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Is 'Fair Use' Unfair To Humans?

An anonymous reader writes "This article in Wired advances the idea that humans are losing the copyright battle against machines because the fair use laws are tilted against them. The writer wanted to include photos in his book, but the licensing fees were too high. The aggregators, though, like Google, are building their own content by scraping all of the photos they can find. If anyone complains, they just say, 'Fill out a DMCA form.' Can humans compete against the machines? Should humans be able to use the DMCA to avoid copyright fees too? Should web sites be able to shrug and say, 'Hey, we just scraped it?'"

259 comments

  1. Image metadata is the answer by Anonymous Coward · · Score: 1

    Can we get a robots.txt for images?

    1. Re:Image metadata is the answer by JMJimmy · · Score: 5, Insightful

      This and it's backwards - humans are losing out to copyright. Copyright is the entirety of the problem not fair use.

      Yes I believe people should be able to recoup their invested time/money and some form of copy protection is needed for that but the current laws are doing it to the detriment of society.

    2. Re:Image metadata is the answer by Anonymous Coward · · Score: 1

      User-agent: *
      Disallow: /images/

    3. Re:Image metadata is the answer by poetmatt · · Score: 5, Insightful

      This is it, in a nutshell.

      Copyright as it is wielded today for *most* uses is a net loss to society. Look at book copyright, movie copyright, music copyright. The only thing that has come out of copyright from them is recycling of old media, nothing creative, nothing to promote progress of the arts, and no benefit to society. We've actually lost a ton of history due to excessive copyright - and those with a vested interest would love to keep it that way.

    4. Re:Image metadata is the answer by peterwayner · · Score: 3, Insightful

      While I agree that some history is locked away in books that can't be copied, I think that many, many writers and artists are only able to devote time to their work because copyright allows them to charge for access to their work. All of the new books at my store-- including plenty of non-fiction-- is protected by copyright.

      The only counter-example I can think of is the Wikipedia. While it is quite good, it has a strange reliance on copyrighted work. It requires all information to be based upon a citation to a real publication-- a publication that's usually protected by copyright.

    5. Re:Image metadata is the answer by ShanghaiBill · · Score: 5, Interesting

      The only counter-example I can think of is the Wikipedia.

      Wikipedia is copyrighted. Creative Commons is not the same as public domain.

      Copyright is not evil in principle (authors/artists need to earn a living). But the way it is applied and retroactively extended far beyond the lifetime of the creator is not reasonable. We should have clear rules for "fair use", and a sensible duration of, say, twenty years. One proposal I like is to have a "copyright tax". An artist would automatically get, say, a ten year copyright, and after that would have to pay an increasing annual fee to maintain the copyright. If you want the government to enforce your monopoly, then you should pay for that.

    6. Re:Image metadata is the answer by lgw · · Score: 2

      So you want extended copyright for Disney, but not for mid-tier authors? That sounds backwards to me.

      I think instead we need a hard look at mandatory licensing for derivative works. If my youtube video of humorous cats using your 10+ year-old music somehow makes money for someone (me or youtube), then that someone should owe you a percentage (and require attribution), but let's end take-downs for 10+ year old works.
       

      --
      Socialism: a lie told by totalitarians and believed by fools.
    7. Re:Image metadata is the answer by Anonymous Coward · · Score: 0

      This and it's backwards - humans are losing out to copyright. Copyright is the entirety of the problem not fair use.

      Yes I believe people should be able to recoup their invested time/money and some form of copy protection is needed for that but the current laws are doing it to the detriment of society.

      It is my opinion that if you create something, a tangible item, then you should be able to copy write/own that item and collect on it and no one else can make a profit from it but if someone wants to take your idea and improve on it or use it as part of their product or solution then they should have the right to do it as long as they give credit when due. This concept of constantly suing people or taking them to court over the argument that something performs a similar task/chore or looks closely to the original is what is killing everything. When start ups are being knocked down by patent holders before they can even start to be truly innovative we will never truly see progress in technology or society.

      If you can't evolve and improve on an idea then let someone else do it.

    8. Re:Image metadata is the answer by Anonymous Coward · · Score: 0

      Then why are most writers struggling financially?

    9. Re:Image metadata is the answer by camperdave · · Score: 4, Interesting

      The idea of the increasing annual fee to maintain copyrights goes like this: For the first year of copyright protection, the cost is $1. For each subsequent year, the cost doubles: year 2 is $2, year 3 is $4, year 4 is $8, and so on. Year 11 would be $1024. Year 21 would be $1,048,576. By year 31, it would cost over a billion dollars to maintain a copyright. Disney's only advantage is that it has deep pockets. So if the copyright maintenance fee doubled every year, they could keep the copyrights going for a couple of years more than the average Joe. On the flip side, they also have scazillions of copyrights to maintain.

      --
      When our name is on the back of your car, we're behind you all the way!
    10. Re:Image metadata is the answer by s0nicfreak · · Score: 1

      But charging for access doesn't work anymore in today's world, since books, music, and software can easily be copied by anyone (with no expense to the copier). Once one person has it, you have actually lost control of who can copy it - not legal control, but control in reality. Fighting against this fact just ensures fewer people will access your work.

      Even free things are copyrighted, by the way.

    11. Re:Image metadata is the answer by Sique · · Score: 1
      Wikipedia is agnostic about the copyrights of the sources it's based on. It's only important that the sources exist, and that they are at least in theory attendable. Wikipeda does not want to be a site of original research, because that would make the respective articles unmaintenable for people not involved in the actual research, as they don't have anything to relay on if there are questions arising.

      Wikipedia always has to expect the maintainer of a site to disappear - losing interest or losing internet or losing his life. Then it needs someone capable of replacing the maintainer, and if an article is either too special-interest, or it is original research by the first maintainer, then no one will be able to replace him, making the article in question unmaintenable and thus dead wood, becoming increasingly inaccurate and outdated. This has nothing to do with any copyrights.

      --
      .sig: Sique *sigh*
    12. Re:Image metadata is the answer by lister+king+of+smeg · · Score: 1

      What about authors like Corry Doctrow that give away their books under a creative commons license, or randel monroe author of the often (obligatorily) quoted web comic XKCD who again licenses his works under a creative commons license. Or the bean free ebooks while maybe not under creative commons or public domain are giving away the books. I could probably think of more example but these were the first one that immediately poped into my head for writing but if you were to include all creative works there is the entire open source software industry.

      --
      ---Saying gnome 3 is better than windows 8 not so much a compliment as it is damning with light praise.
    13. Re:Image metadata is the answer by sjames · · Score: 3, Insightful

      Some of history WAS locked away in books that couldn't be copied, then the last copies were destroyed. Same has happened to film and audio recordings.

      That doesn't necessarily mean abolishing copyright is the right answer. It should be shortened. It could have a publish or perish clause. It could have broader exceptions. It could have realistic penalties. It might even have strings attached to assure that once expired, the work does enter the public domain with DRM stripped. It could certainly stand to be clarified soi that copyright and the DMCA can't be used to lock out 3rd party ink and toner (for example) using a ROM as a flimsy excuse.

      Do ALL of that and you leave artists still able to benefit from their work but do a lot less damage to society and culture in the process.

    14. Re:Image metadata is the answer by buchner.johannes · · Score: 1

      Yes I believe people should be able to recoup their invested time/money and some form of copy protection is needed for that but the current laws are doing it to the detriment of society.

      Copyright as it is wielded today for *most* uses is a net loss to society.

      Copyright is not evil in principle (authors/artists need to earn a living).

      I agree. *Of course* copyright is a net loss to society. Because it is meant to strike a balance between the financial success of individuals and the benefit to society.
      You can do that in other ways. But complaining that copyright doesn't do best for people who don't create is like ... demanding to be admitted to cinemas for free because they are playing the movie anyways.

      --
      NB: The message above might reflect my opinion right now, but not necessarily tomorrow or next year.
    15. Re:Image metadata is the answer by ShanghaiBill · · Score: 1

      like ... demanding to be admitted to cinemas for free because they are playing the movie anyways.

      You are being myopic. This is a perfectly valid argument. The movie is playing anyway, and it costs nothing to admit people that cannot afford a ticket. There are better ways to compensate authors and artists than through government enforced artificial scarcity.

    16. Re:Image metadata is the answer by lgw · · Score: 2

      Yes, I get it - it just seems like it's solving a problem no one has. What's needed today is a clear legal way to automatically license works still under copyright, not a way to cut off revenue to creators (especially not less popular, non-corporate creators). No one should be getting takedowns for fanfic, mashups, mixtapes, cat videos, or videos of themselves trying to play a work, even if that work is still under copyright.

      It's not about making copyright shorter, it's about making it less restrictive - especially in the case where someone is making money off of the derivative work (as Youtube does from ads) , but not very much money. Make sure the original creator gets attribution; make sure he gets a cut of whatever money; put and end to takedowns.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    17. Re:Image metadata is the answer by bmo · · Score: 2

      I think that many, many writers and artists are only able to devote time to their work because copyright allows them to charge for access to their work

      Because deceased authors are always putting out more new works since we've extended copyright past the natural lifetime of the author and not at all for rent-seeking by the heirs/descendents/scumbags.

      Right?

      --
      BMO

        As a general rule, for works created after January 1, 1978, copyright protection lasts for the life of the author plus an additional 70 years.

      http://www.copyright.gov/help/faq/faq-duration.html

    18. Re:Image metadata is the answer by Anonymous Coward · · Score: 0

      Everything's a copy of a copy of a copy.

      -FC

    19. Re:Image metadata is the answer by Arker · · Score: 2

      Good post, but..

      "Copyright is not evil in principle (authors/artists need to earn a living)"

      On the surface you are right, but this sentence is loaded the wrong way. There is a false implication here - that one must have copyright in order for authors and artists to make a living. This is demonstrably false.

      Copyright IS "evil" to some degree though that's not the word I would have chosen (a little more loading) it fundamentally boils down to a violation of the fundamental liberty of a person to use their own property. If you have purchased a copier, and you have purchased a book as well, and you wish to run that book through the copier, there is no one else involved here from a strict natural rights perspective, it's you disposing of your property as you see fit, period.

      BUT it was nonetheless accepted as providing society with enough benefit to justify that evil, by encouraging more authors and artists to complete their works and get them printed and distributed than might otherwise do so. Our founders valued the book enough to give up fundamental rights that they risked their lives to secure, in the hopes of creating a country with more books on its shelves. I am not at all sure they were wrong.

      But originally you got copyright for a limited time, fair use was interpreted pretty liberally, and it actually required you to donate a couple copies of the book to the library of congress! to make sure that after the thing went out of print it would still be available for study by future generations.

      Copyright as interpreted and applied today is a far cry from that deal. A far, far cry.

      And patents are even worse.

      --
      =-=-=-=-=-=-=-=-=-=-=-=-=-=-
      Friends don't let friends enable ecmascript.
    20. Re:Image metadata is the answer by volmtech · · Score: 1

      Seriously? What do I or anyone "lose" if we can't copy a photo of a building or a drawing of a mouse? Patents, on the other hand, while not diminishing society can greatly restrict growth. A cure for cancer that few can afford, a more efficient power source kept off the market, patents can greatly affect my life, drawings of mice, not so much.

    21. Re:Image metadata is the answer by fido_dogstoyevsky · · Score: 2

      While I agree that some history is locked away in books that can't be copied, I think that many, many writers and artists are only able to devote time to their work because copyright allows them to charge for access to their work. All of the new books at my store-- including plenty of non-fiction-- is protected by copyright...

      Tolkien's work is protected by copyright, but he doesn't seem to be devoting much time to anything new.

      --
      It's NOT a conspiracy... it's a plot.
    22. Re:Image metadata is the answer by pantaril · · Score: 1

      Copyright is not evil in principle (authors/artists need to earn a living).

      Copyright is evil in principle. Without copyright, all of human public knowledge and culture would be available to anyone on the planet with connection to the internet.
      Without copyright, managing, sorting, backing up and distributing our intelectual property would be much easier. Everyone could do it for example in distributed/peer-to-peer way.
      Without copyright, creation of translations and other related works would be much easier.
      Without copyright, artists and other creators would not need to be in conflict with their own interests. On one hand, they want their creation to be spread to as many people as possible. On the other hand, they artificaly restrict sharing of their works because of copyright.
      I can go on but i hope i made my point that copyright is very harmfull in digital world.

      That doesn't mean that authors and artists don't need to earn living. Supporting creation of intelectual property doesn't need to be tied to distribution restrictions! We need to introduce different government regulation which would ensure enough money for creators, which would ensure fair distribution of such money between them and which would not introduce artificial restrictions in distribution of content. Such schemes are surely possible with current technologies, unfortunately there is no will to introduce them. I guess it will take more time for the copyright to crumble under its own weight and ineffectiveness.

    23. Re:Image metadata is the answer by TheRaven64 · · Score: 3, Insightful

      This makes sense to me. According to my publisher, the vast majority of the profit from any new book is made in the first three years. There are a few outliers, but these are the ones where both the publisher and author made so much money in the first three years that they'd still have a huge incentive to bring it to market even if they lost copyright after three years. If you're still making more than a token sum on any book (or piece of music or film) after 7-10 years, it was truly exceptional and you've already raked in a huge pile of cash.

      There are some problems with this approach though, such as how do you deal with incremental changes? There are some FreeBSD source files that I've modified that still have original Berkeley copyrights going back to the early '80s. Would I need to pay several billion to copyright my changes, or would my changes be copyrighted separately and I'd only pay $1 (and would I pay $1 for FreeBSD, or $1 for each one of the several hundred source files I've modified)? If it's the latter, then it becomes very difficult for some third party to work out which parts of a file have lapsed copyright and which still have valid copyright.

      --
      I am TheRaven on Soylent News
    24. Re:Image metadata is the answer by TheRaven64 · · Score: 1

      I agree. *Of course* copyright is a net loss to society. Because it is meant to strike a balance between the financial success of individuals and the benefit to society.

      No it isn't. It's supposed to strike a balance between benefit to society because creative works exist and balance to society because creative works are available to all. It grants individuals a temporary exclusive distribution license because that was seen as a good way of promoting the first objective, which is a prerequisite of the second (if no one is creating new works then that's a problem), but the financial success of individuals is a means that copyright uses, not a goal of copyright.

      --
      I am TheRaven on Soylent News
    25. Re:Image metadata is the answer by poetmatt · · Score: 1

      you can get paid for your work with or without copyright. how do people fail to understand this?

    26. Re:Image metadata is the answer by Anonymous Coward · · Score: 1

      "a problem no one has"

      This is a problem many people have.
      It would solve the orphaned works problem because ownership of the copyright would be tracked by whoever was paying.
      Fewer culturally relevant works would become inaccessible. Think of the old Loony Toons that have become politically incorrect, and Song of the South. If they wanted to keep it out of production they'd have to continually pay larger registration fees.
      Films, tv, music, books would all become remixable much faster. Have fun trying to track down the copyright holder from an old jazz song you want to sample with the current system.

      This wouldn't solve all problems, but it would help with a good number.

    27. Re:Image metadata is the answer by FuzzNugget · · Score: 1

      Amazingly, it has a profoundly simple solution: apply copyright only to *commercial* usages, the way originally functioned and was intended to be.

      Having copyright apply to everyone is like requiring everyone to give all of personal transactions oversight by the SEC. Borrow $10 for lunch? Bet a fiver with your buddy over tonight's game? Birthday gifts for your kids? Gotta register and report it!

      *That* is how absurd and asinine it is to apply copyright to personal use.

    28. Re:Image metadata is the answer by lgw · · Score: 1

      Heh, it's easy to track the owner of any work - publish and see who sues you. But you missed by point - with some sort of mandatory licensing scheme, you wouldn't care. If done correctly, you could just put some statuatory amount into escrow if you didn't know the IP owner, and get on with life.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    29. Re:Image metadata is the answer by cmurf · · Score: 1

      The argument for death + 70 years is that the copyright is a kind of property subject to inheritance. So the author can give a piece of the pie to his kids (or whomever).

      Some people simply see copyright as an inhibitor to doing what they want, which is being entertained by or benefiting from other people's hard work without having to compensate them at all for it. There is a problem of orphan works that needs to be better dealt with. And technology still doesn't do a good job of preserving copyright and author metadata when content is converted to various formats (uploaded, downloaded, modified, reuploaded), especially with derivative works where multiple copyrights are attached. This is important because the original author has the right, and therefore should have an immutable ability, to unambiguously define the licensing.

    30. Re:Image metadata is the answer by sjames · · Score: 1

      Why should the author have the right to define the licensing? Copyright is a grant by society, not a God given natural right. I cabn agree that the author should have some say in the matter, but not cart blanch.

      A better approach might be a specific length of time with no consideration of death. Why should a person's longevity play a role in the bargain? Surely we don't want people wishing the author would hurry up and die so we can start the clock?

    31. Re:Image metadata is the answer by cmurf · · Score: 1

      This and the prior comment are just patently absurd, not least of which is that it makes assertions without backing them up at all. The "only" thing that has come from copyright is recycling? There's nothing new or beneficial? It's objectively stupid, all you have to do is use scholar.google.com and you're see piles of new research - all of which is copyrighted. We've lost history due to copyright? What history? Provide examples. Provide evidence. Copyright doesn't apply to works published prior to 1923, so you're talking about lost history since 1923?

    32. Re: Image metadata is the answer by Anonymous Coward · · Score: 0

      If no one else can, some authors association will. Look at what happened to Google.

    33. Re:Image metadata is the answer by romons · · Score: 1

      Copyright is 'good for society' in the sense that it allows creative people to benefit from their creativity, which causes more creative works to be produced. Not every creative work is intended to be commercially viable, but most are, and without some protection, these works would not be made.

      --
      Go to Heaven for the climate, Hell for the company -- Mark Twain
    34. Re: Image metadata is the answer by camperdave · · Score: 1

      Look at what happened to Google.

      As far as I can tell they became a multinational corporation with a net worth of over $200billion.

      --
      When our name is on the back of your car, we're behind you all the way!
    35. Re:Image metadata is the answer by cmurf · · Score: 1

      The author should have the right to define the licensing just like any labor worker should have the right to define the terms of their employment. If the person/company buying doesn't like the terms, simple, it's no deal. The labor worker or author can either reduce their price or otherwise soften the terms, or walk away to find another buyer. You're saying that there should be a fixed deal, no negotiation allowed, by taking the ideas of authors as if society has some right to them. Well it doesn't. Just like society doesn't have the right to tell a labor worker he can't negotiate for a raise, or walk.

      It's common in art to have completely different selling prices for various members of an edition print. Typically the first ones are less expensive, and they get more expensive - for exactly the same copy of the limited edition run. Again, you're proposing that's crap, the artist has no such right, it should be a fixed price for each copy. And further you're proposing that that all artists should sell at the same price, only differing in how many pieces they sell - more popular artists sell more and thus make more. Well that isn't how that market works, at all.

      And then you top it off by saying the author's possibly only source of income should be shut off based on an arbitrary length of time, possibly before they die. Yet someone with shares of stock can die and give those to their kids. You've basically arguing for pillaging the property rights of only authors and artists, while everyone else gets to collect interest for their whole life on savings and other assets, and dispose of them however they wish. You simply don't recognize copyrighted works as being property.

    36. Re:Image metadata is the answer by sjames · · Score: 2

      Laborers don't license anything. They agree to work for X conditions, then they work and get paid. The product of that work is the sole property of the employer. The ditch digger has no further rights in the ditch he dug once he is paid. he cannot contest the sale of the property and he cannot demand to be paid again if the ditch is expanded upon or used for something other than rainwater.

      I'm saying the artist only has limited latitude. For example, the first sale doctrine says he cannot block future re-sales. (Yes, I strenuously object to EULAS when they deny first sale). He cannot say it can't be sold to a Jew at any price. He can't say you may never eat in front of it.

      You know what happens when the ditch digger stops digging? He stops being paid. He doesn't get to dig once and then collect money in perpetuity no matter how many people admire the ditch and use it daily. If he wants more pay, he'd better dig more ditches.

      Once you cast something to the world, it is the worlds. It can be repeated endlessly without diminishing the original. I am willing to grant authors a special privilege over that which they cast into the world in the hopes that they'll cast more, but that is all. if they don't like the deal, they don't have to play. That is all copyright has ever been or was ever intended to be.The artist can invest the royalties he earns while the copyright lasts and pass that on to his kids all he wants. he can even do that by buying stock.

    37. Re:Image metadata is the answer by cmurf · · Score: 1

      You've only exposed a great deficiency of capitalism's exploitation of workers. This is particularly exposed with a product that requires a lot of labor, and a product that also has a long life span. Syndicalism produces a more fair outcome in this case. But regardless you appear to recognize that the laborer has a right to demand X in exchange for Y, effectively without any limitation. And yet you don't extend that same right to define terms to authors and artists, you appear to want them to subsidize that entertainment artery as if it's your right to get free or cheap good entertainment. And I'm saying GFY.

      What you propose incentivizes me as an author to not write anything anymore, but to choose another line of work. Already, in both fiction and non-fiction, the good authors are being squeezed out. There's increasing amounts of cheap crap, and there's expensive really good to excellent work. But there's decreasing amounts of just plain good. So good luck getting your fix off the cheap crap out there, while you pine away thinking of ways to screw over the really good to excellent work.

    38. Re:Image metadata is the answer by sjames · · Score: 1

      And I'm saying GFY.

      Be my guest. Lock your precious IP away in a vault and leave it to rot. Nobody cares. You want us to kiss your ass forever just to read your drivel>? I think not.

      You obviously didn't read what I wrote very clearly if you think I suggested anywhere that no-limitation is appropriate.

    39. Re:Image metadata is the answer by redlemming · · Score: 1

      More to the point, the copyright laws need to be simple and straightforward, and not interfere with reasonable conduct.

      All to often laws are unclear, contradictory, or excessively complex, leading to the presumption that the law was written in that fashion by legal professionals to create long term business for their profession. Similarly, the laws are often written in such a manner as to require one to file a law suit, or engage in complicated and time consuming procedures, or write a legal contract in order to benefit from the law, all of which creates business for the legal profession.

      As with any business, people in the law business recognize that if one can create an artificial demand for their product, then, the supply being relatively inelastic, that automatically increases the money they make (a point that is all to often ignored when people consider the laws and the legal system).

      The right to ethical practice of law, and to ethical government, must ultimately supersede the right of content creators to make a living. Only if the copyright laws can be written in such a manner as to coexist with ethical practice of law (and I believe this is possible, but certainly not what we have at present) can they be allowed to exist.

      Further, giving content creators a reasonable chance to prosper from their creativity is a very different thing from attempting to maximize their profits. Laws that attempt to do the first thing are much more likely to meet reasonable standards of what governments can legitimately do than laws that attempt the second. We have far too many examples of abuse of fundamental rights by the government and the legal system abuse as things stand today, without adding to the problem.

      There is also a need to insure that content creators have some protection from abuse by those with greater bargaining power. All to often the basic assumption of contract law, namely that bargains are created between two relatively equal parties, each free to walk away from the contract, is not in fact how things work.

    40. Re:Image metadata is the answer by cmurf · · Score: 1

      Now you''re coming around to my way of thinking in the first paragraph. Absolutely author's should have the right to so outprice their writings that they effectively stagnate, they make no money, and no one will know or care. But that wasn't your original position.

      Every email you've written has copyright attached. It's illegal for anyone to copy and distribution without your permission. Consider it this way, using your prior rationalization (and others, I'm not just picking on you) your copyright on everything you've ever written, should expire and become public domain. All of your emails, documents, presentations, anything, would be fair game for data mining, duplicating intact, or even becoming the basis of a story that ends up selling a million copies of something - but you'd get nothing. And you'd have no control to prevent it once your copyright expires.

    41. Re:Image metadata is the answer by sjames · · Score: 1

      You're trying to twist what I said. I mean it literally. Don't like the restricted copyright? Don't release it at all. Don't even offer it (or God forbid, some nut might actually buy a copy and then you'll have to live with copyright).

    42. Re:Image metadata is the answer by cmurf · · Score: 1

      Fortunately, neither you nor Slashdotters in this thread are making copyright law. Your proposal is not merely uncompelling, it's completely stupid, and therefore not a single author or artist has any incentive to agree to it. Apparently you prefer the approach to copyright in China which is: we the people without creativity or skills own every idea of every individual, we do not thank the creative individual for their imagination or ingenuity; authors and artists, GO FUCK YOURSELVES while we steal your awesome shit.

      You don't want to pay $20 for a movie, album, or a book, let alone send $20 to a Congress critter suggesting an easier way to legally pillage from authors and artists. You're contributing nothing, yet demanding "GIMME!"

    43. Re:Image metadata is the answer by sjames · · Score: 1

      As long as we're making assumptions, you're just a greedy bastard. You imagine that you're Magnum Opus (with not one line written yet) will be such an incredible best seller that every person, dog, and hamster on the planet will buy two copies just because. You want to make sure that this becomes a fount of infinite money forever so your great to the eighth power grandkids can have you resurrected again as an instant bazilionaire.

      Alas, the Magnum Opus is not yet written and you would only have a copyright for a maximum of death + 70, so you rage impotently on /. instead, certain that if we'd only grant you infinite copyright in advance we'd finally understand that Jesus ain't got nothin' on you.

      Alas, it ain't so. You also have no idea what I do or don't pay for anything. Perhaps I just think it's indecent the way lawyers beat up little girls for their lunch money because they dared to sing "Happy Birthday".

    44. Re:Image metadata is the answer by alexo · · Score: 1

      I believe people should be able to recoup their invested time/money and some form of copy protection is needed for that but the current laws are doing it to the detriment of society.

      And I believe that the idea of copyright itself is a detriment to society.
      A doctor, an electrician, a plumber, a firefighter -- neither of them holds any kind of monopoly over their work.
      If content creator cannot secure compensation for his efforts then he should look for a different kind of work.
      And before you say that no new content will be created without monopolistic protection, I submit that quite a lot of it was in fact created before the advent of copyright.

    45. Re:Image metadata is the answer by JMJimmy · · Score: 1

      In terms of individual artists I think you're absolutely correct. Music artists by example can make a very good living doing just concerts and record labels are really an outdated concept as they're not much more than marketing firms who take a much larger % than they ought to.

      In terms of corporations investing millions of dollars to fund a project it's a little harder to recoup those costs. A low budget film these days costs over a million, sub-million dollar movies are now considered "micro" budgets. There needs to be a way to serve both interests without making the consumer a target for litigation/jail/internet cutoff.

    46. Re:Image metadata is the answer by alexo · · Score: 1

      In terms of corporations investing millions of dollars to fund a project it's a little harder to recoup those costs. A low budget film these days costs over a million, sub-million dollar movies are now considered "micro" budgets. There needs to be a way to serve both interests without making the consumer a target for litigation/jail/internet cutoff.

      No, there isn't. A corporation does not have an inherent right to make a profit.

      That said, the experience of watching a movie on a big theater screen is not easily duplicated at home.

    47. Re:Image metadata is the answer by JMJimmy · · Score: 1

      In terms of corporations investing millions of dollars to fund a project it's a little harder to recoup those costs. A low budget film these days costs over a million, sub-million dollar movies are now considered "micro" budgets. There needs to be a way to serve both interests without making the consumer a target for litigation/jail/internet cutoff.

      No, there isn't. A corporation does not have an inherent right to make a profit.

      That said, the experience of watching a movie on a big theater screen is not easily duplicated at home.

      Actually they do. They don't have a guarantee of profit, but they do have the right to make one. Personally I prefer the home experience - no jerks talking/on their cell phones/out of focus images/bad speakers/crap on the screen/glow of closed captioning light/commercials/overpriced crappy junk food/parking/line waiting/etc

  2. Sure. by Anonymous Coward · · Score: 0

    If you are willing to remove the offending photos from the books in circulation!

    1. Re: Sure. by Anonymous Coward · · Score: 0

      Only if you remove all downloaded copies first!

  3. Copyright itself is problematic for technology by intermodal · · Score: 5, Insightful

    In today's age of machines that exist almost exclusively to copy and fiddle about with data, the concept of copyright is quaint and outdated. Gone are the obstacles to distribution and duplication that existed in days gone by, and as the past decade or two has shown us, dropping copyright as a concept will do nothing to deter people from creating new works, only remove the incentive for people to create static media for a living.

    I fully recognize the benefits that copyrighted works have provided for us in the past, and the incentive it provides for new creation. However, I'm not sure copyright deserves to survive in today's technological world when it does as much to deter creation and innovation as it does to foster it.

    --
    In SOVIET RUSSIA... erm...NSA AMERICA, the Internet logs onto YOU!
    1. Re:Copyright itself is problematic for technology by alen · · Score: 1

      so what content have machines created all on their own?

    2. Re:Copyright itself is problematic for technology by JMJimmy · · Score: 1

      http://vimeo.com/68859229 eDavid - nuff said.

    3. Re:Copyright itself is problematic for technology by i+kan+reed · · Score: 1
    4. Re:Copyright itself is problematic for technology by bill_mcgonigle · · Score: 4, Informative

      However, I'm not sure copyright deserves to survive in today's technological world when it does as much to deter creation and innovation as it does to foster it.

      Right, the unfairness that this guy is talking about is for the book authors, and his suggestion is less freedom for the web authors. Classic mistake.

      Copyright itself is less than 500 years old - a response to the technology of the printing press (along with some misguided economic thinking in the 1600's - Adam Smith hadn't even published yet), and given our means of mass-communication today, we've moved past it. Technology changes, and the rules of the game need to change along with it.

      For the US, it should have been obvious to the framers that taking away the property rights of (Everybody - 1) for the sake of some "rights" to imaginary property for one person was an error, but at least they had the idea that it should be only for real people and only for a short time, if it was at all. Madison massively underestimated the ways that people will twist a well-intentioned but flawed system for their own sociopathic benefit. That "limited times to an author" can be held to mean "for a corporation, a century after an author's death" should be evidence enough that the mechanism has failed.

      He rightly says:

      As a creative worker, I understood sharing with the photographers

      But from that assumption he ought to conclude that creative workers will reward other creative workers because they're decent people, not because somebody has a gun to their head forcing them to do so. The 4% of people who will freeload are not worth imposing tyranny on the other 96% so that a corporation can profit from Transformers 3 in the year 2149.

      Another gem:

      In other words, the machine isnâ(TM)t just a dumb hunk of silicon: It's a living creator.

      And I thought copyright was an out-there fantasy. The author is right to raise the issue of unfairness, but more unfairness isn't the solution.

      --
      My God, it's Full of Source!
      OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
    5. Re:Copyright itself is problematic for technology by Darinbob · · Score: 1

      So you're saying static media is outdated and deserves to die a painful death?

    6. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 4, Funny

      Getting rid of copyright only helps the very same megacorps that Slashdot whines about. Why would any of the MPAA/RIAA member companies, for example, need to pay any royalties to their artists when they could just swipe the work for themselves and be done with it? The only reason they pay artists anything is due copyright law.

    7. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      I'm going to go ahead and declare this +1 Funny. If AC is serious, I'm not following the logic. A cut of a royalty of 0 is still 0.

      --
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    8. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      It's not what I said, but it's an intriguing theory. I see no reason why in a copyright-free world a person could not take a work and rework it to suit their desires, needs, or whims and share it with anyone they pleased.

      --
      In SOVIET RUSSIA... erm...NSA AMERICA, the Internet logs onto YOU!
    9. Re:Copyright itself is problematic for technology by Frosty+Piss · · Score: 1

      Nuff said?

      Yes, Photoshop has algorithms that will generate an image based on an original. Maybe not as "random" as this example you give, but even in your example, the computer is "fed" an original image, and simply (or complexly) maks another image base on an algorithm.

      Sure, this latest computer algorithm is a little sweeter than Photoshop's various filters, but it is none the less simple a computer program that passes an existing image through a set of instructions.

      --
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    10. Re:Copyright itself is problematic for technology by JMJimmy · · Score: 1

      So it needs to be fed an image? Our eyes feed images to our brain to process/interpret/etc

      Can a blind person paint an image they've never heard described/touched/etc? Is what they paint random or inspired by the input they've received?

      The point is that it can take input and paint the same thing over and over without it being identical twice. The next logical step would be to add in a database of images/techniques and an algorithm that would allow it to create interpretations based on what it's observed in it's database.

    11. Re:Copyright itself is problematic for technology by Type44Q · · Score: 4, Interesting

      For the US, it should have been obvious to the framers that taking away the property rights of (Everybody - 1) for the sake of some "rights" to imaginary property for one person was an error, but at least they had the idea that it should be only for real people and only for a short time, if it was at all.

      Not re: copyright per se but entirely relevant nonetheless:

      "Accordingly, it is a fact, as far as I am informed, that England was, until we copied her, the only country on earth which ever, by a general law, gave a legal right to the exclusive use of an idea. In some other countries it is sometimes done, in a great case, and by a special and personal act, but, generally speaking, other nations have thought that these monopolies produce more embarrassment than advantage to society; and it may be observed that the nations which refuse monopolies of invention, are as fruitful as England in new and useful devices."

      - Thomas Jefferson

    12. Re:Copyright itself is problematic for technology by jellomizer · · Score: 2

      The problem we have now is trying to make personal creativity profitable again.

      The Copyrights and Patents were the way to solve the problem historically. The person was creative and made something they had rights to the idea. This was all fine and good because printing information or making stuff was hard, and we needed a lot of capital do such. So the creative person gets paid by the idea with the price built into the cost of producing.

      The cost to produce has gotten cheaper and easier, and all we need is a digital copy of the idea and we are good to go. Supply and Demand economics has broken down. Supply has reached such a high number, that demand doesn't matter anymore, thus the cost for the information is near 0.

      Copyrights and Patents and other legal stuff is a way to create an artificial price. However when natural Supply and Demand and price don't mix we get black market, the more black market for the amount of the price is off. Hence piracy.

      We have a problem now. Creative Professionals needs to make a living, however the price of their ideas have reached free. So we need to really think of how to reward creative professionals.
      Right now we have Advertising (Add banners and popups), Begging (Asking for donation), and trying to sell a physical product that people still cannot make themselves (Quality t-Shirts, posters, toys...), sell services to support the original idea (Consulting services, concert tours...).

      We hate adds, Begging (asking for donations) doesn't work if you idea while valuable isn't popular enough, selling a physical product doesn't always work there are only so many t-shirts. and people don't always need support for the original idea.

      If Creative professionals are not getting the funding they need to survive they will work in less meaningful ways where their jobs will be replaced by computers and robots soon.

      --
      If something is so important that you feel the need to post it on the internet... It probably isn't that important.
    13. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      What's funny about megacorps being the only winners when it comes to copyright being abolished?

      A cut of a royalty of 0 is still 0.

      Except they are not paid 0. Repeating a falsehood over and over does not make it a fact.

    14. Re:Copyright itself is problematic for technology by peterwayner · · Score: 1

      Well, then what is the solution? How would you pay the authors, musicians and photographers? Or will they need to get day jobs to fund the work while the aggregators get rich?

    15. Re:Copyright itself is problematic for technology by sycodon · · Score: 1

      I'm trying to think of where our education went wrong to the point that people like you think you should get free stuff just because it's easy to do.

      If Ansel Adams were alive today, you would deny him the right to profit from his efforts just because it's easy for you to copy photos.

      You don't see anything wrong with that?

      --
      When Fascism comes to America, it will call itself Anti-Fascism, and tell you to give up your guns.
    16. Re:Copyright itself is problematic for technology by Feyshtey · · Score: 1

      So how does a creator put food on his or her table if anyone and everyone can copy what as little as one person paid for?

      --
      "But we have to pass the bill so that you can find out what is in it,..." - Nancy Pelosi
    17. Re:Copyright itself is problematic for technology by Reverand+Dave · · Score: 1

      Holy fuck steaks, this is the most ridiculous thing I've read all day, and I've been to 4chan.

      --
      I got here through a series of tubes
    18. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      I like the way you broke it down into supply and demand. I guess that's kind of where I was going but never really broke it down to that point. You're right, the supply is as close to infinite as it can get, confined only by storage limitations. Pretty much renders demand moot, especially in a context where files can be quickly and easily transferred not only in a linear fashion, but in an explosive way as found in p2p technology, where one would not even be getting the file from one single person anymore. I can't say much about traditional bittorrent, but if there's one thing my personal use of btsync to keep my own files synchronized has shown me, it's that the way distribution scales with volunteer hosts is something that would have been unthinkable just a few decades ago, when vinyl records were the norm and lossy cassette dubs were routinely accepted by the music industry.

      --
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    19. Re:Copyright itself is problematic for technology by jez9999 · · Score: 1

      Creative Professionals needs to make a living, however the price of their ideas have reached free. So we need to really think of how to reward creative professionals.

      Or we need to ask whether our society does indeed owe a living to "creative professionals".

    20. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      Performance fees. Presumably photographers can act our their works through some sort of pantomime.

    21. Re:Copyright itself is problematic for technology by Feyshtey · · Score: 1

      If I make a digital painting and put it up for sale, any company could take the concept, reproduce it, and mass distribute it for sale. Myself as an individual have no ability to mass produce it or distribute it. I dont have the industry or manpower behind me. Another company could compete with the first, yes. But if there is no protection for any created work it ensures that he who is already wealthy and powerful can profit most from any creative work without putting a dime in the pocket of the creator.

      If you argue that everything boils down to "data" that exists on temporary storage, so copyright is irrelevant (as you have), then I ask this; Does no one buy posters? Mousepads? Refrigerator magnets? Coffee mugs? Your argument suggests that you live entirely in a digital box, wholly without material possessions beyond your computer. This is a valid choice for an individual, but it is at odds with a consumer driven market that dominates the US.

      --
      "But we have to pass the bill so that you can find out what is in it,..." - Nancy Pelosi
    22. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      Well, then what is the solution? How would you pay the authors, musicians and photographers?

      How would I pay them? Why would it be anyone's problem but their own? They have to find their own business models just like anyone else does! They're not entitled to government-enforced monopolies.

    23. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      I agree with much of what you're saying. However, modern copyright was not a response to the printing press. It was an outgrowth of censorship by the English royalty.

      http://en.wikipedia.org/wiki/Statute_of_Anne#background

    24. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      I'm not sure you understand this thread if you think record labels would control music distribution in a copyright-free world.

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    25. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      It's the creator's job to figure that out, not for me to figure it out for him. Having laws to protect a flawed business model is not something I can justify in such a manner.

      --
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    26. Re:Copyright itself is problematic for technology by iluvcapra · · Score: 1

      Search aggregators would control music distribution in a copyright-free world. iTunes and Pandora would be the new labels. Artists would host their music wherever they pleased, but you'd only know it existed if Google suggested it.

      --
      Don't blame me, I voted for Baltar.
    27. Re:Copyright itself is problematic for technology by ShanghaiBill · · Score: 1

      The problem we have now is trying to make personal creativity profitable again.

      Profit is not necessary to make people creative. Plenty of people play in garage bands. Others write, and give away, free software. Police arrest people for painting free murals on buildings, proof that people will continue to create even if we actively try to discourage it.

    28. Re:Copyright itself is problematic for technology by bill_mcgonigle · · Score: 2

      Great quote, thanks. No wonder they shipped him over to France while the Constitution was being forced through.

      --
      My God, it's Full of Source!
      OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
    29. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      If you're so worried someone else will profit from your digital painting, then don't make one. There are plenty of others who will still make some, and even if everybody stopped making digital paintings, the world will continue to exist as we know it.

      That's the underlying problem with IP laws, they're trying to protect "property" that's barely relevant to the continuing existence of society. Seriously, if all paintings and fridge magents disappeared tomorrow, there won't be any riots in the streets and nobody will die.

    30. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      I don't see anything wrong with that. What I do see something wrong with is the idea of criminalizing the distribution of information.

      Also note that Ansel Adams also at times had patrons. A traditional and successful means of ensuring continued works from an artist.

      I'm trying to think of where our education went wrong to the point where people like you think you can truly own an idea, and that others should be punished for enjoying that idea without cost.

      As Thomas Jefferson wrote to Issac McPherson on 13 August 1813, "He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me."

      --
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    31. Re:Copyright itself is problematic for technology by JudgeFurious · · Score: 1

      Nothing entitles people to be able to earn a living doing what they love. There's no guarantee that it will happen. Many of them will need to get a "day job" just as many do today. They can attempt to sell the products of their effort and if there's no market for it then they need another source of income. This also doesn't mean that book, songs, and pictures will cease to be created. It just means that the people doing it will be doing it most likely for "love of the game" and not the money.

      --
      Appended to the end of comments you post. 120 chars.
    32. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      You seem very stuck in the present. To believe that things would remain in the same specific hands we see today is nonsense.

      --
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    33. Re:Copyright itself is problematic for technology by peterwayner · · Score: 1

      Actually, the artists are allowed to have monopolies. It's in the constitution.

      But your use of the word "monopoly" is unfair because they don't enjoy monopolies in the classical sense of the word. If an author writes a book on the civil war, the author can't stop others from writing a book on the civil war.

      A more accurate word is "property" because the law gives the artist much the same rights as a carpenter or a plumber. Just as a team of carpenters can put a lock on the front door of a house that they built, copyright gives the artists the right to control their work. How many homes would carpenters build if any old squatter could just rush in and live for free after the last nail is driven home? I'm happy to give carpenters and other workers what you call "a monopoly" on their work because I want the world to have houses. And I also want the world to have books and that's why I'm happy to give the artists control over their work. It's the ethical thing to do.

    34. Re:Copyright itself is problematic for technology by peterwayner · · Score: 1

      Are there really plenty of others? The Chicago Sun Times recently fired their photography staff. Is there some wellspring of photographers rushing to take pictures of all of the news events? Oh sure, a few people will upload pictures to Flickr of some big events, but I don't see anyone getting out of bed at night to cover the fires or disasters.

      And it's not just about profit. I want to encourage talented artists to make a profit so they'll be able to afford to take time off from work and make more art.

    35. Re:Copyright itself is problematic for technology by JudgeFurious · · Score: 1

      In the context of the world Ansel Adams lived in yes of course. In the world today and going forward? Maybe not. The way this system works is changing and Ansel Adams today could still charge money for prints of his photographs. Most likely he couldn't make the enormous amount of money he made in the past because once a picture had reached a wide enough level of distribution someone would scan it and let fly a free copy of it. Right, wrong, I'm the one with the wide-format scanner. What could Adams do to offset this? That's what we're figuring out in the present. Who knows where it will end. He's going to be able to make a living tomorrow. It just won't be the kind of living he grew accustomed to when he was alive.

      --
      Appended to the end of comments you post. 120 chars.
    36. Re:Copyright itself is problematic for technology by peterwayner · · Score: 1

      Actually, it's society's fault. I could just as easily say, "It's the file sharer's job to figure out how to get material for free. Extending loopholes to protect a sharing model isn't something that we should justify."

      Plenty of laws protect business models. The cops stop us from looting stores and I'm happy for that. I like stores. I like to be able to buy food and things I need. Now you might argue that vegetables will just grow on their own. Sprinkle some seeds and then nature does the rest. That's true, but I'm happy to protect the business models, no matter how flawed, if they're providing a service.

    37. Re:Copyright itself is problematic for technology by iluvcapra · · Score: 1

      Right, all the power will just be in different hands, but the situation from the artist's perspective will be identical. There will still be a distribution system, it will still control the vast bulk of organic referrals, and artists have to be on the right side of it if they want their music to be heard at all, let alone be remunerative.

      --
      Don't blame me, I voted for Baltar.
    38. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      Ah, but you're comparing it to physically taking something. That comparison always rings false to me.

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    39. Re:Copyright itself is problematic for technology by bill_mcgonigle · · Score: 2

      Well, then what is the solution? How would you pay the authors, musicians and photographers?

      "How will the cotton get picked?" Even if we don't have a better solution now, in light of the lack of a clear market for such solutions, that's still no justification for doing what we know to be a wrong thing.

      But Creator Endorsed looks like a good pass at a replacement system.

      --
      My God, it's Full of Source!
      OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
    40. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      well if it changes nothing for the artist, why fight to keep the copyrights going?

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    41. Re:Copyright itself is problematic for technology by bill_mcgonigle · · Score: 2

      Actually, the artists are allowed to have monopolies. It's in the constitution.

      The GP only said that they weren't entitled to them. They do get them, that much is clear.

      How many homes would carpenters build if any old squatter could just rush in and live for free after the last nail is driven home?

      You're right to invoke the property argument here because it's key. The home the carpenters built is real property. Nobody should be deprived of their real property, or the right to do with their real property what they wish.

      However, that's just what copyright does. Let's say I have a stack of paper and a pen. Is it my paper and pen? Can I do what I want with it? No, not if copyright is around. I cannot arrange the ink on that paper in any of millions of combinations because somebody else(s) has the legal monopoly on those arrangements. Take the US. For every one beneficiary, there are 300,000,000 people who lose their property rights in one specific way. If they insist on doing so anyway, the government will use violence to stop them. That's elevating imaginary property rights over real property rights.

      And I also want the world to have books and that's why I'm happy to give the artists control over their work. It's the ethical thing to do.

      "Because I want it" is not an ethical justification for violence. Besides, there are millions of abandoned works that are lost for at least a century because of the copyright regime, so if you want people to have books, that's a losing strategy.

      --
      My God, it's Full of Source!
      OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
    42. Re:Copyright itself is problematic for technology by Feyshtey · · Score: 1

      So your solution is that creators stop creating. Or only create if they freely give any and all creation to everyone?

      Again, how do creators eat?

      --
      "But we have to pass the bill so that you can find out what is in it,..." - Nancy Pelosi
    43. Re:Copyright itself is problematic for technology by jxander · · Score: 1

      Not zero, but so infinitesimally small that it might as well be zero for the vast majority of bands. The majority of those who get substantial revenue from RIAA/MIAA are the acts that were invented by the RIAA/MIAA, and managed by the R/M, and produced by the R/M ... so that the R/M big wigs can triple or quadruple dip into those profits.

      The rest have to tour, sell TShirts and other merch, etc.

      --
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    44. Re:Copyright itself is problematic for technology by Mikawo · · Score: 1

      I'm trying to think of where education went wrong such that it produces people like you that think effort should be rewarded.

      Students should not expect a grade of A on a test just because they tried hard. They should expect it because they produced a sufficient amount of correct answers. Likewise, an amateur carpenter should not expect to be paid more for a birdhouse he constructed just because it required more effort than would have been exerted by a skilled carpenter. The worth should represent the results and not the effort it took to produce them.

      It is a shame that it is common practice to add the weight of effort into the value of a product and nobody stops to think twice about it.

    45. Re:Copyright itself is problematic for technology by idontgno · · Score: 1

      This also doesn't mean that book, songs, and pictures will cease to be created. It just means that the people doing it will be doing it most likely for "love of the game" and not the money.

      Besides, "starving artist" needs to be more than a cliché.

      --
      Welcome to the Panopticon. Used to be a prison, now it's your home.
    46. Re:Copyright itself is problematic for technology by peterwayner · · Score: 1

      We choose to treat intellectual property like real property because the system works. Or I guess I should say that it works better than pure anarchy.

      If you can show me a working system that encourages people to synthesize information and share it with the population, I'll sign right up. But right now the Wikipedia is the only example I can see and it has many limitations. (It's also protected by copyright and I wonder whether it would work without copyright.)

    47. Re:Copyright itself is problematic for technology by s0nicfreak · · Score: 1

      How would you pay the authors, musicians and photographers?

      Uh, you'd had them money, or send them payment via paypal, or via Amazon, or some other payment processor? And they'd get a much bigger chunk of that money, because there would no longer be a publisher taking a cut.

    48. Re:Copyright itself is problematic for technology by s0nicfreak · · Score: 1

      I see no reason to believe that the number of people that create books, songs, pictures etc. for a living will go down if copyright is done away with. It's easy to get any book, song, or picture for free; but people still pay, and I believe that most of them do it because they want to support the creator, or because it is faster/more convenient to them to pay; and only a few do so because they truly want the item but believe violating copyright is wrong.

      I really believe MORE people will be able to make a living creating books, songs and pictures when the public gets to decide what sells (rather than publishers) and the creators are getting a bigger cut of what customers are paying. Only the people that create crap no one wants will have to get day jobs.

    49. Re:Copyright itself is problematic for technology by s0nicfreak · · Score: 1

      YOU would, perhaps. But I personally find new music either from word-of-mouth, or from the personal websites or twitter accounts of music artists that I liked before Google was even founded. If any "label" was being oppressive, people would create a new place (if they were free to take their music elsewhere instead of being forced to sign exclusive contracts).

    50. Re:Copyright itself is problematic for technology by iluvcapra · · Score: 1

      Because artists actually make money under the current system. Without copyright there's no obligation for a Google to pay artists anything, even while they might make significant revenues on the ads associated with music; further there's no obligation for, say, Proctor and Gamble to pay a musician anything for using their song in a douche ad.

      Eliminating copyright does not significantly eliminate rents in the system. It shifts the rents in the system away from creators and on to middlemen.

      --
      Don't blame me, I voted for Baltar.
    51. Re:Copyright itself is problematic for technology by s0nicfreak · · Score: 1

      Why, exactly, do we need pictures of fire #242351598 that happened in the middle of the night? It really only matters when something major or historical is burning; and in those cases, there are SURE to be people that take pictures. (Though really, yes, in Chicago I do see random people taking pictures of fires that happen in the middle of the night.)

      If you want to encourage talented artists to make more art, hand them some money and ask them to make more art. There's no laws needed for that transaction.

    52. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      That's one theory.

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    53. Re:Copyright itself is problematic for technology by idontgno · · Score: 1

      Police arrest people for painting free murals on buildings, proof that people will continue to create even if we actively try to discourage it.

      That's a good analogy. Especially considering history.

      You're arguing that you eliminate the rent-charging ability of copyright holders over creativity, and that the price of the products of creativity will be driven to zero, and everyone will be their own maker and composer and artist.

      Here's what will actually happen: guilds. Instead of a limited monopoly on specific creative works, you'll have government-enforced organizational monopolies on whole areas of creative and productive work. You will be hunted down and punished if you try to practice outside the guild. And because of the stranglehold of the guild, the craft will be practiced only the way the guild wants it to be, and you probably won't be able to do it for free... because then you'd be undercutting your own guildmates.

      Your mistake is believing that freedom to create is the point. Making money through artificial scarcity is the point. Laws are easily and cheaply bought to make sure the point comes through.

      --
      Welcome to the Panopticon. Used to be a prison, now it's your home.
    54. Re:Copyright itself is problematic for technology by hedwards · · Score: 1

      My 4 year old nephew can do that with paint. That doesn't mean that he's an artist, that means that he's a 4 year old that can splatter paint all over the place.

      Computers aren't presently capable of the sort of intuitive leaps that define brilliant artists. They can't presently show you something in a new way and what they do show you is based upon what a programmer created.

      Perhaps someday AI will reach the point where it can do so, but that's not something that I expect to live to see. Or at very least, I don't expect to see it in the next 30-50 years.

    55. Re:Copyright itself is problematic for technology by s0nicfreak · · Score: 1

      He has to find people that like what he creates so much that they are willing to pay so that he can put food on the table, and therefore live to create more.
      Limiting the amount of people exposed to his creations with copyright law actually works against that.

    56. Re:Copyright itself is problematic for technology by hedwards · · Score: 1

      I disagree, apart from a few phenomenally talented individuals, creating something that will move the art form ahead, takes a huge amount of time and energy. Sure, there will be exceptions, but the truth is that to fully develop ones ability to shade or to make marks on a canvass takes years. To draw as well as Jim Dine, would take decades, if you're even capable of drawing that well.

      Day jobs might be necessary, but they shouldn't be necessary because we don't provide adequate protections to them. The money is only a part of the equation because that's how people get food and shelter. Few of the greatest artists of all time were rich, but they could earn enough, in one way or another from their art, to work on it full time.

    57. Re:Copyright itself is problematic for technology by hedwards · · Score: 1

      The reason would be that many people wouldn't bother sharing their work because it could be appropriated by somebody else that wouldn't have to pay the development costs.

      I don't mind giving my artwork away, but I'll be damned if somebody else is going to be making money off of it.

      That's a detail that you're missing. Where's my incentive to share my work with strangers if I have no control over what they do with it? At least under the current system, I can ensure that I'm the only one that can charge for it.

    58. Re:Copyright itself is problematic for technology by Jane+Q.+Public · · Score: 2

      "In today's age of machines that exist almost exclusively to copy and fiddle about with data, the concept of copyright is quaint and outdated. Gone are the obstacles to distribution and duplication that existed in days gone by, and as the past decade or two has shown us, dropping copyright as a concept will do nothing to deter people from creating new works, only remove the incentive for people to create static media for a living."

      I disagree completely. I think this view comes from a lack of understanding the actual history of copyright (including recent history), and a rather astounding and unjustified leap from "somebody used a thing to do harm" to "we need to abandon the whole concept of that thing".

      First, I do not believe that "the past decade or two" have demonstrated anything like what you assert. Certainly, we have seen some recent, bad, changes in copyright law and observed the resulting bad effects. A good example is almost all of the DMCA, which is really not one law but a whole group of laws. People cite the "protection" clauses of the DMCA and point out that they are good things, while completely ignoring the fact that almost none of those protections would have even been necessary if it weren't for other harmful changes made by the DMCA itself.

      To put it in other words: almost anything can be abused by unscrupulous people, and copyright law "in the past decade or two" has been a prime example. But the fact that something can be abused is not an indictment of the whole concept. It simply means that the abuse has to end.

      Using your logic, I could just as validly say that the entire concepts of mortgages, corporations, and stock markets need to be abolished, because of abuses over "the past decade or two".

      And while we're at it, again using that same logic, I could say we need to get rid of all airplanes, credit cards kitchen knives, and hey, let's not forget penises and vaginas.

      How utterly outrageous and bizarre.

    59. Re:Copyright itself is problematic for technology by foniksonik · · Score: 1

      Have you not been to the Internet? Millions are creating content every day. We're doing it right now!!!!!

      You give far too much credit to the abilities of "professional" authors.

      Really all they have to do is put up a low cost pay wall or pay to download site and post the work up. Hundreds of thousands would pay $1.99 or so to read their work.

      Just like apps they would get a big spike on release day and then it would fall off and pirates would begin trading but if priced right most people will pay a few dollars. A decent author could make a few hundred thousand a year on one book a year. If you can't write one book a year (due to research time or whatever) you may be able to charge more but if your market is too small then it really comes down to economics. Write something commercial to fund your hobby / niche piece.

      It's actually so easy now that it's a little embarrassing to see smart talented people shafting themselves so badly.

      --
      A fool throws a stone into a well and a thousand sages can not remove it.
    60. Re:Copyright itself is problematic for technology by Jane+Q.+Public · · Score: 1

      "... other nations have thought that these monopolies produce more embarrassment than advantage to society; and it may be observed that the nations which refuse monopolies of invention, are as fruitful as England in new and useful devices."

      But copyright was a relatively new concept at the time. History since pretty clearly shows that those countries that had it fared FAR better than those that did not.

    61. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      The public really benefits from professionally produced media. For example, let's say you want reputable reporting, like Watergate. Who would do that if they couldn't make a living at it? Of course, there's "crowdsourcing" for many common news events, but you wouldn't get much coverage of Watergate or other stories that require investigative journalism.

      dom

    62. Re:Copyright itself is problematic for technology by ultranova · · Score: 1

      Well, then what is the solution? How would you pay the authors, musicians and photographers?

      Commissions for artists and photographers, concerts for musicians. Writers are trickier, but not impossible; the problem is largely because of the false dichotomy between "eternal absolute copyright" and "free for all". Bookstores are still in business, after all, and there's no reason why "copyright" couldn't simply mean that the author gets a mandatory cut of the sales, for example.

      Or will they need to get day jobs to fund the work while the aggregators get rich?

      And that's another possibility. No one's forcing them to practice their profession, and many others have been made unprofitable in the course of history. If culture becomes the realm of people who do it for love of the craft rather than money, is that really so bad?

      In other words: why should I have artificial restrictions applied to me just so you don't have to get a "day job"? Why should your profits trump over my freedom?

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    63. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      Musicians should earn from performing an selling media... digitally, printed on CD's or whatever. There are many successful copyleft musicians. It's the management that fucks things up eventually. Get a non extra greedy manager, and you'll be just fine.
      Software engineers have 20ish licenses that are neither copyleft or copyright. Choose whatever feels right. Well chosen license and EULA can go a long way in court.
      Designers should license their work, but they can't patent it. It's a work of art. Copying another's work is fraud, making modifications on another's work are very different.

      Patents are useful sometimes. FE patenting a random number generator device for authentication makes sense, patenting a mathematical algorithm, not so much.

      FE, I'm a software developer. Most of the work I do is copylefted. Some code isn't and can't be for security or whatever purposes. The copylefted work you can modify, resell, do whatever you want... Just say it's a derivative of my work.

      Patenting a creative work should be governed by a different kind of patent law all together. IMHO

    64. Re:Copyright itself is problematic for technology by oreiasecaman · · Score: 1

      LOL Poe's Law at its best here folks

      --
      This is a UDP joke, I don't care if you get it or not...
    65. Re:Copyright itself is problematic for technology by Raenex · · Score: 1

      I think Jefferson was informed wrongly: http://en.wikipedia.org/wiki/History_of_patent_law

    66. Re:Copyright itself is problematic for technology by ultranova · · Score: 1

      We choose to treat intellectual property like real property because the system works. Or I guess I should say that it works better than pure anarchy.

      Rather than just say it, you should offer some evidence. Do you have some examples of such "pure anarchy"? Do you have some data to show their cultural output is inferior compared to ours, and evidence that this cannot be accounted with by other factors?

      If you can show me a working system that encourages people to synthesize information and share it with the population, I'll sign right up.

      Slashdot? Every single web forum in existence? The fanfic/art/music/whatever community (for absolutely anything that has them - they always end up producing things superior to the original through the inverse of Sturgeon's Law (also known as the Million Monkey Theorem))?

      But right now the Wikipedia is the only example I can see and it has many limitations. (It's also protected by copyright and I wonder whether it would work without copyright.)

      Wikipedia offers its database in a convenient format for download, with an explicit permission to reuse on other websites, commercial or noncommercial, as is or in an altered form. So what, exactly speaking, does copyright contribute here? Aside from the legal hassle of explicit licensing, I mean?

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    67. Re:Copyright itself is problematic for technology by JMJimmy · · Score: 1

      Painting is painting and copyright covers brilliant art the same way it does your child's painting.

    68. Re:Copyright itself is problematic for technology by chrismcb · · Score: 1

      I fully recognize the benefits that copyrighted works have provided for us in the past, and the incentive it provides for new creation. However, I'm not sure copyright deserves to survive in today's technological world when it does as much to deter creation and innovation as it does to foster it.

      Copyright does way more to foster creation and innovation than stifle it. Although I think todays lengths are too long (longer than a lifetime is virtually unlimited) copyright itself isn't "quaint." Of course you probably don't care for Hollywood movies and music sung by professionals, as we would lose these without copyright

    69. Re:Copyright itself is problematic for technology by ultranova · · Score: 1

      I don't mind giving my artwork away, but I'll be damned if somebody else is going to be making money off of it.

      How would they do that, though? I mean, if you can't make a profit selling it because people can get it for free, why would it be any different for anyone else?

      Where's my incentive to share my work with strangers if I have no control over what they do with it?

      Glory? Being commissioned to produce something specific? Simply wanting to create and let your creations spread?

      Profit motive becomes the less important the higher you move in the Maslow's hierarchy of needs. That is arguably the biggest failing of economics today: it assumes everyone is permanently stuck operating on survival mode.

      Once you're safe, warm, and more likely to be harmed by obesity than starvation, the opinion of strangers starts mattering more than their money. Which is why we're having this discussion on Slashdot rather than working a second or third job.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    70. Re:Copyright itself is problematic for technology by chrismcb · · Score: 1

      Sure you can, except you can't sell or give away some arrangements. It was something we inherently agree to do, to promote the arts. Of course 4% of the people think this is wrong... Is it right to take that away from the other 96%, just because 4% think it is wrong?

    71. Re:Copyright itself is problematic for technology by cpt+kangarooski · · Score: 1

      The Chicago Sun Times recently fired their photography staff. Is there some wellspring of photographers rushing to take pictures of all of the news events? Oh sure, a few people will upload pictures to Flickr of some big events, but I don't see anyone getting out of bed at night to cover the fires or disasters.

      That's unrelated to copyright; it's simply a matter of paid labor.

      If the Sun Times wants someone to mop the floor, they need to either find a volunteer, or pay someone to do it. Likewise, if they want photos of a particular thing, they need to find a volunteer or pay someone to do it. In that case the author (the photographer) isn't being motivated by a copyright and the potential to sell many copies of the photo for a length of time after; it's just paid labor, like the janitor with the mop.

      Copyright might matter for the viability of the newspaper as a whole (or it might not) but paying for news photographers would work just the same even if copyright did not exist.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    72. Re:Copyright itself is problematic for technology by ultranova · · Score: 2

      So your solution is that creators stop creating. Or only create if they freely give any and all creation to everyone?

      You are free to create or not create. You are free to give or not give your creations away, should you make any. What you are not free to do is lord it over not only people you give one to, but also third parties that have never had any kind of direct dealings with you. Simply because I happen to heard something that was first thought up by you does not mean you own whatever ideas it might inspire in me.

      Car analogy: I bought a used car. Does that mean that the manufacturer is within his rights to deny me the right to resell it? Or drive certain routes? Or pimp it up?

      Again, how do creators eat?

      Either become so good you'll get patronage (the Wikipedia model), or people will commission works from you (the Deviantart model), or get a job that pays your bills (the Joe Average model).

      Being a creator does not entitle you to have power over anyone else's actions. Nor does it entitle you to be paid for the same work over and over and over again. Why on Earth would it?

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    73. Re:Copyright itself is problematic for technology by cpt+kangarooski · · Score: 1

      The way this system works is changing and Ansel Adams today could still charge money for prints of his photographs. Most likely he couldn't make the enormous amount of money he made in the past because once a picture had reached a wide enough level of distribution someone would scan it and let fly a free copy of it. Right, wrong, I'm the one with the wide-format scanner. What could Adams do to offset this? That's what we're figuring out in the present.

      No, this is pretty well figured out.

      In the fine arts, what matters most is the provenance of copies, not copyrights. An Adams print that Adams actually made is worth more than an identical print made by some guy. The work is the same and the quality of the image is the same; the difference comes from Adams having interacted with one copy and not the other.

      Likewise, this is why an original Van Gogh can go for many millions of dollars at auction, but a poster, or even a perfectly accurate copy painted on canvas is worth but a tiny fraction of that.

      This doesn't work for everyone; a DVD of a big summer action movie is not really worth more to me if it comes from a numbered, limited edition signed by the director. But it does work for some.

      Even under copyright there was never a one-size-fits-all solution to incentivizing authors to create and publish works. I suggest using anything that has some overall positive effect, and having lots of alternatives so that odds are good that something will stick.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    74. Re:Copyright itself is problematic for technology by lgw · · Score: 1

      What a silly question - that's eventually going to be the only job around. If you consume entertainment produced by someone else, you should pay them in some fashion - that's not really debatable. The question is: how? Modern distribution infrastructure and modern payment methods don't currently match.

      I personally like a subscription model for consumers, with an aproportioned model for paying back to content producers. For example, I pay Netflix $x per month, and Netflix pays out at least some statutory minimum per viewer-minute to the producer. Or perhaps I pay Steam each month, and they pay per gamer-hour back to the studios. That sort of thing. But it's a question of logistics - how to make it easy for distributers (who are quickly becoming aggregators with good CDNs) to distribute a wide variety of works, while making sure the people creating the content in the first place get paid.

      Getting your entertainment for free because you feel entitled is a non-goal.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    75. Re:Copyright itself is problematic for technology by ultranova · · Score: 1

      Your mistake is believing that freedom to create is the point. Making money through artificial scarcity is the point. Laws are easily and cheaply bought to make sure the point comes through.

      Laws are easily and cheaply bought. But that's meaningless without enforcement. And as the pretty much total disregard the copyright nowadays gets and the graffiti artists the parent mentioned prove, enforcement in this area is simply not possible.

      Also, copyright laws are cheap to buy precisely because no one cares about them. An effective law to stop people from creating would lead to a civil war, one its makers would quickly lose. There are too many people who would be hurt by such guilds, and politicians aren't stupid enough to accept bribes for a suicide (and quite possibly not just a political one, either).

      All it takes for evil to win is for good men to do nothing, but that only applies until said evil starts telling evil people to bend over and take one for team evil. At that point they're just as willing to fight it as good men are.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    76. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      He doesn't even know the definition of anarchy. He thinks it means chaos, and he doesn't know the definition of chaos. He thinks that means stochastic and etc.....

      Ignore all posters misusing the term anarchy (which means "no rulers").

    77. Re:Copyright itself is problematic for technology by sycodon · · Score: 1

      You are all fucking morons.

      --
      When Fascism comes to America, it will call itself Anti-Fascism, and tell you to give up your guns.
    78. Re:Copyright itself is problematic for technology by sycodon · · Score: 1

      A picture is not an idea. It is not abstract. It is a unique expression that is the result of the ability and knowledge of the person taking it. Do you have any idea how many years of his life Mr. Adams spent in the wilderness and how many pictures he took to get the ones that he became famous for? Do you have any clue as the amount of scientific knowledge he had to accumulate related to light, lenses, film and print media?

      You don't think he should be rewarded by that? You think people should be able to rip him off and profit from his efforts

      What a sick and twisted fuck.

      --
      When Fascism comes to America, it will call itself Anti-Fascism, and tell you to give up your guns.
    79. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      WTF is a "creator"?! Are you sure you don't want to capitalize that word so it artificially gets an even bigger air of importance?

      I'm saying that if all the artists in the world got up and said "that's it, we're not doing any more paintings or writing more songs" I'd say I don't care, I can still eat without new works of art.

      I'm saying that if someone can't eat because all they can do is make a digital painting, then they can't eat. They might even starve to death. How is that a problem?

    80. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      As a musician who holds copyrights to my own works, I can give a 100% guarantee that if I had no legal ownership of my own work then I would not release any of it to the general public.

    81. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 1

      I disagree, apart from a few phenomenally talented individuals, creating something that will move the art form ahead, takes a huge amount of time and energy. Sure, there will be exceptions, but the truth is that to fully develop ones ability to shade or to make marks on a canvass takes years. To draw as well as Jim Dine, would take decades, if you're even capable of drawing that well.

      Painters existed before copyright.

      They were paid by commission. The local lord would want a portrait of himself or his wife or whoever and would pay to have it painted. The artist would then paint whatever they wanted in their spare time and sell the canvases if someone wanted to buy it so that's a poor example. Musicians operated similarly, composers worked by commission and musicians would be hired to play the compositions.

      Books and video/movies are the sticking points because they are mass market media that only came into existence because of the new technology of distribution and a lucky quirk of economics that the equipment was expensive even though the product was not. The expense of duplication has fallen which has effectively removed the breakwater that formed the foundation of the copyright manufacturer-consumer relationship thereby forming a manufacturer-manufacturer relationship which doesn't work out very well economically. I don't have a solution for this. The fact that the artists have always relied on publishers to manufacturer and sell to consumers is the fundamental issue, the artist has only an indirect economic relationship with their customers which means the downfall of publishers/manufacturers creates a serious sustainability problem; there does not seem to be a way for mass media artists to operate without a publisher.

    82. Re:Copyright itself is problematic for technology by The+Wild+Norseman · · Score: 1

      If you can show me a working system that encourages people to synthesize information and share it with the population, I'll sign right up

      How about Kickstarter? Dutch auctions? Ransom? Commission?

      --
      "A government is a body of people usually -- notably -- ungoverned." -Shepherd Book
    83. Re:Copyright itself is problematic for technology by The+Wild+Norseman · · Score: 1

      Holy fuck steaks

      I'm just posting because I am so going to use this sometime during my next IRL conversation.

      --
      "A government is a body of people usually -- notably -- ungoverned." -Shepherd Book
    84. Re:Copyright itself is problematic for technology by rtb61 · · Score: 1

      The solution is quite simple, they should stick to the law and the original principle. Being that, copyright should promote the progress of the "USEFUL ARTS AND SCIENCES". As such copyright should be applied for and a fee charged. Should the work pass the test of promoting the progress the useful arts and sciences then copyright protection should be provided for a limited time. Should the work fail the test and do nothing to promote the progress of the useful arts and sciences than copyright protection should be rejected and the work relegated to public domain. See, simple as, easy peasy. You want copyright protection, apply for it, "PAY FOR IT", have your work reviewed and if it fails wake up to yourself and get a real job flipping burgers or being on strike till they pay a reasonable liveable wage for flipping burgers.

      --
      Chaos - everything, everywhere, everywhen
    85. Re:Copyright itself is problematic for technology by The+Wild+Norseman · · Score: 1

      As I mentioned upthread, we can use services like Kickstarter, Ransom or dutch auctions, for example.

      People are continuing to leverage technology and ingenuity in getting art out to the general public for consumption; I don't think it's as big a problem as it first appears.

      --
      "A government is a body of people usually -- notably -- ungoverned." -Shepherd Book
    86. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      Well there's also this: i have a right to get my money back for total waste of time that many of these "works" are. Where is a system for that? If they have the right to get my money in advance and it's total crap, i have a right to get my money back. They've used time to create the crap, i've used time to watch that crap. If it's not worth the time to watch it, then i get my money back. This thing i shall call copyduty.

    87. Re:Copyright itself is problematic for technology by SoulNibbler · · Score: 1

      NO! I think he should be rewarded by those who can appreciate the mastery and wish to buy a signed print. Do prints of mainstream photography that have made it onto postcards deminish in value? They don't. The artificial scarcity is interacting with creator and recieving an individual product.

      Free loaders are fine, people will find a way to show how bad-ass they are that they can afford to advocate art, not only generic art but art that fits their perception of good.

    88. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      What he did worked in his day specifically because of the age he lived in and the technology of the times. Comparing what he did to what thousands of people do all the time today (indeed, most people have a camera on their person at all times) is just silly. As I've said numerous times, the copyright in today's world may have outlived its usefulness.

      --
      In SOVIET RUSSIA... erm...NSA AMERICA, the Internet logs onto YOU!
    89. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      Actually, I don't care much for Hollywood movies, and I don't care for much of what has come out of the musical world in the past couple decades. Most of what I have enjoyed was enjoyed live (a clear situation of potential profit).

      --
      In SOVIET RUSSIA... erm...NSA AMERICA, the Internet logs onto YOU!
    90. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      Why is it that people in this thread keep insisting that if there were no copyrights, other people would profit monetarily from their creative works? Bad logic is bad. If that person can copy it freely, so can anyone else.

      Besides, I'd rather have a thousand of people profit intellectually from any given work than the five who might be willing to pay for it. I might be more inclined to change my mind if we shortened copyright to something reasonable, like seven years. Maybe even ten, or fourteen. And definitely nothing on the scale of 50+ years, and definitely not starting the clock only after the creator's death.

      --
      In SOVIET RUSSIA... erm...NSA AMERICA, the Internet logs onto YOU!
    91. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      *insert picture of that crying Indian from that 1970s anti-pollution commercial*

    92. Re:Copyright itself is problematic for technology by hedwards · · Score: 1

      Yes and the quality was effectively crap compared to what it is now. Yes, people did have skills, but because they were beholden to a specific patron, they couldn't typically push the boundaries, as their patron may only like dogs playing poker, so that's what they would do.

      What's more, in the modern world, there's little or no interest in developing talent, just find somebody that's already good at it and hire them.

    93. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      see no reason to believe that the number of people that create books, songs, pictures etc. for a living will go down if copyright is done away with. It's easy to get any book, song, or picture for free; but people still pay, and I believe that most of them do it

      Yes, but are they going to pay me, the author, or will they buy my book from Doubleday, who will no longer have to pay me? Without copyright, not only will anyone be able to get my book for free, anyone can sell copies of it. I do the work, they get the money.

      I just completed the copyright registration process last night, so "Nobots" will be availabe in six months or so, whenever they send me an ISBN. It will be free for noncommercial use, I'm only charging for copies "affixed in a permanent form" (i.e., dead trees) or for posting on web sites with ads. I'll put it on TPB myself. Personally, I think that's what the law should prescribe, as well as a greatly shortened term. Art is like science and technology, in that everything new comes from the old; "shoulders of giants". Imaging how technology would stagnate if patents lasted as long as copyright? Well, that's how art has stagnated in the last half century.

      I wrote the book's first chapter in 2009 and am just putting the finishing touches on it (still need a cover and other details). I could have had it done in less than a year if I didn't have to go to work every day.

    94. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      History since pretty clearly shows that those countries that had it fared FAR better than those that did not.

      How does history show that it was specifically because of copyright and not for a myriad of other reasons?

    95. Re:Copyright itself is problematic for technology by cheekyjohnson · · Score: 1

      Actually, the artists are allowed to have monopolies. It's in the constitution.

      I believe this was a mistake. That said, they still aren't "entitled" to them, as he put it.

      If an author writes a book on the civil war, the author can't stop others from writing a book on the civil war.

      They have a monopoly on the distribution of certain works.

      A more accurate word is "property" because the law gives the artist much the same rights as a carpenter or a plumber.

      Carpenters or plumbers can't control what other people do with their own property and can't employ censorship because they don't like what someone else is doing with their own physical property. If the data is on my hard drive, I consider it mine.

      --
      Filthy, filthy copyrapists!
    96. Re:Copyright itself is problematic for technology by cheekyjohnson · · Score: 1

      Without copyright, not only will anyone be able to get my book for free

      They already can.

      You very likely don't have any hard scientific evidence that shows what the world would be like without copyright; it's all mere speculation.

      --
      Filthy, filthy copyrapists!
    97. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      Do you have some data to show their cultural output is inferior compared to ours, and evidence that this cannot be accounted with by other factors?

      That's really the problem; they don't seem to have any evidence whatsoever. Occasionally, they point to countries that aren't/weren't very fun to live in and assume, without evidence, that those countries are/were that way because they don't/didn't have copyright (or don't/didn't have enough of it).

    98. Re:Copyright itself is problematic for technology by lgw · · Score: 1

      I don't buy that that's enough. If you're making money off of another's creative work, either directly or by making a derivative work, you owe them both attribution and a cut of the money. And if that were done under some sort of mandatory licensing scheme, then we'd have big Netflix-style content aggregators who could offer a better service than piracy for a price - and we've seen that most people will pay if the service is good and the price low.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    99. Re:Copyright itself is problematic for technology by Feyshtey · · Score: 1

      No, he doesn't. He has to find people who not only believe he should be benefited by his creation, but who also feel compelled to do so. By your definition even if a person loves his work so much that they feel they must have it, all they have to do is find one copy of it that anyone else has obtained (or that has been posted online) and make copies of it for free.

      If you mean to argue that even a fraction of consumers are altruistic and will pay as a way to say "atta boy" to the creator, even though they have no logistic or legal reason to do so, then you're either incredibly naive, or willfully ignorant in order to attempt to defend your position.

      --
      "But we have to pass the bill so that you can find out what is in it,..." - Nancy Pelosi
    100. Re:Copyright itself is problematic for technology by Feyshtey · · Score: 1

      How does it ring false?

      Two people spend 8 hours a day for weeks to produce one thing each. These things allow the purchasing (or stealing) end-user to complete a task more easily than would otherwise be possible. Sure, there are other people out there that have produced similar "things" that service the same roles, but maybe cost more or dont do the job as well.

      The first person built a design and manufactured a hammer. The second person wrote software that cleans up viruses.

      Each person utilized an equal level of education and expertise. Each followed through on a workable end product. Each has produced a good that has value and benefits the consumer. How is the first person more worthy of equal payment for his work than the second? Is it purely because you can take the latter without physical loss from the creator?

      If that is your argument, then why must I pay my accountant? He produces no physical good. I have recieved nothing more that digital information from him, so why should I have to pay? For that matter, why must my employer pay me? I'm a system administrator/systems architect. I produce no physical computer hardware. I simply produce plans to utilize computers/hardware/software manufactured by others in a way that services a need. I dont actually build the solution, I merely come up with the plan and advise on its implimenation. I produce no physical output.

      The answer to each of those questions is that the creator is being paid not just for the physical properties of their creation, but also for the hours of time spent in the creation of it.

      If you remove the motivation of creators to produce a non-physical item (payment), then you ensure a world with a glut of hammer-makers, and a void of virus cleaners. Ironically you further motivate the hackers that would exploit the infected computer systems that maintain all the finances of the nation who steal the non-physical cash from digital bank accounts, in turn ruining quite real lives.

      --
      "But we have to pass the bill so that you can find out what is in it,..." - Nancy Pelosi
    101. Re:Copyright itself is problematic for technology by Feyshtey · · Score: 1

      So you're arguing that you should be able to take for free, something that has no value, and that you would not miss if it never existed.

      In other words you're arguing that just because you take it, and use it, and "enjoy" its benefits, its really meaningless to you and therefor has no right to protection.

      So why do you feel entitled to take it? How could protecting it with legal ownership rights impact you negatively if you dont care if you ever have it?

      You've proven your own argument to be a strawman.

      --
      "But we have to pass the bill so that you can find out what is in it,..." - Nancy Pelosi
    102. Re:Copyright itself is problematic for technology by Anonymous Coward · · Score: 0

      If culture becomes the realm of people who do it for love of the craft rather than money, is that really so bad?

      Yes. You'll have less culture and it won't be as good. Art is like anything else, the more you do it the better you get, and rust never sleeps. I'm at the finishing stages of a book that took me four years to write. If I didn't have to go to work every day it would have been finished in six months. In the meantime that's taken away from everything else; my house is filthy and I haven't picked up my guitar since I started the book. I'm sure I really suck at the guitar by now.

    103. Re:Copyright itself is problematic for technology by Feyshtey · · Score: 1

      Car analogy: I bought a used car. Does that mean that the manufacturer is within his rights to deny me the right to resell it? Or drive certain routes? Or pimp it up?

      Irrelevant example. Unless you mean to suggest that for every person that creates a digital copy of a legally purchased product, another person ceases to use that product. We both know that's not the case.

      Either become so good you'll get patronage (the Wikipedia model)...

      This scenario limits to services, not products. This is a different argument because you can charge for access to a service, but charging for limited access to a single product (software/art/games) is more troublesome. Unless you'd like to see every game out there be a subscription model or a pay-for-upgrades model. I'm willing to bet you'd resist that idea.

      ... or people will commission works from you (the Deviantart model), or get a job that pays your bills (the Joe Average model).

      1) The Deviant Art model requires that you show examples of your work to the public to prove your skill, including high enough resolution to demonstrate the level of detail you are able to obtain. Which presents the concept and style you're able to produce to the world, and any other company or artist capable of reproducing that same image can then do so freely unless there are protections for that product. This is particularly helpful to companies or artist that are very technically capable, but lack imagination to concieve of compelling art of their own. As I posted in another response here, this ensures that he with the biggest bankroll and industry at his disposal is able to "steal" the concepts and images and mass produce them on everything from posters, to coffee mugs, refrigeration magnets, for profit and an exponentially greater degree than the original creator. It ensures that the little guy gets little to nothing, while the corporation rakes in the gains.
      2) The result of creating commissioned work is not the same as that of something that cames entirely from the mind of the creator. It ensures that the artist is always a slave to the ideas of another, and not free to explore spontaneous avenues during the creative process. Everything must be approved, and the artist regularly finds himself doing that which he feels is unappealing or flat out stupid looking. And this is all AFTER that same artist has proven their skill through creation and display of original works that you support the exploitation of.

      Being a creator does not entitle you to have power over anyone else's actions.

      Why is this argument any more or less valid when speaking about a physical object rather than a virtual one?

      Nor does it entitle you to be paid for the same work over and over and over again. Why on Earth would it?

      You have the illusion that because there's no physical property there is not real-world investment of funds in the product. You're wrong. A person or a company producing a digital product invests greatly in the creation. They spend hours of their time. They pay for the space in which they work. They pay for the computers that they work on and the network which connects them to the world. They presumably pay for the software they utilize to creat from the OS to the COTS applications. If its a company they pay for insurance, accountants, management, etc. While you feel that a fraction of the users paying a small portion of funds for the product somehow recoups the costs of production, you're flat out wrong. It might take an artists 100 hours to complete a good painting. In order to live that artist needs to obtain at least several hundred if not a couple of thousands of dollars. Otherwise they cannot survive creating that art. If you're talking about a commercial application or game the investment is easily in the millions of dollars for dozens or hundreds of employees. You then must be able t

      --
      "But we have to pass the bill so that you can find out what is in it,..." - Nancy Pelosi
    104. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      Knowledge-based service is a very different concept from copyright no matter how you slice it. Your response may be long, but it is without substance and largely based on fallacy.

      --
      In SOVIET RUSSIA... erm...NSA AMERICA, the Internet logs onto YOU!
    105. Re:Copyright itself is problematic for technology by david_thornley · · Score: 1

      No, we don't owe a living to anybody. That's not the problem.

      The problem is that we* want creative professionals to create stuff. Using George R.R. Martin as an example, lots of people want him to write books in the Ice and Fire series. Therefore, we want him to (a) be able to live off his writing, so he doesn't need to work a day job, and (b) get rewarded in some way for his writing, so he'll do more of it. Paying him for each copy of his books that we make provides him with money and gives rewards proportional to the amount we like it. It's a neat solution, and works pretty well. It also works for new authors; somebody can publish a first book and perhaps get paid a good deal of money for it. It still requires the author to have the day job, but provides incentives to write a popular book.

      Now, writing is fun for those who like to do it, and people will continue to make up and publish stories. However, without being paid, they won't have as much time and energy to spend on it, and they won't have much incentive to do the not-so-fun stuff. Writing a good book is a lot of work, a lot more than writing a mediocre one. Moreover, many authors benefit a whole lot from editors. You can often pick out a point in the author's career when the author got so important that he or she stopped listening to the editors. Editing is not normally fun, and people normally don't edit books without being paid. There's frequently a whole lot of work between the author's creative actions and a good book I can read.

      Under the present system, somebody writes a book, somebody edits it, people do various things to make a nice copy, and it goes on sale. I buy a copy if I want, and money goes to the author and the other less creative contributors. I have a book I value more than the money I paid, everybody on the distribution chain gets paid, and so everybody involved wins. More people could win if everybody who wanted could get a book without paying for it, but we still need to pay the people who worked on it somehow so they'll do the work in the first place and continue to do it. The other neat thing about the current system is that it's market-based. We don't need to have some governmental organization working out who to pay. We don't have to rely on patronage. We don't have to pick what we want ahead of time, like a Kickstarter campaign. We don't have to worry about the author trying to find a business model that works (creativity doesn't necessarily mean business sense).

      What I'd like to see out of the anti-copyright people is a way to pay people for creative work that works anywhere near as well as the current system. It should reward creative and support work, so people will do it more. It should allow successful creators to create full-time. It shouldn't require a small group of people to pick winners and losers, such as rich people or government agencies. It should allow people to create on spec, rather than having to raise all the money up front. It should work in all creative areas. So far, I don't have an alternative solution.

      *"We" as in lots of people, with different people wanting different things, not all of us at once.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    106. Re:Copyright itself is problematic for technology by The+Wild+Norseman · · Score: 1

      Okay, that's cool too. What I briefly outlined are just some more options that people have successfully made money using. Personally, I think it's enough to support a vibrant atmosphere of creativity.

      Besides, just by using Kickstarter, doesn't mean the other models cannot also be used -- huge money in Hollywood making $100 million movies or the RIAA model of distribution/middle-manning it can still be used and art created with those distribution channels can still be purchased and enjoyed.

      --
      "A government is a body of people usually -- notably -- ungoverned." -Shepherd Book
    107. Re:Copyright itself is problematic for technology by Feyshtey · · Score: 1

      It most certainly is not without substance. You simply lack a logical retort. I have demonstrated how a person rightfully deserves credit and compensation for something he designs and/or creates.Whether that be physical or digital is irrelevant. I've even demonstrated the truth by going beyond a simple philosophical argument and demonstrating a real-world financial requirement. You simply wish to dismiss my argument so that you can dismiss your guilt in choosing to disregard the rights of the creator and take what you want for no cost to yourself.

      In the end your only stance is that if you take it, the creator wont know anyway, and you want it. There is no prerequisite in the definition of theft that the rightful owner be aware.

      --
      "But we have to pass the bill so that you can find out what is in it,..." - Nancy Pelosi
    108. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      It's absolutely without substance. "Artists need money" does not justify what you're claiming it does.

      --
      In SOVIET RUSSIA... erm...NSA AMERICA, the Internet logs onto YOU!
    109. Re:Copyright itself is problematic for technology by Feyshtey · · Score: 1

      Do you work? Does that consume around 40 hours (or more) of your week? Do you pay bills, and buy food, and pay for gas? Assuming you arent disabled or on welfare or just a scammer sucking off the government teet, then you must WORK to get MONEY to survive. What the fuck makes you think that any artist is any different? Unless you mean to suggest that every person that creates art or music, or who invents anything, must do so on his own time for free, and work a regular job to eat. If that's the case you're even more disgusting than I would have otherwise suggested. Not only are you willing to steal, you're willing to justify your theft by saying anyone who provides you those goods you steal should do so in their spare time. Not to mention that you're suggesting that there should be no professional artists, which ensures that every artist is part time and the quality of art goes straight into the shitter. IF that artist isnt coerced into not doing the art they really want to do for fear that their employer will find it abhorent and fire them.

      I dont know if you're naive, or ignorant, a troll, or just completely bought into the occupy wallstreet sort of bullshit being spewed in politics these days.

      --
      "But we have to pass the bill so that you can find out what is in it,..." - Nancy Pelosi
    110. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      I can see that I am once again playing chess with a pigeon. I'm done here. You're going in circles and then throwing around ad hominems and straw men to pretend you have the moral high ground. Good job, bro.

      --
      In SOVIET RUSSIA... erm...NSA AMERICA, the Internet logs onto YOU!
    111. Re:Copyright itself is problematic for technology by Feyshtey · · Score: 1

      So because you're unable or unwilling to actually provide a debatable point, your response is "You're stupid, I'm right". Well that certainly shows your credibility.

      --
      "But we have to pass the bill so that you can find out what is in it,..." - Nancy Pelosi
    112. Re:Copyright itself is problematic for technology by intermodal · · Score: 1

      You've repeatedly failed to make your case, and then you started repeating your arguments mixed with personal attacks and straw men. By default, I will side against restrictions upon things unless a solid case is made in favour of a certain restriction.

      I don't have to debate in favour of freedom when you can't make a solid case against it.

      --
      In SOVIET RUSSIA... erm...NSA AMERICA, the Internet logs onto YOU!
    113. Re:Copyright itself is problematic for technology by lgw · · Score: 1

      The problem with Kickstarter and the like is it's only really a tool for already-established artists. I think it's really important that one be able to make a living as a second-tier author or performer. The more people who can make a living doing creative work that's "just good, not great", the better off we'll be - that's how we'll finally get "thin end of the tail" content that's worthwhile, which pretty much only happens with books today.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    114. Re:Copyright itself is problematic for technology by The+Wild+Norseman · · Score: 1

      Funny, I've never had the understanding that kickstarter is mainly for established artists. I'll concede the point, however, because arguing over kickstarter would be missing the main thrust of what I was talking about and why I mentioned it in the first place; namely, there are other sources of revenue that can help encourage people sharing their art to the general community while still honoring their sense of artistry.

      --
      "A government is a body of people usually -- notably -- ungoverned." -Shepherd Book
    115. Re:Copyright itself is problematic for technology by lgw · · Score: 1

      Sure, I guess I was just saying that to reform copyright you need to solve 3 problems:
      * How do artists get compensated for work they release directly to fans - this is the easy one, but it's the only one people seem to pay attention to.
      * How do artists get advance compensation for new works. We've seen solutions once you already have a fanbase, but the role of professionals who "discover" artists remains omportant - and this seems to work out OK for books, unlike music.
      * How do artists get compensated for derivative work and 3rd-party distribution if we allow anyone to distribute anything?

      I think all three can be solved without the current idea of copyright.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    116. Re:Copyright itself is problematic for technology by The+Wild+Norseman · · Score: 1

      Yes, I agree also with what you're saying.

      --
      "A government is a body of people usually -- notably -- ungoverned." -Shepherd Book
    117. Re:Copyright itself is problematic for technology by Jane+Q.+Public · · Score: 1

      "How does history show that it was specifically because of copyright and not for a myriad of other reasons?"

      I'm not claiming that it was the cause. Just that there is a correlation.

    118. Re:Copyright itself is problematic for technology by alexo · · Score: 1

      Why is this argument any more or less valid when speaking about a physical object rather than a virtual one?

      Because physical objects cannot normally be owned/used simultaneously by several people.
      If I take your physical object, I deprive you of it. If I copy your object (physical or virtual), you still got the original. Is the difference that hard to grasp?

  4. robots.txt by Anonymous Coward · · Score: 1

    Don't want Google to scrape and index your page? I think there is an established procedure for that...

  5. Copyrights by Archangel+Michael · · Score: 1

    It isn't enough to DMCA something. IF you have a copyrighted work, and GOOGLE uses it for commercial purposes, then sue them, and scraping an image (or whatever) to put into a database, which they offer for free, to sell advertising IS commercial use. Sue them. DMCA is just the first step in stopping their usage. SUE THEM for commercial use of your works.

    Also, using the tools built into web standards (i.e. "robots.txt") is your friend. IF you post something copyrighted on the internet, it will be "stolen" by someone, somewhere (if it is interesting enough).

    --
    Agent K: A *person* is smart. People are dumb, stupid, panicky animals, and you know it.
    1. Re:Copyrights by Frosty+Piss · · Score: 1

      It isn't enough to DMCA something. IF you have a copyrighted work, and GOOGLE uses it for commercial purposes, then sue them, and scraping an image (or whatever) to put into a database, which they offer for free, to sell advertising IS commercial use. Sue them. DMCA is just the first step in stopping their usage. SUE THEM for commercial use of your works.

      It's interesting that when "big bad [whoever]" plays fast and loose with copyrights, Slashdot danzians are all over it, but when "poor small little me" walks al over someone's copyright and gets busted, it's a different story. That's right, sue sue sue the big mega-corp for what you expect "small little innocent me" to be able to get away with.

      --
      If you want news from today, you have to come back tomorrow.
    2. Re:Copyrights by Anonymous Coward · · Score: 0

      Bit of a difference between personal vs. commercial interests.

    3. Re: Copyrights by Anonymous Coward · · Score: 0

      DMCA is the last step. If Google removes the content, nobody owes you anything. If you sue them, you'll lose your license to practice law.

    4. Re:Copyrights by s0nicfreak · · Score: 1

      I'm confused about why Google using things for commercial purposes in this way is a bad thing. If someone searches for something, and Google shows them my image, it doesn't matter to me that they have ads on the side (that the person is likely to ignore anyway); that's another person exposed to my image, and quite likely to click and go to my site (as it is, presumably, relevant to what they were searching for). Then I'm making a few pennies because they're viewing my ads, maybe a few more pennies if my ads interest them; and if they buy something from me, then I'm making some dollars.

      It seems like a symbiotic relationship to me; Google is using my images to make money, but in return, they are giving me high-traffic, targeted advertisements, which I don't have to pay for, and which is very easy to convert into profit (as the person was likely interested). Why is this bad? Why would I waste my time suing rather than creating?

  6. Scrape them yourself by kramer2718 · · Score: 1

    Scrape them yourself in a semi-automated way, host them somewhere and provide a way to submit a DMCA take-down notice.

    Done and done.

  7. There is a way to mark them by stewsters · · Score: 3, Funny

    Put this in a file called robots.txt on the root of your website:

    User-agent: *
    Disallow: /

    Boom. Your images wont get illegally used by Google. You can send me the money your would have spent on lawyers.

    1. Re:There is a way to mark them by Anonymous Coward · · Score: 1

      this works for google and bing but everyone else ignores it

    2. Re:There is a way to mark them by Brandano · · Score: 2

      So why every time a post like this comes up it's Google used as an example? I smell a "sponsored" post.

    3. Re:There is a way to mark them by stewsters · · Score: 1

      Woops, I flipped the 'but' and 'and' in your sentence, totally agree with you now. However most people use Google, Bing or Yahoo so it may not be a large enough problem for people to worry about.

      The weird part is that anytime you view those images your computer makes an copy of the image in your cache, in your memory, and on your screen. So are we counting that as making copies? What if the search engine doesn't cache it and sets the image src to your website and uses your bandwidth, would that be a better solution?

    4. Re:There is a way to mark them by dyingtolive · · Score: 2

      It's probably for the same reason that every time someone makes Jello shots, they're not making gelatin shots. Or needing some Tums, or running out of Kleenex.

      --
      Support the EFF and Creative Commons. The war is coming, and they're supporting you...
    5. Re:There is a way to mark them by Anonymous Coward · · Score: 0

      I block BingBot completely from all of my websites. This means they have to rely on copying Google to get my websites into their search results :)

      I will let the fact that my websites display prominently in the first few results when searched through Bing, despite my blocking them (and no trace of MS IP addresses in my logs) be a testament to how major corporations feel about copying.

  8. Poorly phrased.. by Anonymous Coward · · Score: 0

    Fair Use law is unfair to humans. Fair Use as a theory is 100% sound.

  9. bullshit by iggymanz · · Score: 3, Insightful

    tough talk is easy.

    reality is you'd need to be paying lawyer $275 or more an hour for about 700 to 1500 hours plus expenses. who here has that kind of income to gamble? I do not.

    1. Re:bullshit by Anonymous+Brave+Guy · · Score: 1

      If your $275/hour lawyer can't resolve a simple copyright case without spending a year of near full-time work on it, your lawyer isn't worth $275/hour. The essential facts in the case are unlikely to be disputed, so the result is likely to depend on two fundamental questions of law, at least in the US: roughly speaking, can they escape via fair use, and can they escape via the DMCA safe harbor provisions? Even if you litigated it all the way, you should still be done in no more than a few hours of court time + preparation. The situation would be similar in Europe, e.g., considering fair dealing and the EUCD in the UK.

      Obviously that might still not be worthwhile if you're talking about a minor case of infringement with little demonstrable actual damage, little expectation of other forms of damages, and a legal system where you wind up paying your own fees even if you win. That's why measures like the DMCA and EUCD provide for lighter weight takedown actions, and put anyone who counters at greater and more explicit risk if they choose to dispute the takedown and litigation follows.

      But as you say, tough talk is easy. So is posting random numbers on Slashdot, but it doesn't make a very convincing argument.

      (IANAL, if you get legal advice on the Internet you're crazy, etc.)

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    2. Re:bullshit by iggymanz · · Score: 1

      those are real numbers for simple copyright case, look it up. Also, simple patent case averages twice to three times as much, again that 's fact.

      I have lawyers in family, you however are talking out of your ass

    3. Re:bullshit by Anonymous+Brave+Guy · · Score: 1

      If you actually had lawyers in your family, and you had learned anything from them, you would know better than to claim things like "those are real numbers for a simple copyright case" without citing that case properly. You would also know that patents and copyright are completely different legal areas, and that "simple patent case" is pretty much an oxymoron.

      Another thing that's easy is claiming your personal views are facts while not giving anything verifiable to back them up, but that also doesn't make a very convincing argument.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    4. Re:bullshit by BranMan · · Score: 1

      Why do you need a lawyer? I assume you are looking to make a point, not a fortune. File for $1000 (or whatever the limit is) in small claims court. A filing fee and a few hours of your time. No reason why it should not work - it may seem an odd venue for it to the judge, but I think it would still proceed. Set a precedent and others may join in - a thousand 'paper cuts' adds up.

    5. Re:bullshit by iggymanz · · Score: 1

      "intellectual property lawyers" handle both kinds of cases. just providing relative costs as aside.

      the claim stands, simple copyright claim is expensive legal endeavor in these united states

      ooo looky: answers by actual intellectual property lawyers:

      http://www.avvo.com/legal-answers/what-is-the-average-cost-to-litigate-a-patent-or-c-411859.html

    6. Re:bullshit by iggymanz · · Score: 1

      that has been done by clueless people and judges. then they learn upon inevitable appeal the very salient fact that only a federal court may hear copyright infringement cases

    7. Re:bullshit by BranMan · · Score: 1

      Pity.

  10. The solution is simple by Anonymous Coward · · Score: 1

    1) Write AI
    2) Give it the ability to write a website
    3) give it the ability to find content for said website
    4) ????
    5) Profit
    6) Say "it wasn't me, it was the AI" if you get DMCA'd, threatened or sued.

    1. Re:The solution is simple by omnichad · · Score: 1

      Guns don't kill people, I do.

      AI is artificial intelligence. It's a tool just like a shovel, gun, or car.

  11. Not human vs machine by Anonymous Coward · · Score: 1

    This is not a case of human vs machine. It's a case of traditional book publishing, where photos cannot be auto-delted, vs. web hosting where an item can be removed rather easily.

    1. Re:Not human vs machine by suutar · · Score: 2

      I'd say this is a case of automation drastically changing the environment. There's a lot of things that are not technically legal but nobody worries about because it's not worth a human's time to track down and prosecute. Traffic violations (speeding, not quite coming to a complete stop), fair use activities (they're still technically infringements, it's just that the copyright holder isn't allowed to sue... or more accurately, that the suit gets dismissed once the activity is declared 'fair use'), picking up dimes off the sidewalk (found money is supposed to get turned in so the owner can claim it), lots of things. Now that machines are able to detect this stuff automatically for cheap, "not worth a human's time" is no longer a protection for activities that most people find to be normal and ethical.

  12. Silly article by maroberts · · Score: 1

    The fair-use algorithms could also honor what the artist wants — for instance, some artists want to be copied. In these cases, a markup language that enumerates just how much the artist wants to encourage fair use could help provide that choice. That way, those who want rampant copying could encourage it while those who want to maintain exclusivity could dial back the limits.

    As others have noted, this is exactly what robots.txt does - it tells agregators which part of the lawn they're not allowed to stand on

    --

    Donte Alistair Anderson Roberts - hi son!
    Karma: Chameleon

    1. Re:Silly article by Richard_at_work · · Score: 1

      The problem is, it doesn't solve the issue at all - infact, it causes a lot of issues along the line.

      Robots.txt is an extremely coarse method of control, it's either "yup, come in and do what you want" or it's "go away". There is absolutely no "you can use my content for a search index or non-commercial use, but not commercial use" leeway.

      To use your example, it tells the aggregators that they can do what they like on the lawn (but not the drive way, path or porch), up to and including digging chunks of it up, filming a porn film or holding a mass Tea Party rally, or it tells them to get lost. Ether, or - no middle ground.

      Also, a lot of companies are taking Robots.txt far far too literally - quite regularly you find people complaining on the Dropbox forums that they are having issues having a third party distribute their pod casts or whatever because that third party is checking the Dropbox Robots.txt and rejecting the URL as a result. Im quite sure that Robots.txt was never meant to prevent such usage, it was more aimed at search engine bots.

      There definitely needs to be a permissions set for served content, Robots.txt is nowhere near good enough.

    2. Re:Silly article by omnichad · · Score: 1

      this is exactly what robots.txt does

      For crawling/indexing. It's nothing to do with re-publishing.

  13. How exactly? by Anonymous Coward · · Score: 0

    Build a time machine, and go back and kill Hitler.

    Done and done. :^)

    1. Re:How exactly? by Anonymous Coward · · Score: 0

      sure Hitler was a bad guy, but preventing WWII would mean no baby boomers, so stopping the war would prevent millions from being born.

      i for one am not willing to kill someone separated from me be about 70 years and how preventing such a major event would cascade through the timeline in a way that may very well mean many in my generation were never born. (my parents were baby boomers)

    2. Re:How exactly? by Anonymous Coward · · Score: 0

      Is preventing someone from existing killing them? If so, you kill people by not copulating with fertile women every possible moment.

    3. Re:How exactly? by Anonymous Coward · · Score: 1

      Yes, and that's why I do.

  14. Don't fight the machines, use them. by Anonymous Coward · · Score: 0

    Put the book online with integrated live search results.

  15. Is 'Fair Use' Unfair To Humans? by Ralph+Spoilsport · · Score: 2

    No. Copyright is absurd. If copyright wasn't such a total clusterfuck, fair use would not be an issue.

    --
    Shoes for Industry. Shoes for the Dead.
    1. Re:Is 'Fair Use' Unfair To Humans? by Stan92057 · · Score: 1

      So whats your answer? Why do you beleave you have a right to anything others make using their own resources. I draw but im not uploading any of my drawing because i dont want them shared or stolen. What your saying is that I dont have the right to claim what i do as my own. Why?

      --
      Jack of all trades,master of none
    2. Re:Is 'Fair Use' Unfair To Humans? by gnupun · · Score: 1

      No. Copyright is absurd. If copyright wasn't such a total clusterfuck, fair use would not be an issue.

      "Absurd," based on what? Cuz you said so? Copyright allows only temporary ownership of creative work and gives the owner reproduction rights so that he/she is the gatekeeper between printing and distributing works to the public, usually in exchange for payment. That's right, the sole reason copyright exists is so the author/owners of creative works get paid handsomely. The payment is the inducement to create these works.

      What is really absurd is, why is copyright limited to only a few decades? Land ownership can last forever, as can business ownership, so does the right to collect taxes from citizens by govt also lasts infinity. So why are creative people robbed off their work and have it distributed in public after a paltry number of years? IMO, it's daylight robbery. Copyright should also be indefinite. The heirs of Mozart, Beethoven, Da Vinci, etc. should be rightfully able to claim a certain percent of income from the work of their ancestors.

    3. Re:Is 'Fair Use' Unfair To Humans? by cpt+kangarooski · · Score: 1

      Why do you beleave you have a right to anything others make using their own resources.

      Why wouldn't you?

      Let's look at real property law: if you claim to own a parcel of land, and no one disputes your claim, then while you certainly have possession of it, we don't really know that you own it because we aren't putting your claim to the test. It's like if I claimed to own the M78 nebula; I can say what I want, but no one would care. When there is a dispute, it boils down to force. If you can defend your parcel from a trespasser, you do own it. If not, then the trespasser owns it (and is now in a superior position to make such claims, being able to repel you). And since in practice there's always someone out there who is stronger than you, everyone who is on their own is in a precarious situation. Eventually the idea of an alliance comes about: you and your neighbor will ally to repel trespassers against your parcel. But why would your neighbor do this? Could be altruism, but probably in exchange for your assistance defending his parcel. The trespassers form alliances and the owners form alliances, and they all create various rules under which the alliance will operate.

      For example, in the US, we have all agreed that the state has the right to tax property. (Not all places may do this, but this is a valid state power) If you're unable to pay, the state may seize your property to cover the payment. If you resist with force, you're considered the trespasser, few if any members of the alliance help you, and are subdued or maybe even killed. OTOH if you can raise enough of an alliance to help you, you could perhaps win, and change the rules to better suit yourself.

      It's all artificial and grounded in consensus. Copyright is no different, except that it was created recently enough that there is no argument about its artificiality.

      So no one seems to be arguing that you can be forced to create works if you don't want to, and no one seems to be arguing that if you have created a work, that you must share it with others. But if you have created and shared a work, you no longer have any ability to personally defend it from others. How could you? People have the inherent ability to reproduce the work and publish it themselves, once they have become aware of it. The only way to get them not to is to convince them to respect your wishes. And no one is likely to do that except out of altruism, or more likely, because there's something in it for them; something in it for them that is better than ignoring you and doing what they want right away.

      Copyright attempts to be a system where the public will enjoy a greater benefit if they respect it than if they don't. If this stops holding true, why would it be respected? And even if it is true, why shouldn't it be reformed somewhat to make the benefit for the public the greatest possible benefit overall? Why should they settle for less? And these benefits for the public are not only in incentivizing the creation and publication of works which otherwise would not be created and published, but also in having as few (or no) restrictions on what the public can do, as rapidly as possible, if not immediately.

      I hope you can put the rest together from there.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    4. Re:Is 'Fair Use' Unfair To Humans? by cpt+kangarooski · · Score: 1

      That's right, the sole reason copyright exists is so the author/owners of creative works get paid handsomely.

      If that were true, why aren't I getting paid handsomely for writing posts on Slashdot?

      No. Copyright doesn't guarantee payment for authors and frankly isn't intended to primarily benefit authors (if at all).

      Copyright is intended to benefit the public by encouraging authors to create and publish works which they otherwise would not have created and published, and also by placing as few restrictions as possible on the public, and even then for as short of a time as possible.

      why is copyright limited to only a few decades?

      It probably should be less. It certainly shouldn't be a very long time, or forever, as this would harm the public interest in having the work be in the public domain, which is the state in which the work is most useful for the public.

      Frankly, we don't have to have copyright at all. We did fine without it for all of human history up until a very short while ago, comparatively. It's outlandish arguments like yours that strengthen the abolitionist movement. You should be grateful for whatever everyone else deigns to give you, as it's better than nothing.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    5. Re:Is 'Fair Use' Unfair To Humans? by PPH · · Score: 1

      why is copyright limited to only a few decades?

      To get you up off your ass so you'll create more.

      A few decades is too much. What the Rolling Stones created in their heyday was worth something. Now the only remaining value is in going to their concerts to see the geezer freak show. Not something in danger of being copied.

      --
      Have gnu, will travel.
    6. Re:Is 'Fair Use' Unfair To Humans? by gnupun · · Score: 1

      To get you up off your ass so you'll create more.

      And who are you to dictate what I should and shouldn't do? I don't think I or the creative people owe you anything.

      A few decades is too much. What the Rolling Stones created in their heyday was worth something.

      Too much for who? The govt and the savvy businessfolks have gotten together to screw the artists yet again. To add to that, the pseudo-communists have joined the party demanding end of copyrights. There is no rational reason to deprive what once belonged to the creator and distribute it amongst the masses for free. It's just a silly rule (limited time rights). The lawmakers themselves won't give up an ounce of power after a limited amount of time, so why should the artists give up what's rightfully theirs, what came from within?

    7. Re:Is 'Fair Use' Unfair To Humans? by pantaril · · Score: 1

      So whats your answer? Why do you beleave you have a right to anything others make using their own resources. I draw but im not uploading any of my drawing because i dont want them shared or stolen. What your saying is that I dont have the right to claim what i do as my own. Why?

      I don't believe i have right to anything you created using your resources. I believe i have right to copy anything i discover without breaking a law using my resources.

      The solution is simple - artists/creators should sell their work for real price (i.e. the money they spent creating the work + reasonable profit) instead of selling licences to copies of their work and then demanding from everyone not to create aditional copies or derivative works. Crowdfunding is the way, the resulting work can then be placed into public domain immediately.

      - Government should introduce regulatios which would bring enough tax money for those crowdfunded creative projects. Taxes would rise slightly but you will not have to spent money on books/movies/games etc. directly so on average, there should be no additional expenses for tax-payers.

      The result would be IMO ideal - intelectual property would be paid for and shared collectively because that is its nature. Copyright is trying to twist digital bits into tangible property but it doesn't work very well. There is great disproportion between how many people are needed to fund creation of some creative work and how many people can then benefit from such work. Copyright is trying to limit use of creative works only to people who directly contributed money to them, which is very inefficient (and i'm not even mentioning threats to our privacy and liberty asociated with efforts to enforce copyright)

    8. Re:Is 'Fair Use' Unfair To Humans? by Stan92057 · · Score: 1

      Discover are you kidding me. Nice fantasy world maybe you should pay the 40.00 bucks and make the one way trip to mars too.What you have described is a Communism you would love to live in China,Russia North Korea. I decide how much i will charge and how many per price. If i loose that then i stop making stuff.

      --
      Jack of all trades,master of none
    9. Re:Is 'Fair Use' Unfair To Humans? by Stan92057 · · Score: 1

      First learn what Copyright is because what you have said is...Pure rubbish

      Property law....Rubbish

      You are free to do as you want but remember dont cry when the cops lock your ass up and take your freedom away because you feel you got some god give right to take things that dont belong to you without permission or pay.

      http://dictionary.reference.com/browse/Copyright

      --
      Jack of all trades,master of none
    10. Re:Is 'Fair Use' Unfair To Humans? by cpt+kangarooski · · Score: 1

      First learn what Copyright is because what you have said is...Pure rubbish

      Property law....Rubbish

      Well, I'm a lawyer, I've taken a number of courses concerning copyright law (as well as the usual 1L property class), I've got an LL.M (a law master's degree) in IP, and I specialize in copyright and trademark law.

      I think I have some idea of what I'm talking about.

      As you seem to think otherwise, perhaps you'll enlighten me as to these things in at least as much detail as I have given in my earlier post.

      You are free to do as you want but remember dont cry when the cops lock your ass up and take your freedom away because you feel you got some god give right to take things that dont belong to you without permission or pay.

      Yes; that's exactly the sort of thing I was talking about. There are arbitrary rules which are enforced. Sometimes you can do what you want by working within the rules (eg buying and selling used copies without permission from or payment to copyright holders -- all legal as per 17 USC 109), sometimes you can change the rules (eg unlawfully making copies of certain sound recordings, whilst following the odd but usable rules in 17 USC 1008 and getting away with it, even in cases where you wouldn't've gotten away with it prior), and sometimes you just have enough force at your disposal that you can ignore the old rules and impose your own (eg the US having an official policy of piracy of foreign works for about a century).

      Meanwhile, I'll leave you with this quote from former President Thomas Jefferson:

      It is agreed by those who have seriously considered the subject, that no individual has, of natural right, a separate property in an acre of land, for instance. By an universal law, indeed, whatever, whether fixed or movable, belongs to all men equally and in common, is the property for the moment of him who occupies it, but when he relinquishes the occupation, the property goes with it. Stable ownership is the gift of social law, and is given late in the progress of society.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    11. Re:Is 'Fair Use' Unfair To Humans? by Stan92057 · · Score: 1

      Since your a lawyer then you know the reason it is only sometimes enforced or even pursued Justice is not Free in the USA. Some justice costs more then others depending on the lawyer or depending on how much money can be taken by said lawyer. Thomas Jefferson was a salve owner, hardly worthy of being quoted in this century as far as anything related to ownership. Your land argument is again Rubbish. The only people who can afford Copyright protection in the whole world is people with enough money to protect it.

      --
      Jack of all trades,master of none
    12. Re:Is 'Fair Use' Unfair To Humans? by cpt+kangarooski · · Score: 1

      you know the reason it is only sometimes enforced or even pursued Justice is not Free in the USA. Some justice costs more then others depending on the lawyer or depending on how much money can be taken by said lawyer.

      I take that to mean that you are upset that in the US, civil legal services are not provided free of cost to all parties that request them. And that instead, we have a system whereby if a party wants legal representation in a civil matter (which would generally be wise to have), they must find a way to pay for it, which or may not be difficult depending on the specific matter at hand, and the costs may vary considerably from one attorney to another.

      I sympathize, but it's difficult to see a good solution to this.

      Should we prohibit anyone from hiring legal counsel? Should the government subsidize lawyers in civil practice? Should lawyers be obligated to take any client that requests their services? (Currently, in the US, we don't have to as a general rule) Should we return to trial by combat, and build a series of municipal thunderdomes across the land?

      The current system is far from ideal, but I don't know of any solutions that seem to be practical and which don't simply introduce new problems. If you've got an idea, please tell us.

      Thomas Jefferson was a salve owner, hardly worthy of being quoted in this century as far as anything related to ownership.

      Yes, I'm sure he owned many salves. Balms and ointments too. But the fact that he did some bad things does not invalidate his argument as made in the earlier post. You're actually making an ad hominem argument.

      Your land argument is again Rubbish.

      You've yet to say why.

      The only people who can afford Copyright protection in the whole world is people with enough money to protect it.

      This seems to be a tautology, but it doesn't seem out of place with the "rubbish" argument I was making earlier. I said that people have copyrights only to the extent that they can either personally defend them (which doesn't apply to published works, unless you start killing people) or can convince others to respect them and help in their defense. That some people might want to be paid before helping to defend them fits right in.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    13. Re:Is 'Fair Use' Unfair To Humans? by Stan92057 · · Score: 1

      I'm not upset at anything at all, I think Copyright as it is is just fine no need to change anything. If your so educated then you know just why i say rubbish . And i dont steal/break laws so i dont need a lawyer whats he going to do anyways tell me make a deal or

      Isn't that what you lawyers use in courts destroy all witnesses? sure he was a smart person but he was a slave owner so anything he says is biased towards ownership.Balms and oitments? hmm didn't know that.

      And i dont upload my stuff so i dont have to worries about it being stolen.

      I pledge allegiance to the Flag of the United States of America, and to the Republic for which it stands: one Nation under God, indivisible, With Liberty and Justice for all..
      . ....who can afford it.

      --
      Jack of all trades,master of none
  16. Capitalism and money is unfair by default by Billly+Gates · · Score: 1, Interesting

    The whole idea to charge money is to be inconvenient for someone has to loose something in order to gain a limited resource whether service or a product.

    It exists because with finite resources those who really need it are willing to sacrifice to get it. Our brains are wired to be greedy too in order to get ahead by forcing people to give up everything for you means you make more money. Money is a form and way to keep track.

    However, realistically this is not a bad thing per say as we would all starve. No farmer is going to get up at 4am and bust his butt for your egg mcmuffin you ate this morning from the goodness of his heart right? No other humans demand he sacrifice to pay his mortgage, bills, and healthcare and you too get breakfast but had to give something up for it as well.

    Copyright though is artificial. Unlike food, it is created a limited resource by default so you can sacrifice more of your lives for the few who own it so they can stroke their egos by getting it in the form of money from other people.

  17. Iframe by g0bshiTe · · Score: 1

    Instead of hosting use an iframe linking to their site. Then they'd have to DMCA themselves since you aren't hosting a thing.

    --
    I am Bennett Haselton! I am Bennett Haselton!
  18. Corporations, not machines by MarkusQ · · Score: 1

    I saw what you did there. "The aggregators" that tell you to fill out a form aren't machines, they are corporations.

    Nice try though.

    -- MarkusQ

  19. DMCA does not protect copying by Anonymous Coward · · Score: 0

    The DMCA protects service providers from being sued if their users post infringing content. It does not protect the user who posts it. If Google or anybody uses a copyrighted image, they are not protected. If someone posts a copyrighted image on G+, or if a copyrighted image shows up in an image search, they have to take it down upon receiving a takedown notice to have the DMCA protection.

    Fair use is an entirely different legal argument. There is no clear definition, but it basically means that if you: use small snippets, create a new transformative work, or use copyrighted material in news of commentary, etc you are not liable.

  20. The aithor is confused. by DerekLyons · · Score: 5, Insightful

    The author of TFA is deeply confused - she can't distinguish between pictures used as content (what she wanted to to, and not fair use), and pictures used as links to content (a murky grey area under fair use). Because of her inability to distinguish the difference, she feels unfairly treated.

    1. Re:The aithor is confused. by Anonymous Coward · · Score: 0

      The author also seems to confuse the copyright concept of fair-use, which does not require the owner's permission, with public licenses, which are a blanket grant of permission to everyone. Still, the primary point is that the law should be the same regardless of whether a web page was written by a human or by a machine.

    2. Re:The aithor is confused. by Anonymous Coward · · Score: 0

      Her opinion on carry laws is outdated, too. How long until there is a tragedy? Why does she ignore the risks? The only sensible thing to advocate for is the repeal of (concealed) carry laws, but she actually advocates for the _loosening_ of such laws. Ridiculous.

    3. Re:The aithor is confused. by Warhawke · · Score: 2

      This isn't as straightforward now as it used to be. Google has now introduced full-sized image search which allows people to pull images directly from their Google search page rather than linking to the source page. Once upon a time, Google was able to get away with this because it only linked small-sized thumbnails that weren't suitable replacements to the original. The searcher actually had to link to the page to get the content, as you point out.

      Now, however, the searcher can get the content, full-sized, directly from the search link without ever hitting the original site. The bandwidth still comes from the original site, but the image can be seen entirely within the Google context. Fascinatingly, this full-sized (as opposed to thumbnail) image linking is exactly the example that the judge in Perfect 10 v. Google, Inc. , which legitimized fair use of image searches, declared would not be an example of fair use.

      Google has seemed to have entirely forgotten about that. Curiously, no lawsuits have popped up since. Granted, this is now in the days of robots.txt, but the law hasn't exactly caught up to discern the difference. Surely somebody with an interest in Google's deep pockets would sue for copyright infringement.

      That said, the problem is clearly not that "technology" gets preferential treatment but that what one defines as "fair use" is tremendously murky and cannot be statutorily determined. It has to be decided on a case-by-case basis, and the pattern of ruling on what constitutes fair use has absolutely no correlation to itself. For example, is it a fair use to watch a movie in a park (semi-public place that might warrant a public performance) to a group of 6 close friends and family? 12? On a big-screen? Who knows.

      Until fair use gets locked down as to something other than "whatever the judge feels like is fair," everyone on both sides of the equation will scream about perceived injustice.

    4. Re:The aithor is confused. by Anonymous Coward · · Score: 0

      The bandwidth still comes from the original site, but the image can be seen entirely within the Google context. Fascinatingly, this full-sized (as opposed to thumbnail) image linking is exactly the example that the judge in Perfect 10 v. Google, Inc. , which legitimized fair use of image searches, declared would not be an example of fair use.

      As you so clearly pointed out, Google is simply providing you a link to that image. They are not copying it at all, not even one bit of it. This deep linking should be illegal stuff is moronic and has never held up in court.

  21. Google isn't publishing a book by Todd+Knarr · · Score: 1

    In your example, the writer is actually copying the photos into his book. That's one thing. Google, OTOH, isn't publishing a book containing copies of the photos. They're creating an index of photos that exist. To make it minimally useful, that index has to include a thumbnail or other depiction of the photo so viewers can tell whether that's the image they were looking for or not (a prerequisite for deciding whether they want to go to where that image is published or not). I'd say that if a writer wanted to do the same thing, publish an index of where all these works were with thumbnails of them, they ought to be able to do it under fair use just like Google does. But producing an art book with full-size high-quality reproductions of the photos wouldn't be producing an index.

    Also, Google only creates an index of what the publisher has made publicly available. So what Google reproduces on their pages is by definition something the publisher isn't getting paid for when people just look at it. Google doesn't go behind paywalls or subscription barriers to find things, unless perhaps the publishers have explicitly coded their site to give Google that access for free and in that case IMO it's the publisher's look-out. To me it makes a difference in what's "fair" when you're handing out full-sized copies for free, no strings attached, to anybody who grabs one off the table vs. if they can only get them by coming into your shop and plopping down their money first.

    1. Re:Google isn't publishing a book by Anonymous Coward · · Score: 0

      Yeah and the Piratebay is creating an index of files to download. That worked for them!

      AC

    2. Re:Google isn't publishing a book by omnichad · · Score: 1

      But Google's not completely innocent in even that. Clicking the thumbnail shows you a high-res image. They even provide a direct "View Original Image" link that allows you to download someone else's image without even visiting the web page. In fact, they're an enabler to the very author the example gives.

    3. Re:Google isn't publishing a book by Dcnjoe60 · · Score: 1

      In your example, the writer is actually copying the photos into his book. That's one thing. Google, OTOH, isn't publishing a book containing copies of the photos. They're creating an index of photos that exist. To make it minimally useful, that index has to include a thumbnail or other depiction of the photo so viewers can tell whether that's the image they were looking for or not (a prerequisite for deciding whether they want to go to where that image is published or not). I'd say that if a writer wanted to do the same thing, publish an index of where all these works were with thumbnails of them, they ought to be able to do it under fair use just like Google does. But producing an art book with full-size high-quality reproductions of the photos wouldn't be producing an index.

      Also, Google only creates an index of what the publisher has made publicly available. So what Google reproduces on their pages is by definition something the publisher isn't getting paid for when people just look at it. Google doesn't go behind paywalls or subscription barriers to find things, unless perhaps the publishers have explicitly coded their site to give Google that access for free and in that case IMO it's the publisher's look-out. To me it makes a difference in what's "fair" when you're handing out full-sized copies for free, no strings attached, to anybody who grabs one off the table vs. if they can only get them by coming into your shop and plopping down their money first.

      So, based on your reasoning, I should be free to include small images of all of those pictures in my paper printed catalog because like Google, I would simply be creating an index and for it to be useful requires a thumbnail. Of course, there is ample case law specifically against that in printed material, so the real difference then is that if you do it on paper media, it is a copyright violation, but on-line it is not? That doesn't hold water, either, which is why Google says to file a DMCA complaint.

      Now, why would they do that? Well, it is a hell of a lot cheaper to use content illegally and make the content holder tell you to take it down than it is to research what images you can use legally. The actual process to remove is pretty inexpensive, however. But, if you print all of those images in a book, the cost to remove infringing ones means you have to pull the book which already has the sunken print costs. Therefore, people research and license content up front.

      In short, it has nothing to do with how the photos are being used. Both are using copyrighted content. In Google's case, it is cheaper to remove the infringing content once it is discovered to be infringing. No more or less. But DMCA is only one avenue to have the content removed. If enough content owners were impacted and could show that Google indiscriminately and knowingly took their images (say they took images from the MLB or the NFL), the copyright owners could skip the whole DMCA takedown notice and go straight to the courts for copyright infringement.

      That brings it back to the gist of the article, though. For a small guy, whether an individual or even a small corporation, they don't have the wherewithal to take a company like Google to court and Google knows it, so they arrogantly and blatantly violate people's copyrights all the time.

    4. Re:Google isn't publishing a book by Todd+Knarr · · Score: 1

      That's why the second paragraph. It IMO makes a difference when Google's showing only what anybody could grab without paying or having any strings attached. It's like a publisher complaining about bootleg copies of the flyer that they left stacks of outside on the unattended table with the "Take One" sign over them. I'm not going to classify that in the same category as bootleg copies of the books inside the store that nobody can walk off with without paying (or making a deliberate effort to steal).

      As far as downloading the image, what do you think that "View Image" item in the right-click menu of the browser does? Images don't fail to be fetchable just because the request isn't a result of an IMG tag. If you don't like the idea of people fetching and viewing your content directly, you probably don't want to be publishing your content on the Web. Just like if you don't want everybody with a cheap radio to be able to listen to your songs for free, you probably don't want to put them on broadcast radio.

    5. Re:Google isn't publishing a book by omnichad · · Score: 1

      But Google is direct-linking the image and not the page. It's just not very nice to web content owners. Even if it's just as legal.

      Bad example on broadcast radio - the artists get royalties on that.

  22. Most laws are unfair to humans by GameboyRMH · · Score: 5, Insightful

    Humans don't have limited liability protection, can go to jail, can't transfer their lives to another under a different name, can't claim income through a different tax jurisdiction, and aren't immortal.

    --
    "When information is power, privacy is freedom" - Jah-Wren Ryel
    1. Re:Most laws are unfair to humans by Comrade+Ogilvy · · Score: 1

      Limited liability corporations are by their very nature subsidies for the wealthy on the assumption that such entities tend to serve the common weal more than often enough. To use the language of Ayn Rand, they exist because of an intrinsically Collectivist moral argument that presumes running roughshod over individual rights can be justified by a plausible appeal to the greater good. I am not advocating for abolition, but we should recognize that a nominally fair playing field between fictional persons and human persons is not going to be genuinely level. Therefore laws that disfavor corporations can easily be more conducive to a true free market than what we have.

    2. Re:Most laws are unfair to humans by marcosdumay · · Score: 1

      Limited liability is a subside from the wealthy to the entrepeuner. And the subside is actively granted when the wealthy decide to hold an interest on each entrepeuneurship, it's a completely opt-in system.

      That is, except when any government money enters into the question.

    3. Re:Most laws are unfair to humans by Comrade+Ogilvy · · Score: 1

      It is opt in except when it isn't. A corporate entity can damage a non-consenting individual. Pollution would be the obvious example, but there are others.

    4. Re:Most laws are unfair to humans by marcosdumay · · Score: 1

      Ok, point taken.

      It is basicaly an opt-in system. Except when the government actively puts money on it, or passively accept externalities from it. Or when the Law coerces people into investing on the coorporation, or a million other situations where our society simply isn't fair. Yet, it's basicaly opt-in.

  23. The cost to produce? by Anonymous+Brave+Guy · · Score: 1

    The cost to produce has gotten cheaper

    Not quite. The cost to REproduce has come down dramatically. The cost to PRODUCE works in the first place is higher than ever.

    That is almost certainly due in part to celebrity stars and their demanding agents, at least in some creative industries. However, it is also because many of the works that are produced today have far greater production values than anything we produced as a society even a few years ago.

    I think any case against copyright as a principle (as distinct from abusively distorted copyright in practice) needs to include a plausible alternative model that doesn't throw away all of those valuable works. So far, the most successful experiments in alternative business models have seen only isolated successes, and usually under highly favourable conditions that would not generalise.

    --
    If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
  24. No, copyright is the problem by Anonymous Coward · · Score: 0

    This article is definitely backwards.
    Commerical copyright is grossly unfair to humans.
    Copyright terms are already far to long. We need to reduce copyright terms to months, instead of years, if not to abolish copyright completely.
    Those who have abused copyright, to assault humanity, has made the position of copyright holders untenable. Consequently, unless their behaviour shows a substantial improvement, we will have no choice but to eliminate copyright completely.

  25. Nothing new here. by Dcnjoe60 · · Score: 1

    Humans aren't losing out on content to machines. Yes, Google and others scrape content, but they aren't machines. They are corporations owned by other humans. All this article is about is small players not being able to compete against big corporations. That has almost always been the case. The fact that laws like the DMCA make it even harder for small players to compete just aggravate an already imbalanced system.

    The middle ages had a feudal system, the modern world has a corporate system. In the middle ages, the king would only listen to those who filled his coffers. The same is true today with the government. Is there any wonder that small players have no voice, when an individual is only allowed to make a $2,600 campaign contribution, but with recent rulings a corporation can spend whatever it wants?

    Contrary to popular belief, big corporations like government regulation because the cost to comply forces out smaller competition. Then, once the competition is gone, they lobby against the regulation and their bought and paid for representatives are all but too happy to comply.

    Pope Paul VI said "If you want peace, work for justice." If he were alive today, he would probably add "If you want justice, get the money out of politics." Because, until you do, the US will continue to remain a plutocracy, where the wealthy class controls the government and the wealthiest class of all, now that the SCOTUS has determined them as persons under the law, are the mega corporations.

  26. welcome to the machine by znrt · · Score: 2

    should we forget about copyright already? sure enough.

  27. Corporations, Not Machines, Are The Issue by cmholm · · Score: 1

    The commenter is confusing the actions of corporations with the productive assets they utilize. A machine may scrape a site, but it took a human - usually following the guidance of her/his employer - to set the machine in motion. A corporation, especially a corporation of > 1, can distribute the work of collecting copyrighted material, hosting it, organizing a sales effort around it, responding to the bitching and moaning, and seeing to any resulting adjudication.

    A person, motivated by fun, or acting as a sole proprietor, with only so many minutes in a day, and with full exposure to her/his assets, usually can't scale to handle all of those efforts.

    --
    Luke, help me take this mask off ... Just for once, let me butterfly kiss you with my own eyes.
  28. Well... by sootman · · Score: 1

    "copyright" itself is by definition an unfair concept (it attempts to combat one kind of unfairness with another) so it stands to reason that anything else that comes from it would also be unfair. (Ditto for patents.)

    I mean, you do know that it's a totally made-up concept, right? Copying is a true human right. We have eyes with which to see, ears with which to hear, brains with which to remember and analyze, mouths with which to speak or sing, and hands with which to create. If I watch someone make a chair, I know how to make a chair and can do so myself. A thousand years ago, if you saw a nice chair in someone's house, you didn't have to ask permission to make one just like it for yourself.

    If someone tells me a joke or story, or sings a song, it is in my head and I can reproduce it at will. (Allowing for memory and talent.) The idea that someone can say "Hey, I thought of that first, you can't do that thing I just did unless I say so" is a totally artificial construct.

    Granted, its original purpose was to keep big businesses from "stealing" the ideas of "little guys", and encouraging little guys to make good things and not fear that they'd get nothing due to big companies instantly copying them and making things better and cheaper, but it's been abused 16 ways from Sunday. Solve one problem, create a thousand more.

    --
    Dear Slashdot: next time you want to mess with the site, add a rich-text editor for comments.
  29. Easy by submain · · Score: 0

    Just make a machine to fill out DMCA forms. Follow that path and soon enough, we will have machines suing other machines.

  30. So Google makes publicly available that which is by walterbyrd · · Score: 2

    already publicly available?

    And this is some great injustice . . . how?

  31. HAHAHAHA.... by Anonymous Coward · · Score: 0

    The fair use battle was lost long ago. Duh, get over it.

  32. Not even that by Anonymous Coward · · Score: 0

    If it capped out at a hundred thousand dollars a year I would be fine with it. Disney and other big corps could monopolize a miniscule (insignificant, practically zero percent) fraction of all creative works, for as long as they wanted, by paying this stipend every year. The rest of us could have 10 to 15 years of protection for things we really care about, and the other 99.999% of copyrighted works would be available for remixing and free distribution within a handful of years of initial release (and certainly by the time they stopped being profitable for the copyright holder to bother with trying to sell them).

    1. Re:Not even that by camperdave · · Score: 1

      No. It is the lack of cap that forces works into the public domain. Without the cap, Disney blockbusters will never see the light of public domain.

      --
      When our name is on the back of your car, we're behind you all the way!
  33. Re:Comprehension itself is problematic for author by b4dc0d3r · · Score: 1

    I resent your characterization of unfairness - if not for that I might have not posted what I prepared. Which is why I post this here. The remainder of the "you" references are aimed at the author of the article (that's what you see if people here would read and critically think about the page that appears after clicking). Apologies for slashdot's pasting being retarded.

    "This article in Wired advances the idea that humans are losing the copyright battle against machines because the fair use laws are tilted against them. The writer wanted to include photos in his book, but the licensing fees were too high. The aggregators, though, like Google, are building their own content by scraping all of the photos they can find. If anyone complains, they just say, 'Fill out a DMCA form.' Can humans compete against the machines? Should humans be able to use the DMCA to avoid copyright fees too? Should web sites be able to shrug and say, 'Hey, we just scraped it?'"

    Because many of those people â" and websites â" are notoriously loose with reusing images, and they like to hide behind the blithe view that itâ(TM)s all âoefair use.â

    Fair use is fairly clearly laid out, and things like lolcats or other image macros can be considered parody. There is an article in Ars Technica which reproduces the image to illustrate what is the subject of the lawsuit. The lawsuit was ridiculous because the plaintiff had followed proper DMCA takedown, the site complied, then the plaintiff registered the copyright formally and sued Buzzfeed for the infringement of other sites that had subsequently used the photo. In other words the lead-off of this paragraph points to a baseless suit.

    This example also shoots the argument in the head. BuzzFeed might as well be a web site with a single editor, author, owner, creator, and janitor. DMCA takedown would have been just as effective, unless the janitor AKA DMCA contact was out that day.

    Was BuzzFeed a machine that included the image? Or was the article written by a human? The answer is that this is an exceptional case, and it makes no difference, because the plaintiff wrote the lawsuit and filed it with no legal advice. I can be sued for farting in the state of Wisconsin, despite never having set foot there. The case will likely be thrown out as soon as I submit my response to being served, which is "I was never there, and plaintiff will have to prove that I was, so good luck with that"

    Some algorithm assembled the photos and itâ(TM)s enjoying a nice little loophole.

    Okay, support that statement.

    If I included photos, I needed to share my royalties with the photographers or risk a punitive copyright lawsuit. As a creative worker, I understood sharing with the photographers. And the pictures would really add depth to the book.

    You're writing a book? That will be published and people will maybe pay money for? DMCA offers no protection for that. Is that your point, that DMCA offers safe harbor for individuals OR machines, but not for book authors?

    one friend told me flat out that if he wanted the pictures, he would just go to Google. And he was right: All the photos were there.

    Oh, the book is online, and your book isn't.

    The automated machines have me and the photographers beat. Aggregators â" whether listmakers, search engines, online curation boards, content farms, and other sites â" can scrape them from the web and claim that posting these images is fair use

    Nope, not even correct. BuzzFeed claims its use is transformative, but that doesn't mean they can scrape them and call them fair use. They have a DMCA waiver, and a baseless lawsuit to defend. How much in legal fees will it cost them? More than your royalty fees of $10

  34. True, but not the only way by twisteddk · · Score: 1

    I agree that society, and culture will proceed to develop new works of art and fiction, for as long as it is profitable to so. Profit being measured in both cash AND enjoyment. Most authors would be much less productive if they did not get some sort of payment from their work. I agree totally with this.

    However, payment to the authors doesn't NEED to come from licensing. In fact I can cite examples in which the owners of a work dont WANT the fees (eg in Russia where the licensing fees are set forth by law, not by the author, which is why half the globe banned perfectly legal Russian MP3 sites a while ago). But lets agree that they want something.

    the problem I see is greed. The distributors are protecting their investment, because they see any other source of creation as a threat to their business. However, here in my country, we have a "fair use" law, which means that when I buy a blank media, a piece of blank paper, or toner for my photocopier, I pay a tax which goes into a fund, which then distributes monies to the authors of the "presently most reproduced pieces of work"
    Libraries does the same, pay royalties to the authors based on how much their books, movies or music is being used.
    Admittedly, noone is getting fat of this system, and certainly the distributors are getting shafted, if I can just go grab a book or a piece of music for free at the library. but I dont see the failing of a business model as being a good reason for endorsing the status quo.

    The rest of the world is adapting to global trade.... attempting to enforce a single point of view on copyright or fair use is doomed to fail. Coonsumers WILL move to where their product is, regardless.

    --
    --- To err is human... Am I more human than most ?
  35. Orphan works by Comboman · · Score: 4, Informative

    Yes, I get it - it just seems like it's solving a problem no one has.

    The problem that a progressively increasing copyright registration fee solves is the problem of orphan works. Under the current system, lots of works are still covered by copyright even though the copyright owner cannot be found and thus the works cannot be licensed. A system like the GP is suggesting would force abandoned works into the public domain where they can be preserved, while still allowing actively used works to have a longer period of copyright protection.

    --
    Support Right To Repair Legislation.
  36. Except artists ARE NOT making money under copyrigh by Anonymous Coward · · Score: 0

    Except artists ARE NOT making money under copyright.

    http://arstechnica.com/tech-policy/news/2009/12/artists-lawsuit-major-record-labels-are-the-real-pirates.ars

  37. If you don't REproduce it by Anonymous Coward · · Score: 0

    If you don't REproduce it, then you're not using copyright at all.

    No copies does not require copyright to make happen.

    The production for commercial use of a "creative work" that can be covered by copyright HAS to be done by producing COPIES of that work. Unless in a fixed medium, a creative work is not copyrightable. See live performances are not copyrightable, but the official video of the live performance is.

    And the cost of producing a commercial size warehouse of copies of your creative work USED TO BE expensive. Now it's practically free.

  38. The problem is copyright by argoff · · Score: 1

    IMHO, copyright is a manifestation of a severe misunderstanding of why a society even has any property rights at all. Property rights do not exist to help people make profit, that's a consequence property. Property exists to deal with the truth that not everybody can use everything at the same time. We create property so we can resolve disputes over scarce resources without beating the crap out of each other. While it's true that when people stop knocking the crap out of each other, society tends to be prosperous and happy. That is a consequence of property rights, not the reason for them.

    Well, with content and information, everybody can use everything at the same time. Copyrights impose a restriction on use, not for the sake of resolving conflicts over scarce resources, but for the sake of controlling how people distribute information for optimum profit. They are an abomination of everything free markets, property rights, and capitalism were ever created for. They are a fraud, and likewise everything we have ever been taught about them is a fraud too.

    Ever since childhood, we have all been taught that copyrights are a property right that protects creators and incentives creation. But in the real world copyrights act nothing like normal property rights, they protect cartels, and incentive lawyers. This is a fact, it is impossible to deny. The few creators who do win the copyright game are like people who win the lottery, no mention of the countless others locked out. They don't incentive creation, all they do is force the market to centrer around creation controls instead of creation services. They aid the people who control, far more than they aid the people who create.

  39. DCMA .. by balise · · Score: 0

    Everyone was warned by folks like me that it was the dumbest idea of
    all time. Now people seem to be entrammeled by the implications ...

    [ And don't really notice that it was lawyers at
          Adobe et Al that did this to them. ]

    EDUCATION. What the USA lacks ... plus, the inclination
    to reward monopolization and big business. Jeez.

    --
    John Eadie [JE46] http://www.c-art.com `one of these days the dogs aren't going to eat the dog food' - Bill Joy