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Copyright Claimed on Telephone Tones

awful writes: "Two composers in Australia have copyrighted over 100,000,000,000 phone tone dialing sequences. They state in the article that they are lampooning copyright laws that protect big business rather than artists. Their website has more info and explains how they did it. You can check your number and make sure it hasn't been copyrighted by these guys. They have already recieved one offer of money - from a guy who wanted to purchase the copyright to his number so he could stop direct marketing firms from calling him." Somehow I don't think the inventors of DTMF envisioned this. Update: 10/04 14:11 GMT by M : There's a US mirror available.

126 of 495 comments (clear)

  1. prior art? :) by brood · · Score: 5, Funny

    Jenny, Jenny who can I turn to
    You give me something I can hold on to
    I know you'll think I'm like the others before
    Who saw your name and number on the wall
    Jenny I've got your number
    I need to make you mine
    Jenny don't change your number
    8 6 7-5 3 0 9

    1. Re:prior art? :) by toofast · · Score: 2

      That was a good tune... Tommy Tutone, circa 1980.

      How many people must have tried to dial that number when the song came out?

    2. Re:prior art? :) by bryan1945 · · Score: 2

      The 814 area code has an 867 exchange- which just happens to be the State College, PA (Penn State) area. And yes, we tried calling 867-5309, and no, this number is not working! After 10 years of prank calls, the phone company probably got the hint!

      --
      Vote monkeys into Congress. They are cheaper and more trustworthy.
    3. Re:prior art? :) by Anonymous Coward · · Score: 5, Interesting

      Actually, it was a real problem according to VH1's "One Hit Wonders" show. Not only did the real Jenny get bombarded with calls (yes there was a real Jenny who gave her number to one of the band, and it was 867-5309), but everyone else in every area code as well.

      This absolute waste of bits known as pop culture trivia was brought to you by the letters L, O, S, E and R.

    4. Re:prior art? :) by jfunk · · Score: 2

      Reminds me of the number from the Hitchhiker's Guide.

      Apparently, an older couple had the phone number. IIRC, they didn't mind the calls either.

    5. Re:prior art? :) by unitron · · Score: 2
      And from the same era--Beechwood 4-5789

      Martha and the Vandellas, if memory serves.

      Hey, all three are good tunes.

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    6. Re:prior art? :) by Art+Tatum · · Score: 2, Interesting

      And don't forget the much earlier 'Pennsylvania 6-5000' by Glenn Miller's band.

    7. Re:prior art? :) by unitron · · Score: 2

      Another excellent tune (that I should have thought of as well).

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    8. Re:prior art? :) by dumbunny · · Score: 2, Funny

      I can give you one better than 867-5309. There was a song by Sugarloaf called "Don't Call Us We'll Call You" (1975) in which they actually play the recorded, long distance, touchtone, telephone number of a record executive who had rejected them earlier. IIRC, the executive had to change his number shortly after the song became popular.

    9. Re:prior art? :) by Howie · · Score: 2

      I think it's actually the Marvelettes (checks - yep), but it is indeed a fine slice of Motown.

      --
      "don't fall into the fallacy of believing that Perl can solve social problems. Maybe Perl 6 can, but that's a ways off"
    10. Re:prior art? :) by Chundra · · Score: 2

      Yup. In Hong Kong, prior to the switch to 8 digit numbers (in 91? 92?) this was true. In a sense it still is, but now you have to append another digit to the number indicating whether the number is on HK island or Kowloon.

    11. Re:prior art? :) by DunbarTheInept · · Score: 2

      I had heard (urban legend?) that that was the event that spawned the media's use of '555' for all fake phone numbers. They didn't want to get in a heap of trouble for using a real number, and there's a good chance that any random number they pick would be a real number of some unfortunate person, so they started using 555-.... numbers because those are never given out. I had heard that 865-5309 was the event that started this trend.

      --

      Don't label something "offtopic" unless you know the topic well enough to tell what's on topic.

    12. Re:prior art? :) by unitron · · Score: 2
      Thank you, I was experiencing a temporary Girl Groups of the Sixties name mental block, which is the kind of thing that happens when you're old enough to to have been around when that song was new.

      What I'm wondering now, though, is if they're going to dig up Junior and sue him over BR-549?

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    13. Re:prior art? :) by ConceptJunkie · · Score: 2

      555 was in common use _long_ before 1980 or whenever that song came out, although the reason for using it is correct.

      I definitely recall the Brady Bunch having a 555 number, so that's the early 70's but I'm sure it goes way before that. (Being the kind of kid I was, I noticed that their phone number changed from episode to episode.)

      I couldn't say when the 555 tradition started, but I do recall seeing fictional phone numbers given as "KLondike-5 blah blah blah blah", which suggests that the tradition dates back to the time when exhanges were still referred to by name (and actually had names associate with them).

      I remember reading a newspaper article about AC/DC's "Dirty Deeds" song which contained the fictional phone number (IIRC) "862486 followed by a "hey!" which could be taken as an 8. THe owner of that phone number somewhere in Australia was suing the band for disrupting their lives because people were calling them so much. I remember reading the story in the early 80's, although IIRC that album first came out in 1973.

      --
      You are in a maze of twisty little passages, all alike.
  2. Rotary by NitsujTPU · · Score: 5, Funny

    Well, now I'll have to get a rotary cell phone so I can call home without paying royalties!

    1. Re:Rotary by haystor · · Score: 5, Funny

      I'm afraid the DMCA will bite you on the ass for circumventing.

      --
      t
    2. Re:Rotary by mosha48 · · Score: 2, Funny

      Then why not replace the current sounds by noises ? 1- Siren 2- Dog Barking 3- Cow ... 9 - Bang Thus, 911 would be Bang ! Siren, Siren...

    3. Re:Rotary by GreyPoopon · · Score: 2

      And as soon as they remove the statute of limitations for DMCA violations, we can exhume the bodies of those that invented the rotary-dial mechanism and prosecute them too for inventing a circumvention device for touch-tone dialing tunes.

      --

      GreyPoopon
      --
      Why is it I can write insightful comments but can't come up with a clever signature?

  3. Turn about is fair play (pun intended) by Soko · · Score: 5, Funny

    Ooo!Ooo! I know what these guys can do for us - sue Hillary Rosen or any RIAA member when they have to call each other in order to make thier little cabal plans. Could you imagine the scowl on her *cough*lovely*cough* face?

    Soko

    --
    "Depression is merely anger without enthusiasm." - Anonymous
  4. And pulse too... by Quasar1999 · · Score: 2, Funny

    I just copyrighted all the possible combinations of pulse dialing tones too... ahhahahahhah... you all owe me 0.05 cents per use... I'm rich!! I'm rich!!! ahaahhahahha

    --

    ---
    Programming is like sex... Make one mistake and support it the rest of your life.
    1. Re:And pulse too... by AntiNorm · · Score: 5, Funny

      I just copyrighted all the possible combinations of pulse dialing tones too... ahhahahahhah... you all owe me 0.05 cents per use... I'm rich!! I'm rich!!! ahaahhahahha

      Just copyright all pulses, period. That way, for example, if someone causes a 500 Hz tone to be emitted, you'd be owed .05c * (500 Hz) = 25 cents per second. Not too bad if you ask me.

      --

      I pledge allegiance to the flag...
      of the Corporate States of America...
    2. Re:And pulse too... by Medieval · · Score: 2, Informative

      Not to be a real stick in the mud, but pulse dialing doesn't use tones, it uses (very fast) flash hooks. (Also, at 5 cents per pulse, and at 500hz, if you consider a sine wave cycle a "pulse", thats not $0.25 per second, thats $25.00 per second.)

  5. GENIUS! by BiggestPOS · · Score: 5, Interesting

    These guys are brilliant. But what about the timing, or spacing between the "notes"? If I dial in a different rhythm is it the same?

    --
    What, me worry?
    1. Re:GENIUS! by Art+Tatum · · Score: 2, Interesting
      The rhythm is significant, yes. However, for there to be copyright infringement, the case that must be made is that the pitch and rhythmic elements are both sufficiently similar in the two works and that one composer was previously exposed to the other's work. The pitch and rhythm thing can be quite subjective.

      As an aside, the Western tonal tradition lends itself to common series' of pitches and/or rhythms anyway. Music isn't clinical--it's messy. This annoys the hell out of attorneys, who are extremely clinical.

      At any rate, there's virtually no chance that this particular case would ever go through. The phone company has more of a case against these guys than the other way around. (And the phone company doesn't have a case either, really.)

  6. That covers every phone number in existence by plaisted · · Score: 4, Interesting

    Assume that phone numbers have at most 11 digits (ie 1-910-xxx-xxxx). Each digit has 10 different values. So there are 10^11, or 100,000,000,000 possible 10 digit phone numbers. Does that number look familiar? If the story is correct, they have tried to copyright every single possible 11 digit phone number

    1. Re:That covers every phone number in existence by plaisted · · Score: 3, Funny
      Yeah well it's funny that you can check to see if your number has been copyrighted, when you can be sure it has been.

      Reading the site, it's pretty much clear that it's a hoax/joke. A pretty funny one:


      Q - I do not wish to purchase a Magnus-Opus licence - what is the best way to dis-continue the use and dispose of my telecommunications device?

      A - Magnus-Opus can offer several useful suggestions regarding the disposal of redundant telecommunications technology. We call this our three R's strategy.

      Return
      Return your telecommunications device to your service provider and/or supplier together with a legal demand for a full refund of the product and services. The service provider and/or supplier may well have failed to inform you, as the customer, of the full copyright implications of the use of such products and services and may, therefore, be legally liable to pay compensation for the loss of amenity. Make sure to send a photocopy of your original receipt and/or contract as evidence of proof of purchase.

      Recycle
      ...

      Reuse
      ...
    2. Re:That covers every phone number in existence by unitron · · Score: 2

      Remember the good old days when 910 was 919 and the phone company ads had that beach music sounding tune "Operator, give me nine one nine, I need a Carolina voice on the end of the line"?

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    3. Re:That covers every phone number in existence by sharkey · · Score: 2

      International calls from the US have up to 15 digits. 011 (Int'l Direct Dial) - xx (Country Code) - yyy (City/Area/Locale Code) 123-4567 (Number).

      --

      --
      "Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
    4. Re:That covers every phone number in existence by nmg196 · · Score: 3, Funny

      It doesn't cover the 'international' form of the number, so people can dial me from abroad royalty free!

      eg: 00 44 1234 123456 (which is 14 digits)

      These people are evil.

      Nick..

    5. Re:That covers every phone number in existence by Anemophilous+Coward · · Score: 2, Interesting

      Small flaw in your combinatoric statement. The '1' that is used before the rest of the 10 digits is always a '1'. Near as I can tell (at least for US domestic calls), you never dial a 3 or 6 (for example) for long distance. This being a constant digit, the possible combinations drop to (10^10)*1 (10 possible different values for 10 different positions times the one digit of value 1) or 10,000,000,000.

      In reality there are fewer phone numbers than this due to some limitations on number combinations. If I remember correctly, there are no NXX exchanges that handle 1xx-xxx or 0xx-xxxx (they are possibly for internal use). That alone changes the combinatorial sequence to (10^9)* 8 or 8,000,000,000 (since that position can only handle 8 different values. There are probably a few other combinations that drop out as well, but I've not the time to search for them.

      That said, with 100,000,000,000 tone combinations copyrighted, they should be able to cover all the phone numbers in the US easily, plus allow for longer combinations for International calls. BTW, has anyone tried that page with a non-US number to see if it has been patented?

      - A non-productive mind is with absolutely zero balance.

      - AC

    6. Re:That covers every phone number in existence by sharkey · · Score: 2

      Lloyd's of London is 15 digits: 011-44- three digit city code + seven digit number.

      --

      --
      "Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
  7. A good use for copyright by beretboy · · Score: 5, Funny

    I forsee the following dialouge:

    Me: hello?

    Tele-solicitor: Hello would you like to buy-

    Me: You have just infringed on national copyright hangup now or I will seize all your assets!

    Tele-solicitor: *click*

    Ah finally a good use for copyright :-)

  8. Sure to be slashdotted! by BiggestPOS · · Score: 2, Redundant
    Magnus-Opus

    This very large series of algorithmic compositions originate from the early 1970's (our diatonic period) and were inspired by the pitch class set pieces of Webern and the stochastic works of Xenakis.

    The Magnus-Opus series is based upon pairings of eight notes used to create sixteen different diads or two note chords. These tone pairs are used to create melody 'modules' of a standard twelve note length. Additional compositions may be obtained by joining melodies together, or by adding melody fragments to standard twelve note melodies.

    Our method was to assign each of the sixteen tone pairs to an alpha-numeric pattern so that each letter or digit corresponded to a pitch pair. This sequence when expressed through the operation of a simple algorithmic generator produces some 10,000,000,000 melodies (together with a more or less infinite number of additional compositions produced by the addition of melody modules or fragments thereof).

    It is not without reason, therefore, that we claim to be the world's most prolific composers, hence Magnus-Opus.

    It has, more recently, come to our attention that many (certainly not all) of these compositions correspond to the tonal sequences transmitted in contemporary telecommunication, making us without doubt, the world's most popular composers.

    Warning: All of the melodies contained within the Magnus-Opus series are protected by copyright. You may inadvertently be in breach of international copyright law by using a telecommunications device (telephone, mobile telephone, modem and other internet devices) to transmit and perform one of the Magnus-Opus melody series.

    In order to ascertain if you are in breach of international copyright law you may test your number against our composition database by clicking here.

    --
    What, me worry?
  9. If they Have good lawyers... by patrick687 · · Score: 2, Interesting

    IMHO, if they have the cash to buy some good lawyers, they'll probably be able to pull this off. What's sad is that big companies have gotten away with worse. (In fact, someone owns the patent on the Peanut butter and Jelly sandwich!) Maybe this will knock some sense into big companies copyrighting and patenting the lamest things (Hey, there's a patent on using a laser pointer to excersize cats too!)
    -Patrick

    --

    --
    Join

  10. Nice idea, but won't work by Gorobei · · Score: 5, Informative
    Copyright is concerned with COPYING work. It does not apply if someone else independently (usually defined as "was not exposed to your work") recreates the thing in question.


    So, even if they have a phone number in their melody database, you don't infringe if you dial that number, because you created the melody independently.

    1. Re:Nice idea, but won't work by Soko · · Score: 3, Funny
      Quote:
      So, even if they have a phone number in their melody database, you don't infringe if you dial that number, because you created the melody independently.

      I think you're right.

      Crap! There goes my evil little plan to copyright any sequence of four numbers, where each number is between zero and 255, when separated by periods. ;-)

      Soko
      --
      "Depression is merely anger without enthusiasm." - Anonymous
    2. Re:Nice idea, but won't work by Gorobei · · Score: 3, Interesting

      However, I believe that once you are made aware of the copyright you must desist or else you are in violation.


      Independent invention is not a violation (unlike patent law.) I could spend months writing the perfect Apple II sprite blitter. You, being equally intelligent and hard-working, independently create the same 60 line routine. We can now both copyright the exact same thing! We both created it, and we can both prevent third parties from copying our work. When Programmer C creates the exactly same routine and uses it in a game, we can both try to sue him. Do we win? If he bought a copy of my game, and he is a known disassembler, then I have a good chance of winning. If you published your routine in a magazine he subscribes to, you will probably win. Otherwise, he gets to copyright the routine as well!

    3. Re:Nice idea, but won't work by taco1991 · · Score: 2, Interesting
      IANAL, but as I understand it a large portion of musical copyright laws prohibit reproduction of the work for profit without permission of the composer or without giving royalties to the composer. Furthermore, copyright laws were written in such a way that whoever copyrights the work in question first wins regardless of whether they created it first or not (pending convincing evidence to the contrary). With this interpretation, you could charge people in various ways:

      - Charge any (non-profit) corporation when dialing their phones for work related purposes.

      - Collect royalties from phone service providers that use the songs for routing in their system.

      - Licence the "songs" to telephone manufacturers and receive money for every telephone ever made.

      Still, they'll have a pretty hard case trying to get any money out of this. Likewise, anyone who shares a genetic pattern that has been "copyrighted" by another company should sue that company's ass off for copyright infringment on your genetic material.

      ahhh, symbolic gestures...
      t.

      --
      "Corrupting our youth one mind at a time"
    4. Re:Nice idea, but won't work by aka-ed · · Score: 3, Insightful

      He's right. For instance, in movie copyright cases, the hard part is not proving points of similarity; it's proving that the studio or creators of a film's screenplay were exposed to the earlier work.

      Besides, if you were to sing the entire works of the Beatles to a friend over the phone, that's not a public performance so no licensing is required. When you dial a touch-tone number, you may be "performing" the work, but your audience is zero...again, not a public performance.

      --
      I survived the Dick Cheney Presidency 7 to 9 AM 7-21-07
    5. Re:Nice idea, but won't work by Spiral+Man · · Score: 3, Informative
      actually, you are wrong. this is why covers of songs violate copyright law (if you cover them without permision). if i record myself playing a previously writen song, and sell the recording, i am violating copyright law. copyright law was created before recordings were easy to copy, so saying that you are only violating the law if you are distributing copies of the actuall recording is foolish.

      recordings of songs arent copyrighted, its the sequence of notes that is being copyrighted. just like they copyrighted a sequence of notes (phone numbers)

      --
      "we demand rigidly defined areas of doubt and uncertainty!" --Douglas Adams, The Hitchhikers Guide to the Galaxy
    6. Re:Nice idea, but won't work by aka-ed · · Score: 2, Informative

      Both this post, and the moderator, are wrong.

      Please read up before more nonproductive moderating and posting.

      --
      I survived the Dick Cheney Presidency 7 to 9 AM 7-21-07
    7. Re:Nice idea, but won't work by Ronin+Developer · · Score: 2

      Grab a phone book. Look inside... There is a copyright. I'm looking at one right now that reads (c)2001, Yellow Book USA, Inc.

      These numbers have been published all over the world. This means they ARE copyrighted regardless of whether a formal application has been filed or not.

      I'd like to see them defend all those phone numbers in a court of law as lawsuit after lawsuit is brought against them challenging their supposed "copyright". Not even Mr. Gates has enough resources for a legal battle like this.

  11. 312-2333 by dghcasp · · Score: 3, Funny
    The canonical phone song: "Mary had a li-tle lamb." Is that prior art or public domain?

    Good thing I'm not six years old anymore and no longer so easilly amused; I'd hate to have to retain a lawyer just to determine if I could do that; especially on a six-year-old's allowance.

    1. Re:312-2333 by e7 · · Score: 3, Funny

      Nope. The harmonies are totally different from how "Mary ..." is traditionally performed.

      (I've listened to the above DTMF sequence several times now, and the lady on the other end obviously doesn't understand how the slashdot effect could carry over into her legacy communications system.)

      --
      Corollary to Moore's Law: The IQ of new computer owners is declining.
  12. well...its a step in the (right, wrong) direction by laymil · · Score: 3, Interesting

    ok, little note for some prior posters:
    copyright and patent are two completely different things, with two different purposes. prior art doesn't apply to copyright. ok...now that i've gotten that out of the way...
    i'm not sure if i agree with what these gentlemen have done. i don't believe that such things deserve to be 'owned' by anyone. no matter the reasoning behind their actions, and even if they are attempting to protect people from corporations and 'BIG BROTHER' i find myself disagreeing with their methods. also, i fear the day that they are threatened and bought out by a [insert entity here]that doesn't have their moral fabric. in such a case, beware.

  13. Thats it, time to take action by Seemlar · · Score: 5, Funny

    So, who wants to help me encode all these 100,000,000,000 possible ringtones and put them on Morpheus?

    1. Re:Thats it, time to take action by SnatMandu · · Score: 2

      That's pretty interesting. All you have to do is run a (really really long) statistical process on bits, until you hit MS office.

      You don't need to keep them on disk, just serialize them and have a program that will produce one given the correct integer input.

      Then I'll (independently) figure out which one exactly resembles MS office X.Y, and publish my results.

      So long as MS's lawyers don't read this message, we'll be scott free!

      Except...

  14. what about... by Polo · · Score: 4, Interesting

    what about sampling?

    could I sample portions of seven notes of a "melody"?

  15. Copyright does not squash other independant works by rcw-home · · Score: 5, Interesting
    If a million monkeys type out the source code to MS Office, Microsoft can't sue. Likewise, if you happen to create a series of dual-tone meta frequency notes using a touch-tone phone using non-copyrighted material (a phone book, your memory, etc), then that's an independant creation. Now if a telemarketer overheard you dialing, and recorded it (made a copy), then you might have something.

    IANAL (and I know the whole point was to be funny anyway).

  16. Not what copyright was for. by Diashi · · Score: 4, Interesting

    I kind of doubt this is what the idea of copy righting was for. Copyrights along with patents were originally made to promote scientific research. Protecting one's intellectual property is the whole idea behind copy righting.

    Some schmuck who starts to copy right tone sequences is totally not getting the point. He's not promoting scientific research, or protecting his intellectual property. He's just trying to make a quick $, through a loophole in the laws.

    Its as if suddendly the sequence of phone digits has been invented by this guy and he has to have the copy right to your tone. This whole thing is as rediculous as the guy who claimed to own all the land outside of the solar system, and thinks he's somehow going to get away with that. If your armies/people are using/conquered something, its theirs, and no one elses.

    --
    - Nuts and Gum, together at last.
    1. Re:Not what copyright was for. by smack_attack · · Score: 5, Funny

      STEP 1: Place hand 3 inches above head and 3 inches in front of head.
      STEP 2: Briskly move hand from previous position to 3 inches above head and 6 inches behind head.

    2. Re:Not what copyright was for. by stubear · · Score: 4, Informative

      Actually US copyright law was intended for more than scientific research:

      "US Constitution, Article I, Section 8

      To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries"

      Our forefathers felt so strongly about protecting scientific research and useful arts that they granted this right before the right to free speech. That took an amendment to institute.

      I agree, however, this is not what copyright was intended for and I doubt this would hold up in court. Obtaining a copyright is easy. Protecting it is more difficult.

    3. Re:Not what copyright was for. by dstone · · Score: 3, Funny

      If you were smart, you'd copyright those instructions. ;-)

  17. Probably not enough original work here by Anonymous Coward · · Score: 2, Informative

    Registering or claiming copyright protection and actually winning an infringement claim are two very different things.

    Copyright (at least in the United States) only applies to ``original works of authorship,'' not ``[w]orks consisting entirely of information that is common property and containing no original authorship.''

    Perhaps the authors could receive protection for the entire compilation, but not for the telephone numbers taken individually.

    Many Slashdot readers would do well to read the U.S. Copyright Office's Circular 1, Copyright Basics, from which the above quotations were taken.

  18. Oh so close! by donutello · · Score: 3, Interesting

    You started in the right direction by pointing out that copyright and patent law were not the same.

    However, you failed to complete your analysis. Of course, having a copyright on those tones doesn't prevent any normal usage of DTMF. Why that is, I'll leave as an exercise to the reader.

    --
    Mmmm.. Donuts
    1. Re:Oh so close! by laymil · · Score: 2, Insightful

      problem being...if you write down the numbers and give them to someone, it could be considered a violation of copyright. trust me, i thought this through. writing it down could be seen as a way of copying the 'melody' in a musical notation, which would be an illegal copy...a stretch, but...yeah.

    2. Re:Oh so close! by unitron · · Score: 2

      I'm guessing that, in addition to whatever patents exist for DTMF, the use of those particular frequencies, which were carefully selected to be harmonically unrelated so as to avoid accidentally generating the wrong tone by heterodyning, probably already is covered by one or more copyrights belonging to Bell Labs or some other fragment of what was once known as *the* phone company.

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

  19. Re:I can see it already.... by bIOHZRd · · Score: 2, Informative

    From their Site...

    " Magnus-Opus

    You may be inadvertently performing one of the Magnus-Opus melody series each time you use your telecommunications device (telephone, mobile telephone, modem and other internet devices).

    In order to ascertain if you are in breach of international copyright law you may enter any alpha-numeric sequence you may be using via your telecommunications device in our dialogue box below. This will compare your number with our melody database. If your number should match one of our compositions the melody and opus number will be displayed. You should then complete a licence agreement as soon as possible. "

    Lol... this is too funny

  20. 867-5309 by Arkoth · · Score: 2, Funny

    Tommy Tutone be warned. Prepare to be sued by some rich guy with a lawyer waiting to
    serve him that owns the patent to the phone number 867-5309 that you illegally sang
    back in the 70s.

    You will be sued, resistance is futile!

  21. What do you call this? A straw clown? by Nindalf · · Score: 2, Interesting

    The thing is, there are limits to copyright. The shorter a work, the harder to defend its copyright in court. For instance, it is impossible to copyright a word, phrase, note, or chord. Short poems, like haiku, push the lower bounds, and have quite weak protection: only a very blatant direct copy might infringe on them.

    Obviously, these are not legal (or at least not legally relevant) copyrights, and couldn't be enforced.

    I know it's all in fun, but I think it would be more satisfying to mock the system using things that would stand up in court.

  22. Re:Copyright does not squash other independant wor by Anonymous Coward · · Score: 2, Funny

    If a million monkeys type out the source code to MS Office, Microsoft can't sue.

    The problem is that you'll need 256^{size of MS Office in bytes} monkeys to get MS Office. Phone numbers only required 10^11 monkeys, so it was possible to simulate the process with a computer.

  23. DMCA Violations by AnalogDiehard · · Score: 3, Funny

    Well this means that every online yellow/white pages directory is now in violation of the DMCA.

    And while we're at it, we'll have to dispose of our phonebooks since they are now vulnerable to lawsuits of patent infringement.

    I wouldn't be surprised if someone were to patent IP addresses.

    --
    Eternity: will that be smoking, or non-smoking? I Corinthians 6:9-10
  24. Numbers not copyright-able by MxTxL · · Score: 2
    But every good computer geek knows that just number strings are non-copyright-able and non-trademark-able (yes, i know neither of those are actually words)

    Everyone on this site should remember this fact when Intel changed their chip naming scheme from numbers, 8086, 286, 486 etc. to Pentium and Pentium Pro etc. The reason for this was that the numbers could be neither copyrighted nor trademarked and other manufacturers were able to call their chips 486 as well thus leading to a loss of brand value for intel.

    1. Re:Numbers not copyright-able by shyster · · Score: 2
      But every good computer geek knows that just number strings are non-copyright-able and non-trademark-able

      They're not copyrighting the numbers per se, but the melody the numbers generate when dialed by a DTMF device. I can't copyright 1,3,15,16,18,... on a piano, but I can copyright the music played by the 1st, 3rd, 15th, 16th, 18th, ... keys on a piano in that sequence (does timing apply? I really don't know...)

  25. From Now On... by istartedi · · Score: 2

    ...I'll be sure to dial a few extra digits after the number. :)

    --
    For all intensive purposes, "whom" is no longer a word. That begs the question, "who cares"?
  26. music, not number by hagbard5235 · · Score: 5, Interesting

    Ah... but they have not in fact copyrighted the
    numbers. They have copyrighted the musical
    representation of these numbers as DTMF tones.

    Additionally, like hell numbers aren't copyrightable.
    What do you think an mp3 file is? It's a very
    large number. In fact EVERYTHING digital is a
    number. So if you can't copyright a number, how
    then is software, source code, digital music,
    digital video copyrightable?

    1. Re:music, not number by MxTxL · · Score: 2
      Well, then in that case, it becomes a trivial matter to play the "notes" of the musical representation with different note durations, and different pauses.

      As it is a musical thing, beeeeeep bop buuup is distinctly different from beep bop buuuuup. Thus negating any tangible use of this copyright.

      As for the digital non-copyright-ability of anything since it all boils down to a stream of 0s and 1s. Well, I prefer to think of that as perfectly correct, but any judge you ask will tell you differently. It IS the music, or the source or video representation of those numbers being copyrighted. In this case, as I said earlier, playing the phone number at different rates is trivial (which is the copyright-able representation), so they must be trying to copyright the number. This would be akin to copyrighting the number 2. Or, more valuably, the set of mersenne primes. You can't do it.

    2. Re:music, not number by veddermatic · · Score: 2

      I think they did it as a joke. In fact, I read the article, and I *know* they did it as a joke. Don't worry, you're not alone... most /.ers seem to have technical, moral, or other objections to stuff people do for fun. That's the beauty of it. =)

      --
      Department of Homeland Security: Removing the rights real patriots fought and died for since 2001
  27. Re:Copyright does not squash other independant wor by charon_on_acheron · · Score: 5, Informative

    Actually, phone books are copyrighted. You can't legally copy lists of names and phone numbers from the phone book to make your own phone book for sale. Same for maps, which I always thought was the stupidest thing. A basic outline of the US is copyrighted. It is just a shape. A really bumpy shape. But if it is in a child's coloring book, it is copyrighted.

  28. Re:Copyright does not squash other independant wor by jmv · · Score: 4, Funny

    If a million monkeys type out the source code to MS Office.

    Isn't that how it was written in the first place anyway?

  29. Don't Check Your Number in their Database by Omerna · · Score: 4, Funny

    If a million monkeys type out the source code to MS Office, Microsoft can't sue. Likewise, if you happen to create a series of dual-tone meta frequency notes using a touch-tone phone using non-copyrighted material (a phone book, your memory, etc), then that's an independant creation. Now if a telemarketer overheard you dialing, and recorded it (made a copy), then you might have something.

    According to this, I think, if I check to see if my number or somebody I know's number is in there, and it is, and then I use it I'll have gotten help from copyrighted material to dial that number. I'm infringing their copyright every time I dial a number after I see it there. Q.E.D that website is a trap to make you infringe their copyright! Don't be fooled!

    --


    No sig for you.
    1. Re:Don't Check Your Number in their Database by unitron · · Score: 5, Interesting

      If they keep a record of every time someone tests a valid number, they could sell that list to telemarketers at a pretty good price, as the list contains verified numbers of computer-owning housholds. With a con game like that, who needs copyrights?

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

  30. 321-2333, not 312-2333 by dirtyhippie · · Score: 5, Informative

    That's 321-2333, not 312-2333. Unfortunately, if you want to play the whole melody on the phone, there is no way to accurately represent the 5th (the 12th and 13th notes in the melody), but hitting 8 comes close since you hear (the 852Hz component of the 8 is heard as a fifth below the second, which is at 1336Hz - see the DTMF tutorial for where I got this info). Of course, its pointless for someone to waste their valuable time sitting there and trying to figure this stuff out like I just spent the last 20 minutes.

    3 2 1 2 3 3 3
    Mary had a little lamb
    2 2 2
    Little lamb
    3 8 8
    Little lamb
    3 2 1 2 3 3 3
    Mary had a little lamb
    3 2 2 3 2 1 1
    Whose fleece was white as snow, and

    3 2 1 2 3 3 3
    Everywhere that Mary went
    2 2 2
    Mary went
    3 8 8
    Mary went
    3 2 1 2 3 3 3
    Everywhere that Mary went
    3 2 2 3 2 1 8 1
    Her lamb was sure to go-o-o

    DH
    "Fsck you dirty hippie!"

  31. How to get around this: (legally) by Omerna · · Score: 4, Insightful

    Music doesn't only consist of tones. It also consists of durations of notes. Mozart wouldn't be mozart if you changed whole notes to eigth notes, quarters to halves, and so on. So, unless they've also patented every single note duration/ pitch variation possibility (not likely) there are at LEAST 100,000,000,000 ^ 7 melodies. Not including dotted notes, that's ^ 14. I think.

    --


    No sig for you.
    1. Re:How to get around this: (legally) by Omerna · · Score: 3, Insightful

      Forgot to say how to get around this. Simply vary the length of the tones when you dial. Easy.

      --


      No sig for you.
  32. Re:That covers every phone number [informative] by Cardhore · · Score: 3, Interesting

    They'd only have to copyright twenty tones, not 1 million or whatever, since each tone has two tones making it up, and each digit is based on those combinations. Although there are also the pound, star, and a-d tones as well (although the a-d are really only used on PBX's) but those are irrelevant.

  33. Re:Copyright does not squash other independant wor by rcw-home · · Score: 2, Informative

    Here's a link to the Feist Publications vs. Rural Telephone Service Co 1991 US Supreme Court ruling on phone book copyrightability. Note they mention originality as a constitutional requirement for copyright protection - an outline of the US is only copyrightable if it has an original element to it (otherwise it doesn't promote the arts and sciences).

  34. How close are they? by Anonymous Coward · · Score: 5, Funny

    People don't seem to have noticed that finicky little disclaimer under the score of their telephone number:
    "Notation is an approximation only of the real pitch."
    (See: http://www.magnus-opus.com/number_check.html)

    The Equitempered Scale (or Equal Tempered Scale, depending on who you talk to) has pretty much been the standard for musical notes for the last 200 years, although the standard for A4 was only ratified as 440Hz in 1939.

    The frequencies used for DTMF tones don't exactly match notes on the Equitempered Scale. I have tabulated the differences here:

    Matching against the Equitempered scale:
    (Based on http://hyperphysics.phy-astr.gsu.edu/hbase/music/e t.html#c2)
    DTMF_tone Closest_Note %-error
    697Hz F5, 698.46Hz +0.2095%
    770Hz G5, 783.99Hz +1.8169%
    852Hz G5#, 830.61Hz -2.5106%
    941Hz A5#, 932.33Hz -0.9214%
    1209Hz D6, 1174.6Hz -2.8453%
    1336Hz E6, 1318.5Hz -1.3099%
    1477Hz F6#, 1480.0Hz +0.2031%
    1633Hz G6#, 1661.2Hz +1.7269%

    As you can see, there are some considerable differences from a "purist" point of view.

    This begs the question: Have the Magnus-Opus musicians actually copyrighted DTMF tone sequences, or just an approximation of them?

    Another question worth asking: Even if the copyright holds-up, is it the end-users who are liable for infringement, or the Telco's who are on-selling the numbers as their own property?

    --------
    Eletus99

    1. Re:How close are they? by mach-5 · · Score: 2

      Doesn't DTMF mean "Dual Tone Multi Frequency"? Hence, you are missing some frequencies. One DTMF code is actually several frequencies overlayed.

      Also, they were made to be very obscure so that a human voice could not duplicate them and hence inadvertantly dial a telephone just by singing into the receiver. I think that is an explanation I read once.

    2. Re:How close are they? by Ben+Hutchings · · Score: 2
      Doesn't DTMF mean "Dual Tone Multi Frequency"? Hence, you are missing some frequencies. One DTMF code is actually several frequencies overlayed.

      Each code is represented by exactly two frequencies together, hence the word Dual. One of those frequencies comes from the first 4 listed; the other from the last 4. This allows for 16 codes - 0-9, *, #, and A-D. I believe those last 4 are only found on telco equipment. Hopefully none of the telcos are 'securing' any control systems by giving them 'numbers' that include those codes, but you never know.

    3. Re:How close are they? by gorilla · · Score: 3, Interesting

      The only real use of ABCD is in military phone systems, such as AUTOVON and it's successors, where they are used to prioritize calls, and if necessary drop the lowest priority calls in times of network stress. The instructions for AUTOVON are Online.

    4. Re:How close are they? by gorilla · · Score: 2

      Yes, some butt sets can generate them. Nothing on the other end listening for them though.

  35. Microsoft Patents 1's, 0's by drodver · · Score: 4, Funny

    Whenever one of these crazy copyright/patent stories comes up I am reminded of the story Microsoft Patents Ones, Zeros.

  36. The DTMF frequencies... by Black+Acid · · Score: 2, Interesting

    These are the standard DTMF (Dual Tone Modulated Frequency) frequencies are:

    1209Hz 1336Hz 1477Hz 1633Hz
    697Hz 1 2 3 A (Flash override)
    770Hz 4 5 6 B (Flash)
    852Hz 7 8 9 C (Immediate)
    941Hz * zero # D (Priority)

    It's interesting to note that A-D, * and # where not copyrighted, although they are used in telecommunication repeaters.

  37. Re:Copyright does not squash other independant wor by unitron · · Score: 4, Funny
    "Isn't that how it was written in the first place anyway?"

    If it had been done at random by monkeys there would be fewer bugs. Now aplogise for insulting the monkeys.

    --

    I see even classic Slashdot is now pretty much unusable on dial up anymore.

  38. Jobs, Woz, and the Black Box by dbCooper0 · · Score: 2, Interesting

    Seems the foggy historical section of my brain recalls a story ("legend") of Steve and Steve creating a machine called a "Black Box" that created the dual tones, and could circumvent long distance charges. They should hold the patent, for articulating these tone pairs...in a unique way - and that was about 30 years ago?

    --
    db
    Cig:
    ôô
    /`
    1. Re:Jobs, Woz, and the Black Box by SoftwareJanitor · · Score: 3, Insightful

      Score 2 interesting? And it isn't even right!?! The box Steve Jobs and Steve Wozniak sold was a "Blue Box", and they didn't invent it, they just designed one particular implementation of it. Others such as John Draper (Capn Crunch) knew about it before them.

  39. Re:Copyright does not squash other independant wor by wirefarm · · Score: 5, Funny

    Map makers used to put in little false details here and there to make sure their maps weren't being copied. A street here or there that didn't exist in real life.
    I always thought that was fiendishly clever.
    I wonder if they still do it - I've always suspected that Montana doesn't really exist...
    Cheers,
    Jim in Tokyo

    --
    -- My Weblog.
  40. Reason this can't be upheld... by Maul · · Score: 2
    These guys are not a huge multinational corporation buying off Congress. Nowadays, the only way to have your copyright upheld is being one.


    Just look at this article...

    --

    "You spoony bard!" -Tellah

  41. Comment removed by account_deleted · · Score: 2

    Comment removed based on user account deletion

  42. Re:Copyright does not squash other independant wor by lazytiger · · Score: 5, Informative

    I can attest for sure, as a cartographer, that ALL map companies do in fact still produce inaccuracies, and quite intentionally. If you actually went to the trouble of comparing street maps to an orthorectified image (a.k.a., terraserver.com) of the same area, you would see that the map practically looks made up. Map companies, if they went to the trouble of checking, could easily tell if one of their maps had been copied. By the way, if you're looking for accurate maps to copy, USGS topo maps are far more accurate than any other maps available. They are made from the aforementioned orthophotos. And they are all in the public domain. They're not always up to date, however.

  43. HOAX: Are they saying everything is copyrighted? by vAMP · · Score: 2, Informative

    I have a feeling they may just be printing out a musical script of each sequence of numbers entered and then saying its copyrighted.

    I entered characters.. they still said it was found and coprighted, but didn't display any notes in the score..
    hmm

  44. Re:Copyright does not squash other independant wor by os2fan · · Score: 2
    If a million monkeys type out the source code to MS Office.

    Isn't that how it was written in the first place anyway?

    Or three monkeys, two hours. Might have been a rat-dance or a whirlwind, actually. That's more coherent.

    Scientists have proposed models that are as probable as "whirlwinds going through junkyards, and assembling a Boeing 747". Maybe MS Office is that sort of event.

    --
    OS/2 - because choice is a terrible thing to waste.
  45. Worst Slashdot Lawyers Ever! by Jerf · · Score: 5, Funny

    I award this article the Worst Slashdot Lawyers Ever award. Not a single legally valid opinion is ranked above 3. Several utterly uninformed opinions are ranked at 4 or 5. Half the replies miss the point. Absolutely amazingly horrible. A record high noise/signal ratio. Wow.

    Please for Gnu's sake don't whip off a letter to your Congresscritter based on this article; most posters have already looked stupid enough.

    (Oh, in case you're wondering, the subject of this article is a funny-chortle, but no more. It has all the legal force of a Taliban edict in this country.)

  46. Phone Number Test Mirror by citizenc · · Score: 2

    http://www.3dactionplanet.com/citizenc/magnus_opus _phone_test.shtml

    The Magnus-Opus domain has been slashdotted to the extent that it is impossible to access their "test-your-phone-number" flash movie. It is mirrored above.

  47. Numbers cannot be copyrighted by zavyman · · Score: 3, Insightful

    Numbers themselves cannot be copyrighted. Try sending in a copyright application for a number and watch it get rejected.

    *However* suppose that a song is written and copyrighted. All well and good. Now it is coverted into an MP3. The MP3 is a directly derived work, and is still copyrighted similarly. If a number is a derived from that MP3 or WAV file, it is still directly derived from the original piece, and thus copyrighted just the same.

    Copyrights are always about works themselves (of protected classes, of course) and their derivations. If some text/song/art/whatever is put into another form directly representing the original, the copyright works just the same.

    Note: I am not a lawyer nor copyright expert. But this sure seems logical to me. Correct me if I'm wrong, however.

    1. Re:Numbers cannot be copyrighted by imipak · · Score: 2
      Note: I am not a lawyer nor copyright expert. But this sure seems logical to me. Correct me if I'm wrong, however.
      You just summed up about half of all Slashdot posts in two lines.

      Actually, you're right. You're not a lawyer, or a copyright expert. And you can quote me on that.

    2. Re:Numbers cannot be copyrighted by mrogers · · Score: 2
      Could you take a large number, say 918264702176580756012570987, convert it into a melody using 0=C, 1=C#, 2=D etc, and copyright the melody? Because if you could, you could then argue that the number was a derivative work (you could demonstrate how to derive the number from the melody) and any other representation of the number (eg a text string created by converting the number into hex and interpreting each pair of digits as an ASCII character) was also a derivative work covered by your copyright.

      How would this be useful? You could do what these guys have done, and copyright every "melody" up to a certain length. As noted by previous posters, this wouldn't give you the ability to sue anybody for breach of copyright. But it would give you immunity from prosecution for violating anybody else's copyright, since you could show for any digital work that the work in question was simply a compilation of your own copyrighted works: namely, all the ASCII strings up to 10 characters in length.

  48. the mapping work is copyrighted by xixax · · Score: 2
    You can't legally copy lists of names and phone numbers from the phone book to make your own phone book for sale. Same for maps, which I always thought was the stupidest thing. A basic outline of the US is copyrighted. It is just a shape. A really bumpy shape. But if it is in a child's coloring book, it is copyrighted.

    The shape of the USA is not Copyrighted, the representation of it in a particular map can be Copyrighted. If I spend millions of dollars accurately mapping the cost of the USA, I want protection from you just ripping off all that survey work. Because anyone else's map of the USA will (hopefully) look the same, I will add artefacts ("watermarks") so that I can prove that a particular map was copied from my work.

    Xix.

    --
    "Everything is adjustable, provided you have the right tools"
  49. Re:Copyright does not squash other independant wor by Technician · · Score: 2

    A verifiable example.. Use your favorite street maping program. Look where I-205 crosses the Columbia River at Portland Oregon. Compare it to where the bridge really is. Bombs guided by GPS would miss the bridge by about 1/8 mile. Most maps have it East of it's real location. It's fun to cross it with a maping GPS.

    --
    The truth shall set you free!
  50. Where else but slashdot... by wirefarm · · Score: 3, Funny

    Where else but slashdot does a person get to make a post like mine and have someone step through the crowd and say "I'm a cartographer..."
    Sometimes I really like slashdot.
    Thanks -
    Jim in Tokyo (IANAC)

    --
    -- My Weblog.
  51. How phone tones work by image · · Score: 5, Interesting

    I wasn't sure what chords the phone tones actually were, so I went to over to howstuffworks and took a look. On page 2 of this article on telephones, it has a great section on the tones.

    In particular, I learned that "the dial tone sound is simply a combination of 350 hertz tone and a 440 hertz tone," and "if the number is busy, you hear a busy signal that is made up of a 480 hertz and a 620 hertz tone, with a cycle of 1/2 second on and 1/2 second off" and there is a great chart showing the tone for each button on the keypad. For example, the tone for "1" is a combination of a 1209 Hz tone and a 697 Hz tone.

    A little more research turned up this cool frequency to note converter and where I discovered that 1209 Hz is equivalent to D6 plus 50 cents, and 697 is F5 minus 4 cents. So basically the keypad one is an out of tune inversion of the D minor chord. (music majors feel free to Score: -1, Moronic)

    Of course, if you were into phreaking then you'd already know all that.

  52. Re:Dirty Deeds Done Dirt Cheap, AC/DC by dattaway · · Score: 2

    36-24-36 is not just a telephone number, but the dimensions of a perfectly shaped woman.

  53. The Supreme Court disagrees by Caractacus+Potts · · Score: 2, Informative

    In Feist Publication v. Rural Telephone Service Co., 499 U.S. 340, 111 S. Ct. 1282, 113 L. Ed. 2d 358 (1991), for example, the Supreme Court held that the arrangement of names and numbers in the white pages of a telephone book was not copyrightable as simply listing the names in alphabetical order was not even remotely creative.

    "Notwithstanding a valid copyright, a subsequent compiler remains free
    to use the facts contained in another's publication to aid in preparing
    a competing work, so long as the competing work does not feature the
    same selection and arrangement."

  54. A million monkeys by dzurn · · Score: 2, Funny

    A million monkeys could type out all of Microsoft's source code?

    Ha! So that would explain [insert MS product name here] !

    {BTW, all possible software-product permutations of this joke are hereby copyrighted, so this IS on-topic.}

  55. Re:Copyright does not squash other independant wor by drix · · Score: 2

    No, they only used about 3,000.

    --

    I think there is a world market for maybe five personal web logs.
  56. Re:Copyright does not squash other independant wor by sharkey · · Score: 2

    Mapquest does. The directions to our new office yesterday, printed from Mapquest, got us fairly well lost. The last to turns were onto streets that apparently don't exist within a mile or two of our destination. I guess us getting lost in a rental van that was acting like it was going to crap out at any time in the middle of fairly busy streets populated by hideously incompentent drivers and 2-ton dump trucks is a small price to pay to keep people from printing out copyrighted maps from Mapquest.

    --

    --
    "Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
  57. Idiots. Flash-only website. by fanatic · · Score: 2

    Where do they find morons to design websites that DON'T WORK without flash? Dipshits.

    --
    "that's not encryption - it's a new perl script that I'm working on..." - from some Matrix parody
  58. some phones don't play the tones these days by Splork · · Score: 2

    they just emit a sad beep no matter what button you press.

  59. Mod parent up (Re:The Supreme Court disagrees) by e7 · · Score: 2

    This ruling led to the rise of "wannabee" phone directories (which we've had in California for over a decade). The compilers don't copy the yellow pages ads, or any data processing such as separation of business and residence numbers, but they can legally reprint the raw listings.

    (What's pathetic is that the wannabee phone books come out a few months after the telco's, and with a prettier cover, so people actually discard the official phone book ... and yellow pages advertisers are forced to buy their ads twice, one in each publication. Sad.)

    --
    Corollary to Moore's Law: The IQ of new computer owners is declining.
  60. 537-0869 by ConceptJunkie · · Score: 2, Funny

    My phone number in 1980 when that song was big was an anagram of Jenny's number. I always wondered if I would get a call from some dyslexic rock fan.

    --
    You are in a maze of twisty little passages, all alike.
  61. Why don't you see....? by sluggie · · Score: 2, Informative

    Why can't you see that this is a hoax? Is it really that difficult to find out?

    You can query that number finding thingie with everything. It will always print that the number is licensed, even if you just enter some letters...

    my 0.02

  62. Re:Opportunity knocks by Dyolf+Knip · · Score: 2

    The list is not necessarily a list of used numbers. The telemarketers could easily produce such a list themselves. The trick is to get names and demographic info along with the number.

    --
    Dyolf Knip
  63. You can not copyright a phone book by werdna · · Score: 3, Informative

    This is well-settled. No copyright is possible.

    The Supreme Court held in Feist that the white pages do not meet the burden of originality, and therefore cannot be protected by Copyright.

  64. These words do not mean what you think they mean by werdna · · Score: 2

    The word, "Science," as used in the Patent and Copyright Clause, has nothing to do with "scientific research."

    "Science" refers to the archaic meaning of literary technique, or, the "craft of writing." "Useful Arts" refers to patentable technology.

  65. Re:Dirty Deeds Done Dirt Cheap, AC/DC by JabberWokky · · Score: 2
    It's also a damn fine Violent Femmes song on Add it Up.

    36-24-36
    see a girl walkin' down the street
    just the kind of girl that I'd like to meet
    it ain't her hair, her clothes, her feet
    somethin' much more discreet
    now I ain't loud baby I ain't proud
    I just want what I'm not allowed
    movin on up & help myself
    do a world of good for my mental health
    36-24-36

    --
    Evan

    --
    "$30 for the One True Ring. $10 each additional ring!" -- JRR "Bob" Tolkien
  66. Re:That covers every phone number [informative] by gorilla · · Score: 2

    Except that you can't copyright something that doesn't have "signficant creative effort", and I doubt if either the 16 DTMF codes nor the possible dialings sequences from them qualify.

  67. Digitalis & Ridicarousness by RalphTWaP · · Score: 2

    *grins*

    I am indeed quite anal, or at least that's what some people say; however, it seems to me that the first implementation of DTMF most likely could provide compelling evidence that they were the original performers of the melodies that have been copyrighted. In fact, I'd be willing to believe that routine testing for telco switches includes testing with some large portion of that address space.

    Of course, it seems simpler to just turn off the dial-time speaker on your phone (pardon, not using digital?). It seems kind of unlikely that a musical copyright could be held on a string of digits, even if it was granted on the musical arrangement that is 'played' by the DTMF switching.

  68. Whole new Business model by Martin+Spamer · · Score: 2, Funny


    This suggest a whole new business/income model. Perhaps we should patent it before some corporate monster does :)

    1) Copyright your number, including dial tone.
    2) Allways complete your phone-number on forms, and request for information. Include notification that use of your number is by licence only.
    3) Receive call(s).
    4) Charge abusers licence fee.

  69. Re:Copyright does not squash other independant wor by toast0 · · Score: 2

    I believe there was a lawsuit several years ago about copying lists of names and phone numbers to make your own phone book.

    And it turned out to be legal, however only copying the information is legal, copying the formatting (probably ads as well) is not.

  70. Internaltional sampler by Kibo · · Score: 2

    Dude. They'd be 'sampling'. So not only would they owe a royalty for the use of the original 'phone number' but a fee to Puff 'Sean Diddy' Daddy for licensing his buisness method patent.

    --
    --Jimmy has fancy plans; and pants to match.
  71. Re:Copyright does not squash other independant wor by MaxGrant · · Score: 3, Interesting

    The office where you can get those from is in Denver, CO. Just get yourself in the neighborhood of 6th Avenue and Kipling. You absolutely cannot miss it. I went down one day just for the fun of it and picked up a complete set of (very nice) maps of Mars for $9. The joy of publicly-funded research results actually being available to the public!

  72. P. Diddy. by viper21 · · Score: 3, Funny

    You just wait until P. Diddy starts sampling these tunes.

    I bet He buys J-Lo's new number.

  73. Re:Copyright does not squash other independant wor by unitron · · Score: 2

    Congratulations, it *is* a gentle and friendly satire (with a little self-deprecating humor thrown in) of Bruce's old sig, which he instituted a while back due to the confusion caused when others created user accounts with extremely similar names with an easily overlooked difference, such as appending a period, and then proceeded to post stuff that the real Bruce never would. Sort of like our current Cmdr Taco on, which comes up as "Cmdr Taco on on 09:27 AM September 10th, 2001" where the second "on" is easily overlooked if you don't expect it. I made up the time and day in that example. They have no particular significance, I just didn't feel like going to the trouble of hunting up some troll's real posting.

    --

    I see even classic Slashdot is now pretty much unusable on dial up anymore.

  74. Re:Copyright does not squash other independant wor by unitron · · Score: 2
    primordial soup, mmmmm.

    "Primordial Soup, it's what's for dinner!"

    --

    I see even classic Slashdot is now pretty much unusable on dial up anymore.

  75. Re:Copyright does not squash other independant wor by unitron · · Score: 2
    "I've seen this hundreds of times..."

    I gotta quit posting so much. Starting tomorrow. Or right after the weekend. Anyway, real soon now.

    --

    I see even classic Slashdot is now pretty much unusable on dial up anymore.