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CD-Rs and MP3s Not Hurting Record Sales

David Gerard writes "Forget the industry shills' spin - the numbers prove that, for Australia, CD-Rs and MP3s are not hurting record sales in the slightest - based on a recent Australian Record Industry Association survey. It would be interesting to see what the numbers for the US or UK say."

303 comments

  1. mp3s helped my sales! by acefantastik · · Score: 5, Interesting

    Yep, my band has had a bunch of sales becausepeople can hear it free on my site, and I welcome trading. If you can hear it before you pay for it, and you like it, chances are you'll pay for it. I have several more dollars for beer and guitar strings due to internet sales. Thanks, Al Gore!

    1. Re:mp3s helped my sales! by Negatyfus · · Score: 3, Funny

      Dude! Great way to unconspicuously promote your band! If I had a band I would be so mentioning my band in every sentence of my Slashdot post! What a good idea to direct people to two death metal MP3's free for download. Heh.

    2. Re:mp3s helped my sales! by turnstyle · · Score: 1, Troll
      "Yep, my band has had a bunch of sales because people can hear it free on my site, and I welcome trading."

      But did you post a full CD worth of music, or just a few select tracks?

      Do you think you should be able to make that decision?

      Assuming that you only put up a limited selection, is it ok if people go ahead and share the rest of your music anyway?

      Do you only welcome sharing work that you first decided to share, or do you also welcome sharing of all of your work, regarless of whether you decided to share?

      "If you can hear it before you pay for it, and you like it, chances are you'll pay for it."

      Well, that's just sillyness. If they already have what they want, they're not going to come back and pay if given a choice not to.

      --
      Here's what I do: Bitty Browser & Andromeda
    3. Re:mp3s helped my sales! by acefantastik · · Score: 1, Informative

      Yes, Yes, Yes, and Yes. I rotate which of my tracks are available for download from my site, but all of my tracks are available in my shared kazaa folder. Since i am the writer, copyright holder, and recordings owner for my music, i absolutely have the right to decide how it is used. i didn't sign a bad contract, and therefore, can give it away, sell it, remix it, whore it out, or keep it private.

    4. Re:mp3s helped my sales! by turnstyle · · Score: 1
      "Yes, Yes, Yes, and Yes. I rotate which of my tracks are available for download from my site, but all of my tracks are available in my shared kazaa folder. Since i am the writer, copyright holder, and recordings owner for my music, i absolutely have the right to decide how it is used. i didn't sign a bad contract, and therefore, can give it away, sell it, remix it, whore it out, or keep it private."

      Actually, you seem to be saying: Yes, No, Yes, and Yes

      If you're saying that it's ok for people to go ahead and share copies of your work that you decided not to share, then you're saying that you don't want to be the one making that decision (or at least you're saying that your decision doesn't mean much).

      You said that you decided to share all of your tracks, but what if you only decided to chare half of them?

      btw, why bother rotating the tracks on your site? Why not just keem them all there, especially if you keep them in other (ie Kazaa) shared folders?

      --
      Here's what I do: Bitty Browser & Andromeda
    5. Re:mp3s helped my sales! by Kris_J · · Score: 2, Insightful
      "If you can hear it before you pay for it, and you like it, chances are you'll pay for it."
      Well, that's just sillyness. If they already have what they want, they're not going to come back and pay if given a choice not to.
      Let me guess, you're a young American. Here's a clue. People do things not just for reasons of money. Bonus clue: Some people understand the power of money and spend it for reasons other than direct personal gain.

      Also, some people aren't so short sighted as to believe that an immediated apparent financial gain is always the best course of action for the long time.

    6. Re:mp3s helped my sales! by tibman · · Score: 1

      Well, that's just sillyness. If they already have what they want, they're not going to come back and pay if given a choice not to.

      Guess you haven't ever supported your favorite linux distro then, have you?

      ..I proudly wear my gentoo shirt everywhere

      --
      http://soylentnews.org/~tibman
    7. Re:mp3s helped my sales! by turnstyle · · Score: 1
      "Guess you haven't ever supported your favorite linux distro then, have you? ..I proudly wear my gentoo shirt everywhere"

      Honest now:

      What percent of users do you think voluntarily contribute to their favorite distro?

      What percent would you consider a 'failure'?

      What about all the other, smaller projects -- just ignore them?

      How much do you think that t-shrit sale brought into the Gentoo project? Cafepress isn't the new global economy... ;)

      --
      Here's what I do: Bitty Browser & Andromeda
    8. Re:mp3s helped my sales! by acefantastik · · Score: 1, Informative

      *if* i decided to share only half of my tracks, i'd have to keep the other half unrecorded, or at least, unreleased. The moment i chose to share my music with the world was the moment that i chose to spend money producing a professional recording. I wanted people to hear all of those songs, so i bothered to release it in a format-Compact Disc-where it could be heard and shared by a wide audience. If i didn't want people to hear some of the tracks, what is the point of releasing them? at my level, sharing of my music benefits me, because not having a 'name' label or 'cool' magazines hyping me, i rely on word of mouth and free preview to attract new fans. I'd prefer it if people were sharing and spreading it around for me, saving me bandwidth, effort and money. I love that i get emails from strangers who have heard of my music and it didn't cost me an arm and a leg to get my music in touch with them. Its a cliche at this point, but the community of friends that i've made via email through my band's website is something organic that no label could have paid for. The reason i rotate the songs i keep on my site is simply a design and bandwidth thing. i try to keep up tracks that are being played on internet radio or were written about on other sites. If i can encourage people to download my music from a filesharing program, it takes the strain off of the server here (not that i'm blowing it away with my 30 daily downloads). Maybe if people like it, my hope is that they'll also check up on my site again. Those who like what they here enough are given the option of A) finding more on Kazaa and other p2p options B) emailing me to ask for more or C) buying an album on compact disc, thus getting a free plastic case and some pretty graphics on the CD face and all the fair use rights in the world.

    9. Re:mp3s helped my sales! by turnstyle · · Score: 1
      "*if* i decided to share only half of my tracks, i'd have to keep the other half unrecorded, or at least, unreleased."

      Huh? You're saying that everything you release you must also give away for free?

      You must know that lots of musicians decide to share a few tracks, and save the rest for their CDs. Are you saying that in such cases, it's ok to share those un-shared tracks anyway?

      --
      Here's what I do: Bitty Browser & Andromeda
    10. Re:mp3s helped my sales! by acefantastik · · Score: 1

      i'm only applying my rules to my music, which i own all the copyrights and publishing rights to. but i'm also facing up to the reality that if i put out a CD, its more than likely that all of the tracks will be available for downloading, somewhere. For me, this if fine and good, because i'd rather have fans than cash. In a perfect world, the appropriate mechanical and performance royalties could be assesed and paid out for all commercial internet transmissions, but until then, i am content to spread my music for free,and still hope for CD sales, t-shirt sales, concert attendance, and a growing fan base, which will lead to 'commercial' media coverage, which will lead to incresing listenership, CD sales, etc. If not, i still can enjoy what i do. For met to apply the rules i hold to my music to artists who sign contracts that specify particular restrictions on free filesharing and downloading is not germane. As for other 'indie' artists who can share it all, but decide to share only a few tracks, then save the rest for their CDs? Maybe they could put a "please don't share these tracks on the internet" warning sticker inside their CDs. but in my particular situation, i'd prefer to share. I don't know how i'd feel if i were trying to sell a million discs, but since i'm only trying to sell a few thousand, i feel as if my method is helping, not hurting, my sales. I do know that if were in a position to sell a huge quantity of discs, i would have a higher budget than i have now, and i would have other aveunes aside from word of mouth to expose my music. i base this on my own purchasing habits--i buy a lot of indie rock once i've heard the mp3s.

    11. Re:mp3s helped my sales! by turnstyle · · Score: 1
      But you seem to be avoiding the question -- do you think it should be your decision to make?

      If you record a CD, should you be allowed to choose which tracks to share, and which not to?

      Again, you may choose to share all of your music -- but the question is: should that be your decision to make?

      --
      Here's what I do: Bitty Browser & Andromeda
    12. Re:mp3s helped my sales! by acefantastik · · Score: 1

      Yes. It should be the decision of the owner of the copyright and the publishing rights whether or not to endorse free downloading and filesharing for each particular track.

    13. Re:mp3s helped my sales! by turnstyle · · Score: 1
      "Yes. It should be the decision of the owner of the copyright and the publishing rights whether or not to endorse free downloading and filesharing for each particular track."

      And I agree with you, but that puts you on the unpopular side of the file-sharing debate...

      --
      Here's what I do: Bitty Browser & Andromeda
    14. Re:mp3s helped my sales! by cyfan2000 · · Score: 1

      I agree! When Napster was in full bloom I was downloading music AND buying CD's from artists I normally would not. (Like Wu Tang Clan, for example.) Without the ability to download, I don't listen to music that much anymore. Who's gonna pay $15 for a CD of an artist they don't know of?

    15. Re:mp3s helped my sales! by macdaddy357 · · Score: 1

      True. Napster was the greatest form of promotion that the recording industry ever had, and they looked a gift horse in the mouth. They didn't even have to give Napster payola like they do with radio. They even made "copy protected" CDs that won't work in a cd-rom drive to keep people from sharing their music on Napster. Now, they have millions boycotting them. Stupid recording industry! Read more at dontbuycds.org

      --
      How ya like dat?
  2. old news, but... by tuxette · · Score: 3, Insightful
    ...every time I read something like this, the report is from a different country than last time.

    So to the RIAA - the WHOLE WORLD is proving you wrong!

    --
    People say I'm crazy, I got diamonds on the soles of my shoes...
    1. Re:old news, but... by Overly+Critical+Guy · · Score: 1

      So you honestly believe that, given a choice between downloading an album in 10 minutes and going to the store to buy an album for $10, someone would choose the latter?

      Wow, an Australian report showed sales going up instead of down. That one little study sure proves the logic wrong there.

      --
      "Sufferin' succotash."
    2. Re:old news, but... by Anonymous Coward · · Score: 0

      There was evidence to prove that Overly CriticalGuy is a lying cocksucker, but he deleted it. Think independently.

  3. preaching to the choir by McDrewbie · · Score: 4, Insightful

    this is basically giving proof for what most of slashdot already knew. I for one bought more cd's in Napster's hey-day then I do now.

    1. Re:preaching to the choir by Ian.Waring · · Score: 2, Interesting

      I remember a piece of excellent work done by Claire Enders (who used to do strategy work for EMI Music before setting up her own consultancy - Enders Analysis) on the effect of P2P services on the UK music industry.

      The bottom line was that everyone made more money, consumers got more choice, and sampling (and buying) of CDs got distributed over a wider cast of artists. The only exposure was with the top few artists at each of the top 5 record labels, which she thought would be very influential on the way the industry would behave. Unfortunately, a significant share of most record labels profits come from very few artists.

      Given the way things played out, she was right on the button. And it remains the only analysis i've ever seen that was based on raw numbers rather than "industry sponsored views"...

    2. Re:preaching to the choir by fucksl4shd0t · · Score: 5, Insightful

      The bottom line was that everyone made more money, consumers got more choice, and sampling (and buying) of CDs got distributed over a wider cast of artists. The only exposure was with the top few artists at each of the top 5 record labels, which she thought would be very influential on the way the industry would behave. Unfortunately, a significant share of most record labels profits come from very few artists.

      Record company thinking is a dinosaur. I have labeled the very last sentence in your post as the "rock-star mentality", and it is identical to the "home-run mentality". :)

      Basically, the record-company is stuck in the rut of trying to make rock-stars out of musicians, and pushing every musician they can to stardom. Statistically, this model fails because only a very select few, determined by market forces, will become a "hit". The industry can impact that, to some extent, and they do try, but in the end it's market forces that dominate the next big thing. It always is. I suggest that dropping CD sales is mostly due to the record industry trying to make the next big hit, rather than trying to find out what it is.

      I think the record industry needs to drop the rock-star mentality and go for the muffler man mentality. This requires more description:

      Back when I did exhaust work, I worked with a guy who didn't want any of the "small" jobs. The setup was this: When a job sold, the ticket would get hung on the wall in shop. We (the mechanics) would take them each in line. When you finished a job, you grab the next ticket in line and start working on it, no matter what it is. We made commission, no hourly or salary pay, so we got paid (theoretically) for what we were worth.

      So, this guy decides that small jobs are a waste of time and he only wants to work the big jobs. He did a few brake jobs that day, and one of the higher-priced exhaust jobs. He cherry-picked. ;) He hovered close to the tickets and would slow down his work until the next ticket was a high-dollar ticket. Then he would crank it up, finish his job, and grab it before someone else got to it.

      That left all the small jobs for me and the other guy. So I busted my ass and did as many of them as I could.

      At the end of the day, I had done $1,400 worth of work (earning 14% of that), while the cherry-picker had only done about $900.

      His was the "rock-star mentality", and mine was the "muffler man mentality". It compares nicely with grocery stores who only get 3% profit on gross sales, and take a loss on many of the individual products in the store! Yet they rake in millions each year!

      The recording industry needs to take a lesson from all of this and focus more on getting all of their music to sell rather than pushing the Next Big Thing. People have diverse interests, and any investor will tell you to diversify your holdings. Why does the record industry insist on focusing on less than 10% of their total catalog? Because it makes money? I'll bet that they'd make a LOT more money if they focused on getting their whole catalog to sell and worried more about gross sales than they worry about individual musicians. And that's where P2P file sharing becomes an asset in their marketing strategy, rather than the liability it poses now.

      Make no mistake: P2P does represent a liability to the record industry. Ultimately it might well result in their downfall. Not through immoral piracy, but simply because customers don't give a shit about the industry, they care about the musicians that make the music, and they will support those musicians. Historically, all of the big rock bands to come out that have shown staying power started by building their own following. Aerosmith wasn't an overnight sensation, neither was Metallica. Both of them worked their asses off for years, making shit for pay, until they finally had enough of a following to be viable bands to the record industry. For all those years, they were classed in the 90%+ of

      --
      Like what I said? You might like my music
    3. Re:preaching to the choir by Neophytus · · Score: 1

      2003 was the best year in decades for album sales in the UK. People have finally figured out that singles arn't worth their cash.

    4. Re:preaching to the choir by Anonymous Coward · · Score: 0

      Ya, but what about the days you worked your ass off and made less than him?

      I work in a small print shop, and while any work is good when it's slow, the mentality rings true: "I don't want to work more to make more money, I want to work less to make more money."

      Do I want to take on fifty small business card orders I have to take the time to process, typeset, send (and wait on) proofs, when I can sell a large carbonless order that is a larger ticket item (with the same markup on paper costs, more or less) than all of them, that runs on one machine, with one setup, requiring one operator (think 1 band, 1 album, 1 song)? The formula changes some when you're a big business (paying someone else to handle the volume, which does give more weight to your argument), but you get the idea.

      It sucks, it's business.

    5. Re:preaching to the choir by fucksl4shd0t · · Score: 3, Interesting

      Ya, but what about the days you worked your ass off and made less than him?

      I *never* worked my ass off and made less than him. At least, in the muffler business, laziness gets quickly beat out by the market itself. People want their cars fixed *now* and don't have time to wait. If you want to slog your way through the job, work less and get paid more, it's just not going to happen.

      I've put out what I consider a half-assed effort and still made more than him. :) The only time I made less than him was on the slow days when it was just the luck of the draw. On any busy day, I beat him hands down, and usually topped the shop. In a different shop, in the same company, I didn't top the shop every time it was busy because there was real competition with the other mechanics. In that place, I found that I made more money being a team player than fighting over work. If I helped a guy out on a job, he wouldn't have a problem helping me out when I needed it. More, he would even be willing to give up a job or two on a slow day to give me beer money or whatever, because he knows he can depend on my help.

      Cutthroat competition can be fun, but isn't usually the best way to get the job done. :)

      The formula never changes: volume is where the money is. It's volume that makes manufacturing work in the first place! Without volume, there'd be no need!

      Now, I certainly sympathize with your statement about the printing industry, and it is a different ballgame than mechanic work. But in the end, it's still volume that pays the bills, pays the workers, puts food on the table, and so forth. Sure, when it's busy you might be inclined to pass up the small print run. Then, when it's slow, you can be certain the small print run won't come back to you when you need it. They'll remember how they were snubbed when you were busy. Passing up work for short-term gain always screws you in the long run, and the simple fact is, you can't pass up any work. Every piece of work you accept will affect you when it gets slow. In fact, by definition, the more work you take, the less slow you are. :)

      So, yeah, I can see the real business problem of passing up the small job for the big job. But it will bite you on the ass. Winter doesn't have to be biting. It's always slow in the winter. Hell, plenty of times I had work in the winter because I didn't pass up the work in the summer. That same guy didn't have any work when it got slow, and there were quite a few times when people showed up and asked for me to work on their car because I didn't pass them up for more money.

      --
      Like what I said? You might like my music
    6. Re:preaching to the choir by 16K+Ram+Pack · · Score: 1
      Unfortunately, a significant share of most record labels profits come from very few artists.

      Which is partly down to how major record companies behave.

      In the late 90s, something happened which I'd never heard of before - artists were not getting options renewed, even quite big ones. Record companies were ditching known commodities to concentrate on megastars. Probably to do with getting maximum ROI rather than dealing with a lot of small bands.

    7. Re:preaching to the choir by eyeball · · Score: 1

      I think the record industry needs to drop the rock-star mentality and go for the muffler man mentality. This requires more description:

      wow, that was brilliant. I love reading postings like that on /. that give me a new perspective.

      --

      _______
      2B1ASK1
    8. Re:preaching to the choir by Simonetta · · Score: 2, Interesting

      I feel that the record companies (is there still more than three or four companies that control the global music industry?) are losing a massive income opportunity by not taking advantage of the eighty-to-one price differencial between the old model of $18 CDs and $0.18CD-Rs filled with 700MB of MP3 music (at roughly 1.2MegaBytes per minute of 160-192kbps MP3 encoding).

      Whenever any medium goes through a digital transformation, it opens giant income generation possibilities after the massive development costs are met. This is not wealth transfer (such as people 'stealing' music by not buying the same dollar amount of music-per-minute as the RIAA claims) but actual wealth generation (the dollar value of the MP3s in $0.18/CDR format that people would have paid to the RIAA companies if the record companies had made this music available in the MP3/CDR custom selection format).

      My wild ass guess as to the price point for a CD-R with 13 albums (even assuming that half of the albums would have been the buyer's selection and the other half chosen by the record companies as a forced promotion of new bands) would have been about $3 per disk.

      This revenue of $0.25 - $0.50 per album (times the number of downloaded and copied songs - divided by the number of songs average per album) is the closest actual real amount of money that the record industry is allowing to slip away as a result of not embracing the MP3/CD-R format at a price that 'illegal' song downloaders would be willing to pay for product.

    9. Re:preaching to the choir by Oort+Cloud · · Score: 1

      I want to add something to yours too... going for quick short bursts of money is what brings the downfall of a lot of people. Take school for an example, there are people who have the flexibility to choose to work in low paying jobs and work your ass off in school in the hopes for a better future and yet they choose to find a "well" paying job right away and pretty much dump school aside. Sure, at the moment they may seem on top of the world as they do little work to make more money than their fellow peers, but in the long run, these people would still be close around the bottom and the people who worked hard both ways would make a lot more money when they finally graduated and worked over 15 jobs before. Besides that, there is a better benefit from working smaller jobs, you seem to meet interesting people who actually care and remember you and are also on their road to success. If you opt for big business, most likely they won't care about you or the job you are doing as long as you finish it and fast. Where as in smaller businesses, you are usually in contact with someone higher up. Who knows if in the next ten years the person with the smaller print job may become a significantly larger company. If I were to choose to work on 5 new very potentially positive companies or one large one, I would choose the small ones. For the large ones, they would just automatically switch to another firm if they offered better prices no matter how long you worked for them; in the smaller cases, these people would just stay with you cause you helped them out and there may be other personal side benefits(scratch my back, scratch your back). In my personal example, I was reluctant to work in a small pharmacy with relatively lower pay compared to my other friends but then I found out the networking of people that I met in the pharmacy was far greater: there was a lifer who worked there when he was in school and despite now working fulltime with Merrill Lynch, he still works in the pharmacy. Also, most of the sons, daughters, nieces and nephews are students coming out of Med school or Pharm school or already out and I have been in close contact with them from the small and comfortable atmosphere in the pharmacy. Not only that, these people are fresh out of University and show amazing potential on becoming something bigger; knowing these people in the beginning of their slow accent upwards. Also, the customers that I talked to and who regularly frequent the pharmacy also have links. Who knows what they will be when I finally graduate from university 10 years from now out of Med school. I like throwing my chips into a bunch of small highly promising people then one large and ignorant client. Who knows if your small job regular customer eventually became a CEO of a corporation. P.S. where do i find a mechanic like you around my neighbourhood

    10. Re:preaching to the choir by proj_2501 · · Score: 1

      singles have never been much more than promotional tools for albums anyway.

      (except in the dance music community when that might be all an artist releases, or there are nice remixes, of course)

  4. Uhhh ARIA said different. by Anonymous Coward · · Score: 2, Insightful

    ARIA (Australia'a RIAA) plainly stated barely 2 months ago that australia had had the worst sales of CDs in history in 2003. Is someone lying here?

    1. Re:Uhhh ARIA said different. by mabinogi · · Score: 2, Informative

      They probably said they made less money...which the article mentions..
      But that's from lower prices, not from lower sales...

      --
      Advanced users are users too!
    2. Re:Uhhh ARIA said different. by Gunz · · Score: 1, Informative

      The aria news site states: --- Internet file-sharing and CD burning have now been confirmed as having a negative impact on the Australian sales of recorded music, according to a ground-breaking study released today by the Australian Record Industry Association (ARIA). --- That was August 2002 - July 2003. Moving on further down the same news posting.... --- "More than 80 % of people who received burnt CDs say that they would 'rarely' or 'never' buy a copy of a burnt CD they had received. More than 50 % of file sharers tend not to buy music they have downloaded (ie. 'rarely' or 'never' buy)." --- No, I know I wouldnt "Pay" for a burnt CD.. I'd pay for the original item.. but never for "burnt CD". Wouldnt the be "burned" ? http://www.aria.com.au/news.htm

    3. Re:Uhhh ARIA said different. by Random832 · · Score: 3, Informative
      "More than 80 % of people who received burnt CDs say that they would 'rarely' or 'never' buy a copy of a burnt CD they had received. More than 50 % of file sharers tend not to buy music they have downloaded (ie. 'rarely' or 'never' buy)." --- No, I know I wouldnt "Pay" for a burnt CD.. I'd pay for the original item.. but never for "burnt CD". Wouldnt the be "burned" ? http://www.aria.com.au/news.htm
      read it again. it says they wouldn't "buy a copy of" [meaning, buy a legitimate disc] for something of which they had already received a CDR copy.
      --
      We've secretly replaced Slashdot with new Folgers Crystals - let's see if it notices.
    4. Re:Uhhh ARIA said different. by Crypto+Gnome · · Score: 4, Interesting
      ... lower prices ...

      I don't know what planet you're on, but I'm struggling to find these mythical "lower prices" I hear rumored.

      Yesterday I saw
      • at a retail music store
      • an actual current release album
      • with one CD (ie not a 2 or 3 CD set)
      • for (australian) $39 and change (for the USians out there, that translates to ~$30 US at current exchange rates)
      To my amazement I found that:
      • it was not diamond encrusted
      • it was not made of solid gold
      • it did not include oral sex from the cute chick at the counter
      I for one am struggling to find the value-for-money in this proposed transaction, so The Music Industry should not in any way be surprised to see "lower than expected sales" when they pitch suck LOONEY prices.

      Keep in mind, people....
      • a CD weighs approximately 0.56oz
      • An ounce of WEED (pot/hash/marijuana) can cost as little as $50
      • Those CDs you purchase cost ~$53/oz (ie more than pot)
      --
      Visit CryptoGnome in his home.
    5. Re:Uhhh ARIA said different. by Anonymous Coward · · Score: 1, Insightful
      it did not include oral sex from the cute chick at the counter

      Being a girl myself and just out of curiosity, I'd like to know how oral sex administered by a beautiful chick differs from that given by an average girl?

    6. Re:Uhhh ARIA said different. by Anonymous Coward · · Score: 0

      It gives a greater sense of satisfaction if you can get a beautiful girl to do it, because it's supposedly harder.

    7. Re:Uhhh ARIA said different. by Anonymous Coward · · Score: 0

      it did not include oral sex from the cute chick at the counter

      Pssst. Wrong counter. (looks up and whistles a tune)

    8. Re:Uhhh ARIA said different. by fucksl4shd0t · · Score: 1

      More than 50 % of file sharers tend not to buy music they have downloaded (ie. 'rarely' or 'never' buy)."

      Coincidentally, that matches the RIAA's claim that most of their music doesn't sell. Yes, ARIA and RIAA are two different organizations in two different countries, but let's look deeper at this. :)

      If the RIAA claims that 90%+ of their catalog will never sell in enough quantities to make an impact on their bottom line, than it also stands to reason that some huge percentage of music available for download *sucks*, and that people won't buy it no matter how they came across it. This holds up because *someone* buys a copy of every CD ever made, and for some reason or other, what is available for download on P2P seems to very much match what is available for sale, with the addition of many out of print songs.

      So, statistically, we can expect that 90%+ of what's available on P2P isn't worth buying, by the RIAA's own argument that 90%+ of their own artists aren't worth buying! With that reasoning, it's hard to believe that only 50% of downloaders don't buy most of what they download, because that implies that 50% of downloaders DO buy most of what they download. That translates ultimately to having downloaders by more music than ever before!

      Yeah, I know. Rhetoric only goes so far...

      --
      Like what I said? You might like my music
    9. Re:Uhhh ARIA said different. by Dashing+Leech · · Score: 1
      ... because it's supposedly harder.

      badump bump! (Good one, though probably unintended.)

    10. Re:Uhhh ARIA said different. by Anonymous Coward · · Score: 0

      he didn't say beautiful girl...he said cute chick.....which pretty much means an average girl

    11. Re:Uhhh ARIA said different. by iamwahoo2 · · Score: 0

      The problem with both this and the original article is that they both look at two numbers and try to assert that because either both change or both don't that they are or are not correlated. How many other market factors are there that should be considered? How about someone like me. I was still buying a bunch of CDs every year until the college students started getting sued for running search engines. I now boycott buying CDs and I HOPE that it does affect the RIAAs bottom line and I hope that more ppl would put there money where there mouths are and boycott something instead of just complaining about it. I was probably buying 10+ CDs a year. Haven't bought one now for over a year and a half.

    12. Re:Uhhh ARIA said different. by Datafage · · Score: 1

      Well, guys tend to be visually stimulated. A beautiful girl will make a guy hornier and the oral sex will feel better as a result. Also, stereotypically the beautiful girl will have done it to more guys and thus have more skill at it. The counterpoint to this is that an average girl may work harder at keeping guys than a beautiful one and thus have greater skill. A lot of it just comes down to guys prefering beautiful girls in general. (This post was written with much shame, as I'm a guy)

      --

      Nicotine free Amish .sig.

    13. Re:Uhhh ARIA said different. by yotto · · Score: 1

      The cute chicks get more practice?

    14. Re:Uhhh ARIA said different. by Ironica · · Score: 1

      This holds up because *someone* buys a copy of every CD ever made

      Well, not exactly. I used to work in a record store. We had two full-time employees that just worked returns... sending CDs back to the record companies. Granted, many of those were inadequately-marked promotional CDs brought in by local DJs to sell as used, but the DJs had no interest in playing the music, and we knew it wouldn't sell.

      Even so, we had a $2.99 bin of used CDs that we'd occasionally clean out the old stuff from and make coasters. (This is back in the day when new CDs were routinely $20 or so, and Wal-Mart and Target didn't exist in our market. I think that same bin is $0.99 now.)

      --
      Don't you wish your girlfriend was a geek like me?
    15. Re:Uhhh ARIA said different. by mabinogi · · Score: 1

      Well, I was only relaying what the article said...

      However, at least 50% of the CDs I've bough over the last year (about 20 or so) have been less than AU $20 and almost all have been less than $30, and they've all been pretty good, just not top 40 crap.

      And those that have been over $30 were relatively high demand, but low volume and from finland (Nightwish), so the logistics of getting them in stores in Australia probably the cause of the pricing.

      There's a lot of quality music for $20 and less if you look for it.

      BTW, what was the $39 album and where did you buy it? So I know what to avoid....

      --
      Advanced users are users too!
    16. Re:Uhhh ARIA said different. by Anonymous Coward · · Score: 0

      "More than 80 % of people who received burnt CDs say that they would 'rarely' or 'never' buy a copy of a burnt CD they had received. More than 50 % of file sharers tend not to buy music they have downloaded (ie. 'rarely' or 'never' buy)."

      Would be a useful statistic iff we knew whether they would have bought the original CD were the "burnt" version not available to them.

    17. Re:Uhhh ARIA said different. by BigAl_nz · · Score: 1

      ARIA (Australia'a RIAA) plainly stated barely 2 months ago that australia had had the worst sales of CDs in history in 2003. Is someone lying here?

      Worst sales of CDs in history huh ?

      Got the figures for sales of CDs in 1975 to compare to ?


      --
      --- There isn't any problem that can't be solved by a small, low yield nuclear device, is there??
    18. Re:Uhhh ARIA said different. by Anonymous Coward · · Score: 1, Funny

      Well, with a beautiful chick, you can stand to look down.

    19. Re:Uhhh ARIA said different. by thynk · · Score: 1

      Trick question? This is slashdot, everyone knows the guys here know nothing about how oral sex feels first hand... Since that would involve *first* talking to a girl and having her respond!

      --

      Good judgment comes from experience, and a lot of that comes from bad judgment.
    20. Re:Uhhh ARIA said different. by Crypto+Gnome · · Score: 1

      Being a girl myself and just out of curiosity, I'd like to know how oral sex administered by a beautiful chick differs from that given by an average girl?

      Good point!

      Being a single male reader of slashdot, I too would like to know..... Care to help me out in the pursuit of science?

      --
      Visit CryptoGnome in his home.
    21. Re:Uhhh ARIA said different. by Anonymous Coward · · Score: 0

      I'm going to go out on a limb here and guess the difference in this case is that there was a cute chick at the counter who the guy was fantasizing about while realizing he hadn't enough money for the CD, and certainly not enough to take the cute chick out and have a chance in h*ll at a blow job.

  5. Before or after??? by blankmange · · Score: 4, Funny
    "It would be interesting to see what the numbers for the US or UK say."

    Before or after the numbers were manipulated by the RIAA?

    --
    ...we are from the government - we are here to help...
    1. Re:Before or after??? by CoolGopher · · Score: 1

      Unfortunately, the parent post should be modded Insightful.

      Remember: Lies, Damn Lies, Statistics.
      The RIAA will make the numbers support their theory, regardless of what that theory is.

  6. How many? by ChristianBaekkelund · · Score: 1

    about four for each of the eight million Australians it says receive them

    Woah...so everyone who gets any gets about four?...or am I reading this wrong? That's a LOT of mix-discs floating around...a lot more than I would've guessed or I would estimate for the U.S. as well...

  7. Interesting by metlin · · Score: 5, Informative

    Hmmm, according to this article it has not affected the sales in the US either.

    But this article at ABCNews seems to indicate that its not piracy thats really affecting the sales, but services like iTunes -

    "CD sales are down 15 percent from last year, while legal online services like the new Napster and Apple's iTunes have taken off, especially for the holidays. Apple's iTunes sold more than $1 million in download gift certificates since October."

    I think that more than CD-Rs or mp3 piracy, its services like these which would affect the records sales.

    1. Re:Interesting by metlin · · Score: 2, Informative

      Oops, wrong link - instead see RIAA statistics. Fact or fiction? and here.

    2. Re:Interesting by mshiltonj · · Score: 4, Insightful

      "CD sales are down 15 percent from last year, while legal online services like the new Napster and Apple's iTunes have taken off, especially for the holidays. Apple's iTunes sold more than $1 million in download gift certificates since October."


      I'm curious to know what is actually selling on iTunes, etc. Is it new stuff? Or classic, older stuff from the labels' catablogs?

      I don't by any CDs now because most new music sucks, and I've already got my preferred CDs in my library. I may be a White Stripes or a Jet disc. But, of all the material being released in the past few year, almost none of it appeals to me.

      I have to wonder if all the iTunes sales are for Zeppelin, Stones, Floyd, etc. (or artists from your genre of choice).

      Eventually, iTunes users will have filled their iPods with the older music they've heard and know they already like.

      When that point arrives, the industry will have to convince customers that Britney is more deserving of space on the iPod, and more deserving of one's listening time, than Jimmy Hendricks and Janis Joplin.

      Good luck with that.

    3. Re:Interesting by fucksl4shd0t · · Score: 1

      Britney is more deserving of space on the iPod, and more deserving of one's listening time, than Jimmy Hendricks and Janis Joplin.

      No problems here, all three of them are "artists" i'd rather not subject myself to. :) I'm not interested in where Joe is going with that gun of his, and if I hear about Bobby McGee one more time I'm gonna do something psycho, I swear I will! I'll hurt somebody....

      --
      Like what I said? You might like my music
    4. Re:Interesting by phatsharpie · · Score: 2, Interesting

      If you check out the iTunes' list of top downloaded songs, it has always been current hits.

      I personally love using iTunes to discover older music. Sometime I would stumble upon a tune that is familiar and try to find it on iTunes. And if I like it, I'd just buy it. For example, I just bought Kate Bush's "Wuthering Heights" just because I overheard it being played somewhere and thought it was interesting.

      In fact, I rarely get the new stuff from iTunes, but I don't think that is the common modus operandi from most iTunes users.

      -B

    5. Re:Interesting by Jucius+Maximus · · Score: 2, Informative

      "I'm curious to know what is actually selling on iTunes, etc. Is it new stuff? Or classic, older stuff from the labels' catablogs?"

      Top 10 Songs for Today:
      OutKast - Hey Ya!
      No Douby - It's My Life
      Kelis - Milkshake
      Fountains of Wayne - Stacy's Mom
      OutKast & Sleepy Brown - The Way You Move
      Dido - White Flag (up to this point, this is the first artist on the list that I've heard of)
      Coldplay - Clocks (it's been on this list for ages now)
      Beyonce - Crazy in Love
      Black Eyed Peas & Justin Timberlake - Where Is The Love? (Wasn't that a Hanson song or something?)
      The Proclaimers - I'm Gonna Be

      Top 10 Albums for Today:
      Howard Shore - The Return of the King Soundtrack
      Chingy - Holidae In (Single)
      The Monkees - The Best of The Monkees
      Sarac MacLachlan - Afterglow
      Sarac MacLachlan - Remixed
      OutKast - Speakerboxxx
      Coldplay - A Rush of Blood to the Head (it's been in this list for ages)
      No Doubt - No Doubt: The Singles 1992-2003
      Dido - Life for Rent

    6. Re:Interesting by Anonymous Coward · · Score: 1, Insightful

      Saying "most new music sucks" says more about your searching capabilities and willingness to expand your musical tastes past what you listened to in high school, than it does about the state of the music industry.

      Good luck with that.

    7. Re:Interesting by Syberghost · · Score: 1

      I don't by any CDs now because most new music sucks,

      That's what your parents said about your music.

  8. Wonderful news, but... by troff · · Score: 4, Insightful

    ... will it really help? We face a thousand-and-one lawyers and school or workplace administrators running in fear from those lawyers and they still refuse to hear this new, or disregard it completely. I AM Australian. My workplace IS a school (well, a university) where I also study; last semester, that included a semester of Law for IT students; we had to put up with the Copyright Law 1968 and its 21st Century amendments; in our workplace, they've cracked down on MP3s and the central IT section have instituted semi-regular searches of our Windows XP administrative shares (suits me; 1: I use Ogg and 2: I keep my personal music - yes, from CDs I bought - on my Linux desktop anyway).

    As has already been said, 'nuff said, heard it all already. Knew it.

    But how does this news get to the lawmakers, to the people whose ears are already stuffed with campaign donations by some other "interested" party?

    1. Re:Wonderful news, but... by metlin · · Score: 1

      Well, the only way that things like this would end is if the current business practices and RIAAs (here in the US) model were proved to be wrong.

      Unfortunately, I do not think thats really happening. At my school, so many people have almost stopped using p2p networks for music downloads out of sheer fear - they'd rather pay more than risk getting sued by RIAA.

      The only other way that this would happen is through what Apple and others are doing - although not the best of solutions, its better than what RIAA has to offer today.

    2. Re:Wonderful news, but... by Overly+Critical+Guy · · Score: 1

      ... will it really help?

      Help what? Are you arguing that we should all continue downloading mp3s of albums we should be purchasing?

      Slashdot's general stance on this is unclear. They seem to admit that it's illegal, yet post articles that try to claim it's okay. It's just a justification of the convenience that people have gotten used to.

      I don't worry about getting "sued" or whatever because--gasp--I actually buy the shit I want for $10 at the local store. Everyone else I know downloads the fuck out of every album in existence. Don't tell me all those kids and college students downloading everything under the sun doesn't affect their tendency to buy the CDs instead. It's illogical and a sign of deluding yourselves into thinking otherwise. It's the big wink-wink, inside joke about file-sharing that everyone silently acknowledges.

      --
      "Sufferin' succotash."
    3. Re:Wonderful news, but... by lachlancs · · Score: 1
      1: I use Ogg and 2: I keep my personal music - yes, from CDs I bought - on my Linux desktop anyway).

      Changing the format of a CD to MP3 or Ogg is not legal in Australia, even for CDs you've purchased.

    4. Re:Wonderful news, but... by Anonymous Coward · · Score: 0

      There was evidence to prove that Overly CriticalGuy is a lying cocksucker, but he deleted it. Think independently.

    5. Re:Wonderful news, but... by troff · · Score: 1

      Neither's watching anything you've taped from TV to VHS more than once.

    6. Re:Wonderful news, but... by troff · · Score: 1

      Help what? Are you arguing that we should all continue downloading mp3s of albums we should be purchasing?

      Slashdot's general stance on this is unclear. They seem to admit that it's illegal, yet post articles that try to claim it's okay. It's just a justification of the convenience that people have gotten used to.


      Well, let's start with Copyright law. Lucky for you guys in the U.S., you have Fair Use provisions.
      AUSTRALIANS DON'T.
      I go out, buy a CD, take it home. Say (and don't bother to slag me off for my taste), I buy the soundtrack to "Daredevil". It's going to be part of my Marvel Comics collection next to the DVD and so on. So I choose to put it in the computer, rip it, put the original back in its case and back on the shelf. As a matter of fact, because I bought the "Daredevil" soundtrack and liked some of its songs so much, I also went out and bought the "Evanescence" album. I paid to listen to the damn music - TWO ALBUMS, THANKS - and I have no broadband so I'm not going to be filesharing it.

      But according to Australian law, that's illegal.

      So, as you mention, let's get to the justification. Why is it illegal? Because ARIA or RIAA or FLA or POQ say that we're robbing the artists of their profit.
      Shall we get into the tired argument of how the artists aren't seeing the profit? Shall we get into the valid point of how I ALREADY PAID FOR THIS? Shall we talk about the fact that the Music Machine has claimed that CD burners and cassette tapes will ruin the music industry? Shall we talk about all the illegal things that the Industry has proposed be done to counter filesharing?

      Slashdot's general stance on this is unclear. They seem to admit that it's illegal, yet post articles that try to claim it's okay. It's just a justification of the convenience that people have gotten used to.

      You're making the automatic assumption that if it's illegal, then it's not okay. Where is the guarantee or the Law of Physics that says (legal is_equivalent_to okay)?

      That's why you're having a confusion with "Slashdot's general stance". Not to mention, as you said and I already explained, "I actually buy the shit I want" too; thanks to the crap exchange rate, I spend more than $10 too.

      And as far as Don't tell me all those kids and college students downloading everything under the sun doesn't affect their tendency to buy the CDs instead. It's illogical and a sign of deluding yourselves into thinking otherwise goes, it DOES affect their tendency. But note all the studies, and all the people who DON'T have broadband, download a SAMPLE, and THEN go out and BUY the album. It's illogical of you to have leapt to the wrong assumption.

  9. Who cares? by Anonymous Coward · · Score: 0

    CD-Rs and MP3s Not Hurting Record Sales

    The RIAA certainly doesn't.

  10. Who the fuck cares? by Anonymous Coward · · Score: 0

    It's not like you can really prove this or the opposite. I for one stopped buying music altogether at around the time when MP3s became available (long before non-geeks learned about it). Does that mean I stopped due to MP3s? I doubt it, because I had been buying less and less before that, but I can't prove it. What if there had been no MP3s? Yeah, what if.

  11. Has any article metioned this by Dcboy · · Score: 5, Interesting

    Has any article mentioned that while music sales for 2003 were lower than those of 2002, less new albums were also released in 03 than in 02

    --
    Progress isn't made by early risers. It's made by lazy men trying to find easier ways to do something. -Robert Heinlein
    1. Re:Has any article metioned this by BiggerIsBetter · · Score: 1

      How do they define sales anyway? Last I heard, the charts were based on sales to the record stores who could return unsold media, and generally bought what they were told to by the distributors anyway. And of course, the radio stations play what is deemed to be popular, and kiddies buy what they hear on the radio. It gets circular real fast...

      --
      Forget thrust, drag, lift and weight. Airplanes fly because of money.
    2. Re:Has any article metioned this by Overly+Critical+Guy · · Score: 1

      Yes, and I even read an article stating that less releases were coming out because labels were taking less risks due to lack of sales and returns on their investments.

      People complain that the RIAA hurts the lower, more independent artists, but lowering sales through downloading just means labels won't sign those artists in the first place, making the music scene all the more boring because musicians aren't making money.

      Nobody on Slashdot seems to care or acknowledge the musicians in this equation. It's all about "downloaders rights" or something.

      --
      "Sufferin' succotash."
    3. Re:Has any article metioned this by Anonymous Coward · · Score: 0

      There was evidence to prove that Overly Critical Guy is a lying cocksucker, but he deleted it.Think independently.

  12. XML has nothing to do with this post by POds · · Score: 1

    Im not saying CD-R's and Mp3's are hurting records sales but im not saying they're not, but to simply say they're not because sales are still up is a little arrogant. Whos to say they wouldn't have gone up more if CD-R's and Mp3's wernt avaliable? I dont anyone could. We'll never really know what impact they've had one sales because interest in music has no doubt spured during the last several years and im not sure if this has anything to do with Mp3s but im sure it has something to do with technology in general. Its makes music more accessable, which Mp3s have had a big play in. So many mp3's are helping record sales, but at the same time, theres tons of kiddies who are ripping and not paying, as i used to when i was 16-20 years old :)

    I know i dont make a lot of sense, i didnt want to because i like to confuse. But just imagine!

    --


    Giving IE users a taste of their own medicine since 2005 - http://pods.-is-a-geek.net/
    1. Re:XML has nothing to do with this post by fucksl4shd0t · · Score: 1

      Whos to say they wouldn't have gone up more if CD-R's and Mp3's wernt avaliable?

      I'll say it. :)

      Sales wouldn't have gone up more if CD-Rs and mp3's were't available.

      It's called "word of mouth" advertising, and has always been the way the bands with the most staying power became successful. Metallica, the Who, Aerosmith, Pink Floyd, the list goes on and on full of bands that worked hard, became successful mostly through word of mouth, and then maintained top sales and top billing throughout the rest of their careers.

      CDRs and mp3 file sharing represent word of mouth advertising. Sure, maybe you won't buy that album you just got burned from a friend, at least, not right away, but if you really like it, you'll go after the musicians' other albums. I got my first copy of ...And Justice For All as a tape recording from a CD. In the end, I bought hundreds of dollars worth of Metallica junk, including tickets to several concerts, and now I'm one of Metallica's anti-fans. :) The chances that I ever would have bought anything from them in the first place were slim and none without that initial "piracy". Yeah, this is anecdotal evidence, but I'm not offering it as evidence. I'm offering it as explanation for what "word of mouth" advertising is in the record business and how it affects the bottom line.

      So, yes, without CDRs and mp3 file sharing, word of mouth wouldn't have spread nearly as much music around as it did, and therefore wouldn't have even had opportunity to generate sales.

      So, the only real danger to the record industry is in the long list of one-hit wonders and people who will only ever record one album, because then there is no back catalog to sell, and future sales won't be there because they're one-hit wonders, and by definition they fade into obscurity after their single of fame.

      --
      Like what I said? You might like my music
    2. Re:XML has nothing to do with this post by Overly+Critical+Guy · · Score: 0

      Wow, you have self-deluded yourself into justifying all the mp3 downloading you to to alleviate the feelings of guilt.

      I'll say it. :)

      Sales wouldn't have gone up more if CD-Rs and mp3's were't available.


      Wow, fucksl4shd0t has officially declared it! It must be true.

      It's called "word of mouth" advertising, and has always been the way the bands with the most staying power became successful.

      This is the most bullshit reason I've ever heard. Word-of-mouth advertising? Word-of-mouth advertising would be telling your friends about how great this band is and to go out and get the album. P2P sharing is about putting that album online to download for free. You're not advertising anything. It's already there for illegal downloading.

      Metallica, the Who, Aerosmith, Pink Floyd, the list goes on and on full of bands that worked hard, became successful mostly through word of mouth, and then maintained top sales and top billing throughout the rest of their careers.

      File-sharing wasn't around in their days. What on earth are you talking about? You've completely misdefined word-of-mouth advertising. P2P sharing is not "word-of-mouth advertising."

      CDRs and mp3 file sharing represent word of mouth advertising.

      Of course they don't.

      Sure, maybe you won't buy that album you just got burned from a friend, at least, not right away, but if you really like it, you'll go after the musicians' other albums.

      And here your argument falls flat because you admit someone won't buy an album they already have downloaded. You claim people will magically go out and buy the bands' other albums, when really what they'll do is just DOWNLOAD them. Geez.

      I got my first copy of ...And Justice For All as a tape recording from a CD. In the end, I bought hundreds of dollars worth of Metallica junk, including tickets to several concerts, and now I'm one of Metallica's anti-fans. :)

      Congratulation. Your example had nothing to do with file-sharing.

      The chances that I ever would have bought anything from them in the first place were slim and none without that initial "piracy".

      There is a world of difference from a single friend giving you one tape ripped from his CD, and millions of people making all their CDs available all across the Internet.

      Yeah, this is anecdotal evidence, but I'm not offering it as evidence.

      Then why bother?

      I'm offering it as explanation for what "word of mouth" advertising is in the record business and how it affects the bottom line.

      You still haven't established illegal downloading of the albums as word-of-mouth advertising. How can you advertise something the user already has? Why would they pay for it if they already have it? You think all those millions of kids and college students all over the world downloading the fuck out of every album under the sun DOESN'T affect sales? You're naive, then.

      So, yes, without CDRs and mp3 file sharing, word of mouth wouldn't have spread nearly as much music around as it did, and therefore wouldn't have even had opportunity to generate sales.

      Completely wrong, CD-Rs and MP3s don't magically spread word of mouth. There are websites, messageboards, and IM programs that do that. We also have radio, TV, magazines, and fanzines. You do realize there is already a "word-of-mouth advertising" media already in place, right? Rather than offering entire albums online to download illegally.

      Which is another interesting point, you never address the fact that it's both illegal and immoral. In fact, you seem to not acknowledge either. Very sad.

      So, the only real danger to the record industry is in the long list of one-hit wonders and people who will only ever record one album, because then there is no back catalog to sell, and future sales won't be there because they're one

      --
      "Sufferin' succotash."
    3. Re:XML has nothing to do with this post by Anonymous Coward · · Score: 0

      Therewas evidence to prove that Overly Critical Guy is a lying cocksucker, but he deleted it. Think independently.

  13. Exactly! by Dolemite_the_Wiz · · Score: 4, Insightful

    Record Sales are indeed down because people would rather burn a CD of great music than the Bubble-Gum Pop and "Pseudo-Punk-My-Girlfriend-dumped-me-and-I-am-in-p ain" Overpriced Crap the Record industry has available in the Record Stores.

    Dolemite
    _____________________

    --
    Save the World! Use a Quote!
    1. Re:Exactly! by gantrep · · Score: 5, Interesting

      I'm not sure that I can believe that the only places available to you to buy music legitimately do not have the kind of music you like. Yeah, when I walk into walmart or target, I'm generally pretty disgusted with the selection, but there are easy-to-find better music venues all over. I just bought two non-riaa cd's from Borders, an underground hip-hop cd on the Definitive Jux label, and a disc of idm/glitch beats on Warp Records. Not only that, but there's a great chain of used, new and local music stores around here that caters to even more unusual tastes than mine. This is Nebraska, and what one would expect to be the low-end of selection as far as music-scenes go, is really quite good. I find it hard to believe the "I just can't find what I like" excuse. Unless you only listen to Polish grindcore or Japanese polka, you're probably not looking hard enough. Do your research so you don't get tricked into buying a one-good-track cd, and then pull out the phonebook. Someone in your area probably sells it. Failing that, try the INTERNET! Amazon is a great resource.

    2. Re:Exactly! by oogoliegoogolie · · Score: 1

      I think that's some of what the original poster was implying. So many people are disgusted with the state of pop, top-40, "make a catchy single and grab as many sales as we can", and "copy the lastest hit band" music that they are either tuning out or turning to alternatives, and either case these alternatives don't register on the music industry's sales charts.

    3. Re:Exactly! by Hrothgar+The+Great · · Score: 2, Interesting

      I'm also from Nebraska, and I guarantee you that more people are listening to local and/or indie music around here than I've ever seen before, so I think you're absolutely right.

      It would be nice to see a sales study done by some music store chains rather than by the RIAA, who do not really encompass the entirety of CD sales that are going on out there.

    4. Re:Exactly! by DakotaK · · Score: 1

      As a semi-rural Nebraskan, I can also say the local music scene is HUGE here. I play bass for one of the bands in my town of about 7,000. We have, at the very least, six different bands, and more will arise. Some of them are pretty big names and play at clubs all around. I guess my entire point is because the local record stores sell nothing but the RIAA's crap, we're turning to playing our own shows instead, and people like it. Sure, we might not ever make it big, but it's a hell of a lot of fun and beats the RIAA crap.

      --
      I am a viral sig. Please copy me and help me spread. Thank you.
    5. Re:Exactly! by Overly+Critical+Guy · · Score: 1

      Bubble-Gum Pop and "Pseudo-Punk-My-Girlfriend-dumped-me-and-I-am-in-p ain" Overpriced Crap is all the Record industry has available in Record Stores because people keep burning CDs of the great music, so they stick with what is safe and will give them returns on their investments.

      Yes, Virginia, you are effectively homogenizing the music business by making the risky music riskier.

      As if all your "great music" isn't available in the online record stores or the websites of the bands themselves. But, hey, let's download the fuck out of everything!

      --
      "Sufferin' succotash."
    6. Re:Exactly! by Lord_Dweomer · · Score: 1
      "Record Sales are indeed down because people would rather burn a CD of great music than the Bubble-Gum Pop and "Pseudo-Punk-My-Girlfriend-dumped-me-and-I-am-in-p ain" Overpriced Crap the Record industry has available in the Record Stores."

      Now, I agree there is a lot of music out there much better than what is currently being pushed, and I agree that it is overpriced, but what I CAN'T STAND is people who crap all over a type of music because of a theme in the lyrics.

      Look, some people like that pseudo-punk sound, even I like it on occasion. And some people's girlfriends dump them and they are in pain.

      A lot of people look for songs/bands whos lyrics they can identify with. You are out of line judging music by the theme of its lyrics. All it does is make you sound elitist. So get off your high horse and realize there are different types of music out there, and not everybody is going to agree on whats good music. But that in no way gives you the right to crap all over someone elses choice of music.

      --
      Buy Steampunk Clothing Online!
    7. Re:Exactly! by RedWizzard · · Score: 1
      I find it hard to believe the "I just can't find what I like" excuse.
      The problem is that I don't buy stuff I'm not sure about, and with non-mainstream stuff it's more difficult to legally "try before I buy". With mainstream stuff there are plenty of radio stations and this giving away of the music for free fuels CD sales. Personally I went through a period of a couple of years when I didn't listen to the radio at all, and in the time I didn't buy any new music. With non-mainstream stuff I have to either find a radio station that plays that particular music (there is none where I live), go to concerts (which is not free), borrow from friends (which means finding friends with similar tastes) or libraries (not free, generally bad selection), or download illegally.
      Do your research so you don't get tricked into buying a one-good-track cd, and then pull out the phonebook. Someone in your area probably sells it. Failing that, try the INTERNET! Amazon is a great resource.
      Good advice, but then I'm relying on other peoples opinions. I'd rather just listen myself and I see no good reason not to.
    8. Re:Exactly! by Anonymous Coward · · Score: 0

      There was evidence to prove that Overly CriticalGuy is a lying cocksucker, but he deleted it. Think independently.

    9. Re:Exactly! by Hrothgar+The+Great · · Score: 1

      What's the name of your band? Just curious.

      Ever read this site? :
      Star City Scene

  14. aussie aussie aussie by SinaSa · · Score: 4, Interesting

    Can I just say, as an Australian I'm really enjoying all the sudden attention that the Australian nerd news has been getting on /.? It's great! Seriously though, I can vouch for this. Most of my friends are stubbornly insistent on buying their favourite bands new album as opposed to letting me download it and burn it for them. Most Australian bands are releasing their albums with a bonus dvd, or a bonus cd with extra stuff like live show video clips, etc. This is the kind of thing that stops people using Kazaa or BitTorrent MP3 sites. They are loyal to whichever band, and that free poster that comes with the CD is something you can't download off the 'net.

    --
    --
    The last digit of pi is four.
    1. Re:aussie aussie aussie by eclectro · · Score: 0, Redundant

      Can I just say, as an Australian I'm really enjoying all the sudden attention that the Australian nerd news has been getting on /.? It's great!

      This just goes to show that Slashdot is too Australian-centric, leaving other parts of the world out in the cold.

      This Aussy bias by the slashdot editors must end!

      --
      Take the cheese to sickbay, the doctor should see it as soon as possible - B'Elanna Torres, "Learning Curve"
    2. Re:aussie aussie aussie by Anonymous Coward · · Score: 0

      leaving other parts of the world out in the cold.

      Other parts? Hmmm, you mean America and Alaska? Or Alaska and the rest of America? Or do you really mean the rest of the world (not america)?

    3. Re:aussie aussie aussie by phatsharpie · · Score: 1

      I'd love to buy more CDs in Australia, but so many are copy-protected. I simply refuse to buy CDs that are copy-protected. I don't know what the situation is like in the US, since I haven't been back in 2 years. Hopefully it's better, since I am moving back in a month.

      -B

    4. Re:aussie aussie aussie by Anonymous Coward · · Score: 0

      There are parts of the world outside of America?!

    5. Re:aussie aussie aussie by Anonymous Coward · · Score: 0

      and i hope this whole copy-protection thing turns around to bite them.

      My dad got that new "copy protected" Beatles cd for Christmas, and it refused to play on his cd player so i urged him to return it and make a point about how annoying this was.

      Meanwhile i loaded up Emule and found at least a dozen complete rips of the album...

  15. RIAA Bashing by _RidG_ · · Score: 5, Funny

    I hate the RIAA as much as the next guy (if not more so), but I do believe that we should look at some numbers for US before wholly condemning the organization...yet again ;). I mean, after all, a single country, such as Australia, is not necessarily indicative of burning/buying patterns in US...although it seems that similar trends can be seen in numerous other regions...and after exercising common sense...and...

    ...*pauses to think*...

    God dammit, RIAA. I can't even think of ways to defend you. Stop lying to us, you bastards! Stop with the "you are destroying your favorite artists" Jewish-mom guilt trips! Even if it were true (which it is not), and our "favorite artists" (by whom they apparently mean Brittney Spears and her ilk) will be unable to buy yet another $2 million sports car, then I think I will still be able to soundly fall asleep at night.

    *Sigh* As an act of protest, I'm going to go out and send an angry e-mail to RIAA, coloring it a vehement red. I am sure they will read it carefully and alter their corporate policies, thus ceasing to be a terrible cesspool of biomatter waste. *rolls eyes*

    --


    "The power of accurate observation is frequently called cynicism by those who don't have it." - G.B. Shaw
    1. Re:RIAA Bashing by GrandPa_G · · Score: 1

      I went to the record store over the hollidays to find some music that I would enjoy. I am over 50 and the music I enjoy is the 60s and 70s Rock and Roll. But guess what ? All I could find was the current crap that is being fed out by RIAA. I do not like Britney and I can't stand Rap. But that is 90% of what they had. Most of the artists that I enjoy are either retired or dead. (I am sorry to say), so I know they are not getting any money from the RIAA. (when was the last time they sent a check to Jimmi Hendricks or Jannis Joplin ? )

      The RIAA is not interested in supporting Artists but in only supporting their greed for profits. The Artists only get pennies out of the money that the RIAA collects. Brittneuy won't get a 2 million sports car out of this, but I bet the President of the RIAA wants his multi million bonus so he can buy several new Yachts.

      Blah, another sign of Big Business Greed

    2. Re:RIAA Bashing by David+Gerard · · Score: 1

      It's a first-world country, so I thought it would be comparable on that level.

      --
      http://rocknerd.co.uk
    3. Re:RIAA Bashing by fucksl4shd0t · · Score: 1

      The RIAA is not interested in supporting Artists but in only supporting their greed for profits.

      The RIAA and the credibility of their arguments is solely defined by what they are. They are the "Recording Industry Association of America". By definition, they don't give a shit about musicians, they care about the "Recording Industry", and musicians are only a small part of that industry.

      Viewing the RIAA as spokesmen for musicians is a disservice to the musicians themselves, and the fact that the RIAA tries to push themselves off as being spokesmen for the musicians is lying at it's worst. They don't speak for musicians, and in the end they don't really give a shit about musicians.

      --
      Like what I said? You might like my music
    4. Re:RIAA Bashing by Fulcrum+of+Evil · · Score: 1

      It's a first-world country, so I thought it would be comparable on that level.

      What level? Countries allied with the US?

      --
      "We returned the General to El Salvador, or maybe Guatemala, it's difficult to tell from 10,000 feet"
  16. I use P2P instead of MTV to inform myself by Anonymous Coward · · Score: 0

    I hate the RIAA for forcing me to watch MTV when I wan't to know about the latest (crap) music.

    I hate the MTV moderators for being alive!

    Why can't I download stuff I'd like to buy from P2P to check it out? Where is the difference between P2P downloads and a VCR copy from MTV? Less commercials, brainwashing and boobs?

    Maybe, the only problem the RIAA has is their outdated business model and fear.

    I don't think that boobs and bullshit on MTV will sell music better than P2P.

    1. Re:I use P2P instead of MTV to inform myself by Anonymous Coward · · Score: 2, Funny

      I hate the MTV moderators for being alive!

      It looks like you misspelled 'Slashdot'.

    2. Re:I use P2P instead of MTV to inform myself by Anonymous Coward · · Score: 0

      I once saw a MTV sponsored concert on MTV (hah..) and the camera kept showing a dude in the audience who was repeatedly acting like he was shooting the people performing on stage with a sniper.

      I don't know. But that freak looked so damn cool that even the camera man seemed to be obssessed by this guy and him acting like a MTV-terrorist. They showed him three times how he was trying to shoot the people on the stage with his air-sniper.

      Thanks, dude.

    3. Re:I use P2P instead of MTV to inform myself by Anonymous Coward · · Score: 0

      I don't think that boobs and bullshit on MTV will sell music better than P2P.

      It will sell the crap the RIAA is pushing, which is yet another part of the problem.

    4. Re:I use P2P instead of MTV to inform myself by Anonymous Coward · · Score: 0

      He said moderators not censors.

    5. Re:I use P2P instead of MTV to inform myself by phatsharpie · · Score: 1

      MTV has ceased to be about "music" long time ago. I swear, they should just change it to RWTV or RRTV for "Real World" TV or "Road Rules" TV. For me, it more about "Rage" TV, since pretty much everyone on MTV, from the VJs to "Real World" and "Road Rules" contestants are unlikable, I feel the veins in my brain pop every time I watch MTV.

      -B

    6. Re:I use P2P instead of MTV to inform myself by SirDaShadow · · Score: 1

      Even MTV admits that it's not about "music". That's why they have those commercials promoting MTV2 "Where the music is on".

  17. The only one stealing is the record labels... by Anonymous Coward · · Score: 3, Insightful

    How am I supposed to feel bad copying a cd that costs at the most a nickel to produce and costs me $18??? The worst bit is the Artist only gets pennies on the dollar for the sale. Your better off just giving the artist a buck and calling it even. Check out this article it is a interview with Courtney Love. She does the math and the only person making a profit is the Record Label.

    1. Re:The only one stealing is the record labels... by Dave2+Wickham · · Score: 1

      (I know this analogy is bad, bear with me)

      So it's OK to go to a shop and steal some, I dunno, ketchup and pay Heinz, calling it even? Even though you're cutting out a load of people involved in getting the product to you (employees of the shop in this case, people who do work on music, but aren't the artists themselves in the case of music)? The artists aren't the only ones who work on music...

    2. Re:The only one stealing is the record labels... by gotpaint32 · · Score: 1

      A CD may physically (in raw materials) cost the companies only a nickel to produce but then again you have numerous things go into determing the price of any average CD.

      For instance packaging (cover art/photography/printing), distribution, promotion, studio time, support staff, the artists themselves and countless other expenditures must be taken into account.

      Not only that, there is also quite a markup for buying a record store such as Tower or Sam Goody, the markup is usually around 5+ dollars per CD. If you don't believe me, just look at how much Amazon can sell new CD's for and still turn a profit.

      I'm not saying the industry itself is generating a lot of money, it surely is, but it is a business after all, and businesses are supposed to earn money, they are not charities. I certainly do not believe that the artists are recieving the short end of the stick either. When was the last time you saw them "struggling."

      I feel no pity for the artists, the RIAA, or the music industry, but at the same time can't uphold the attitude that blatent thievery is justified because we deem it ill gotten or not of equitable trade value.

      In the end, the only real losers are the little people stuck in the middle. The janitor or secretary working at EMI being laid off to keep up beefy profits for the investor (the general consuming public), or the mom and pop record stores inability to compete with price slashing tactics og larger chains...

      --
      Nuclear war would really set back cable. - Ted Turner
    3. Re:The only one stealing is the record labels... by mindstrm · · Score: 1

      If those artists aren't making money off the label, by all means, they can give up the nice cars, big houses, first-class plane rides, and expensive booze, and live a normal life.

      Yes, we all know record companies make insane profits.... do you think Courtney Love would have been as popular as she did if she was just independenat from the start? Nope.. she was made by a record label.

    4. Re:The only one stealing is the record labels... by fucksl4shd0t · · Score: 1

      Your analogy fails because Ketchup is given out for free. :) You can just walk up to sonic (or mcdonald's, or whatever) and ask for ketchup packets and they'll give it to you.

      They'll give it to you knowing that when you next think of buying a hamburger or whatever, you'll think of them, they guys that gave you ketchup whenever you needed it the most!

      Now, test your analogy by going to a music store and asking them for ketchup packets--er, I mean, ask them for a single, and see if they give it to you.

      Obviously, they won't.

      --
      Like what I said? You might like my music
    5. Re:The only one stealing is the record labels... by fucksl4shd0t · · Score: 1

      I certainly do not believe that the artists are recieving the short end of the stick either. When was the last time you saw them "struggling."

      And how many "artists" do you know? You are aware that 99.999999% of musicians make their money by having full-time day jobs, aren't you? You are also aware that 99.999999% of recorded musicians live below the poverty line, traveling from city to city, playing for small audiences, and hoping that someday someone will decide their worth a shit, aren't you?

      Not to put too fine a point on it, say I'm the only bee in your bonnet, make a little birdhouse in your soul. (to mention just one band that built a cult following among geeks and ultimately sold a lot of records, but were classed as "starving" for years. I should point out that it's also a band that was well-pirated for years)

      --
      Like what I said? You might like my music
    6. Re:The only one stealing is the record labels... by Anonymous Coward · · Score: 0

      > You are aware that 99.999999% of musicians make their money by having full-time
      > day jobs, aren't you?

      Yes, it's people like that, who make no money from sales, because they make next to no sales, who get subsidised by the popular artists that you and I have actually heard of. I'm not sure those artists would be any better off if there were no advances for albums and simply a percentage of sales.

    7. Re:The only one stealing is the record labels... by Dave2+Wickham · · Score: 1

      "Sonic"?

      OK, I may have picked a bad example, I forgot about fast food places which provide ketchup for free. I was thinking more along the lines of going to a Safeway or Sainsbury's or something, and getting some ketchup from there without paying...

      I suppose I could be wrong, but I somehow doubt fast food places give away ketchup in the hopes you'll come back and buy food (or cardboard, in your McDonald's example), but rather that you'll use it on food you've just bought.

      (Of course, looking at your UN makes me exclaim/wonder if "IHBT!! OMG!!! WTF!1!!")

    8. Re:The only one stealing is the record labels... by fucksl4shd0t · · Score: 1

      Idiot, the quote from my post that you used shows where those particular artists get their money: their full-time jobs. :)

      --
      Like what I said? You might like my music
    9. Re:The only one stealing is the record labels... by fucksl4shd0t · · Score: 1

      I suppose I could be wrong, but I somehow doubt fast food places give away ketchup in the hopes you'll come back and buy food (or cardboard, in your McDonald's example), but rather that you'll use it on food you've just bought.

      Well, I worked in fast food for four and a half years, and I can say with utmost confidence, that fast food places do give away shit like ketchup in the hopes that you'll come back for more food. It's generally referred to as "Customer Service". It's the reason you can go to a fast food place, order a burger, then go to the manager and bitch that they fucked it up, and they'll give you a free burger, or whatever. Coupons, frequently. It's because they know that most people will come back to exercise the coupon. The simple fact is, I've worked at places that had high levels of Customer Service (which translates to giving away a lot of free stuff), and I've worked at places that had low levels of Customer Service (the RIAA, in this analogy), and the places that had the most customers, most business, and most sales, were the ones that gave away free shit.

      On Halloween, one year, when I worked at SOnic, they ran their free dish of ice cream special. My boss complained that that meant they weren't going to make a lot of money on ice cream. When the room filled up (I worked at an indoor sonic, so those of you who live in Austin might guess where), I suggested I go around and give free dishes of ice cream toe veryone in the store. The boss nearly freaked, but he figured it would better to just do it now rather than let them nickel and dime us to death with their requests.

      Within 20 minutes of my run, we sold 30 Sundaes at menu price.

      'nuff said. Giving away free shit makes money.

      --
      Like what I said? You might like my music
    10. Re:The only one stealing is the record labels... by Anonymous Coward · · Score: 0

      Am I the only one who is uncomfortable looking to Courtney Love for information on ANYTHING? Other than where to cop? She can moan all she wants about how evil record companies are, but I don't see her turning their money down. They, in fact, seem to have made her quite wealthy. Both from the sales of Hole albums, and from her share of profits from her deceased husband's albums.

    11. Re:The only one stealing is the record labels... by gotpaint32 · · Score: 1

      By saying "You are aware that 99.999999% of musicians make their money by having full-time day jobs" you are automatically conceding they are not musicians. At the very best they are unemployed musicians. Hell I consider myself a musician when Im in the shower, you don't see me attending the Grammys do you... As for the recorded musicians that don't get their cut, I could care less about the few bands here and there trying to eek out a few cents from records, good luck and die trying eh. True it happens, but the whole point is the majority of music stolen from P2P services are not from these small indie bands or these unemployed musicians (a lot of these bands would not mind the extra publicity offered by file sharing); rather, the majority of the music that is stolen off of file sharing services are (note this carefully) "successful" commercial musicians. Do you honestly think the RIAA is suing on your behalf, honest joe schmoe in a virtually unknown band? Survey the targeted demographic of who the RIAA is trying to control, ask them if they ever heard of your band, or even of a handful of relatively "successful" indie bands. Chances are, you'd be rather disappointed at your ultimate lack of notarity in the grand scheme of things. Who do you think the RIAA is fighting for, certainly not you; they are suing for every Britney, Madonna, Metallica, whatever out there that can turnover a lot of volume merchanidise, sell videos, etc. So before you attack me and shameless attempt to promote your band, think about what you are saying.

      --
      Nuclear war would really set back cable. - Ted Turner
    12. Re:The only one stealing is the record labels... by Anonymous Coward · · Score: 0

      Hole is/was pretty good. "Live Through This" was one of the great albums of the 90's.

    13. Re:The only one stealing is the record labels... by Ironica · · Score: 1

      Not to put too fine a point on it, say I'm the only bee in your bonnet, make a little birdhouse in your soul. (to mention just one band that built a cult following among geeks and ultimately sold a lot of records, but were classed as "starving" for years. I should point out that it's also a band that was well-pirated for years)

      Also a band that has a long history of giving away music for free, even before it was easy. Sure, it was a toll call for most folks outside New York, but I wonder how many people bought more of their stuff just because they *had* a Dial-a-song Hotline with a new song each day?

      --
      Don't you wish your girlfriend was a geek like me?
    14. Re:The only one stealing is the record labels... by fucksl4shd0t · · Score: 1

      You said:

      I'm not saying the industry itself is generating a lot of money, it surely is, but it is a business after all, and businesses are supposed to earn money, they are not charities. I certainly do not believe that the artists are recieving the short end of the stick either. When was the last time you saw them "struggling."

      You did *not* say "commercially successful musicans" or anything of the sort. I responded to what you said. If you meant something else, well, nothing I can do about that.

      Fact is, the vast majority of musicians out there are struggling to be heard, and P2P represents a way for them to be heard. Shutting it down, claiming it's "immoral" or whatever, closes off that resource to the vast majority of musicians out there. What is "public good"? Is it closing off resources that make it possible for musicians to market themselves effectively? Is it closing off technology that evens the playing field by empowering a large number of musicians? Or is it making absolutely certain that only the big, fat record companies can make money off of music?

      --
      Like what I said? You might like my music
    15. Re:The only one stealing is the record labels... by Anonymous Coward · · Score: 0

      Hehee... Courtney doing math... heh... hawhaw.. heh..

  18. What can we use this "proof" for? by mbrix · · Score: 4, Insightful

    Why is this important to prove? Even though downloading music doesn't hurt CD sales, does it make it more right? If downloading music becomes legal, *then* it will hurt CD sales. Without doubt.

    1. Re:What can we use this "proof" for? by Anonymous Coward · · Score: 1, Interesting

      Why? How will legalizing it, "hurt" CD sales? What the hell point are you trying to make?

      The people who are using the iTunes service are the same people who had been using other P2P software.

    2. Re:What can we use this "proof" for? by Scarblac · · Score: 4, Interesting

      It is important to show this, because at the moment some extremely draconian laws are being implemented, huge jail terms for downloading music. Their given justification is that downloading music hurts the industry so much, that something like that is necessary.

      But of course, you believe that just because something is morally wrong, that immediately justifies absolutely any punishment that a law could give for it.

      --
      I believe posters are recognized by their sig. So I made one.
    3. Re:What can we use this "proof" for? by Crypto+Gnome · · Score: 5, Insightful
      Because the corporate machine that is the RIAA is lying to you, the customer.

      All the time.

      Every Day.

      And if that isn't bad enough for you, they want to stop legitimate use.

      Specifically, you might want to rip and encode that Music CD you purchased in order to listen to it on your MP3 player (a reasonable expectation) - but the RIAA will do *anything* to stop you from doing that.

      WHY do they want to do that? because
      1. people ONLY rip and encode to MP3 in order to pirate music
      2. music piracy decreases sales
      3. decreasing sales hurts artists
      4. hurting artists will produce less music
      Of course, it's been shown in many/most cases that only #4 is true
      1. Some People rip and encode to MP3 for legitimate private use, not for piracy
      2. in many cases Music Piracy is in actual fact encouraging people to broaden their music tastes (ie buy stuff they'd not previously consider)
      3. decreasing sales are often a myth, or at best "decreasing sales of actual CDs" (ie because there's STRONG UPTAKE in legal and legitimate digital downloadable music sales)
      4. The RIAA already screw most if not all artists as hard as they can, so who are the RIAA to whine about "save the hurting artists"?
      --
      Visit CryptoGnome in his home.
    4. Re:What can we use this "proof" for? by Anonymous Coward · · Score: 0

      If iTunes come to Europe, I will start using it, even though I don't use P2P software (or make unlicensed copies of anything at all) now.

    5. Re:What can we use this "proof" for? by devonbowen · · Score: 1

      Because people make laws. We allow artists to have "copyrights" to what they create. We do this to support the artist in order to ensure that society continues to benefit from their creative energies. This, by the way, is very clearly stated in the US Constitution. In other words, copying artistic works is only illegal because we, as a society, agree that it's illegal. There is no "natural" reason for it.

      Ok, so now the artist claims (I know it's not the artist - it's the RIAA - but that's a different argument) that they are losing sales due to copying. If that's true, then it goes against the original reason for our laws and we should enforce those laws better. However, if it's not true, and, perhaps, copying music actually has some positive benefits for artists and society, then we need to have that information so we can rethink our laws.

      Devon

    6. Re:What can we use this "proof" for? by mobby_6kl · · Score: 0

      >people ONLY rip and encode to MP3 in order to pirate music

      >Some People rip and encode to MP3 for legitimate private use, not for piracy

      Well yeah, if I leave my front door open, some people might just have a look at my wonderfull collections, check out my home theater setup and go away, but others would just take everything and run away. So, should I leave the door open because some people may not steal anything?

    7. Re:What can we use this "proof" for? by way2trivial · · Score: 1
      I think the lawsuits are just for uploading.

      a minor but important point- if you just take, and don't give-- you are home free...

      --
      every day http://en.wikipedia.org/wiki/Special:Random
    8. Re:What can we use this "proof" for? by Ironica · · Score: 1

      Why is this important to prove? Even though downloading music doesn't hurt CD sales, does it make it more right? If downloading music becomes legal, *then* it will hurt CD sales. Without doubt.

      I have many doubts.

      After all, here's the current situation:

      - RIAA and their analogues around the world claim that unlicensed downloading is hurting their sales.

      - This is not borne up by the actual statistics, which show sale prices falling slower than production prices, and comparable unit sales year to year.

      - Independents who allow free downloading of their music report *increased* sales from these downloads.

      - Independent analysis shows that unlicensed downloading broadens sales base for record companies and makes people more likely to buy from that other 90% of the catalogue.

      So it follows from that that if music downloading becomes somehow quasi-legal (i.e. in a not-for-profit, non-targeted manner) or better yet, if the record labels simply realize that they can't lick 'em, and must join 'em, so they put up their own download services where, for the royalties they'd normally charge plus a small amount for operations, they can sell *everything* in their catalog 24/7... their sales would increase hugely.

      When Napster was popular, a lot of what my friends were downloading (I never got into it) was stuff that they *couldn't* buy. It hasn't occurred to the music industry yet that people may want stuff that they can't get from them.

      --
      Don't you wish your girlfriend was a geek like me?
    9. Re:What can we use this "proof" for? by Crypto+Gnome · · Score: 1

      Well done.

      Except of course you're ignoring the fact that Joe Random Stranger would no valid legitimate reason for wandering in and perusing your wonderful collection. Whereas, on the other hand, there *are* perfectly valid, legal and legitimate reasons for wanting to RIP music off a CD into MP3 format. (for example, as mentioned above, portable personal digital music players)

      Your example would be more correct if you asked whether doors should be made illegal because someone might open yours and steal everything you have. Of course, not having any doors is a major inconvenience in a house. In fact, you could even argue that in purchasing a house, it's perfectly reasonable for you to expect there to be doors, fully functional working under any and all circumstances doors, even.

      --
      Visit CryptoGnome in his home.
  19. Does it matter? by Richard_at_work · · Score: 5, Insightful

    Copyright infringement is wrong, just because its not having a negative affect on sales doesnt mean its ok to continue copying. Im not against fair use, whether implied or granted by the government, but wholesale copying of music, which is what is going on via kazaa etc, is just plain immorally wrong, regardless of what the RIAA or the ARIA or whoever does so people can "justify" it.

    1. Re:Does it matter? by bit01 · · Score: 3, Insightful

      but wholesale copying of music, which is what is going on via kazaa etc, is just plain immorally wrong

      Nope, it may be illegal but it's not immoral. IP law is totally broken at the moment and civil disobedience is entirely appropriate.

      ---

      It's wrong that an intellectual property creator should not be rewarded for their work.
      It's equally wrong that an IP creator should be rewarded too many times for the one piece of work, for exactly the same reasons.

      Reform IP law and stop the M$/RIAA abuse.

    2. Re:Does it matter? by MartinG · · Score: 3, Interesting

      Not that I neccesarily disagree, but can you explain why copyright infringement is wrong in this case. (without saying "because it's illegal")

      Don't forget that copyright is a means to an end. If its not achieving that end and it's only effect is to prevent the spread of information then it's doing more harm than good. (I use the term information loosely)

      --
      -- MartinG To mail me: echo kewyjlcxyzvjfxbqwh | tr bcefhjklqvwxyz .@adgimnoprstu
    3. Re:Does it matter? by Anonymous Coward · · Score: 1, Insightful

      Regardless, if the observation of the article was true in general, it would certainly undermine the arguments of the copyright holders for drastic measures like the DMCA++ that's being pushed everywhere.

      If no (or little) damage is done, what's left as a justification for this kind of legislation?

    4. Re:Does it matter? by mean+pun · · Score: 1
      Copyright infringement is wrong, just because its not having a negative affect on sales doesnt mean its ok to continue copying

      Yes, but lying is also wrong. Even if it is about the causes of declining CD sales.

      What always gets me is the stupidity of the lies. They always sound only marginally plausible, and you just know things are not as simple as all that. Do these people realize how narrow-minded and insincere they sound? Do they even realize they are lying, or do they believe their own spin?

      I could now mention SCO and WMD, but those are just extreme examples of the same principle.

    5. Re:Does it matter? by Crypto+Gnome · · Score: 4, Insightful

      As much as I disgree with prople infringing on copyright (ie breaking the law) here's my personal take in the situation.

      ----- Don't flame me, I'm posing a moral question here -----

      There are countries where The Music Industry has pressured The Government to apply a FEE to all and sundry users of a Particular Recording Medium (eg the CDRs in Canada).

      The Music Industry argues "*ALL* users of this recording medium are PIRATES, therefore they ALL should pay ME money".

      Ok, so if I've done the time, then looking at this from a purely moral standpoint, why should I not do the crime?

      I've *already* "paid for" the criminal act of pirating music, so why should I not go out and perform the criminal act itself?

      ----- It only stands to reason.

      On the other hand,if they want to treat me with the assumption that I'm basically a good law abiding citizen, that I want to rip my music to MP3 for my own private listening, and that I use CDRs for storing backups of my own personal original digital photography, then why do they need to impose a *blanket* CDR fee *as well as* doing their best to technologically prevent me from riping CDs on my computer.

      ---------------

      You ask "does it matter?" I say yes it does because the Music Industry Associations are arguing from a "morally right" standpoint (eg infringing on copyright hurts the artists), even though they're very clearly morally wrong (ie by assuming that *all* CDR sales are for piracy , and that *anyone* who rips music to MP3 is always/only doing so for the purposes of piracy).

      --
      Visit CryptoGnome in his home.
    6. Re:Does it matter? by Richard_at_work · · Score: 5, Insightful

      Nope, it may be illegal but it's not immoral. IP law is totally broken at the moment and civil disobedience is entirely appropriate.

      Civil disobedience in these cases is where you publically declare that you are going to break the law, state your reasons why, and publically do it. Civil disobedience stives to raise the public view of the act you are campaigning against, and it does it by demonstrating why it is wrong, and why you are against it, and giving the chance for the act to be taken to court, so it can be demonstrated there as well. People downloading off kazaa, copying off friends etc etc are not doing this, they are hiding in the shadows and not performing any civil disobedience at all, and until someone does im sorry but this arguement does not stand for me.

    7. Re:Does it matter? by Richard_at_work · · Score: 1

      Not trying to post against you here, but i would be genuinely interested if you can point me to articles where the Australian Recording Industry Assosication has stated that downloads have damaged CD sales.

      Also ever thought of this one? It may not be damaging CD sales, but what incentive does kazaa give the ARIA etc to provide a download service? Itunes was successful, but who knows how much revenue it is loosing to kazaa et al?

    8. Re:Does it matter? by Mistlefoot · · Score: 1

      The copyright something is released under has to be considered.

      We read this here all the time in regards to the GPL. The GPL must be respected.

      Yet it seems to many that it's okay to ignore the copyright that "Metallica" or whoever releases there music under.

      You don't like the copyright it's released under that's your choice - DON'T listen to it.

    9. Re:Does it matter? by Richard_at_work · · Score: 1

      The problem is is that you can only say copyright infringement is wrong because its illegal. I may not personally agree with everything copyright stands for, but its part of the laws of the land that i inhabit, and unfortunately laws are not selectively enforcable.

      IF there were no IP laws, then there would be little incentive for anyone to produce anything that was easily copyable. Music would go back to band performances live, because thats the only way bands would get money. Software would stop being written by professionals looking for financial reward, because they could do nothing to stop copying, and we would end up with a sourceforge type situation ( a few gems, mainly dross, certainly little to combat commercial software). Professional Photographers would cease to exist, except for event photography because they cannot resell the same photograph. Newspapers and magazines would be severally disrupted, because they could not protect the contents of their publications. Book publication would be slashed, as there is no profit in it for publishers because Chinese publishers are taking one copy of theirs, duplicating and selling it for 1% of the price.

      A World devoid of copyright laws could exist, but only if finacial reward was missing from that world. Or we went back to the world of the 1700s, when information was not what it is now. THere would be two outcomes to a copyrightless world, one is utopian, or alternatively individual contracts would be drawn up for each distribution of works, rather than the catch all "contract" of current copyright law. The lawyers always win.

    10. Re:Does it matter? by Brian+Boitano · · Score: 3, Insightful
      I don't think the act of civil disobedience requires you to advertise that you are doing it:

      civil disobedience
      n.
      Refusal to obey civil laws in an effort to induce change in governmental policy or legislation, characterized by the use of passive resistance or other nonviolent means.

      (from dictionary.com)
      --
      What would Brian Boitano do?
    11. Re:Does it matter? by Tim+C · · Score: 2, Insightful

      The "in an effort to induce change" bit is key. If no-one knows that you're doing it, or at least why you're doing it, then how can you possibly induce change?

      In this case, there are two possible reasons for ignoring copyright law:

      1) you think that the current system is broken in some way, and needs to be changed
      2) you just want stuff and don't want to have to pay for it

      Unless you publicly stand up and announce that you are doing what you do because of 1), most people (who either don't realise or don't believe that there's a problem) are going to assume that it's all happening due to 2). The only change that that will effect is an increased clampdown and even tougher laws and penalties.

      If you want the law to change, you have to convince enough of the public to agree with you that the legislators cannot afford to ignore the issue. As Richard_at_work says, you can't do that by breaking the law and hiding your activities.

    12. Re:Does it matter? by Anonymous Coward · · Score: 0
      Copyright infringement is wrong


      Would you like to explain why?
    13. Re:Does it matter? by kien · · Score: 1
      Also ever thought of this one? It may not be damaging CD sales, but what incentive does kazaa give the ARIA etc to provide a download service? Itunes was successful, but who knows how much revenue it is loosing to kazaa et al?

      That's an interesting point. It also raises yet another issue regarding p2p music: Do you believe that you should be able to download (without paying) a song that is on a vinyl album that you own? In other words, how many times do you feel you should have to pay for a copyrighted piece of work?

      --K.
      --
      Sig: Bad people happen. Try to avoid being one of them.
    14. Re:Does it matter? by fucksl4shd0t · · Score: 2, Insightful

      Read this

      With copyright terms now stretching to 140+ years, and recent judgements that make it possible for corporations to maintain copyright indefinitely, that makes the laws unjust.

      Now, I will exercise my fair use rights by quoting from a passage recorded, and I'll not tell you who recorded this speech, nor what song it introduces:

      Citizens of Boston. Throughout the course of our nation's history, the people of Boston have rallied bravely whenever the rights of man have been threatened. Today, a new crisis has arisen. The Metropolitan Transit Authority, better known as the MTA, has been levying burdensome attacks on the population in the form of subway fair increases. Citizens hear me out! This can happen to you:
      --
      Like what I said? You might like my music
    15. Re:Does it matter? by fucksl4shd0t · · Score: 1

      Copyright is copyright, there isn't any "different copyrights available to people to release shit under." Sorry, by copyright is copyright.

      You have only the rights provided by copyright law with regard to any copyrighted work, unless the creator of that work provides you with a license to use the work in a fashion that would normally not be allowed by traditional copyright law. That license amounts to "You have more rights, provided you follow our agreement, and we won't sue you."

      GPL uses copyright law in this fashion. It exists as a license granted by the holder of the copyright giving the user more rights to use the software than they would have had under copyright law. the "L" in GPL stands for "License". IT is not a copyright, it is a license. A copyright is something that declares ownership of a creative work, and copyright law is the law that governs the terms of that ownership.

      Copyright law is a compromise between the public's need and the public good of having information freely available, and the need of the creative types to make a living off of their work. The purpose of the compromise is to create a monopoly governing the use of the work that makes it possible for the creator to make money off of it, while ultimately that work still goes into the public store of knowledge (the public domain).

      You must ask yourself, do our existing copyright laws serve the compromise, provide for the common good, and still protect the creator of the work for a reasonable time?

      --
      Like what I said? You might like my music
    16. Re:Does it matter? by fucksl4shd0t · · Score: 1

      Also ever thought of this one? It may not be damaging CD sales, but what incentive does kazaa give the ARIA etc to provide a download service? Itunes was successful, but who knows how much revenue it is loosing to kazaa et al?

      Interesting. YOu make a strong point that existing P2P fills a niche that prevents the ARIA and RIAA labels to move into, forcing them to be dinosaurs and unable to adapt. Not that I'm trying to read more into what you said, it's just that that's what hit me when I read it. :)

      I've never used Kazaa, but I've used Napster, WinMX, Lopster, and Audiogalaxy, and they all have several things in common. First: they don't give the user much in the way of searching. Just keyword searching. (Audiogalaxy is the exception to this, and the best example of what the record labels could offer. Instead of suing them, the record labels should have bought them or partnered with them, and grew the business) You can search for "Metallica", but what if you just want to see what else is available that sounds like Metallica? You can't. What if you're a band and you want to use P2P to market yourself? You have to keyword stuff your filenames. Personally, I don't download crap that's stuffed like that.

      P2P does a bad job of filling the niche, and there's plenty of room for the recording industry to come in and add value to their service. Hell, just think of what would happen if Google put their search technology to work in P2P music file sharing! If I were google, I'd be pursuing a service with the RIAA labels distributing music, and look for alternate ways to extract money for it (subscription fees, charge per download, advertising, etc.) and make it possible for bands to self-serve their listings, so the RIAA et al can just profit without doing any work! :)

      --
      Like what I said? You might like my music
    17. Re:Does it matter? by Anonymous Coward · · Score: 0

      It's not the people that are standing in the open, it is the GROUP of people. 15 million. Can you name them? No. Are they there? Yes. The law is being actively flouted by really quite a lot of people who do not give a fuck.

      Ghandi-style civil disobedience isn't the only kind. There's also the kind of civil disobedience practised to end Prohibition, which is basically that everyone ignores the law and tries to pretend like it never existed.

    18. Re:Does it matter? by c · · Score: 1

      "Copyright infringement is wrong"

      Yup.

      "... but wholesale copying of music ... is just plain immorally wrong"

      Nope, that doesn't follow. Maybe if you'd said "wholesale _infringement_". I also think you meant "morally wrong", but we get the idea.

      Copying music is moral and right in many circumstances. Even in many situations where certain interests say it isn't.

      - it's moral and right if the music is public domain. If someone wanted to go after the music industry for abuse of copyright _priveleges_, that might mean most music out there.
      - it's often moral and right if it's a live recording.
      - it's moral and right if the copyright owner allows it
      - it's moral and right if the copyright owner is compensated appropriately (under Canadian copyright law, as far as we can tell)
      - it's moral and right if the copier(s) live in a country that doesn't recognize the specific instance of copying as infringement (countries with "immature" copyright laws or some sort of private copying regime).

      Then there's the wonderful grey areas called fair use (US law) and moral rights (many other coutries) which might be relevant to any given piece of work.

      The basic reality is that the rightness or wrongness of copying a particular piece of music _must_ be decided on the piece by piece, uploader to downloader, day by day basis. You can't make sweeping wholesale decisions about the entire issue or any specific chunk of technology. _International_ copyright just doesn't work like that.

      c.

      --
      Log in or piss off.
    19. Re:Does it matter? by Anonymous Coward · · Score: 0

      And I say to hell with civil disobedience!

      Has everyone forgotten how this great country got started? Let me remind you...

      From the Declaration of Independence:
      But when a long Train of Abuses and Usurpations, pursuing invariably the same Object, evinces a Design to reduce them under absolute Despotism, it is their Right, it is their Duty, to throw off such Government, and to provide new Guards for their future Security.

      long Train of Abuses and Usurpations = the continued erosion of court-established Fair Use practices by the convenient course of purchasing favorable legislation.

      pursuing invariably the same Object = profit (did I really need to spell that one out?)

      evinces a Design to reduce them under absolute Despotism = RIAA's publicly expressed desire to be able to invade and crash computer systems that they decide are sharing copyrighted material without any legal action.

      It might also be interesting to read the list of specific grievances against the English government to see for yourself how closely our current government is treading in King George's footsteps!

    20. Re:Does it matter? by iabervon · · Score: 1

      If unlicensed copying of copyrighted works doesn't decrease the amount of money that the owners get, what's wrong with it? The reason for copyright to exist in the first place is to make sure that artists get paid. If it is not serving that purpose, then it is entirely pointless (aside from the case of works the author doesn't want distributed in the first place, which are not at issue here).

      It is immoral to not compensate the people responsible when you enjoy something. Copying music, getting copied music, and so forth are entirely amoral activities. The transfer of data doesn't hurt or benefit anyone (aside from other people on your network segment, perhaps). No matter what people say, it is not theft, because the owner doesn't lose the item. If I were to steal your bicycle, duplicate it, and return it unharmed and without any wear, you probably wouldn't care at all that I now have a bicycle and didn't before. The manufacturer would probably care that I have a bicycle I didn't pay them for, but if I were to pay them (without getting another bicycle out of the transaction), they'd be satisfied. The moral question is whether people who deserve to get paid get paid. Whether people get their music originally from the CD store or from kazaa, all that matters is that they pay for it in the end. As for whether buying a CD discharges your moral obligation, and whether funding record companies is moral at all, those are separate questions.

    21. Re:Does it matter? by Anonymous Coward · · Score: 0

      " Copyright infringement is wrong,"

      Why is it wrong? I mean avoiding the circular argument that "Its wrong because its illegal". Take laws out of it, break it down to a real reason.

      I suspect you'll fall back on the semi-compelling but incorrect "Its stealing".

      No, break it down further than that.

    22. Re:Does it matter? by tkrotchko · · Score: 1

      "IF there were no IP laws, then there would be little incentive for anyone to produce anything that was easily copyable. "

      Its not black and white. The middle ground is where you go back closer to the original definitions of copyright and patents as defined by the original US Constituion.

      The notion that copyrights and patents form something equal to physical property is at best a bad analogy and at worst a selective way for large corporations to unfairly exploit a well-meaning, but wrong congress and executive branch.

      --
      You were mistaken. Which is odd, since memory shouldn't be a problem for you
    23. Re:Does it matter? by Ironica · · Score: 1

      It also raises yet another issue regarding p2p music: Do you believe that you should be able to download (without paying) a song that is on a vinyl album that you own? In other words, how many times do you feel you should have to pay for a copyrighted piece of work?

      I've often wondered about this. I've downloaded two songs, both of which had been on CDs I owned, but misplaced. In those cases, I owned a digital copy of the music and a license to use it, so therefore I don't think any court would convict me of violating copyright in downloading the songs.

      But I own a lot of LPs, and would like to digitize them while record needles still exist. It would be simple to just download the album contents, but I didn't *buy* a digital version. If I could be sure that the version I'm downloading was ripped from an LP, then I think that would be within the realm of fair use... it's more like lending my records to a friend who has the equipment to rip them. But downloading a copy ripped off of a CD to replace a vinyl LP would, I think, stretch things too far... the medium has a higher price, and higher quality, and I didn't pay for it.

      --
      Don't you wish your girlfriend was a geek like me?
    24. Re:Does it matter? by Strych9 · · Score: 1

      Here in Canada:

      We pay $$$ to the CRIA for each CDR that we purchase. All those who argue you should pay for your songs that you rip, fine I just did. Now they also want to sue us like the gestapo tactics used by the RIAA down south. Well is this going to make me change my ways? No. Is this going to make me a lot angrier, yes. Pick one: you want to go sue happy, fine do it, but take away your tax on Canadian citizens for backing up their hard drives. I don't pirate celene dion or brian adams. (You realize this is for Canadian artists only)

      So nicely put, piss off.

    25. Re:Does it matter? by Anonymous Coward · · Score: 0

      Exactly. I've used maybe 2 CD-Rs, ever, to pirate music. The vast, vast majority I use to pirate movies and software, so I don't see how it's fair that the RIAA tax me.

    26. Re:Does it matter? by Stormie · · Score: 1

      The "in an effort to induce change" bit is key. If no-one knows that you're doing it, or at least why you're doing it, then how can you possibly induce change?

      Well, he told everyone on Slashdot he was doing it. And he got modded up, so even more people will see his declaration! What more do you want!?

    27. Re:Does it matter? by kien · · Score: 1

      But I own a lot of LPs, and would like to digitize them while record needles still exist. It would be simple to just download the album contents, but I didn't *buy* a digital version. If I could be sure that the version I'm downloading was ripped from an LP, then I think that would be within the realm of fair use... it's more like lending my records to a friend who has the equipment to rip them. But downloading a copy ripped off of a CD to replace a vinyl LP would, I think, stretch things too far... the medium has a higher price, and higher quality, and I didn't pay for it.

      Your reasoning, IMHO, seems to be the most logical opinion that I have read on this divisive issue. It makes sense to me that it's justifiable for the copyright owners to expect recompense when the technology changes but not when the format changes. When format changes, I don't see much re-tooling required by the recording industry whereas when the technology itself changes, I could see some fundamental changes impacting their bottom line. (Someone on the inside of the recording industry, feel free to clarify.)

      Applying your reasoning to copyright law would be an interesting and fruitful task; differentiating technology from format would be a useful step in the right direction to compromise in copyright law. Thanks for sharing your insight.

      --K.

      --
      Sig: Bad people happen. Try to avoid being one of them.
  20. Missleading headline to this post. by ex-songwriter · · Score: 1

    The linked-to article states that CDRs and MP3s are not KILLING CD sales. There is a difference, it seems to me, between not hurting and not killing. As I understand it, sales of recorded music in Australia were down 4.5% for 2003 overall. I'm not certain those type of sales declines can be successfully spun into downloading and burning not hurting sales of recorded music.

    1. Re:Missleading headline to this post. by fucksl4shd0t · · Score: 1

      I'm not certain those type of sales declines can be successfully spun into downloading and burning not hurting sales of recorded music.

      The mistake you make is by trying to spin the sales figures to find a scapegoat. The recording industries would be better off introverting for awhile to find the reason sales are down. They would emerge newer, better, and proving much more value for what they ask.

      Archeology is the search for fact! The Record Industries everywhere need to search for fact, not truth!

      --
      Like what I said? You might like my music
    2. Re:Missleading headline to this post. by Anonymous Coward · · Score: 0

      There are so many other reasons why the number of CDs sold in the US has dropped 4.5%; 1. Quality of new music; 2. Quantity of new music; 3. The amount of money the public has; 4. The cost of new music; 5. And, the fact most people have probably filled up their collection with "classic" albums already.
      To blame this fall in sales squarely on pirates is folly.

  21. P2P = Album sampling by jasonfncsu · · Score: 2, Interesting

    I don't know about anyone else, but RIAA has never lost an album sale because of P2P for me. I use P2P as kinda a sampling system to see what I wanna buy. Too many times there has been 1 or 2 good songs by a band, then you buy the CD, and get screwed because the rest is horrible. Record sales are down for one reason: music sucks now. All the mainstream rock/pop/hiphop/country stations are now playing the same mindless blather. Thank God for NPR (National Public Radio) and the BBC World Service.

    --
    Jason Faulkner
    Old Os Administrator
    jason@oldos.org
    oldos.
    1. Re:P2P = Album sampling by October_30th · · Score: 1
      I used to buy a lot of music, but ever since the introduction of crippled, copyprotected CDs, I haven't bothered. Now I just download whatever interests me using the overnet.

      Way to shoot yourself in the foot, RIAA.

      --
      The owls are not what they seem
    2. Re:P2P = Album sampling by bernywork · · Score: 1

      Seconded, I bought the lastest Massive Attack album from overseas and had it shipped here to Aus. for exactly that reason.

      If I see a CD that I like, and it has copy protection, ok, back on the shelf, lets see what else is around.

      BTW, something I thought I would mention, with the exception of older albums, and some of the Australian groups, most CDs here in Aus are actually about $30 as opposed to the $20 that people in the US are used to paying.

      --
      Curiosity was framed; ignorance killed the cat. -- Author unknown
    3. Re:P2P = Album sampling by Ironica · · Score: 1

      RIAA has never lost an album sale because of P2P for me. I use P2P as kinda a sampling system to see what I wanna buy. Too many times there has been 1 or 2 good songs by a band, then you buy the CD, and get screwed because the rest is horrible.

      I hate to nitpick, but it sounds from this like they *have* lost album sales from you because of P2P.

      Unless you meant to add that before you could "sample," you just didn't buy *anything* because of the possibility of the album being junk, and now you do buy stuff, because you hear it beforehand and like it.

      --
      Don't you wish your girlfriend was a geek like me?
    4. Re:P2P = Album sampling by jasonfncsu · · Score: 1

      What I meant is that I had gotten so jaded from being screwed by bad albums that I had stopped buying. Now I have a little more resotred faith in the album, since I can make sure I like it before I buy it.

      --
      Jason Faulkner
      Old Os Administrator
      jason@oldos.org
      oldos.
  22. Australians pay directly for every byte downloaded by alien_blueprint · · Score: 5, Informative

    In Australia we pay directly for every byte we download.

    For our monthly ISP fee we are granted a certain number of megabytes that we may download without incurring extra cost. This "bandwidth cap" varies depending on how much you pay per month. Beyond that we typically pay some rate such as 15c per megabyte, or are cut back to dialup speeds.

    Now, this doesn't directly affect the discrepancy discussed in the article (between the rate of people burning CDs for their friends and the lack of a corresponding drop in CD sales), but in general you have to keep this in mind when trying to draw conclusions from any investigation of illegal music sharing in Australia.

    Of course, it might just be that illegal music sharing has no effect on sales elsewhere in the world, but it's important to realize that our usage patterns will be very different from areas that have unlimited downloads.

  23. The problem the RIAA has with P2P... by Anonymous Coward · · Score: 0

    ...is that P2P enforces quality.

    1. Re:The problem the RIAA has with P2P... by snolan · · Score: 1
      I have always felt that the problem the RIAA has with P2P is that it has the potential to remove the middleman/distributer/record label from the artist consumer equation.

      To me this is all resoundingly familiar (giving away my age) the huge FUD campaign the RIAA created back when device makers were trying to standardize on DAT tape decks for home audio use. RIAA protested, not because of home piracy, but really because with digital recording at home musicians and artists no longer needed expensive studio time and equipment. Scratch the need for a class of dinosaur.

      Computers with non-linear editing and digital recording have simply replaced DAT tape decks, and P2P networks are simply replacing direct-marketing - both could easily make recording labels obsolete, and worse - at this particular time the studio labels all have crappy talent.

  24. Of course somebody is lying... by Trejkaz · · Score: 1

    ... and it is ARIA. Wouldn't the organisation with a vested interest in raping money off of someone else's talent want to continue raping that money?

    (Misspelling of 'reaping' as 'raping' intentional.)

    --
    Karma: It's all a bunch of tree-huggin' hippy crap!
    1. Re:Of course somebody is lying... by fucksl4shd0t · · Score: 1

      (Misspelling of 'reaping' as 'raping' intentional.)

      And stupid, as well. You can't rape an inanimate object. So the phrase "raping money" doesn't make any sense, since "money" is the object that is being raped.

      I know what your intentions were, but you need to get your direct objects in line. :)

      --
      Like what I said? You might like my music
    2. Re:Of course somebody is lying... by ergo98 · · Score: 1

      "Wouldn't the organisation with a vested interest in raping money off of someone else's talent want to continue raping that money?"

      And wouldn't a bunch of music pirates with a vested interest in keeping the status quo want to continue raping the music industry, hence trying to spin whatever they can into P2P and CD-Rs being a win/win for the music industry? Indeed it would.

      This whole discussion is so absolutely ludicrous -- the idea proposed that, on the whole, P2P (or CD2CD) has been beneficial to the music industry is so absolutely proposterous that it boggles the mind. While there is obvious advantages to P2P for garage bands, unsigned acts, or even smaller music labels that want to use innovative techniques, the overwhelming majority of music sales consist, basically, of "top 40" type CDs. How many people hear a cool song on the radio, pull up whatever client they use, grab said song, and that's it? The idea that they then go and buy the CD is absurd (especially when many people absurdly call the rest of the music "filler" -- this term has been used on here countless times, for example).

      I saw a quote on a board recently that went something like "Where you stand depends on where you sit". Sadly, this is entirely true, and it undermines the ultimate goal of democracy. Instead of people standing for and promoting what is right, they stand for and promote whatever short term self-serving bullshit and rhetoric fits their personal situation. I'm talking about both the music industry as well as the self-serving nonsense constantly spewed out from the pro-P2Per just trying to ensure that nothing upsets their free ride.

    3. Re:Of course somebody is lying... by guiscard · · Score: 1

      (Misspelling of 'reaping' as 'raping' intentional.)

      I assumed it was 'raping' as in 'reaping' said with an Australian accent, the article being about the AIRA and all...

    4. Re:Of course somebody is lying... by Anonymous Coward · · Score: 0

      You can't rape an inanimate object.

      I don't know about that. I raped your dead grandmother.

    5. Re:Of course somebody is lying... by Trejkaz · · Score: 1

      If you hear it on the radio, you might as well pirate it straight off the radio. You don't need P2P to pirate it...

      This whole paranoia went around when radio first came out, in fact. Why does radio still exist? Ban it!

      --
      Karma: It's all a bunch of tree-huggin' hippy crap!
    6. Re:Of course somebody is lying... by Anonymous Coward · · Score: 0

      "Instead of people standing for and promoting what is right, they stand for and promote whatever short term self-serving bullshit and rhetoric fits their personal situation."

      Welcome to the world. This has always been the case, and always will be. We might be nice to family and those people directly around us, and generally polite and well-behaved with some complete strangers (holding doors open, for example), but will probably revert to fighting our own corner when the chips are down. Why not? Is survival not the point of life?

  25. CD-Rs == music? by Trejkaz · · Score: 1

    Why don't we hear the film industry bitching more about CD-Rs? I mean, I'm willing to wager that a lot more burned CDs are full of video rather than audio, based on my friends' collections.

    --
    Karma: It's all a bunch of tree-huggin' hippy crap!
    1. Re:CD-Rs == music? by ergo98 · · Score: 1

      I mean, I'm willing to wager that a lot more burned CDs are full of video rather than audio, based on my friends' collections.

      Your friends are geeks. In the mainstream (the vast majority of people) burned Divx movies or whatever are quite rare. Mind you when dual-layer DVD hits its stride, I'm sure it'll start taking off at pretty rapid pace.

    2. Re:CD-Rs == music? by guiscard · · Score: 1

      They get money from a tax on CDRs already, guess that keeps them from 'bitching'.

    3. Re:CD-Rs == music? by Trejkaz · · Score: 1

      Your friends are geeks.

      Of course they're geeks. We're talking about people who fileshare... I thought the people with the biggest collections all kept their MP3s on disk instead of wasting time burning them as audio to CD.

      --
      Karma: It's all a bunch of tree-huggin' hippy crap!
  26. oy oy oy by Anonymous Coward · · Score: 0

    Go Steve Waugh....

    oh yer.. good point too.

    Go Steve

  27. Other uses for CD-R's elude RIAA types. by dollar70 · · Score: 1
    From the article:

    The recording industry survey was carried out by Quantum Market Research using a sample of about 1000 people. It suggests that 31 million homemade CDs are given away as gifts each year (about four for each of the eight million Australians it says receive them). If, as seems reasonable, 31 million homemade CDs are kept rather than given away, the total number created each year would top 62 million.

    I'm just wondering if every one of those CD-R's they're counting are music disks. I buy CD-R's in bulk for archiving purposes. Are they counting those as well?

    Also, what were the demographics of the 1000 people? If they were just interviewing 13 to 24 year olds, then probably many of the CD-R's consumed would be used for custom music CD's, but beyond that, the CD serves as an excellent storage device for keeping archives of web pages, photographs, home movies, financial documents, software backups, etc... Even my parents give me CD's they've burned like the time Mom took her digital camera on vacation.

    Heck, my downloaded collection of Linux distro's from ISO's in the past year has used over 50 CD's. I've given out about half of them as gifts. Are they including such uses in their results?

  28. Why do we care about CD's by mr_lithic · · Score: 2, Interesting
    The main story is not whether or not the latest single from Fame Idol is being bought off the shelves. It is about the continued mention of CD's as the medium we should be concerned about.

    The Real Story is the Music Industry completely dropping the ball on the delivery of digital music formats. When Napster raised its head and "threatened" CD Sales, the industry should have studied and copied it.

    Instead they tried to shut it down and failed miserably. The current tactics are just the tail-end of a poorly implemented policy that has simply highlighted the availability of online peer-to-peer media to people that normally would not engage in these activities.

    There are online music sellers now but if the Music Industry had acted earlier when peer-to-peer had first come into prominence, we would not be talking about CD's at all. Compact Discs would be the same as Cassette Tapes and Vinyl Records. They would only be sold to those who had not adopted the new digital technology or those who like to hang onto older formats (like reel-to-reel machines).

    By now instant access to entire music catalogues could have been made available online (not just the latest hits) and the price would have dropped to a reasonable amount, due to true competition in the marketplace. Independent artists would be setting up their own operations based on similar business models. It would have been similar to independent record pressing, where it would be servers holding and distributing the collections rather than an industrial process.

    Any mention of CD sales at this time is just another reminder of how much they messed it all up.

  29. RIIA WILL GO DOWN NO MATTER WHAT by demonhold · · Score: 1

    The RIIA has lost the battle. Even if they succesfully outlawed mp3, cd-burners and p2p services they will lose simply because their model is wrong. The labels no longer invest in new artists as they used to... record companies are no longer run by people who know music, but by coorporate moguls that thinks in terms of short term benefits and market share and share prices. So we are sold a product not a piece of art. The same way McDonalds sales are going down in many First Worl dcountries because many people no longer want to be fed overpriced third class meat and frozen potatoes and prefer instead to go out to dine just once a month to a good rest, music lovers will stopp buying assembly line music, that is all you can get unless you live in a big, specially culturally city, and prefer to go to live acts and buy mail order from the artists themselves, or small independent labels. I know the preceeding sentence is a little bit too long... anyway I hope everyone gets to know what I mean.

    --
    ... y Dios vio que Linux era bueno... Genesis 99.666
  30. What about the P0rn Industry by Anonymous Coward · · Score: 0

    Its not like password trading is hurting the porn industry either... this is all just a load of crap. The only difference is most don't see that xRIA is raping artists and consumers as damaging to our society (aka social fabric)

  31. the glass is half-empty by khallow · · Score: 1

    OTOH, we can also say that the RIAA's little legal war hasn't effected sales either.

  32. WiFi it in Aussie land by DigiShaman · · Score: 1

    Sounds like gaming over the net in Australia can rape you wallet in a hurry. Must suck to be a gamer down under. But, at least WiFi is an option right? Maybe once Aussies start going wireless, then a true public network can be formed by interconnecting all of the WiFi nodes in a P2P fashion.

    Could it work? Any thoughts on this.

    --
    Life is not for the lazy.
    1. Re:WiFi it in Aussie land by alien_blueprint · · Score: 3, Insightful

      Sounds like gaming over the net in Australia can rape you wallet in a hurry. Must suck to be a gamer down under.

      This is where your choice of ISP becomes very important. Many ISPs offer free download servers and game servers that don't incur any cost. I don't happen to play PC games at the moment, however my ISP has an array of game servers for different popular games. It also mirrors various Linux distros, FreeBSD, Mozilla, Python, Perl and other popular open source projects - which is what *I'm* interested in. So my total bandwidth is actually quite low. The "gamers" I know who use my ISP are also pretty satisfied with the game servers and associated software downloads.

      So, it becomes a matter of finding an ISP that provides extra services that match your interests.

      But, at least WiFi is an option right? [...] Could it work? Any thoughts on this.

      The problem, as I understand it, is that there are very few large pipes into the country, what with it being an island and all.

      And yes, people have been trying to set up local community wireless networks for years now, but it's not crossed the chasm into the mainstream yet. I suppose the problem is that in the end you have to connect to an ISP at *some* point to reach someone outside the network, and so you end up paying anyhow. It might work for local gaming, though.

  33. You could turn it around... by Da+Fokka · · Score: 1

    It's quite probable the RIAA is going to say: 'look, it's working! We're cracking down on mp3 exchange and our sale numbers go up!'

  34. Crying Wolf ? When will thy bluff be called .. by leoaugust · · Score: 3, Insightful

    The recording industry and its brethren have been crying wolf for years.

    • At various times we have been told that the pianola was going to kill sales of sheet music,
    • that radio was going to kill sales of records,
    • that photocopying would kill sales of books,
    • that the VCR would stop people going to movies, and
    • that cheaper imported records would stop people buying Australian music.
    • Along the way we have been told that the use of the latest technology was immoral - everything from the photocopier to the cassette recorder to the VCR.

    Crying Wolf for years ? Crying wolf implies that someday your bluff will be called. Remember the Story of the Boy Who Cried Wolf ?

    If the bluff ain't ever going to be called then is it really crying wolf ?

    Is the RIAA and MPAA bluff ever going to be called ? Has it ever been called out even after the above listed examples ?

    Big Money speaks. And Big Money carries a big stick. In today's world don't underestimate the belief that brawn overcomes brains. Hopefully, though, someday the brains will inherit the earth.

    --
    To see a world in a grain of sand, and then to step back and see the beach where the sand lies ...
    1. Re:Crying Wolf ? When will thy bluff be called .. by Ironica · · Score: 1

      Crying Wolf for years ? Crying wolf implies that someday your bluff will be called. Remember the Story of the Boy Who Cried Wolf ?

      If the bluff ain't ever going to be called then is it really crying wolf ?


      The real moral of the story of the Boy who Cried Wolf wasn't in that eventually there was a wolf, but that eventually people stopped paying any attention to him, so when there really was a threat, he couldn't get any help.

      It's time to stop listening to the recording industry. If something happens that really threatens them... oh, well, sucks to be them.

      --
      Don't you wish your girlfriend was a geek like me?
  35. Basic wrong assumption. by SharpFang · · Score: 3, Interesting


    The music, software and all such industry assumes, that piracy - scenario:

    Customer with product - Producer without money

    replaces classic "sale" scenario:

    Customer with product - Producer with money

    In fact, it usually replaces a different scenario:

    Customer without product - Producer without money

    The industry loses nothing at all. If they want $30 for a CD album, I won't buy that album. Simple as that. And doesn't matter if I downloaded it or not, they wouldn't see my money ever. At best, I will be pissed off at their ridiculous price and refuse to buy it later when it's cheaper, simply because I don't support thieves (yep, I mean what I just said!)

    But when I download the album, another situation appears. They may gain one, rather esotheric thing from me: Gratitude. Maybe I'll buy some crappy product of theirs, just to support them in the future, just to express my thanks. Maybe I will buy "colector's edition" of what I copied earlier. Just because I like it so much.
    Under one condition: They can't piss me off before that. If I hear about stupid lawsuits, sites closed due to ridiculous copyright issues, evil marketing techniques - then, sorry. I'll gladly make a copy for my friends: "Hey, don't support that assholes with your money, get a copy instead!"

    --
    45 5F E1 04 22 CA 29 C4 93 3F 95 05 2B 79 2A B2
    1. Re:Basic wrong assumption. by Overly+Critical+Guy · · Score: 0

      But when I download the album, another situation appears. They may gain one, rather esotheric thing from me: Gratitude.

      Wow, they "may" gain gratitude. A business model built on gratitude? Gee, you must be a business major.

      Maybe I'll buy some crappy product of theirs, just to support them in the future, just to express my thanks.

      Of course you won't. Society doesn't run on an honor system. Having a .RAR file of an album won't magically make someone think, "Wow, I like this and will express my thanks by paying for another album that's already available online!" No--they'll just download that other product as well.

      Maybe I will buy "colector's edition" of what I copied earlier. Just because I like it so much.

      Most people won't buy what they already have. You are a minority. Again, Slashdotters think they are in the majority all the time when they are not.

      Under one condition: They can't piss me off before that. If I hear about stupid lawsuits, sites closed due to ridiculous copyright issues, evil marketing techniques - then, sorry. I'll gladly make a copy for my friends: "Hey, don't support that assholes with your money, get a copy instead!"

      Stupid lawsuits = protecting your intellectual property being distributed freely online?

      Ridiculous copyright issues = shutting down websites that track all the illegal downloads on eMule?

      Evil marketing techniques = playing commercials and advertisements that you can just turn off if you want? How else do you expect to know about albums?

      Meanwhile, nobody considers the human beings who rented the studio and spent a couple of months recording the album that you're downloading the fuck out of. What about them? They don't get to be paid for the music they're trying to make a living from? Or are they seeking your "gratitude" for making it available and having it end up online for greedy downloaders?

      Blech.

      --
      "Sufferin' succotash."
    2. Re:Basic wrong assumption. by SharpFang · · Score: 1

      Are you some kind of satanist or what?

      Stupid lawsuits = protecting your intellectual property being distributed freely online?
      Ridiculous copyright issues = shutting down websites that track all the illegal downloads on eMule?

      Mobil-X shut down for being too similar to Asterix. C&D to a free 2GB picture archive for hosting one(!) copyrighted picture that got there by mistake. A guy host a small picture website from times dating to shortly after creating WWW, then Kodak sends him C&D because the site title is same as one of their new product sites. Still arguing?

      Evil marketing techniques = playing commercials and advertisements that you can just turn off if you want? How else do you expect to know about albums? ...that I can't just turn off, I must wait through to see the "product". How else? STFW, or go to a doctor, trouble with imagination!

      Meanwhile, nobody considers the human beings who rented the studio and spent a couple of months recording the album that you're downloading the fuck out of. What about them?
      They get $0.03 from each of these $30 albums. Thank you, I'd rather mail them my money in envelope.

      --
      45 5F E1 04 22 CA 29 C4 93 3F 95 05 2B 79 2A B2
    3. Re:Basic wrong assumption. by Anonymous Coward · · Score: 0

      There was evidence to prove that Overly Critical Guy is a lying cocksucker, but he deleted it. Think independently.

  36. It's impossible to make conclusions now by heironymouscoward · · Score: 1

    There are way too many short-term factors confusing the long-term trends. The RIAA will say that the crackdown on file traders is bringing results. Others will say that P2P networks promote the sales of CDs... both are obviously bullshit.

    First, CD sales are much more dependent on economic circumstances than they used to be. Prior to 1998 or so, CDs were the only way to get music, and like drug addicts, we stood in line and paid the price. The fact that the music industry was robbing us blind made us detest them, and we still do. When CDs cost $0.50 to produce, we paid more for them than LPs.

    Secondly, people's listening habits have completely changed. Digital music means we are able to (and used to) listening to much more music, and in a much more personal way than ever before. The "45 minute album" concept is completely irrelevant in an age when people build 24-hour playlists for their MP3 players.

    Thirdly, the competition is not between CD sales and P2P. Most music sales happen by word of mouth, from friend to friend, and "friendly copying" on CDR already sabotaged CD sales long before P2P became big. Clearly P2P is a big problem for CD sales but it's just one of the many channels people use to get music. Trading CDs, listening to the radio, exchanging casettes (in many parts of the world)... these are probably more significant.

    The underlying trends in the music industry are driven by technology and are impossible to stop except by bombing the world back into the stone age. Consumers expect more choice, more control, and as much music as they can consume. The only viable option for the music industry is to channel this demand (as Apple is doing) into its own products.

    Trying to sell 1970's products (albums) to a 2000's market is just plain stupid.

    --
    Ceci n'est pas une signature
  37. What percentage of music fans buy NEW CDs? by briansz · · Score: 1

    I'm straining to think of the last time I bought a CD new at retail price. I believe it was in the winter of 1997 or Spring of 1998.

    I get most of my music now on used CDs or vinyl, $2.99 and $1 respectively at Goodwill, a bit more at used music stores. Nowhere close to even the $10 and $12 'reduced' prices.

    Before you laugh, I've picked up a lot of great jazz and classical at Goodwill, most in mint condition.

    Could the downward price pressure of all the accumulated used CDs hitting the market (and people like me buying them) be responsible for the recent sales declines and price reductions as much as P2P?

    1. Re:What percentage of music fans buy NEW CDs? by fucksl4shd0t · · Score: 2, Insightful

      Could the downward price pressure of all the accumulated used CDs hitting the market (and people like me buying them) be responsible for the recent sales declines and price reductions as much as P2P?

      Could it also be the result of everyone having finally upgraded themselves to CD? How much of their sales in the 90s was the result of people upgrading their existing music collection? I know I upgraded mine...

      Now I"ve upgraded mine to a format the RIAA doesn't want to support! I store it on my hard drive. The conduit they provide for me to put it on my hard drive happens to be a conduit through which I prefer not to interact. Consider this: I can go get a used CD from a music store, bring it home, rip it, take it back, sell it back to them, and get 70% of the money I spent back. In the end, a CD that only cost me $4.99 to buy used could bring me $3 when I take it back in to sell the next day. Furthermore, if I spent some time surveying the local used CD stores, I'll bet I could come out even or even pull a profit!

      That's all because CD is no longer my preferred storage medium the same way that cassette was never my preferred storage medium. I stored on cassette when I wanted the music to be portable. I bought new on vinyl, and CD when it came out. Now I store on my hard drive, and when I want the music to be portable I burn on CD.

      If they want my money the way they got it back in the days when I was upgrading my collection, they need to provide a way for me to upgrade my collection again, and that's all there is to it. The 90s are the first decade that didn't see a new music format distributed. In fact, it's the decade that DAT got beat out of replacing CD. Otherwise, every other decade has seen new music formats, and therefore has seen sales from existing "classics".

      How much money has EMI made from re-issuing Beatles albums on new formats? Pink Floyd? Dark Side of the Moon regularly goes platinum, and it has probably outsold many other albums on every medium on which it has been distributed.

      CDs just aren't preferred storage mediums any more. This time we made the switch without them. :) So this time they get to learn about "value" rather than "profit", because consumers don't give a flying fuck about "profit", they do care about "value". More value will attract more buyers, and that translates to more profit.

      Instead of asking "If I download music, will it take away from record industry profits that they use to pay the artists?", the question to ask is "What value do I receive by downloading, and what is the competitive value offering by buying the CDs?" The answer to the second question will tell you where the record industry needs to move their marketing and sales...

      --
      Like what I said? You might like my music
    2. Re:What percentage of music fans buy NEW CDs? by Alrescha · · Score: 1

      "CDs just aren't preferred storage mediums any more."

      Whoa there! That statement just isn't universally true.

      When I buy music for any kind of serious listening (ie: something other than background music), I buy the CD. I want the best data that I can get.

      Sure, I rip it and play it on my computer speakers, but when I'm serious about listening to something it's in the CD player with digital output to the receiver and then to my headphones.

      The MP3/AAC processes do a really good job, but the encoders and the decoders aren't perfect. Certainly extremely high bitrates help, but you start eating into the whole reason for compression in the first place.

      A.
      (who buys most of his CDs from non-RIAA labels in other countries now)

      --
      ...bringing you cynical quips since 1998
    3. Re:What percentage of music fans buy NEW CDs? by fucksl4shd0t · · Score: 1

      The MP3/AAC processes do a really good job, but the encoders and the decoders aren't perfect. Certainly extremely high bitrates help, but you start eating into the whole reason for compression in the first place.

      Hmm. I've got 120GB of hard drive space in which to store uncompressed music, if I like. When I do serious listening, it's usually in the car. Wife and three kids, I just don't have time anymore to sit and listen like I used to. But when it comes down to it, the main theme that has played in all new music mediums has been practicality. It's far more practical for me to use my computer for the music, and it's getting more and more practical for others to do so as well. The thing you have to get over is the mindset that a computer "requires" those stupid little computer speakers. You can get a sound card with digital out and plug that into your amp, and it'll be well worth it. :) I've got some pretty decent stuff plugged in to my computer...

      You are right, though. The statement isn't universally acceptable. I'd gladly pay to download uncompressed music, but I wouldn't pay to download mp3's, no matter how high the quality is. I find iTunes a rip-off, unless they start giving us uncompressed music. :)

      Of course, I'm much happier knowing that RIAA members don't get any of my money...

      --
      Like what I said? You might like my music
    4. Re:What percentage of music fans buy NEW CDs? by Alrescha · · Score: 1

      "When I do serious listening, it's usually in the car."

      I suspect you and I have very diffferent ideas about what 'serious listening' means - those two things are mutually exclusive to me. Maybe if parked by a nice lake.

      "The thing you have to get over is the mindset that a computer "requires" those stupid little computer speakers."

      You have no basis for this statement. You have no idea what I listen with. While I wouldn't tolerate the sound of my computer in the room where I listen to music, my MP3 decoder does send music as a digital stream to my receiver. This makes it easy to compare MP3 vs CD.

      I was talking about enocoding/decoding, not equipment. I have music (specifically vocals) that seem to be particularly challenging to the process. CDs that sound perfect become shredded on my iPod when encoded in MP3 (the iPod decoder appears to be junk). AAC does better, but neither can compare to the CD.

      In the end, we basically agree. We wouldn't pay money for compressed music.

      A.

      --
      ...bringing you cynical quips since 1998
    5. Re:What percentage of music fans buy NEW CDs? by fucksl4shd0t · · Score: 1

      I suspect you and I have very diffferent ideas about what 'serious listening' means - those two things are mutually exclusive to me. Maybe if parked by a nice lake.

      Well, probably not. See, I used to do my serious listening by sitting on the floor in an "optimal" place for hearing the sound from the stereo, and the stereo was strategically placed, and so forth. I shut off the computer, tv, anything else in the room that would introduce interference (not the heater in the winter and not the air conditioner, that was background noise I accepted), and listened to CD after CD, beginning to end, without interruption. Thing is, that's a luxury to me, now. Even if I could get a room in my house alone (not likely, three kids and a wife sharing a two bedroom basement), I never get enough time to listen beginning to end. Besides that, all the amplification equipment is in the living room, and it's situated mostly in mind of keeping small children from tearing it up. So optimal placement of speakers is not in effect. Besides that, though, I don't get enough sequential time in which I can listen end-to-end anymore, unless it's in the car. Therefore, I have to do my serious listening while driving alone, and I have developed a tendency for picking suboptimal routes. :)

      You have no basis for this statement. You have no idea what I listen with. While I wouldn't tolerate the sound of my computer in the room where I listen to music, my MP3 decoder does send music as a digital stream to my receiver. This makes it easy to compare MP3 vs CD.

      Um,a ctually, you used the words "little computer speakers" in your statement. I have yet to hear "little computer speakers" that actually sound good in a way that makes the encoder/decoder the bottleneck on good sound from the computer. I'm not saying they don't exist, but I've heard plenty of speakers, many that were labeled "hi-fi", that class as "little computer speakers". Problem is, it's very difficult to get decent sound out of a little case. Even your car speakers aren't in a "little" case. Door-mounted speakers use the whole door as their case, and that's why they usually produce better bass. Then there's the whole issue of speaker boxes in the trunk... Anyway, point is, you said "little speakers" so I concluded "little speakers". :)

      I was talking about enocoding/decoding, not equipment. I have music (specifically vocals) that seem to be particularly challenging to the process. CDs that sound perfect become shredded on my iPod when encoded in MP3 (the iPod decoder appears to be junk). AAC does better, but neither can compare to the CD.

      Hmm, the problem with most systems plugged into computers that I've seen is that the speakers are actually the bottleneck in good sound from the computer. Why does it matter how your audio is stored if you're just gonna push it through shit? I know, "I burn them to CD" or whatever. Great, actually, that you're streaming to your receiver. Best way to take advantage of the resource. :)

      For the record, the bottleneck on my system sounding good is a combination of speakers and amp, and not the codec. I've got a Fender Squier 45 watt amp and a Fender Pioneer 110 75watt amp. I tore the speakers out of these combo guitar amps and stuck them together in a case made out of particle board. My other speaker is an old loudspeaker that actually sounds great, except it doesn't have a tweeter so it's missing some highs. Great mids and lows, but no highs, so no presence. It's a jury rigged and damn near duct-taped setup. My car speakers are much better, and my truck speakers kick the ass out of the car speakers. :)

      --
      Like what I said? You might like my music
    6. Re:What percentage of music fans buy NEW CDs? by Alrescha · · Score: 1

      Ok, we have similar ideas about what seriously listening means. Good.

      "Um, actually, you used the words "little computer speakers" in your statement."

      You might want to check my post. I said 'computer speakers'. My computer speakers are a pair of old Advent Powered Partners. They are two-ways, powered direct from house current, and can push about 75 watts of audio into my face. They weigh about ten pounds each. While they *are* smaller than your normal stereo speakers, you wouldn't want to drop one on your foot. They are great as computer speakers, but they still aren't sufficient for what we call serious listening.

      I'm sympathetic to your current state of affairs. I moved from an isolated 3br house into a small apartment with noisy neighbors. I don't think I'll ever have that peace again.

      A.

      --
      ...bringing you cynical quips since 1998
    7. Re:What percentage of music fans buy NEW CDs? by fucksl4shd0t · · Score: 1

      Oops, you're absolutely right, you said "computer speakers", and I interpreted that as the same shitty computer speakers everyone else runs and complains about how bad computer music sounds.

      I checked the back of my loudspeaker for you, and it's a KLH Model 6. It's actually an excellent speaker, but it's so old I don't even know if they built tweeters back then. Gets great bass, and when it's coupled with a subwoofer it rocks ass. My guitar sounds really awesome through it. The home-made speaker doesn't sound too bad, but it is combo-amp "precision" speakers (isn't "precision" a radio shack brand?) mounted in particle board. I sealed the case up, except for the ports in the face of the smaller squier speaker. It gets pretty good bass and seems to have more frequency range than the KLH, but lacks a certain amount of dynamic range. That could also have something to do with the different amps powering each channel, though. Any ideas? ;) Better yet, any ideas on cheap, good-sounding, power amp kits? I've looked....

      Heh, I've been running my computer through a real stereo ever since the Amiga had it's 4-channel, 8-bit, 22.1k sound. That stuff was rockin' back in the day. One of these days, I'll have a better system, but what I've got now is actually superior to most of the systems I've run in the past.

      --
      Like what I said? You might like my music
  38. AU sales already tiny and bandwidth pricey by dnadig · · Score: 2, Informative

    OK, so, a few MAJOR differences:

    1: Australia pays an INSANE duty on imported music, to the point that when I lived there a few years ago, CD's from the US and UK cost TWICE as much as local fare. As such, it was ALREADY a culture in which people swapped tapes or (more likely) purchased all their music on overseas trips, particularly to asia, where it was ALL boot.

    2: Bandwidth is by the byte.

    Put these two together, and the stats don't add up.

    Hey, I hate the RIAA as much as everyone else, but it baffles me that people can think that in the CURRENT status quo, the internet hasn't hurt CD sales. I've bought fewer CDs, everyone I know has bought fewer CD's. My babysitter has NEVER bought a CD. Neither the math nor the social motivation makes any sense.

    On the other hand, the fact that 1980's CD sales we're likely artificially inflated by people "rebuying" their LP collections, never seems to be mentioned, and of course, just because people are buying fewer CDs doesnt mean they wouldnt follow some OTHER (itunes or whatever) business model.

  39. That picture... by FlashpointWork · · Score: 1

    In case anyone is wondering what this image is, it's supposed to be Guy Sebastian - the winner of Australian Idol - being received digitally. Oh the imagination of newpaper artists... Not that non-Australians would want to know, of course. ;)

    1. Re:That picture... by fucksl4shd0t · · Score: 1

      Thank you, I was wondering what that picture was! Until now, I had honestly thought the only musicians ever to come out of Australia were AC/DC, Midnight Oil, and INXS.

      --
      Like what I said? You might like my music
    2. Re:That picture... by Joe+Hardy+(_yoda) · · Score: 1

      I've an idea that Powderfinger, Kasey Chambers, Savage Garden, Silverchair and The Living End may have had some impact over there.

      They're just a couple off the top of my head though (and by mentioning some of these artists I am not saying that I like their stuff). Anyone else care to complete the list?

      --
      -- No, no gems to be found in this sig.
    3. Re:That picture... by fucksl4shd0t · · Score: 1

      Heh. Of that list, Silverchair is the only band I"ve heard of, and they totally suck. COme on, man! In the '80s the AUssies sent us good bands. Now they're sending us silverchair? THat's a WMD if ever I heard one! Let's take those fuckers out.... heh.

      /me wants vengeance for silverchair. They totally suck.

      --
      Like what I said? You might like my music
  40. Actually quite the reverse... by CountBrass · · Score: 2, Interesting

    I downloaded the Dixie Chicks off Kazaa. Never heard them before but decided to give them a try after hearing about the absurd US boycott of their music.

    Loved it so much I bought all their CDs and went to see them live on their Top of The World Tour.

    Without MP3 sharing they wouldn't have got a penny of my money and I'd have missed out on a great band. (I dislike country as a rule so wouldn't have bought a country cd on the off-chance I might like it).

    --
    Bad analogies are like waxing a monkey with a rainbow.
  41. YAY! by Anonymous Coward · · Score: 0

    And we all know how quickly spin evaporates in the face of facts! The whole MP3 debate should be over really soon by now so I can go play with my kitties! ^_^

  42. No Crap by LumberLumber · · Score: 0

    These studies have been going on for the past 5 years. But thanks for the old news. Let see something not old and/or obvious posted about MP3's

    --dan

  43. Let's separate "fixing" from "routine maintenance" by bplipschitz · · Score: 1

    I don't spend much time at all fixing computers on my home network. Routine maintenance, on the other hand, does eat some time. There isn't a Windoze machine in the house, which I think accounts for some of the lack of "fixing".

  44. All the CDR's I gave away were legal by Anonymous Coward · · Score: 0

    I gave friends and family a relatively small number of CDR's over the last year. When the recording industry does the count they will all count as pirated despite the fact that all of them were legal, either legal downloads the copyright owners want distributed or I simply converted vinyl to CD for the record owner. I wonder how careful this survey was to establish what was actually on the CDR gifts.

    The industry hate it most if you convert old formats because selling us back catalog is pure profit. If they could drop support for new music they would do it, as long as reselling the same content over and over pulls in the cash.

  45. actually it's DVD's that are hurting CD sales... by Anonymous Coward · · Score: 0

    not downloads...

    just read that dvds take up 50% of the retail space in music stores this year and dvd sales are way up over last year. been a steady climb for quite a few years and it seems very likely that this accounts for cd sales drops. money spent on dvds that would have in the past been spent on cds.

  46. well by themusicgod1 · · Score: 1

    we are on a public forum, and he did just stand up and publicly state why he is doing this. whats your point? oh and guess what, theres some three hundred million people out there that broke the law, while hiding behind their activity and for it the industry has at least something on their radar. i think it's accomplished quite abit(hell, cd prices are half what they used to be. its almost affordable, at 20$ per cd now)

    --
    GENERATION 26: The first time you see this, copy it into your sig on any forum and add 1 to the generation.
    1. Re:well by ihummel · · Score: 0

      CD prices have fallen, but the copyright system is becoming even more broken as clamp-downs occur. The vast majority of downloaders don't download because of some abstract philosophical principle; they download for the purely selfish reason that they want the stuff for free. That sort of downloading will only harm the cause of those who really believe that the system is broken. Saying that it is civil disobedience when you don't publicly announce that you are doing it is simply a rationalization.

  47. great web radio station at wmnf.org by Anonymous Coward · · Score: 0

    local tampa community radio... everything from polka to death metal. seriously.

  48. No surprise . . . by werdna · · Score: 1

    The year before the Napster decision came down, the music industry had their best year ever. The year after they shut down Napster, the business went into the tank.

    Sure, cause and effect cannot be implied, but it makes you think.

  49. More fun with the RIAA by locutus2k · · Score: 1

    I am inclined to agree with the general concensus. When I download an MP3, and like it, chances are, I'll go buy the CD.

    Primarily, I don't think that kind of report would ever reach the bovine of the us. The RIAA is going to do everything they can to keep reports, and surverys that are going to hurt their cause from us. What public leg would they have to stand on if someone proved that CD sales in fact went up with the advent of P2P programs that most people can use?

  50. Re:Australians pay directly for every byte downloa by asm0deu5 · · Score: 1

    Unlimited broadband, and 15gb+/month broadband is readily available in Australia. I would suggest you're getting ripped off on your current ISP plan. Even Telstra doesn't charge for excess usage aymore, just drops to 64kbps. Have a look here: http://bc.whirlpool.net.au/bc-plan.cfm

  51. OT: We now have AUDIO CD-R's by fireman+sam · · Score: 2, Insightful

    I was just in the shops today getting some CD-R's and I noticed that some were labeled AUDIO CD-R, while others were labeled DATA CD-R.

    The only difference was the price.

    DATA CD-R worked out about $0.80 per CD-R
    AUDIO CD-R worked out about $1.30 per CD-R

    I wonder how many people will get the audio cd-r's thinking that somehow the data cd-r's will not play audio?

    --
    it is only after a long journey that you know the strength of the horse.
    1. Re:OT: We now have AUDIO CD-R's by ebbomega · · Score: 1

      I think, but am not sure, that Audio CD-Rs are designed so that they'll work on any CD player, not just ones specifically tuned to play CD-Rs.

      Personally, I use cdrecord and have a relatively new (1 year old) LG burner that I use all the time and I haven't had a single problem with ANY cd player playing my cd-r's. So who knows?

      --
      Karma: Non-Heinous
    2. Re:OT: We now have AUDIO CD-R's by Anonymous Coward · · Score: 0

      Audio CDR's include a royalty payment (i'm not sure to who - i'd guess the RIAA) because it is assumed you are using them to copy music. These discs work with any CD writing device - but some devices will only with with "Audio" CDR's - in particular, the CD-Recording hi-fi devices you attach to a normal stereo system. PC CDR drives will work with any CDR media.

    3. Re:OT: We now have AUDIO CD-R's by fireman+sam · · Score: 1

      Hmmm, the next step could be to have the manufactures of consumer cd players to only read the audio cd-r's and not the data cd-r's.

      That way, if someone wants to use a cd-r on something other than a computer, they would have to pay the recording industry. A nice way to make money.

      In the future, the record industry will be making money from the artists they have signed, plus all the garage bands who burn their own music on cd-r's and give (or sell) them at live performances.

      --
      it is only after a long journey that you know the strength of the horse.
    4. Re:OT: We now have AUDIO CD-R's by Anonymous Coward · · Score: 0

      Standalone audio cd recorders won't burn to data only discs. That's the only distinction.

    5. Re:OT: We now have AUDIO CD-R's by burns210 · · Score: 1

      my girlfriend's parents fell for this when they got me a present last may. They talked with the guy at Costco, who convinced them that they get better sound quality if they buy an audio CD-R rather than a 'plain old' CD-R... I call bullshit on the salesman, but i was polite and thanked them for a stack of burnable cd's.

      OT: i didn't use 1 of those CD-Rs for music.. mostly document backups and linux tastetests of a couple distros.

    6. Re:OT: We now have AUDIO CD-R's by webgiant · · Score: 1
      I was just in the shops today getting some CD-R's and I noticed that some were labeled AUDIO CD-R, while others were labeled DATA CD-R.

      The only difference was the price.

      DATA CD-R worked out about $0.80 per CD-R
      AUDIO CD-R worked out about $1.30 per CD-R
      Occasionally there is a difference in quality as well. I once bought a 10-pack of AUDIO CDRs that happened to be on sale. I burn CDs in Linux and cdrecord reported that the AUDIO CDRs were of "medium-range" quality, better than the bulk data CDRs I normally used which were "short-range" quality.

      I don't know if the quality difference extends to all AUDIO CDRs, but there is a possibility that a better grade of CDR is being used by the manufacturers to justify the price hike for AUDIO CDRs.
      I wonder how many people will get the audio cd-r's thinking that somehow the data cd-r's will not play audio?
      I think thats a definite hope by the folks who make AUDIO CDRs, and also by the RIAA.

      The problem with that hope is that most people who burn their own audio CDs do so from their home CD-R drives, and inevitably will accidentally pick up a data CDR and discover that data CDRs work just fine for making Audio CDs.

      AUDIO CDRs are sold for use in those "make your own mix disks without a computer" Audio CD-Burners. They're an Audio CD Player combined with a CD Burner. Philips makes one (PDF file). If you stuck a data CD into it, it would report that whatever extra bit of stuff they put into an AUDIO CD isn't present, and refuse to work. People who haven't bothered with the computer, and instead have purchased one of the CD Player/Recorder options (like above) will keep buying AUDIO CDRs because they have to.
  52. Re:Yes...and...? by t0ny · · Score: 1
    As has been said countless times, crappy music is hurting record sales, not music piracy.

    Would anybody else like a feature in Slashdot which filters out RIAA articles, MS-paranoia articles, SCO's latest bullshit articles, etc?

    --

    Manipulate the moderator system! Mod someone as "overrated" today.

  53. Re:I don't support thieves by Technician · · Score: 1

    At best, I will be pissed off at their ridiculous price and refuse to buy it later when it's cheaper, simply because I don't support thieves (yep, I mean what I just said!)


    Most of the time I disagree with you. However, I have bought a few albums based on one song I have heard. The rest of the album was junk. In these cases, I agree with you. I buy less music nowdays. It's too much like a box of chocolates. You never know what you are going to get. I wouldn't be disappointed if they were all sweet, but the moldy ones tend to be a turn-off. Quality Control definately needs fixed.

    While I'm on that topic, the DVD's are starting to get that problem. I picked up some old television shows. I got some Andy Griffith show and Beverly Hillbillies. What happened to the opening music? It's been replaced by some muzak junk. Talk about not getting what you thought you bought. So much for a walk down memory lane. I really look at any pre-packaged recording on the shelf as a pig in a poke now with a let the buyer beware attitude.

    With Audio, I always look for the Compact Disk logo. I won't knowingly buy any DRM broken CD's.

    --
    The truth shall set you free!
  54. Alas... by Anonymous Coward · · Score: 0

    When did that ever cause an American organisation to reconsider? :/

  55. Re:Australians pay directly for every byte downloa by alien_blueprint · · Score: 1

    Unlimited broadband, and 15gb+/month broadband is readily available in Australia

    What is being called "unlimited" by various ISPs is not in fact unlimited. Data shaping, i.e. dropping back to dialup speed when a cap is reached, is not "unlimited" by any reasonable definition.

    I would suggest you're getting ripped off on your current ISP plan

    No, I don't believe that I am. No one provides true unlimited broadband to my knowledge. If you want to link to a specific plan that you think does, feel free to go ahead and we'll see. I'm pretty certain they all use data shaping of one form or another - so they're not "unlimited" at all.

    Of course, I may be wrong, but I think you've been taken in by a very debatable use of the word "unlimited". Take a look around the Whirlpool site for any given ISP, and I think you'll find no one provides true unlimited broadband.

    Even Telstra doesn't charge for excess usage aymore, just drops to 64kbps.

    Except that's clearly *not* unlimited! It's capped to a certain number of megabytes, then you drop back (almost) to dialup speed. If you read my post more carefully, I did include mention this case. This is very obviously not unlimited as far as I'm concerned.

  56. Au contraire mon frere! by jefeweiss · · Score: 2, Insightful

    Lots of people will pay for something that they know they like even if they know they can get it for free. In fact, public radio in the United States is pretty much supported by people who know that they can get it for free but choose to pay anyway. Just because you have a somewhat dim view of human nature doesn't make it so. People can be quite generous towards someone who is doing something they consider worthwhile.

    1. Re:Au contraire mon frere! by turnstyle · · Score: 1
      "Lots of people will pay for something that they know they like even if they know they can get it for free. In fact, public radio in the United States is pretty much supported by people who know that they can get it for free but choose to pay anyway. Just because you have a somewhat dim view of human nature doesn't make it so."

      Hogwash, and don't bother with the "dim view of human nature" routine. People don't pay for stuff if given the choice not to. Sure, some do, but vast vast majority don't.

      You're going to tell this musician to base his livelihood on the presumption that people will voluntarily pay for something that they can otherwise have for free?

      --
      Here's what I do: Bitty Browser & Andromeda
    2. Re:Au contraire mon frere! by Anonymous Coward · · Score: 0

      uh. no, the reason people pay for something they've heard on the radio, is so that they can hear a song they like, anytime they want to. Once a person has the song downloaded, there's no need to buy it... you own it. For free.

    3. Re:Au contraire mon frere! by gehel · · Score: 3, Informative

      People don't pay for stuff if given the choice not to.

      I'm not so sure about that ... As an example : in the town where I live, there is a bar where you can pay what you want. Their is no fixed prices, you choose. If you dont want to pay at all, no problem. And believe me or not, but it works ! People actually pay more for a beer than what they would in another bar !

      Ok, that's with "real" stuff, you actually get something more than a bunch of bytes ... It might not work exactly the same for music on the internet ... But still ... and if you go check the numbers at Magnatunes you'll see that their is people who pay more than requiered ...

    4. Re:Au contraire mon frere! by turnstyle · · Score: 1
      I'd say that the reason people pay for those drinks is that it's a physical encounter -- the bartender is handing you a drink, and so you're subjected to direct pressure to comply. Not so with a file you download.

      In any case, yes *some* people do give when they don't have to, but most won't. If you're advising this guy to base his living on people optionally deciding to pay work that he has already given them, you're not giving wise advice...

      --
      Here's what I do: Bitty Browser & Andromeda
    5. Re:Au contraire mon frere! by MrAngryForNoReason · · Score: 2, Interesting

      If I downloaded his music and liked it then I would buy the cd. In the same way I buy DVDs even though I have already checked out the movie by downloading it. Also just like I donate money to sites even though it isn't compulsory, if I think a site like a web comic is really good then I donate money to support it.

      I think you will find people are much more willing to give money to the artists than to a faceless corporation. Or in the case of DVDs willing to pay for quality and added content.

    6. Re:Au contraire mon frere! by Ironica · · Score: 3, Insightful

      People don't pay for stuff if given the choice not to. Sure, some do, but vast vast majority don't.

      Sure, but then you've got the goose that laid the golden egg issue, too.

      If you hear an independent band's music, and like it, and can download it for free... you want more of it. And chances are, they haven't *recorded* more of it yet. You won't get it unless they have the funds to record it. What's the simplest way to ensure they have the money to continue their endeavors? Buy the CD. And the T-shirt, the baseball caps, and the bumper stickers.

      Furthermore, if you download music, you *don't* have the whole product. Not even if you legally download every second of recorded sound that's on their CD. Because the liner notes, the cover, the case... it's all part of it. Want to know what the band members look like? Want to know what the heck that guy is saying? Wondering how they got that funky name? Often you'll find it out from the liner notes. Bands who want to sell CDs should make these as interesting as possible.

      What people have empirically observed is that their CD sales (or book sales) increase when they make the material available for free download. This is usually the case for folks without a big reputation, or a concert tour, or money for advertising. Maybe it's not the case for big-name artists, but if it's not, that's probably because they've reached market saturation. It might hurt sales, true... but probably only if it turned out the album sucked.

      --
      Don't you wish your girlfriend was a geek like me?
    7. Re:Au contraire mon frere! by Oort+Cloud · · Score: 1

      You put up a great point. Look towards Hong Kong's music industry, for instance. Piracy has become a very strong industry in Hong Kong and pretty much the counterfeit capital of the world. In dealing with that, the music industry there sells CDs with a bunch of other things in it too. Along with your standard CD case and CD you get thick picture books (sometimes), huge as artistic boxes and usually a compiment of music video on either DVD or VCD and something I wish N. American music industry would do, legitimate Karaoke with legitimate music videos on the background. Most of the consumers are fans who love the artists enough to buy everything and anything that is associated with it. I am pretty sure you know these crazed fans and probably been on yourself. Most mp3 dls are for artists who have a few songs you like and not all. Once you love most of there songs and appreciate the artist, it becomes an almost ritualistic fan reflex to buy everything with their name on it. So put a lot of BS along with the CDs and fans will buy it, but regular one or few songs listeners won't.

    8. Re:Au contraire mon frere! by jefeweiss · · Score: 1

      We will probably just have to agree to disagree, because in a lot of situations I do think that people will pay for something that they could have for free. Especially if they think that the person who is the creator will directly benefit. Of course there are some people who won't, you seem to be in that camp, but I'm not. I'm not sure if either one of us is in the majority, however. Perhaps the majority lies somewhere in between. As for the "dim view of human nature routine," well the fact that you think it is hogwash kind of makes my point for me now doesn't it? I have, in my life at times, relied on the kindness of strangers, and I have seldom been disappointed.


      And by the way, street musicians DO make a living from people who voluntarily pay for something that they could otherwise have for free.

    9. Re:Au contraire mon frere! by Anonymous Coward · · Score: 1, Insightful

      So, then, the majority of waitresses in the country are dirt poor? You don't *have* to tip, after all, (assuming gratuity is not included in the check) but the majority of people that eat at restaurants DO tip the person that served them. They don't *have* to, but they *do*.

    10. Re:Au contraire mon frere! by Anonymous Coward · · Score: 0

      People don't pay for stuff if given the choice not to. Sure, some do, but vast vast majority don't.

      Well, I'm one of those that have. I've purchased several products that I already had in my possession. There was no reason I had to purchase these items, other than it being "the right thing to do" and I wanted to support the origional authors/creators.

    11. Re:Au contraire mon frere! by turnstyle · · Score: 1
      "I think you will find people are much more willing to give money to the artists than to a faceless corporation."

      And I think you are mistaken, and here I speak from my experiences selling software. I used to give away full copies as "tryware" and asked people to promise to come back and give any amount at all if they liked it and decided to keep it. That didn't seem to be working (I tried that for almost a year), and as soon as I changed to a 'regular' sale, the volume went up by about 10 times.

      Similarly, I've spoken to quite a few GPL coders who had tried tip jars and gave up, switching to a more closed license for their next project after the reality of the tip jar set in...

      --
      Here's what I do: Bitty Browser & Andromeda
    12. Re:Au contraire mon frere! by turnstyle · · Score: 1
      "So, then, the majority of waitresses in the country are dirt poor? You don't *have* to tip, after all."

      heh, I've never seen an economic argument premised on the financial strength of waitresses... ;)

      --
      Here's what I do: Bitty Browser & Andromeda
    13. Re:Au contraire mon frere! by binarybum · · Score: 1

      listen, I believe in radical reform of copyright laws and empowering artists with the right to distribute music as freely as they choose, and I also believe that in the end this will lead to better music and happier consumers...

      but free as in beer? It is obvious that this town of yours is not in the US. Such a bar relies on the kind of puritan moral guilt that is held perhaps solely by the employees of disney world and maybe the ammish (but probably not) in this country.
      ps. will you ship me some growlers? I swear I'll send you some cash in return -- just as soon as I can stop rotfl!

      --
      ôó
    14. Re:Au contraire mon frere! by bogie · · Score: 2, Insightful

      "Because the liner notes, the cover, the case... it's all part of it. Want to know what the band members look like? Want to know what the heck that guy is saying? Wondering how they got that funky name? Often you'll find it out from the liner notes. Bands who want to sell CDs should make these as interesting as possible."

      I honestly have to say that might have been the case 10 years ago, but in the age of the Internet everything you mentioned is availabe in seconds, including albums covers if indeed you need to look at it for some reaon.

      Physical media is irrelevant and I can't remember that last time I even looked at the insert that came with the CD. The only thing an actual physical CD is good for is being able to play the cd in your car or portable and cdr's are dirt cheap.

      Most people just don't even care about the things your mentioned and much more importantly a generation is growing up that sees digital media as the "real format", not some cd you have to go to the store and actually pay for.

      --
      If you wanna get rich, you know that payback is a bitch
    15. Re:Au contraire mon frere! by Ironica · · Score: 1

      I honestly have to say that might have been the case 10 years ago, but in the age of the Internet everything you mentioned is availabe in seconds, including albums covers if indeed you need to look at it for some reaon.

      You may have one of those $3000 200-dpi monitors, but I sure don't. Offset is still easier to look at than my computer screen for something like that.

      I can't remember that last time I even looked at the insert that came with the CD.

      I'd say you're missing out. But I dunno, I haven't bought any new CDs in a few years... maybe they just suck more now. But even the last few I bought maybe 4-5 years ago have the artist's actual words on them... not what some kid copied down... and original art, interesting tidbits and credits, all kinds of fun stuff.

      Maybe they need to do more of this, though. Make it worth it.

      --
      Don't you wish your girlfriend was a geek like me?
  57. As for the UK by Spad · · Score: 3, Informative

    We've had a very good year for the music industry in the UK. CD prices have dropped, which has lead to record sales.

    On several occasions, the BPI (UK's RIAA) have politely told the RIAA to piss off when they've tried to convince them to start suing customers. Not only are the BPI just generally much nicer people, but they also realise the futility of suing their customers while their sales are at record highs.

    The BPI also believes that offering singles for download will help revive the crippled singles chart.

    For the moment, at least, we're much better off than the US is.

    1. Re:As for the UK by Anonymous Coward · · Score: 0

      "On several occasions, the BPI (UK's RIAA) have politely told the RIAA to piss off when they've tried to convince them to start suing customers. Not only are the BPI just generally much nicer people, but they also realise the futility of suing their customers while their sales are at record highs."

      The BPI would have a hard time suing anyone without a viable alternative to downloading illegally, and I'm currently juggling DMCA 'Cease & Desists' that have no relation to any files on my machine. Curiously, the complainant has requested remaining confidential, even though the accusation stomps firmly into UK Libel law, so I'm probably going to have to sue my ISP for the information necessary to sue the American company making the accusation.

      We're about to see the first round of British 'cease & desists', but it currently suits the various copyright enforcement agencies to work from a position of advantage, such as California, while hiding themselves from possible counter-litigation (which is what I'm trying to do.)

      Seriously, I'd love to see _some_ accountability of the corporations happening, simply because this breakneck pace of giving collections of interest groups human-like legal rights without the relevant punishments stinks to high heaven, not to mention the precedence is alarming.

      "For the moment, at least, we're much better off than the US is."

      Not really. Litigation is a matter of course over there, and people aren't really prepared for dealing with this kind of thing over here.

  58. Forums for pirating? by utlemming · · Score: 1

    I am wondering here if the same people that are trading music online is nothing more than a new forum for trading music. I remember in high school friends lending others a CD or providing a CD or tape copy of the CD. When I was a senior in HS the whole MP3 thing really started and people would give others MP3 CD's. Granted, HS is a small sampling, but the comclusion that I have reached is that the people who will pirate just have a new forum; instead of relying on contacts and friends, people rely on people on the internet. Technology has allowed would-be pirates to get the "goods" online rather than in more traditional forums.

    The second point is how on earth would people give that many CD's to each other? Four? That is a little excessive. Maybe I am speaking from my US perspective, but four is a lot, considering out of all the people I know, I had only ONE friend give two CD's to his girl friend. No one else would give a recordable CD. Personally, unless it was some sort of romantic mix I would think that giving a CD as a gift that you mixed would be cheap.

    --
    The views expressed are mine own and do not express the views of my employer.
    1. Re:Forums for pirating? by Overly+Critical+Guy · · Score: 1

      Everybody I know, and everybody I went to college with, had literal stacks and stacks of burned CD-Rs. Probably hundreds upon hundreds of dollars no musicians will ever get to see, because you consider illegal downloading a "new forum for trading music." Which basically means a forum for putting up albums to download so you don't have to go the store to purchase them. Anything to justify the pang of guilt, eh?

      --
      "Sufferin' succotash."
    2. Re:Forums for pirating? by Anonymous Coward · · Score: 0

      There was evidence toprove that Overly Critical Guy is a lying cocksucker, but he deleted it. Think independently.

  59. hey, retard, yeah you... by rokzy · · Score: 1

    should the RIAA be able to buy laws that make doors illegal since some people use them in the course of stealing music?

  60. money... by nmeu · · Score: 0

    people using mp3s sometimes don't have money to buy cds. so whether they have music to listen to or not, they still don't have money to buy to cds.

  61. Here is a recent register story, covering UK sales by Osrin · · Score: 2, Informative

    http://www.theregister.co.uk/content/7/34693.html The original poster asked for trends in the UK and the US, this story is not perfect for the cause but it will help complete one more piece of the puzzle.

  62. No by mlylecarlin · · Score: 1
    Bullshit.


    I enjoy music piracy, but I'm not delusional enough to claim that it isn't hurting music sales. I buy a few albums, still, sure, especially comedy albums which are hard to find online, but I don't buy nearly as much stuff. I don't buy the crap with 2 or 3 good songs at 17 bucks a pop, and I'm *proud* to admit it.


    mlylecarlin

  63. Piracy by Morosoph · · Score: 1

    Vivendi's actions show how much the music industry really cares about the artist!

  64. Music stores are doing just fine in the USA thanks by Anonymous Coward · · Score: 0

    The only fluctuations in CD sales has been during
    times of TOTAL and complete crap new music from
    the industry (which sucks totally)
    Most of the time the stuff that's released is just sucky
    in general and CD sales stay the same as always.

  65. Back to Kazaa by superpulpsicle · · Score: 1

    Good, now I can get back on kazaa without feeling guilty.

    Oh wait there is no music worth downloading lately. What am I saying, there is no music worth grabbing for the past 5 years.

    1. Re:Back to Kazaa by lukior · · Score: 0

      The neat thing about P2P is that you can get music from way before 5 years ago. Have you completed your Django Reinhardt collection yet?

      --
      I would like to salute the ashes of american flags, and all the fallen leaves filling up shopping bags.
  66. Here's what to do if you're concerned abt artists by melted · · Score: 1

    Every more or less famous musician has a web site these days, and most of them (well, at least the ones whose music I call "good") even go to their web sites and talk to fans sometimes. Email the web guy, ask your favorite artist's opinion on file swapping. Chances are you'll get a reply from the band directly published somewhere on the web site. At least you will know if file sharing is hurting them or not.

  67. I didn't know you made the rules by Anonymous Coward · · Score: 0

    "Civil disobedience in these cases is where you publically declare that you are going to break the law, state your reasons why, and publically do it."

    Why do you get to define what civil disobedience is?

    When the speed limit was federally mandated at 55 MPH, I routinely went faster. Oooh. I was doing *illegal* stuff.

    No, it was civil disobedience.

    Lets look it up in the dictionary:

    CIVIL DISOBEDIENCE - nonviolent protest: the deliberate breaking of a law by ordinary citizens, carried out as nonviolent protest or passive resistance

    (Microsoft(R) Encarta(R) Reference Library 2004. (C) 1993-2003 Microsoft Corporation. All rights reserved.)

    Seems to me he is practicing civil disobedience.

    Try again, but use actual definitions next time.

  68. I love Slashdot by Overly+Critical+Guy · · Score: 1, Insightful

    I love Slashdot. It always latches onto some single study or report and drives it home as evidence for their entire viewpoint. For instance, when the RIAA sent hundreds of thousands of lawsuits, and a couple of them happened to end up at places where someone used a grandfather's computer or some 11-year old girl used her mommy's computer. Suddenly, the RIAA is bullying! And the mantra repeated is that it's "crappy music" that is hurting sales, even though both crappy and good music has always been around.

    Now, a single Australian study shows that sales went up instead of down, and suddenly that's evidence that MP3s and CD-Rs don't hurt sales. Meanwhile, COMMON SENSE AND LOGIC dictates that someone would rather go online and download an album for free in 10 minutes rather than go to the store and buy it for $10.

    Nobody on Slashdot can offer a single valid justification for downloading music without paying for it. Not a one. I feel sorry for the artists that get ripped off. Here comes the part where people try to reply with "BUT THE RIAA RIPS THEM OFF EVERYDAY!1" even though the bands willingly signed contracts with their labels.

    You want to know how much of a joke it's become? See What A Crappy Present. Kids aren't going to be buying albums anymore because you people have made downloading so commonplace. Think it through. What do you think is going to happen? Labels will stop taking chances on bands because they don't get returns on those investments, since "culture movement" people like you download the fuck out of them.

    --
    "Sufferin' succotash."
    1. Re:I love Slashdot by larry+bagina · · Score: 1
      And the mantra repeated is that it's "crappy music" that is hurting sales, even though both crappy and good music has always been around.

      Truer words were never spoken!

      People like to listen to "classic rock" radio stations and declare that the 60s/70s was full of great music, whereas today is a wasteland of shit.

      The 60s and 70s had plenty of shit too, the only difference in classic rock stations only play the good stuff!

      --
      Do you even lift?

      These aren't the 'roids you're looking for.

    2. Re:I love Slashdot by t0ny · · Score: 1
      I listen to techno, punk, and industrial. None of these get played on the radio, or at best only a few songs which went 'mainstream' and got stuck into their crappy playlists.

      No, when I say the music they put out is shit, I mean it. Im tired of seeing the fifteenth clone of Menudo or New Kids on the Block or whatever. Im tired of the clones of the Supremes, with the always-present 'three hot black chicks' group. Im tired of the young attractive white blond girl. Im tired of the formulaic cookie cutter bands singing their boring lyrics (written by someone else) to bland music (written and performed by someone else).

      Today's music sucks. If you want to hear real musicians, you need to look outside the US.

      --

      Manipulate the moderator system! Mod someone as "overrated" today.

    3. Re:I love Slashdot by Bush+Pig · · Score: 1

      Actually, very little of the good stuff from the 60's and 70's gets played - it's a _long_ time since I heard any Mothers, Grateful Dead, Steppenwolf, Howlin' Wolf, B.B. King, Pretty Things, ... on the radio.

      --
      What a long, strange trip it's been.
    4. Re:I love Slashdot by Anonymous Coward · · Score: 0

      There was evidence to prove that Overly Critical Guy is a lying cocksucker, but he deleted it. Think independently.

    5. Re:I love Slashdot by Anonymous Coward · · Score: 0

      What you're doing in making a common logical mistake of taking a lot of disparate opinions on an issue and trying to link them together as if they were a cohesive whole. I know it's difficult for you to believe, but there is no one "Slashdot Point of View"(tm), no matter how much you might wish it to exist. But then again, you're just a troll who likes to post stupid and logically inconsistent views in order to stir things up and inflate your puny ego.

      It's a waste of time to argue with you because you think that your opinions are facts. So go back into your troll hidey hole, Mr. Troll.

    6. Re:I love Slashdot by Anonymous Coward · · Score: 0

      There was evidence to prove that Overly Critical Guy is a lyingcocksucker, but he deleted it. Think independently.

  69. Like I'm gonna believe the pirating shill's spin by Anonymous Coward · · Score: 0

    slashdotters are nothing but pirates.

  70. You're in the minority by Overly+Critical+Guy · · Score: 1

    What is it about Slashdotters that makes them think they're always the majority?

    I guarantee at least 80% of downloaders never even dream of leaving the house to buy the CD they just downloaded. You are being PURPOSEFULLY naive if you believe everyone is holding themselves to an honor system here.

    Wow, you bought CDs in Napster's heyday. That changes everything...

    The problem is that nobody here can morally or legally justify downloading the music that other human beings worked hard to make. This leads to:

    1.) Everyone trying to justify it as a "culture movement." Music wants to be free! Never mind nobody getting paid for making it.

    2.) It's an anti-RIAA thing! We're just battling the RIAA by ripping off these artists. Two wrongs make a right, and the immorality of stealing music is rendered null by the fact that some bands signed contracts they didn't like later on.

    3.) Having a product that is in stores available illegally online magically makes people go and purchase the product in the stores! When someone downloads an entire album off of Sharereactor's forums or Kazaa or WinMX, there is a magic spell that makes them suddenly want to purchase the album they have already just obtained for free. People are honorable like this. Society is perfect and moral and I choose to believe such to alleviate the pang of guilt I feel over it. After all, I bought CDs during Napster's heyday!

    Blech.

    --
    "Sufferin' succotash."
    1. Re:You're in the minority by Anonymous Coward · · Score: 0

      There was evidence to prove that Overly Critical Guy is a lying cocksucker, but he deleted it. Think independently.

  71. CD Prices by TangLiSha · · Score: 1

    I wonder if it's occured to any of these staticians that the drop in CD sales in the US might be due to the rise in prices?

    You used to be able to buy a CD for $10-15US, but now the prices are more like $15-20US. A careful shopper pays less for a DVD than for a CD. I've stopped buying since the price hike which seems to correspond in timing to all of the lawsuits. I think that the lawsuits were just stupid, and I don't appreciate them trying to make me pay for them!

    --
    Everyone has an agenda. Except me. --Michael Crichton
  72. Let me see if I follow this... by singularity · · Score: 1, Troll

    Let me see if I get what you are saying:

    1) Artists only get a few cents per album.
    2) You think artists deserve more.
    3) You therefore think it is right to not give them anything.

    Am I the only one who sees a problem with this?

    OK, so you are saying that the record labels get the majority of each CD sale and you do not like that fact. But you do realize you are punishing the already punished artist even more?

    Of course, then there are people who look at recording artists driving expensive cars, living in huge mansions, and think that the people therefore have a right to take back and copy their albums (a Robin Hood type thing).

    The only problem is that the people in Robin Hood were actively stealing from the poor. People *willingly* give money to artists for their music. This is capitalism, and there is nothing wrong with it. [1]

    CDs Cost too much? Do not buy them. Enough people do that and CD prices will drop. It is simple supply and demand.

    One thing I have discovered about Slashdot readers (and most people in the world): They are cheapskates. They say they would buy CDs if they were only $10. They say they would buy an iPod if they were only $100. They say they would buy a Macintosh if they were only $500.

    My thoughts? Yeah, right...

    As soon as CDs are $10, most Slashdot readers would be saying "Well, I would buy them when they are $3. It only costs a nickel to make! In the meantime, I am going to continue to download free MP3s. Compete with that!" [2]

    As prices get lower, more and more people would purchase the item in question, but there would still be a vocal group on Slashdot that would continue to call for prices to go down even more.

    [1] Oh, I forgot, most of us are in the U.S., and we default back to our Puritan beliefs that "rich" = "evil". We have a love/hate relationship with rich people. We would love to be rich, but we hate people who are rich.

    [2] This process continues as prices get lower.

    --
    - (c) 2018 Hank Zimmerman
    1. Re:Let me see if I follow this... by Anonymous Coward · · Score: 0

      As prices get lower

      thats a pretty big assumption

  73. Also in Iceland by hreinnbeck · · Score: 1

    Record sales increased by 10% in 2003 according to salefigures compiled by IBM Consulting in Iceland.

    With 80,6% of Icelanders having access to computers and 76,9% (2001, Statistics of Iceland) with access to the internet, we have welcomed P2P and there are numerous P2P networks run in Iceland as well as most have access to foreign networks.

    Downloading music from the internet is not illegal under Icelandic statues, though sharing music is in a gray area. The Icelandic version of the RIAA, STEF has no interest in litigation with those who share music.

    The retail price of compact discs ranges from $25 to $40, with the latter being the norm.

  74. How can they say... by Uplore · · Score: 0

    that CDR's and MP3's dont affect the number of CD sold? I know plenty of people who just burn MP3's onto CD's instead of buying the album as this technology has become available. I've done it myself. And thats only a small example of what must be happening in the wider community.

    --
    I couldn't think of a sig.
  75. Hey RIAA, are you freaking listening?! by orionware · · Score: 1

    Here's some interesting stats that I calculated a month back.

    I was an Emusic.com member for a year and a half. In that time, I paid about $180 to be a member. A good chunk of that I'd bet made it's way to different music labels.

    In that time I bought 40 CD's from bands I would have never heard of if it wasn't for Emusic.

    Since they have gutted Emusic and turned a fantastic service into basically a "pay to sample" service, I have bought cancelled my subscription and haven't bought a single CD.

    Now... Unless I go back to what I was doing before, which was stealing music from different sources online, I doubt I will be buying another CD soon.

    The RIAA needs to get a fucking clue.

    --


    Karma means nothing to me, so suck it...
  76. Someone else probably said this already... by strider69666 · · Score: 1

    but maybe CD piracy in Australia doesn't affect sales because CD burners (or any technology for that matter) is outrageously expensive. My wife is Australian, and much of her family lives there. Her nanna bought a DVD player a few months ago for $300.00 that would cost $99 here. Even with exchange rates it's still like $75 dollars more expensive.

    --
    Dude. Dude. Dude. Dude. DUDE!!!! Duuuudde. Yeah, I guess you have a point there. (Baseketball)
    1. Re:Someone else probably said this already... by strider69666 · · Score: 1

      Sorry, I meant to say that she paid $200 AUS for it, which with current exchange rates means she paid $51 more. I just did the currency conversion. Anyway, it's still way more expensive over there.

      --
      Dude. Dude. Dude. Dude. DUDE!!!! Duuuudde. Yeah, I guess you have a point there. (Baseketball)
  77. Fine then. Do this for me. by Dolemite_the_Wiz · · Score: 1

    Sit Down and Watch MTV/MTV2 for a couple of hours. Of all the 'Rock' songs that appear how many fit the style I mentioned above.

    You'll see that it's not elitist but a correct assessment of what is being played on MTV.

    KNDD in Seattle used to play MTV heavy rotation 'pseudo-punk' all the time. The now have abandoned this format for real punk and real alternative as the 'pseudo-punk' format was a money looser for them.

    There are lots of music out there but the ones that the RIAA are shoving down our throats, for the most part, are the ones I mentioned above.

    I'm crapping over the lack of choice available to me. Did you ever stop to think THIS is why piracy is at an all time high and record sales are in the dumper?

    Probably not.

    Dolemite
    _________________

    --
    Save the World! Use a Quote!
  78. Socializing music (Was: mp3s helped my sales!) by turnstyle · · Score: 1
    "Let me guess, you're a young American. Here's a clue. People do things not just for reasons of money. Bonus clue: Some people understand the power of money and spend it for reasons other than direct personal gain.

    Also, some people aren't so short sighted as to believe that an immediated apparent financial gain is always the best course of action for the long time."

    Er, and I guess that makes you a Eurosphere-Socialist?

    Hey, it's fine if you want to talk in terms of Socializing music -- in fact, I wish more people would just come out and admit that's their goal.

    But let's not pretend that this musician stands a better chance of making a living as a musicin by depending on the Utopian idea that people will voluntarily come back and pay for something that they already have...

    --
    Here's what I do: Bitty Browser & Andromeda
    1. Re:Socializing music (Was: mp3s helped my sales!) by Kris_J · · Score: 1
      Utopian idea? What a selfish world you live in. Anyway, even if I have all the MP3s from an album, that doesn't mean I have the CD of that album. There are plenty of times where I could copy a friend's CD onto my iPod and have exactly the same listening experience as if I owned the CD, yet I still go out and buy the CD, if I can find it.

      Personally, I believe a musician has the best chance of making a living by producing lots of good stuff people want. Demanding that people pay for crap is not a sustainable business model.

    2. Re:Socializing music (Was: mp3s helped my sales!) by turnstyle · · Score: 2, Insightful
      "Utopian idea? What a selfish world you live in."

      Why rely on patronizing comments to substitute for meaningful argument? You may actually go out and buy each CD that burn (come on, honest now, do you?) but are you actually saying that your position is that most people also purchase CDs that they burned? Insult me for calling that Utopian, but I don't drink your Kool-aid.

      "Personally, I believe a musician has the best chance of making a living by producing lots of good stuff people want."

      Perhaps that's your misunderstanding: musicians can't make a living by simply producing lots of good stuff -- they have to sell it, and unlimited file-sharing makes it harder, not easier, to sell their work.

      --
      Here's what I do: Bitty Browser & Andromeda
    3. Re:Socializing music (Was: mp3s helped my sales!) by Kris_J · · Score: 1
      You may actually go out and buy each CD that burn (come on, honest now, do you?)
      I don't burn audio CDs.

      Also, "unlimited file sharing" might make it difficult for the RIAA's suits to buy that third ivory backscratcher, but it gives exposure to independant artists when Clear Channel won't give it to them.

      Speaking of radio, why do people buy CDs if they can just record the tracks from the radio? Huh? How come record labels practically beg, and often bribe, radio stations to play their music when people can just record all this free stuff and never buy a CD. Obviously exposure to music promotes consumption. It's true for the radio and it's true for the Internet.

      I don't misunderstand artists. I've boughts audio CDs directly from the musical artist that wrote, performed, recorded and burnt it. Have you?

  79. Justify the Pang of Guilt? I call BULLSHIT! by slappyjack · · Score: 1
    To toss my two cents into yet another argument about Unpaid Muic Sharing and so on and so forth...

    I am not one of those people who "are really into" music. I don't keep track of bands and what they're doing, i don't peruse the local weeklies for who's playing where, I don't even know what bands play a good third of the old songs I hear someone else playing and I think "oh yeah, I remember that song, it's good."

    I gave up listening to the radio not only because most of the new stuff on there is either terrible or a rip off of something else, but because I quite frankly could do without the pure smarm of the commercials and having to hear yet another caller yell "WOOOOOOOOO!" into their phone brcause that's what they think the international symbol is for "PARTY!"

    I gave up on watching Music Television long ago, even before MTV stopped playing entire videos and moved to their own programming.

    I do not "have my finger on the pules of new music."

    Because of that, I konw I miss out on a lot of good stuff out there, most of which doesn't get out there for casual listeners to hear anyway.

    Bottome line: left on my own, i don't purchase music. I buy MAYBE one CD every couple months, and 4 out of the 6-7 i buy in any given year are crap I buy as little gifts for my wife who's tastes in entertainment are pretty much the antithesis of mine.

    I've never been a regular purchaser of music for my own, and I doubt thats going to change.

    HOWEVER, the last 8-10 CDs i HAVE bought over the years have ALL been a direct result of listening to something that was either burned for me by a friend (we all have those friends that are total musicheads, no matter what the genre. You know the type... if they don't buy SOMETHING new for their collection they start to get real jittery after a couple weeks.) or downloaded for free because of something I read about or was told about or whatever made a strong enough imprint on me that I actually cared enough to remember to follow up on it.

    I realize it isnt a huge amount of money, but those couple hundred dollars that went to the music industry would have never gotten into their hands if it werent for "illegal" copies of their music flying around. A couple of the bands have even made money by being so good I actually bought tickets to see them play somewhere live. Again, wouldnt have happened without those terribly awful copies of illegal music.

    Illegal? yes. Morally wrong? No more morally wrong than going 40mph in a 35 zone (or, 70kph in a 60 zone, for those of you in the rest of the world), which is also illegal [and, more importantly, physically unsafe for yourself and others]. Do I feel a pang of guilt when I speed? Nope. Do you? Probably not. To you feel guilt when you get a speeding ticket? I doubt it. Last speeding ticket I got all I felt was annoyed and a little stupid.

    Remember folks, your moral sense comes from your upbringing, which ranges widely depending on where in the world you're from. Laws USED TO come from moral sense (as opposed to now, where in teh US laws come mainly from pressure from large corporations and vocal minorities with money)

    Breaking an old law typically involves breaking a moral taboo of some sort and causes you that pang of guilt, breaking a "business-protection" law (like those dealing with trademarks and copyrights) pretty much HAS NO MORAL BASIS and thus most of us break them at will without caring.

    FOR THE NIT-PICKERS OUT THERE: I said MOST OF US. I realize the difference between some kid using stolen images in his photocopied zine is a lot different from, say, a journalist stealing stuff verbatim from another work and saying it is his.]

    I don't know if i'd go as far as calling it a new forum, but sharing of unlicensed music is here to stay, and after this whole wailing and gnashing of teeth by those involved (that actually give a fuck), those that actually make music and those that car

  80. It's not that expensive by Anonymous Coward · · Score: 0

    I'm an Australian, and almost everyone I know either owns or has easy access to a CD burner. CD-Rs are ridiculously cheap. Technology isn't *that* expensive here dude. That said, most of these people still buy CD's of the bands they like, because of all the cool stuff you get with CD's here - bonus DVD's, posters, etc.

    1. Re:It's not that expensive by Anonymous Coward · · Score: 0

      Hohoho.
      $AU300 = $US228
      $AU200 = $US152

      Current rock-bottom price for those
      do everything Chinese made DVD players:
      $AU69 = $52.50
      (Actually, I think I saw some at $AU58 last week)

  81. publicly anounce by themusicgod1 · · Score: 1

    i have came across a LOT of people who have "publicly" anounced that they are being disobidient, and ignoring whatever law, because the law is either stupid, harmful, broken, or whathaveyou. on the order of at least a good five hundred or so. and that's not including slashdot, and that's really only the people that I have come in contact with. granted, that's not everyone in the world,.. and granted at least half of them eventually break down and then go back to being a happy little prozac consumer type...but there are a LOT of people out there who are doing it because it is the Right Thing to do. it is their duty, however to convince the rest of the people who think they are doing the wrong thing, that they are actually doing the right thing.

    --
    GENERATION 26: The first time you see this, copy it into your sig on any forum and add 1 to the generation.
    1. Re:publicly anounce by Anonymous Coward · · Score: 0

      The purpose of civil disobedience, at least according to it's inventor, Thoreau, is precisely to get put in jail.

  82. inventor by themusicgod1 · · Score: 1

    are you that stupid or are you trying to not see the light here.

    civil disobedience has been going on since the days of moses. just recently has it gotten a name and the qualities you describe, but so long has there been civility, authority, and a reason to stay alive/not follow the authority, there has been reaction against the authority in this manner. some civil dissobedience will get you jailed, some killed, and some will land you with a meaningless slap on the wrist. Emmanuel goldstein i seem to remember going to a sort of civil-dissobedience-sit-in-sort of thing and coming back on the air after being arrested, with no charges, after the authority in the matter knew that it was in the wrong. to classify all civil disobedience sooo specifically you miss the bigger picture, this is about a reaction that happens when authority, self-awareness and a structure of action determining rules or laws coexist, if i even have a broad enough scope on the matter.

    --
    GENERATION 26: The first time you see this, copy it into your sig on any forum and add 1 to the generation.
  83. MP3s not hurting Artists by kyndig · · Score: 1

    I recently wrote a paper Located Here in regards to this subject. Recording artists would embrace MP3 technology ( in my paper I give a few names whom did just that); yet it is not the artist whom makes the decisions and is against MP3's. It is the recording labels, whom have the music artists over a kettle. Kyndig

    --
    My Thoughts, Kyndig
  84. Cheap? Eh. by ffrinch · · Score: 1

    unless it was some sort of romantic mix I would think that giving a CD as a gift that you mixed would be cheap

    More expensive than nothing.

    Besides, we're not talking fiftieth-anniversary gifts here: most people burn CDs just as something nice for a friend. If I discover some new band that I think one of my friends will enjoy, I can throw a few tracks on a CD for them. I've burned CDs with odd tracks from the 365 Days Project and the like, with tracks that the person would never have otherwise heard.

    Giving a CD doesn't have to mean a copy of a Top 40 album, or even anything you can by in stores. I value the ones I've been given more than I value a lot of the shit I've paid money for.

  85. iTMS in Australia by Anonymous Coward · · Score: 0

    Interestingly, iTunes Music store is not even availiable in Australia yet. Heh - this is probably why cd sales haven't been effected (but for God's sake don't tell the RIAA otherwise they'll use this for amunition...).

    RIAA: "See - this proves MP3s are Evil! Eeeevil I tells ya! EEEEVVVIIIILLLL"

  86. Excuses, Excuses, Excuses! by Phr3akinR1can · · Score: 1

    MP3's and CD-R's had SOME impact, I'm sure, but what is REALLY hurting sales is lack of talent, creativity, and innovation in popular music. Like it or not, the pop music market has made the music industry profitable in the past. There really isn't much of a variety out there anymore. There are many factors. The hottest item with many of the previous superstars has been artistic control and their share of the profits. The artist to label profit share difference is unfair to artists. The portion of the profit that should be going to marketing is argued by many artists as not being used to market their product. Since many mergers have gone on in the entertainment field the Artist must not only market him/herself, but other products as well. Most talented people will not want to put up with business as it is now and are either cutting out the middle man and going solo (ultimately earning more $$) or chaging their career objectives. The American music business is terribly corrupted by the Majors disallowing radio stations to play anything but what they approve. This leads to consumers not being exposed to new music and the problem snowballs to the poor record sales.