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RIAA Unveils Net Tracking Tag for Online Sales

openbear writes "A story over at MSNBC talks about the Global Release Indentifier (GRid). It is a code akin to the Universal Product Code (UPC) bar code found on a CD or cassette tape in stores. Each track will be distributed online with an individual GRid serial number and will be reported back to rights societies and collection agencies sold or transferred."

278 comments

  1. Could this technology by Rudy+Rodarte · · Score: 5, Interesting

    ... be embedded in CD audio tracks and used to track piracy or... Used to show which versions of songs are crappy quality, RIAA Fakes, etc....

    1. Re:Could this technology by m_cuffa · · Score: 1

      possibly. But the article states that this
      is not the intended use of the technology.

    2. Re:Could this technology by Anonymous Coward · · Score: 0

      From the article:
      Jessop cautioned that GRid is not designed, nor is it intended for, keeping track of songs that wind up on online file-sharing networks, a major source of music piracy.

    3. Re:Could this technology by grub · · Score: 5, Informative

      Not likely. MP3 is a lossy compression. The "secret bits" would be at the mercy of the MP3 compression scheme rendering them useless.

      --
      Trolling is a art,
    4. Re:Could this technology by jpop32 · · Score: 2, Informative

      Not likely. MP3 is a lossy compression. The "secret bits" would be at the mercy of the MP3 compression scheme rendering them useless.

      That is if they decided to use so-last-century technique of encoding the message in the least significant bits of data. There are numerous ways of encoding the message in the most important bits of data, and without adversely affecting the usability (visual or audio quality) of the material the message is encoded in.

      I suggest some reading up of spread spectrum encoding techniques. Robust (tamper-resistant) watermarking technologies employ one or another implementation of that for a number of years now.

  2. Play, recapture audio, by Gentoo+Fan · · Score: 1

    encode to OGG/MP3. No problem.

    1. Re:Play, recapture audio, by Anonymous Coward · · Score: 0

      Assuming they will even play in your computer in the first place.

      I haven't bought an album since Metallica defiled fair use.

    2. Re:Play, recapture audio, by supun · · Score: 1

      Lossy to Lossy = crappy. You'd be taking an MP3, a lossy format, and converting once again to a lossy format, MP3 or OGG. The quality would less than the original.

      --
      :w!
    3. Re:Play, recapture audio, by jez9999 · · Score: 1

      Theoretically, if recording to the exact same format as the source file (in terms of kbit/sec and khz), shouldn't the quality be exactly identical?

    4. Re:Play, recapture audio, by ejdmoo · · Score: 1

      All other things (read: audio components, compression rate) being equal, the copy should have no loss at all, assuming it's the same algorithm. mp3 works the same every time, so the same song would sound the same.

      Either that or someone prove me wrong, because this is what I always understood about audio compression.

    5. Re:Play, recapture audio, by recursiv · · Score: 1

      That's not how lossy encoders work. Not to mention, different encoders will come up with a different result for the same source wav with the same bitrate parameters.

      --
      I used to bulls-eye womp-rats in my pants
    6. Re:Play, recapture audio, by Anonymous Coward · · Score: 0

      Additionally, if you streamrip, what can they do? Radio stations are paying for the right to play it, it is no different that recording radio music.

  3. and they intend to do this how? by inteller · · Score: 3, Funny

    and exactly what kind of file format can this tag be imbedded into? in order for it to work you have to have a transport medium. Yet another brilliant idea from the people who brought us Hillary Rosen.

    1. Re:and they intend to do this how? by RAMMS+EIN · · Score: 2, Interesting

      Unlikely they will go for a new format - that approach has failed in the past. More likely they will embed the tag in the music, inaudible to humans but detectable for computers, like is already being done for images. Of course, any tag _they_ can detect can also be detected and garbled|stripped by others, something which is likely to happen when songs are encoded as OGG Vorbis or MP3.

      --
      Please correct me if I got my facts wrong.
    2. Re:and they intend to do this how? by Thud457 · · Score: 1

      It's format agnostic -- 105 seconds of DTMF tones mixed in the song.

      --

      the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

    3. Re:and they intend to do this how? by EvilSporkMan · · Score: 1

      Oh, and that would do wonders for the quality of the recording. (DTMF tones are used in telephones for tone dialing, it's the sound the buttons make)

      --
      -insert a witty something-
    4. Re:and they intend to do this how? by Anonymous Coward · · Score: 0

      Thanks for update, Captain Obvious!

    5. Re:and they intend to do this how? by numark · · Score: 1

      Not to mention the fact that if the program you use to play the file doesn't report the global ID back to a server, that ID is worthless. All that has to be done is take an older version of Winamp et al. and voila, no way for the creator of the media to track the ID.

      --
      Want Slashdot headlines on your site? Try SlashHead
    6. Re:and they intend to do this how? by EvilSporkMan · · Score: 1

      That was obvious? I feel dumb then, since I had to look it up. >_

      --
      -insert a witty something-
  4. Which side is MSN on? by feepness · · Score: 5, Insightful

    Look at the header from the article:

    A music industry trade body launched on Monday electronic identity tags to keep tabs on Internet music sales in a bid to compensate musicians and song writers as more of their works become available online.

    If that isn't leading I don't know what is. They specifically do not mention the RIAA and are trying to portray it as compensating the poor artists as opposed to saving music industry executive's asses.

    1. Re:Which side is MSN on? by morcheeba · · Score: 2, Insightful

      Sorry, they did. 7th paragraph: International Federation of Phonographic Industry (IFPI) and Recording Industry Association of America (RIAA) have been developing the standard for the past two years.

    2. Re:Which side is MSN on? by feepness · · Score: 1

      I'm sorry I must have been a bit a unclear. I meant they were hiding the connection.

      It seems obvious from both the header and the tone of the article that they wish to minimize the connection.

    3. Re:Which side is MSN on? by Anonymous Coward · · Score: 0

      > If that isn't leading I don't know what is. They specifically do not mention the RIAA and are trying to portray it as compensating the poor artists as opposed to saving music industry executive's asses.

      I don't get your beef.

      Because it's an article (and not an editorial), it MUST use the industry's official explanation of what the tag is for. Yes, that explanation does contain the usual "help the poor artist" crap, but WTF else do you expect the music industry to say? All MSNBC is doing is just relaying the same old same old. Big whoop.

      Secondly, nobody (except you) thinks that this GRid tag will be "saving the music industry executive's asses". GRid will either be ignored by P2P, or it will be a useful tool for P2P. Either way, it sure ain't gonna save those CEOs' asses from P2P.

      Even if MSNBC wanted to be critical of the RIAA's position in its articles, this just isn't the right article to use as a launching pad. This new GRid tag is exactly as harmless as the UPC. Yawn.

  5. too much... by NudeZiggy · · Score: 1

    trouble. Really, the best way to stop music piracy is to keep releasing crappy music, no one will want it anymore, not even for free. (oh yeah, and release everything that's at least 10 years old into the public domain, that'd be real swell)

    1. Re:too much... by Lawbeefaroni · · Score: 2, Insightful

      This isn't designed to stop piracy. All it is is an inventory/sales tracking mechanism. The unique ID is generated and saved for each download of a particular song. So at the end of the month they can say song "X" had such and such amount of sales. From there they can divy up the money.

      The problem with electronic files (say MP3) as commodity isn't just piracy. A retailer could easily sell of 4 copies of a song and only report selling one. 3x free money. Or an interrupted download might be counted twice. Etc.

      You would think there is a better way, but this is what they came up with.

      --
      "When it rains, it pours." --Morton's Salt
    2. Re:too much... by AndroidCat · · Score: 2, Insightful

      What retailers? Why would they need retailers to sell electronic copies?

      --
      One line blog. I hear that they're called Twitters now.
  6. Ahhhaaa by T3kno · · Score: 4, Funny

    The G stands for Get, as in GetRid of the RIAA.

    --
    (B) + (D) + (B) + (D) = (K) + (&)
    1. Re:Ahhhaaa by IanBevan · · Score: 1

      OK, offtopic I know so mod me down if you really feel you have to, but please explain this your signature to me...

      (B) + (D) + (B) + (D) = (K) + (&)

      ??
    2. Re:Ahhhaaa by T3kno · · Score: 1

      Type it into MSN messenger, they're codes for MSN emoticons.

      --
      (B) + (D) + (B) + (D) = (K) + (&)
  7. in other news by Anonymous Coward · · Score: 5, Funny

    the code to remove the tag has already been written and is avilable for distribution.

    1. Re:in other news by loknor · · Score: 1

      This could be fun. Write a program to generate garbage mp3 files with tags for legit songs attached and then flood p2p networks with them too screw up there accounting data. Then..um

      Step 3. Profit!

      --

      me karma am bad
  8. Why Thankyou RIAA by jamesjw · · Score: 4, Funny


    Yet another reason not to buy CD's anymore!

    Not that there is much worth buying these days anyhow :)

    Wonder whats next?

    "Sir, we're happy to sell this new album to you - just piss in this specimin jar and supply a drop of blood on the application provided..."

    Jeez!

    --
    -- If at first you don't succeed, lie!
    1. Re:Why Thankyou RIAA by Anonymous Coward · · Score: 0

      I was thinking sperm sample. To speed up the process they will make available 8x10's of Rosen naked.

    2. Re:Why Thankyou RIAA by Anonymous Coward · · Score: 0

      good, fuck them, I hope it comes to that. Less and less people are going to put up with expensive shitty music with more and more controls. I would rather listen to the national conglomerate boring DJs on local radio stations talk about traffic than buy a fucking CD that the RIAA sponsered.

      Hopefully more and more people will do the same.

  9. Combined with the WinXP license... by EvilSporkMan · · Score: 1

    Great. Now will Microsoft search my hard drive for files without this tag and call the FBI?

    --
    -insert a witty something-
  10. This is news? by the_verb · · Score: 5, Insightful

    It sounds like an industry-approved ID3 field. I'm assuming this 'net barcode' would be paired with some new file format, something that weaves the ID into the music itself rather than tagging it on as an afterthought.

    I'm not sure how they plan on compensating artists with this plan, since there doesn't seem to be a *payment* mechanism. It strikes me as a first step towards 'Music Audits' in which a hard drive is scanned for the works of particular artists.

    --v

    1. Re:This is news? by Anonymous Coward · · Score: 0

      I'm not sure how they plan on compensating artists with this plan, since there doesn't seem to be a *payment* mechanism.

      The answer is simple: They will take a bigger cut of the profits from the artists by stating that it now costs more to produce the CD by implementing this new technology. Less money for the artist.

    2. Re:This is news? by leonardluen · · Score: 2, Funny

      so what happens when i alter the id3 tags and they Audit my hard drive to find i have 20,000 copies of "Hit the Road Jack"?

    3. Re:This is news? by Thing+1 · · Score: 2, Funny

      You won't come back no more no more.

      --
      I feel fantastic, and I'm still alive.
    4. Re:This is news? by moncyb · · Score: 1

      I'm not sure how they plan on compensating artists with this plan, since there doesn't seem to be a *payment* mechanism.

      IANAL, but this sounds like something to aid compulsory licensing. Title 17 Chapter 1 Section 115 c: "To be entitled to receive royalties under a compulsory license, the copyright owner must be identified in the registration or other public records of the Copyright Office." Compulsary licensing just means the broadcaster pays the money to a central organization, and the organization pays the appropriate copyright owner.

      The problem is this money is sent to the RIAA (at least that is how I understand it--I can't find the reference, but I'm sure the law said the predecessor to them--the AMA?), and they are supposed to "fairly" redistribute the money to the labels and "artists." Yeah right. The Copyright Office should be the ones to handle this.

      This system can also be used for sales outside of the scope of compulsory licensing too.

      It strikes me as a first step towards 'Music Audits' in which a hard drive is scanned for the works of particular artists.

      No, Palladium is supposed to do that (in addtion to allowing them+M$ to censor anything they want and enforce their monopolistic positions in the market).

  11. Proper terminology by cheezus_es_lard · · Score: 2, Funny

    Indentify? What, is the unique ID so that the RIAA can indenture you while you work off the money you owe from your MP3 collection?

    1. Re:Proper terminology by JivanMukti · · Score: 1

      Indentify? What, is the unique ID so that the RIAA can indenture you while you work off the money you owe from your MP3 collection?

      It's called your Social Security Number. They already own Congress. QED.

  12. Tim Russert Is My Cousin by Acidic_Diarrhea · · Score: 5, Interesting

    Did you read the article? This isn't an attempt to curb piracy. While the MSNBC article is a bit unclear as to why this needs to be done, here's what was said, "But music officials have complained that sales-tracking systems in place at the moment need to be standardised so that online sales, though small at the moment, can be better recorded." This isn't a way to put a tracker in an mp3 so the RIAA can track down the person who is distributing it but merely a way to keep track of sales.

    --
    I hate liberals. If you are a liberal, do not reply.
    1. Re:Tim Russert Is My Cousin by Anonymous Coward · · Score: 0
      This isn't an attempt to curb piracy.

      Did you believe the article?

    2. Re:Tim Russert Is My Cousin by Anonymous Coward · · Score: 0, Interesting

      Did you read it you AC fucktard? Suck my dick you fat faggot. Go have sex with your mother. Fuck a goat. Fuck you asshat. You are a fag. Make a fucking point next time you post you fucking clown. You eat shit from the anus of your father. Fuck you. You have sex with men. You will get AIDS.

    3. Re:Tim Russert Is My Cousin by AndroidCat · · Score: 1
      but merely a way to keep track of sales

      Why would they need to tag the files to track sales?

      Take credit card number
      Person downloads file
      Confirm transaction
      Sales++
      Profit!

      So each copy is going to have a unique tag? That sounds more like a method to track sold copies rather than sales.

      --
      One line blog. I hear that they're called Twitters now.
    4. Re:Tim Russert Is My Cousin by MrLint · · Score: 1

      Its not an attempt to curb piracy *now* or so they say. If they are going to put data in the files similar to a barcode for tracking purposes, what makes anyone think they will stop there and not just add an identifer for the transaction number you bought the song with? Thing is it this going to be a simple issue of tackingon data, ot they are gonna 'watermark' the digital data, not to cause damage but just to track. If 'hidden data' is the method, what happens whenyou transcode the music?

    5. Re:Tim Russert Is My Cousin by Greedo · · Score: 2, Interesting

      This isn't a way to put a tracker in an mp3 so the RIAA can track down the person who is distributing it but merely a way to keep track of sales.

      You buy a song online, and the reseller tacks a Global Release Indentifier onto your MP3.

      When the RIAA finds your file floating around the global P2P networks, they will read the ID, use it to identify you, and then release the DCMA on your ass.

      If you think otherwise, you need to remove the tin-foil hat.

      --
      Tuus crepidae innexilis sunt.
    6. Re:Tim Russert Is My Cousin by The_K4 · · Score: 2, Insightful

      Yeah but how long will it take someone too compare a couple of files that differ by onyl the Global Release Indentifier and write a 300KB program that strips out the unique number and replaces it with random garbage? Then if some gets told they a file sold to them appears they just have to point out that someone else took a copy ran this utility and it put in their number. Problem solved, unless the RIAA can PROVE that it is their file, then the perosn isn't guilty.

    7. Re:Tim Russert Is My Cousin by arkanes · · Score: 1

      I don't actually see anything in the article that explicitly says it's IN the file - if, instead, it's just a serial number specifying a particular track (much like the IDs that identify CDs, used by CDDB), then it's an obvious, standardized way for outlets and streaming stations to report usage to whatever the name of that organization that pretends to pay royalties to artists is. On the other hand, if they specify that it is to be included in the file, it makes it easy to spot check web stations for licensing - if the GRId isn't in the stream header, then it's not a licensed stream. It could theoretically track the spread on p2p networks, but if, as I suspect, it's per track and not per retailer then it's useless for that, and it'd be trivially defeated by any real pirate anyway.

    8. Re:Tim Russert Is My Cousin by lucas_gonze · · Score: 3, Informative

      The article contradicts the spec, which clearly states that at least part of the purpose is to put a tracker in MP3s.

      From the spec at:
      http://www.cidf.org/japanese/english/docs/gen /cidf -gen-en-79.pdf
      "This Identifier can also be used for usage surveillance services called Net-Police, which uses web spider to search out sites that might potentially be infringing content."

      The pdf at that URL is *much* better documentation than the news article.

    9. Re:Tim Russert Is My Cousin by Jason+Scott · · Score: 1

      Sorry, but I can't resist but point out that it's usually the case that you put on the tinfoil hat if you're paranoid (to keep out "their" radio waves) and take it off if you're trusting, unconcerned or otherwise "gullible" (in the opinion of the person with the tinfoil hat).

      Of course, maybe you mean to take off the tinfoil hat so "they" can't find you in a crowd. Very sly.....

    10. Re:Tim Russert Is My Cousin by Greedo · · Score: 1

      You know, I spent a good 5 minutes trying to decide on how to phrase my tin-foil hat comment, hoping someone wouldn't point this out. Damn, you got me!

      Everything you said I know to be true, but if I had said "put on a tinfoil hat" instead, it would've implied that I was wearing one too, which isn't the flattering picture I wanted to paint for myself!

      Of course, assuming that a company would use "sales tracking" IDs to track individual files back to the original owner is a paranoid thought. However, based on the general opinion of the RIAA, it's probably a mainstream paranoia ... so we can all take our hats off. :)

      --
      Tuus crepidae innexilis sunt.
    11. Re:Tim Russert Is My Cousin by Anonymous Coward · · Score: 0
      I all total bizarreness I got to meta moderate the flamebait on this post and I wrote the AC he hates so much. Makes my week.

      The point is, the article is fully of BS, you can't use it as support for a claim. It's RIAA propaganda. Clearly tracking of downloads will be used to track abuse on P2P networks.

      Just for the record, I'm married and don't cheat. I'm not sure if the goat would be cheating, but I'm pretty sure my parents don't want to have sex with me. I'm already know I'm an asshole, but don't know what an asshat is. I have friends with aids, but don't plan to fuck them. Sorry.

    12. Re:Tim Russert Is My Cousin by Anonymous Coward · · Score: 0
      I don't know if you really are the AC who replied to my AC, but I know Slashback will not tell you I replied, so I'm putting this link here.

      BTW, I'm on your friend list. The irony.

  13. firewall. by Kewjoe · · Score: 5, Insightful

    and thats why having a nice firewall that blocks programs from outbound transmission is crucial.

  14. Steganography? by Nathan+Ramella · · Score: 2, Funny
    They should just have the artist repeating a watermark chorus.

    "This mp3 was stolen.
    This mp3 was stolen.
    This mp3 was stolen.
    This mp3 was stolen... and she loves me!"

    --
    http://www.remix.net/
  15. Bad Journalism 101 by burgburgburg · · Score: 5, Insightful
    industry that is reeling from lost sales compounded by a slumping global economy and the growth in online music piracy.

    Industry "fact sheets" make reporting so much easier. Now I have time for another nap.

    1. Re:Bad Journalism 101 by Stanl · · Score: 4, Insightful

      You couldn't be more correct. The music industry and it's partners consistently disseminate its news releases with prepackaged quotes, phone numbers of "friendly" experts and hand-selected excerpts from related technical and legal documents to make writing these types of stories "easier" for the press. It saves the writers time from having to do indepth interviews and actually reading up on what they are writing about. My news writing professor is spinning in his grave.

    2. Re:Bad Journalism 101 by krb · · Score: 1

      actually, they *are* reeling from lost sales, and the global economy and online music piracy do "compound" that problem. they didn't say "caused by"...

      you may believe that online piracy has a minimal effect, or a positive one (fwiw, i think it's the former) but it's not a non-issue, and it'd be just as wrong for the journalists to not mention it.

      now, if they were *really* on top of their shit, they would've spared a sentence for "Some critics believe that homogeniety and overpricing are at the heart of the reduced sales of music." That would be nice, but they said nothing that was outright wrong.

      --
    3. Re:Bad Journalism 101 by Lodragandraoidh · · Score: 1

      An error of ommission is still an error.

      Writing is about finding the truth and expressing it as directly as possible. Any other form of writing makes me question the motivations of the people doing the writing.

      --

      Lodragan Draoidh
      The more you explain it, the more I don't understand it. - Mark Twain
  16. It's totally different from a UPC by morcheeba · · Score: 5, Interesting

    The article seems to get the basic premise of this wrong. A UPC code describes only the product; the buyer is still anonymous. The only reason a reseller would have to buy millions of GRid's would be if each track sold was unique (as opposed to each type of song sold). Either the RIAA's layers did a good job of fooling Reuters, or they just didn't understand the implications of this... and the implications are exactly what they deny-- that songs bought on the internet could be tracked to the buyer if they ever end up being shared.

    1. Re:It's totally different from a UPC by Basilius · · Score: 1
      And, you know, I have no problem with this. If:
      1. The price per song is reasonable ($0.50US or less).
      2. I've got complete freedom to make as many backups as I wish, copy onto portable players, etc.
      3. I still have the option to purchase full-quality copies of music I really like and use the money I've already paid as a discount.
      If they can implement that, I might actually think about buying reasonable amounts of music again. For now, I only support my favorite bands and don't experiment much.
    2. Re:It's totally different from a UPC by the_quark · · Score: 4, Informative
      No, this is a legitimate issue. I was VP of Technology for EMusic prior to their purchase by Universal. We licensed our MP3s to other resellers. We had at least 125,000 tracks when I left.


      We tried to use actual UPCs, but they are only 12 digits. 6 Are the manufacturer ID, 1 is the classs of the item and 1 is a checksum. That only leaves 4 digits for the SKU - only about 10,000 items. We called UCC (the UPC equivilant of ICANN) and asked for 400,000 numbers, because we figured that would cover something like 90% of the music sold in the US. UCC said, "You realize, if you have a bin of screws, you don't put an individual UPC on every screw, you just assign a number to the bin, right?" We explained that we knew that, and that we really did expect to have 400,000 individual, unique items for sale. They said, "We don't think UPC is the solution for you." So we made up our own SKUs, and gave those to our licensees.


      Remember that you need one for the album and one for each song - an an average of 13 per album. Every format you provide that in gives you another set of numbers. So, for example, if EMusic wanted to license its 150,000 song catalog in 128kbps MP3, 256kpbs MP3 and Windows Media, in songs and albums, it'd need nearly 500,000 numbers. And EMusic isn't very big, in music terms. If they need half a million, it's very easy to imagine someone really big might need millions. As all programmers know, you should figure out what the maximum amount you could every possibly need and then increase it by at least an order of magnitude. ;) If we'd hit our goal of 400,000 songs, that would've been 1.3 million in the above formats.

    3. Re:It's totally different from a UPC by jeremiahstanley · · Score: 2, Interesting

      Given that you'd have to download them you can modify the file on the way out to be a hash of your user id, address, etc AND the song information. This hash does not have to be one way either. This could be encoded onto the file in the form of a watermark. RIAA, if they wanted to, could even impose that you would have to know a secret key to be able to play the file as well (this requires support from the OS, or software). I'm sure at some point RIAA will try some scheme like the MPAA has on DVD encryption.

      This way RIAA/whomever can see who "owns" that track in both senses. Who gets paid for it, and who paid for it.

    4. Re:It's totally different from a UPC by morcheeba · · Score: 2

      Thanks - that's a good analysis; I didn't realize that the number could be so high. But I still worry....

      The aim is to track each time a record label, online retailer or distributor such as Microsoft's (NASDAQ:MSFT) MSN or Italian Internet service provider Tiscali (MI:TIS) sells a song in the form of a Web stream or download. (emphasis mine)

      It's still tracking each sale, and by extension, each buyer. Also, they are charged for their ID's annually... that's either the licensing model (fixed number of ID's, yearly cost), or they expect to sell millions of ID's per year (which I'm not sure the music industry puts out millions of songs/format combinations per year).

    5. Re:It's totally different from a UPC by the_quark · · Score: 3, Interesting

      Inserting per-purchase tracking info into songs is something to worry about. But I don't think this is necessary for them to do so. The $250/year is comparable to what UCC charges for UPCs - they've just moved to an annual fee structure, and it runs $150 - $9,000 depending how many numbers you need. In fact, on a per-number basis, the RIAA is probably a lot cheaper.

      Also, it's worth noting that I doubt they'll "sell millions of IDs per year." The design of IDs like this aren't that the merchant makes them - merchants will get the numbers from the record companies. The RIAA will tell a record company or destributor, "Your prefix is 12345" and this is a 16-digit number, you can make up everything after 12345." The record company or distributor will tell the merchant, "every time you sell this song, put a tick mark next to 1234567890123456 and tell us once a quarter how many you sold." This makes merchant's lives easier because they have unique identifiers for everything in thier system, and it makes it a lot easier to do stuff like figure out top-40 rankings across multiple distributors since everything has a unique string.

      If this seems to contradict anything I said in my previous post, please remember that EMusic is unusual in this model - they are a retailer, but, under the covers, they're a music distributor. They license the music they have from artists, and have the ability to re-license it to others. So, in that sense, they're more like a distribution company, and need their own UPCs (or GRips or whatever). When people like Tower think about doing downloadable music, they'll still need a license (that's the law) but they're not thinking redistribution, so they'll be getting this magic number from the licensor.

      Again, bottom line, I think that imbedding a unique tag in songs is something some people would like to do, and it's something to keep our eyes open for. But I don't believe this is to do anything except literally to be an online UPC - to give each unique type of item a globally unique identifier. Certainly anyone selling downloadable music could imbed a unique transaction cookie now. Numbers are cheap, you don't have to pay the RIAA to give them to you. Anyone wanting to track individual downloable sales now could put a unique 128-bit cookie into a song and sleep well knowing there'd never be a collision.

    6. Re:It's totally different from a UPC by Anonymous Coward · · Score: 0

      Huh. I don't get it. If you can use your own numbering system then the size of the numbers shouldn't be an issue.

      In MP3s, just using a kilobyte for the 20-30 bytes or so will give you 2^(8*20-30) numbers which you could randomly generate per track sold and have almost zero probability of two ever being the same.

    7. Re:It's totally different from a UPC by nicotinix · · Score: 1

      Hey, why not ask Microsoft for their 624 digit product id on the back of the cd. with that, there should be a unique number for every freakin' particle in the universe.

    8. Re:It's totally different from a UPC by alkali · · Score: 2, Insightful

      It still wouldn't be a good idea. Even if I were very careful not to make any unauthorized copies of material myself, it would be too dangerous to have it around. Suppose I leave my iPod out while I go to the restroom: some joker copies a file while I'm gone, and two weeks later I get a call from the RIAA informing me that the reason no one is buying Britney's new single is that everyone is p2p-ing my copy, and would I mind paying them $2 million. Too dangerous for my tastes, thanks.

    9. Re:It's totally different from a UPC by cyril3 · · Score: 1
      It's still tracking each sale, and by extension, each buyer.

      It would only be by extension, each buyer if the GRid had a field for a buyer id. It would defeat the purpose of having a single tag for counting sales if they then had to tie the buyer to the file by looking in two different places ie the tag and the issuers sales database in whatever format that is.

      So until there is some change in the tag definition it's hard to be concerned.

      And I can't see any privacy law allowing a retailer to place personally identifying information on a file that could be viewed by all and sundry. At least without very explicit agreement at some point in the process.

      I'm not sure the music industry puts out millions of songs/format combinations per year

      That's what they said about ipv4.

    10. Re:It's totally different from a UPC by TheFlamingoKing · · Score: 1
      You have Britney's new single on your iPod?? Oh man!

      Could I have a copy?

    11. Re:It's totally different from a UPC by symbolic · · Score: 1

      Either the RIAA's layers did a good job of fooling Reuters, or they just didn't understand the implications of this... and the implications are exactly what they deny-- that songs bought on the internet could be tracked to the buyer if they ever end up being shared.

      I really don't see this as anything too different than Microsoft's Trusted Computing initiative. The marketspeak would have the consumer believe that it was their security that was being protected, while in reality, it was to protect the security of those who hold the copyright to the software on the computer. Now that the media has exposed this sleight-of-hand, Microsoft has refactored the market spin, and is now pushing it under a new name. I wonder how long it will take the RIAA.

    12. Re:It's totally different from a UPC by Alsee · · Score: 1

      No, this is a legitimate issue.

      No it isn't. You go on to defend GRid by describing a perfectly reasonable UPC-type system that has no resemblence to GRid. I assume you simply haven't looked closely enough at GRid to fully understand it. Either that, or you're asto-turfing :)

      From the article:
      The aim is to track each time [anyone] sells a song
      This is to track individual sales.

      Each track will be distributed with an individual GRid serial number
      Each file sold gets a unique ID tag.

      it will be reported back to rights societies
      The retailer MUST report the details of your purchase to the RIAA.

      Jessop cautioned that GRid is not designed, nor is it intended for, keeping track of songs that wind up on online file-sharing networks, a major source of music piracy.
      This is a flat-out lie and I will proove it in the paragraph after this one. They are playing games denying the "intent of the design", just like they are doing with TCPA. The fact that it does exactly what they designed and intended it to do is supposedly a coincidence. And my proof...

      The RIAA press release for GRid:
      The design of this new system will build on existing practices as far as practicable and incorporate features that support the range of sale, licensing and tracking activities that will be vital in future on-line music commerce.
      The design incorporate[s] features that support tracking activities. Mr Jessop lied when he said GRid was not designed or intended for file tracking.

      Cary Sherman senior executive vice president and general counsel of RIAA. "An effective identification system for digital files, that is capable of specifying each unique sound recording, in all its forms, is a key element of this infrastructure."
      The key element is to identify each file sold. "in all its forms" means they can track it even if you convert it to OGG or any other format. The ID will be embeded in a watermark or it will be locked to the file using TCPA.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    13. Re:It's totally different from a UPC by the_quark · · Score: 1

      Believe me, I'm not astroturfing. You may disagree with me, but I'm no shill for the record companies. EMusic sided with the RIAA on issues where we thought they were basically correct (i.e., straightforward copyright) and fought them hard when we thought they were wrong (i.e., we filed an amicus brief on Diamond's side in the Rio case). EMusic never joined the RIAA, and the executives while I was there (including myself) were active in causes like the EFF, and opposing the anti-circumvention aspects of the DMCA. I should probably also take this opportunity to reiterate that I no longer work for EMusic. In fact, I'm not involved in the music business in any way at this time, and don't expect to be involved with it directly again in the future. God willing. :)

      I'll certainly admit, when I wrote my response, I'd only read the Reuters article. I've now read the
      bit of documentation the IFPI has put up, and I remain confident that this is intended to be a UPC-like system, not some centralized tracking of who purchased what. The GRid number looks like: A1-123AB-ABC1234567-X. The A1 is always "A1," it means it's a GRid and not something else. The 123AB is the unique ID for each record company, distributor or retailer. The ABC1234567 is the thing which defines the "release." The X is a checksum (although why such is necessary in an online-only number is unclear to me).

      The section which is presumably causing everyone to think this is a tracking system is the long one, the "IP Bundle Number." If this were for tracking, I think there would be one field to identify the transaction, and one to identify the underlying recording. If this is for individual tracking, it is useless for centralized tracking of what songs are being swapped.

      I believe that you are interpreting the quotes above in the worst possible context. When Mr. Jessop speaks of "sale, licensing and tracking activities," I believe what he means is, "we license this recording to a distributor and we need to have a centralized way to track how many are sold," not "...a centralized way to track who they were sold to."

      They don't need GRid to watermark songs uniquely. As I said, they could just stick a big number in the track. Frankly, the little bit of dabbling in downloadable music the majors have done - all with DRM crap no one wants, which is why no one buys it - generally have already have individual tracking built in, intrinsically. PressPlay, for example, the service from Universal and Sony that people are staying away from in droves, encrypts the music to a key on your system. I don't know for sure, but it's difficult for me to imagine that, given such a file, PressPlay couldn't figure out who it was sold to.

      Are they building that info into a watermark, too? Sure, they might be. Who knows? Should we be concerned about that? Absolutely, again with the proviso that no one is buying their downloadable music anyway, since it's such a pain - it's nonportable and you're stuck with their software. But they don't need GRid to track individual purchases - they're doing that, already. They need GRid to easily aggregate purchase tracking. Which isn't very scary to me.

    14. Re:It's totally different from a UPC by Anonymous Coward · · Score: 0

      Hey the_quark,

      If you are who you say you are, thank you for EMusic. It was a great service until the takeover.

      I may try it again someday if they ever get their shit together.

    15. Re:It's totally different from a UPC by reallocate · · Score: 1

      Seems to me a file could be tracked to a specific buyer only if each track carried a unique ID that mapped to that buyer. E.g., Track One of some new CD is sold one million times to one million different customers. Unless they generate one million unique ID's, the files cannot be traced to the original buyer. I don't see that in the article.

      --
      -- Slashdot: When Public Access TV Says "No"
    16. Re:It's totally different from a UPC by Alsee · · Score: 1

      Believe me, I'm not astroturfing.

      I put a :) after the astroturf comment. I assumed it far more likely to be a lack of information problem. That was a good link on GRid you had, it didn't come up in my searches.

      Based on your link each "reseller" gets a 10 character "bundle". Each character can have any of 34 values. That means each reseller is allocated 2,064,377,754,059,776 ID codes.

      From the IFPI GRid press release:
      One identifier gives any individual company using the system the potential to allocate codes for in excess of 30 million different releases.

      Each issuer gets 2 quadrillion ID's for something like 30 million products. That's over 60 million ID's per product. That makes no sense unless every sale gets a unique ID. And if any reseller ever sells more then 60 million copies of one product he can always allocate extra product codes to it.

      *Could* GRid be used as a fancy UPC? Of course, but that's kinda like building a 3 mile runway capable of landing the space shuttle and claiming it was designed for private propeller aircraft.

      If this were for tracking, I think there would be one field to identify the transaction, and one to identify the underlying recording.

      Each retailer has 10 characters to play with, more than enough to hold a product field plus a transaction field. Maybe 5 characters for each.

      useless for centralized tracking of what songs are being swapped.

      Why? As far as I can tell it is perfect for the job.

      They don't need GRid to watermark songs uniquely.

      True...

      As I said, they could just stick a big number in the track.

      and the GRid is a perfect fit as that "big number".

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    17. Re:It's totally different from a UPC by the_quark · · Score: 1

      We're reaching the end of any useful information either of us might have on this, I suspect. The size of the ID field doesn't make me suspicious in and of itself. Numbers are cheap, especially numbers the customer doesn't have to punch in. If there has been one lesson we've seen over and over again in the computer industry, it's that arbitrary limits tend to be eventually overflowed, so it makes sense to make ridiculously large systems. It may also be that an unstated design goal is to allow organizations to "waste" big chunks of it - for example, Sony might want the first four digits of its codes to be SONY so it'd be obvious whose albums it is. That seriously degrades the namespace. You could see similar idea for having sub-divisions, record labels, genres, etc. within a company be assigned their own namespaces. This would allow a major label to distribute the allocation of number to their subsidiaries and not need to control it centrally, but doing this to any level would significantly reduce the numbers available to any one subsidiary.

      When I said GRid is "useless" for centralized tracking, I may have overstated, a bit. But, my point was, if you want to centrally track downloads based on some key, it would make sense to give each song (not each sale) some unique number. Then you'd just have to look up in a database of 400,000 IDs. If you give each sale a unique ID, and the whole ~900 million-unit US CD market went online, you'd have to look up against an additional 10 billion items per year.

      If I were trying to design a system that would both function as a UPC and track individual sales, I'd've put a seperate field for track identifier and sale identifier.

      Now, it is true that any label could arbitrarily decide that "the last five digits are a transaction code." But, I think, in this case, the thing borders on not being big enough. If you make it five digits each for the transaction ID and the track ID, that's only 4.5 million, each. There are certainly albums that sell more than 4.5 million copies. But, if you make it six and four, respectively, that makes the transaction ID space big enough, but you can't have more than 1.3 million items in your catelog, which is certainly within an order of magnitude of the biggest catelogs out there. If this system were designed to track albums and transactions in an easily parsable way, I'd expect this field to be more like 16 digits - and why not make it bigger? Numbers, as I've said, are cheap.

      Additionally, if a label makes this arbitrary decision, that means that only the label can track the items out there. I'd think it would be desirable to make it easy for third parties to report pirated music, and if you were designing such a system, you'd want to make it what information was the same for every song and what information was different for every sale.

      Anyway, bottom line, I agree with you that the record labels want to do this. In fact, I think they already do, for the limited, lame downloadable offerings they have. If that
      annoys you, you should be annoyed about that, not about GRid. GRid seems to me to be less than ideally designed to solve the individual sales tracking problem, and definitely does solve the UPC problem. If GRid is for tracking individual sales, it doesn't let them do anything they're not doing, already.

      PS: There is one other point that has occured to me - this may be a distraction. They may very quietly announce GRid 2.0 in six months that will be well-designed to track individual sales, and figure no one will notice. That'll be interesting to keep an eye on.

    18. Re:It's totally different from a UPC by Alsee · · Score: 1

      We're reaching the end of any useful information either of us might have on this

      Agreed. When I said it was "a lack of information problem" I was trying to say we both had a lack of information, but I guess I didn't fully verbalize it. (What the heck is the text equivalent of "verbalize"???) I don't know how they WILL use it, but I know how they CAN use it.

      If you make it five digits each for the transaction ID and the track ID, that's only 4.5 million, each.

      Pull out your calculator and recheck that math. Don't worry, I'll wait :)

      No cheating! Chuckle. You have to go get your calculator and check 34^5 before reading any further.

      Now try to tell me the system can't work perfectly for both UPC and customer tracking purposes at the same time. Generally any third party handling a GRid would just look up the issuer code and talk to the issuer. Any look up within the bundle would be handled by that issuer. The issuer would have no trouble treating the bundle as two seperate fields. With 45 million catalog slots he can simply dedicate additional slots to a product for each 45 million sales. Or he could just dedicate 17 slots (772 million sales) to each of 2.67 million products.

      it would be desirable to make it easy for third parties to report pirated music

      The third party simply reports the entire GRid to the issuer. Only the issuer has the records necessary to identify the customer.

      The size of the ID field doesn't make me suspicious in and of itself.

      True, but (IMO) the RIAA has earned a certain level of general suspicion. They have a habit of doing one thing and claiming something else. I look at what they are doing rather than what they claim they are doing.

      After listening to the claims for TCPA and and thoroughly studying how it really works and reading the design specifications maybe I've become a bit paranoid about certain claims of design intent :D. There is a minor design change to TCPA that could preserve every claimed benefit to the owner of a TCPA machine while eliminating every reason to oppose TCPA. They will never allow that change because the true intent of TCPA is DRM.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    19. Re:It's totally different from a UPC by the_quark · · Score: 1

      OK, so it's 45 million, not 4.5 million. And I did use a calculator, I just didn't count the digits, properly. You can decide if that's worse than simply guessing wrong. :) Which does give a bit more room, but still, if I were designing it for that, I'd give more wiggle room.

      Anyway, I think you already know that I'm not saying the RIAA has our best interest at heart. I just think they're already tracking this stuff, anyway, and I know I wish I'd had GRid back at EMusic, and I wasn't trying to track individual tracks. Even though ours were MP3s and actually would be downloaded and traded, unlike their DRM stuff. ;)

  17. Don't any of you fools read the article? by Samurai+Cat! · · Score: 3, Insightful

    "Jessop cautioned that GRid is not designed, nor is it intended for, keeping track of songs that wind up on online file-sharing networks, a major source of music piracy."

    All this is is a way to track online sales of individual tracks. Nothing to do with CDs, P2P, etc.

    --

    "People" using "unnecessary" quotes should be "shot".
    1. Re:Don't any of you fools read the article? by Anonymous Coward · · Score: 0

      ... track online uh?
      If that's the case, horray!! Now we instead of searching for "Dead Can Dance" or "Rakim," just search kazzaa for A5FD3302C96.

      I'm all for that.

      Seriously. You think the RIAA is that stupid? It takes a half-brained programmer to write a database client to get these info. Not like there are millions of online CD sellers or anything.

  18. Yeah right! by T-Kir · · Score: 1

    in a bid to compensate musicians and song writers as more of their works become available online

    Oh wow! They're expressing concern that the money goes to the artists... did I miss something here?

    More like they want to be able to track exactly how much is due to them, while still screwing the artists concerned... funnily enough 'GRid' sounds like an Aussie way of telling the RIAA to go crawl back down into the hole they came from.

    --
    Are you local? There's nothing for you here!
  19. this really isn't a threat to p2p music sharing by johnny_4_president · · Score: 2, Insightful
    correct me if i'm wrong, but this only tracks the distribution of tracks online, i.e. from "the Man",

    the same folks who still can't develop a business model that allows for quick and easy digital delivery of songs.

    the mp3s i make from discs i buy, on the other hand, will have no Grid tags, so this really isn't a threat to p2p music sharing as we know it; it means that we (theoretically) won't be able to trade tracks we've downloaded from sony.com.

    well, who needs them anyway?

    besides, this stuff is pointless, they'll never be able to close the anolog hole.

    --
    disponibile
  20. I RTFA and see that... by Rudy+Rodarte · · Score: 2, Interesting

    its not for tracking files on file networks, so far. But if this is used to track files downloaded from a certian place, say www.my_cool_site.com and it ends up on Kazaa or whatever, would my_cool_site.com get charged more?
    But honestly, once it hits P2P, that doesn't matter since it'll be all over the place in a matter of hours.

  21. Online sales? What online sales? by dcavanaugh · · Score: 1

    Doesn't this presuppose that RIAA allows a viable online sales model to develop? Given the overpriced, crippled vendors of music feebleware, I just don't see it happening.

    1. Re:Online sales? What online sales? by SN74S181 · · Score: 1

      Well, they're working on it. This article shows evidence of that.

      But all that means here on Slashdot is that the people who, without meaning it a bit, have been saying 'if you don't want us 'sharing' your IP, come up with a way to vend it to us' will now have to tone it down a bit.

      Honestly, I don't think anybody expects the P2P enthusiasts to ever accept any eCommerce way of buying music. The 'free' habit has formed, and it's not going away.

      They need to stop being hypocrites, though, and stop slagging everybody who violates the GPL.

  22. Oh, that;s good then by thatguywhoiam · · Score: 4, Funny
    Excellent! Finally someone has stepped up and provided a nice, complete solution to the record companies prob... hey, hold on:

    Jessop cautioned that GRid is not designed, nor is it intended for, keeping track of songs that wind up on online file-sharing networks

    ... oh. I guess you can just... rename the file, or something.

    So really, they have just figured out a way to do this:

    resellers would be charged an annual fee of 150 pounds ($245.10)

    Yeah, that sounds about right.

    --
    If Jesus wants me it knows where to find me.
  23. Umm. Okay... by MacOS_Rules · · Score: 1

    Valient effort from the "other side" to track^h^h^h^h^h spy^h^h^h protect consumers, but what prevents "rogue pirates" (aka consumers) from ripping to WAV/AIFF and then converting to lossless/lossy format of choice?

    This looks like a last ditch effort to regain control of the digital media revolution, if you ask me.

    --
    If a man's character is to be abused there's nobody like a relative to do the business. -Thackeray, William
  24. So... by chunkwhite86 · · Score: 1, Insightful

    What's preventing users from transcoding the audio file into another format which doesn't have this serial number "feature"?

    --
    I'd rather be a conservative nutjob than a liberal with no nuts and no job.
    1. Re:So... by Anonymous Coward · · Score: 0

      No need even for that, just take two copies, and then average them out...

  25. Damn eyes.. what are they good for? by Bizaff · · Score: 5, Funny

    On Monday, the British Phonographic Industry (BPI) reported a 3.7 percent decline in recorded music sales in the fourth quarter of 2002...

    When I first read that, I thought it said British Pornographic Industry.. that sure changed the tone of the article...

    1. Re:Damn eyes.. what are they good for? by Openadvocate · · Score: 1

      Well, you DO know what will do that to your eyes, don't you?

      --
      my sig
  26. Jennifer Lopez Is My Cousin by Acidic_Diarrhea · · Score: 4, Informative

    Nothing! RTFA!!! This isn't an attempt to stop piracy!! This is a means of tracking sales - so once it has been sold from an online retailer, the ID number isn't an issue. You can encode it into mp3, upload it to Kazaa, and distribute it to your heart's desire. Why can't anyone read the article???

    --
    I hate liberals. If you are a liberal, do not reply.
    1. Re:Jennifer Lopez Is My Cousin by pi+radians · · Score: 0, Offtopic

      Now where's the fun in that?

      --

      sin(6cos(r)+5A)
  27. this would be cool.. if it worked by Lxy · · Score: 2, Funny

    The basic idea (because I know you didn't read the article) is that online retailers can issue unique IDs to track online sales. If used properly, this could prove that internet sales DO work and MP3s are GOOD for the industry. The article also states that it's not an attempt to curb/track file sharing.

    Now, the flipside is that this is the RIAA. They probably have a devious use for the ID, probably just so they can prove they have a system in place. Whether or not they'll be manipulating the numbers in their favor and implementing a tracking system is another question, but knowing their past history, it wouldn't surprise me.

    And finally, was I the only one, or does "International Federation of Phonographic Industry" look like "International Federation of Pornographic Industry" on first glance?

    --

    There is no reasonable defense against an idiot with an agenda
    :wq
    1. Re:this would be cool.. if it worked by RAMMS+EIN · · Score: 1

      ``Phonographic''? Where did you get that from?

      --
      Please correct me if I got my facts wrong.
    2. Re:this would be cool.. if it worked by Lxy · · Score: 1

      ``Phonographic''? Where did you get that from?

      It's called "reading the article". You should try it sometime....

      --

      There is no reasonable defense against an idiot with an agenda
      :wq
    3. Re:this would be cool.. if it worked by FozzTexx · · Score: 1
      The basic idea (because I know you didn't read the article) is that online retailers can issue unique IDs to track online sales.


      Um yah. Cuz the online shopping cart program isn't tracking what you just bought so you can download what you just paid for.

      Ri-ight
  28. I want to buy individual songs online Already! by digitalgimpus · · Score: 1

    I would be more than willing to participate if someone were to start a business with the RIAA to allow us to buy individual songs online in a copyright protecting format (provided compression keeps it small, and sound quality CD or better)...

    The technology is out there, many have demo'd the ability already. What we need are a few to start partnering up, and battling for our love.

    Guess it's partially the recession that people don't want to start these risky dot com businesses, but I think it has a chance.

    I would gladly pay a small price for a digitial copy of a song I liked, so that I can get the song, not the entire album that sucked.

    Would also like to see a system implemented where bands official fanclubs can get discounts on that bands music, the ability to purchase for download high quality video (so that we can burn them to DVD)...

    There are endless posibilities, if someone had the confidence to go out and implement the technology rather than just showcase.

  29. I don't think so... by pair-a-noyd · · Score: 5, Insightful

    These "tags" will be stripped out the day this hits the wires.

    These people seriously underestimate the resolve of teens.

    My kid is 17. Here is what he tells me. He won't buy CD's because if a CD has a song that he likes there will be 12-15 songs on there that he thinks SUCK. In other words he's paying ~$15 for ONE SONG. He would rip that one song to HDD and compile his own CD to use in his car with only the songs that he likes.

    But, at ~$15 each and being limited by law to only working a max of 20 hours a week at minimum wage he can't afford too many CD's.

    Thus enter Kazaa. He can leech all the songs he wants for free and burn his own mixes for his car that suits his taste.

    And forget that stuff about buying music online, he can't do that as a kid and I don't have or use any form of banking system. I live strictly by GREEN CASH ALONE and have nothing at all to do with any financial institute in any form. Despite that fact, even if I did have credit cards or bank accounts I would never use them online for any reason, ever. Nor would I permit him to use my accounts.

    Kids are smart, far smarter than the people that try to maintain their grip on the music industry.
    NOTHING that they can devise will stop piracy, ever. If something must be paid for there will always be someone that will find a way to get it for free.

    The digital age is Pandora's box. It's been opened and there is no closing it now.

    I predict to see a tool to strip the tags on freshmeat the next day..

    1. Re:I don't think so... by HisMother · · Score: 4, Funny
      > ... I don't have or use any form of banking system. I live strictly by GREEN CASH ALONE and have nothing at all to do with any financial institute in any form.

      Cool. If this gets out, I bet he'll have LOTS of friends who want to come over and play -- say, dig in the yard, play hide and seek in Dad's bedroom...

      --
      Cantankerous old coot since 1957.
    2. Re:I don't think so... by Fletch · · Score: 1

      But, at ~$15 each and being limited by law to only working a max of 20 hours a week at minimum wage he can't afford too many CD's.

      IANAL, but I'm pretty sure there's no law that limits a minor to making only minimum wage. ..and where are you living that a 17-year-old can't work more than 20 hours/week?

    3. Re:I don't think so... by Anonymous Coward · · Score: 0

      That's what bear traps are for.

    4. Re:I don't think so... by AnalogDiehard · · Score: 1
      My kid is 17. [...]

      But, at ~$15 each and being limited by law to only working a max of 20 hours a week at minimum wage he can't afford too many CD's.

      Thus enter Kazaa. He can leech all the songs he wants for free and burn his own mixes for his car that suits his taste.

      Please explain how a 17-year-old who is limited by labor law from earning enough $$$ to buy CDs happens to have his own car.

      --
      Eternity: will that be smoking, or non-smoking? I Corinthians 6:9-10
    5. Re:I don't think so... by gregmac · · Score: 2, Interesting
      He won't buy CD's because if a CD has a song that he likes there will be 12-15 songs on there that he thinks SUCK. In other words he's paying ~$15 for ONE SONG.

      In the past 20 years, music has changed quite a bit. There are many more genres of music nowadays, and many more bands, and many more one-hit-wonder type bands.

      The recording industry obviously knows this - most of the big ones have different divisions for different genres, and there are hundreds of smaller companies now that deal with specific styles of music. Despite this, they still try to sell music in the exact same way - you buy an entire album, and get all the songs on it, regardless if you only actually like or want one or two songs. From a consumers point of view, you're now paying ~$15 to be able to listen to that one song.

      From the article:

      The music industry blames the popularity of such networks, including Kazaa and Grokster, where millions of consumers swap songs for free, for the decline in recorded music sales.

      They need to take this as a sign: its time to wake up, start doing what consumers want, and sell individual songs. Obviously, tradional methods for this don't make sense - the overhead in producing a CD (printing, packaging, shipping, etc) with one or two songs doesn't make it worth it. But the internet provides a perfect medium for this by eliminating most of the overhead costs.

      The industry is in turmoil right now anyways. The RIAA is bringing lawsuits to everyone they can. Then theres the media companies:

      • Sony has their music division, which grosses something like $6 million/year. They also have Sony Electronics, which makes things like portable MP3 players, CD burners, etc. This division grosses $40 million/year.
      • AOL Time Warner is another one. Time Warner has an entertainment divison, selling CDs, etc. AOL is an internet service provider, and obviously one of the reasons people use internet is for downloading music.
      All of a sudden, it starts making sense why these companies remain tight-lipped about the RIAA's actions and things like the DCMA.

      (The sony example was originally from the radio show "The Ongoing History of New Music" by Alan Cross, which did a very interesting show a while back on how the music industry works. Sorry, I can't find a link)

      --
      Speak before you think
    6. Re:I don't think so... by Gailin · · Score: 1

      It was that way when I lived in Stockton, CA. I had to go to a class before school started each day so that I could work more hours.

      G

      --
      I wish there was a fscking blue pill
    7. Re:I don't think so... by Anonymous Coward · · Score: 0
      I live strictly by GREEN CASH ALONE and have nothing at all to do with any financial institute in any form.

      How do you pay for your ISP?

    8. Re:I don't think so... by FireBook · · Score: 1

      parents/family may have bought said car maybe? just possible? :o)

      --
      My other OS is also FreeBSD
    9. Re:I don't think so... by Didion+Sprague · · Score: 3, Funny
      Please explain how a 17-year-old who is limited by labor law from earning enough $$$ to buy CDs happens to have his own car.

      Gift?

      I mean, just because you disdain financial institutions doesn't mean you can't give groovy gifts to your kid.

      Slightly, OT:

      I'm impressed you're managing to live without financial institutions. But are you pulling a Tony Soprano and stashing cash around the house? In the compost bin? Up in the attic?

      I mean, at some point, the volume of green must get a little overwhelming. (Unless you give a lot of gifts and don't let the green accumulate.)

    10. Re:I don't think so... by ziplux · · Score: 1

      I don't have or use any form of banking system. I live strictly by GREEN CASH ALONE and have nothing at all to do with any financial institute in any form.

      Sorry to burst your bubble, but your "green cash" is an investment in the Bank of the United States (assuming you live in the US). I'd call that a financial institute. And how do you pay for your ISP without some kind of checking account?

    11. Re:I don't think so... by Anonymous Coward · · Score: 0

      he steals access from his neighbors unprotected WAN

    12. Re:I don't think so... by pair-a-noyd · · Score: 1

      I walk into the local Road Runner office and pay them with green cash. Works fine...

    13. Re:I don't think so... by pair-a-noyd · · Score: 1

      His grandpa bought a nice used Buick Roadmaster and gave him his old Dodge for his 16th birthday. Old car but it gets him around..
      We are not rich. We get by but are not into materialism.

      Yes, I'm an oddball and a ludite, I suffer from double think. (1984) I hate computers but I use them..

    14. Re:I don't think so... by cyril3 · · Score: 1, Interesting
      My kid is 17. Here is what he tells me. He won't buy CD's because if a CD has a song that he likes there will be 12-15 songs on there that he thinks SUCK. In other words he's paying ~$15 for ONE SONG. He would rip that one song to HDD and compile his own CD to use in his car with only the songs that he likes. But, at ~$15 each and being limited by law to only working a max of 20 hours a week at minimum wage he can't afford too many CD's.

      This still stands as the worst excuse for music piracy (and the most popular) that I have seen ... because i don't want to pay. It doesn't even consider any copyright issues like fair use or public benefit. Just straight to the issue of I don't accept that the record companies have a right to set a price for their product or services in excess of what I can get it for from a file share network ie zero. And then you tell us that he (or you) wouldn't pay for it even if there was a reasonable price set because you don't participate in the general finance system

      Buy the bloody single if you only want the hit. And don't tell me how they're not value for money. That's just "I don't want to pay, that much".

      Or tape it off the FM radio. You can get a listenable quality mp3 from fm without much trouble.

      Or better yet why not work 40 hours a week (stuff the unfair labour laws) and then he'll be able to afford more CDs. Or steal the green cash from someone. Its only a piece of paper.

      Kids are smart, far smarter than the people that try to maintain their grip on the music industry.

      The ability to use Kazaa does not count in any determination of what is smart. Nor should it.

      If something must be paid for there will always be someone that will find a way to get it for free.

      That's better. Why should I pay for it if I can get it for free. That I can understand.

      I predict to see a tool to strip the tags on freshmeat the next day..

      So what. The online stores are only counting them out so they can keep track of sales for the record companies in a single format. Did you really think that that was the best the RIAA could come up with in their attempts to stop piracy. RIAA might not be smart but they aren't really stupid.

    15. Re:I don't think so... by pair-a-noyd · · Score: 1

      Federal child labor laws.
      He works at the local library and they strictly adhere to federal laws. Very strictly..

    16. Re:I don't think so... by natey · · Score: 1

      Ongoing History of New Music airs on the Toronto-based 102.1...IIRC, it's Sunday evening
      and Monday night, then archives Saturday afternoon. Streamed live via www.edge102.com.

      --
      --- "No matter who or what, a box of flowers is better than a smack in the belly with a wet fish." --RAH
    17. Re:I don't think so... by pair-a-noyd · · Score: 1

      I do not live beyond my means nor do I earn beyond my needs. Being self employed gives me that freedom.

      I earn enough to take care of my needs. My WANTS are of no real importance. I buy the things that I need to survive and live decently and modestly.
      I drive a 28 year old Mercedes (official antique now) and take very good care of it. I live in a very average home. I don't live a high life style.

      It's not hard, but it is difficult living outside the system. I often barter my skills which are many.
      I live in the past, at least it's a place I'm familiar with..

    18. Re:I don't think so... by cyril3 · · Score: 1

      Get a second job. And lie to the new boss about other work.

    19. Re:I don't think so... by Anonymous Coward · · Score: 0

      I wouldn't tell your business clients you've never touched a bank.

    20. Re:I don't think so... by poot_rootbeer · · Score: 1

      I live strictly by GREEN CASH ALONE and have nothing at all to do with any financial institute in any form.

      This only works if you're poor...

  30. Similar to a Custom Watermark by mrs+clear+plastic · · Score: 4, Interesting

    Could this be similar to a custom watermark on each individual song or piece that's sold?

    How tamper-proof will this be? If all of the on-line sources that will be selling musing/videos/whatever are to be expected to issue these watermarks, the standards would have to be public, or at least very darn near public.

    If the standards are even close to being public, perhaps someone could figure out how to remove and or alter these watermarks.

    Hmm, very interesting. I buy a song from MSN. I read the file into a scrip that I hacked. I change the watermark in some way. I then turn around and sell it under the table. The buyer takes the song and then in turn sells it, or whatever.

    Sometime later, someone gets raided by the SPA,
    MPAA, or whatever. They audit the songs. They find a few with the watermark that I altered. Their trail will be lost or steered into some poor victim whose watermark I 'stole' to alter my songs.

    A possible solution to this would be to have a secret algorithm to generate the watermarks. This would have to be implemented in tamper-proof chips or, perhaps, a tamper-proof device that goes between your computer and the network; ie; a special NIC card. The card would know who you are and what song you are about to release. It would then generate and record the water mark in it's secret way before the song is sent on its way.

    The logistics of this solution would be challenging. The devices would have to be distributed, cataloged, and recorded. Who has which special NIC card would have to be recorded in RIAA'a TIA infrastructure. Of course, this same infrastruction would have to record each subsequent sale/disposal of the card. The security of the cards would have to be impeccible.

    Good luck to you all!

    Luv

    Mark

    --
    Cleara
    1. Re:Similar to a Custom Watermark by sbillard · · Score: 1

      A possible solution to this would be to have a secret algorithm to generate the watermarks

      Would this be anything like the super-secret Lan Manager hash that IBM leak^H^H^H^H invented?

    2. Re:Similar to a Custom Watermark by spitzak · · Score: 2, Insightful
      A "tamper proof watermark" imho is easy to attain, if they keep the method of adding and removing the watermark secret, and do not provide any easy way of detecting if the watermark exists or has been removed

      Unfortunately the music industry is stupid and will insist on making this somehow do copy prevention. That has the totally counter-productive result of providing a pirate with a fast and easy and foolproof method of determining if they have removed the watermark (ie if it plays they have succeeded in removing it).

    3. Re:Similar to a Custom Watermark by DotComVictim · · Score: 2, Informative

      Wrong. All they need to do is encrypt the data stored by the watermark, and tie it to the data stream with a checksum. Now you can't modify the watermark. Nor can you lift it and superimpose it on another track, or portion of a track.

      All you can do is corrupt the watermark. You need to break the encryption before you can control the audit stream.

      The really fun part of this though, is that any musical artist can create the facilities to help hack the watermark. What is the matermark of silence? Pink noise? White noise? That provides useful clues to breaking the encryption.

  31. Who's Taking Bets? by LookSharp · · Score: 2, Insightful

    Estimated time before a "DeGRid" app appears on the 'net, completely removing the offending number from the file?

    I say 6 days from first retail release!

    1. Re:Who's Taking Bets? by Bendebecker · · Score: 1

      I say 6 days before first retail release!

      --
      There's a growing sense that even if The Future comes,
      most of us won't be able to afford it.
      -- Lemmy
    2. Re:Who's Taking Bets? by Anonymous Coward · · Score: 0

      I have already written it.

    3. Re:Who's Taking Bets? by rat7307 · · Score: 1

      4 Days before the source code is printed on a T-Shirt!!!

      FREEDOM OF SPEECH!!!

      --
      Burma?
    4. Re:Who's Taking Bets? by Anonymous Coward · · Score: 0

      > Estimated time before a "DeGRid" app appears on the 'net, completely removing the offending number from the file?

      Huh? There's no well-defined place in a MP3 file to store the GRid ID -- hence, there's nothing to remove. Even if it could be stored in a MP3 file, most MP3 applications (like players or CD rippers) will just ignore the GRid ID anyway.

      Your post has the classic error of assuming that some little data tag (like an ID number or a "broadcast flag" or whatever) will have a negative impact on our ability to share files. Never forget: Data is exactly as irrelevant as we choose to make it.

    5. Re:Who's Taking Bets? by LookSharp · · Score: 1

      I didn't say "MP3 file."

      They are saying "electronic distribution," which will probably be something proprietary.

      Your post has the classic error of making wrong assumptions and arguing against a position that I have never taken, one of the classic sins of logical thought.

  32. conspiracy central... by MarvinMouse · · Score: 4, Interesting

    Everyone here is freaking out because this is another way to track people, and man it's a blatantly obvious one. But do you really believe that the techies and people working at the RIAA are that stupid? Like really?

    The RIAA wouldn't do something so obviously usable as a tracking method and then deny it. They didn't in the past. When they were violating your rights, they were up right and in your face about it. That's why so many people despise them. They don't try to hide what they do.

    I think this may be a legit way for them to just track for internal records and all, and yes, I am pretty sure they as well as you have thought about the possibility of tracking individual downloaders with this. But like someone already said.

    MP3 -> Wave -> MP3 , no more tracking code.

    Or even better

    Clean CD -> MP3 , No tracking code.

    I think that logic would be clear to anyone. Including the RIAA.

    The sky isn't falling, the RIAA is just playing some games.

    --
    ~ kjrose
    1. Re:conspiracy central... by ATMAvatar · · Score: 1

      But do you really believe that the techies and people working at the RIAA are that stupid?

      I think that logic would be clear to anyone. Including the RIAA.

      We are talking about the same industry that came out with CD copy protection that could be defeated by a felt-tip marker, here.

      --
      "They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety."
    2. Re:conspiracy central... by Rainier+Wolfecastle · · Score: 1

      "But do you really believe that the techies and people working at the RIAA are that stupid?"

      Have you seen how many times the RIAA has been hacked recently?

  33. Hrmm.. Yes, I'll buy music on line now.. by Anonymous Coward · · Score: 0

    Do I really want some slimy company/association of companies knowing that I like Switched on Beethoven, Vivaldi, Creem, and Elvis? And what times I like to play them on what machines on my network? I think not. No matter what the developers of this tag say, it will evolve to that use as the RIAA gets even greedier, and the artists will still be enslaved.

    If they want to implement a solution that works, they must make the music affordable to the point where it is not worth the cost, not the effort, but the cost, to pirate it. There will always be those who accept the challenge to break whatever encryption/tagging scheme they come up with. As long as the potential profit for the professional music pirates to produce their product is greater than the cost of the equipment and the materials, large scale industrial music piracy will occur.

  34. Watermarking MP3's by Superfreaker · · Score: 3, Interesting

    We run an ASP with music sales where they are watermarking mp3 files during the encoding process. That way they can see if their files make it onto file trading networks. Since the watermark is encoded into the actual track, you can't remove it by converting to Ogg. It's already an mp3.

    I don't think it is a bad idea. At least they are selling the files in MP3 format. The only people who would have anything against this would be those who download music they haven't paid for.
    IMHO.

    1. Re:Watermarking MP3's by EvilSporkMan · · Score: 1

      The only people who would have anything against this would be those who download music they haven't paid for. Right, so why does anyone care? :P

      --
      -insert a witty something-
    2. Re:Watermarking MP3's by apweiler · · Score: 3, Interesting

      Since the watermark is encoded into the actual track, you can't remove it by converting to Ogg.

      And that was what the SDMI was about - testing how crackable such a watermarking scheme is. This is the kind of thing Ed Felten cracked. If you're a small business, perhaps no one will have bothered to crack it (or didn't think it was right) - but if the RIAA tries it, see how long it takes for a de-watermarker to show up...

    3. Re:Watermarking MP3's by DunbarTheInept · · Score: 2, Insightful

      How does that work? MP3's have lossy compression who's goal is NOT to reproduce the bits precisely, but just good enough for human listeners to not be able to tell the difference. I would have thought that this would make it impossible to embed a key (or watermark) in the audio data since bits will come out garbled.

      --

      Don't label something "offtopic" unless you know the topic well enough to tell what's on topic.

    4. Re:Watermarking MP3's by Alsee · · Score: 1

      impossible to embed a key (or watermark) in the audio data since bits will come out garbled.

      They don't simply tack on a string of bits, that would get get garbled like you said. What they do is tweek the music itself to encode the bits. One example is to use a 1 millisecond echo. Humans can't hear a 1 ms echo, it sounds exactly like a single normal sound, but MP3 DOES encode and preserve the echo. In order to embed bits you vary the timing or volume of the echo. Soft echo = 0, full echo = 1.

      There are several ways to embed a signal into the sound in a way that people can't detect by ear.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    5. Re:Watermarking MP3's by DunbarTheInept · · Score: 1

      So, if I understand you correctly, it's encoding the bits as sound similar to how a phone modem does it, in such a manner that if there is "hiss" or error it can still make out the bits because they are encoded in such a way that the exact waveform isn't relevant, just that it fits within a tolerant fuzzy match. (Thus your data has to be rather sparse. You must send bits slowly enough that a single bit is encoded as a long change over many samples of the underlying medium. I.E. "An amplitude spike here means a bit of 1. That amplitude spike might consist of a hundred seperate sound samples forming a 'hump' shape If some of those samples are missing or in error, the general shape of the hump is still detectable.")

      Is that how the problem is circumvented?

      --

      Don't label something "offtopic" unless you know the topic well enough to tell what's on topic.

    6. Re:Watermarking MP3's by Alsee · · Score: 1

      similar to how a phone modem
      You must send bits slowly enough that...


      Exactly. Watermarking is a really slow modem because it designed to be un-noticed. It is in the ballpark of 20 bits per second. That's 300 bits in a 15 second clip, and typically the watermark would loop every 15 seconds or so. 300 bits is more than enough for the ID tag and cryptographic signature.

      It takes special software to strip out the watermark. It has to be dectected and actively cancelled. A well designed watermark can survive re-encoding or other random distortions that would destroy the quality of the music.

      A simpler watermark attack is to average several different copies of the same song. This blots out the data encoded in the watermark. They may still be able to detect that the file was once watermarked, but the data will be unreadable. This attack will even work in a "secure" TCPA system, but you may have to record the music from the speakers. "Trusted" software will probably refuse to play the file, but any normal program like WinAmp will work fine.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  35. You call yourself a geek?!! by Thud457 · · Score: 5, Insightful
    A real hacker has no concern about any purported "intended use" of a technology.

    He just wants to find out what nifty stuff he can do with it.

    sheeeesh!



    Seeing how the media companies solutions are always half-baked, it'll be quite interesting to see how this bites them in the ass. And who they point the finger at while trying to deny their own crapulocity.

    --

    the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

    1. Re:You call yourself a geek?!! by Anonymous Coward · · Score: 1, Funny

      Is crapulocity really a cromulent word?

    2. Re:You call yourself a geek?!! by spazoid12 · · Score: 1

      Nifty stuff you could do with it??

      Seems to me that this ID is intended to track how many 'shipments' of a song from any particular source (like Microsoft, Amazon, whatever) for the purpose of billing them some share of the transaction (which of course is passed along to the consumer, but nevermind that).

      So...would there possibly be a hacker out there interesting in spoofing transactions? Why? Maybe they don't like a certain retailer. But, they know that this retailer has to pay out per transactions. So, they might find a way to make it seem as though this retailer is 'shipping' 1000% more than usual and then have to pay out.

      Or, competitive hacking...one retailer spoofs another to drive up the competition's cost.

    3. Re:You call yourself a geek?!! by garethx1 · · Score: 1

      or how about some geek with a band puts a tag for his song on the latest copy of Britney Spears new album at Best Buy. "look ma I'm a Millionaire, Whattayamean the FBI's at the door?"

  36. Their method is uncrackable to resampling by merlyn · · Score: 5, Funny
    From what I understand, it's an audible voice that comes on at 15-second intervals reading the serial number "This is copy three... one... five... four... one... nine... one".

    True enough, the RIAA spokesman reportedly said "This will have no effect on the quality of the recording".

  37. GRID was first name for AIDS by uiil · · Score: 0, Troll

    In the early 80's wasn't the name GRID "Gay Related Immune Deficeincy" renamed AIDS "Accuired Immune Deficeincy Syndrome"

    RIAA maybe trying to imply something?

  38. riaa lawyer, not layers by morcheeba · · Score: 1

    Sorry - I meant lawyers, not layers. But, it could be their PR people spinning it, too, so maybe it's appropriate.

  39. hmm we dont want to track p2p filesharing by linuxislandsucks · · Score: 1

    yeah right then why a GRid on downlaods and web streams from MS andothers if you are not afraid that conetent will not end up on P2p networks?

    typical RIAA FUD!

    --
    Don't Tread on OpenSource
  40. Point of sale ID by RichMan · · Score: 4, Interesting

    The GRid is a point of sale identification so that the seller can identify which track has been sold and then send the appropriate $ to the recipient (RIAA member).

    You can view this as the thin edge of the wedge in a scheme that will probably work to get a "Palladium" like system in place.

    Bob buys track 9 from CD X from Amazon. Amazon records the GRid and forwards the appropriate share to RIAA member reponsible for producing the track. Bob is happy because he was able to access the track.

    Later Bob will be investigated for file shareing. He will not have the GRid's to prove he bought the file. The GRid's are not part of the music track. The RIAA will say but "Palladium" can solve that. Bob will ask to have "Palladium" implemented so that he does not have to go to jail.

    1. Re:Point of sale ID by SN74S181 · · Score: 1

      Saying that this is a plot to have Bob be forced to stand on one foot and spin around singing 'I'm A Little Teapot' makes as much sense as your theory.

      I mean, someone told you the word 'Palladium' stood for something bad, huh? And that's your extent of understanding, right?

  41. You're pessimistic by Mathonwy · · Score: 1

    I vote 6 *HOURS*...

  42. Vegas Odds by BigGar' · · Score: 2, Insightful

    Anyone got the bookie odds on how long it'll take to figure out how to strip this off a downloaded file?

    --


    Shop smart, Shop S-Mart.
    1. Re:Vegas Odds by gregbaker · · Score: 1
      Hmmm... go to two stores and buy two different copies of the same CD. Rip the tracks from both with cdparanoia or similar. Look at the diff between the two.

      Figure out where it is in the file (beginning/end/n bytes offset). Write a script to zero out those bytes in a WAV (or randomly perturb a little in the least significant bits if that's what it takes).

      Shouldn't take more than an afternoon, I'd think. The whole thing can't be that hard--CDs are basically a list of samples. Without more advanced data storage, there isn't much to hide.

      I suppose the watermark could be at a random location in each track. That would be harder, but in the worst case: take two WAVs of any song and average the two.

  43. I Predict: The Next Slammer... by killmenow · · Score: 1

    ...will be a worm that randomly generates GRids and sends them back to the RIAA. Thus killing two birds with one stone: screwing with all the M$ L0z3rz, and DDoSing the RIAA.

  44. So, You Think RIAA Music Is Crappy? by mrs+clear+plastic · · Score: 1

    Why do you think that RIAA music is crappy?

    Have you heard me sing in the shower lately?
    That would change your mind.

    I just got a $200.00 surcharge on my rent because the landlord had to replace the full length bathroom mirror that broke while I was singing.

    Such as life

    --
    Cleara
    1. Re:So, You Think RIAA Music Is Crappy? by Anonymous Coward · · Score: 0

      Property damage usually comes with a bill.

      I have no problem with intellectual property. But if they can sue me for damages, I should have the right to sue them for damage that Britney Spear's songs do to kids.

    2. Re:So, You Think RIAA Music Is Crappy? by grondu · · Score: 2, Funny

      Have you heard me sing in the shower lately?

      The RIAA now knows that you do this, and tomorrow you will be joined in the shower by Hillary Rosen, who will be there to collect royalties on the songs you sing.

      --

      I'm the urban spaceman babe, but here comes the twist... I don't exist

    3. Re:So, You Think RIAA Music Is Crappy? by Threni · · Score: 1

      Yeah, i`ve read that comic strip too! ;)

    4. Re:So, You Think RIAA Music Is Crappy? by Anonymous Coward · · Score: 0

      Warning: head-banging during showering can be dangerous...

    5. Re:So, You Think RIAA Music Is Crappy? by mrs+clear+plastic · · Score: 1

      If Hillary joins me, then the music will be so interesting that I will have to take up a collection here on /. to pay the landlord for a whole new bathroom.

      --
      Cleara
  45. Just... by JohnnyBigodes · · Score: 1

    ... what exactly is stopping me from removing said identifier from a track I download?

    1. Re:Just... by sup4hleet · · Score: 1

      They can probably try to sue you with the DMCA for removing the GRID. There's gotta be something in that grabasstic piece of legislation that says you can't remove unique identifiers. If not, their lawyers will pretend there is and threaten you with law suits until you pay them (for being a bad customer and increasing the exposure of their product)what they think is appropriate.

  46. Great idea..... by tabhitter · · Score: 1

    how is this going to stop people from encoding the sound into an mp3 file? even if there is a digital lock on encoding you could still go from you speaker out to line in on your sound card and encode the track. (much like making mp3's from cassette tapes...)

  47. You're right....but could this be a compromise? by siskbc · · Score: 1
    You know, as much as I usually hate this crap, I don't really have that much of a problem with it (as long as it isn't paired with spyware). If they do this, then they could do away with copy protection, because they wouldn't need it.

    So, how about this - mp3's have tags in them, and if your stuff shows up repeatedly online, then you eventually get busted. In return, NO copy protection is used, and you can have copies anywhere you want, so long as you don't share them. No spyware either.

    Honestly, I think that's the best deal we're likely to get.

    --

    -Looking for a job as a materials chemist or multivariat

    1. Re:You're right....but could this be a compromise? by DunbarTheInept · · Score: 1

      How does that proposed system tell the difference between *you* listening to copies of the song in multiple locations (like at home and at work and walking around the city with your laptop with WiFI card), versus OTHER PEOPLE listening to copies of the song? How does it know which copies are fair use and which are not? (Granted, the Music industry does't *want* you to have fair use, so I wouldn't be surprised if there wasn't a way to tell the difference.) This was what made Adobe's e-books so awful - they tied your copy down to the specific computer it was installed on, making it less share-able than even a paper book.

      --

      Don't label something "offtopic" unless you know the topic well enough to tell what's on topic.

    2. Re:You're right....but could this be a compromise? by SN74S181 · · Score: 1

      Well, if you're listening to the song in 1500 different locations, all coincidentally places where there are registered copies of Usenet Binary Attachment strippers like Pluckit... well, do the math. How many locations do you personally have where you listen to music?

    3. Re:You're right....but could this be a compromise? by DunbarTheInept · · Score: 4, Insightful

      You are assuming the RIAA actually is trying to stop pirates. Past experience shows they also despise fair use (like for example, taking your favorite ten songs from different CD's you own and burning them onto a "best of" CD for yourself, or converting them to MP3 for your portable player.) They want you to pay for every copy of the song you have, and I see this as a means to get there. Until I see the mechanism by which they will ensure they DON'T flag fair users as pirates, I'm not believing them.

      They lost their right to have me give them the benefit of the doubt years ago.

      --

      Don't label something "offtopic" unless you know the topic well enough to tell what's on topic.

    4. Re:You're right....but could this be a compromise? by dolo666 · · Score: 1

      I absolutely hate, loathe, despise the RIAA. I wish some heavy companies would sink them. Please dear god in heaven if you can grant me this one wish, please bankrupt RIAA.

  48. My thought by mpost4 · · Score: 1

    Yes this seams nice to be able to get the music just as you buy it, but what happens when your hard drive crashes (yes people should back up, but they don't) That is why a CD will still be best, you can rip it and have it, but if you lose the mp3 you still have the hard copy to recreat the mp3.
    Infact since I have the CDs I don't bother to backup my mp3's if I lose them I just re-rip, I do backup my other user files (anything in /home/mpop nothing in /mnt/jukebox will be backedup)
    Now maybe if they will charge maybe $1 more for a cd and let you download the music now, so you get the music now, and still get the hard CD later, for backup reasons.

  49. This is only a problem... by Anonymous Coward · · Score: 0

    ...if you are stupid enough to use Windows Media Player and/or the .wma format.

  50. Re:As an artist, I want to keep my rights. by Anonymous Coward · · Score: 0

    Semantically, that makes you not an artist then. Please don't label yourself with a term that obviously does not apply.

    Ideally, an artist is someone that creates an expressive work because they feel an innate need to do so - not because they get paid for it at the end. Those people that get paid to create are businesspeople that can compose or create, not artists. A successful artist may be able to leverage her/himself into the latter; the latter trying to be the former is what defines the music industry today.

    Following the more traditional models of experiencing art, you can then choose to (a) make it available to me on per-visit basis, like a museum, and charge me a nominal fee for my visiting duration there, or (b) make a proof or copy available to me for a more substantial amount of money so I can enjoy it at my leisure. Be aware that the amounts in (a) and (b) will be quite small (and possibly even 0) until you are accepted by broad peer review.

    Combined with freedom of choice and a generally capitalist society, good artists are floated to the top, while poor artists are sent back to school to learn something they can handle.

  51. The Complete Military History of France by Anonymous Coward · · Score: 1, Informative

    Gallic Wars - Lost. In a war whose ending foreshadows the next 2000 years of French history, France is conquered by of all things, an Italian.

    Hundred Years War - Mostly lost, saved at last by female schizophrenic who inadvertently creates The First Rule of French Warfare: "France's armies are victorious only when not led by a Frenchman."

    Italian Wars - Lost. France becomes the first and only country to ever lose two wars when fighting Italians.

    Wars of Religion - France goes 0-5-4 against the Huguenots

    Thirty Years War - France is technically not a participant, but manages to get invaded anyway. Claims a tie on the basis that eventually the other participants started ignoring her.

    War of Devolution - Tied. Frenchmen take to wearing red flowerpots as chapeaux.

    The Dutch War - Tied

    War of the Augsburg League/King William's War/French and Indian War -Lost, but claimed as a tie. Three ties in a row induces deluded Frogophiles the world over to label the period as the height of French military power.

    War of the Spanish Succession - Lost. The War also gave the French their first taste of a Marlborough, which they have loved every since.

    American Revolution - In a move that will become quite familiar to future Americans, France claims a win even though the English colonists saw far more action. This is later known as "de Gaulle Syndrome", and leads to the Second Rule of French Warfare: "France only wins when America does most of the fighting."

    French Revolution - Won, primarily due the fact that the opponent was also French.

    The Napoleonic Wars - Lost. Temporary victories (remember the First Rule!) due to leadership of a Corsican, who ended up being no match for a British footwear designer.

    The Franco-Prussian War - Lost. Germany first plays the role of drunk Frat boy to France's ugly girl home alone on a Saturday night.

    World War I - Tied and on the way to losing, France is saved by the United States. Thousands of French women find out what it's like to not only sleep with a winner, but one who doesn't call her "Fraulein." Sadly,widespread use of condoms by American forces forestalls any improvement in the French bloodline.

    World War II - Lost. Conquered French liberated by the United States and Britain just as they finish learning the Horst Wessel Song.

    War in Indochina - Lost. French forces plead sickness, take to bed with the Dien Bien Flu.

    Algerian Rebellion - Lost. Loss marks the first defeat of a western army by a Non-Turkic Muslim force since the Crusades, and produces the First Rule of Muslim Warfare: "We can always beat the French." This rule is identical to the First Rules of the Italians, Russians, Germans, English, Dutch, Spanish, Vietnamese and Esquimaux.

    War on Terrorism - France, keeping in mind its recent history, surrenders to Germans and Muslims just to be safe. Attempts to surrender to Vietnamese ambassador, fails after he takes refuge in a McDonald's.

    The question for any country silly enough to count on the French should not be "Can we count on the French?", but rather "How long until France collapses?"

    Observations: 1.)Going to war without the French by your side is like going deer hunting without your accordian.. You are leaving a lot of noisy useless baggage behind. 2.)Europe caused WWII by trying to appease Hitler during the 30's and refusing to enforce the Treaty of Versailles 3.)With "friends" like this...Who needs enemies.

    1. Re:The Complete Military History of France by alphameter · · Score: 0, Offtopic

      I'm tired of dolts ranking on France.

      Ever play Civ I/II/III? What happens when you play a nation and find yourself sharing your continent with several other nations? What happens when you have a large island all to yourself?

      England has benefited tremendously from "The Channel", while America has benefited by the Atlantic and Pacific.

      Don't overlook the obvious: natural defenses.

    2. Re:The Complete Military History of France by llamaluvr · · Score: 1

      Ever play Civ I/II/III? What happens when you play a nation and find yourself sharing your continent with several other nations? What happens when you have a large island all to yourself?

      In Civilization, a good player beats all those other little counties to a pulp before it's too late!

      --
      Insightful: 76, Off-Topic: 379, Flamebait: 24, Funny: 152, Interesting: 201, Underrated: 55, Troll: 9, Total: 896
    3. Re:The Complete Military History of France by Anonymous Coward · · Score: 0

      That is one of the nice real world things that civilization got in the game.
      You can commit genicide, build weapons of mass destruction and the french will still be your friends.

  52. Don't worry... by Anonymous Coward · · Score: 0


    Remember it's just data. Eventually the codes will be stripped out of the song. It's just like DVD encryption.

  53. Do I have this correct? by Anonymous Coward · · Score: 0

    With the GRid initiative, resellers would be charged an annual fee of 150 pounds ($245.10), for which they can issue an identity tag to millions of songs sold online.
    Each track will be distributed with an individual GRid serial number. Like a bar code, it will be reported back to rights societies and collection agencies so that artists can be compensated for sales.


    So, a retailer must pay the RIAA $250 a year to track and compile how much money the retailer must pay to musicians?

    Wow! It's the official RIAA we'relosinggroundsoletsscrewthellittleguys get-rich-quick scheme!

    Somehow, I don't think that this is going to catch on. Or stop one of the main problems in the industry, price inflation.

    and if it does, this is just going to hurt the independants even more. Peachy.

  54. Yet another... by Anonymous Coward · · Score: 0

    Yet another 11 million dollar invention in an attempt to catch the next 11 year old theive.

    Well I guess RIAA's new CEO, whoever it is, has got to show SOMETHING, right?

  55. Solution without a problem? by nolife · · Score: 3, Insightful

    Anyone actally read the article? Either the article is missing some information or the listed planned usage for this thing is far from what they actually plan on doing with it.

    It appears this is supposed to be used so that a retailer can be charged correctly for every download they offer. Meaning a standard method of keeping track of online retail sales. To do this they will encode some unique bits in every file sold online. Sounds bogus already. I do not see the connection between me having a unique coded file and tracking total sales from retailers. Where is the discussion about how my number is reported or disclosed to anyone? Seems to me the real goal is to track a specific file after it is downloaded. They find your file on KaZaa, track it to the retail source, they release your name and bingo, full swat team visit. Maybe you would become the retailer and they will charge you the original downloader for every instance of the unique indentifier they can find online.

    I'm not some consipracy theory nut but I can not honestly see the connection between tracking sales and a unique number embedded in a file.

    --
    Bad boys rape our young girls but Violet gives willingly.
  56. Identifier Tags by flogger · · Score: 1

    I'm not worried about tracking. When I go and buy a box of brownies at the suppermarket and use my "Kroger Plus" card, I've been entered into the database, and they know that on February 10th I bought a box of brownies mix.
    They do not know that I've taken the brownies and made "Magic Brownies" with some THC stashed in the closet.
    I don;t see the GRiD being used to track who downloaded what individual song. All it will show when it shows up on Kazaa is that someone bought this song legally and is sharing a song with a friend or three.
    How long will it take for a utility to be released that removes the GRiD from an MP3 or song track?

    --
    ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
    "First things first -- but not necessarily in that order"
    -- The Doctor, "Doctor
  57. Re:firewall. Works great by Herr_Nightingale · · Score: 2, Insightful

    ...until they embed this Digital Rights Restrictions nonsense into WinXP as an essential service that you can't disable. Just try blocking WinXP's access to the 'net through your firewall.. No internet==no problem. Except that you might want to get networked things done eventually.

    Best to wait for the crack.

  58. Re:Wasn't GRID what they originally called AIDS by La+Temperanza · · Score: 1

    In this case, it's "Greed Related Intelligence Deficiency".

    --

    --
    est modus in rebus
  59. Bobby Brown Is My Cousin by Acidic_Diarrhea · · Score: 2, Insightful

    So when a track is sold, the appropriate media conglomerate and artist are credited. This is basically the same thing as a UPC code on the products you buy in a store. At the point of sale, the UPC is scanned so that inventory is known on that item. Likewise, when an online retailor sells a track, the ID is read and fed into a database that will keep track of the cut for the music companies. Didn't you read the article?

    --
    I hate liberals. If you are a liberal, do not reply.
    1. Re:Bobby Brown Is My Cousin by ichimunki · · Score: 1

      Um, you don't need an identifier inside the file to do this. Obviously the customer is going to have to go to a unique URL to download the specific file they want. Any web server can tell you how many hits were made to a specific URL and any idiot can figure out how to link up hit counts to a URL with whatever groupings apply to that URL (e.g. band name, label, etc).

      --
      I do not have a signature
    2. Re:Bobby Brown Is My Cousin by Anonymous Coward · · Score: 0

      I don't respond with a real argument to people who actually type "um" so I'll let you go on misunderstanding this entire issue. Okay?

    3. Re:Bobby Brown Is My Cousin by AndroidCat · · Score: 3, Insightful
      Didn't you read the article?

      Yes I did, and their explaination smells like week-old tuna. How is the GRid going to stop a retailer from selling more copies than they report back to the record companies? Why does the GRid have to be incorporated as part of the music file? Retailers will have to manage track ids externally to the music file to handle all the companies that don't use GRid. How does the GRid help track sales in any way?

      --
      One line blog. I hear that they're called Twitters now.
    4. Re:Bobby Brown Is My Cousin by Anonymous Coward · · Score: 0

      Nice subliminal bigotry :)

    5. Re:Bobby Brown Is My Cousin by TheFlamingoKing · · Score: 1
      It's MSNBC. Did you really expect an in depth analysis or any intelligent insight at all?

      I did notice the blatant MSN reference in the middle, though...

    6. Re:Bobby Brown Is My Cousin by VivianC · · Score: 1

      What it means to retailers is that they have one number to keep track of sales rather than different fomats from each RIAA member. It is just an accounting system. If anyone could write a UPC code to contain any characters and any length, it would be harder to track.

      --
      Viv

      Gmail invites for ip
    7. Re:Bobby Brown Is My Cousin by AndroidCat · · Score: 1
      It doesn't really matter. Each retailer will have their own internal SKU to keep track of things. The SKU record will have the UPC/GRid of the product(s). (It might be a package deal with more than one product attached to the SKU.) It's no biggie to keep track of arbitary product codes, UPC or GRid. (With a physical object you do have to be able to look up the scanned UPC and find the SKU. That's why God invented DBs with multiple indexes.)

      Why yes, I have worked on retail Point Of Sale and inventory systems...

      --
      One line blog. I hear that they're called Twitters now.
  60. If the press release is accurate... by NigelJohnstone · · Score: 1

    Sounds OK. (no pun)

    No different from the number stamped on a copy of a movie to identify which copy from which master it is. If the movie gets ripped it gets traced back to the movie theater and distributor. If the music gets copied and the tag stays intact they can go bitch to the distributor and the person it was sold to.

    Always adding the usual provisos:

    1. Does the press release match the reality?
    2. Is it one step in a bigger nasty plan?

    Provided the answers are yes & no, I think this is reasonable. Anyone have more detail?

    1. Re:If the press release is accurate... by Anonymous Coward · · Score: 0

      This is why its a difficult issue. While it may be legal (in my opinion) for someone to download music that they own or purchased previously, what about the people sharing? Thats who these companies are going after. My ISP disconnected me when Microsoft, Adobe and someone else complained that I was sharing files on gnutella.

  61. cue the rimshot... by cygnus · · Score: 1
    Yet another brilliant idea from the people who brought us Hillary Rosen.
    you mean... Hillary Rosen's parents?

    ...thanks, i'll be here all week.

    --
    Just raise the taxes on crack.
    1. Re:cue the rimshot... by Suburban+Shaman · · Score: 0, Offtopic

      Parents? That Harpy lept from the crack of Hell one 'morn long ago...

    2. Re:cue the rimshot... by Anonymous Coward · · Score: 0

      Hillary Rosen's parents?

      I thought she was a Spawn of Satan?

  62. Its the Economy stupid! by Cyberia · · Score: 2, Insightful

    It puzzles me to realize that most of these people (RIAA, etc.) would blame file sharing as THE ONLY reason why the industry is experiencing a down turn. I realze that there would be some economic fall out. BUT! How about the fact that 10's of 1,000's of people being laid off has a significant impact on any economy?!?! If my 10 year old son can figure it out, why can't the RIAA figure it out as well? I guess it must be the NEW math they are teaching in school these days...

    1. Re:Its the Economy stupid! by Anonymous Coward · · Score: 0

      Yeah, I hate these ass-masters overemphasizing the impact of piracy on their sales.

      The MSNBC article calls the recording industry "an industry that is reeling from lost sales compounded by a slumping global economy and the growth in online music piracy."

      Reeling? Reeling? Down a few percent - I guess that's "reeling." But I can think of quite a few industries that would love to be only down a few percent, given the current state of the economy.

  63. They don't do this for CD's - why online? by DunbarTheInept · · Score: 1

    Forgive me for not trusting the RIAA, but what a line of bull - they think we'll believe that they "need" this to track sales, and for that reason only! That never was a problem when they made their money selling CD's. When I gave my money to Sam Goody and walked out with a CD, the recording studio had no clue who I was, and they still did just fine that way. Why the change?? I'm not believing it.

    --

    Don't label something "offtopic" unless you know the topic well enough to tell what's on topic.

  64. At least (or at last) by overshoot · · Score: 1

    the publishers are proposing something that actually addresses copyright violation, rather than a rights grab. A tracking number has problems (what if someone steals your music collection?) but at least is targeted towards true "pirate" publication rather than those scoundrels who make copies to play in the car.

    --
    Lacking <sarcasm> tags, /. substitutes moderation as "Troll."
  65. ... if it didn't penalize small outfits by silentbozo · · Score: 1

    Everyone notice the part where you have to pay $250 PER YEAR to participate in this program? I'd feel a lot better about it if it was an internationally agreed upon standard, like UPCs and EANs, and if it was a one-time fee for each block of numbers that you got. $250 a year is no big deal for big outfits, but for small-time publishers who would benefit the most from releasing their work, $250 is a lot of money.

    Who wants to bet that some big retailer is going to charge smaller outfits for the privilege of using the big retailer's tracking tags? If I were a small music publisher, I'd cook up my own open-source solution. Form a consortium, charge $50 for a block of 100 numbers & associated database space, create a new IDv3 tag for MP3s & put out code that would allow users to buy music by clicking on the tag. The only reason for the consortium to exist is to keep track of the numberspace (like with UPC and EAN), and help standardize the incorporation of the open-source numberspace into as many pieces of software as possible.

    Why give the RIAA another $250 a year to persecute filetraders and destroy fair use rights, when for $50, you can help promote a workable system for buying music on the fly (even streaming music)?

  66. u r dumb. by Lord+Bitman · · Score: 1

    You know what I do? I keep MP3 CDs. "Re-Rip"? Ha! Just pop it in and you're good to go. The whole set on my hard drive, one on a shelf, one in my car, if my house explodes I'll be pissed, but I wont have to worry about replacing all those original discs- I can use one.

    --
    -- 'The' Lord and Master Bitman On High, Master Of All
    1. Re:u r dumb. by mpost4 · · Score: 1

      That would work. Yor are 100% right there.
      But I think if your house goes up you have more important things to worry about.

    2. Re:u r dumb. by Lord+Bitman · · Score: 1

      More important than Bulgarian Dance Music!?!?

      --
      -- 'The' Lord and Master Bitman On High, Master Of All
  67. Jane Fonda Is My Cousin by Acidic_Diarrhea · · Score: 3, Insightful
    You are making a slippery slope argument. This is a flawed way to debate a point. Your argument is that if online retailors are allowed to track certain data, any whatsoever, eventually they will begin tracking names and credit cards numbers to prevent piracy. I will quote this:

    "The slippery slope argument is clearly invalid if it is meant to be a point of logic, for it does not follow that "if b is an exception to A, then no part of A is true." Specific exceptions to a rule or principle do not in any way logically imply that the rule is otherwise false or never justifiably applicable in any cases. In fact, calling something an "exception" points out that only it is the relevant act that the rule does not cover. If, for example, a pharmaceutical drug should be used only by people who have asthma, that does not imply people should also take it for arthritis or pregnancy. Permitting stem cell research on embryos does not logically imply that sacrificing infants or terminally ill patients is acceptable.
    It appears the argument is meant to be more an argument about people's psychology, and, spelled out, it seems to be something more like "if you make any exceptions to a rule, particularly a cherished or time-honored rule, people will think the rule arbitrary to begin with and will see no reason to follow it at all." Hence, any exceptions undermine respect for a rule, and thus eventually lead to the rule's not being followed at all. Or another intended argument might be "people cannot generally make fine distinctions, so if you make an exception to a (time-honored) rule, people will think you have shown the rule to be flawed and therefore unnecessary to follow."
    A slightly different, and more sophisticated version of the principle might be "if you make exceptions to a rule, people will generalize the reasons for that exception and apply them to other aspects of the rule to which those generalizations will also apply." In the embryo issue, the argument would be that "if you allow embryonic stem cell research people will see that defenseless human life has only instrumental value --value for helping others-- so nothing will stop people from wanting to kill infants or people with terminal diseases to help others." Or it might be phrased as "if you allow embryonic stem cell research because embryos are not viable on their own, then you will end up allowing infanticide and termination of the lives of the terminally ill because they are not viable on their own either."
    Just for you: Tinfoil Hat Linux: Enjoy!
    --
    I hate liberals. If you are a liberal, do not reply.
    1. Re:Jane Fonda Is My Cousin by MrLint · · Score: 1

      *shrug* regardless of the argument time will ultimately show what the end use of the technology will be. Keep in mind here that this is a broader issue than mere points of logic. The individual tracking of music sold is well within the MO of the members of the RIAA, as based on their previous statemetns and actions. A psychological profile if you will. I think it unlinkely that if such a technology were available it woudlnot be made use of.

  68. Not endless possibilities... by PigeonGB · · Score: 1

    Broadband and its ability to get to most people are still limiting the possibilities of such business working out.
    Pay-per-view-online and similar things aren't going to be so popular so long as dial-up is the primary access.
    Imagine trying to buy an MP3 and taking 30-50 minutes to download it. Each disconnection results in the hassle of trying to download the file again.
    Now imagine music videos or even feature length films and how long those would take! Even if all dial-up was 56k, which isn't always the case, it would still take hours to get a relatively few minutes worth of media.
    You can't necessarily make a successful business off of college students.

    --
    I have 3656.9 Bogomips. How many Bogomips do you have?
  69. fire up the hex editor... by Anonymous Coward · · Score: 2, Interesting

    and zero out the tag.

    Problem solved.

  70. Party poopers by the+Garden+Gnome · · Score: 0

    The RIAA is always ruining the fun. I hate them!

    --
    Water, water everywhere so let's all have a drink-Homer Jay Simpson
  71. Unique ID's on CDs by FuzzyDaddy · · Score: 2, Informative
    My understanding of the CD manufacturing process is that the aluminum is formed in a press, which allows you to quickly make zillions of identical copies, but does not let you make small variations in copies. (As opposed to, say, microprocessors, which all have small amounts of non-volatile memory which can be programmed.)

    I believe this is why some software includes a key on a sticker that you have to type in. The CD will recognize a whole bunch of keys, but by entering the one on the sticker, you give your software an ID number.

    This being said, I don't think we are in immediate danger of getting unique ID's on CDs. Unless someone knows if there's a manufacturing process for writing small amounts of data on a mass-produced CD?

    --
    It's not wasting time, I'm educating myself.
    1. Re:Unique ID's on CDs by anon*127.0.0.1 · · Score: 1

      They're talking about imbedding ID codes in electronic files being transmitted over the internet, not CD music. Presumably the paranoid can still go out and buy the CD and get a copy of the song without an ID code.

      --
      I am NOT a man!
      I am a free number!
  72. How's this going to work? by telstar · · Score: 2, Insightful

    These geniuses can't even keep their website online, and now they plan to keep an track-ID database running? I'll believe it when I see it.

  73. Simple by Stoutlimb · · Score: 1

    They invoke the DMCA.

  74. The next step by Bendebecker · · Score: 1

    The next step of course: Every cd player and mp3 player can only play GRID'd files!

    --
    There's a growing sense that even if The Future comes,
    most of us won't be able to afford it.
    -- Lemmy
  75. The sky is falling, the sky is falling! by frumiousbar · · Score: 5, Insightful

    My god, from reading this thread you'd think this identifier is the work of satan or John Ashcroft (redundant?). People, before posting the standard knee-jerk reaction to something, why not do a little research.

    This is a harmless number & metadata scheme that is intended to identify electronically distributed content since the existing identifiers (e.g. UPC and ISRC) have limitations that don't satisfy the needs of content owners, publishers, and retailers. I was involved in the project so I know first hand this has nothing to do with P2P or consumer tracking.

    1. Re:The sky is falling, the sky is falling! by no_opinion · · Score: 1, Funny

      Dude, this is slashdot. No one actually reads the RIAA related stuff, they just whip out the conspiracy theories, flames, "here's how we can keep stealing music without being tracked" and "p2p is not stealing" posts.

      The time of cognitive dissonance is long gone. This topic has no room for logic - slashdot has moved onto emotion and rationalization.

    2. Re:The sky is falling, the sky is falling! by Anonymous Coward · · Score: 0

      "the work of satan or John Ashcroft (redundant?)." ...speaking of knee-jerking...

  76. Re:firewall. Works great by RobotRunAmok · · Score: 1

    ...until they embed this Digital Rights Restrictions nonsense into WinXP as an essential service

    WinXP?! Because...?

    Best to load a different OS, no?

    Light a candle rather than curse the darkness, and all that...

  77. what's next? by porky_pig_jr · · Score: 2, Funny

    I am looking forward having MY (as a customer) personal tracking number assigned to me and embedded in my body as a microchip - courtesy of RIAA.

  78. Less complicated... by Anonymous Coward · · Score: 1, Interesting

    Oh my shades... when will these guys realize that the bulk of sales come from word of mouth and it is "Convenience" which promotes and sells a product. What they need is something so convenient that people won't use file sharing... why would someone spend 20 minutes downloading music and burning it when they could have what they want on a format which is quicker.

    I would love it if they would adopt some sort of Secure Digital card format... I could buy tracks and throw them on there.. quick.. no loss of quality.. no CD to skip.. I could update online, at an HMV or at a kiosk... how would I pay? Credit card, pay cards (like phone cards), or heck.. debit...

  79. Well, unfuck took 24 whole hours. by Unknown+Poltroon · · Score: 1

    I give it 25 minutes till its cracked, another 4 hours for the Windows GUI app to come out.

    --
    All Troll + "offtopic" mods are meta moderated as "Unfair", because you abused the system.
  80. What if a hacker puts stolen music on my computer? by Obvious+troll · · Score: 1

    They might make a virus to do such a thing!

    Would a jury believe that in a court of law???

  81. Fair Use vs. Piracy by siskbc · · Score: 2, Interesting
    Now, of course, this is my take on the matter, not theirs...

    I think, as someone mentioned in reply, that the difference is one of scale - if they were to only go after the big fish, it would effectively weed out the pirates from the multiple site users. One brightline would be a P2P server - that can pretty much be assumed to be piracy in most instances (if the RIAA can SEE the server, it's public)

    Naturally, what this comes down to is "will they EVER endorse fair use." My plan assumes they do, or would - after all, if they can nail pirates, what's the harm in fair use? It completely negates all their arguments except one...namely, that they want us to buy a separate copy for every place we want to listen to the song.

    I didn't express it well in my original post, but if the community accepts the tags, it would serve as a perfect litmus test for where the RIAA stands on fair use when the spectre of piracy has been dealt with. In other words, I like the tags idea because it strips them of excuses. We know that "anti-fair-use" is already the position of the MPAA, as Jack was kind enough to provide great quotes like "What is fair use? There's no such thing..." and "If you lose your copy, you buy another..." Let's see where the RIAA stands on this when piracy goes out the window.

    --

    -Looking for a job as a materials chemist or multivariat

  82. online usage is by Archfeld · · Score: 0, Offtopic

    MUCH MUCH safer than using a credit card in a resurant. 70% of CC # theft and fraud can be traced to in-hand usage by a LIVE PERSON, out to rip you off. Next time you are in a your favorite bar or resturant, look closely at the help, odds are at least half of them are on the take somehow.
    This gives new meaning to your tip...

    --
    errr....umm...*whooosh* *whoosh* Is this thing on ?
    1. Re:online usage is by Anonymous Coward · · Score: 0

      Next time you are in a your favorite bar or resturant, look closely at the help, odds are at least half of them are on the take somehow.

      Yikes. I thought I was a cynical, mean-spirited asshole. I hand the crown to you.

  83. Grid? by nikitin2k · · Score: 1

    Didn't RIAA just spell greed wrong?

  84. Geniuses -- will they patent it? by alphameter · · Score: 1

    How long did it take for them to invent the song id?

    Ftards.

  85. the analog hole by circletimessquare · · Score: 1, Redundant

    no one can take potshots at the golden "analog hole", it remains untouchable.

    any audio file, i don't care how well you secure it, has to be turned into an audio signal at some point to be understandable to the human ear. at which point, the signal can be copied. this will never be preventable or difficult to do for any vaguely committed technically clueless wannabe music pirate.

    you are talking about the skillset and the resource level of your average 13 year old. the same 13 year old who has the deepest desire for pop music, and the least amount of money. put 2 and 2 together and you get the downfall of the riaa right there in a nutshell.

    when will the riaa get this clue? i mean c'mon, talk about fighting historical inevitability.

    what next? implant digital audio chips in people's eardrums and transmit the data through 802.11/ bluetooth?

    wait, forget i asked, i don't want to give the recording industry police any ideas... they are so stupid, they'd probably propose that as a reasonable solution ;-P

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  86. This could be really dickly... by Anonymous Coward · · Score: 0

    I can imagin the RIAA putting this technolagy to use in ways other then there recommending. No im not speeking about your standard "you have one, time to blast down your door with C4 and confiscate your compiteR" style though.

    They could end up doing something alone the lines of "Well (random artist) since your music is being stolen and you dont care, we will subtract whats taken from your income as to cover our costs"

    Then they put the responsablity in the artists lap, and now we actaully are REALLY kickin the asses of the artists.

    Granted a bit far fetched but i can imagin it.

  87. Bingo! by Glonoinha · · Score: 1

    And this is pretty much the truth after the concept is boiled down to brass tacks.

    Somebody finally got it right.

    --
    Glonoinha the MebiByte Slayer
  88. oh man by LittleBigLui · · Score: 1

    you mean i have to install windows to understand that posting?

    what has slashdot become... *shakes head*

    (no i don't wanna troll. just please someone tell me what it meant)

    --
    Free as in mason.
    1. Re:oh man by T3kno · · Score: 1

      it's funny that I do all of my /. posting on linux too. Old old sig.

      ( B ) = Beer
      ( D ) = Drink
      ( K ) = Kiss
      ( & ) = Dog

      If that helps.

      --
      (B) + (D) + (B) + (D) = (K) + (&)
  89. Heh... by FatSean · · Score: 1

    Yeah, but what about all those other countries sharing a continent with France?

    --
    Blar.
    1. Re:Heh... by unitron · · Score: 1
      "Yeah, but what about all those other countries sharing a continent with France?"

      We should send all of them a nice sympathy card?

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

  90. Of course not, this is Slashdot. by Anonymous Coward · · Score: 0

    Spout opinionated FUD first, then don't admit being wrong later. That's the Slashdot way.

  91. And given X copies of exactly the same song by Anonymous Coward · · Score: 0
    How hard is it going to be to reverse-engineer the encoding and break the scheme?

    It's ludicrous to give access to hundreds of millions of copies of an encrypted message along with tens of millions decryption devices and expect the encryption to remain unbroken.

    This one's even easier to break: the same original message (song in this case) produces different results, but results that must produce pretty much the same sound when decrypted (played via a CD player...).

    1. Re:And given X copies of exactly the same song by morcheeba · · Score: 1

      Actually, you don't even need to crack it... you just have to mess it up. For example, you could combine 3 copies of the same song and hopefully lose the tracking info.

  92. Re:firewall. Works great by Anonymous Coward · · Score: 0

    Trouble is, if you don't let it make the connection, you won't be able to listen to the song. Firewall's not very useful then, it it?

  93. Unintentional /. Troll Topic by sstamps · · Score: 4, Informative

    No and yes. This is simply a way for the INDUSTRY to track what the hell they are selling. Like the article says, it is akin to a UPC code. UPC codes are not unique across all boxes of cereal, but only across specific SKUs, like between 20 oz Cheerios, 40oz Cheerios, and 16oz Count Chocula, for example.

    For you geeks out there, it is a CLASS_ID, not an OBJECT_ID, meaning that the number will be the same across all instances of the class.

    For example, when a consumer goes to hoohaa.com and purchases an audio track from the latest Hoodies album, hoohaa.com's product database will contain an SKU number to track the PURCHASE so that they can report to the vendor how many tracks of that song were sold so that the artists (the "manufacturer") can get their money. It MAY be included in the track itself, but it would make it easier to automate the process, since the product itself can be polled when they put the track up for sale online, and no one has to manually enter the number. The number should not vary from track to track of the SAME EXACT song. They may put in a serial number in the download, but that would be something completely different than what they are talking about here (and easily foiled for piracy tracking purposes).

    All they are doing is Standardizing the domain of these ID numbers across the entire industry so that the money from the sale goes into the right pocket. This is ESPECIALLY important where there is no tangible object being sold, and thus, no purchasing audit trail from the reseller to the vendor.

    Sounds like a smart system to me, and one that has nothing to do with our "online rights"; at least no moreso than the computer industry standardizing on Tech Data's SKU numbers for ordering computer parts. Hmm. Wouldn't that be cool?

    --
    -SS "Teach the ignorant, care for the dumb, and punish the stupid."
  94. They already have some like that... by Scott+Hale · · Score: 1

    Number nine.... number nine.... number nine....

  95. I prefer the term realist by Archfeld · · Score: 1

    on a side note, I do TIP WELL, can we get this crown sized, it pinches a bit on the temple...

    --
    errr....umm...*whooosh* *whoosh* Is this thing on ?
  96. Read the article by jascat · · Score: 1
    This isn't a way to keep track of downloaded files from P2P networks. This is a standard way for online sales to be tracked. This is going to be something probably integrated into the backend processing of online orders for downloaded music purchased from a site. This will be like a standardized counter so the RIAA and the artists they represent can get their appropriate cut without having to deal with hundreds of home made systems.

    Read the article next time...

  97. Re:My Brother Is My Cousin by Anonymous Coward · · Score: 0

    The Link for the Lazy. No karma whoring...

  98. RIAA still doesn't get it by dcavanaugh · · Score: 1

    "But all that means here on Slashdot is that the people who, without meaning it a bit, have been saying 'if you don't want us 'sharing' your IP, come up with a way to vend it to us' will now have to tone it down a bit."

    That's part of the solution, but not the whole thing. The file format needs to be MP3, the restrictions need to be GONE, it needs to be a flat rate, and it must be viewed as a small fee for a small convenience (because that's all it is). At long last, the real market value of individual songs must be addressed. Consider this: If the recording industry had simply cut a deal with Napster and charged $5/month for an "all you can eat" plan, they would get about $150 million per month, as opposed to the $0 they get now. No matter how you slice it, the recording industry has ALREADY squandered over a BILLION dollars in money that they COULD HAVE HAD, for P2P activity that they KNEW would happen ANYWAY! That's alot of money to piss away! Hillary is on the way out (fairly or unfairly) because SOMEONE has to be held responsible for one of the foolish decisions in the history of business.

    RIAA doesn't seem to realize that the name of the game is to get the most money. Sometimes this requires sharing the revenue stream with others. If my choice is to accept 50% of a $2 billion market, or retain my 100% share of $0, simple math dictates the answer. I feel entitled to 100% of everything, I have to find away to put my emotions aside long enough to take what is there to be taken instead of agonizing over what the other guy is getting.

    At this point, no matter what RIAA does, it will be damn near impossible to earn back even a fraction of what they could have had if they kept Hillary on a short leash. Notice, they are still on the wrong track. Getting paid for every single transfer is nowhere near as important as getting something from everyone who shares.

  99. you are teaching your kid stealing is ok by Anonymous Coward · · Score: 0

    hey -- you might as well tell him to steal a car because at 20 hours a week, he sure can't make a car payment.

    what a load of crap

    this is completely different than someone who already BOUGHT the music and wants to have it at home and portable too.

    your son is stealing stuff, and it sounds like you think it's great that he's so smart and sticking it to the man.

    whatever...

    1. Re:you are teaching your kid stealing is ok by pair-a-noyd · · Score: 1

      I didn't teach my kid such thing. He learned it on his own. I use Linux and I don't pirate software or music. I don't even listen to music.

    2. Re:you are teaching your kid stealing is ok by Anonymous Coward · · Score: 0
      So what? You obviously speak as though it's no problem even though copyright infringement is illegal, and punishable by law.

      It's people like your son that make the RIAA implement stupid control schemes and bring multiple law suits...

    3. Re:you are teaching your kid stealing is ok by Anonymous Coward · · Score: 0

      yeah -- even though you say you are a luddite and hate computers, I bet you and your son would be
      upset if I decided to come over and help myself to your dinner and whatever I can find lying around.

      you are misguided and plain wrong. but what comes around goes around.

  100. RIAA is stupid, not smart by Anonymous Coward · · Score: 0

    RIAA might not be smart but they aren't really stupid.

    no -- the RIAA is probably the stupidest group around these days. They have spent millions of dollars on lawyers to drive away all their customers.

    that's really stupid.

    The most clever thing they have been accused of doing is tainting the p2p files with bogus mp3s. But, it turns out that was a hoax on a reporter who was so excited by the idea that he ran with the story.

    The stupid thing about the RIAA is that now that this p2p tainting idea is out, they are considering using it to further harrass their customers.

  101. what they really saw.. by Anonymous Coward · · Score: 0

    they saw that way cool comercial for microsoft .NET.
    With the old guy telling him what would be cool, and the tech guy producing it, with microsoft products.

    "thats cool"
    "cool"

    i could go on, but no..

  102. depends on how your encoder is programed. by twitter · · Score: 1
    Not likely. MP3 is a lossy compression. The "secret bits" would be at the mercy of the MP3 compression scheme rendering them useless.

    Not if your encoding program respected the number. YOu know it's illegal to have an unlicensed MP3 encoder don't you?

    For the rest of us, this could be a RIAA stamp of approval, unless the RIAA wants to make the ID non unique.

    --

    Friends don't help friends install M$ junk.

  103. more likely. by twitter · · Score: 1

    M$NBC got it all wrong because that's the way Media Player worked, remember this and other stories about Media Player making lists of all the stuff you play? M$ never said they were tracking anyone nor did they ever own up to it, did they?

    --

    Friends don't help friends install M$ junk.

  104. Re:Sure beats the old method by Anonymous Coward · · Score: 0

    It's that time again!

    The 33rd Daily Retarded Fucking Moderator awards!

    Would the moderator who modded this joke flamebait like to step forward and receive their prize?

  105. too much...BS by frovingslosh · · Score: 1
    This isn't designed to stop piracy. All it is is an inventory/sales tracking mechanism. The unique ID is generated and saved for each download of a particular song. So at the end of the month they can say song "X" had such and such amount of sales. From there they can divy up the money.

    And you believe they need to go to the extra effort of putting a unique download ID on each file just so they can count how many they have downloaded? Can you explain why they would need to uniquely mark the files just to count how many they sent? Everyone who believes this, please get out of the gene pool.

    --
    I'm an American. I love this country and the freedoms that we used to have.
    1. Re:too much...BS by Lawbeefaroni · · Score: 1

      To...protect...against...retailer (you can call them an etailer if you prefer)...fraud.

      I'm not blind to probable secondary uses (ie. stopping you from leeching) but as has been pointed out, this would only stop casual file sharers. If you think this will stop piracy, perhaps you should step out of the gene pool.

      --
      "When it rains, it pours." --Morton's Salt
  106. Jurisdiction by davesag · · Score: 1
    When the RIAA finds your file floating around the global P2P networks, they will read the ID, use it to identify you, and then release the DCMA on your ass.

    not without global jurisdiction they won't. The DCMA only applies to amerikans. - for now.

    --
    I used to have a better sig than this, but I got tired of it
  107. Screw MP3's then by SomeoneGotMyNick · · Score: 1

    Maybe OGG will become the de facto standard then.....

  108. Here's your counterpoint to all this... by Anonymous Coward · · Score: 0

    ...http://www.highcriteria.com

    Buy Total Recorder, Standard Edition - it's only 12 bucks American. Then you can capture any sound that goes to your soundcard and then do anything you want. Freedom.

    I have nothing to do with these good people, I just love the product. Really.

  109. Why copyrights should be loooong, not 10 yrs. by Anonymous Coward · · Score: 0

    And go to the artist only. I was flipping through the channels a couple of weeks ago. Celine Dion was on VH-1. She was singing AC/DC's "You Shook Me"

    Brian Johnson should have some legal recourse to sue the living shit out of her.

  110. H.R. Geiger Is My Cousin by Acidic_Diarrhea · · Score: 1
    The issue is that you tried to use a flawed argument to refute me. That was unwise, considering the size of my dick. My dick is huge and I was forced to flop it down on your face. I realize that you don't really want my dick on your face (you're a pansy but you're not a gay pansy) but it had to be done. You have to realize that in a piss fight, I can urinate on you a whole lot more than you can urinate on me. Now, I hope you learned a lesson.

    If you want to make a slippery slope argument, you need some type of past precedence to cite concerning an entity's behavior. You did not do this. You failed to satisfy any of the needs that would make a slippery slope argument even a bit reasonable. You failed, miserably. When people fail, it makes me want to take a big dump on their faces. But, I was merciful on the day you tripped and fell in your posting attempts. I did not defecate on your face. I chose to instead slap you in the face with my dong. You will learn from this experience, I hope. Unless of course you are some piece of trash - did your parents divorce? If they did, you were the cause, asshole. You drove two people who loved each other apart! You fucking ass-goblin! What an awful thing to do, especially as a kid. You should feel shame! Okay, I think I've explained life to you enough for today. Expect more lessons later my nigga.

    --
    I hate liberals. If you are a liberal, do not reply.
    1. Re:H.R. Geiger Is My Cousin by vistic · · Score: 1

      It's Giger, not Geiger.

      I assume it's through your or his mother (or both) that you two are cousins, or else it's doubly odd you can't spell your own last name.

  111. update: OHNM by gregmac · · Score: 1

    I emailed Alan Cross to see if there were transcripts of that show available, but according to him, due to copyright issues they can't do that. Maybe they will replay it at some point. If you happen to live in Ontario, there are also some other stations that air the show.

    --
    Speak before you think
  112. Tim Leary Is My Cousin by Acidic_Diarrhea · · Score: 1

    No, my cousin is named H.R. Geiger. I think you're confused. Who is this Giger character you speak of?

    --
    I hate liberals. If you are a liberal, do not reply.