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Kodachrome Takes Its Final Bow Today

Ellis D. Tripp writes "Today marks the end of an era for photo geeks, with the shutdown of the world's last Kodachrome film processing line. Dwayne's Photo, of Parson, KS will pull the plug on their K-14 processing equipment at the end of business today."

262 comments

  1. Selling for scrap? by Anonymous+Freak · · Score: 2

    I hope they are just "selling" the processing equipment, not specifically "selling for scrap", as the article mentions. I would hope that SOMEONE would buy it to send to the Smithsonian or similar.

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    1. Re:Selling for scrap? by Anonymous Coward · · Score: 2, Interesting

      All n all its not that interesting an item for a museum, there are lots of other automated film processing and printing machines, so the "technology" is not going away exactly. Kodak is no longer going to produce the chemistry to process this type of film which makes it pretty impossible to use the machine in any way. Yes it might serve as a museum piece but I am not sure it warrants that.

    2. Re:Selling for scrap? by PCM2 · · Score: 2

      Automobile technology isn't going away either, but that doesn't mean obsoleted automobiles aren't "interesting items" for museums. Especially automotive museums. (Car analogy enough for you?)

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    3. Re:Selling for scrap? by Anonymous+Freak · · Score: 3

      I'm just thinking that because Kodachrome is so "iconic" and historic piece of photography history, the processing machinery would be a good thing to have in a museum. Also, if it truly is the last one, it might be nice to keep one around, just in case. (See http://en.wikipedia.org/wiki/Apolo_11_missing_tapes for a case where keeping around the last machine proved useful. If something like this comes up, I'm sure SOMEBODY could whip up another batch of chemicals...)

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    4. Re:Selling for scrap? by RDW · · Score: 2, Informative

      Kodak at one point made an automated Kodachrome minilab, the K-Lab, which was intended to make processing more widely available:

      http://www.kodak.com/global/en/consumer/products/klabs/index.shtml

      Unfortunately it never really took off, and one was up for sale for several years with no takers:

      http://www.rockymountainfilm.com/equipment/klab.htm

      The day before it waa due to be scrapped, an enthusiast stepped in and bought it, and is now hoping to get it running again:

      http://www.kodachromeproject.com/forum/showthread.php?t=674

      Obtaining the necessary processing chemicals, especially the proprietary dye couplers, is the major barrier to making this happen.

    5. Re:Selling for scrap? by fishbowl · · Score: 1

      Well, the special thing about Kodachrome processing isn't so much the equipment, but the dyes. What "the Smithsonian" or Posterity really needs is a reproducible formula for making the dyes. I'd settle for a digital artifact that renders a convincing K-25 or K-64 slide.

      The real reason Kodachrome is going away is so that nobody can forge a Zapruder film :-)

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    6. Re:Selling for scrap? by theshowmecanuck · · Score: 1

      There are people who process their own colour films (negative and positive). Granted it is much more tricky if you don't have the right equipment, considering temperature ranges and development times etc. are less tolerant of changes from development specs. But if you have the right equipment and know how, it isn't hugely different from B+W, just more steps involved. When I read the OP I wondered if it is possible to still buy the chemicals required for the process. Mind you, given that Kodak stopped making the film, it might not really matter unless some boutique operation gets permission to make and sell kodachrome... which doesn't seem likely.

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    7. Re:Selling for scrap? by mobby_6kl · · Score: 1

      It looks like you're talking about other color film, like Ektachrome or something. Those are still being manufactured and anyone can develop it, even if it's more difficult than B&W for amateurs. Kodachrome uses a significantly different and much more complicated process which requires different equipment, knowledge, and chemicals. I don't really know what the exact procedure is, and probably very few people do. Up to this point there was only a handful of labs in the world that could actually develop this film. You can read more on wikipedia.

    8. Re:Selling for scrap? by afidel · · Score: 1
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    9. Re:Selling for scrap? by Baseclass · · Score: 1

      I'm sure there must be several photography museums in this world. We have museums for just about everything, including toasters, twine, and wooden nickels.

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    10. Re:Selling for scrap? by swfranklin · · Score: 1

      I've seen nothing to indicate that Dwayne has the last processing machinery in existence, just the last one in use. Plus, processing could be done without the machine they're using (it's an industrial model designed for high-volume work) - the problem is the chemicals. Kodak isn't making them any more.

    11. Re:Selling for scrap? by fishbowl · · Score: 1

      Nice, thank you!

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      -fb Everything not expressly forbidden is now mandatory.
    12. Re:Selling for scrap? by demonlapin · · Score: 1

      You don't need a machine to process Kodachrome, so long as you have the chemicals. If something really phenomenal showed up, you could have the chemicals synthesized and do the processing by hand.

    13. Re:Selling for scrap? by camperdave · · Score: 2

      I'm sure there must be several photography museums in this world.

      I have a picture of one, if that helps.

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    14. Re:Selling for scrap? by atomicthumbs · · Score: 1

      Good luck doing the three re-exposures by hand.

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    15. Re:Selling for scrap? by Y-Crate · · Score: 4, Informative

      You can do D-76 processing in your bathroom with strong coffee, and the right off-the-shelf equipment.

      You can do C-41 processing in your basement with the right chemicals and off-the-shelf equipment.

      K-14 is another beast entirely and demands all kind of proprietary chems that you simply cannot find because they no longer exist. Even if you had the chemicals, you wouldn't have the equipment process the images properly.

      What really needed to happen here was another instance of someone pulling together The Impossible Project which (thanks to a chance meeting at a bar) salvaged the last Polaroid processing equipment riiiiiiight before it was to be scrapped, and then reverse-engineered the chemicals needed to produce and develop the film.

      (Note: I don't have any financial stake in their success, but I have to say the staff at the IP are amazing, and some of the nicest bunch of people I've dealt with in the photo world. Please give them your business.)

    16. Re:Selling for scrap? by daremonai · · Score: 1

      I'm sure there must be several photography museums in this world.

      I have a picture of one, if that helps.

      So do I. Unfortunately, it's on Kodachrome.

    17. Re:Selling for scrap? by Anonymous Coward · · Score: 0

      The impossibility of procuring the chemicals for the process is the exact reason why Dwayne's stopped processing. Kodak was simply the only company making the chemistry, and they aren't any more. And they're so complicated and toxic it's all but impossible for any small outfit to make them.

      From what I understand, making the film itself isn't massively involved, and an Impossible Project scenario wouldn't be out of the question. But unless Kodak or some other company starts making the chemicals again, or an alternative process is developed, film stock would be completely pointless.

    18. Re:Selling for scrap? by muridae · · Score: 1

      If you don't want to buy a pack or plugin to do it for you, you can read an essay online titled "Simulating Film Effects with Curves". I would link, but /.'s ui won't let me paste a link today. Google has the essay as the first result if you search for the title. And if you don't want to recreate the curves for yourself, I think there are photoshop and gimp curve files available in the article.

    19. Re:Selling for scrap? by bill_mcgonigle · · Score: 1

      it might not really matter unless some boutique operation gets permission to make and sell kodachrome

      Permission? Haven't the patents expired 30+ years ago?

      Are their trade secrets really that tight that after 80 years nobody knows the chemicals? Seems unlikely.

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    20. Re:Selling for scrap? by Anonymous Coward · · Score: 0

      D-76 is a developer, not a process.

    21. Re:Selling for scrap? by Y-Crate · · Score: 1

      D-76 is a developer, not a process.

      LOL yes. I was collapsing from a lack of sleep when I wrote that. ;)

    22. Re:Selling for scrap? by Estanislao+Mart�nez · · Score: 1

      D-76 is a developer, not a process.

      LOL yes. I was collapsing from a lack of sleep when I wrote that. ;)

      ...thus the need for strong coffee?

    23. Re:Selling for scrap? by Y-Crate · · Score: 1

      D-76 is a developer, not a process.

      LOL yes. I was collapsing from a lack of sleep when I wrote that. ;)

      ...thus the need for strong coffee?

      Yes, apparently my subconscious can access my Slashdot account now.

  2. Bring back 8 track by deodiaus2 · · Score: 0

    I really liked it!

    1. Re:Bring back 8 track by hedwards · · Score: 1

      8 tracks are still around. The father of an acquaintance of mine has a very small recording studio that uses them. It's less a studio and more a recording booth, but he's still using 8 tracks, or at least I assume he is, that was a decade or so ago that I saw it. But if he'd held out that long, I'd be surprised if he wasn't still using it.

    2. Re:Bring back 8 track by Eil · · Score: 1

      Are you sure it's an 8-track? 8-tracks were well-known for their horrible reliability and sound. If the machine was being used in a studio setting, it is more likely a Fidelipack, which was widely used in radio stations to record and play back station id, commercials, and the odd song.

    3. Re:Bring back 8 track by ran-o-matic · · Score: 1

      This is a lot off-topic, but: 8-track studio recording was the hot thing in the late fifties when the Ampex 5285 and other multi-track studio records came out. Multi-track analog recorders remained very popular until digital multi-track started to replace the old analog units in the mid/late 1990's. Those studio 8-track machines do not have much in common with the continuous loop cassettes we also call 8 tracks. From a technology standpoint, Kodachrome has just as much reason to still be around as the 8-track cassette - none. From a nostalgia standpoint, maybe there's room for both.

    4. Re:Bring back 8 track by hedwards · · Score: 1

      Quite possibly. That was quite a while back and I wasn't particularly versed with the system. I seem to recall most 8 tracks being plagued by problems with the player eating the tapes. Something which didn't happen a lot with cassettes.

    5. Re:Bring back 8 track by Ellis+D.+Tripp · · Score: 2

      From a technology standpoint, Kodachrome has just as much reason to still be around as the 8-track cassette - none.

      Technically, Kodachrome film has no equal. Some of the newer films (like Fuji Velvia) can begin to approach it for initial image quality, but absolutely NOTHING comes anywhere near Kodachrome for permanence of the finished image. 50 year old Kodachrome slides often look just as good today, even without special storage conditions.

      8-track audio cassettes, OTOH, were crap from day one. Packing 8 8 audio tracks across a single piece of 1/4" tape resulted in lots of background noise, bleedthrough into adjacent tracks, and limited bandwidth. The "endless loop" design was prone to breaking at the splice or jamming up the transport. About the only thing that 8-track had going for it was ease of use, in an era when most tape recorders were reel-to-reel types, which needed to be threaded by hand before playback.

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    6. Re:Bring back 8 track by rs79 · · Score: 1

      "NOTHING comes anywhere near Kodachrome for permanence of the finished image. 50 year old Kodachrome slides often look just as good today, even without special storage conditions."

      Lemme check. (pulls slide out of box). Kodachrome? Check. Oh, purple shift? Check. Bleh.

      Fuck film. Yeah digital.

      --
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    7. Re:Bring back 8 track by Anonymous Coward · · Score: 0

      Are you sure you're not confusing "recording on an 8-track cassette" with the much more likely "recording with an 8 track recorder" ?

      Studios that still record to tape will use DAT usually, but there are multitrack recorders that will stripe a standard audio cassette with 4 or 8 tracks.

      Either way, you should give him a belated Christmas present of a multichannel sound card supported by ALSA (I recommend the Hammerfall DSP cards) and install Ardour and JACK for him. Ardour makes quite a nice recording environment, and if he's used to a professional studio setting he'll be right at home.

      P.S. It's good to have the manual on hand to help with that homey feeling for the first couple weeks - complicated software always has a bit of a learning curve, and audio engineering is a complicated process.

      P.P.S. I just reread your comment and saw that you said "father of an acquaintance" - originally I thought you said "father of my girlfriend" for some reason. You probably don't want to spend $200+ on computer hardware for somebody you don't know that well. I'm posting anyway because Ardour is awesome software and if you're interested in recording on a semi-pro or professional level you should check it out.

    8. Re:Bring back 8 track by Goaway · · Score: 1

      Sure you're not thinking of Kodak's Ektachrome rather than actual Kodachrome? Ektachrome fades horribly.

    9. Re:Bring back 8 track by dwywit · · Score: 1
      "From a technology standpoint, Kodachrome has just as much reason to still be around as the 8-track cassette - none."

      I'll assume you've never used Kodachrome 25 with a nice Nikkor/Schneider/Zeiss lens, then.

      --
      They sentenced me to twenty years of boredom
    10. Re:Bring back 8 track by Peeteriz · · Score: 1

      No physical media has any notion of permanence at all - they will degrade over some time inevitably, the only question is when. However, bits are bits are bits no matter how many times you copy them, and if you have them they will be in the same quality even after a billion years in a different galaxy.

      Words like '50 years', 'often', 'just as good' don't mean permanence - can you rephrase your sentence with 'forever', 'always', 'exactly as good' ?

    11. Re:Bring back 8 track by hairyfeet · · Score: 2

      While this is true, with analog you get a kind of "warmth" that is simply hard to get out of digital. Compare a digital amp to a good tube one, no comparison. And even though digital recording is cleaner often you will run a tube preamp just to give a track a little "breathing room" but even then it will never have the natural sound of a good 8 track studio rig.

      Sadly I can see tube amps easily going the same way as Kodachrome, because for the masses digital modeling amps are "good enough" and like Kodachrome there are simply too few producing the the expendables (tubes) required to keep them going. Hell do they even make classic 8 track studio tapes anymore? it seems like in our society "good enough" is the eternal enemy of great.

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    12. Re:Bring back 8 track by Anonymous Coward · · Score: 0

      AKA 'Carts' at the station I worked at. They usually used all of the tape for one stereo signal, instead of 4 stereo signals like the 8 tracks of the day. The loops were often pretty short (30, 60, 120 secs) so you didn't have to wait for the commercial to cue up again.

    13. Re:Bring back 8 track by rs79 · · Score: 1

      Kodachrome is the one that starts with a "K" right? And Ektachrome starts with an "E" ? Yeah I'm sure. The Ektachrome was worse, to be sure, but I'm not seeing that flawless color permanence. These are from slides from the 60s and 70s. Maybe they're just too old.

      Who knew you'd need to use dageurreotypes at expo '67?

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    14. Re:Bring back 8 track by toddestan · · Score: 1

      Kodachrome's color reproduction is somewhat cool, maybe that's what you're seeing? Most people seem to associate Kodachrome's color reproduction as an "aged" look, when in fact that's just the way the film looks. The Kodachrome slides I shot a couple of years back definitely have a "retro" feel to them, and look identical to my grandfather's Kodachrome slides from the 40's. Fuji Velvia, in my opinion, has a more natural, "warmer" color reproduction and doesn't give that retro look (I have a few prints on the wall from Fuji Velvia I shot recently most people assume came from a DSLR).

      Ektrachrome, in my opinion, is crap. Ektochrome slides from the early 70's are essentially monochrome at this point (red and white, as the greens and blues have faded away).

    15. Re:Bring back 8 track by ran-o-matic · · Score: 1

      You are correct. But I have used an 8-track cassette :)

  3. Paul Simon / Kodachrome by chill · · Score: 5, Insightful

    When I think back
    On all the crap I learned in high school
    It's a wonder
    I can think at all
    And though my lack of education
    Hasn't hurt me none
    I can read the writing on the wall

    Kodachrome
    You give us those nice bright colors
    You give us the greens of summers
    Makes you think all the world's a sunny day, oh yeah!
    I got a Nikon camera
    I love to take a photograph
    So Mama, don't take my Kodachrome away

    If you took all the girls I knew
    When I was single
    And brought them all together for one night
    I know they'd never match
    My sweet imagination
    And everything looks worse in black and white

    Kodachrome
    You give us those nice bright colors
    You give us the greens of summers
    Makes you think all the world's a sunny day, oh yeah!
    I got a Nikon camera
    I love to take a photograph
    So Mama, don't take my Kodachrome away

    Mama, don't take my Kodachrome away

    Mama, don't take my Kodachrome away

    Mama, don't take my Kodachrome away

    Mama, don't take my Kodachrome
    Mama, don't take my Kodachrome
    Mama, don't take my Kodachrome (away)

    Mama, don't take my Kodachrome
    Mama, don't take my Kodachrome
    Mama, don't take my Kodachrome (away)

    Mama, don't take my Kodachrome
    (Leave your boy so far from home)
    Mama, don't take my Kodachrome (away)

    --
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    1. Re:Paul Simon / Kodachrome by Anonymous Coward · · Score: 1

      It's too bad he mentioned the Nikon camera, otherwise Eastman Kodak and he could've worked out a mutually beneficial advertising arrangement that would've lasted decades.

    2. Re:Paul Simon / Kodachrome by BigFootApe · · Score: 1

      Yeah, I don't think he's suffered.

      I mean, he did bone Princess Leia. Several times.

    3. Re:Paul Simon / Kodachrome by jcr · · Score: 1, Insightful

      You forgot a http://www.youtube.com/watch?v=wZpaNJqF4po> link to the song.

      -jcr

      --
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    4. Re:Paul Simon / Kodachrome by 93+Escort+Wagon · · Score: 1

      It's too bad he mentioned the Nikon camera, otherwise Eastman Kodak and he could've worked out a mutually beneficial advertising arrangement that would've lasted decades.

      I doubt that'd be a hindrance. For one thing they wouldn't use a complete song in an ad, so the Nikon reference wouldn't come into play. Plus the two companies have worked together in the past - Kodak's digital SLRs used Nikon's F mount, for example.

      Also Nikon, along with almost every other camera manufacturer, still uses patented Kodak sensor technology.

      --
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    5. Re:Paul Simon / Kodachrome by Anonymous Coward · · Score: 1, Funny

      Pics or it didn't happen

    6. Re:Paul Simon / Kodachrome by jrbuilta · · Score: 1

      Perfect. Just what I was thinking, but I could remember all the lines. Thx.

    7. Re:Paul Simon / Kodachrome by Anonymous Coward · · Score: 0

      Meg Ryan's winggirl in "When Harry Met Sally", sounds less impressive.

    8. Re:Paul Simon / Kodachrome by Anonymous Coward · · Score: 0

      Every time this story has come up on /., someone has posted that. It's not insightful. It has been done.

      Someone please mod this down to where it belongs (0 or thereabouts).

    9. Re:Paul Simon / Kodachrome by Joska · · Score: 1

      I suppose on Slashdot, insightful is a synonym for irrelevant. How much do these song lyrics tell us about the film? Think for yourself indeed.

  4. Original story from the New York Times by Relayman · · Score: 5, Informative

    Here's the original story from the New York Times.

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    1. Re:Original story from the New York Times by 0100010001010011 · · Score: 2

      Still needs the proper referrer set. Punch that URL into google and follow that link OR:

      PARSONS, Kan. — An unlikely pilgrimage is under way to Dwayne’s Photo, a small family business that has through luck and persistence become the last processor in the world of Kodachrome, the first successful color film and still the most beloved.

      That celebrated 75-year run from mainstream to niche photography is scheduled to come to an end on Thursday when the last processing machine is shut down here to be sold for scrap.

      In the last weeks, dozens of visitors and thousands of overnight packages have raced here, transforming this small prairie-bound city not far from the Oklahoma border for a brief time into a center of nostalgia for the days when photographs appeared not in the sterile frame of a computer screen or in a pack of flimsy prints from the local drugstore but in the warm glow of a projector pulling an image from a carousel of vivid slides.

      In the span of minutes this week, two such visitors arrived. The first was a railroad worker who had driven from Arkansas to pick up 1,580 rolls of film that he had just paid $15,798 to develop. The second was an artist who had driven directly here after flying from London to Wichita, Kan., on her first trip to the United States to turn in three rolls of film and shoot five more before the processing deadline.

      The artist, Aliceson Carter, 42, was incredulous as she watched the railroad worker, Jim DeNike, 53, loading a dozen boxes that contained nearly 50,000 slides into his old maroon Pontiac. He explained that every picture inside was of railroad trains and that he had borrowed money from his father’s retirement account to pay for developing them.

      “That’s crazy to me,” Ms. Carter said. Then she snapped a picture of Mr. DeNike on one of her last rolls.

      Demanding both to shoot and process, Kodachrome rewarded generations of skilled users with a richness of color and a unique treatment of light that many photographers described as incomparable even as they shifted to digital cameras. “Makes you think all the world’s a sunny day,” Paul Simon sang in his 1973 hit “Kodachrome,” which carried the plea “Mama, don’t take my Kodachrome away.”

      As news media around the world have heralded Thursday’s end of an era, rolls of the discontinued film that had been hoarded in freezers and tucked away in closets, sometimes for decades, have flooded Dwayne’s Photo, arriving from six continents.

      “It’s more than a film, it’s a pop culture icon,” said Todd Gustavson, a curator from the George Eastman House, a photography museum in Rochester in the former residence of the Kodak founder. “If you were in the postwar baby boom, it was the color film, no doubt about it.”

      Among the recent visitors was Steve McCurry, a photographer whose work has appeared for decades in National Geographic including his well-known cover portrait, shot in Kodachrome, of a Afghan girl that highlights what he describes as the “sublime quality” of the film. When Kodak stopped producing the film last year, the company gave him the last roll, which he hand-delivered to Parsons. “I wasn’t going to take any chances,” he explained.

      At the peak, there were about 25 labs worldwide that processed Kodachrome, but the last Kodak-run facility in the United States closed several years ago, then the one in Japan and then the one in Switzerland. Since then, all that was left has been Dwayne’s Photo. Last year, Kodak stopped producing the chemicals needed to develop the film, providing the business with enough to continue processing through the end of 2010. And last week, right on schedule, the lab opened up the last canister of blue dye.

      Kodak declined to comment for this article.

      The status of lone survivor is a point of pride for Dwayne Steinle, who remembers being warned more than once by a Kodak repr

  5. Done already? by jewelises · · Score: 1

    Didn't they launch chrome just a few years ago? I haven't read the summary yet, but this sure is a shame.

    1. Re:Done already? by Concerned+Onlooker · · Score: 1

      No, they relaunched it quite a few years ago. I'm going from memory but I think it must have been the late 80s. This is the second time it has gone away. I wouldn't bet on a third renaissance. Not only has digital pretty much taken over, but the E-6 process films have gotten very good as well. The K-41 process (?) was expensive and nasty.

      Yes, it is a time for people like me to be a bit nostalgic and teary, but improvements and inventions and such mean that this is inevitable. I loved the Kodachrome look but I would never decry digital.

      --
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    2. Re:Done already? by Anonymous Coward · · Score: 0

      Whoosh! Lolz.

    3. Re:Done already? by swfranklin · · Score: 2

      Whoosh....

      He was making a joke about Chrome (the browser). Maybe a bit too subtle...

    4. Re:Done already? by Concerned+Onlooker · · Score: 1

      Well, that doesn't make it any less informative. :-)

      --
      http://www.rootstrikers.org/
    5. Re:Done already? by Dogtanian · · Score: 2

      He was making a joke about Chrome (the browser). Maybe a bit too subtle...

      It doesn't really count as "subtle" if the reason that it wasn't obvious as a joke was that it was neither good, insightful nor funny.

      I don't think "Kodachrome" and "Chrome" (whichever meaning of the latter you choose) are likely to get confused. No-one commonly nicknamed or abbreviated the former "Chrome", likely because it'd get confused with lots of other slide films whose names ended in "Chrome".

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  6. Re:Good Riddence! by countertrolling · · Score: 1

    Well, it's like records and tube amps. They have a certain "warmth" you don't get with digital and solid state :-)

    --
    For justice, we must go to Don Corleone
  7. Re:Good Riddence! by MrEricSir · · Score: 5, Funny

    On that topic, I still say only the original Edison wax cylinders had true audio fidelity. Vinyl is just a cheap knockoff, trading convenience for quality.

    --
    There's no -1 for "I don't get it."
  8. Bah by colinRTM · · Score: 2

    It pisses me off that the majority of people crying about this (and the demise of colour films in general) are mostly the ones who scour eBay for expired rolls with which to stock their fridges, instead of buying fresh packs of film, demonstrating to the manufacturers that there is actual demand for it.

    1. Re:Bah by hjf · · Score: 1

      Not really. Kodachrome itself is difficult and expensive to develop. Other color films are still alive (Fuji Velvia 50 was actually introduced in 2007. Well, re-introduced, but it shows that there is demand for it).

    2. Re:Bah by dogsbreath · · Score: 2

      You disdain is misplaced. Kodachrome is a slide film or a colour positive. The reason for its demise began before digital cameras came along and starts with the fact that people just don't find time to sit around looking at slide shows. The 35mm film speed was ASA64 or ASA200 which was slow compared to the 400 and 800 print films that are available today. Finally, processing requires mailing it away and people have given that up as an acceptable practice. In the 1970's, Kodachrome film came with a pre-addressed mailer pouch that you would drop your film can into. Two weeks later you'd get a slide box in the mail.

      Kodachrome provided outstanding colour and detail and I still love the product it produces. I have yet to find a digital camera that has the same detail, dynamic range, and colour precision and accuracy. It also has terrific stability and longevity, probably better than most digital files when all things are considered. My slide collection (FWIW), given a little TLC, will be easily viewed 100 years from now.

      Truth is I stopped using it before I had my first digital camera and so did a lot of other people. It just was not convenient.

    3. Re:Bah by Plekto · · Score: 5, Informative

      Fuji currently makes several positive and negative type films. They also make a color-neutral type for professional use that looks as dull and washed out as our eyes generally see. The differences between Kodachrome and Provia are fairly minor, to be honest. Kodachrome was actually a black and white film that had color added to it, so it requitred special chemistry and had a curiously super-saturated blue tint (it's more reactive to blue than most any other film.

      http://www.soerink.nl/film/film.html
      You'll note the 3.7 value for blue on Kodachrome. But realistic it's not.

      http://www.maremmaphoto.it/filmtest.eng.html

      Close, but not quite.

      I use Fuji NPS 160/160S, though, as it's spot-on realistic to what your eyes see. Slightly dimmer blues and not as punchy (I find Velvia garish, like a poster, almost). But very nice, especially for portraits.

      NOTE: Fujifilm USA stops importing film from Japan if the numbers get too low. In most cases, though, the film is still made in Japan - you have to sometimes order from a shop that deals directly with Japan or import it. (the same is true for Agfa as well)

    4. Re:Bah by hedwards · · Score: 1

      That's only because they can't buy those films through more reasonable means. Buying anything off eBay is a somewhat risky proposition even when dealing with honest sellers.

      Color film is great, but for most purposes digital at this point can meet or beat it for most uses. That being said, I have a soft spot for Fuji films. Reala and IIRC provia. Fuji does a really good job with films and technologies for portrait photography. Even now, if you want to take portraits, Fuji should be near the top of your list for equipment because their sensors tend to give much more realism to flesh tones.

    5. Re:Bah by afidel · · Score: 1

      colour precision and accuracy.

      OK, you can say MANY things about Kodachrome, but color accuracy was never one of its strong spots.

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    6. Re:Bah by Goaway · · Score: 1

      All colour films are black and white films with colour added to them, and require special chemistry.

    7. Re:Bah by shmlco · · Score: 1

      No, the reason for its demise starts with the fact that K-41 processing uses some very nasty chemicals, including cyanide. Only a very few labs were rated to handle it.

      And not showing slides didn't impact other E-6 based transparency films like Velvia, Provia, or Ektachrome. Prior to digital, pros used to use plenty of the stuff.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    8. Re:Bah by Anonymous Coward · · Score: 0

      Slide shows fell out of favour with the public limiting sales to pros. E-6, Velvia etc transparency films have limited public purchase. Kodachrome's demise is multifold but it simmers down to too little demand for various reasons and too many issues with keeping production going.

      Kodachrome used to be a very popular choice in the public area and was available at just about every checkout aisle: grocery stores, chemists, etc. The lack of public purchase had a huge impact.

      Arguably better pro-films killed the pro market as well leaving Kodachrome to a very small niche market.

  9. Farewell Kodachrome by santax · · Score: 1

    You have provided us with more memories of good and bad times than the discovery-channel. You will be missed. Well not really, but that's only because I have the kodachrome plugins for ps. :')

    1. Re:Farewell Kodachrome by PhotoJim · · Score: 2

      If only the Kodachrome plugin for PhotoShop could make actual slides that you can project. I haven't seen a digital projector that can touch the quality of a projected slide yet.

    2. Re:Farewell Kodachrome by santax · · Score: 1

      Amen mate. Amen.

    3. Re:Farewell Kodachrome by Isaac-1 · · Score: 1

      Maybe not, but some of the JVC D-ILA units get close, it is just a matter of time.

  10. Alternative ways to develop? by dosun88888 · · Score: 1

    Do you actually need to process this a certain way, or can you just like scan the negatives(??) in and fix the colors?

    I know absolutely nothing about photography.

    1. Re:Alternative ways to develop? by Hodapp · · Score: 1

      Development in this case is the process which produces a negative from the exposed film.

      However, once you have a negative, what you describe is indeed a viable process.

    2. Re:Alternative ways to develop? by e9th · · Score: 5, Informative

      Kodachrome is a transparency ("slide") film, not a negative one like Kodacolor. Also, unlike conventional transparency films like Ektachrome and Fujichrome, the color dyes are not present in the emulsion when you shoot the film but are introduced during processing, which makes developing the stuff a bitch. One effect of this is that the dyes in Kodachrome are much longer lasting than those in other transparency films (the ones developed using the E-6 process).

    3. Re:Alternative ways to develop? by Rich0 · · Score: 4, Informative

      Just shows you how far we've come with digital photography that we actually have /.ers who don't know how film works.

      Film before it is developed is light-sensitive. Developing film fixes the image on the negative and makes it no longer light-sensitive. If you scan undeveloped film you'll just get an image of gray, and you'll also expose the film to intense light which means whatever was on it is lost.

      Different kinds of film require different kinds of processes to develop them (since the chemistry is different). Color film is particularly fussy about such things. Once the film is developed you get a negative and there are lots of directions you can go from there. Unless you're doing something exotic there is pretty-much only one right way to develop any particular kind of film.

    4. Re:Alternative ways to develop? by Docasman · · Score: 1

      Kodachrome is a positive film... the kind that was cut and framed into slide mounts after processing.

    5. Re:Alternative ways to develop? by Ellis+D.+Tripp · · Score: 4, Informative

      In the case of Kodachrome, developing the film produces a POSITIVE image. Kodachrome was a slide film, afterall.

      The processing for Kodachrome is FAR more involved than other slide films, because the color dyes are actually added during the processing, rather than being present in the unexposed film itself.

      --
      Remember "News for Nerds, Stuff that Matters"? Help make it a reality again! http://soylentnews.org
    6. Re:Alternative ways to develop? by Danathar · · Score: 1

      As I understand it there are specific chemicals needed because they are applied after the negative is created and Kodak is the only people that make them (and know how). So even if you bought the equipment you would have no way to develop film because you would have the same problem as the current owner of the equipment..which is getting the chemicals.

      In a story on TV the owner said he was doing GREAT business developing Kodachrome film but that he would not be able to get the chemicals anymore.

    7. Re:Alternative ways to develop? by cptdondo · · Score: 1

      Yup; my dad still has Kodachrome slides from back in the 60s? 50s? It's the only film he's ever used that kept its color.

      Every other film has faded and lost color.... There's a reason the stuff is expensive. I haven't used it in 20 years, but it still saddens me to see something that good die.

    8. Re:Alternative ways to develop? by wowbagger · · Score: 1

      The issue is developing the negatives. In chemical photography, you don't just expose a piece of film to light and poof! it's a negative. You have to expose the film to light briefly, then keep it in the dark. Then you have to run it through a series of chemical baths that take the molecules of the film that were altered by the light, and "fix" them so they won't be altered by light anymore, while removing the molecules that were NOT altered because no light hit them, to grossly simplify the process. (even Polaroid film does this, it is just that the chemicals are embedded in a capsule on the film, and that capsule is broken when the film is removed from the camera, causing it to bathe the film).

      Certain films require different chemicals, in different sequences. The chemicals and sequences for Kodachrome film are different than for Velvia, or other films, and for Kodachrome, are much more complicated (more chemicals, more steps, with very tight control over the time the film is in the chemicals, the strength of the chemicals, the temperature, etc.) That is why, as color films with simpler processes became available, fewer and fewer shops wanted to keep all the gear to process Kodachrome around, until there was only the shop in Parson left.

      So you might be able to scan a developed Kodachrome negative on a good film scanner, pull it into your computer, and do "stuff" with it, but you still have to get the film developed first.

    9. Re:Alternative ways to develop? by Hodapp · · Score: 1

      Shows that I know about as much about photography as the original poster...

      Thanks for the enlightenment.

    10. Re:Alternative ways to develop? by emes · · Score: 5, Informative

      Actually, the process Kodachrome uses to produce the color is still based on the fundamental instability which plagues all chromogenic systems- even though the dye coupler is not in the emulsion(as would be the case with Kodacolor and Ektachrome), the fact is that the process is still the same. A dye coupler combines with developing agent by-products in proportion to the amount of underlying silver that is developed. I've always wondered how Kodachrome achieved greater archival permanence; maybe it is because the coupler/developing agent byproduct reaction happens only in processing and the dye coupler does not have a chance to become spoiled while unused sitting in an emulsion.

    11. Re:Alternative ways to develop? by h4rr4r · · Score: 0

      Kodachrome is slide film, the exposure it makes is positive not negative. I think this more shows how little you know about film, than anything about slashdot or digital photography.

    12. Re:Alternative ways to develop? by e9th · · Score: 5, Interesting

      Every time I consider the maniacal steps involved in process K-14 (small .PDF), I'm amazed that anything shows up at all.

    13. Re:Alternative ways to develop? by loshwomp · · Score: 1

      So you might be able to scan a developed Kodachrome negative on a good film scanner[...]

      That would be a good trick, since there is no such thing as a Kodachrome negative. It's a positive film.

    14. Re:Alternative ways to develop? by hedwards · · Score: 1

      Right, and the other problem is that since Kodak discontinued the film a while back and film has a finite shelflife he'd run out of people with film to develop in the near future.

    15. Re:Alternative ways to develop? by spaceyhackerlady · · Score: 4, Interesting

      ...One effect of this is that the dyes in Kodachrome are much longer lasting than those in other transparency films (the ones developed using the E-6 process).

      In the 1960s, this was correct. In the meantime Kodachrome has stayed much the same, while E-6 films have improved. Modern slide film is as fade-resistant as Kodachrome was, and is much easier to live with. I develop Ektachrome in my bathroom with a daylight tank. And a big tub of warm water and a thermometer.

      I've tried my own C-41 processing, but it's a bit temperamental. Since you develop for 3 minutes 15 seconds at 38 degrees, your agitation must be perfect to avoid streaks and spots and stuff.

      ...laura

    16. Re:Alternative ways to develop? by Waffle+Iron · · Score: 1

      I recently scanned a large number of slides my parents shot over the decades. All the Kodachrome slides looked like brand new when directly viewed. However, the dyes used in the film interact with scanner sensors to give a very heavy blue cast to the results that need to be fixed up with post processing.

      In my case, most of the Ektachrome slides taken before the mid 1960s were heavily faded to a muddy brown, and a few were almost unviewable. Ektachrome slides taken in the mid 1960s and later generally looked good, and didn't have the strange color interactions with the scanner. Kodak must have significantly improved their Ektachome process at some point in there.

    17. Re:Alternative ways to develop? by e9th · · Score: 2
      The 1960s? From the Kodak 1997 Professional Photographic Catalog (publication L-9):

      KODACHROME Film was the first Kodak color film ever made and continues to be the most archival of all color films

      But you're right about the E-6 films being easier to live with. I used to do sink-line E-6 sheet film processing, and for an extra fee we could even adjust the first developer time by inspection!

    18. Re:Alternative ways to develop? by Anonymous Coward · · Score: 0

      The K14 process is very complex and unique. You will have to look the details up on the web.

      I think the last production run for Kodachrome 64 film was over five years ago. The last run for Kodachrome 25 film was a decade or so ago. (still have some in the freezer and the expiration date is 9/2002) Kodak has long since salvaged the equipment to make and apply the emulsion layers to the film.

      Kodachrome can still be developed as grainy black & white negatives, but the question is why. There is a problem of getting the REMEX(?) anti hallation backing off if anyone was to try it.

      The only thing that kept Kodachrome alive was commercial photographers. The fellows who would shoot a hundred rules a week. When they migrated to other slide films, now E6 process, that was the end of Kodachrome. In turn, digital is slowly doing away with the E6 slide films.

      Time marches on.

    19. Re:Alternative ways to develop? by EdIII · · Score: 1

      I get your point... but is there really no way to scan it?

      Traditional consumer scanners obviously use intense white light, but could it not be possible to develop a scanner using some other spectrum of light that the film is not sensitive too? I am thinking that since the processing equipment is being scrapped, what would happen if we had something we wanted to develop 50 years from now?

      I guess what I am thinking is that the information is there in the film and that scanning it with a different spectrum would allow us to digitally calculate the photograph. I have worked with expensive negative and slide scanners before and they all had presets for different kinds of film to get the colors right.

      Or is the only way to develop the film to the point it could be scanned chemical in nature?

    20. Re:Alternative ways to develop? by thegarbz · · Score: 0

      Hey lesson for you kid. When approaching someone who has admitted zero knowledge of the field you don't jump in and throw a word like "positive" around. What parent said is mostly true for nearly all films currently still mass used, and has provided the GP insight into why he can't throw any roll of film into the scanner.

      You on the other hand fly in with a technicality too complicated for someone who probably doesn't know slide film even exists, and follow with an insult. Good work! Hope your teaching career works out well.

    21. Re:Alternative ways to develop? by dwywit · · Score: 1

      No, nada, nyet. The end result is a positive, but the image is a negative until it goes through the reversal stage of processing. You can skip the reversal stage and end up with a negative, which you could then print onto photo paper to obtain your positive.

      --
      They sentenced me to twenty years of boredom
    22. Re:Alternative ways to develop? by dwywit · · Score: 1

      No it's not. There's no such thing as a positive film. It's a reversal slide film (you can also get reversal paper - see Cibachrome). The image is a negative until it goes through the reversal stage of processing, and it's possible to process slide film to produce a negative by skipping that reversal stage.

      --
      They sentenced me to twenty years of boredom
    23. Re:Alternative ways to develop? by EnglishSteve · · Score: 1

      They did improve the Ektachrome process. Older Ektachrome slides used the E-4 process and switched to the E-6 process sometimes in the 70s, IIRC.

    24. Re:Alternative ways to develop? by Anonymous Coward · · Score: 0

      Oh, this so reminds me of university in the summer when I decided I was tired of university, and took 6 courses in the summer, one of which was an art class that involved photography. We did B/W exclusively, including processing/developing/prints. At one point (in the summer heat in a university lab at 2:30AM), I caught on the bright idea that if you overexpose the print intentionally (we had already been taught about push and pull processing), then if you do the math (I was a computer science major in a liberal arts university where you had to have liberal arts courses...like photography), I determined that the overexposed film could be developed in much less time, since less emulsion had to be pulled off for the photo to appear 'correct'. I wasn't trying to be fancy, I was just trying to be fast. You had to be careful with the stopwatch, and quick with the stop bath. 3 seconds early out of the developer bath, and 'splash' into the stop bath. Then photo-flow and one other (I think rinse, but I don't remember). It was a 4 stage process with B/W, and mostly the prints came out spot free. I read up on some of the magic that had to happen with Kodachrome. OUCH! 20 steps? It sure came out pretty, but developing had to be done by professional chemists. I don't know if digital has the color gamut of film (I'm quite certain it doesn't), and the tiny lenses don't help. 35x24mm sensors with 35mm lenses capture enough photons to match film. The digital pinhole cameras, make photos that look like they were taken with a pinhole camera.

    25. Re:Alternative ways to develop? by Peeteriz · · Score: 1

      Yer, the only way to develop the film is chemical in nature.
      The information is there in the form of chemical proportions on each color layer of the film - roughly speaking, from 0% to 100% of the volatile chemicals have reacted depending on how much light exposure they got. There are spectrum bands that would be non-destructive and could be used for attempted scanning, but generally the film would have no optical content before the developing chemicals, you'd just scan a blank picture; and even if there were measurable optical differences then you couldn't distinguish between the three color layers (since you'd be scanning in a single narrow spectrum light and get a monochrome scan).

    26. Re:Alternative ways to develop? by m50d · · Score: 1

      Is it really that much more complicated than any other colour film process? Surely you're always going to need at least three separate development stages to get the three colours.

      --
      I am trolling
    27. Re:Alternative ways to develop? by Anonymous Coward · · Score: 0

      If you get a Jobo processing machine off eBay its pretty simple. The mechanicals take care of the agitation issues and the big circulating water bath keeps temperature constant. A lot more fun than floating all the bottles in a bathtub full of water and waiting for it to cool down to processing temperature -- then souping like a madman.

      I wonder if a century from now we will be able to make images from the 'jpeg' and 'raw' files as easily as from the negatives I found in my Dads' files? I know that my negatives will still be usable -- whether anyone cares will not be my problem.

    28. Re:Alternative ways to develop? by WorBlux · · Score: 1

      Source? Testing?

      Of course Kodak is going to claim Kodak is the most X, but I'm somewhat critical of self tests

    29. Re:Alternative ways to develop? by muridae · · Score: 2

      K-14 process film has to be re-exposed to light two or three times, each to very specific colors else you get some artifacts; if I read the process correctly. E-6 film, the newer slide stuff, can be re-exposed, but doesn't need to be. For the most part, it is the same process as black and white or color: Load the film in a tank in the dark, *pour chemicals into the tank, wait proscribed amount of time and agitate as directed, dump chemicals from tank, repeat from * appropriate number of times. And those chemicals are, mostly, not overly toxic. I did D-76 process film with a closet, a small fan, and no gloves in highschool; now I would use a better fan and some thin gloves. My understanding is that for K-14, one would want some heavier gloves and a mask as there were some strong cyano compounds used; but I can't find an MSDS to back that up.

    30. Re:Alternative ways to develop? by muridae · · Score: 1

      Well, you might be able to find a spectrum of light that is able to differentiate between silver halide crystals that have been exposed to light, and the ones that haven't. If you do, and if you can fire that at the film without creating new crystals, you would get a simple black and white picture. In color film there are multiple layers. Only three of them are silver halide, the stuff that stores the image. The rest are dye layers*, so that as light shines through the slide or negative, it passes through an image layer, then a color layer, then an image layer, and so on. Since your light is going to have to be colorless, since it can't affect the silver halide crystals, it probably won't interact with the dye layer and so you would not be able to separate the colors.

      In kodachrome, the undeveloped film doesn't have color in the dye layers when it starts. Those colors are added in when the film is developed, and is part of the reason it is harder to process that other slide film. So, in 50 years, if you have some exposed(in a camera when a picture is taken) but undeveloped(not chemically treated) film, chances are you would still need to develop it before it could be scanned and digitized.

      Also of note, silver halides are sensitive to lots of the light spectrum. The same silver halides that are in consumer film are the same silvers that are in x-ray film, and infrared as well. It is the layers at the front of the film that block parts of the light spectrum, say blocking infrared for consumer film, or blocking visible light from an x-ray slide. In 50 years, maybe you or I or someone else will have found something in a wavelength that silver halide doesn't respond to. I just wouldn't count on it.

    31. Re:Alternative ways to develop? by Rich0 · · Score: 1

      I know that Kodachrome is slide film, and I know that slide film produces positives. I was generalizing, and not really thinking about Kodachrome specifically in my response.

      I've also developed black and white film at various points in my life, from 35mm (for fun), to autoradiography films.

      Relax - while I didn't invent the C-41 process and wouldn't purport to be the world's greatest expert in emulsions I do actually know something about what I'm posting on...

    32. Re:Alternative ways to develop? by Rich0 · · Score: 1

      Muridae's post is spot-on, but I figured I'd just add a bit more.

      Theoretically what you suggest might be possible. In practice, it is probably easier to just develop the film. If somebody REALLY wanted to develop a roll of Ektachrome they can look up the process and reproduce it - it is just chemistry. What is expensive is automating it and doing it consistently and inexpensively. If you are willing to spend a lot of money to have somebody develop it by hand (after careful rehearsal on test film) you could do it.

      Note that film does degrade over time - even in a refrigerator. So, I doubt you'll be doing this in 50 years.

      As others have pointed out silver halide is sensitive stuff. I doubt you'd do any kind of optical scanning, but who knows, maybe somebody will invent some kind of terahertz imaging that doesn't expose film or whatever. If you have high enough resolution in 3 dimensions you could read all of the film layers, assuming your technique can differentiate exposed and unexposed silver halide. There is no reason that this couldn't happen - they are chemically different (which is how the image is captured in the first place).

      Something like atomic force microscopy might be able to do the trick, although it probably would take a ridiculous amount of time.

      Bottom line is that there are no reasons why what you suggest couldn't work, but in practice there is little reason that anybody would try to do it that way.

    33. Re:Alternative ways to develop? by thisisntme · · Score: 1

      Since your light is going to have to be colorless, since it can't affect the silver halide crystals,

      What is colorless light? White (but wouldn't that affect the film)? Black (wouldn't that just be no light)? Something else?

    34. Re:Alternative ways to develop? by muridae · · Score: 1

      Something that is not in the visible spectrum, what we call colors. X-rays could not be said to have a color in common parlance, though perhaps some people use color to distinguish between different frequencies of them. Never heard of blue or red x-rays myself. Guess this is what I get for trying to simplify the explanation of film technology, huh?

    35. Re:Alternative ways to develop? by thisisntme · · Score: 1

      Ahh OK, I think what confused me is that EM radiation outside the visible is not generally called light (except maybe UV and IR).

    36. Re:Alternative ways to develop? by Alioth · · Score: 1

      At school (tr.US: high school) I used to develop my own C-41 *and* print it. I must have been obssessed, printing it was a bastard of a process of getting the colour balance right (usually by making up a test print and exposing several parts with different filters), then stumbling around in complete darkness because the safelight couldn't be used for colour paper.

      I also did some E-6 process, now that was easy. Also using Ilford Cibachrome paper to make prints of slides was much easier than doing prints of colour negatives, the colour balance was easy to do and the process didn't require such high temperatures (if you were a bit patient, room temperature was fine, but 25 centigrade was best) and the colour rendition far better.

  11. I had two rolls in for the final processing by stern · · Score: 5, Interesting

    Kodachrome is hard film to use; I gave up trying to take indoor photos with it years ago. I have continued to use it (about 25 rolls in the last two years), mostly because the quality of the images is obviously different from modern film or digital, and evokes nostalgia in older viewers. And I liked the bragging rights. It's no surprise that Kodachrome is gone; Kodak had been phasing it out for years -- first killing the larger format versions, then the iso25 and iso200 variants, and the motion picture film. The economics just weren't there; virtually every other color film uses identical (C41 or E6) processing chemicals, and Kodachrome used a different and apparently more toxic set. Without scale, it was more expensive to buy and process than other color films, and the emulsion can't even be scanned by most slide scanners. You're left with only nostalgia and archival properties to drive sales, enough for a small specialty chemical company perhaps, but not for Kodak.

    1. Re:I had two rolls in for the final processing by Docasman · · Score: 5, Informative

      It was a great film for astronomical photography... and I always liked the really dark blue in the sky background that no other film could give, at least on my area. Other films, positive or negative, usually turned it brown or greenish... or really green for some fujis.

  12. Ok, who broke slashcode? by jcr · · Score: 0

    WTF is going on with links?

    -jcr

    --
    The only title of honor that a tyrant can grant is "Enemy of the State."
    1. Re:Ok, who broke slashcode? by PCM2 · · Score: 2

      I don't know. Nothing?

      --
      Breakfast served all day!
    2. Re:Ok, who broke slashcode? by Anonymous Coward · · Score: 0

      operator error. especially for you, so it's a jcr idiot error.

    3. Re:Ok, who broke slashcode? by Anonymous Coward · · Score: 0

      You did preview your post first, didn't you, John?

    4. Re:Ok, who broke slashcode? by jcr · · Score: 1

      I did, and somehow I ended up with a link back to /.? WTF?

      -jcr

      --
      The only title of honor that a tyrant can grant is "Enemy of the State."
    5. Re:Ok, who broke slashcode? by ColdWetDog · · Score: 2

      I did, and somehow I ended up with a link back to /.? WTF?

      -jcr

      Ayyyeee! Run for your lives!

      The Singularity is here!

      --
      Faster! Faster! Faster would be better!
  13. Maybe its time for a new 35mm film? by mlts · · Score: 1

    I know that most photography has gone digital, but there are enough 35mm cameras still having shutters snap that I wonder if there would be a market for a new type of color film in various ISOs. Something designed for modern use, using as non-toxic chemicals as possible (probably not likely), and perhaps with as small a grain as possible, so one wouldn't have to go with a Hasselblad or medium format to make a 11x17 with ISO 800 film.

    This might be impossible, but film has a number of things over even the best digital cameras. From color gradients (256 levels of RGB versus infinite), to the fact that it is quite difficult to doctor film without that being detected (at least easier than firing up Photoshop.)

    1. Re:Maybe its time for a new 35mm film? by Relayman · · Score: 1

      35mm color film is readily available but most films are print films. Kodachrome is a slide film.

      --
      If I used a sig over again, would anyone notice?
    2. Re:Maybe its time for a new 35mm film? by santax · · Score: 1

      Ah, but photographers are like guitarists (I know, I do both for a living) and when I pick up a cam that still works with film it is because of the much nicer grain on analog. I don't think people would really want a new sort of film. The generation that is growing up now sees only benefits in digital processing (cheaper, faster) and the fans of film love it just for it properties, like beautiful grain on high iso. But to be honest, even playboy-shoots are done with a hasselblad + digital back these days. Film is going the way of the dodo.

    3. Re:Maybe its time for a new 35mm film? by Anonymous Coward · · Score: 0

      the Kodak Portra line: ISO 160, 400, 800 and FujiColor Pro.

      Color film is still around. We are counting the days for E6 (slide) film demise. Processors are dieing off and slide film lines are disappearing.

      I predict Kodak and Fuji will be out of the film business by the end of the decade. Film won't die - the film market just won't be big enough for the big boys anymore.

    4. Re:Maybe its time for a new 35mm film? by Anonymous Coward · · Score: 1

      This is happening. Film is better than it has ever been. Last year, Kodak introduced Ektar 100, which has finer grain than any other color film out there. It's based on their motion picture technology (which if you think about that, motion picture film is essentially half of a 35mm frame blown up to the side of a building). Kodak is consolidating the rest of their products to use the same technology; they just introduced a new Portra 400, which is based on the same underlying technology, and has extremely fine grain for a 400-speed film.

    5. Re:Maybe its time for a new 35mm film? by Rifter13 · · Score: 1

      256 gradients? I thought with a 16bit capture that number was... well, a LOT higher. I have read that the technical specs of digital have surpassed film a couple of years ago. The ONE thing that I know film can do better, is star-trail shots. Digital sensors warm up over time, and can't take REALLY extended shots.

      (There is software to simulate it, but it is not really, the real thing)

    6. Re:Maybe its time for a new 35mm film? by Rich0 · · Score: 1

      With modern cameras having increased color depth the gradients are becoming less of an issue. Also, while film is analog that doesn't mean that it can accurately distinguish arbitrarily close shades of color. If you took a photo of two light sources that were only slightly different in intensity at some point you couldn't tell the difference with film.

      I think the biggest problem you're going to run into is supply and demand. Is there really enough demand out there for a fancy new film chemistry that people will pay significantly more per roll to get it? If people won't pay more for it, then why develop it in the first place?

      At this point digital is basically better than film already, and it will only continue to improve. Sure, your $80 walmart camera won't outperform film, but any serious camera will. And, at $7 to make one copy of 24 exposures (with none of the workflow benefits of digital for screening/editing/etc), it doesn't take a lot of shots before buying a $2000 digital camera makes sense.

      At a typical serious holiday like Christmas I probably shoot 200 photos and get at least 20 good keepers out of the bunch. If I just stick them on a webpage my total cost is zero. If I print the keepers I'd pay about $2.50 for them, or a bit more if I want big prints (which will all turn out beautiful). Oh, picking out those 20 just takes a few minutes in Lightroom, and cleaning them up takes maybe a minute per photo unless I want to do something really fancy.

      If I did the same with film I'd end up spending about $60 up-front to print 180 lousy or mediocre photos and 20 potential keepers (with no editing). Then I'd fuss with scanning the 20 keepers to clean them up and make them nicer, and then pay the $2.50 and whatever else I was going to spend. Oh, and I churn at least a few days with multiple runs to the film processor. In reality I'd shoot a lot less to reduce waste, and get a few keepers on a single roll (higher percentage, but smaller absolute number).

      For a serious photographer I imagine the improvement in workflow using digital would be huge.

      Are there really any workflows left where film is the right choice, rather than just the status quo? I know that in the lab we moved to image plates for auto-radiography back in the 90s (several more orders of magnitude dynamic range, no fussing with chemicals, and no need for the darkroom). I guess their disposable nature works for dosimeters, unless somebody has come up with something more clever.

    7. Re:Maybe its time for a new 35mm film? by NJRoadfan · · Score: 1

      Didn't Kodak introduce new Super 8mm film as well? I was surprised to learn that my father's Canon 310XL was still useful.

    8. Re:Maybe its time for a new 35mm film? by NJRoadfan · · Score: 1

      Nothing beats a good Tri-X 400 shot for black and white. The grain adds to the charm of the picture.

    9. Re:Maybe its time for a new 35mm film? by PatPending · · Score: 5, Funny

      I predict Kodak and Fuji will be out of the film business by the end of the decade.

      The end of the decade is about 1 day, 7 hours, and 25 minutes from now.

      --
      What one fool can do, another can. (Ancient Simian Proverb)
    10. Re:Maybe its time for a new 35mm film? by h4rr4r · · Score: 1

      You cool the sensor then, telescopes do that.

    11. Re:Maybe its time for a new 35mm film? by fuzzyfuzzyfungus · · Score: 1

      I'm told that the really hardcore astrophotography crew uses CCDs backed with peltier elements or other forms of refrigeration system to keep temperatures stable and low over long shots. Now, since taking up astrophotography is pretty similar to taking up heroin in a "Percentage of income dedicated to primary hobby" sense, I don't think that much helps the 'could use film camera to take long sky exposure, cannot use digital camera for same purpose' relative dabblers...

    12. Re:Maybe its time for a new 35mm film? by Hodapp · · Score: 1

      This might be impossible, but film has a number of things over even the best digital cameras. From color gradients (256 levels of RGB versus infinite), to the fact that it is quite difficult to doctor film without that being detected (at least easier than firing up Photoshop.)

      Well, to be fair, film also has its limitations with the levels it can store. It's not exactly an even comparison, but it has a measure called film density which (if memory serves me) is a logarithm of the ratio of the amount of silver exposed in the most developed areas, to the amount of silver exposed in the least developed areas. This measure is around 2.8 for negatives and 3.2 for slides, and each step of 0.1 means an extra 1/3 of a stop of available range. As a change of 1 stop means a doubling of range, corresponding roughly to one bit of dynamic range, this gives equivalent bit depths between about 9 and 11. But like I said, it's not an even comparison... but it's not anywhere near infinite either.

      Also, most digital cameras nowadays have ADCs that quantize to somewhere between 10 and 16 bits, not 8.

    13. Re:Maybe its time for a new 35mm film? by Rifter13 · · Score: 1

      DAMN... yea, that's hard core. :-) Though, I think the % of income argument can be made against photography in general, especially when you move up to GOOD glass.

    14. Re:Maybe its time for a new 35mm film? by strawberryutopia · · Score: 1

      Wait... have I travelled back in time again? I thought 2010 started almost a year ago.

      --
      I'm a leaf on the wind, watch how I soar...
      -Lucy-
    15. Re:Maybe its time for a new 35mm film? by zippthorne · · Score: 2

      (There is software to simulate it, but it is not really, the real thing)

      Actually, it's the other way around. Astronomers were some of the first people on board for the digital backs, and they ordered some huge ones (sometimes having to resort to matrices of them...), but even amateur astronomers have been using electronic sensors for a long time now because of the benefit you get with long-term exposures (and quantum efficiency, but that's another matter to discuss some other time.)

      And that benefit is that when you're stacking your images into a longer exposure, you can throw away the ones with streaks from the lights of the airplane that passed overhead in the middle of your session.

      --
      Can you be Even More Awesome?!
    16. Re:Maybe its time for a new 35mm film? by Anonymous Coward · · Score: 0

      >Are there really any workflows left where film is the right choice, rather than just the status quo?

      Large format is still a common norm in high fashion photography, but in the shoots where you have the studio view camera, you are *also* shooting the set with your digital Hasselblad or whatever. In any case, there's a point of convergence where the distinctions are about your glass and your lighting, and the whole digital vs. analog thing is out the window anyway.

    17. Re:Maybe its time for a new 35mm film? by RDW · · Score: 1

      Kodak Ektar 100, which was launched about 2 years ago, is maybe the closest current film to what you're suggesting. It's very fine-grained and designed for scanning, though you only get ISO 100, and the chemistry is standard C41 colour negative (which realistically it has to be - nobody is going to do R&D on an entirely new film process at this point, and finding decent local processing is already hard enough):

      http://www.kodak.com/eknec/PageQuerier.jhtml?pq-path=13328

    18. Re:Maybe its time for a new 35mm film? by hedwards · · Score: 1

      Film is great, I personally have a soft spot for Fujifilm, but I absolutely hate it in terms of having to guess at how the developer is going to handle it and what exactly I'm going to end up with. Sure it depends a lot on technique and the developers tend to do it a fixed way, but it's a challenge to find a place which will actually make any promises about how they turn out.

      Plus, I'm not personally thrilled with having to hand over that portion of the process to somebody else to handle. And I haven't got the money to develop my own color film.

    19. Re:Maybe its time for a new 35mm film? by Anonymous Coward · · Score: 0

      So you view decades by 01-10? and not 00-09? The first decade of 2010 ended one year ago.

    20. Re:Maybe its time for a new 35mm film? by mikael_j · · Score: 1

      This might be impossible, but film has a number of things over even the best digital cameras. From color gradients (256 levels of RGB versus infinite),

      Actually, regular 8-bit color in photography means that you have 8 bits per color channel which adds up to 24 bits and 16 777 216 possible colors in your palette. With 16 bit RAW images you have 281 474 976 710 656 possible colors. Not quite infinite but close enough as long as you don't insist on taking only really poorly composed shots.

      ...to the fact that it is quite difficult to doctor film without that being detected (at least easier than firing up Photoshop.)

      Personally I find this to be an advantage of digital, even if I slightly botch a picture I can easily fix it in Aperture/Lightroom. It also lessens the reliance on a third party to develop your film (only so you can then scan it and retouch/post-process it digitally).

      I stuck with my film camera for a long time before I decided to get a D90 and I'm taking a lot more pictures these days, and I'm enjoying it a lot more, I can take several hundred RAW pictures without worrying about the cost of developing film, then I can pick the best shots when I'm done shooting. No need to wait for development (or developing on your own), just pop the memory card in a computer and go through the pictures, choose those you like the most, apply a few minor tweaks if necessary and finally you have the absolute favorites printed.

      --
      Greylisting is to SMTP as NAT is to IPv4
    21. Re:Maybe its time for a new 35mm film? by Waffle+Iron · · Score: 2

      So you view decades by 01-10? and not 00-09? The first decade of 2010 ended one year ago.

      Decades numbered from 01-10 are technically more correct. This unfortunate situation is due to the fact that the monk Dionysius Exiguus was definitely not a C programmer.

    22. Re:Maybe its time for a new 35mm film? by afidel · · Score: 1

      Even decent glass gets spendy, I have $1600 in two lenses (Nikon 18-200 and Sigma 150-500). They both take great photo's but not in low light, to get the same kind of coverage in low light glass you could spend 10x that easily.

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    23. Re:Maybe its time for a new 35mm film? by Anonymous Coward · · Score: 0

      The noughties ended a year ago.

      Or would you consider 1990 part of the 80s?

    24. Re:Maybe its time for a new 35mm film? by demonlapin · · Score: 1

      Nonsense. Millennia numbered that way might be more proper - there was no year zero - but there was a year 2000, and the aughts ended on January 1, 2010. We're in the teens now.

    25. Re:Maybe its time for a new 35mm film? by Waffle+Iron · · Score: 1

      So you're claiming that the first decade only had 9 years?

    26. Re:Maybe its time for a new 35mm film? by Bacon+Bits · · Score: 1

      The decade ended last year. 2010 is the first year of a new decade.

      It makes obvious sense when you think about "the 70s", for example, being 1970-1979 rather than 1971-1980.

      --
      The road to tyranny has always been paved with claims of necessity.
    27. Re:Maybe its time for a new 35mm film? by Keill · · Score: 1

      No - what he's saying, is that years are counted in arrears - by Jan 1st 2010 - we'd HAD 10 years, and that was the start of the 11th. It's about to be the start of the 12th, but we only count the year that's just ending, since that is the last FULL year - so we call it the 11th.

      --
      'Stupidity is an often fatal disease' - R. A. Heinlein
    28. Re:Maybe its time for a new 35mm film? by LordKronos · · Score: 1

      So you're claiming that the first decade only had 9 years?

      Who cares? The history of dates is so jumbled I think it's silly to be so anal about something like that. Are you sure that the first year started on Jan 1? Not every year has the same number of days. We have leap years, but we haven't always had them. We skipped several dates during the switch from the Julian to the Gregorian calendar. There were several irregular variations in the calendar, and these variations were different from nation to nation. In short, calculating dates that far back is so complex, it's almost deserving of its own branch of mathematics. The way I look at it, if we find it convenient enough to just say some years are 366 days long (rather than say every year is 365.25xxxx days long), then I don't see why it's such a sin to say the first decade was 9 years long if it makes every following decade more sensibly numbered.

    29. Re:Maybe its time for a new 35mm film? by demonlapin · · Score: 1

      No, I'm claiming that the 0's didn't exist as a decade. The people living through them mostly thought of 1 AD as 754 AUC. Even assuming Christian year numbering, there was no year 0. Still, 1813-1823 is a decade, even though it doesn't coincide with "the 1820s" as a matter of course.

    30. Re:Maybe its time for a new 35mm film? by PatPending · · Score: 3

      The first decade of 2010 ended one year ago.

      { Face palm }

      --
      What one fool can do, another can. (Ancient Simian Proverb)
    31. Re:Maybe its time for a new 35mm film? by Brett+Buck · · Score: 1

      You don't need a new 35mm film- 35mm has been obsolete since digital got about about 3 Mpixels. and ASA 400 equivalent sensitivity. 35mm has been obsolete for professional purposes for event longer. What you do still need is large-format film, which, fortunately, is in good supply and not about to go away.

            Brett

    32. Re:Maybe its time for a new 35mm film? by walter_f · · Score: 1

      Agreed.

      But apart from not being a C programmer, the poor monk had an additional disadvantage to cope with.

      Like all his western contemporaries, Dionysius Exiguus did not have the notion of 0 (zero) as a number at all.

      Dionysius didn't know anything about the arabic number system (originating from India) which already had a zero back then. Instead, he was using the roman number system that comes without this feature.

      So, in the tradition of Dionysius, the first year of the "A.D." branch of history, is still called year 1 - as a mere convention.

      Thus, the first decade (meaning "a period of ten years", not nine) ended Dec 31, 10 A.D.
      Thus, the first century [...] ended Dec 31, 100 A.D.
      Thus, the second millennium [...] ended Dec 31, 2000.

      Conclusion: Today (Dec 31, 2010) is the last day of the first decade of the 21st century. ;-)

    33. Re:Maybe its time for a new 35mm film? by walter_f · · Score: 1

      So you're claiming that the first decade only had 9 years?

      then I don't see why it's such a sin to say the first decade was 9 years long if it makes every following decade more sensibly numbered.

      It's not a sin at all, it's just plain wrong.

      "A decade is a period of ten years is a decade"

      (Apologies to Gertrude Stein)

    34. Re:Maybe its time for a new 35mm film? by LordKronos · · Score: 1

      It's not a sin at all, it's just plain wrong.

      "A decade is a period of ten years is a decade"

      OK, so how long is a year?

    35. Re:Maybe its time for a new 35mm film? by PhotoJim · · Score: 1

      Or you could spend less. Having high-ratio zooms is a compromise.

      I spent about the same as you did on my 16/2.8 fisheye, 17-35/2.8, 50/1.4, 80-200/2.8 and 75-300/4.5-5.6 and only lack a little at the long end. The 75-300 is a good lens and the other lenses are fantastic lenses. (All Nikkors.)

    36. Re:Maybe its time for a new 35mm film? by careysub · · Score: 1

      So you view decades by 01-10? and not 00-09? The first decade of 2010 ended one year ago.

      There are different definitions of "decade" in common use and most people switch between them without much problem (or even awareness).

      A system that consistently divides the entire Common Era into decades, centuries and millenia, and which assigns numerals to each century and millenia (but not decades), has the decade ending at the end of a year that ends in zero (2010 in this case), just the Twentieth Century ends at the end of the twentieth century year (2000).

      But if people speak of a decade like "the twenties" or the "the thirties" they are talking about a different definition of "decade". "The twenties" spans 1920 to 1929, not 1921 to 1930. The difference in definition is apparent in the term itself. This popular designation system is independent from the secular numbering of the Common Era and simply denotes a convenient reference time period (just as someone might refer to "the Depression" as a chronological period instead of as an economic event).

      --
      Starships were meant to fly, Hands up and touch the sky - Nicky Minaj
    37. Re:Maybe its time for a new 35mm film? by Estanislao+Mart�nez · · Score: 1

      Are there really any workflows left where film is the right choice, rather than just the status quo?

      Well, for landscape photography, large format film is the clearly superior choice, though it's not obligatory. There are just no digital cameras that can match 4x5" transparency sheet film.

    38. Re:Maybe its time for a new 35mm film? by Tetsujin · · Score: 1

      But if people speak of a decade like "the twenties" or the "the thirties" they are talking about a different definition of "decade". "The twenties" spans 1920 to 1929, not 1921 to 1930.

      Personally I'd have to say the seventies were my favorite decade. I mean, look at all the major events that happened in the seventies: The eruption of Mt. Vesuvius and the destruction of Pompeii, the construction of the Colosseum, Roman conquest of Wales, Syria, and Jerusalem, publication of Pliny's "Naturalis Historiae" - it was a busy time.

      (This joke brought to you courtesy of an unhealthy preoccupation with MST3K)

      --
      Bow-ties are cool.
    39. Re:Maybe its time for a new 35mm film? by careysub · · Score: 1

      ...

      Personally I'd have to say the seventies were my favorite decade. I mean, look at all the major events that happened in the seventies: The eruption of Mt. Vesuvius and the destruction of Pompeii, the construction of the Colosseum, Roman conquest of Wales, Syria, and Jerusalem, publication of Pliny's "Naturalis Historiae" - it was a busy time.

      (This joke brought to you courtesy of an unhealthy preoccupation with MST3K)

      Ah, you Eurocentrists are all alike. You forget that the 70s were the high point of Eastern Han rule with the ascendance of Emperor Zhang, that the first of the Three Kingdoms (Goguryeo) was founded in Korea, and the Saka Era was established in Western India when the Sakas defeated the dynasty of king Vikramaditya.

      --
      Starships were meant to fly, Hands up and touch the sky - Nicky Minaj
    40. Re:Maybe its time for a new 35mm film? by muridae · · Score: 1

      the chemistry is standard C41 colour negative (which realistically it has to be - nobody is going to do R&D on an entirely new film process at this point, and finding decent local processing is already hard enough):

      And, really, C41 isn't have toxic or hard to handle. You process it at a set temperature, because chemical reactions change speeds with temperature. Except for the silver that you wash out of the film with the fixer, everything is about the same as household bleach and goes down the drain. My city even says that for a few rolls of home developed film, the used fixer can go down the drain as well; other places want you to collect it and offer cheap disposal when you get a gallon or 5 full. Don't even need a well ventilated room if it is warm outside, once you load the film in the dark just go out and do your chemical juggling.

    41. Re:Maybe its time for a new 35mm film? by Dogtanian · · Score: 1

      Wait... have I travelled back in time again? I thought 2010 started almost a year ago.

      If you're counting decades as starting at year 1 AD (yes, it's very significant that there was no "year zero", 1 AD followed 1 BC) then the second decade started ten years after that, at the beginning of 11 BC, and the current decade ends with 31 December 2010.

      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    42. Re:Maybe its time for a new 35mm film? by toddestan · · Score: 1

      What are you smoking? 35mm film is way better than a 3MP digital camera. Granted, you need the glass to take advantage of it - your typical 35mm P&S camera was made obsolete pretty quickly. Just like an early 3MP DSLR can still kick the crap out of the $100 12MP compacts they sell now.

    43. Re:Maybe its time for a new 35mm film? by strawberryutopia · · Score: 1

      I was working on the logic that "the 90's" started in 1990, "the 80's" in 1980, and so on

      --
      I'm a leaf on the wind, watch how I soar...
      -Lucy-
    44. Re:Maybe its time for a new 35mm film? by Anonymous Coward · · Score: 0

      I know the feeling. I had a few hundred pictures developed at one place. Macro pictures of tea leaves if you can imagine that. All taken under controlled conditions. The colour differences were so random I ended up converting them to grey scale as the colour was so screwed up.
      The colour is very dependant on the processor. With odd pictures like mine they just guess.

    45. Re:Maybe its time for a new 35mm film? by Anonymous Coward · · Score: 0

      Sorry to say but you are not going to get more than 8 to 10 bits of info out of your camera. The sensors are very sensitive but they have a linear response to light levels. unless you freeze it you will end up suffering from noise. Tachnically the CCD's can detect a single photon if treated correctly. The CMOS in most cameras have noise that stops them from doing that. They are getting there but there is still a difference. I use digital cameras and they are superb for most things.

  14. Kodachrome is dead. Long live Kodachrome! by mschaffer · · Score: 1

    I will sorely miss Kodachrome. It has no equal.

  15. Remaining inventory by PatPending · · Score: 4, Interesting

    I just went to the refrigerator and removed 25 rolls of Kodachrome 64 36 exp. -- paid $8.20 per roll ($205 total). They've been in there since 2002. I've been meaning to shoot them ever since Kodak made their announcement last year but alas work prevented me from taking two scheduled vacations this year to do so. Sigh. I suppose now there's nothing left to do with it except throw it away.

    --
    What one fool can do, another can. (Ancient Simian Proverb)
    1. Re:Remaining inventory by Anonymous Coward · · Score: 1

      If only you were warned.

    2. Re:Remaining inventory by Concerned+Onlooker · · Score: 4, Interesting

      Or you could just put it in your closet for a couple of decades and sell it at one of those camera shows that are constantly being put together somewhere. It will then be an antique and a conversation piece.

      --
      http://www.rootstrikers.org/
    3. Re:Remaining inventory by 93+Escort+Wagon · · Score: 2

      I just went to the refrigerator and removed 25 rolls of Kodachrome 64 36 exp. -- paid $8.20 per roll ($205 total). They've been in there since 2002. I've been meaning to shoot them ever since Kodak made their announcement last year but alas work prevented me from taking two scheduled vacations this year to do so. Sigh. I suppose now there's nothing left to do with it except throw it away.

      One word - eBay.

      Okay that's actually three words. And now it's twelve.

      --
      #DeleteChrome
    4. Re:Remaining inventory by Anonymous Coward · · Score: 2, Interesting

      You can hand process it as a black and white film. Not a complete waste! I shot my first and only roll of 16mm Kodachrome a couple weeks ago and sent it the other day.

    5. Re:Remaining inventory by Gunnut1124 · · Score: 1

      Self description WIN!

      Oblig XKCD too!

      --
      America is all about speed. Hot, nasty, badass speed. -Eleanor Roosevelt, 1936
    6. Re:Remaining inventory by Tenser234 · · Score: 3, Informative

      Dwayne is still doing limited runs. Its just not commercial anymore.

    7. Re:Remaining inventory by soulsteal · · Score: 1

      You can stillmdevelop it, it'll just be black and white.

    8. Re:Remaining inventory by Anonymous Coward · · Score: 0

      No. After they process the film received by today, they are shutting down their K-14 processing forever. If you didn't get your film in, you've got a strip of plastic.

    9. Re:Remaining inventory by d235j · · Score: 1

      I'd keep them in the freezer. If the person who purchased the K-Lab figures out how to process it, maybe it will still be of use.

    10. Re:Remaining inventory by Anonymous Coward · · Score: 0

      You can shoot them and process them as you would Panatomic-X Black and White....Can't remember if the pre colour Kodachrome process does the reversal..bet it does...but the filmstock is viable as Black & White fwiw.

    11. Re:Remaining inventory by compro01 · · Score: 1

      Not necessarily. There's a guy in New Mexico who got a hold of one of the last k-lab machines and is looking to get it operational, but Kodak has kept the chemical formulas for the dye couplers locked up tight. Maybe with the end of official processing that will change.

      --
      upon the advice of my lawyer, i have no sig at this time
    12. Re:Remaining inventory by PatPending · · Score: 4, Informative

      Huh? Kodak no longer manufactures the chemical dyes & agents required for the K-14 process and Dwayne's Photo is selling their K-14 processing equipment. From Dwayne's website front page: The last day of processing for all types of Kodachrome film will be December 30th, 2010. They will however continue to offer processing for Ektachrome and other E6 process compatible films.

      --
      What one fool can do, another can. (Ancient Simian Proverb)
    13. Re:Remaining inventory by Tenser234 · · Score: 2

      I was told by my photo mentor who is good friends with Dwayne that limited runs will still be able for processing.

    14. Re:Remaining inventory by LordKronos · · Score: 1

      If only you were warned.

      And if only you had read his post

    15. Re:Remaining inventory by DerekLyons · · Score: 1

      [Citation needed]

      Kodak has ceased production of the developer chemicals - which is why Dwayne's is shutting down their processor and scrapping it. If they have a source for the chemicals, there's be no need to do either.

    16. Re:Remaining inventory by Anonymous Coward · · Score: 0

      It still can be processed in downtown Mexico City ;) and it will for some years to come...

    17. Re:Remaining inventory by bill_mcgonigle · · Score: 1

      Dwayne's Photo [dwaynesphoto.com] is selling their K-14 processing equipment

      to whom?

      --
      My God, it's Full of Source!
      OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
    18. Re:Remaining inventory by Dynedain · · Score: 1

      The article says they're selling it for scrap.

      --
      I'm out of my mind right now, but feel free to leave a message.....
    19. Re:Remaining inventory by Derling+Whirvish · · Score: 1

      Put the individual rolls on ebay! People will pay to have a roll just as a souvenir. The smell of a roll in the little film can is as distict as Play-Doh or Crayola crayons and can bring back fond memories just as well.

    20. Re:Remaining inventory by Achra · · Score: 1

      You might still be able to process it into B&W. I don't know how this would be done with K-14, but I recently found a roll of K-12 in an ancient camera (Undevelopable for a VERY long time, even at Dwayne's) and developed using D-19 and this process: http://lavender.fortunecity.com/lavender/569/k12bwnegdev.html

      --
      Each processor would proceed sequentially as if it had been better for them not to rise against Saul.
    21. Re:Remaining inventory by toddestan · · Score: 1

      According to TFA, Dwayne is on his last canister of blue dye. Kodak isn't making any more of it, so when it's gone he's done. I suppose he may still have a small amount of the chemicals left after officially shutting down, but I can't imagine it'll last for long.

      One possibility is that he's offering to process Kodachrome as B&W film - probably not much interest in that which may be why it's "limited".

    22. Re:Remaining inventory by Anonymous Coward · · Score: 0

      Don't be too hasty. There's a LOT of people that still enjoy experimenting with film, and sooner or later (or possibly even right now) someone will figure out how to develop Kodachrome in black and white chemistry (as black and white, obviously). Worst case, your Kodachrome has lost it's colour.

  16. Re:Good Riddence! by biryokumaru · · Score: 1

    Well, it is pretty orgasmic...

    --
    When you're afraid to download music illegally in your own home, then the terrorists have won!
  17. know nothing about film photography? by reiisi · · Score: 1

    First, you have to develop the film to get any kind of image at all.

    Well, okay, theoretically, you could scan the film, but not with any ordinary scanner. The light from the scanner, you see, would wash the image right out.

    You have to develop film to bring the image out into a form that is visible to the unaided/untrained eye. Developing also stabilizes the image so that further exposure to light doesn't wash it out.

    Places to educate yourself even further (regards negative and positive process film, etc.):

    kodachrome

    slide filme

    Oh, and search Google for kodachrome and, more interesting, perhaps, kodachrome negative. (Why interesting? It brought up, among other things, this.

    --
    Computer memory is just fancy paper, CPUs just fancy pens with fancy erasers; the 'net is just a fancy backyard fence.
  18. Quick! by roc97007 · · Score: 1

    Find those rolls in the back of the closet and send them in!

    --
    Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
  19. Re:Good Riddence! by PCM2 · · Score: 4, Insightful

    Cue some 'romantic' shit about how Kodachrome has some unmeasurable orgasmic quality over anything else...

    It doesn't have to be "romantic shit." Kodachrome does have qualities that are different from anything else. Irreplaceable qualities? Unreproducible qualities? Maybe not. But until you've tried to shoot actual creative photographs (as opposed to "I wanna see this later" snapshots), you don't understand what a complex and highly analog process it is -- even for digital cameras.

    Between shutter speeds, apertures, film ISO, lenses, flash timings, and just plain holding the camera in the right place at the right time, there are a lot of variables. In film stock there are variables also, much like how two different digital SLR cameras will produce different-looking pictures of the same thing under the same lighting conditions.

    Can you fiddle with an exposure in Photoshop until most film snobs would swear it's a Kodachrome image? Sure. Is that a worthwhile way to spend your time? You tell me.

    Bottom line: No, if you hand a roll of Kodachrome to an inexperienced photographer, he's not going to be able to take any better pictures than he would with any other film. On the other hand, in the hands of an experience photographer who understands Kodachrome and knows how to get what he wants from it, the film stock can make the difference between an OK photograph and a great one. It's kind of like playing an electric guitar: Whether your amp is tube or solid-state, your guitar and your amp -- in your hands -- is going to sound different from the guy down the street's. You play what works for you.

    Kodachrome "worked" for a lot of photographers for many years. That picture from National Geographic of the Afghan girl with the crazy green eyes that you've seen a million times? That's Kodachrome.

    --
    Breakfast served all day!
  20. ebay by reiisi · · Score: 1

    Hmm. The process is known, but it is complicated (tricky, it sounds like, since you have to re-expose the film several times to different colors of light (which may be part of the reason for the vivid colors?)) and use chemicals even more poisonous than those used in the more common processes.

    But I'm going to guess that there will be amateurs/independents who try to reproduce the process for those people whose rolls didn't make it to Dwayne's in time for the last cans of the official chemicals.

    --
    Computer memory is just fancy paper, CPUs just fancy pens with fancy erasers; the 'net is just a fancy backyard fence.
  21. I can still develop those. by Anonymous Coward · · Score: 0

    I can still develop it but in black and white, or some other funky colours. It is a positive image I suck at developing those by hand.

    1. Re:I can still develop those. by fishbowl · · Score: 1

      I used to do Ektachrome 16mm processing. It was an extremely finicky 8-bath process that required seriously controlled temperatures and an *exposure* step that was always a nail-biter. Knowing that Kodachrome process was *far* more difficult that Ektachrome is kind of mind-boggling.

      --
      -fb Everything not expressly forbidden is now mandatory.
    2. Re:I can still develop those. by Anonymous Coward · · Score: 0

      I used to do Ektachrome 16mm processing. It was an extremely finicky 8-bath process that required seriously controlled temperatures and an *exposure* step that was always a nail-biter. Knowing that Kodachrome process was *far* more difficult that Ektachrome is kind of mind-boggling.

      One of the features of the Kodachrome development process was that it was too expensive to process one roll - they had to process a long length at a time (remember, this process was originally intended for motion picture film, so it's predicated on processing motion picture sized reels of film, not rolls of 36 exposures). What they used to do was take lots of rolls, join the rolls end to end, then process the resulting long length. That's one of the reasons that it's being discontinued - they just don't get enough rolls to process at a time to make it economic to run the processing. It's simple economics.

      If you people claiming to love Kodachrome had continued to use it, then it would still be around. Guess you don't love it as much as you claim :)

    3. Re:I can still develop those. by PhotoJim · · Score: 1

      I shot a dozen rolls of it this year, and ten last year. The problem is that not enough people did, and now it's gone.

  22. Re:Good Riddence! by Anonymous Coward · · Score: 0

    I think you mean durability, not convenience.

  23. Clueless on eBay by jms · · Score: 1

    I'm amused at the apparently clueless people on eBay bidding against each other for film that can no longer be processed. There are several examples of multiple bids on auctions for unexposed film ending tomorrow.

  24. Re:Good Riddence! by Anonymous Coward · · Score: 0

    Shut up, dad.

  25. *sigh* by nurb432 · · Score: 1

    Another hit for the analog world. In a few more years, real quality will just be a distant memory and all we will have are 'samples'.

    --
    ---- Booth was a patriot ----
    1. Re:*sigh* by fishbowl · · Score: 1

      I wouldn't trade Photoshop (or even Gimp) ((and Hipstamatic!!!)) for all the Kodachrome film that was ever made, to be perfectly honest about the whole thing.

      Part of me is glad it's gone -- I lived in that era, and I'm happy it's something we don't have to share with another generation. It's ours, and you can't have it.

      --
      -fb Everything not expressly forbidden is now mandatory.
    2. Re:*sigh* by raddan · · Score: 1

      If you're thinking that digital photography lacks the "continuous" qualities that film has, think again. All of our recording media is, at some level, discrete. The difference is that film is not digital.

      Right now, large format film still has the edge qhen it comes to resolution, but I have no doubt that digital technologies will exceed even what film can offer. It will do this, mind you, while maintaining all the other things digital information has going for it (cheap to store, easy to copy, etc).

    3. Re:*sigh* by pz · · Score: 1

      If you're thinking that digital photography lacks the "continuous" qualities that film has, think again. All of our recording media is, at some level, discrete. The difference is that film is not digital.

      Ah, but film is digital. Single grains of silver halide are the fundamental capture element, and once a given grain absorbs a photon, through magic I don't quite recall that involves cascading electrons through the crystal, the entire grain changes state from unexposed to exposed. The density for a given region and color layer is determined by how many of the grains in the area were exposed. It's very, very digital, just not spatially regular.

      --

      Put my fist through my alarm clock with its ding-dong death inside my ear. - The Blackjacks.
    4. Re:*sigh* by dwywit · · Score: 1

      Probably more correct to call it binary rather than digital, but you're correct - after development, the halide crystals are either black (exposed) or transparent (unexposed). Then the unexposed crystals are either bleached out (negative film) or chemically (E6) or optically (Kodachrome) exposed and developed to provide the positive image (reversal film).

      --
      They sentenced me to twenty years of boredom
    5. Re:*sigh* by Tetsujin · · Score: 1

      I wouldn't trade Photoshop (or even Gimp)

      Processing of your comment will be suspended at this point, to be resumed once Gimp supports at least 16-bit color channels.

      --
      Bow-ties are cool.
    6. Re:*sigh* by raddan · · Score: 1

      No, it is not digital. It is discrete. Being discrete is certainly one of the properties required to be digital, but it lacks some others.

  26. No! by Anonymous Coward · · Score: 0

    The end of the decade is 2011! There was no Year 0! Or something. I think.

    Wait, I've gone and confused myself now.

  27. CBS news covers the passing of Kodachrome.. by Ellis+D.+Tripp · · Score: 1
    --
    Remember "News for Nerds, Stuff that Matters"? Help make it a reality again! http://soylentnews.org
    1. Re:CBS news covers the passing of Kodachrome.. by PatPending · · Score: 1

      Thanks for the trip down memory lane, LSD.

      --
      What one fool can do, another can. (Ancient Simian Proverb)
  28. It very well might take a former Okie to know by Anonymous Coward · · Score: 0

    The name of the town is Parsons, not Parson.

  29. Romantic shit by DrVomact · · Score: 1

    Yeah, I too remember Kodachrome 25 from my 35mm film SLR days. I loved that film—if you had enough light, a fast lens, and the right kind of subject, you could get some astonishing shots. As someone remarked, it's probably all in the dyes and process...it just seemed like magic to me. The colors were intense, but they looked right, somehow.

    FYI, the Afghan girl's eyes look grey when I look at the picture on this crappy LCD monitor I'm using.

    --
    Great men are almost always bad men--Lord Acton's Corollary
    1. Re:Romantic shit by ZosX · · Score: 1

      Grey on this screen too. I remember them being grey in print as well....

  30. Re:Good Riddence! by node+3 · · Score: 1

    That picture from National Geographic of the Afghan girl with the crazy green eyes that you've seen a million times? That's Kodachrome.

    That photo the way you saw it on the cover of National Geographic, and on the link you provided? That's digital.

    Kodachrome is just a medium through which create works of art. There's nothing wrong with lamenting its loss, but it's now a dead technology. There are countless other uninvented film types, and now there is just one more.

    Digital, on the other hand, is virtually infinite in its variability. It can emulate any type of film you'd like, including not just Kodachrome, but also any of those other countless uninvented film types. With a properly color-calibrated photo workflow, it's trivial with a Kodachrome color profile to get the same colors.

  31. Re:Good Riddence! by PCM2 · · Score: 1

    That photo the way you saw it on the cover of National Geographic, and on the link you provided? That's digital.

    Pretty sure National Geographic wasn't doing digital publishing in 1984, but I get your point. But so what?

    Chances are, you've never seen the "Mona Lisa." I've seen it. But unless you've been to Paris, France and stood in line at the Louvre, you probably haven't. You've only ever seen it in print or in digital, and either way that was probably transferred from a second intermediate step, film.

    So could a modern-day Leonardo create the "Mona Lisa" entirely using digital tools? Sure. Didn't I say that in my original post? But I'll wager most artists would still want to and use oil paints to produce an image like that.

    Likewise, I don't know many photographers who think it's "trivial" to produce images that look like Kodachrome using a purely digital process. YMMV of course.

    --
    Breakfast served all day!
  32. Re:Good Riddence! by Anonymous Coward · · Score: 1

    I have 70-year-old Kodachrome slides shot by my grandparents of their parents, which still look good. I also have 30-year-old E-6 film from Agfa, Fuji, and other people which is already hopelessly discolored. In comparison, I won't be taking any bets on how many of my own digital photographs will still be accessible in 30 years, much less 70.

  33. Re: by Anonymous Coward · · Score: 0

    I live about twenty miles from this studio. One of about two people that do.

  34. small town makes national news by OlRickDawson · · Score: 2

    Probably the last time my home town, Parsons, KS will make the national news.

    --
    Ol' Rick Dawson had a farm EIEIO
  35. Re: missing tapes link by theNAM666 · · Score: 1
  36. Re: by PatPending · · Score: 1

    Well, then now you're not so anonymous anymore, are you?

    --
    What one fool can do, another can. (Ancient Simian Proverb)
  37. then now you're not by xiadiaodiao · · Score: 1

    [url=http://www.yfballmill.com/jaw-crusher.html]jaw crusher[/url] Alter Relationship Well, then now you're not so anonymous anymore

  38. Re:Good Riddence! by MrEricSir · · Score: 1

    No offense, but I'm guessing your photos aren't exactly the Magna Carta. Will anyone even care about your vacation photos 70 years from now?

    --
    There's no -1 for "I don't get it."
  39. Re:Good Riddence! by lxs · · Score: 1

    Sure, whatever. There is still plenty of analog film available. Both slide film and negative film. Sure, Fuji Velvia (which uses ordinary E-6 process) may not keep for 80 years, but these days it is mostly scanned to digital within days of processing.

    And frankly, there isn't an old Kodachrome slide in existence that doesn't have a blue or magenta color cast.

    It was great while it lasted, but photography has moved on. Analog has turned into a niche product, so there isn't a sane reason to keep yet another process alive for the handful of enthusiasts that still use it.

    Greetings from the photo lab.

  40. Fond Memories by SisyphusShrugged · · Score: 1

    Learned about photography in boy scouts on a Canon AT-1...boy I feel old, all these youngsters running around today with their robot cameras built into their phones!

  41. Re:Good Riddence! by Iskender · · Score: 1

    With a properly color-calibrated photo workflow, it's trivial with a Kodachrome color profile to get the same colors.

    Assuming this is true, the key word becomes properly. That means "you have to be an expert", since not even most photographers know how to do colour profiles.

    I'm a digital photographer who started out with a bad digicam in 2005, so I don't have film nostalgia. However, each time I hear that you can just select any colour you want in software to make things great I think it's pretty much a fantasy. You probably can, but digital pictures still look like shit on average compared to film pictures. Why is that?

    There are probably several reasons, but I think it comes down to this: if you're doing the colours yourself in photo software, then you have to have a good eye to get it right. If on the other hand you're relying on the film to get colours (like most back in the day) then the team of experts at the film manufacturer have optimized the colours. It becomes a matter of any random person vs. a team of probably highly paid experts. Knowing what's in any particular photo helps the random boob, but in my experience it doesn't help enough.

    Colour is notoriously difficult and I could be completely wrong. But in the meantime I'm pleased to notice that some of the nicest digital colours come from Fuji digital cameras set to default settings. Presumably some of the same technologies or even people are involved as with their films. My Olympus SLR has a reputation for good JPEG colours for that matter, and given correct white balance and exposure I cannot improve on the colours in processing something like 90% of the time.

  42. Re:Good Riddence! by m50d · · Score: 1
    Can you fiddle with an exposure in Photoshop until most film snobs would swear it's a Kodachrome image? Sure. Is that a worthwhile way to spend your time? You tell me.

    It sounds like that's probably easier than shooting actual Kodachrome. I'd imagine it'd be scriptable, such that you'd only ever have to do it once (heck, I'll bet there's already a "Kodachrome filter" out there you can just apply). And if you decide later on that you actually didn't want it to be Kodachrome after all, you still have the original.

    --
    I am trolling
  43. newbie;-) by airdrummer · · Score: 1

    k25? hah! i remember kII;-) and color-coded aluminum screwtop film can, not that cheap black plastic;-)

  44. Re:Good Riddence! by PhotoJim · · Score: 1

    Somebody might care. We call it "history".

    Look at museums around the world - many of the items are pretty ordinary items that have become extraordinary because of the passage of time.

  45. Re:easily viewed by airdrummer · · Score: 1

    and that's the main diff between digital & analog media: analog storage technology is the same as display: a human-viewable image (or text).

    digital media require 2 separate technologies, a bifurcation that marks the beginning of a new epoch, 4better or worse:-}

  46. Re:Good Riddence! by Anonymous Coward · · Score: 0
  47. Really the End? by Doc+Ruby · · Score: 1

    Is this really the end of processing Kodachrome, or just the end of that particular kind of machine? Is there another way to develop and print Kodachrome?

    I expect that for quite some time after the "deadline" people will come up with undeveloped rolls of pictures they want to see. Is there really no other way, however exotic? Looks like maybe not.

    --

    --
    make install -not war

    1. Re:Really the End? by Dynedain · · Score: 1

      Kodachrome required very specialized equipment and patented unique chemicals. So much so, that there were only about 25 processing locations in the US at it's hight.

      The developer in the article was the last company still processing. They were shipped the last batch of chemicals when Kodak shut down the manufacturing line in 2009.

      --
      I'm out of my mind right now, but feel free to leave a message.....
  48. The end of Chrome by Tetsujin · · Score: 1

    Didn't they launch chrome just a few years ago? I haven't read the summary yet, but this sure is a shame.

    Yeah, I remember that...

    But really, this was inevitable. As soon as that black Megadeus showed up and fired its chrome-buster - I mean, of course that's going to be the end of chrome.

    --
    Bow-ties are cool.
  49. The first decade of 2010 by Tetsujin · · Score: 1

    The first decade of 2010 ended one year ago.

    { Face palm }

    You're right, he made a slight error there. Actually the first decade of 2010 ends tonight.

    See, we're dealing with two conflicting ideas of when a {decade, century, millennium} begins and ends. Some say the new decade began at the beginning of 2010, some say the new decade begins at the beginning of 2011 (and, thus, the previous decade ends today, at the end of 2010.)

    Therefore there are two (widely-recognized) decades to which 2010 belongs: 2001-2010 and 2010-2019. So the first decade of 2010 ends at the end of 2010, while the last decade of 2010 ends ten years after the start of 2010...

    --
    Bow-ties are cool.
  50. Decade pedantry continues by Tetsujin · · Score: 1

    Or would you consider 1990 part of the 80s?

    Judging from the clothes and music? Yeah. :)

    --
    Bow-ties are cool.
  51. CSI:Mia Farrow by Dogtanian · · Score: 1

    So do I. Unfortunately, it's on Kodachrome.

    So assuming you've already had it processed, it should last quite a long time then? Excellent... don't see how that's unfortunate at all!

    BTW, in a sense Kodachrome ended 18 months ago when they discontinued it. This story is like an epilogue following the "proper" ending. It's a sort of.... Coda-chrome.

    Ba-dum tssht! Thank you, I'll be here all week, waitress, tip, etc......

    Alternative follow-on line..... YEEEEEEEEEEEEEEAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHH!!!!!!!!!!! Er, sorry.

    --
    "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
  52. Re:Good Riddence! by jwdb · · Score: 1

    Except that there are films with a color gamut broader than that of most digital cameras (ignoring >10k studio equipment). It is impossible to emulate such a film in digital, as you simply have not captured the necessary information.

    Digital is pretty damn good, but it is far from "virtually infinite".

  53. Re:easily viewed by dogsbreath · · Score: 1

    Yeah, I think that is an excellent point. Interesting to note that trash heaps are information gold mines: newspapers are still readable literally a hundred years later (or more) but I doubt that any digital storage media would be... even if the method to retrieve the information was known.

    Information is retrievable and can be interpreted (the meaning made known) after millenia.

    Hmmmmm..... ;->

    Progress.

  54. Re:Good Riddence! by MrEricSir · · Score: 1

    But we can't assign historic value to *everything*, or the signal-to-noise ratio will be too great to find anything worthwhile.

    --
    There's no -1 for "I don't get it."
  55. Very simple explanation. by feepness · · Score: 1

    PC Gamers tend to be older due to the greater investment.

    Older people tend to cooperate more and be more reliable.

    The test was one of cooperation and reliability.

    On the other hand, I play on consoles. The people I team with are always my friends, and near my age (sadly, older than I'd like) or maturity level (happily, lower than most my age). I always receive the cooperation I expect. Well, not always you *$#$%#%#.

    The message is, if you are a lone user looking for cooperation, go for a PC. Little else.

  56. Year zero? by Anonymous Coward · · Score: 0

    You probably mean the first decade of this millenium. but you're wrong.

    The first decade ends today/tonight (depending on your time-zone).

    Was the first year zero? or one?

  57. Re:Good Riddence! by PCM2 · · Score: 1

    I look at that the same way I look at the Kai's Power Tools "Drop Shadow" filters that were so popular in the late 90s. You don't see much of that effect anymore. These days it's the "I see a slight mirror image below the object, as if it was sitting on a flawless white counter top" filter. And that one will get old soon, too. In general, automated digital processes do a fundamentally poor job of mimicking processes that are highly "analog" (read: variable and subject to myriad physical conditions) in the real world. Once your eye starts to detect the "I clicked on a menu and made it happen" effect, you start to tire of it. IMHO, of course.

    --
    Breakfast served all day!
  58. Re:Good Riddence! by ZosX · · Score: 1

    Huh... you are bitching about colors not being vibrant and contrasty (like certain films...) and yet you are using the jpeg engine of your slr. You want raw. And you want lightroom with your own profiles. Then you can indeed make the colors like anything you want and can certainly improve them. A lot of the digital stuff is pretty heavily baked anymore with lots of contrast and strong blacks. The colors tend to be oversaturated too. Of course this is nothing like reality, and of course if your are just using your camera to process the images its going to come out in an underwhelming way. Jpegs are 8-bit vs the 14-bit raw your sensor is capable of. You are cutting your dynamic range in half by using jpeg and cutting down considerably on your color reproduction due to the limited gamut of 8-bit jpeg. The fujis give good color, because their default settings are to add all kinds of contrast and saturation. You can easily do this in lightroom and create the look you are going for and just apply it to all your raw files on import. Don't bitch about the medium or the tools if you don't want to use them to their maximum potential.

  59. Re:Good Riddence! by ZosX · · Score: 1

    Yeah, and the dynamic range of digital totally eclipses film too. It is approaching films resolution finally with the latest round of SLRs as well. A 35mm slide yields about 20 megapixels. About the same as a full frame sensor, and increasingly APS-C sized sensors. Also the lens is going to certainly become the limiting factor in resolving power in the near future. Its going to take some breakthroughs in lens technology for current lens sizes to resolve much greater than 20mp as it is. Your arguments are nearly moot. Digital has for all intensive purposes trumped film as the ideal medium and the hordes of people that have given up medium format for Canon 5d Mark IIs are a testament for that.

  60. Re:Good Riddence! by toddestan · · Score: 1

    Well, if they really are 70-year-old slides, there may will be interest in them. 1940 was before color photography was mainstream - it was expensive enough that most people still shot B&W, and if they used Kodachrome they generally used it pretty sparingly. If they took their camera to something like a county fair or took pictures of something newsworthy like a parade they may very well have the only existing color photographs of that event. Someone might be interested.

    Now, 60-year old Kodachrome vacation slides would be a lot less significant as lots of people were using the film by 1950.

  61. Is that little Petey, the HOPES file troll? by hairyfeet · · Score: 1

    And this coming from poor wittle APK, also know as "Petey, the idiot HOPES file guy"? As in you HOPES that one of the 300,000+ constantly changing array of websites that are infected doesn't happen to be the one you visit today? Or that you HOPES that nobody notices after repeatedly being asked you have FAILED to show even the tiniest shred of mathematical proof that your magical woobie can scale? That you HOPES nobody notices your only "proof" is anecdotes, often by your own sock puppets like Kingsjester?

    If there is ANYONE that should be LOLing it is me, for pointing out there are still morons that believe 16Mb HOPES files can do anything but block ads since ad servers are...what do you call it...oh yeah STATIC, just like your HOPES file, but really you are just kinda pathetic. You're like the idiot that just keeps hanging onto that three years out of date copy of Norton, because he is just so damned sure it still works, only the Norton guy is actually better protected than you are, since it did used to work in the past 5 years.

    So please, keep posting APK, I do so enjoy pointing out the total uber fail of your magical woobie so. I also personally consider it a public service to point people to solutions that actually work instead of relying on magical woobies and anecdotes. And of course bitch slapping your around is also quite fun!

    --
    ACs don't waste your time replying, your posts are never seen by me.
  62. hairyfeet exactly how many bad sites are there? by Anonymous Coward · · Score: 0

    What's your proof of it? Is it 100% exact?? I doubt it. Nobody can know exactly how many websites are bad out online because they're always changing, in either making more, or ones being shutdown. You don't have any "mathematical proof" yourself that's exact, so your foaming at the mouth name calling on this page? A waste of time. You don't have a pot to piss in yourself.

    1. Re:hairyfeet exactly how many bad sites are there? by hairyfeet · · Score: 1

      I don't have to be exact, because I'm not the one making outrageous claims If someone claims they can stretch their dick into a giant slingshot and shoot themselves to Scotland it is not the readers job to prove them wrong but the posters job to back that up with real proof, not an anecdote that says "well my cousin Joey saw me do it last Halloween!".

      I have also shown repeatedly that at the absolute reported minimum number of new pieces of malware and website infections, which Petey is free to pick whichever reputable website he likes Securina, MSFT's malware reports, AVG, which ever, that at an absolute minimum we are talking about 1.2 million sites PER DAY with that number changing by 15,000+ PER HOUR which means even if he typed at 1 IP address PER SECOND, and never slept, and had a perfect list (which doesn't exist) he would be 14 days behind by the very first day with that number growing linearly every single day, making Petey farther and farther behind.

      But if Petey wasn't completely batshit insane I wouldn't have to explain this, because this is why everyone makes fun of him. it is so obvious it is like someone arguing gravity is actually invisible pants gnomes trying to steal your underwear. It is the classic "default allow" which has NEVER EVER worked. Because if a piece of malware isn't in Petey's magical HOPES file he is royally fucked, and yet again I have shown that it is simply a roll of the dice whether he gets creamed or not, simply because he will always be behind. So it is all on Petey and his magical HOPES woobie now. He made the extravagant claims, back them up with the math. If he can't? Well then he is full of shit, case closed. Notice how ALL PETEY CAN DO is throw insults and trollbomb? Why is that? I'll tell you why, because math doesn't lie and he just can't show the math He just can't, it would be like trying to mathematically prove PETEY is not an idiot. It just can't be done.

      --
      ACs don't waste your time replying, your posts are never seen by me.
  63. Re:Good Riddence! by Iskender · · Score: 1

    I'm quite satisfied with the JPEGs from my camera. They have great colour for being digital, so I feel no need to post process despite always saving the RAWs too.

    I have no need for "realistic" colour. I see that every second I'm awake. I prefer photos that look good over photos that look realistic. It's of course fine if someone else wants to copy their in-brain processing, but I don't.

    I don't use Lightroom because I don't have the money and it doesn't exist on my operating system anyway. As for the "easily" part...

    I get this "it's easy to make the colours right in [software]" all the time. I disagree, it requires skill. Skill I don't have. I can tell when colour is good, but I can't always get good colour - just like I know what music I like despite not knowing how to play a single instrument.

    The JPEG engine of my SLR has been optimized by people who are better at colour than I am. As I said, me messing with the pictures in software will just make things worse. Telling any stranger that he can get colours right with his own taste seems like a pretty big gamble to me - it could be someone who thinks pink and dark green are a winning combination!

  64. This blows you completely away hairyfeet by Anonymous Coward · · Score: 0

    FROM YOUR POINTS HERE -> http://slashdot.org/comments.pl?sid=1930156&cid=34734160 quoted & disproved, "point-by-quoted-point" as is my style in blowing away undereducated trolls like yourself, on the value of HOSTS files as an added layered security measure:

    "I also personally consider it a public service to point people to solutions [superantispyware.com] that actually [comodo.com] work [malwarebytes.org]" - by hairyfeet (841228) on Saturday January 01, @06:56PM (#34733612)

    Yea, they work alright (about as well as you say HOSTS files do) - NOT: Nothing alone is 100% effective:

    ---

    MULTIPLE EVIDENCES OF ANTIVIRUS &/or ANTISPYWARE PROGRAM FAILURES + SHORTCOMINGS:

    http://www.theregister.co.uk/2007/12/04/win_2000_virus_tests/

    http://www.securityfocus.com/infocus/1839

    http://it.slashdot.org/it/08/11/07/1545238.shtml

    ---

    (Want more?)

    There is NO WAY THEY CAN KEEP UP WITH NEW MALWARES BEING MADE either... and you say they "work"? See above!

    (They're "better than nothing", & I use them myself, for added LAYERED SECURITY - but, I don't put my entire FAITH ON THEM, as you appear to do!)

    ---

    "You have 190,000 to 340,000 infected websites at this very moment and that list will change by the thousands per minute as sites are cleaned, new sites are infected, new vulnerabilities found, etc." - by hairyfeet (841228) on Saturday January 01, @06:56PM (#34733612)

    So would "your solutions", see above, on the SAME NOTE!

    (Which aren't really "your tools" - you only use the tools of others like a trained chimpanzee, except that I am kept "up-to-date", by the minute, by these reputable sources for HOSTS file data!)

    AND, AGAIN? I don't only "just use hosts" - I use this for my "layered security" setup:

    ---

    HOW TO SECURE WINDOWS 2000/XP/SERVER 2003 & even VISTA, + make it "fun to do" using CIS TOOL & beyond:

    www.bing.com/search?q="HOW+TO+SECURE+Windows+2000%2FXP"&go=&form=QBRE

    ---

    It works, and practices the current trend of "layered security", which HOSTS are a part of!

    In fact, that guide of MINE?

    On 15 forums it's featured on since 2008, w/ over 750,000 views on how to secure a modern Windows setup (making it the MOST viewed in fact, & I stopped checking counts in 2008 + 1 forum it was on went down & lost 1 example of it having over 100,000 views) & has been made a:

    ---

    1.) Sticky/Pinned Thread
    2.) Essential Guide
    3.) 5/5 star rated
    4.) Most Viewed in forums sections its in

    Wherever it is featured! Have YOU done the same? No.

    ---

    It even got me PAID for it, @ PCPitstop -> http://techtalk.pcpitstop.com/2007/09/04/pc-pitstop-winners/

    See Jan. 2008 (completely unexpected, but in January 2008 it won me a $100 prize there for its content)... That's the "total gamut" of "layered security" I use in addition to the HOSTS file (though I consider IT my "arc reactor core" of that security guide).

    etc./et al...

    ---

    "That is the nice thing about math, it doesn't lie or believe in anecdotes." - by hairyfeet (841228) on Saturday January 01, @06:56PM (#34733612)" - by hairyfeet (841228) on Saturday January 01, @06:56PM (#34733612)

    RIGHT - then, it's a pity that you rely on your 1.3 million ESTIMATED # of "bad sites" out there as you did from SOFTPEDIA.COM -> http://news.softpedia.com

  65. Yes you have to be exact jackass by Anonymous Coward · · Score: 0

    "I don't have to be exact because I'm not the one making outrageous claims" by hairyfeet (841228)
      on Saturday January 01, @07:33AM (#34729460)

    Yes you do. I read the reply to you from him and it contained your words quoted. Since you suggested things like antivirus or antispyware programs, you do have to be exact since those types of programs are subject to the same catch up ball phenomenon against malwares out online that you are stating hosts files incur. Unfortunately the ac respondent has a lot of data showing that trying to stay on top of that is not doing all that well from the perspective of users still being infected despite their usage of antivirus, antispyware, and even firewall programs.

  66. Hi Petey II! by hairyfeet · · Score: 1

    I would be happy to give you the figures, feel free to check. Comodo AV = 98% hit rate and ZERO infections, Malwarebytes? 97% and ZERO infections. Type both names + Test into Youtube and feel free to watch Petey. I have also shown repeatedly, again feel free to choose ANY figures from ANY reputable site you like, you are talking on average 180,000 PER DAY of infected websites PLUS 1.8 million current PLUS 15,000 pieces of malware PLUS anywhere from 35,000 to 50,000 websites revolving from the list. You see the difference between actual solutions and Petey's magical woobie is a little thing known as heuristics, along with a nice word known as sandboxing, neither of which his magical .txt file can do.

    But if Petey wasn't completely batshit insane I wouldn't have to explain this, because this is why everyone makes fun of him. it is so obvious it is like someone arguing gravity is actually invisible pants gnomes trying to steal your underwear. It is the classic "default allow" which has NEVER EVER worked. Because if a piece of malware isn't in Petey's magical HOPES file he is royally fucked, and yet again I have shown that it is simply a roll of the dice whether he gets creamed or not, simply because he will always be behind

    . So it is all on Petey and his magical HOPES woobie now. He made the extravagant claims, back them up with the math. If he can't? Well then he is full of shit, case closed. Notice how ALL PETEY CAN DO is throw insults and trollbomb? Why is that? I'll tell you why, because math doesn't lie and he just can't show the math He just can't, it would be like trying to mathematically prove PETEY is not an idiot. It just can't be done.

    --
    ACs don't waste your time replying, your posts are never seen by me.
  67. U use less security than I & it isnt 100% perf by Anonymous Coward · · Score: 0

    "I would be happy to give you the figures, feel free to check. Comodo AV = 98% hit rate and ZERO infections, Malwarebytes? 97% and ZERO infections." - by hairyfeet (841228) on Sunday January 02, @09:44AM (#34737154)

    See subject-line above... It destroys your "bitch" about HOSTS files, because the SAME APPLIES TO "YOUR SOLUTIONS" in that they are NOT 100% perfect, & also have to play "catch up ball" vs. malware out there, which is also a "moving target" as much as bad websites are...!

    (I say, "your solutions" but, they're not really yours, as again: You merely just "use" them, user - you create NOTHING yourself in the way of programs, because it's beyond the scope of your "so-called 'SkiLLz', such as they are, lol!)

    AGAIN: Nobody knows the EXACT # of malwares out there, the same as nobody knows the EXACT # of bad websites either!

    (So, your argument? Debunked, easily!)

    Now - considering I am literally protected against 920,000 KNOWN BAD SITES and you are not (because you do not use the method I do in HOSTS files of blocking them off)? Who is BETTER PROTECTED vs. known bad websites - myself, or yourself??

    (I have an extra layer of protection that you clearly, do not, in a custom HOSTS file!)

    So those "anecdotal evidences" others are seeing (5++ yrs. of NO MALWARE INFESTATIONS since applying hosts files added layered protections), which are the same results as myself for over 15++ yrs. now no less here?

    ---

    "Ever since I've installed a host file (http://www.mvps.org/winhelp2002/hosts.htm) to redirect advertisers to my loopback, I haven't had any malware, spyware, or adware issues. I first started using the host file 5 years ago." - by TestedDoughnut (1324447) on Monday December 13, @12:18AM (#34532122)

    FROM http://tech.slashdot.org/comments.pl?sid=1907528&cid=34532122

    ---

    They're more "solid evidence" than you've produced based on your "approximation math" (inexact & the same ideas you noted about hosts files (in having to play "catchup ball" applies to antivirus &/or antispyware - & their "success rates"? FAR FROM PERFECT!))

    ---

    You also use less "layered security" than I do, per the guide of mine I posted as evidence thereof... you seem to also be under the impression that "ALL I DO" is use the hosts file for security... that's FAR from the case!

    APK

    P.S.=> Using YOUR OWN "ARGUMENTS' LOGIC" against you, making you look the fool? Rather easy, hairyfeet... too easy in fact! apk

  68. About heuristics effectiveness by Anonymous Coward · · Score: 0

    "Petey's magical woobie is a little thing known as heuristics, along with a nice word known as sandboxing, neither of which his magical .txt file can do" - by hairyfeet (841228) on Sunday January 02, @09:44AM (#34737154)

    ANTIVIRUS HEURISTICS EFFECTIVENESS EVIDENCES (i.e. - NOT 100% EFFECTIVE AND GETS FALSE POSITIVES):

    ---

    The sorry state of Avira anti-virus heuristics:

    http://grack.com/blog/2010/03/17/the-sorry-state-of-avira-anti-virus-heuristics/

    PERTINENT QUOTE/EXCERPT:

    "Considering that the risk of false positives is so high (and users might be trained to ignore other, potentially valid virus warnings), I'd say that users are worse off with this virus definition than they are without."

    ---

    (As "1 example thereof", because the very word "HEURISTICS" equates basically to hairyfeet's very bitch here - guesstimation technology really, in that it uses "does it smell/taste/look like a duck" type tech, & it makes mistakes... period, see above!)

    You're "shot down in flames", yet again, hairyfeet... TOO easily!

    Oh, lastly: One thing my HOSTS file does, is protect me, FOR SURE, vs. 920,259 KNOWN BAD WEBSITES (because if I cannot reach them? I cannot get infected by them - period!) , so who is better layered security protected here? Myself, using such layered security measures, OR YOU, w/out them?

    APK

    P.S.=> Heuristics can't save you here either, as it's NOT 100% perfect, and it also causes hassles in & of itself, @ times, also... apk

  69. Re:Good Riddence! by PCM2 · · Score: 1

    My DSLR seems to distort colors a little bit. Exposures tend to come out very much on the warm side. And you know what? I kind of like that look. I use a fast lens (the Canon 50mm f1.4) to shoot a lot of pictures under natural lighting, which often means strange lighting. To go in and play with it too much after the fact seems like it defeats the purpose. I like what I get out of it. The one exception, though, is that my Canon does seem to introduce a lot of chromatic and luminance distortion at high ISOs. Lightroom seems to do a good job of correcting for that.

    --
    Breakfast served all day!