wars has the prior art ;)

      --
      Read what I mean, not what I wrote.
    20. Re:Eh Sonny? by marcosdumay · · Score: 1

      That was Napster's line.

  2. Sigh... by MightyMartian · · Score: 3, Insightful

    It's kind of pathetic to watch the industry and the courts try to stomp this out. Perhaps if more judges, politicians and corporate leaders were familiar with history, they'd know that once the genie is out of the bottle, you can't put it back in. Smashing printing presses didn't exactly stomp out the increasing speed and distribution that information often unfriendly to Our Betters (kings, politicians, merchants, Church leaders, whoever) received with that technology. Everyone had to bloody well learn to live with a completely altered information landscape.

    The whole battle against P2P is looking increasingly like tilting at windmills. Perhaps, at the end of the day, that's an awfully good description for this whole cabal; they are indeed qixotic.

    --
    The world's burning. Moped Jesus spotted on I50. Details at 11.
    1. Re:Sigh... by sopssa · · Score: 4, Insightful

      I dont think their purpose even is to completely win the battle, but to make it inconvenient enough for casual people to get stuff for free. It's the same thing with DRM - it doesn't keep the hardcore pirates off who are there to break it, but it surely keeps casual people from copying to friends and so on.

      If the big torrent sites will start having lots of trouble with law and courts, they will close the shop. All the big sites TPB, Mininova, Demonoid and Isohunt are either down or on changing their model (mininova) under pressure. Yeah lots of small sites and copycats will obviously pop in, but they wont be that kind of "big" sites anymore and will have less users and casual people will have harder time finding what they want.

      It's useless to care about the pirates who would do it anyway, is a smaller group and usually dont have that much disposable income anyway. But it's the casual people and adults - your idea about piracy will change after you start getting more disposable income, like happened for me and lots of my friends and now happily buy what we enjoy (and another reason was the quality improvement and easiness of Steam and Spotify and other legit services).

    2. Re:Sigh... by Bill,+Shooter+of+Bul · · Score: 1

      The courts aren't trying to stamp this out, that's not their job. Their job is to administer justice according to the law. Arresting thief's, doesn't prevent all thefts. Catching tax cheats, doesn't prevent people from cheating on their taxes. So blame the record companies, or the legislators that passed the laws, but courts aren't really malfunctioning here.

      And don' you dare invoke the imagery of Don Quixote. He was a crusader for truth, love and all good things in this life. Not to be used with the *IAA's money grab.

      --
      Well.. maybe. Or Maybe not. But Definitely not sort of.
    3. Re:Sigh... by TheRealMindChild · · Score: 4, Insightful

      To put it in a little more perspective, the industry, whoever is fighting digital distribution and any kind of piracy... make it easier and more appealing to purchase your product than pirate it. It really is that simple.

      iTunes and the likes are a perfect example. I consider my time pretty valuable to me, so when a song pops in my head that I haven't heard in 10 years, and I want to listen to it, to me, it is more beneficial to me to just spend the .99 cents on a song than it is to waste a good hour hunting down a torrent or similar and wait for it to download, just to possibly find out it wasn't what I was looking for.

      Steam is another great example. I'd rather pony up $5 to buy The Dig than to scour the internet for hours trying to find a pirated version, just to wait hours/DAYS! to get it, only to find out that it was a CLASS release (remember those folks!?) with no sound and video compressed so bad that you can't make out what you are seeing.

      --

      "When life gives you lemons, don't make lemonade. Make life take the lemons back!" -- Cave Johnson
    4. Re:Sigh... by Splab · · Score: 2, Insightful

      Yes except not. What happens when a large torrent site closes is a lot of people see it as an oportunity to fill a void in a lucrative market. Over time the sites will slowly but surely merge into bigger sites like the pirate bay, rince repeat - until some new technology comes along which is more convinient for users in some way.

    5. Re:Sigh... by Hojima · · Score: 4, Interesting

      Sooner or later, freenet will become more popular, and all searches for illegal downloads will become native to the client. And with the encryption that it offers, there will be no stopping people from getting what they want. Rather, the companies might wisen up and start giving incentives to buy, rather than treat their customers like scum.

    6. Re:Sigh... by TheCarp · · Score: 1

      As much as I liked the concept of freenet, I never found it really fast enough or reliable enough to be useful. It has some great concepts, and theories of operation. In THEORY it could even be more efficient than the web by moving the content closer to where it is desired, and making popular content more available. However, it was always slow, and often unable to find even some of its more popular nodes.

      Has it improved since I last tried it (maybe 4 years ago?). I see a lot more use in something like tor with its location hidden services than Freenet. Maybe some unholy meld of the two could work... caching front end servers that get their content from freenet, and use tor location hidden services to provide that service... but I am not sure what advantages you would get in reality, except for free data replication/recovery in case one of your front ends was taken down?

      That is, unless all you want to do is publish static content for others consumption. That has its useses. However, its still very limited due to the latency and connectivity issues.

      -Steve

      --
      "I opened my eyes, and everything went dark again"
    7. Re:Sigh... by sopssa · · Score: 1

      You missed my point. Of course there will be new sites. But in the same time it will be harder for casual people to get their pirated copies and go for the extra work to do it. Some might test legal alternatives too and actually find them useful and convenient (steam, spotify, some tv show services in my country have actually become really convenient to use, even lots of more than to pirate).

    8. Re:Sigh... by Attila+Dimedici · · Score: 1

      You mean the way shutting down Napster reduced the amount of file sharing on the Internet? Wait, shutting down Npaster is what lead to P2P music filesharing. It might have happened anyway, but shutting down Napster accelerated it.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    9. Re:Sigh... by Grishnakh · · Score: 1

      And don' you dare invoke the imagery of Don Quixote. He was a crusader for truth, love and all good things in this life. Not to be used with the *IAA's money grab.

      Yes, but he also was not very well connected to reality, a trait he shares with the *AAs.

    10. Re:Sigh... by Anonymous Coward · · Score: 2, Insightful

      Freenet has improved dramatically in the past couple years.

      Latency is still a bit high -- typically 5-15 seconds to load a freesite; possibly faster or slower than that depending on size and popularity. Throughput is decent -- I've downloaded large files at over 100KiB/s, and that was probably limited by my bandwidth settings rather than the network.

      It's still slow and unreliable. But it's getting better -- and it's certainly good enough for downloading movies, if you don't require bittorrent speeds, and the file was uploaded within, say, the past month.

    11. Re:Sigh... by Ephemeriis · · Score: 1

      I dont think their purpose even is to completely win the battle, but to make it inconvenient enough for casual people to get stuff for free. It's the same thing with DRM - it doesn't keep the hardcore pirates off who are there to break it, but it surely keeps casual people from copying to friends and so on.

      The fix is not to make it inconvenient to pirate stuff... I realize this is what they're trying to accomplish with DRM and whatnot. But that isn't the fix. The fix is to make people want to legitimately purchase your product.

      You can do this by adding value to the paid product - with some kind of on-line subscription that gets you added goodies, for example. Something that can't simply be downloaded and installed. Something that can't be pirated.

      You can do this by making the legitimate purchase even easier than piracy. Look at iTunes, or Steam - either of those is genuinely easier than tracking down a torrent of the thing.

      The reason we have rampant piracy today is not because the DRM is somehow lacking, or because it is too easy to pirate something. The reason we have rampant piracy today is because folks don't feel that the price (in time, effort, money, etc.) is right.

      --
      "Work is the curse of the drinking classes." -Oscar Wilde
    12. Re:Sigh... by Anonymous Coward · · Score: 0

      If it takes you an hour to find a song and download it for free, you don't know how to search.

    13. Re:Sigh... by Ephemeriis · · Score: 4, Insightful

      To put it in a little more perspective, the industry, whoever is fighting digital distribution and any kind of piracy... make it easier and more appealing to purchase your product than pirate it. It really is that simple.

      iTunes and the likes are a perfect example. I consider my time pretty valuable to me, so when a song pops in my head that I haven't heard in 10 years, and I want to listen to it, to me, it is more beneficial to me to just spend the .99 cents on a song than it is to waste a good hour hunting down a torrent or similar and wait for it to download, just to possibly find out it wasn't what I was looking for.

      Steam is another great example. I'd rather pony up $5 to buy The Dig than to scour the internet for hours trying to find a pirated version, just to wait hours/DAYS! to get it, only to find out that it was a CLASS release (remember those folks!?) with no sound and video compressed so bad that you can't make out what you are seeing.

      This, I think, is going to be key to stopping piracy as we know it today.

      Digital distribution has the potential to lower costs by eliminating packaging. It can expand the marketplace by making truly ancient and fringe titles available. It can facilitate impulse buys and periodic sales. And it can give you the instant gratification of getting something without having to go out to the store or wait on shipping.

      It is genuinely easier for me to buy a song on iTunes - even if I won't use iTunes or an iPod to play it back - than it is for me to track down a torrent.

      It is genuinely easier for me to buy a game on Steam than it is for me to track down a torrent and wait for it to download.

      --
      "Work is the curse of the drinking classes." -Oscar Wilde
    14. Re:Sigh... by smoker2 · · Score: 1, Flamebait

      of course you could always GO WITHOUT ! oh no that won't do, cant be seen to deny the public. Jesus, why should they provide all you want when you want on pain of you getting it anyway ? And to be honest, I don't care anyway, why should they get anything on pain of govt. punishment ? Fuck the lot of you. I'll pay if it's worth it and not before. You can spend hours and hours on the best shit you can come up with but unless it's worth having don't expect me to pay for it. It doesn't work like that. I pay for good stuff, not stuff you think is good.

    15. Re:Sigh... by flydpnkrtn · · Score: 1

      And don' you dare invoke the imagery of Don Quixote. He was a crusader for truth, love and all good things in this life. Not to be used with the *IAA's money grab.

      In my opinion the imagery invoked (someone who is admittedly off their rocker trying to slay a monster that doesn't exist) was entirely appropriate... the *AAs are trying every means possible to get that genie back into that bottle...

      In fact, the very definition of acting quixotic: "engaging in foolish impracticality in pursuit of ideals ; especially : those ideals manifested by rash, lofty and romantic ideas; or extravagantly chivalrous action" is definitely entirely appropriate given the *AAs actions, IMO.

    16. Re:Sigh... by maharb · · Score: 5, Insightful

      While this is true to an extent, I can tell you that the average consumer knows something is wrong but they just don't know the solution. My mother is one of these 'average consumers'. She has no knowledge of torrents or P2P software yet she realizes the problem of "what happens when my digital music collection gets wiped by hardware failure" and thus refuses to buy into it. Saying that these limits only affect those that know how get around them is false. Anyone who has been subjected to an inconvenience due to DRM will have a negative view of how things work regardless of it they are a pirate or not. They just might not know about the potential (illegal) solutions or they may be unwilling to break the law and also unwilling to buy music (my mother).

      So these initiatives to stop piracy by the media companies may reduce piracy but they will not boost sales. This is the biggest reason the media companies are going to fail. They are trying to get non-paying customers to pay rather than trying to give paying customers what they want. In the process they are turning more and more currently paying customers into non-paying customers. What I am trying to say is that even if they stomp out piracy 100%, if less people are buying their music they have still lost the battle.

    17. Re:Sigh... by Anonymous Coward · · Score: 0

      Your point is just wrong. You do know that before there was a mininova, there was a suprnova

    18. Re:Sigh... by dirk · · Score: 2, Insightful

      The only issues with your thought is that piracy is still increasing, including for music. Everyone always claimed that they pirated because it was so hard to get the music in digital format, but now that there is an easy cheap way to buy it in digital format, people are still pirating music. If your idea was corret, music piracy would be going down as the people who just wanted an easy way to get it stop pirating the music and start buying it from iTunes, Amazon, LaLa, etc.

      --

      "Information wants to be expensive" - Stewart Brand, the same guy who said "Information wants to be free"
    19. Re:Sigh... by mb1 · · Score: 1

      > it was a CLASS release (remember those folks!?)

      Sure do. Multiface backups on the Spectrum, anyone? :)

    20. Re:Sigh... by Anonymous Coward · · Score: 0

      There's nothing "romantic" about the motivations for the RIAA's actions, in either sense of the word. It's greed; stupid, mindless greed.

    21. Re:Sigh... by harl · · Score: 3, Informative

      Yes but only one hardcore pirate needs to break the DRM. Then it's trivial for newbs to download.

      --
      I find being offended by me offensive.
    22. Re:Sigh... by Mr2001 · · Score: 4, Insightful

      The fix is not to make it inconvenient to pirate stuff... I realize this is what they're trying to accomplish with DRM and whatnot. But that isn't the fix. The fix is to make people want to legitimately purchase your product.

      Or, even better, to abandon the idea that you're manufacturing a product in the first place.

      People whose business is making products don't have a piracy problem. Wyeth (maker of Advil) hasn't gone out of business just because you can find store-brand ibuprofen on the same shelf, and the store-brand manufacturers haven't gone out of business just because you can find Advil on the same shelf. They all make money by charging a little more per pill than it costs them to make. And the price doesn't fall to zero, because it actually does cost something to make a bottle of pills.

      Piracy is only a problem for people whose real business is designing stuff but who are afraid to embrace a business model in which they get paid for designing stuff. Instead they pretend that they're manufacturing a product, even though the marginal cost of each unit is approximately zero -- it'd be like a therapist charging you every time you went out in public without fear, for the rest of your life, instead of charging an hourly rate for the time she spent treating your agoraphobia. They treat their business like a lottery, hoping to hit it big by selling a ton of copies, rather than coming up with an honest valuation of their "designing stuff" labor and leaving distribution up to those who can do it more efficiently.

      --
      Visual IRC: Fast. Powerful. Free.
    23. Re:Sigh... by coastwalker · · Score: 1

      One day you wont be able to get a job unless you can prove that no logfile on the internet has ever shown you to be a user of P2P technology. After all if you use any untaxed recreational drug this is more or less true today.

      --
      Facts are history now plebs have politics for religion on social media.
    24. Re:Sigh... by pixelpusher220 · · Score: 1

      You make good points with one exception.

      The *AA's making it easy only works for a while. Eventually the 'free' sites will be as easy to use as any paid download site.

      Then they're back to square one with 'free' being as easy to do as 'pay', well most people are going to choose free.

      The bigger issue here is that for the last 100 years or so the *AA industries have literally been a license to print money. When I can sell something that I made for $0.15 for $30.00 - hell, we *all* want that deal! Imagine how anyone would feel when that gravy train is leaving the station. I suspect most people would lie, cheat and steal to try and stop it from leaving, no?

      As we all know, musicians and writers and painters and almost every other 'artist' profession will survive, but they will survive making money through actual work...live performances, commissioned works, etc. The way it used to be done 100s of years ago. The days of reaping mountains of money for making copies of works is ending.

      But it will take many more artists figuring out they no longer need the *AA middlemen before this happens.

      --
      People in cars cause accidents....accidents in cars cause people :-D
    25. Re:Sigh... by nine-times · · Score: 1

      I consider my time pretty valuable to me, so when a song pops in my head that I haven't heard in 10 years, and I want to listen to it, to me, it is more beneficial to me to just spend the .99 cents on a song than it is to waste a good hour hunting down a torrent or similar and wait for it to download, just to possibly find out it wasn't what I was looking for.

      I've been saying for years that the content industry (movies, music, TV shows, etc.) needs to focus on making the whole thing really dead simple. Pirating isn't hard, but it's often not the most pleasant process. You have to have a method for finding stuff, which takes some effort to learn. Like even if you're using Pirate Bay and bittorrent, you still have to find the Pirate Bay in the first place, decide you like the site, and figure out how to find what you're looking for on it. Search for a movie title, and you might find a bunch of different copies. Which one do you want to try? Is one of them sabotaged by the MPAA? Does one of them contain a trojan? How good is the video quality on each one? What compression do you want? Or there might not be any copies available for what you're looking for. Where do you go from there? There are a bunch of questions and problems and issues.

      So if they want people to pay money for their product, it might be smart to do better than that. Make everything available, and make it simple to find what you want. Have a really great recommendation engine to discover new things. Guarantee fast download speeds and good audio/video quality. Make your product widely compatible with all kinds of devices.

      I really sincerely believe that these companies are undervaluing convenience. People are often willing to spend some money to get exactly what they want, when they want it, how they want it. It's really not hard. Give people a high-quality convenient product at a reasonable price, and it will sell.

    26. Re:Sigh... by Myrcutio · · Score: 1

      it's not like the closing of napster prevented limewire from taking over, in fact it encouraged people to start using bittorrents. The more media coverage that P2P downloading gets, the more people become curious about it. I think its nice when catch 22's like this work against abusive practices; such as suing a soccer mom for hundreds of thousands of dollars for one downloaded album.

    27. Re:Sigh... by Devout_IPUite · · Score: 1

      One of the other ways the media companies are turning paying customers into non-paying customers is by offending the content consumers who are also casual pirates.

      I've stopped purchasing albums from artists who release their work through the RIAA. I used to purchase about a hundred dollars of albums per year. I didn't stop because I discovered Kazaa, Napster, or PirateBay (actually, those things helped me grow an interest in music that I hadn't had before). I stopped because Jamie Thomas (dumb & guilty as she is) was the last straw. Fuck the RIAA.

    28. Re:Sigh... by Anonymous Coward · · Score: 0

      It's simple mathematics, for them it's cheaper to pay lawyers to harass torrent sites for a few years and gain some extra sales, rather than making something new and selling that.

    29. Re:Sigh... by cayenne8 · · Score: 5, Insightful
      "You're an idiot.

      Buy a house and raise a family, then tell me how much disposable income you have. "

      You know...there ARE other choices don't you? Frankly, I've never really wanted kids...I'd rather have my disposable income to come and go as I please, travel, buy fun toys, chase different women, etc

      And even if you want to settle down and stick with one chick...not all of them want to be saddled with kids either. Face it, it is a choice you make. If you don't have a job making enough money for house, kids and family AND the fun things in life, well...life is full of choices, each with its consequences.

      Choose, and live with the choice and quit bitching.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    30. Re:Sigh... by Anonymous Coward · · Score: 0

      It's greed; stupid, mindless greed.

      As opposed to those that want everything for free...

    31. Re:Sigh... by Anonymous Coward · · Score: 0

      but fuck all incentive for people to make the stuff you want.

      Content isnt made by fucking leprachauns. Something ther slashdot thieves and hippes cannot grasp...

    32. Re:Sigh... by fbjon · · Score: 1

      There are several comparisons to printing presses in the comments here. Actually, P2P and the advent of printing presses are quite different things. A printing press is merely a very efficient scribe, but P2P does away with the whole concept of a scribe.

      --
      True confidence comes not from realising you are as good as your peers, but that your peers are as bad as you are.
    33. Re:Sigh... by textstring · · Score: 1

      You've got some years on me. I appreciated their pc rips for those years when iso's had taken over and I was still 56k-ing it. Who cares if the video was missing and it took 3 hours to unpack the sound, their cracktros always made up for it. I don't know if I'd even run a cracktro if I somehow got one these days (there's no trust anymore). Here's their deathtro: http://pouet.net/prod.php?which=11416

    34. Re:Sigh... by acidrainx · · Score: 1

      Mod parent up. Different words.

    35. Re:Sigh... by TheRealMindChild · · Score: 1

      Because I am the customer. I am always right... at least if you want my money.

      --

      "When life gives you lemons, don't make lemonade. Make life take the lemons back!" -- Cave Johnson
    36. Re:Sigh... by icebraining · · Score: 1

      It is genuinely easier for me to buy a song on iTunes - even if I won't use iTunes or an iPod to play it back - than it is for me to track down a torrent.

      But then you open Beemp3 and it's a tie again :)

    37. Re:Sigh... by u-235-sentinel · · Score: 1

      She has no knowledge of torrents or P2P software yet she realizes the problem of "what happens when my digital music collection gets wiped by hardware failure" and thus refuses to buy into it. Saying that these limits only affect those that know how get around them is false. Anyone who has been subjected to an inconvenience due to DRM will have a negative view of how things work regardless of it they are a pirate or not. They just might not know about the potential (illegal) solutions or they may be unwilling to break the law and also unwilling to buy music (my mother).

      Even though it's less convenient, I buy the disks from second hand stores and second hand online stores. DRM is a pain and I'd rather own the physical media which is stored safely away from kids and me :-)

      It would be nice to be able to purchase MP3's online and if my hardware goes crazy then I can reload them again from the online services. But since they make it more difficult than I want to put up with, I just buy disks even if I have to wait a few weeks for the music.

      Pity. Welcome to the 21st century.

      --
      Has Comcast disconnected your Internet account? Same here. You can read about it at http://comcastissue.blogspot.com
    38. Re:Sigh... by timmarhy · · Score: 1

      right because if it's not a silver bullet, you should just give up?

      --
      If you mod me down, I will become more powerful than you can imagine....
    39. Re:Sigh... by PylonHead · · Score: 3, Funny

      Don't worry, you can still be president:

      Clinton:

      Many character issues were raised during the campaign, including allegations that Clinton had dodged the draft during the Vietnam War, and had used marijuana, which Clinton claimed he had pretended to smoke, but "didn't inhale."

      http://en.wikipedia.org/wiki/United_States_presidential_election,_1992

      Bush:

      A conversation between Bush and an old friend, author Doug Wead, touched on the subject of use of illegal drugs. In the taped recording of the conversation, Bush explained his refusal to answer questions about whether he had used marijuana at some time in his past. “I wouldn’t answer the dope questions,” Bush says. “You know why? Because I don’t want some little kid doing what I tried.”[15] When Wead reminded Bush of his earlier public denial of using cocaine, Bush replied, "I haven't denied anything."[16]"

      http://en.wikipedia.org/wiki/George_W._Bush_substance_abuse_controversy

      Barack:

      'For one thing, he said, "When I was a kid, I inhaled."
      "That was the point," Obama told an audience of magazine editors.'

      http://www.nytimes.com/2006/10/24/world/americas/24iht-dems.3272493.html

      --
      # (/.);;
      - : float -> float -> float =
    40. Re:Sigh... by lena_10326 · · Score: 1

      A very disproportionate response to a calm and logical GP post.

      Watching movies, playing video games, and listening to music are not requirements for life. If you find you have no disposable income, you ought to take advantage of public services available such as the library, parks & recreation, and free workshops for the family instead of using the bad economy to justify your download torrent spree.

      Everyone has to live within their means given their pay scales. It's not hard to find cheap alternatives if you start with a positive attitude.

      --
      Camping on quad since 1996.
    41. Re:Sigh... by Anonymous Coward · · Score: 0

      Very well articulated.
      And quite true. Pirates don't buy. Inconveniencing them, by inconveniencing your customer, only alienates your customer.

    42. Re:Sigh... by maharb · · Score: 1

      I think many people fall into this category that are part of online communities similar to this one. I wonder how many people outside of this niche make decisions like this though.

      If anyone has data that would be awesome but I doubt it exists :(

    43. Re:Sigh... by Anonymous Coward · · Score: 0

      Yet there are still inherent problems.

      1. What if the activation server isn't working *cough*Dragon Age*cough*?
      2. What happens when they want you to re-buy things over and over (like consoles are trending towards)?

    44. Re:Sigh... by Anonymous Coward · · Score: 0

      Hate to nitpick, but Wyeth was just bought by Pfizer. So while technically they are out of business, it wasn't due to the presence of generics. Your point is still valid.
       
      Captcha: ambiance

    45. Re:Sigh... by FlyHelicopters · · Score: 1

      Amen to that...

      I have bought a lot on Steam in the past few years, just because it is easy, I don't have to find the CD/DVD, I won't lose the product key, etc.

      Yea, yea, I can't resell it. Let me check... um, right... The last time I resold a game was... wait for it... never...

      I can redownload it as much as I want, to any computer I want, forever... I can make local backups, play offline, etc.

      Theft is too much work now... :)

    46. Re:Sigh... by lamadude · · Score: 1

      But who would pay for "designing stuff?" Let's say you make a movie which costs 100 million $ to make, how can you recover those costs if not through the small contribution of 10$ from the millions of people who watch (consume?) that movie? I can't see any business model in which the illegal downloading of movies would not hurt the money that is available for "designing stuff." If there is one, then maybe you have found a solution for the entire problem of file-sharing?

    47. Re:Sigh... by mb1 · · Score: 1

      heh, to be honest, a lot of those years were spent waiting for tapes to hurry up and load something...

      and it was a luxury to have 8 colours (or by some occassional magic, 15 or 16 - I forget). I happily remember the first time I heard near-speech come out the little speaker - "Ghostbusters!" in a 4 bit crackle. "Intro's" were limited to a text message on the initial loading buzz that just mentioned the version of the interface used to make the ram dump. To save loading time, the title image that most games painfully loaded was removed, although I guess (now) that it wasn't in memory when the interface dumped the ram.

      C64's and Amiga's were where the real fun started :)

    48. Re:Sigh... by commodore64_love · · Score: 3, Insightful

      >>>Piracy is only a problem for people whose real business is designing stuff but who are afraid to embrace a business model in which they get paid for designing stuff.
      >>>

      So you're saying writers and singers should get paid by the hour, just like engineers and programmers. That's fine but if people copy the books and songs, rather than pay for them, how will the corporation pay those wages?

      That's not going to work. I propose an alternative:
      - Revert back to the 1790 copyright act where people have a *reasonable* time to earn money (14 years), so those like me who are simply too cheap to buy, can wait for a public domain alternative.

      - Stop treating the customers like thieves. Allow returns of media like CDs or DVDs if a buyer is dissatisfied. That too will lower the need for piracy, since people will know they are not stuck.

      --
      "I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
    49. Re:Sigh... by Anonymous Coward · · Score: 0

      I dont think their purpose even is to completely win the battle, but to make it inconvenient enough for casual people to get stuff for free.

      Except that they can't even manage to do that. Want a (nearly) free dvd? Download DVD Decrypter (for free), pop dvd (rented or borrowed from a friend) into drive, rip, burn with Nero or ImgBurn, and you're done. God. It's so difficult a 5-year-old could do it.

    50. Re:Sigh... by PylonHead · · Score: 2, Insightful
      • Your example is bizarre.
      • You completely neglect the fact that drug companies patent drugs and make back their research costs (through monopoly pricing) over the first couple of decades of sales.
      • They do experience piracy. Typically from nations where intellectual property rights are not well respected.
      • Your suggestion that they come up with an hourly rate for research is nonsensical. Who do they present the bill to? You? The government?
      --
      # (/.);;
      - : float -> float -> float =
    51. Re:Sigh... by commodore64_love · · Score: 4, Insightful

      >>>I've never really wanted kids...

      In evolutionary terms that makes you a failure. It's as if your genes never existed, since they stop here and go no further. But even if we ignore that.....

      There's a difference between charging for a song, and extortion. $1 per song isn't too bad if the song was CD-quality and had no time limit on usage (i.e. rest of my life). But to charge $1 for a poor-quality lossy-compressed song whose license-of-use can be revoked any time "they" feel like it is pure theft in my opinion.

      --
      "I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
    52. Re:Sigh... by Mr2001 · · Score: 1

      So you're saying writers and singers should get paid by the hour, just like engineers and programmers. That's fine but if people copy the books and songs, rather than pay for them, how will the corporation pay those wages?

      By collecting the money (or at least binding agreements to pay) up front. You can't copy a book before it's been written, and a savvy author won't write the book before he knows he's getting paid.

      The corporation would not be in the business of selling books, but rather in the business of collecting money from thousands of readers (or other interested parties who want a new book to be written) and funneling it to the author, taking a cut for themselves to cover marketing and transaction fees and such.

      The ability to raise thousands or millions of dollars from small individual contributions is already well documented. Look at any political blog, and you'll find ads for sites like ActBlue that do exactly that -- and unlike readers who are paying for an author's services, these people contribute even though they don't really know what they're getting and can't demand a refund if their candidate loses.

      --
      Visual IRC: Fast. Powerful. Free.
    53. Re:Sigh... by klapaucjusz · · Score: 2, Interesting

      Sooner or later, freenet will become more popular,

      Wanna bet?

      The whole point of BitTorrent is that it is not a p2p network -- it's a file transfer protocol. How you get at the metadata (torrent search engines), how you locate peers (tracker DHT, PEX) are outside of the core protocol.

      Because of that, BitTorrent is pretty much immune to the known ways of disrupting a p2p network. As soon as Freenet becomes usable, it will be dealt with in pretty much the same way as Gnutella was.

    54. Re:Sigh... by Anonymous Coward · · Score: 0

      "In evolutionary terms that makes you a failure. It's as if your genes never existed, since they stop here and go no further."

      Wow, what a desperate and strained ad hominem attack. Let me guess, you're probably not doing too well on the gene-passing front yourself.

    55. Re:Sigh... by Mr2001 · · Score: 0, Troll

      You completely neglect the fact that drug companies patent drugs and make back their research costs (through monopoly pricing) over the first couple of decades of sales.

      If you don't like the example, substitute a different product -- there are countless other examples. Bottled water, for instance, or pretty much anything else that's edible.

      I'm talking about commodities. Ibuprofen is now a commodity, although it wasn't when it was still under patent, and it's still profitable all around even though anyone can manufacture it. If you're in the business of manufacturing stuff and selling it, piracy is not a problem. Piracy is only a problem for drug makers when they combine the two separate businesses of research and manufacturing.

      Your suggestion that they come up with an hourly rate for research is nonsensical. Who do they present the bill to? You? The government?

      Whoever is interested in having new stuff designed. For example, I don't know about you, but I'm sick of jumping through hoops to buy Sudafed, so I'd gladly throw in a few bucks toward research for a new cold medication that works better than phenylephrine (the ineffective OTC alternative to Sudafed). I have demand for that research, and connecting demand with supply is exactly what the free market excels at: some middleman will spring up to collect money from me and other like-minded individuals and funnel it to researchers.

      --
      Visual IRC: Fast. Powerful. Free.
    56. Re:Sigh... by ultranova · · Score: 5, Insightful

      It's the same thing with DRM - it doesn't keep the hardcore pirates off who are there to break it, but it surely keeps casual people from copying to friends and so on.

      Mmm... no. What DRM does is make it a nuisance to use a legally-bought copy, making a copy downloaded from a torrent site - which has been disinfected of DRM by a skilled team of professional pirates - superior in every respect. Even disk checks have that effect. And of people can copy games from their friends, they just need to get a crack afterwards.

      As for DVDs, every time I see an unskippable "you wouldn't steal a car" piece before getting into actual content, I can't help but think that if a bought car forced me to watch similar propaganda every time before driving, and a stolen one wouldn't, then yes I would steal a car!

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    57. Re:Sigh... by MightyMartian · · Score: 1

      Not really. P2P can't create works, it only makes their distribution much cheaper. That's precisely what the printing press did, it made production and distribution much cheaper. Neither technology can just simply summon creative works out of nowhere, they both require a creator.

      I consider them to be simply iterations of a technological continuum that began when people began using symbolic means of recording information (ie. cave paintings, proto-writing, early writing). At each iteration the reliability and ease of production increased. The earliest forms of recording, cave paintings, were undistributable and their long-term reliability is low, once the people that made them died out, the ability to understand the message dropped substantially, or even outright disappeared. With early writing we developed a means of more reliable storage and higher distribution capacity, but it still required great skill possessed by relatively few people to create and interpret documents. Writing evolved too, with alphabets being revolutionary in that they recorded phonetic values, and thus could use a far smaller number of characters, increasing ease of production.

      The printing press certainly sits along this continuum, because it greatly dropped the cost of reproduction. It still required a skilled individual, a typesetter, but once he had a document assembled, he could make perfect duplicates in vast quantities. The price of books dropped extraordinarily.

      P2P is no different. It is the printing press of the Information Age. For a hundred years producers of content have benefitted from the high cost of reproducing high quality copies of films and music. Low cost tape recorders VCRs were the first chink in the armor, and ought to have been a shot across the bow that new technologies were about to turn their industries into what the scribes had been five hundred years before.

      P2P is simply the latest innovation on an old technology, and it's only getting worse. Just as printing presses rapidly evolved from Gutenberg's time, so to is digital replication and distrobution. The capacity to make very high quality copies and distribute them with extreme speed to a very large number of people is analogous to the earlier phenomona of the printing press.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    58. Re:Sigh... by TrekkieGod · · Score: 4, Insightful

      I've never really wanted kids...

      In evolutionary terms that makes you a failure. It's as if your genes never existed, since they stop here and go no further.

      First, that's not necessarily true. If he's "chasing different women," as he put it, illegitimate children are not ruled out. Even if his careful, birth control isn't foolproof. He could also be making some of his disposable income by donating to a sperm bank, and if he's being successful in other endeavors in life, he could get pick and spread his genes :)

      Evolutionary speculation aside, why the hell would you care if your genes get spread or not? Oh, I get that those who don't care might be less likely to pass on their genes, so the majority will care. From a pure rational analysis though, spreading your genes gives you absolutely no benefits. Sure, having a family might make you happy, and that's a rational reason to have one. If the extra disposable income and lack of family-related responsibilities are what make him happy, than that's the rational choice for him. The human species might have a stake in the evolutionary game, but the individuals most certainly don't.

      --

      Warning: Opinions known to be heavily biased.

    59. Re:Sigh... by Mr2001 · · Score: 4, Interesting

      But who would pay for "designing stuff?"

      Anyone who benefits from the existence of that stuff... mostly the same people who buy copies now. Readers benefit from having new books written. Film buffs benefit from having new movies made. (Third parties also benefit indirectly: e.g. someone who's in the business of selling Blu-Ray players benefits a little from having new movies released on Blu-Ray.)

      Let's say you make a movie which costs 100 million $ to make, how can you recover those costs if not through the small contribution of 10$ from the millions of people who watch (consume?) that movie?

      I agree!

      However, today's copyright-based business model is not the only way to collect $10 from ten million people.

      In fact, compared to the alternative (collecting the money up front and then distributing the movie for free), it has some serious drawbacks: when you spend $100 million out of your own pocket, you're taking a huge gamble. If the movie doesn't sell as many tickets as you hoped, you've just lost millions of dollars. On the other hand, if you're a film fan thinking about contributing $10 to the production of an upcoming movie, you only stand to lose the price of a sandwich and coffee, and the movie producer knows ahead of time whether or not the movie will turn a profit.

      --
      Visual IRC: Fast. Powerful. Free.
    60. Re:Sigh... by TrekkieGod · · Score: 2, Informative

      if his careful

      he's

      he could get pick

      picked

      than that's the rational choice

      then

      At moments like these I feel like I do, in fact, personally have a stake in the evolutionary game: I feel like I should make sure that my non-previewing genes go nowhere. Oh, well...I'm a slashdotter, so they're unlikely to be passed on anyway :)

      --

      Warning: Opinions known to be heavily biased.

    61. Re:Sigh... by Anonymous Coward · · Score: 0

      Freenet has improved dramatically in the past couple years.

      Latency is still a bit high -- typically 5-15 seconds to load a freesite; possibly faster or slower than that depending on size and popularity. Throughput is decent -- I've downloaded large files at over 100KiB/s, and that was probably limited by my bandwidth settings rather than the network.

      It's still slow and unreliable. But it's getting better -- and it's certainly good enough for downloading movies, if you don't require bittorrent speeds, and the file was uploaded within, say, the past month.

      I don't see the need for a 'full-service' anonymous network just to use (for example) Bit Torrent. A simpler way would be to have BT clients connect to two trackers- a file tracker like it does now, and a 'proxy tracker', which keeps track of available BT proxies that users are offering.
      Just like people offer files, they can offer proxies- a set speed connection then anyone can use. They can offer as many as they wish, but (just like you need to UL to get good DL speeds), they will get better results of they offer at least a few.

      DL'ers can choose to connect thru one or more proxies. If the **AA's try to track it, the trail stops at the first proxy.

    62. Re:Sigh... by ObsessiveMathsFreak · · Score: 1

      Sooner or later, freenet will become more popular,

      The day that happens, the tabloids will run a massive frontpage on child porn, etc, and Freenet will go the way of Gopher, only by fiat this time.

      --
      May the Maths Be with you!
    63. Re:Sigh... by Anonymous Coward · · Score: 0

      Take a minute to consider the ISP's continuing trend of download limit caps. Buying dual-layer dvds from a store may be preferred over downloading those same dvds from online. As two dvds (>10,000,000,000 bytes) does in fact exceed download caps in some areas.

    64. Re:Sigh... by gbarules2999 · · Score: 1

      These are not inherent problems, they're teething periods that Digital Distribution is running into. It will sort itself out.

      For example, look at eMusic. They let you download your music whenever you want, granted you still have a subscription. And with no DRM, the activation server is a thing of the past. As services like these grow, so will the mindshare of the platform.

    65. Re:Sigh... by kirillian · · Score: 1
      The only issue with your thinking is that some people STILL have problems with such services and/or have a bad taste in their mouths from previous experiences with these and other services or DRM in general. These people are going to be extremely difficult to appease. Also, your conclusions are actually unreasonable from the sense that, for one, people are creatures of habit. Just because iTunes and Amazon have made music downloading easier, doesn't mean that it is an easier process for those that are already pirating, nor does it mean that it will be enough to immediately pull all of them to a new method of downloading. For that matter, I think that many Americans (and expecially non-Americans) are extremely fed up (I know I personally am) with the media and content companies' antics and are waiting for a kind of concession of sorts or an ACTUAL boon to bring them back in the fold. Even those people that I know that abhor downloading and/or even burning backup copies of your own CDs or DVDs are bothered by media and content companies' money grabbing attempts. Many of them don't know what to do, some want to fight back, and some just try to be legal for now, but the point is that the number of disillusioned customers is growing rapidly. This is also a possible contributor to piracy numbers.

      Most importantly, it is important to consider the sources of your data. Most data that I have seen quoted in regards to rampant increases in piracy has been funded and compiled by sources with either funding or links to groups who have much to gain from such numbers. While not entirely disregardable (pretty sure that was a coined word there), I still am loathe to automatically take such data for granted, especially considering some of the creative methodology that has been used for the past years to evaluate sales lost through pirating. On the other hand, I really haven't even seen (so far) any studies pointing to significant increases in piracy from independent companies. Basically, I still feel that we (the general populace) are still rather uninformed between the conflicting reports and the biased information we receive, unable to RELIABLY make any determination whether or not piracy is increasing or whether the losses are even legitimate, especially in a booming industry (the music industry is actually growing quite well right now...only middle-man industries are suffering a downsize - hence the outcry of the recording industries).

      Honestly, when it comes down to it, I really don't know whether your conclusions are CORRECT or not, but I don't think that you can reasonably or reliably conclude such things...yet.

      However, I do believe that individual freedoms are being constantly revoked for the sake of these conglomerate companies and THAT irks me quite a bit. Perhaps the important questions aren't even about piracy at all, but about the loss of freedoms that is taking place in the efforts to fight terrorism and piracy.

    66. Re:Sigh... by ultranova · · Score: 3, Insightful

      So you're saying writers and singers should get paid by the hour, just like engineers and programmers. That's fine but if people copy the books and songs, rather than pay for them, how will the corporation pay those wages?

      To put it bluntly, if someone can't make a living writing or singing without the help of an artificial monopoly, then that's too bad. No, seriously, it is. It's not the end of the world. It's not even the end of that person, since he can get a day job, nor even necessarily his creative efforts, since people working a day job get free time. He doesn't want to write or record if he's not paid? Well, if no one likes his writing or voice well enough to pay him up front, then I guess he won't be doing it anymore.

      That's not going to work. I propose an alternative:
      - Revert back to the 1790 copyright act where people have a *reasonable* time to earn money (14 years), so those like me who are simply too cheap to buy, can wait for a public domain alternative.

      And that's not going to work either, even if you got Disney to go along with it. It won't solve our current problem, since a 14-year long copyright is still going to require enforcement, which is impossible and even any attempt will cause serious problems and perversions to our communications infrastructure. It also won't stay at 14 years, but will be extended whenever a franchise belonging to someone rich and powerful will be about to become public domain - just like it's been going with Mickey Mouse Protection Acts.

      Basically, you can have no copyright or infinite copyright. Once created, copyright is unstable and will get extended and expanded until it becomes a monstrosity. It's simply too easily abused to ever amount to more positives than negatives, even in the best of circumstances.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    67. Re:Sigh... by Anonymous Coward · · Score: 0

      I dont think their purpose even is to completely win the battle, but to make it inconvenient enough for casual people to get stuff for free. It's the same thing with DRM - it doesn't keep the hardcore pirates off who are there to break it, but it surely keeps casual people from copying to friends and so on. [emphasis added]

      And that's the whole gripe. The everyday Joe Shmuckatelly downloading a Metallica song isn't hurting anyone any more than a fly biting a horse. It's those big hardcore operations that are cranking out copies by the tens of thousands -- and those are exactly what they are ignoring!

      Instead, they raid record shops that carry independent musicians, accusing them of piracy because independent musicians burn their own CDs. Once they've taken care of the competition, they sue all of their customers to smithereens.

    68. Re:Sigh... by aaandre · · Score: 3, Insightful

      Right on. And, changing copyright law to continually rob the public from what rightfully belongs to us.

      If the purpose of copyright law is to support creativity, how is George Gershwin supported now that he's dead? Is it easier for him to write more excellent music because some corporate drone can now snort coke from a hooker's body?

    69. Re:Sigh... by Anonymous Coward · · Score: 0

      Let me see if I can say it another way.

      Instead of giving customers positive reinforcement by attracting them with better music, they are using negative reinforcement by attacking people who refuse to pay for rubbish.

      Check out B.F. Skinner's research. Maybe not a perfect analogy, but I think the same principle applies.

    70. Re:Sigh... by T+Murphy · · Score: 1

      Unless you disagree with patents, I don't get the logic that just because you can copy mp3s easily it means the music industry needs to stop selling them. Otherwise you should argue big pharma should never sue generics that start selling before the patents are up- but we all know that would make medicine more costly as R+D earns less of a payoff. I agree copyright terms need to be brought back around where patents are, but otherwise I'm not following your logic. Non-generic medicine prices are only partially driven by manufacturing costs, and mostly R+D. Just because media is all "R+D" and almost zero manufacturing does not mean it should cost nothing.

      If media companies can make money while piracy is allowed to continue uninhibited, I wouldn't have any problems with that. I'm just concerned that making it okay to pirate will greatly reduce the amount of quality media out there (I don't care about the change in low-quality media). Until I'm persuaded otherwise I'm defaulting to supporting the pay per copy model.

    71. Re:Sigh... by T+Murphy · · Score: 1

      .99 cents on a song

      I keep hearing about this version of iTunes but never can find it...

    72. Re:Sigh... by Anonymous Coward · · Score: 0

      It's called capitalism. Owning capital/property is the only way to get onto the spiraling money makes money ladder. Therefore everything must become property, must be owned, so that "rent" can be extracted. Working does not make you money. Capital make you money.

      Seems like rubbish to me, if anything work you make you money.

    73. Re:Sigh... by Scrameustache · · Score: 2, Insightful

      >>>I've never really wanted kids...

      In evolutionary terms that makes you a failure.

      Newton was a failure? Leonardo? Tesla?

      --

      You can't take the sky from me...

    74. Re:Sigh... by zaffir · · Score: 1

      And who gives a shit about "evolutionary terms"? You say that like it's some sort of ironclad refutation of his argument that there are options beyond wife, house, and 2.5 kids. After we die, we're worm food no matter what. Having kids means fuck all to some of us.

      --
      "Upon attaching the waterblock to my penis, I began to notice that I know nothing about computers." -- JRockway
    75. Re:Sigh... by Mr2001 · · Score: 1

      Unless you disagree with patents, I don't get the logic that just because you can copy mp3s easily it means the music industry needs to stop selling them. Otherwise you should argue big pharma should never sue generics that start selling before the patents are up- but we all know that would make medicine more costly as R+D earns less of a payoff.

      Well, I do disagree with patents. They were originally beneficial for convincing inventors to share the details of their inventions, but these days it seems they do more to stifle innovation than to encourage it, because so many patents are granted for obvious things that really don't need any explanation. Patents have morphed from something used to safely share knowledge to something used to stake a claim on a process and extract rents.

      I also disagree that separating research from manufacturing would drive costs up. I believe it would make medicine less costly, since there would be more competition in manufacturing.

      Just because media is all "R+D" and almost zero manufacturing does not mean it should cost nothing.

      The mistake you're making is assuming that R&D and manufacturing/distribution have to be (1) done by the same company and (2) paid for at the same time, by the same people.

      I see them as two separate endeavors. I'm no good at recording songs, but I am pretty good at burning CDs. Why shouldn't I be able to compete in the business of burning CDs, and leave the business of recording songs up to someone else? Likewise, if I think I can do a better job of manufacturing Viagra than Pfizer, why shouldn't I be able to compete in that business, and let them stick to research? If that research is valuable, then people will be willing to pay for it even if they aren't getting pills in return.

      --
      Visual IRC: Fast. Powerful. Free.
    76. Re:Sigh... by PrimaryConsult · · Score: 4, Insightful

      In other words, open investments for new movies to the general public, and the resulting product belongs to the public... great concept, actually. Movies with stupid premises that no one in their right mind would go see, wouldn't get funded enough to be made. Meanwhile, blue-ray device manufacturers would toss money towards projects that would benefit most from the format, helping keep alive the special effects budget. Book-to-movie projects could get funding from bookstores and the like, simply because those increase sales for the books they came from.

      If the end product sucks, you blame the company you invested in, and groups that cannot turn out anything more than a generic throwaway movie are forced from the field.

      The problem this runs into is, you would need a population enlightened enough to go along with this mindset... not gonna happen.

    77. Re:Sigh... by Draek · · Score: 1

      So you're saying writers and singers should get paid by the hour, just like engineers and programmers. That's fine but if people copy the books and songs, rather than pay for them, how will the corporation pay those wages?

      Many ways. One is to sell them for cheaper than people can copy them. Books, for instance, are almost always (read: always except for university-level textbooks) cheaper to buy than to print your own, and to top it off the quality is much higher which is why dead-tree books have largely been unaffected by the whole "piracy" thing.

      Another is to sell ancilliary products. You don't sell copies of music, you sell your ad-making services which include, among other things, some guy hired to compose a suitable song for it. Or you sell the drinks while people listen to music. Or sell the priviledge of standing within hearing distance of the singer/band/orchestra as they play their instrument(s), who in turn have previously paid a songwriter/composer to give them attractive songs to play.

      And those are just the models already at work today. Its likely enterpreneurs would think of many others, were copying not so tightly regulated.

      --
      No problem is insoluble in all conceivable circumstances.
    78. Re:Sigh... by Anonymous Coward · · Score: 0

      Or encrypted communications will be outlawed.. likely because "only criminals and the unpatriotic would have something to hide".

    79. Re:Sigh... by T+Murphy · · Score: 1

      If that research is valuable, then people will be willing to pay for it even if they aren't getting pills in return.

      I don't follow. I think it is fairly established opinion on /. that basic science research is worth the money, but that corporations will not fund it at a sufficient level, so government-funded research is necessary. Manufacturing pills makes money, but without patents knowing how to make them doesn't make money. Tragedy of the commons can and will happen if you don't tie profit to research. I could understand if research companies earned patents then sold them to the manufacturer with the highest bid, but otherwise I do not know how separating the functions will keep the now-separate industries both viable.

      I understand it is a nice ideal, but I don't get all of these people saying industries need a new business model without suggesting one. If you want to argue that is the job of the business majors then you have the same weight as that business major telling you how to code that program or design that appliance. You might have a plausible idea but I'm saying I'll stick with the pay-per-copy method until I see a better idea that doesn't have gaping holes in it.

    80. Re:Sigh... by initialE · · Score: 1

      It's only going to be easier to buy than to track down that torrent if the industry maintains a steady pressure to shut down torrent sites and force them into hiding. Therefore the industry has to do both - provide a reliable alternative, and also lots of FUD and takedown notices.

      --
      Starbucks, Harbuckle of Breath.
    81. Re:Sigh... by tombeard · · Score: 1

      The problem is that as the number of participants declines, so will the amount of material "published". The "must remain unspoken" is a good example, as any nntp client will show.

      --
      The reason we subjugate ourselves to law is to better procure justice. If law does not accomplish this purpose then it m
    82. Re:Sigh... by Draek · · Score: 1

      There's a difference between charging for a song, and extortion. $1 per song isn't too bad if the song was CD-quality and had no time limit on usage (i.e. rest of my life). But to charge $1 for a poor-quality lossy-compressed song whose license-of-use can be revoked any time "they" feel like it is pure theft in my opinion.

      I believe charging at *all* for poor-quality lossy-compressed song with revocable licenses is an utterly moronic thing, which is why whenever I buy music I do so from Magnatune.com. I'd recommend their Classical catalogue in particular, some of the interpretations they have are the best I've ever heard, and given the size of my classical collection that's no small compliment.

      Shop around, and you'll almost always find somebody selling what you want under reasonable terms and reasonable prices, so "piracy" isn't needed or, in my opinion, quite justifiable. Unless, of course, you can't stand the *thought* of listening to a rock band other than Pink Floyd or such dreck, in which case the problem isn't entirely on the RIAA's shoulders.

      --
      No problem is insoluble in all conceivable circumstances.
    83. Re:Sigh... by Anonymous Coward · · Score: 0

      Nobody told you to breed asshole. And I'm paying for your damn kids as well with my tax dollars, so fuck off.

    84. Re:Sigh... by Mr2001 · · Score: 1

      I think it is fairly established opinion on /. that basic science research is worth the money, but that corporations will not fund it at a sufficient level

      I'm not talking about basic science research, I'm talking about the same research that goes on today, driven by consumer demand. The only difference is those consumers (or groups representing them, etc.) would be paying directly for research instead of bundling the research costs together with the manufacturing costs.

      so government-funded research is necessary.

      If that's the case, well, what's wrong with that? As long as research is being done and researchers are being paid for it, that seems fine to me. And the advantage is that drugs will be cheaper due to competition among manufacturers.

      I understand it is a nice ideal, but I don't get all of these people saying industries need a new business model without suggesting one.

      Here's my suggested business model for music:

      Start up a web site that connects artists with potential funders. Lay it out sort of like a social networking site (or Sellaband), with a focus on making it easy for users to discover artists they like. Then let the artists describe the projects they want to work on and the amount they want to charge. Give each artist's page an eye-catching thermometer graph so everyone can see how close they are to meeting their goal. Once the goal is met, the artist begins work and eventually releases the album for free; if he fails to keep up his end of the deal, he doesn't get paid (this may require voting or arbitration if the work is completed but the funders believe it doesn't meet the standards they were promised).

      Unfortunately, it's hard for a model like this to take off when copyright is still around, because artists are drawn to the copyright lottery the same way gamblers are drawn to the real lottery. They'd rather take a chance at winning big than get an honest day's pay for an honest day's work.

      --
      Visual IRC: Fast. Powerful. Free.
    85. Re:Sigh... by GabriellaKat · · Score: 1

      This, I think, is going to be key to stopping piracy as we know it today.

      Digital distribution has the potential to lower costs by eliminating packaging. It can expand the marketplace by making truly ancient and fringe titles available. It can facilitate impulse buys and periodic sales. And it can give you the instant gratification of getting something without having to go out to the store or wait on shipping.

      It is genuinely easier for me to buy a song on iTunes - even if I won't use iTunes or an iPod to play it back - than it is for me to track down a torrent.

      It is genuinely easier for me to buy a game on Steam than it is for me to track down a torrent and wait for it to download.

      Some of us havent forgotten the debacle of losing our DRM'd files legitimately purchased on previous platforms. I dont know if you have? This is why I either buy a physical CD/DVD/Blu-Ray and then find a pirated rip (usually of the DVD's/Blu-Ray's) to stream to my consoles. I will always want / need the physical media, because it can not be taken away, but can be shared between family and friends and even at a library when I pass away. Everyone should have this in their will, what books and media to leave to who and to your local library. ~Gabbi

      --
      "Have you ever thought about just turning off the TV, sitting down with your politician, and hitting them?"
    86. Re:Sigh... by Anonymous Coward · · Score: 0

      Wow, that really struck a nerve with you, didn't it? I can just imagine your face turning beet-red, and you pounding your fists on the keyboard because someone online had the gall to remind you that things could have gone differently. If I'm a failure because I don't want to pick up the same woman's cotton panties off the bathroom floor for the next 40 years, then I'm just a failure I guess.

      I'll just have to comfort myself with my travel, education, disposable income, sex life, and my mad scramble up Maslow's hierarchy-of-needs pyramid. Were you the guy I passed on level 3, staring at the ground while getting shouted at by some woman who was sagging with leftover pregnancy fat? Yeah, hope everything works out ^_^

    87. Re:Sigh... by Anonymous Coward · · Score: 0

      I'll pay if it's worth it and not before.

      But how do you know if media X is worth it unless you have somehow tried it? What if you buy an entire album for $18 because you heard someone's 18 second ring tone in the supermarket line and thought "gee, this song is great, I will buy it"? Then, only that snipit turned out to be what you liked, and the whole album was bunk?

    88. Re:Sigh... by xtrafe · · Score: 1

      I guess this might stop piracy, if firms get better at distribution and DRM faster than pirates get better at distribution and cracking. Actually, it sounds like an interesting economics problem if you take financial incentive into account, but I digress..

      I think its worth noting that society doesn't really need to stop piracy either way. Artists can still make money by playing shows. Video game manufacturers can host portions of their games online. Given enough time, anybody can come up with a business model that doesn't depend on copyright.

    89. Re:Sigh... by jwhitener · · Score: 1

      Exactly.

      Especially when it comes to the rare good sci fi show or movie, I want to vote with my dollars that I liked it, or want to support an ongoing tv show.

      Hulu is great and meeting a need, but it is far from complete. Last night I got the urge to watch Farscape. I had never seen it, but a friend said it was an OK sci fi series. Hulu, nope. SyFy, nope. There is no way, even paying, to watch it.

      Pirate bay, 30 minutes, done. (I'm still going to buy the dvd's)

      On demand video and music is the future, and they better get with it.

      Tivo has started, like hooking up Blockbuster and Amazon movie rentals to the Tivo. Thats great and all, but the first time I try to use it, it asks me to enter my blockbuster account. I didn't feel like dealing with it, so I watched something on Hulu.

      a) I don't have a blockbuster account and don't want one.
      b) I already have a Tivo account, why isn't Tivo charging my existing account and sending blockbuster the money?

      Something as simple as that can cost a sale. The future is all about service and ease of use. If DRM, locked in view times, and other means of creating artificial scarcity are the business model that entertainment wants to keep using, they will fail.

    90. Re:Sigh... by ratboy666 · · Score: 3, Interesting

      "It's useless to care about the pirates who would do it anyway, is a smaller group and usually dont have that much disposable income anyway. But it's the casual people and adults - your idea about piracy will change after you start getting more disposable income, like happened for me and lots of my friends and now happily buy what we enjoy (and another reason was the quality improvement and easiness of Steam and Spotify and other legit services)."

      Um... no. "Lots" of my friends and I have a high disposable income. But we are simply not delivered what we want in a format that we are willing to use.

      Frankly, the number 1 feature that "my group" looks for in a media player is a USB slot, and the ability to play xvid avi files. You know what? A lot of players now offer this. From the low-end on up. Can I go and buy a movie or tv programme in that format?

      I don't really think that the (in the US) RIAA and MPAA are particularly on the ball -- they should have filed suit on Samsung, etc. for producing such devices. THERE IS NO "LEGITIMATE" CONTENT FOR THESE DEVICES. Would I purchase such content? Yes, I would. Ripping CDs and DVDs is a serious pain.

      There may well be services like "Steam", but, honestly, I am a 50 year old, and I have never, and (most likely) will never use it. Just tell me where I can buy a copy of the new Batman movie on a USB stick. Meanwhile, if I buy a DVD copy (haven't yet), it may have yet another "anti-copy" measure de-jour implemented to make it inconvenient to rip. Frankly, it's easiest to simply torrent the damn thing (time is money, you know, and I have other things in my life to worry about).

      Now, it is true that studios HAVE released movies in flash drive format:

      http://www.bit-tech.net/custompc/news/604788/ghostbusters-is-first-film-to-be-released-on-usb-stick.html

      but note that it has "DRM". It won't play on my Samsung player! And, its $53 for Ghostbusters (25 year old movie).

      http://www.play.com/Gadgets/Gadgets/4-/11998344/Star-Trek-USB-Stick/Product.html

      DivX, can "enable" up to 5 devices. Only $30 (much better than over $50). May work, but I am not sure enough to actually buy it.

      And that's it. Meanwhile, what WE (my group) wants is the ability to purchase the programming, put it onto hard disks (good heavens, even my wife has a 1TB USB volume used for media and backing up her netbook, and we have 6TB in the home media server), be able to transfer to USB media for portability to be able to watch where we want. MY group sees nothing wrong with spending north of $1000 for a media pc. As long as it works. And the prices are dropping; we only paid $100 for a 1TB USB drive.

      As it is, the content creators get very little from us. We have the money, but there is no product that we are willing to purchase. Which has driven us into torrents. Now, it would be hard to break the habit. Unless the content providers can somehow magically give us 500Kbps+ downloads of an incredibly large catalog. Which is the minimum bar that the "pirates" have set.

      What has to happen

      To get us back (and we ARE the ones with the money), the content has to be provided in SD or better quality, on-line, and via brick-and-mortar shopping, for the same price (or better for a download version), in DRM-free formats that are playable on the common home kit (aXXo's format would do nicely).

      I would pay $5 for Ghostbusters (it's a 2 for $10 movie at WalMart). Billing must be as convenient as the Apple Store (and, yes, we buy from the Apple Store; but not music -- just iPhone games and applications. Why that is is another discussion, but remember, I *am* 50 years old).

      And, having done that, it would still take time to convert us (our group). After all, we have been using torrents now for years.

      --
      Just another "Cubible(sic) Joe" 2 17 3061
    91. Re:Sigh... by Devout_IPUite · · Score: 1

      Well, considering how many people I see buy chocolate right after I tell them it was made by slave children in the Ivory Coast... Probably close to zero.

    92. Re:Sigh... by Anonymous Coward · · Score: 0

      About 99% right, IMO. The only bit I disagree with is that this doesn't inconvenience pirates. I guarantee you that everything TPB had torrents for is still out there, unless you count deleting your TPB bookmark as an inconvenience. The only people that get the inconvenience are the paying customers. Pirates continue sailing merrily on. This isn't even a speed bump.

      Posting AC to not undo my mods.

    93. Re:Sigh... by Tsunamio · · Score: 1

      In evolutionary terms that makes you a failure. It's as if your genes never existed, since they stop here and go no further. But even if we ignore that.....

      And of course we should, since 'loyalty to my genes' is not an emotion anybody feels, let alone lives life by.

      There's a difference between charging for a song, and extortion. $1 per song isn't too bad if the song was CD-quality and had no time limit on usage (i.e. rest of my life). But to charge $1 for a poor-quality lossy-compressed song whose license-of-use can be revoked any time "they" feel like it is pure theft in my opinion.

      It's no more theft than copying music, and slightly less. There's a difference between charging for a song and extortion, which is that one is a completely voluntary luxury exchange, and the other involves men with bats. Infringe copyrights if you want to (I do!), but don't dress it up with rationalizations.

    94. Re:Sigh... by Imrik · · Score: 1

      No kidding, I frequently download cracks for games I've actually bought even if the copy protection is nothing more than a CD check just so I don't have to get the CD every time I play. CD keys are even more annoying since I tend to keep my CD cases in less convenient places.

    95. Re:Sigh... by CSMatt · · Score: 1

      But it's the casual people and adults - your idea about piracy will change after you start getting more disposable income, like happened for me and lots of my friends and now happily buy what we enjoy (and another reason was the quality improvement and easiness of Steam and Spotify and other legit services).

      While cost certainly plays a factor for some people, not everyone supports copyright reform because they are cheap.

    96. Re:Sigh... by CSMatt · · Score: 1

      Digital distribution has the potential to lower costs by eliminating packaging.

      And the right of first sale. If I buy a CD, and decide I hate it, I can sell it secondhand. Likewise for anything sold to me on a physical medium. If I shell out money for something sent digitally, even if the cost is minimal, it is forever a sunk cost, never to be recouped.

      It can expand the marketplace by making truly ancient and fringe titles available.

      Yes, but only if the copyright holder deems it profitable enough to distribute in the first place. The costs may be lower than physical distribution, and the statistics of demand more immediate, but you are still at the mercy of the copyright holder, no matter how old the thing in question is. There's also the complicated situation of how to deal with everyone else who worked on what you're after (contract obligations and such) and well as licensing issues overseas (Hulu only being offered in the US).

    97. Re:Sigh... by CSMatt · · Score: 1

      So cayenne8 is a failure because he or she is joining a growing segment of the population who is not interested in having kids?

      I'm sorry. I didn't realize that we as individuals were all obligated to reproduce, even if it may be against our will.

    98. Re:Sigh... by MacWiz · · Score: 1

      To put it in a little more perspective, the industry, whoever is fighting digital distribution and any kind of piracy... make it easier and more appealing to purchase your product than pirate it. It really is that simple.

      That works for the song you haven't heard in 10 years, but how do you find new music? Just buy songs at random?

      A multi-year lawsuit campaign that effected 40,000 people has served to make RIAA product especially unappealing. Buying CDs from them at this point is so distasteful that I don't even consider it an option. I don't mind supporting musicians (through live shows), but the label execs are not going to get another dime from me. Their ignorance has not only ruined the music business, it hasn't done music much good either.

      They'll keep blaming everything but their inability to identify and deliver new talent.

    99. Re:Sigh... by Bill,+Shooter+of+Bul · · Score: 1

      By similar logic, you are George Washington as he was human, a trait he shares with you.

      --
      Well.. maybe. Or Maybe not. But Definitely not sort of.
    100. Re:Sigh... by azgard · · Score: 1

      In fact it already has happened. There are several open-source 3D movies funded by Blender foundation.

      Like any other technology, society also improves. And like with many regular technologies, there are new technologies of societal progress which have been demonstrated to work on small scale, but have yet to reach mass market.

    101. Re:Sigh... by TheLink · · Score: 1

      He forgets that evolution and reproduction when it comes to humans isn't restricted to genes. But includes ideas, music, cultures, religions and memes.

      It'll take a lot to wipe out the mention of Jesus. Similarly the legacy of Buddha is not reckoned by his genetic progeny. I think Jazz will be around for at least a hundred years more.

      In contrast, just one bad car accident could wipe out your genetic line. Especially if you have a small family.

      --
    102. Re:Sigh... by Vintermann · · Score: 1

      You know what surprises me even more? That news-for-nerds sites like slashdot write as if the pirate bay has gone the way of Napster.

      Unless the site I currently get at thepiratebay.org is a huge MPAA sting, I can't really say that it has. There has been a lot of media circus, and the founders may be in trouble - but present day, present time, the pirate bay is the same as it's always been.

      --
      xkcd is not in the sudoers file. This incident will be reported.
    103. Re:Sigh... by Anonymous Coward · · Score: 0

      This story is probably dying but your post gave me an idea. Imagine if something like imdb, a site I love endlessly, had a feature where you *click* and quickly download the movie that you're looking at, safely and worry free. Just flip some coin into their kitty and off you go! I cannot fathom how much I've discovered from just ambling through... clicking on this actor 'Oh what's he been in' 'OH that! I'd like to see it!' and so on. This is the kind of convenience and information that would be phenomenal, and also just the right way of giving people who pay for it that much more for what they're paying for.

    104. Re:Sigh... by noidentity · · Score: 1

      I consider my time pretty valuable to me, so when a song pops in my head that I haven't heard in 10 years, and I want to listen to it, to me, it is more beneficial to me to just spend the .99 cents on a song than it is to waste a good hour hunting down a torrent or similar and wait for it to download, just to possibly find out it wasn't what I was looking for.

      Wow, I hadn't realized iTunes had slashed its prices by 99%. When did this happen?

    105. Re:Sigh... by geminidomino · · Score: 1

      I think it's the "shitty music" version of iTunes.

      No, wait... contemporary pop is more expensive. So maybe it's the "not-so-shitty" version of iTunes...

    106. Re:Sigh... by Orion+Blastar · · Score: 1

      What about the people who got married after having high paying jobs and then had kids. Then after the Dotcom Bust they lost those high paying jobs and had to settle for lower paying jobs, but still raise the kids and make house payments.

      Some of us were forced into this situation, if we could have seen the future we might not have had kids and then been like you. But without kids you'll never know the love that a son and/or daughter has for you, you'll never know the happiness of being a father or mother or parent. You'll never have someone to take care of you when you get old or too sick to work and your adult child that you didn't have wouldn't be there for you.

      In my case I was making more money than you as a programmer, but I got sick and ended up on disability. I make ends meet by limiting what I buy no iPhones, no Macs, no XBox 360 or Playstation 3 or Wii, an economic car already paid off instead of a sports car or SUV, and a pre-paid Tracfone for emergency calls only. I have a son and he was born during the Dotcom bubble bursting. But I wouldn't go back in time and not have him, I'd still have him with my wife but I would have saved up more money for when I got too sick to work and invested my 401K and IRA differently so I wouldn't have lost that $50,000 when tech companies went belly up.

      --
      Remember, Slashdot does not have a -1 disagree moderation, and no, troll, flamebait, and overrated are not substitutes.
    107. Re:Sigh... by xtracto · · Score: 1

      There are several open-source 3D movies funded by Blender foundation.

      And they suck *huge* donkey balls. Seriously, those are "tech demos" at most, where the creators threw everything they know to do with Blender.

      --
      Ubuntu is an African word meaning 'I can't configure Debian'
    108. Re:Sigh... by xtracto · · Score: 1

      In evolutionary terms that makes you a failure. It's as if your genes never existed,

      Let me repeat the AC: "Wow, what a desperate and strained ad hominem attack."

      Also, having children is the most irresponsible thing you can do in these times of a high amount of homeless kids and overpopulated world.

      --
      Ubuntu is an African word meaning 'I can't configure Debian'
    109. Re:Sigh... by xtracto · · Score: 1

      hahaah
      I commodore64_love got really owned :)

      Nice one AC.
      p.s. somebody mod this up

      --
      Ubuntu is an African word meaning 'I can't configure Debian'
    110. Re:Sigh... by xtracto · · Score: 1

      [...]a song pops in my head that I haven't heard in 10 years, and I want to listen to it, to me, it is more beneficial to me to just spend the .99 cents on a song than it is to waste a good hour hunting down a torrent or similar and wait for it to download,

      Aahh spot on. I used to pay AllOfMP3 to download albums, instead of using torrents or kazaa/gnutela etc. That was because AOMP3 made is easier and at an affordable price.

      --
      Ubuntu is an African word meaning 'I can't configure Debian'
    111. Re:Sigh... by Dominican+Code+Monke · · Score: 1

      I have to disagree there sopssa, i mean the casual user just buys an account from megaupload or rapidshare and downloads it from there

    112. Re:Sigh... by Xest · · Score: 1

      Yes, the crux of the issue is that for the most part, if politicians were smart people, they wouldn't be politicians, they would be out doing something useful instead.

      You become a politician if the only thing you can really offer the world is your own personal point of view, coupled with an insistence that this is the only point of view worth implementing.

    113. Re:Sigh... by Anonymous Coward · · Score: 0

      what's kind of pathetic is watching thieves and kids at slashdot try to justify their actions in pirating everything and contributing fuck-all.

      Get a job

      grow up

      Stop leeching.

    114. Re:Sigh... by Anonymous Coward · · Score: 0

      Moreover, you are not just your genes. You carry a lot of software (Richard Dawkins would say memes) around. Since humans are genetically pretty similar and a lot of the differences that are there are considered less important by current society, it might make more evolutionary sense to go into teaching, or make lots of social contacts, or join on-line discussions, than to get lots of kids.
      Remember however, that what is good for the evolution of the human race may not necessarily be good for your personal enjoyment of life.

    115. Re:Sigh... by Anonymous Coward · · Score: 0

      Even if they manage to stomp out the P2P networks, they will fail miserably. People will return to the methods used before we had broadband access, removable media. A 1TB external disk packed with movies and music is helluva lot of "bandwidth". Try to control that....

      And people won't cherry-pick songs like they do on the net today, they will copy their friends collection whole and then strip away the stuff that they don't like. That's my personal experience. When 200GB USB disks were considered huge, I had 120GB of MP3s. My friends didn't cherry-pick.

    116. Re:Sigh... by Anonymous Coward · · Score: 1, Insightful

      Why is a film costing $100 million in the first place? Personally, I have a couple of issues with this whole pricing thing:

      1. The market has become so brain-washed by Hollywood that they put the equal sign between budget and quality. I've seen indy films on flimsy budgets delivering - for my taste at least - a much more memorable artistic experience.

      2. Why do all those "stars" feel entitled to their multi-million salaries? Just because you WANT to make obscene amounts of money it doesn't mean that you have to twist the law so it will GUARANTEE that you get them. Here's a thought: let's pay millions to scientist instead, people who actually do something more useful for our world.

      3. If not all films cost the same to make, why are they all sold at the same prices? Where is the free market? Where is the competition - as in different providers offering similar products at different qualities and price points so the consumer can make a choice. To me it looks like a monopoly - but unlike other monopolies there is no state intervention to attempt to curb the studios' greed.

      4. The studios keep saying that when you buy a CD/DVD/etc. you are paying the right to view the content. Fair enough. So why can't I take my DVD collection to the store and replace it with Blu-ray discs by paying only the discs' manufacturing costs?

      You know what? Recently I've started voting with my money and my time: I spend less and less time (and money) on Hollywood products. I do more sport, spend more time with my family and friends, read more, go out more. And you know what? It feels good!

      Hollywood, feel free to spend $100 million or whatever on a movie. I feel free to not watch it.

    117. Re:Sigh... by Anonymous Coward · · Score: 0

      The ad should really say: "You wouldnt download a car".

      Then again, I still might download a car...

    118. Re:Sigh... by BoogieChile · · Score: 1


      Well, my genetic stock isn't exactly something I'd wish on anybody. Flat feet, colour blind, long-sighted, tendencies for heart disease, high blood pressure and spinal problems.

      On the other hand, the children whose growing up (just try finding a significant other as you, and they, (unless your tastes in women aren't maturing along with the rest of you) get older who doesn't already have children of their own) I've been a part of certainly show the effects of my being there.

      Some of them are even passing it on to their children now. And _they_ are calling me grandpa (which really wasn't my idea).

      I don't know for certain - ask me again in 40 years - but it looks to me like I'm passing on some sort of advantage here.

    119. Re:Sigh... by not+flu · · Score: 1

      No it doesn't. You still need a computer and internet connection. As luck would have it people need those ANYWAYS, which is probably the reason for your confusion.

    120. Re:Sigh... by lxs · · Score: 1

      Perhaps 100 million dollar movies will die out. Is that such a loss? Isn't it absurd to spend that amount of money on producing 1.5 hours of canned entertainment? No matter how good the movie.

    121. Re:Sigh... by Anonymous Coward · · Score: 0

      Ah, so this is why the American foreign policy so whacked-out.. ;)

    122. Re:Sigh... by LatencyKills · · Score: 1

      AMEN! I've been doing videogame reviews for about a decade now (shameless plug: game-over.net), and every couple of years my machine becomes so bogged down with overlapping DRM schemes (that are only partially uninstalled when the game is removed) that I have to nuke the hard drive flat and do a fresh Windows install. People who download a copy of the game that has had the DRM stripped have far less trouble than I do.

      --
      Jealously hoarding mod points since 2007.
    123. Re:Sigh... by master_p · · Score: 1

      And then how do you stop people from copying the downloaded material and giving it to their friends?

    124. Re:Sigh... by TheRaven64 · · Score: 1

      When Apple bought Verizon.

      --
      I am TheRaven on Soylent News
    125. Re:Sigh... by hesaigo999ca · · Score: 1

      Pathetic attempts on their part to stomp out a technology they do not understand or even acknowledge as being a GOOD technology, and even to this day, could have imposed laws essential to some people paying taxes on top of that for downloads of this sort, make them legal and followed and tagged, who knows...but what they are doing now sure is not working, and this is the proof.

    126. Re:Sigh... by RogerWilco · · Score: 1

      I don't think this model can work.

      It might do the trick for established authors, like Stephen King or J.K.Rowlings, but it can't be a model for new entries to a market. If you could get money for a book/piece of music/etc. that you haven't even written yet, I think there would be 6 billion people on this planet having a go at that. Free money for only the promise that you might produce something in the future.

      I also can't see it working for the movie industry, given how much a movie costs these days.

      --
      RogerWilco the Adventurous Janitor
    127. Re:Sigh... by Ephemeriis · · Score: 1

      Digital distribution has the potential to lower costs by eliminating packaging.

      And the right of first sale. If I buy a CD, and decide I hate it, I can sell it secondhand. Likewise for anything sold to me on a physical medium. If I shell out money for something sent digitally, even if the cost is minimal, it is forever a sunk cost, never to be recouped.

      Fair enough. I did say "potential." But there's no reason that digital distribution has to eliminate the right of first sale. People sell WoW accounts and equipment all the time. Yes, I realize that is against the EULA... But they do it. So, just because something is digital, doesn't mean it cannot be sold.

      It can expand the marketplace by making truly ancient and fringe titles available.

      Yes, but only if the copyright holder deems it profitable enough to distribute in the first place. The costs may be lower than physical distribution, and the statistics of demand more immediate, but you are still at the mercy of the copyright holder, no matter how old the thing in question is. There's also the complicated situation of how to deal with everyone else who worked on what you're after (contract obligations and such) and well as licensing issues overseas (Hulu only being offered in the US).

      Of course you're at the mercy of the copyright holder - this is true with physical media as well. Unless you're talking about secondhand merchandise... But, again, you could re-sell digital stuff too.

      With a physical product you've got to expect a decent return. You've got a boxed video game taking up shelf space that could be holding something much newer and more popular. You've got the expense involved in manufacturing, packaging, and shipping a product.

      With digital distribution you just upload your game to the server and leave it there. You don't need to keep manufacturing or packaging anything. I suppose it is occupying a few GB of HDD space... But drive space is cheap. You can just leave it up there pretty much forever.

      --
      "Work is the curse of the drinking classes." -Oscar Wilde
    128. Re:Sigh... by RogerWilco · · Score: 1

      I partially agree with you.

      I have however found that even iTunes has lot's of arbitrary boundaries. I found for example that I can't purchase movies/tv shows on it, because I don't live in the USA, UK or Germany.

      As long as the legit commercial sites have such restrictions, but the illegal sources do not, the illegal sites will flourish.

      I think that if the industry wants to win the battle against piracy, they need to offer the content without limitations. I also think that some kind of subscription model (limited by bandwidth or number of songs/movies per month, depending on the fee you pay) is the way forward, but only if the purchases you do stay even if the service goes away or your subscription ends.

      --
      RogerWilco the Adventurous Janitor
    129. Re:Sigh... by Ephemeriis · · Score: 1

      Some of us havent forgotten the debacle of losing our DRM'd files legitimately purchased on previous platforms. I dont know if you have? This is why I either buy a physical CD/DVD/Blu-Ray and then find a pirated rip (usually of the DVD's/Blu-Ray's) to stream to my consoles. I will always want / need the physical media, because it can not be taken away, but can be shared between family and friends and even at a library when I pass away. Everyone should have this in their will, what books and media to leave to who and to your local library. ~Gabbi

      Just because something is distributed digitally does not mean it is DRM-locked in some way.

      Take a look at iTunes. You can purchase plain ol' MP3s on there - no DRM. Even if you purchase their DRMed files it is a piece of cake to convert them. In either case, you can easily dump a bunch of MP3s onto whatever medium you want and keep a backup. Apple could go up in a ball of flame tomorrow and you'd still have all your music.

      Steam isn't nearly as good... Pretty much everything on Steam is wrapped in DRM. You do have the option of burning a backup disc, to re-install your product later if you want to, but you still need a working Steam account to activate that product. Valve claims they've got a plan in-place to unlock everything if they go under... But that would mean you'd have to get your hands on the patch (which might not be as easy as you'd like). And it is also possible to get your Steam account locked/banned/whatever... Which is also bad.

      But, again, there's no reason that digital distribution has to be DRM-locked.

      --
      "Work is the curse of the drinking classes." -Oscar Wilde
    130. Re:Sigh... by Ephemeriis · · Score: 1

      It's only going to be easier to buy than to track down that torrent if the industry maintains a steady pressure to shut down torrent sites and force them into hiding. Therefore the industry has to do both - provide a reliable alternative, and also lots of FUD and takedown notices.

      The success of iTunes has nothing to do with the industry maintaining steady pressure to shut down torrent sites.

      There are plenty of torrent sites out there... And plenty of P2P clients as well... And plenty of friends who already have the MP3s on their computer and would happily email a copy out...

      The reason iTunes is successful is because it is quick and easy. Just a couple clicks and you've got your music. You don't need to type in any credit card information... Don't need to surf to a torrent site... Don't need to specify any save locations... Don't need to keep a torrent client installed and up to date... Don't need to try to figure out how the title of the song might have been mis-typed... Don't have to scan anything to make sure it is virus-free...

      --
      "Work is the curse of the drinking classes." -Oscar Wilde
    131. Re:Sigh... by TheVelvetFlamebait · · Score: 1

      I reckon it's up to the consumers to wise up and decide to buy or not to buy, rather than acting like scum. There's nothing forcing artists to provide free entertainment.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    132. Re:Sigh... by Tim+C · · Score: 1

      From a pure rational analysis though, spreading your genes gives you absolutely no benefits.

      That's not entirely true - some people (will) rely on their children to help look after them in their old age, or even to completely support them.

    133. Re:Sigh... by Ephemeriis · · Score: 1

      Amen to that...

      I have bought a lot on Steam in the past few years, just because it is easy, I don't have to find the CD/DVD, I won't lose the product key, etc.

      Yea, yea, I can't resell it. Let me check... um, right... The last time I resold a game was... wait for it... never...

      I can redownload it as much as I want, to any computer I want, forever... I can make local backups, play offline, etc.

      Theft is too much work now... :)

      The ease of Steam has been 100% responsible for my last three purchases.

      I saw some favorable reviews for Torchlight, and I wanted to try it out. There was a demo available on Steam, so that's where I went to download it.

      While I was logged into Steam, an ad popped up indicating that STALKER was on sale for $5 over the weekend. I've always wanted to play that game, but never got around to it. I've checked torrent sites a few times, but never found a working download. And I certainly wasn't going to shell out $50 for it... So, I paid $5 and got it on Steam. Purely an impulse buy. Something I probably would have never purchased if it hadn't been on Steam.

      Turns out I liked Torchlight. To be completely honest, I probably would not have purchased it in the past. It's a good game, but there's no multiplayer and I'm not convinced I'll keep playing it all that long. Normally I'd go looking for a torrent. Normally I'd even wait for a torrent to become available. Normally, I would definitely not drive to the store and buy the thing.

      But it was on Steam... Just a couple clicks away from the full version... And since I had the demo installed, there wasn't even anything to download... Wouldn't have to search torrent sites, wouldn't have to wait for it to download, wouldn't have to find a crack... So, I paid my $20 and bought the full thing on Steam.

      Then my wife saw me playing Torchlight. She got curious, wanted to try it out.

      Now, in the past, we've typically shared a single purchase even when we went out to the store and bought a boxed product. One of us would install a no-CD crack... Or we'd only keep the disc in long enough to get past the copy protection... Or whatever.

      But Steam ties the game to your login... So, if I wanted to play Torchlight, she couldn't log in as me to play it. So she made her own Steam account and grabbed the demo. She liked it. So she shelled out $20 and purchased the full game as well.

      Three sales in about as many days solely because it was easier to buy the games on Steam than it was to pirate them.

      --
      "Work is the curse of the drinking classes." -Oscar Wilde
    134. Re:Sigh... by Anonymous Coward · · Score: 0

      Failure or not, he is still a douche with a superiority complex. Who cares if the OP has kids or not, he could just as well be single with a gambling or drug problem, WoW addiction, or multiple paternity suits from previous sexual partners. For the purpose of this discussion, the argument is simply that when one does not have enough disposable income to consume the digital content at a level that they desire the piracy option starts looking pretty good. To the producer of the content it really doesn't matter either way. The OP is too poor and doesn't pay to consume the content or he goes online and pirates it. Either the net result for the content creator is the same, no cash. So the way I see it is the content producers have a choice: lower prices or find a way to make the purchased product superior to the pirated version.

    135. Re:Sigh... by TheVelvetFlamebait · · Score: 1

      In fact, compared to the alternative (collecting the money up front and then distributing the movie for free), it has some serious drawbacks: when you spend $100 million out of your own pocket, you're taking a huge gamble. If the movie doesn't sell as many tickets as you hoped, you've just lost millions of dollars. On the other hand, if you're a film fan thinking about contributing $10 to the production of an upcoming movie, you only stand to lose the price of a sandwich and coffee, and the movie producer knows ahead of time whether or not the movie will turn a profit.

      There's nothing inherently wrong with the commission system. The only problem is that it doesn't actually address the main issue with the current system. It should still work, but just no better than the current system.

      There real problem with the current system is not that content is not free (as in freedom), or that it's too pricey, or that the works it produces aren't of high enough calibre, rather it's a subtle combination of all three. What we have is a system that is being stretched by piracy. It's producing what it can while maintaining profitability, but it's leeway is diminished with the reduction in buying power. Suddenly, the true cost, being a combination of price, freedom, and variety/quality, is too high for people, especially with the free alternative being available. It just means that legitimate customers have to put up with that little bit larger price, that little bit more invasive DRM, and that little bit less work being put into making the work.

      The problem with transitioning to the commission-based system is that it doesn't solve the issue of price. The free alternative is still there, and it's still tempting, even when it exists only in potential. Paying customers still have to pay for non-paying consumers. The commissions still have to make a similar amount of money to the amount a successful copyright can make today, and that cost will be passed exclusively onto the customers, in one form or another. It's just that this cost is collected in a much more immediate time frame, whereas copyright is collected over a (rather large) number of years in smaller doses.

      So, yeah, it doesn't address this problem; the core issue in the copyright debate. Again, the current system still has people helping themselves, so it's not doing much better, but it's also not doing much worse.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    136. Re:Sigh... by Ephemeriis · · Score: 1

      It is genuinely easier for me to buy a song on iTunes - even if I won't use iTunes or an iPod to play it back - than it is for me to track down a torrent.

      But then you open Beemp3 and it's a tie again :)

      Nice website. I didn't know it existed. Thanks for pointing it out - I've got it bookmarked now.

      But it isn't a tie.

      Ok, fine, I can go to one website and download just about anything... But that website won't keep my music library nicely organized. It won't burn my playlists to discs. It won't sync to my MP3 player. I can't even actually play the MP3s from that site.

      For my personal use, BeeMP3 is probably going to be fine. I usually sync my device by manually dragging and dropping files on it. And I prefer Songbird for playback. But for my wife and kid? All they know is iTunes. It manages their library, it organizes their files, it plays their music, and it syncs their iPods. And I think there are far more people out there who are like my wife and kid, than are like me. Convenience is king.

      --
      "Work is the curse of the drinking classes." -Oscar Wilde
    137. Re:Sigh... by Weezul · · Score: 1

      Yes and no, big content is merely destroying thepiratebay "brand".

      Internet distribution only threatens CD stores and movie theaters. So music eventually embraced internet distribution, while movie producers cannot so easily detach from their chains.

      All the court cases against thepiratebay.org have brought literally millions more people to piracy! All those people who now realize that music and movies are free and convenient online will find the new sites. yey! :) I'm expect all these new pirates hurt the media company stock holders more than merely ignoring thepiratebay, but stock holders are largely sheep.

      Otoh, media company CEOs must maintain relative or apparent market dominance to retain their jobs. So popular pirate brands directly threaten the media company CEOs control over the industry.

      Imagine how many CEOs would lose their jobs if thepiratebay had pulled off a multibillion dollar IPO, bought the Swedish courts themselves, and created their own promotional framework for media.

      --
      The Christian religion has been and still is the principal enemy of moral progress in the world. -- Bertrand Russell
    138. Re:Sigh... by Ephemeriis · · Score: 1

      I like your suggestions below, like investing in the creation of a movie ahead of time instead of paying for a ticket after the fact. That actually sounds like a pretty good idea. But your response here just doesn't make much sense.

      Or, even better, to abandon the idea that you're manufacturing a product in the first place.

      While I'll agree that they aren't turning out a physical product that is inherently consumable and limited, you are still turning out a product.

      You suggest calling it what it is - designing stuff - but nobody is just designing stuff. Well, ok, maybe the screenwriters are just designing stuff... Everyone else is setting up lights, and doing makeup, and editing the movie, and pretending to be someone else. These people aren't just designing stuff. They're doing real work.

      But we aren't really paying for their work, we're paying for the end product we eventually get. The labor involved in acting is pretty much useless to me without the special effects, editing, makeup, and whatever else.

      In the end, I'm paying for a movie - which is a product as much as anything else. Again, maybe not something physical and inherently limited like a hammer or a pill... But it is still a product.

      People whose business is making products don't have a piracy problem. Wyeth (maker of Advil) hasn't gone out of business just because you can find store-brand ibuprofen on the same shelf, and the store-brand manufacturers haven't gone out of business just because you can find Advil on the same shelf. They all make money by charging a little more per pill than it costs them to make. And the price doesn't fall to zero, because it actually does cost something to make a bottle of pills.

      The key here is not that they're producing a physical product - that just makes things a little more obvious. The key is that there is some real competition and the prices are based on reality.

      If you're charging some crazy, exorbitant price for your medication, somebody is going to come along and offer a cheaper alternative. Prices will drop until you get to the point where they can't really go too much lower and still make a profit. And the name-brand stuff will always be able to tack on a few extra dollars just because of the name recognition.

      This doesn't work with creative works because there isn't really any competition or reality to base things on. Stephen King writes a new book... There are hundreds of other books for sale out there, but they aren't written by Stephen King. How much is his writing style and talent worth? How many more copies will his name sell? How much money is he going to demand from his publisher? You can't really write a book under the Kephen Sting pseudonym and pass it off as a generic version of The Stand.

      Piracy is only a problem for people whose real business is designing stuff but who are afraid to embrace a business model in which they get paid for designing stuff. Instead they pretend that they're manufacturing a product, even though the marginal cost of each unit is approximately zero -- it'd be like a therapist charging you every time you went out in public without fear, for the rest of your life, instead of charging an hourly rate for the time she spent treating your agoraphobia. They treat their business like a lottery, hoping to hit it big by selling a ton of copies, rather than coming up with an honest valuation of their "designing stuff" labor and leaving distribution up to those who can do it more efficiently.

      This example just doesn't make sense.

      You pay a therapist for a customized treatment. For individual attention. For listening to you, understanding what you're saying, applying their knowledge and expertise, and coming up with a fix that works specifically for you.

      If you're too cheap you can certainly buy a self-help book or a CD or something... And they might work just fine... But it isn't an individualized treatment.

      You aren't paying for eventual lack of fear, you're paying for individualized treatment and their unique expertise.

      --
      "Work is the curse of the drinking classes." -Oscar Wilde
    139. Re:Sigh... by commodore64_love · · Score: 1

      You people sure do twist things. My point was merely this - Most of us aren't Newton or Buddha or anyone else of importance. Like the typical Roman citizen who died 2000 years ago, we will be forgotten, with no record that we ever existed.

      The difference is that the typical Roman citizen had 4 or 5 children, and his/her genes still live-on today. That will not be true of us who never had children. Our death will quite literally be the end of the line.

      My secondary goal was to slam the guy who was slamming another person who had a family.

      --
      "I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
    140. Re:Sigh... by commodore64_love · · Score: 0, Troll

      >>>Face it, it is a choice you make. If you don't have a job making enough money for house, kids and family AND the fun things in life, well...life is full of choices, each with its consequences. Choose, and live with the choice and quit bitching.
      >>>

      Fuck you.
      Playing with kids is a hell of a lot more fun that playing with a PS3, Xbox360 or your Wii Wii. It's also nice to have a life partner, rather than live by yourself.

      --
      "I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
    141. Re:Sigh... by Anonymous Coward · · Score: 0

      It's funny, I was just giving this same argument the other day during the 60 minutes expose about movie piracy. They really need to look back at the fiasco that happened with the music industry when they attempted to do the same thing that the movie industry is attempting today. Fighting it didn't work, it simply wasted millions of dollars.

      Give the populace an easy to use, well priced means of getting movies online and they will use it. iTunes and Hulu are perfect examples. iTunes changed the game by providing quick downloads and good pricing without the hassle of searching the Net for torrents. With Hulu, they simply offered current television shows and past movies for free. They make their money from the advertising which is no where near as prevalent as it is when watching the same show on tv.

      Another area that I delved into during that conversation is new release movies. The movie industry is stating that it is loosing billions to movie piracy and is spending just as much to try and foil the pirates. Personally, I do not make it to many new movies and have not for many years. I think I've been to 2 in the past 2 years. The reasons vary from work to my kid, but the effect is the same, in some cases it is easier to go online if you want to see something before DVD release. Sure it may be crappy quality, but I get to see it and I always end up buying the DVDs when they come out for those movies that I enjoyed. The solution? Do the same thing with new releases as they have done with music... digital distribution. Regardless of if it is a one time view and fee of $6-7 (decent considering cost of overhead of theaters) or offer a reasonably priced monthly plan for use it would bring in additional revenue from those in my situation as well as those who would otherwise pirate the movie to avoid the theater.

    142. Re:Sigh... by Anonymous Coward · · Score: 0

      When you get Spotify over there in the USA (?), when that song pops into your head and you want to hear it right away, you'll be playing it for free, and it'll start playing quicker. You won't be buying it for 99 cents in bloatware.

      And you'll be surprised how many more songs pop into your head that you want to hear when you realize you can hear them at no cost, and how much more fun life becomes.

    143. Re:Sigh... by Anonymous Coward · · Score: 0

      this has some drawbacks, really.

      1) what if the movie is scrapped for lack of interest? do you get your $10 back?

      2) what if the movie runs over budget? since you already have all the money, you really have no incentive to continue making it

      3) what about things like the Matrix, which two of my friends have spent about $100 each on (saw multiple times) when it came out in theaters?

      4) potentially biggest problem: the Producers issue. if you're paid up-front, what's there to force you to produce anything of quality? spend $15k on making the movie and keep the rest for yourself, and since you can't control how much you get in donations there can't be laws against this sort of thing...

      -- MtI

    144. Re:Sigh... by cayenne8 · · Score: 1
      "That's not entirely true - some people (will) rely on their children to help look after them in their old age, or even to completely support them."

      That is just poor planning....you should be saving your money for retirement, if you had kids, I'd think the LAST thing you'd want to be is a burden on them...

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    145. Re:Sigh... by cayenne8 · · Score: 1
      "Fuck you.

      Playing with kids is a hell of a lot more fun that playing with a PS3, Xbox360 or your Wii Wii. It's also nice to have a life partner, rather than live by yourself."

      Hmm...what about to each his own?

      :)

      I don't play console games...I've got WAY too many things to do. I have lots of fun, I live in New Orleans, where there is something going on ALL the time, for example, last weekend was Voodoo Fest, I saw some great bands, and partied...I came and went and didn't have to worry about kids anchoring me down. I have a dog for companionship, that is pretty much the ONLY true unconditional love that exists IMHO.

      As for partners...I have plenty. I don't like the idea of being stuck with just one woman the rest of my life. There's always fresh game down here...and I have girlfriends around the US that come to visit me, or I travel with on vacations....sure, I like companionship as much as anyone, BUT, I also HIGHLY prize my alone time. I'm not afraid of being alone, in fact there is often time I prefer it. They way I live "I" get to choose when I'm around friends or chicks...and the best part is, they DO leave my house eventually to go back to their home.

      I'm not saying either lifestyle is THE best one, but, they each have their merits. No, I don't know how fun it is to play with kids, it isn't something I've ever been interested in, but, my point of view is no less valid than those that promote the family above all else. More power to you if you want to have kids....but, it IS a lot of responsibility, and 99% of the time it involves personal and financial sacrifice, and you should know that going into it....and be prepared to live on a lesser scale, and quit bitching when things are tight, you made the choice to have those responsibilities.

      And please, don't ask ME to pay for them for people that had kids....I already subsidize you by not getting tax deductions that families with kids get....etc.

      I'm just saying, my way of life is just as valid as yours....I feel completely successful so far. Apparently you do to with the kid thing...enjoy.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    146. Re:Sigh... by mcgrew · · Score: 1

      they should have filed suit on Samsung, etc. for producing such devices. THERE IS NO "LEGITIMATE" CONTENT FOR THESE DEVICES.

      If I buy a CD and rip it to a MP3, how is that not legitimate?

      Ripping CDs and DVDs is a serious pain.

      I don't have a DVD in my PC, but ripping CDs is quick and easy; if it's a pain your software sucks.

      WE (my group) wants is the ability to purchase the programming

      You can't buy programming. You can rent it, get it for free off the airwaves, or buy something that contains programming, but no matter how you get it you don't own the programming, only its container. You don't buy that copy of Down and Out in the Magic Kingdom, you buy a BOOK. The content of that book is freely available on the author's web site. And guess what? He sells a LOT of books! In fact, he's on the NYT best seller list despite the fact that he gives the content away for free.

    147. Re:Sigh... by mcgrew · · Score: 1

      I don't have grandchildren, so my genes haven't really been passed on (yet). OTOH, AFAIK I may have dozens of grandkids in Asia; I would have no way of knowing.

    148. Re:Sigh... by nine-times · · Score: 1

      Well that's not far off from what's already happening. Apple and Netflix will both list the director and producers and actors for a movie, and then you can click though to see what other movies they've done, and then click on those movies to see the list of actors/directors/producers, on down the chain. In Apple's case they charge per-movie, whereas in Netflix's case it's subscription, but it's the same idea.

      Both of them do a pretty good job of making things convenient, but I still think they could both be improved. One issue with each is availability. With Netflix, not everything is available for streaming, and to my knowledge you can't opt to buy the movie. With iTunes, it's very random which movies can be rented, which can be bought, and which are available in HD. Plus, they don't offer any subscription models, which some people might prefer. Neither service is universally supported on all kinds of portable players and set-top boxes, either.

      I just think the movie would do well to get all those things sorted out and make all their content available on all kinds of services with practically zero hassle for their customers.

    149. Re:Sigh... by Anonymous Coward · · Score: 0

      "The human species might have a stake in the evolutionary game, but the individuals most certainly don't."

      Doesn't being capable of understanding that sentence (grammar aside) mean individuals DO have have a stake in the evolutionary game? Shouldn't most self-respecting people want to spread their genes?

    150. Re:Sigh... by RemyBR · · Score: 1

      Is there such a thing as disposable income?

    151. Re:Sigh... by Anonymous Coward · · Score: 0

      It's the same thing with DRM - it doesn't keep the hardcore pirates off who are there to break it, but it surely keeps casual people from copying to friends and so on.

      That's funny. You don't really believe that, do you?

      It takes one person/group to crack something, after which it's available to everyone, regardless of being casual or not. When it's cracked, it's cracked.

      And as others have mentioned, the cracked version is more often than not the superior one.

      DRM is only troublesome to the legitimate customers.

      You'd think most companies would realize that this is backwards. But no. Just a few do. They thrive, though.

      Bah.

    152. Re:Sigh... by lennier · · Score: 1

      "Movies with stupid premises that no one in their right mind would go see, wouldn't get funded enough to be made."

      Or would get flooded with investment money... because how many people do go and see big dumb movies which they don't want to admit they saw, but are going to see the next one anyway, because dumb is fun?

      But it's interesting how this model would shift the 'censorship' curve to before a movie is made rather than afterwards. You'd have to produce a pretty good portfolio, and make it public rather than secret. Something like studios - escrow agencies, aggregators of public demand - would probably still exist, but as reputation vendors.

      I'd like to see this.

      --
      You are not a brain: http://books.google.com/books?id=2oV61CeDx-YC
    153. Re:Sigh... by Carnildo · · Score: 1

      You work your way up, just like you do in the current model. You might release your first works for free, to get an audience. Then, as your audience grows, you increase the cost accordingly.

      For expensive things like movies, you'd need a sponsor for your initial works. Imagine 20th Century Fox giving George Lucas $10 million to make A New Hope and release it for free, on the understanding that if it's successful, he'll make two sequels. Half the design price of the sequels would go to to 20th Century Fox, with the other half being split between the cost of making the sequels and GL's paycheck.

      --
      "They redundantly repeated themselves over and over again incessantly without end ad infinitum" -- ibid.
    154. Re:Sigh... by Mr2001 · · Score: 1

      1) what if the movie is scrapped for lack of interest? do you get your $10 back?

      Yes, of course. You're paying for a service. If the service isn't provided, what would you be paying for?

      2) what if the movie runs over budget? since you already have all the money, you really have no incentive to continue making it

      You either release the movie as it is, and risk being sued for not holding up your end of the deal, or you finish it and pay the difference out of your own pocket.

      This is already what happens in other industries. For example, there are places that charge a flat rate to repair a game console or TiVo. If I pay $50 to have my TiVo fixed, and it ends up needing a new part that costs $60, they're losing $10 -- but presumably they're making it up on all the other repairs they do that cost much less.

      3) what about things like the Matrix, which two of my friends have spent about $100 each on (saw multiple times) when it came out in theaters?

      That's a part of the copyright lottery that would no longer exist. Movie producers would be paid for the work they did, not for the number of times people saw the completed film.

      But the flip side of that is the question you didn't ask: "what about things like Howard the Duck, which cost $30 million to make and only grossed $16 million?"

      A movie like Howard the Duck wouldn't have been made in the first place, because the producer would immediately see that people weren't willing to pay $30 million for it.

      4) potentially biggest problem: the Producers issue. if you're paid up-front, what's there to force you to produce anything of quality?

      The threat of a lawsuit from the people who paid for it, if you don't deliver the quality you led them to expect. Again, the same thing already happens in other industries: if I pay someone $500 to paint my house, and I come back and see they've diluted $5 worth of paint over the whole house and the color underneath is showing through, I can sue them for doing a shoddy job.

      spend $15k on making the movie and keep the rest for yourself, and since you can't control how much you get in donations there can't be laws against this sort of thing...

      There's nothing inherently wrong with spending $15,000 on a movie and pocketing several million, as long as you aren't defrauding anyone. The price you ask for your labor doesn't have to have any relation to the amount of time or money you spend. You just have to be able to convince people to pay you that much, and then you have to deliver what you promised.

      --
      Visual IRC: Fast. Powerful. Free.
    155. Re:Sigh... by Mr2001 · · Score: 1

      The problem with transitioning to the commission-based system is that it doesn't solve the issue of price. The free alternative is still there, and it's still tempting, even when it exists only in potential. Paying customers still have to pay for non-paying consumers.

      That's not really a problem. Paying customers, by definition, feel they're getting enough of a benefit to justify the price they're paying.

      The commissions still have to make a similar amount of money to the amount a successful copyright can make today

      I don't know about that. Remember, the current "copyright lottery" system results in a lot of losses. Howard the Duck cost $30 million to make but only grossed $16 million, so in order for the studio to stay in business, some other movie had to turn at least a $14 million profit.

      That aspect would not exist in the system I've described. Unprofitable movies simply wouldn't be made: the producer of Howard the Duck would see that people were only willing to spend $16 million, and then he'd either scrap the project (refunding the money) or find a way to produce it for less than $16 million. And that means he could get by with a slimmer profit margin on his other movies, because he wouldn't need to make up the loss.

      --
      Visual IRC: Fast. Powerful. Free.
    156. Re:Sigh... by Mr2001 · · Score: 1

      It might do the trick for established authors, like Stephen King or J.K.Rowlings, but it can't be a model for new entries to a market. If you could get money for a book/piece of music/etc. that you haven't even written yet, I think there would be 6 billion people on this planet having a go at that. Free money for only the promise that you might produce something in the future.

      Think about what you're saying. Does it make sense for any other industry?

      "It might do the trick for established hairstylists, like Jonathan Antin, but it can't be a model for new entries to a market. If you could get money for a haircut that you haven't even given yet, I think there would be 6 billion people on this planet having a go at that. Free money for only the promise that you might cut some hair in the future."

      Ridiculous, huh? Let's look at the problems one by one.

      1. Obviously it does work as a model for new entries to a market. Every market has established players that can command a high price, and new players have to charge less to make up for their lack of prestige. You can't just buy a pair of scissors and expect to make as much as Jonathan Antin, but you can certainly start a corner barber shop.

      2. You don't necessarily collect the money up front. Every time I've gotten a haircut, I've paid for it afterward. But the moment I sat down in the chair, I entered an implicit contract to pay for it, and that's all the barber needs. In the case of a large book or movie project where the producer would need money to pay for travel, equipment and such during production, the contributions could be put into escrow and released as needed, with the balance released once the project is finished.

      3. Sure, 6 billion people would jump at the chance for "free money for only the promise that you might produce something", but that's not at all what I've described. Most of those people wouldn't jump at the chance to take money for the promise that they will produce something -- a particular something, within a specified time frame -- and they'll have to give refunds and/or be sued if they don't produce it.

      --
      Visual IRC: Fast. Powerful. Free.
    157. Re:Sigh... by Mr2001 · · Score: 1

      But we aren't really paying for their work, we're paying for the end product we eventually get. The labor involved in acting is pretty much useless to me without the special effects, editing, makeup, and whatever else.

      Sure - but that stuff is all labor too.

      Think about another industry where you end up with an "end product" but you're really paying for labor. Tax accounting, for example. When you go to get your taxes done, you leave with a stack of tax forms, but what you're actually paying for is the accountant's labor. It might cost you $100 to get that first stack of forms, but you can ask them to print you a second stack for free! That's the clue that you're really paying for the labor, not the forms.

      In the end, I'm paying for a movie - which is a product as much as anything else. Again, maybe not something physical and inherently limited like a hammer or a pill... But it is still a product.

      Well, that's one way to think about it. You could also say that you're "paying for a fixed car" when you go to the mechanic, or "paying for a painted house" when you call a house painter... but it's not the most helpful way to think about it.

      The first copy of a movie costs millions of dollars. The second copy costs approximately nothing. Again, that's the clue that you're really paying for labor, not a product.

      This [Advil vs. generic ibuprofen] doesn't work with creative works because there isn't really any competition or reality to base things on.

      Sure there is - you're just looking in the wrong place.

      The competition wouldn't be between Stephen King and "Kephen Sting". There is only one Stephen King. The competition would be between rival publishers of Stephen King's works.

      Stephen King's labor as an author is analogous to the research that went into developing ibuprofen in the first place. The publishers are analogous to companies that manufacture ibuprofen pills. Some publishers could charge more because they're well known (like Advil, or Random House) or because they put out a higher quality product (Advil is tastier than generic ibuprofen; some copies have better bindings or typesetting).

      You pay a therapist for a customized treatment. For individual attention. For listening to you, understanding what you're saying, applying their knowledge and expertise, and coming up with a fix that works specifically for you.

      Likewise, you pay an author/musician/filmmaker for applying their experience and talent and coming up with a work that speaks to you (and probably millions of other people, but not everyone). That labor is what makes the finished work valuable. What you don't pay them for is putting a copy of the finished work on a disc; you can do that yourself.

      You aren't paying for eventual lack of fear, you're paying for individualized treatment and their unique expertise.

      Do you not see the contradiction here? How can you say you're paying a filmmaker for a movie, but you're not paying a therapist for eventual lack of fear? In both cases, their labor is a means to an end - you want to enjoy a movie, and you want to go outside without fear. That end is what convinces you to part with your money, but the means are what you're actually paying for (because the labor is what the filmmaker/therapist is incurring a cost to provide).

      --
      Visual IRC: Fast. Powerful. Free.
    158. Re:Sigh... by Anonymous Coward · · Score: 0

      You do realize that quite a few bands make most of their money touring, in effect being paid by the hour?

      That isn't because they don't sell records, it's because most of the profits from that go to the label.

    159. Re:Sigh... by TheVelvetFlamebait · · Score: 1

      That's not really a problem. Paying customers, by definition, feel they're getting enough of a benefit to justify the price they're paying.

      That's not the problem. The problem is that entertainment is expensive, and is becoming ever moreso, thanks to the "free" option. Any system (new or old) has to address this, otherwise it won't work.

      I don't know about that. Remember, the current "copyright lottery" system results in a lot of losses. Howard the Duck cost $30 million to make but only grossed $16 million, so in order for the studio to stay in business, some other movie had to turn at least a $14 million profit.

      That aspect would not exist in the system I've described. Unprofitable movies simply wouldn't be made: the producer of Howard the Duck would see that people were only willing to spend $16 million, and then he'd either scrap the project (refunding the money) or find a way to produce it for less than $16 million. And that means he could get by with a slimmer profit margin on his other movies, because he wouldn't need to make up the loss.

      That's true; unprofitable movies wouldn't be made. But, on the same token, a lot of profitable and potentially very good movies may not be made, simply because of lack of confidence.

      Look at our current system. The movie is made and released, yet so many people (claim to) download it to try it before they buy it, and that's just so they don't waste $10!

      Copyright tends to over-provide (and we pay more), while yours would under-provide (and we pay less). We get cheaper entertainment, but less variety.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    160. Re:Sigh... by Mr2001 · · Score: 1

      That's not the problem. The problem is that entertainment is expensive, and is becoming ever moreso, thanks to the "free" option. Any system (new or old) has to address this, otherwise it won't work.

      I don't follow. Can you explain this some more?

      No one would have to pay more than they want to pay. If you see the project has a goal of $1 million and has currently collected $500k, you can contribute anything from $0 to $500,000. The only difference is how quickly you're moving the project toward its goal.

      That's true; unprofitable movies wouldn't be made. But, on the same token, a lot of profitable and potentially very good movies may not be made, simply because of lack of confidence.

      I'd call that a failure on the producer's part. If you can't convince people your idea is worth funding, then either your idea sucks (and it shouldn't be funded) or you suck at promoting it (and you should hire someone who's better at promotion).

      Look at our current system. The movie is made and released, yet so many people (claim to) download it to try it before they buy it, and that's just so they don't waste $10!

      Sure, that behavior (people choosing not to pay just because they don't have to) wouldn't change. What would change is that those people wouldn't be "cheating" the system: everyone who chooses not to pay is casting a vote that says "I don't care whether or not this gets made", whereas those who choose to pay are directly increasing the chance that it will be made.

      --
      Visual IRC: Fast. Powerful. Free.
    161. Re:Sigh... by TheVelvetFlamebait · · Score: 1

      I don't follow. Can you explain this some more?

      Sure. The problem is not that it forces people to pay more than they want. The problem is that it's not sustainable. It won't provide us with entertainment in the future. As things become more expensive, less people want to pay. As less people want to pay, things become more expensive. It's not anything to do with demand; we still like entertainment, it's just that someone's got to take the bullet and pay.

      I'd call that a failure on the producer's part. If you can't convince people your idea is worth funding, then either your idea sucks (and it shouldn't be funded) or you suck at promoting it (and you should hire someone who's better at promotion).

      It could also be a lack of people adventurous enough to sink their money into it. I mean, sure, if you're some kind of marketing prodigy, you might be able to rustle up some business, but some ideas are hard to sell, especially to an apathetic public.

      Sure, that behavior (people choosing not to pay just because they don't have to) wouldn't change. What would change is that those people wouldn't be "cheating" the system: everyone who chooses not to pay is casting a vote that says "I don't care whether or not this gets made", whereas those who choose to pay are directly increasing the chance that it will be made.

      Every person would have to make a choice between their money and a vote. People with mainstream tastes (there are a lot of them, by definition) will feel content letting others decide for them. More money, less waiting, less risk that way.

      There's an equilibrium between people paying and people not paying. If too many people pay, then they start to feel ripped off (thinking other people can pay for them). If too few people pay, then more people start paying. What I'm saying is that this equilibrium lies too far towards the "not pay" end to keep the diversity to which we are accustomed.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    162. Re:Sigh... by that+this+is+not+und · · Score: 1

      Imagine how many CEOs would lose their jobs if thepiratebay had pulled off a multibillion dollar IPO, bought the Swedish courts themselves, and created their own promotional framework for media.

      Didn't Napster try something like that? They 'went commercial' and it was then rather easy to take them down. Piratebay has it's 'cred' in a community of supporters because it is NOT commercial.

    163. Re:Sigh... by that+this+is+not+und · · Score: 1

      >>>I've never really wanted kids...

      In evolutionary terms that makes you a failure. It's as if your genes never existed, since they stop here and go no further.

      That isn't really how evolution works. It 'advances' in huge wide magnitudes. Whether you breed or not as an individual will have no impact at all on the 'evolution of the species.'

      Now, if instead of spending all your time breeding and working long hours in order to pay what it costs to rear children, you are out and about in public forums like this one, expressing ideas and exposing OTHER people's kids to them.... That's the 'line of evolution' that maters, and that you can have an impact on as an individual.

      Don't let it get out, though. We need all those dumb breeders to produce the raw stock.

    164. Re:Sigh... by that+this+is+not+und · · Score: 1

      Valve claims they've got a plan in-place to unlock everything if they go under...

      If Valve were to 'go under' part of the process of 'going under' usually involves creditors sailing in and seizing assets. If you think they could just 'set loose' all the licensed content/products they've got tied to their scheme, you've got another thing coming. The 'keys to the treasury' would be passed along to a new owner. Don't kid yourself.

    165. Re:Sigh... by Mr2001 · · Score: 1

      As things become more expensive, less people want to pay. As less people want to pay, things become more expensive.

      The second sentence here is what I'm still wondering about.

      Why would anything become more expensive? If I'm thinking about spending a year of my life writing a book, I might ask for, say, $50,000. That number doesn't depend on how many people want to pay for it: it only depends on how I personally value my time.

      If fewer people want to pay, that just means the thermometer graph separating me from my goal will fill up more slowly, but each contributor can still choose how much they want to spend. And if several months pass and I'm still not at my goal, it might be time for me to reconsider -- maybe I'd really be willing to take $30,000, or maybe writing isn't for me after all.

      It's not anything to do with demand; we still like entertainment, it's just that someone's got to take the bullet and pay.

      Ah, but that's where demand comes in.

      If no one bites that bullet and pays, pretty soon people will notice that it's been a while since any new books came out, and their demand for new books will lead them to start paying. Choosing not to pay is one thing when you have many other sources of entertainment, but at some point everyone wants to see something new. It's the same thing that drives people to see 2009's big action flick for $10 instead of 1999's big action flick at the dollar theater.

      There's an equilibrium between people paying and people not paying. If too many people pay, then they start to feel ripped off (thinking other people can pay for them). If too few people pay, then more people start paying.

      Agreed...

      What I'm saying is that this equilibrium lies too far towards the "not pay" end to keep the diversity to which we are accustomed.

      ... but (1) this is speculation, and (2) even if it ends up being the case, I think it's a fair price to pay for having a system that's much easier to enforce and provides clear benefits to both producer and consumer.

      Copyright encourages overproduction at the expense of a lot of failed investments, the inability for consumers to enjoy most works created during their lifetimes or their parents' lifetimes, and senseless limits on both technological and artistic progress. The number of works we see in the market today (essentially subsidized by copyright) isn't any more natural than the amount of (subsidized) corn we Americans see in our diet, and we shouldn't judge a new system based on whether it maintains that number.

      --
      Visual IRC: Fast. Powerful. Free.
    166. Re:Sigh... by Mista2 · · Score: 1

      Since iTunes went DRM free for music, I have bouth a ton of stuff there, but they till dont have everythign a CD shop might have, bacause some studios are afraid. No Tool, very little Metallica, no Seether etc, all main stream bands but not available on the NZ iTunes store, so as the two local CD shops in my town have closed, I'll just download the torrents instead.
      But I wont pay iTunes NZ$7 for a movie rental that I can only watch on my PC when I can rent the same movie for $1 for 7 days from Civic video and watch it anywhere I want.

    167. Re:Sigh... by Ephemeriis · · Score: 1

      Valve claims they've got a plan in-place to unlock everything if they go under...

      If Valve were to 'go under' part of the process of 'going under' usually involves creditors sailing in and seizing assets. If you think they could just 'set loose' all the licensed content/products they've got tied to their scheme, you've got another thing coming. The 'keys to the treasury' would be passed along to a new owner. Don't kid yourself.

      I'm not. That's why I said Steam isn't nearly as good.

      I think I was having a bit of an off day yesterday... I was not holding up two shining examples of good digital distribution. I was holding up one good example (iTunes, no DRM on much of their content, trivially bypassed DRM on the rest) and one fairly bad but heading in the right direction example (Steam, DRM and possible-to-ban accounts).

      --
      "Work is the curse of the drinking classes." -Oscar Wilde
    168. Re:Sigh... by Ephemeriis · · Score: 1

      Alright, I guess I made about as much sense yesterday as you did.

      My point, though badly made, is that you are drawing lines where they don't belong and blurring lines that should be there.

      You suggest that Advil is a product, while The Terminator is not. I disagree.

      The initial development costs for both are exorbitant. You've got years of work before the first Advil is ever produced, and you've got years of work before the first screening of The Terminator.

      After that first run, however, both products become very cheap and easy to make. Their production costs approach, but do not actually become, $0. In the case of Advil, it isn't fee because you have to mix various chemicals, shape them into pills, put them in bottles, slap labels on those bottles, and ship them out to stores.

      In the case of The Terminator, it depends a little bit on how you're consuming the product... You might have DVD manufacturing costs, packaging costs, and shipping costs. Or you might have HDD space and bandwidth. Or you might have celluloid and all the labor involved in running a theater.

      Either way, it costs something to produce additional products.

      With both products, I couldn't care much less about the labor involved. I may care about the brand name or maybe the director involved... Possibly. But I don't care who ran chemical tank #3 or which lighting guy worked on Thursday or who did the QC or the editing or whatever. The labor is necessary to produce both products, but is not what I as a consumer am interested in paying for.

      By your logic - labor is a means to an end - there are no actual products at all. Because both Advil and The Terminator are piles of labor applied to some real production costs to produce an end result that people want to pay for.

      As for the therapist thing... You are obviously paying your therapist for services/labor. I don't know why you would suggest it is a product. Especially since you seem to think that everything is just labor.

      Yes, the end result that you want is a painted house, or lack of fear, or a fixed car - but that isn't what you're paying for. There are many ways to achieve that end result. You could buy a book, or a pre-recorded disc, or you could pay somebody to do it for you.

      If you choose to pay somebody to do it for you, you are obviously paying for their labor. If you didn't want to pay for their labor you would do it yourself.

      As far as there being competing publishers of Stephen King's works... I doubt if people would care that much. There are currently books that have fallen into the public domain and pretty much anyone can publish them. If you go to your local bookstore, however, you aren't going to see 10 different copies of the same thing competing against each-other.

      People don't really care too much about how the book was bound, or what font was used, or what picture is on the cover. They care about the story. And one copy of The Raven is just as good as any other.

      However, again, The Stand is a finished product that I'm interested in buying - not the labor involved along the way. The R&D on Stephen King's part may very well be truly essential. It may be impossible to produce The Stand without him. But his manuscript isn't going to do me much good. I still need somebody to edit the thing, typeset it, print it, bind it, ship it, etc. I just don't really care who does all that labor. It doesn't matter if Joe or Sam or Tammy is running the printing press - just that someone is.

      Sure, if you want to, you can boil pretty much everything down to pure labor - even your Advil.

      I'm not paying for an Advil pill, I'm paying for the labor to make it. And the costs of the plastic bottle it's in? Those aren't the costs for the plastic... Those are the costs for the labor involved in gathering the crude oil, refining it, molding the plastic bottle, and shipping it to the factory.

      --
      "Work is the curse of the drinking classes." -Oscar Wilde
    169. Re:Sigh... by mccabem · · Score: 1

      [....]Movies with stupid premises that no one in their right mind would go see, wouldn't get funded enough to be made. [....]

      The problem this runs into is, you would need a population enlightened enough to go along with this mindset... not gonna happen.

      Actually the problem you run into before you get to the population is the people who make those movies. Obviously they have the money to do it, regardless if they make money.

      Further, thanks to modern Hollywood, putting butts in seats is far far from the only way these a**hats make money.

      To quote the authority, Yoghurt: "Merchandising, merchandising, where the real money from the movie is made. Spaceballs-the T-shirt, Spaceballs-the Coloring Book, Spaceballs-the Lunch box, Spaceballs-the Breakfast Cereal, Spaceballs-the Flame Thrower.

      [turns it on]"

      -Matt

    170. Re:Sigh... by mccabem · · Score: 1

      They do experience piracy. Typically from nations where intellectual property rights are not well respected.

      I'd say in the example of drug companies that's simply the cost of doing business. No amount of propaganda or lobbying for copyright legislation (domestic or foreign) is going to give one control over behavior of inDUHviduals in another country. (That's not the way successful legislation works...it is the way fascism works, but that's a different story.)

      (BTW, who is Billy Tauzin???? Funny (as in "funny smelling", not as in "funny, ha ha") that he was on the radar of both industries we're talking about here.)

      Look at it from another point of view: If what you're doing is "so revolutionary" then how is someone in Brazil knocking off your product in short order? Perhaps it wasn't so revolutinary after all? "Revolutionary"....perhaps that word doesn't mean what you think it means? (revolutionary != we spent a ton of money on it)

      I think time to be realistic for drug and music companies: No matter how much you spend/waste on the drugs/artists you're developing, they won't necessarily be profitable or even worth it. Ditto for all the money you spend/waste promoting those drugs/artists.

      U.S drug companies and commercial radio are both currently a laughing stock.

      I'm going out on a limb here, but perhaps the drug companies should focus more on cures and less on treatments than they do today?

      To me, they're ultimately hung up on Gilette's business model. Buy the razor (aka pester your doctor for the perscription) and they sell you new blades for life (aka you get some relief from your symptom, but e.g. your eyes will bleed the whole time). Likewise, music companies perhaps should focus less on what they think we should like/listen to (Clear Channel is an abomination in the truest sense of the word, and only the tip of the industry's iceberg) and more on what we actually like and listen to?

      I'd also argue that drug companies make way too much money (yes, it's possible). If that weren't true, they wouldn't have as many problems selling their drugs. (Let's all recall our supply and demand graphs from econ 101....lower prices = more people can afford your product = higher demand) They -- like the music industry -- create their own problems, then do their best to blame others for the results (i.e. lobby the government for special treatment).

      On another front....

      Print publishing is a more interesting example to me. If they stay with print media (books, paper) they don't have the piracy issue (not really) but as the world moves more and more to digital and print publishing tries to follow, they suffer more and more of the related problems....such as piracy. Thoughts? Personally I still like to pick up a book when I want to read -- it's a very, very good medium -- but I'm going to be called old-fashioned for that before too much longer.

      -Matt

    171. Re:Sigh... by mccabem · · Score: 1

      And, changing copyright law to continually rob the public from what rightfully belongs to us.

      Are you saying that copyright law is another form of PIRACY???

      If so, I think I may be inclined to agree.

      -Matt

    172. Re:Sigh... by mccabem · · Score: 1

      Numbers please.

      I can say on the opposite side of your point that Apple has announced blockbuster year after blockbuster year of increasing growth at the iTunes Music Store and now are the largest music seller in the land.

      At the same time, they haven't started shutting down the music sections at Best Buy or Walmart.

      I can't say your facts are incorrect, but the trends don't point that way generally.

      -Matt

      P.S. If the elimination of piracy is your goal, you're setting yourself up for failure. It goes with business. Apple has the correct perspective - you must simply outcompete the pirates.

    173. Re:Sigh... by Mr2001 · · Score: 1

      You suggest that Advil is a product, while The Terminator is not. I disagree.

      Let me clarify that: a bottle of Advil is a product, and so is a DVD of The Terminator. They are physical items that can only be in one place at a time and cost something to manufacture. But ibuprofen (a chemical structure and the process for making it) and The Terminator (a sequence of images synchronized with sound, and the story described therein) are ideas, not products.

      The initial development costs for both are exorbitant. You've got years of work before the first Advil is ever produced, and you've got years of work before the first screening of The Terminator.

      Agreed. There is valuable labor involved in developing the ideas of ibuprofen and The Terminator; that labor is performed once and then never needs to be performed again.

      After that first run, however, both products become very cheap and easy to make. Their production costs approach, but do not actually become, $0. [...] Either way, it costs something to produce additional products.

      Agreed. There is a marginal cost to produce each additional bottle of Advil or DVD of The Terminator.

      With both products, I couldn't care much less about the labor involved. [...] The labor is necessary to produce both products, but is not what I as a consumer am interested in paying for.

      I think you're splitting hairs here. I say you do care about the labor involved, because if not for that labor, you wouldn't have ibuprofen or The Terminator. You'd have some other drug and some other movie. You might not consciously think about the work James Cameron did when you're watching Arnold travel through time, but his labor is what makes it possible for you to do that.

      Now, on the other hand, I really don't care about the labor or materials involved in making a DVD of The Terminator, because the moment James Cameron worked his magic and made that sequence of images available to the public, it became possible for me to make that DVD myself. (Well, ignoring the fact that DVDs didn't exist until much later.)

      By your logic - labor is a means to an end - there are no actual products at all. Because both Advil and The Terminator are piles of labor applied to some real production costs to produce an end result that people want to pay for.

      No, I still believe products exist. When you hand money over in exchange for becoming the owner of something, that thing is a product. "Product" implies physicality and scarcity. The difference between product and labor is the difference between paying you to sell me something and paying you to do something.

      (You might ask, is "selling me something" a form of labor? I don't think it is, because selling a product is more than just the physical act of handing it over to a customer. I don't pay someone to put an object in a bag with a receipt and then put that bag in my hand; I pay them in exchange for me becoming the owner of that object, which can happen without them even lifting a finger.)

      As for the therapist thing... You are obviously paying your therapist for services/labor. I don't know why you would suggest it is a product. Especially since you seem to think that everything is just labor.

      I'm not suggesting it's a product. Quite the opposite: I'm suggesting that "eventual lack of fear" is a product to exactly the same extent that "The Terminator" (not a DVD) or "Advil" (not a bottle of pills) is a product, i.e. not at all.

      As far as there being competing publishers of Stephen King's works... I doubt if people would care that much. There are currently books that have fallen into the public domain and pretty much anyone can publish them. If you go to your local bookstore, however, you aren't going to see 10 different copies of the same th

      --
      Visual IRC: Fast. Powerful. Free.
    174. Re:Sigh... by Anonymous Coward · · Score: 0

      "As for DVDs, every time I see an unskippable "you wouldn't steal a car" piece before getting into actual content, I can't help but think that if a bought car forced me to watch similar propaganda every time before driving, and a stolen one wouldn't, then yes I would steal a car!"

      I thought that "you wouldn't steal a car" was just a funny youtube clip.

    175. Re:Sigh... by TheVelvetFlamebait · · Score: 1

      Sorry about the wait.

      The second sentence here is what I'm still wondering about.

      Why would anything become more expensive? If I'm thinking about spending a year of my life writing a book, I might ask for, say, $50,000. That number doesn't depend on how many people want to pay for it: it only depends on how I personally value my time.

      Sure, but fewer buyers means that each have to pay more. It's not more expensive as a whole, just on a per person basis. The fewer people who buy, the more of the money an individual buyer has to pay, and the more money that's asked from an individual buyer, the less likely they are expected to pay it.

      This isn't exactly rocket science.

      If fewer people want to pay, that just means the thermometer graph separating me from my goal will fill up more slowly, but each contributor can still choose how much they want to spend.

      You assume an infinite supply of buyers.

      Besides, even though people will get their money back (barring scams), they won't want to sink money into something that won't come into fruition years later. I mean, if you went to a video rental store, ordered a movie to rent, paid $10, and were given no clear time frame as to when you would receive the movie (without excluding the possibility of years in the future), would you order it?

      And even then, people know that their $10 is not likely to make the difference between being made and not being made. Most will just wait until its made (if it's mainstream), or figure that it won't despite their contribution.

      If no one bites that bullet and pays, pretty soon people will notice that it's been a while since any new books came out, and their demand for new books will lead them to start paying.

      But that's terrible! What kind of a system allows us to starve periodically? Why would we willing cripple our culture so much? So we can freely download the scraps?

      This is a *huge* problem for your system. You need to deal with it pronto.

      ... but (1) this is speculation

      You're right: it was speculation. However, I think it was good speculation. Especially after what you said just previously about how demand reflects production under your system.

      and (2) even if it ends up being the case, I think it's a fair price to pay for having a system that's much easier to enforce and provides clear benefits to both producer and consumer.

      I think a vast majority of artists and consumers would prefer a system where more than a handful of works are created. It makes artists more money and it gives consumers more of what they want (without them having to give notice of what they want months in advance).

      However, if you can find some artists to trial this system, you can happily do it under copyright. All they have to do is pledge to release under the public domain. If my concerns are overblown, and this system is indeed beneficial to both artists and consumers, then artists will have no qualms about using the system, and consumers will have no trouble investing in it. If, on the other hand, my concerns are valid, then, well, the worst that artist will have to do is refund the money, and use a copyright system.

      Copyright encourages overproduction at the expense of a lot of failed investments

      Copyright undeniably overproduces, but it works. Your system fatally underproduces.

      the inability for consumers to enjoy most works created during their lifetimes or their parents' lifetimes

      What? Since when does buying equate to an "inability to enjoy"? Even then, you can find plenty of free entertainment, via radio or TV, if you're not too fussy. Second hand stores also eliminate much of the cost.

      Even then, I'd argue that the long term lengths are not an integral part of the copyright concept, an

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      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    176. Re:Sigh... by Weezul · · Score: 1

      Napster died quickly because they were based where the copyright moguls already owned all the politicians. TPB required invading a whole country.

      --
      The Christian religion has been and still is the principal enemy of moral progress in the world. -- Bertrand Russell
    177. Re:Sigh... by Mr2001 · · Score: 1

      I mean, if you went to a video rental store, ordered a movie to rent, paid $10, and were given no clear time frame as to when you would receive the movie (without excluding the possibility of years in the future), would you order it?

      The time frame is actually pretty clear: the producer promises to deliver the finished work within X months after funding is acquired. There's no set time frame for when it'll be funded, but I can watch the progress, and I can get the word out to speed things up. And if I'm that worried, I can insist on a refund if the project hasn't been started by a certain date.

      And even then, people know that their $10 is not likely to make the difference between being made and not being made. Most will just wait until its made (if it's mainstream), or figure that it won't despite their contribution.

      Interesting theory, but real world examples suggest otherwise: see political campaign contributions for one, and Sellaband for another. People have the option to pay as little as they want, but financial goals are still regularly met.

      But that's terrible! What kind of a system allows us to starve periodically? Why would we willing cripple our culture so much? So we can freely download the scraps?

      This is a *huge* problem for your system. You need to deal with it pronto.

      It was an extreme example of a purely hypothetical problem. I don't think it's at all likely that nothing would get funded -- but if that were to happen, the situation would correct itself soon enough.

      It's about as realistic as wondering what would happen if suddenly no one wanted to pay for a haircut. Barbers would lower their prices more and more, but no one would pay, and all the barbers would go out of business! Then people would get antsy and start offering to pay for haircuts, and eventually they'd offer enough to entice a barber to set up shop again.

      Is that a failure of the market because we had no barbers for a while? No, it's an example of the market succeeding even in the face of unrealistic hurdles.

      In reality, there's constant demand for new content. People aren't going to decide en masse every few months that the old stuff is good enough, then a few months later realize what fools they've been. At any moment, for every person who's content with the old stuff, there are other people who want something new and are willing to pay for it.

      However, if you can find some artists to trial this system, you can happily do it under copyright. All they have to do is pledge to release under the public domain. If my concerns are overblown, and this system is indeed beneficial to both artists and consumers, then artists will have no qualms about using the system, and consumers will have no trouble investing in it.

      That's a nice thought, but I think copyright is just too tempting for artists (gambling is fun, even if you lose in the long run) and consumers (buying something off the shelf is more convenient than paying for production, and at that moment you aren't thinking about the restrictions you'll face, or the content that isn't available because of copyright).

      Copyright undeniably overproduces, but it works. Your system fatally underproduces.

      That's a strange conclusion. It seems more likely that my system would produce an optimal amount: the amount people are willing to pay for, no more and no less.

      What? Since when does buying equate to an "inability to enjoy"?

      Ever since people only had a finite amount of money.

      According to Wikipedia, there are over 10 million songs available on iTunes Music Store. Do you know anyone who has $10 million to spend on music?

      Are you actually going to deny that requiring people to pay for the music, movies, software, etc. that they use doesn't put a significant cap on the amount they can use?

      --
      Visual IRC: Fast. Powerful. Free.
    178. Re:Sigh... by TheVelvetFlamebait · · Score: 1

      The time frame is actually pretty clear: the producer promises to deliver the finished work within X months after funding is acquired. There's no set time frame for when it'll be funded, but I can watch the progress, and I can get the word out to speed things up. And if I'm that worried, I can insist on a refund if the project hasn't been started by a certain date.

      I was more referring to the funding timeframe, but even with X months making and Y month funding, that's still X + Y months notice necessary to get what you want. Plus, all this watching, waiting, the word of mouth campaign, well, let's just say that that's not the way I like to be entertained.

      Interesting theory, but real world examples suggest otherwise: see political campaign contributions for one, and Sellaband for another. People have the option to pay as little as they want, but financial goals are still regularly met.

      Maybe. I guess it would only take a certain number people to invest. I guess it remains to be seen how many people have enough of opinion on entertainment to regularly contribute enough money. Like I said, it needs to be tested.

      It was an extreme example of a purely hypothetical problem. I don't think it's at all likely that nothing would get funded -- but if that were to happen, the situation would correct itself soon enough.

      Yeah, but when the system has an average turnaround of X + Y months, this means we get dry spells of up to X + Y months.

      The real question is is 'why'. Why would we implement this system? Most people don't need so much entertainment that crippling our (and their) supply is worth it. Most people can afford a fair amount of entertainment, and for those who can't, well, there's always free avenues.

      Ultimately, it's up to the people and artists. If people are willing to buy entertainment this way, and artists are willing to provide, then more power to them. Just don't spoil it for the rest of us.

      Is that a failure of the market because we had no barbers for a while? No, it's an example of the market succeeding even in the face of unrealistic hurdles.

      Wait, what's the point of the market, if not to fulfil needs as quickly as possible?

      In reality, there's constant demand for new content. People aren't going to decide en masse every few months that the old stuff is good enough, then a few months later realize what fools they've been. At any moment, for every person who's content with the old stuff, there are other people who want something new and are willing to pay for it.

      Well, that may not be true. Several analogous situations have boom-bust cycles. Anyway, the point is, it leads to thinner supply than demand.

      That's a nice thought, but I think copyright is just too tempting for artists (gambling is fun, even if you lose in the long run) and consumers (buying something off the shelf is more convenient than paying for production, and at that moment you aren't thinking about the restrictions you'll face, or the content that isn't available because of copyright).

      OK, so people prefer buying off the shelf, and artists prefer copyright. So what? Just because people aren't choosing your method doesn't mean that it's akin to a gambling addiction. Unlike gambling addicts, artists using copyrights aren't being a burden on society; they're merely offering a product that people have the option to buy. So where's the incentive to prevent them from using it?

      That's a strange conclusion. It seems more likely that my system would produce an optimal amount: the amount people are willing to pay for, no more and no less.

      In theory, artists can research their markets, and calculate the market demand within an arbitrarily small margin of error. It doesn't work quite so precisely in practice, but in the

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    179. Re:Sigh... by Mr2001 · · Score: 1

      The real question is is 'why'. Why would we implement this system?

      Well, I brought it up in response to someone looking for a "fix" to piracy. This system eliminates piracy as well as the need to worry about piracy: you can't copy something that hasn't been written yet, and if you've already been paid for writing something, you don't need to care who copies it.

      Wait, what's the point of the market, if not to fulfil needs as quickly as possible?

      The market can only work if demand exists, i.e. if people know they want something and are willing to spend money on it.

      In your hypothetical scenario, demand temporarily vanished: people stopped being willing to pay for the creation of new content (presumably because their desire for entertainment was satisfied by existing content).

      Unlike gambling addicts, artists using copyrights aren't being a burden on society; they're merely offering a product that people have the option to buy.

      On the contrary, I'd say they're more of a burden. Every copyrighted work that's released is a new restriction on speech, and every dollar of royalties that goes to a publisher is another dollar to be used lobbying for longer terms, harsher penalties, and more restrictions on technology.

      Yeah, but as you well know, we don't need (or want) that much music. It turns out that interest in entertainment is similarly finite, as is the production of music.

      Sure, but that finite amount is still beyond the ability of most people to pay. I don't necessarily want to hear all 10 million songs that iTunes has to offer, but a quick glance at any P2P user's shared folder will reveal that people commonly consume more entertainment than they could afford.

      A friend of mine has around 60,000 songs in his collection (and as a music reviewer and DJ, he's not just collecting them to fill space): even if he could find them all on used CDs, that would still cost around $20,000. You can be sure he didn't, couldn't, and wouldn't spend that much on music. If he had no option to download those tracks for free, he'd end up listening to less music.

      So, copy, copy, copy, copy without adding anything, copy, and parody (fair use)?

      I didn't say they were art forms you'd like. But people do like them, and there is in fact artistic innovation going on there, even if you can't see it -- just as I'm sure there's artistic innovation going on in rap and country music that I can't see.

      If you think mash-ups don't add anything, listen to Girl Talk. You may not like it but it's undeniably more than "copy, copy, copy".

      And I didn't say anything about parodies. Editing an anime show to fit a song is not a parody and probably not fair use; neither is filming your own serious sequel to Star Wars, or compiling your own reference to the fictional world and characters of Harry Potter.

      It would be, if you actually named something caused by copyright. From what I heard, each of these were from influence from big publishers, and indirectly due to the behaviour of pirates.

      Anything "due to the behavior of pirates" is essentially caused by copyright, because copyright is what makes piracy both possible and problematic. Also, some of the restrictions I mentioned are enshrined in law (DMCA and AHRA).

      Let's say, optimistically, that average time to create a movie was 12 months. Then, 4000 would require a funding time of 3 months, which would only be achievable for the most popular of the mainstream.

      This doesn't add up. Funding time introduces bubbles (latency) into the pipeline, but it doesn't affect throughput: you'll end up with the same number of movies as if funding were instantaneous; you'll just get them 3 months later.

      Wait, what? Why does

      --
      Visual IRC: Fast. Powerful. Free.
    180. Re:Sigh... by TheVelvetFlamebait · · Score: 1

      Well, I brought it up in response to someone looking for a "fix" to piracy. This system eliminates piracy as well as the need to worry about piracy: you can't copy something that hasn't been written yet, and if you've already been paid for writing something, you don't need to care who copies it.

      Fair enough, but what I'm saying is that there are some serious questions about its suitability as an alternative. I would suggest cold turkey, or exclusively using free (libre) content, before engaging in risky reform, especially if it's paired with discarding copyright.

      The market can only work if demand exists, i.e. if people know they want something and are willing to spend money on it.

      In your hypothetical scenario, demand temporarily vanished: people stopped being willing to pay for the creation of new content (presumably because their desire for entertainment was satisfied by existing content).

      That assumes that demand can be satisfied a trivial amount of time after it arises. Your system forces the X + Y month pause in between demand and production, which could very plausibly form a boom-bust cycle.

      As an analogy, imagine if you tied a ball to a short piece of elastic to your hand (say, 1 cm), and wave your hand about, the ball will pretty much follow your hand. If you tie a longer piece of elastic (say 10cm), then wave your hand about, the ball will follow a comparatively long way behind the hand, and the ball will fling to larger extremes. There's a significant response time between the ball and the hand, just like there's a significant response time between demand and supply.

      On the contrary, I'd say they're more of a burden. Every copyrighted work that's released is a new restriction on speech, and every dollar of royalties that goes to a publisher is another dollar to be used lobbying for longer terms, harsher penalties, and more restrictions on technology.

      No, I have to disagree with you there. What about the copyright on the Linux kernel? Is that a restriction on speech, another dollar of royalties to a publisher lobbying for longer terms, etc, etc? How about any copyright to an indie artist who can't afford to protect their copyrights? What about the copyrights that aren't bought by anyone? Do they contribute lobbying dollars?

      My point is that it's not copyright, it's the people we choose to buy from. In fact, this is an invariant under any system; if you want moral behaviour out of your supplier, you have to be prepared not to buy from them.

      If anyone can make a fair amount of money from your system, as you claim that they can, then it stands to reason that the people to blame for your current complaints could also profit from the system, and use the money for their nefarious purposes. Your system wouldn't really fix anything.

      Sure, but that finite amount is still beyond the ability of most people to pay. I don't necessarily want to hear all 10 million songs that iTunes has to offer, but a quick glance at any P2P user's shared folder will reveal that people commonly consume more entertainment than they could afford.

      Fair enough, but I still reckon that, for most people, there's a far cry between an "inability to enjoy", and "ability to enjoy only what you can afford". It just means you have to pick the top 100 or so titles, rather than the top 1000.

      Sure, 90% seems like a huge cut down, but given that most people tend to spend 90+% of their free time in a core 5-10% of their general interests, it's not such a bad deal.

      You can be sure he didn't, couldn't, and wouldn't spend that much on music. If he had no option to download those tracks for free, he'd end up listening to less music.

      Well, it depends if everyone were playing on a level playing field. If everyone were able to do what he is doing, then there's absolutely no guarantee that those tracks w

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    181. Re:Sigh... by Mr2001 · · Score: 1

      I would suggest cold turkey, or exclusively using free (libre) content, before engaging in risky reform, especially if it's paired with discarding copyright.

      How does "cold turkey" solve the piracy problem for anyone? I assume you mean "stop buying copyrighted works". That's a detriment for consumers, who enjoy less entertainment; a detriment for producers, who lose even more potential income than they did to piracy; and likely a detriment to the movement, since the loss in profits will be blamed on piracy anyway and result in calls for even more draconian laws.

      That assumes that demand can be satisfied a trivial amount of time after it arises. Your system forces the X + Y month pause in between demand and production, which could very plausibly form a boom-bust cycle.

      That pause already exists, but it's out of consumers' sight. It takes months or years between the time when a producer identifies the demand for a work ("say, these 3D kids' movies are pretty hot") and the time when that work is available for purchase. Moving the funding up front simply brings that pause into the open.

      No, I have to disagree with you there. What about the copyright on the Linux kernel? Is that a restriction on speech, another dollar of royalties to a publisher lobbying for longer terms, etc, etc?

      Fair enough, I should say "every work sold under the copyright business model", etc.

      But yes, the copyright on the Linux kernel is a restriction on speech. It's just not as strict as the restriction imposed by, say, the copyrights on Disney movies.

      How about any copyright to an indie artist who can't afford to protect their copyrights? What about the copyrights that aren't bought by anyone?

      Yes, I agree that ineffective, unenforced copyright is less harmful than effective, enforced copyright. ;)

      If anyone can make a fair amount of money from your system, as you claim that they can, then it stands to reason that the people to blame for your current complaints could also profit from the system, and use the money for their nefarious purposes. Your system wouldn't really fix anything.

      The nefarious purposes I've complained about are a consequence of the system those people rely on. The RIAA demands stricter copyright laws because copyright is how they make their money. If they made their money by selling their services instead, they would have different demands.

      Fair enough, but I still reckon that, for most people, there's a far cry between an "inability to enjoy", and "ability to enjoy only what you can afford". It just means you have to pick the top 100 or so titles, rather than the top 1000.

      Sure, 90% seems like a huge cut down, but given that most people tend to spend 90+% of their free time in a core 5-10% of their general interests, it's not such a bad deal.

      Don't you think my friend would notice if his music collection were cut from 60,000 songs down to only 6000? How are you going to convince him it's "not such a bad deal"?

      The problem is that they are copies, which means their very existence relies on the copyrighted material. The door to these derivative works may be closed (for those who choose not to license), but copyright is most probably the reason such a door exists in the first place.

      No. Even if copyright is the reason particular original works exist, it isn't the reason for all works to exist. A system without copyright would still produce songs, and those songs could be freely remixed, mashed-up, etc.

      Well, perhaps the anime show, but for what it's worth, the serious sequel to star wars and the harry potter reference is fine by copyright, but not necessarily by trademarks.

      Not true. The Harry Potter Lexicon was shot down for copyright infringement, not trademarks.

      --
      Visual IRC: Fast. Powerful. Free.
  3. Streisand Effect? by MBCook · · Score: 2, Interesting

    Could this be the Streisand effect? Lots of new people suddenly learned about free movies when the news media talked about it for a few days.

    --
    Comment forecast: Bits of genius surrounded by a sea of mediocrity.
    1. Re:Streisand Effect? by feedayeen · · Score: 1

      Could this be the Streisand effect? Lots of new people suddenly learned about free movies when the news media talked about it for a few days.

      The Streisand effect is primary for end users. If our grandparents had heard about the news story and then started downloading, then it would be the Streisand effect. The Pirate Bay had a monopoly over torrent sharing sites as it was one of the largest and the most widely known one on the Internet. With it gone, smaller sites can now start up without the competition of attracting existing P2P users.

    2. Re:Streisand Effect? by MightyMartian · · Score: 1

      I don't think so. I think it's more an effect of people perceiving a shrinking supply of working and secure P2P solutions, so going on like great guns to where they know they can get their free stuff. It may actually be the great irony of anti-P2P initiatives that they do precisely the worst thing from the persepective of the battle, creating an artificial economic scarcity which drives up demand.

      You just gotta watch these guys in their war on the pirates. It's becoming clearer and clearer that it's their own house they're setting on fire. Even when one of them comes up a good idea like Hulu, they sabotage it by allowing it only in one jurisdiction, fueling demand but refusing to cater to it. The media companies are like giants straddling a line between pre-file sharing and post-file sharing. They understand that they need to adapt to survive, but they seem incapable of taking the necessary big step out of Ye Olden Days, and fully modernize.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    3. Re:Streisand Effect? by TheKidWho · · Score: 1

      Do you know how much ad revenue is made from these websites?

    4. Re:Streisand Effect? by Darkness404 · · Score: 1

      Or is it basic economics? Large, powerful, good site goes down leaving a vacuum for new sites to pop up. The demand hasn't slowed any and so its natural for lots of smaller sites to pop up until they become as good as TPB then we start over again.

      --
      Taxation is legalized theft, no more, no less.
    5. Re:Streisand Effect? by sopssa · · Score: 1

      Actually when the working and secure P2P solutions shrink, most people will just stop using them. When it becomes so that only possibility is to use something like darknets for P2P, only the hardcore pirates will be there and normal/casual people just wont bother.

    6. Re:Streisand Effect? by MightyMartian · · Score: 3, Insightful

      That's a delightful theory, rather like "If we make hiring prostitutes/taking drugs/whatever sufficiently onerous and legally dangerous, people will stop doing it."

      By turning filesharing into a vice, the media companies, politicians and courts are in fact only increasing the attraction. There's a peculiar psychology to it. People like guilty pleasures.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    7. Re:Streisand Effect? by sopssa · · Score: 1

      That's a delightful theory, rather like "If we make hiring prostitutes/taking drugs/whatever sufficiently onerous and legally dangerous, people will stop doing it."

      Are you saying making those illegal and having consequences when caught have absolutely no effect on if people will do them? Of course it doesn't limit those who really want to, but it limits those people actions who dont care as much and can be without too.

    8. Re:Streisand Effect? by itsenrique · · Score: 1

      nope, can you tell us?

    9. Re:Streisand Effect? by MightyMartian · · Score: 1

      A law only works insofar as it reflects the common mores. While prostitution and drug use do violate the common more, they are seen as vices and, oddly enough, vices tend to get more of a pass than other forms of deviant or criminal behavior.

      The big problem with trying to banish illegal filesharing is that a whole generation not only views swapping around copyrighted material as a vice, but doesn't necessarily even see it as immoral behavior, or at least as seriously immoral.

      The idea of controlling performance, or indeed of creating an artificial form of property which still uses the powers of the State to enforce ownership and access like real property is pretty damned new. Taking in even primitive forms of intellectual property protection, it's not much more than four or five hundred years old. A thousand years ago, if someone wrote a good song, it would spread. The same with stories, plays and so forth. About the best an artist could hope for was that they did a sufficiently good job that the work would be universally recognized as his (ie. Edgar the Dishonest Saxon couldn't pretend that he wrote the collected works of Averroes because scholars would sufficiently familiar with the works to recognize the claim as bunk).

      It may very well be, as I have repeatedly said here and elsewhere, that the era where a songwriter or writer could make a million bucks directly off their creation may be over. It may mean that profit comes not directly from distribution of artistic creations (books, songs, movies).

      No industry, no technology, is guaranteed an infinite period of profitability, full stop. Plenty of industries have either gone down the tubes or morphed over the ages. Long-term survival is in adapting to an ever-changing environment, not in some ludicrous make-believe exercise that you control the environment even as it's steam rolling over you.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    10. Re:Streisand Effect? by mweather · · Score: 4, Insightful

      Are you saying making those illegal and having consequences when caught have absolutely no effect on if people will do them?

      Of course they have an affect. Countries with legal prostitution and drugs have lower use rates of both.

    11. Re:Streisand Effect? by thinkloop · · Score: 1

      Countries with legal prostitution and drugs have lower use rates of both.

      Interesting, citation pls.

    12. Re:Streisand Effect? by PRMan · · Score: 1

      What's a "Hulu"?

      Is that the thing that used to work on my PS3?

      Can't say as how I even remember anymore...

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
    13. Re:Streisand Effect? by Anonymous Coward · · Score: 0

      I agree with you, but can you give a citation?

    14. Re:Streisand Effect? by piepkraak · · Score: 0

      Welcome to The Netherlands. We have lower use rates of both.

    15. Re:Streisand Effect? by Anonymous Coward · · Score: 0

      Lower...admitted/recorded use rates, anyway.

    16. Re:Streisand Effect? by Tsunamio · · Score: 1

      True, but one would imagine this would skew the results in countries where drugs or prostitution are illegal more than it would where they aren't.

      As for the citations requested above, I don't know much about prostitution, but Glenn Greenwald wrote a white paper for the Cato Institute in which he discusses Portugal's success with decriminalization of all drugs. There's a link to it on this page: http://www.cato.org/event.php?eventid=5887 .

      On a side note I don't know how much piracy is being turned into a vice. My sense is that very few people associate any shame with it.

    17. Re:Streisand Effect? by Anonymous Coward · · Score: 0

      Are you saying making those illegal and having consequences when caught have absolutely no effect on if people will do them?

      Of course they have an affect. Countries with legal prostitution and drugs have lower use rates of both.

      Citation?

    18. Re:Streisand Effect? by xtracto · · Score: 1

      That is an interesting stand. I read a law thesis (was partly used as background for Mexico's new drug-permission law) were they stated that the "drug problem" was originally a health-issue which was converted to a criminal-issue by the government.

      I guess in the same way, the "copyright infringement" problem is a business-model issue which is being converted (as we speak) into a criminal-issue.

      --
      Ubuntu is an African word meaning 'I can't configure Debian'
    19. Re:Streisand Effect? by TheKidWho · · Score: 1

      Yes, a metric shit ton.

    20. Re:Streisand Effect? by mccabem · · Score: 1

      [...]I read a law thesis (was partly used as background for Mexico's new drug-permission law) were they stated that the "drug problem" was originally a health-issue which was converted to a criminal-issue by the government.

      I'm going to assume the "government" being referred to above is the US Goverment.

      The advent of drug laws as we know them was with the Temperance movement. Another good read is here. Rather than being written toward alcohol prohibition like the Temperance article, this is oriented toward Marijuana Prohibition. The second link is (IMO, anyway) very conservatively written for someone who's simply trying to find out the history of it.

      To save the lazy out there some considerable reading, yes drugs were converted to a criminal issue with little good reason or due dilligence on behalf of the legislators. By comparison, Alcohol Prohibition made all kinds of sense...and we all can see that Alcohol Prohibition (which was the 18th Amendment, btw!) was repealed from law wholesale. What should that mean about Marijuana Prohibition?

      -Matt

  4. it's almost like... by u4ya · · Score: 5, Insightful

    a handful of selfish greedy people are no match for millions of selfish, greedy people

    1. Re:it's almost like... by Anonymous Coward · · Score: 5, Insightful

      HAHAHA this is possibly the best comment ever.

    2. Re:it's almost like... by CyprusBlue113 · · Score: 1

      Thank you so much, this is now my email signature.

      --
      a handful of selfish greedy people are no match for millions of selfish, greedy people -u4ya
    3. Re:it's almost like... by Anonymous Coward · · Score: 0

      "I really want the product this group of people makes! But I don't agree with how they want it distributed and I find them rude. Therefore, I'm justified in both defying them and not paying for it! See? That's civility!"

      Mr. (or Mrs.) u4ya, you're one of the few who see it for what it is.

    4. Re:it's almost like... by schon · · Score: 4, Insightful

      a handful of selfish greedy people are no match for millions of selfish, greedy people

      I find it particularly ironic that people who are sharing cultural works with others for free are being called "greedy" and "selfish".

    5. Re:it's almost like... by Grishnakh · · Score: 1

      What's good for the goose is good for the gander.

    6. Re:it's almost like... by characterZer0 · · Score: 1, Troll

      What makes a work "cultural", and why does that mean that you do not need the author's permission to copy it?

      --
      Go green: turn off your refrigerator.
    7. Re:it's almost like... by Jah-Wren+Ryel · · Score: 3, Interesting

      What makes a work "cultural", and why does that mean that you do not need the author's permission to copy it?

      Why do they need the author's permission to copy it in the first place?
      If someone tells me a fart joke, why should I get their permission to tell that joke to someone else?
      And if you think the difference between fart jokes and blockbuster movies is the cost of creation - you are exactly right. But it doesn't matter because a principle that doesn't scale isn't a principle at all.

      --
      When information is power, privacy is freedom.
    8. Re:it's almost like... by schon · · Score: 1, Insightful

      What makes a work "cultural"

      The fact that it's part of our culture?

      why does that mean that you do not need the author's permission to copy it?

      Mu. Please take your straw men elsewhere.

    9. Re:it's almost like... by Anonymous Coward · · Score: 0

      Why is this marked "Troll"?

      He's right - calling sharing "selfish" is the height of stupidity.

      Fucking idiot moderators.

    10. Re:it's almost like... by Anonymous Coward · · Score: 0

      f**kin' A man

    11. Re:it's almost like... by kthejoker · · Score: 1, Redundant

      This type of thinking will eventually lead to the creation of things whose cost is zero and no higher.

      Sounds great!

    12. Re:it's almost like... by Anonymous Coward · · Score: 0

      What makes a work "cultural",

      Sharing it with enough people to be part of their own personal history and memory makes it cultural.
      TV shows and movies, at least those shown on TV via broadcast/cable/satellite and theaters, are plenty enough people to make that experience part of their shared lives.

      That makes it cultural.

      and why does that mean that you do not need the author's permission to copy it?

      Because that is the default state of things.

      There has still been no convincing argument that copyright should exist.
      The only groups that seem to argue for it, are those that have stolen our culture from the people that actually created it, and want to sell it back to us,
      and of course the few people whom believe the first group, that copyright will make them rich.

      For the other 99.999% of us that copyright actively harms, our actions should show fairly loudly that we simply do not care to be slaves to them any longer.

      I should also point out that even with our current broken model of copyright, once an artist creates his work (Unfortunately against the artists will) that work is copyrighted.
      This means at that very moment, the work belongs to the public. In exchange for that, you are supposed to get a limited time control over whom can distribute it.
      Far too many authors are trying to keep that limited control well past what the real owners of the work find acceptable.

      So if artists won't pay up for the right of copyright, why should we pay up in the first place with limiting distribution rights to them?

      At least in the past, one could say if you as an artist don't like the payment terms for getting copyright on your work, you can choose not to do it. Sadly, that is not true anymore, and is just one more sign of how much those in power are trying to steal from us.

    13. Re:it's almost like... by Anonymous Coward · · Score: 0

      Free market forces!

    14. Re:it's almost like... by t0y · · Score: 1

      Easy: it's cultural because it gets its value and inspiration from the culture & society it was created under.
      You can therefore copy it because it belongs to us, the people.

      Will this do?

    15. Re:it's almost like... by Azheim · · Score: 1

      Why do they need the author's permission to copy it in the first place?
      If someone tells me a fart joke, why should I get their permission to tell that joke to someone else?

      If you care about what the person who told the joke thinks about you, yes.

      If someone tells me a joke, and I like it, I'll almost always ask "Do you mind if I use that?" before passing the joke along. Reason being that I don't want my friends thinking of me as a joke thief - the guy who always uses other people's jokes. Granted, that person may have gotten that joke from someplace else, and they'll usually tell me where it came from if they can remember. Then when I tell the joke to other people, I'll source my material, either before or after. This all sounds complicated, but it really only takes 10 or 15 seconds - well worth it for a good, honest laugh.

      If you don't think that joke stealing is a big deal, just look up "carlos mencia steals" in Google, and check out the response that you get. His reputation has been ruined (in most, not all, circles) because of the material he's stolen.

      Sharing may not be selfish, but taking sure is.

    16. Re:it's almost like... by commodore64_love · · Score: 1

      >>>people who are sharing cultural works with others for free

      Where? Certainly not the RIAA or MPAA

      --
      "I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
    17. Re:it's almost like... by tmosley · · Score: 1

      Why do you need permission from an immortal corporation to download a work who's author has already been compensated and/or has been dead for decades?

    18. Re:it's almost like... by Heddahenrik · · Score: 1
      Numbers mean little in war/fights. Dedication is everything. The ones who don't give up win.

      Every time someone buys a CD or DVD, a little of the Internet dies. Every time someone uses Spotify, our Internet becomes more like cable TV.

      Every time they shut down a Pirate Bay, the pirates learn a new way of fighting, just like every pirate copy teaches the media monopolists some new way of stealing money for stuff they paid someone to do 50 years ago.

      When it comes to music it's quite easy: No compromise is needed. We should not have to pay for music and enough music will be made anyway. When it comes to movies, it's pretty easy at the moment: Let the movie theaters pay for it and sell fancy DVD-boxes that are better than digital copies. And so on. Well, if the good side win. Otherwise, welcome to cable-TV "Internet" and the end of free speech!

    19. Re:it's almost like... by Jah-Wren+Ryel · · Score: 1

      Attribution is a completely different thing from copying.

      I highly doubt that you ask the joke teller's permission to claim authorship of his fart joke.
      Certainly Mencia's problems (which are hardly unique in the stand-up comedy world, Robin Williams has been frequently accused of similar acts) aren't about copying other people's jokes - they are about his passing them off as his own jokes.

      --
      When information is power, privacy is freedom.
    20. Re:it's almost like... by ultranova · · Score: 1

      This type of thinking will eventually lead to the creation of things whose cost is zero and no higher.

      Good thing that computer technology is getting to the point where making your own movies with nice special effects is quite possible, if still needlessly difficult. The main problem nowadays is not graphics rendering, but UI and voice acting. Those need to be solved, but once they have been, Hollywood is done for.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    21. Re:it's almost like... by T+Murphy · · Score: 1

      If I'm buying something at your sandwich shop and come up 2 cents short, you would be considered a jerk to tell me I don't get my sandwich. Something tells me that principle doesn't scale when I'm buying a car from you and I'm short $10k.

      The time and effort to come up with a joke is small enough that most people don't think twice about giving it away- the same doesn't always hold true for large pieces of software or collections of original songs or other art. I'm assuming* a significant motivation for contributing free software is that people are trying to pay for their use of others' contributions past and future (i.e. they like the software)- I don't expect many people to spend time programming for free if it were a thankless job.

      *I've never talked to people who contribute to free software so feel free to correct me if I am wrong.

    22. Re:it's almost like... by Jah-Wren+Ryel · · Score: 1

      If I'm buying something at your sandwich shop and come up 2 cents short, you would be considered a jerk to tell me I don't get my sandwich. Something tells me that principle doesn't scale when I'm buying a car from you and I'm short $10k.

      If your car dealer has a give-a-penny-take-a-penny pot that holds 10K then yeah, it would be FINE.
      See, how that principle scales?

      I don't know of a single store that routinely sells stuff for less than the stated price, even by a few cents unless the money comes from some where else like a penny pot. So I don't see why a car dealer should either.
      See how that scales too?

      I'm assuming* a significant motivation for contributing free software is that people are trying to pay for their use of others' contributions past and future (i.e. they like the software)-

      You are wrong. The single most common reason for people to write Free software is to scratch an itch - they have a problem, the software mostly solves it and adding a few more features takes care of it completely. Other reasons are primarily for credit - students doing it as part of a school project and developers doing it either as part of their job or looking to build credibility in order to get a job. I've never heard of a single person writing code for a software project purely because they want to give something back.

      --
      When information is power, privacy is freedom.
    23. Re:it's almost like... by T+Murphy · · Score: 1

      Let me try again with an analogy you won't take too literally: I'll hold the door open for you with no expected reciprocity because it takes so little effort. If I help you move I won't help you twice if I'm getting no favors/kindness in return.

      Another: If you do 51% of the work and your partner does 49% you probably won't notice, and even if you do you wouldn't complain. Make it 70/30 and you will notice and might speak up about it.

      You are ignoring social implications which vary by the significance of the subject at hand. Unless you can somehow concretely define all social costs and benefits your model is going to have error.

    24. Re:it's almost like... by Imrik · · Score: 1

      If I'm buying something at your sandwich shop and come up 2 cents short, you would be considered a jerk to tell me I don't get my sandwich. Something tells me that principle doesn't scale when I'm buying a car from you and I'm short $10k.

      Your proportions are off. If I'm buying a $2 (for nice simple math) sandwich and come up 2 cents short, that's 1% of the price and the shop still gets a nice profit margin making them generally inclined to sell it to me. I think if you're buying a million dollar car they might let you off on being short $10k.

    25. Re:it's almost like... by Anonymous Coward · · Score: 0

      Ummm yeah. YouTube is well on its way to replacing Hollywood. Enjoy your new world media.

    26. Re:it's almost like... by Jah-Wren+Ryel · · Score: 1

      Let me try again with an analogy you won't take too literally: I'll hold the door open for you with no expected reciprocity because it takes so little effort. If I help you move I won't help you twice if I'm getting no favors/kindness in return.

      Literal or not, holding the door open for someone is nothing like helping someone move. There is no common principle shared between the two cases. The first is the principle that politeness helps society in general and the second is that friends help each other (no one helps someone else move even once if they aren't getting something in return, just because it isn't immediately tangible doesn't mean there is not a debt incurred.)

      Another: If you do 51% of the work and your partner does 49% you probably won't notice, and even if you do you wouldn't complain. Make it 70/30 and you will notice and might speak up about it.

      You gloss over so many details as to make this example meaningless. What's the nature of the partnership? Is it ongoing? Are you in competition with the partner? Can you even measure the percentage of work with that level of accuracy? Answers to those sorts of questions will almost certainly lead to your example becoming contradictory. I think the reason you complain about taking your example 'too literally' is simply because they fall apart under close examination. You want to hand-wave and really say "big is hard, small is easy" but my original point stands - if its a principle it needs to cover all bases, not just the ones that conveniently map to a popular mode of thinking.

      You are ignoring social implications which vary by the significance of the subject at hand. Unless you can somehow concretely define all social costs and benefits your model is going to have error.

      Actually, I think's precisely what you've been doing by trying to avoid being too literal.

      --
      When information is power, privacy is freedom.
    27. Re:it's almost like... by Anonymous Coward · · Score: 0

      Ummm yeah. YouTube is well on its way to replacing Hollywood. Enjoy your new world media.

      I'll take a 5 minute episode of "The Guild" over a 40 minute episode of "Dancing with the Stars" any day.

      Robert Rodriquez's "El Mariachi" was made on a budget of $7K about 15 years ago - and most of that went to film which is now a miniscule cost with digital.
      Crank 2 was entirely shot on $500 consumer-grade HD-cams and it looks fucking fantastic.

      The means are here and the masses have access. Hollywood can make 50-100 films a year, we the people can make thousands and even if 99% of them are crap, that still leaves us with more good films than hollywood can make with their enormous and efficient budgets.

    28. Re:it's almost like... by T+Murphy · · Score: 1

      You're making things up to keep your argument valid- holding a door and helping someone move are similar in the way making a joke or making a book are similar. "Friend" isn't a binary quality so you can't use it to divide rules of politeness. Expectations of what you should and shouldn't do are weighted by the value of the relationship, so you have different breakpoints of what quantity of effort is expected depending on where your relationship lies in the spectrum. Obviously it is hard to quantify rules of politeness, so generalization is NEEDED.

      Holding a door open and helping someone move have no direct benefit to you. You do them with the expectation that people will do likewise. The reason you will hold a door open for just about anyone is that it takes little effort so the resources at risk are low. Helping someone move takes more time (resources), so doing so with an expectation of future payment is higher risk. Helping friends move is lower risk, as you have a better idea of how they reciprocate, so you are more willing to do so. If someone proves to be high risk you are less likely to help them. Future payment may be in the form of pizza afterwords, or reciprocated moving help.

      Everyone should be better off if all creative ideas are immediately shared with society as a whole, but no one person benefits from contributing without the expectation of reciprocity. A joke takes little effort to come up with, so contributing it to society is low risk. Writing a book takes much more time and effort (and possibly money), so sharing it openly is higher risk. Trading original work for direct compensation is a greater benefit to an individual than putting the work out in the open if no one reciprocates, so that is the option usually taken with high-risk work.

      As for my 51/49 example- to keep you from making up new rules I'll be specific and say it's 100 math problems you and a partner are assigned to work on. Any partner would consider you a jerk if you chew them out for only doing 49 problems, yet you would have a base for your criticism if they only did 30. Don't add varibles- the only variables here are the size of the infraction and the size of the response. If your only options were to say nothing or complain to the teacher (for example), then there would be a certain point where you decide to go to the teacher, and before that you would suppress your mild issue with the partner. Similarly, if your options with the joke are don't complain and ask to be paid, you'd have to have quite a joke to decide it's time to ask for money. A book is worth more, so you have more in-between options from ask for nothing and ask for the value of the book. You can either call ignoring the small things a product of kindness, or be mathematical and call it an artifact of limited resolution. Yes, you have more options than I suggest here, but at some point you can't split hairs any more finely- the more value involved the more fine you can get, i.e. a 5 cent joke can only be charged for in 20% increments.

      If you don't like my analogies you should still get the point I'm trying to make and be able to apply the argument to an analogy more palatable to you- I can't make an analogy that takes everything into account (you don't take into account what kind of book or whether people involved are professional comedians, or...), so please decide when the difference is too small to worry about and when it is large enough to be worth mentioning (see what I did there?).

    29. Re:it's almost like... by Jah-Wren+Ryel · · Score: 1

      holding a door and helping someone move are similar in the way making a joke or making a book are similar.

      Distribution is distribution be it large or small.
      What you've got with your analogy isn't even on the same page, much less the same word.

      --
      When information is power, privacy is freedom.
    30. Re:it's almost like... by s0l1dsnak3123 · · Score: 0

      I think, sir, you just hit the nail on the head ;)

    31. Re:it's almost like... by mccabem · · Score: 1

      Performing a work live and producing a copy to sell are two different things, even under the current law.

  5. Well, it's no secret... by beatsme · · Score: 5, Informative

    The article makes it seem like a covert/mystical action, but really, anyone who has been reading TorrentFreak in the days since the TPB offer of sale and events surrounding the trial will know that people have been thinking about ways to mirror TPB for a while now, under the assumption that it will sink: http://torrentfreak.com/its-time-to-sink-the-pirate-bay-and-replace-it-090913/ , http://torrentfreak.com/torrented-pirate-bay-copy-comes-to-life-090820/ , etc...

    1. Re:Well, it's no secret... by kalirion · · Score: 1

      Great, now they just need to close down TorrentFreak, and piracy will be a thing of the past!

  6. Buzzwords, because thinking is hard by Virak · · Score: 5, Funny

    This is cloud computing like buying another pair of pants is cloud clothing.

    1. Re:Buzzwords, because thinking is hard by Anonymous Coward · · Score: 0, Funny

      I tried to refocus and consolidate my thinking to be more in line with your criticism but was unable to complete the paradigm shift. Perhaps you could resize your critique's footprint to fit my home office's plans.

    2. Re:Buzzwords, because thinking is hard by garynuman · · Score: 1

      This is cloud computing like buying another pair of pants is cloud clothing.

      i don't get it, could you please explain yourself to me relating your comments to repairing an automobile? thanks....

    3. Re:Buzzwords, because thinking is hard by sopssa · · Score: 1

      This is cloud computing like jumping on top of other car with yours is cloud driving.

    4. Re:Buzzwords, because thinking is hard by natehoy · · Score: 2, Funny

      No, you're thinking inside the box. This isn't rocket science. Take a look at a 50,000 foot view to rightsize your comprehension. This is synergy between alternative downstream partners because the alpha dog just got eaten by the wolves.

      At the end of the day, what we have here is a classic case of vertical integration. Due to a disconnect between law and TPB's established best practices, a way needed to be found to realign the conflicting priorities. In an attempt to realign the siloed legal conflict, TPB is ghostsourced and found involuntary closure as their exit strategy. Their former customers see a need and fill a need by taking it to the next level of self-enabling their own Torrent service, thereby eating their own dog food, while leveraging a market gap and filling it with customer-centric organic growth. Each new value-added Torrent site utilizes the existing low-hanging fruit of recycled TPB torrents, gains a lot of eyeballs in their attempt to win mindshare from a market that's really co-opetition. If they touch base and act open kimono with each other, it's a new new economy win-win scenario.

      --
      "This post contains words, known to the State of California to cause thought. Wash brain thoroughly after reading."
    5. Re:Buzzwords, because thinking is hard by megamerican · · Score: 4, Funny

      "No officer, I'm not naked. I'm a trend setter in cloud clothing. That man over there is wearing pants for me. Honest."

      --
      If you have something that you dont want anyone to know, maybe you shouldnt be doing it in the first place -Eric Schmidt
    6. Re:Buzzwords, because thinking is hard by Virak · · Score: 1

      Which chapter of the Necronomicon is that from? It doesn't seem to be in mine. Do you have a newer version than I do?

    7. Re:Buzzwords, because thinking is hard by houghi · · Score: 1

      http://www.cloudclothing.co.nz/downloads.html
      Something like this you mean?

      --
      Don't fight for your country, if your country does not fight for you.
    8. Re:Buzzwords, because thinking is hard by TooMuchToDo · · Score: 1

      My head exploded from all the buzzwords in that post reaching critical mass. Well done.

    9. Re:Buzzwords, because thinking is hard by Anonymous Coward · · Score: 0

      Which chapter of the Necronomicon is that from? It doesn't seem to be in mine. Do you have a newer version than I do?

      Yes. It is also an older version than yours.

    10. Re:Buzzwords, because thinking is hard by PPalmgren · · Score: 1

      I can't imagine what kind of hell you must have gone through to learn such devilspeak. Any manager who sees that is bound to have multiple orgasms.

    11. Re:Buzzwords, because thinking is hard by dkleinsc · · Score: 1

      Yes, but what are our prioritized action items to move forward on implementing this paradigm?

      --
      I am officially gone from /. Long live http://www.soylentnews.com/
    12. Re:Buzzwords, because thinking is hard by Lotana · · Score: 1

      I don't know what you said, but I want to buy it.

    13. Re:Buzzwords, because thinking is hard by Lunzo · · Score: 1

      Bzzzt - Manager detected. Engaging biting sarcasm and negativity.

  7. In other news by FlyingBishop · · Score: 5, Insightful

    I have feverishly been engaged in whacking moles, and cannot for the life of me comprehend why they continue to pop up.

    1. Re:In other news by rant64 · · Score: 2, Funny

      He's trying to ask if you have any aspirin.

    2. Re:In other news by SmlFreshwaterBuffalo · · Score: 1

      I have feverishly been engaged in whacking moles...

      So that's what the kids are calling it nowadays.

      ...and cannot for the life of me comprehend why they continue to pop up.

      Give it a few more years and you'll soon miss that.

  8. Pirate Bay is closed? by WormholeFiend · · Score: 4, Informative

    Certainly does not look dead yet.

    1. Re:Pirate Bay is closed? by sopssa · · Score: 1

      If you read more than the title you'd know this is about after the time TPB was in court in June, and after all the shit that has been going around it (GGF sale, countless downtimes, court problems in several countries)

      But funnily TPB doesn't respond now (again, like countless times recently)

    2. Re:Pirate Bay is closed? by Anonymous Coward · · Score: 0

      Was alive and kicking (as in, "new torrents being posted continually") less than 24 hours ago at 194.71.107.15. In a day or two, once they get on another host and the DNS info propagates, it'll be at some other IP address.

    3. Re:Pirate Bay is closed? by sopssa · · Score: 1

      It's been on that IP for a while now because they own the IP block. I explained here before how they handle the backbone for the site and try to make it more redundant (which doesn't seem to help much lately)

    4. Re:Pirate Bay is closed? by itsenrique · · Score: 1

      the idea of scarcity driving up demand ;-)

    5. Re:Pirate Bay is closed? by Anonymous Coward · · Score: 0

      I explained here before how they handle the backbone for the site and try to make it more redundant (which doesn't seem to help much lately)

      (...And I see some luser actually had the cajones to imply that you were karma-whoring when you did so.)

      Thanks for the info!

    6. Re:Pirate Bay is closed? by nloop · · Score: 1

      I think you missed the point. Slashdot summarizes news stories, from the summary you decide if you want to read the story. A blatantly misleading summary throws off the whole equation.

      From this and your other antagonistic post on this story, the one implying only people without money chose to pirate media, I'm guessing you work for some dying industry with an obsolete business model? I'm sensing some angst. Perhaps Rupert Murdoch is your boss?

    7. Re:Pirate Bay is closed? by Anonymous Coward · · Score: 1, Informative

      You sure?

      http://downforeveryoneorjustme.com/thepiratebay.org

  9. Solving the wrong problem? by DeadDecoy · · Score: 2, Interesting

    It seems to be that media outlets are solving the wrong problem. If pirated movies, software, etc pop up everywhere then that indicates a high demand for a particular service or product. Especially when their illegitimate services are probably being operated at bare minimum cost to provide terabytes of content and bandwidth. They should probably try offering a pay service (either subscription or per-view) to access content online even when it comes out. Naturally there will be people who don't want to pay anything, but there might be a marginal market for this kind of thing. Either way, the research would be interesting. And, if pay+hd content or commercial+normal quality can't compete with free+crappy telesync, then maybe the media industry isn't losing enough money to whine about?

    1. Re:Solving the wrong problem? by E33K+TH3+B34R · · Score: 1

      It seems to be that media outlets are solving the wrong problem. If pirated movies, software, etc pop up everywhere then that indicates a high demand for a particular service or product. Especially when their illegitimate services are probably being operated at bare minimum cost to provide terabytes of content and bandwidth. They should probably try offering a pay service (either subscription or per-view) to access content online even when it comes out. Naturally there will be people who don't want to pay anything, but there might be a marginal market for this kind of thing. Either way, the research would be interesting. And, if pay+hd content or commercial+normal quality can't compete with free+crappy telesync, then maybe the media industry isn't losing enough money to whine about?

      Good in theory but didnt work with Napster, - Kazza (Or Morphious) Just came along ... Then Torrents and News groups . . .

    2. Re:Solving the wrong problem? by jshackney · · Score: 1

      They should probably try offering a pay service (either subscription or per-view) to access content online even when it comes out.

      Exactly. You and I know this is probably a brilliant idea. Convincing media executives is another thing entirely. I would gladly pay for much of the programming I formerly enjoyed before I dropped my cable. I just couldn't justify the ridiculous monthly costs for 120 channels when I never watched 95.8% of them. I get the vast majority of my programming from the network sites now, or someplace like Hulu.

      When it comes to movies, they're so horrifically bad that I can't bring myself to part with cash only to walk out before the film is half over. What's worse, there are few movies even worth considering going to watch in the theater. But that's another commentary. Just let us grab the movies/programming a-la-carte sans the middle-man.

    3. Re:Solving the wrong problem? by MickyTheIdiot · · Score: 1

      accept this would involve innovation... and that's soooo hard! (in Barbie's 'Math is Hard' voice)

      The one of the thing any entrenched industry does when they are threatened by new technology (or anything else for that matter) is go to the government for help (i.e. get the competitor regulated out of existance). That's where we're at right now.

    4. Re:Solving the wrong problem? by Attila+Dimedici · · Score: 1

      It didn't work with Napster because the RIAA shut down Napster and then allowed it to be resurrected as a pay site after it became obvious that P2P was replacing it. By then it was too late, if they had cut a deal with Napster in the first place, it might have been different.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    5. Re:Solving the wrong problem? by DeadDecoy · · Score: 1

      But itunes, amazon books, and steam games seem to be functioning pretty well. Granted they use drm, but their success shows that users are willing to accept and pay for it if a greater service is provided. The above examples demonstrate that digital media services can work as long as their implementation details are hashed out.

    6. Re:Solving the wrong problem? by Nyrath+the+nearly+wi · · Score: 3, Insightful

      Time to trot out this old but still pertinent quote again:

      From "Life-Line" by Robert Heinlein (1938)

      "Before we leave this matter I wish to comment on the theory implied by you, Mr. Weems, when you claimed damage to your client. There has grown up in the minds of certain groups in this country the notion that because a man or corporation has made a profit out of the public for a number of years, the government and the courts are charged with the duty of guaranteeing such profit in the future, even in the face of changing circumstances and contrary public interest. This strange doctrine is not supported by statute nor common law. Neither individuals nor corporations have any right to come into court and ask that the clock of history be stopped, or turned back, for their private benefit. That is all"

    7. Re:Solving the wrong problem? by MBGMorden · · Score: 2, Interesting

      iTunes doesn't use DRM - at least not for their music. Neither does Wal-mart or Amazon's MP3 stores.

      Indeed, it has been shown that if the price is right, then content is good (ie, non-DRM'd so I can use it where and how I want) and the interface simple (searching iTunes is far easier and straight forward than digging through a torrent site), then people WILL pay for online media.

      The thing is, MOST people, even those who are paying, really don't give a shit about copyright. You want people to pay, you have to provide a better SERVICE. I use iTunes for my music because I only buy 10-15 songs per month and I can now play them on whatever I want. I use Pirate Bay for my movies because they charge as much or more compared to a physical disc, only play in the application that downloads them, and only on that one computer. And if I DID want to buy it physically then the only stores that don't require me to make a trip out of my way are Wal-mart and Blockbuster - neither of which have a sorting scheme that is even remotely sane.

      Literally, go to Wal-mart and try to find a movie. For 1, if you do find it and it's not a new release it's probably full screen. Baring that though, it could be in the "New Releases" section. OR, it could be in the genre sections. OR, it could be in one of the sections with all matching prices (of which there will be 4 or 5 - the $5 movies, the $8 movies, the $10 movies, the $13 movies, etc). Only in the genre section are the even sorted alphabetically. Everything else is haphazard and in the $5 bin most of them are just tossed into a huge pile to dig through. So if I do end up buying something it's usually mail ordering and waiting a week or two for it to get here, or taking the 50 mile trip to a Best Buy where they have a decent sorting scheme.

      In the end pirating is less hassle. Give me the iTunes store though, let it download plain un-protected AVI's (or MKV, WMV, or anything else that plays on multiple platforms), and sell the movies online for $4 each (rented at $1 each - I'll accept DRM on a rental copy), and they'll have something.

      --
      "People who think they know everything are very annoying to those of us who do."-Mark Twain
    8. Re:Solving the wrong problem? by jimicus · · Score: 1

      But itunes, amazon books, and steam games seem to be functioning pretty well. Granted they use drm, but their success shows that users are willing to accept and pay for it if a greater service is provided. The above examples demonstrate that digital media services can work as long as their implementation details are hashed out.

      Minor nit: Apple completed the job of removing all DRM from iTunes earlier this year. All tracks are now DRM-free 256Kbps AAC. (Though they do still embed the purchasers' name and email address in the file).

    9. Re:Solving the wrong problem? by E33K+TH3+B34R · · Score: 1

      Yea, My comment was quite vaigue .. I quite agree it was their methods .. . Napster didn't even need to be adopted though, I was ilegal so fair to kill it but If they wanted it, they needed to build it.

    10. Re:Solving the wrong problem? by keytoe · · Score: 1

      Seriously, I'll pay for this service.

      My cable DVR is a pain in the ass. I can't watch shows I've recorded on my living room DVR in the bedroom unless I sign up for a second DRV (and record it twice). The shows I set up to record constantly chop 1-10 seconds off either end. I frequently end up with multiple copies of a given show because the DVR is too stupid to recognize that it has already recorded it.

      The On Demand content is no better assuming you can even penetrate the byzantine and constantly changing menu system they foist upon you. You never know if or when a given show will be available on On Demand unless you drill down and look, which is only useful to know if it's on there right now. No indication as to whether or not it ever will show up - or when. Then there are the multiple listings with slightly different spellings. It's as if they hired myopic monkeys to hand enter all the metadata. If you want to see exactly how bad an interface can be, try watching a few music videos on Comcast's On Demand service.

      I ran a MythTV box for several years and it was purely a joy to use (once configured). The cable company subsequently went pure digital and I upgraded to an HD setup in the living room, so that ended that. But I miss the days of a system that did exactly what I wanted it to. At the moment, the only thing that brings me anywhere near as much joy is Netflix Watch Instantly - and that's with an incredibly limited catalog of relatively stale content.

      Frankly, I'm over it. I only want a tiny fraction of the content they're offering, but I'm paying for all of it - and it'll only come to me in a format that is a huge pain in my ass. I buy all my music now that I can purchase MP3s (or AACs) directly, conveniently and without DRM, but that model doesn't work for television shows. I don't need to OWN a copy of last week's The Office. I need to watch it exactly once.

      Sell me a PirateBay torrent service. I already have a computer hooked to all of my TVs, so you don't even need to invest in any hardware. I figure I have roughly $60 per month that is going to the cable company right now, and whoever can deliver this to me can have that. If not, I think I'll just cancel my cable and start in on the piracy. Nobody seems interested in giving me the service that I want, so why not?

      PS - I don't give a shit if ESPN will bitch that you can't bundle their channels to me with this model. Suck it up.

    11. Re:Solving the wrong problem? by Nithendil · · Score: 1

      I would say this sort of happened with mp3s and when they saw the true market value of them (about $0.32) they wet themselves and went apeshit with DRM until customers back-lashed at them, and now we finally have a somewhat fair but overpriced mp3 market. So when they do pony up and offer a movie download solution I'm sure it will be laden with DRM and overpriced. Except this time the DRM will stay, because the movie industry in its current form would never accept consumer friendly movies. Because movie executives are wetting themselves at seeing the real value of movies, about a dollar (Redbox).

    12. Re:Solving the wrong problem? by Mr2001 · · Score: 1

      Minor nit: Apple completed the job of removing all DRM from iTunes earlier this year.

      For music, but not for video.

      --
      Visual IRC: Fast. Powerful. Free.
    13. Re:Solving the wrong problem? by Kashgarinn · · Score: 1

      That should be framed and sent to every single judge in every single country.

  10. Ooh, that reminds me... by URL+Scruggs · · Score: 1

    ...I need to download Curb Your Enthusiasm. And why do Channel 4 force me to watch the Daily Show 3 days after the news happens? Grrr.

    1. Re:Ooh, that reminds me... by kimvette · · Score: 1

      And why do Channel 4 force me to watch the Daily Show 3 days after the news happens?

      How are they forcing you to watch it? Are they tying you in front of the telivision with your mouth gagged and your eyelids propped open with matchsticks?

      Are they pointing a gun at your head?

      Holding your girlfriend^H^H^H^H^HRealDoll hostage?

      Holding your Xbox|Wii|PS3 hostage?

      How exactly are they forcing you? ;)

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
    2. Re:Ooh, that reminds me... by URL+Scruggs · · Score: 1

      Hmm, why didn't I assume I'd have to defend myself from Mr/Ms Literal... Let me explain: They are forcing me to not watch it earlier, by disallowing UK access to the videos on Comedy Central's site. So I have to watch it according to their schedules if I want to watch it at all. It also means UK viewers don't have access to the archive that goes back 10 years, or any of the extended interviews. Clear enough?

    3. Re:Ooh, that reminds me... by Anonymous Coward · · Score: 0

      They are not forcing him to watch it... They are forcing him, if he chooses to watch it, to watch it 3 days late.

      There's a difference, you insensitive clod!

  11. Yep by petrus4 · · Score: 5, Insightful

    Keep trying, suits.

    For every Web site you shut down; for every IRC server you pay to have DDoSed; for every eMule node you raid; five more will spring up in their place.

    You can pollute the edonkey net with malware; we'll move to IRC. You can kill public websites; we'll make private, invite-only underground darknets, that you can't see, find, or regulate.

    The society that you are trying to prevent the formation of is, in good part, already here. We will continue working to establish it, for the ultimate benefit and enrichment of all; ironically even you yourselves in the end.

    The end of scarcity is inevitable. You can attempt to stand in the way, you can slow it down, marginally...but you will not stop it.

    1. Re:Yep by nomadic · · Score: 2, Insightful

      The end of scarcity is inevitable. You can attempt to stand in the way, you can slow it down, marginally...but you will not stop it.

      When making money from movies becomes difficult if not impossible, they'll just stop making them. That's what will stop it.

    2. Re:Yep by MightyMartian · · Score: 5, Interesting

      The idea that the media industry should be different than any other historical industry is quite beyond me. The printing press pretty much killed one of the most ancient occupations of literate civilization; the professional scribe. I'm sure lots of scribes were pretty pissed that some asshole German and his machine not only stabbed their profession in the heart, but did it with what was really a substandard result (look at illuminated manuscripts and then look at the Gutenberg Bible, it's the 128bit MP3 of its day!)

      No occupation or technology is guaranteed infinite supremacy. No law can do it, not without extraordinary harm. Late feudal Japan tried banning firearms and other forms of modern warfare to stave off the collapse of the feudal system, and then by the Meiji period was bringing in every foreign expert they could to bring them up to speed before they became a two-bit colonial rape victim like China.

      What I'm afraid of is that the anti-P2P movement will become like the War on Drugs, an unwinnable contest, but one with sufficient amounts of money being made by the so-called enforcers that they'll just keep trying to stop what they know they never can, under the strange idea that if you can criminalize enough people, somehow they'll eventually stop.

      I think every country should adopt a new clause in their constitution; the "Stupid Ideas Tried Before Clause" that would have anyone who passes a law to try a scheme proven one or more times to be unenforceable to be removed from office permanently.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    3. Re:Yep by Anonymous Coward · · Score: 1, Funny

      And nothing of value was lost, etc.

    4. Re:Yep by Splab · · Score: 1

      Not true. Hollywood studies have through time never made a dime( see hollywood accounting ), so obviously money doesn't drive them...

    5. Re:Yep by badboy_tw2002 · · Score: 1

      Right, because people have stopped going to the movies. That's why, after all this stealing, box office records (even after inflation) continue to rise. I'm sure they'll just close up shop and move on because the nerds will have won.

    6. Re:Yep by Anonymous Coward · · Score: 0

      Good. Maybe then the American electorate will get off of our asses and do something worthwhile with our citizenship.

    7. Re:Yep by Svartalf · · Score: 3, Insightful

      I think every country should adopt a new clause in their constitution; the "Stupid Ideas Tried Before Clause" that would have anyone who passes a law to try a scheme proven one or more times to be unenforceable to be removed from office permanently.

      But then there wouldn't be anyone left in office at that point...

      (Oh, did I say that with my outside voice??)

      Seriously, most people don't learn from the past and are doomed to repeat it over and over again.

      --
      I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
    8. Re:Yep by vlm · · Score: 5, Insightful

      When making money from movies becomes difficult if not impossible, they'll just stop making them. That's what will stop it.

      Movies exist because movie theaters exist.

      Movie theaters exist because teenagers need a place to make out, place phone calls, text each other, whisper, eat, drink, and gossip. Sort of like an adult-free daycare for teenagers.

      That explains a lot about the quality of modern movies, they are little more than silver-"screensavers" going on while the real activity is in the seats.

      As long as the social concept of teenagers exist, it will be possible to make money from movies. The quality of the product and the money spent on them will drop until a profit is made. The bar is already low, and will soon be lower. So, no problem!

      --
      "Science flies us to the moon. Religion flies us into buildings." - Victor Stenger
    9. Re:Yep by nomadic · · Score: 1

      Movie theaters exist because teenagers need a place to make out, place phone calls, text each other, whisper, eat, drink, and gossip. Sort of like an adult-free daycare for teenagers.

      Well they obviously have too much time on their hands; I propose a nationwide initiative to build Dickensian workhouses for them.

    10. Re:Yep by Anonymous Coward · · Score: 1, Insightful

      > When making money from movies becomes difficult if not impossible, they'll just stop making them. That's what will stop it.

      If by "they" you mean the MPAA, you might be right. But if you're claiming that *no one* will make movies, I think you're clearly wrong.

      Not everyone creates entertainment for profit. That said, I think there will be money in entertainment for a long time, but I don't think it will work out the way entertainment lobbies want it to. You'll see more artists following the web cartoonist business model (give away entertainment, sell merch) and fewer owned by corporate labels, I hope, though there's nothing stopping a corporation from figuring out that you can only effectively sell *scarce* goods and changing their business to match. But I wouldn't count on them to wake up any time soon. I think we just have to wait for the old guys in charge of the media to die out or retire, until folks born into the Golden Age of Digital Piracy start taking over.

      - I Don't Believe in Imaginary Property

    11. Re:Yep by howlingfrog · · Score: 4, Insightful

      Did the people who made Paranormal Activity on a $15,000 budget actually think it was realistic that they'd make $84,780,000 (and counting) back from it? Or even the fifteen grand they spent? Or did they make the film because they really wanted to, and it was worth that much to them to do it? An enormous chunk of the tens of millions of dollars it usually costs to make a movie is simply people charging far more than the minimum they'd accept because they can. More power to them--as long as movies are actually generating millions of dollars of profit, I'm all for everyone involved getting their fair share. But there's a hell of a lot less price elasticity of supply than you seem to think there is--removing a lot of money from film-making and music-making and the other information industries will only remove a little of the production.

      We are way, way, way past the point of diminishing returns, and we got this far ONLY because for a few decades, it was exponentially more expensive to copy information in small batches than large. When large-batch copying was prohibitively expensive, the industry wasn't very profitable. When large-batch copying got cheap (on a per-unit basis, anyway), profits got big. Now that small-batch copying is cheap too, profits will shrink again. You can debate the ethics of it, the exact positive and negative consequences, but the fact remains: this is just as much the inevitable cultural consequence of technological progress as the idea of selling information was to begin with. You can sell things that are scarce. You can't sell things that aren't scarce. Period.

      --
      The original Howling Frog is a fictional character and has no UID.
    12. Re:Yep by Anonymous Coward · · Score: 0

      The society you describe has been around a lot longer than you think. Based on your perspective, I'd say since before you were on the net.

    13. Re:Yep by ElectricTurtle · · Score: 1

      Mod parent up.

      --
      I support the Slashcott and will not be reading or commenting from 2/10/14 to 2/17/14. Beta is steaming pile of dog shit
    14. Re:Yep by brit74 · · Score: 2, Interesting

      And nothing of value was lost, etc.

      Then why do you spend time pirating nothing of value?

    15. Re:Yep by Captain+Spam · · Score: 1

      "Hollywood Accounting" applies to people (or at best holders of copyrights and other things) involved in the movies never making a dime off of something. The executives and suits at the studios most certainly made that money and used said tricks to KEEP said money.

      "Hollywood Accounting" isn't a synonym for "magically create money to keep the studio in business", it's a synonym for "screw over the not-big-name, not-corporate people involved".

      --
      Demanding constant attention will only lead to attention.
    16. Re:Yep by brit74 · · Score: 1

      Not true. Hollywood studies have through time never made a dime( see hollywood accounting ), so obviously money doesn't drive them...

      There is a difference between never making a dime on paper, and never making a dime in reality. Hollywood accounting is the former. Piracy leads to the latter.

    17. Re:Yep by nine-times · · Score: 1

      "Paranormal Activity" was shot for $15k and, last I saw, had made $22M in its first weekend. It's not going to become difficult to make money from movies, and we're not going to stop making them.

      And anyway, the movie studios may be into making movies for money, but they really would be made anyway. I know this will sound crazy, but there was music before there was a record industry. There were writers before copyright existed. Good stuff, too. Quality didn't really suffer.

      You see, humans are a creative race, and we really really like doing this stuff. We like it so much that you could pass laws making it illegal to shoot a movie or record an album or write a book, and people would do those things anyway. People would go to jail in order to do them. I know people who are, right now, producing their own movies and albums, fully expecting to spend more money then they'll make, just because they want to make them.

      So the question isn't whether this stuff will be made, and it's not whether someone will be able to make money from it. The better questions are: (a) What kinds of business models from these creative works do we, as a society, want to sanction? and (b) Can we arrange it so that the profit from these works is funneled to the people who deserve it?

    18. Re:Yep by Anonymous Coward · · Score: 0

      When making money from movies becomes difficult if not impossible, they'll just stop making them. That's what will stop it.

      Good. The movies today which are made for making money are crap in the first place.

    19. Re:Yep by value_added · · Score: 1

      For every Web site you shut down; for every IRC server you pay to have DDoSed; for every eMule node you raid; five more will spring up in their place ...

      Dude, 1995 called ...

      This is our world now. The world of the electron and the switch; the beauty of the baud. We exist without nationality, skin color, or religious bias. You wage wars, murder, cheat, lie to us and try to make us believe it's for our own good, yet we're the criminals. Yes, I am a criminal. My crime is that of curiosity. I am a hacker, and this is my manifesto." Huh? Right? Manifesto? "You may stop me, but you can't stop us all."

      Claim your prize here.

    20. Re:Yep by phantomfive · · Score: 1

      Don't worry, there are lots of unwinnable wars going on, the war on drugs, the war on murder, the war on war, the war on rape, the war on prostitution. The fact that a war is not winnable is no argument for not fighting it.

      Most people will agree that it is worth fighting the war on murder, even though it will never be won. Record companies feel it is worth fighting the war on file-sharing, even if it is never won. And since they have done a cost-benefit analysis on that decision (which of course is different than the statistics they release publicly), they are probably right, it does benefit them.

      --
      Qxe4
    21. Re:Yep by Anonymous Coward · · Score: 0

      It has been said that the higher ups in most corporations, and most likely in government, are psychopathic. One of the tests for psychopathy is the inability to learn from past mistakes.

    22. Re:Yep by MightyMartian · · Score: 1

      There is no war on murder, as such. Someone gets murdered, there's an investigation. The reasons behind murders are so many that it would be all but impossible to create any particular system of prevention, particularly considering most murders are not in fact premeditated acts.

      Or, to put in simpler language, your analogy sucks and just don't work.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    23. Re:Yep by nurb432 · · Score: 2, Insightful

      Keep trying, suits.

      For every Web site you shut down; for every IRC server you pay to have DDoSed; for every eMule node you raid; five more will spring up in their place.

      That is until TPM becomes mandatory, then the man can tell you what file you are allowed to have. Sure a few people will get past it, but 99% wont. Game over.

      --
      ---- Booth was a patriot ----
    24. Re:Yep by DinDaddy · · Score: 1

      According to their logic, that should have already happened. And yet here they are, still cranking out one mediocre POS after another, and making a profit on most of them. Go figure.

    25. Re:Yep by phantomfive · · Score: 1

      But I'm right. That fact that something cannot be prevented is no argument against trying. The fact that the war against drugs is unwinnable is no argument against fighting it.

      --
      Qxe4
    26. Re:Yep by MightyMartian · · Score: 1

      But it is, because not only is it unwinnable, it captures resources (money, people, etc.) that could better be used elsewhere (ie. more treatment for drug addiction, more money for social programs that might actually get to the root of the problem) and even worse than that, create the scarcity necessary for organized crime to see vast profits.

      Prohibition doesn't work, and much worse than not working, it in fact exacerbates the problem it alleges to fix. The Mob after prohibition had to go after new markets, which the government nicely supplied for them by maintaining prohibitions on gambling and prostitution, as well as creating nice new categories like the outlawing of narcotics, which delivered into their hands a whole new category of vices which the government played the all-important role as the bottleneck in the supply, creating the economic scarcity from which profits are produced.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    27. Re:Yep by Anomalyst · · Score: 1

      Then why do you spend time pirating nothing of value?

      Because time spent in the basement is essentially worth nothing.

      --
      There is no right to feel safe thru security vaudeville at the expense of everyone's freedom, privacy and tax money.
    28. Re:Yep by Mr2001 · · Score: 1

      When making money from movies becomes difficult if not impossible, they'll just stop making them.

      Luckily, piracy doesn't make it impossible to make money from movies. At worst, it only makes it impossible to make money by selling copies of movies that have already been made.

      --
      Visual IRC: Fast. Powerful. Free.
    29. Re:Yep by phantomfive · · Score: 1

      it captures resources (money, people, etc.) that could better be used elsewhere (ie. more treatment for drug addiction, more money for social programs that might actually get to the root of the problem) and even worse than that, create the scarcity necessary for organized crime to see vast profits.

      See, now you are making other arguments. These might be right or they might be wrong, but the argument was 'it is unwinnable therefore we shouldn't fight it.' That's a silly argument and is wrong.

      --
      Qxe4
    30. Re:Yep by aaandre · · Score: 1

      Excellent point. Let's distinguish between movies made by artists and movies made by for-profit corporations, with artistic decisions overseen by committees of suits and driven by focus groups. You know how much you enjoy those.

    31. Re:Yep by thinkloop · · Score: 1

      Listen to child

    32. Re:Yep by Sique · · Score: 1

      I'm sure lots of scribes were pretty pissed that some asshole German and his machine not only stabbed their profession in the heart, but did it with what was really a substandard result (look at illuminated manuscripts and then look at the Gutenberg Bible, it's the 128bit MP3 of its day!)

      I hate to correct you, but Gutenberg's 42-lines-Bible of 1455 is among the most beautiful foliants ever edited, and till today it's the gold standard of typography (though it lacks some of today's features as pagination, indention and paragraph breaks). It surely ranks among the best of all mediaval books.

      --
      .sig: Sique *sigh*
    33. Re:Yep by thinkloop · · Score: 1

      Thank god these forces weren't around when Curt Cobain was weighing the cost/benefit of pursuing his MBA or being a heroine-addicted iconic rock star...

    34. Re:Yep by Anonymous Coward · · Score: 0

      It's more of an anti-copying-our-product-for-free movement. It's just that P2P is the method du-jour lately. Though unlike desktop publishing compared to professional scribes. The masses aren't out there creating and playing their own games on a daily basis. I suppose I could pirate RPG maker and then make a super-nintendo era looking RPG. It wouldn't be quite as cool as Fallout 3 though. I doubt very many people would want to copy it either.

      Maybe If I could get access to a staff of computer programmers, 3D artists, an IT staff, and some artists and people to manage that team for a $200 flat fee I could start releasing free games that will make everyone love me.

    35. Re:Yep by jwhitener · · Score: 1

      Except the scribes really couldn't compete with the speed and accuracy of the printing press.

      The media industry could EASILY out class the ease of pirating something if they'd get off their asses.

      My TV, for example, should be able to play any TV show ever created for some nominal price per episode. Say.. 50 cents. 20 episodes, they get 10 bucks. Instead if I want to watch an older show, I can either order the DVD if it possible to find it, or pirate it.

      It took Tivo and and a secondary distributor/rentor like Blockbuster and Netflicks to get on demand movies to our tv's.

      Why the heck wasn't this coming from large deals between cable companies and major studios at the dawn of broadband?

    36. Re:Yep by Anonymous Coward · · Score: 0

      When making money from distributing* movies becomes difficult if not impossible, they'll just stop distributing* them. There, fixed that for you.

    37. Re:Yep by CSMatt · · Score: 1

      I think every country should adopt a new clause in their constitution; the "Stupid Ideas Tried Before Clause" that would have anyone who passes a law to try a scheme proven one or more times to be unenforceable to be removed from office permanently.

      At best there wouldn't be anyone left in office. At worst, you will have multitudes of politicians declaring "This is different! Things will be different this time!" because inevitably the opposition will invoke this clause every chance they can, regardless of justification.

    38. Re:Yep by petrus4 · · Score: 1

      Dude, 1995 called ...

      Yep. We're all alike. ;)

    39. Re:Yep by VShael · · Score: 1

      Did the people who made Paranormal Activity on a $15,000 budget actually think it was realistic that they'd make $84,780,000 (and counting) back from it?

      If you think the people who made P.A. have themselves made anything like 84 million dollars, then you sir, are crazy.

    40. Re:Yep by BoothbyTCD · · Score: 1

      And then we will read more. Please, take your ball and go home.

      --
      snig
    41. Re:Yep by garompeta · · Score: 1

      Listen to grandchild

    42. Re:Yep by snadrus · · Score: 1

      I will run with this. So a socially acceptable way to put 400 teenager pairs together in darkness would be the end if MPAA?

      Inventors here's your chance, Ferris-Wheel-like invention opportunities for everyone!

      --
      Science & open-source build trust from peer review. Learn systems you can trust.
    43. Re:Yep by Mista2 · · Score: 1

      After watching much of the crap that has come out in the last few years, having them stop cant come too soon.
      The best two movies I have watched in the last few months have been Moon (not even screening here so the only way to see it was a dowwnload torrent) and District 9 - which didnt cost a lot to make, and actually benifited from the plug being pulled on the Halo project, as there was suddenly a lot of talent looking to fill in some time.
      The stupid amounts of money involved in the movie and music industry is just warping common sense. Even if there was no mony to be made, those wanting to make art, will still do so.

    44. Re:Yep by Mista2 · · Score: 1

      Umm, people here still seem to be able to sell bottled water, even though it is freely availble from any tap anywhere. What they are selling is the convenience of the bottle, the cooling to keep chilled until you wish to purchase and consume etc, but it is odd that a can of coke is cheaper than pump bottle of water.

      3D movies is also proving interesting. To currenly watch a 3D movie as intended, you hve to go to a cinema. iMax is so good I dont mind every now an d them paying the stupidly expensive ticket price, becasue the iMax does make the experiance special.

    45. Re:Yep by mccabem · · Score: 1

      More power to them--as long as movies are actually generating millions of dollars of profit, I'm all for everyone involved getting their fair share.

      Fair share? Was that a euphenism? IANAMP (Movie Producer), but I'm willing to bet that fairness never shows its face when the pie that is a movie budget gets carved up. :)

      -Matt

    46. Re:Yep by howlingfrog · · Score: 1

      You're exactly right. There are parts of the experience which are scarce, therefore sellable, even though the information itself isn't. Right now it's 3D, big screens, better sound, etc. Most those things will make their way to the middle-class home eventually, but top-of-the-line will always be too large and/or expensive for the average individual. We are facing the imminent end of CDs and DVDs (though Blu-Ray will survive a bit longer due to limited bandwidth), and that will drastically reduce the amount of money that goes into the music and movie industries.

      But there will always be concerts, cinemas, live theatre, custom software, author signings, etc. The Renaissance patronage system may come back in some form. The amount of money going into the information-creation industries will be smaller, but not zero. As I pointed out in my grandparent post, a lot of people working in those industries would still do it for a lot less money. The sale of information is doomed, but the creation of information will survive, and will still (sometimes or often or usually) be a paying job.

      --
      The original Howling Frog is a fictional character and has no UID.
  12. Deja vu? by Anonymous Coward · · Score: 0

    Didn't the same thing happen when napster was closed down? Everyone was using napster and when it shut down multiple sites filled in the gaps. Close down one of those sites, and more get created.

    Similar to the mythical hydra. Chop off a head, and more are replaced.

    1. Re:Deja vu? by Anonymous Coward · · Score: 0

      The hydra may indeed be a good logo for a piracy movement!

  13. War on Drugs by Reason58 · · Score: 5, Insightful

    This is similarly ineffective as going after drug dealers. This addresses the symptoms, but not the underlying causes.

    1. Re:War on Drugs by megamerican · · Score: 4, Funny

      I didn't know the CIA was behind bittorrent.

      --
      If you have something that you dont want anyone to know, maybe you shouldnt be doing it in the first place -Eric Schmidt
    2. Re:War on Drugs by Archangel+Michael · · Score: 2, Insightful

      And ... war on poverty, terrorism, illiteracy, FOXNews, Hate speech ... actually any war on ______ that isn't actually a shooting war against a defined group of people.

      You cannot kill off this kind of Piracy, because it is an concept, not an actual group of people.

      --
      Agent K: A *person* is smart. People are dumb, stupid, panicky animals, and you know it.
    3. Re:War on Drugs by Anonymous Coward · · Score: 0

      Can't compare the drugs to piracy.

      Worst case scenario if piracy continues unchecked is that content starts degrading in quality as producers start feeling the financial pinch.

      Worst case scenario if hard drug use continues to grow unchecked is a decline in civilized society....hard drug use must be limited if society is to prosper. I firmly believe that all efforts to minimize addictive drug use are worthy.

    4. Re:War on Drugs by Anonymous Coward · · Score: 1, Interesting

      ...hard drug use must be limited if society is to prosper

      why ? please give me some evidence

      heroin user used to get old in Britain when it was legal, most of them were quite productive, so heroin is not a socital
      If hard drug are that bad why does the F22 pilots can take methamphetamine (go pills, crystal meth) before there flight

    5. Re:War on Drugs by BenBoy · · Score: 5, Funny

      Kinda like having a war on dandelions by goin' out and kicking them every spring. "Hey, what are those floaty things?"

    6. Re:War on Drugs by Kjella · · Score: 3, Insightful

      Drug dealers would be on the level of seeders. This is like going after the top drug kingpins and wondering why it doesn't crumble like a house of cards. Except the kingpins aren't actually kingpins and the torrents are as easy to come by as getting a business card off a salesman. They're King Canute commanding the tide not to roll in. Let's hope they don't learn any lessons from the Dutch.

      --
      Live today, because you never know what tomorrow brings
    7. Re:War on Drugs by sponga · · Score: 1

      "Hi my names Frank and I am addicted to Britney Spears songs and having unlimited downloads"
      Crowd : "HI FRANK!!"

      *guy in the corner rocking back and forth nervously*
      Frank : "whose that guy?"
      Crowd : "oh that's Jim, ever since they closed down PirateBay he has never been the same"
      Frank : "my god, what have they done!!"

      *guy in the corner signals for Frank to come to him*
      Frank : "hey whats up my names Frank"
      Shady guy: "shhh they're listening!!!!"
      Frank : "huh... Who?"
      Shady guy : " The R....I...i..i... i....A...."
      Jim : "AHHHH AHHHH AHHHH!!! DONT SAY IT!! NOOOOO"

      Nurse : "DOCTOR!!! I need 2 minutes of USENET for him!!!"
      Doctor: " For gods sake woman get out of the way!!! This man needs unfiltered internet access!!!"

    8. Re:War on Drugs by Anonymous Coward · · Score: 0

      Has anyone ever really killed off a group of people? The United States' decimation of the Native American population is probably the closest anyone has ever come. It's not easy to systematically kill millions of people. Hitler failed.

      Wars on _____ don't work because you can't put out a large fire with a boot. In the past, wars ended because they were about acquiring resources - not eliminating ideas and people.

    9. Re:War on Drugs by Smegly · · Score: 5, Insightful

      This is similarly ineffective as going after drug dealers. This addresses the symptoms, but not the underlying causes.

      Correct. But, like the war on drugs charade - it may start out with the "good intention" of stopping the undesirable thing, but before long cracking down and policing the controls will take on a life (and more importantly, budget) of its own. Then it does not matter if it is effective or not - as long as it seems to be effective to avoid massive outrage, and funding is continuously made available for those running the show to profit from it. With cracking down on P2P, one of the added extra benefit's for those in power to kick anyone they like off the net without due process - a powerful weapon in the censorship arsenal.

    10. Re:War on Drugs by kz45 · · Score: 1

      "you cannot kill off this kind of Piracy, because it is an concept, not an actual group of people."

      As technology gets better (bandwidth gets better and computers get faster), piracy won't be a problem for most big companies.

      This is because everything will be a service. Turbo tax has already converted their main application into a service and it works very well. It's only a matter of time before others follow suit.

      You may not like this idea because you want to be able to run it your own computer. But, just like the piracy movement, you may not have a choice.

      The war on poverty doesn't work because people just want to throw money at it rather than getting to the root of the problem: education. But, how do you force parents to teach their kids the right way? You can't.

    11. Re:War on Drugs by Myrddin+Wyllt · · Score: 1

      Has anyone ever really killed off a group of people?

      I'm afraid they have; we (the British) managed to wipe out the entire indigenous population of Tazmania in the nineteenth century.

      --
      [ ]Half Empty [ ]Half Full [x]Twice as big as it needs to be
    12. Re:War on Drugs by tmosley · · Score: 1

      It addresses the symptoms about as well as a doctor treating his patients with a chainsaw. Never mind the underlying causes, the "treatment" is leaving bloody severed extremities all over the place!.

    13. Re:War on Drugs by petermgreen · · Score: 1

      This is because everything will be a service. Turbo tax has already converted their main application into a service and it works very well. It's only a matter of time before others follow suit.
      That may work for a some niches but I doubt it will work in general. I just don't see HD gaming as a service as being economically feasible as a service. Nor do I see many businesses being prepared to put up with their documents being stored on systems outside their control.

      And for movies and music it will be even harder for the suppliers to keep control since the product is a stream of output to deliver to the users eyes/ears.

      --
      note: i'm known as plugwash most places but i screwd up registering that here somehow in the past and now can't register
    14. Re:War on Drugs by Anonymous Coward · · Score: 0

      No, in the past wars ended because both sides suffered terribly and it became no longer worth it for either side to carry on. The "Wars on ___" never end because neither side ever loses anything substantial, and like all wars the real loser are the poor bastards stuck in the middle that have nothing to do with either side (no not the artists etc. - the bloody public who have to put up with laws and restrictions that those fighting the war just ignore).

      Its the same reason the war in Afghanistan is going on for so long. The militants are so spread out and underground that we never get enough of them in one go, and in between successful strike the civilian casualties and callous behaviour by minorities of the armed forces turn more hearts and minds towards the militants. Despite campaigns by grieving mothers (why they expected their son not to die in war is beyond me, but they do) about the number of troops dying, the truth is we haven't lost significant numbers that would encourage us to pull out (from a UK perspective, I can't speak for US numbers). The increased use of high altitude strikes and drones will further decrease our man-power losses and also further increase the turning of hearts and minds against us (whose going to support an army that hasn't got the balls to stand side by side with the populace they're asking to revolt?).

      Wars rarely resolve anything long-term, especially not modern wars. They might solve a short-term issue such as access to a certain water supply or piece of territory - but even that will have repercussions beyond what anyone expects.

  14. 60 Minutes by BlueBoxSW.com · · Score: 4, Interesting

    Anyone see the 60 Minutes piece last night trying to link Bit Torrent to Mexican DVD piracy to gangs to child prostitution? (think of the CHILDREN!)

    It was quite ill informed, seeming to only gather information from the MPAA and other similar sources.

    The link between people using camcorders to record movies and make bad quality DVD's for sale on street-corners I get, but their assumption that these are the SAME people uploading to BT, was casual at best.

    Seriously, if you go through all the trouble to cam-cord the movie and burn DVD's in mass, aren't you just as threatened by BT as the studios?

    Perhaps use it as a source, yes, but upload your own movies for free? I don't see it.

    1. Re:60 Minutes by MickyTheIdiot · · Score: 4, Insightful

      The real bias problem in Television news isn't a liberal or conservative bias (with the exception of Fox news) but has to do with pro-corporate thinking. There are very few times that a news organization even acknowledges there is a second side to the debate when it comes to so-called "piracy" or copyright issues. I think these major reporters are so immersed in the corporate system that they are blind to the fact they even have this bias... it's the way they live, it is how they are getting paid and I believe they think there is no other way to look at many of these issues. I think that's one reason reporting this shoddy gets on the air... in the corporateThink world a connection between a kewl dood putting up a torrent of a porn dvd he ripped to mp4 and a white slave trader doesn't seem that outrageous.

    2. Re:60 Minutes by natehoy · · Score: 2, Insightful

      Similar to the ads about "if you do drugs, you're supporting terrorism"?

      Odd, that, since the only money going to terrorist nations is their share of any fuel you might have burned while driving to the street corner. So, ride your bicycle to get your fix and the link is broken.

      "Terrorism" is the new obedience card.

      Oh, yeah, that reminds me. I'm low on sheet plastic and duct tape. Gotta go...

      --
      "This post contains words, known to the State of California to cause thought. Wash brain thoroughly after reading."
    3. Re:60 Minutes by brit74 · · Score: 1

      Funny, I thought pirates disliked it when people made money off of pirated material. Oh well, I guess not. It was actually a really good news story. Everyone can watch it here: http://www.veoh.com/collection/CBS-60-Minutes/watch/v19306351MbfMTNw4

    4. Re:60 Minutes by Powys · · Score: 3, Insightful

      Yeah, Fox News is the ONLY biased television news organization. The rest of them are strictly objective. The fact that Fox is the only new organization that leans to the right of the spectrum, while every other news organization in the US leans left easily explains why Fox is so popular.

    5. Re:60 Minutes by BonquiquiShiquavius · · Score: 1

      Bullshit. The media companies are only interested in viewership/copies sold. Ideology / world view has nothing to do with it. News has been viewed as entertainment rather education for a long time now. Sensationalist reporting gets much more attention than ensuring their stories are fair and unbiased. Imagine the average American - what do you think will get their attention - "Piracy Strongly Linked to Child Prostitution" or "Potential Link Found between File Sharing and Child Pornography (Maybe)"?

    6. Re:60 Minutes by Anonymous Coward · · Score: 0

      Reality has a left leaning bias, so that's where the rest of that comes from.

    7. Re:60 Minutes by Anonymous Coward · · Score: 0

      Know why the news is heavily biased towards the media companies? Guess who owns them. :P

    8. Re:60 Minutes by mambodog · · Score: 1

      I guess FAUXNEWZ just takes it to hilarious new heights.

    9. Re:60 Minutes by ZmeiGorynych · · Score: 3, Insightful

      Except that most of what passes for 'left' in the US would count as moderate right in Europe.

    10. Re:60 Minutes by mccabem · · Score: 1
      Not to support a fallacious meme, but I think what they're driving at with the drugs = terrorism thing is all the poppies they grow in Afghanistan. So if you do a drug that's derivative of the poppy (like Tylenol III) you're officially an Enemy Combatant.

      -Matt

    11. Re:60 Minutes by natehoy · · Score: 1

      Whew! Thank goodness I use ibuprofen! ;)

      --
      "This post contains words, known to the State of California to cause thought. Wash brain thoroughly after reading."
  15. ROFL-cakes! by cpattersonv1 · · Score: 3, Interesting

    Something like ordering the shutdown of Pirate Bay makes it look to the non-tech world like “something is being done to stop those evil hackers.” When in actuality, most of the stuff you find on Pirate Bay is widely available at just about any company that has a resident Nitendo DS playing, I-Pod listening, Warez junkie working there. Most of the companies I've worked at already had at least two “darknets” up and running at all times, and that was before I worked there. (I don't condone that sort of activity, but resistance is futile.) I know of 10-year-olds that spend more time on torrents than they do texting... and that's hard to believe. They would have to kill the whole internet to make it stop, then it would start on cell phones.

  16. so, regulation by Anonymous Coward · · Score: 0

    So what you're saying is that international regulation of the Internet and restriction of encryption (license to operate) are the solutions? With deep packet inspection and criminal charges for offenders?

  17. Differing realities by alvinrod · · Score: 5, Insightful

    I think the media companies thought that when they brought the Pirate Bay to trial and won a conviction that it would scare everyone away from file sharing (legal or otherwise) and that people would go back to buying DVDs, etc. What really happened is that they generated a lot of news which basically informed countless masses unaware that torrent was even a word that they could use these things to get free movies, music, etc. off of the internet.

    It's almost a little bit like the Streisand Effect in that they're really only making the problem worse. If they really wanted to do something about piracy, stop talking about P2P and go after the people who are burning physical copies that they're selling. These people are actually distributing thousands of full copies of product for which they have no license to reproduce. That's a battle that the record companies, movie studios, et al. might actually be able to win.

    1. Re:Differing realities by Svartalf · · Score: 3, Insightful

      But they're not doing it because of "piracy" as if they were after that, it's easy enough to bust the people doing it because they're not cautious in most cases.

      They're after absolute control and trying for the ability to charge rent on our culture.

      --
      I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
    2. Re:Differing realities by Tellarin · · Score: 1

      I think the media companies thought that when they brought the Pirate Bay to trial and won a conviction that it would scare everyone away from file sharing.

      If they did think so, they're really dumber than I expected.

    3. Re:Differing realities by steelfood · · Score: 3, Insightful

      Fortunately, it'll only be a matter of time before the creators bypass the distribution companies entirely.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
    4. Re:Differing realities by Anonymous Coward · · Score: 0

      What difference does that make to the pirate?

  18. get off my lawn by garynuman · · Score: 1

    i bet our grandchildren will be astounded the Ministry of Truth let shenanigans like this occur, at least Pornosec will still be hard at work...

  19. The tag "haha" would be applicable here... by HerculesMO · · Score: 1

    I am going to use "itoldyouso" as well.

    --
    The price is always right if someone else is paying.
    1. Re:The tag "haha" would be applicable here... by kimvette · · Score: 1

      "whackamole" is more appropriate. :)

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
  20. Riiiiiight..... by tacokill · · Score: 1

    When making money from movies becomes difficult if not impossible, they'll just stop making them.

    Right! And the timeframe for that happening is: never

    Movies will always be made. If you can round up 50 ppl in your neighborhood to view your crappy version of Blair Witch Project III, then there is a good chance you can do that and make a profit. The cost of producing video now is almost nil. Putting it together into something compelling is an entirely different story, though.

    Either way, we'll still have movies. Only the quality will differ.

    1. Re:Riiiiiight..... by Nadaka · · Score: 1

      I beg to differ. The quality will be pretty much the same. Most of the entertainment I have witnessed in the last 5 years has been ridiculously low quality and time and time again I walk away feeling ripped off, even for free over the air TV. I see maybe 2 movies a year that are worth seeing in the theater, maybe another 3 to catch at a rental store. I have not seen a TV show worth watching either, more "lost:what a twist!", "Who wants to data gigilo?", "CSI:lab techs somehow in shootouts, now with more bikini's" , and "Americas next one hit blunder". I get more entertainment value for my time when my fiance shows me the latest batch of lolcats than I do from any of the media I actually end up paying for.

    2. Re:Riiiiiight..... by kthejoker · · Score: 1

      Yay, I hope a bunch of neighborhood amateurs can come up with Seven Samurai!

    3. Re:Riiiiiight..... by Anonymous Coward · · Score: 1, Insightful

      Yay, I hope a bunch of Hollywood "professionals" can come up with Seven Samurai!

    4. Re:Riiiiiight..... by Anonymous Coward · · Score: 0

      Where can I find one of these free movie production houses? I'd like to get Tom Hanks to play me in the story about how I reached lvl 70 in WoW before any of my friends.

    5. Re:Riiiiiight..... by PRMan · · Score: 1

      Um, wasn't Seven Samurai made on a budget of about half a million dollars?

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
  21. I don't think so by AlgorithMan · · Score: 1

    I think growing need for anonymous P2P systems will lead to development of easier solutions. And if one day there are enough users to get bearable transfer-rates, then the media industry is done for...

    --
    The MAFIAA is a bunch of mindless jerks who will be the first up against the wall when the revolution comes
  22. Bravo, sir by Neuroelectronic · · Score: 1, Insightful

    While greed is a great motivator, I still like to think there's a little bit of Gutenberg in us. Distributing copyrighted works is not purely a selfish act.

    1. Re:Bravo, sir by abigor · · Score: 1

      It is from the perspective of the people who create such works in order to get paid. But hey, who cares about them.

    2. Re:Bravo, sir by Jah-Wren+Ryel · · Score: 3, Interesting

      It is from the perspective of the people who create such works in order to get paid. But hey, who cares about them.

      No it's not. What you mean is the perspective of the people who distribute such works in order to get paid. It is a key difference that will lead creators to ways of making money that don't rely on charging a fee for distribution.

      --
      When information is power, privacy is freedom.
    3. Re:Bravo, sir by Anonymous Coward · · Score: 0

      *sigh* the "way of making money that doesn't rely on charging a fee" is to sell it to a distributor.

    4. Re:Bravo, sir by Threni · · Score: 2, Insightful

      But what happens when people find a way to rip people off using *that* model? Do we just have to keep changing models all the time now? Does each model work for all industries as well as the current one does/did, such as for classical orchestras/composers, jazz musicians, authors etc?

    5. Re:Bravo, sir by Anonymous Coward · · Score: 0

      Yeah, exactly. How many times has it been said now that the artists get next to nil from record sales? Uncountably many times? That's what I thought.

      I guess when the band holds live concerts, they don't make any money on those, because noone goes to them and they're free. Oh, wait, no... it doesn't work like that. Around here, they're typically sold out to several thousand fans, at a minimum of $40 a head. I guess that 100k per concert (usually one a day) or so only covers gas then, huh?

    6. Re:Bravo, sir by Mr2001 · · Score: 1

      But what happens when people find a way to rip people off using *that* model?

      If I'm charging for my labor, the only way to rip me off is to kidnap me and force me into slavery, or to promise to pay me when I'm finished and then skip out when the bill comes. And we already have pretty effective laws against all that.

      Does each model work for all industries as well as the current one does/did, such as for classical orchestras/composers, jazz musicians, authors etc?

      Is that actually a requirement? Perhaps the current model only works well -- for producers, not for consumers! -- because of a blip in the timeline of technological progress: the relatively short era in which it was feasible for wealthy corporations to mass-produce copies but not for individuals to do the same. Perhaps the balance has tipped too far in favor of producers, and it's time to even things out.

      --
      Visual IRC: Fast. Powerful. Free.
    7. Re:Bravo, sir by Jah-Wren+Ryel · · Score: 1

      Do we just have to keep changing models all the time now?

      Yes. The only constant is change. Get used to it.

      Does each model work for all industries as well as the current one does/did, such as for classical orchestras/composers, jazz musicians, authors etc?

      Maybe they will, maybe they won't. But one thing is absolutely certain - when the world changes you have one choice - adapt or die.
      Insisting on maintaining copyright in the face of such radical and unstoppable failures of copyright is just the slow road to death.

      --
      When information is power, privacy is freedom.
    8. Re:Bravo, sir by Threni · · Score: 1

      If the model is fine except that criminals find ways to break the law more efficiently/conveniently then it's possible that it's not the model that needs changing, but the law enforcement. There are areas where prostitution have flourished for years. One solution is to legalise prostitution, but another is to clamp down on it with more police, better lighting, cameras etc. Piracy is trivial currently - you just download a bit-torrent client and head on over to piratebay/mininova etc. Those - and other - sites are up and running and you're going to get potentially very fast downloads. If they were taken down then sure, the argument is more would turn up, but you wouldn't need very many people keeping an eye on zeropaid or whatever other p2p/filesharing news sites exist to find them and attack them, meaning that you'd not be guaranteed a very fast download speed as not many people would be in the swarm. You can't host a public bit torrent tracker in the UK because it'll get closed down. Likewise the US, and many other countries. The number of countries where you can is shrinking and it would be fairly easy for the UK/US government to pass a law forbidding UK/US ISPs from allowing access to certain sites, or flagging up such access to the authorities, as currently happens with child porn & terrorism.

      Direct p2p networks such as soulseek would be harder to control, because there's no tracker, just a direct connection between 2 machines, but it would make downloading large files less attractive because you'd only be getting them from one person at a time and once you get it it's not visible to others - you'd need to communicate publicly that you have the file to strangers which is currently done implicitly by the bit-torrent client.

    9. Re:Bravo, sir by Anonymous Coward · · Score: 0

      The number of countries where you can is shrinking and it would be fairly easy for the UK/US government to pass a law forbidding UK/US ISPs from allowing access to certain sites, or flagging up such access to the authorities, as currently happens with child porn & terrorism.

      Then the technology will change. We are already at the point where distributed hash tables can take the place of a tracker.

    10. Re:Bravo, sir by Anonymous Coward · · Score: 0

      Considering your only other option is to change society or every person in said society... Yes, I'd say constantly adapting business models is the only way to stay afloat. It doesn't matter how the old models worked compared to the new ones. All that matters is society won't put up with the old models anymore. Adapt or die.

    11. Re:Bravo, sir by Mista2 · · Score: 1

      Cory Doctrow writes lots of books, and he give many away for free as ebook because it costs him very little to do so, but then whenever he does that, the paper version of those books start selling like hotcakes.

      For music, if the MP3 is free or low cost, then the artist can still charge $$$$ for a concert, maybe make special editions of their albums with extra content - videos, information, etc.
      I bought some stuff on iTunes because the download alo included some extra singles, and 3 videos. I'd dfinately be buying more if the tracks also included lyrics, sone note and information. This would save me lots of time cataloging the info fro other free sources, so I would pay money for tracks with this extra info.

  23. The media insdustry is commiting suicide... by AlgorithMan · · Score: 1
    --
    The MAFIAA is a bunch of mindless jerks who will be the first up against the wall when the revolution comes
  24. Stomping out fires by Jason+Levine · · Score: 2, Interesting

    I get this mental image of a decent sized pile of sticks on fire. The RIAA tries to put out the fire by stomping on it, jumping up and down on it and kicking it. They successfully put out the main fire, but in the process sticks get scattered all about and ignite other brush. So the RIAA repeats their "put out the fire" procedure on those, continually winding up with burnt feet and more fires than they started out with.

    (This isn't to say that I agree with the copyright infringement websites either. However, the RIAA's approach to defending copyright leaves little room for sympathy and turns many who would support sensible copyrights into pirates.)

    --
    My sci-fi novel, Ghost Thief, is now available from Amazon.com.
  25. anoNet by sopssa · · Score: 1

    Personally I like the concept of anoNet more and it's a bit more interesting too, as it allows all the usual software (browser, p2p software, http/irc server etc) to work.

    anoNet is a decentralized friend-to-friend network built using VPNs and software BGP routers. anoNet works by making it difficult to learn the identities of others on the network allowing them to anonymously host content and IPv4 services.

    It is impossible on the Internet to communicate with another host without knowing its IP address. Thus, the anoNet realizes that you will be known to your peer, along with the /30 subnet used for communicating with them. A routing protocol, BGP, allows any node to advertise any routes they like, and this seemingly chaotic method is what provides users with anonymity. Once a node advertises a new route, it is hard for anyone else to determine if it is a route to another machine in another country via VPN, or just a dummy interface on that users machine.

    It's a fun thing to try out, since you can normally use mirc and browse on the anoNet sites that end in .ano tld. There's web search engine, irc server, bittorrent tracker, private WoW server and probably other "real internet" stuff too.

    Activities

    Please note that any resource listed in this section can only be reached when your connection to the VPN is active. If it is not, you will get unexpected results.

    Once you have connected to the VPN itself, you may do any number of things:
    To get the full anoNet experience, use one of our cache DNS servers (1.0.9.53 or 1.10.11.1) so that you can resolve anoNet domains! Getting your own domain such as example.ano is no problem, just ask!
    - Visit our Wiki, wiki.ano (http://1.0.9.3).
    - Visit our IRC network using 1.0.9.1 or 1.0.1.1 port 6667 (6697 for SSL) with your favourite IRC client. Join #anonet and we can help you get started with anoNet.
    - If you would like a more secure form of communication, you can use our SILC server at silc.ano:706
    - Visit our message forum talk.ano (http://1.0.9.4), where you can discuss anything under the sun! Literally. That is what this network is about -- free speech.
    - Use the anoNet jabber network (jabber.ano port 5222 or 5223 ssl for v1 clients), where you can chat with others using your favourite Jabber client! Jabber directory at users.jabber.ano
    - Grab yourself a webmail account mail.ano (http://1.0.9.6) if you don't want to run your own mail server. anoNet has no spam.
    - Search anoNet using our spidering search engine search.ano (http://1.0.9.8).
    - Use our Bittorrent tracker anotorrent.ano (http://1.0.9.200)
    - There is an open Icecast streaming server at stream.icecast.ano (1.0.9.16) port 8000, password anonet. It supports 20 streams and 200 listeners. The directory server is at icecast.ano (http://1.0.9.16)
    - Once again to promote free speech we have a multi-user blog at anojournal.ano (http://1.0.9.13)
    - If file sharing is your thing we have ed2k and dc++ servers.
    - If gaming is for you, there is a bnetd server. (Starcraft, Starcraft: Brood Wars, Warcraft II, Warcraft III, Diablo, Diablo II)
    - We also have World of Warcraft server setup (Running MaNGOS and a combination of SDB and Modb)
      Remember, you can be a server too! Do you want to play a multi-player game? Go ahead! Install a game server, advertise it around (if you like), and get people to play with you!
    Not only can you be a game server, but you can offer files, stream media, host your own web page, or anything else you want!
    There is far too much to the network to list here, if it sounds like something you would be interested in, then connect up.

    (main site seems to be down atm, but this one works)

    1. Re:anoNet by Anonymous Coward · · Score: 0

      I don't quite understand how is it architecturally superior to Tor.
      It's cool that they host a lot of their own services, but so can Tor through its "hidden service" mechanism.

    2. Re:anoNet by QCompson · · Score: 1
      Not this shit again. From their FAQ:

      Anonymity is first and foremost. Along with that true freedom of expression. We are not a pirate network, although due to the nature of the network you can expect there to be some. We also (unlike Freenet) are NOT a kiddie porn network. In the truest sense Freenet is more "free" than anoNet. On Freenet if someone is hosting kiddie porn there is not much that can be done. On anoNet however, we can. We may not know who you are, but we can block your link at our routers if it is discovered. The good news is that so far everyone that has joined has been (for the most part) like minded

      Due to a post on Slashdot we felt this needed some elaboration. No one person controls anoNet. If person XYZ decided they wanted to host kiddie porn, that is their business. However each individual person on anoNet can decide if they want that kind of traffic moving across their box. You have a right to free speech. You DON'T have a right to force someone to listen to you.

      So Anonet devs are all for "true" freedom of expression, as long as it is something they agree with.

    3. Re:anoNet by nbehary · · Score: 1

      Did you read what you quoted?

      I know nothing at all about Anonet at this point, but what they are saying is valid. It's not up to any ONE person, or a specific group to decide what people allow to be hosted using their machines. This is good, I think. Speaking for myself, I'm extremely open minded, and would not censor just about anything. Kiddie Porn would be a huge exception. Images of rape in general as well. But, ideas and opinions, no.

      That's just me.

    4. Re:anoNet by Anonymous Coward · · Score: 0

      It's more anonymous than tor really can be. And yes the main site is down, but we're working on getting it back up again this week. Problems with a hosting provider have been... complicated, unfortunately.

    5. Re:anoNet by QCompson · · Score: 1

      Yes, and if a group of people can easily censor an "anonymous" network, it is next to useless. Any reasonably sized government could effectively censor anonet if it is indeed that easy to block certain content from your machine (and by extension, prevent the information from moving on to others).

  26. The problem are Theaters by scorp1us · · Score: 2, Interesting

    No one wants to go to the theater anymore.

    I once had to sit next to a fat, nicotine-smelling mouth breather. He was so fat, his breaking actually made noise. I was no more impressed when I saw him im the lobby after the movie. His sweatshirt said "My Dick Tastes Like Chapstick"

    Couple that with talkers, out-of-focus, low-frame rate, cold theaters, you don't have the best venue for people to go see, Yeah, ita a big screen, but we have HD TVs with surround sound, and people you can beat or fart on if they get out of line. Not to mention you can actually pause the damn thing.

    If the Movie industry just gave up on theaters and went straight to PPV, thereby increasing access, they'd find they have a much bigger audience. But for some insane reason they insist on making us trot out to these smelly, dark, hell holes.

    --
    Slashdot's rate-of-post filter: Preventing you from posting too many great ideas at once.
    1. Re:The problem are Theaters by petrus4 · · Score: 2, Interesting

      No one wants to go to the theater anymore.

      I do. I went and saw Surrogates with a cousin last month. It was fun. I'll be going and seeing Avatar next month with him as well, most likely.

      It's a shame that the cinemas where you live sound as though they're bad quality.

      Where I am, we have cinema chains, and it's only very small, old, independent suburban cinemas which can be questionable. Most of them have heating, good lights, a good sound system, and great climate control, as well.

      Then, of course, the Village cinemas here have Gold Class. They have adjustable seats where you can practically lie down, and you can get waited on with various types of food, as well. Depending on whether or not I've got enough money, I might go to one of them for Avatar, perhaps.

      The one complaint I have is that even in the normal cinemas, the food is ridiculously expensive. A large Coke costs $5 AUD; it's insane.

      It's true that there aren't a lot of movies now that I really want to see; less than there used to be, unfortunately. However, I still enjoy going to the cinema, and the fact that I go more rarely now, actually just makes it that much more of a treat when I do.

      Even if I download the torrent of a movie, (I did with The Dark Knight) I will go and see it at least once, and I went and saw The Dark Knight multiple times, so the movie companies don't lose money from me at least.

      I also recommend making sure that you wait a week or two before you go to a film you want to see, as well; especially the really popular ones. I think Avatar is probably going to draw big crowds. I would never go and see a film on opening night.

      I like a fairly empty cinema for a movie; where I have my choice of being able to sit wherever I want, and where I don't have to put up with mobile phones, or talking, or kids throwing food around, etc. The way I get that, is to let the crowds go through first for about 10 days or so.

      Then I can go in and have the type of experience I want, and it is enjoyable.

    2. Re:The problem are Theaters by Anonymous Coward · · Score: 0

      You forgot the $6 soda.

      I laugh when they throw up the stupid ads that ask you to throw your trash away. At the price they want for a fucking drink... I think it's safe to say you paid someone else to pick it up. Leave your cup in the cup holder, throw the popcorn container on the floor as you leave.

    3. Re:The problem are Theaters by Anonymous Coward · · Score: 0

      I went and saw The Dark Knight multiple times, so the movie companies don't lose money from me at least.

      Thanks for, compensating for us all.

    4. Re:The problem are Theaters by Anonymous Coward · · Score: 0

      His sweatshirt said "My Dick Tastes Like Chapstick"

      I didnt know someone that fat could suck their own dick.

    5. Re:The problem are Theaters by Taibhsear · · Score: 1

      They won't do PPV though because we have HDTV's and surround sound. We also have friends and family that would all watch the same movie for the price of one ticket. They want you to go to the theatre because one person = one ticket. Frankly I like going to the theatre as long as it isn't packed and pretty much only for horror or comedies. You get the feeling of a community and you get to hear people's reactions and quips (much like a live MST3K). In serious movies though it's pretty annoying. I've had my share of chapstick dick people as well in the theatre but I just can't make microwave popcorn that tastes anything like the crack laced stuff from the theatre. Thankfully a nearby theatre has a great special ($6 for movie and small popcorn on tuesdays) which is totally worth it for me.

    6. Re:The problem are Theaters by scorp1us · · Score: 1

      I see your point, and agree, but I think we could see a more sliding scale of pricing.

      Say $20 for opening weekend. (That's two tickets, and at no cost aside form a minimal distribution cost) How many people can pack into all the nation's theater's at once, rather than stay at home? In fact people will pool together and 4-5 people may watch it to divide the cost up. I think the volume would more than make up on that occasional group of 3-4-5 people.

      Say $15 for opening week.

      Say $10 for everything past a month.

      Even though there is something for seeing it on the big screen.I would see many more movies if I didn't have to go to the theater.

      --
      Slashdot's rate-of-post filter: Preventing you from posting too many great ideas at once.
  27. duh... by amoeba1911 · · Score: 4, Insightful

    PirateBay isn't a web site, it's a culture. You can't stop culture with laws.

    1. Re:duh... by Anonymous Coward · · Score: 0

      You can't stop culture with laws.

      Somebody should have told the Nazis. They sure tried to do so.

    2. Re:duh... by Kenoli · · Score: 1

      You can't stop culture, but you can sue it!

    3. Re:duh... by tmosley · · Score: 1

      Those greedy bastards, giving things away for free! Much better to not be greedy and get money for substandard products and sue anyone that doesn't buy.

  28. An unfortunate thing about using anonimity by davidwr · · Score: 1

    Unless you live in an environment where "everyone uses anonymity tools," using them singles you out as someone with something to hide.

    If you aren't supporting a dissident movement in a dictatorship or some other noble cause, or doing only work-related computing over a VPM people will assume you are either trading warez or doing something that's in most people's List Of Evil Things, like terrorism, organized crime, or child pornography.

    In some situations, the fact you use anonymity tools can turn suspicion of illegal activity into something strong enough to get a search warrant or a key-logger warrant, where, without this, the judge would tell the prosecutor the case wasn't strong enough.

    --
    Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
    1. Re:An unfortunate thing about using anonimity by TheCarp · · Score: 1

      > Unless you live in an environment where "everyone uses anonymity tools," using them singles you out as someone with something to
      > hide.

      Not to say it is super common yet, but I have been shocked at how many times (with increasing frequency) I mention something
      about tor or vidalia to someone and found out that they know what it is and use it. I think it has caught on a lot more than is suspected because it has more mundane uses than people expect.... like HR people checking references etc.

      > If you aren't supporting a dissident movement in a dictatorship or some other noble cause, or doing only work-related computing
      > over a VPM people will assume you are either trading warez or doing something that's in most people's List Of Evil Things, like
      > terrorism, organized crime, or child pornography.

      I am always amused by this one. Isn't "supporting a dissident movement in a dictatorship" a pretty um... relative set of terms?
      From the point of view of a sitting government, a dissident movement is, well, a bunch of criminals. So "aiding a dissident movement" is aiding a criminal element... at least by someones viewpoint.

      Things really start to get murky as the 'rightness' of this calls into question legal authority. If legal authority can be questioned for one aribitrary reason (dictatorship), can't it be questioned for others? (well, I don't feel the elections are well run, and the way they are run effectively limits the peoples real choices so much as to ensure that neither available choice actually represents the will of the people in a meaningful way)

      In any case, while I may be on board with you, I doubt any legal entity could legitimately side with you, since calling other sitting powers into question can only lead to the inevitable questioning of local authority. That is to say, if it comes down to it, you better hope that dictator doesn't have an extradition treaty with your country, as unless that country is already an enemy, I can't see your government being able to reconcile allowing you to support crime elsewhere with wanting to punish criminals elsewhere who strike its other citizens.

      -Steve

      --
      "I opened my eyes, and everything went dark again"
    2. Re:An unfortunate thing about using anonimity by thinkloop · · Score: 1

      using them singles you out as someone with something to hide.

      You're 100% right - luckily it's anonymous...

  29. And Slashdot cheers on the oldest troll! by Anonymous Coward · · Score: 2, Insightful

    Wow. That has to be the lowest UID of any troll I've ever seen. Congratulations on being the oldest troll on Slashdot!

    We aren't celebrating piracy. We are celebrating new technology crushing attempts to suppress it by the ignorant and arrogant cartels clinging to a dead business model.

    1. Re:And Slashdot cheers on the oldest troll! by InsaneProcessor · · Score: 1

      C'mon now. Tell us what you really think.

      --

      Athiesm is a religion like not collecting stamps is a hobby.
    2. Re:And Slashdot cheers on the oldest troll! by Anonymous Coward · · Score: 0

      Okay.

      We aren't celebrating piracy. We are celebrating new technology crushing attempts to suppress it by the ignorant and arrogant cartels clinging to a dead business model.

      Posting anon only because I'm a mod right now.

    3. Re:And Slashdot cheers on the oldest troll! by Hybrid-brain · · Score: 0

      hey. I support piracy, it helps those who are poor and can't get what they need, extralegally. therefore, it is made of much win. GO PIRATE BAY! Death to the ACTUAL PIRATES IN THE WATER, WHO ARE KIDNAPPING AND THE LIKE!

      --
      Five words describe me on a normal day. two words describe me the rest of the time. can you guess?
  30. i've studied history by circletimessquare · · Score: 2, Funny

    i found out that the printing press made thousands of monk scribes impoverished, no longer able to support their abbeys with book copying by hand

    furthermore, without the monks around to copy books, books themselves disappeared from the historical record, and likewise the written word

    new technology, the printing press, destroyed all of human written culture. without the archaic scribbling monk, i mean er, god-ordained media distribution technology that was around for centuries and was never intended to change or go away, books as you know them ceased to to exist

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:i've studied history by Mr2001 · · Score: 1

      Piracy, on the other hand, puts the authors and creators out of work. The final stage of piracy is that no one can earn a living from their work that is benefiting society.

      No. The final stage of piracy is that no one can earn a living by selling copies of works they've already created, and they move on to a business model that isn't threatened by piracy, like charging directly for the act of creation -- that is, charging for their labor, which is how billions of people already earn a living.

      --
      Visual IRC: Fast. Powerful. Free.
    2. Re:i've studied history by UnknownSoldier · · Score: 2

      > The final stage of piracy is that no one can earn a living from their work that is benefiting society.

      You haven't looked far enough into the future with your crystal ball.

      The problem is not "piracy". Piracy is a SYMPTOM of a _much_ _bigger_ problem that society has still yet to come to terms with - that you're not allowed to "share" what you "own", that you have to "pay" to live on the planet you were born on in the first place, and ultimately pseudo-ownership. Computers have shown us that we can represent reality (audio, video, text, etc.) as numbers. Who owns a number?? It is related to the whole fucked up concept of money from the get go, based on the concept of artificial scarcity. When the cost of "duplicating" reality approaches zero, it is forcing people to question the basics: "Why am I not allowed to give away the things I 'paid' for such as books? Why does someone elses greed get to control who I can share my things & enjoyment with?" If I buy a DVD and watch it with my family, the artists and publishers got screwed out of N-1 sales since my family got to watch [it] for free. If I invite friends over, same thing, but yet if I show it to strangers it is now illegal?? The artist and publishers can go fuck themselves if they think they can dictate who I an show my movies to, or if I want to charge for the "event." In Canada you can legally share your [p2p] music, because common sense tells you that is NO DIFFERENCE if you loan your CD to your friend, he got to listen to it for free, and the artist got nothing, OR you just give him a dam mp3 to begin with.

      When free energy arrives this century, copyright is going to be one of the first casualties. People will do things because they _enjoy_ it, not because of how much money they can make. The motivation will shift. I work on open-source programs in my spare time for the same reasons - to make the world a better place for myself and others. That the creative types can no longer afford to exclusively rely on a broken system shows that the underlying system is changing whether they like it or not.

      Kurzweil in the loosest sense calls it the singularity event. I disagree with parts of his theory, but the general gist I agree with -- there is an oncoming paradigm revolution on how we view ownership, and it is literally going to blow the doors open on how we think, view, and treat "property", especially this "imaginary property rights."

    3. Re:i've studied history by mccabem · · Score: 1

      I'll be darned if I can recall the source now, but copyright was just as much in effect in the days of kings and scribes as it is today.

      Wikipedia has it back to 1662.

      -Matt

  31. Re:And Slashdot cheers on the pirates by Anonymous Coward · · Score: 0

    Pirates buy more movies and music than non-pirates. That means pirates are the MPAA and RIAA's best customers. That's reason enough to be against piracy. Fuck the MPAA/RIAA.

  32. We see police going after the sites, not users by fluor2 · · Score: 1

    Before the PBay Case, I guess people were afraid that the police would go after the users. Now it seem to us that they will focus on taking the sites spreading torrent files. Thus the users feel safer.

  33. that's the essence of copyright by davidwr · · Score: 3, Informative

    Why do they need the author's permission to copy it in the first place?

    United States Constitution, Article I, Section 8. The Congress shall have power ...

    To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;

    The theory being that if authors did not have some control over their creative works, there would be fewer works created. Would the major studios fund movies if they knew 99% of sales would not generate revenue for them?

    Sure, we would still have print/web-page/other-low-cost works, but not many people will spend tens of millions of dollars producing a movie without a decent chance of a big payoff at the end.

    --
    Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
    1. Re:that's the essence of copyright by iceaxe · · Score: 4, Interesting

      Emphasis on "limited times" and "to authors and inventors".

      The industries in question have been systematically (and successfully) attacking the first item for decades, and do not generally belong to the groups specified by the second part.

      The majority of the money made in these industries goes to distributors whose historical monopoly on the means of distribution is slipping away from them. In some cases they facilitate the creative process, but in the majority of cases they do not, or do so to a limited and replaceable degree.

      In fact, in many cases, these monopolists have in essence enslaved the creators of works and used them as livestock to drive their engines of profit.

      Does any of this make the unlicensed sharing of copyrighted works ethical or justifiable? Probably not.

      The profligate use of the guillotine during the French revolution was probably not ethical or justifiable, either, but it sure happened anyway.

      The monopoly is dead, like it or not. The current noise is the death rattle of an expiring regime, the which never go quiet into that good night. Something else will rise in its place, and what that will be we simply do not yet know.

      But I'll bet these same money grubbers will eventually find a way to cash in without creating anything themselves. They always do.

      --
      WALSTIB!
    2. Re:that's the essence of copyright by Threni · · Score: 1

      Where was the United States Constitution when Disney was ripping off Stravinsky?

    3. Re:that's the essence of copyright by thinkloop · · Score: 1

      I'm an openly rabid pirater and I still go to the movies for the social experience, the quality and mainly the popcorn :) Studios are realizing this, and innovating accordingly with more movies in 3D, more movies in imax, and theaters that actually serve dinner during the movie (great experience by the way). Movies routinely make hundreds of millions of dollars more than their cost in boxoffice dollars alone. The incentive to make big budget movies will be there for a long time to come.

    4. Re:that's the essence of copyright by sopssa · · Score: 2, Interesting

      But it's the authors that *choose* to use those distributors and record labels and grant them permission to do the distribution for them. No one is forcing them to currently either. Shouldn't they be able to choose?

    5. Re:that's the essence of copyright by catchblue22 · · Score: 1

      United States Constitution, Article I, Section 8. The Congress shall have power ... To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;

      Thank you for this quote. As another reply has mentioned, the key word to remember is "limited time". The rights authors gained on their own works were more similar to a lease, rather than outright ownership. One must also understand the underlying attitude behind this passage. There was an assumption that the works of the author were in the end to be public property, but that as a means to an end the writer was granted temporary rights, to encourage the production of more works. These rights were not to be "ownership".

      What we have seen recently is a move to a model that is closer to outright ownership. The advent of DRM technology has meant that content "owners" have increasing power to micromanage the usage of their works by the public. This micromanagement is, or has the potential to become a substantial barrier to cultural exchange, which goes against the intentions of the authors of the Constitution. We must remember that it is us, the public, who are the ultimate owners of our culture.

      --
      This and no other is the root from which a tyrant springs; when first he appears as a protector - Plato (423 to 327 BC)
    6. Re:that's the essence of copyright by Jah-Wren+Ryel · · Score: 1

      Your argument doesn't scale. In fact, all you did was tip-toe around the point I was trying to make people like you face -- that changing the principle just because of the scale is bogus. Either the principle is sound or it isn't.

      --
      When information is power, privacy is freedom.
    7. Re:that's the essence of copyright by ultranova · · Score: 1

      But it's the authors that *choose* to use those distributors and record labels and grant them permission to do the distribution for them. No one is forcing them to currently either. Shouldn't they be able to choose?

      Certainly. No one's arguing against authors having rights. On the contrary, we're arguing about what rights the readers have; for example, I'm wondering why I should be forced to honor the author's wishes? Shouldn't I be able to choose?

      Now let's see how many responses claiming that the author being unable to force me to obey his terms means I've forced him to release his work do I get...

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    8. Re:that's the essence of copyright by iceaxe · · Score: 1

      Oh, definitely. They do choose. In the past, they have had the choice of serve the entrenched system or starve. (Or find a different career.)

      These days the choices are just beginning to open up. It's a long way from true freedom of expression and a fair shake for the creator, but something closer to that may be on the horizon. That's really another topic, though.

      The standard arguments have been beaten to death, especially here, but here we go again:

      1. Breaking copyright law is illegal (duh) but laws vary and are interpreted differently in different jurisdictions, leading to some level of confusion and ambiguity. Nonetheless, the majority of the file sharing we're talking about is simply against the law. Some feel justified in doing it, others don't care, and most just don't understand.

      2. Creators are rarely harmed to a measurable degree by file sharing, and in many cases are demonstrably benefited by increased exposure. I'll allow an exception for Metallica, they've no doubt been harmed somewhat by file sharing, maybe 10% as much as they've been harmed by alienating their fanbase. (Statistic pulled from rectum, YMMV)

      3. The amount of actual damage to distributors of creative works is very debatable. Statistics offered by either camp are invariably a load of BS. Some people download in lieu of purchase, some harm done. Most download in lieu of ignoring the existence of said work, no measurable harm, and potentially benefit in the form of word of mouth advertisement. As I understand, the business is still making some profit, so it's anyone's guess what the actual plus or minus difference to profit may be.

      4. The goal of the media distribution industry in all of this is to maintain an artificial scarcity by force of law and/or fear, in order to artificially prop up a business model which no longer creates value as it once did. In other words, they are trying to keep sucking out every last centavo for as long as they can, by any means. Fair enough, that's what business is for, to make money. Whether that business is useful to the public is a matter of debate, in which we find ourselves engaged.

      5. Change is gonna come.

      --
      WALSTIB!
    9. Re:that's the essence of copyright by iceaxe · · Score: 1

      Under the historical system, the distributors dictated the terms to both creator and audience. Both were given the binary choice of 'my way' or 'the highway'. A rare few creators gained enough power to change their terms (e.g. Ray Charles, The Beatles, and such) but the vast majority labored, and continue to labor, in effective indenture. The audience has now begun to seize some measure of power, and as the source of the money, that swings some weight.

      You'll find that people with effectively absolute power are loath to relinquish any measure of it, and will leverage that power to maintain it for its own sake. I can't say with certainty that I'd be any different, so be sure not to vote for me if I should ever seek high office.

      --
      WALSTIB!
    10. Re:that's the essence of copyright by PRMan · · Score: 1

      And actors need to make 10's of millions each because...

      And studio execs need to make 100's of millions because...

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
  34. It's an idea, and ideas are bulletproof by Anonymous Coward · · Score: 0

    It's an idea, and ideas are bulletproof

    1. Re:It's an idea, and ideas are bulletproof by hollywench · · Score: 1

      Information should be free.

  35. What will really end this... by berryjw · · Score: 2, Interesting

    is when the kids who've grown up using p2p start writing the rules. We're not that far off from politicians being able to get elected on a p2p stance. Once that happens, the era of Michael Rodent *finally* dies, and we might see something resembling sane copyright law. But that's what it's going to take: there's *no* $$ in supporting this change, and huge amounts of it in the 'AAs.

    1. Re:What will really end this... by Culture20 · · Score: 1

      The kids who grew up around pen-knives are writing the zero tolerance laws. Experience often means diddly.

  36. Scribes lasted until the copying machine by davidwr · · Score: 1

    The Western-alphabet movable-type printing press was invented half a millennium ago, likely independently of similar inventions in the Far East a few centuries earlier.

    The typewriter as it was known in the early 20th century was invented in 1870.

    The low-cost photocopier was popularized in the 1960s and 1970s.

    Prior to the invention of the typewriter, it wasn't uncommon for legal documents to be written by hand, so you needed someone to put the words down on paper formally.

    Prior to computers entering executive offices and executives and managers learning to type at a reasonable speed, secretaries or administrative assistants took dictation.

    Granted, these modern-day scribes didn't have the prestige or job descriptions of scribes of old - scribes of old had more "exclusive skills" that came with being the literate in a mostly-illiterate society.

    --
    Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
  37. All a matter of who disadvantages whom, eh? by macraig · · Score: 1

    It's the eternal capitalist struggle: who can disadvantage whom more, or first. In this specific instance, it's a struggle between legalized methods of disadvantaging people versus illegal methods. Guess who wrote the laws that determine what's illegal, though?

    1. Re:All a matter of who disadvantages whom, eh? by brit74 · · Score: 0, Flamebait

      Guess who wrote the laws that determine what's illegal, though?

      Exactly right! And exactly why the whole "shoplifting is illegal" crap is just corporate welfare!

    2. Re:All a matter of who disadvantages whom, eh? by macraig · · Score: 1

      Make borderline irrelevant sarcastic jokes all you want, but it's also true that SOME law is not written to benefit the majority or the Common Good, but rather an influential minority. It's up to the majority to shrug off their apathetic silence and get such laws overturned. We read and hear about that process taking place all the time, both here and through other sources. Struggles over copyright, patents, DRM, DMCA, and "pirating" are just ONE expression of that; there are plenty of unethical laws that are waiting to be overturned. How about laws banning non-heterosexual marriage? Has anyone ever produced rational arguments how gay marriage harms the majority and thus demands a law prohibiting it? Of course not, yet in spite of that lack of evidence we have those laws anyway. It's up to a rational(?) majority to observe that such laws are unethical/unfair/unConstitutional and then get them repealed.

    3. Re:All a matter of who disadvantages whom, eh? by brit74 · · Score: 1

      Just pointing out that you're the one picking and choosing which laws you think are unfair. Saying that piracy fits the mold is your opinion. Piracy has nothing to do with homosexual marriage. The only reason they're linked in your mind is that you think both are being unfairly outlawed. For those of us who don't agree with piracy, but do agree with homosexual marriage, we see no connection at all except in people's imaginations. On the other hand, piracy and shoplifting do have real connection - they are both self-serving and harmful to society by undercutting the production of stuff. Piracy is really another example of the "tragedy of the commons" where everyone gets media for free, and the result of everyone following their own selfish interests leads to a decline in the production of stuff people want.

  38. OT: your signature line by davidwr · · Score: 1

    From your signature line:

    I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas

    Lucky you. I'm a citizen of the state that taxes.

    --
    Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
  39. It's getting even more convenient... by HalAtWork · · Score: 1

    But with each step, it's becoming more and more convenient. Usenet > FTPs > Napster > Torrent... The next step will be even simpler to use.

  40. Hey! 60 Minutes Says this is ORGANIZED CRIME! by MarkvW · · Score: 1

    60 Minutes, in one of the most slanted pieces I have ever seen, said that these pirates are organized criminals.

    We've gotta stop them. Hollywood says so!

  41. Re:And Slashdot cheers on the pirates by NotBornYesterday · · Score: 2, Insightful

    "Piracy" essentially means armed robbery and murder on the high seas. The recent abuse of the term to refer to unauthorized duplication is idiotic. But of course, the more the media conglomerates and their toadies bellow "piracy" at the top of their lungs, the more a vapid and mostly uncritical public will eat it up, and eventually repeat it. I'm not justifying unauthorized duplication or redistribution; I'm just sick of the MP/RIAA's bullshit. They are organizations that have engaged in highly questionable practices for years, and still cling to their outdated gangster ways. They have monopolized the public airwaves for years through payola schemes, to the detriment of artists and listeners. I find it hard to shed a tear for them.

    Worse yet, their attacks have laid waste not just to independent artists and labels, but to promising technologies as well, which is probably what pisses off slashdotters more than anything else.* File torrents are a legitimate source of lots of perfectly legal content, and enable small entities to put out content without paying for tons of bandwidth to do it. Shutting down TPB is a slap in the face of lots of people who never "pirated" a song in their life.

    What really gets me is the hypocrisy, though. The RIAA knows better than anyone that delivering free music to waiting ears is the best guarantee of album sales. After all, that's why they've been caught in payola schemes over and over - they buy off the radio stations because they know that if their songs are played for free, we will buy the album. They also know that if their songs aren't heard, sales will never take off. I don't think that underneath it all they are concerned that "piracy" will hurt their sales; they are concerned that they are losing control of the "free" distribution, and they are afraid of technology they don't fully understand.

    *Although, I've also found a large number of technically proficient people are also very musically inclined (myself excepted; I suck at playing music). It may well be that many here are pissed off because the recording industry has turned out music that is the equivalent of a typical American beer; bland and mass-produced, succeeding on marketing instead of merit.

    --
    I prefer rogues to imbeciles because they sometimes take a rest.
  42. well then... by Anonymous Coward · · Score: 0

    I just use google now to search for whatever media I'm looking for,(with a .TOR on the end)

    Maybe the studio ass-hats will shut down google. har har.

  43. Re:And Slashdot cheers on the pirates by Pharmboy · · Score: 4, Informative

    Look at Slashdot cheering at the piracy. It's really sickening how much Slashdot LOVES piracy now and encourages it at every opportunity.

    Slashot loves technology. It's the users that love and encourage piracy, and enjoy something for nothing. While I am at it, I would like to take the time to encourage you to go to PublicDomainTorrents and download some movies for free. Or maybe you can grab a torrent to "pirate" Linux and other GPL s0ftwarez. To the ISPs that throttle, all torrent traffic looks the same, so hopefully you don't have one of those ISPs.

    Remember kids:
    Drinking alcohol, smoking cigarettes and downloading music and movies makes you look cool, and girls really dig it!

    --
    Tequila: It's not just for breakfast anymore!
  44. when you are doing the author a favor by circletimessquare · · Score: 1

    by giving him free advertising for his ancillary revenue streams (concerts, the cinema house, movie script sales, public speaking, endorsement, toy product line tie-ins, personalized content, etc)

    the day of author's great grandchildren given a revenue stream because great grand daddy wrote a song are over, regardless of any law anyone rights. the technology routes around the legal environment, rendering the law moot and pointless. it is our moral duty to kill the obscene arrangement of cureent copyright law. do you think current copyright laws are not obscene and do not deserve to be ignored and actively fought on moral grounds?

    current copyright law benefits authors obscenely, but it benefits distributors even more. they wish to put a tollgate on our culture

    so we shall destroy distributors. its amazing how the internet has made media empires smaller and weaker than some teenager's hard drive and a broadband connection. now multiply by millions teenagers. go ahead, add a couple thousand corporate lawyers. i don't see a difference

    game over

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  45. TBS says it's... by doug141 · · Score: 1

    It's the second funniest. The funniest is Lost Engineer's reply to the post
    http://yro.slashdot.org/comments.pl?sid=1123995&cid=26815281

    be sure to read the replies

  46. Re:And Slashdot cheers on the pirates by Anonymous Coward · · Score: 1, Interesting

    Copyright law was originally seen as a way of encouraging writers to write, by giving them a portion of the profits gained from their work. It was always understood, however that the work of the author was in the end property of THE PUBLIC, and that the author's rights on their own work were temporary. We have migrated to a system where the author/corporation has near absolute ownership of their work. This shift of the meaning of copyright has the potential to cripple the public cultural discourse. The "piracy" movement is in large part a rebellion against the increasingly strong assertion of ownership by corporations over what in the end is OUR culture.

  47. King Herod's song by Anomalyst · · Score: 1

    Just then, Herod the great stormed into the courtroom to the astonishment of all.

    After years of peace and serenity, I now have Jesus Christ Superstar reverberating in my head again, you insensitive clod.

    --
    There is no right to feel safe thru security vaudeville at the expense of everyone's freedom, privacy and tax money.
    1. Re:King Herod's song by MicktheMech · · Score: 1

      Wrong Herod. You want his father. Not a nice man...

  48. the term "piracy" around since 1603 by Anonymous Coward · · Score: 2, Informative

    "Piracy" essentially means armed robbery and murder on the high seas. The recent abuse of the term to refer to unauthorized duplication is idiotic.

    This is not "recent'. The term goes back to 1603:

    Even prior to the 1709 enactment of the Statute of Anne, generally recognized as the first copyright law, the Stationers' Company of London in 1557 received a Royal Charter giving the company a monopoly on publication and tasking it with enforcing the charter. Those who violated the charter were labeled pirates as early as 1603.

    http://en.wikipedia.org/wiki/Copyright_infringement

    It may be desirable to change it around for other reasons, but misuse of the term certainly isn't one of them. A text from 1603 contains:

    Banish these Word-pirates, (you sacred mistresses of learning) into the gulfe of Barbarisme: doome them euerlastingly to liue among dunces: let them not once lick their lips at the Thespian bowle, but onely be glad (and thanke Apollo for it too) if hereafter (as hitherto they haue alwayes) they may quench their poeticall thirst with small beere.

    http://web.archive.org/web/*/http://www.uoregon.edu/~rbear/yeare.html

  49. i'll bite by circletimessquare · · Score: 3, Interesting

    Piracy and copyright are not comparable to monks and the printing press. The primary question you should ask when figuring out whether a comparison to piracy is accurate or not is this: "Does society end up with the same or comparible product in both cases?" That is *the question*. The printing press put monks out of work, but society still got the books -- and they got the books at a lower price. If the printing press put authors out of work, then maybe you'd have a gripe about the printing press. Piracy, on the other hand, puts the authors and creators out of work. The final stage of piracy is that no one can earn a living from their work that is benefiting society.

    Piracy, on the other hand, puts the authors and creators out of work.

    no, you've drunk the koolaid, the distributors' propaganda. piracy puts ONLY the distributor out of work

    The final stage of piracy is that no one can earn a living from their work that is benefiting society.

    you've somehow made the fanciful leap that the distributor is an integral part of the economics of the music creating process. the final stage of piracy is that distributors go out of business, and only the distributors. first, you are assuming that the pre-internet distribution model gave artists a living. plenty toiled in poverty, and plenty will always toil in poverty, regardless of piracy or not. that's simply the nature of being an artist: for every success, there are thousands of anonymous failures, always was and always will be. nothing about the pre-internet distribution model protects the artist from this truth, and nothing can ever protect the artist from this truth (and nothing ever should: if you suck, oh well)

    plenty of one hit wonders became broke as well, as the distributors wrote their agreements so the artists got pennies while the distributors reaped all the real benefit. only the stellar hits: the beatles, jay z, were able to muscle their way into the sphere of distributor-level profits

    meanwhile, on the internet, artists have free advertising to everyone in the world, rather than a gateway controlled by distributors. artists can connect directly to fans for free, and distribute their works for free. then they make a living via concerts, promotions, endorsements, advertising, and other ancillary revenues. this is superior to the distributor model as the artist is completely in control, not beholden to some asshole who signs contracts for willynilly reasons and willynilly projections. via a direct link between artist and consumer, an artist rises and falls simply on quality as perceived by the consumer, without an artificial filter in between of a distributor. this is a more efficient model of who deserves cash flows. rather than a distributor giving millions of dollars in advance to an artist who makes absolute crap, while utterly ignoring a musical genius, for random pointless reasons of the distributors sole discretion

    study up on the history of artist-distributor contracts, and what millions of artists, successful or not have said about the randomness and arbitrarienss and frustration of their contracts, having nothing whatsoever to do with quality or the fans

    Printing press = fewer jobs for scribes, more books for society, lower costs for books, and supports authors.
    Piracy = creators and authors go bankrupt, society has fewer new creations and becomes culturally poor, feeding on the remnants of old creations, when creating them was still financially possible.

    Piracy = distributors go bankrupt, society has diurect access to millions of artist rather than working through a bullshit filter and becomes culturally rich

    why do you believe large financial outlays are required for the creation of art? why do you believe we need distributors to tell us what to listen to and that this artificial filter is somehow a definition of cultural richness? why do believe their decisions are more valid or more economically efficient than you yourself and millions of consumers deciding directly who deserves to reap economic benefits from all of the ancillary revenue streams available to an artist?

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:i'll bite by Anonymous Coward · · Score: 0

      As I tried and tried to fight this fish by coming up with a sufficient argument to debate theirs in the end I could not so I cut the line an let them go...

    2. Re:i'll bite by L4t3r4lu5 · · Score: 1

      The printing press put monks out of work, but society still got the books -- and they got the books at a lower price. If the printing press put authors out of work, then maybe you'd have a gripe about the printing press. Piracy, on the other hand, puts the authors and creators out of work. The final stage of piracy is that no one can earn a living from their work that is benefiting society.

      You're confusing two issues: Creation and Publication. Writers and Musicians are the creators of new work, publicists are those who hedge their bets with the artists with funding distribution, advertising, and reproduction costs in exchange for a percentage of sales revenue. The Monks were the publishers, and they went out of business with the press. They also lost control of the medium (not being able to prescribe which works would be copied and distributed etc) and the world was better for it. The authors didn't go out of business; Instead, they found they had to work harder, and produce better quality literature, or be swamped by new authors which were revolutionary in their style and content, as distribution was no longer a Cartel model.

      Music is becoming the same. Good artists will continue to thrive, and the chod will be squeezed in the press for attention. Sure, many current artists will fail (thank god) but they will be replaced with creators who actually have a product people want to buy, instead of what a media conglomerate wants to produce.

      There are plenty of failed authors across all genres; Their product is sub-par. It's about time there was the same consumer weight being thrown at other media types.

      --
      Finally had enough. Come see us over at https://soylentnews.org/
    3. Re:i'll bite by mccabem · · Score: 1

      I hate to use the same link twice in the same thread, but please read this:
      http://en.wikipedia.org/wiki/History_of_copyright_law

      The effects may have become somewhat varied (to be euphemistic) in the last 400 years, but the source of copyright, in essence, is the protection and encouragement of authors.

      -Matt

  50. Re:And Slashdot cheers on the pirates by Runaway1956 · · Score: 3, Interesting

    Yes. And? 80% of the world's population cheers the pirates. So, you point is, what? You think that when something is right, when that something is overwhelmingly approved around the world, Slashdot should kowtow to the corporate weenies? Are nerds and geeks supposed to be stupid, or what?

    Let me help you to understand: the movie moguls and the music studios are STILL MAKING MONEY!! They are making so much money that they can afford to support the ineffectual RIAA and MPAA. What more evidence do you need to convince you that piracy is good for Hollywood and good for the studios? Just how many millions have they dumped down the gullets of the RIAA vultures, and the MPAA hyenas? What has been the return on those millions? Maybe - just maybe .00000001%?

    Aye, matey, it's the pirate life for me!! Do you need me to rip something for you?

    --
    "Windows is like the faint smell of piss in a subway: it's there, and there's nothing you can do about it." - Charlie Br
  51. Dear Slashdot by brit74 · · Score: 1, Informative

    As a software developer attempting to earn a living by selling software to consumers, it pains me to see so many of these responses. Sometimes, when I visit slashdot and digg, I wonder why I try at all. So many of the commenters here believe that they have a right to get copies of my work for free, even though it takes years to construct it. Financially, I see no way to continue my work unless I can earn money by selling copies. The comments here scare me. It's like someone wrapping their hands around my throat and gleefully choking me, while discussing how happy they will be to dance on my grave. I write software that people like. I work hard at it, and I love what I do. But, the responses of so many people here are just scary. I am blamed for all kinds of imagined harms committed against them. I'm just a guy working and trying to earn a living from it, but somehow that gets turned into "they are 'robin hood' and I am the evil governor inflicting taxes on them".

    I'm not entirely surprised. Slashdot regularly posts stories who's purpose is to inflame people. In that sense, I see Slashdot as another biased media outlet that tries to control and manipulate people, turning them against those of us who survive on copyright. Many times, I have wondered to what extent groups like the Pirate Party have infiltrated technology websites like Slashdot in order to control and manipulate what people read and hear, to "guide" them to some predefined conclusion.

    But, economically, the situation cannot sustain itself. When I read so many of these comments, it makes me want to leave the software industry because too many pirates are working too hard to undercut our ability to earn a living from our hard work. So many people here seem to want to bloodbath, and I'm the intended victim. My crime is that I won't give away years of work for free, but, somehow, people have constructed all kinds of imaginary crimes to legitimize their actions. I don't know what to think of people anymore. I'm doubting that it's even worth trying anymore.

    1. Re:Dear Slashdot by zaffir · · Score: 0, Flamebait

      A pirated copy does not mean a lost sale. Perhaps your software just isn't worth the cost to people? Sitting back and blaming the fact that you aren't selling software because of BLOODTHIRSTY PIRATES ARRRRR is easy, and conveniently implies that your lack of sales aren't your fault. But crying to slashdot isn't going to get your software any more sales. A better product at a better price will.

      Nobody hates you for wanting to be paid for your software (well, a few extremists aside). We would, however, hate you for lobbying the government in order to have laws restrictingl P2P technology passed. We would hate you for supporting legislation like the DMCA.

      --
      "Upon attaching the waterblock to my penis, I began to notice that I know nothing about computers." -- JRockway
    2. Re:Dear Slashdot by Anonymous Coward · · Score: 0

      Mmm, one question - is your software GPL licensed? mmm, then we are sorry, we have no sympathy/empathy for you.

    3. Re:Dear Slashdot by xtrafe · · Score: 1

      You are not paid because you work hard. Hard work has no inherent financial reward.You are paid because you have something that other people want that is scarce. If what you produce is infinitely redistributable, then you can expect to get paid only for the first copy.

      Don't worry, though, you can keep your job as a programmer. I'm in the same boat you are, and I'm not scared. For whatever business you're in, you just need to create your program such that it doesn't depend on people not copying your distributable. Just assume they will, and move on. It's up to you to work out a business model that works in the environment you're in. _That_ is what you get paid for.

      I don't think anything has changed in terms of people's values. If people around here are looking for a bloodbath, they're looking for it against people (and lumbering corporations) who are resisting change, resting finding new ways to do business, and ultimately resisting progress.

    4. Re:Dear Slashdot by Anonymous Coward · · Score: 0

      Make software that people like, charge a reasonable price and they will pay for it. Make shitty software or charge too much? Kiss it goodbye.

      Take "World of Goo" for instance. That had piracy rates "near 90%". However here is the breakdown:

      Total development cost over two years - $96,000

      World of Goo revenue sources:
      WiiWare - 55-60%
      2DBoy.com - 25%
      Steam - Unspecified, but growing in 2009 (12-18%?)
      Retail - 2-3%
      Sales on 2DBoy.com are 65% PC, 25% Mac, and 10% Linux.

      Best offer from a publisher was $700,000 plus 15% royalties, which 2D Boy decided they could beat by going it alone.

      No change in piracy rate between their game and a game with DRM. "Don't bother with DRM... it's a waste of time. Anybody who wants the game is going to find it on a BitTorrent site. We just don't see the point in trying to fight that."

      A Steam 25% off sale quadrupled revenues.

      Know why they still made decent money? Because it was a game worth buying.

    5. Re:Dear Slashdot by Anonymous Coward · · Score: 0

      I would ask who exactly you think is pirating your work. Do you think the people copying your work are people that would be paying for it normally? I would guess that the people that do the majority of pirating are people without enough money to buy your software in the first place.

    6. Re:Dear Slashdot by Anonymous Coward · · Score: 0

      As a scribe attempting to earn a living by copying manuscripts and selling them to consumers, it pains me to hear so many of these responses. Sometimes, when I visit a local inn, I wonder why I try at all. So many of the speakers here believe that they have a right to get copies of my work for free, even though it takes years to construct it. Financially, I see no way to continue my work unless I can earn money by selling copies. The words here scare me. It's like someone wrapping their hands around my throat and gleefully choking me, while discussing how happy they will be to dance on my grave. I copy words that people like. I work hard at it, and I love what I do. But, the responses of so many people here are just scary. I am blamed for all kinds of imagined harms committed against them. I'm just a guy working and trying to earn a living from it, but somehow that gets turned into "they are 'robin hood' and I am the evil governor inflicting taxes on them".

      I'm not entirely surprised. Inn-goers regularly tell stories who's purpose is to inflame people. In that sense, I see this inn as another biased town crier that tries to control and manipulate people, turning them against those of us who survive on copyright. Many times, I have wondered to what extent groups like the Gutenberg Press have infiltrated public inns like this in order to control and manipulate what people hear, to "guide" them to some predefined conclusion.

      But, economically, the situation cannot sustain itself. When I hear so many of these comments, it makes me want to leave the scribing industry because too many printers are working too hard to undercut our ability to earn a living from our hard work. So many people here seem to want to bloodbath, and I'm the intended victim. My crime is that I won't give away years of work for free, but, somehow, people have constructed all kinds of imaginary crimes to legitimize their actions. I don't know what to think of people anymore. I'm doubting that it's even worth trying anymore.

    7. Re:Dear Slashdot by Anonymous Coward · · Score: 0

      Quit crying and get a new job.

    8. Re:Dear Slashdot by Fnord666 · · Score: 1

      As a software developer attempting to earn a living by selling software to consumers, it pains me to see so many of these responses. Sometimes, when I visit slashdot and digg, I wonder why I try at all. So many of the commenters here believe that they have a right to get copies of my work for free, even though it takes years to construct it. Financially, I see no way to continue my work unless I can earn money by selling copies. The comments here scare me. It's like someone wrapping their hands around my throat and gleefully choking me, while discussing how happy they will be to dance on my grave. I write software that people like. I work hard at it, and I love what I do. But, the responses of so many people here are just scary. I am blamed for all kinds of imagined harms committed against them. I'm just a guy working and trying to earn a living from it, but somehow that gets turned into "they are 'robin hood' and I am the evil governor inflicting taxes on them".

      The irony of this is simply delicious. You are attempting to make a living by selling software directly to consumers. In other words, you are not forced to deal with an intermediary distributor in order to make CDs/DVDs of your software for you, market your software for you, package and ship your software for you. All for only a measly 70% of your revenue. If you could find someone willing to take on your software at all. Instead you have incredible opportunities to market, sell and distribute your work on its own merit.

      What you don't seem to realize is that 10-15 years ago, a software developer like yourself would have been in exactly the same position that the musical artists are in today. What many here are simply trying to say is that 10 years from now they want other artists to have the same opportunities that you enjoy today.

      --
      'The tyrant will always find pretext for his tyranny.' - Aesop's Fables
    9. Re:Dear Slashdot by Anonymous Coward · · Score: 0

      Most of the posters here are saying that people who trade in information (software, movies, music, etc.) need to find another way to make their money. Movie makers can sell movie tickets, special-edition DVDs, product placements, etc. Musicians can sell live concerts.

      Software developers like yourself could sell support for your products. If you offer updates over the internet, only allow legitimate copies to download. DRM could actually help here, so long as it's non-intrusive DRM.

    10. Re:Dear Slashdot by Anonymous Coward · · Score: 0

      I have the same concerns. I unfortunately have many friends who are exactly like the Slashdot crowd -- technology enthusiasts who take it as a right to pirate whatever they wish. I develop small scale software for a living, and that attitude is endemic. The sense of entitlement to what took thousands of hours and years of my life to create is breathtaking...

    11. Re:Dear Slashdot by Iori+Branford · · Score: 0

      If you are in this for the money, go to where the money is: consoles with proprietary hardware protection, MMOs and other online games requiring connection with central servers, or some other model which is hard-to-pirate by nature.

      I have long since realized that my NES and Genesis type game ideas won't stand a gnat's chance in today's market. I'm not even sure how far they'll get me in a job interview. What keeps me from giving up is that I just fucking want to do them, and I want to entertain people with them.

    12. Re:Dear Slashdot by Anonymous Coward · · Score: 0

      I've briefly looked through your comments, and can see that you have a very one track mind. You are not specifying the product that you are creating, so how are we to trust that you are not some sort of shill. Why not give an actual example of how pirates are ruining you livelihood?

    13. Re:Dear Slashdot by Anonymous Coward · · Score: 0

      I can sympathize with your plight but really, you're whining in the wrong place. You see, slashdot's early roots are in Free Software. That's right, not "Open Source", OSS, FOSS, FLOSS or whatever silly name the exploiters are attempting to use to compromise Free Software.

      Yes, I've tipped my hand. I'm an old school Free Software advocate and I come around here cuz, well, I've been here from the start and it's still a habit.

      What that means is, you're the "Enemy" to me. It's nothing personal, but all that time you spent lovingly crafting your application is totally irrelevant to my life.

      Honestly, I have nothing against you or what you're doing, it's a "free" (as in NOT) country isn't it? It's your choice, but since you chose closed source, you've choosen to line up with my enemies.

      So please, don't expect me to be very understanding about your problem since you're probably using at least one GNU tool on a daily basis ... if so, have you contributed to the FSF lately? Or maybe you just want to take my work without paying for it?

      I'm not saying that people like me are the dominant majority around here (we're not) but there's still a few of us graybeards hanging out.

      To end, I just want to say that you're free to do what you want and I'll do what I want. I won't expect you to support my goals and please don't expect me to support yours.

    14. Re:Dear Slashdot by AcidPenguin9873 · · Score: 0, Troll

      Amen, brother. I've been fighting the Slashdot anti-copyright propaganda machine for about a year now (check my comment history), and I'm getting pretty sick of it. It's an interesting point you make about the Pirate Party and other anti-copyright groups infiltrating tech websites. I hadn't considered it before, but the more I think about it, the more it seems likely to be true.

      On a related note, I've been looking for a new science/technology/social site to replace Slashdot (one without the anti-copyright bias), but haven't found a good one yet. Have you?

  52. I object! by aaandre · · Score: 1

    The industry execs don't treat their customers like scum.

    They treat them as mindless, defenseless cattle, good only for milking and slaughter.

  53. Re:And Slashdot cheers on the pirates by arevos · · Score: 1

    The recent abuse of the term to refer to unauthorized duplication is idiotic.

    It's idiotic, but not a recent term. Unauthorized distribution of content was called "piracy" as far back as 1603.

  54. Re: ...they'll just stop making them by aaandre · · Score: 1

    When making money from movies becomes difficult if not impossible, they'll just stop making them. That's what will stop it.

    When making money from movies becomes difficult if not impossible, then only people who make movies out of the love for it will make movies.

    There's this website called www.youtube.com you may want to check. And, vimeo.com. Content is still pretty crappy but there are absolute gems crafted with loving attention and released to the public with the intention to share.

    Money may be the only driving force in *your* world, but money art makes not, my friend.

  55. Re:And Slashdot cheers on the pirates by Anonymous Coward · · Score: 1, Funny

    Also, everyone likes pirates. Yaargh!

  56. Re:And Slashdot cheers on the pirates by Anonymous Coward · · Score: 0

    "Piracy" essentially means armed robbery and murder on the high seas. The recent abuse of the term to refer to unauthorized duplication is idiotic. But of course, the more the media conglomerates and their toadies bellow "piracy" at the top of their lungs, the more a vapid and mostly uncritical public will eat it up, and eventually repeat it. I'm not justifying unauthorized duplication or redistribution; I'm just sick of the MP/RIAA's bullshit. They are organizations that have engaged in highly questionable practices for years, and still cling to their outdated gangster ways. They have monopolized the public airwaves for years through payola schemes, to the detriment of artists and listeners. I find it hard to shed a tear for them.

    Worse yet, their attacks have laid waste not just to independent artists and labels, but to promising technologies as well, which is probably what pisses off slashdotters more than anything else.* File torrents are a legitimate source of lots of perfectly legal content, and enable small entities to put out content without paying for tons of bandwidth to do it. Shutting down TPB is a slap in the face of lots of people who never "pirated" a song in their life.

    What really gets me is the hypocrisy, though. The RIAA knows better than anyone that delivering free music to waiting ears is the best guarantee of album sales. After all, that's why they've been caught in payola schemes over and over - they buy off the radio stations because they know that if their songs are played for free, we will buy the album. They also know that if their songs aren't heard, sales will never take off. I don't think that underneath it all they are concerned that "piracy" will hurt their sales; they are concerned that they are losing control of the "free" distribution, and they are afraid of technology they don't fully understand.

    *Although, I've also found a large number of technically proficient people are also very musically inclined (myself excepted; I suck at playing music). It may well be that many here are pissed off because the recording industry has turned out music that is the equivalent of a typical American beer; bland and mass-produced, succeeding on marketing instead of merit.

    Well... The current "hot issue" is The *Pirate* Bay so it's understandable why the term is so widespread at the moment.

  57. Bravo by abbynormal+brain · · Score: 1

    Thanks for balancing the argument, however, until better economic equilibrium exists in the world - the have nots (which outnumber the haves) will find ways crack protections and either save themselves some money or even capitalize for themselves. This environment breeds "haves" that want to do it just for the glory as well. Under these circumstances ... the outlook is gloomy.

    Example: Before I made as much money as I do, I would change my own oil, attempt to replace my own belts, and always change my own brakes. Now that I have disposable income - I rarely raise the hood (and, yes, I even buy music / software online rather than "explore" or "try before I buy" software).

    Thanks for the nicely written piece - I wish you the best - but I'm afraid that you will either have to adapt and overcome or customize your software in such a way that it is not so usable by mass audiences?

    --
    L'esperienza de questa dolce vita (The experience of this sweet life) - Dante Alighieri, The Divine Comedy
  58. Re:And Slashdot cheers on the pirates by NotBornYesterday · · Score: 2, Interesting

    A few folks have corrected my historically inaccurate definition of "piracy" - mea culpa, point taken. Yes, TPB incorporated it into their name. Still, the nerds and geeks (terms used with the most respect possible, of course) running the most persecuted torrent site on the planet seem about as pirate-y to me as that pirate dude from Dodgeball.

    That being said, I stand by the rest of it ... any comments there?

    --
    I prefer rogues to imbeciles because they sometimes take a rest.
  59. In other news... by Nekomusume · · Score: 1

    Water is still wet.

  60. Re:And Slashdot cheers on the pirates by skornenicholas · · Score: 2, Interesting

    You have a point going on here but you stopped your analogy too SOON. The music industry is indeed like the beer industry, and the beer industry has seen the resurgence of microbrewery's and why is this? Microbreweries having been churning out better and more unique beer more and more over the past ten years. and the major beer corporations are being chipped down from being mountains to nice sized hills and the rest of the valley filled in by the little guys. Love it or hate it, Myspace, Facebook, Youtube, these services have functioned as independent record labels, the internet has given a large portion of people the ability to produce, record, market, and SELL there music with very little overhead.

  61. John 2:19 by message144 · · Score: 1

    Jesus answered them, "Destroy this temple, and I will raise it again in three days."

  62. Re:And Slashdot cheers on the pirates by sgbett · · Score: 1

    I think it might also be interesting to consider that instead of the act of copyright infringement being likened to the original meaning of the word piracy, all that is happened is that the word piracy has now been stripped of its terrible meaning and now simply evokes the idea of copying a few CD's... (citation needed of course).

    Rather backfired then eh?

    --
    Invaders must die
  63. Next solution is Anycast by Anonymous Coward · · Score: 0

    Anyone up for writing a distributed tracker that can cope with Anycast traffic?
    http://en.wikipedia.org/wiki/Anycast

  64. Re:And Slashdot cheers on the pirates by suomynonAyletamitlU · · Score: 3, Insightful

    I don't see how piracy is an idiotic term, especially from the standpoint of the people whose products are being stolen.

    Pirates sailed the high seas, yes, they murdered and stole, yes. However, of note to the people who 1)produced the goods and 2)bought them, the goods were being stolen, not merely destroyed. Entire markets sprung up where people could acquire LARGE amounts of stolen goods, no questions asked. The people selling were mum about their sources. The people who did the act were difficult to pin down. Often somewhat honest tradesmen were the only people the enforcers could find who had any connection to the theft. People who wanted legitimate goods or who placed a special order would pay higher prices to make up for the drop in sales and the efforts to find the culprits. Granted, there were other expenses not happening here, such as loss of ships, etc.

    What we have now are markets where large amounts of stolen goods being acquired, no questions asked. The people distributing them are mum about their sources. The people who did the act are difficult to pin down, lost in the vast ocean--a metaphoric one, but it's a good metaphor. People who want legitimate goods are paying high prices (whether this would not be true if there were no pirates is another question) and forced to deal with DRM. Honest tradesmen, and now unfortunately honest consumers, are being forced to deal with the wrath of the producers. Granted the distribution of a single image is of no cost because the MARGINAL production cost is almost nil, but that fact doesn't mean that the people producing software didn't have large amounts invested in the project.

    If you're going to argue that the whole of the argument is how much software should cost, don't. When coders are sponsored by the state and producing software is free, then it will be reasonable to expect to get software for free. Until then you either will or won't get it for free by the whim of whomever made it.

  65. Sandworms and trout by NuShrike · · Score: 2, Insightful

    I've always been calling this the Sand-trout effect, as described by Frank Herbert. Many sand-trout form one giant collective aka the Worm (TPB, suprnova, mininova, etc etc), but as soon as you try to kill it, the collective scatters and form new Worms using the former as a template.

    It's the same as when you tried to strike down terrorism by smacking down Iraq.

    The Worm is immortal and cannot be destroyed. Once the genie is out ...

    1. Re:Sandworms and trout by mcgrew · · Score: 1

      It's the same as when you tried to strike down terrorism by smacking down Iraq.

      Erm, there were no terrorists in Iraq. The terrorists went there after the invasion. The analogy is if terrorists tried to destroy the WTC by dropping water into Death Valley.

  66. Re:And Slashdot cheers on the pirates by Anonymous Coward · · Score: 1, Insightful

    F off, we were calling ourselves pirates before the media even knew it was going on.

  67. I don't see how you can make this work. by maillemaker · · Score: 2, Interesting

    >If what you produce is infinitely redistributable, then you can expect to get paid only for the first copy.

    This means that you would have to charge an exorbitant amount for that first copy. This is like going back to the old days when great works of art were only made by artists with wealthy patrons.

    --
    A work that expires before its copyright never enters the public domain and thus enjoys eternal copyright protection.
    1. Re:I don't see how you can make this work. by xtrafe · · Score: 1

      >This is like going back to the old days when great works of art were only made by artists with wealthy patrons.

      I suspect that being canonized as a great work of art probably also had something to do with those wealthy patrons. Thinking of record companies, maybe not much has changed... But that's neither here nor there.

      >This means that you would have to charge an exorbitant amount for that first copy.

      Speaking within the software realm, make your product not tied to your redistributable. MMOs, games hosted on servers, software as a service, selling support for software or expertise, etc. are all examples of how to deal with this. And yeah, custom software has always been expensive.

      There's not an easy answer in every situation. That's why, at least as far as I can see, the people who can figure out how to monitize difficult products will be the people making money.

      But, hey, you don't have to agree with me. I'm not making the rules here; the crowd is. If your product is infinitely redistributable, chances are you're not getting paid. Its probably better to just accept reality & deal with it. All I think we've seen so far is that fighting the digital masses on this is a losing battle. My only real point is that the battle is probably also unnecessary.

  68. the onion by Anonymous Coward · · Score: 0

    there seems to be a subplot at play here. world goverments are fanning the flames of this issue to reign in the net. the goal is total control of all information. terrorism, piracy, child porn, etc.. are just the means to an end. dpi and the eventual outlawing of unapproved (ie unlicensed) encrypted communications are the obvious answers to these 21st century boogeymen. this is why the judical system hasn't bitch slapped the 'AAs and never will. piracy is just a convient problem that demands the strictest network monitoring. i bet in ten years the net will be nothing like it is today. kiss it bye bye.

  69. it is legal to torrent copyrighted material by SgtChaireBourne · · Score: 1
    It is perfectly legal to torrent copyrighted material when the rights holder grants permission. In fact, I'm seeding quite a few gigabytes of copyrighted material right now, legally:

    M$ and RIAA can stop right now with their bullshit about Linux == Piracy. For that matter they can stop with that Solaris == Linux, OS X == Linux, HaikuOS == Linux, BSD == Linux, Java == Linux, Perl == Linux, Ruby == Linux, !MS == Linux and so on.

    --
    Beta is broken and the link to classic doesn't work. Stop wasting our time or there won't be anybody left here.
  70. Re:And Slashdot cheers on the pirates by that+this+is+not+und · · Score: 1

    What we have now are markets where large amounts of stolen goods being acquired, no questions asked.

    Actually, while I don't doubt there are a lot of people still selling 'pirated' content out of trenchcoats out on the street in NYC, the phenomenon being discussed here is essentially people giving content away freely to other people. It's not a 'market' in the sense you imply. Nobody is making big bucks through the 'piracy' distribution channels.

  71. Re:And Slashdot cheers on the pirates by Lillesvin · · Score: 1

    There's actually some truth to that. I have maybe 150 GiB of video on my external HD and ~260 DVDs in my ever-growing collection. At least half of those DVDs I would never have bought, if I hadn't had a chance to check them out beforehand and maybe download/watch related movies. I downloaded and watched 36th Chamber of Shaolin, which in turn caused me to buy it along with Drunken Master, Come Drink With Me and King Boxer - how can that NOT be good for business?

    --
    "Live free or don't."
  72. MOD PARENT UP by rockNme2349 · · Score: 1

    To put it bluntly, if someone can't make a living writing or singing without the help of an artificial monopoly, then that's too bad. No, seriously, it is. It's not the end of the world. It's not even the end of that person, since he can get a day job, nor even necessarily his creative efforts, since people working a day job get free time. He doesn't want to write or record if he's not paid? Well, if no one likes his writing or voice well enough to pay him up front, then I guess he won't be doing it anymore.

    Seriously people. I don't know why anyone else doesn't see this. Are what these musicians doing really worth making many millions of dollars worth for one album. If they stop making fortunes off of music, will culture stagnate? Mainstream musicians will still make fortunes off of touring. Even if no money is to be made in music people will still record. This is just a balancing effect of the market to determine what the monetary worth of the music is. People who want to support the artist will still pay them.

    If what you are doing isn't profitable, then do something else.

    --
    Sewage Treatment Facilities - "Our duty is clear."
  73. Ya think? by FrankDrebin · · Score: 1

    ..increase in the number of sites providing access to copyright files...

    Well that's no surprise since the web keeps growing, and every goddamned website on the internet provides access to copyrighted files.

    Of course the article means access to files without permission of the copyright holder. Call it pedantic if you will, but these turns of phrase affect public opinion. Remember Animal Farm? "All animals are equal, but some are more equal than others." That's right *their* copyright is worth more.

    --
    Anybody want a peanut?
  74. You know what's massively wrong about this? by Hurricane78 · · Score: 1

    300% increase in the number of sites providing access to copyright files

    Sites?? That's a huge step backward, when you need websites to share files. And it's the fault of the architecture of BitTorrent.

    We were/are way further than this. Hell, Napster already had a built-in search function. Then came serverless systems like Gnutella. (No single point of failure.) And then we even went to whole darknets with anonymity and encryption, that are nearly indestructible by the content industry.

    But BitTorrent has it all: No built-in search and a single point of failure (the tracker) per file. Let alone anonymity and encryption. It's basically just a fancy load-sharing FTP server.
    Yes that was what it was developed for. And that is what it should be used for.

    BitTorrent for file-sharing is just wrong. And with that stomping-out of bad P2P protocols, BitTorrent will soon be lost even for what it was meant for. Which is bad, because it was good for that. And which is good, because it pushes people to use more recent P2P networks again.

    --
    Any sufficiently advanced intelligence is indistinguishable from stupidity.
  75. You don't need The Pirate Bay or BitTorrent by Orion+Blastar · · Score: 2, Informative

    You want free videos:

    http://www.tioti.com/
    http://quicksilverscreen.com/
    http://www.veoh.com/
    http://www.hulu.com/
    http://www.alluc.org/
    http://www.sidereel.com/_home
    http://alloftv.net/
    http://www.4kidstv.com/

    I haven't checked them all but most of them I checked were legal, and Quicksilverscreen and TIOTI are people that share their videos via the web site that may be grayware and not 100% legal but it is like them taping a VHS tape and sharing it with you.

    here is a link to tens of thousands of free music links mostly by third party artists who don't have a distributor and share their music via the Internet.

    If you are going to use BitTorrent why not find free and legal torrents to use with it and avoid the piracy.

    --
    Remember, Slashdot does not have a -1 disagree moderation, and no, troll, flamebait, and overrated are not substitutes.
  76. Re:And Slashdot cheers on the pirates by qc_dk · · Score: 1

    I know the arguments for why copyright infringement isn't Piracy of the high seas variety, but in a metaphorical way it sort of make sense. We are talking about people who are taking things and distributing wealth that should belong to the content creator. Words can be carried from one domain to another and change meaning. We all the know the difference between a Somali pirate and a swedish pirate. It is also much easier to say than distributer of illegally infringing copyrighted material.

    However, I would like to suggest that we from now on, to stick to the theme, call RIAA, MPAA and the media companies privateers. They are afterall just state sanctioned pirates.

  77. Re:And Slashdot cheers on the pirates by BrightSpark · · Score: 1

    "Piracy" essentially means armed robbery and murder on the high seas. The recent abuse of the term to refer to unauthorized duplication is idiotic.

    Actually, this modern usage of the term "piracy" in relation to media probably stems from the 1970s pirate radio stations which broadcast alternative songs by radio from ships offshore in international waters just outside the legal limits of the country concerned. This allowed them to (a) broadcast what they liked and not what the media machines wanted and (b) to avoid certain "costs"... Needless to say, the media machines got their way. Here is one of several sites that describe those halcyon days. http://www.offshoreradio.co.uk/

  78. Dammit! Computer now smoking ominously.... by rts008 · · Score: 1

    Banish these Word-pirates, (you sacred mistresses of learning) into the gulfe of Barbarisme: doome them euerlastingly to liue among dunces: let them not once lick their lips at the Thespian bowle, but onely be glad (and thanke Apollo for it too) if hereafter (as hitherto they haue alwayes) they may quench their poeticall thirst with small beere

    That sentence just sent the self-proclaimed Grammar Nazi looking over my shoulder into an apoplectic fit, and I think it blew up my spell checker too!

    You would think old-time writers could spell... ;-)

    --
    Down With Slashdot BETA!!! I've been around the corner and seen the oliphant; you can only abuse me from your perspecti
  79. Anonymous Coward by Anonymous Coward · · Score: 0

    Trying to remove something from the internet is like fishing piss out of a swimming pool.

  80. Necessary introduction. by BForrester · · Score: 1

    Hercules: hydra. Hydra: Hercules.

  81. sorry by circletimessquare · · Score: 1

    i forgot to put quotes on the guy's words. you are actually responding to the guy i am responding to. so we agree 100% ;-)

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:sorry by L4t3r4lu5 · · Score: 1

      Huzzah!

      Perhaps I should have the rest of your comment... :D

      --
      Finally had enough. Come see us over at https://soylentnews.org/
  82. I suppose... by maillemaker · · Score: 1

    >MMOs, games hosted on servers, software as a service, selling support for software or expertise,
    >etc. are all examples of how to deal with this. And yeah, custom software has always been expensive.

    Which probably explains why I've never paid for any of the examples you cited.

    >Its probably better to just accept reality & deal with it.

    I suspect the reality will be less people publishing infinitely distributable goods.

    --
    A work that expires before its copyright never enters the public domain and thus enjoys eternal copyright protection.
  83. I Think I'm Safe by Anonymous Coward · · Score: 0

    I've always seeded generously

  84. Silly RIAA, didn't you know Torrents are for kids? by Anonymous Coward · · Score: 0

    Methinks RIAA has not played Whac-A-Mole...

  85. This is our world now... by KiwiCanuck · · Score: 1

    the world of the electron and the switch, the beauty of the baud. We make use of a service already existing without paying for what could be dirt-cheap if it wasn't run by profiteering gluttons, and you call us criminals. We explore... and you call us criminals. We seek after knowledge... and you call us criminals. We exist without skin color, without nationality, without religious bias... and you call us criminals. You build atomic bombs, you wage wars, you murder, cheat, and lie to us and try to make us believe it's for our own good, yet we're the criminals. Yes, I am a criminal. My crime is that of curiosity. My crime is that of judging people by what they say and think, not what they look like. My crime is that of outsmarting you, something that you will never forgive me for. I am a hacker, and this is my manifesto. You may stop this individual, but you can't stop us all... after all, we're all alike. http://www.phrack.org/issues.html?issue=7&id=3&page=2

  86. Re:And Slashdot cheers on the pirates by mcgrew · · Score: 1

    I don't see how piracy is an idiotic term, especially from the standpoint of the people whose products are being stolen.

    Their content isn't the product, DVDs are. They don't call shoplifters, who ARE stealin their product, pirates. The "pirates" are those who infringe copyright. Copyright infringement is not theift. It may be wrong, but it isn't theift.

  87. Re:And Slashdot cheers on the pirates by NotBornYesterday · · Score: 1

    Actually, as a homebrewer I would have loved to take the beer analogy further, but I figured the post was too long already, brevity being the soul of wit and all.

    Currently available in my beer cellar: Dry Irish stout.
    In the fermenter: Amber ale.
    Next to brew: (Not sure ... probably a nice, strong porter, but the garage is getting close to lager fermenting temperatures ... maybe time for a Vienna style lager. Suggestions?)

    --
    I prefer rogues to imbeciles because they sometimes take a rest.
  88. Re:And Slashdot cheers on the pirates by mcgrew · · Score: 2, Interesting

    What really gets me is the hypocrisy, though. The RIAA knows better than anyone that delivering free music to waiting ears is the best guarantee of album sales.

    Which is wh they are at war with p2p and internet radio. The RIAA has terrestrial radio and SIRIUS, the indies don't. Their war isn't really with music downloaders, it's with indie labels.

  89. Sell me the Thing, not the Format by Anonymous Coward · · Score: 0

    The industry wants to sell you a movie on DVD and then sell you again the same movie on BlueRay and then sell you a digital copy... The same thing for music, they want to sell you a copy of a song that will only play on one player and you buy it again to play on another or in a higher quality format. This is bull. I bought the movie, or the song, or the game, not the format it is in. If I already purchased a movie on DVD I should be able to get it again on BlueRay for a small fee related to the cost of materials, and I should be able to legally download a digital copy from anywhere I choose. If I bought a song on Itunes, I should get it legally free to play on any other player. I should even be able to get it in Guitar Hero for a small fee related to the cost of conversion into that format. I'd even say that if I bought a game for 360 I should be able to get a PS3 copy for cost of burning the BlueRay. There should be a database that knows what I purchased and lets me conveniently get whatever I bought in whatever format I want.

    What good would this do? It would get the people that are willing to pay back in the game. They don't have to worry about their computer crashing and losing all of their music. Broken discs easily replaced. No problems if they suddenly come out with a new and better format. So your going to say the downside is that nothing is stopping someone from getting extra copies and giving them to friends or selling them. Well, nothing is stopping them now. Those friends would not have been paying customers anyway. And I believe it would promote a culture where people pay for digital media again, since it would be so convenient for the consumer.

  90. Re:And Slashdot cheers on the pirates by Golddess · · Score: 1

    they buy off the radio stations

    Wrong direction for the flow of money. The radio stations aren't getting money to play specific songs, they're paying money for the privilege of playing those songs.

    Or are we talking about two different things?

    --
    "I'm not sure I like the fugnutish tone you used in your post!" -RogL (608926)-
  91. Re:And Slashdot cheers on the pirates by suomynonAyletamitlU · · Score: 1

    I know; I chose my words carefully. The goods are being "acquired" but not "sold"; the "market" I refer to is the internet as a whole (from their point of view, anyway) or more specifically, the Pirate Bay et al.

    The fact that "pirates" are not getting paid for their end of the bargain, like the lack of violence, doesn't mean the analogy doesn't stand in other ways.

  92. Re:And Slashdot cheers on the pirates by suomynonAyletamitlU · · Score: 1

    Shoplifter's aren't pirates by sheer force of scale. A person who stowed away on a merchant ship and stole and ate apples wasn't a pirate, either.

    Again, one of the big pieces of piracy is that the same goods that are being lost are showing up again on the marketplace, but without the people who produced them being given their (presumably) due rewards. And you're right; copyright infringement is NOT stealing, unless they can decompile the code and put out a "brand new" product that's nothing but the same product and new labels. It is, however, piracy, as the company's goods are being "sold" without their permission (even if it's for free).

    This is without challenging the (IMO ludicrous) assumption that "their content isn't the product, DVDs are". If it was produced, it is a product. If you want to argue that the people stamping it on DVDs per se aren't the ones producing the movie--yes, correct, but they are contractually bound to try to sell someone else's product, and counteracting piracy is quickly becoming part of that job.

  93. Re:And Slashdot cheers on the pirates by NotBornYesterday · · Score: 1

    Record labels have used payola for a long time to get airplay for the songs they want people to hear -> like -> buy.

    --
    I prefer rogues to imbeciles because they sometimes take a rest.
  94. Re:And Slashdot cheers on the pirates by Anonymous Coward · · Score: 0

    Look at Slashdot cheering at the piracy. It's really sickening how much Slashdot LOVES piracy now and encourages it at every opportunity.

    Apparently a 5-digit uid these days brings with it a somewhat higher risk of having already gone senile, instead of the more traditional expectation of being able to produce intelligent thinking.

    You have my sympathy, bonch. Truly.

  95. Re:And Slashdot cheers on the pirates by jamstar7 · · Score: 1

    Nobody is making big bucks through the 'piracy' distribution channels.

    One could argue the bandwidth providers are making money from it, but not the filesharers. One would think the ISPs would be sued, since they're the ones making money.

    Oopps, forgot. The telecoms, who sell the time on the fiber, are bigtime campaign contributors. My bad...

    --
    Understanding the scope of the problem is the first step on the path to true panic.
  96. and another thing by QCompson · · Score: 1

    It troubles me that the developers of a supposedly anonymous network applaud freedom of expression but then stake out areas that are off limits. Anonet is not a pirate network, CP network, etc.

    If the majority of anonet users decide that they want to trade copyrighted movies (or OMG child pornography), would the developers pull the plug on the whole project?

    1. Re:and another thing by that+this+is+not+und · · Score: 1

      If the majority of anonet users decide that they want to trade copyrighted movies (or OMG child pornography), would the developers pull the plug on the whole project?

      Since they are not slaves, I would assume it would be their choice or not to make.

      Now, I am sure there are armchair commentators like you who could instantly pick up development where they left off. Right?

  97. Re:And Slashdot cheers on the pirates by Abcd1234 · · Score: 1

    For the record, I really really do like piracy. It means I get the content in a format I want, whenever I want it, with the freedom to watch it on whatever device I want to watch it on.

    Frankly, if the studios would give me the option of buying an unencumbered copy of their product in a standard format (H.264 encoded AVI would be fine) at a decent price via an easy-to-use online outlet where I could max out my bandwidth, damn right I'd use it (particularly for lesser-known content that's tough to find via bittorrent). But it doesn't exist. So, until then, I pirate. If that makes me a bad person, well fuck it, I really don't give a crap.

  98. Re:And Slashdot cheers on the pirates by NotBornYesterday · · Score: 1

    Crazy isn't it? Their attempts to charge internet radio ridiculous fees are going to backfire as badly as their attempts to sue their own customers. I swear, it's like the guy writing their business plan has been eating lead paint chips or something.

    --
    I prefer rogues to imbeciles because they sometimes take a rest.
  99. Re:And Slashdot cheers on the pirates by NotBornYesterday · · Score: 1

    Actually, we're both right ... radio stations dopay royalties.

    --
    I prefer rogues to imbeciles because they sometimes take a rest.
  100. Re:And Slashdot cheers on the pirates by arevos · · Score: 1

    I don't see how piracy is an idiotic term, especially from the standpoint of the people whose products are being stolen.

    Piracy is a term used to refer to copyright infringement, not theft.

    It's idiotic because the use of violence to rob ships at sea, is rather different act than copying data without the author's permission.

  101. Re:And Slashdot cheers on the pirates by suomynonAyletamitlU · · Score: 1

    Whoooosh.

    It's idiotic because the use of violence to rob ships at sea, is rather different act than copying data without the author's permission.

    And yet in both cases, your company's products--whether the actual article or identical duplicates--are appearing in unregulated markets in large quantities.

    It would be an idiotic analogy if there was no merit to it. I think I've made a decent case that there's merit to it. If you can actually counter that argument, please do. If instead you're going to repeat things I 1)obviously knew and 2)took into consideration when crafting my argument, just keep it to yourself, hm?

  102. Re:And Slashdot cheers on the pirates by arevos · · Score: 1

    Whoooosh.

    Was your previous post meant to be sarcastic? If so, the humour was too subtle for me.

    And yet in both cases, your company's products--whether the actual article or identical duplicates--are appearing in unregulated markets in large quantities.

    So your argument is that if you can find something in common between two words, even if in every other respect they are completely different, it is acceptable to substitute one word for the other.

  103. Re:And Slashdot cheers on the pirates by suomynonAyletamitlU · · Score: 1

    Do you really not get how languages work?

    So your argument is that if you can find something in common between two words, even if in every other respect they are completely different, it is acceptable to substitute one word for the other.

    The argument goes like this.

    SIDE A: There is no merit to this word choice at all!
    ME: No, I'm pretty sure that several important parts of the term apply. They may not be what you're meaning when you say "pirate", but they're valid points and may explain why the word is used.
    YOU: But this word is clearly used to mean {subset of the original meaning}
    ME: ... Yeah. However, that being PART of it doesn't mean that there is NOT another part that means what I suggested. Unless you can explain why that invalidates my argument, I don't have anything in particular to reply to you about.

    Or if you prefer, to restate my ORIGINAL argument, both copying the product and stealing large quantities of it undercut the market FOR your product, in a way that individual theft does not. The bloody nature of piracy was actually only actually apropos to a fairly small subset of the population--ever. A ship at sea may have had what, twenty to a hundred sailors? If a hundred ships fell to piracy in a year, that's at most ten thousand men lost at sea, and it didn't happen that fast, I'd wager. The only other actual losses of life would be from starvation, etc, or from raids on small coastal settlements.

    Barbaric? Yes, but compare it to war, or the Black Death, or whatever. You could argue that they are responsible for more deaths per capita than most--I wouldn't argue that. But that comes from their disregard for consequences and cavalier attitude towards lawbreaking--which modern pirates also have.

    I think I'm drifting off my point here but whatever.

  104. Re:And Slashdot cheers on the pirates by arevos · · Score: 1

    The word "piracy" wasn't chosen because it accurately described copyright infringement. It was coined by the Stationer's Company in the 17th century, which at the time had a government monopoly on producing printed works. They chose the word as a way of casting aspersions on their opponents, who were publishing without the government's permission. At that time, the connotations of the word "piracy" were far worse than the are today.

    In more modern times, the same principle was used to compare VHS tapes to the Boston Strangler, and suggest that copyright infringement funds terrorism. It's pure hyperbole. A form of argumentum ad hominem. A way of appealing to people's emotions rather than rational thought. In other words, it's idiotic because it attempts to sway the beliefs of idiots.

    Nowadays, real pirates are rather less numerous than they once were, so the term has lost much of its bite. When the content industries want to make an emotional argument, they tend to use words like "thief" instead. The word "pirate" has become almost purely descriptive.

    The reason I still dislike this word is not so much that its original meaning has been twisted (that happens to words all the time), but because its indicative of distasteful tactics that are employed as much today as they were four centuries ago. It's name-calling by companies too stupid to adapt to marketplace changes.

  105. Re:And Slashdot cheers on the pirates by suomynonAyletamitlU · · Score: 1

    Two things--

    [citation needed]

    and

    The reason I still dislike this word is not so much that its original meaning has been twisted (that happens to words all the time), but because its indicative of distasteful tactics that are employed as much today as they were four centuries ago. It's name-calling by companies too stupid to adapt to marketplace changes.

    If you had actually made that argument in the first place I would have agreed with you. Irrespective, I argued as I did to bring up something that people may not have thought of which might frame the entire conversation in a different light. Knowing this, while you have a point, you have not shown any reason why my argument is incorrect.

    People choose their words--for better or worse--and more importantly spread them amongst themselves because of everything else they know about the subject. The use of "Pirate" in this context probably would not have caught on if people didn't agree that it had merit. For instance, if pirates had always and forever been known for simply sinking the ships and taking nothing for themselves, it wouldn't apply here; if they had all returned the goods to a neutral party, say the church, who profited off of all of it, it would again have a different meaning, and they wouldn't use it here.

    The fact that the word actually DOES have merit doesn't harm anyone's case but continues to be brought up as an oddity--or that's what I assumed, and was addressing.

  106. Re:And Slashdot cheers on the pirates by arevos · · Score: 1

    [citation needed]

    Wikipedia

    Knowing this, while you have a point, you have not shown any reason why my argument is incorrect.

    It's true that there are some tentative similarities between seafaring theft and teenagers downloading files without permission. So your argument is not really incorrect.

    But loose connections can be drawn between any two words. For instance, fast food restaurants often sell unhealthy food. Unhealthy food can reduce your life expectancy. So can suicide. So if I wanted to make an emotional argument I might call fast food restaurants "suicide bars".

    But just because you can make such connections, doesn't mean you should do so. It's just a form of name-calling, and therefore childish and idiotic.

  107. Re:And Slashdot cheers on the pirates by suomynonAyletamitlU · · Score: 1

    From the article:

    Even prior to the 1709 enactment of the Statute of Anne, generally recognized as the first copyright law, the Stationers' Company of London in 1557 received a Royal Charter giving the company a monopoly on publication and tasking it with enforcing the charter. Those who violated the charter were labeled pirates as early as 1603.

    In other words, a pirate was someone who 1)violated the law, 2)did so in spite of someone being there to protect business interests, and 3)having violated the law produced goods that reduced the market for a legitimate (if monopolized) company. I fail to see any evidence that this was chosen to be childish name-calling at all.

    Further,

    It's just a form of name-calling, and therefore childish and idiotic.

    I disagree. Labeling an action in an attempt to convince others IS childish, when you are doing it one-on-one rather than engaging the other person in meaningful debate; however, when you refer to a global scale, it no longer is reasonable to assume that people can convince others on a one-on-one basis to follow the guidelines that you are told to enforce.

    In other words, chasing after one particular person and yelling "Pirate! Pirate! You're gonna get in trouble!" is childish. Putting out an official notice that those who violate the law will be viewed in the eyes of the law as not only criminals, but serious criminals, isn't childish. In particular, when the term is used so that other people will be more likely to report the activity, then it is a tactical maneuver, even if it is a sleazy one.

    To call something "childish" means that you could expect, say, a 10-year-old to have the same train of thought. I can't imagine a child, on his own accord, thinking of official edicts, or people enforcing charters, or choosing a term that's just related enough to be plausible and invective enough to stir people's emotions, or even setting policies in general. They would more likely stand on a step and throw a temper tantrum. And while people probably did that in those days, and still do today, I can't imagine that they're the ones behind any of the actually threatening things, because they're far less likely to be taken seriously.

    This is without addressing the "suicide bars" argument which frankly is more of a slippery slope fallacy than actual logic.

  108. Re:And Slashdot cheers on the pirates by arevos · · Score: 1

    In other words, chasing after one particular person and yelling "Pirate! Pirate! You're gonna get in trouble!" is childish.

    But when the content industry does that to many people, suddenly it's not childish?

    Putting out an official notice that those who violate the law will be viewed in the eyes of the law as not only criminals, but serious criminals, isn't childish.

    The term "piracy" did not arise from a legal document or an official government notice.

    In particular, when the term is used so that other people will be more likely to report the activity, then it is a tactical maneuver, even if it is a sleazy one.

    Just because something is a tactical maneuver, does not mean that it is not childish. A child may call another names in order to elevate their own social status. They may not be able to articulate their reasons for doing so, but merely because they are obeying evolutionary instinct rather than rational thought, does not mean that their actions are not tactical.

    I can't imagine a child, on his own accord, thinking of official edicts, or people enforcing charters, or choosing a term that's just related enough to be plausible and invective enough to stir people's emotions, or even setting policies in general.

    I think you're underestimating children, and overestimating the content industry :)

    Piracy might have once been a good phrase to use, evoking emotion and fear. But since then the content industries have gone through several cycles of rebirth, and the word "pirate" could now be taken to mean "the people who will succeed us". This perhaps isn't the message the current content industry would like to put out.

  109. Re:And Slashdot cheers on the pirates by suomynonAyletamitlU · · Score: 1

    In other words, chasing after one particular person and yelling "Pirate! Pirate! You're gonna get in trouble!" is childish.

    But when the content industry does that to many people, suddenly it's not childish?

    You would prefer "Please stop that, children, we need to sell those products to other people so that we can make more money"?

    I really don't understand what you think the "mature" response to people undermining your ability to sell your own product are.

    The term "piracy" did not arise from a legal document or an official government notice.

    [citation needed]

    The wikipedia article's example that I mentioned before clearly stated that by order of a Royal Charter infringement would be treated as piracy. I fail to see how this isn't considered a legal document.

    Just because something is a tactical maneuver, does not mean that it is not childish. A child may call another names in order to elevate their own social status. They may not be able to articulate their reasons for doing so, but merely because they are obeying evolutionary instinct rather than rational thought, does not mean that their actions are not tactical.

    I'm just going to politely disagree with you on this. My reason stems from my personal definition of "ethical behavior;" in that definition, if you are not being ethical because you tried to be, but rather because "things turned out alright" then your behavior was not ethical even if it is repeatable. To bring that into this conversation, children may MIMIC tactical behavior, but they are not thinking tactically.

    I think you're underestimating children, and overestimating the content industry :)

    I'm certainly not the former and I think I've equivocated enough, and deliberately, to be able to fairly say I'm not the latter either.

    Piracy might have once been a good phrase to use, evoking emotion and fear. But since then the content industries have gone through several cycles of rebirth, and the word "pirate" could now be taken to mean "the people who will succeed us". This perhaps isn't the message the current content industry would like to put out.

    You may recall actually that a lot of industry, content or otherwise, is actually based off of stealing from other countries, and otherwise sneaking around the precepts of copyright enforcement--by being outside its jurisdiction. The American textiles industry for example, I believe was originally founded off of memorized plans leaked from Britain.

    This doesn't actually help my argument--they have been two-faced scumbags for a while, is all I'm saying--but it's relevant.

    In any event I'm tired of this conversation, so I probably won't reply again. I wish I could say I enjoyed it, but frankly, most of your arguments are more emotionally charged and abusive than well reasoned, even when the reason that you did have would have made a decent argument. Thanks for the conversation anyway.

  110. Re:And Slashdot cheers on the pirates by arevos · · Score: 1

    You would prefer "Please stop that, children, we need to sell those products to other people so that we can make more money"?

    I really don't understand what you think the "mature" response to people undermining your ability to sell your own product are.

    The problem is that it is technology and economics that is affecting their ability to sell their products.

    The content industry make their money by selling copies. This worked in an era when making copies was expensive, or required expensive equipment. But now, the cost of copying is approaching zero. Economically, it's hard to make much of a profit off something that can be had for nothing.

    The only way they can continue with their current business model is to attempt to hold back technology with legislation. But this is only a temporary solution; eventually there will be enough bandwidth to stream movies anonymously, and someone will create a P2P client with a nice easy interface. Whether this is right or wrong, technology tends to be rather amoral.

    The content industry needs to find a way of making money off content that doesn't involve selling copies. This is by no means an insurmountable problem. However, it will require a large shift in the industry, and I'd be surprised if many of the current big players survive.

    In any event I'm tired of this conversation, so I probably won't reply again. I wish I could say I enjoyed it, but frankly, most of your arguments are more emotionally charged and abusive than well reasoned, even when the reason that you did have would have made a decent argument.

    Abusive? I believe the worst I've done is to phrase questions with a certain rhetorical edge, and then only in response to the occasional less-than-polite tone that crept into your posts.

    First, this is Slashdot; I am not exactly the most impolite poster you'll meet. Second, if you want a more polite tone from me, then be more polite yourself. For instance, instead of saying "Whoooosh", you might say "Sorry, I don't think we're quite on the same track". Then I might be a little less sarcastic in my response.