... is because generally it's higher resolution than DVDs and their sound system is usually better than what I have at home. Other reasons would be a social gathering or something. It's hardly ever the case that I go to watch movies because I can't wait for the DVDs to come out.
Coincidentally, I was trying to piece together some text from a website that had been taken offline. It was still in Google's records, since I could search for it, but there was not "Cache" option I could click on. What I essentially did was try to remember pieces from the original text, and search using Google to get it to highlight it, and then searching a little bit ahead and back with the other words it pulled up. It doesn't work too well, since sometimes it refuses to go forward or back; your search term would simply be the first entry or the last entry in the excerpt. I had to come up with a lot of "seed" phrases in order to get the whole thing, which was only around 20 lines of text. Theoretically, this would mean that the bot would have to have a dictionary of "seed" words or phrases to start with, and then once it gets all its sequences, it would then need to piece them together like one would piece together the amino acid sequence of a protein from subpeptides.
So tell me how they can start negotiations, etc., before airing? There's been a surge of series licensed before airing, such as Geneon USA's latest announcement at AX in July, in which they announced the rights to at least four shows which have not aired yet. It may or may not be true that anime localization companies look at fansubs, but even if it were true, it wouldn't be the major factor, since we get all sorts of random shows that didn't even have that many fansub watchers.
Haven't read the article since the server's gone already, but what's to prevent someone from say downloading warez and burning that onto a CD? Would they get into trouble if someone did? Personally I don't think it should, but then again, considering how tools are often vilified based on one possible use.
Japanese media companies such as Mediaworks have started putting some of their anime episodes online . Some of these are for pay, but some of these are time-limited free streaming previews. For example, the first 30 minutes of the AIR Movie is now available for free on their website for around two weeks.
1) Series is not available outside of Japan.
2) Internet and fansubbing make series available outside of Japan.
3) Fansubs build series' popularity.
4) Publishers see demand and release series worldwide, seeing huge amounts of sale from fans they never would have had before.
5) Profit.
This used to be true, until now, when more and more American companies start negotiating series with Japanese licensors before the show even starts airing... Some shows, such as Tenjho Tenge were created with money paid up front by American companies. Sure, the very obscure show will still get some benefit from BitTorrent, but a good chunk of shows, the super popular ones that fansubbers sub, tend to be noticed by companies before airing and perhaps are already in license negotiations once airing starts. And face it, I'm sure most of the people downloading Naruto wouldn't even think of buying the DVDs. I mean, just look at all the complaints on the forums when the Naruto license was announced, when their free flow of episodes was in danger of getting shut down.
"I found a flaw in Hyperthreading, but the margin of this notebook is too small for me to write what it actually is, so I'll leave it as an exercise to the reader."
Distribution of unlicensed anime is still illegal. It's distribution of an unauthorized reproduction and translation (derived work) of something that Japan produced, and since there's international copyright laws governing that...
Since the brain seems to adapt its structure to suit its environment (such as giving someone partial "vision" by stimulating their back with an array of little elements which correspond to the pixels on a camera), won't it mean that different people will have slightly different "wiring" for this to totally work on everyone? On the other hand, since the brain is somewhat adaptive, maybe you can get the brain to adapt or to learn to communicate with the target electrode areas...
I dunno, but that sounds like typical terms of service for something like Instant Messenger, and doesn't sound very surprising or new at all. Granted, I haven't thoroughly read their ToS before... They're supposedly used so that they can distribute your messages (IMs) without any possibility of "infringement," but who knows?
Now that you mention it, if Google brings VoIP, would they somehow tie searching into it? It would be nice to say Google for the nearest Italian restaurant and then click a link to have Google dial it for you.
Here's the calculated numbers in case anyone's too lazy...
Pokemon: The First Movie, 28178
Pokemon: The Movie 2000, 15901
Pokemon 3: The Movie, 6375
Pokemon 4Ever, 6938
Pokemon Heroes, 3732
Spirited Away, 14084
Princess Mononoke, 18413
Ghost in the Shell 2: Innocence, 18970
Cowboy Bebop, 34484
Metropolis, 45183
Basically, this compares Pokemon with the top 5 ranking non-kids anime movies for their gross per theater counts.
I think the tail end of the data (Cowboy Bebop and Metropolis) start getting inaccurate, because the number of theaters playing is starting to drop too much, so you'll have people travelling long distances to watch it.
Anime films without Pokémon in their titles haven't fared well at the US Box office
It looks more like the problem is getting theaters to take the risk of showing it. If more theaters adopted these movies, they might fare better, and the difference wouldn't be as large. For example, if you divide the grossing number by the number of theaters that it was shown in, the difference isn't that significant anymore. Maybe it's just a chicken and the egg thing...
Reminds me of the solar-powered (batteryless) flashlight from the Bond spoof From Beijing, with Love and the suitcase that turns into a spy-observation chair.
It's Bruce Land. He's used to slashdotting by now. I still remember him talking about his first slashdotting and the frantic move to get everything back to working order. Now he has a special setup so that it should still be fine.
When I first read the article, and saw that the link was from Cornell, I had a sneaky suspicion that Dr. Land was involved with this somehow. Something about his "dress in Hawaiian attire to class in freezing temperatures" manner made him feel like someone willing to work on crazy things. Whether for a Masters of Engineering project or for class , he seems to always encourage interesting and wacky ideas, like a radio controlled helicopter, a sound seeking robot, a Wonderswan cartridge, etc.
Speaking of which, I tried to create a musical "generator" that used a random number generator as the core and used a Markov chain obtained from computer analysis of a composer's music style. Unfortunately, it seemed that above all, the very high level aspects of the music seemed totally chaotic, and the amount that did not seem chaotic were dependent on how much data I input or assumed. Compare it to generic "normal" music, and you'll find that normal music tend to have very non-chaotic higher level structures, and might be more chaotic once you get to lower levels such as individual notes and runs. Looks like they have done a similar thing, but they must have had trained the Markov chain with a lot more data than I had. However, you can still hear the higher order chaos, since the music sorta just plays, but doesn't really go anywhere.
At Cornell University, you do not pay for bandwidth on your personal website that's hosted on their servers. However, if you run a server on your own computer, it contributes to the bandwidth cost of your Internet connection, which is 2GB included per month, plus ~$2 per GB over 2GB per month.
Overall, I think it looked pretty nicely done. The way the scenes are stitched together was really nice. Some effects looked really nice (the glowing eyes), but some looked really distracting (the starburst type effect, not sure what to call it). I liked the use of the miniature sized people. However, it seemed like sometimes the people look too "normal" in a sense, while at other times, they really fit in with the scene. Perhaps some better lighting/atmosphere could make up for it?
I haven't been able to access the site, and the article doesn't say much, but how is hacking games to have new graphics breaking copy protection? Or is there another part of the DMCA they're using? Unless they were distributing hacks to disable CD checking, then maybe, but if they're just altering gameplay, how is that breaking copy protection? Heck, if the patches are done normally, they wouldn't even need to contain any copyrighted material.
... is because generally it's higher resolution than DVDs and their sound system is usually better than what I have at home. Other reasons would be a social gathering or something. It's hardly ever the case that I go to watch movies because I can't wait for the DVDs to come out.
Coincidentally, I was trying to piece together some text from a website that had been taken offline. It was still in Google's records, since I could search for it, but there was not "Cache" option I could click on. What I essentially did was try to remember pieces from the original text, and search using Google to get it to highlight it, and then searching a little bit ahead and back with the other words it pulled up. It doesn't work too well, since sometimes it refuses to go forward or back; your search term would simply be the first entry or the last entry in the excerpt. I had to come up with a lot of "seed" phrases in order to get the whole thing, which was only around 20 lines of text. Theoretically, this would mean that the bot would have to have a dictionary of "seed" words or phrases to start with, and then once it gets all its sequences, it would then need to piece them together like one would piece together the amino acid sequence of a protein from subpeptides.
So tell me how they can start negotiations, etc., before airing? There's been a surge of series licensed before airing, such as Geneon USA's latest announcement at AX in July, in which they announced the rights to at least four shows which have not aired yet. It may or may not be true that anime localization companies look at fansubs, but even if it were true, it wouldn't be the major factor, since we get all sorts of random shows that didn't even have that many fansub watchers.
Haven't read the article since the server's gone already, but what's to prevent someone from say downloading warez and burning that onto a CD? Would they get into trouble if someone did? Personally I don't think it should, but then again, considering how tools are often vilified based on one possible use.
Oh man... I can see the flood of Resident Evil jokes now...
I think one of my favorite ones was still the all your base set to Bohemian Rhapsody:
http://www.pwned.nl/ayb/
Japanese media companies such as Mediaworks have started putting some of their anime episodes online . Some of these are for pay, but some of these are time-limited free streaming previews. For example, the first 30 minutes of the AIR Movie is now available for free on their website for around two weeks.
1) Series is not available outside of Japan.
2) Internet and fansubbing make series available outside of Japan.
3) Fansubs build series' popularity.
4) Publishers see demand and release series worldwide, seeing huge amounts of sale from fans they never would have had before.
5) Profit.
This used to be true, until now, when more and more American companies start negotiating series with Japanese licensors before the show even starts airing... Some shows, such as Tenjho Tenge were created with money paid up front by American companies. Sure, the very obscure show will still get some benefit from BitTorrent, but a good chunk of shows, the super popular ones that fansubbers sub, tend to be noticed by companies before airing and perhaps are already in license negotiations once airing starts. And face it, I'm sure most of the people downloading Naruto wouldn't even think of buying the DVDs. I mean, just look at all the complaints on the forums when the Naruto license was announced, when their free flow of episodes was in danger of getting shut down.
"I found a flaw in Hyperthreading, but the margin of this notebook is too small for me to write what it actually is, so I'll leave it as an exercise to the reader."
Distribution of unlicensed anime is still illegal. It's distribution of an unauthorized reproduction and translation (derived work) of something that Japan produced, and since there's international copyright laws governing that...
Looks like CmdrTaco learned how to program in Whitespace (which, incidentally was also invented on April Fool's)
Do not eat Picotux.
Since the brain seems to adapt its structure to suit its environment (such as giving someone partial "vision" by stimulating their back with an array of little elements which correspond to the pixels on a camera), won't it mean that different people will have slightly different "wiring" for this to totally work on everyone? On the other hand, since the brain is somewhat adaptive, maybe you can get the brain to adapt or to learn to communicate with the target electrode areas...
I dunno, but that sounds like typical terms of service for something like Instant Messenger, and doesn't sound very surprising or new at all. Granted, I haven't thoroughly read their ToS before... They're supposedly used so that they can distribute your messages (IMs) without any possibility of "infringement," but who knows?
Now that you mention it, if Google brings VoIP, would they somehow tie searching into it? It would be nice to say Google for the nearest Italian restaurant and then click a link to have Google dial it for you.
Here's the calculated numbers in case anyone's too lazy... Pokemon: The First Movie, 28178 Pokemon: The Movie 2000, 15901 Pokemon 3: The Movie, 6375 Pokemon 4Ever, 6938 Pokemon Heroes, 3732 Spirited Away, 14084 Princess Mononoke, 18413 Ghost in the Shell 2: Innocence, 18970 Cowboy Bebop, 34484 Metropolis, 45183 Basically, this compares Pokemon with the top 5 ranking non-kids anime movies for their gross per theater counts. I think the tail end of the data (Cowboy Bebop and Metropolis) start getting inaccurate, because the number of theaters playing is starting to drop too much, so you'll have people travelling long distances to watch it.
Anime films without Pokémon in their titles haven't fared well at the US Box office
It looks more like the problem is getting theaters to take the risk of showing it. If more theaters adopted these movies, they might fare better, and the difference wouldn't be as large. For example, if you divide the grossing number by the number of theaters that it was shown in, the difference isn't that significant anymore. Maybe it's just a chicken and the egg thing...
Reminds me of the solar-powered (batteryless) flashlight from the Bond spoof From Beijing, with Love and the suitcase that turns into a spy-observation chair.
It's Bruce Land. He's used to slashdotting by now. I still remember him talking about his first slashdotting and the frantic move to get everything back to working order. Now he has a special setup so that it should still be fine.
When I first read the article, and saw that the link was from Cornell, I had a sneaky suspicion that Dr. Land was involved with this somehow. Something about his "dress in Hawaiian attire to class in freezing temperatures" manner made him feel like someone willing to work on crazy things. Whether for a Masters of Engineering project or for class
, he seems to always encourage interesting and wacky ideas, like a radio controlled helicopter, a sound seeking robot, a Wonderswan cartridge, etc.
Speaking of which, I tried to create a musical "generator" that used a random number generator as the core and used a Markov chain obtained from computer analysis of a composer's music style. Unfortunately, it seemed that above all, the very high level aspects of the music seemed totally chaotic, and the amount that did not seem chaotic were dependent on how much data I input or assumed. Compare it to generic "normal" music, and you'll find that normal music tend to have very non-chaotic higher level structures, and might be more chaotic once you get to lower levels such as individual notes and runs. Looks like they have done a similar thing, but they must have had trained the Markov chain with a lot more data than I had. However, you can still hear the higher order chaos, since the music sorta just plays, but doesn't really go anywhere.
At Cornell University, you do not pay for bandwidth on your personal website that's hosted on their servers. However, if you run a server on your own computer, it contributes to the bandwidth cost of your Internet connection, which is 2GB included per month, plus ~$2 per GB over 2GB per month.
Overall, I think it looked pretty nicely done. The way the scenes are stitched together was really nice. Some effects looked really nice (the glowing eyes), but some looked really distracting (the starburst type effect, not sure what to call it). I liked the use of the miniature sized people. However, it seemed like sometimes the people look too "normal" in a sense, while at other times, they really fit in with the scene. Perhaps some better lighting/atmosphere could make up for it?
Just make sure the fansub translator actually knows enough to tell you it's a pun, or else you'd never know.
I haven't been able to access the site, and the article doesn't say much, but how is hacking games to have new graphics breaking copy protection? Or is there another part of the DMCA they're using? Unless they were distributing hacks to disable CD checking, then maybe, but if they're just altering gameplay, how is that breaking copy protection? Heck, if the patches are done normally, they wouldn't even need to contain any copyrighted material.