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Interview with Tron Creator Steven Lisberger
NeoCode writes "AintItCool has posted an interesting interview with the Tron creator Steven Lisberger. He doesn't talk much about the sequel Tron 2.0 (because of a Disney gag order) but he reflects about the original movie with nostalgia. He talks about what influenced Tron and what Tron meant (and still does) to people. Have a read."
Guard yo grill son, dis be MY FP NIGGA!
"This world isn't yours," the man told Peter, his animosity emphatic. "We've taken it from you. Even the police fear us now, though they'd never tell you." Soft fluorescent lights illuminated the warehouse, exposing hundreds of ambiguously marked cardboard boxes and one car.
"Very soon now, we'll overthrow them and restore anarchy." Peter was shivering; he couldn't defend the world from this threat. The man's black eyes pierced his own. "You are quite intimidated, obviously. I was never your protégé, old man. You're shivering; I can see it from here." He stepped closer.
"Why, Robert?" Peter asked, his voice rising. "My Wal-Mart provided nothing to you or your organization! It never has and it never will."
"At first, my assignment was to infiltrate EZSECURE and terminate the company president. That was until I met you, of course." He stepped closer and tapped Peter's shoulder.
"No, don't hurt me!" he recoiled. "Please-"
"Scream in my face again and I'll kill you," the man cautioned. "I'll kill you slowly. Anyway, nobody would even believe your story if I did release you. You'd be guarding the mental institution. You see, when I met you, my objective became more personal. The original plan was to dispatch you with the SUV. However, I decided it'd be more impressive to confirm your beliefs and then watch the agony on your face as-"
With a deafening crash, the fluorescent lights shattered. Robert covered his ears and fell to the floor as two people descended from above. Their black clothing and automatic rifles intimidated Peter, who had retreated to the nearest corner. Spotlights illuminated the room, revealing a trail of blood that led to a closed door.
"Units fourteen and fifteen have commenced operation six-two," a man radioed as he landed. "Objective has been located; we're taking him through the roof. Rendezvous at location alpha."
"Who are you?" questioned Peter as they drew closer. The men remained silent.
Peter desperately clutched a cable hanging from the ceiling. As they ascended, shots rang out from below.
"Returning fire," radioed the soldier as he removed a grenade from his belt. "Fire in the hole!" With a click of the pin, he tossed the grenade. It erupted into a ball of flames, engulfing the contents of the warehouse. Peter looked down from far above, observing a burnt table, hundreds of boxes, and one scorched body that continued to burn...
Comment without sacrificing karma.
I work for Summex. That is my picture on the front page of the web site.
I just want everyone to know that I am gay.
I'm gay.
They really should call the sequel TROFF... or perhaps I need to get back on the medications.
Pr0n
From Tron to Babylon 5 to this.
There should be a moratorium on the use of the apostrophe.
Max V.
NeXTMail/MIME Mail welcome
I wish that they'd asked the guy who wrote the movie about fighting evil corporate intrusion countermeasures how he feels about his movie being distributed with evil corporate intrusion countermeasures.
Why do we need a sequel?
Tron was awesome because it wowed the audience with its technical advances. In these days with the Matrix and Star Wars and the like, technology isn't as thrilling. Sure, we like to see Pixar's next film, as they continually create more stunning characters and produce each sequential film is less time. That's cool. But it's not the drop-everything-OH-MY-GOD-let's-go-see-this film that Tron was.
Of course I'll go see it. I think that's a requirement of being a registered linux user, right? my point is that there are some films that had their day, still have their day, and should just be left alone. Tron is one of them.
There is no reasonable defense against an idiot with an agenda
:wq
"Remind me. What was the Bit? "
The author sure did his research didn't he?
Did he even watch the movie?
Sure, the bit was a minor element in the movie, but come on.
First he states the tron is the best, then later asks: "Remind me. What was the Bit? "
/. do a 10 questions?
not really much of a tron fan.
then its?: I know you can't talk about tron 2, so here is a bunch of questions about tron 2...
blech.
Can
The Kruger Dunning explains most post on
an interview with the goatse guy!
Eisner: What kind of consumer is he?
Ghost of Disney: He's not any kind of consumer, Eisner. He's a geek.
Eisner: A geek?!
GoD: What's the matter, Eisner? You look nervous.
Eisner: Geeks... well, I mean... geeks wrote us. A geek even wrote you!
GoD: No one geek wrote me! I'm worth millions of their geek-years!
I watched C-beams glitter in the dark near the Tannhauser gate.
I thought Bill Gates created tron and troff ... OH... sorry, I'm thinking of GWBASIC again.
Skiers and Riders -- http://www.snowjournal.com
I could be wrong but I believe it's called Tron Killer App
Did you ever feed pigs in TROFF?
Do weathermen scare you when they say low pressure TROFF?
Do hot babes TRON?
BTW, that DVD is great. The directors commentary is just flat spectacular.
-- 4 8 15 16 23 42
An Interview with Steven Lisberger - TRON 2.0 -- Prepare To Drool!!!!
Hey folks, Harry here... Our good friends at Filter Magazine, the same folks that gave us that early peek at the David Carradine interview about KILL BILL all those ages ago, have come through with a friggin fantastic interview with Steven Lisberger, which as every good geek worth their weight in styrofoam can attest, was the genius behind TRON - One of the greatest films of all time (and fuck you if you don't agree!) Ahem. Anyway, the way too lucky Kashy Khaledi landed the interview and managed to pry all sorts of stuff out of Steven - and the bits that he told Kashy off the record... I somehow sense a dinner being bought for Kashy soon... Hmmmm... Here ya go...
After the success of Disney's 20th anniversary DVD re-release, and amidst both speculation about a sequel and renewed interest for the original, Tron creator Steven Lisberger has cautiously come forward for this interview. Although I promised him that I wouldn't bring up the sequel, I couldn't resist. Since Disney has apparently enforced a gag order on Lisberger, its distributor will not appreciate any leaks about what will assuredly become one of next year's biggest sequels. Rumor has it that Jeff Bridges will reprise his role as Flynn, the insouciant video game pioneer with the knack to hack. And after our discussions about the current turmoil of tyrannical creatures from the crème de la crème of the corporate hierarchy, I find it hard to believe he won't make the issue a centerpiece in the sequel's plot, given the background of the original. Additionally, Lisberger has made it known that one of the central themes of the follow-up will involve cyberspace, some 20 years into the future. Lisberger will ultimately revisit the origins of his glowing, intra-computer megalopolis and the subsequent effect it had on computer-generated filmmaking, video game culture, and the prophetic nemesis between Bill Gates and Steve Jobs that is mirrored in the original film's plot. One thing is for certain: After talking to Lisberger off the record, he has no interest in simply rehashing the original. Prepare yourself for the return of Tron and all of its eerily accurate prophecies.
How influential were the films THX 1138 and 2001: A Space Odyssey on subjects that deal with the tyrannical nature of man, and consequently, the continuing debate of man vs. machine?
The strongest influence, in that regard, was 2001. You have to bear in mind that during that time, the '70s, or the late '70s, everyone perceived computers as the enemy. They were still mainframe. People didn't have PCs and they didn't know it could be personalized. The only thing that was being personalized was their information and it existed in a computer in that sense. In terms of the other films that were out, there was an attempt made when we were working on Tron to try to get at least as far out as 2001. THX 1138 wasn't a strong influence, but certainly Star Wars was an influence, in terms of the mythical aspects. I was trying to think of what else influenced us in terms of man vs. machine...
How about Philip K. Dick, in terms of the science fiction writers at the time that were prevalent? Was he instrumental in influencing Tron?
It really wasn't so much about the sci-fi of the past as it was the excitement of what was happening at the moment. And again, that was experienced by us exploring who was behind the technology at the time. We first started doing research on CG and video games, and then we started to meet the people who were dedicated to personal computers or computer graphics. That was really exciting, in that there was a face to the technology. These people were cutting edge. They were pioneers and that inspired the story about those people working in that world. And those people, at the time, had an attitude that their goal was to put technology into the hands of everyone. There was very much a sense that IBM was Big Brother, but we didn't know it at the time. Xerox Park was where all the research was being done. We visited that center. We didn't know that Bill Gates was writing the ultimate code to implant into the IBM system, which was then going to give birth to the PC, or at least make the PC accessible. So, at the end of Tron, when all those towers light up in the final scene, that's really what it's about. We were so idealistic. We thought that not only could the negative aspects of the technology be overcome, but that this was going to be a brave new world, and once everyone got plugged in, it would be the level of idealism needed to accomplish it. Technology, we felt, was going to be infinite. Somewhere down the line, technology became corrupted. In fact, it was very difficult to get the film companies to be interested in computers and CG. There is that great story that after we did Tron, that year, we weren't even nominated for an Academy Award for special effects. When we made an inquiry as to why that might be, they said, "Well we didn't nominate you because you cheated. You used computers." It was literally a different world back then.
When Tron had reached its peak, arcade culture had reached its peak. The games weren't exactly socially redeeming, but there wasn't carnage. Today the arcade is all but obsolete. Do you feel that the current proliferation of über home video game systems are promoting violent, anti-social behavior?
The answer to that, and I've seen it first hand, is that it's endemic of the whole culture. I have a 16-year-old son. I did everything I could to take the power away from the games, but never his access to the games. I read him a lot of really horrific Greek and Roman stories and mythology, just so he would know that video games weren't really the ones to invent all of this horror. If you can put it in a historical perspective, then it has less impact. The problem with the '60s was that we were being told that we were as far out as anyone had ever been, and the adults couldn't deal with it because it was just not true. In the 1890s, the people in that generation, the missionary generation, they had gone through all this utopia and had gotten equally far out, or even more far out. If some adult was smart enough to say, "This has all been done before," it would have taken some of the wind out of our sails, which would have been good. Instead, adults acted befuddled. The worst attitude is the "I just can't believe it" or "These kids today, why can't they be perfect like we were?" It's the job of the adults to just put it in perspective, and the kids are actually really good about that.
When you initially wrote Tron, was it too graphic? Did Disney make you go back and re-work some of the script?
No. If anything, at the time, the studio was paranoid about its reputation for being overly cute or kitsch. They were more worried about things like the Bit being too cute, or what not, in comparison to things being too violent.
Remind me. What was the Bit?
It was just a bit--the increment that we could get out of computers at the time.
The computer's equivalent to an atom?
Exactly. A zero and a one. A positive or a negative.
What were some of your favorite video games during the Tron era?
The most popular game we had on the set was Battlezone--the tank game. At the time of the live action shooting, Jeff Bridges held the record at 100,000 [points] and we were all struggling to get to that number. Then he left after the live action shooting and I kept playing through post-production for six months and my final score was somewhere around five million. So, that was interesting.
When you got together with your team of animators and made your prototype of what would actually become Tron in the film, was it almost divine?
People used to tell the Wright brothers that it was going to be impossible to fly because the human mind couldn't deal with going faster than 30 or 40 miles an hour. Intentionally, that was the quest, to try and get the best group of people together, the most talented bunch of people in one category and have everybody push the envelope together. It was sort of like an ensemble, like a band, and then out of that came something bigger than any of us had anticipated, because when the first frames came back, we were all pretty much blown away. We were the ones who were generating it and it was a problem for us--from the standpoint that the graphics at the time were capable of being so powerful, in terms of color and complexity--that we worried about burning the audience out. We worked really hard to try to make something that had the intensity that we were capable of, but at the same time could go for 75 minutes. And I think we did a pretty good job of that, considering the audience was younger and open-minded. I think that it pretty much blew the cerebellum out of a lot of people that came in thinking that computers were the enemy. At the same time, they got this avalanche of art and a bind with technology, which they never expected. People couldn't quite reconcile the fact that they were at a Disney movie.
As far as the backlight composites, is that something that you think you're going to work with again in Tron 2?
Well, no, because all of that gets done digitally nowadays. The fact is, that no movie will ever be made the way that Tron was made. As technical as it was, there was an incredible amount of hand art. We were still dealing with paint and plastic and film, and those things were all trying to meld with what the look of cyber was at the time.
Do you think it's going to be a lot easier to make Tron 2?
Yeah. I think five guys could make Tron 2 in their garage. It would look pretty much the same as the original Tron. It's just in terms of how far you want to go in pushing the envelope again.
Without getting into any details, because I know you can't talk about it, how far along are you guys with Tron 2?
There's been three scripts written and I'm pretty happy with where things are at now.
Did you write the script this time?
[I wrote] the first draft and then Richard Jeffries wrote two drafts. I worked with him on those. I'm pretty pleased with the potential of what we've got now. One other thing that is interesting now, looking back at the original Tron, is that we didn't mention that a big part of the storyline was the fact that the head of the company was corrupt. It had to do with corporate shenanigans, so in that sense...
Perfect timing.
In that sense, Tron was prophetic too.
Are you allowed to talk about cast members at all?
No. They don't want me to talk about all that stuff.
Moby's live show has a grand finale where he takes a beam of light to the head and arcs his arm in a similar fashion to the grand finale of Tron. It's an obvious Tron lift, if you will. Especially since Moby is a part of the rave culture, how do you feel about all these ravers that look at Tron as their virtual glow sticks? Are you annoyed or flattered?
Of course I'm flattered. Who wouldn't be? Anytime a work like this can go from one generation to the next, it means something. That's great. A major accomplishment. So many of the films that are being made today are going to end up in that bin at Blockbuster, where hundreds of tapes are priced at $3.99. I walk in there with my son and it's like a compost heap. And my son says, "Just think, Dad. All of these people, when they were making these movies, thought they were big shots.
What do you have to say to your new generation of fans?
You know, there is actually nostalgia attached to Tron. It was the seminal film for Generation X at the time. What it represented has just become a major part of their lives The interesting thing about the computer world and technology is that it's gone through all those phases in record time.
In 20 years!
Yeah, in 20 years. Now it's sort of firing on all cylinders at the same time and we're waiting to see a new generation embrace it and figure out a way to take it to the next step. I think that's one of things to talk about in the period we're in right now. It just seems like we're just piling manure on, hoping that something is going to sprout through this and we're going to see new directions coming. So, that's why a lot of this stuff is crashing. That's why AOL has peaked and that's why the Telecom industry is crashing. It's just time for the whole thing to come back down and be re-born through the next generation.
Will Tron 2, at least story-wise, reflect on all of the things you're talking about now, as far as corporate corruption concerned? Are you going to take it to the next level?
I can't keep talking about Tron 2. They're going to bust my chops. I mean, they'll come down on me. They've come down on me twice on that already.
Just a little more?
No.
What's with this Disney gag order? I mean, come on! I, for one, would be more inclined to spend the $10 to see the movie if I had been able to read more about it from this interview.
Why must they do that?
--
http://nemilar.net - Not your grandmother's soup kitchen
Remind me. What was the Bit? It was just a bit--the increment that we could get out of computers at the time. The computer's equivalent to an atom? Exactly. A zero and a one. A positive or a negative.
*break to Tron scene*
Peter: Eric?
Eric: Peter!
Peter: Oh my God! I haven't seen you since high school! God, what are you doing these days?
Eric: I'm the red guy!
Peter: Oh my God!
Eric: What are you doing?
Peter: I'm the green guy!
Eric: No kidding! Is that Stacy Beecham?
Peter: Where?
*cuts off and destroys Peter*
I Support Fair Use
I wonder if the MCP will be an M$MCP? - Probably not, you'd only have to wait a while, and it'd crash all on its own...no fun there....
T.
by the monitor's "radiation king" standards back then -- that's 5 inches of hairline you won't be getting back. we will just leave alone the effects on the cornea and skin cancer and the coughwastedtimecough...
My life in the land of the rising sun.
Homer: Uh...it's like...did anyone see the movie "Tron"?
Hibbert: No.
Lisa: No.
Marge: No.
Wiggum: No.
Bart: No.
Patty: No.
Wiggum: No.
Ned: No.
Selma: No.
Frink: No.
Lovejoy: No.
Wiggum: Yes. I mean -- um, I mean, no. No, heh.
-- "Treehouse of Horror VI"
Since the interview was a bit sucky, here is the official site for Tron 2.0, its got a pretty neat flash intro....worth a peek
If it's from Microsoft, no one will take the leap for a buggy 2.0 release.
Oh, yeah, it's not easy to pad these out to 120 characters.
actually, three times.
It meant a really sore neck from sitting all the way at the end of the first row because my stupid friends couldn't get their act together to get to theater on time opening night.
the major advances in civilization are processes which all but wreck the societies in which they occur - A.N. White
I just want everyone to know that I am gay.
Gosh, that's nice. And by publically announcing it, you have just ruined any and all chances you have at real career advancement or job development. I can assure you that any resume that crosses my desk with your name on it is going straight to the shredder and the same is probably true for hundreds of other hiring managers that read Slashdot.
Enjoy your "alternate lifestyle."
Anyone remember that Tron ride in Disneyland (which I believe is gone now), that was one dope ass ride, and by far the easiest one to get away with masturbat...er, I mean sex, ya.....heh....heh.....
In fact, much of the "CG" in Tron was hand-animated by some outsourced firm in Asia. The first movie to have "realistic CGI" was The Last Starfighter, with 27 minutes of CGI. Tron, except for the "light cycle" scene, did not have significant CGI.
Read this history of the field.
It was just a bit - the increment that we could get out of computers at the time.
The computer's equivalent to an atom?
Exactly. A zero and a one. A positive or a negative.
NO! The bit in Tron wasn't a bit at all! It didn't have two states, on and off, yes and no, zero and 1... it had three states: 'yes', 'no', and 'stateless'. It would sit there until Flynn asked it a question and then it would answer yes or no. That's not two states. I don't mean to be a stick-in-the-mud, but it isn't.
Now, if they would have had the bit only say 'yes' when the answer to a question was yes (or vice versa: say nothing until the answer is no), then it would have been a bit. Nothing or yes, nothing or no: they should have picked one of those.
This is just something that's been bugging me since I was like 15 or so is all. Nothing to see, move along...
-B
Ash and Hickory, straight-grained and true, make excellent bludgeons, dandy for the cudgeling of vegetarians.
The MCP controlled access to the I/O system, or tried to. It died when a program got direct access to I/O. While it seemed to have the potential for much more, it spent a lot of its time on games. It obliterated other programs by absorbing their functionality. At its core, when everything else was stripped away, it had a teletype interface. Without it, the system had a lot more power (think CPU cycles). What it feared most was a debugging tool and it was destroyed by source code. (This last bit is clearly prophetic =)
Of course, as it turns out, it's very funny.
... Anytime a work like this can go from one generation to the next, it means something ...
At the time, the whole millenialist rigamarole, with computers serving as the mark of the beast, had not permeated popular culture.
Then, in this silly movie there are computer programs which get died red in order to show their obsequious obedience to antichrist, I mean to the Master Control Program.
It's an amusing transposition - much more amusing than it was at the time (oh, the commie/atheist/roman computer programs are forcing the christian computer programs to fight in gladiatorial games,) since computers themselves have had a lot of PR as instruments of Satan since then.
Q: Moby's live show has a grand finale where he takes a beam of light to the head and arcs his arm in a similar fashion to the grand finale of Tron... A:
Moby was born in 1965. He's 38 years old. Come on.
The good and new comes from no quarter where it is looked for, and is always something different from what is expected.
The Kool-Aid Man will PUNCH YOUR CROTCH.
... when I was about 8 or so years old I saw tron - and at night I used to go to sleep praying that god would give me one of those bars that turned into the motorcycles from that one scene where they were racing in the grid (cant remember it too well now). I would awaken in the morning and look under my bed - but no magical motocycle rod was to be found. I did this for weeks after seeing that movie.
First it's Pitfall, then Tron.
What's next, an interview with the creator of parachute pants?
Well, at least he's open about it. Much worse are the people who have issues with their sexuality who vainly attempt to hide it by persecuting others. If I saw both his resume and your resume on my desk, take a guess which one would be quicker to the shredder? Here's a hint: it's yours.
Actually, its from Filter Magazine, not aintitcool.
"Of course I'm flattered. Who wouldn't be? Anytime a work like this can go from one generation to the next, it means something. That's great. A major accomplishment. So many of the films that are being made today are going to end up in that bin at Blockbuster, where hundreds of tapes are priced at $3.99. I walk in there with my son and it's like a compost heap. And my son says, "Just think, Dad. All of these people, when they were making these movies, thought they were big shots. "
Out of the mouth of babes.
BTW, that DVD is great. The directors commentary is just flat spectacular.
Is it really too much to tell us why you think it is spectacular??? Then we could make up our own minds whether it's worth getting or not. "I own this product and I think it's just great. You should own it too. The end."
GMD
watch this
"I think that's a requirement of being a registered linux user, right? "
oh crap, was I supposed to register?
every day http://en.wikipedia.org/wiki/Special:Random
Mmm hmmm. No doubt the motorcycle would have allowed you to "rescue" your mother from the perverse sexual depredations that your father continually subjected her to.
http://www.tronkillerapp.com
This happens a lot in advanced cases of child abuse and rape. Your mind is screaming at you to run away from your broken home where your mother beats you and your father beats off onto you. You needed to tell a friend or a schoolteacher, not wish for a magical motorbike to save you.
Most of you probably didn't know that one of the most effective pick-up lines is "Have you seen Tron?" It's enough to throw anyone off balance and then you can move along with, "I hear they're making a sequel."
If that doesn't work, ask about Gary Busey movies.
So is Tron 2 going to live up to the original, by sucking badly, and not make any sense to anyone except computer geeks? And then in 20 years we will all like it.
Seriously, I remember not too long ago hearing Steven Lisberger talking about how Tron "wasn't very good." It seems the new public's opinion and Disney's have somehow swayed his own.
Mod me down for being a skeptic.
Does someone pay you to be this stupid?
http://www.space.com/sciencefiction/movies/black_h ole_retrospective_000602.html
if you had forgotten about that Disney ur-classic "The Black Hole."
Heres a cool lightcylce game: glTron
ZEN is a prime number in base-36
Remind me. What was the Bit?
It was just a bit--the increment that we could get out of computers at the time.
The computer's equivalent to an atom?
Exactly. A zero and a one. A positive or a negative.
I wish I could unread that.
"Probably the toughest time in anyone's life is when you have to murder a loved one because they're the devil." -Philips
This interview just bares this out. No interviewing skills demonstrated, meandering thought processes and the general kiss-ass attitude is just overbearing. This is hardly an endorsement for Filter Magazine. Sheesh, if this is what they call content, then I'm moving my mouse over to the X button in a hurry.
XEROX as in X... er, "I'm a pedantic dweeb"
"Monolith wanted their upcoming TRON 2.0 game to be based off of the sequel, but after waiting so long they gave up "
Kinda like what happened the first time!
This is not a flame or a troll, but an expression of honest opinion. Mod as you see appropriate.
:-)
I hated Battlestar Galactica, but I thought it was much better than Tron. Understand that before you read further.
Are you ready? Okay....
Twenty years ago, Tron was not a good movie. It looked cheesey and cheap even then. The plot and storyline were so trite and unbelievable that it made Fantastic Voyage look like a good movie (and that should be impossible).
It also starred Bruce Boxleitner, one of the worst actors of any generation. Patrick Wayne is absolutely mesmerizing compared to Bruce. Christ, even David Hasselhoff is a acting god by comparison! In fact, now that I think about it, I can make the same comparison with Doug McClure...
Blade Runner came out the same year as Tron, and it is infinitely more-deserving of a sequel. It looked good then, and looks good 20 years later. Stylistically, it set a standard for SF movies that has never been equalled.
The Black Hole, another piece of drek, deserves a sequel before Tron, and The Black Hole is perhaps Disney's worst film ever.
Okay, I was 21 when Tron came out, and I suspect that many of its enthusiasts were, at the most, 12, but a bad movie is a bad movie. Watch it again and shatter your illusions, then write to the producer asking them to think again before any money is wasted on the sequel.
The Science Fiction franchise that _I_ would like to see reborn is Dr Who. Flame me if you will, but that was great Science Fiction!
Neopets - the best free game on the Int
He doesn't talk much about the sequel Tron 2.0 (because of a Disney gag order)
Ah yes, this must be one of those "stealth" marketing jobs, where they get signed agreements and/or threaten to sue anyone who so much as mentions a prospective film before its release. That way, nobody knows a damn thing about it until it comes out. I mean, we don't want to generate any buzz, develop a fan community, or leak out info that might drive potential customers mad with lust for the sequel, right? Right. I mean, it's all just so much darn work!
Where do I go to become a corporate marketing genius like the folks at Disney?
The only tool you've got against psychosis is experience.
Yeah, like you would even know my resume if you saw it. You don't even know my name. By the way, chances are that it would be ME looking at YOUR resume. I am the manager. I do the hiring. If I were looking for a job at a different place it would be somebody much more important than you screening the resume. Probably the CEO or CFO most likely.
Barry, on the other hand, has revealed the truth about himself and will likely never be hired again.
Free Traficant Now!
This should protect you one flame. I would gladly pay to see the Daleks done with a bigger budget.
Sleep is for the Weak
Armagetron, TRON, java, better java, MetaTRON, BMTron (java), and of course this
ZEN is a prime number in base-36
10:05 Article on poisoning P2P networks
10:47 Article giving free publicity to the company that commercialized CDDB
4:18 Article giving free publicity to (MPAA member) Disney for Tron and Tron 2
???
Profit.
I think you really missed the whole Tron vibe.
It was a visceral glimpse into cyberspace, 2 years before Neuromancer.
I don't think it looked cheesy and cheap so much as other worldly. Blade Runner probably did the noir vibe better than Tron did cyberspace, but who wants to do a sequel to that...not would most things pale in comparison to that, but no company will pay for product placement, given the curse of the first....
Yes the acting was bad...I cringe everytime I hear the delivery of "The best programmer Encom ever had, and he ends up playing Space Cowboy in some back room" but it wasn't about the plot or the acting so much as the world...
All those other films you mentioned...all of them were lacking one important thing...deadly looking lowslung sleek black battletanks.
SO YOU'RE GOING TO DIE: The Comic for Dealing with Death
Hey, this is Disney we're talking about here...I wonder what kind of propaganda they're going to throw into Tron justifying the Hollings crap and other rights-restrictive schemes? If Tron 2 fails, it won't be for the same reasons as the first--it'll be because Disney will make consumers feel like criminals unentitled to their fair-use rights...again.
"Do we really want Al Gore for a vice predident?! Come on, his favorite movie is "TRON" for fucks sake!"
Disney is fscking dead. Look at all of the horrible part 2 movies they Disney has released over the last few years.. Beauty and the beast 2, 102 dalmations, return to neverland, lady and the tramp 2.. dead... now tron 2.. key-ryst! Stop it!
"It's not like your minds are as open as the source you love..." - Me to the majority of Slashdot.
um, i was born in 1965 but i am only 36. how come moby gets an extra 2 years?
I used to have a better sig than this, but I got tired of it
Because it's jammed with so much cool sh*t that the typical geek will cream his pants for a week enjoying it all.
Ewwww! Well if it's packed full of fecal matter and will cause me to spontaneously ejaculate in my pants multiple times maybe I'll just skip it.
GMD
watch this
Hrm. Those haven't been that great either, recently... never mind.
Any sufficiently well-organized community is indistinguishable from Government.
The basic problem with TRON was that it was a Disney product.
This (a) inhibited the film from going too far down the adult (no, I don't mean XXX) road and filling out the story (b) turned off many people who thought that Disney=icky kids' movie (c) turned off families who'd go to see Disney=kids' entertainment films and found this wasn't it.
As happens in cases like this with time the film is regarded more on its own merits and has become a geek cult classic.
The point was taken by Disney and led to the decision to set up Touchstone Pictures, its adult film label.
The film is undoubtably flawed and doesn't reach its potential. However, at the time, when PC's were just starting to get out of the geek underground, its graphics and the premise of the story line were a ground-breaking achievement.
(Remembers seeing it in 70mm and surround sound in Leicester Square in London on first release in 1982 and being totally blown away in the way that a previous generation had been by the premiere of 2001...)
The last shot, of the sun going down over Los Angeles until the streets light up and it looks like a circuit board, for me is up there with the bone-rocket transition in Space Odyssey.
Who said Tron was good SF?
I like it because it's cheesy!
--R.J.
Electric-Escape.net
digital binary logic calls this the Hi-Z (high impedence) setting. It's not logic zero (voltage 0, voltage -5, etc.), its not logic one (voltage 5, etc.) it's hi-z.
It's a bitch but thats how the circuits are defined.
In the future, I would want to not be isolated from my friends in the Space Station.
I think The Wrath of Khan was the first movie with realistic cgi. Anywho.
I agree that Tron is a piece of crap. I guess you either love it or hate it.
A witty saying proves you are wittier than the next guy.
Consider yourself lucky if you consider Black Hole Disney's worst movie... They did quite a bit of live action stuff back in the 60s and 70s...most of which makes Black Hole look like it had excellent acting and storywriting.
I still remember being surprised that Black Hole featured violence, death, and a story in which the good guys don't "win."
Dr. Who would certainly be a great show to redo - but only if you avoid the problems the Fox movie had... Though I'd be afraid of what American writers would do the poor Doctor... I have images of him turning into a sort of ethereal Indiana Jones - punching and shooting his enemies - something that his other 9 incarnations never did.
I'd also like to see Blake's 7 redone, but fear that the witty sarcasm would have to be dumbed down, and a laugh track added so the putzes at home would know when to laugh and feel smart.
Well, as long as there is as much spandex as in the first one, I'm game!
Duh-huh, what?? The Matrix is like the soggy paper towel of movies: The more you watch it, the more it decomposes into little lint balls. The AIs use humans for power?? So, they store and feed billions of people, plus expend untold megajoules on the whole distribution system, instead of tapping the nuclear fusion plants directly? Or sending up solar satellites above the atmospheric inteference?
There exists on the face of a mechanized Earth a city which is simultaneously (a) utterly secret and camouflage yet (b) densely populated and technologically extravagant?
The humans know enough to bend the rules and make 5-mile jumps but not to escape agents?
The Matrix was the worst kind of psuedo-mystic comic-book cookie-cutter claptrap to come down the pike in many a year. Fun to watch, soemwhat, but hardly a great movie.
The Mongrel Dogs Who Teach
But wait. The Black Hole deserves a sequel first because (one must conclude) it's a better film than Tron. But it is also "Disney's worst film ever", meaning that any other Disney film is better than The Black Hole.
Yet Tron was a Disney film! So it must be better than The Black Hole, even though it has been posited to be worse than The Black Hole. You, my friend, have reasoned to a contradiction. Pffft! You disappear in a puff of mis-logic.
The Mongrel Dogs Who Teach
Bruce Boxleitner in spandex. What more do you need?
I've experiments to run, there is research to be done on the people who are still alive.
Tron was a box office bomb.
1. Make first CG movie
2. Lose Money
3. Make Sequel
4. ????
5. Profit!
Table-ized A.I.
The movie was rendered on a PDP-10 (well, a clone actually, but that doesn't matter) which had an instruction called TRON. I always thought the anti-christ-like character in the movie was so named because TRON's opcode expressed in octal, which was the convention for the PDP-10, is 666.
Anobody know if it was just a coincidence?
My main point about Tron was that many of the effects in Tron which today look like "obvious CG", weren't. All those nifty glow effects in scenes with live characters were hand animated.
I was surprised at the time that Burroughs didn't sue them for the use of the term "Master Control Program" in a derogatory way. The Burroughs MCP was a real, and quite good, operating system.
The Last Starfighter was the "Final Fantasy" of its day - good CG, miserable plot. But it was the movie that made it clear that minatures and matte paintings were on the way out. Tron was sort of "gee whiz, we can show the inside of a computer, but what else would we do this way?". The Last Starfighter was "this stuff is going to be a mainstream production tool."
A current graphics milestone: "Britney's Dance Beat" for PS2. The game sucks, but the character rendering is perhaps the best ever seen in a game.
TRON is the best geek movie!
Lets have a moment of silence for TRON...
Pixels keep you awake!
we don't want to hear about no bone-rockets
n/t
Corollary to Moore's Law: The IQ of new computer owners is declining.
Ah, I see you're a graduate of Medfield College.
From Tron to Babylon 5.
Excuse me I have *puke*
Wha'?? No mention of Wendy Carlos and the wonderful Tron soundtrack??
Alison
"It is a miracle that curiosity survives formal education." - Albert Einstein
So this will be a funny movie?
It also starred Bruce Boxleitner, one of the worst actors of any generation...
It is quite obvious Bruce Boxleitner acts well enough to be in not only film, but also, two television series, one of which won many emmys. Granted, the emmys aren't necessarily the best way to judge a TV series, but if you actually watch Babylon 5, you wouldn't see him as such a terrible actor.
I am a meat popsicle.
I'm still looking for a good one. Any out there?
Like many other useless sequels, this Can't Be Good(tm)
For me, the only thing that could salvage the effort would be Wendy Carlos doing the soundtrack again. Then at least we could listen to some kickass music
It'll probably be marketed at early/mid teenaged kids and have shite techno/dj 'gods' doing the music.
--- Do you believe in the day?
www.tron20.net/
It got me intereseted at least, even if it is full of Flash...
I think you're kinda cute.
But your comment that Blade Runner is somehow superior to Tron concerns me. Granted, Blade Runner's story was crafted by one of the greatest sci-fi authors in the 20th century. And the film adaption barely captures most of the themes of Dick's book and certainly not some of the more visionary issues (the mood organ being a great metaphor for a current state of prozac popping society). But the film looks absolutely dated today. The dreary backdrop is obviously out of touch with today's green movement as is the ridiculous notion of space travel that infected all pre-Apollo sci-fi artists. Tron is much more relevant to today than Blade Runner ever has hope to be. Let alone Ridley Scott's penchant for smoke everywhere.
Trinary exists. It's even common, in the case of "high impedance."
What's this Submit thingy do?
(* The Last Starfighter was the "Final Fantasy" of its day - good CG, miserable plot. But it was the movie that made it clear that minatures and matte paintings were on the way out. *)
My reading suggests that CG was looked down on in Holywood after Tron until Terminator II made big bucks. This seems to be the turning point. Before that, it seemed to doom films WRT profits. If GC did not equal profits, then directors avoided it. James Cameron was happy with small-scale CG from Abyss, so was willing to use more for later films such as T2, and of course Titanic. He is known for his risk-taking in general. (Titanic was considered a huge gamble and he risked his own future returns on it.)
The Last Starfighter was pretty much a break-even film, wasn't it?
Table-ized A.I.
(* Read this history of the field. [siggraph.org] *)
I read this and have been poking around on Google.
It seems the first movie to use "3D" computer graphics was FutureWorld in 1976 where a human head was allegedly shown digitized into polygons. (It was the sequel to WestWorld, where android cowboys in a theme-park turn murderous. The original used some computer processing, but not 3D renderings.)
I have never seen FutureWorld, nor could find any screenshots of the CG in it. Has anybody here seen it and have comments?
Another oddity is about CG in the original Star Wars. Some accounts said they showed wire-frame "navigation" renderings of the Death Star tunnel on some of the ship equipment, but other accounts say that such was later added and that the original had zilch computer graphics whatsoever. IOW, the accounts seem to conflict.
Table-ized A.I.
2 should feature a cyber battle between a kid and the likes of Microsoft and DMCA who want to control his computer and content.
Table-ized A.I.
It's more art novella than comic book, and the story is a weird mix of sex, violence, and religious themes. Kinda like life. I thought it was deep.
From TRON to Babylon 5. .
I guess we will have to agree to disagree. I loved Babylon 5, but one of my few misgivings about the show was that they let Bruce Boxleitner anywhere near it.
I consider Ralph Fiennes, Dame Judi Dench, Pete Postlethwaite, Jeremy Irons, Cate Blanchett, and Dame Maggie Smith to be good actors.
I consider Tom Hanks, Jackie Chan, Harrison Ford, Clint Eastwood, Arnold Schwarzenegger, and (the late) John Wayne to be non-actors, but rather familiar, reassuring presences.
I consider Bruce Boxleitner, David Hasselhoff, Patrick Wayne, (the late) Doug McClure, Lindsay Wagner, Steven Seagal, Cheryl Ladd, Chuck Norris, and Jean-Claude Van Damme to be bad actors who have inexplicably (to me) ingratiated themselves with the film-going public.
I know, it might be unfair to include the action heroes in my list, who largely have no pretension of being actors, but I include them for one simple reason: too many people fail to distinguish between an actor and a star, and the difference is relevant to this discussion.
Note that I am not claiming that actors are never stars, or vice-versa, but that the two are not necessarily (or even often) connected.
Neopets - the best free game on the Int
Nope, looks like a cool coincidence. Didn't know that one before. Here's a link about the pdp-10 clone III (Information International, Inc.) used for Tron. Supposedly it was the fastest pdp-10 system in the world.
In the great CONS chain of life, you can either be the CAR or be in the CDR.