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Tension Escalates Between Netflix and Its TV Foes (nytimes.com)

An anonymous reader writes: Viewership numbers are vital within the TV industry. For years, the networks have relied upon ratings to make money — higher numbers mean higher ad revenue. The most important part of the ratings system is that individual networks can't just claim whatever viewership they want; third-party companies like Nielsen control the stats. But Netflix doesn't operate by the same rulebook, and this is frustrating the networks. Execs from Netflix and various networks have started arguing about it, both at an industry event this weekend, and in media interviews. NBC had hired a firm to estimate Netflix's viewership numbers, because Netflix won't release them. Netflix says the estimate is laughably wrong, but has also suggested shows fare better on their platform than on cable or broadcast television. If true, it gives them leverage to recruit more and better talent to produce such shows. But it's impossible to refute without numbers, and the networks are increasingly annoyed they can't do that. NBC thinks the media tends to give Netflix a pass on these statements. FX chief John Landgraf said, "[Netflix's Ted Sarandos] shouldn't say something is successful in quantitative terms unless you're willing to provide data and a methodology behind those statements. You can't have it both ways."

302 comments

  1. Meanwhile... by Anonymous Coward · · Score: 3, Insightful

    My pirating escalates as well. I don't NEED either of you, so if you're going to raise the price and/or give me less to watch, I'm going to take it for free and own it indefinitely. Your choice.

    1. Re:Meanwhile... by Revek · · Score: 0

      When they give back what was taken from us all then I will care. A little

    2. Re:Meanwhile... by Anonymous Coward · · Score: 5, Interesting

      You don't need to pay them, but you do need them to make the content. So, you need someone to pay them. Therefore, you should promote an environnement that results in at least one of them getting paid.

      In conclusion, while it makes no difference whether you pay or not, it's in your interest to convince everyone else that paying is a good idea.

      Just as in democracy, where voting has practically no effect but convincing many others to vote for your side can be interesting.

    3. Re:Meanwhile... by Anonymous Coward · · Score: 0

      Funny that you claim you don't need content creators but admit to ripping them off at the same time. You need them, you're just unwilling to pay them.

      My hope is that someday people really do "cut the cord" and really show content creators that if they want paid they need to do better. When people completely turn their back on them they'll have no place left to run and hide. In the meantime the media consumers who don't pay are just pushing a heavier burden on those who do. And the tide will ever roll back if the consumers keep consuming. Sadly the market is willing to pay a high price even with other forms of entertainment around them.

    4. Re:Meanwhile... by penguinoid · · Score: 1

      Now, now, just because companies gleefully pillage the public domain, doesn't mean you have the right to infringe on their government-granted monopolies.

      --
      Don't waste your vote! Vote for whoever you want, unless you live in a swing state it won't matter anyways
    5. Re: Meanwhile... by nehumanuscrede · · Score: 5, Interesting

      Easy choice.

      He who doth not innundate me with commercials will be the one I choose to pay.

      The only way I will tolerate commercials is if they are placed at the beginning or the end of the programming. I'm sure many others feel the same.

      Cable / Satellite providers: You had best take that last sentence to heart if you wish to remain a choice at all.

    6. Re: Meanwhile... by Anonymous Coward · · Score: 3, Insightful

      Pirating created avenues like Netflix in the first place...the goal was to put up a lot of media cheaper than the effort to pirate it.

      We are soon approaching the point where pirating is better again. If people go back to pirating in droves, a new Netflix will come on to fix the problem. You can't stop pirating, but you can make your service good/cheap enough for people not to pirate.

    7. Re:Meanwhile... by jedidiah · · Score: 2

      The funny thing about software is that it doesn't wear out.

      That means that we just keep on accumulating more of it. Now most of it would be in the public domain already if not for corporations corrupting the law and government. Even with that corruption, works become cheap and plentiful.

      With a high lack of originality in current works, it often makes much more sense just to go back to the source material. Sometimes it's even CHEAPER even if you're paying for it.

      Cheaper and better even without piracy...

      How sustainable do you think that is?

      Trade your cable bill for a monthly media budget and you can in relatively short order have more stuff than you can handle.

      Netflix is just the cheap and easy option...

      --
      A Pirate and a Puritan look the same on a balance sheet.
    8. Re:Meanwhile... by Anonymous Coward · · Score: 0

      Actually, for $9.99 it's not really that bad compared to broadcast TV. I think there are about 300 movies that are pretty good quality and well known but the rest are just awful B movies. There are also plenty of A+ TV Shows to watch on there even if it takes one year to get the new seasons I always end up watching some of the shows over and over again. The 3 things I hate about Netflix is the slow web ui, the search, and no custom sorting in My List. Netflix Queue Sorter no longer works.

    9. Re:Meanwhile... by Anonymous Coward · · Score: 1

      You can pillage the public domain. Feel free. There's tons of content out there are if that's all they're doing why don't you do it too? Oh, that's right, it's because that's not all they're doing. You obviously find something worthwhile in the "value added" model of media creation so don't be an ass about it.

      Meanwhile, the vast majority of the public domain that you claim is just the pillaged corpse by which teh ebil media content creators scavenge off of was also given it's own limited monopoly in its own time. Back then the content had even better protection due to the analog and physical natures of the media in question. So don't expect a lot of sympathy from today's creator who has to normally hear the cries of the kind that the OP posted.

    10. Re: Meanwhile... by Anonymous Coward · · Score: 1

      Agreed. The amount of advertising on television today is flat out greed, it far outweighs what is necessary to continue broadcasting. The ad model was probably never a very intelligent way to generate reliable revenue in the first place!

    11. Re: Meanwhile... by Vanderhoth · · Score: 5, Insightful

      Actually Netflix originated from how shitty Blockbuster was. The creator of Netflix rented movies from Blockbuster frequently, and was often charged late fees. Even after Blockbuster "did away" with late fees. I think the anecdote goes, he returned a movie and was charged a late fee. Upon complaining to the employee, the employee said, "You can always start your own video rental store", so he did.

      He created Netflix, which started as a mail order rental business with no late fees. It got popular because Blockbuster was shit and was really the only major chain renting movies at the time. Once Netflix went online, along with the rising popularity of pirated movies, it was all down hill for Blockbuster.

      I for one was glad to see Blockbuster die, and I'm even happier to see cable die. Netflix is doing good with their original content and has a good selection of overall (and I'm Canadian using the Canadian Netflix). The wife and I cut our cords over a year ago now. We get a lot of content from Netflix now (mostly for our 4 yr old) and use Kodi for a few cable programs Netflix doesn't have that we enjoy. Being on the East coast I got tired of paying cable fees for the three or four shows a season we watch that were always on so late it was a struggle to decide if we stay up to watch them and be exhausted the next day or go to bed early and skip watching TV. Sleeping often won and we eventually just got rid of cable since it was expensive and we didn't use it.

      The problem now is our cable provider is also our internet provider (There's only two ISPs in our area) and they're just jacking up internet prices to compensate for the drop in cable subscriptions. They'll get their money one way or the other. Eventually they'll probably charge Netflix, on top of us, to deliver their content so they'll get paid on both ends as the middle man.

    12. Re:Meanwhile... by tepples · · Score: 2

      Song of the South is still copyrighted. But practically, how much is that film contributing to the continued existence of The Walt Disney Company?

    13. Re:Meanwhile... by Anonymous Coward · · Score: 0

      That's all you hate?
      How about the ridiculous recommendation engine that continues to recommend you a film you just watched for days and days after?
      How incompetent can one be to not even get something that obvious and basic right?
      Or how about when travelling between countries it is random whether that show you put on your list will show up? It disappears most of the time when it's not available in the new country (why?) but not always (?!?).
      Or when a show is removed, it disappears from the list. So you can't even get it from somewhere else if you forgot the name! I also think it doesn't re-appear in your list when they re-add the show.
      The user interface is truly absolute bottom barrel, and it doesn't even matter if web, app or whatever.
      Btw. the Windows Store app is particularly funny. It has fewer features (e.g. no chromcast support) and generally works worse than just using the browser!

    14. Re: Meanwhile... by amRadioHed · · Score: 1

      They'll get their money one way or the other. Eventually they'll probably charge Netflix, on top of us, to deliver their content so they'll get paid on both ends as the middle man.

      I could be wrong, but isn't that illegal under current laws?

      --
      We hope your rules and wisdom choke you / Now we are one in everlasting peace
    15. Re:Meanwhile... by Anonymous Coward · · Score: 1

      Fuck you. There's a small handful of actors that get paid $20m a movie, most other actors make far, far less and don't get that much work. Being paid $1m for a movie sounds like a lot of money, but if you've been in the business for 20 years and working 2 minimum wage jobs to make ends meet, you would have had more money had you gotten a higher paying job.

      Literally, that $1m gets taxed as income rather than capital gains, so you're probably giving a third of it back to the government immediately. The difference between a minimum wage job and something higher paying can be as much as $40k or more without having to do anything exotic. So, from that alone, you've just about given up the $1m pay day to pursue your dream.

      And don't forget that preparing for a role can take months where you're not earning any money from other sources.

      Then there's the other poor slobs that are working for deferred payment hoping just to make minimum wage earnings on an independent project. We depend a great deal on the generosity of the viewers to cover production costs.

    16. Re: Meanwhile... by Registered+Coward+v2 · · Score: 2

      Actually Netflix originated from how shitty Blockbuster was. The creator of Netflix rented movies from Blockbuster frequently, and was often charged late fees. Even after Blockbuster "did away" with late fees. I think the anecdote goes, he returned a movie and was charged a late fee. Upon complaining to the employee, the employee said, "You can always start your own video rental store", so he did.

      Netflix did a classic " eliminate the expensive low value features while adding new ones that people re willing to pay for..." strategy. They avoided the expense of a lot of brick and mortar locations that had limited catalogues by offering a large selection of DVD's by mail and turning around the orders quickly. Since they were shipping from multiple locations they could also better tailor their inventory to demand since they didn't have to stock a bunch of the latest releases, trying to accurately estimate demand, at every location like BB did. I'm guessing they also cut a price deal with studios not to dump tons of DVDs on the used market as demand slowed, also reducing their cost to get DVDs. Once internet connectivity took off streaming became an even more viable option and Netflix could move into that without damaging their customer base, unlike BB who would lose the revenue from their stores as streaming grew. BB tried to counter Netflix with their own mail order, and later streaming, services but by then Netflix had taken off and BB was stuck with a lot of brick and mortar stores that were bleeding cash. They made it worse by offering free rentals whenever you traded in a BB by Mail DVD, further cutting into the store's revenue and hastening their demise.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    17. Re: Meanwhile... by Anonymous Coward · · Score: 0

      Quote:"Being paid $1m for a movie sounds like a lot of money, but if you've been in the business for 20 years and working 2 minimum wage jobs to make ends meet, you would have had more money had you gotten a higher paying job."

      I doubt most people ever make a million in their life time. You are flat out wrong, lets say an actor gets roughly 1 movie role for $1m every 5 years. In 20 years that $4m, if you can't live off that and need 2 minimum wage jobs, you did something wrong.

    18. Re:Meanwhile... by fluffernutter · · Score: 2

      Then I suggest they don't pay the biggest stars $20m and spread it out to all those others out there that are practically starving.

      --
      Laws are rules for the court, but merely a bottom bar to hit for life. Think beyond laws in your actions always.
    19. Re:Meanwhile... by ewibble · · Score: 2

      IP is an imaginary asset constructed by law, with physical assets such as buildings, and automobiles someone actually has to come and take it. But with intellectual property all they have to do is say, naa we don't think those laws are right, and your intellectual property vanishes in a puff of logic.

      The US is playing a very dangerous game shifting all its actual production overseas, and relying so heavily on its ownership of intellectual property. What would happen, if tomorrow China said we don't believe in your imaginary property. The US could not invade, it can barely manage in Afghanistan, how would it fair against a nuclear power like China.

    20. Re:Meanwhile... by ewibble · · Score: 1

      That's right they add value, the point is however, you use the public domain, add some value, make some profit return added value back to the public domain. So more value can be added by someone else. Instead these companies feel that once they have added any value it now belongs to them basically for ever, ok 75 years after the artist dies, until that gets extended again.

    21. Re:Meanwhile... by Fwipp · · Score: 1

      "Oh no I have to pay taxes, so suddenly making a million dollars for a month of work is terrible :("

    22. Re: Meanwhile... by 0100010001010011 · · Score: 4, Insightful

      Netflix, Amazon Prime and Comcast's "X1 on Demand" have now caught up with how I was pirating and watching shows a decade ago. I didn't even know "binge watching" was a thing, I would just get an entire series and watch it and move on to the next series. It's what I've always been asking for but Comcast said "nah, you'll watch it on our schedule". Blockbuster required me to make an additional stop in my my way home. I could queue up a movie before I left work/school and watch it that night.

      The easier it has been to get new, good content for a reasonable price the less I pirate.

    23. Re:Meanwhile... by Anonymous Coward · · Score: 0

      Actually, the war in Afghanistan only lasted a couple of months, as did the war in Iraq. What you are referring to is the insurgency, which could be ended in a couple of weeks if the US leveled every building we believed were harboring insurgents. Our mercy and restraint allows the insurgency to continue. In a knock down, drag out fight with conventional weapons, China would lose in a couple of weeks as well. The size of the military is irrelevant to the technology. They are flying and driving the same hardware that the Iraqi military had. When one fighter jet can lock on and shoot down 16 enemy fighters at the horizon where they have no knowledge of your presence and then return, reload and do it again and again, the technology gap is key. This is why China has furiously been stealing technology from the west for the last 20 years.

      By the way, not all manufacturing has gone to China, just the cheap junk, disposable electronics etc. There are exceptions, but the reality is China and the US are intertwined economically by intent. It would be anathema to the Chinese economy to enter a war with the US. Bullets, bombs and military hardware are still made in the USA. You might have to wait 4 more years for the next iPhone, and your cheap power tools would dry up, but life would go on.

    24. Re: Meanwhile... by Actually,+I+do+RTFA · · Score: 1

      Eventually they'll probably charge Netflix, on top of us, to deliver their content so they'll get paid on both ends as the middle man.

      You mean already. Or if you're in around 90% of the US you would.

      --
      Your ad here. Ask me how!
    25. Re: Meanwhile... by Anonymous Coward · · Score: 0

      If it is against the law they don't give a ^%(^.... Decent article to show that exactly what Vanderhoth mentioned is already happening, and the study paper behind hte article.

      https://medium.com/backchannel/jammed-e474fc4925e4#.78i6j15i2
      http://www.measurementlab.net/static/observatory/M-Lab_Interconnection_Study_US.pdf

    26. Re: Meanwhile... by Vanderhoth · · Score: 3, Insightful

      isn't that illegal under current laws?

      Probably, but I doubt a little thing like "the law" would prevent them from finding some work around.

    27. Re: Meanwhile... by liquid_schwartz · · Score: 4, Informative

      I could be wrong, but isn't that illegal under current laws?

      As Disney demonstrated paying to get laws changed in your favor is pretty straight forward. Citation: https://en.wikipedia.org/wiki/...

    28. Re: Meanwhile... by PRMan · · Score: 0

      I'm sorry. This is not "Insightful" at all. Because it's completely inaccurate.

      Netflix didn't "start as mail order" and then "switch to online". And quite frankly, how would a Canadian even know since it started in the US? I was one of the first subscribers. It was ALWAYS online. It was always DVD only. And when I started, there were only 20 or so titles to choose from (because there were only 20 or so titles at all in the world). It grew quickly from there.

      I have been a Netflix subscriber from the very beginning. I seriously doubt it was started as a snub to Blockbuster. Nothing about it had that feel back then. It seems more like it started with, "Hey, these DVDs are more durable than VHS tapes! I think we could run a nationwide online rental store!"

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
    29. Re: Meanwhile... by amRadioHed · · Score: 1

      Except that in this case there is big money on both sides of this issue. Google, Netflix, Amazon, MS, etc... aren't just going to stand idly by while Comcast gets their way on this.

      --
      We hope your rules and wisdom choke you / Now we are one in everlasting peace
    30. Re: Meanwhile... by LynnwoodRooster · · Score: 2

      A high school diploma will get you around $1 million over your lifetime, and college degrees up the income from there. Given that about 88% of all people have high school diploma, the $1 million over your lifetime is probably a very good estimate for what most people will make.

      Quick thought experiment: there are approximately 45 years of "work" for most people (assume the average start of adult work is 20). That means if you average $2000 per month over your entire 45 year career, you'll make more than $1 million by the time you retire.

      --
      Browsing at +1 - no ACs, I ignore their posts. So refreshing!
    31. Re:Meanwhile... by Anonymous Coward · · Score: 0

      Don't worry, actors will be replaced by CGI soon enough. Then all these actors can go get higher paying jobs as you say.

    32. Re: Meanwhile... by dgatwood · · Score: 3, Insightful

      Netflix didn't "start as mail order" and then "switch to online". ... It was ALWAYS online. It was always DVD only.

      The term "mail order", at least in post-1921 usage, refers to the means of product delivery, not the way that the product is ordered. We still call it "mail order", whether the ordering happens by mail, phone, or the Internet. The vast majority of mail order businesses do not take orders by mail.

      So yes, the GP was completely accurate when it described Netflix as being a mail order company originally, then switching to online (streaming) delivery.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    33. Re:Meanwhile... by Anonymous Coward · · Score: 0

      Yeah, because everything on Pirate's Bay is at least 14 years old, right?

      People who break IP laws to try to validate the flaws in current IP laws are nearly always in the wrong with any somewhat plausible solution to the "problem" of IP. These people aren't holding onto IP that should be in the public domain as set down by law hundreds of years ago, they're taking whatever they don't feel like paying for today, using it as mere passive entertainment and screaming for more while claiming what they've infringed on isn't worth a dime anyway. Please don't try to defend that. It's not about IP, it's about a generation of entitled jerks taking what isn't theirs and crying that they need more because 800 channels, free books on ereaders and free streaming audio just isn't enough.

    34. Re:Meanwhile... by ChrisMaple · · Score: 1

      I've read that China has stealth submarines that US subs can't dependably detect. That does not make for a low-loss, quick, easy victory.

      --
      Contribute to civilization: ari.aynrand.org/donate
    35. Re: Meanwhile... by Anonymous Coward · · Score: 0

      Cable and satellite doesn't insert the commercials, the network does. They just broadcast what the network gives them.

      Do you guys even fucking understand basic shit?

    36. Re: Meanwhile... by dstyle5 · · Score: 4, Funny

      And quite frankly, how would a Canadian even know since it started in the US?

      This knowledge was most likely gained in one of the following manners:

      1. Canadian Witchcraft
      2. ESP
      3. A Ouija board
      4. Wikipedia https://en.wikipedia.org/wiki/...

      I'm guessing probably number 1.

    37. Re:Meanwhile... by Anonymous Coward · · Score: 0

      > What would happen, if tomorrow China said we don't believe in your imaginary property. The US could not invade, it can barely manage in Afghanistan,
      > how would it fair against a nuclear power like China.

      China has already said we don't believe in your imaginary property. If you don't believe me go to any night market in Hong Kong.

    38. Re: Meanwhile... by Anonymous Coward · · Score: 0

      You were so eager to spray that you missed the point: an individual vote is essentially worthless when there are thousands of voters in a district. However, thousands of people choosing to vote the same way is important.

    39. Re: Meanwhile... by Aighearach · · Score: 1

      Cable and satellite doesn't insert the commercials, the network does. They just broadcast what the network gives them.

      Do you guys even fucking understand basic shit?

      Sometimes true, other times not. Do you cowherds even fucking understand basic shit?

    40. Re: Meanwhile... by Aighearach · · Score: 1

      They'll get their money one way or the other. Eventually they'll probably charge Netflix, on top of us, to deliver their content so they'll get paid on both ends as the middle man.

      I could be wrong, but isn't that illegal under current laws?

      Nope. What law was that? If you don't even know what the law says, it probably doesn't say whatever you "think" it says. ;)

      BTW, not only is it legal for middle-men to get paid on both ends, it is a common practice in many industries. Why would it be wrong by default?

    41. Re: Meanwhile... by Aighearach · · Score: 1

      The flappy heads seem to somehow enhance their witchcraft. I'm not sure what the mechanism is. But the net results seem to be mostly the ability to conjure petroleum balrogs out of frozen sand, and lots of hot pagan babes.

    42. Re: Meanwhile... by amRadioHed · · Score: 1

      Not a law, the FCC decision last year to treat internet providers as common carriers.

      --
      We hope your rules and wisdom choke you / Now we are one in everlasting peace
    43. Re:Meanwhile... by Anonymous Coward · · Score: 0

      It's greatly contributing to their success, so long as it remains out of circulation.

    44. Re:Meanwhile... by Anonymous Coward · · Score: 0

      We would just stop paying money to China to have them build things, seize their real estate investments in the U.S. and prohibit them from transferring their money out of US banks. Then, we would move all our factories to other low cost countries. In the end, they value of the free movies and TV shows and such is worth far less to them then all the other stuff.

    45. Re: Meanwhile... by Toshito · · Score: 1

      Netflix is doing good with their original content and has a good selection of overall (and I'm Canadian using the Canadian Netflix). The wife and I cut our cords over a year ago now. We get a lot of content from Netflix now (mostly for our 4 yr old)

      I would say that the content of the Canadian Netflix is getting better, but there's still a serious lack of french dub.

      I watch everything in english, but my kids aren't fluent enough for now and prefer watching the french version, and it's getting tiring everytime we sit for a bunch of Netflix and have to click on every single movie to see if it's dubbed in french or not (why can't we have a search option for this?).

      And it's really stange that sometimes the dvd cover is displayed in french, the description is in french, but it's english only. And a lot of these movies are old, and I know for sure that a french dub exists for them. I have also seen some French movies (real French movies, from France) where Netflix offers only the english dub!!! WTF?

      At least all the original Netflix content is available in a lot of languages, that's really smart when you try to become a world leader in streaming, so kudos to them for at least trying.

      --
      Try it! Library of Babel
    46. Re: Meanwhile... by nehumanuscrede · · Score: 2

      Cable and satellite doesn't insert the commercials, the network does. They just broadcast what the network gives them.

      Do you guys even fucking understand basic shit?

      Who inserts it is irrelevant. The point remains the same without going into micro-detail about how the damn thing works.

      You want to remain a player in this game ? Then you had best rethink your strategy. I don't CARE who inserts the commercials because unless you do something about it, more and more people will move to the providers who do not.

      It really is that simple.

    47. Re: Meanwhile... by Anonymous Coward · · Score: 0

      Instead of guessing, read the history:
      https://en.m.wikipedia.org/wiki/Netflix#History
      He got the idea from returning Apollo 13 and paying late fees.

    48. Re: Meanwhile... by Vanderhoth · · Score: 1

      ah, balrogs! My cousin summoned one of those once. Completely melted his igloo. Poor guy. He was a couple weeks from paying it off.

    49. Re: Meanwhile... by Anonymous Coward · · Score: 0

      "you do need them to make the content"

      You are truly lost if you think you need television.

    50. Re: Meanwhile... by antdude · · Score: 1

      Yeah, cable companies are lucky to have Internet and other services with existing coax line setups and beating others like DSL. Now, if we could get competitions in the same areas like mine.

      --
      Ant(Dude) @ Quality Foraged Links (AQFL.net) & The Ant Farm (antfarm.ma.cx / antfarm.home.dhs.org).
    51. Re: Meanwhile... by Anonymous Coward · · Score: 0

      you forgot

      4. Canadians are much smarter than USAians (and more polite)

    52. Re: Meanwhile... by Anonymous Coward · · Score: 0

      He's not under the FCC's jurisdiction.

    53. Re:Meanwhile... by mikeiver1 · · Score: 1

      The content creation does have to be payed for. At present we have been a Netflix subscriber for near 9 years. We also subscribe to Amazon Prime as well for over a year now. We do not however pay for cable TV in any form. We go off air for the local stuff as the quality is far better and I time shift it to remove the commercials. As far as whether Netflix is getting the big numbers they claim or not doesn't matter a bit. What in fact does matter is if they are profitable and continue to offer compelling content to the subscribers. So far they have for our needs. Is their user base expanding, it seems to be. Is the REAL Top Gear crew coming to Netfilx, yes! Are they creating more and more original content, yes. The days of the TV stations and their models being profitable are nearing an end just is it is for the majority of news papers and magazines. If they fail to adapt to the changing tide they will find themselves being bought on the auction block like allot of other giants that dug in and fought rather than adapt.

    54. Re: Meanwhile... by ArhcAngel · · Score: 1

      I've posted this before but it's still probably relevant. Basically the US ISP's sell a huge pipe to their customer but the pipe to the internet is saturated 24/7 because they have refused to upgrade their back end.

      --
      "A person is smart. People are dumb, panicky dangerous animals and you know it." - K
    55. Re: Meanwhile... by LoztInSpace · · Score: 1

      I started a job 10 years ago earning $100k pa. There's a 20 year career before that and similar amount to go in the future. Even without taking into account exchange rates, increases and several travel gaps I've cleared a million easily, probably two. That's just a standard dev/team lead/manager/architect progression. Nothing fancy. It's not a huge amount of money. My house is worth almost that (Australia is stupid like that).

    56. Re: Meanwhile... by Anonymous Coward · · Score: 0

      I could tolerate them just fine - after a slight change in the business model.

      1. Cable Co gets to charge me $1 per hour for new programming I watch, 50 cents per hour for old programming. And new means new: never before shown on broadcast/cable/legal streaming services/etc anywhere before).

      .

      2. They pay me the same rate per hour of ads they show me.

      So if watching a 38 minute new episode also involves 22 minutes of ads, they get to charge me for 16 minutes: 27 cents.

    57. Re:Meanwhile... by tepples · · Score: 1

      How does it "promote the Progress of Science and useful Arts" to allow a publisher to go all dog-in-the-manger about a work that it owns?

    58. Re: Meanwhile... by pnutjam · · Score: 1

      If that was 100% true I would not see commercials from comcast telling me to advertise with them.

    59. Re:Meanwhile... by Anonymous Coward · · Score: 0

      I dont need entertainment. If they quite making content, oh well.

    60. Re: Meanwhile... by PapaSurf · · Score: 1

      I believe the cable provider could only charge netflix, legally, if netflix uses them as their ISP. There was a post from a cox cable employee on /. a little while back about them capping bandwidth and charging overages as the means to recover revenue lost to cord cutters like myself to the tune of 30-50$ a month. There is a pilot program doing this somewhere in the midwest to gauge consumer feedback. I've looked at my cox account and see the coding in place to start capping and believe it's going to happen inevitably. They've got shareholders to answer to and shareholders don't like losing money. The only problem I have with that is their service is superior to the only real competition, DSL.

    61. Re:Meanwhile... by Anonymous Coward · · Score: 0

      What fighter jet carries 16 AAMs?

      Also, BVR missiles don't matter when the ROE mandate visual ID before firing.

    62. Re: Meanwhile... by Anonymous Coward · · Score: 0

      I'll also take 76,650 shits in my lifetime but that don't mean I'll have a mountain of crap at the end of it all.

    63. Re: Meanwhile... by Anonymous Coward · · Score: 0

      Commercials schmercials.

      They need to have the content in the first place.

      Increasingly Netflix fails to have content. SOOO tired of their gaps.

    64. Re: Meanwhile... by Anonymous Coward · · Score: 0

      You're a worthless cunt. You can afford the storage, server and bandwidth, but refuses to pay for the content. Fuck you in the eye.

    65. Re:Meanwhile... by Anonymous Coward · · Score: 0


      Cry me a river. If your choice of career isn't paying the bills, pick another career or shut up about your financial woes: it isn't my problem -- I owe you nothing, I owe Hollywood nothing. I have never owned a BluRay player (DRM bullshit) and only buy games from GOG.com.

      We download all our TV automagically. Imagine: all the TV we want at our fingertips in HD and with no commercials, archived for years. When one realizes that a "one hour" show is 42 minutes long, one decides to take back their time.

      You reap what you sow, Big Media.

      Faithfully yours,
      An Unrepentant Parasite

    66. Re: Meanwhile... by Aighearach · · Score: 1

      You might want to check again on that. They specifically declined to make that rule. It was among the things people asked for.

      Pay more attention, FCC rules are important these days!

      In general, there is no business principle against a middleman getting paid on both sides. Generally it is regarded as proof that he's adding value. If he wasn't, both sides would be motivated to go around him. That is probably why it is hard to get the FCC to include that sort of rule; there are better general principles to use in regulating unfair access fees. Indeed, being common carriers provides a bunch of general rules where excess access fees get banned, without banning average access fees.

    67. Re: Meanwhile... by amRadioHed · · Score: 1

      Thanks for the clarification. An article I read specifically said that the ruling did classify ISPs as common carriers, it may very well have been a poorly written article.

      --
      We hope your rules and wisdom choke you / Now we are one in everlasting peace
    68. Re: Meanwhile... by Aighearach · · Score: 1

      Well, the article was probably fine and your comprehension wasn't sufficient. I didn't say that they weren't classified as common carriers; they were. I said they didn't ban backbone ISPs from charging for access, they simply limited it to reasonable fees without defining what is reasonable. Presumably most fees are reasonable, and outliers might not be.

      Common carriers do charge for access on both sides, even for telephone systems; but there are limits. For POTS the limits are more clearly defined.

    69. Re: Meanwhile... by Anonymous Coward · · Score: 0

      If by sometimes, you mean rarely and almost always.

  2. TV ratings methodology by retroworks · · Score: 3, Insightful

    The Nielsen ratings have never rally been without major sampling error, methodology and fallacy. If they really want the traffic numbers, they can get them from Comcast and other cable networks. And after reading the article, it's actually more just a complaint and response to a complaint than "escalation". Move along, nothing to see here.

    --
    Gently reply
    1. Re:TV ratings methodology by Anonymous Coward · · Score: 5, Interesting

      I know someone who was given a Nielson rating box and I have to say, they represent real tv viewers about as a much as a dog represents cats and vice versa. There are so many shows that had cult followings, canceled because of bad ratings (Bullshit bad ratings) and many bad shows saved by them.

    2. Re:TV ratings methodology by msauve · · Score: 1

      "If they really want the traffic numbers, they can get them from Comcast and other cable networks. "

      Huh, that would be much less accurate than Neilsen, How does a Comcast know who in a residence is watching TV, or even if they are at all? The only visibility they might have is when channels are changed and when the box is turned on/off. If someone turns the TV off when they go to bed but leaves the cable box on, Comcast might conclude that 3AM infomercials are extremely popular.

      --
      "National Security is the chief cause of national insecurity." - Celine's First Law
    3. Re:TV ratings methodology by penguinoid · · Score: 4, Insightful

      The Nielsen ratings have never rally been without major sampling error, methodology and fallacy.

      Yet probably still better than trusting a cable company to self-report how much ad revenue they should be getting.

      --
      Don't waste your vote! Vote for whoever you want, unless you live in a swing state it won't matter anyways
    4. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      >Collected statistic are less accurate than self reported viewing. Also, I'm incredibly naive and have never meant people.

      There. I fixed your post for you. Idiot.

    5. Re:TV ratings methodology by catchblue22 · · Score: 5, Interesting

      In general, I prefer Netflix's system that isn't based on ad revenue but rather subscription revenue. The ad revenue system seems to encourage broadcasters to seek the lowest common denominator in their audience. Netflix has won me over with series such as Daredevil and House of Cards. Other subscription based services also seem to produce better material, the best example likely being HBO with series such as Game of Thrones. I have little sympathy for the old broadcasters. They are dinosaurs and should pass into oblivion in my opinion.

      --
      This and no other is the root from which a tyrant springs; when first he appears as a protector - Plato (423 to 327 BC)
    6. Re:TV ratings methodology by flopsquad · · Score: 2

      I'm not sure I even understand what TV is so up in arms about. Isn't the primary use of Nielsen ratings to calibrate the pricing and structure of advertising? Which Netflix doesn't have any of?

      I mean, I guess it also allows HBO, FX, et al. to say they have the "most watched" $genre show. But if Netflix wants to say one of their own series is the most bestest evar, WGAF?

      Skimming TFA, the beef seems suspiciously close to "Netflix makes our dicks feel small, and they sometimes get shows that we wanted, and our numbers are bigger and theirs aren't for real! Nuh uh they're not! Nuh uh they're not and no talkbacksies!"

      --
      Nothing posted to /. has ever been legal advice, including this.
    7. Re:TV ratings methodology by amiga3D · · Score: 3, Interesting

      I will say that competition has been good for broadcast TV. They've started upping their game in the last few years. There's room for both I feel.

    8. Re:TV ratings methodology by Fnord666 · · Score: 0

      If they really want the traffic numbers, they can get them from Comcast and other cable networks

      How does Comcast know what shows I'm watching on Netflix?

      --
      'The tyrant will always find pretext for his tyranny.' - Aesop's Fables
    9. Re:TV ratings methodology by radiumsoup · · Score: 3, Interesting

      Netflix may not have ad revenue, but they negotiate rates with content providers based on the number of times the content is watched.

      Your show sucks, and nobody watches it on Netflix? Not only will Netflix pay you less for it, when time comes to renew, they may drop it altogether unless you agree to take even less again.

      Your show is awesome and everyone watches it on Netflix? Netflix will pay you more to make sure their subscribers can still come to Netflix to watch it instead of going to Amazon or whoever else.

    10. Re:TV ratings methodology by postbigbang · · Score: 1

      Ahem...

      Comcast owns NBC.

      See any rivalry there?

      Comcast, if you're a customer of theirs, knows everywhere you go on the Internet, for how long, and which machine inside your network did what, even with NAT.

      Should they be scared? Ayup.

      --
      ---- Teach Peace. It's Cheaper Than War.
    11. Re:TV ratings methodology by PopeRatzo · · Score: 3, Insightful

      I will say that competition has been good for broadcast TV. They've started upping their game in the last few years. There's room for both I feel.

      You're right. Let them compete for viewers.

      The broadcasters complaints about Netflix not having to release viewership numbers is just silly. Who cares about Nielson ratings when you're not selling advertising anyway? My biggest worry about Netflix is that they're going to want to start adding commercials. I still remember when the big selling point of cable television was "it'll be commercial free because you're paying subscription fees".

      --
      You are welcome on my lawn.
    12. Re:TV ratings methodology by swb · · Score: 1

      I'm not sure that the TV viewer is the actual audience for this catfight.

      I think the audience for this catfight are the actual creative types that write, direct and act in these productions. The "ratings" brouhaha is code for "popularity" and "success" and they want to discourage talent from getting involved with Netflix productions based on the argument that it will be damaging to their careers.

      The whole thing seems bizarre, because I would think that MONEY would be the driver for most of Hollywood. Some self-promoting, reality-TV types might care about "popularity" angles, but I would bet that money would be a bigger driver for most others, with perhaps writers and directors being secondarily motivated by being able to do pet projects or being able to produce whatever their artistic vision is.

      With Netflix spending more and more money on independent productions, claiming that their shows lack ratings and hence aren't popular seems to be the last thing they can try to leverage against creative talent signing up to be part of Netflix productions.

    13. Re: TV ratings methodology by Anonymous Coward · · Score: 0

      Surprisingly, not only do dogs and cats have a lot in common, being mammals, their differences can also be meaningful if you understand them well enough.

      So for Nielsen, an outlier can be an indicator if they understand the picture enough.

      The other issue is a different problem. Advertising is based on inducing people to buy products through commercials, rather than buying the media product itself. Resolving that conundrum may take a systematic reform.

    14. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      He was referring to the subscription numbers for Netflix.

    15. Re:TV ratings methodology by FlyHelicopters · · Score: 5, Interesting

      The whole thing seems bizarre, because I would think that MONEY would be the driver for most of Hollywood.

      No, not really...

      Sure, they talk about money and appear to focus on money, but the reality is that once you have a lot of money and are free from worries about money, you undergo an interesting transformation...

      Money stops being everything...

      Power, control, egos, influence, vanity, and "winning" become just as, if not more important, than money.

      Put $100 million in the bank and earn $20 million a year and you'll find that your worldview and focus changes... a lot...

    16. Re:TV ratings methodology by tepples · · Score: 1

      A microphone on the cable box that does nothing but listen for correlation between the cable box's audio output and the TV's might solve the "TV off but cable box on" bias, though I admit not the "fell asleep in the recliner" bias.

    17. Re:TV ratings methodology by maroberts · · Score: 1

      Incorrect. If the Netflix service is secure, Comcast only know that Netflix was connected to. They don't necessarily know what locations within Netflixs domain were accessed

      --

      Donte Alistair Anderson Roberts - hi son!
      Karma: Chameleon

    18. Re:TV ratings methodology by tepples · · Score: 2

      they want to discourage talent from getting involved with Netflix productions based on the argument that it will be damaging to their careers.

      The whole thing seems bizarre, because I would think that MONEY would be the driver for most of Hollywood.

      They're linked. Taking a less prestigious or lower paying role may limit how prestigious or high-paying your next role is likely to be.

    19. Re:TV ratings methodology by Beavertank · · Score: 4, Insightful

      That's the exact reason I refuse to use Hulu, either in the free or paid version. They want me to not only pay for their service, but also sit through mandatory ads? Yeah... no. That's why I ditched cable in the first place.

    20. Re:TV ratings methodology by Anonymous Coward · · Score: 3, Insightful

      Netflix may not have ad revenue, but they negotiate rates with content providers based on the number of times the content is watched.

      Your show sucks, and nobody watches it on Netflix? Not only will Netflix pay you less for it, when time comes to renew, they may drop it altogether unless you agree to take even less again.

      Your show is awesome and everyone watches it on Netflix? Netflix will pay you more to make sure their subscribers can still come to Netflix to watch it instead of going to Amazon or whoever else.

      This is the heart of the dispute. Netflix can claim whatever viewership they want. The content owner cannot verify this because that information is proprietary, unlike for their own content. But Netflix knows what their numbers were on TV so they know the popularity of something before they buy it. But once they do, the owner has no way to know if the title has gained, lost, or held its value because they don't know the viewer numbers. It puts the power very much in Netflix's hands because they have perfect information while the owner has imperfect. It would be like you trying to play chess against someone with invisible pieces while yours are visible--do you think you could win?

    21. Re: TV ratings methodology by Anonymous Coward · · Score: 0

      Hulu has a second tier of paid service without ads. Ã--

      *Some shows excluded.

    22. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      >Collected statistic are less accurate than self reported viewing. Also, I'm incredibly naive and have never meant people.

      There. I fixed your post for you. Idiot.

      Says the total waste of protoplasm and oxygen who'd trust a cable company to report the numbers that affect that cable company's revenue.

    23. Re:TV ratings methodology by radiumsoup · · Score: 1

      This is the heart of the dispute. Netflix can claim whatever viewership they want. The content owner cannot verify this because that information is proprietary, unlike for their own content.

      Precisely, yes.

    24. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      arrested development comes to mind

    25. Re:TV ratings methodology by tepples · · Score: 1

      The ISP has the IP address, the port, and the SNI hostname of the server that the client has connected to, as well as throughput of the connection at any given second. Someone seems to be under the impression that Comcast can use this information to map which shows are stored on which CDN nodes and thereby determine which shows are being watched.

    26. Re:TV ratings methodology by mrchaotica · · Score: 1

      Let's not ignore the fact that cable companies should never have been allowed to get in a position to measure viewership to begin with! They should have been required by the FCC to continue simply piping the channels in via ClearQAM and letting the TVs' built-in tuner do the tuning instead of being allowed to monitor our habits and charge us extra per-TV fees for the privilege!

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    27. Re:TV ratings methodology by swb · · Score: 1

      But there is a huge swath of the Hollywood talent pool that doesn't have $100 million in the bank and isn't pulling in $20 million a year.

      And even some of those people (like the stars of House of Cards) haven't refused to appear in a Netflix series, and that was when a Netflix original was a riskier proposition.

      I would think that with as much buzz as high profile shows like Orange.. or House of Cards have gotten that even stars with some kind of established career wouldn't be all that hesitant to appear in a Netflix production at this point. And it's not like Netflix has a couple of datacenter monkeys trying to make TV shows, either, they're likely working with established production companies and producers, people that have some kind of credibility in production.

      My sense is now that Netflix has enough name recognition and subscribers and a decent track record, even big names wouldn't bypass it over something stupid like Nielsen numbers.

    28. Re:TV ratings methodology by PRMan · · Score: 1

      And yet, Netflix has already admitted that they get their viewing numbers from torrents. That's how they determine viewership to a large extent (although I'm sure they look at everything).

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
    29. Re:TV ratings methodology by PRMan · · Score: 1

      Exactly. "Justifying my deviant lifestyle" seems to be a big goal for Hollywood.

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
    30. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      Bias? Those sleepers are probably the ones the advertisers want anyway. While snooozers are unable to consciously filter out the garbage advertisers can fill the dreamers pretty little heads with thoughts of things they can buy later... and they won't even know why they want it.

    31. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      Hulu has an adfree option now.

    32. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      That's the exact reason I refuse to use Hulu, either in the free or paid version. They want me to not only pay for their service, but also sit through mandatory ads? Yeah... no. That's why I ditched cable in the first place.

      I'm not (yet) a Hulu subscriber, but I believe that they now offer a commercial free option. Costs $11.99 rather the regular $7.99.

      If I decide to subscribe to Hulu it'll certainly be the commercial free (like you, commercials would prevent me from subscribing).

      (The other reason I'm not currently a subscriber is the way that the shows disappear after a few weeks.)

    33. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      Something is happening with labor/talent. It's becoming increasingly important to all businesses have people who can *actually do things.* It's weird, because for most of my life labor was all about commodity, warm bodies in seats and all that. Workers are fungible assets. Now, what feels like all of a sudden, the tables are turned. Seems like employers are increasingly fungible assets for talent. Sure all the outsourcing and "if you don't like it quit" stuff is still going on, but there's all these little hints that Capital, or the folks who supposedly controls the means of production, are increasingly nervous that producers won't produce for them. Maybe it's the universalization of means of production, maybe it's crowd-funding, maybe making do with less is more attractive than keeping up with the Joneses, maybe people are sick of taking crap labor deals, maybe it's all those things and more.

      Don't know, but Hollywood types can't make any money if they don't have anything to sell. Seems like everyone talks about consumers and funding, but labor is mostly taken for granted. But when you put it back into the big picture, a lot of weird stuff like this starts to make more sense. (also very relevant to Tech and work-visas, side-hustles, and the fact that so much media starts with a character quitting their soul-crushing jobs, etc etc)

    34. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      Oh don't worry. Hulu just recently added a new service level. Hulu Premium with adds is $7.99 a month. For only $12 a month you can get Hulu Premium without ads. Yes, you have to pay 50% more to get rid of the ads. Not worth it in my opinion.

    35. Re:TV ratings methodology by Anonymous Coward · · Score: 1

      Hulu does have a commercial free offering now. It's relatively expensive compared to Netflix, $12/month, but you do at least have that option if you feel it's worth that amount of money.

    36. Re:TV ratings methodology by ChrisMaple · · Score: 1

      Netflix, like the broadcast giants, is a publicly traded company. Failure to make a good estimate of Netflix's viewership from annual reports, network traffic info from ISPs, etc. indicates that somebody's not trying very hard.

      --
      Contribute to civilization: ari.aynrand.org/donate
    37. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      To add the reason they care so much about ratings is ad revenue. More ratings = more $.

    38. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      I will say that competition has been good for broadcast TV. They've started upping their game in the last few years. There's room for both I feel.

      You're right. Let them compete for viewers.

      The broadcasters complaints about Netflix not having to release viewership numbers is just silly. Who cares about Nielson ratings when you're not selling advertising anyway? My biggest worry about Netflix is that they're going to want to start adding commercials. I still remember when the big selling point of cable television was "it'll be commercial free because you're paying subscription fees".

      Are any of them really "competing" for viewers anymore?

      It's 2015 and almost every home has an internet connection and a 4 tuner DVR. With the exception of sports, I never watch anything live anymore. Some shows I watch weekly on the DVR, others I wait till they come out on Netflix, Prime or Hulu and binge watch there.

      I'm not going to not watch a show because it airs at the same time as another show. If the quality of the show is good enough (and is one of my interests) I will watch it regardless of the producer/creator/network etc.

    39. Re:TV ratings methodology by Beavertank · · Score: 1

      It's far too late for that. Playing ads for paying customers already drove me away from them, I won't be going back just because they now let me pay more to avoid those ads.

    40. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      That's the exact reason I refuse to use Hulu, either in the free or paid version. They want me to not only pay for their service, but also sit through mandatory ads? Yeah... no. That's why I ditched cable in the first place.

      I thought they have a paid/no-ad version now?

    41. Re:TV ratings methodology by Aighearach · · Score: 1

      Sounds good at first, but I'm not convinced it is a great solution when it requires O(n) bandwidth for n available channels. The current system only requires O(1) bandwidth for n available channels. Obviously multiple viewing devices changes it slightly, but the proportions remain similar.

      The purpose of ClearQAM is to fit the limited number of analog broadcast channels into a fixed bandwidth range of the digital cable broadcast. It doesn't solve the same problem that cable solves. You'd be back to a few channels. I may only watch PBS, but many consumers value and covet access to a larger selection.

    42. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      The content owners should be looking at how much people are pirating the show.

    43. Re:TV ratings methodology by mrchaotica · · Score: 1

      The current system only requires O(1) bandwidth for n available channels.

      No, the current digital cable system is still QAM, and still sending all the channels. It's just that Comcast was allowed to encrypt the streams, which "justifies" the requirement for cable boxes, which then (can, and probably do) phone home your viewing habits in addition to sucking your wallet dry.

      Although concepts like IPTV exist, Comcast* has only implemented it in the form of "on demand" along side it's traditional "broadcasted**" channels, not replaced them with it.

      (* I mention Comcast because it is the dominant cable system in my market.)

      (** By "broadcasted," I mean sent to every user on the wired network, not sent over-the-air.)

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    44. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      Netflix's customers are really none of the content owner's business though. The deal is for streaming rights, and as such is between Netflix and the rights holders only.

      There is no imperfect information. There is simply what Netflix is willing to pay.

    45. Re:TV ratings methodology by PopeRatzo · · Score: 1

      Are any of them really "competing" for viewers anymore?

      Yes.

      It's 2015 and almost every home has an internet connection and a 4 tuner DVR.

      That's silly. Only about 50% of homes that have pay TV have DVRs, much less "4 tuner DVR". So, if 80% of homes have pay TV, and only 50% of them have DVR, then you don't make it to "almost every home".

      --
      You are welcome on my lawn.
    46. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      Bias? Those sleepers are probably the ones the advertisers want anyway. While snooozers are unable to consciously filter out the garbage advertisers can fill the dreamers pretty little heads with thoughts of things they can buy later... and they won't even know why they want it.

      Were you born this stupid or did you have to work at it?

    47. Re:TV ratings methodology by drinkypoo · · Score: 1

      The current system only requires O(1) bandwidth for n available channels.

      No, the current digital cable system is still QAM, and still sending all the channels.

      While the data is still QAM-encoded, the digital cable system is MPEG-compressed; and while it's still sending all the channels, each one uses substantially less bandwidth than it did on analog cable. Part of the reason for making the switch was to free up the bandwidth for cable internet.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    48. Re:TV ratings methodology by Darinbob · · Score: 1

      It's a conflict of interest in some ways. They can't tell the content provider what the viewership is because the content provider is also a television channel. There's no way to have a private one on one negotiation when you're a customer of one part of a conglomerate but a competitor of another part of the conglomerate. So the trade secrets remain secret.

    49. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      HDMI goes both ways.

      There's nothing stopping your cable box from knowing if/when the TV is turned on. The functionality might not be built in, but that's all in software at this point.

      Of course, not everyone is using HDMI connectors, but those who do can give the cable company a clearer picture.

    50. Re: TV ratings methodology by Anonymous Coward · · Score: 0

      To me it sounds like another day in kindergarten where little Timmy is butthurt and throws a tantrum because Suzy didn't play by Timmy's rules. Guess what? Fuck you, Timmy.

    51. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      This was Cable's original design. You'd pay $$ directly to a company, and have advertisement-free programming delivered that was unavailable to folks using rabbit-ears on their TV.

      Over-the-air television (i.e. available via rabbit ears) would still need commercials to fund themselves.

      And then cable got commercials, but there would be "Premium" channels like HBO that you could pay extra on top of the extra you were already paying to avoid advertisements.

      And now HBO has commercials.

    52. Re:TV ratings methodology by amiga3D · · Score: 1

      That's the best thing about TV now. No more missing anything. No more having to be home to see your favorite show. Time shifting is about the best thing since sliced bread.

    53. Re:TV ratings methodology by amiga3D · · Score: 1

      I'm amazed at how many people don't have DVR's. Before I got a DVR I had to download everything from thepiratebay.org Now I don't bother, I've got it on the DVR.

    54. Re:TV ratings methodology by rahultyagi · · Score: 1

      They now have an ad-free package too...

    55. Re:TV ratings methodology by NormalVisual · · Score: 1

      Put $100 million in the bank and earn $20 million a year and you'll find that your worldview and focus changes... a lot...

      In the interest of science, I'm willing to be a test subject for this experiment.

      --
      Please stand clear of the doors, por favor mantenganse alejado de las puertas
    56. Re:TV ratings methodology by Anonymous Coward · · Score: 0

      Hulu is sort of a nice middle ground; the ads are infrequent and short, and the price is very low (I think we pay something like $15 a month; compare to cable that's basically free!). If they change the formula by upping the price or increasing add quantity/length I'll re-evaluate.

    57. Re:TV ratings methodology by Cro+Magnon · · Score: 1

      I did time-shifting long before it was "cool". Though, even a poor DVR is a lot better than the olde VCR.

      --
      Slow down, cowboy! It has been 4 hours since you last posted. You must wait another few hours.
    58. Re:TV ratings methodology by mrchaotica · · Score: 1

      So what? Digital cable-ready TVs can decode MPEG so that still does not excuse the use of cable boxes.

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

  3. Dinosaur media by Anonymous Coward · · Score: 0

    ABC? CBS? NBC?

    Dinosaur media that's already mostly extinct except for the few bird-brains that have managed to survive.

    So far.

  4. Can't have it both ways? by houghi · · Score: 3, Insightful

    I agree that you can't have it both ways. That is like saying a movie is making a lot of money and at the same time claiming it is losing money.

    --
    Don't fight for your country, if your country does not fight for you.
    1. Re:Can't have it both ways? by Anonymous Coward · · Score: 0

      I agree that you can't have it both ways. That is like saying a movie is making a lot of money and at the same time claiming it is losing money.

      Isn't that a staple of Hollywood accounting? When it comes to paying out the investors the movie makes profits, by the time the actors and people who made the movie should be paid, not a dime of profit was made.

    2. Re:Can't have it both ways? by Deadstick · · Score: 1

      That works just peachy in Hollywood...keeps the IRS happy and fucks the profit participants.

    3. Re:Can't have it both ways? by Anonymous Coward · · Score: 0

      Yes, that's the point houghi was making.

    4. Re:Can't have it both ways? by argStyopa · · Score: 5, Informative

      You're rated +5 insightful, but considering that's precisely how "Hollywood accounting" works, it should be +5 funny.

      For example Lord of the Rings trilogy made roughly $6 BILLION worldwide, yet New Line Cinema's accounting report shows "horrendous losses" and no profit at all.

      (http://www.pajiba.com/box_office_round-ups/10-movies-that-made-hundreds-of-millions-in-boxoffice-dollars-and-yet-somehow-showed-no-profit.php)
      Links to explanations in the original page above.

      1. My Big Fat Greek Wedding cost $6 million to make and made over $350 million at the box office, and yet lost $20 million.
      2. The Lord of the Rings trilogy made over $2.9 billion in box office, and yet showed âoehorrendous losses.â
      3. Return of the Jedi made $475 million on a $32 million budget, yet has never shown a profit.
      4. Harry Potter and the Order of the Phoenix made $939 million worldwide, and yet ended up with a $167 million loss.
      5. Forrest Gump earned $667 million, yet shows a loss of $31 million.
      6. JFK earned $150 million worldwide but showed $0 in profit.
      7. Coming to America made $288 million in revenue, yet showed no profit.
      8. Michael Mooreâ(TM)s Fahrenheit 9/11 made $220 million worldwide, and yet apparently showed no profit.
      9. The Exorcism of Emily Rose made $150 million on a $19 million budget and turned no profit.
      10. Batman, which made $411 million worldwide, showed a $36 million deficit.

      --
      -Styopa
    5. Re:Can't have it both ways? by spongman · · Score: 1

      The budget is how much it cost to put the movie in a can. The box office revenue is how much money was paid by the audience. There's a whole ton of marketing, distribution and exhibition costs that go on between those two. Yes, often those are inflated, but you make it sound like they should be zero.

    6. Re:Can't have it both ways? by tepples · · Score: 1

      If every movie costs so much to market, distribute, and exhibit, then how do the studios stay in business? Is it by overcharging each movie for said marketing and distribution?

    7. Re:Can't have it both ways? by PRMan · · Score: 1

      Or better. If every movie loses so much money, how can they continue to afford $100 million budgets?

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
    8. Re:Can't have it both ways? by orlanz · · Score: 1

      But you are implying that marketing, distribution, exhibition, etc cost multiple times the movie's budget. There is something wrong there. This is digital content, not physical goods traveling around the world on sneakers. Inflated seems too weak of a word here.

    9. Re:Can't have it both ways? by F.Ultra · · Score: 1

      You can't be serious. Take "My Big Fat Greek Wedding" as the example the overhead was 6167% ((350+20)/6), does that sound reasonable to you?

    10. Re:Can't have it both ways? by ChrisMaple · · Score: 1

      Many, many movies are made by "independent" production companies, some of which are fly-by-nights whose operators pocket a lot of money, show a paper loss and go out of business. For such movies, the major studios handle distribution (and often marketing) by contract, for which they get opening logo credit and isolation from the financial impact of major flops. The losers are investors in companies with names like "Motion Picture Buddies 7", and actors who choose to take a portion of profits in lieu of wages.

      --
      Contribute to civilization: ari.aynrand.org/donate
    11. Re:Can't have it both ways? by Anonymous Coward · · Score: 0

      #thatsthejoke

    12. Re:Can't have it both ways? by Rockoon · · Score: 1

      Seriously?

      Are you suggesting that these companies are taking real losses for decades, yet have continued to produce movies?

      --
      "His name was James Damore."
    13. Re:Can't have it both ways? by Anonymous Coward · · Score: 0

      The non-production costs are huge and occasionally are even greater than production costs, but they've *never* been an order of magnitude greater. The Force Awakens had one of the biggest marketing blitzes of all time and even that was only worth a couple hundred million.

    14. Re:Can't have it both ways? by spongman · · Score: 1

      those budgets are obtained in the form of loans, investments minimum guarantees for theatrical distribution deals. those loans and investments have sizable interest rates.

    15. Re:Can't have it both ways? by BatGnat · · Score: 1

      This is the example I heard a while back:
      George Lucas gets invited to a convention for Star Wars, 30 years after it was made. 5 Star Hotel, Limo etc. all get billed back to the Star Wars budget (Lucasfilm, pick a movie) as a task write off for that movie. and hence claims new losses on tax etc...

    16. Re:Can't have it both ways? by Anonymous Coward · · Score: 0

      They're not inflated, so much as they're open ended. Things like "marketing" are so nebulous that you can stuff as much money as you want in that particular hole.

      This new car I bought... no, that didn't come from profit. That's required so that I can get from the airport to the location for a publicity event. And I'll need 3 such cars in every major city, for marketing purposes. And a yacht. For marketing. With fully stocked bars and a masseuse.

      Oh well... looks like the movie didn't turn a profit, but at least I have all these new things to console me. Oh, and a check for $10million. No, that's not from profits either, that's my consulting fee for services rendered

    17. Re:Can't have it both ways? by Anonymous Coward · · Score: 0

      so in example 1; 1. My Big Fat Greek Wedding cost $6 million to make and made over $350 million at the box office

      Did marketing and other costs really come to over $344 million?

    18. Re:Can't have it both ways? by Anonymous Coward · · Score: 0

      Except those costs are paid to different divisions of the same company! They just move the money to other areas to claim that there is no profit.

    19. Re:Can't have it both ways? by Anonymous Coward · · Score: 0

      Are you seriously trying to tell us that a studio spent over 350million to market and distribute a 6million dollar movie?

  5. vote with your wallet by umafuckit · · Score: 2

    I'm loving the fact that voting with your wallet has become very powerful in this field right now. I just cut the cord on my basic cable package and moved to Zattoo.com (in Europe), which is a web-based TV provider. I get pretty much the same thing as before for either free (but in SD with a few more adverts) or I get more than I'd have got before (a generous cloud-based DVR and replay of anything in the last week) for half the money I used to pay the cable provider for its crappy set top box. This plus Netflix is great for me.

    1. Re:vote with your wallet by Anonymous Coward · · Score: 0

      Thing is, people are fleeing a system controlled by 6 corporations in favor of a new system controlled by only 1.

      Apple will be the gatekeeper for music, and Netflix for video.

      Video game streaming from the cloud is next, a few years out but the tech is certainly there. Steam? Playstation Now? Xbox?

      The big fight here is over new content. Netflix is creating their own, and it's being extremely well received. When AAA games start only being available via streaming service, that will be a game changer.

    2. Re:vote with your wallet by jedidiah · · Score: 1

      I already use 3 video providers now that are not Apple.

      There are several more I could use if I wanted to.

      Most of the content overlaps. Most of the stuff that are exclusives end up being released in formats like DVD or to the other streaming video vendors.

      Most of the actual content is owned by someone other than the company providing the streaming service. There's less vertical integration than with cable.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    3. Re:vote with your wallet by Anonymous Coward · · Score: 0

      Thing is, people are fleeing a system controlled by 6 corporations in favor of a new system controlled by only 1.

      I think if you look at it in terms of Netflix being a competitor to the other 6 corporations then there are actually 7 competing corporations. Netflix being the more popular. People have decided that they just don't care about standard broadcast television with commercials as much any more. TV used to be a thing we saw as a default thing you do when you go home. Go sit down and veg out and be served up commercials. Being able to dial in the exact amount of TV and amount I want to pay on the fly is more convenient and cost effective.

    4. Re:vote with your wallet by tepples · · Score: 1

      Most of the stuff that are exclusives end up being released in formats like DVD

      True of scripted series, less true of competition shows such as sports and "reality".

    5. Re:vote with your wallet by Anonymous Coward · · Score: 0

      True of scripted series, less true of competition shows such as sports and "reality".

      I don't care about either of those so... whatevs?

    6. Re:vote with your wallet by mrchaotica · · Score: 1

      IMO, the real issue is the lack of open protocols and standards. As much as cable (and broadcast) TV sucked, one nice feature was that everything was in one place and every channel worked the same way. In contrast, every streaming service has its own proprietary interface. If I want to watch show X, I don't want to have to go figure out whether it's on Netflix, Hulu, Youtube, or whatever and then navigate that particular website or app; I want it to be aggregated in a standardized way for me.

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    7. Re:vote with your wallet by im_thatoneguy · · Score: 1

      Apple will be the gatekeeper for music, and Netflix for video.

      Apple is so far from the gatekeeper for music these days that it's laughable. Ironically it's the Zune subscription that has succeeded. It was just Spotify who made it happen because of its cross platform nature.

      Microsoft saw the future and then tried to sell the past (mp3 players) as a bundle and failed. Spotify did the exact same thing (minus songs you get to keep) for $5 less and did gangbusters.

      Now Apple is trying to play catchup in the music realm.

      Another point on this. When Apple started locking in the music industry, the labels also matched to avoid too strong of a monopoly. So Zune music service pretty much just said "Give us what you're giving Apple" and was able to build out their library. Spotify wouldn't have stood a chance in hell of negotiating those contracts if iTunes wasn't already getting sweet digital rates. Netflix wrenched open the door and now Amazon often has the same films because the studios both want a bidding war and they also aren't going to spend too much time negotiating most of their catalogue.

    8. Re:vote with your wallet by Admiral_Grinder · · Score: 1

      Luckily Roku has a search that dives into your apps installed to find shows/actors/etc.....but you know the story from there: https://xkcd.com/927/

  6. Shady Stats by HideyoshiJP · · Score: 5, Informative
    I was surprised the summary didn't mention the fact that the company NBC hired used audio recordings from people's smartphones to guess statistics.

    Mr. Wurtzel provided data from a firm named Symphony Advanced Media, which uses audio content recognition installed on phones to recognize what is being watched and when.

    I'm willing to bet most of these users didn't even realize that fun game asking for microphone permissions was doing this.

    1. Re:Shady Stats by CrankyFool · · Score: 2

      And, to forestall the next step, it's worth noting that the somewhat-reasonable rejoinder to this is that people had to self-select to install this app -- I believe it's something you actively install and opt into. Which means that it's a lousy way to create a sample population.

      So in short: Either the methodology involves installing spyware on your phone against your will, or it involves self-selecting populations. It's either morally repugnant or just incorrect. Take your pick.

    2. Re:Shady Stats by Anonymous Coward · · Score: 0

      hmmm good point plus how on earth can they tell if its netflix, DRV, or pirated content. Plus I tend to watch netflix using headphones a lot not going to record that by the mic.

    3. Re:Shady Stats by 91degrees · · Score: 1

      True. Although I would say that this would be biased in Netflix favour. It's the internet-savvy kids who consume a lot of online media.

    4. Re:Shady Stats by RoloDMonkey · · Score: 1

      People, volunteer to install this app. Before smartphones, people actually carried around dedicated hardware that could detect sub sonic audio codes embedded in media. This was especially useful for radio ratings because people could be exposed to a radio station almost anywhere. Now that the ability to watch a TV show is just as ubiquitous, this app is actually a really good idea.

      For a fascinating story about this kind of thing, check this out: Did Nielsen Kill the Radio Star?

      --
      Long live the Speaker Bracelet
      Rolo D. Monkey
    5. Re:Shady Stats by PRMan · · Score: 2

      Your bet would be wrong. Apparently it's above-board, opt-in and people get paid in $5 gift cards.

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
  7. Nielsen ratings by Aramoro · · Score: 5, Informative

    Last year, I got one of those Nielsen diaries to track my household's television viewing, and they had a methodology for tracking Netflix as well as DVR, but only for shows watched on a television. Netflix on a desktop computer or tablet were not tracked...

    1. Re:Nielsen ratings by Mr.+Sketch · · Score: 2

      It seems like Nielsen should allow tracking content watched on computer or tablet (or smartphone even). If anything, this situation just points to the fact that Nielsen needs to update how it collects ratings since there is no reason a Nielsen household couldn't also track viewing content from Netflix, Hulu, etc.

    2. Re:Nielsen ratings by ohieaux · · Score: 1

      Yeah, I got the Nielsen diaries last year as well. I live in a small town about 65 miles from the state capital - so no OTA channels. We have one local PBS station, which they classify in the state capital market. So far so good. But, Nielsen recently put our town in the market of a city in another state (about 70 miles away). So, we cannot legally get our old channels or any local news - the FCC seems to take Nielsen markets as law. To make it more confusing, the commercials for the cable channels (e.g. ESPN) seem to come from a third city 150 miles away. It's such a mess, I sent the diaries back with the $5 and told them to clean up their house before they asked me to take time and help them. If I wasn't afraid of caps on my internet for dropping TW cable, I'd cut the cord.

      We're seeing the slow death of broadcast TV and cable. Until that model is finally buried, I expect a bumpy ride.

      --
      Where all think alike, no one thinks very much.
    3. Re:Nielsen ratings by dhanson865 · · Score: 1

      I got one and watching shows live was the focus of the diary. They wanted me to use a blank page or insert loose paper of my own if I watched DVR later.

      So it was 20 pages with something like 18 for live TV, and 2 for DVR.

      Since I watch 99% of my TV timeshifted or on demand I didn't bother filling out the diary. Too much work to do it by the letter as they requested.

    4. Re:Nielsen ratings by Anonymous Coward · · Score: 0

      Most of my Netflix streaming happens through my Wii (hooked up to my TV). Does that count as "shows watched on a television"?

    5. Re:Nielsen ratings by Darinbob · · Score: 1

      A lot of content providers treat television separately from a computer or smartphone. Ie, Hulu is only on computer, Hulu Plus is only on a television. This involves separate negotiations.

  8. Attn: traditional TV networks by MachineShedFred · · Score: 5, Insightful

    We, the viewers, hate you. You are sliding down a slight but increasingly steep slope into the deep dark hole of irrelevance and you don't even know it. It shows that you don't know it, because you increasingly devote time on your networks to advertising, at the expense of quality content. You continue with a business model of stretching out fairly mediocre and predictable stories over two or three hours, spread across two or three arbitrary 'ratings' weeks in order to inflate your own numbers, while admonishing Netflix for being dishonest.

    You fought tooth and nail against VCRs. You fought against DVRs. You now fight against online streaming. All of these technologies actually make experiencing your content better, yet you still fight them. We see through your bullshit, and we've found a content delivery paradigm we like better: all-you-can-stream for a low monthly charge. No advertising at all. All episodes of a season, and past seasons, available RIGHT NOW.

    As soon as someone cracks the hegemony largely preventing the streaming of live sports without having a cable or satellite subscription, you're done. And you still continue on like it's 1983. And what you don't realize, is that we can't wait to fire you for being completely inept in your own business and refusing to innovate in even the slightest ways.

    Stop clutching at the past, and embrace the future, before the future holds a pillow over your head and we all rejoice.

    Warm regards,
    Everyone

    --
    Slashdot still doesnâ(TM)t support Unicode after it was added to the HTML standard in 1997.
    1. Re:Attn: traditional TV networks by Atticka · · Score: 4, Informative

      Seconded.

      Everyone Else.

      --
      No sig here...
    2. Re:Attn: traditional TV networks by Anonymous Coward · · Score: 0

      You do not speak for everyone.

    3. Re:Attn: traditional TV networks by Anonymous Coward · · Score: 0

      >As soon as someone cracks the hegemony largely preventing the streaming of live sports without having a cable or satellite subscription

      Sling TV Has ESPN in its basic package for $20/month IIRC

    4. Re:Attn: traditional TV networks by penguinoid · · Score: 4, Funny

      You do not speak for everyone.

      He meant, everyone except cable company executives.

      --
      Don't waste your vote! Vote for whoever you want, unless you live in a swing state it won't matter anyways
    5. Re:Attn: traditional TV networks by Thanshin · · Score: 4, Insightful

      You do not speak for everyone.

      As an AC, you do not speak for anyone.

    6. Re:Attn: traditional TV networks by Zak3056 · · Score: 1

      We, the viewers, hate you. You are sliding down a slight but increasingly steep slope into the deep dark hole of irrelevance and you don't even know it. It shows that you don't know it, because you increasingly devote time on your networks to advertising, at the expense of quality content

      There was a story here a couple of months ago that disagrees with your rant above: TV Networks Cutting Back On Commercials.

      --
      What part of "shall not be infringed" is so hard to understand?
    7. Re:Attn: traditional TV networks by Anonymous Coward · · Score: 0

      Off course he does he speaks for Anonymus Cowards everywhere. And those will greatly outnuber those with an account.

      we are anon

    8. Re:Attn: traditional TV networks by tepples · · Score: 1

      Sling TV Has ESPN in its basic package for $20/month IIRC

      And guess how much the cable ISPs surcharge an Internet subscriber for not also subscribing to TV.

    9. Re:Attn: traditional TV networks by Registered+Coward+v2 · · Score: 1

      We, the viewers, hate you. You are sliding down a slight but increasingly steep slope into the deep dark hole of irrelevance and you don't even know it. It shows that you don't know it, because you increasingly devote time on your networks to advertising, at the expense of quality content

      There was a story here a couple of months ago that disagrees with your rant above: TV Networks Cutting Back On Commercials.

      I wonder if we'll see an uptick on product placement to get products before viewers as commercials decrease.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    10. Re:Attn: traditional TV networks by Vermonter · · Score: 1

      You want to know what's wrong with TV providers? Last I checked on my in-law's Dish or DirecTV (or whichever satellite provider they have), there were hundreds and hundreds of channels (possibly close to 1000). And many of the channels with premium content on them (sports, pay per view movies), are a large additional cost on top of an already absurd monthly fee (and then the companies get ad revenue as well). TV today is bloated. Your average viewer probably spends about 98% of the screen time watching 1% of the channels available. That's be like always buying a large Big Mac meal for lunch every day, and only eating a few fries. Meanwhile, on Netflix, you pay $7.99/month for on-demand content without ads. Sure, you don't get new releases in movies or shows, but the content on Netlix is still better than the majority of the random crap you get on TV that absolutely no one watches. And when you are paying 5%-10% of the cost of TV subscription, that is a definite win and a no-brainer. With TV, everyone has their hands in your wallet, and it shows.

    11. Re:Attn: traditional TV networks by tlhIngan · · Score: 1

      We, the viewers, hate you. You are sliding down a slight but increasingly steep slope into the deep dark hole of irrelevance and you don't even know it. It shows that you don't know it, because you increasingly devote time on your networks to advertising, at the expense of quality content. You continue with a business model of stretching out fairly mediocre and predictable stories over two or three hours, spread across two or three arbitrary 'ratings' weeks in order to inflate your own numbers, while admonishing Netflix for being dishonest.

      You fought tooth and nail against VCRs. You fought against DVRs. You now fight against online streaming. All of these technologies actually make experiencing your content better, yet you still fight them. We see through your bullshit, and we've found a content delivery paradigm we like better: all-you-can-stream for a low monthly charge. No advertising at all. All episodes of a season, and past seasons, available RIGHT NOW.

      As soon as someone cracks the hegemony largely preventing the streaming of live sports without having a cable or satellite subscription, you're done. And you still continue on like it's 1983. And what you don't realize, is that we can't wait to fire you for being completely inept in your own business and refusing to innovate in even the slightest ways.

      Stop clutching at the past, and embrace the future, before the future holds a pillow over your head and we all rejoice.

      First off, the networks and Netflix may be "in a war" but it's not really a mutually exclusive one. For starters, they serve different markets.

      The networks base their ad rates on Neilsen ratings - and in particular, the C ratings (C, C3, C7) which are the eyeballs watching the ads. They pay good money for those numbers, which keeps Neilsen in business. The numbers that you see reported around? That's the free stuff Neilsen gives out and is completely meaningless. While there is some correlation, just because a show does well doesn't necessarily mean it gets a good C rating.

      And they fought the VCR and all that because Neilsen carried only live ratings - the numbers they billed advertisers. If people taped a show for later viewing, they didn't count as a viewer, and lost out on ad revenue. (Today, a prime-time 30 second ad spot is anywhere from $80K to $150K). Bur once Neilsen started tracking those, the networks stopped fighting for it, because they could bill advertisers on better C (Live+Same Day), C3 (Live+3 days) and CBS for the 2015/2016 season now uses C7 (Live+7 days) numbers when determining ad rates!

      DVRs were fought because they reduced the C numbers, but kept the regular numbers intact (ad skipping). Today? The networks have their own tricks with DVRs to screw with users and make it hard to switch channels. As well, shows with bad C numbers? They're dropped.

      Streaming was the same, then they realized that they had a perfect solution - unskippable ads. So now all the streams have ads you cannot fast forward past on purpose.

      And they don't care about downloads - because downloads count as zero towards the programming - so if everyone's downloading the show rather than watching it on OTA or other TV, the networks see it as a poorly performing show (bad revenue numbers) and they cancel the show. That's why your favorite shows are often cancelled - the ones that favor a larger proportion of people who use DVRs and technology just don't get good C numbers.

      Netflix? They produce good programming because you're their target market. They want you as a subscriber because you'll pay for their content. Unlike networks which live and die by the eyeball (and thus must have programming that attracts them), Netflix only needs to make programming that will get people to subscribe and remain subscribed. They won't produce a show for the masses because the masses are unlikely to subscribe - so they serve content that subscribers, and new subscribers will want.

      If the tastes change thoug

    12. Re:Attn: traditional TV networks by Anonymous Coward · · Score: 0

      You do not speak for everyone.

      As an AC, you do not speak for anyone.

      If that was an attempt at humor - ha!

      If not, FFS! I like being an AC. IMO, there's nothing wrong with being an AC & I sometimes get tired of folks around here getting all superior about not being one.

    13. Re:Attn: traditional TV networks by Anonymous Coward · · Score: 0

      Have you watched TV lately?

      There is a whole bunch of fact and experience that disagrees with your article.

    14. Re:Attn: traditional TV networks by Binestar · · Score: 1

      Not sure on *live* sports in general, but you can get every NFL Game of the season from game pass for $100 which become available once the games are done. https://www.nfl.com/gamepass Much cheaper than having Cable or Satellite, but again, not live.

      --
      Do you Gentoo!?
    15. Re:Attn: traditional TV networks by Anonymous Coward · · Score: 0

      The point your rant is missing, is that you are not the traditional TV network's customer. Advertisers are the customer.

    16. Re:Attn: traditional TV networks by Zak3056 · · Score: 1

      1. Not "my" article.
      2. The article in question says (or rather, implies) that the changes are starting in the next TV season.

      --
      What part of "shall not be infringed" is so hard to understand?
  9. Netflix doesn't need external ratings by Anonymous Coward · · Score: 4, Insightful

    Why do viewer numbers matter for Netflix? They don't show ads, so they don't have to put a value on their equivalent of airtime. The ratings are only relevant to them internally when deciding which content will gain/lose the most subscribers.

    1. Re:Netflix doesn't need external ratings by Anonymous Coward · · Score: 0

      Viewing numbers also matter when Netflix tries to convince a studio to make new conetnt for them.

      Short of footing the bill up front (and accepting all the risk), Netflix needs to convince various people that the show they want made will be sucessfull. In particular when they try to resurect cansled shows from major networks (like Firefly) where the network has rattings "proving" that no one watched it, and Netflix is here saying "it's super popular on Netflix".

    2. Re:Netflix doesn't need external ratings by mark-t · · Score: 1

      Numbers don't mean shit to networks except insomuch as those numbers will generate revenue. Since there are no commercials an Netflix, there's no opportunity for an increased viewership to translate directly to more revenue generated by that program, and so there is no need to disclose viewership data.

    3. Re:Netflix doesn't need external ratings by doconnor · · Score: 1

      It says it is for "leverage to recruit more and better talent". While revenue is an important factor, many creators also what their work to be seen and enjoyed, so being able to tell people you work will be widely seen can be a convincing factor.

    4. Re:Netflix doesn't need external ratings by tepples · · Score: 1

      Since there are no commercials an Netflix, there's no opportunity for an increased viewership to translate directly to more revenue generated by that program

      Unless the studio wants to charge Netflix on some approximation of a pay-per-viewer basis, assuming that Netflix substitutes for DVD sales.

    5. Re:Netflix doesn't need external ratings by micahraleigh · · Score: 1

      +1 This exactly. Wish I had mod points.

      The ratings are to determine how much commercials should pay to the networks.

      Netflix doesn't have commercials so numbers are just for smoke at parlor games.

    6. Re:Netflix doesn't need external ratings by phorm · · Score: 1

      Well, for one thing with Netflix "original series", they probably want to get a good idea of what's popular and what *could be* popular. Maybe they notice that "show X" - despite being old - gets a LOT of views. With this in mind, they surreptitiously buy the rights to the show from whomever owns it, and then creates a sequel, remake, etc.
      Imagine if Firefly - instead of tons of people bitching about the cancellation, and the rather crappy movie - had ended up on Netflix after the poor airing, proved to be popular, and then Netflix continued it as in-house series. There are probably a lot of popular shows/movies that got squashed prematurely and could be given new life. That's good for fans and Netflix's budgets.

  10. uhm, why should Netflix even care? by Anonymous Coward · · Score: 0

    They don't make money off of advertising. They make many from the number of subscribers. It's their business how many people watch, and how much money they think they'll make off of a show... nobody elses.

    1. Re:uhm, why should Netflix even care? by Rhipf · · Score: 1

      Except maybe the people they buy most of their shows from?

      If I am selling a show to Netflix for $1000 because they tell me only 10 people watch it I might be upset if I find out that 1000 people are watching it.

    2. Re:uhm, why should Netflix even care? by PRMan · · Score: 0

      If you think that people are paying $100 each to watch your show, I have some nice land in Florida to sell you... $1 per person seems more likely. Maybe they only watched 8 shows on Netflix this month, but even that seems high.

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
  11. What's the problem? by robogoofers · · Score: 1

    Netflix doesn't show ads, so i don't see how it's a problem that they don't have verified viewership numbers. If they give numbers in their quarterly statements, maybe the FEC would care, but i don't see how the numbers themselves are hurting competition. Unless it's the traditional networks saying that they can get a producer more viewers, so they don't have to pay the producer as much as netflix.

    1. Re:What's the problem? by Anonymous Coward · · Score: 0

      If the copyright holders don't like the lack of numbers, they could easily write reporting requirements into their contracts.
      Obviously Netflix has to have some kind of license for each instance of showing a show to someone, so why not require a count?

    2. Re:What's the problem? by CaptnCrud · · Score: 1

      Actually that is exactly it, cost. They can't quantify costs as clearly as they used too, and that makes the whole deck of cards go down. It makes the ad demographics harder to predict, and the viewer ship (is it just a few fans watching the same series over and over). Same thing with demographics, when up to 3 people in a household might be viewing different stuff on the same account.

      Often they sell the license to air the shoes on hulu and netflix, but they eat the initial cost of the first airings. That gives companies like netflix the upper hand, since the price isn't very quantifiable it makes it harder for the networks to know which shows to produce, and it gives streaming more bargain leverage to get a cheaper deal.

      ....I only watch youtube these days...

  12. Sory Networks different game different rules. by DarkOx · · Score: 2

    NetFlix does not have the same success criteria. The networks need people to watch shows at a certain time, not dvr them fast forward etc, because they depend on the ad revenues.

    That means the only measure of success is viewership at original air time for the most part and that the target demographic that the advertisers want tuned in.

    Netflix on the other hand is all about obtaining and retaining subscribers. It does not matter to them when people watch their series or really even if they watch! They need their subscribers to feel they are getting value. That means for instance if Netflix produces a show that mostly appeals to 4 year olds, that is fine. Mom and Dad think $9 a month is a cheap way to keep the kids occupied while they make dinner. Advertisers would hate that though because kids that age don't spend money.

    So at the end of the day if Netflix has the money to invest in content production and keep their bottom line in the black they are succeeding. So far all indications are that they do. Financial statements etc. The proof is out there.

    --
    Repeal the 17th Amendment TODAY! Also Please Read http://www.gnu.org/philosophy/right-to-read.html
    1. Re:Sory Networks different game different rules. by Kjella · · Score: 1

      That means for instance if Netflix produces a show that mostly appeals to 4 year olds, that is fine. Mom and Dad think $9 a month is a cheap way to keep the kids occupied while they make dinner. Advertisers would hate that though because kids that age don't spend money.

      A four year old is more than old enough to know what toy they want at the toy store, the money is in convincing the parents to buy merchandise. And unlike an 8yo or 12yo were you might have a reasonable discussion about money and allowance a 4yo just wants. And yes, even kindergardeners will spot a bad knock-off or homemade look-a-like so by far most parents go with official trademark products because it's simpler, even though they can be quite expensive. You don't need ads between shows when the shows are ads.

      --
      Live today, because you never know what tomorrow brings
    2. Re:Sory Networks different game different rules. by phantomfive · · Score: 1

      The networks need people to watch shows at a certain time, not dvr them fast forward etc, because they depend on the ad revenues. That means the only measure of success is viewership at original air time for the most part and that the target demographic that the advertisers want tuned in.

      FWIW Nielsen statistics typically include shows watched on DVR within three days of the original showing (though including this doesn't change the numbers very much).

      --
      "First they came for the slanderers and i said nothing."
    3. Re:Sory Networks different game different rules. by PRMan · · Score: 1

      This is exactly true. They also invest heavily in niches.

      For instance, Netflix has a large selection of the best high-quality Christian movies right now. Even in Netflix' interface they can be hard to find at times. But there is no other provider that comes anywhere close to serving that niche. Almost every Pureflix movie is on there or has been at one time. At $8, I would keep a Netflix subscription simply for this reason alone.

      And they do the same with Anime and many other niches that I don't care about. But SOMEONE cares about them enough to keep paying $8.

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
  13. I care not. by kwelch007 · · Score: 1

    I am a Netflix user. I could give a crap about what CBS/NBC/ABC have to offer...Netflix will have it eventually. Maybe Netflix is acting like a peacock and extending it's tail, but reality says that it will win in the end.

    1. Re:I care not. by jedidiah · · Score: 1

      If I'm at all interested in what the dinosaur networks are offering, I can just put up an antenna and feed that signal into a PVR.

      I didn't even need cable for them before. Forget about now.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    2. Re:I care not. by Fnord666 · · Score: 1

      I am a Netflix user. I could give a crap about what CBS/NBC/ABC have to offer...Netflix will have it eventually

      Which means you do give a crap, or at least you should. For all that Netflix is, it doesn't actually produce a whole lot of content. It makes content produced by others available to you. If those other content producers go away and Netflix becomes the sole creator and provider, what happens then?

      --
      'The tyrant will always find pretext for his tyranny.' - Aesop's Fables
    3. Re:I care not. by Anonymous Coward · · Score: 0

      I can't speak for GP, but the traditional content producers can all take a flying leap as far as I'm concerned. They aren't special little snowflakes. Crowdfunding and crowd patronage will be the way of the future.

      The traditional "creators" give me crap like JJ Trek and JJ Wars: completely unoriginal and poorly-done crap. The crowdfunded creators give me neat, new things like Star Trek: Renegades and Star Citizen. Being crowdfunded didn't stop talent like Walter Koening or Gary Oldman from participating. In fact, I hope the traditional "creators" do take a flying leap.

    4. Re:I care not. by Anonymous Coward · · Score: 0

      If I'm at all interested in what the dinosaur networks are offering, I can just put up an antenna and feed that signal into a PVR.

      I didn't even need cable for them before. Forget about now.

      FYI, just cut my cableTV subscription last weekend. Have been using a Tablo as a a whole house DVR for a few months just to see how it went. Roku frontend. TabloTV is a very nice product IMO (I didn't really want to go to the effort of setting up MythTV when I could buy a 4-tuner TabloTV for much the same cost).

  14. Netflix learned their lesson from Starz by timholman · · Score: 2

    Four years ago, the Starz network tried to destroy Netflix by yanking its content over demands for much higher licensing fees. It was a body blow to Netflix, and many people wondered if the Netflix streaming service could survive the loss of content. Fortunately, Netflix did survive, and now they're successful enough to call their own shots.

    Any information that Netflix provides to its competitors will just be used to try to destroy them, just as Aereo was destroyed. You don't do your enemies favors in this business. All that matters to Netflix is that they get enough viewers for their original content to justify their production costs. They are under no obligation to reveal their viewership numbers to their competition. If I were in their shoes, I'd be telling the major networks to take a flying leap, too.

    1. Re:Netflix learned their lesson from Starz by Anonymous Coward · · Score: 0

      Pass the crack, wtf are you smoking? That you think Starz could even hope to seriously affect Netflix is laughable!

    2. Re:Netflix learned their lesson from Starz by PRMan · · Score: 1

      Well, Starz execs certainly thought it would. But Netflix just turned around and signed a deal with Disney directly and cut out the middle man.

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
    3. Re:Netflix learned their lesson from Starz by Anonymous Coward · · Score: 0

      I find it hilarious that these companies are publicly begging for Netflix to "play fair". Their thinly veiled attempts at sinking Netflix's ship with their own is pathetic.

  15. Good to see Netflix causing the networks angst by QuietLagoon · · Score: 2

    ...NBC had hired a firm to estimate Netflix's viewership numbers, because Netflix won't release them....

    Back when it appeared as if Comcast (owner of NBC) was slowing Netflix traffic via intentionally overloaded border routers, one of the proposed solutions I read about was for Netflix to place some content distribution servers in Comcast's data centers. To do so would have required Netflix to share it's usage data with Comcast, and Netflix didn't want any part of that.

    .
    Now I understand better why Netflix didn't want to do that.

    1. Re:Good to see Netflix causing the networks angst by Anonymous Coward · · Score: 0

      That's not how it went. It was about CDNs, and Comcast wanting extra money from Netflix to cooperate with the CDNs on their border. The two companies had a stand-off, Comcrap throttled Netflix, and Netflix put up "Comcrap is the reason why your streaming is shit" messages. It all went away when Netflix capitulated. Comcrap have them by the balls now, it's just a matter of time before they start squeezing them to push up subscription rates for Netflix customers.

    2. Re:Good to see Netflix causing the networks angst by Anonymous Coward · · Score: 0

      Close.

      A. Comcast was intentionally refusing to activate additional capacity specifically to target Netflix.

      B. Netflix offered to provide caching servers (at their own expense) to Comcast (it's a standing offer they make available to almost any ISP); Comcast refused the offer.

    3. Re:Good to see Netflix causing the networks angst by QuietLagoon · · Score: 1

      ...Netflix offered to provide caching servers (at their own expense) to Comcast (it's a standing offer they make available to almost any ISP); Comcast refused the offer....

      Did Comcast just refuse the offer, or did Comcast refuse the offer because Netflix wouldn't share their usage data? It would be nice to hear what Netflix has to say. ;)

    4. Re:Good to see Netflix causing the networks angst by QuietLagoon · · Score: 1

      ...Comcrap have them by the balls now, it's just a matter of time before they start squeezing them to push up subscription rates for Netflix customers....

      Comcast already has all over the top video providers in their firm grip via the data caps that are being instituted.

      .
      https://www.youtube.com/watch?...

    5. Re:Good to see Netflix causing the networks angst by tepples · · Score: 1

      Comcast refused the offer because it would have meant loss of colocation revenue for the rack space that Netflix's OpenConnect Appliance would have filled.

    6. Re:Good to see Netflix causing the networks angst by PRMan · · Score: 1

      Actually, you must not. Because Netflix still tells all the ISPs how to install their own Netflix servers to reduce traffic and they will do that for free.

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
    7. Re:Good to see Netflix causing the networks angst by Anonymous Coward · · Score: 0

      ...Netflix offered to provide caching servers (at their own expense) to Comcast (it's a standing offer they make available to almost any ISP); Comcast refused the offer....

      Did Comcast just refuse the offer, or did Comcast refuse the offer because Netflix wouldn't share their usage data? It would be nice to hear what Netflix has to say. ;)

      Here's what I have to say: you write like a smilie-face, winkie-face lol-fucking-tard. ;)

      Oh, and having a NetFlix caching server inside your ISP costs electricity and terabytes of data transfers, so it's not 100% painless. Close, but not 100%.

  16. Just stop the BS! by Anonymous Coward · · Score: 1

    Broadcast TV is DEAD! Cable TV is dying a slow death. Streaming video services like Netflix that have no ads are the future. Services like Netflix don't depend on ads to make money, so why should they release information that their competitors want? More and more people are cutting the cord, getting totally away from insanely overpriced, commercial infested cable TV.

    Advertising and marketing have have become evil, something that people are not willing to pay for any more! More people than the cable TV companies think remember their promises when cable TV was first rolled out. They promised for a monthly fee we could have commercial-free TV without the reception problems of broadcast TV. That promise was quickly broken!

    In addition, the number of quality programs available on cable TV has declined greatly in the last 5-7 years. Cable TV is like the song. "57 channels and nothing on". At least nothing worth watching! And Hollyweed is still trying to create an artificial scarcity of programming to keep license fees for their content artificially high. They also force cable TV providers to accept packages of channels that include lots of crappy channels like home shopping , etc...to get the few good channels that people really want! The sooner streaming video providers kill the whole cable TV rippoff, the better!

    1. Re:Just stop the BS! by Anonymous Coward · · Score: 0

      I completely agree. I'm predicting that in 20 years there will be nothing but sports channels, and only big sports fans and/or sports bars will have subscriptions.

      Quality content is starting to come out of crowdfunded sources, not just for film but video games also.

      The big players have gotten too big and fat resting on their laurels, and it's only a matter of time. Cable TV has become a cesspool, and I no longer feel guilty in the slightest torrenting. For me it's just a question of whether there's a tip jar available and if not, oh well their loss. I have no problem throwing money at people who make original, quality content.

  17. Boo hoo by sjbe · · Score: 1

    Viewership numbers are vital within the TV industry. For years, the networks have relied upon ratings to make money — higher numbers mean higher ad revenue. The most important part of the ratings system is that individual networks can't just claim whatever viewership they want; third-party companies like Nielsen control the stats.

    So they built a business model based on ad revenue which presumes everyone else is using the same business model. Now someone else has a business that isn't dependent on ad revenue and is eating their lunch. Cry me a river. The networks provide crappy programming through a distribution model that nobody likes and then are shocked that customers are looking for alternatives. Good grief, what a bunch of tools...

    Either Netflix will make money on their products or they won't. The advertisers are the ones that will hold their feet to the fire regarding the credibility of the data Netflix provides regarding viewership. If the ad networks are fine with it, then why on earth would I care?

    1. Re:Boo hoo by plazman30 · · Score: 1

      You know, it's not the ads I object to so much as the time slots. I'm sick and tired of only getting half a show because some sporting event or political speech ran over and my TiVo only recorded the first half of the show. When I try and buffer by recording the next show, I can't, because I'm already recording 2 things. Just show me a menu, let me pick a show and let me stream it to my house when I want to see it. You can keep commercials in if you want, But time slots still equal revenue. The show that's #1 in it's time slot will cost more to advertise on than the other shows, even thought it may be #25 in the ratings.

  18. It's all about how you define "success" by Chas · · Score: 1

    Years ago, a company called NCSoft shuttered a game called City of Heroes because they didn't find it profitable enough. Never mind that it had steady numbers after 8 years of operation and was pulling in over ten million dollars a year, even with an F2P setup that'd been recently implemented.

    A group that was trying to buy the property off NCSoft in lieu of shuttering it looked at those numbers and went "We can live with that!"

    Another company, Catalyst Game Labs, is in business today, keeping several game lines (BattleTech and Shadowrun) in print and growing. Yes, their fanbase is smaller than it was back in 1990, when they were created/owned/run by The FASA Corporation. This, combined with better production values (due to the market demands) as well as greater general competition for people's entertainment dollars means that the profit margins aren't what they were years ago either. Yet Catalyst is still chugging away and still considers itself a successful company.

    It's all about how you define success.

    Netflix is evidently happy with what their numbers are telling them. And they've got the cash available to bankroll these ambitious projects. Also, their bean counters and shareholders aren't bitching either publicly or loudly. Does one REALLY need to argue any further?

    And, who's to say that even if the networks GOT the data they wanted, that it'd be in any way meaningful to them in their business model?

    --


    Chas - The one, the only.
    THANK GOD!!!
    1. Re:It's all about how you define "success" by Zak3056 · · Score: 1

      Another company, Catalyst Game Labs, is in business today, keeping several game lines (BattleTech and Shadowrun) in print and growing. Yes, their fanbase is smaller than it was back in 1990, when they were created/owned/run by The FASA Corporation.

      I feel really nostalgic right now, but I've gotta say I really started disliking Catalyst when they annihilated my Kell Hounds. :(

      --
      What part of "shall not be infringed" is so hard to understand?
    2. Re:It's all about how you define "success" by Chas · · Score: 1

      If you ask Herb about it, he'll tell you "We annihilated a lotta people!".

      Then he'll smirk and think about all the allegorical nukes he dropped fondly.

      --


      Chas - The one, the only.
      THANK GOD!!!
    3. Re:It's all about how you define "success" by Zak3056 · · Score: 1

      Kinda obvious that part of the goal was to get all the people with Plot Armor off the table, and I can respect that... but it still sucked. :(

      --
      What part of "shall not be infringed" is so hard to understand?
    4. Re:It's all about how you define "success" by Zak3056 · · Score: 1

      By the way, I gotta ask: Chas_Wolf @ 56?

      --
      What part of "shall not be infringed" is so hard to understand?
    5. Re:It's all about how you define "success" by Chas · · Score: 1

      Yep!

      --


      Chas - The one, the only.
      THANK GOD!!!
    6. Re:It's all about how you define "success" by Zak3056 · · Score: 1

      Long time no see... great to see that you still play Battletech! :)

      --
      What part of "shall not be infringed" is so hard to understand?
  19. C'mon Netflix, copy the music industry... by Anonymous Coward · · Score: 0

    Netflix needs to learn from the RIAA rulebook. Just fucking invent the numbers.
    You seriously think the RIAA numbers about piracy and lost revenue are real ? Of course not, it's just that everybody pretends they're real so they're real. Learn the art Netflix, learn it and you'll have the broadcast industry by the balls.

  20. Why should they? by Anonymous Coward · · Score: 0

    > FX chief John Landgraf said, "[Netflix's Ted Sarandos] shouldn't say something is successful in quantitative terms unless you're willing to provide data and a methodology behind those statements. You can't have it both ways."

    Netflix is not selling ads. They can see exactly how many viewers each show gets. They are paying for their content directly. They know how much money they make from their subscriptions.

    Why exactly should Netflix care if other networks can't refute their numbers? Netflix doesn't have to share them with anyone to boost ad sells or justify spending money on a new show.

  21. Commercial interruption before each act by tepples · · Score: 3, Insightful

    The only way I will tolerate commercials is if they are placed at the beginning or the end of the programming.

    Providers can accommodate the letter of your request by redefining "the programming" as a single act of the play (or screenplay or teleplay), or what would become a single chapter of the DVD, or the like, and then deeming a whole movie to become a playlist of several such "programmings". Would that satisfy you?

    1. Re:Commercial interruption before each act by Zaelath · · Score: 3, Informative

      I always find semantics works really well for making customers happy.

    2. Re:Commercial interruption before each act by Aighearach · · Score: 1

      I always find semantics works really well for making customers happy.

      It works great as long as it leaves them feeling like it was explained to them why the inconvenient or annoying part sucks. Then they're ready to suck it up. They'll often even repeat fragments of it to socially shame anybody who complains.

    3. Re:Commercial interruption before each act by nehumanuscrede · · Score: 3, Insightful

      Providers can accommodate the letter of your request by redefining "the programming" as a single act of the play (or screenplay or teleplay), or what would become a single chapter of the DVD, or the like, and then deeming a whole movie to become a playlist of several such "programmings". Would that satisfy you?

      It would not. The same practice under a different name would just put the final nail in their own coffin.

      Can you imagine how much the movie industry would suffer if they stopped the film every fifteen minutes so they can feed you ads about what medications you should be asking your doctor about ? Or why driving a $manly-vehicle in $state is manly ? No one would go. The movie industry would implode overnight.

      If television wanted to emulate the movie approach where they set aside the advertising block ahead of the main show, I would be cool with that. Or, they could do it at the end of the show. Would be cool with that too.

      Sprinkled within the show every ten minutes or so ? Not so much.

    4. Re:Commercial interruption before each act by Zaelath · · Score: 2

      Mmmm, I don't buy that at all.

      If you explain that you "only have small, large and grande" it's pedantic to complain "you mean small, medium and large".

      Or if you explain "all you can eat" doesn't mean "all you and your 5 friends can eat", fair enough.

      However, if you claim that you sell a "capped price" plan and explain that "capped means the minimum amount we charge, we can and will charge you more" then only an idiot accepts that redefinition as kosher.

    5. Re:Commercial interruption before each act by pnutjam · · Score: 2

      They actually do this for programs aimed at young children, for example Nick Jr. or Disney's equivalent channel. PBS also does this on their Sprouts channel. No "real" commercials, but what they have is between programs.

    6. Re:Commercial interruption before each act by phorm · · Score: 1

      Or non-obvious product-placement.
      This is a big - but not always obvious thing - for soft-drinks, mobile devices, computers, and sometimes cars. As for redefining programming, well hell the movie studios seem to have already done that to some extent where they've taken what is clearly a single episode and cut it in half with the first section having a to-be-continued ending (LOTR, Hunger Games, etc etc)

  22. Netflix has a hard road ahead by sjbe · · Score: 2

    Thing is, people are fleeing a system controlled by 6 corporations in favor of a new system controlled by only 1.

    With apologies to Grand Moff Tarkin, I think you overestimate their chances. Netflix getting a distribution monopoly is a highly improbable outcome. They don't own the copyrights to most of what you can watch through them and that matters a lot. Could they undermine the business model of traditional networks? We can only hope... I think Netflix can succeed without being the gatekeeper for all video content which is good because it isn't likely to happen.

    Apple will be the gatekeeper for music, and Netflix for video.

    I think Google, Amazon and more than a few others may have something to say about that. I've had a Netflix subscription twice now and both times I dropped it because the cost outweighed the value. Netflix had a large catalog of movies I've either already seen or don't care about and searching for new stuff was painful to say the least. There were movies I wanted to see that routinely were not available through Netflix. I don't really care about their original programming and I'm hardly the only one. Honestly I've found Amazon Prime to be a better value.

    The big fight here is over new content. Netflix is creating their own, and it's being extremely well received.

    Being well received does not equal a monopoly nor does it necessarily equal profits.

  23. your wagon wheel broken there buddy? by mr.dreadful · · Score: 2

    Cable has shit the bed by maximizing cable profits to the detriment of the viewing experience (too many ads, extra fees for HD, too many bullshit channels) and now they complain that Netflix doesn't measure eyeballs the same way they do? Viewership ratings only matter to broadcasters that rely on advertising, Why should membership based Netflix be held to same metric? Who would that even benefit? I think a more interesting question is whats happening on Hulu, which is having its cake (subscribers) and eating it too (shows ads).

  24. Sometimes adding ESPN is artifically almost free by tepples · · Score: 1

    Trade your cable bill for a monthly media budget and you can in relatively short order have more stuff than you can handle.

    Unless your roommate is unwilling to give up Peyton Manning and LeBron James. Those are the two exact names that my roommate mentioned when I mentioned switching from cable to Netflix to save money. Or unless your ISP provider severely jacks up rates on Internet customers who don't also subscribe to the ISP's pay-TV service.

  25. Ad revenues by phorm · · Score: 1

    they depend on the ad revenues

    And yet once upon a time they did not. TV programming was profitable without ads. Then after ads started, they slowly started encroaching more and more on the timeslots that used to be actual programming. Then they got louder. Annoying ads also seem to be a thing because, hey, at least people notice them.
    Beyond the ads, reality TV became a big thing because it's a lot cheaper to pay some realtor a few bucks extra to drag a camera crew along - or some redneck yokel - than it is to bother with real, skilled actors.

    Now, they need this crap more and more in order to show increasing profitability and pay the big bonuses, but that comes at the cost of quality, which - now that there's competition - is costing them customers. They've sacrificed long-term business in exchange for short-term profits, and it's finally biting them in the ass.

    1. Re:Ad revenues by Anonymous Coward · · Score: 0

      How were they making a profit without ads? As far as I know, most of the commercial (non-PBS-type) radio and TV stations in the USA have always depended upon ad revenue.

    2. Re:Ad revenues by Anonymous Coward · · Score: 0

      I think GP was talking about cable TV, not OTA. I remember when the Discovery and Learning Channels used to be good. The Disney Channel was good. Of course, there were some rebroadcast OTA channels that had commercials, but there were only three to four limited slots for ads per hour.

      Then the Disney Channel got ads despite being premium. The Discovery and Learning Channels became crap. Everything got ads. More ad slots, longer ad slots. Then ads started being shown during the programming. The Weather Channel even got ads! I actually don't remember when the last time I watched cable was.

      I did Netflix for a while, been a customer since it was a DVD mail rental service. Then I went to streaming. Then one time too many, I went to sit down to watch something that had been available a few months ago, and I'd find it was gone. I still have the subscription since the roommate seems to be happy with it.

      I've also grown disillusioned with going to the theater. Some times it's worth it. Interstellar and Gravity in 3D were worth it. Most of the time I think ok, they seriously want me to spend $15+ for a ticket and some popcorn and arrive 20 minutes ahead of time to get a decent seat just to have somebody I can hardly see around sit in front of me just to watch some mediocre content that still has ads not to mention other crap that basically presumes I'm a criminal? No thanks. My TV/monitor is large enough and my headphones are high quality.

      Also what if it's something obscure I want to watch like the original edit of Star Wars?

      It's torrent for me or bust these days. It's not that I'm unwilling to pay for content. I'm just unwilling to pay for ads, DRM, and selective availability.

      I'm thinking the funding model for film makers in the future will be crowdfunding or some kind of crowd patronage system. Already with the new fan made Star Trek stuff, it's beginning to prove that better things than what's coming out of Hollywood can be crowdfunded. It still blows my mind that I threw $35 at a pie in the sky project called Star Citizen on Kickstarter a few years ago, and now it's looking like I'll be playing a AAA budget space sim with talent like Gary Oldman and Mark Hamill in 2017. I mean, at best I was hoping for an updated mmo Freelancer with a better economy system.

    3. Re:Ad revenues by PRMan · · Score: 1

      Gravity was not worth anything. My high-school girls sat there and poked holes in the plot the entire time. It was only good in a MST3K kind of way... IE laughing at it.

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
  26. How many subscribers would we lose if... by tepples · · Score: 1

    Ratings of subscription television answer the following questions: Which programs bring in the most subscription revenue? Which programs would make end users more likely to cancel subscriptions if they were canceled?

    1. Re:How many subscribers would we lose if... by TemporalBeing · · Score: 1

      Ratings of subscription television answer the following questions: Which programs bring in the most subscription revenue? Which programs would make end users more likely to cancel subscriptions if they were canceled?

      So Netflix already has a built in rating system for user, and can 100% accurate determine how many users watch any given video because in both cases they actually *have* that information.

      That's a far cry from the Neilssen Rating system which uses statistics to guess at how many people actually watch something by extrapolating data based on a limited sample set.

      If anything, Netflix would simply have to just have a third party audit their numbers and process of collection if they really cared about competing with broadcast and something like the Neilssen Rating System. Same for Hulu, Amazon, Pureflix, and others that are selling directly to the customer. After all, which boat would you rather be in or sell to? Someone that *knew* they had 15,000 viewers? Or something they *thought* but could not confirm they had 15,000,000 viewers. One may be cheaper (the 15,000,000) but the other (15,000) would likely produce better results.

      --
      Truth is like the sun. You can shut it out for a time, but it ain't goin' away. - Elvis Presley (source: imdb.com)
  27. How dare they avoid a monoploy by Anonymous Coward · · Score: 0

    If you can't innovate, legislate. Time to make it illegal for there to be any competition. Perhaps they can use the "too many choices" argument.

  28. Comcast as Eve by tepples · · Score: 1

    But how can Comcast peek into a TLS connection, other than that I happen to be accessing some URL whose hostname is a member of Netflix's CDN?

    1. Re:Comcast as Eve by postbigbang · · Score: 1

      Doesn't take much to look at the CDN network accessed to figure out what's being watched-- along with the ad content that is also triggered.

      In fact, if they're not looking-- they're stupid.

      --
      ---- Teach Peace. It's Cheaper Than War.
  29. Incorrect assertion by maroberts · · Score: 1

    > Mr. Wurtzel said the data showed that when streaming-service shows debut, viewership is strong and then peters out after a few weeks before viewers return to watching cable or network television.

    No, I and my partner pretty much stay glued to Netflix except for news. Being able to watch complete series of a show over a few nights or a weekend is a big win over cable/network TV. In the time before new shows, we simply reload older ones we like.

    --

    Donte Alistair Anderson Roberts - hi son!
    Karma: Chameleon

    1. Re:Incorrect assertion by PRMan · · Score: 1

      I have a few shows that I like on TV (Amazing Race, Mythbusters, The Good Wife and the Berlanti DC Shows, mostly). But for literally the last 2-3 weeks, nothing has been on. I seriously wonder why I pay $80 a month for satellite when there hasn't been a show on for ¾ of that period.

      Netflix to the rescue! There's always something that I find interesting on there. Because the menus are tailored to my interests.

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
  30. Children's Television Act by tepples · · Score: 1

    if Netflix produces a show that mostly appeals to 4 year olds, that is fine. Mom and Dad think $9 a month is a cheap way to keep the kids occupied while they make dinner. Advertisers would hate that though because kids that age don't spend money.

    Serving an audience too young to buy things is also why OTA TV has an E/I requirement. Broadcasters are willing to pay extra for shows that fulfill their requirements under the Children's Television Act.

    1. Re:Children's Television Act by DarkOx · · Score: 1

      I am aware actually and it proves my point. Without special intervention in the market place by government OTA networks would air little such programing. If they had been airing enough Congress would not have stepped in.

      Netflix on the other hand is producing a number of kids shows with no such intervention. Their motivations are different. They like any business seek to provide what their customers want (at least in aggregate). In the case of Netflix that is you the subscriber. With traditional networks that is the advertisers.

      What defines success for Netflix is the bottom line, and what means sustainability is the size of the subscriber base and its trend on growth or decline. What makes an individual media property a success or failure in the context of Netflix is if it adds the value of Netflix in the they opinion of their subscribers. The who watches it and when specifics are less important than with traditional ad supported television.

      --
      Repeal the 17th Amendment TODAY! Also Please Read http://www.gnu.org/philosophy/right-to-read.html
    2. Re:Children's Television Act by ChrisMaple · · Score: 1

      Without special intervention in the market place by government OTA networks would air little such programing. If they had been airing enough Congress would not have stepped in.

      This is another example of government causing a problem, which then requires government action to (not) fix it. Government restricted access to television by limiting the number of channels in a given area and making technical costs high. TV stations then produced only programs that were highly profitable, and people with a dream for a niche product were priced out of the market. Cranks and parents complained, so the FCC forced stations to air less profitable content and engage in "self"-censorship. -- Without government intervention in the first place, lower cost stations would have been possible, and niche markets could have been served at a profit.

      --
      Contribute to civilization: ari.aynrand.org/donate
  31. oh well by Anonymous Coward · · Score: 0

    Who cares Netflix is still going strong and will continue to do so regardless of what's on cable.

  32. Refusal to provide free colo space by tepples · · Score: 1

    one of the proposed solutions I read about was for Netflix to place some content distribution servers in Comcast's data centers. To do so would have required Netflix to share it's usage data with Comcast, and Netflix didn't want any part of that.

    That's not what I remember being the problem with installing an OpenConnect Appliance at Comcast. It was that Comcast didn't want to give away colo space without charge.

    1. Re:Refusal to provide free colo space by PRMan · · Score: 1

      Which is the dumbest argument on the planet since it would probably save them $100 million in bandwidth costs over a year.

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
  33. When every mirror has everything by tepples · · Score: 1

    If all popular shows are mirrored on all CDN nodes, how is that going to help?

    1. Re:When every mirror has everything by postbigbang · · Score: 1

      Specific nodes will have specific content. Latencies can also help determine what's going on, too. Predictability is reasonable.

      What they're trying to do, however, is hassle and compete with Netflix, who doesn't need to report the same numbers to the ad gods.

      It's internecine fighting that's all in the spirit of good fun, right?

      --
      ---- Teach Peace. It's Cheaper Than War.
    2. Re:When every mirror has everything by tepples · · Score: 1

      Specific nodes will have specific content.

      But all nodes will have the most popular shows. As far as I can tell, the ISP would be able to tell only for possibly a few long tail shows. Do there exist public statistics for how widely distributed particular shows are across the CDN? And even if specific shows are only on a subset of nodes, how would an ISP know what nodes have what shows anyway?

      Latencies can also help determine what's going on, too.

      Are you referring to VBR encoding leaking changes in motion complexity over time?

      What they're trying to do, however, is hassle and compete with Netflix, who doesn't need to report the same numbers to the ad gods.

      Does HBO "need to report the same numbers to the ad gods"?

      It's internecine fighting that's all in the spirit of good fun, right?

      The future of an open Internet is at stake. In the past, legislation has been introduced to require all Internet-connected devices to contain copyright-enforcing policeware controlled by the incumbent movie studios, such as the SSSCA that became the CBDTPA. But so far, it has failed. If the studios can get Netflix to close its doors, and former Netflix users predictably return to copyright infringement, studios will gain more leverage in the U.S. Congress to take control of the Internet.

    3. Re:When every mirror has everything by postbigbang · · Score: 1

      You don't know that all nodes have the most popular content. You're guessing.

      Think about it.... you're an ISP and everything your customers watch go through its wires. No, you may not have a TLS crack, you know when commercials are inserted, where they come from, and which CDN sources are being used. Not tough math, if you think about it-- oh, and have an account or two to see how selections map to varying resources YOU make because YOU have the cert in your browser while you make them.

      I'm not fond of VBR encoding, but I am in favor of rights holders earning their rights legitimately, not the tactics of the MPAA/etc. The Open Internet is more or less an oxymoron. I'm filtered, you're filtered, and don't deny it. Netflix isn't going to close its doors, and if Hulu had brains, they'd be the perfect competitor to Netflix.

      Look at the selections on a Roku or Apple TV and tell me that Andy Grove's maxim about the battle between all providers is two eyes, and 24hrs. YouTube, and a long long list of non-TV network providers are starting to prevail, as crappy traditional corporate TV/radio networks start to die off. With all of their strictly bought-and-paid-for messaging, broadcast network television was doomed to die as a communications delivery vehicle.

      --
      ---- Teach Peace. It's Cheaper Than War.
    4. Re:When every mirror has everything by dgatwood · · Score: 1

      You don't know that all nodes have the most popular content. You're guessing.

      Of course you know that. The whole point of using a CDN is to maximize the amount of content that gets delivered without having to go upstream to the main servers. You're guaranteed, therefore, that anything above a certain popularity threshold is going to be cached by the CDN. If the most popular content is missing from one of the CDN nodes, then that node is fundamentally broken.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    5. Re:When every mirror has everything by postbigbang · · Score: 1

      Do you understand how akamai, and other CDNs cache? It's based on predictability and load balancing. The sources are pretty-well known. It's very highly distributed, and depending on locale, X choice will produce Y URL.

      --
      ---- Teach Peace. It's Cheaper Than War.
    6. Re:When every mirror has everything by dgatwood · · Score: 1

      Ah. I understand the confusion. I think you're talking about specific servers within the node, as opposed to the node as a whole. Yes, specific servers may or may not have specific pieces of content, but the node as a whole ought to have all of the most popular content (statistically) on at least one, and maybe multiple servers within it.

      And to the extent that those servers have independent URLs (as opposed to being figments of a load balancer's imagination), knowing the host name might narrow it down to one of a few thousand titles. I doubt you can do much better than that, though, because presumably the bit rates are comparable across all content (at least within a given quality class). And it seems likely that popular and unpopular content would each be evenly distributed across nodes for load balancing reasons, so you can't really say that cdn31-chicago-companyname.akamai.net is the one that contains the popular TV shows. So I can't imagine that knowing the hostname would tell you anything of value, really. Am I missing something?

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    7. Re:When every mirror has everything by postbigbang · · Score: 1

      There is the A list, and the not so A list, etc. Let's say you get an account, and a URL. The traceroute of that URL gives a lot of info. Pick some other programs. See where those go, and what the ping latency is. After a while, you can pick the program by just being a customer, then following the stream to its destination. You don't have to guess, you can be a customer and just do it.

      The streams aren't going to be much different to then characterize. Yes, load balancers and long-path sourcing might be troublesome, but CDNs are highly localized these days, and have co-lo space in many areas. Geographic sampling wouldn't take long if it's done methodically.

      Ok, this is Comcast, whose IQ compares to stairsteps in short buildings.

      --
      ---- Teach Peace. It's Cheaper Than War.
  34. Re:Sometimes adding ESPN is artifically almost fre by amRadioHed · · Score: 1

    Just because you're roommates doesn't mean you need to split everything, right? He can pay for the cable bill, and you don't touch the cable and just use whatever services you prefer.

    --
    We hope your rules and wisdom choke you / Now we are one in everlasting peace
  35. Enjoy it... by koan · · Score: 1

    One day it will all be ads on Netflix, just as it is on "TV".

    --
    "If any question why we died, Tell them because our fathers lied."
  36. Compelled disclosure of viewership data? by astro · · Score: 1

    Given that this is Slashdot, I am surprised not to see any notable discussion of an important issue: If this turns in to an actual legal battle, one possible outcome would be the compulsory disclosure of analytics data.

    That would be A Bad Thing. I'm certain that Netflix does provide detailed, segmented, specific data to the people that provide and create the content they serve. This is as it should be. To be compelled to provide such data to their competitors is anti-capitalist at best (and I am writing as an avowed Socialist).

    As an operator of several commercial websites (micro scale compared to Netflix, of course), I would absolutely balk at having to provide anything from raw server logs to analytics data to anyone much less my direct competitors.

    1. Re:Compelled disclosure of viewership data? by Anonymous Coward · · Score: 0

      In the end, Netflix's shareholders may demand it.

  37. Who cares what Netflix's ratings are? by userw014 · · Score: 1

    I'm trying to recall how many years it's been since I've watched broadcast or cable TV - or how much longer it was for more than an hour a month.

    Ratings based TV is dead to me. To misquote a certain virtual muppet:

    • With ratings come advertisements
    • With advertisements comes pain
    • With pain comes anger
    • With anger comes the Dark Side
  38. Living with someone who needs sports by tepples · · Score: 1

    competition shows such as sports and "reality"

    I don't care about either of those

    Even if you don't, does somebody else living with you "care about either of those"?

    1. Re:Living with someone who needs sports by Anonymous Coward · · Score: 0

      Well at that point it becomes a case of who's paying the bills. Certainly in the case of married couples there will be compromises, but if the "someone else living with you" is just a roommate, etc, then if they want an expensive cable bill to watch some sports it'll be up to them to foot the entire bill for it.

  39. Greed is more addictive than Heroin by ThatsNotPudding · · Score: 1

    Put $100 million in the bank and earn $20 million a year and you'll find that your worldview and focus changes... a lot...

    Mostly centered on avoiding taxes while still relying on civilized society and infrastructure to continue on... somehow.

    1. Re:Greed is more addictive than Heroin by FlyHelicopters · · Score: 1

      Mostly centered on avoiding taxes while still relying on civilized society and infrastructure to continue on... somehow.

      Everyone does that, it isn't exclusive to the rich.

      My point was that money stops being the driving force behind day-to-day decisions. Other concerns and interests come to the front.

      When you no longer "want", you find that your view of the world changes.

    2. Re:Greed is more addictive than Heroin by dave420 · · Score: 1

      No, not everyone does that. That you would assume that to be the case is incredibly telling...

    3. Re:Greed is more addictive than Heroin by FlyHelicopters · · Score: 1

      No, not everyone does that. That you would assume that to be the case is incredibly telling...

      You're telling me that you pay more taxes than you legally have to?

      Do you write a check to the US Treasury on top of what you actually owe?

      Ok, fair enough, there ARE a few people who actually do this. Not very many however, and when I say "everyone", clearly that means "almost everyone", since in any large population you can find an exception.

  40. Seems easy to swag... by Maxo-Texas · · Score: 1

    Take their gross revenues and divide by $10. ( about 8 bucks for 2 screen streaming up to a small number at $52 for high bandwidth high disk plans that are probably 1%'ers).

    Their gross revenues in 2015 were 1.5 billion.
    So about 150 million viewers.

    --
    She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    1. Re:Seems easy to swag... by ChrisMaple · · Score: 1

      Gross revenue trailing 12 months (yahoo finance) $6.44 billion. That's $537 million / month. About 54 million households. There are only 118 million households in the US, so even that number seems high. Granted, Netflix isn't US only, but still...

      --
      Contribute to civilization: ari.aynrand.org/donate
    2. Re:Seems easy to swag... by Maxo-Texas · · Score: 1

      This says 69 million subscribers worldwide.

      http://www.statista.com/chart/...

      So I was off by about 40 million high and yours is off by about 15 million lower.

      Your estimate is much closer! On the Price is Right, you'd get the free Netflix Subscription.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
  41. Re:Sometimes adding ESPN is artifically almost fre by Anonymous Coward · · Score: 0

    You need a roommate who isn't a mouth-breathing sports-tard.

  42. Not about viewrship, about profit. by Anonymous Coward · · Score: 0

    This is corporations. This is about profit. Traditional shows have to worry about viewership because they use the viewership numbers to generate the prices for the advertising.

    The ideal traditional TV viewer is one that watches a lot.
    The ideal netflix customer is one who subscribes but watches nothing.

    Netflix does not care about viewership. Netflix cares about subscriptions. If they can keep the subscriptions with a few high quality shows that keep the customers hooked then that is good. Netflix is not interested in the viership of a program but the number of customer lockins it gets from the shows it has.

    The Netflix marker it different.

  43. Nielson's system would work equally well by Tony+Isaac · · Score: 1

    There is nothing about Nielson ratings that wouldn't work equally well--or poorly--compared to traditional TV or cable. Broadcast TV doesn't share viewer numbers at all, because they can't. So the fact that Netflix doesn't share numbers doesn't hinder Nielson at all, compared to broadcast TV. If they want those numbers, pay Nielson for them!

  44. Netflix has a better model by LostMyBeaver · · Score: 1

    I don't watch broadcast or Netflix. I pay for a subscription to Netflix and also to a cable TV provider (my wife is stubborn and won't cut the damn cord... even though she watches everything from PVR).

    Netflix offers all the shows a person needs to watch on a single platform with a single price without the commercials (I think... I'm pretty sure I haven't seen any). I think there are online sports streaming networks as well, though I don't understand why that can't just be recorded and played back as well.

    NBC plays commercials and on the rare occasions I am willing to turn on a TV when I'm in the states, it seems NBC does very little to make this tolerable. They sell airtime to anyone who is willing to pay. I know damn well I don't want to feel like by watching a given program, I'm an optimal candidate to advertise gambling websites to... it makes me feel as if I'm some sleazy loser who pisses money away on powerball tickets. I regularly ask my wife "Do you feel comfortable with being targeted as being a member of a demographic that would buy something or use a service because they jacked up the volume and tried to sucker you into thinking that you have a chance of actually winning when it's absolutely obvious the advertised wouldn't exist if they didn't win more money than they lost?".

    NBC often has good shows (I think so at least, I don't really remember) but I can't imagine wanting to watch something that has commercials. If their content is good enough, I'd prefer to pay a few bucks a month and not see them.

  45. Asshat central by Anonymous Coward · · Score: 0

    âoeIf Ted doesnâ(TM)t give ratings, he shouldnâ(TM)t then be saying, âThis is the biggest hit in the history of blah blah blah.â(TM) He shouldnâ(TM)t say something is successful in quantitative terms unless youâ(TM)re willing to provide data and a methodology behind those statements. You canâ(TM)t have it both ways.â

    What a fucking self-important dickwad. This is why I despise TV networks. Guess what, shitknob? He can say and do whatever he wants because TELEVISION DOESN'T MATTER!

  46. Re: Sometimes adding ESPN is artifically almost fr by Anonymous Coward · · Score: 0

    Hey asshole, Im just about the worst sports fan out there, but even I can recognize the need to be social once in a while. Maybe you should get out of your moms basement once in a while, scratch your shriviling balls and drink a beer once in a whilr.

  47. Leave $100MM on table in favor of $200MM pay TV by tepples · · Score: 1

    Or the ISP could try not upgrading its network, instead directing subscribers to a traditional multichannel pay TV service that gives $200 million per year in revenue.

  48. O(m) bandwidth for m viewers in a neighborhood by tepples · · Score: 1

    I'm not convinced [QAM] is a great solution when it requires O(n) bandwidth for n available channels. The current system only requires O(1) bandwidth for n available channels. Obviously multiple viewing devices changes it slightly, but the proportions remain similar.

    Now scale "multiple viewing devices" up to all the viewing devices in a whole neighborhood, which I define as the area served by one CMTS. Then video on demand ends up with O(m) bandwidth for m viewers, which can be greater than the number of available channels depending on how big a neighborhood is.

    1. Re:O(m) bandwidth for m viewers in a neighborhood by Aighearach · · Score: 1

      You forgot to add a cache before calculating the on-demand impact :)

    2. Re:O(m) bandwidth for m viewers in a neighborhood by tepples · · Score: 1

      Even if all VOD shows with more than one viewer are cached at each CMTS, the CMTS still has to use bandwidth on its network segment for each separate viewer on that CMTS. Or are you referring to caching on the customer premises equipment? That's DVR more than VOD.

    3. Re:O(m) bandwidth for m viewers in a neighborhood by Aighearach · · Score: 1

      When reading a general statement about a technology such as caching, it is up to you to consider all of the reasonably applicable implementations. If you thought I would be calling a DVR a provider cache, then just remember my name and please don't read anything I write. ;) If you want to bother, put a little more effort into attempting to parse out the most correct reading of the words, instead of getting stuck on impossible meanings that were obviously not intended. That it would be an incorrect statement was your clue that it isn't the intended meaning. That is on you.

  49. language by junkgoof · · Score: 1

    My daughter worked this out for her unilingual friends. You have to change an overall language setting IIRC, it is not per film.

    --
    You got me into this! You were the ideologue! I'm only a poor assassin! - Twenty evocations, Bruce Sterling
  50. Enumerating possibilities: before, in, after CMTS by tepples · · Score: 1

    When reading a general statement about a technology such as caching, it is up to you to consider all of the reasonably applicable implementations.

    Likewise, when writing a general statement about a technology such as caching, it is up to you to suggest one or more implementations that you might consider reasonably applicable.

    That is on you.

    When you make a claim that "add[ing] a cache" will solve the bandwidth problem of unicast video on demand and then show unwillingness to complete your claim by specifying where in the path from cable HQ to the end user's display this cache would be located, you are shifting the burden of proof. Your use of "consider all of the reasonably applicable implementations" sounds like you're asking me to enumerate all places a cache could be and disprove each. That resembles another fallacious debating technique, the Gish Gallop. But I will do so anyway, as a favor to you:

    By trichotomy, if the CMTS is between the cable company and the viewer, a cache is either before the CMTS, in the CMTS, or after the CMTS.

    Before the CMTS A cache before the CMTS requires the program to be sent through the CMTS separately for each viewer whose position in the program differs. In the CMTS A cache in the CMTS requires the program to be sent by the CMTS separately for each viewer whose position in the program differs. After the CMTS A cache after the CMTS would be on customer premises, making it a "digital video recorder" in a broad sense. A customer premises cache could receive the whole program in-order, like a traditional DVR, or snoop on pieces of the program that other viewers happen to be requesting, like a BitTorrent client. But given how the studios don't let Netflix pre-cache an entire film in advance on the user's device before the user begins to watch it, I doubt that the studios would be willing to license programs to cable companies that implement BitTorrent-style VOD.

    Of all these possibilities, which do you "consider [...] reasonably applicable"? Or what specific possibility that I failed to imagine do you "consider [...] reasonably applicable"?