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The Real Reason why Spirit Only Sees Red

use_compress writes To produce a color photograph, the rover's panoramic camera takes three black-and-white images of a scene, once with a red filter, once with a green filter and once with a blue filter. Each is then tinted with the color of the filter, and the three are combined into a color image. In assembling the Spirit photographs, however, the scientists used an image taken with an infrared filter, not the red filter (NYTimes, Free Registration Required). Some blue pigments like the cobalt in the rover color chip also emit this longer-wavelength light, which is not visible to the human eye."

273 comments

  1. Was in New Scientist a week or so ago by Space+cowboy · · Score: 5, Insightful

    The reason being that the science gets better results using th e IR filter than if the red filter were used... At the moment, despite great public interest, the science is more important... that IS what it's there for....

    Simon

    --
    Physicists get Hadrons!
    1. Re:Was in New Scientist a week or so ago by SpinyManiac · · Score: 4, Informative

      Not just that, using a B/W camera allows them to use any filter they like.

      They have at least 14 filters, taking 14 cameras would be impossible.

      Info here.

      --
      It's never too late to have a happy childhood.
    2. Re:Was in New Scientist a week or so ago by Anonymous Coward · · Score: 0

      Hmm, perhaps. But who is paying for it to get up there? Maybe theyd be more interested in some pretty pictures for their dollar.

    3. Re:Was in New Scientist a week or so ago by mcbevin · · Score: 5, Informative

      If you read the whole article, you'd see that they actually used both the infrared AND the red filter for the pictures. So they had their infrared for their science as well as the red for the photos to show the public. However they mucked up in producing the photos for the public, using the infrared instead of the red. Nothing to do with science vs public interest, rather a simple mistake.

    4. Re:Was in New Scientist a week or so ago by AndroidCat · · Score: 2, Funny
      Was in my sig a week ago too. :^P Nasa denies 'sexing up' mars images which references the New Scientist story.

      Will Slashdot cover oxygen discovered on extra-solar planet Osiris next week? Stay tuned!

      --
      One line blog. I hear that they're called Twitters now.
    5. Re:Was in New Scientist a week or so ago by Anonymous Coward · · Score: 0


      Yeah, it's not like it's rocket science or anything . . . oh, wait . . .

    6. Re:Was in New Scientist a week or so ago by SnowZero · · Score: 4, Insightful

      And it was on NASA's site almost two weeks ago:
      Revealing Mars' True Colors: Part One
      Revealing Mars' True Colors: Part Two
      Nothing to see here, take off the tinfoil hat.

    7. Re:Was in New Scientist a week or so ago by Tablizer · · Score: 1

      So they had their infrared for their science as well as the red for the photos to show the public. However they mucked up in producing the photos for the public, using the infrared instead of the red.

      I didn't think it was a "mistake", they just did not bother using the red filter because of limited band-width and power. Thus, they approximated the red using estimation techniques. Like somebody said, this is a science mission, not a tourism mission.

    8. Re:Was in New Scientist a week or so ago by Tablizer · · Score: 1

      I didn't think it was a "mistake"

      Correction, I finally got thru and the article does say that at least some were mistakes. My apologies.

    9. Re:Was in New Scientist a week or so ago by Anonymous Coward · · Score: 0

      In future: RTFA

    10. Re:Was in New Scientist a week or so ago by PopeFelix · · Score: 1

      Osiris has both carbon and oxygen in its atmosphere. However, it's unlikely that there is life there, as the surface temperature is roughly 1000 degrees C.

      The current working hypothesis, as it were, is that Osiris was at one time a gas giant. Osiris' sun has reached the point in its lifespan where it has expanded to the point that the solar wind is literally blowing away the atmosphere of Osiris.

      See the article at http://goatse.cx

      --

      Pope Felix the Scurrilous.
      Computer Geek by day, religious Icon by night.

    11. Re:Was in New Scientist a week or so ago by Tukla · · Score: 1

      ::chuckles:: That joke is always funny.

    12. Re:Was in New Scientist a week or so ago by Tukla · · Score: 1
      Nasa denies 'sexing up' mars images

      Great. Now I'm picturing NASA researchers using Opportunity to photograph the next Sports Illustrated swimsuit edition: The Beauties of Mars.

  2. Cue a thousand alien-watcher website updates.. by Channard · · Score: 5, Funny

    'Aha! So that's why they don't see little green men...' - at last, the dream of aliens living on Mars is alive again.

    1. Re:Cue a thousand alien-watcher website updates.. by martingunnarsson · · Score: 1, Funny

      I for one welcome our new red martian overlords.

      --
      Martin
    2. Re:Cue a thousand alien-watcher website updates.. by Anonymous Coward · · Score: 0

      That was really cheap. Thanks god you won't get karma for it. But image someone will mod you down from +5 later. HAHAHAHAHA!

    3. Re:Cue a thousand alien-watcher website updates.. by AndroidCat · · Score: 1
      Whacked colours are the least of it. A nice article here Conspiracy theorists stake out Red Planet
      What few remember is that, in the late 1950s, Russian astronomer Iosif Shklovskii floated the idea of civilizations on Mars, but he did it based on actual scientific data.
      (Spoiler warning) Later data proved him wrong.
      --
      One line blog. I hear that they're called Twitters now.
  3. obligatory registration free link... by corsetboy · · Score: 5, Informative
  4. prepare the servers for a nytimes-dotting... by mobiux · · Score: 5, Funny

    They mention slashdot.org by name.

    Could this be some sort of revenge?

    1. Re:prepare the servers for a nytimes-dotting... by arcanumas · · Score: 4, Interesting

      If they wanted to take their revange they would have made it a link. Now, it is just text and most people don't like copy-pasting.
      But they mention that "As Mars buffs have pointed out in recent weeks on Web sites like Slashdot.org" , i wonder if they read Slashdot because they like it or just to see why an ungodly amount of refferer logs says: slashdot.org

      --
      Slashdot Sig. version 0.1alpha. Use at your own risk.
    2. Re:prepare the servers for a nytimes-dotting... by Asprin · · Score: 5, Funny


      Quick! Put up the free registration page!

      --
      "Lawyers are for sucks."
      - Doug McKenzie
    3. Re:prepare the servers for a nytimes-dotting... by lukewarmfusion · · Score: 5, Funny

      Then NYTimes will have to link to the Google cache, someone will copy and paste the unformatted text on their site anyway, and we'll see a plagiarizing reporter trying to karma whore in order to get his job back.

      Of course you know.... this means war.

    4. Re:prepare the servers for a nytimes-dotting... by Asprin · · Score: 1, Funny


      Lieutennant, release the FIRST POSTERS!

      --
      "Lawyers are for sucks."
      - Doug McKenzie
    5. Re:prepare the servers for a nytimes-dotting... by AdamTheBastard · · Score: 1

      Someone think of a CowboyNeal poll option on the double!

    6. Re:prepare the servers for a nytimes-dotting... by Orne · · Score: 2, Funny

      At least Yahoo news service has the foresight to convert websites and companies contained in their stories to URLs... but I suppose that NYTimes risks losing customers if they were to suggest alternative news sites to their readers.

    7. Re:prepare the servers for a nytimes-dotting... by sparklingfruit · · Score: 1

      >> Now, it is just text and most people don't like copy-pasting. What about IE users?

  5. Why b/w & filter? by Lolaine · · Score: 5, Interesting

    Can anyone explain why 3 separate B/W images are taken? If it is because of bandwidth... 3 grayscale images weights (more or less) like one color image ... so why B/W and filters?

    --
    ------- The last Sig. got fired.
    1. Re:Why b/w & filter? by EyeSavant · · Score: 1, Informative

      I would guess that it is to do with the cost, and weight of the high resolution camera.

      They can get much higher resolution in grayscale, so they get better pictures but slower, with cheaper and lighter kit.

      I would guess the bandwidth is the same, or almost the same.

    2. Re:Why b/w & filter? by anubi · · Score: 4, Informative
      I understand its because its a heckuva lot easier to build high resolution cameras as monochrome, as you can place the pixels immediately adjacent to each other and not concern yourself with placement of color filter masks.

      Also, having external color filter masks which can be rotated into place means we are no longer limited in vision to just the visible spectrum we see, but we can see anything the raw silicon sensor allows, meaning we can also view the infrared to ultraviolet, and let us assign "pseudo color" as we see fit.

      --
      "Prove all things; hold fast that which is good." [KJV: I Thessalonians 5:21]

    3. Re:Why b/w & filter? by Anonymous Coward · · Score: 0

      Then you only need a B/W sensor on the rover, which is much simpler than a color sensor. Also, you can use a higher quality B/W sensor.

    4. Re:Why b/w & filter? by mefus · · Score: 1

      Can anyone explain why 3 separate B/W images are taken?

      Resolution (not bandwidth.) A color camera would deliver one third the number of pixels per image that a grayscale image does.

      --
      mefus
      In Open Society, GPL Software frees YOU!
    5. Re:Why b/w & filter? by richie2000 · · Score: 3, Informative
      My guess is that it's easier to get more resolution out of the camera this way. You can use the full resolution for every colour instead of having 4 sensors (RGB + IR) on-chip per pixel. More on the MER cameras here

      I can still remember using a NewTek DigiView digitizer with a b/w video camera and filters so I guess the Alzheimer hasn't gotten to me yet. :-)

      --
      Money for nothing, pix for free
    6. Re:Why b/w & filter? by SlightOverdose · · Score: 1

      The rover just doesn't have a color camera. Everything on the rover had to be justified, and a color camera would have no real value as they can fake it with the filters.

    7. Re:Why b/w & filter? by MartyC · · Score: 2, Informative

      The imaging system used is a monochromatic camera, because they are simpler to operate and calibrate. The science teams aren't particularly interested in colour photography, the filters are there to narrow down the response range of the detector to provide some useful information on the surface properties of the things they image, as different minerals reflect/absorb/scatter light differently. By using filters of known transmission characteristics you can infer things about the soil and rocks around you. A colour CCD like you have in your average digital camera wouldn't be able to do this.
      As a side-effect you can colorise and recombine the images to approximate a colour picture as you might see if you were stood there yourself. Some NASA PR guys stitch these together while the science team go to work on the black and white stuff.

      --
      -- "Sponges grow in the ocean. I wonder how much deeper the ocean would be if that didn't happen."
    8. Re:Why b/w & filter? by Anonymous Coward · · Score: 0

      This has been discussed to death in several previous threads about the lander. Check out How Spirit Takes Pictures. Which more or less makes this article a dupe, but hey it's Taco, so I expect nothing less. Must be a slow news for nerds day.

    9. Re:Why b/w & filter? by Asprin · · Score: 1, Informative


      This might be the same thing you're saying, but I would guess that it's because in a color camera, you have three different color sensors per pixel that are arranged in a bundle like the pixels on your TV set. This causes a certain amount of chromatic distortion because each color really only sees one-third of the whole picture. However, if you use a monochrome camera and filters, each pixel gets completely recorded in each color and you can later stack the color planes on top of each other and blend them which gives you better color and resolution with a LOT less distortion.

      ...but that's just a guess.

      --
      "Lawyers are for sucks."
      - Doug McKenzie
    10. Re:Why b/w & filter? by EvilTwinSkippy · · Score: 4, Informative
      They are sending the raw picture uncompressed. Well, they might use a run-length encoding, but the result is a lossless image. JPEG is so much smaller because it really cuts corners, and exploits the fact that our eyes are more sensitive to contrast than the magnetude difference between colors.

      With scientific imaging, OTOH, you want the raw information coming off the CCD. They are interested in everything, not just what the human eye can see.

      So, with lossless encoded, 3 greyscale images actually come out to be the same size as a color image. (Look at a color TIFF for example.) The advantage of the B/W and filter approach is that you need only one capture device. On a spacecraft there are many design advantages. Besides, you now have 3 copies of the same image. You never know when one copy will pick something up that the others missed.

      --
      "Learning is not compulsory... neither is survival."
      --Dr.W.Edwards Deming
    11. Re:Why b/w & filter? by mhollis · · Score: 4, Informative

      Essentially, that's what all professional cameras do.

      A broadcast television camera (which is really pretty low-resolution, unless it's a true HTDV camera) has three CCD sensors mounted to a prisim block that splits the image into the three component colors for television (RGB). The use of three CCDs for television is necessitated by the fact that the desired result is a color image without waiting to assemble a color composite from three black and whites. Broadcast television results in images that are pretty close to 640x480 (again, prety low res).

      The MER images are stills. As such, there is time to put together a composite of the separate components taken with the filters. The data desired is high resolution and each of the composite images (irRGB) yields different information. Additionally, JPL is not lacking computer time for assembling the result of the component images. We're not talking live video feeds here.

      I note that there has been some discussion of weight here. That is not a factor in this case. Each of the filters, together with the CCD and the precise movement motor probably weighs about the same as a three CCD system, but in this case, it is one CCD, so any defects can be known and programmed around so there are no trade-offs. The issues JPL/NASA are dealing with have more to do with the size of the data sets and the available time in which the MERs can communicate with Earth.

      --
      Gods don't kill people, people with gods kill people.
    12. Re:Why b/w & filter? by aauu · · Score: 1

      Same difference .E.g. three 8 bit images take the same bandwidth as one 24 bit color image. Additionally, they may only want a b&w image in ultraviolet or infrared. This case would only take 1/3 the bandwidth. The link speed is on the order of 10 to 1000 bits per second except thru the mars orbiters. Maximum information for bandwitdh is optimized, not pretty tourist pictures with a limited drugstore camera.

      --
      When I was young, I had to rub sticks together to compute.
    13. Re:Why b/w & filter? by SmackCrackandPot · · Score: 2, Informative

      We're working with an industrial use colour camera sensor - basically your typical digital CCD array with the rest of the camera removed (no auto-focus, white-balance, flash etc...) Pixels are arranged in a groups of 2x2 (Red, Green, Green, Blue). In bright scenes, the signal strength can bleed between the individual colour cells, which is extremely tricky to compensate for. However, If you take individual frames of each light wavelength that you are interested in using a monochrome camera, by using colour filters of your choice, you not only get a higher resolution, but you also know exactly the sensitivity of the CCD for that frequency.

      Also, the human vision system also performs white-balancing on it's own. If you've ever looked through a window at dusk in Winter, you'll notice that outside will appear with a blue tint, while if you're outside, all the rooms inside will appear to have an orange/yellow tint. Your eyes are trying to get the average colour to white.

    14. Re:Why b/w & filter? by MCZapf · · Score: 2, Insightful

      Fake it?? It's still a real picture! The landscape isn't moving, so it doesn't really matter if the camera captures each color in succession, rather than all at once, as in most cameras. It's a tradeoff; it takes longer to capture all the data, but you get a higher resolution full-color image as a result.

    15. Re:Why b/w & filter? by herko_cl · · Score: 5, Informative

      Sorry to say this, but the parent in NOT "Informative". The only sensors with 3 photosites per pixel are Foveon's. The vast majority of digital cameras has ONE photosite per pixel, and a Bayer mask (RGB filter) layered on top of it. Pixel color in the final image is then interpolated from the measured intensity of the three adjacent photosites. Yes, this means that digital cameras have higher Luma resoultion than Chroma. No, it does not matter much, because the eye is much more attracted to Luminance detail.
      Almost all of the manufactured sensors are black and white; only Foveon's are 3-color, and they're expensive for the resoultion and the first generation software had color clipping problems (overexposed areas of images went abruptly to white). This has apparently been fixed.
      A monochrome sensor with external filters is much more flexible than the single-duty Foveon, so I guess that's why they chose it. Also, NASA doesn't usually buy space-faring hardware off-the-shelf two weeks before launch, and this full-color sensor simply did not exist a couple of years ago.

      --
      No .sig for you! ONE YEAR!
    16. Re:Why b/w & filter? by mdielmann · · Score: 4, Informative

      Note also that color CCDs aren't actually color, but a B/W CCD (There really isn't a such thing as a color CCD) with 3 different color filters applied pixel-by-pixel. This has the drawback of interpolation, and the collection of 1/3 of the raw data. The only way to get true color is to use either 3 (or more, depending on what you want to see) CCDs with an image splitter so they all see the same thing, or a series of filters, with each color taken in turn. Guess which one is smaller.

      --
      Sure I'm paranoid, but am I paranoid enough?
    17. Re:Why b/w & filter? by City+Jim+3000 · · Score: 1, Interesting

      Say you have a 3MP camera. That (roughly) means 1 million "triples" of R+B+G receptors. So essentially you get 1/3 of the resolution.

      Imagine NASA wants to see a spectra composed of red, green, blue, two kinds of infrared and two kinds of ultraviolet light. So that makes 7 "pixels-per-pixel" meaning you get 1/7 of the resolution. Not very good from a scientific point of view.

    18. Re:Why b/w & filter? by Anonymous Coward · · Score: 0

      They are sending the raw picture uncompressed. Well, they might use a run-length encoding, but the result is a lossless image... With scientific imaging, OTOH, you want the raw information coming off the CCD.

      Maybe I'm confused about "lossless" vs "lossy", but wouldn't PNG compress these images without losing any of the data? Or is it not well suited for B&W images?

    19. Re:Why b/w & filter? by Anonymous Coward · · Score: 0

      They used use color camera: a color chart used to be attached to the side of the rover, the camera first took a pic of that chart, then on Earth they could precisely adjust colors to that "known" chart.

    20. Re:Why b/w & filter? by gujju · · Score: 3, Informative

      Just for the parents information. This technique only works when the camera and the subject being photographed are not in motion. If they are in motion then, in the time it takes to switch filters, the picture would have changed and then you wouldnt be able to composite them together accurately.
      Gujju

    21. Re:Why b/w & filter? by vofka · · Score: 5, Informative

      A broadcast television camera (which is really pretty low-resolution, unless it's a true HTDV camera) has three CCD sensors mounted to a prisim block that splits the image into the three component colors for television (RGB). The use of three CCDs for television is necessitated by the fact that the desired result is a color image without waiting to assemble a color composite from three black and whites. Broadcast television results in images that are pretty close to 640x480 (again, prety low res).

      Close, but not quite...

      A Broadcast Quality camera is usually capable of recording a substantially higher resolution of image than is eventually broadcast. This allows for much better editing facilities later on - ie. Cropping and resizing of the recorded images without loss of detail in the later broadcast. Final Broadcast (in the UK at least) is around 760x575 pixels (actual broadcast lines are 625, but several are taken by the Vertical Blanking Pulse, the Frame Field Markers and Teletext data) - but the camera definately records a much higher resolution than that.

      For comparison, a standard Hi-8 Domestic Hand Camera records around 540 picture lines (about 720x540), and the picture quality from this kind of camera is much lower than that needed by the broadcast editing suites to work effectively - just watch any "home video" programme (such as "You've been Framed!") for proof!

      Also, expensive professional broadcast cameras use "Dichromatic Mirrors", not prisms to do colour seperation. Prismatic seperation would lead to too much signal loss and colour bleed accross the image. The first mirror directs the Red image to the appropriate sensor, and also allows enough light of all wavelengths to pass to the next mirror, where the Green image is diverted to the appropriate sensor, and again, light of all wavelengths passes to the final sensor in the camera. Blue is never explicitly seperated from the incoming image, but is instead inferred from the intensity data from the three individual sensors.

      I can be very certain of both of these facts because my dad was a Video Electronics Engineer for the BBC for a number of years...

      --
      Disclaimer: I meant what I thought, not what I wrote! What? You can't read my Mind? Oh dear!
    22. Re:Why b/w & filter? by Anonymous Coward · · Score: 0

      It's more an issue of resolution. A single part of the specrum can be taken at full resolution. For most of the science resolution is far more important then colour.

    23. Re:Why b/w & filter? by benedict · · Score: 1

      There is a color CCD, it's made by Foveon, the New York Times
      just had an article on it this week.

      Of course, the Times could have gotten it wrong, they do that
      sometimes.

      http://nytimes.com/2004/02/09/technology/09camer a. html

      --
      Ben "You have your mind on computers, it seems."
    24. Re:Why b/w & filter? by Sahib! · · Score: 2, Interesting

      On a slightly related note, a Russian photographer named Sergei Mikhailovich Prokudin-Gorskii pioneered this technique of obtaining color images using colored filters and monochromatic film in the early 1900's. He actually built his own camera with three vertically-oriented lenses, each with a red, green or blue filter. The camera took the three pictures at the same time, but some interesting distortions come through because of the slight differences in paralax.

      http://www.loc.gov/exhibits/empire/

      This was mentioned here on /. some time ago, but if you haven't seen his photos, they are definitely worth checking out.

      --

      I prayed about it, and God said, "Don't do it!" But I thought, "I know better."

    25. Re:Why b/w & filter? by jim_deane · · Score: 1

      Combining multispectral data into color and "false color" images actually does reveal important data that is not obvious in the original data. Landsat image analysis is one example--using two color and one infrared band, you can differentiate vegetated areas. With combinations of infrared and visible bands, you can determine soil water content, rock type, etc.

      If you walk into the scientists data analysis labs, you'll see scientists looking at false color images using various combinations of those monochrome images.

      Google for "advanced image processing" and check out the academic sites. My AIP class was very interesting (at Emporia State).

      Jim

    26. Re:Why b/w & filter? by Anonymous Coward · · Score: 2, Informative

      The images are compressed. It sounds like they are doing wavelet compression that is similar to JPEG2000. For details take a look at:
      http://tmo.jpl.nasa.gov/progress_report/42-15 5/155 J.pdf

    27. Re:Why b/w & filter? by Anonymous Coward · · Score: 0

      So, with lossless encoded, 3 greyscale images actually come out to be the same size as a color image.

      Not true - if the three grayscale images are of the same thing, there will be some correlation between pixels at the same place in the image. Any place where your data is redundant you can squeeze out more space. (Also why stereo radio is sent as average and difference, the difference channel requires very little bandwidth.)

      And fwiw, both PNG and JPEG2000 can provide far better compression than RLE, losslessly. TIFF is very old technology. (like, say, FAT filesystems. Used because it's fast and universal.)

    28. Re:Why b/w & filter? by SnowZero · · Score: 4, Informative

      Well, they did say "bundle like a TV" which is correct, but they did mistakenly call that one pixel. For all practical purposes Bayer filters are lying about the resolution and you might as well call the 2x2 block a single color pixel.

      Foveon's sensors don't have really good color separation, and NASA wanted to have more than RGB anyway (they actually have something like 14 different filters). For science you don't want to limit yourself to just the visible spectrum. Hubble works similarly.

    29. Re:Why b/w & filter? by SnowZero · · Score: 1

      You're right, except one nitpick: Foveon makes color CMOS image sensors, which are not the same thing as CCDs.

    30. Re:Why b/w & filter? by Anonymous Coward · · Score: 0

      Resolution. Having one sensor per pixel means you get a full resolution picture. Another interesting fact about the camera is that it uses a much larger imaging element than your standard consumer digital camera. That means the pictures have a greater dynamic range. You can see more details in both the highlights and the shadows than you would with a consumer level camera.

    31. Re:Why b/w & filter? by hesiod · · Score: 1

      > I wonder if I can use an old cheap B&W web-cam to make IR goggles like the Fire Dept has...

      Maybe IHBT (- Score?), dunno. I wonder the same thing myself (sort of) except I think IR goggles in a burning buildng would blind you.

      If the Rover can take IR images with just a camera & IR filter, what are the technical difficulties in doing the same with simple hardware? Is an IR filter hard to obtain?

      BTW, this most certainly IS on-topic (parent too), since it deals with "seeing infrared."

    32. Re:Why b/w & filter? by hesiod · · Score: 1

      > My AIP class was very interesting

      Please excuse my ignorance, but what does AIP stand for? Advanced Image Processing?

    33. Re:Why b/w & filter? by Carnildo · · Score: 1

      Maybe IHBT (- Score?), dunno. I wonder the same thing myself (sort of) except I think IR goggles in a burning buildng would blind you.

      If the Rover can take IR images with just a camera & IR filter, what are the technical difficulties in doing the same with simple hardware? Is an IR filter hard to obtain?


      The rover deals with near-infrared wavelengths, and it's fairly simple to make a camera that can do so: you just need an unfiltered CCD matrix and an IR filter for the wavelength you want to see. The filters aren't hard to find, but usually cost a few hundred dollars.

      Fire departments use cameras that see in the thermal infrared wavelengths to look for hot spots where the fire might still be burning. They're a lot harder to make, since the camera needs to be cooled to a temperature lower than that of the target -- otherwise the only thing the camera would see was itself!

      --
      "They redundantly repeated themselves over and over again incessantly without end ad infinitum" -- ibid.
    34. Re:Why b/w & filter? by Anonymous Coward · · Score: 0

      Except last I knew, they were called "dichroic" mirrors, not dichromatic.

      Might just be a Britishism, though.

    35. Re:Why b/w & filter? by SoupIsGoodFood_42 · · Score: 2, Interesting
      You're confusing near-IR and thermal-IR (not sure if they're techically correct terms). Most CCDs pick up IR very well. Infact, they do it so well that most digital cameras have an IR blocking filter or "hot mirror" in front of the CCD. If you want to see heat though, you will need a special sensor for that. most CCDs can't pick up IR that deep.

      IR filters are easy to obtain. But if you want decent exposure times, you'll need to remove the hot mirror first, and replace it with plain glass. Most people don't want to do that to their digital cameras. But since I'm an idiot, I've done exactly that. You can see the results here. The lack of IR blocking filter means I can take IR pics without a tripod in good light.

      IR is interesting. I have quite a few black cloths that come out bright white, while other black cloths still come out black.

    36. Re:Why b/w & filter? by hesiod · · Score: 1

      Aaah, I see. BTW, I love those photos, they are very good. My favorite is the fourth one (close-up on two flowers). Thanks!

    37. Re:Why b/w & filter? by Anonymous Coward · · Score: 0

      "Can anyone explain why 3 separate B/W images are taken? If it is because of bandwidth... 3 grayscale images weights (more or less) like one color image ... so why B/W and filters?"

      You misunderstand. NO Black and white pictures were taken. COLOR pictures were taken. One infa-red. One green. One Blue.

    38. Re:Why b/w & filter? by jmansfield · · Score: 1

      Because that's how all colour cameras work! The only difference is in how the three images (R, G and B) are acquired.

      Handycams and consumer digital colour cameras use a CCD that is actually made up of three different types of detectors (red, green and blue, not surprisingly ;-). They then use each type of detector to generate a separate picture then put it all together in a digital 24-bit format that we use to print, display, etc.

      Using separate filters in front of a monochrome camera gives much better spatial resolution and allows them to use a much better CCD than the cheap 8-bit ones used in most digital colour cams.

      I'm very glad to see multispectral imaging getting so much press, though, as it is what I do for a living (see www.jmansfield.com)

      -Jim

    39. Re:Why b/w & filter? by vofka · · Score: 1

      You are quite right - Thinko/Typo on my part!

      --
      Disclaimer: I meant what I thought, not what I wrote! What? You can't read my Mind? Oh dear!
    40. Re:Why b/w & filter? by mdielmann · · Score: 1

      First, the Foveon X3, both versions, is not a CCD, it's CMOS. Second, it uses photon penetration to determine color. The drawback with that, in scientific circles, is that you can't choose which part of the spectrum you want to analyse. But, if I was going to set up a nice color astronomy lab at home for natural-color images, this is the chip I'd be looking for. No way I'd use a filter-masked color CCD.

      BTW, I didn't read the article, but I've been looking at material released by Foveon for the last year. I just didn't want to further muddy the issue. Of course, this IS /. :P

      --
      Sure I'm paranoid, but am I paranoid enough?
    41. Re:Why b/w & filter? by Anonymous Coward · · Score: 0

      768x576 is the accepted PAL pixel res size. Now you americans know why it's an option in programs like zapping and so on.

    42. Re:Why b/w & filter? by jim_deane · · Score: 1

      >> My AIP class was very interesting
      >
      >Please excuse my ignorance, but what does AIP
      >stand for? Advanced Image Processing?

      Yes.

      Jim

    43. Re:Why b/w & filter? by HonkyLips · · Score: 1

      CCDs capture a much higher resolution image than they output - nyquists theorum applies to video as well as audio. If a CCD was an array of 680 x 480 pixels then the image would alias horribly and be mostly useless. In professional broadcast cameras, the price varies on the size of the CCD and the number of pixels on the chip. A low end professional camera may have 3 x 1/4" CCDs, a high end camera will have 3 x 2/3" or even 3 x 1" CCDs. However regardless of the size of the CCD and the number of pixels on the CCD, the images are resampled down to the broadcast resolutions of 720 x 576 (PAL) or 720 x 486 (NTSC). Broadcast professionals will talk about "high frequency" noise and low-pass filters... it's a lot like audio. Also, when manufactures quote "lines" of resolution, for some reason they mean horizontal resolution, or the number of discernable verticle lines.

      --
      Putting syrup in coffee is some form of blasphemy.
    44. Re:Why b/w & filter? by mhollis · · Score: 1

      Uh oh, a purist!

      You are, of course, absolutely correct in your "760x575" image resolution for television in your transmission standard. People in Europe and the UK see a bit sharper picture.

      What you give up for that resolution is the faster frame rate that we enjoy in the United States. While I was working for a satellite transmission company here, we had a number of brits over to cover one of our Presidential elections. They remarked that we had much richer colors than they had over in the UK and I believe that was an "optical delusion" created by the increased frame rate. Generally, when I have travelled to the UK I notice a slight flicker in your television. If I am there for more than two weeks, the flicker "dissappears" because my eyes get used to it.

      The use of a prism block in high quality cameras does not lead to too much signal loss or color bleed unless the prism block has imperfections and they don't in high-quality cameras, like the kind made by Ikegami and Sony Broadcast. None of our broadcast cameras at the NBC company use mirrors to split the image.

      I do own a Canon GL-2 camera that does use the mirrors as you describe them It is a cheaper way of splitting the signal and it does work well, as they've been working on the quality of those things for a little while. I believe the first camera I worked with that used the mirrors instead of a prism was a JVC "industrial" camera that had tubes and one could really tell the difference between that and a broadcast camera.

      Lastly, I would respectfully disagree that blue is an "inferred" image. While it does make up the smallest part of the video signal, it does get its own CCD within a camera. Perhaps you are thinking of the components for Betacam broadcast equipment, which are R-Y, B-Y and C from which green is inferred (this is a tape specification and does translate into the 4:2:2, 4:1:1 and 4:2:0 digital signals that make up DVC25, DVC50 and Mini-DV components. In the UK, Mini-DV uses 4:2:0 because of your peculiar type of encoding every other line's color information, while in the US we use 4:1:1 for our mini-DV.

      In my case, I am a video engineer for the NBC company.

      --
      Gods don't kill people, people with gods kill people.
  6. Science, not reality TV by kinnell · · Score: 3, Funny

    It's a good job the pictures aren't coming back with a blue tint, or lynch mobs would be turning up at NASA HQ.

    --
    If I seem short sighted, it is because I stand on the shoulders of midgets
    1. Re:Science, not reality TV by Vreejack · · Score: 1

      It's happened before. Early shots from the Viking missions showed a blue sky. Or is that what you are referring to?

      --
      "Will future ages believe that such stupid bigotry ever existed!" -- Ivanhoe
  7. 21st C by BenBenBen · · Score: 0, Troll

    So when are we going to have the technology to send _colour_ cameras to Mars?

    I've seen them in some very expensive shops, so I'd have thought NASA would be able to shrink one down to the size of a football or so.

    --
    The Slashdot Paradox: "100% Overrated"
    1. Re:21st C by BenBenBen · · Score: 1

      RTFA. They're B&W with filters.

      This means the 'film' is B&W. Now explain to me how they're colour?

      --
      The Slashdot Paradox: "100% Overrated"
    2. Re:21st C by RMH101 · · Score: 2, Informative

      they probably wanted better than 5MP resolution - you can get higher res with a high quality scientific b&w camera. if you take 3 still photos through RGB it's functionally identical to a colour camera - i.e. it IS a colour camera - and there would be nothing gained by sending up a "colour" camera that took a single shot and ended up with a poorer quality (but by your definition a real colour picture) result.

    3. Re:21st C by Anonymous Coward · · Score: 0

      There is no film. Just a bunch of sensors, like there is in a "colour" digital camera. It's just that instead of 3 types of sensor sensitive to different wavelengths, there is a single sensor type sensitive to all wavelengths and then multiple pictures are taken with different filters. That makes for a much higher resolution picture, a simpler camera and the possibility of taking pictures at wavelengths your "colour" camera couldn't.

      Basically, a "colour" camera would be rubbish compared to this.

    4. Re:21st C by troon · · Score: 1

      Except that the cameras on the rover are only one megapixel. They just have very good lenses.

      --
      Ydco co ,df C erb-y go. a Ekrpat t.fxrapev
    5. Re:21st C by RMH101 · · Score: 1

      fair enough: the point being: very specialist cameras vs a nikon coolpix strapped to a probe...

    6. Re:21st C by SnowZero · · Score: 1

      RTFA. They're B&W with filters.

      So is a color digital camera, so calm down and learn something. Google for "Bayer color filter". "Color" cameras simply use per-pixel filters over a grayscale CCD, rather than the larger individual filters that the MER rovers use. The larger filters are better in fact, just like 3CCD cameras they avoid edge coloration artifacts. The only problem would be if they needed to image moving things, in which case color is the least of their worries.

    7. Re:21st C by pediddle · · Score: 1

      But, a one megapixal "real" color camera only gets 1/2 or 1/3 the data that the rovers' cameras do. This is because three separate black-and-white photos combined is effectively 3 megapixels, whereas a "real" camera really only is one megapixel, and the adjacent pixels actually overlap so that it can interpolate the color data. Not good at all for anything scientific.

  8. I hate Mars photos by Rosco+P.+Coltrane · · Score: 2, Funny

    I tried showing them to my pet bull and he immediately became bad-tempered and generally unpleasant to be around of. He's much fonder of the Neptune shots from Voyager really...

    --
    "A door is what a dog is perpetually on the wrong side of" - Ogden Nash
    1. Re:I hate Mars photos by Anonymous Coward · · Score: 1, Funny

      Bulls are colorblind you moron; way to get an offtopic score.

    2. Re:I hate Mars photos by lcsjk · · Score: 0

      It's funny when you get modded informative when you're TRYING to be funny. It's sad when you're trying to be informative and get modded funny.

    3. Re:I hate Mars photos by SnowZero · · Score: 1

      His bull might have 7 different switchable color filters for each eye, however.

  9. Short version by the_crowbar · · Score: 4, Informative

    On the panoramic picture: We goofed. It should not have been that red.

    The other photographs are taken with the infa-red instead of visible red filter. Iron dominated the visible red spectrum. To allow a better analysis of the compounds found infa-red light is used instead.

    <joke>No conspiracy here. Move on.</joke>

    the_crowbar
    --
    Have you read the Moderator Guidelines
    1. Re:Short version by Anonymous Coward · · Score: 0

      Mod up!!

  10. Why don't they release the RGB too? by Tsar · · Score: 2, Interesting

    They're taking images through blue, green, red and infrared filters. The color shift problem in the publicly released images is because they're blending in the infrared shot instead of the red shot, right? Why don't they just release the RGB images as well as the iRGB? They have all the images after all--why waste press conferences explaining the differences or lack thereof when they could just give us the pictures?

    1. Re:Why don't they release the RGB too? by Anonymous Coward · · Score: 4, Informative

      They release all the individual raw pictures on the mars rovers website. You are free to composite them yourself.

      The engineers are focusing on the filters that return good science.

    2. Re:Why don't they release the RGB too? by Seahawk · · Score: 4, Informative

      ALL data IS actually released.

      Cant remember links from the top of my head(Search older /. stories), but several people have taken the raw data and composed their own versions of the colour photos.

      AFAIR the things is a bit more complicated though - the cameras have 7 different filters, which have quite a bit of overlap, and doesnt peak at frequencies of light that directly could be used in an RGB image - so some fiddling is requered.

      And TBH - I think its perfectly fine NASA doesn't focus on producing "correct" images if it doesn't mean better science! :)

    3. Re:Why don't they release the RGB too? by mlyle · · Score: 4, Informative

      My site was one of the past ones featured on Slashdot.

      Unfortunately, all data isn't released. There is not radiometric data or pointing data for pictures, spectrometer data, etc.

      And NASA puts a hold on images they plan to use later for press conferences-- e.g. the individual PanCam pictures of the parachute and backshell weren't released. This goes directly against the promises they made pre-mission.

    4. Re:Why don't they release the RGB too? by Fastolfe · · Score: 2, Informative

      They don't necessarily have images from all filters. In many pictures it's more valuable from a scientific point of view to use the infrared filter instead of the red filter. They may only command the rover to take those three pictures.

      In most cases, the infrared filter is close enough to red that a composite still gives you a good image. They do occasionally take a picture with the red filter instead of the infrared, as the article states, but these aren't as useful for scientific purposes.

      If the public's interest can be satisfied with a composite using the IR channel, and you get a lot more science done with it, doesn't it make sense to use it? Their mistake was in releasing color photographs without noting that the color might not be right.

      Incidentally, all of the raw images are available on the NASA web site. Instructions for a do-it-yourself composite are available from the previous Slashdot article discussing the color of the images on Mars.

    5. Re:Why don't they release the RGB too? by Seahawk · · Score: 1

      Havent seen your site before - but VERY nice pictures! :)

      I was just under the impression all imaging data was released...

      Positioning data isnt really that important for creating truecolor images... ;)

    6. Re:Why don't they release the RGB too? by mlyle · · Score: 2, Informative

      Hehe. Thank you.

      As to positioning data: nope, it's not, but it is important for accurately producing anaglyphs/range maps/good stitches unfortunately. And the radiometric data -is- important for nearcolor-- I could release a lot more nearcolor imagery if I had confidence the radiometric data was right. As it is now, I have to inspect each image by hand and compare to the spectroscopy data I have on hand to make sure things are close to right. As to why those pieces of engineering data associated with the image aren't being distributed-- i don't know. Perhaps NASA assumes no one is interested.

    7. Re:Why don't they release the RGB too? by robsimmon · · Score: 3, Insightful

      I would guess (based on my experience with other NASA data archives) that the full scientific data are not being released until they've been calibrated, at which point they'll probably end up in the Planetary Data System It's also possible that the Principle Investigators (who are affiliated with Cornell, not NASA) have exclusive use of the data for some period of time. Scientists are often very reluctant to share data until they're happy with it. Whether this is good public policy (since the data was all paid for by the US public) or good science is open to debate, but it's certainly not a conspiracy.

      In the case of the more dramatic images, Public Affairs is almost certainly embargoing the images so the press release will (in theory) have more impact. If you really want the data you can always try a Freedom of Information Act request.

    8. Re:Why don't they release the RGB too? by mlyle · · Score: 2, Insightful

      No conspiracy theory here, just I think it's bad PAO PR to embargo. Me putting together some images on my site is not going to lessen the impact when they hold their press conference. But my inability to get the imagery annoys me and the rest of the hobbyist community.

      Sure, PDS is the authentic source for mission scientific data, but would it really be hard to throw us a bone with a few technical numbers? It's getting pushed occasionally for some of the imagery with Maestro updates-- why can't they just have a few lines on the website with the engineering data.

      They should make up their minds. The degree of transparency they had talked about being in place before the mission is simply not there.

    9. Re:Why don't they release the RGB too? by robsimmon · · Score: 1

      in principle I agree about embargoing data to fit a scheduled press release, but on the other hand NASA would be justifiably upset if a major newspaper or network ran a mars image and gave credit to a hobbyist. (I've seen the AP, Reuters, and AFP frequently get credit for NASA images)

      it may also be an issue of infrastructure--archiving and distributing scientific data is non-trivial. you want to make sure all the data packets have been received, ensure data integrity, make sure the medata is connected to the right file, etc. etc.

      keep in mind that everyone even remotely involved with Mars at JPL is completely overworked at this point. outreach people have been pulled from other projects, and I suspect botht the scientists and PAO can't get out as much as they would like to.

    10. Re:Why don't they release the RGB too? by jnicholson · · Score: 1
      And TBH - I think its perfectly fine NASA doesn't focus on producing "correct" images if it doesn't mean better science! :)

      NASA needs good PR as much as it needs good science. And that's not even necessarily a bad thing.

      I'm surprised they haven't corrected to 'visible light'-adjusted photos.

      --
      "Do not drill any holes in your cat - it will not like it."
      -- Nick Davies
    11. Re:Why don't they release the RGB too? by Ben+Jackson · · Score: 1
      They release all the individual raw pictures on the mars rovers website.
      They release all the ones they shoot but they don't often use the red filter. For publicity images they try to use the real red. In one of their 'coffee talks' that happened to be on NASA TV someone explained that the Spirit lander portrait was an accident -- they planned to do it in stereo (has to use IR because only one of the pancams has the true red) but changed at the last minute to use only one pancam and accidentally chose the wrong subset of filters.
  11. Gameboy Camera Color by drfishy · · Score: 3, Funny

    Reminds me of the Gameboy Camera Color Project: http://www.ruleofthirds.com/gameboy/

  12. Re:Why don't they... by donnyspi · · Score: 1

    I think the ones in CompUSA are a tad sensitive to the extreme temps on Mars.....

  13. Re:Why don't they... by kiwipeso · · Score: 0

    Because a standard 4 megapixel camera would freeze on Mars.

    --
    - Kaos games and encryption systems developer
  14. Blue? Infrared? by Rufus88 · · Score: 2, Interesting


    Some blue pigments like the cobalt in the rover color chip also emit this longer-wavelength light, which is not visible to the human eye."

    If it's a *blue* pigment, why does it emit a *longer* (i.e. infrared) wavelength?

    1. Re:Blue? Infrared? by Anonymous Coward · · Score: 0
      If it's a *blue* pigment, why does it emit a *longer* (i.e. infrared) wavelength?

      It ate too much tomacco, and the lung cancer inside of the pigment reflects infra-red radiation.

    2. Re:Blue? Infrared? by LordK2002 · · Score: 2, Informative
      Some blue pigments like the cobalt in the rover color chip also emit this longer-wavelength light, which is not visible to the human eye."

      If it's a *blue* pigment, why does it emit a *longer* (i.e. infrared) wavelength?

      Clarification of the original statement: "some materials, such as cobalt, which reflect light that appears blue to the human eye, also reflect light in the infra-red range".

      It emits both blue and infra-red, neither has any effect on the other - we just only see the blue because the human eye does not detect infra-red.

      K

    3. Re:Blue? Infrared? by CuriHP · · Score: 1

      It's blue because that is the only visible light it reflects/emits. That does not necessarily mean that it is the only wavelength reflected/emitted. It's just the only one your eye can see.

      --
      If it's not on fire, it's a software problem.
    4. Re:Blue? Infrared? by dwm · · Score: 3, Informative

      A material can emit light at various wavelengths, and at wavelengths quite different than that which it reflects, which is what you most commonly see in the visible range. It's quite possible for something to reflect blue light and emit light at wavelengths longer than the visible range.

    5. Re:Blue? Infrared? by Bill_Mische · · Score: 4, Informative

      I'd imagine because the blue colour corresponds to an electron transition in the d-orbital whereas the IR corresponds to a different transition or more likely to a change in mode of molecular vibration.

      One of the few things I remember from my chemistry degree was that many pigments are far brighter in the UV region since the "normal" colour corresponds to a forbidden transition - i.e. one that involves a change of spin as well as change of orbital.

      I do hope that wasn't a rhetorical question...

      --
      Boring Old Fart (40, married, 3 kids...er no...make that 49, married, 3 grown up kids...it's been a long time)
    6. Re:Blue? Infrared? by Anonymous Coward · · Score: 0

      Because it doesn't matter.

      "Colour" of a pigment is defined only by what it reflects (it doesn't actually emit) across the visible spectrum, i.e. what the human eye can see. That's how pigments are chosen or designed.

    7. Re:Blue? Infrared? by robsimmon · · Score: 1

      It's not emitting much of anything near visible wavelengths, since the temperature maxes at about 5 degrees C. (for significant emissions you need to be in the thermal infrared (measued by the Mini-Thermal Emission Spectrometer, not the pan camera). The pan camera is seeing reflected light.

    8. Re:Blue? Infrared? by Anonymous Coward · · Score: 0

      This trick lets you build DYI infrared filters with theatrical light filters (www.amasci.com and look in there, I'm lazy)

  15. Versatility by Detritus · · Score: 4, Insightful
    Instead of being limited to some fixed approximations of red, green, and blue, they can use a larger set of filters that are tailored for various science objectives.

    The human eye's color vision is a poor scientific instrument. It can be easily fooled.

    --
    Mea navis aericumbens anguillis abundat
    1. Re:Versatility by jc42 · · Score: 1

      There's also the theory that the extra filters are to produce pictures that look right to the eyes of the visiting aliens that are helping NASA. I mean, how would you like to have pictures that cut out the red portion of the spectrum?

      For that matter, there are plenty of earth species that can see frequencies outside the human visual range. We are always getting complaints from our conure and cockatiels about the poor color quality of our computer screens. The ultraviolet is almost entirely missing.

      I suppose the cockroaches would complain, too, but they only use the computers after we've gone to bed, and who knows what sort of mods they've made to the displays?

      In any case, it's not easy to get a really accurate color display from the current primitive crop of manufacturers on this benighted planet. Not to mention the difficulty of getting good UV and IR pigments from the inkjet-printer manufacturers. For the forseeable future, those visiting aliens will just have to order the inks from home, and you know how slow delivery in this part of the galaxy can be.

      --
      Those who do study history are doomed to stand helplessly by while everyone else repeats it.
  16. Re:Why don't they... by Carl+T · · Score: 5, Interesting
    [...] just use a 4 megapixel digital camera that anyone can buy from Compusa

    Quite possibly because it wouldn't survive the conditions on Mars. Or on the way there. Try deep-freezing your digital camera, then put it in a vacuum chamber, then in a really dusty sandbox, and finally subject it to a potentially lethal (for a human) dose of radiation, and see if it still works. Oh, and don't forget simulating the landing; heat it, vibrate it, and toss it on the ground.

    Disclaimer: I wasn't there. I don't know exactly how the poor thing was treated. I'm not a member of the PETC (People for the Ethical Treatment of Cameras).

    --

    This signature is not in the public domain.
  17. Partner Link by HFShadow · · Score: 4, Informative
  18. Re: Compression by the+real+darkskye · · Score: 2, Informative
    To blockquoth the source
    When each twin-lens CCD (charge-coupled device) camera takes pictures, the electronic images will be sent to the rover's onboard computer for a number of onboard image processing steps, including compression, before the data are sent to Earth


    Unfortuantly I can't find any references as to the loss{y|less}ness of the compression used
    --
    Music is everybody's possession.
    It's only publishers who think that people own it.
    Fuck Beta
    ~John Lenno
  19. Ok Then by Joel+Carr · · Score: 1

    Atleast I think this is what you were referring to... :-/

    ---

    --
    Any man who can drive safely while kissing a pretty girl is simply not giving the kiss the attention it deserves. -- AE
    1. Re:Ok Then by Anonymous Coward · · Score: 0

      He's talking about a free registration page for slashdot (just like nytimes has), as a form of revenge.

  20. Re:Why don't they... by Lumpy · · Score: 4, Interesting

    because that 4 megapixel camera from comp usa is a total piece of crap compared to the 1 megapixel B&W camera on the rover.

    I have a old 2 megapixel digital camera that will beat the Best 4-6 megapixel consumer camera you can buy today. because of optics and the design of the CCD. (mine is a TRUE 2 megapixel whereas almost ALL camera's today sold as a 4 megapixel are really a 1.3 megapixel camera as you need 3 pixels for each photographed pixel.. (I.E. one for red,green and blue.)) plus the resolution of each color captured is vastly different, green usually being the best resolution while blue suffer's the most..

    Nasa is not about to send the really low grade crap that is available to the cunsumer to another planet. they sent the real deal.

    I suggest you actually learn about digital photography and why consumer grade "cameras" are utter junk.

    --
    Do not look at laser with remaining good eye.
  21. RE: Why Don't They... by CrackedButter · · Score: 1

    I'm scratching my head on this one, i said, or i thought i said something funny. It was funny at the time because I was watching the first episode of The Hitchhikers guide to the galaxy. My interpretation of its humour hasn't come over well then has it? What if i said the joke was harmless, no, mostly harmless, do i get modded +5 funny now?

  22. before shooting comments off the hip about IR by WormholeFiend · · Score: 2, Interesting

    maybe you should try taking infrared photos?

    most of the digital cameras on the market dont have countermeasures to prevent IR exposures, so feel free to experiment with various infrared-transmitting, deep red and light red filters.

    from my non-scientific experience, ultraviolet photos of rocks is more interesting than infrared.

    1. Re:before shooting comments off the hip about IR by jandrese · · Score: 3, Interesting

      I don't know if my camera has a cheap filter or no filter at all, but it is more sensitive to infared than the naked eye. The easiest way to see this is to point a remote control at the camera, hold down a button and snap a picture. In the picture you can see the little bulb in the remote all lit up, even though it is invisble to the naked eye.

      --

      I read the internet for the articles.
    2. Re:before shooting comments off the hip about IR by AndroidCat · · Score: 1

      Some camcorders now have filters to prevent IR exposures. Remember the fuss a few years ago when some people used the night-time settings on their camcorders to take "x-ray" shots which ignored clothing? (A few Slashdot articles about that.)

      --
      One line blog. I hear that they're called Twitters now.
    3. Re:before shooting comments off the hip about IR by SmackCrackandPot · · Score: 1

      Infra-red filters also work with web-cams (At least with a Logitech web-cam and a Hoya-72 IR filter).

    4. Re:before shooting comments off the hip about IR by Anonymous Coward · · Score: 0

      they dont "prevent" it, they make it less sensitive.

      the CCDs are still IR-sensitive though, otherwise the NightShot function wouldnt be possible.

      I own a Sony DCRTRV22, and I can put a "visibly opaque" IR filter in front of the lense, turn on nightshot in broad daylight and still get an IR effect with vegetation.

      the CCDs in digital still cameras are not even THAT sensitive, and I still can get IR shots.

    5. Re:before shooting comments off the hip about IR by Anonymous Coward · · Score: 0

      yea but if you want an IR-only view you'll have to block the visible spectrum.

  23. Re:Why don't they... by ctxspy · · Score: 1

    So tell me... where did you get a 'foveon' chip several years ago?

    On top of that... 3 colors multiplied by 2 megapixels = the equivalent of 6 'consumer' megapixels.

    Now... Current CMOS / CCD sensors on consumer cameras are up to 8 megapixels, with more professional cameras hitting 14 (Kodak for example).

    And that's only in the D-SLR style. There's also Medium-format backs which have up to 20 something megapixels in resolution.

    So... Please explain to me how your 2 megapixel sensor (which would btw invalidate all Foveon technology) surpasses these much higher res devices.

    Thanks

  24. Re:Why don't they... by CrackedButter · · Score: 1

    I suggest you see the post for what it was meant for... a joke!

  25. But what is this thing? by tjmcgee · · Score: 5, Interesting

    The martian crab http://homepage.mac.com/thomasmcgee/ I know, I know, go ahead, mod me off topic. The truth is out there. Would anyone like to start a petition that requests NASA to try to get one more photo of this thing before they drive away?

    1. Re:But what is this thing? by tjmcgee · · Score: 1

      ugh, for the copy/paste challenged the Martian Crab

    2. Re:But what is this thing? by Anonymous Coward · · Score: 1, Interesting

      Much better images here: www.rense.com

      I know Rense is a bit of a tin-foil hat site, but NASA have been strangely silent on this.

      The original NASA picture is at: marsrovers.jpl.nasa.gov [large file]

      Even the mainstream press are (deliberately?) ignoring it.

      I don't think it's debris from the lander.

    3. Re:But what is this thing? by jgabby · · Score: 2, Funny

      I'm not certain, but this looks to me like it would have been in the path of where they drove the rover to the bedrock...might we have our first case of Martian Roadkill?

    4. Re:But what is this thing? by ehiris · · Score: 0

      Oh, we are not there to look at interesting things. We are there to look at and grind rock, and take panoramic pictures.

      Seriously, I know a lot of planning went into this exploration but thinking outside the box is all that ever gave great results. Expected results are always just mediocre reults.

    5. Re:But what is this thing? by InsaneCreator · · Score: 1

      get one more photo of this thing

      They wanted to, but it ran away...

    6. Re:But what is this thing? by afree87 · · Score: 1

      Are you joking, or did they really try to take a second photo?

    7. Re:But what is this thing? by MakoStorm · · Score: 1

      Okay, that thing is plainly visible on the Nasa website pictures, so I am going to assume that its real.

      That's some weird crap there, that isn't a rock like I have ever seen, erosion alone, with all the wind, that thing cannot be too old, otherwise those "horns" would have been worn down a lot, or maybe they have been worn down substantuly allready

      That thing is to damn weird not to look at, I am surprised Nasa wont go over to it just to poke it with a stick or something.

      Anyhow, that thing is extremely freaky and scares the hell out of me.

    8. Re:But what is this thing? by PsionicMan · · Score: 1

      A couple of non-AFDB ideas as to the mystery object's identity:

      One, it could be a rock partially sticking out of the sand. A lot of these white-ish rocks, from what I've seen, have various wind-blown ridges and valleys, and what we could be looking at is sand filling the valleys (giving the illusion of rods sticking up). The apparent thinness of the apparent shadow could perhaps somehow be caused by the sand around it; we can't really tell the height of the sand from those pictures (or at least I can't).

      Two, it could just be an oddly-shaped rock. Let's say this white rock is volcanic in origin. (I don't know if that's plausible for rock of that color). Volcano erupts, flinging some lava into the air. It splats down, eventually hardening into a rock with odd splat-arms sticking out.

      That being said, neither of those are entirely satisfactory to me. Of course, I don't really think it's some sort of creature or an artifact of an ancient martian civilization, either.

      In conclusion, I don't know.

      --

    9. Re:But what is this thing? by jim_deane · · Score: 1

      By its appearance, I would guess two main possibilities.

      One, it may be an irregular rock solidified when molten material was ejected from an impact crater.

      Two, it may be a fulgurite, which is a type of glass formed when lightning strikes a "sand" type material. The Martian surface is quite dusty--I could see these forming. I don't recall offhand whether there is any significant atmospheric electrical activity on Mars. You can find some information on fulgurites and other similar objects at http://www.lpl.arizona.edu/conferences/lplc/2002/a bstract_volume/wasserman.pdf

      There are other possibilities, but if the enhanced image is true to what is there, I'd want to toddle the rover over there to have a look. Whatever it is, it's interesting. And, I suppose, there is a very remote chance that it might run away when the rover approaches... ;)

      Jim

    10. Re:But what is this thing? by JahToasted · · Score: 1
      Crab? Looks more like a bunny to me.

      anyone remember the game starflight (or maybe it was starflight 2) there was this planet full of killer bunnies (like from monty python) and if you landed there they would immediately destroy your rover?

    11. Re:But what is this thing? by jim_deane · · Score: 1

      Bah, I inserted the wrong link and I have now lost the original.

      Google for "fulgurite" and "tektite".

      Jim

    12. Re:But what is this thing? by SnowZero · · Score: 3, Funny

      Yeah, but how does this compare to the penguin worship formations we already know are there? That "crab" looks more like a "martian booger" to me.

    13. Re:But what is this thing? by jakosc · · Score: 1
      May be part of an airbag ripped off during impact. The airbags were designed with a number of layers, the outer layers were expected to be torn up a lot when it hit the rocky surface at speed.

      It's gone now---probably blown away.

    14. Re:But what is this thing? by ajs · · Score: 2, Informative

      It looks like you took your image from the JPEG that NASA put up on the Web. Bad idea, of course. At first, I just wrote it off as an artifact, but it does exist in the original image (a 48MB TIFF file from the Mars gallery).

      I have put up a crop of the original which you can feel free to stare at. Yes, it does appear to be some sort of round object with two large protrusions. It could easily be a rock of volcanic origin, but my bet is on its being some piece of the lander itself.

    15. Re:But what is this thing? by Anonymous Coward · · Score: 0

      >> but my bet is on its being some piece of the lander itself

      Perhaps, but why haven't NASA commented upon it if there was such a simple explanation?

      Why did they not send the rover to examine it (seeing as it was more or less where they were headed anyway)?

      Fact is, NASA is refusing to acknowledge this thing at all at the moment.

    16. Re:But what is this thing? by SnowZero · · Score: 1

      The mainstream press are ignoring Kucinich too, are you suggesting that he is an alien life form?

    17. Re:But what is this thing? by Anonymous Coward · · Score: 0

      This doesn't look to me like any kind of 'airbag' remnant.

      It looks remarkably like a fossil, or maybe a quirky mineral formation such as a fulgurite (caused by lightening hitting and solidifying sand).

      Whatever it is, it had to be worth a closer look and yet NASA drove right on by!

      Sigh!

    18. Re:But what is this thing? by Anonymous Coward · · Score: 0

      Well, quite possibly he is, but that's not really the point.

      NASA PR has made it clear that they will only answer questions from the media that they consider relevant to the "goals of the mission" - i.e. scraping rocks.

      Personally I think they don't have a clue what this thing is and there are too many egos/careers at stake for them to start speculating on it in public.

      You can bet your ass they are working furiously on it and not publishing the data or pics.

      Go figure!

    19. Re:But what is this thing? by tjmcgee · · Score: 1

      Do you have a link to a photo of the place where this thing is supposed to be? I have been unable to find one that I can be sure is of the spot where this thing was, for all I know it's still there.

      Does anyone have any idea ho much wind would be necessary to blow this something around on the surface of Mars, Isn't the atmosphere 1/100th of that on earth. Wouldn't wind tend to blow things to the bottom of that crater and not up and out of it?

    20. Re:But what is this thing? by Jasonv · · Score: 1

      On the #maestro channel on freenode, a bunch of people got talking about this. Although no one there is an expert on the cameras, the conclusion reached was that it was probably an error in the camera. If you look at the original the object is completely white. When you have any object that comes up as completly white you have to take into account problems with the pixels bleeding. Also, the colour image is a combonation of several images (one for each filter) which aren't taken at exactly the same time, so the object may of moved (if it were a peice of airbag, or other stray material that came off during the pyrotechnics that released the cables it might of blown around in the wind). When combining those pictures you would get odd looking object that doesn't convey what it actually looks like.

      You can see all the original pictures of the strange object here.

    21. Re:But what is this thing? by bensyverson · · Score: 2

      That's utter nonsense; if the object had moved, we'd see color fringing around it, not a different shape! Furthermore, the object is not clipping in any color channel in the final image, so none of the RGB/iRGB component images could have captured it as blown-out white. If I had to guess, I'd say the "original" that you link to is not even part of the color panorama (although I could be wrong). Does anyone know what filter #7 is?

    22. Re:But what is this thing? by ajs · · Score: 1

      This is a logical falacy. If, 5 years from now, you see no analisys of what this object was, I would agree. Right now, the mission is under way, and to say that NASA is "refusing" to give information leads one to believe that they are in the process of analyzing everything BUT that. There is a TON of work going on at NASA around Spirit and Opportunity right now, and I think there's probably 99% of the data flowing through NASA's hands and most of the analysis of that that they simply don't have time to digest for the public.

      Look at what a complicated tangle just releasing images was! You now have to explain to the public why, when looking at red planet, you might not want one of the wavelengths you use to be a standard red filter... duh!

      When you start to release analysis before all the proper work has been done... well, that's just reckless.

  26. Re:Why don't they... by Anonymous Coward · · Score: 0

    Yeah, and then why didn't the fools just toss it in a tupperware container and duct tape the lot to a couple of cheap firework rockets and light the blue touch paper. I mean come on, how complicated can it be?

  27. The REAL Story by Anomalous+Cowbird · · Score: 2, Funny

    Art Buchwald has the whole scoop here.

  28. Sounds familiar ... by Richard+Allen · · Score: 1

    http://science.slashdot.org/article.pl?sid=04/01/0 9/1724246&mode=thread&tid=134&tid=152&tid=160&tid= 185

  29. Re:Why don't they... by snake_dad · · Score: 1

    Not to be nagging, but you forgot to mention the launch. The spacecraft suffers a lot of shaking and vibrating through launch. Not just the acceleration caused by the rocket, but also (and maybe even worse) the vibrations caused by the noise of the rocket engines. Part of the testing is actually done with huge loudspeakers

    --
    karma capped .sig seeking available Slashdot poster for long-term relationship.
  30. Re:Why don't they... by v01d · · Score: 2, Insightful

    On top of that... 3 colors multiplied by 2 megapixels = the equivalent of 6 'consumer' megapixels.

    That was his point. The common 4 megapixel cameras are actually only 1.3 per color.

    Regardless, megapixel count is hardly the most important aspect of a digital camera. The lens matters far more, as does the spacing and quality of the pixels. Really, NASA has a very interesting article on the topic.

  31. Re:Why don't they... by CrackedButter · · Score: 1

    Exactly

  32. Re:Why don't they... by Debillitatus · · Score: 0

    They're not utter junk, they're just consumer-grade, is all...

    --

    Come on, give it up, that's

  33. That's why !!! by Molina+the+Bofh · · Score: 1, Funny

    AHA!! That's why it had that problem. It stopped and was waiting for the traffic light to turn green.

    --

    -
    Roses are #FF0000, Violets are #0000FF, find / -name '*base*' |xargs chown -R us && mv zig greatjustice
  34. What is this marvel that you speak of exactly? by Anonymous Coward · · Score: 0

    Manufacturer? Model?

  35. I've often wondered by ajs318 · · Score: 3, Interesting

    I've often wondered exactly how rigid the "400-700nm is visible" rule applies. We know that some animals can see infra-red and ultra-violet. But just how well-defined is the wavelength range for human beings? I mean, our bodies are different shapes and sizes, our voices have different pitches, our ears have varying ranges, some of us are allergic to certain substances that others are not ..... but has anyone ever investigated the phenomenon of what wavelengths humans can see? Is it a person-to-person variable, or is it constant for everyone? Can some people see IR, red and green, for instance, instead of red, green and blue? Or green, blue and UV, for that matter ..... and what would it look like?

    --
    Je fume. Tu fumes. Nous fûmes!
    1. Re:I've often wondered by PowerKe · · Score: 1

      A few weeks ago there were some news reports about Natasha Demkina, a Russian girl who seems to have x-ray eyesight. Some coverage here and here, or just google for the name.

    2. Re:I've often wondered by sugar+and+acid · · Score: 4, Interesting

      A way of dealling with blindness from cataracts (the lens of the eye turning opaque), is to remove the lens of the eye and replace it with an artificial lens. An interesting side effect is that without the lens people can see further into the UV region of light.

      Interestingly the work of Claude Monet demonstrates this. Starting with his early work which is clear and in the normal colour range, then he develops cataracts and his work is more undefined swirls of colour, often dark and dim. Then he has cataract surgery and the new work is bright and vibrant, but with a deep purple/blue hue to many things because of the now increased presence of UV light in his vision.

    3. Re:I've often wondered by dirt_puppy · · Score: 2, Informative
      This 'rule' is pretty much fixed, as photochemical reactions in the eye are responsible for it which have fixed wavelength sensitivities. But as others have pointed out, the stuff in the eyes and lens filter a bit of the light, too.
      But, in fact, there are mutated humans who have differences in some of the substances responsible for seeing. Some have altered pigments (this is the most common case, and most commonly, this results in 'red' and 'green' absorption maxima getting closer, rendering the individual 'red-green blind' - usually not that much of a hindrance, but I had a friend who couldn't make out mushrooms clearly visible to me on a lawn because of that) There are also conditions where one type of cells is completely missing, this may be really bad for the people affected. Think of not seeing a red traffic light.
      Colorblindness usually affects men (more than 9 of 10 cases are men, IIRC) because the red/green color seeing substances are encoded in the X Chromosome. If one is broken in a female, then she has another one as a backup, which men don't have.
      I have never heard of "superhumans" though who can see ultraviolet or something, besides the constant rumours about "tetrachromates", that's women (because of the X chromosome) who have four types of "color cells" (all would be seeing in the normal "visible range" though). But there's not much evidence about this, so take it with a grain fo salt.

      Color blindness - example images and details
      Tetrachromates

    4. Re:I've often wondered by jfengel · · Score: 1

      Interesting observation. Though I'd have expected his work to get dimmer after cataract surgery, since with the cataracts he'd have to use brighter pigments to see the canvas in progress.

      (I just got out of a cataract exam myself, and I'm reading Slashdot zoomed like crazy because by eyes are dilated.)

    5. Re:I've often wondered by Anonymous Coward · · Score: 0

      I believe that as an artist of his talent, he used the pigments from memory, as opposed to how his now defective vision saw them.

      Such as how a *very* well trained composer or musician (no names being mentioned... *grin*) may be able to continue to compose or play at the correct volume and with the right notes from memory, even if their hearing is defective or gone.

    6. Re:I've often wondered by ajs318 · · Score: 1

      Hmm ..... so I bet if you have some weirdy chromosome setup such as XXY or XO (not XYY) then you could get interesting stuff happening. XXY could conceivably be tetrachromatic, XO would be as likely as XY or XYY to have colour blindness. But I wouldn't know whether the XO/XXY base is large enough in and of itself to get a meaningful sample.

      --
      Je fume. Tu fumes. Nous fûmes!
    7. Re:I've often wondered by Anonymous Coward · · Score: 0

      Rumor has it that in WWII, the US Navy screened people for near-IR sensitivity, and then fed successful candidates diets high in vitamin A to help increase this sensitivity.

      It was worried that U-Boat captains were intercepting the visual signals lights, and that switching to IR-lights, with these special people able to see the lights, they would then have a measure of security on the intra-convoy communications.

      But then we cracked Enigma's code.

  36. IT'S TOO COLD! by lcsjk · · Score: 1

    That isn't sunny south Florida up there you know. At -40 degrees F (or C), the fewer electronics you have to keep going, the better. I don't know if that is part of the reason at all, but these are not simple commercial off-the-shelf cameras.

    1. Re:IT'S TOO COLD! by dvd_tude · · Score: 1

      When it comes to CCD's, sometimes cold is a good thing: low temperatures reduce thermal noise. That why imagers used in astronomy often use cryogenic cooling units.

      But, the imagers on the rovers don't have that performance requirement - they're doing terrestrial imaging in daylight.

      As it turns out the rovers have internal heaters to keep the electronics at nominal temps, as well as aerogel insulation to reduce heat loss. So it's not really an issue.

      There's more about the science imagers here and here (both PDF files.) Enjoy.

  37. Re:Why don't they... by ctxspy · · Score: 0, Flamebait

    Hey,

    I totally agree with the lens being the most important thing.. I got annoyed at what i believe to be B.S. regarding his 'superior' (non existant) sensor.

    It also wouldn't have been so aggravating if he hadn't gone to such extremes as saying:

    "I have a old 2 megapixel digital camera that will beat the Best 4-6 megapixel consumer camera you can buy today."

    I just don't buy it...

    Not to mention "Nasa is not about to send the really low grade crap that is available to the cunsumer to another planet. they sent the real deal."

    Err... I wasn't aware that nasa had somehow one-upped the current leaders in photo-sensors like Canon, Nikon, and Kodak that spent billions of dollars on R&D.

    But whatever... everyone believes what they want. If sensationalist b.s. is good enough for you, then ok! (by 'you' i mean the generic 'you', not necessarily you you) :)

    -Tomaj

  38. Re:Why don't they... by Anonymous Coward · · Score: 0

    very simple. it works exactly like the rover's camera. it has a 4 filter color wheel + real glass optics. it will automatically grab the 3 color shots (+ 1 gamma shot) and combine them in the camera before sending to the PC.

    foveon technology is a neat hack... but it still sucks compared to how high res digital cameras have taken photos for the past 7 years. in high light it produces super photos of even moving objects. machinevision cameras have been this way for a really long time.

  39. color problems on ordinary digital cameras by jms · · Score: 2, Interesting

    This problem is not unique to the Mars rovers.

    As a hobby and as income, I make borosilicate lampwork beads and sell them on ebay. This requires me to take digital pictures of my beads, which I do with a Nikon Coolpix 885.

    Every once in a while I run into a color combination that simply cannot be photographed correctly. One bead set I have looks brown/butterscotch/caramel to the eye, but when photographed using that particular camera, some of the brown features in the bead come out electric red.

    1. Re:color problems on ordinary digital cameras by pixelbeat · · Score: 1

      maybe you're red/green colour blind?

    2. Re:color problems on ordinary digital cameras by SnowZero · · Score: 1

      Probably not. The frequency response of a digital camera, CRT monitors, and the human eye really are all somewhat different. With the three channel approximation of true color, there isn't a way you can fix it after the fact either. This is just like trying to get color printers to reproduce accurate color; its never quite right.

    3. Re:color problems on ordinary digital cameras by Anonymous Coward · · Score: 0

      I have the same camera. On some website I found, that technically reviews digital cameras, it was noted that the CCD in this line of cameras has a peculiar sensitivity to reds at the lower end of the spectrum, especially at lower light levels.

      I have seen this in my own pictures as well, which can be very over-red at low light levels taken w/o the flash. Certain fabrics or paints can also show up in the pictures practically glowing.

      It is kind of weird, and for the most part can be corrected by redoing the color map in Photoshop or whatever.

  40. several "true color" images on website by peter303 · · Score: 1

    They've taken several pictures of the lander platform in true color in order to calibrate the camera.

    1. Re:several "true color" images on website by Anonymous Coward · · Score: 0

      I don't know where you got that link, but the NASA logo on that image is PINK.

      -spheric*

  41. Re:Why don't they... by Lumpy · · Score: 1

    Err... I wasn't aware that nasa had somehow one-upped the current leaders in photo-sensors like Canon, Nikon, and Kodak that spent billions of dollars on R&D.

    which explains alot about your lack of knowlege.

    there is no chance in hell that nasa will send a unstable prototype to another planet. please give yourself a reality check.

    A B&W sensor + color wheel will kick the living arse of ANYTHONG you can go out and buy right now in a Compusa/breast buy/whatever.. and THAT is what I was comparing to. I have onte that is 3 years old and explained it in my previous post to your drivel.

    I sugest you tell me the first consumer electronics store with a HIGH end digital SLR + $1000+ lens... oh wait... you cant.

    maybe you whould actually READ the post before foaming at the mouth... it makes you look like a complete fool.

    --
    Do not look at laser with remaining good eye.
  42. Martians are not green. by Anonymous Coward · · Score: 0

    Last time I checked, Martians have black skin, not green.

  43. Slightly off-topic: How bright is it at Mars noon? by RetiredMidn · · Score: 2, Insightful

    Given that we're having so much trouble figuring out what the human eye would see (w.r.t. color), I probably shouldn't even bother to ask, but does anyone know how bright Martian daylight would appear to the naked eye? Insufficiently bright for sunglasses, for example? How (un)comfortable would it be looking at the sun?

    I know the human eye is fairly adaptive in this regard, but I'm curious about the qualitative answer to this question. (Quantitative answers expressed in lumens or whatever won't quite do it for me.)

  44. Re:Why not just give NEW pictures! by lcsjk · · Score: 2, Interesting

    As I understand it, the explanation is simply that the public was given pictures using filters intended for scientific research. This alters the printed colors. At this point NASA should have given more pictures that produce colors closely matching what the human eye sees. With color chips and photoshop(tm), along with a picture taken on earth before the mission, even I could come up with a presentable picture.

  45. Re:Why don't they... by Anonymous Coward · · Score: 0

    My local Apple Store sells the digital Canon Rebel. $999 with lens, $899 without. Not a HIGH end camera, but certainly better that the fixed-lens "consumer" cameras you seem so worked up over.

  46. It's actually an old technique. by Eevee · · Score: 2, Informative

    I don't know the date of the first use, but Sergei Mikhailovich Prokudin-Gorskii photographed parts of Russia for the Tsar in 1909.

    He used a three photo technique where the scene was recorded three times on a glass plate (in a row, not overlaid) with different filters. If you look carefully at the river, there is color distortions from the small waves.

  47. Magic Lantern by KaiBeezy · · Score: 3, Informative

    When you take a look at what this old-tech can really do, it's quite astounding.

    The Library of Congress has an exhibition of pre-WWI (that's World War I) *color* photos of Russia shot using the exact same process. Since this was a while before any practical color photo printing processes the photographer built a "magic lantern" for "optical color projections."

    Props to Bolo Boffin for the link.

    1. Re:Magic Lantern by Anonymous Coward · · Score: 0

      This same link has already been posted in a past Mars Slashdot story.

      Nice karma whoring, but move on.

  48. NYT Registration by Anonymous Coward · · Score: 0

    Posting as AC as I only got this from another discussion eons ago and can't claim credit. Someone registered a username for slashdot and shared it with everyone:

    User: Slashdot2001
    PW: Slashdot2001

    I personally think this should be at the top of every NYT linked story.

  49. From the horses mouth by RetroGeek · · Score: 3, Informative

    Read this and this. These are from the NASA Rover site and they explain it all.

    --

    - - - - - - - - - - -
    I am a programmer. I am paid to produce syntax not grammar. Deal with it.
    1. Re:From the horses mouth by CXI · · Score: 2, Funny

      Oh, come on. We're not interested in facts here. It's much more interesting to claim that a bunch of rocket scientists don't know what they're doing and that "we" are smarter than they are! Didn't you get the memo?

    2. Re:From the horses mouth by RetroGeek · · Score: 1

      Didn't you get the memo?

      Not yet. We use a paper based sign and forward system here. It must still be in another cubicle.

      --

      - - - - - - - - - - -
      I am a programmer. I am paid to produce syntax not grammar. Deal with it.
  50. JPL says by __aagmrb7289 · · Score: 2, Interesting

    This isn't what JPL said. They said they were using a full color, basic digital camera. Damn, where's that link?

    1. Re:JPL says by Anonymous Coward · · Score: 0

      The links up your ass

      They never said that, they said they use a 1megapixel camera with 3 filters which is equal to a 3megapixel color digital camera, and then when they use their other filters like infrared, its even higher resolution

  51. Straight from the horses mouth by Anonymous Coward · · Score: 0

    I think this paper by the lead scientist for the pancam project should be interesting to you guys.

    http://europa.la.asu.edu:8585/PGG/greeley/course s/ pdf/bell_2003.pdf

    The last few pages contain all the nerd art.

    It is so much better than all those superficial newspaper articles.

  52. Prokudin-Gorskii by rkenski · · Score: 3, Informative

    Prokudin-Gorskii travelled Russia taking color photos about a hundred years ago, a time when there was no color films. He used to take 3 pictures, one after another, each one with a different filter. He then projected the three together to get a color picture. Similar to Spirit but in a very, very old fashion.

  53. Re:Why not just give NEW pictures! by BiggyP · · Score: 3, Interesting

    so, i threw this one together the other day, is it anywhere close do you guys reckon?

    Spirit-pano-rgb-compose.jpg

  54. LOC's Explaination by rsmith-mac · · Score: 2, Informative

    The Library of Congress has an interesting exhibit up devoted to an early 20th century Russian photographer who used this exact technique. The site includes a very detailed description of how this filter system works, along with dozens of color pictures from the photographer's travels. It's definately worth taking a look at, if not for the description, then for some very cool pictures.

  55. This reminds me by IRNI · · Score: 2, Informative

    of some turn of the century russian color photos using the same or a similar technique. I like that people thought of doing stuff like this back then. It is amazing to see in color what things looked like back then. I think there are some from early in the 20th Century in New York online somewhere as well.

  56. Moive of the rover getting stuck the other day by Anonymous Coward · · Score: 0

    Funny how the rover got stuck

    http://images.spaceref.com/news/2004/rover.armspin .mov

    It's a Quicktime ".mov" file format. If you are deficient and still using Windows can probably play it in WMV or Real Player too, Linux users use Xine or MPlayer, if not go get the Penguin Liberation Front codecs (PLF).

    Someone mirrior this quick before it's slashdotted!

  57. Re:Why don't they... by Anonymous Coward · · Score: 0

    >> it makes you look like a complete fool.

    Pardon me, Lumpy ass, but I think you're the one who looks like a complete fool making claims for some notional camera that you own that probably doesn't exist.

    Can you provide the technically curious amongst us with some actual information on this wunder kamera ?

  58. Soo.. by 56ksucks · · Score: 1

    .. If the blue on the color chip isn't visible using the infrared filter then the blue in the sky might not be visible either.

    --

    ---- "Excuse me. Where's the children's gun section?"

  59. Re:Why don't they... by Anonymous Coward · · Score: 0

    For some people, everything else except what they own is junk.

  60. It's really a 3 MEGAPIXEL camera! by Anonymous Coward · · Score: 0

    The point is it's a 1 Megapixel camera taking the three colors, which is the exact same as a 3 Megapixel "normal" camera. Inside a 3 MP chip on a normal camera there is a little mask for each pixel that has the three filters on it.
    Why isn't anyone talking about this?

  61. speaking of digital cameras by Anonymous Coward · · Score: 0

    maybe the rover cameras don't have a way to prevent infrared rays from registering on the CCDs, outside of the filter wheel?

    that would certainly explain why a "visible red" photo is impossible to get for a true RGB composite, as IR rays arent blocked by a red filter.

  62. 3 D images of Mars MIssion from Discovery/NASA by Iplaw-dc · · Score: 1

    Hi, if you have 3D glasses you can see the Mars Rover Images in 3D at http://science.discovery.com/convergence/mars/mars .html

    --
    Jax
  63. Spirit, or Marvin? by HTH+NE1 · · Score: 1

    Now the world has gone to bed,
    Darkness won't engulf my head,
    I can see by infra-red,
    How I hate the night.

    --
    Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
  64. 3D images of Mars Mission Slide Show Link by Iplaw-dc · · Score: 1

    Here it is: http://dsc.discovery.com/news/features/mars/slides how/mars3dslide.html

    --
    Jax
  65. Re:Why not just give NEW pictures! by networkz · · Score: 1

    cool!

  66. Animate objects by lildogie · · Score: 2, Funny

    Well, since they're only using one camera, and switching the filters, that means we can never know the true color of Martians.

  67. Re:Why don't they... by ctxspy · · Score: 1

    Thanks to you all for doing the dirty work for me. :)

    -Tomaj

  68. Good link. by 0x0d0a · · Score: 1

    Thank you. This is a really neat link.

  69. Re:Why not just give NEW pictures! by joshv · · Score: 2, Informative

    This is way off, you've somehow killed the little red, white, and blue flag on the arm.

  70. Re:Why don't they... by Anonymous Coward · · Score: 0

    Hey! Glad to be of service Tomaj!

    Seriously tho, I hate it when gimps like 'Lumpy' make uninformed and unsubtantiated claims and the slashdotter pack just suck it all up (and mod it up too) - ugh!

  71. Re:Why don't they... by jim_deane · · Score: 1

    Aside from the special testing that needs to be done to equipment to ensure that it can survive the hazards of space travel, there are technical reasons why one would choose not to use a commercial style multi-megapixel camera.

    For one, higher megapixel cameras tend to be less sensitive, due to limitations in current chip design.

    Two, you must ensure that the image sensor has a known and definable response to all of the various wavelengths that are important to scientific analysis. That likely includes several infrared bands and ultraviolet--not typically covered very well by commercial digital cameras.

    Jim

  72. Approximation has been going on for decades by Tablizer · · Score: 3, Informative

    Pioneer 10 and 11, which both flew past Jupiter in the mid 70's, used only a red and blue-green filter IIRC. They used these two colors to approximate full-color images based on earth-bound images. I don't remember anybody fussing about it back then. A disclaimer of sorts was usually in the more technical articles, but many articles said nothing about it.

    1. Re:Approximation has been going on for decades by rupert2000 · · Score: 1


      Thats because the horrible colors used on everything produced in the seventies was too overwhelming.

  73. Umm... by KewlPC · · Score: 2, Interesting

    I think people are also forgetting that, on Mars, white light is probably not reaching the surface. The dust in Mars' atmosphere is probably tinting the sunlight a little bit red, which certainly doesn't make getting the "correct" color easy.

    But a comparison of the Mars Pathfinder images against the MER images shows that the colors in the MER images are too red. In the MPF images the rocks aren't all the same color.

    It's pretty obvious that NASA's been doing a lot of Photoshopping on these images. While some Photoshop'ing is necessary (to merge the 3 grayscale images and to eliminate the seams in the panoramic images), I think they're overdoing it this time. I can't find the link right now, but there's one image in particular where it's blatantly obvious that they've replaced the sky with a single, solid color (you can see jaggies along the horizon in the high-resolution version).

    I'm not trying to be all conspiracy theorist or anything. I certainly don't think they're faking the landings, nor do I think the Martian sky is bright blue as some have suggested.

  74. Re:Why not just give NEW pictures! by daina · · Score: 5, Interesting
    It is a misconception that you can use Photoshop or some other image processing program to produce a "true colour" or RGB image when one channel represents infrared data. Here's why:

    If you use an infrared filter like the L2 filter on Sprit's Pancam, you get data that represents only things which reflect or emit light in that particular region of the spectrum. Anything that emits light ONLY in the red will be absent from the data set. It is possible for something that appears as a fairly monochromatic red to be entirely invisible. How can you use Photoshop to put back something that is invisible? You cannot.

    You can adjust an individual colour in the image using a reference image taken with the appropriate filters, and that colour will then appear correct. Other colours, however, will remain distorted.

    Worse, you cannot possibly know the emission/reflectivity spectrum of things on Mars, so any image you produce that appears to show the sundial colour chips correctly may distort terribly the Mars components of the image. It is not really very interesting to see a colour corrected photo of the sundial, is it? We could have achieved that without sending the rover all the way to Mars.

    Nope, using a relatively narrow-band-pass infrared filter like the L2 simply leaves out information about the red part of the spectrum, and extrapolation only goes so far in recreating that data. Non-linear data - discontinuities within the missing portion of the spectrum - are simply gone, never to be retrieved.

    Also, NASA is lying. Perhaps 'lying' is too strong a word, but they are either deceiving us or they are operating under a serious misconception.

    "We just made a mistake," said Dr. James F. Bell III, the lead scientist for the camera. "It's really just a mess-up." Well, NASA claims to be releasing the raw data from Spirit on its web site, but the raw data does not contain any image sets for the panoramas taken with the L4, L5, L6 filters. They have almost never used the L4 filter.

    So either the "mess up" is that they have forgotten to use the L4 filter from day one (unlikely, since each photograph taken presents another opportunity to switch to the L4) or that they have L4 images but they are not releasing them, in which case they really are not releasing the raw data.

    The argument about the L2 being better for science is bogus. There's no way that NASA scientists are doing serious mineral analysis with a pretty, stitched-together wide view panorama. That's just rubbish. they would be looking at detail images, and possibly comparing between detail-level images. The panoramas are strictly for public consumption, and maybe office posters at JPL.

    It's probably not a conspiracy, but it is a mystery.

  75. Why? Because they're using DigiView by Anonymous Coward · · Score: 0

    ...on an Amiga!

  76. And you are right. by rk · · Score: 2, Interesting

    I have it on pretty good authority that it is part of the airbag.

    Just wait for more images from MER-B (Opportunity). You're about to see some really cool stuff in the next few days. No Martian crabs or bunnies, I'm afraid, but still some awesome stuff.

    1. Re:And you are right. by Anonymous Coward · · Score: 0

      >> have it on pretty good authority that it is part of the airbag

      Errm... what 'pretty good authority' would that be? NASA press office?

  77. sun dial by LordMyren · · Score: 1

    isnt this why they put a sundial on the blasted thing? or was that one of the other things we recently crashed into mars.

  78. Pancam Details/Specs by dekashizl · · Score: 2, Interesting
    Here is a collection of links from the MER2004 Rovers and their Instruments Technical Info section of the page listed below, with specs and details of the Pancam and its filters. Interesting reading:

    --
    For news, status, updates, scientific info, images, video, and more, check out:
    (AXCH) 2004 Mars Exploration Rovers - News, Status, Technical Info, History.
  79. Re:But what is this thing? (Fulgurites) by dekashizl · · Score: 1

    Take a look: More info and pictures of Fulgurites on Earth .

    They look exactly like that thing on Mars.

    BTW, Fulgurite reminds me of the Wizard's bad-ass "F" spell in Ultima 3 (Fulgar). ;-)

    --
    For news, status, updates, scientific info, images, video, and more, check out:
    (AXCH) 2004 Mars Exploration Rovers - News, Status, Technical Info, History.

  80. Debunking NASA Color Conspiracy by dekashizl · · Score: 2, Informative

    Very good, technical article making point that NASA is not altering colors on Mars (beyond normal minimal adjustments to generate color images, of course).

    --
    For news, status, updates, scientific info, images, video, and more, check out:
    (AXCH) 2004 Mars Exploration Rovers - News, Status, Technical Info, History.

  81. Thx now it makes sense by node159 · · Score: 1

    Nice of them to give a good explanation :). All they need to do now is note that on the pics on their site.

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  82. Re:3 D images suck by Anonymous Coward · · Score: 0

    I'm sorry but the 3D images really suck!
    Hasn't everyone learned that since they came out in the 70s?

  83. Re:3 D images suck by Iplaw-dc · · Score: 1

    Thanks for opining. These happen to be from NASA and are really high quality. The 3 dimensional aspect is sharp even to "the most casual observer (wearing 3D glasses)."

    --
    Jax
  84. Re:Why don't they... by RedWizzard · · Score: 1

    So it's useless in a dynamic environment. I think I'll stick with my cheap 4 megapixel consumer grade camera, thanks.

  85. Re:3 D images suck by Iplaw-dc · · Score: 1

    Are you always this negative(????)...you might want to look inside of yourself for your Zen.

    --
    Jax
  86. So where are the correct pictures? by sfgoth · · Score: 1

    Ok, I read the story, and read the comments.

    NASA says they goofed and the pancam pix don't reflect what the human eye would see. (But that they could make those pix if they wanted to.)

    What I don't see are links to the correct pictures. Not in the NYT story, not in the slashdot blurb, and not in the comments.

    What gives?

  87. Re:Why don't they... by Slashamatic · · Score: 1

    Not quite correct. The raw image has high definition luminance information, but the chrominance information requires clusters of three pixels. It really depends upon the image processing algorithms in the camera as to how this is used.

  88. Dust? by Fantastic+Lad · · Score: 2, Interesting
    Mars has an atmosphere thick and windy enough to kick up dust to prevent sunlight from reaching the surface?

    Hm. I'm no meteorologist, but I wasn't seeing any evidence of a dusty atmosphere in any of those rover images. --Details at distance seemed as clear as near objects. There's WAY more crap in Earth's much more robust atmosphere, and we get plenty of white light.


    -FL

    1. Re:Dust? by KewlPC · · Score: 1

      While Mars' atmosphere is thinner than Earth's, it's far dustier AFAIK.

      At no point did I say that the dust was sufficient to block sunlight from reaching the Martian surface. Rather, I just said that Mars' atmosphere tints the sunlight a little bit red, just like Earth's atmosphere tints the sunlight a little bit blue (though our eyes have adapted to correct for the minor blue tint, and the tint isn't nearly as severe on Earth as it is on Mars).

      If the Martian atmosphere didn't contain an amount of dust sufficient to tint the light at least a little bit reddish, why doesn't the Martian sky look blue?

      And when it comes to wind, Mars occasionally has sandstorms that cover the entire planet. Even when planet-wide sandstorms aren't raging, atmospheric measurements taken by the various spacecraft we've landed on Mars have indicated that the Martian atmosphere is constantly full of dust.

      Lastly, the Mars Pathfinder image that I referred to in my original post (the one that wasn't obviously tinted red) can be found here. Yes, the soil composition is probably different than the soil at the Spirit and Opportunity sites, but look at the rocks. See how the parts of them that aren't covered in dust are gray? They wouldn't look that way if NASA had simply tinted the whole image reddish orange.

  89. COMPLETE horseshit. by Fantastic+Lad · · Score: 1
    This is NOT a valid problem.

    The Viking probes used a very basic tool to send back accurate color information.

    "The correct way to do it, and the way it was done 30 years ago with the Viking spacecraft, is to have a COLOR CHART attached to the side of the rover. For Viking it was attached to the side of the housing for the electronics. The camera which is remote controlled, is aimed at the chart. The colors are then adjusted as required so the color chart looks the SAME as it did on earth. That's all there is to it."

    Easy and low-tech, and there's only two possible excuses for this solution not being used with the current probes. . .

    1. Total incompetence, (which frankly, is entirely possible these days given NASA's slipshod workings.)

    2. The convenience of being able to cover up inconvenient images with bullshit excuses.


    -FL

    1. Re:COMPLETE horseshit. by kjd · · Score: 1

      And what happens when the Martian pidgeons poo on the chart? What then? Remove it with the poo arm?

    2. Re:COMPLETE horseshit. by kjd · · Score: 1

      Pigeons. Pigeons. Don't drink and post, folks.

    3. Re:COMPLETE horseshit. by linoleo · · Score: 1

      ...blah blah blah COLOR CHART blah blah...

      So what do you call this?

      Easy and low-tech, and there's only two possible excuses for this not being noticed by FL. . .

      1. Total incompetence, (which frankly, is entirely possible these days given /.'s slipshod workings.)

      2. The convenience of being able to cover up inconvenient facts with bullshit.

      --
      Be faithful to your obsessions. Identify them and be faithful to them, let them guide you like a sleepwalker. JG Ballard
  90. Blue films :) by Anonymous Coward · · Score: 0

    Now I know why blue films look blue :)

  91. Re:Why not just give NEW pictures! by BiggyP · · Score: 1

    yes, that's a good point, have you got any better idea which image on the gallery corresponds to which filter colour?

  92. Re:Why not just give NEW pictures! by Anonymous Coward · · Score: 0

    As I said, the public should have been given new pictures. Even though you may not have the full third color, with a little extrapolation, a "third" image could have been made to approximate the third color, (in this case; red) and the three combined to give a nearly correct view of the landscape. Along with it, NASA should have explained that the colors were as close as they could come to the correct color and that when the filters could be made to work properly the expected pictures would be forthcoming. I would further imagine that in an attempt to put out early publicity pictures, the first available raw data was used. Even the project I designed for the space station will have very slow data transmission since it has to compete with all the other streams of data used for various sensors. High resolution images from Mars will arrive painfully slow.
    In addition, I would not be surprised to find that some of the mechanics are not working properly in the cold temperatures.

  93. Re:Why not just give NEW pictures! by BiggyP · · Score: 1

    ok, i think they must've added the 6th image in that series later on, because there are certainly more in there than before, i think i'll have a go with the sundial next.

    anyway, this one Spirit-pano-rgb-compose2.jpg uses the previously unavailable L6 and gets the US flag just about right.

  94. Interesting. by Fantastic+Lad · · Score: 1
    I went to look at some old Viking images; curious as to what color the Martian sky was back in the seventies when NASA knew how to take accurate color images. (They used a color test strip mounted on the Viking lander to calibrate the color settings against an identical color strip back here on Earth. Basic.) As it turns out, the Martian sky is a much more pale shade of blue than Earth's sky, but blue and clear it is. --My guess is that this is because of the less dense atmosphere, (Mars is only a little bit bigger than our Moon, after all.)

    Anyway, the color of the sky, (on a clear day at any rate), is probably determined by the gas content of the atmosphere rather than particulate matter. I wonder what the Martian atmosphere is made out of. . . (Could look it up, but I'm feeling lazy.)

    Though, yeah, you're definitely right. I remember now that the surface of Mars would get fuzzy from time to time depending on how much sand-storm activity is going on. There's obviously enough air/wind to move dust around!


    -FL

    1. Re:Interesting. by KewlPC · · Score: 2, Informative

      I hate to be the one to tell you this, but no. No.

      First of all, the calibration strip: yeah, the MERs each have something similar as well.

      You can't rely solely on them, though. If the light that filters down to the surface is tinted any color other than whitish-blue (like her on Earth), trying to match the calibration device to the one back here on Earth is going to produce the wrong coloration.

      Secondly, it's widely known that the Viking lander images showing the Martian sky as blue were colored incorrectly.

      Thirdly, the Martian atmosphere is mostly CO2, which doesn't scatter blue light all that much AFAIK. Throw in a surprising amount of reddish-orange dust that's almost always there, and the probability that the Martian atmosphere is usually reddish (or butterscotch) is pretty good. Now, it isn't always reddish, or so I've read. Hubble took a photo of Mars, IIRC, and near the edges the atmosphere looks bluish. This is probably because the light has much more atmosphere to go through at sunrise and sunset than it does during the day, and so what little oxygen is in the Martian atmosphere has a chance to scatter the blue light. There's even a Mars Pathfinder image to back this up right here.

      The image doesn't prove that the Martian atmosphere is blue, but it does show that there is a lot of dust in the atmosphere over there, and that under the right conditions it can be a little bit blue in some places.

  95. Re:Why not just give NEW pictures! by Jafar00 · · Score: 1

    Actually, they now have a lot of RAW pics taken with L4,L5a and L6 filters.
    If you combine them yourself you get very different results to the NASA ones. Instead of washed out sepia toned pics you get a much clearer result.
    You can also see that both rovers landed in very different terrain.
    Combine the pics yourself and see. Spirit's environment has all that nice red/ochre sand that we all know and love, but Opportunity is rolling about over bluey/black material with the red colour poking through from time to time. In fact, if you look at the closer images of the rock outcrops, you can see blue, spherical pebbles being eroded out of the rocks!
    Whatever the controversies about the colouring of the pics, you can't help but be totally awed by the whole thing, and at least NASA is nice enough to make the RAW pictures available for us to play with ourselves :)

    --
    RebateFX.com - Spread rebates for Forex traders
  96. SlashDot is faster than the NYTimes. by Ximbiot · · Score: 1

    The same story already appeared on /. three weeks ago, before the NYTimes picked it up, and with more technical details.

  97. Re: Compression by the+real+darkskye · · Score: 1

    As mentioned here (pdf, google-converted, orriginal pdf here) the rovers use The ICER Progressive Wavelet Image Compressor, which according to JPL (googlified de-pdfing again, original here)
    Both lossless and lossy compression will be used, depending on how critical or scientific the data is.
    The 2nd pdf goes into depth about how the algorthims are used and is probably an interesting read for someone who has a greater understanding of maths and compression techniques ;)

    --
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  98. Re:Why not just give NEW pictures! by daina · · Score: 1
    I don't know if I would say "a lot". I just reviewed the Spirit raw data, and the total number of L4,L5,L6 image sets to date is 27 (not including sets showing only the sundial, instrumentation, or some weird light), but of those only six include the horizon.

    For those who wish to combine the RGB channels themselves, here is the breakdown for Spirit:

    Sol007 - one image set, Sol008 - one image set (1 horizon), Sol009 - twelve image sets (5 horizon), Sol011 - five image sets, Sol012 - four image sets, Sol026 - two image sets, Sol030 - two image sets

    I'm pretty sure the data from even the best day, Sol009, is insufficient to combine into a "true colour" panorama (like the one they released on 12-Jan-2004), with only 5 horizon shots. The aberrant colours in that image and the others around that time gave rise to this whole controversy, so it is significant that we don't have enough L4,L5,L6 sets to create a nice big picture.

    Interestingly, they have added more images to Sols 9, 11 and 12 since my first and second analyses of the raw data. I believe that they are now posting web pages with blank spaces to indicate missing data, which would be very helpful to those of us who wish to know when all the data has been posted.

    Anyway, it is pretty obvious that Spirit is capable of doing L4,L5,L6 sets, and also that there were some holes in the raw data as originally posted at JPL. I suppose this whole issue was a failure of NASA to understand the need for RGB channel images for P.R. purposes. They have probably never had their data examined carefully by so many people.

    Now I'm off to look at Opportunity again!

  99. Yep. You got me. by Fantastic+Lad · · Score: 1
    A case of my reading bad sources and not cross referencing them.

    Doesn't happen very often, but today it did. Good call. Be careful, though, not to make the mistake of thinking that my being clued-out this time makes me wrong every time, or even most of the time. The name of the game is thinking out loud and fact checking. I raise points as I see them, and think throught them as I am able, and I am just as happy to be called on a bad point as I am to contribute a good one. This is about learning for everybody, and Slashdot is actually a pretty good crucible.

    Thanks for playing. Makes us all stronger.


    -FL

  100. What color is CO2? by Fantastic+Lad · · Score: 1
    Yeah, I would say it's rather like a photo having yellow tones under incandescent room lighting, but shifts cold when scanned, (using a fluorescent scanner bulb.)

    So then the color images taken on Mars are probably shifted a bit to a butterscotch shading were human eyes there to see the actual environment.

    Fair enough. --In any case, I was under the false impression that the current crop of landers didn't have color correction charts mounted for their cameras to check against. Must remember to double-check my sources.


    -FL

  101. Etemenanki site? by _ph1ux_ · · Score: 1

    FL - are you familiar with this site - Goro Adachi has been following the mars landers and their pictures, and been pointing out how the colors of the mars pictures are fixed before they get released to the public.

    I think you will find it interesting - he uses pictures of the rovers here to compare colors as they appear in the pics from mars.....

    1. Re:Etemenanki site? by KewlPC · · Score: 1

      As I said, you can't really do that. If the sunlight reaching the Martian surface is even slightly tinted a different color than the sunlight here on Earth, adjusting the MER images so that the color calibration devices on the rovers look like they do here on Earth will produce images with incorrect coloration.

      Really, we won't be able to tell beyond a shadow of a doubt what it would look like to humans on the Martian surface until we've actually got humans on the Martian surface.

  102. Re:Yep. You got me. by linoleo · · Score: 1

    Such a gracious concession is quite a rarity around here! Apologies for my rather confrontational style - I do like hard (though fair) discussions, and poking fun at your post by mirroring it was just too hard to resist... thanks for taking it so well, looking forward to our next bout! :-)

    --
    Be faithful to your obsessions. Identify them and be faithful to them, let them guide you like a sleepwalker. JG Ballard
  103. Re:Why not just give NEW pictures! by Tukla · · Score: 1
    I just reviewed the Spirit raw data

    It's funny what a person can get used to.

    It just occurred to me that your comment is amazing. I mean, that a random computer user -- probably not associated with NASA or any sort of scientific research organization -- can casually say that she just reviewed the raw data from a machine on another planet...that's just astounding, isn't it?

    ...Sorry, the No-Doz must be kicking in.