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Music Companies Convicted of Price Fixing Again

InspectorPraline writes "Providing more proof that the record industry is indeed a oligopoly, this article at the New York Times reports that two major record companies, Vivendi Universal and Warner Communications, have been convicted of price fixing by the FTC over a recording from 1998 of the Three Tenors. While Warner reached an agreement with the FTC about a year ago, Vivendi continues to deny wrongdoing and will, of course, appeal." The FTC's release is quite informative, describing the entire case.

217 comments

  1. Hmm... by ceejayoz · · Score: 3, Funny

    Yay! So now they'll change their evil ways and become good corporate citizens, right?

    *cough* yeah right *cough*

    Took 4 years for one record, what about the thousands of other CDs that come out every year? Something tells me this is just gonna be a slap on the wrist that they'll recover from quite quickly.

    1. Re:Hmm... by cyborch · · Score: 1

      hopefully this ruling will make precedence and let all the other rulings follow in quick succession w/o the long court process...

    2. Re:Hmm... by MaxVlast · · Score: 1

      Hehe. You're so cute.

      --
      There should be a moratorium on the use of the apostrophe.
      Max V.
      NeXTMail/MIME Mail welcome
    3. Re:Hmm... by Cmarsh · · Score: 1

      As long as the record companies control the distribution of music, they can charge whatever they want...and that's the big problem...also explains why they're scared to death of mp3's. Perhaps the musicians should take matters into their own hands, or at least get help from others who will provide them with a degree of control and independence. Why not take adbvantage of the mp3 and all it's advantages, and set up a structure that would allow musicians to distribute their own music, while reaping the rewards (i.e. royalties). Maybe I'm just dreaming, because we all know that if the record companies see anything as a threat they'll just squish it into the ground via lawsuits. God for bid they should actually use their heads and find a way to use the technology to their advnatage.

  2. Price Fixing? nah! by Myselfthethoom · · Score: 5, Funny

    In other news senators carrying large bags of money proposed changing the law and making it legal for music companies to DOS people accusing them of price fixing.

    --
    "Beware of he who would deny you access to information, for in his heart he dreams himself your master"-Unknowen
    1. Re:Price Fixing? nah! by benh57 · · Score: 1

      Thoom!

      I think we need to "fix" some of these record execs...

  3. Long live online sharing! by Anonymous Coward · · Score: 0

    It's keeps these evil corperations from screwing us over competely.

  4. Imagine that. by buzzbomb · · Score: 1

    It's rediculous that these companies are permitted to do this at all. CD prices keep going up while manufacturing costs keep going down. Any common person can see that all the music labels and distributors are 100% guilty of price-fixing.

    And that's why I don't bother to pay for CDs anymore. I would rather support my favorite artists directly by going to their shows, buying their merchandise or even buying the CDs direct from them. (Yes, the label and distributors still get their cut, but the artist gets a bigger cut than their usual pennies.)

    Call me a thief and tell me I have no morals. I really give a shit what someone on Slashdot thinks of me. Really.

    1. Re:Imagine that. by Anonymous Coward · · Score: 0

      I really have to wonder if all these people who misspell "ridiculous" even have a high school diploma. How much credibility can you give to a poster when they don't even have the spelling skills of a 6th grader?

    2. Re:Imagine that. by Anonymous Coward · · Score: 0

      Thief. How about growing some morals one of these days. Your fellow Slashdot readers think you're a scumbag. Really.

    3. Re:Imagine that. by Anonymous Coward · · Score: 0

      Undoubtedly, he/she attended the CmdrTaco School Of Higher Education.

    4. Re:Imagine that. by miffo.swe · · Score: 1
      Content is more important than packaging.

      Many people here are like myself are:

      a. from other countries

      b. dont care about spelling or types faster than they can read.

      PERIOD.

      --
      HTTP/1.1 400
    5. Re:Imagine that. by JamesOfTheDesert · · Score: 2
      Content is more important than packaging.

      Welcome to the 21st century: Packaging is content.

      Besides, if you don't think enough of your opinions that you can't take the time to express them well, then why should anybody else care about them? As a practical matter, with so may comments to read, if a post doesn't make a salient point up front, then I'll use some heuristics to see if it is worth reading all the way through. Sloppy spelling and poor grammar tend to indicate that the poster didn't take any time formulating a message.

      --

      Java is the blue pill
      Choose the red pill
    6. Re:Imagine that. by Moray_Reef · · Score: 1

      This is how all you lusers are helping linux fail.

      --
      If you voted for Nader, THIS IS ALL YOUR FAULT!!
    7. Re:Imagine that. by Anonymous Coward · · Score: 0

      This is slashdot, who cares about spelling when most posts are verbal pooping?

  5. Only for the 3 tenors world cup live concert cd? by mochan_s · · Score: 2, Interesting

    As the concert approached, the complaint alleged, Warner and PolyGram became concerned that the audio and video products resulting from the Paris concert would not be as original or as commercially appealing as the earlier Three Tenors releases. To reduce competition from these earlier releases, the companies allegedly adopted what they called a "moratorium" agreement. Through this agreement, the complaint alleged, PolyGram would not discount or advertise the 1990 Three Tenors album and video from August 1, 1998 through October 15, 1998 (the "moratorium period"); in return, Warner would not discount or advertise the 1994 Three Tenors album and video during the same interval.

    I guess this is price fixing but what about all the CDs that are released. Aren't they all over-priced becuase of all the record companies working together to raise prices?

  6. Canadian Price Fixing by Anonymous Coward · · Score: 0

    Ok, for all you Canuck Slashdotters, I've got a question...

    Why is it that when I go into HMV, the average CD price is $33 CDN, and yet when I go to Sam The Record Man, the average price is only $17-20 CDN?

    Has anyone heard why HMV has jacked the price up so high?

    1. Re:Canadian Price Fixing by Anonymous Coward · · Score: 1, Funny

      It's the extra tax they make you pay for being Canadian.

    2. Re:Canadian Price Fixing by Sludge · · Score: 2
      I'm not sure how HMV decides the cost of albums. I just bought a new release yesterday (Jerry Cantrell, Degradation Trip) for $17. I could spend $25 on some single-platter CDs.

      I was wondering about the costs of goods which are arbitrarily priced: a lot of prices are given because they sound good, ie: $647 over $650 or $17.99 over $20.00. Because of the exchange rate, are we getting a better deal on CDs than the Americans in some cases, just to hit the selling pricepoints?

    3. Re:Canadian Price Fixing by Daetrin · · Score: 2
      Sounds similar to the way things work in America, in eraticness if not an exact correlation.

      CDs sell at a lot of places for about $18.99, but when they first come out, or the store is having some kind of special they're often at $12.99 or $13.99.

      Then other stores that focus on music (and sometimes DVDs) only will often have then in the $14.99 to $16.99 range or so.

      So if you can find it on sale you want to get it at one of the big stores, but if it isn't on sale anywhere you're better off going to the smaller music stores.

      --
      This Space Intentionally Left Blank
    4. Re:Canadian Price Fixing by tempfile · · Score: 1

      Well that's cheap. In Germany, new CDs are usually at EUR 17.99, 16.99 if they're cheap. 19.99 CDs are showing up more and more. Double CDs are 24.99 and up. I'm not going to talk about DVDs (25.99 to 29.99). And no "new release" discount here, instead, new CDs tend to have an extra EUR or two on their price tag. (Currently 1 EUR = 1 US$)

  7. Anyone surprised? by Mullen · · Score: 5, Insightful

    By now, no one is surpised by price fixing and record companies. Even my 60 year old mother, who buys about 12 CD's in a year, made a comment to me about how the cost of making CD's goes down, but the cost to consumers does not.

    I just don't see how the FTC can not bring the hammer down on these companies. It is just plain obvious that they price fix.

    --
    Linux O Muerte!
    1. Re:Anyone surprised? by FatRatBastard · · Score: 4, Insightful

      Even my 60 year old mother, who buys about 12 CD's in a year, made a comment to me about how the cost of making CD's goes down, but the cost to consumers does not

      That's because your grandmother isn't buying plastic discs. She's buying content. The CD is simply the device by which it is delivered, and is only one part of the 'cost' of the product. This is no arguement for proof of price fixing (If so we could sue each and every book publisher for not adjusting the price of a book every time the price of paper changes).

    2. Re:Anyone surprised? by GigsVT · · Score: 1

      The FTC doesn't seem to have a hammer, it's more like a rubber mallet, considering the penalties that have been handed down in the past, and the fact that Amway still exists.

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
    3. Re:Anyone surprised? by Anonymous Coward · · Score: 0

      If she's "buying" content, shouldn't she be allowed to make copies of it, share it with friends, post it on the 'net, etc.?

      You're a god damn cocksucking motherfucking jesus christ'n asslicking hypocritical RIAA shill!

    4. Re:Anyone surprised? by limekiller4 · · Score: 1

      Sayeth Mullen:
      "I just don't see how the FTC can not bring the hammer down on these companies. It is just plain obvious that they price fix."

      I hesitate to write this, because it almost, even to me, appears to be a troll (my reply, that is, not your post). But the answer is money. It's always money. And money, when it comes to the entertainment industry, doesn't just sing (ironically enough), it fscking yodels. The FTC is the Federal Trade Comission. They're governed and directed by laws. Politicians make the laws. The politicians get a significant amount of support from Political Interest Groups.

      Seeing the conflict of interest here? =)

      So I'm not trying to flame you, believe me, but it's not very hard to see how this happens.

      --
      My .02,
      Limekiller
    5. Re:Anyone surprised? by magsilva · · Score: 1

      Ok, so the people's work of ten years ago worths less than Britney Spears, BSB or anything else recorded nowadays? Come on, somebody is clearly taking some extra money from this business chain...

    6. Re:Anyone surprised? by superstringtheory · · Score: 1

      'from 1998 of the Three Tenors' Yes, i am VERY surprised the FTC has a case over only one recording...puleeeze. Maybe it's really because the transcript would be too long. I hope this sets a trend and continues to chop away at the recording industry pedestal, however, i'm looking at my watch thinking 'gee, they sure took their damn time'!

    7. Re:Anyone surprised? by bytor4232 · · Score: 1

      Your missing the point. When CD's first came out, RIAA claimed they cost so much because of the high cost of making the CD's. RIAA could make plenty of money charging 10 bucks considering the artist maby sees a quarter if they are lucky.

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      -- 4 8 15 16 23 42
    8. Re:Anyone surprised? by dmarx · · Score: 1

      Question: If I "buy" the content, why can't I copy it, share it with my friends, etc?

      --
      "Do I dare disturb the universe?"
    9. Re:Anyone surprised? by Blue+Stone · · Score: 1

      You're making a mistake, I would humbly suggest.

      When cds were introduced, they carried a levvy, in the UK, anyway, of £5 on top of the cost of audio cassette tapes; for the same content. Cds are cheaper to produce than cassette tapes (no moving parts etc.) so where does the 50% price increase come from?

      Well the argument put forward by some record company guy who apeared on tv several years ago, to answer charges of grossly inflated prices, said that it was because they had to cover themselves, because cds wouldn't wear out, unlike cassette tapes, so they would lose money on them in the long run, because consumers wouldn't be replacing their content media.

      They were making us pay them for content that they assumed we were going to buy at some point in the future!

      They thought this was a legitimate excuse!
      There is your proof of price fixing. :)

      --
      Corporation, n. An ingenious device for obtaining individual profit without individual responsibility. - Ambrose Bierce
    10. Re:Anyone surprised? by jelle · · Score: 2

      "She's buying content"

      Whatever. All I remember is that back in the eighties, the record companies all increased the price of albums when they went to the black LPs to the silver CDs with the argument that that was because of the higher cost associated with the new medium and the promise of returning to the LP price as soon as the medium cost went down.

      Well, the medium cost has gone down, now where are the promised price reductions? Twenty years and still higher cost of CDs manufactured in a few huge fabs than those big black LPs that were manufactured in a much higher numer of smaller operations? Sure.

      All I can see is record companies not keeping their promise by keeping the price of CDs high.

      They've created a oligopily and the consumer is the victim.

      --
      --- Hindsight is 20/20, but walking backwards is not the answer.
    11. Re:Anyone surprised? by knarf · · Score: 1

      Ah, true. The only part missing is the right to buy a new copy of the work at media costs (plus a little for distribution etc.) when the old one has died, or when a new medium (DVD-A, MiniDisc, those little blue-laser-discs Philips developed, etc) hits the market.

      Maybe there should be lawsuits over that...

      --
      --frank[at]unternet.org
    12. Re:Anyone surprised? by lunenburg · · Score: 5, Insightful

      The day I can send the music companies an album on vinyl or tape, or send them a broken CD, and get a replacement back on the media of my choosing for the cost of shipping, is the day I'll buy the "You're buying content, not the delivery device" argument.

    13. Re:Anyone surprised? by Mullen · · Score: 2
      I hesitate to write this, because it almost, even to me, appears to be a troll (my reply, that is, not your post)

      I made an observation. It may not be true, but it's an obervation. However, I still think it is true.

      . But the answer is money. It's always money. And money, when it comes to the entertainment industry, doesn't just sing (ironically enough), it fscking yodels. The FTC is the Federal Trade Comission. They're governed and directed by laws. Politicians make the laws. The politicians get a significant amount of support from Political Interest Groups.

      I don't think this is true either. The FTC and a number of Government regulators have gone after companies and groups for colusion and price-fixing. Take alook at the Oil, Banking system, Cars, Stock sales, and Airline industries. In this case, the modern Music industry is new and it takes Government to react and move on something.
      The music industry, I think, tries to stay off the FTC radar so it does not get busted. That is why were not seeing the FTC go after them.

      --
      Linux O Muerte!
    14. Re:Anyone surprised? by huckda · · Score: 1

      how the cost of making CD's goes down, but the cost to consumers does not.

      Haven't you heard? It is all because of P2P services like Morpheous and Kazaa(*insert look of sincerity here*)

      --
      "Just Smile and Nod." --Huck
  8. I though the prices were always fixed. by FreeLinux · · Score: 4, Funny

    Has anyone got this Three Tenors album in mp3 or ogg vorbis? I haven't heard it yet.

    Bwahahahaha

    1. Re:I though the prices were always fixed. by SN74S181 · · Score: 1

      It's grown-up music. You wouldn't understand.

  9. Defending the Record Companies in some Ways by hooded1 · · Score: 1

    ALright, let me first say that i don't approve of many of the actions of the record companies. But many people here go off about how the record companies abuse their control over the musicians, because the musicians don't get much money from the price of a single CD. This is all very true, the record companies do get the majority of the moeny from a CD sale, but they also spend loads of money on alot of these artists. I'm not sure of the exact price that it takes to put together a music video, but i imagine its in the millions, now the artists themselves sure as hell don't pay these costs. Also the record company has to promote songs and albums by paying radio stations and MTV to play them. Most popular musicians today owe all of their fame to a record company. It is these 'evil' companies which have talent scouts that go around searching for potential stars. I admit that there are a few very talented musicians that could make it big in the country by their skill alone, but these people are few and far between. For the most part it is the record companies that makes these people stars.

    This post does focus largely on the company's efforts to promote big stars like Britney Speares, N'Sync, and other large pop stars. But it still applies to almost anyone artist who is picked up bya record label.

    --
    A rabbit in the hand is worth 4 in the cage
    1. Re:Defending the Record Companies in some Ways by fluxrad · · Score: 4, Informative

      you really have no idea what goes into the making of an album/video/star, do you?

      1. Most videos don't cost that much...maybe a couple hundred grand for some extremely famous bands, shooting in to the millions only for videos done by people like Michael Jackson who usually fund a lot of it themselves.

      2. Most bands flop. This is the reason the record labels buy in bulk when they're searching for talent. For every Britney Spears, there are 10-20 "chick" singers you never heard of because they didn't sell shit. Of course, if you actually get to make a second album, most of the procedes are spent paying the label back for the first one. The record companies don't have that much influence on who becomes a star or not when all is said and done, they just have the ability to put it on the shelves and see who buys what. You need to start looking at companies like BMG, Geffen, and Sony as nothing more than gigantic venture capital groups for musicians. Except the "interest" rate they charge for their benevolence is basically usury!

      btw - please back off the stream of consciousness style of posting next time. it's hard on the eyes, you know.

      --
      "It is seldom that liberty of any kind is lost all at once." -David Hume
    2. Re:Defending the Record Companies in some Ways by Anonymous Coward · · Score: 5, Insightful

      I'm not sure of the exact price that it takes to put together a music video, but i imagine its in the millions, now the artists themselves sure as hell don't pay these costs.

      Actually, a lot of them do. why do you think groups like TLC were broke after so many hit songs. They got a little more than $1.00 per CD sold but they had to pay all of the expenses for videos, and their tours. The artists are still getting the shaft. And don't give me that crap about "The record company only get's one diamond for every 100 pieces of rock"...last time I checked, diamond producers were very very wealthy, and so are record labels. If the recording industry wasn't making an ass load of money, it wouldn't be the recording industry....it would the recording company because no one would want to do it.

    3. Re:Defending the Record Companies in some Ways by sokoban · · Score: 1, Flamebait

      The above post is simply incorrect. Artists are usually given loans for promotional videos which have to be paid back to the record labels, also they can write off a lot of their promotion as business expenses. Also, record companies can't really pay to have videos or songs played, it's illegal. The truth is that record companies exist mainly to perpetuate themselves. Videos were created mainly to close the airwaves to anyone without the cash. Before videos, singles were the only real mass promotion channel and were cheap and easy to release. Now that you have to have a video in order to get airplay, the cost of entering the distribution channels has increased to levels where corporate power is needed to be popular. Thus, record companies discourage artists from being independent and force them to sign with a label so that they have a chance of being heard.

      So shut up before I have to drop any more knowledge on your ass.

      --
      09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0 is the magic number.
    4. Re:Defending the Record Companies in some Ways by ImaLamer · · Score: 1

      the record companies do get the majority of the moeny from a CD sale, but they also spend loads of money on alot of these artists. I'm not sure of the exact price that it takes to put together a music video, but i imagine its in the millions, now the artists themselves sure as hell don't pay these costs. Also the record company has to promote songs and albums by paying radio stations and MTV to play them. Most popular musicians today owe all of their fame to a record company. It is these 'evil' companies which have talent scouts that go around searching for potential stars. I admit that there are a few very talented musicians that could make it big in the country by their skill alone, but these people are few and far between. For the most part it is the record companies that makes these people stars.

      This though is what makes the situation so wrong. We aren't buying beautiful music when we go to the record store, we are buying business. It's like buying a share in a company yet we don't get an investment in return.

      Once there were musicians who didn't care about being famous. Then for a while music became an arena where people wanted to play for anyone and everyone but they still didn't want fame; it became "cool" to diss the companies which promoted you. Now music is in a state where most of the people you see today with an album are the ones who are in it for the fame and fortune alone.

      Now this doesn't mean we don't have good artists, who provide us with quality music, and want to be rich too. But many artists I know, who aren't famous and only pay a local gigs say that they don't want to go into "the business" because it has changed so much.

      Now they aren't going to stop playing music, they just realize that it isn't about the fame and fortune. It's about aesthetics, it's about the message - it's about art.

      They admit playing Madison Square Gardens would be great, and they want to live by playing gigs all over but they don't want to become a pawn in a game of the recording industry.

      The RIAA is so nuts because they are simply a group which has risen by providing capital for artists. Then they own you, and likely your music. The question is are they needed today in such a connected world?

    5. Re:Defending the Record Companies in some Ways by WetCat · · Score: 1

      The monopolies are the reason of the situation when you come to a store - you'll see a lot of disks!
      And you cannot hear WHAT is on that disks. If we have situation when *IAA are banned and declared illegal, music shops will be much user friendly and allow people to shop for music by listening to a part of CD they're going to buy.
      Really, a label on CD means nothing. Only CD contents means. And it's not shown in stores.

    6. Re:Defending the Record Companies in some Ways by fluxrad · · Score: 2

      Only CD contents means. And it's not shown in stores.

      Actually, most of it is. You can go to any number of shops that'll bust open a CD for your previewing pleasure. In Denver we've got Twist & Shout, Wax Trax, and Recycle Records, to name a few. Plus there are dozens more stores that have the at least newest albums available at listening stations.

      Of course, that doesn't mean that the music you're listening to doesn't suck in the first place ;-)

      --
      "It is seldom that liberty of any kind is lost all at once." -David Hume
    7. Re:Defending the Record Companies in some Ways by Anonymous Coward · · Score: 0

      The record companys do not pay for any music videos that are used to promote a song or album. In fact all promotional costs, as well as production, ditribution costs, or any other costs, are to come out of the money to be paid to the musician(s) before they recieve any money at all. The record label gets its money first and any that is left over goes to the musician based on an agreed upon formula. Thus it is possible for a successful album to not generate any income for the musician at all but the record label is paid for all expenses, advances, and promotional expenses and gets a profit for itself.

      Consider that it is the record label that handles all of the inital recording, manufactoring, promotional functions and distribution functions of all CDs. They are responsible for the creating of the artwork and packaging as well as for the storage and returns of all product. They are the ones that create the CDs for the radio stations and distribute them to all appropriate venues and to distribute videos to all appropriate stations. It is the record label thatgoes a long way to creating the buzz about a new release that helps it to be a success. And the record labels want to have successes because it is their money, on loan to the musician, that allow the whole process to go on. If the album is a failure then it is the record label that loses because their colateral is not suficient to cover the debts incurred.

    8. Re:Defending the Record Companies in some Ways by Anonymous Coward · · Score: 0
      "I'm not sure of the exact price that it takes to put together a music video, but i imagine its in the millions, now the artists themselves sure as hell don't pay these costs."

      You have no fucking clue what you are talking about.

    9. Re:Defending the Record Companies in some Ways by Anonymous Coward · · Score: 0
      Right, but not in all markets. Even the ones with listening stations don't have everything available.

      And you have to drive out there! That works for me some of the time, but I live in a medium-sized city.

    10. Re:Defending the Record Companies in some Ways by GrandCow · · Score: 1

      The record companies don't have that much influence on who becomes a star or not when all is said and done, they just have the ability to put it on the shelves and see who buys what. You need to start looking at companies like BMG, Geffen, and Sony as nothing more than gigantic venture capital groups for musicians.

      Yes, but the problem is that the record labels get to choose what is played on the radio in the first place. If all you hear on your radio thanks to Clearchannel is britney spears, when you go to Best Buy and see either her CD which is bad but not TOO bad, and your other choice is a CD that you have never heard of and have not heard any of the music from, you'll probably choose the spears CD.

      And I'm talking about the majority of people that fund crap like britney spears and the backdoor boys, not the informed people out there that know to sample their music before they buy ;)
      --
      "Well kids, you tried your best, and you failed. The lesson is, never try." -Homer Simpson
    11. Re:Defending the Record Companies in some Ways by GrandCow · · Score: 1

      whoops, I don't know how I messed up that formatting... What is indented is what I wrote, what was not indented was what I was trying to quote.

      --
      "Well kids, you tried your best, and you failed. The lesson is, never try." -Homer Simpson
    12. Re:Defending the Record Companies in some Ways by VAXman · · Score: 2

      last time I checked, diamond producers were very very wealthy, and so are record labels. If the recording industry wasn't making an ass load of money, it wouldn't be the recording industry....it would the recording company because no one would want to do it.

      Sony Music makes something like $50 million dollars a year in profit. Not sure if that is 'typical' for the big music company, but that is absolute peanut shells compared to oil companies, software companies, semiconductor companies, tobacco companies, etc., who generally net about 100-400x that per year. In short, the music industry is tiny and not even in the same ballpark as the industries generally considered to be lucrative.

    13. Re:Defending the Record Companies in some Ways by graikor · · Score: 1

      I got one word to prove you're wrong - "recoupment".

      What that means is that every single penny the record company pays out to promote an act - videos, ads, indie recerd promoters (read: payola) is recoupable against the artist's share of the recording's revenue. Every single penny of promotional expenses, as well as from those wonderfully big advances, needs to be paid back to the record company before the artist earns a cent in royalties.

      Most acts never show a profit, but unless the album really tanks, the record companies always come out ahead. Worst case scenario? The failed record makes for a big tax write-off to offset the profits the companies make off the marginal and better-selling acts.

    14. Re:Defending the Record Companies in some Ways by Anonymous Coward · · Score: 0

      Where do you get your numbers? I think it's bunk. I couldn't find any profit statements (I didn't look very hard), but I found out here that Sony Music Entertainment had $4.8 BILLION in sales for the fiscal year ending in March 2002. So, on $4.8 billion in sales, they only cleared $50 million? That's only 1%. Seems like a pretty slim margin to me.

  10. hmmmm by martissimo · · Score: 2

    well according to this:

    James P. Timony ordered a series of companies, all of which are subsidiaries of French corporation Vivendi Universal S.A., among other things to cease and desist from entering into "any combination, conspiracy, or agreement" - with producers or sellers at wholesale of audio or video products - to "fix, raise, or stabilize prices or price levels"

    lol, unless "among other things" is a big whopping fine which, i seriously doubt since that would have been certainly mentioned...

    this decision basically amounts to a "stop doing that" decision, yeah that oughta get their attention

  11. password by Anonymous Coward · · Score: 0

    ok, who's got a new password or a generator for this site...

  12. One word for the record industry... by loply · · Score: 1

    Scum.

  13. I don't think the founding fathers would approve. by Jonathan+Swift · · Score: 1, Informative
    When Thomas Jefferson put the idea of intellectual property into the Constitution of the United States, he did so because he realized that information leaks; once people learn something, they can reuse that knowledge. If there was no protection to intellectual property, people would not be encouraged to share knowledge with others. Writers would not write, inventors would not invent, artists would not . So in the US Constitution, it says:


    Congress shall have the power [...] To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;

    The reason why this is important is spelled out in Jefferson's own writings:

    If nature has made any one thing less susceptible than all others of exclusive property, it is the action of the thinking power called an idea, which an individual may exclusively possess as long as he keeps it to himself; but the moment it is divulged, it forces itself into the possession of everyone, and the receiver cannot dispossess himself of it...He who receives an idea from me, receives instructions himself without lessening mine; as he who lights his taper at mine, receives light without darkening me. That ideas should be spread from one to another over the globe, for the moral and mutual instruction of man, and improvement of his condition, seems to have been peculiarly and benevolently designed by nature ... Inventions then cannot, in nature, be a subject of property.
    His assumptions are based on the fact that you can not control what people do with information that you give to them. If you hand someone a book, they can transcribe it. If you give someone a physical invention, they can disassemble it. But if you give them a new form of media, say, a song on a copy-protected CD, and they can no longer listen to it except on approved devices that they cannot copy from, why should the government provide the same protection to you? The record companies and movie studios want to have their cake and eat it too. They want traditional copyright protection, technological copyright protection, and a government guarantee of technological copyright protection. They want to deprive all those bearded Linux hippies their DeCSS, so they can't watch bootleg Buffy the Vanpire Slayer DVDs in their parents' basement. But if they have technological protection, then why should the government give them traditional protection? It was only there because information was hard to protect as property.


    How far are we going to let the copyrighters go? We need to remind people that copyright, like most laws in the US, is a balance between two forces, and the scale should not be tipped too far to one side.
  14. Re:Regarding Music Companies by Anonymous Coward · · Score: 0
    Leaving it [Mozilla] open for more than a day with "quickstart" causes RAM usage to jump to ridiculous levels, we're talking about > 60 MB here. That is just unacceptable.
    Though you'll quickly be modded into oblivion, I wanted to reply to this, because for all the other stuff you wrote, this is true. The > 60 MB isn't entirely accurate due to virtual memory and arcane tricks with how memory usage is measured, but Mozilla with quickstart enabled does take entirely too much RAM.
    Or perhaps I should have said, this was true. Because roughly two weeks ago (slightly after 1.1 alpha was released) a fix went in that caused a huge decrease in the amount of RAM Mozilla uses, particularly with quickstart enabled. Download a current nightly (or wait till 1.1 beta) and observe for yourself. We're talking a decrease to 6-10 MB max - even after having been running for an entire day. There are still some occasions where memory usage will increase steadily, but for general usage this has become a lot better.
  15. Re:Jews control the music industry by Anonvmous+Coward · · Score: 0, Troll

    You know, he's absolutely right. Did you read about how Kyle Broslofski's mother lead the USA to go to war with Canada because of the way the Terrance and Phillip movie caused their kids to start swearing?

    Don't mess with Jews, man. They really run the place!

  16. Preach On, Brother Man! by egg+troll · · Score: 0

    Say it loud, and say it proud. Ain't that shit the truth. Remember, with OpenSource software (free as in free clinic) you get what you paid for.

    --

    C - A language that combines the speed of assembly with the ease of use of assembly.
    1. Re:Preach On, Brother Man! by Anonymous Coward · · Score: 0

      Mr. egg troll, this is the second post written by you that I completely agree with. You're both a supporter of the Queen of Spain, and a detractor of the ass-spunk that is Linux. You seem like a man very deserving of the official Spooge award. On behalf of Jon Barrett, I present it to you:

      8===============D~~~~~~~~~~~~~~~~~~~~~~~

      May your spooging be forever great and prosperous!

  17. Who doesn't appeal by Anonymous Coward · · Score: 1, Insightful
    Vivendi continues to deny wrongdoing and will, of course, appeal.

    I often wonder: Who doesn't appeal a decision that doesn't go their way? I mean, an appeal is basically the same thing as a childrens "Do Over" with more adult pretention...

    1. Re:Who doesn't appeal by Anonymous Coward · · Score: 0

      The appeals process is nothing like a childs concept of a do-over. A do-over is immature; an appeal is necessary for great justice!

    2. Re:Who doesn't appeal by Anonymous Coward · · Score: 0

      Who doesn't appeal a decision that doesn't go their way?

      Those without tons of money to spend on lawyers.

  18. The Three Tenors? by tux-sucks · · Score: 2, Funny

    Oh, I was thinking for a moment that it could have been important.

    1. Re:The Three Tenors? by ceejayoz · · Score: 2

      Hey, some of us actually have taste in music.

    2. Re:The Three Tenors? by Anonymous Coward · · Score: 0

      Thank you, Condescending McMoron.

  19. when by fluxrad · · Score: 1, Flamebait

    when are all the lovely people of this world going to wake up and realize that the only way to take back from the RIAA is basically piracy.

    whine to the government all you want, but until some freak radioactive chemical is accidentally dumped on washington, causing every congressman to mutate into benevolent-o and slowly climb out of the back pockets of their contributors...NOTHING IS GOING TO COME OF IT!

    sometimes you simply have to fight fire with fire.

    --
    "It is seldom that liberty of any kind is lost all at once." -David Hume
    1. Re:when by miffo.swe · · Score: 2, Insightful

      Your sig about MTV says it all doesnt it? The music industry has taken a good healthy music collective and made it into a money milking cow. MTV was good but all it ever plays now is either corporate sponsored release promos (they call it hresh or something) or crappy mainstream (corporate owned) elevator crap.

      --
      HTTP/1.1 400
    2. Re:when by ceejayoz · · Score: 2

      when are all the lovely people of this world going to wake up and realize that the only way to take back from the RIAA is basically piracy

      Judging from the Napster phenomenon and the flood of P2P programs it generated, I'd say people have already discovered piracy. RIAA's still making oodles and oodles of money, though. RIAA's not going to disappear because of piracy.

    3. Re:when by Anonymous Coward · · Score: 0
      You may have honest intentions but most people committing piracy have no political or social motivations, they're just cheap asses. Same with software pirates. Piracy is only good if you commit it with a true political or moral cause. You should pirate recordings regardless of whether you want to listen to them. You should decide how to publicize your illegal actions, whether as a vocal public figure or through anonymous PR statements. You should decide how you're going to compensate the artists, musicians, producers, record companies and others responsible for making the recording. They all deserve compensation and saying "I'll go catch the live act" doesn't cut it - you're only compensating the most easily accessible part of the team responsible for the music. It's easy to pay someone you like but you should pay everyone involved. Finally, in addition to giving them money you should write to the artists tell them that you are pirating their music and tell them why.

      You may make a claim that what you're doing is trying to fight the RIAA but most anyone with mp3s of songs or CDs which they never purchased are simply cheapskates who deserve to be punished. You may feel the companies in the RIAA are overcharging you but have you seriously looked into the economics of it? Have you tried to determine their costs, as well as their risks (which are large) and figured out how much of a share in the profits you would want if you were risking hundreds of thousands of dollars on unknown artists? I know the major labels cook their books and, although no one ever mentions the term anymore, I believe they form a collusive monopoly of which this specific price fixing case is just an example, but still - did you even try? Odds are you're just like most pirates, trying to justify yourself and your propensity to steal music by saying "They're bad, so I can be bad."

    4. Re:when by blight2c · · Score: 1

      well said. nonetheless, i'd remind you of the intuitive intelligence mobs/"most people" actually have. IMO, laws memic nature, not the other way around; if a large segment of a population drift toward an illegal activity, maybe there is something slightly arwy with the law. the french stole bread and decapitated a king because they felt they were being treated unfairly not because they wanted a free ride. before we jump to the aide of the established elite, maybe we should see why so many people are pirating all media--the simple answer is saying "they're just cheapskates".

    5. Re:when by fluxrad · · Score: 2

      You should pirate recordings regardless of whether you want to listen to them.

      I doubt you could convince anyone that Rosa Parks should also have tried to sit at the back of a bus destined for somewhere she wasn't going.

      You should decide how to publicize your illegal actions, whether as a vocal public figure or through anonymous PR statements.

      I don't agree with you that publicity is a mandatory component of rebellion. My goal is not to be the sole proprietor of change, but more simply to put a little less in to the coffers of the RIAA.

      You should decide how you're going to compensate the artists, musicians, producers, record companies and others responsible for making the recording.

      LOL. I thought not compensating these people was the point. Of course, before you jump to any conclusions, I believe they should be compensated, but to a much more limited extent than they currently are. The amount of money that the artist gets from the purchase of a single CD has already been discusses times too numerous to count.

      They all deserve compensation and saying "I'll go catch the live act" doesn't cut it.

      Yes! Yes it does! Doing this is the same as giving the money directly to the artist rather than the label! Granted, a large portion of the profits from the till are still going to the venue, the security team, etc. But this is where the musician makes their money. Arguing differently is just playing devil's advocate.

      You may make a claim that what you're doing is trying to fight the RIAA but most anyone with mp3s of songs or CDs which they never purchased are simply cheapskates who deserve to be punished.

      You are certainly entitled to your opinion.

      You may feel the companies in the RIAA are overcharging you but have you seriously looked into the economics of it? Have you tried to determine their costs, as well as their risks (which are large) and figured out how much of a share in the profits you would want if you were risking hundreds of thousands of dollars on unknown artists?

      Yes, I have looked into the economics of it! I wouldn't be trying to fuck over the RIAA if I didn't wholeheartedly believe they were trying to do the very same to me.

      Odds are you're just like most pirates, trying to justify yourself and your propensity to steal music by saying "They're bad, so I can be bad."

      That's quite a sneaky argument, so let me break it down very simply:

      1. I do not have a propensity to steal music. I do it because I believe the government will fail us in regulating the RIAA's "collusive monopoly", not because I have a compulsion to do so.

      2. They are bad, that is why I am bad.

      --
      "It is seldom that liberty of any kind is lost all at once." -David Hume
    6. Re:when by Anonymous Coward · · Score: 0
      I doubt you could convince anyone that Rosa Parks should also have tried to sit at the back of a bus destined for somewhere she wasn't going.


      Rosa Parks had obvious beliefs and she wasn't afraid to show them. She took a real politic action. You are afraid to show your so-called beliefs, afraid to make any public notice of it and are just sitting there, stealing from artists, producers, songwriters, distributors and record labels. Stealing the music serves no end other than to get you more music. The political and commercial end to it is the same as simply not buying or listening to music produced by the major record labels. Actually, it may be wrose because you're giving the record labels legitimate cause for forcing DRM into computers politically or through commercial agreements. If there were no theft, there would be much less legitimacy to idea of making DRM measures a requirement for all computers. And the social ramifications of apolitical theft can only at best be the same as not buying the records but more likely be worse. Imagine if your boss saw what you did at work and thought you were overpaid but had to pay you because of your specialized skill set and the current market conditions, so instead of pursuing other options he broke into your house to steal enough goods to make up the difference (anonymously, of course). That, essentially, is what you're doing. If you have kids and they knew what you were doing, well, I would hope your kids learn to be better people than you. You're no Rosa Parks.

      Yes! Yes it does! Doing this [going to live shows] is the same as giving the money directly to the artist rather than the label!


      What about the people who wrote the songs? What about the producers? You think they're all overpaid? Perhaps there's some public performance royalty involved for the songwriters - I'm sure you've researched it and found it to your liking, right? Certainly producers aren't compensated at all. Of course, like I wrote before, it's easy for you to think of paying the people playing the music as being enough because they're the affable figureheads, whereas producers, songwriters and others critical to the creation of the recorded music you have aren't easy to appreciate, especially to people who have little idea of how recorded commercial albums are made. I'd like to see your well formed economic breakdown of things. The risks/profits for the major labels for both new and previously successful artists, your figures on what an appropriate charge and percentage should be for a record label, what a producer should make, what songwriters should make and what artists should make for an album. I'd also like to see, either percentage-wise or in raw numbers, how many CDs you've purchased and of how many recordings you've stolen. It would be very informative for me, so thanks in advance.

  20. Oligopoly by attackiko · · Score: 1

    [i]Providing more proof that the record industry is indeed a oligopoly[/i] There's nothing wrong with oligopols, 90% of all things you buy come from Oligopol markets. The main property of these markets is that the products are differentiated in the eyes of the consumer.

  21. Remarkable. by miffo.swe · · Score: 4, Insightful
    How can they screw us over with one face and cry about how they need DRM with another. All this at the same time that they arent losing money to pirating but to games.

    Realese som good music instead of brainwashing people with BSB and Britney Bimbo and maybe we ll feel that the music is worth paying for. As of today most isnt worth the plastiv its printed on. Note, thats not the artists fault. Pink is a good example of that!

    --
    HTTP/1.1 400
    1. Re:Remarkable. by Em+Emalb · · Score: 2

      from above:
      "How can they screw us over with one face and cry about how they need DRM with another."

      Dude, it's called greed. It's also called if they can get away with it, they will. Seriously, if you were an unethical, monopolistic slave to the dollar, you'd be the same way. Lucky for us, you're not.

      Soon, real soon, I believe, people will wake up and smell the coffee, and realize they have been getting screwed and this will change.

      --
      Sent from your iPad.
  22. Re:Jews control the music industry by commodoresloat · · Score: 0, Flamebait

    That explains it! Every time I try to download a Metallica song, I instead get an endless loop of Celine Dion singing "Hava Nagila."

  23. Recover quite quickly? by PhreakOfTime · · Score: 1

    Im sure they will recover quite quickly, soon everything will be back to normal. The industry will soo go back and keep its head in the sand about digital music, and dragging whatever remaining artists are still signed to major labels to a slow and unheard of death. "If history repeats itself, how come nobody was bailing out the carriage industry when the internal combustion engine was invented?"

  24. Horray! by antis0c · · Score: 1

    Slap on the wrist, slight embarrassment, wait 6 months, repeat.

    --

    ..There's a-dooin's a-transpirin'
    1. Re:Horray! by Daetrin · · Score: 2
      Slap on the wrist, slight embarrassment, wait 6 months, repeat.

      You forgot the make millions in extra profits from the fixed prices step!

      --
      This Space Intentionally Left Blank
  25. The fact that tapes are half the price by Unknown+Poltroon · · Score: 1

    IS and argument for proof of price fixing. AS well as the cd "single" that costs a hell of a lot less then the cd, and still has the same massive hype and advertising attached.

    --
    All Troll + "offtopic" mods are meta moderated as "Unfair", because you abused the system.
    1. Re:The fact that tapes are half the price by elflord · · Score: 2
      IS and argument for proof of price fixing.

      No it isn't. All that tells you is that selling tapes is not a viable business in its own right (meaning, if a record company stopped selling CDs and only sold tapes, they would not last very long). The reason that record companies can keep a relatively unprofitable tape selling business alive is that there is a substantial overlap in the costs of producing the tape and the costs of producing the CD.

      AS well as the cd "single" that costs a hell of a lot less then the cd, and still has the same massive hype and advertising attached.

      Again, you've already spent the money on the hype and marketting before you produce the single. The marginal cost of releasing it is relatively low. You don't have to pay those marketting costs more than once, you know.

    2. Re:The fact that tapes are half the price by chriso11 · · Score: 1

      Your argument does not hold water.
      If record companies did not make a profit selling tapes, they would either raise the price of tapes or stop selling them. Duh!

      If the price of the media is unimportant, why are CDs MORE expensive than tapes? FYI, tapes are significantly more expensive to make then CDs.
      If we are buying "content" then there should be price parity at least.

      In case you don't know the answer -I will provide it for you. Simply, the record companies know the suckers will buy it from them, even though they had promised years ago that "as the price to manufactur CDs comes down, so will the price..."
      Of course, they got greedy, and never lowered the price.

      I d/l mp3s, and if I like the music, I buy the disk from the record clubs. I can get CDs for ~$5.00. And you know what? The record clubs MAKE MONEY selling them at that price!

      --
      No, I don't trust in god. He'll have to pay up front, like everybody else.
    3. Re:The fact that tapes are half the price by elflord · · Score: 2, Insightful
      If record companies did not make a profit selling tapes, they would either raise the price of tapes or stop selling them. Duh!

      It's not that simple. Do you understand the difference between total costs and marginal costs ? Let me explain in more detail:

      Suppose that selling CDs have the following costs:

      • Recording the music
      • Promoting the band
      • Administrative overhead associated with distribution
      • Artwork and packaging
      • Pressing CDs and purchasing blank distribution media

      The costs of selling tapes are:

      • Recording the music
      • Promoting the band
      • Administrative overhead associated with distribution
      • Artwork and packaging
      • Copying the tapes and acquiring blank distribution media

      Notice that the overlap here is considerable-- in particular, by the time you pay the costs for selling CDs, you've paid nearly all the costs for tapes.. So, supposing that you have a profitable CD business up and running. Then to add a supplementary tape business, you don't need to pay the total costs of the tape operation. You only need to pay for the marginal costs (in other words, you don't need to pay to record the music opr promote the band, because you did that when you set up the CD operation).

      So it's entirely plausible that the expected revenue from selling tapes exceeds the marginal costs of adding a tape operation to a CD operation (which is what the record companies pay), but doe NOT exceed the total cost of running the tape operation.

      If the price of the media is unimportant, why are CDs MORE expensive than tapes?

      The assumption that the price of the media determines the selling price is false. Tapes are cheap because no-one would buy them if they were more expensive (because they offer less utility to the buyer)

      Of course, they got greedy, and never lowered the price.

      You've done no estimates of prices vs inflation, so you're not in any position to even make that claim. My guess is that prices are approximately flat, and the reason is that the bulk of the costs are directly correlated with the price of living.

      I can get CDs for ~$5.00. And you know what? The record clubs MAKE MONEY selling them at that price!

      You're a smart buyer -- good for you. The fact that you can get them cheaply through this venue shows that the high prices are not a result of the record companies greed, but rather, that of an inefficient distribution model. By spending your money on someone with a low overhead distribution model than traditional retail outlets, you get a better deal.

    4. Re:The fact that tapes are half the price by danielrose · · Score: 0, Troll

      you sir, are a fucking tool.

      --
      i hate pansy republicans
    5. Re:The fact that tapes are half the price by Anonymous Coward · · Score: 0

      You're a moron.

    6. Re:The fact that tapes are half the price by Grab · · Score: 2

      CDs are more expensive bcos the public will pay more for them. Simple as that. In the US, you pay typically $10-15 for a CD. In the UK, we pay £10-15 for the same CD. Why? bcos the companies have found that raising the price doesn't majorly affect sales, so they're busy using supply and demand. Tapes are shitty quality, so no-one's prepared to pay as much for them. But it actually costs more to produce a tape (compare the prices of blank tapes vs CD-Rs). The companies still make money on tapes though, so they're not bothered.

      The absolute *best* solution would have been for Napster to have totally cratered record company sales. Seriously. Without pain in their pockets, why should they give a damn? They don't care if you complain while you're buying that CD, so long as you do actually buy it! But if you didn't buy it bcos it was too expensive, and everyone else stayed away too, *then* they start thinking on it...

      I'm lucky - I mainly like blues, folk and classic rock. I can pick up a CD I'd like for £5 in a bargain bin. Maybe it's 10 years old, but it's still good music, know what I mean? And there's so much stuff I liked on the radio but never got round to buying back then bcos it was expensive, well now I can! :-) If you listen to Metallica and Led Zeppelin instead of Eminem and Linkin Park, your high-priced CD-buying days are just gone, man!

      Grab.

  26. Quote Source by limekiller4 · · Score: 1

    Quoth Myselfthethoom:

    "Beware of he who would deny you access to information, for in his heart he dreams himself your master"-Unknowen

    It's actually a quote from a game, Alpha Centauri.

    "As the Americans learned so painfully in Earth's final century, free flow of information is the only safeguard against tyranny. The once-chained people whose leaders at last loose their grip on information flow will soon burst with freedom and vitality, but the free nation gradually constricting its grip on public discourse has begun its rapid slide into despotism. Beware of he who would deny you access to information, for in his heart he dreams himself your master."

    -- Commissioner Pravin Lal, "Librarian's Preface"

    --
    My .02,
    Limekiller
    1. Re:Quote Source by Treylis · · Score: 1

      Heh, actually, it's much older than that, but I disremember the origin or whether it even has a definite origin at all. The quotes that they used in Alpha Centauri were often pretty cool, though.

  27. Look at the bright side... by Daetrin · · Score: 3, Interesting
    At least in America we maintain the fantasy that things are supposed to be fair, so the FTC can ocasionally crack down on the record companies if they're blatant about breaking the rules.

    I've been told that in Japan the record companies have some kind of agreement with the government allowing them to fix prices, which is why Japanese CDs cost $30 and the American imports were about $15 or a little over (this was a few years ago, funny how CD prices have gone _up_ as the technology has gotten cheaper, neh?)

    --
    This Space Intentionally Left Blank
    1. Re:Look at the bright side... by edwdig · · Score: 2

      The story I heard years ago about Japanese CD prices is that each album only gets one pressing. Because of the limited quantity, they cost more.

    2. Re:Look at the bright side... by Anonymous Coward · · Score: 0

      Yeah, granted you can buy an identical pirated copy of it for like $3

  28. You Don't Have To Be A Thief by krmt · · Score: 2

    Personally, I try and compromise by only buying used CD's. This way, I can still support the little record store on the corner, and get the full and always complete CD that I want. I sometimes have to wait. Wait a very very long time (I recently bought an album I had been waiting to find used for two years) and in the meantime I listen to the downloaded version. I'm also willing to buy new CD's from labels that aren't the RIAA, but I haven't really gone looking for small, unheard of bands yet (there's still so much that I do know about already).

    I have a bit of difficulty not going for the new bargain CD's that they sell at Tower or something. While these things don't really have the price gouging argument against them directly (hell, $7.99 is a great price for a CD even by used standards) the money will go towards gouging consumers in other ways. On the other hand, if they see that people will buy more at lower prices (an obvious fact that they have failed to grasp) then maybe they will lower other CD's to these prices, not just those in catalog that have already paid forthemselves and more.

    --

    "I may not have morals, but I have standards."

    1. Re:You Don't Have To Be A Thief by homer_ca · · Score: 2

      *shameless plug*
      Overstock.com has lots of clearance CDs for $5.99-$6.99. Not the newest releases but last year's and older. RIAA can't be very happy about that price, but I just snapped up 6 CDs myself which is more than I've bought in the last 3 years combined.
      *end shameless plug*

      I'd actually be willing to pay more than that myself. $6 is even cheaper than vinyl LPs back in the day. I think one big factor is that $10 is a psychological barrier between an impulse buy and a carefully researched purchase. I'd be pretty pissed to waste $18 on a shitty CD. When they were around, Blockbuster Music had listening booths to let you try out any CD in the store. Any other places still do that?

    2. Re:You Don't Have To Be A Thief by Mikeytsi · · Score: 1

      They're out there. Most listening booths just have the flavor of the week selections in them, which suxors, but places like Fred Meyer and some Tower stores have the real ones. Only bitch about Fred Meyer is that they forbid listening access to "Explicit" CDs. Nuts to them. I won't buy a CD that I haven't listened to, and I certainly won't pay more than $12 for a single CD. Last NEW CD I bought was Korn, but I only paid $10 for it.

      --
      I've been called a "Fucking Dick" by better people than you.
  29. How is this wrong? by jcsehak · · Score: 2

    Okay, as I understand it, the labels, afraid that the '98 performance was gonna suck, agreed to not advertise or discount CDs of the previous 2 concerts, so as not to take away from the fanfare of the most recent one. How is this wrong? It's not even like they got together and decided to make all their CDs more expensive. And even if they did, who cares? No one has a monopoly on selling music. It would just make more people take a closer look at independent releases. Besides, I thought price-fixing was reserved for markets that dealt with necessites, like the phone company or gasoline. You don't need CDs. In fact, they're very easy to go without.

    I'm the last person to defend major labels' practices (see the RIAA song and wallpaper for proof), but I don't see anything wrong with what they did (or more accurately, didn't do). It's a free market, and they should have the right to choose whatever business model they want, no matter how crappy or unfair.

    --

    c-hack.com |
    1. Re:How is this wrong? by tunah · · Score: 2
      No one has a monopoly on selling music.

      I would make a witty comment, but the challenge has gone.

      --
      Free Java games for your phone: Tontie, Sokoban
    2. Re:How is this wrong? by eNonymous+Coward · · Score: 1

      >How is this wrong?

      Because it's illegal. That's the only reason the RIAA needs in order to go after us, and they keep flaunting it. Why should we need any more reason to go after them?

    3. Re:How is this wrong? by Trekologer · · Score: 3, Informative

      How is this wrong?

      Price collusion is illegal. Plain and simple. The recording companies got together and decided not to reduce some older CDs so that the newer one wouldn't be competing against them for price. That is illegal. This is something that the recording companies do all the time.

    4. Re:How is this wrong? by markmoss · · Score: 2
      I think you meant "produce" not "reduce".

      The recording companies got together and decided not to [produce] some older CDs so that the newer one wouldn't be competing against them for price.

      I'm a little surprised by this ruling, since companies discontinue a cheaper older model so they can sell more of the new model all the time. E.g., DOS, Win 3.1, 95, 98, & NT. So if the fact that two companies (out of several major and many minor players in the market) agreed together to discontinue the old CD's makes it illegal, what does it mean when one company that has been legally determined to be a monopoly does the same thing?
  30. OT: The CEOnistas have left the bldg by jazzbotley · · Score: 1

    REMAINING U.S. CEOs MAKE A BREAK FOR IT

    Band of Roving Chief Executives Spotted Miles from Mexican Border

    San Antonio, Texas(Reuters) - Unwilling to wait for their eventual indictments, the 10,000 remaining CEOs of public U.S. companies made a break for it yesterday, heading for the Mexican border, plundering towns and villages along the way, and writing the entire rampage off as a marketing expense.

    "They came into my home, made me pay for my own TV, then double-booked the revenues," said Rachel Sanchez of Las Cruces, just north of El Paso. "Right in front of my daughters."

    Calling themselves the CEOnistas, the chief executives were first spotted last night along the Rio Grande River near Quemado, where they bought each of the town's 320 residents by borrowing against pension fund gains. By late this morning, the CEOnistas had arbitrarily inflated Quemado's population to 960, and declared a 200 percent profit for the fiscal second quarter.

    This morning, the outlaws bought the city of Waco, transferred its underperforming areas to a private partnership, and sent a bill to California for $4.5 billion.

    Law enforcement officials and disgruntled shareholders riding posse were noticeably frustrated.

    "First of all, they're very hard to find because they always stand behind their numbers, and the numbers keep shifting," said posse spokesman Dean Lewitt. "And every time we yell 'Stop in the name of the shareholders!', they refer us to investor relations. I've been on the phone all damn morning."

    "YOU'LL NEVER AUDIT ME ALIVE!" they scream. The pursuers said they have had some success, however, by preying on a common executive weakness. "Last night we caught about 24 of them by disguising one of our female officers as a CNBC anchor," said U.S. Border Patrol spokesperson Janet Lewis. "It was like moths to a flame."

    Also, teams of agents have been using high-powered listening devices to scan the plains for telltale sounds of the CEOnistas. "Most of the time we just hear leaves rustling or cattle flicking their tails," said Lewis, "but occasionally we'll pick up someone saying, 'I was totally out of the loop on that."

    Among former and current CEOs apprehended with this method were Computer Associates' Sanjay Kumar, Adelphia's John Rigas, Enron's Ken Lay, Joseph Nacchio of Qwest, Joseph Berardino of Arthur Andersen, and every Global Crossing CEO since 1997. ImClone Systems' Sam Waksal and Dennis Kozlowski of Tyco were not allowed to join the CEOnistas as they have already been indicted.

    So far, about 50 chief executives have been captured, including Martha Stewart, who was detained south of El Paso where she had cut through a barbed-wire fence at the Zaragosa border crossing off Highway 375. "She would have gotten away, but she was stopping motorists to ask for marzipan and food coloring so she could make edible snowman place settings, using the cut pieces of wire for the arms," said Border Patrol officer Jenette Cushing. "We put her in cell No. 7, because the morning sun really adds texture to the stucco walls."

    While some stragglers are believed to have successfully crossed into Mexico, Cushing said the bulk of the CEOnistas have holed themselves up at the Alamo. "No, not the fort, the car rental place at the airport," she said. "They're rotating all the tires on the minivans and accounting for each change as a sale."

    I take no credit for this ... I ripped it off from a forwarded email

  31. /.'ers dissappoint me by dustinc20 · · Score: 1

    Most /.'ers are ignorant to scream evil when a cd price goes up. Yes cd MANUFACTURING prices have gone down, but making the property that is on the cd, costs far more than any of you probably realize. The time and effort, and of course money required to make the music on a cd is so high that the record companies have to protect what they have invested. Sure some of their practices are questionable, but who are you to say how a loan company an artist chose is doing wrong? No one forced the artist to sign a record contract, they did it because they couldn't pay the fees to make a cd themselves. I'm really dissappointed in the ignorance of such an esteemed "nerd" community.

    --
    :: if you outlaw outlaws, only the.. no wait
    1. Re:/.'ers dissappoint me by Anonymous Coward · · Score: 0

      Yes it costs a lot to make the stuff that goes onto a CD, but has that gone UP? The price of a CD has gone up while the cost of manufacturing has gone down, so that means there must be something else going up. Granted it does take time and money to professionally record CD quality music, but have our technological advances in the past few years actually made it HARDER to record music?

      It doesn't matter how much money it costs, if it's not going up, it's not more expensive to make a CD.

    2. Re:/.'ers dissappoint me by dustinc20 · · Score: 1

      Well if you are a studio in the analog camp, then it has gone up as "vintage" analog equipment prices can only go up. If your in the digital camp, prices can go down but not down enough yet to where the average musician can afford it. Give me 30,000$ for a digital ProTools system and I'll retract my statement :)

      --
      :: if you outlaw outlaws, only the.. no wait
    3. Re:/.'ers dissappoint me by elflord · · Score: 1, Flamebait
      Yes it costs a lot to make the stuff that goes onto a CD, but has that gone UP?

      All prices go up, the price of paying salaries also goes up. It's called "inflation". The ignorant slashdot whiners have done a lot of whining, but posted no hard evidence that there is a rising trend in the cost of CDs relative to the cost of living.

  32. So I went to Sam Goody today by gelfling · · Score: 3, Insightful

    The average price of a CD is $19. That's right, $19. And some Phish CD's were $26. Sale items marked $17. And there is no difference whether the CD you're looking for is 14 years old or 14 days. Nineteen Bucks.

    They need to gargle sulphur in hell while their children are eaten by Rhinos. Long live musci sharing.

    1. Re:So I went to Sam Goody today by Anonymous Coward · · Score: 0

      That just goes to show that Phish is yet another group for rich kids whose parents can afford for them to dress up like hippies.

      Kinda like deadheads that way....

    2. Re:So I went to Sam Goody today by Anonymous Coward · · Score: 0

      no dipshit, the Phish CDS he's referring to are limited edition, special pressings of live concerts. They usually include a minimum of 3 CDs and are targeted to a small market, hence the higher price.

      And besides, if you don't want to buy those, then you are free (as in beer) to download plenty other Phish tunes.

    3. Re:So I went to Sam Goody today by Anonymous Coward · · Score: 0

      Absolutely. I usually go to Best Buy to get CDs. They may be an evil greedy heartless corporation, and they be uber-inconvienent compared to the mall stores, but their prices on CDs and DVDs are pretty much unbeatable. Better than Amazon even.

  33. This is NOT what people are hoping to see by peterdaly · · Score: 2

    Two music companies that joined forces to sell recordings of the opera stars known as the Three Tenors illegally fixed prices, an administrative law judge ruled.

    This is not a huge loss for anyone involved. No real impact will come of it. It sounds to me like a small slap on the wrist for two companies selling the same product at the same price as part of an agreed upon deal. Albums like this deal probably account for less than 1% of what is available on store shelves.

    Move along...nothing to see here, or at least not what you are hoping to see.

    -Pete

  34. How About These Examples? by krmt · · Score: 5, Informative

    I have an argument against price fixing. How about CD's that cost less to make?

    Wilco's new "Yankee Hotel Foxtrot" album was recorded for some incredibly cheap sum, like a few thousand dollars. Yet it's sitting there with the same price tag at Best Buy as the huge manufactured pop albums. Add this to the fact that Wilco released the entire album on the internet themselves before the CD was released, and they've still already turned a profit on the thing.

    Another example is the new Massive Attack DVD compilation of music videos. If you've seen this thing in stores, it's basically a clear plastic case with a boring looking DVD inside. That's it. No artwork or inserts. Nothing. The reason for this is that Massive wanted to keep the costs for the buyer as low as possible (they're giving profits to charity). You can go their website and download the artwork for yourself (you even have three choices of which artwork you want). But what happened when they talked to retailers? The retailers said that the DVD would be marked up to the same price as all the others on the shelves, even though it cost them a hell of a lot less to buy. The details are all on Massive Attack's site (I think in a newspost from 3d, although it might be in the forums).

    Either way, there's a lot of price fixing and gouging going on, and no matter what steps are taken by the artists themselves, short of delivering the CD's directly to fans, they can't get the retail price down.

    --

    "I may not have morals, but I have standards."

    1. Re:How About These Examples? by elflord · · Score: 2
      Wilco's new "Yankee Hotel Foxtrot" album was recorded for some incredibly cheap sum, like a few thousand dollars. Yet it's sitting there with the same price tag at Best Buy as the huge manufactured pop albums.

      There are other costs. For example, the employees at the record shop need to eat. In any case, this example is a long way from "proof" that record companies are colluding to keep prices high. Your other example just shows that the record shops are getting greedy. There could be some ominous agreement between other record companies and the record stores to keep prices of competing albums high, but one needs to make an argument to that effect.

    2. Re:How About These Examples? by moncyb · · Score: 3, Interesting

      ...short of delivering the CD's directly to fans...

      Maybe that's what CDBaby is for?

    3. Re:How About These Examples? by Buck2 · · Score: 1

      Saying that record shop employees "need to eat" is only a normal way of saying that they "expect to be paid" in a world that appears to be full of people convinced of their right to be given things.

      I can't imagine that you really think that record shops are charities for their employees.

      Personally, I could not care less if record shops went out of business if I could still be guaranteed the same eclectic collection that many of the smaller ones offer through some other distributory method.

      And many of the (rational) employees at said shops would be happier manning a post at a less difficult, but comparably paying, job if it meant that they could sample and buy music at less of a cost.

      Yes, this is all about one phrase that you used and does not really comment on the content of your post. :)

      --

      As my father lik@(munch munch)... ....
    4. Re:How About These Examples? by Stuart+Park · · Score: 1

      A while ago, I purchased a CD album released by a small independent company called 'Fax' (that had a policy of direct payments to artists without the usual recording company politics) - it was a 4-CD album but Fax wanted it to be value for money and priced it at the normal 2-CD album price. On the CD cover is printed "If you pay more than the normal Fax double-cd price for this album you are being ripped off !!!!!"

    5. Re:How About These Examples? by FatRatBastard · · Score: 2

      Notice I said This is no arguement for proof of price fix

      I didn't say that there was no price fixing. The fact that CDs are uniformly the same price (as compared to the book industry where there's a lot more variability) I think is good proof.

      My only beef was the "CDs are cheaper to make, therefor it proves price fixing." That is fundamentally wrong. The price of production is only a small fraction of the cost of bringing an album to market.

    6. Re:How About These Examples? by zube · · Score: 1

      Your example of Wilco's album only costing a few thousand dollars is completely bogus. This was not a cheap album to produce. I bet Jim O'Rourke is getting more than a few thousand dollars for his job of mixing alone.

      Even with guitarist Jay Bennett having his own studio and acting as engineer, Reprise paid Wilco to make this album, Wilco bought Yankee Hotel Foxtrot from Reprise for $50,000 (a steal). You can bet Nonesuch shelled out a bit more to get their hands on it.

  35. The corporations, not the government by Anonymous Coward · · Score: 0

    When are you libertarian-types going to figure out that the biggest threat to your liberty is not the government, but corporations?

    1. Re:The corporations, not the government by kmweber · · Score: 1

      Really?

      So Bill Gates can arrest me if I don't send my children to his schools?
      So Larry Ellison can deny me a driver's license if I refuse to be drafted at any moment to support his cause?
      So Ted Turner can hang cameras in my bedroom whenever he pleases?

      Wow...I never knew that.

      --
      "Other than that, Mrs. Lincoln, how was the play?"
    2. Re:The corporations, not the government by silentbozo · · Score: 2

      You joke about this now...

  36. Ooooooooh well. by rice_burners_suck · · Score: 1, Flamebait
    The music companies are a bunch of lousy bastards anyway. I hope they all go out of business. It might even be good for the world if new music had to be mastered, produced and marketed by the artists themselves. First of all, a lot of the bands out there couldn't even afford to do it, and they might go out and get real jobs. And since most new music sucks anyway, that wouldn't really be a problem at all. I'd say that damn near everything from 1990 onwards has sucked big time. Even Metallica! Yeah, their first four albums kicked ass, but the rest of their shit is just that: Shit! So what am I talking about? I say the government should simply shut down the RIAA and everyone involved. Just put them all out of a job. Make them sweep the streets or repair the pavement somewhere or something. That would actually be good for society. Kids wouldn't waste every penny they have on music, partly because music wouldn't cost so damn much, and partly because there'd be nothing to buy. Rap would die. Heavy metal... well, there hasn't been any good metal in years. Let me tell you something, that would be good for the whole damn economy. I'm not saying ban music... I ain't the cotton flippin taliban or something. I'm just saying, listen to the old stuff, because it had a lot of shit in it that new music doesn't have... namely skill and spirit. In other words, listen to most of the new music (especially if it involves electric guitars). What is it? It's a bunch of kids playing power chords because they don't know how to play a Gawd-damn guitar, and some of those kids have halfway-decent drummers, so it doesn't sound totally disgusting. And the lyrics are shit. So you know what? Let these assholes price fix all day long. Because in the end, I think they're a bunch of idiot bastard muthuf*ckus.

    Ooooooooooooooooh well.

    1. Re:Ooooooooh well. by dustinc20 · · Score: 1

      Yeh your right, we should elect you as the minister of music affairs, because your taste is generally suited to the american peoples. A lot of new music is crap, and yet the kids still buy it. THEIR WRONG!!! You must save them, you know whats best. On another note, screw you, I love the way a power cord sounds through MY loud amp. My lyrics mean something to me, and I dont care if you think their crap or not. Maybe you should lighten up and let people to and buy what they want, not what you think they should. My opinion of good is definatly different than yours, so screw you for saying any art is crap.

      --
      :: if you outlaw outlaws, only the.. no wait
    2. Re:Ooooooooh well. by GigsVT · · Score: 1

      THEIR WRONG

      Is this a new game, dueling morons?

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
    3. Re:Ooooooooh well. by dustinc20 · · Score: 1

      "they're wrong" either way it was sarcastic and I dont believe typing habits should be taken into account. but thanks for pointing out the spelling error, I'm sure it made you feel a lot better.

      --
      :: if you outlaw outlaws, only the.. no wait
    4. Re:Ooooooooh well. by Gooberball · · Score: 1

      Are you crazy? Everyone knows that music didn't exist before lollapalooza, other than maybe cavemen beating on logs with sticks and howling at the moon.

      The RIAA can get down on it's hands and knees and blow me while I download music all day that I will NEVER pay for.

      Moral Relativism is reality. Companies cannot be expected (on a moral level, legally it's whatever we want) to charge any less than they can get away with, nor should people be expected (again morally only) not to pay as little (or nothing) for something they want.

      So in other words, I don't want hear any bitching about stealing music.

      "Irony irony ha ha ha" --Unknown

    5. Re:Ooooooooh well. by GigsVT · · Score: 1

      Heh, don't take it personally man, I'm just joking around.

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
    6. Re:Ooooooooh well. by Anonymous Coward · · Score: 0

      I stand in AWE at this magnificent troll. WOW!

  37. Relation to lawsuits by these companies? by iabervon · · Score: 2

    It's not terribly significant by itself, but it's great ammunition for the next time they sue anyone for copyright infringement, though...

    "Your honor, the group of companies suing us has been convicted of conspiracy. That court put on them a cease and desist order which they are violating by bringing this suit. We're filing a countersuit, and move to dismiss their suit."

    Saying that your opponents are preventing you from illegal price fixing is a little tricky.

    Of course, these days the MPAA is much more of a problem than the RIAA, which seems to have largely killed their market.

    1. Re:Relation to lawsuits by these companies? by Anonymous Coward · · Score: 0

      Why would anything price-related have any bearing on a court case about copyright infringement?

      We don't yet live in that much of an 'entitlement' economy that people can steal because prices are too high.

    2. Re:Relation to lawsuits by these companies? by Anonymous Coward · · Score: 0

      I think he was reffering more to if you could place a "we're competing for distribution" angle, not a "we wanna steal them blind" angle. Challenging prices, distribution methods, etc. Wouldn't save you, but it'd be good for a laugh.

    3. Re:Relation to lawsuits by these companies? by iabervon · · Score: 2

      But copyright infringement suits aren't cases of stealing, under the law. That wouldn't make sense, because then the goal of the plaintiffs would be to get their property back. It's hardly a theft case if the prosecution presents, as evidence, the fact that the defendants offered to give back the goods for free.

      In these cases, they don't want their property back, they want money. How much money? An illegally large amount. Of course, the amount of money as sort of a vague "damages" thing, anyway, which makes it extra difficult to figure out: they say they lost $X, but they were setting prices illegally, so they deserved to lose some amount which may be less or may be more than $X.

  38. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  39. Always the little man. by Martin+Marvinski · · Score: 1

    Microsoft commits illegal actions and practically gets away with it, while if you copy software the BSA will get you.

    If you swap MP3s you are going to jail for copyright violations, but price fixing by huge corporations is OK. I'm so glad the Justice Department has their priorities strait.

    1. Re:Always the little man. by Martin+Marvinski · · Score: 1

      Show me a list of people who've been put in jail for copyright violations - I am going to bet that the list for people who trade MP3s and have gotten jail sentences is either very short or non-existent.

      Actually, copyright violations are treated very seriously. Here is a link for you: Wired

    2. Re:Always the little man. by Anonymous Coward · · Score: 0

      No, if you kite a couple of thousands dollars' worth of checks, you go to federal prison, yet the CFO for a multi-billion dollar company (which still runs much of the Internet backbone in the US, no?) will probably have to cough up a few $mills fines, maybe, because he cooked the company's books for a few billion dollars?

    3. Re:Always the little man. by shepd · · Score: 1

      >My question stands, does anyone know of anyone who is doing *jailtime* for trading MP3's?

      I knew several people who were busted for running warez BBSes back in the day. Some of them lost their houses. I'd venture a guess that many of them that hadn't the money to pay their way were thrown in a minimum security slammer for a good while.

      I don't doubt the punishment would be any less severe today. In fact, a reading of "The Hacker Crackdown" would probably show you that in the past decade, "IP Theft" (in quotes because I don't consider it theft) is now prosecuted with far more vigor and passion than ever before.

      Here's some links to whet your appetite. There's many more -- just search for "mp3 jail" or "warez jail" on google.om

      --
      If you could be told what you can see or read, then it follows that you could be told what to say or think - BoC
  40. Fighting fire with fire by Anonymous Coward · · Score: 0

    With the mass availability of pirated music and with almost 40 percent decline in CD sales, I dont blame them for trying stuff like this. I wish the government would just step out of this war.

    Think about it. The more they pull this kind of price fixing crap, the economics of the problem state that people will find alternative means to enjoy the music therefore turning to mp3's(i dont know many people who feel morally obliged to buy cds.. i dont). Therefore record companies will shoot themselves in the foot and eventually start going out business until they realize they need a new profit scheme for music.

    The only victim in this little casualtyless war is the poor people who feel obligated to buy cds due to their respect for the law. I feel sorry for em but think the goal of letting the freemarket economy destroy inefficient record companies is better for everyone.

    But maybe i'm biased since I dont even like music that much

  41. Advertisement by Anonymous Coward · · Score: 2, Funny

    1 computer - $999
    1 CD burner - $50
    1 pair of headphones - $15
    1 Portable mp3 player - $199

    Ripping off the record companies - Priceless

    for everything else, there's gnutella

    1. Re:Advertisement by Anonymous Coward · · Score: 0

      These "priceless" jokes were funny, oh, about 3 years ago.

  42. So, let me get this straight by dh003i · · Score: 2

    So, the same companies that are lecturing us about how immoral it is to trade music, are price-fixing?

    Yea, fuck that.

    Fuck their moral bullshit.

    Fuck their intellectual property.

    Fuck them.

    1. Re:So, let me get this straight by RTFA+Man · · Score: 0
      Sounds like you are rationalizing something here. Stealing music is stealing music. Trying to justify it because some record labels do bad things is quite transparent.

      Your mom told you two wrongs don't make a right. Were you listening?

  43. Price fixing? by Black+Parrot · · Score: 2, Funny


    What did they do, charge us the price for four tenors?

    --
    Sheesh, evil *and* a jerk. -- Jade
  44. Comment removed by account_deleted · · Score: 2

    Comment removed based on user account deletion

  45. Denying responsibility by mckayc · · Score: 1

    No one puts a gun to the head of the children and adults who buys BSB and Britney Spears and make the record companies their millions. If people are buying their manufactured music and they're making tons of cash, why would they stop?

    1. Re:Denying responsibility by Hadean · · Score: 2

      It's common knowledge that things that are advertised more - pushed down our throats - sell more then ones that aren't. Why do the music companies feel that Britney, N*Sync, etc. deserve more advertising then others? It may not be a gun - people still have a choice - but when knowledge of choice is limited, what do you expect to happen?

      Honestly, if - for a short test period - every artist had the same amount of advertising and special offers/rebates - i.e. none - who would honestly sell more? Britney? Maybe at first, but I'd be of the opinion that it wouldn't last long.

    2. Re:Denying responsibility by mckayc · · Score: 1

      I disagree. The reason the record companies push Britney and the BSB so much is because they appeal to their target demographs. BSB has "good-looking guys" and Britney is a good looking chick. Furthermore, their music is catchy and appeals to a wider variety of people than, say, Pink Floyd. You can't really picture a teeny bopper chilling out to Pink Floyd.

  46. Re:Jews control the music industry by Anonymous Coward · · Score: 0
    In case you didn't know, nobody here enjoys reading your bigotting, hatemonging garbage.
    I see, so there is something hatemongering about saying that Jews control media/Hollywood, which, by any list of directors/CEOs, is evidently true?

    Fox News tars every Arab with the same brush on a daily basis, and every Israeli it adorns with rose petals. I guess that's OK, though? Y'all can be racist, as long as it's a fashionable race, right?

  47. governments/corporations/"globalism" by Anonymous Coward · · Score: 0

    --actually it's *both things* in one:

    quotage from a famous fascist, benito mussolini:

    "Fascism should rightly be called Corporatism
    as it is a merge of state and corporate power."

    This is exactly what has happened today. It's the same deal. Nothing changes with these big buck fatcats, they just get smoother at faking out the rubes and sucking down stock investment money and getting their tame pols into elected office and appointed bureaucraciees. If the bribe didn't exist already they would invent it.

  48. Re:Jews control the music industry by Anonymous Coward · · Score: 0

    I am a Jew and he is basically correct. We are better businessmen.

  49. And you can as always... by Anonymous Coward · · Score: 0

    ...use the nice page http://www.majcher.com/nytview.html to preserve your privacy and fake your nytimes.com login.

    Please, we're all nuts about privacy here, stop linking to nytimes.com (do you uh...yahoo!?) or at least do it through the faker.

    Thank you.

  50. This really is significant by quintessent · · Score: 2

    Ok, enough with the 3 tenors jokes.

    This is important because it gives the FTC a rock solid example of the kind price fixing scheme that is going on throughout the industry.

    A few years ago, an FTC investigation found that the industry had set up contracts that prevented retailers from advertising CDs below a certain price level. Without competition, the price of CDs was kept artificially high.

    To anyone who has been to a record store lately, it is obvious that whatever was done to correct this has made no difference. Prices continue to float upward, while the cost of making CDs goes down.

    Meanwhile, the RIAA has poured money into campaign funds, buying votes to help them continue their abuse. Now every time I buy a CD to back up my data, I pay a tax to the artists^h^h^h^h^h^h^h record companies. The more we get disgusted and boycott them, the more statistics they claim to have showing they need more government protection.

  51. Re:Jews control the music industry by Anonymous Coward · · Score: 0

    Here is some food for thought. The Yids are ~2-3% of the American population, yet control 70-80% of the mass media. These Jews must have collectively practiced some heavy discrimination against gentiles to achieve such an overwhemling over representation.

  52. You've just said so many stupid things at once... by Anonymous Coward · · Score: 0
    that I've lost count.


    First of all, it's true that the record companies spend a little money on artists, but not that much. The average advance is about $500,000. That money is split between all members of the group, their manager(s) and their lawyer(s). Then they have to rent studio time, the record company DOES NOT pay for that. Oh yeah, they they also have to pay for their own music video too (the record company picks up the tab but they take the cost out of artist's royalties. And as for promotion, the only thing the record companies do is bribe MTV to and the radio stations to play your song, every thing else is up to the artist. And what's more, they steal copyright ownership with their recording contracts.


    Now, out of an $18 CD the local record store makes about $2 or $3, and the artist makes about $0.02, and they only get that AFTER the record company has recouped ALL of their expenses. A good portion of artists never see a fucking dime. Is that fair? Shure the record companies have taken a $500,000 gamble (maybe $1 million at most), but the artist is gambling their ENTIRE LIFE on this record. Remember that they had to quit their day jobs to write music full time and, if they fail, they'll have a tough time getting their jobs back.


    And finaly, in regards to your "fame" comment, that is utter bullshit. They earned their fame by writing music that has enriched the lives of millions of people. With out the record companies, maybe they'd only reach thousands, but let's do the math. 1,000 * $18 = $18,000. Not too shaby. Now: (1,000,000 * $0.02) - $500,000[the advance] = -$480,000. That's right NEGATIVE FOUR HUNDRED AND EIGHTY THOUSAND DOLLARS. The artist is in debt to their record company after selling A MILLION RECORDS.


    Still defend the record companies?

  53. Is the USA becoming a Communist state? by NewtonsLaw · · Score: 5, Interesting

    I thought that one of the things America prided itself on was that it was a perfect example of capitalism in action -- individuals and companies that succeed on their merits and markets where consumers benefit by fair and open competition.

    Oh dear, how things are changing.

    Now we have a few key players in a few industries (RIAA, MPAA) bribing the government to introduce *state-enforced* controls over markets and competition.

    The rights that previously protected US citizens from the excesses and over zealous actions of large corporations are gradually being eroded as things such as "fair use" under copyright law is completely wiped by legislation such as the DMCA.

    What's more, it becomes patently obvious that when industries such as the RIAA and MPAA conspire to defeat the principles of capitalism and free-market competition, the government seems interested only in slapping wrists on the one hand while handing them more power (via the DMCA) on the other.

    Shouldn't citizens be asking -- why are we allowing big business to buy-off the government?

    And, above all else, citizens should remember that governments are elected to SERVE and REPRESENT *all* citizens, not just those with big wallets.

    Go talk to your elected representitive and tell him he's not getting your vote unless he shapes up and restores the USA to its former caplitalist glory!

    1. Re:Is the USA becoming a Communist state? by kfishy · · Score: 1
      Shouldn't citizens be asking -- why are we allowing big business to buy-off the government?

      Well, correct me if I'm wrong, but isn't that what this whole "free" capitalism is about, that the government should be friendly with businesses and that big corporations (such as the record industry) be allowed to exploit innocent consumers?

      And that really doesn't relate to the story at hand anyway. I personally think the FTC has done a good judgement in this case. It could've done more, but it is still a step into the right direction.
    2. Re:Is the USA becoming a Communist state? by Anonymous Coward · · Score: 0

      You have to remember that the FTC isn't completely independent. It still has to kiss some Congressional and Presidential ass every year come budget time. They can't reach out too far because of that.

      All pigs were created equal, but some are more equal than others.

    3. Re:Is the USA becoming a Communist state? by Anonymous Coward · · Score: 0

      That is NOT how to influence your representative, express your views, say what you're worried about. If your handwriting is legible, HANDWRITE a letter, to each and every representative you have, state and federal. DO NOT waive your vote over their head, it's rude and they'll just ignore you. Enough people do that, and it's an important enough issue and they WILL vote in favor of your position, no matter HOW much money they recieved from the RIAA or whoever. It's all about the power anyway.

    4. Re:Is the USA becoming a Communist state? by slavetrade55 · · Score: 1

      "Well, correct me if I'm wrong, but isn't that what this whole "free" capitalism is about, that the government should be friendly with businesses and that big corporations (such as the record industry) be allowed to exploit innocent consumers?"

      No, "free" capitalism means non-interference by government, where the government is not permitted to make laws that favor or injur businesses. If this were real capitalism, the government would have no say in terms of what the record companies did, so long as they weren't putting a gun to consumer's heads, ordering them to buy Britney CDs. In that case there'd also be no reason for record company lobby groups to buy government officials, because by definition the officials wouldn't be able to act in their favor anyway. If the public thinks the record companies are assfucking them, then the public is *perfectly free* to hurt them by choosing not to buy the expensive trash they produce. For my part, I think making price-fixing and collusion a crime is fucking stupid; if record companies did compete dog-eat dog style, and one of them buried all the others because it became more attractive to consumers for whatever reason and made the most money and put the others out of business, then they'd be charged with antitrust violations and monopolistic practices. The fact is, people don't want real competition because that means it's possible that someone might eventually win, and they don't want multiple companies to co-exist more or less equally because that means they'd be colluding. So it's impossible to make people happy.

      We're not quite communism, but not quite capitalism either.

      --RMT

  54. Minor Correction by Anonymous Coward · · Score: 0

    OK, so the artist doesn't actualy owe that $480,000, but that still leaves them with nothing after selling a million copies of their CD.

  55. What needs to happen by Anonymous Coward · · Score: 0

    for there to be any competition is for the artist to create the CD, and then sell it to several distributors for marketing. Then it becomes a commodity subject to market forces. Otherwise, it remains under control of a single record company.

  56. Nothing will change from this case. by robkill · · Score: 4, Interesting
    The previous price-fixing case was more damaging than this one (at least at first glance on this one.) Since a record company has a monopoly on a given CD in the U.S. due to mechanical reproduction copyright, they can charge what they want to the resellers. The RIAA line on digital copyright is that they are holding out for the true value of the copyrighted content. That will be their argument here as well.


    What we need is to support more artists who are on their own label (Ani DiFranco, Christine Lavin, etc.) or who are on independent labels. The artists don't get shafted, and we get music at a better price.


    I'd like to see more artists take stands like Tom Petty did. His "Hard Promises" album (back in the LP days) was going to be retailed at $9.98, while he wanted it retailed at $8.98. If it was going to be sold at $9.98, he was going to call it "The $8.98 album". The record company caved, and hence the title "Hard Promises."

    --
    DMCA - Chilling free speech since 1998.
  57. Re:Only for the 3 tenors world cup live concert cd by homer_ca · · Score: 1

    "I guess this is price fixing but what about all the CDs that are released. Aren't they all over-priced becuase of all the record companies working together to raise prices?"

    I think the logic is that for most CDs in theory, the retailers pay wholesale and they are free to discount off the suggested retail price, but in this case the companies colluded to prevent discounting and limit advertising of these old albums (not sure how they enforced with the retailers; article doesn't say).

  58. Laugh While You Can, Monkey Boys by serutan · · Score: 2

    The music industry is certainly a wacky bunch of madcap zanies. It pains me that eventually they and their kind are pretty much going to OWN your computer, everything you put on it, and your right to put anything on it that they don't own. We lived through a golden age (the 90's), but it's end is near.

    1. Re:Laugh While You Can, Monkey Boys by PhreakOfTime · · Score: 2, Insightful

      I can almost read the words right out of Lawerence lessig's books. But Im afraid your dismal prophecy is not going to come true. If we(and by that I mean the general public) are abandoning the media of the prepackaged CD...then what makes you think anyone would sit idly by and have the music industry OWN their PC, even in an incremental way? It wont happen, and the VCR ended up not being the end of the world either. Perhaps you need to learn how the electronics of the whole thing works before you make such statements...or at least make someone elses statements...in the end its still PEOPLE who make the designs for these products, and PEOPLE will just make other 'devices' if they dont like the ones they are presented with

    2. Re:Laugh While You Can, Monkey Boys by danielrose · · Score: 0

      the end is not near you tool.

      nobody will put up with the music industry owning their computer. that is such a stupid direction to even THINK we are headed.

      --
      i hate pansy republicans
    3. Re:Laugh While You Can, Monkey Boys by Anonymous Coward · · Score: 0

      The end can't be near, even if they passed super secret the media companies can put whatever they want in hardware stupid law of the year, ALL existing equipment would be grandfathered in. Plus there's always asia, I've always wanted a career as a giant.

  59. listening booths by moncyb · · Score: 1

    As I remember the listening booths had two legal problems. First, some company had some sort of patent on them, and sued over it. Second, the RIAA / labels were in some hissy fit about getting royalties for people listening to their music--I believe that online music stores had the same problem...

    Maybe someone that remembers better can fill you in on the specifics and give you links? ...trying the old Linux hacker's trick for getting results out of the community--submit a incomplete or buggy patch and hope the community gathers together to fix the problem. ;-)

  60. It's Not Just The Record Companies by krmt · · Score: 5, Insightful

    Yes, I understand that record shop employees need to eat, but that doesn't mean that this should be happening. If the record only costs a couple thousand to make, then it can be sold overall at a lower price in order to recoup the expenses. You can still tack on the same cost for shipping and retail profit, and still have a lower cost because the entire manufacturing process is cheaper.

    This is how other products work. Lower manufacturing costs lead to lower retail cost. In both examples, there is some kind of price fixing going on.

    I never explicitly said that it was the record companies colluding, but it appears that it's the whole chain. Remember, the middleman is who gets hurt the most by people downloading music, and the middleman in this case is the record store. The fact is that both these examples demonstrate that something is going wrong and that collusion and price fixing is taking place.

    Somehow I doubt that when Massive Attack's new album comes out, if they try to do the same thing, that the SRP will be any lower than the other CD's on the shelf, and as a result, neither will the actual price. So, once again, the consumers and the artists get the shaft.

    --

    "I may not have morals, but I have standards."

    1. Re:It's Not Just The Record Companies by elflord · · Score: 2, Insightful
      Yes, I understand that record shop employees need to eat, but that doesn't mean that this should be happening. If the record only costs a couple thousand to make, then it can be sold overall at a lower price in order to recoup the expenses.

      There could be a lot of reasons why you don't get a price reduction. For example, a more uniform pricing scheme entails less administration costs. I'm not proposing this as a reason, but simply pointing out that it's not at all obvious that retailers will pass savings on to customers product for product. For example, if large record companies that produce large lines of low cost recordings, they are cheaper on the shelves (for example, some record labels sell jazz recordings at about $10 or so). In the case where savings on an isolated recording aren't passed on, I'd put it down to laziness on the part of the record store.

    2. Re:It's Not Just The Record Companies by Triv · · Score: 2

      Yes, I understand that record shop employees need to eat...

      Record sales clerks make nothing. I was one. You can have the most extensive musical education in the world, they'll still pay you nothing. Last time I checked, Tower Records paid minimum wage (5.25 an hour) and Virgin Megastore paid 7-ish. Keep in mind this is in New York City, where the cost of living is so ridiculously high it's impossible to survive on minimum wage. for instance: minimum wage at 40 hours/week after taxes is about 672 bucks a week. The absolute cheapest I've seen for a room in the outer boroughs is 300ish. Plus utilities, phone, and transport.

      I'm not arguing with you or anything, I'm just saying that since there're so many college kids in the city they can afford to pay nothing because there'll always be someone else lookin' for work.Paying employees isn't at all where their money's going.

      Triv

    3. Re:It's Not Just The Record Companies by Anonymous Coward · · Score: 0

      minimum wage at 40 hours/week after taxes is about 672 bucks a week. The absolute cheapest I've seen for a room in the outer boroughs is 300ish. Plus utilities, phone, and transport.

      Off-topic, I know, but $672 a week? Where do you get that? Multiply that by 52 weeks a year and you have $35k. You'd better check your math.

      $5.25 x 40 = $210. And that's before taxes. How anyone could survive in NYC on minimum wage is beyond me.

    4. Re:It's Not Just The Record Companies by Anonymous Coward · · Score: 0

      Oh, wait.... you probably meant monthly. Never mind. Still $672 a month, when $300 or more goes to rent alone, well... that's just scraping by, isn't it? Better man than I am, I tell ya.

  61. Anyone see a pattern here? by frovingslosh · · Score: 3

    It's just like Micro$oft; get caught, even loose a trial, and as your "punishment" you promise not to do it again. Then, of course, it's business as usual. I've lost track of how many times M$ has done this. Pretty much the entire record industry, as their punishment two years ago when they were caught in predatory practices, agreed to stop doing what they were doing, which was going to lead to lower prices. See how much they have come down?

    --
    I'm an American. I love this country and the freedoms that we used to have.
  62. A Simple Solution by TastySiliconWafers · · Score: 1

    If you don't like the RIAA, don't buy their stuff. There are a lot of really great bands on independent labels because of the economics of the music biz. They know they can make just as much or more money (and retain far more creative control) by being on a small label and touring. Shopping may not be quite as convenient because their music is often not carried by the big chain stores. It's worth the extra effort though because, unlike most of what the major labels put out, these bands don't suck.

    Some great bands on indie labels include:
    Sarge
    All Natural Lemon & Lime Flavors
    Sarah Shannon (ex-singer from Velocity Girl)
    The Dismemberment Plan
    Future Loop Foundation
    Helium
    The Poster Children
    Anna Waronker (former singer for That Dog)
    Rainer Maria
    Glade
    The Jeyds

    Some online places to shop for indie music include:
    Insound.com
    Parasol Records
    Restless Records (Golden Palominos, They Might Be Giants, Flaming Lips, etc.)
    Matador Records (Helium, Pizzicato Five, Bettie Serveert, etc.)
    FuturePopShop.com

  63. Last times penalties by Ironpoint · · Score: 1

    If you didn't hear about the penalties last time, thats because there weren't any. All the companies had to do was send out a form letter, not to price fix, and that was it. Slap on the wrist.

    Of course now I see CDs are $20, WOW! Time to stay on them this time.

    Heres the form letter they had to send out from the FTC (EMI version)

    "Dear [Recipient]:

    EMI announces several important changes in policy. All of these changes will be reflected in the new Policy Manual.

    EMI has dropped its Minimum Advertised Price ("MAP") policy effective ____, 2000. Cooperative advertising and other promotional funds will not be conditioned upon the price at which EMI product is advertised or promoted. As many of you know, the Federal Trade Commission has conducted an investigation into EMI's MAP policy. To end the investigation expeditiously and to avoid disruption to the conduct of its business, EMI has voluntarily agreed, without admitting any violation of the law, to the entry of a Consent Agreement relating to MAP and other related matters.

    EMI's customers can advertise and promote our products at any price they choose. EMI will not withhold cooperative advertising or other promotional funds on the basis of the price at which EMI product is advertised in the media or promoted in your stores. EMI may announce suggested retail prices, but retailers remain free to sell and advertise EMI product at any price they choose.
    "

  64. Re:I don't think the founding fathers would approv by glaucon · · Score: 1

    Jeffereson did not put anything into the Constitution. He was not even present at the convention, but was in Paris, as the U. S. envoy.

  65. Anybody home? by Anonymous Coward · · Score: 0

    What's going on, boy wonder? Are you falling asleep on the job, or are you just busy earning some more merit badges?

  66. He didn't need to be there, assfucker. by Anonymous Coward · · Score: 0

    Jeffereson did not put anything into the Constitution. He was not even present at the convention, but was in Paris, as the U. S. envoy.

    Perhaps you need a history lesson, my friend. Jefferson and Madison (the "master builder" of the Constitution) communicated via letters while Jefferson was in Paris. It is widely agreed upon in academic circles that Jefferson had a great deal of input into the Constitution, despite his conspicuous absence from the actual Constitutional Convention.

  67. James Hatfield? by Anonymous Coward · · Score: 0

    grunt. Peer to peer bad. Price fixing good.

  68. Not our jurisdiction? by Guppy06 · · Score: 1, Offtopic

    I have two replies to that. Take whichever one you want.

    1.) There are six flags on the moon. All of them are ours. To paraphrase Eddie Izzard, "No flags, no moon rocks."

    2.) There's a (silly) little UN treaty that says everything that isn't earth belongs to "everybody," essentially that you can take whatever raw materials you can get. Going back to the previous simplification, "No Saturn Vs, no moon rocks."

    1. Re:Not our jurisdiction? by megauni · · Score: 1

      I'll take the one which has something to do with the article! ie neither.

  69. Re:Glory to the Queen by Anonymous Coward · · Score: 0

    Mr. egg troll, my friend Jon Barrett and I are honoured by your tribute to our native country's ruler. We hope you live a life so happy and peacefull that you SPOOGE.

  70. Comment removed by account_deleted · · Score: 2

    Comment removed based on user account deletion

  71. cunts by Anonymous Coward · · Score: 0
  72. Pink by Anonymous Coward · · Score: 0

    Agreed.

    Pink is an amazing artist, as far as vocals go. However I get the impression that she wants to stick to the genera of music she's playing. If she would branch out it would be terrific. I've heard some of her folk stuff and it's terrific.

    It's a shame more artists don't put this kind of thing out on their own.

  73. Oligopoly - so what? by Anonymous Coward · · Score: 0

    "Providing more proof that the record industry is indeed a oligopoly"

    Oligopoly's aren't illegal, or even uncommon, defined as a small group of companies that control the majority of a market. That definition defines a great many. Who cares?

  74. Re:Only for the 3 tenors world cup live concert cd by innocent_white_lamb · · Score: 2, Informative

    not sure how they enforced with the retailers;

    It's my understanding that they enforce this through their co-op advertising programs. "If you sell your product at $x, then we will pay y% of your cost of advertising. If you discount your product, then we won't pay anything."

    This can be a pretty big stick when you're working on a small margin and have a large advertising requirement.

    At least, this is what I've read in the past...

    --
    If you're a zombie and you know it, bite your friend!
  75. It was a South Park reference! by Anonvmous+Coward · · Score: 0

    WTF mods? Don't you remember the South Park movie?

  76. Public Enemy et. al. by cant_get_a_good_nick · · Score: 4, Informative

    I can't steal from my old comment, Slashcode doesn't get that far back, the bastards, now I have to write with a few beers in me....

    PE had a couple new tracks, and a lot of remixes, and they wnted to put it out. They called it Bring the Noise 2000, named after their track Bring the Noise which permanently changed the direction of hip-hop/rap. Def Jam (their label) didn't want to. So PE released it as MP3s on the net, the label gave them hella shit. I actually have a copy of that before they pulled it from the web (thank you GeoCities).

    After this, PE left Def Jam (I think Def Scam was their wording) and put out an album called There's a Poison Going On, after they split from Def Jam/Columbia. They sold it from AtomicPop.com for $8 downloads, $10 if you bought the actual physical album, and that came with an autographed CD liner from Chuck D (I bought it to get the autograph). AtomicPop later imploded unfortunately, and I then see the exact same album at Virgin Megastore for $18.

    Did Virgin give Chuck and Flava Flav an extra $10 per album? (They didn't sell autographed ones, so compare to $8-9 or so.) I doubt it. I'm pretty sure the price bump was just to get it in their normal, non-sale price structure, and give R. Branson a couple extra bucks. Many artists have fought with the industry to get a what they consider normal price. I think Tom Petty actually released an album named 8.99 (or something like it) to stop the labels from boosting the price past that. The way the labels structure it, groups get cash from touring, not from record/CD sales, so groups have little incentive to sell a lot.

    Count how many elements a tape has:
    You have two plastic half-shells, two reels each with a plastic piece to hold on to the tape, the tape itself which has the tape, an oxide layer deposited on it, and two leader segments added to it, the metal and spongy piece to force good tape-head contact, and possibly astenerws (though the cheaper tapes just snap on). Contrast this with CD, with only one part, nothing moving. And the CD costs more? Ummmmmm....

  77. Mod Parent up: Informative!!! by Anonymous Coward · · Score: 0

    Very interesting

  78. Re:Jews control the music industry by Anonymous Coward · · Score: 0

    I see, so there is something hatemongering about saying that Jews control media/Hollywood, which, by any list of directors/CEOs, is evidently true?

    Yes, in fact it is hatemongering. Your efforts to create paranoid or xenophobic feelings against Jews among other Slashdotters are blatantly obvious. Your original post is a perfect example this.

    FYI, the majority of people who influence the entertainment industry are not Jewish. To name a few, there's Jack Valenti of the MPAA, who is Italian, Ted Turner of AOL Time Warner, who is Anglo-Saxon, Jean-Marie Messier of Vivendi Universal, who is French, Richard Parsons of AOL Time Warner, who is African-American, and many more.

    You also linked to Natvan.com, a site that is anti-Semitic and "white" supremacist in nature. It sells "Ethnic Cleansing", a game where the objective is to kill AI bots representing ethnic stereotypes, including Jews. If you weren't hatemongering against Jews on this board, then you wouldnt have linked to Natvan or even mentioned "Jews control the media" in the first place.

    It is my assumption that you are the same person responsible for the recent rash of "White Power", "China is Unchristian and Pagan", and other anti-government and anti-Semitic postings. From this, I can conclude that you are a hatemonger, attempt to encourage hatemongerering against non-"whites" and Jews on this board, and that you are most likely encouraged by a white supremacist group to do so. (Most likely the KKK).

    Well, you can tell your group that most, if not all Slashdotters do not enjoy your electronic version of "night riding" and are not "receptive", as Natvan would call it, to your propaganda.

    Find something else better to do than to post your racist filth here.

  79. Re:Jews control the music industry by Anonymous Coward · · Score: 0

    No, its just that Jews work extremly hard. So hard that they actually have a stereotype-that they're extemely smart, work very hard, and make a lot of money. And it's actually true, in most cases.

    I seriously doubt Jews are or have practiced discrimination against "Gentiles" for financial gain. If that happened, wouldn't Hilary Rosen, spokeswoman of the RIAA, and a Jew, put the companies involved in the RIAA out of business? Well it hasnt happened.

    Jews have been placed under more discrimination than the "gentiles" have...but wait, the "gentiles" were never actually discriminated against by the Jews. Think about Hitler, Ancient Rome's disruption of Jewish life, the exodus by the Spaniards...many facts...

  80. Nope by r2ravens · · Score: 2

    They will 'own my computer' when they pry it out of my cold, dead hands.

    And they will prevent me from keeping my own data when my neurons no longer fire (see 'cold, dead hands' reference above).

    --
    War is Peace. Freedom is Slavery. Ignorance is Strength. - George Orwell or George Bush?
  81. Not communist, more like caplitalist by oliverthered · · Score: 2

    It looks like capatilism is just reaching it's inevitable climax, where by the market is controled by large multinationals, who buy up evrything in sight. that's what happens when you have 100 years or so of capatilism.

    communist is (by the dictionary)
    "A economic system characterized by the collective ownership of property."
    or by the english dictionary
    "social system based on public ownership of most property"
    Nope-thats not wIt looks like capatilism is just reaching it's inevitable climax, where by the market is controled by large multinationals, who buy up evrything in sight. that's what happens when you have 100 years or so of capatilism.

    communist is (by the dictionary)
    "A economic system characterized by the collective ownership of property."
    or by the english dictionary
    "social system based on public ownership of most property"
    Nope-thats not what the RIAA want!!!

    capitalism(by the dictionary)
    "An economic system based on private ownership of capital."

    That's the baby,
    Looks like ameriica is becomming full-cycle capitalist.hat the RIAA want!!!

    capitalism(by the dictionary)
    "An economic system based on private ownership of capital."

    That's the baby,
    Looks like america is becomming full-cycle capitalist.

    --
    thank God the internet isn't a human right.
  82. The Ruling Record Companies by JabbaKosh · · Score: 2, Funny

    "the record industry is indeed a oligopoly" How ironic then, that they will be responsible for creating their own oligopsony. B-) (thanks to www.investorwords.com....) "These cornflakes need more Tabasco."

  83. MXPX by s.fontinalis · · Score: 1

    MXPX, a West Coast(U.S) pop/punk bands first album had a similar sticker, readin "if you paid more than $6.99 you got ripped off" What did Best Buy do?

    Put the $9.99 sticker right over it.

  84. $5.00 words by Mulletproof · · Score: 2

    oligopoly: a market situation in which each of a few producers affects but does not control the market

    While you get credit for employing an obscure, seldom used word, price fixing implies a certain (read "large" in this case) amount of control, which the record companies do wield. They do more than simply affect the market. Since Vivendi Universal and Warner Communications had exclusive control of the Three Tenors recording in question, maybe you should have stuck to the good old fasioned word

    monopoly: 1 : exclusive ownership through legal privilege, command of supply, or concerted action 2 : exclusive possession or control 3 : a commodity controlled by one party 4 : one that has a monopoly

    ~sigh~ A fool and his big words are soon parted.

    --
    You need a FREE iPod Nano
  85. Re:Jews control the music industry by Anonymous Coward · · Score: 0

    The thing about Jews which is interesting is that they are like a super-organism, i.e. a column of army ants or a flight of killer bees. Individually any given Jew is probably obnoxious, but perhaps not as sinister as one would be led to believe given their group behavior. This is like a killer bee, or termite, or army ant. An isolated individual insect of these species may be annoying but harmless. Yet as a group these insects, like the Jews, constitute a real threat. The best defense is a good offense. It is no wonder that Hitler saw fit to exterminate the Jew. I'm sure Hitler bore no animosity against any single individual Jew, but he realized that like a hive of dangerous insects, Jews as a whole should be exterminated.

  86. Re:Jews control the music industry by Anonymous Coward · · Score: 0
    So hard that they actually have a stereotype-that they're extemely smart, work very hard, and make a lot of money. And it's actually true, in most cases.
    You appear to be judging on the basis of race (racism), only for rather than against the Jew. It's nice to see a Jew at least admitting that he considers his race superior. Admitting to the problem is the first step to solving it.
    I seriously doubt Jews are or have practiced discrimination against "Gentiles" for financial gain.
    Ok, here's an example. A friend of mine used to work as a receptionist for a Jewish doctor. Anyone with a Jewish name received priority treatment. For example, files of Jewish names were kept separately, a Jew who could not afford a particular consultation would probably be seen anyway, etc.
    Think about Hitler, Ancient Rome's disruption of Jewish life, the exodus by the Spaniards
    Whine whine whine Hitler whine. Why do Jews always whine about Hitler? If you want to go on about WW2, how about going around thanking those who liberated you (mostly Gentiles) rather than whining about how many of you were killed.

    It's also nice to see you're using examples of between 50 and 2000 years ago. While I am talking about here and now, you are harping on about times well before your birth, probably "educated" to you by your Zionist parents.

    The incredibly arrogant and out-of-touch nature of your post has strengthened the point made in all parents. Congrats.

  87. That is exactly why I dtopped buying them by rebill · · Score: 1

    Rainbow's _Long Live Rock and Roll_ was released in 1978. When my casette tape finally expired two years ago, I went to buy a CD - and saw that it was being sold at the same FULL RETAIL.

    This is an album that they are not advertising, and that they have not advertised since the creation of the CD format . . . the band is long since disbanded . . . so what money are the recouping, here? Yes, there are small royalty payments that must be made, but

    • CD-Rs in my town are down to $.30 each if you buy in bulk, and you have to think that the record companies get them cheaper than that.
    • The costs of making that album were recovered by 1985 (if not earlier) - and that was 17 YEARS ago.

    Unfortunately, even though I have been voting by not spending my dollars, other people's voices have been overpowering my silence in the market.

    *sigh*.

    --

    Chivalry is not dead, it's just frequently misspelt. - M. Langley

  88. Payola by bill_mcgonigle · · Score: 2

    The record companies don't have that much influence on who becomes a star or not when all is said and done, they just have the ability to put it on the shelves and see who buys what.

    Payola

    --
    My God, it's Full of Source!
    OUTSIDE_IP=$(dig +short my.ip @outsideip.net)