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Legal Music Downloads Increase in 2005

GraWil writes "The CBC is reporting there is marked increase in legal music downloads in 2005. American internet users downloaded 158 million individual songs from January to June 2005, compared with 55 million during the same period in 2004; during the same period, U.S. CD sales decreased by 7%. According to Peter Jamieson, head of the British Phonographic Industry, "the record industry has enthusiastically embraced the new legal download services ... and now we're beginning to reap the rewards". In the UK, sales of seven-inch vinyl singles were also up 87% on last year."

236 comments

  1. RIAA's response.. by InsideTheAsylum · · Score: 3, Funny

    OMG!! teh downloads are bringing down our profits!

    1. Re:RIAA's response.. by pahles · · Score: 5, Informative

      Joke aside, but are they? These are legal downloads, so about 65 cent per 99-cent-song is going right into the pocket of the music industry. Apple alone has sold almost 500 million songs, that's 325 million dollars, for doing nothing!

      --
      Sig?
    2. Re:RIAA's response.. by Anonymous Coward · · Score: 0

      this is just another jack move.

      To confirm you're not a script,
      please type the 7 letters shown in this image:

      kmwjbwf

      coo

    3. Re:RIAA's response.. by archen · · Score: 2, Interesting

      I think it probably is. A 99 cent song is still a lot less than the "$12+ for the entire CD just to get the song" situation we have now. Some will still download the entire album, but not all. I'm also guessing that impulse buying will increase.

      So what happens now? They dump all their money into Britney, and you download the 1 song they hype on TV. They then go and browse randomly - possibly downloading from other artists which the company doesn't really market. This all depends on them having music that's worth listening to, so I imagine that in the short term they aren't going to make as much, until they give the customer a wider array of _good_ music to listen to.

    4. Re:RIAA's response.. by chrisnewbie · · Score: 1

      And what's even funnier is that these industries make a lot more money selling music on the net than actually you buying a cd in a store.
      They dont have to print labels or booklets and spend on cd, you do it for them!
      And what's worse is i'm pretty sure the quality isnt equal to the ones you get in the store.

      So the trend of downloading illegaly music from the net is now getting legal as people pay now for their downloads, so the industry has nothing to bitch or cry about losing money since they probably get 100% benefit from providing music on the net.

    5. Re:RIAA's response.. by cayenne8 · · Score: 3, Interesting
      "And what's worse is i'm pretty sure the quality isnt equal to the ones you get in the store."

      Nope...it is not. All that is currently offered, is lossy recorded material. I'd love to buy stuff online, but, until they offer a lossless version of the music, that gives me the same abilities as I have when I buy a CD :to play on any player, and to rip to lossy formats on my own choice for poor listening environments (car, portable for gym)...then, I'm not interested.

      Actually, the main reason I've not bought many CD's in recent history...I've pretty much got them all now!! I also find very little new music coming out that I find worth buying.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    6. Re:RIAA's response.. by devartdude · · Score: 1

      Well the $12+ dollars also includes the cost of the jewl case, the CD, and the cost of priting the stuff to go in the case and on the CD label.

    7. Re:RIAA's response.. by archen · · Score: 1

      Well I thought about that, but the cost of the CD and Jewel case is almost neglagible - the factories that press the music are completely hands-free. With the insert, I'm still thinking that all together it would come out to around a $1. I'm sure the distribution channels for shipping is also extremely efficient. Cut out record store profit , and I'd say they're getting around $8 for a $12 CD. That's still a pretty good profit margin if you only want one or two songs ($2 to download them on iTunes where they would only make $1.20)

      I'm of course guessing at the costs, but the robitics used for CD production is pretty amazing stuff and really efficient, and printing in mass for a known size and quantity of inserts I doubt would add up to much either.

    8. Re:RIAA's response.. by joabj · · Score: 1

      > until they offer a lossless version of the music
      > that gives me the same abilities as I have when I
      > buy a CD :

      Sorry, compact discs ARE a lossy means of reproduction. They're just not lossy due to compression, like MP3s and AACs are. Sound itself has infinite resolution, so any digitization (either at the recording studio or the digitalization for the CDs themselves represents loss).

      I never understood the hype over the loss of sound quality in MP3s. Live fidelity is important when for reproducing a live performance, i.e. jazz or chamber music. Most people don't buy recordings for their performance anyway, they purchase music because it is catchy and tuneful. Much of this music couldn't be performed live as recorded anyway, since it was recorded with Protools, synthesizers, those devices that correct the picth of the singer's voice, etc. Do you really need full fidelity to a synthesized drum track?

      And that is not new. 45 years ago, most pop music was recorded to be played on tiny transistor radios, which were *incredibly*. It was still some of the best music ever created. Beach Boy leader Brian Wilson used to play back his elaborate studio recordings on a small handheld radio to make sure they sounded good.

    9. Re:RIAA's response.. by FLEB · · Score: 1

      I really wouldn't hold your breath (although it doesn't look like you are). For most people, that 5% quality loss is worth the portability and cost savings of something like MP3, and to the retailer, it's worth the lesser storage and bandwidth.

      I, for one, am a happy consumer of MP3-format music. As long as I can, you know, rock out or whatever, I'm fine with it.

      --
      Information wants to be free.
      Entertainment wants to be paid.
      You just want to be cheap.
    10. Re:RIAA's response.. by cayenne8 · · Score: 1
      " I really wouldn't hold your breath (although it doesn't look like you are). For most people, that 5% quality loss is worth the portability and cost savings of something like MP3, and to the retailer, it's worth the lesser storage and bandwidth."

      Hehe...no, not holding my breath. I guess the interest in higher end audio is lost on more people today than in the past. I agree, that mp3 format is great for poor listening equipment, in a poor listening environment. It is GREAT for the car. It is great for portables. But, for a good home system...well, I want to keep it as close to original as I can. I've got a high end system at home...and many of my friends do too. You can hear a difference with good amps and high end, high efficiency speakers. That's why I prefer to buy CDs....use them at home. But, I also rip them to mp3 or ogg for listening in environments where just good enough, and the convenience of storage, etc are the primary drivers of the format.

      I'd be happy to buy online...hell, let me buy the iso of a CD..I'll keep and burn it at home, same thing as me buying the CD...and they save the $$'s of transport, packaging...etc.

      Its not like I trade songs online...

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
  2. Trustworthy tracking by jfonseca · · Score: 5, Insightful

    I wonder how they conclude these things anyway when they have no clue how many songs were downloaded in the black market to begin with....

    I bet you the illegal music traffic tripled as well.

    If I had the time I could probably prove that broadband connections increased in number, prices fell, newer technologies connected more people, etc...

    This is a piece of not-so-well crafted corporate propaganda.

    --
    Broken Hearts are for Assholes. - Frank Zappa
    1. Re:Trustworthy tracking by Anonymous Coward · · Score: 4, Informative

      Nothing was said about illegal downloads, the article was about how many legal downloads there were, which they do know.

    2. Re:Trustworthy tracking by Anonymous Coward · · Score: 0

      RTFA; the article didn't conclude anything about unauthorized music downloads.

    3. Re:Trustworthy tracking by Solr_Flare · · Score: 4, Insightful

      Agreed, but I do think the number of legal music downloaders *is* on the rise. It is on the rise from the non-computer savy people who are just now in the process of switching to broadband(yes broadband growth is undergoing the last "big boom" right now). These new average Joe's(my roomate is one of them) pick napster or itunes because:

      A) It's convenient.

      B) They know its legal so they don't have to worry about it

      C) The catalogs and prices are getting friendly enough.

      There will *always* be piracy. The idea is to make the legitimate methods more attractive and less hassle and the record companies are slowly succeeding. Now just imagine if they had listened to all of us and done this years ago when they should have instead of suing everyone. They'd probably be in far better shape.

      --
      You are who you are, let no one tell you different. But, never close your mind to a new point of view.
    4. Re:Trustworthy tracking by Xtifr · · Score: 3, Insightful

      the article was about how many legal downloads there were, which they do know.

      Do they? There's plenty of music that's not under the purview of the RIAA. If they're measuring by sales, then their methods are about as reliable as those who measure software popularity by sales in a world where open source is growing by leaps and bounds. Anyone who has installed a dozen or more legal copies of Fedora or Debian from a single CD knows how silly that notion is. And the amount of legally redistributable music out there is many orders of magnitude larger than the amount of free/open source software. The fully legal Etree torrent site is reportedly moving Petabytes on a regular basis.

      (But your point that the article was not about illegal downloads remains valid.)

    5. Re:Trustworthy tracking by bedroll · · Score: 1
      If I had the time I could probably prove that broadband connections increased in number, prices fell, newer technologies connected more people, etc...

      You'd probably have an easier time attributing this to the flat-fee services where you download unlimited songs with limited playback (streaming and whatnot). That makes this number inflated due to downloading the same songs much like the lofty number of FireFox downloads is in part due to updates being included in the count.

    6. Re:Trustworthy tracking by BewireNomali · · Score: 1

      the issue about illegal traffic is it's difficult to determine how many downloaders would have been legitimate consumers. the RIAA's inability to accurately determine the size of the black market means they can't actually tell you how much money they're losing or how much they stand to gain.

      what is apparent to me is that record labels have endeavored to make it harder for the casual downloader of illegal music. the traditional p2p networks (emule, kazaa, etc) are damn near useless now because record labels seed them with decoy files. You can find obscure works, classical works, etc. But trying to find any current main label music on those networks is a frustrating task.

      Now bit torrent is another matter. There's music all over the torrents, and all current shit is always highly seeded and downloaded.

      Your point is a salient one. This is propoganda. All the cool kids are buying music - so should you. *cue trendy kids doing something trendy with an IPOD lookalike device in the trendy ad*

      The other thing I'd be interested in knowing is how many artists are selling their music directly to the end user. What's that market like? I'd have to imagine that the decentralization of the music industry would be as worrisome as illegal downloads.

      I can imagine that when a TIVO like utility for broadcast and satellite radio becomes common that another hissy fit from the record labels will ensue.

      --
      un burrito me trampeó.
    7. Re:Trustworthy tracking by Grail · · Score: 3, Insightful

      I think the recording industry has to learn to use piracy as free marketing, rather than viewing it purely in terms of, "lost sales" (which is a fabricated argument anyway).

      Make the music available with complete information on where to find it - ID3 tags in MP3 files are ideal for this. Then as the file is circulated through the grey market, people will see the URL to your legal music download site and go, "gee, I wonder if they have anything else I like?"

      I contend that people truly desire to help the artists who produce the music that they like. In the meantime, we don't want to be gouged by paying for music we don't want - ever bought an album for the one song you do like? doesn't $AU30 for one track sound a bit excessive?

      So I agree, there will always be piracy - the trick it to turn it to the advantage of the artists rather than just whining about it.

      Next time some recording executive talks about "lost sales" due to piracy, ask them how much free marketing they got from that same piracy - based on how much they spend on marketing to sell as many albums they do, calculate how much it would have cost in marketing to ship the extra albums that they claim were "stolen".

    8. Re:Trustworthy tracking by Hope+Thelps · · Score: 2, Informative

      the article was about how many legal downloads there were

      That's what the headline said, but when the article started it was actually talking about 'paid' downloads.

      --
      To summarise the summary of the summary: people are a problem. ~ h2g2
    9. Re:Trustworthy tracking by Pofy · · Score: 1

      >The fully legal Etree torrent site is reportedly
      >moving Petabytes on a regular basis.

      But do you have to pay for downloading that music? The article states that it is paid music downloads that they report about, it is the very first word of the article.

      They would be wrong when they later claim the number of individual songs downloaded but I suppose one can assume it is also "paid" downloaded songs. Probably they DO miss some paid songs though.

    10. Re:Trustworthy tracking by Xtifr · · Score: 1

      Yes, I think you're right, but certainly the implication in the article is that "legal download" means "paid download". The headline for the article says "Legal music downloading leaps...", but the only evidence they show is that paid music downloads have lept. That probably even means they're right, but I still don't like the implication that it's only legal if you've actually paid for it.

    11. Re:Trustworthy tracking by PeeAitchPee · · Score: 1

      The fully legal Etree torrent site [etree.org] is reportedly moving Petabytes on a regular basis.

      Yeah, but 99% of it is Grateful Dead and Phish live shows . . . so much so that they actually have filters built into the search page specifically for these two bands.

    12. Re:Trustworthy tracking by Anonymous Coward · · Score: 0

      I can tell you this anecdotally, my illegal music downloading habits have increased ten fold in the past 5 years. I've gone from downloading a song or two from an artist to downloading the artist's ENTIRE DISCOGRAPHY. Thank you Brahm Cohen!!!

    13. Re:Trustworthy tracking by Tuffsnake · · Score: 0

      Well according ot /. 1/3 of all studies are bogus so there's a 33.33333333333333333333333333% chance this stuff is as well...

    14. Re:Trustworthy tracking by Xtifr · · Score: 1

      > Yeah, but 99% of it is Grateful Dead and Phish live shows

      Really? 99%? I mean, I have the page with both bands filtered in my bookmarks (that's http://bt.etree.org/index.php?filter=nophgd), but even when I go right to the main site, I only see 10 phish/dead shows out of the first 50. That seems a little more like 20% than 99% to me. Maybe you're using some special sort of mathematics here? :)

      I will say that 99% of the stuff there is completely uninteresting to me, but that still leaves enough stuff that I check the site on a regular basis.

    15. Re:Trustworthy tracking by fingerfucker · · Score: 1

      The idea is to make the legitimate methods more attractive and less hassle and the record companies are slowly succeeding. Now just imagine if they had listened to all of us and done this years ago when they should have instead of suing everyone.

      I disagree with this propaganda.

      Suing everyone was exactly one of those things that contribute to making the legitimate methods "more attractive" (i.e. building the "I know I won't get sued if i use this" attitude).

  3. This article fails to mention... by Sawopox · · Score: 4, Funny

    that only 14 seven-inch vinyl albums were sold in all of England last year.

    --
    [http://it-tastes-so-good.blogspot.com] Are you hungry?
    1. Re:This article fails to mention... by nxtr · · Score: 1, Funny

      The sales got a boost after record makers stopped using anti-copying technology that made records incompatible with the only remaining phonograph in Great Britain.

    2. Re:This article fails to mention... by Seumas · · Score: 3, Insightful

      I haven't bought a CD since 1998. I have no intention to ever buy a CD. But I'm not going to buy music either. I'll pay for a subscription service to a massive library. Rhapsody is great at just under $9/mo for unlimited music. But unfortunately, those of us who primarily live on our Macs have no such service. You can either pay a buck a song on iTunes or get nothing at all.

      If someone wants to put together an affordable subscription service with a client for Mac that has the same selection as Rhapsody or iTunes, I'm all over it. Until then, I'm a SoulSeek man.

    3. Re:This article fails to mention... by KenFury · · Score: 1

      I know you are trying to be funny but apparently I am part of that demographic. I either download/buy MP3's/Ogg/Acc or if I want a special order or tangable product I go the the record store and order vinyl. Sure I wait two weeks but I get a nice product that I can keep. Mind you I only touch the vinyl once to rip it to mp3.

    4. Re:This article fails to mention... by Anonymous Coward · · Score: 1, Informative

      I'm not surprised. Most vinyl albums are on 12-inch discs.

    5. Re:This article fails to mention... by jellomizer · · Score: 2, Insightful

      I am not sure of your tone. Are you saying that Rhapsody is better then iTunes or are you Saying Rhapsody should port to the Mac platform?
      I would agree with the second. As for the first it is a situation of how you listen to music. I myself buy less then 9 songs a month, so in my case iTunes is more affordable. I like the fact that there are different types of paying for music subscription vs per song. It allows the consumer to decide what is best for them based on their buying habits.

      --
      If something is so important that you feel the need to post it on the internet... It probably isn't that important.
    6. Re:This article fails to mention... by samsonov · · Score: 1

      And that the British Pornographic Industry reported an 87% increase in downloads as well...

      --
      "You killed my yogurt!" --Fred Fredburger
  4. Of course by mfloy · · Score: 5, Insightful

    This was inevitable. The popularity of illegal music sites was a clear example of how many consumers loved the idea of downloading digital music. Most people didn't do it to cheat artists, they did it because they had no choice. Now that the labels are catching on they will be rewarded with huge profits. Now if only the TV and movie industry would catch on. There is big money to be made off legal movies and shows, just wait.

    1. Re:Of course by superpulpsicle · · Score: 4, Interesting

      I have signed up to Rhapsody due to the advice of so many slashdotters. Well, not to mention my Napster trial sucked due to so many "buy-only" tracks.

      I thought it would be crazy for me to keep the subscription service for more than 2 weeks. To my surprise, I am listening to new stuff every day for the 6 months. Subscription still going unbelievably strong. That's like $120 spent on music... I know I wouldn't buy 12 CDs in 1 year. My only worry is that I run out of stuff to listen to eventually.

    2. Re:Of course by superpulpsicle · · Score: 2, Informative

      I meant 12 months... sorry. I am drunk and it's late in the night.

    3. Re:Of course by Jeff+DeMaagd · · Score: 3, Insightful

      Take 1:

      The popularity of illegal music sites was a clear example of how many consumers loved the idea of downloading digital music.

      I suppose they didn't like the idea of downloading analog music very much.

      Take 2:

      The popularity of illegal music sites was a clear example of how many consumers loved the idea of downloading free music.

      Take 3:

      Most people didn't do it to cheat artists, they did it because they had no choice.

      Of course, "downloading" the music directly from a CD was simply too hard.

      Seriously now:

      For me, the pricing needs to reflect the savings from not having to press, print and distribute the physical objects. I'd prefer to get the physical CD at a negligible amount more, most CDs I buy are priced around $10-$12 anyway, or used for half that, and I get an uncompressed copy, I don't worry about DRM, or what device to use.

      For a $10 album download, the music industry is saving a lot on the middlemen but not passing the savings to the final purchaser.

    4. Re:Of course by Anonymous Coward · · Score: 0

      er...no.

      how has the numbers of illegal downloads changed ?

      are those who legally downloaded the same folks who illegally downloaded before ? or are they those who preferred to wait and not break the law ?

      how do the number of downloads (songs) corrospond to the number of actual users ? what does that trend point to ?

      its useless saying illegal downloads was (mostly) due to the reluctance of the industry to adopt new business models without more data.

    5. Re:Of course by jaypaulw · · Score: 0, Insightful

      they had no choice

      This was such as classic BS excuse for why people stole music. Besides bootlegs, the overwhelming majority of stolen over the internet music was widely and easily available and the catalog of what is available on amazon must be 10 times what has ever been available illegal.

      the major providers of legal downloads have tiny little catalogs with restricted use.

      emusic is the bright spot, it's signifcantly cheaper than buying the equivalent music on CD (wow there's a concept!) and it has a selection of actually difficult to obtain music.

      otherwise hard core music fans got no time for downloading your crappy music.

    6. Re:Of course by Mr2001 · · Score: 4, Insightful

      Of course, "downloading" the music directly from a CD was simply too hard.

      I know you were joking, but "downloading digital music" is about more than just being able to listen on your PC or your iPod - ripping tracks from a CD is no substitute. It means being able to hear any song instantly. If your friend sends you an IM saying "check out this song by band X", a minute later you can be hearing it, looking up related bands, and listening to their tracks too.

      To do that with CDs, you'd have to (1) live at the record store, and (2) run back and forth between the shelves and listening stations, trying everyone's patience, if the store even has stations where you can listen to all the CDs they sell.

      --
      Visual IRC: Fast. Powerful. Free.
    7. Re:Of course by sankyuu · · Score: 3, Insightful
      Of course, "downloading" the music directly from a CD was simply too hard.

      I was gonna mod, but I'll post instead.

      When the GP said Most people didn't do it to cheat artists, they did it because they had no choice, the first thing I thought of is that it can be pretty hard to find music that I like where I live.

      Searching for music and buying it online is much more convenient, and buying only the tracks I like makes so much more sense.

    8. Re:Of course by shmlco · · Score: 1
      Most people didn't do it to cheat artists, they did it because they had no choice.

      Right.... "most" people here in the U.S. live 500 to 1,000 miles away from the nearest Goody, Tower, MediaPlay, Borders, B&N, Target, K-Mart, WalMart, and shopping mall. They have no USPS, UPS, or FedEx service, so Amazon, Half.com, and any other online store can't deliver there.

      Left with no "choice" whatsoever, they downloaded music off the internet which, for some odd reason, they DID have access to...

      Funny how I never looked at it that way.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    9. Re:Of course by terminateprocess · · Score: 2, Interesting
      'd prefer to get the physical CD at a negligible amount more, most CDs I buy are priced around $10-$12 anyway

      I agree with your main point, but where do you find all your CD's for that cheap? Most stores that I have been to sell CD's mainly for $14-18, depending on how popular they are. However, the strangest part is that prices on CD's usually go up as they get older and harder to find. I personally like how iTunes has (more or less) adopted a flat pricing system, regardless of how much they could gouge people for the most popular, or most hard to find, music.

      Although these could all be rash generalizations on my part, I admit.

      --
      int cents = 0;
      cents += 2;
    10. Re:Of course by chefren · · Score: 2, Interesting
      Searching for music and buying it online is much more convenient, and buying only the tracks I like makes so much more sense.


      It depends on what type of music you like of course but I want whole albums. I also want physical media. If nothing else, physical media has second hand value.

    11. Re:Of course by Mr2001 · · Score: 1

      Best Buy has a lot of CDs for $12.99 or less.

      --
      Visual IRC: Fast. Powerful. Free.
    12. Re:Of course by MMaestro · · Score: 1
      Now if only the TV and movie industry would catch on.

      This is OT but, the only problem with the TV and movie industry moving in the same direction is simply file sizes. Simply put, low res, low sound quality sound movies/TV episodes suck ass if the alternative is superior TIVO or buying the uber-high quality plus bonus features DVDs. Most Americans (lets not bring the foreign market into this) do not have broadband. Those that do get it from their workplace or from a public access (library, school...) Throw in the fact that the average size for a pirated ~2 hour long movie is crunched into a still sizable 700 megs (perfect for fitting onto CD-Rs though) and Joe Average isn't very interested.

    13. Re:Of course by Anonymous Coward · · Score: 0

      Due to the advice of many slashdotters? Dude, what are you doing? Listening to slashdotters leads to geekiness. Geekiness leads to a no-girlfriend no-two-people-sex universe. No-sex leads to suffering. And THAT leads to the DARK SIDE!!!! (or Goatce images!) Repent of your slashdotty ways and come back to a gregarious lifestyle. -- OK, I'm not a script... typing ASRWKRS now...

    14. Re:Of course by Silkejr · · Score: 1

      That is exactly the reason why all music downloading, legal or not, is to the industry's profit. It facilitates knowledge about the bands that are out there in a way that has never been possible before.

    15. Re:Of course by houghi · · Score: 1

      I know I wouldn't buy 12 CDs in 1 year.
      I meant 12 months... sorry. I am drunk and it's late in the night.

      So you wanted to say 12 months instead of 1 year? I hope, for your own sake, you ARE drunk.

      --
      Don't fight for your country, if your country does not fight for you.
    16. Re:Of course by cayenne8 · · Score: 1
      "Simply put, low res, low sound quality sound movies/TV episodes suck ass if the alternative is superior TIVO or buying the uber-high quality plus bonus features DVDs."

      I dunno, low res, low quality, lossy mp3's sure did catch on quickly.

      Are there really THAT many people still in the US that only have dial up? Everyone I know has broadband (dsl or cable). Is it mostly rural people in the US that do not have broadband?

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
  5. and the UK reports by tzuriel · · Score: 3, Funny
    sales of seven-inch vinyl singles were also up 87% on last year.

    I guess the natural connection between downloadable music and 45 RPMs has finally been realized in the United Kingdom.
    Huh??

    1. Re:and the UK reports by jfonseca · · Score: 1

      exactly.

      as i said above, this is a piece of awfully crafted corporate propaganda.

      "ok our music sales are great because bananas are selling well in the UK and although we have no clue how many illegal downloads there were in torrent, soulseek and 200 other networks we still concluded that our sales are doing great, thank you"

      --
      Broken Hearts are for Assholes. - Frank Zappa
  6. what? by rfz · · Score: 0

    Isn't this the same british phonographic industry that was criticising BBC for offering legal classical music downloads? So this means that they like legal downloads, as long as it is not free. Great.

    1. Re:what? by VectorSC · · Score: 3, Interesting

      Heheeh. You think THAT's bad? Look at what the BPI did to cheap CD's on the internet. They make the RIAA look like a drugged out PTA meeting. http://www.sheffieldforum.co.uk/showthread/t-6362. html

    2. Re:what? by Magus2501 · · Score: 5, Insightful

      eBay, my friend. eBay. I can get numerous CDs that the RIAA is soiling themselves over for a bid that's less than the shipping cost. When the RIAA kicks down my door, I'll kindly smile and show them the album that I ripped my music from.

    3. Re:what? by VectorSC · · Score: 2, Informative

      Ebay is the ultimate yard sale. I can't believe how much stuff I buy and sell there. It's not as good as the old days, but it's still quality. Thankful am I, for I listen mostly to classical music (and I don't live in the UK). It's commonly available in a cheap manner. Ooh...if you like good instrumentals, you should look up Yasunori Mitsuda. He makes a lot the tracks for SquareSoft's stuff. Esp. his stuff for Chrono Cross was good.

    4. Re:what? by Magus2501 · · Score: 0

      This is a little OT:

      I already have the Chrono Trigger Soundtrack (what a game...). Sadly, I bought it before eBay was an option.

      As for music recommendation, look for Nobuo Uematsu. If you know Square, you know what Uematsu composed for.

      (Okay, that was very OT. But I felt it needed to be said.)

      Does anyone know of lawsuits over bootlegged video game music or classical (or other less-common genres of music)? I suppose that since most classical is public domain, there wouldn't be an issue, but would the RIAA throw a fit if, say, someone was sharing mp3s ripped from a classical CD published by one of the RIAA members? Can they own a particular performance of a classical work?

      (There. Back on topic, sorta...)

    5. Re:what? by stupid_is · · Score: 1
      Can they own a particular performance of a classical work?

      short answer: yes

      Basically, even though the music may have copyright expired, the performance of music will be copyright for the performance owner (or whoever paid for it). See the rather long discussions on the BBC thread here on /.

      Also, even when the copyright expires on the performance, there is still some common law that would prevent copying. Naxos have recently found this out after they bought up old performances of classical music that had expired, tidied them up and re-sold them on (also mentioned in the BBC thread).

      --
      -- Intelligence is soluble in alcohol
    6. Re:what? by meringuoid · · Score: 1
      I suppose that since most classical is public domain, there wouldn't be an issue, but would the RIAA throw a fit if, say, someone was sharing mp3s ripped from a classical CD published by one of the RIAA members? Can they own a particular performance of a classical work?

      Yes, But.

      If you rip a classical music CD of some centuries-old symphony, the symphony itself is public domain but the performance is still under copyright. However, when you then share the mp3 file on p2p, all it says is Beethovens_Fifth.mp3, not Beethovens_Fifth_performed_by_the_Birmingham_Symph ony_Orchestra_October_2002.mp3. So, in order to know for sure that it is one of their copyrighted performances and not a public domain performance, they would have to actually download the file and possibly even listen to it. Too much work for them, really.

      --
      Real Daleks don't climb stairs - they level the building.
  7. Hm.. by ATAMAH · · Score: 2, Funny

    "According to Peter Jamieson, head of the British Phonographic Industry..."

    Gotta rehash own brain... read the above as According to Peter Jamieson, head of the British Pornographic Industry

    1. Re:Hm.. by MasterofUnlocking · · Score: 1

      you're not the only one

    2. Re:Hm.. by sthebig · · Score: 5, Informative

      It's okay, I read it that way too. ... Now, back to masturbating.....

      --
      Please, stop reading my signature. If not for me, then for the children.
    3. Re:Hm.. by Sawopox · · Score: 1, Funny

      The mention of "seven-inch singles" made me see "pornographic" as well.

      --
      [http://it-tastes-so-good.blogspot.com] Are you hungry?
    4. Re:Hm.. by rubycodez · · Score: 0

      you scared me because I thought your post was a reply to the "seven inch singles" comment, and thus thought Jenna was actually a Chick with a Stick

    5. Re:Hm.. by DanThe1Man · · Score: 4, Funny

      That is the funniest "Informative" rateing ever.

    6. Re:Hm.. by malvo · · Score: 1

      Yea, I spent about 5 minutes trying to find the connection between the British Pornographic Agency and free downloadable music.

    7. Re:Hm.. by Charles+W+Griswold · · Score: 1

      Too bad there's not a "Too Much Information" rating. :-)

      --
      "Those who are too smart to engage in politics are punished by being governed by those who are dumber" -- Plato
    8. Re:Hm.. by Charles+W+Griswold · · Score: 1
      --
      "Those who are too smart to engage in politics are punished by being governed by those who are dumber" -- Plato
    9. Re:Hm.. by patio11 · · Score: 1

      Hey, with your signature the rating is accurate with respect to you.

    10. Re:Hm.. by wed128 · · Score: 1

      Not to mention it's a stage name (after Jameson Whiskey)

  8. DUMBLEDORE DIES IN THE NEW HARRY POTTER BOOK by Anonymous Coward · · Score: 0, Informative

    http://zeikfried.no-ip.com/
    Dumbledore dies in the new harry potter book

  9. It's called ease of use. by VectorSC · · Score: 5, Insightful

    When it's easy to do it legally (aka the iPod), people will do it legally. Why?

    Not because people have a great amount of respect for the law, but because we have a great amount of respect for the easy.

  10. Analogizing the debate... by Sheetrock · · Score: 5, Insightful
    When one thinks of the ongoing struggles of the free music proponents vs. the commercial music proponents one might picture an argument between King Arthur and Robin Hood (fictional example obviously, as King Arthur was not a real person, but it has to be fiction to be an analogy.)

    The thing to realize is that both sides not only believe they are working towards the greater good but are objectively doing so even with radically different and diametrically opposed 'solutions' to the problem.

    It really puts things in perspective to realize not only that each side is right but that there is more to be gained for each to sit down and figure out what to do with the deer in the forest rather than constantly fighting over territory and methodology.

    --

    Try not. Do or do not, there is no try.
    -- Dr. Spock, stardate 2822-3.




    1. Re:Analogizing the debate... by Anonymous Coward · · Score: 0

      FYI: King Arthur was likely a real person though most of the stories about him are fiction.

    2. Re:Analogizing the debate... by VectorSC · · Score: 2, Interesting

      Uhm...Isn't your .sig a Yoda comment?

    3. Re:Analogizing the debate... by solanum · · Score: 2, Insightful
      picture an argument between King Arthur and Robin Hood (fictional example obviously, as King Arthur was not a real person,
      and Robin Hood was???!!!! Wierd idea's Hollywood gives people.
      --
      Si hoc legere scis nimium eruditionis habes.
    4. Re:Analogizing the debate... by solanum · · Score: 1


      idea's


      Agghhhh, put an apostrophe in by accident - I hate bad use of apostrophes.

      --
      Si hoc legere scis nimium eruditionis habes.
    5. Re:Analogizing the debate... by Max_Wells_SH · · Score: 0

      Uhm...Isn't your .sig a Yoda comment?

      No, I'm pretty sure I've read that in one of his books, "Dr. Spock's The First Two Sequels: The Emotional and Physical Needs of Jedi", or "Dr. Spock Talks About Your Padawan", I can't remember.
      --
      I read Slashdot for the articles.
    6. Re:Analogizing the debate... by donnz · · Score: 0

      Try not. Do or do not, there is no try.

      A rugby referee, on Slashdot, totally unexpected.

      --
      -- Free software on every PC on every desk
    7. Re:Analogizing the debate... by swissfondue · · Score: 1

      In keeping with the spirit of this analogy, the RIIA would be the ones pressing to rein (in the) deer.

      --
      Rubies and Pearls are not what you think.
    8. Re:Analogizing the debate... by Anonymous Coward · · Score: 0
  11. did i just hear a moo? by pintomp3 · · Score: 2, Insightful

    huh? give ppl a way to give you money more easily and they open their wallets? imagine what could have been if they had embraced the internet back in the 90's instead of fighting it tooth and nail. just like audio tapes, just like video tapes. they fought so hard to stop these scary, uncontrolable, make-copying-easy technologies. and they turned into cash cows.

    1. Re:did i just hear a moo? by tzuriel · · Score: 1

      Perhaps a comparison to permitting the recording of live concerts from the audience is apropos.
      The Grateful Dead constantly sold out their concerts and have permitted audience recordings since 1984. They began releasing their own archive recordings on CD and made huge profits there as well, now offering full shows online.
      Just further proof that connecting to fans through more touch points will only increase their interest and loyalty.

    2. Re:did i just hear a moo? by pintomp3 · · Score: 1

      an ironic comparison is metallica. if it wasn't for distribution and copying of their bootleg tapes, they might not have been discovered, gotten filthy rich, and then started suing their fans for distributing and copying their music.

  12. Breaking news by Anonymous Coward · · Score: 0

    Help yourself, it's free

  13. It's called FREE. by night_sky_nsci · · Score: 2, Insightful
    Not because people have a great amount of respect for the law, but because we have a great amount of respect for the easy.

    Also people are known to like not having to pay.

    1. Re:It's called FREE. by VectorSC · · Score: 2, Interesting

      Ahh....but....if the outhouse costs a quarter, and the extra-splintery log over the snake pit is free...and, well, you only get bitten by the snakes on the arse every once in a while.. But these two aren't totally analogous. Downloading music illegally is pretty easy. But, after you have iTunes all setup, using the Music store is more seamless. a) Zip the music down, grab your iPod, and go. Instead of, b)search for it on the illegal file shares, get 250 results, find the result that was RIAA hacked, download it, move it to the mounted storage device that your MP3 player shows up as, get in your car and start driving on a long trip to Zimbabwe before realizing that the awful noise you are hearing isn't your cell phone having a siezure... This is more to my point I suppose.

    2. Re:It's called FREE. by night_sky_nsci · · Score: 1
      I am not an iTunes user, and I am waiting for my free iPod Shuffle to arrive in my mailbox (sveet) but I would imagine you would need a method of payment like a credit card.

      Not everyone has a credit card.

      As an example, quite a few of music downloaders are under the age of majority, ineligible for a credit card. They are probably reluctant to ask their parents about it, and then what good is iTunes, or any other downloading places for that matter?

      There was also a newspaper article written by a psychologist or whatnot about how a teenager's mind is incapable of fully understanding the consequences of one's actions. That's part of the rationale behind Canada's Young Offenders Act, and I am sure there is a similar law in the United States as well. So what was that about that long trip to Zimbabwe again?

    3. Re:It's called FREE. by Anonymous Coward · · Score: 0

      I'm sorry Mr. Vector. I applaude your aspirations to endorse so called 'legal' music downloads but you are talking rubbish.

      It much easier and cheaper and more fruitful to download stuff off of p2p. Why ?

      DRM free
      More chance of finding that obscure track you want (so much stuff iTunes store doesn't have and probably never will)
      Possible choice of formats/bitrates
      You are not making another interloper like Apple rich
      iTunes store is not to everyone's taste, a lot of people object to built in selling in software (a bit like Apple's massive flop of ordering ridiculously expensive printer supplies...yeah right)
      Most of all, it's free

      Things like iTunes store are a nice idea but no business can compete with no charge at all. The legalities issue might be there for some, but well you will find no one will be able to tell the difference when the song is being played.

    4. Re:It's called FREE. by bersl2 · · Score: 2, Insightful

      People also like on-demand, which isn't always the case with P2P. Some people will pay (extra) to have something now as opposed to later.

    5. Re:It's called FREE. by Rude+Turnip · · Score: 1

      They also take PayPal...or you could scan a $1 bill and email a PDF of it to Apple. Well, I'm pretty sure about that first part.

  14. Now if they would only do this for TV shows... by AgentJose1 · · Score: 4, Insightful

    I know I would pay for a service where if I paid a certain amount of money I could get access to a BT tracker that was distributing DRM-'ed video files. I wouldn't mind signing up for a "pay-by-the-show" format, in case I miss an episode. Especially now that my favorite shows(Stargate SG-1, Lost, etc.) are trending towards more arc-ish storylines, so I won't get lost with the story. Granted, most TV programming doesn't have enough story to make these kinds of things worthwhile. I mean, why do I care if Jerry gets eliminated on Survivor 2000:The Last Place on Earth We Haven't Filmed In Yet?

  15. Hold on! by RompeRatones · · Score: 0

    Is this because of the blackout US had earlier on the year?

  16. Numbers sound fishy by drfuchs · · Score: 1

    How could it be 158 million legal American downloads over six months, when Apple claims about 250 million iTunes sales over the same period (albeit world-wide)? Also, at about $1 per song, the total sales are still a very small percentage of total music CD sales, so we've still got quite a way to go before CDs are history.

  17. Easy? by jcnnghm · · Score: 4, Interesting

    I just tried Napster again yesterday for the first time in over a year, but it still suffers from all of the problems that I had with it last time.

    The catalog is incomplete, to really replace Limewire, it has to offer ALL of the songs I want. That includes some pretty obscure songs. Basically, my personal library is 1,500 songs or so off of Limewire. Napster's whole library seems to show about 750,000 songs. The legal library is 500 times the size of my own, but I don't like one in every 500 songs, probably only 1 in 1,000, if that, so there are huge gaps.

    DRM sucks. It basically turns digital music into something that can only be effectively used while sitting right in front of the computer. I want a standard format (MP3) that I can burn to standard audio CDS, use on my Rio MP3 player, and burn to data discs that will work in an mp3 cd player, or my set top dvd player. DRM makes much of this impractical. Of course there is the argument that everybody would just steal the MP3's provided by the service. But why bother. If they cost $1 each, and I could do whatever I wanted with them, and they were good quality, not to mention legal. I wouldn't hesitate to skip the Limewire hassle and just by directly from them.

    And where in the hell is the quality that was supposed to be associated with the pay services. What is stopping Napster from offering up the songs at 512k instead of the paltry 128 that they seem to be using now (yeah, wma makes a difference, but I still want bigger files). I would be happy spending even $2 per song for 512 DRMless MP3's that are legal. Instead, the stuff Napster sells sounds the exact same as the MP3's that came off of Napster 1. Not what I was expecting. I want 14mb downloads at 5mbps+/second, and why not, except for the size I can get everything else off of Limewire.

    Further, I have to boot into Windows to use Napster or itunes (not counting pymusique). I don't like doing that, and I really can't play drm'd wmas under linux.

    Limewire is still the best option. It's fast for a Java Application, it runs on anything with a virtual machine, can easily max out my download bandwidth, and I can use the files however I want. Of course, most of the files aren't legal, but the legal files can't do what I want so what good are they?

    --
    You don't make the poor richer by making the rich poorer. - Winston Churchill
  18. Who is going to say "I told you so" by Anonymous Coward · · Score: 0

    To me is seems that the fact there were/are many illegal download services, the record companies should have been trying to introduce legal services from the very start instead of trying in courts to stop a service that people demonstarted they wanted.

    If they introducted the services themselves in the first place, I would have expected for them to get a bigger cut of the profits so it still surprises me today in the cut throat business world that it has taken so long for these people to wake up to the market demands.

    Cheers ;)

  19. Legal Music Download from 05' War of the Worlds by Anonymous Coward · · Score: 0, Interesting

    Speaking of legal music downloads, a band with music in the 2005 release of War of the Worlds has their song available for download. A small portion of the song is in the movie, when the Tom Cruises kid is walking out of the truck with his headphones on toward the beginning of the movie. Pretty cool for the band to offer it from their site for free.

    You can get the song here. This is direct from the bands site, so I bet its legit. The bands name is Capstone.

    http://www.capstonemusic.net

    1. Re:Legal Music Download from 05' War of the Worlds by Anonymous Coward · · Score: 0

      I hope we just see more artists doing this - offering free downloads from their site. No need to sign up for anything, just a link to the song.

      That is awesome. Itunes, Yahoo Music, bahhhhh!!!!

    2. Re:Legal Music Download from 05' War of the Worlds by philipgar · · Score: 1

      Actually its likely that what the band is doing isn't 100% legal either. Most bands don't own their works completely. The label does. Its one of the shitty sides of the industry. Some bands have enough pull that they can offer stuff like mp3s for free, but oftentimes the record label gets nervous about that stuff (as the band isn't likely to make a dime off cd sales, but they will make more money if people here their stuff and goto their concerts). Normally the labels are more civil to their artists, but it all depends.

      Phil

    3. Re:Legal Music Download from 05' War of the Worlds by vbuitoni · · Score: 1

      How can you be so sure this is really the official band site and it's not just some fan site?

    4. Re:Legal Music Download from 05' War of the Worlds by Anonymous Coward · · Score: 0

      I believe the guy that runs this site owns the rights to all his music.

  20. great... by grrrl · · Score: 4, Informative

    so where the freak is iTunes AU???

    I'd really love to be into this "legal" download sensation but noone will sell to me (and if it doesn't work on my pod I'm not interested).

    1. Re:great... by Anonymous Coward · · Score: 0

      Blame the record companys for the delay, atleast thats what apple uses as an excuse.

  21. Some people don't want to be happy by Nugget · · Score: 5, Insightful

    There are people in this community who will continue to lobby against legal downloads no matter what the terms or what technology is used. I swear, sometimes I think that if Linus himself started a company that sold no-DRM OGG Vorbis songs for a penny a piece and you got a free blowjob from Natalie Portman with every 10 purchased tracks that we'd still see posts on slashdot justifying P2P piracy because we didn't get to pick out Natalie's outfit when she showed up at our parent's basement to deliver.

    There are people who read news like this who are encouraged that market is beginning to respond (as markets always do) and there are people who read this news and get grumpy because it just got a little bit more difficult to continue to rationalize their greedy piracy.

    How did you react?

    1. Re:Some people don't want to be happy by dancingmad · · Score: 1

      Linus himself started a company that sold no-DRM OGG Vorbis songs for a penny a piece and you got a free blowjob from Natalie Portman with every 10 purchased tracks.

      Oblig. Simpsons Quote:

      Your ideas intrigue me, and I'd like to subscribe to your newsletter.

      --
      "There is no time, sir, at which ties do not matter," Jeeves, (Jeeves and the Impending Doom)
    2. Re:Some people don't want to be happy by kfg · · Score: 2, Insightful

      How did you react?

      I went out and bought a CD direct from the artist.

      KFG

    3. Re:Some people don't want to be happy by haakondahl · · Score: 1, Funny

      ...blah blah blah BLOWJOB blah blah blah... React to what?

      --
      Don't trust anyone under thirty.
    4. Re:Some people don't want to be happy by melikamp · · Score: 1

      Illegitimate copying on P2P is not "greedy", nor should it be called "piracy". I am $400 in debt, and at the moment this number is greater than what I have in my bank account. Do I look greedy to you, when I opt out of buying a $15 CD and go for BT instead? I am not trying to to make money here. I just cannot possibly spare any cash on anything else besides activities that are essential to the functioning of my body: food, cigarettes, and WoW subscription.

      If you listen to these "grumpy" people carefully, you will find out that many of them object to the copyright law (in its current state) on ethical grounds. The fact that some, like me, would rather reform that law and see less art in exchange for more freedoms should convince you again that we are anything but greedy.

    5. Re:Some people don't want to be happy by typical · · Score: 1

      Not to be a dick, but if that's honestly your financial situation, you *really* should not play WoW, no matter how unpleasant it is to stop. There's the financial cost, but more relevantly, it consumes an awful lot of time.

      I *do* think that I should be able to freely download any works that are, say, twenty or more years old -- the original label financing recording absolutely was not factoring twenty years of production into their calculations when they were deciding whether or not to try out a new artist.

      --
      Any program relying on (nontrivial) preemptive multithreading will be buggy.
    6. Re:Some people don't want to be happy by melikamp · · Score: 1

      Your point about wasted time is well taken. But to be truthful with you, my finances are not exactly in ruins. Money comes and goes. Still, the figures I have given are accurate, and in this country they firmly place me into the category of people who cannot possibly afford to buy CDs and DVDs, while making it ethically acceptable for me to get (and so also invariably give with BT) illegitimate copies over the net, strictly for private use.

    7. Re:Some people don't want to be happy by Chucker23N · · Score: 1

      "Do I look greedy to you, when I opt out of buying a $15 CD and go for BT instead?"

      Greedy? No. Unreasonable? Yes.

      If you randomly walk into my house and get some food out of my fridge while I watch you and ask for an explanation, which you respond to with "I'm $400 in debt; would you rather I get myself even more broke by *buying* food?", I wouldn't find that acceptable.

      And if the CD is too expensive for you, either 1) it is indeed overpriced and you should boycot it either way to *show* the industry that, or 2) you should think about which luxuries you can afford, and which ones you can't.

      Sorry to sound harsh, but that's the way life is.

    8. Re:Some people don't want to be happy by melikamp · · Score: 1

      [Yawn>]

      Seeing that /. left no stone unturned in the whole copyright issue, one would think that /. readers, out of all people, would not waste their time offering this analogy. You have just compared me to a robber -- not to a thief even, like the records companies do, but to someone who robs you of your food in a broad daylight. This analogy is flawed because when I choose to disrespect the copyright holder's exlusive distribution rights, I do not take anything from anyone. The opposite is the case: I create more goods. That, of course, deprives the holder of a potential profit, which is secured by nothing else than the copyright law.

      Aside from your argument being weak, it is also misplaced. I clearly implied in my post that I do not consider copyright law ethical and that I wish it to be reformed. I choose to pass on options (1) and (2) you have given me and go for (3) non-violent resistance to the unjust law -- a resistance which gives me no profit and hurts only the richest and only very slightly; that coupled with raising awareness about the law's harmful effects and doing what I can to change it, or to get rid of it altogether.

      I am sorry to sound kind, but that's the way life should be.

    9. Re:Some people don't want to be happy by dfjghsk · · Score: 1

      did it ever occur to you that perhaps you shouldn't use what you can't afford? And no.. it does not make it ethically acceptable to download music you have no right to. The artist who produced that music does have a right to get paid for their work.

      --
      Help me take back Slashdot. When did 'News for Nerds' become 'FUD and Conspiracy Theories for Extremist Nutjobs'?
    10. Re:Some people don't want to be happy by Anonymous Coward · · Score: 0

      I am sorry to sound kind, but that's the way life should be.

      I am sorry to point out the obvious, but that's the way life isn't, and besides, it's also the life that got you $400 in debt.

    11. Re:Some people don't want to be happy by pandrijeczko · · Score: 1
      I don't take part in P2P music downloading simply because I'm old-fashioned and like CDs with covers and sleeve notes. I don't agree with the pricing of CDs but I shop around a lot, especially on Ebay & second-hand music stores.

      However, music sharing is something that has always been done socially - it's the fact that P2P doesn't fit in with the modern laws of capitalism that's the problem.

      Personally, I think the whole thing is overblown by the record companies. Giants like Sony need to remember that disposable income of people is not unlimited and for every Sony album sale they lose through P2P, they probably gain part of a PS2 sale .

      Yes, there's a lot of greed involved but it's greed on the parts of both the downloaders and the record companies.

      --
      Gentoo Linux - another day, another USE flag.
    12. Re:Some people don't want to be happy by gkuz · · Score: 2, Insightful
      Aside from your argument being weak, it is also misplaced. I clearly implied in my post that I do not consider copyright law ethical and that I wish it to be reformed. I choose to pass on options (1) and (2) you have given me and go for (3) non-violent resistance to the unjust law -- a resistance which gives me no profit and hurts only the richest and only very slightly; that coupled with raising awareness about the law's harmful effects and doing what I can to change it, or to get rid of it altogether.

      This is the lamest justification I've heard on /. in a long time. "I can't afford to buy CD's because I'm a loser who can't stop smoking or playing on-line games even though I have no money, so I'll adopt a high-falutin' anti-copyright moral tone and just take whatever I feel like." Stop smoking cigarettes -- there's 5 bucks a day easy. Stop playin WoW. Maybe even -- GASP! -- get a fscking JOB!

    13. Re:Some people don't want to be happy by One+Childish+N00b · · Score: 0

      we'd still see posts on slashdot justifying P2P piracy because we didn't get to pick out Natalie's outfit when she showed up at our parent's basement to deliver.

      I think most Slashdotters would be happy with the choice if there was a 'Hot Grits' option in the 'Natalie's Outfit' drop-down box...

      Just pray to all Heaven there wouldn't be a CowboyNeal option.

      --
      Dealing with lawyers would be a lot less tedious if they all looked like Casey Novak.
    14. Re:Some people don't want to be happy by Anonymous Coward · · Score: 0
      > > Linus himself started a company that sold no-DRM OGG Vorbis songs for a penny a piece and you got a free blowjob from Natalie Portman with every 10 purchased tracks.
      >
      >Oblig. Simpsons Quote:
      > Your ideas intrigue me, and I'd like to subscribe to your newsletter.

      His ideas intrigued me too. Fuck the newsletter, I subscribed to his 10-track-per-day download service.

      I hope he can the same things with movies as he's done with music. I can't wait to get The Portman Always Rings Twice.

    15. Re:Some people don't want to be happy by UnsungZeros · · Score: 1

      Outfit? What outfit? There's nothing to pick out.

    16. Re:Some people don't want to be happy by Anonymous Coward · · Score: 0

      Theif

    17. Re:Some people don't want to be happy by SeattleGameboy · · Score: 1

      I am not a big fan of DRM, but your excuse for justifying P2P has to be the LAMEST excuse I have ever heard.

      If you do not believe that current copyright law is fair, then just state it so.

      The fact that you are $400 in debt should have no bearing on it.

      And that IS life.

    18. Re:Some people don't want to be happy by melikamp · · Score: 1

      Please read more carefully. I do not use my financial situation as an excuse for breaking the law. I gave these figures to prove that I am not "greedy".

    19. Re:Some people don't want to be happy by melikamp · · Score: 1

      I can't afford to buy CD's because I'm a loser who can't stop smoking or playing on-line games even though I have no money...

      So much is true :)

      ... I'll adopt a high-falutin' anti-copyright moral tone and just take whatever I feel like.

      With some reservations, true again. It is really amazing how you turned everything upside down by inserting a single word "so" between these 2 sentences. I never connected them -- they are in the different posts even. I used the first one to show only that I am not greedy, and the second one stands on its own.

    20. Re:Some people don't want to be happy by Anonymous Coward · · Score: 0

      Yep, according to my dictionary, you are not greedy, but you are covetous, which indicates a desire to own something that you have no legal or moral right to own.

    21. Re:Some people don't want to be happy by melikamp · · Score: 1

      I own my computer, my sound system, my network equipment; I pay for my Internet connection. In the same sense of the word, I do not "own" any music simply because the concept of ownership does not apply to ideas.

      We can admit that "own" acquires a new meaning when applied to the "intellectual property": to own an idea would amount to exercising control over its distribution. Even in that sense I hardly "own" anything, because I only participated in distribution once, which resulted in production of 2 copies -- both of them made without commercial gain to anyone. That is a far cry from "exercising control" over anything.

      When I download stuff off the web or rip it off the library CDs, I am not driven by a desire to profit or to control distribution. I am driven solely by my love of music. Slap some labels on me, if you wish, but go slow with "covetous".

      Finally, I am yet to hear a valid argument in opposition of my moral right to listen to whatever music I see fit. Nor have I heard a valid argument for doing what the current legislation does: prohibiting non-commercial distribution of artistic creations.

    22. Re:Some people don't want to be happy by typical · · Score: 1

      Still, the figures I have given are accurate, and in this country they firmly place me into the category of people who cannot possibly afford to buy CDs and DVDs, while making it ethically acceptable for me to get (and so also invariably give with BT) illegitimate copies over the net, strictly for private use.

      (Completely off topic, only asked because your website seemed to indicate that you were a CS/philosophy person.)

      Are you a moral absolutist?

      --
      Any program relying on (nontrivial) preemptive multithreading will be buggy.
    23. Re:Some people don't want to be happy by melikamp · · Score: 1

      Moral absolutist? Hold on... [Thumbing through Wikipedia] No, I am most certainly not. In my view, answers are useful, but only questions really matter. If I was to neuter my worldview by attempting to describe it in one paragraph, I would say: I consider ideas, and therefore morals too, alive in a certain sense. Just like the known lifeforms they experience a sort of evolution. "Absolute truth", therefore, is nonsense (in that area I have been heavily influenced by the kind of Lao Tzu and Nagarjuna). An ordinary "truth" (as opposed to well defined truths in logic, law, etc.) is nothing more than a top dog -- an idea which happens to be strong enough to defeat opposing ideas, called "fallacies", and to occupy a significant place in the ecology, which largely consists of human minds. To be concrete, I will draw an example from morals. It is, arguably, true that "all persons are created equal". While we could go on for years discussing what the hell does that mean, it is undeniable that this idea is a t-rex among lemmings. At the time of Plato there were a few people hiding it in their closets. At the time of Jesus and shortly thereafter there were a few hundred thousands of people kicking it around. After the Civil War, a few millions of people were waving flags with "equality" on them. You may disagree, you may even have a great argument against "equality", but t-rex tends to win because he can eat you for lunch. At the same time it is not improbable that you have something new, something that will be able to eat t-rex or to make it obsolete. To that end we should be willing to understand our opponents and to be able to put ourselves in their shoes, in hope that we can replace our truths with better ones.

      I do not understand the implied connection between CS/philosophy and moral absolutism. At any rate, I have a degree in CS, and at the time I am working on a degree in math. Throughout my life I was very interested in philosophy, religious studies, and theology. In these areas, I do not have much formal training under my belt, but enough, I think, to be dangerous.

    24. Re:Some people don't want to be happy by typical · · Score: 1

      I do not understand the implied connection between CS/philosophy and moral absolutism.

      There isn't one, just with my ability to ask the question and get a meaningful, considered response. I'm CS/philosophy as well, and have found that CS/philosophy folks have a tendency to self-analyze with the passion of the philosopher and the rigororous system analysis tools of the computer scientist.

      I was just curious as to why you felt that need ethically justified copyright infringement. I'm not arguing with you. I just felt that what you were saying wasn't just a kneejerk response. A moral absolutist would presumably universalize his statement, saying that everyone who has need should be able to infringe -- a moral relativist might do so or might not do so. That's all.

      Just to get this out of the way, I am not accusing. I infringe on copyrights myself not infrequently (and I really do have the means to not infringe on most of them).

      My point is that the reward that we use to convince people to work in society is the carrot of purchases. If that carrot is no longer present, then it seems like society might cease producing goods.

      --
      Any program relying on (nontrivial) preemptive multithreading will be buggy.
    25. Re:Some people don't want to be happy by microbrewer · · Score: 2, Funny

      The same people are sitting in thier paresnts basmemts with thier tin foil hats on making sure the music they listen on Lunchcast doesnt let the DRM infect thier brain.

    26. Re:Some people don't want to be happy by melikamp · · Score: 1

      The funny thing is, most of what I was saying was a kneejerk response. I just got very pissed when P2P crowd was characterized as "greedy". Quite aside from the moral issue at hand, that is just plain incorrect. P2P users do not hoard, nor do they make profit. RI hoards and profits -- they are greedy, if anyone is.

      My point is that the reward that we use to convince people to work in society is the carrot of purchases. If that carrot is no longer present, then it seems like society might cease producing goods.

      What are these goods that will not be produced in the absence of strict copyright protection? Before we consider things like music recordings, we can look at software, as it helps to illustrate my opinion better. I think it was Stallman who wrote somewhere that 90% of all software development is funded before it begins, simply because it has to be customized to the customer's needs. The remaining piece is the commodity software, like OSes, text processors, and other popular applications. But it is evident that these kinds of software are developed right now, under copyleft, and that they are on par with their commercial counterparts. All in all, prohibition of non-commercial distribution apparently does nothing to encourage people to write new software. Small clients with special needs let programmers eat the carrot in advance, and commodity software magically gets written by volunteers in the face of competition. This magic is possible because the returns of producing commodity ideas are far greater than the investments. When nearly everyone demands an OS, there will be a few Linuses with ability and desire to write it. When everyone loves to hear electronic music, there will be some unemployed dude who will spend 8 self-gratifying hours in his parents' garage and come up with a single which will be enjoyed by the rest of the world.

      Let us take another bunny trail before confronting arts. Let us talk about sciences, because copyrights in US are meant to encourage them. Even a cursory glance at the scientific research convinces us that it is blooming, while defying the copyright. It is commonly understood that the research cannot even proceed properly unless the exchange of ideas is unrestricted.

      While the situation in arts was greatly convoluted by the publishers' propaganda, I believe that it is not very different. The key notion ignored by copyright pimps can be summarized as follows: the demand for art exists with or without the copyright; the demand for commodity art is tremendous, and will be met with or without the copyright. Not a day goes by without someone saying "artists deserve to get paid for their labour". If that is what it is all about, I have to throw my arms in the air. I fail to comprehend how artists can be so clueless that they cannot find a way to get paid for something that is in such a great demand. It is apparent to me that popular artists enjoy fame, love, and trust under any circumstances. Copyright or not, people are throwing money at them. Industries market with them. Young girls pack themselves in boxes and try to reach them by mail [true story] -- that is the kind of demand they are facing. Only a loon can be serious while saying that popular artists will not be able to get paid for their labour without draconian laws controlling the distribution of content.

      As for the not-so-popular artists -- they were always poor, they are poor now, and so they will remain.

      These and many other arguments convince me that copyright protection does nothing "to encourage the progress of arts". At the same time, the evidence for its harmful effects on the progress of arts is abundant and embarrassing (cf. Lessig). Moreover, I consider the non-profit distribution of ideas a human right. There are some, I am sure, who would like to argue, but they are all full of shit because they themselves exercise that right when they are arguing with us. I want to see the law reformed to get off our backs in that respect. I do not want it gone --

    27. Re:Some people don't want to be happy by melikamp · · Score: 1

      For expressing a mild interest in my website, you will be punished by listening to Megalomania and giving some feedback.

  22. Seconded by aftk2 · · Score: 4, Insightful

    I agree. When iTunes first started doing its thing, a lot of people griped that they didn't think there was a large enough difference between the cost of a CD and the cost of a downloaded album. They argued that you're not getting a physical product, and you're getting a lossy copy, so why does it still cost $9.99 (never mind that this is, in some cases, nearly a 50% reduction.)

    I never saw it that way. I always thought that the convenience and the speed with which I could acquire the album more than made up for not getting the CD, and not having a perfect, pristine copy. I had a Paypal balance a number of months back, and debated using it on Ebay, to acquire several albums, or on iTunes to do the same. I chose iTunes - even though I might have been able to get more albums, plus liner notes & the original CDs, through eBay. Why did I choose iTunes? Because I wanted the songs on my iPod that day.

    --
    concrete5: a cms made for marketing, but strong enough for geeks.
    1. Re:Seconded by speculatrix · · Score: 1
      that poster highlighted what the RIAA and MPAA should have known all along: how to unlock the consumers' purse.

      It's all about

      • laziness - make it trivial to buy/download and people will be too lazy to make the effort to p2p the tracks and manually check they're ok, and they'll overlook the reduced quality or digital watermarking
      • ignorance - people just don't understand what digital compression means, hence the way digital radio** TV providers can get away with appalling picture quality
      • the sheep mentality - people will pay a premium for the newest/popular music, even if they'd save 50% if they waited three months*

      They should have known most of this from the pricing* curve of CDs and DVDs and from the take up of DAB radio in the UK**.

    2. Re:Seconded by psymastr · · Score: 0

      Why did you want the songs that day? I thought people were past this after they become 12 years old.

      --
      Improve at backgammon rapidly through addictive quickfire position quizzes: www.bgtrain.com
    3. Re:Seconded by stlhawkeye · · Score: 1

      Amen. I was playing poker with some buds the other day and he's got his iPod playing a rotation of his favorite music, and during that event, no less than 4 bands came on that I wanted to listen to more of. I wrote down the names of all the bands, checked out their CDs on iTunes when I got home, and bought 3 of their albums, put them on MY iPod, and am not listening to the Fruit Bats as I type this, a band I would never have heard of, nor bought any CDs from if not for the ease with which music can be sampled and purchased via the Int0rw3b.

      --
      "I have never won a debate with an ignorant person." -Ali ibn Abi Talib
  23. On other hand by Anonymous Coward · · Score: 2, Funny

    they sold a few million of them in Scotland, Wales and Northern Ireland.

  24. I'll take CDs thanks by bsytko · · Score: 3, Interesting

    I wouldnt download music from these services anyday. Why? The quality is just too bad. When I get a CD, I listen to it for the quality of sound not because of price. For me, I would rather buy music and get a better sounding product, than download.

  25. You are kidding! by skingers6894 · · Score: 3, Funny

    "the record industry has enthusiastically embraced the new legal download services ... and now we're beginning to reap the rewards"

    More like:

    "the record industry was lead by the balls kicking and screaming into download services...and now we're beginning to rape the rewards"

  26. want quality? then buy vinyl by johnpaul191 · · Score: 1

    CDs are still far worse sounding than vinyl.

    CDs may sound better than most MP3 files "find", but CDs sound worse than records.

    1. Re:want quality? then buy vinyl by Quiet_Desperation · · Score: 1
      I'll be so glad when you vinylphiles finally all die out.

      Hey, I tease. :)

      But seriously... Nyquist and all that.

    2. Re:want quality? then buy vinyl by Frank+Palermo · · Score: 4, Interesting

      "I'll be so glad when you vinylphiles finally all die out.

      Hey, I tease. :)

      But seriously... Nyquist and all that."

      Nyquist and all that? All that the Nyquist theorem says on the subject is that a sampling audio system like PCM should, in theory, be able to reproduce signals with frequencies up to 1/2 of the sampling rate faithfully. But in the real world, there are at least two problems with that:

      1) The low-pass filters used on the signal path are physical devices, not theoretical concepts. As such, they can't be absolutely perfect... they introduce phase distortions and begin attenuating at frequencies somewhat lower than 1/2 Fs.

      2) Even if the filters were "perfect" (not attenuating or introducing phase distortion until 1/2 Fs, at which point the attenuation becomes infinite)... well, the jury is still out on whether 22050hz (the theoretical upper bound given the 44.1khz sampling rate of CDs) is really high enough. There's some evidence to suggest that even if we can't "hear" frequencies above 22.050khz, they can have an effect on the way we perceive lower frequencies that we can hear.

      Just to be fair to both sides of the argument though...

      "CDs are still far worse sounding than vinyl." ...only on excellent vinyl playback equipment. It tends to be tougher to produce a mechanical device like a turntable cartridge with the same level of consistency that can be expected when producing ICs and the like. That (along with other factors like simple supply and demand) is why decent vinyl playback stuff tends to be quite a bit more expensive than decent CD players do. I have a reasonably high-end turntable and I enjoy using it tremendously... but I have to admit it wasn't cheap compared to digital gear in its league.

      To return to the digital downloads aspect of the article a bit though... I have to completely agree with the poster who shuns download services for poor quality. The only times I've extensively used iTunes were the Pepsi free song promotions, and if I found any songs I really really liked... well I went on Amazon or to my local record store and sought out the CDs to re-rip as DRM-free Apple Lossless. Better sound quality and the ability to use the format of my choice will make CDs the clear winner in my book for a long time to come.

      -Frank

    3. Re:want quality? then buy vinyl by psymastr · · Score: 0

      well I went on Amazon or to my local record store and sought out the CDs to re-rip as DRM-free Apple Lossless

      People who rip CD's to lossless formats don't know much about sound. They think they do though.

      --
      Improve at backgammon rapidly through addictive quickfire position quizzes: www.bgtrain.com
    4. Re:want quality? then buy vinyl by Gordonjcp · · Score: 1
      1) The low-pass filters used on the signal path are physical devices, not theoretical concepts. As such, they can't be absolutely perfect... they introduce phase distortions and begin attenuating at frequencies somewhat lower than 1/2 Fs.


      This is where oversampling and interpolation comes in. You cannot "create" frequencies above 22.05kHz - they're just not there any more. However, what you *can* do is increase the sample rate and interpolate the "gaps". This doesn't sound like much of a win until you realise how much easier it is to perform the lowpass filtering. It doesn't matter how blunt the lowpass filter is if the corner frequency is around 160kHz, and you're firing samples through at eight times the "normal" rate.

    5. Re:want quality? then buy vinyl by tlhIngan · · Score: 1

      Actually, digital sampling *isn't* perfect. There's a very legitimate reason why CDs can sound worse than vinyl, and why tube amps can sound better than transistor amps. (I say "can" - I can't hear the difference most of the time, but poorly mastered CDs and improperly connected amps can create some awful messes of noise).

      For CDs, the answer is fairly simple. A digital system has an upper limit. Exceed the limit, and the signal is hard-clipped. The sound of clipping is *very* harsh and quite awful (to most people). Digital clipping especially since it's a "brick wall" style of clip. Vinyl, when pushed to clipping actually distorts the peaks first (until brought to a suitable amount of overload, in which case it's just banging against the limits). But a tiny amount of clipping doesn't really result in harsh noise. And given that today's CDs are LOUD LOUD AND MORE LOUD, really, they start bobbing around clipping. (CDs have a huge dynamic range. TOo bad it's used effectively.).

      As for tube vs. transistor amps, the same is true near clipping as well. Transistors basically hard clip (can't really conduct more than full on). They're very linear devices, and they can clip fairly easily. Tubes, when you start overdriving them, enter a non-linear range that basically reshapes the peaks so the outputs don't quite slam against the power rails. Which is why guitar amps tend to prefer tube amps - drive them to distortion for some really neat sounds.

      That's not to say that digital signal processing can't replicate the effects, but it would need some attenuation of the inputs, and a high-precisiou, high-accuracy ADCs and DACs (they need the headroom to handle the peaks, and the time they're not being driven to the "out of normal" range, they have to generate at least equivalent quality words.). But it would require that the devices are driven nowhere near their full range. And that has a lot of interesting implications.

  27. In related news . . . by UnknowingFool · · Score: 2, Informative

    Apple has posted record profits ($320 M) for the third quarter. Apple shipped 6.2 million iPods in the quarter. Also sales of computers were up 35%. It seems that there really is a halo effect.

    --
    Well, there's spam egg sausage and spam, that's not got much spam in it.
  28. YHBT YHL HAND NT by irc.goatse.cx+troll · · Score: 1


    --
    Pain lasts, kid. Its how you know you're alive. Sometimes I think this growing up thing is just pain management-TheMaxx
  29. My experiences purchasing and downloading mp3s by rinkjustice · · Score: 2, Interesting

    I've experimented with three of the top mp3 downloading services: iTunes, AllOfMp3 and Napster. And of the three, AllOfMp3.com was clearly the fairest with the best selection.

    I guess calling them "music" downloading services is more accurate, because iTunes distributes songs in the mpeg4 format (I'm guessing only the iPod can play mpeg4's, because my MuVo mp3 player won't). Other annoyances include a circa 20 mg application I had to download and install just to have the privilege to shop at iTunes, the rather weak selection (I was looking for tracks off the new Seether album "Karma and Effect", which they didn't have) and lastly the .99 cost per track which is a little expensive. Nice interface though.

    Napster is so friggin' annoying, from the splash page to the pathetic selection (unless you like rap like R. Kelly *gag*) that I had to bail. They too didn't have any of the tracks I was looking for.

    Happily, AllOfMp3.com did have all the tracks I wanted, and each track costs about 12 to 20 cents! This is by far the best deal I could find. The "catch" is you have to commit $10 from your credit card, but I easily got more than an album's worth of music I really wanted, and I'll continue to shop there for all my fist raising, head banging needs. The interface was simple enough to navigate (could be streamlined more, but I'm nit-picking) and I was able to download in mp3 format at various levels of quality. Highly configurable. IMHO, it's the best music download service on the internet.

    1. Re:My experiences purchasing and downloading mp3s by Anonymous Coward · · Score: 0

      My only real critcism of allofmp3.com is that their encoding seems to need some work. I grabbed a track from them that I had gotten already on iTunes and the iTunes version sounded a lot better.

      I do use them to grab stuff in FLAC format, but those songs are relatively few and far between. Most stuff is in 384 kbps mp3 and sounds a little...off. Unfortunately, FLAC files wind up costing around $0.50 per track. That's still a great deal, but not as good as it sounded to me at first.

    2. Re:My experiences purchasing and downloading mp3s by spagetti_code · · Score: 4, Insightful
      Yes, Allofmp3 has by far the best combination of UI (just brilliant, kudos to the programmers), selection and price.

      But it's legality is quite dubious and the RIAA has had a couple of goes at it. At the moment it lives in a loophole of the russian copyright system that is unlikely to be closed - those russians have bigger problems to deal with first.

      So I guess it depends on how squeeky clean do you want to be???

    3. Re:My experiences purchasing and downloading mp3s by Kaorimoch · · Score: 1

      If you like AllofMp3, you'll probably be interested in the latest attempt by the music industry to sue people who link to it.

      http://www.heise.de/english/newsticker/news/61571

      Come to think of it, they are probably going to sue you since you linked to it as well.

    4. Re:My experiences purchasing and downloading mp3s by Jeffus · · Score: 1

      Another user mentions that he/she would rather not lose thier identity to the russian mob. I've see that many times and museekster (who is referenced above) mentions that this is not an issue because of the reputable credit card processor they use. Well, the processor has seemd to change to assist.ru who at first glance I question because their Thawte certificate is invalid. Just a warning....

    5. Re:My experiences purchasing and downloading mp3s by Anonymous Coward · · Score: 0

      If you like AllofMp3, you'll probably be interested in the latest attempt by the music industry to sue people who link to it.

      That, my friend, is definetely not fair!

    6. Re:My experiences purchasing and downloading mp3s by rinkjustice · · Score: 1

      Come to think of it, they are probably going to sue you since you linked to it as well.

      You must be joking - you can't actually be so stupid. First, I live in Canada where the courts have ruled it's not illegal to download music from p2p networks (too lazy to dig up a news link). Second, as a previous poster mentioned, AllofMp3.com is in full accordance with Russian and international law, so nothing I am doing is wrong. Maybe the RIAA isn't getting what they feel is their cut, but I could care less. I'll always try and do the right thing (TM), and follow the dictates of my conscience.

    7. Re:My experiences purchasing and downloading mp3s by rikkards · · Score: 1

      First, I live in Canada where the courts have ruled it's not illegal to download music from p2p networks (too lazy to dig up a news link).
      Only for so long. The new Copyright bill (C-6) which went through it's first hearing yesterday will change that quite quick. I would suggest if you haven't yet, that you contact your MP and voice your opinion on this bill if you want to continue doing it legally. I did.

      An interesting read from Michael Geist:
      http://www.michaelgeist.ca/resc/html_bkup/june2720 05.html

    8. Re:My experiences purchasing and downloading mp3s by houndsnyc · · Score: 1

      I think the record labels/distributors should step up and offer the same type of service as allofmp3.com even it was a little more expensive(say .25 cents a song) so artists can reap so benefit. I think US customers would be willing to pay for it. Whats not ethical is .99cents for a song that is in some crap drm format that you can't play freely. But still no doubt allofmp3.com provides the best most flexible service regardless of ethical perspective.

    9. Re:My experiences purchasing and downloading mp3s by rinkjustice · · Score: 1

      I did just that! Thanks for the info!

  30. The true tragedy behind all this by Lord_of_the_nerf · · Score: 3, Funny

    I think we're missing the true tragedy here - the lawyers. They're going to have to go back to...pursuing justice!

    1. Re:The true tragedy behind all this by Anonymous Coward · · Score: 1, Funny

      They're going to have to go back to...pursuing justice!

      You misspelled "ambulances".

    2. Re:The true tragedy behind all this by Anonymous Coward · · Score: 0

      Don't worry about the lawyers. Jeff Bezos will keep them busy.

  31. Re:FP by dextroz · · Score: 1

    "Enthusiatically emrbraced!??"

    My Mother fucking ass is what they've enthusiastically embraced you fokin paid dipshit! Have you forgotten all those lawsuits? You asked for this one buddy.

    --
    Where's my free iPod!? Until then, I'll settle for a kiss...
  32. Online music store for New Zealand & Aussie? by Anonymous Coward · · Score: 2, Interesting

    I'd buy music if I could find somewhere that sells to Australasia - and that is actually legally allowed to sell these files. And no, don't point me to that dodgy Russian MP3 retail site. Until then KLR it is. :-)

  33. Re:PLEASE by symbolic · · Score: 1

    Most people didn't do it to cheat artists, they did it because they had no choice.

    Please stop perpetuating such utter nonsense. They CLEARLY had a choice, but simply refused to exercise the required displine. I exercised that choice (and still am). I have no regrets whatsover, and I can honestly say I played an honorable game, even if the RIAA is a greedy whore of an organization.

  34. I read it that way too. by SolitaryMan · · Score: 1

    However it was this guy's last name -- Jamieson -- that confused me.

    --
    May Peace Prevail On Earth
  35. The hell they have... by Chordonblue · · Score: 4, Insightful

    "the record industry has enthusiastically embraced the new legal download services ... and now we're beginning to reap the rewards"

    Only because they were dragged kicking and screaming into it. They have done EVERYTHING in their power to prevent even the LEGAL downloading of material. In addition, they have used their might to stop or at least slow down acceptance of new media devices. I need only point to such debacles as:

    - The Cassette tape
    - The DAT/Cassette DAT
    - The CD-R
    - The digital MP3 player (remember when they tried to stop those?)
    - The Napster ruling
    - Internet Radio

    Etc... In short, they hate any technology they do not have 110% control over. If the music industry thought they could charge by the minute, they would.

    --
    "...Well, there's egg and bacon; egg sausage and bacon; egg and spam; egg bacon and spam; egg bacon sausage and spam..."
    1. Re:The hell they have... by Pecisk · · Score: 1

      Emmmmm...they already do. If you broadcast/record some concert material which has some copyrighted piece of art, you have to pay about minutes (AFAIK). Yes, it is in copyright law.

      --
      user@ubuntubox:~$ stfu This server is going down for shutdown NOW!
    2. Re:The hell they have... by Anonymous Coward · · Score: 0

      You got it right. One only needs to see these *AA to see that they must be dragged kicking and screaming to get to the next tech which later on proved to give them bigger profit.

      1. New tech appears
      2. Consumers love them
      3. *AA scream piracy
      4. *AA accuse their customers as potential thieves, even sue some of them
      5. Consumers get pissed off
      6. Some company takes risk and succeeds
      7. Other follows
      8. *AA reap even more profit
      9. *AA send PR releases on how visionary they are in embracing/supporting new technologies.
      10. Rinse and repeat.

      The debacles happened also for MPAA
      - TV
      - VCR
      - DVD
      - HD-TV
      - TiVo et al.
      - Internet downloads

      For once, I wish they just skip right to step 6 and make step 9 honest and believable.

  36. legal music is still expensive by groovy.ambuj · · Score: 1

    when M$ charges $300 for XP everybody cries foul. but charging $1 or so per song is also too expensive in my mind. Apple got ~50 million songs downloaded @$1/song. Bring prices down to reasonable limit 1-5 cents and legal downloads will take off the ground.

    --
    This sig doesnt exist.
    1. Re:legal music is still expensive by grolschie · · Score: 1

      I don't mind paying $1 per song if the artist gets a large chunk (at least 50%) of it. Little chance of that, right?

    2. Re:legal music is still expensive by pandrijeczko · · Score: 1
      Bands make their money from live performance and T-shirt sales unless they are huge multi-platinum artists that can demand what they want from the record companies.

      Downloadable music means destruction of the album format - this will result in bands having lower song output thus jeopardising the amount of material they have for live concert sets. This leads to less live concerts and less money to the bands.

      --
      Gentoo Linux - another day, another USE flag.
  37. I got Both by Anonymous Coward · · Score: 0

    I got my Vinyl here and my mp3's to play on the vinyl here.

    1. Re:I got Both by un1xl0ser · · Score: 1

      For everyone who doesn't want to follow random links, here is a description.

      The first one is a piece of software and hardware that allows you to controll mp3s through your current turntable. It has noises that signal the audio software to skip through a track, play it backwards, queue it up et cetera.

      The second is bleep.com, which is a site where you can purchase mp3s from artists on the Warp record label. You get good quality, non DRM, VBR mp3s for a decent price. This is especially good because a lot of the bands on Warp records are difficult to find on a whim.

      I recommend Jamie Lidell's album Multiply, which was my latest purchase from the site.

      Let the Aphex Twin = noise jokes commence.

      --
      v4sw6PU$hw6ln6pr4F$ck 4/6$ma3+6u7LNS$w2m4l7U$i2e4+7en6a2X h
  38. Music Industry Profit Model by Kaorimoch · · Score: 1

    Music Industry Profit Model for new distribution methods.

    Step 1 - Ignore.
    Step 2 - Start noticing people like this new method and prefer it over the current model.
    Step 3 - Sue everyone out of fear.
    Step 4 - Start encountering resistance.
    Step 5 - Start realising that it could work.
    Step 6 - Devise new models using the new method.
    Step 7 - Push it out into the mainstream and realise larger profits than before.

    Its been that way for centuries (eg piano rolls, cassettes, etc). Thank goodness we finally got to Step 7 for music downloads now.

    Now to wait and see how p2p services eventuate. I think we are somewhere between Step 3 and 5 so far.

    1. Re:Music Industry Profit Model by Anonymous Coward · · Score: 0

      P2P won't go anywhere. It's just a distribution model; no reason why the music industry can't take advantage of unused upstream bandwidth as well.

  39. Um, DJs? by Anonymous Coward · · Score: 0

    That would be funny if it weren't for the fact that dance music and DJs are even more popular in the UK than in the US. Technics turntables are probably more common there than BMWs. And that's just with the young, popular music buying crowd. I'm sure a lot of their parents still have phonograps around too.

    1. Re:Um, DJs? by De+Lemming · · Score: 1

      dance music and DJs are even more popular in the UK than in the US.

      Almost all dance music is released on 12" maxi singles, not 7". It's years ago I bought a 7" single, and I'm wondering if I ever put a 7" on my own SL1200s.

    2. Re:Um, DJs? by Anonymous Coward · · Score: 0

      You're right, of course. My point was mainly just that turntables are far from scarce in Britain.

      I tried scratching with a 7" once; it was a lot harder. Makes me wonder why those smaller CD turntables seem more common than the big ones.

  40. Greetings from Freud by koi88 · · Score: 0, Offtopic


    Hands up! How many read "Peter Jamieson, head of the British Pornographic Industry"

    --

    I don't need a signature.
    1. Re:Greetings from Freud by Darkman,+Walkin+Dude · · Score: 1

      Cheers mate, you just won me 10 bucks I had bet with a friend that one of the first three comments on slashdot about this story would say exactly what you just said. Wahu, I love this place.

  41. What will happen to the album? by montyzooooma · · Score: 2, Interesting

    Sales of singles have been on the decline for years, long before downloading became an issue, but nobody really cared much because album sales were still strong. Now we all know that most albums contain maybe 2 or 3 songs we want to listen to and the rest is filler. Yes there are exceptions but not many. If the shift in legal music sales is away from shops to online distribution and people no longer feel the need to buy an album to get the songs they want then what's the point of making an album? What's the ROI if only a couple of tracks actually turn a profit? Is this part of the reason the "Music Industry" is afraid to move online? Bands get corraled into deals that give them money up front that's then used to pay for everything including studio time, producers etc etc. If the costs to manufacture your profitable product (a track) is slashed and you no longer waste time on unprofitable "inventory" doesn't that empower the musicians? You don't need all that upfront money to make an album because you won't be making an album.

    1. Re:What will happen to the album? by pandrijeczko · · Score: 2, Insightful
      Now we all know that most albums contain maybe 2 or 3 songs we want to listen to and the rest is filler.

      Please don't make generalisations like this. This all depends on the type of music you listen to and the way you treat music.

      I listen to a lot of fringe hard rock that gets no airplay here in the UK. It used to be I had to buy an album on "trust" simply by reading magazine reviews and just taking a risk - most of the time I got albums that had only 1 or 2 good tracks on them.

      Nowadays, I download the album from Usenet as MP3s, if I like it then I buy the CD, otherwise I ditch it because it's just a waste of hard disk space. To me this is no different to taking a new car for a test drive before you buy it. The music industry gets less money from me because I'm more discerning but, on the other hand, I'm more happy with the overall product I buy because now I'm never disappointed.

      I now own over 1200 legal music CDs - yes, a few of those (a minority) are albums with 1 or 2 good tracks on them but most are albums that I only play as albums from start to finish. Occasionally I burn a compilation CD for the car or separate tracks for my MP3 player at the gym but otherwise I'm an album listener.

      I accept there is a demand for legal music downloading (I just don't understand why anyone would pay for music that's not on a CD with a nice cover and good sleeve notes) but, unfortunately, it's killing the way I listen to music, both on CD and live concerts.

      Simply put, it's through albums that a band creates enough material to perform live for a decent length of time. Unfortunately, the future of music now is grim - if a band only goes into a studio to record one or two catchy songs for the downloaders, their output will be less, as will their back catalogue, this will jeopardise live performances in turn.

      If downloading is the way music is going, who am I to stand in the way of progress? But it will kill the way most music is made today, both in the album format and in live performance - and I don't think that's going to be a good thing in the long term.

      --
      Gentoo Linux - another day, another USE flag.
    2. Re:What will happen to the album? by EmagGeek · · Score: 1

      You're forgetting one of the fundamental rules of capitalism. If the song is good, it will be bought. If the song is bad, it will not be. This puts tremendously more pressure on the song factories to turn out GOOD stuff because they know they can't force a bunch of crap down our throats anymore. They know those filler tracks won't be downloaded, so they will have to make BETTER MUSIC.

      Call it economic darwinism... call it whatever.. it works for the benefit of both consumers and artists.

    3. Re:What will happen to the album? by pandrijeczko · · Score: 1
      I'd agree with you if the record companies weren't involved as the "middle men".

      If it's the artist making their songs available on a web site for the public to purchase themselves, that just mirrors what used to happen 20 years ago when you'd go see a small local band play and they'd sell you there own recorded tapes at the gig. That's good for both artist and listener.

      However, throw the record companies in the middle and the whole thing changes. The listeners get their music downloads at a price dictated by the record companies and the musicians only get to record and release songs that are deemed "commercially viable" by the record companies.

      And, of course, the record companies will fight to the bitter end to maintain this "middle man" status...

      --
      Gentoo Linux - another day, another USE flag.
    4. Re:What will happen to the album? by fartymenams · · Score: 1

      Yeah, that's another P2P apologist line of bull, that almost all albums only contain 2 or 3 (or 1 or 2) good songs, that the rest are just filler. I've had people use that line on my to justify why they download stuff illegally. As far as I'm concerned, if the majority of albums you listen to only contain 1-3 good songs, then your taste in music sucks. (Which isn't to say that I didn't use to use P2P myself and that I don't currently use Usenet -- but let's be honest about it!)

    5. Re:What will happen to the album? by montyzooooma · · Score: 1

      So... what do you do when you download an album off Usenet but only like 2 or 3 of the tracks? Sticking to your principles you delete the files and don't buy the CD? Weigh up the pros and cons of buying against not buying and possibly buy a CD with only a few good tracks? Wait for best of compilation? Hmmmm. Your point about live performance is well made, for bands that are just starting out but most bands starting out play a mixture of their own tracks and covers. It takes time to build up a body of songs worth performing live. In any event, your focus is obviously on a particular kind of music (fringe hard rock) which is traditionally album-centric and concept heavy (I'm old enough to still remember the German black metal rock opera from the 80s when I was listening to Tommy Vance on a Friday night.) but some people like pop music and it's a different game as I'm sure you're well aware. Most of the fringe hard rock you're talking about is on independent or self-funded labels and not relevant to a discussion about Big Music record companies. They also have everything to benefit from a level playing field. More power to them!

  42. 500 million by green+pizza · · Score: 1

    when M$ charges $300 for XP everybody cries foul. but charging $1 or so per song is also too expensive in my mind. Apple got ~50 million songs downloaded @$1/song

    It's worse than that. Apple has sold just about 495 million songs. Half a billion dollars. See the links below.

    http://www.apple.com/itunes/500million/

    http://www.apple.com/itunes/

  43. What we need to do... by Jeffus · · Score: 2, Informative

    is support sites like eMusic. They off high quality, legal, non-DRM mp3s for 22-25 cents (depending on your monthly plan). Right now they are offering 50 free downloads from their very unique catalog (of which you can cancel if you like, but I'm sure not going to). Some of the stuff you can get from iTunes (so it's cheaper from eMusic.com) but a lot of you can't because it's from mostly independent labels or back-collections. If you like great music no-one's heard of, this is your site. The user-base seems pretty knowledable about what's good, so their "list" feature is nice. They also have incorporated some social networking/clustering features which allow you to see who your "neighbors" are with common interests. Supporting a site like eMusic, allows them to expand their already great selection, so check them out: eMusic.com. At least try it out, get your free mp3s, and then decide. They are offering 50 free because they believe that once you try it, you'll want to continue using the service; it's the best kind of advertising gimmick there is: offering a good product.

    1. Re:What we need to do... by jubei · · Score: 1

      My problem with emusic.com is that they used to be so much better than they are now. They used to offer "unlimited" downloads for a flat monthly fee. I was about to sign up, and they changed it to only allowing x number of songs a month.

      While it is nice they use unemcumbered mp3 files, forcing users to go though the typical x second streaming preview in order to preserve their download slots reduces the utility of the service.

      I want an all-you-can-download flat rate plan, so that I can queue up a bunch of files and find some new music.

  44. Pay for AllofMP3 via XROST/Paypal. by spagetti_code · · Score: 1
    Easy to fix. Use XROST. It works like this: you buy a prepaid code from XROST (you actually end up paying via paypal). You enter that code into allofmp3.

    Its nice because the russians can't get your credit card number, and the money is paid to paypal which is relatively reputable.

  45. Ha! by NubKnacker · · Score: 3, Insightful
    "the record industry has enthusiastically embraced the new legal download services ... and now we're beginning to reap the rewards"

    That one made me laugh. I'm not sure which is the funnier word, enthusiastically or embraced.

    Nice try making it look as if the industry was the one which ushered in the age of downloadable music. They did everything to stop it and when it steamrolled them over, they 'accepted' it and made it look like it was their creation.

    I wish I could warp to another universe, Trance Gemini style, where there was no napster, no kazaa and no BT and look at how enthusiastically they had embraced it there.

  46. http://www.allofmp3.com is clearly the best.... by Anonymous Coward · · Score: 0

    http://www.allofmp3.com
    http://www.allofmp3.com/>

    allofmp3.com is the best stuff. select your own bitrate, fileformat and generate the price and size you want personally and individually....

    best store there is...

    support allofmp3 and dont buy and pirate shit you dont need. teach those greedy music/video industries that its your money that keeps them alive....

    teach them capitalists and evil people on this world. all they want is power over more and more people and kill and suppress and enslave other contries and folks....

  47. $2 per song? by Anonymous Coward · · Score: 0

    I would be happy spending even $2 per song for 512 DRMless MP3's that are legal.

    I'm not trying to be contentious with you, but I do want to clarify to any/all the suits out there who own online music services that $2 per song ain't cool with everybody! I find even .99 is pushing it for most stuff.

  48. It is legal. by MarkByers · · Score: 1

    But it's legality is quite dubious

    From your very own link:

    Museekster: The number one question for everyone that hears of Allofmp3 and MP3search is: "Are these really legal services". Can your clarify the situation on copyrights in Russia?

    Roms: Yes, the sites you mentioned conduct their business legally and are licensed by ROMS, in full accordance with Russian and international law.


    It is legal. OK not everybody is happy about that, but it's the law. Lots of laws have supporters and protestors. How is that dubious?

    --
    I'll probably be modded down for this...
  49. I feel you brother by Anonymous Coward · · Score: 0

    When you're financialy killed like you and I are, you gotta make the cutbacks. Paying for music would be top on my list for such cost-cutting.

    However, if you live in Canada, don't worry about it anyway. Music downloading is not illegal in any way, as determined by the courts. Copyright infringement? Maybe, but copyrights are never read, unenforcable and nebulous in regards to their legality.

    I recommend checking out AllOfMp3 if you either can't find the song you want on the p2p networks or want to download legally. It's cheap, it operates in full accordance with Russian and international law and super user-friendly. You don't even have to use your credit card number. Instead buy a prepaid code from XROST/PayPal and enter that code into allofmp3.

    Just a thought. I know what it's like to scrape by!

  50. Interest rather than principle by guet · · Score: 1

    So I guess it depends on how squeeky clean do you want to be???

    Or maybe whether you believe ripping off artists by copying their music is a good thing to do? There are plenty of alternatives (magnatune for one) which are DRM free, and you can still buy CDs. Most people however don't care, so long as the chance of being caught is vanishingly small. Same thing happens in nations without an effective police force; anarchy and those who can take, take, and fuck the rest of the world.

    Unfortunately people are most of the time amoral, and until music providers can appeal to their self-interest it's not likely they'll choose to stop copying music.

  51. This isn't about LEGAL downloads by Mirk · · Score: 1

    Once more, they've got you just where they want you, using their terminology and so gradually succumbing to their way of thinking. This article is not about measuring LEGAL downloads at all, but about measuring PAY-FOR dowloads. P2P filesharing networks are used to download immense quantities materialy legally: public domain material, stuff that's out of copyright, tracks released by bands who active encourage downloading. Most recently and visibly, of course, the BBC's Beethoven symphonies. None of this important traffic is counted under the heading of "legal downloads" because none of it lines the pockets of the RIAA and their buddies. But WE DON'T HAVE TO PLAY ALONG with their fiction that nothing that doesn't give them money is legal! Please, folks. Let's get our terminology right.

    --

    --
    What short sigs we have -
    One hundred and twenty chars!
    Too short for haiku.
  52. Re:Music and Porn? by Anonymous Coward · · Score: 0

    your about 40 minutes too late. and somebuddy all ready made the reference to jenna jameson too.

  53. Anyone know how this is legal? by dzd12 · · Score: 1

    I just found this site today and can't believe that there is any way it would be legal in the US. It seems pretty industrial strength, as it uses Akamai to host all it's content, but I can't understand how they are able to host all the copyrighted content. http://www.id1g1t.com/search.php

  54. Am I the only one.... by Anonymous Coward · · Score: 0

    Am I the only one that keeps reading that as the "British Pornographic Industry"?

  55. Enthusiastically? by DaFork · · Score: 1
    "the record industry has enthusiastically embraced the new legal download services... and now we're beginning to reap the rewards"

    When iTunes and other services like it were first introduced, wasn't the music industry complaining about losing profits because of individual song downloads and fears of people stripping the DRM and redistributing the music?

    Now they want us to believe that they were driving this change and are finally reaping the rewards of their efforts?

    I think it is more like, they were forced to embrace legal music downloads once they realized it wasn't going away.

  56. Vinyl! by oberondarksoul · · Score: 1

    Vinyl records are very much making a comeback, particularly among teenage audiophiles. Doing a quick search on Amazon for 'vinyl' promptly reveals all number of new LPs - the most recent Manic Street Preachers album, for example, saw release on vinyl. I prefer vinyl to CDs, myself, so I'm certainly not complaining.

    --
    And tomorrow the stock exchange will be the human race
  57. AllofMP3 WORSE than pirating by acomj · · Score: 1

    Your paying for allofmp3, who returns nothing to the artists/publishers and just puts the profits in there own pockets.

    It your going that unethical route anyway (which you should think hard about, being a worker, I enjoy be compensated for my work), I suggest you just pirate the stuff and not provide the Allofmp3 the profits. At least p2p your peers aren't getting rich off you.

    1. Re:AllofMP3 WORSE than pirating by Anonymous Coward · · Score: 0

      Because there are so many q5 ogg vorbis tracs orbiting p2p. Want AAC 54bps or mp3 at 256? Allofmp3 actually gives you MORE flexibility and convinience than p2p. Now if the record companies pulled their heads out of their collective asses and realized THAT, we'd be getting somewhere.

  58. Close enough by SuperKendall · · Score: 1

    For me, I really don't notice the difference between downloaded tracks and the tracks from the CD - sometimes I've purchased both.

    You could probably tell in some parts, but it would take a careful ear.

    Basically, I am happy with the roughly $5 discount per album to get files that are only marginally worse quality than the CD. I'm even happier getting a $10 discount off the album to just buy a few tracks that I like and skip the rest of the CD.

    Many people seem to agree judging by how succssful it is...

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  59. The big problem with legal downloads by Simonetta · · Score: 1

    The big problem with legal downloads is that the downloader doesn't know what the music will sound like until it is actually downloaded and played. Which takes a long time and consumes a lot of bandwidth. Internet downloading is very inefficient way to become introduced to new music.

    What the music download sites should do is get the 'artists' to agree to put one of their (hopefully best) recordings (3-5 minutes max) in MP3 or OGG format on a DVD-ROM. These DVD-ROMs can hold about 1000 songs in high-quality MP3 format. Blank DVD-ROMs are selling for about $0.40US each now.

    People interested in new music would contact the New Music Artists Association NMAA and order one of this month's DVDs sent to them in the mail for a few dollars. With a thousand songs on each DVD, hundreds of new artists can get their music exposed to hundreds of thousands of people without signing away their future earnings to the currupt music recording distribution companies, the RIAA.

    All the heat generated over downloading really masks the real fact that downloading is the worst way to become exposed to new music. The limits of bandwidth are really a gift for RIAA. People get quite discouraged with the whole concept of new music through downloading after getting five or six tunes over a dial-up connection and finding none of them are of any interest.

    But then again, the RIAA (and by this I mean the companies funding this group, of course) is not interested in promoting new music. They want to continue to get the endless free money that comes from selling the same old recordings over and over again. It's like being a lumber company in a magic forest where the trees regrow a hundred feet overnight after being cut down.

    1. Re:The big problem with legal downloads by badmammajamma · · Score: 1

      This is why I have a subscription to Real Rhapsody. I use it as a preview service since they have a huge catalog I can sample almost anything. I even hear about a band I'll go check them out on rhapsody. If I like them, I will most likely buy their CD rather than download their songs because I like OGG and only allofmp3 generates OGG.

      My previous method of previewing music was to download it illegally with kazaa and then if I liked it I would go buy the CD. Rhapsody is very more convenient for this task and is, of course, fully legal.

      --
      Any man who afflicts the human race with ideas must be prepared to see them misunderstood. -- H. L. Mencken
    2. Re:The big problem with legal downloads by mirkob · · Score: 1

      but than that dvd must be shipped everywere, i live in italy, do you think is easier to pay and have a broadband connection who offer many other advantage or have something shipped from USA? at least shipped in a short period?

    3. Re:The big problem with legal downloads by Simonetta · · Score: 1

      Shipping a DVD-ROM from the USA to Italy costs 2 euros. A DVD-ROM will hold 1000 songs. In this case, I believe that a disk would be better than a broadband connection.

  60. "doing nothing"? by Anonymous Coward · · Score: 0

    To be fair, it's the record companies who provided the studio, the gear, the recording engineer, the promotional tour, the TV commercials, the encoded music to send to Apple using their "iTunes Producer" app, and the radio spots to advertise that music.

    Yes, the inevitability is that artists will do all this themselves, but right now, record labels are still untouchable when it comes to promotion.

  61. Get real by Anonymous Coward · · Score: 0

    Most people didn't do it to cheat artists, they did it because they had no choice.

    No, I'd say most people pirate music so they don't have to pay for it. They're not "forced" because they "had no choice." You make it sound like they're victims of something, downloading music with a gun to their heads.

    You seem to have invented a statistic from thin air, claiming "most people" weren't pirating to pirate. Get real. There are "ripping groups" solely devoted to releasing albums before their store release dates.

    There isn't some idealistic movement behind piracy. No culture movement or revolution going on. It's very simple--it's people using their high-speed connections to get stuff so they don't have to pay for it.

    The most bizarre thing is the way they justify it--sticking it to the RIAA when they're really sticking it to the artists they claim to be standing up for. The artists willingly signed their RIAA contracts. I doubt any of these pirates have actually talked to any artists about it before downloading their music for free.

  62. Mmmm...I love my legal download service by Call+Me+Black+Cloud · · Score: 1


    Yahoo! Music Unlimited

    Actually, it's my wife's subscription. She first started buying music from iTunes because she was afraid I'd get busted for downloading music illegally (I have a security clearance, and for the record, the polygraphers don't care. I fessed up to all my digital crimes: downloading music, copying software...yeah, that's about it. I told my polygrapher and he said, "great, now let's talk about real crimes"). At $0.99 a pop it gets expensive and she likes a lot of music.

    For her birthday I got her a Creative Zen Micro and a subscription to Yahoo Music Unlimited. Sure, it's an annual payment but for $60/year she has access to a growing catalog of music. None of the tracks are fake either, like you find elsewhere these days. She has no need to burn CDs (I also got her an FM transmitter for the car) and the Zen Micro comes in chick-friendly colors.

    I may subscribe to the service myself in fact...there's a lot of good music I wouldn't mind having easy access to. Unfortunately I can't bring the player into work...only store-bought pre-burned music CDs can be brought in.

  63. I'll take iTunes thanks by i8urtaco · · Score: 1

    You know, I'm sick and tired of people bashing on the quality of downloadable music, at least when it comes to iTunes. I've compared the audio quality of multiple tracks in CD, Ogg and M4A formats. Not suprisingly, the Ogg file and CD track sounded identical. But the biggest suprise was the loss of quality in the M4A file was miniscule. I know I'm not the biggest audiophile out there, but if I were to play that track again in a random format, I would not have been able to pick out the format unless I had the others to compare it to. I decided then and there to toss my Ogg Vorbis collection and re-ripped all my CDs to M4A, to allow iTunes to be my permenant audio jukebox.

  64. Paging personal responsibility by Anonymous Coward · · Score: 0
    > Illegitimate copying on P2P is not "greedy", nor should it be called "piracy". I am $400 in debt

    And *whoosh*, there goes any hope of you having a sensible position. "I'm poor, so the law shouldn't apply to me"? Rationalization, plain and simple.

    It's made even more egregious by the rest of your post, which summarizes to "I can only afford some of the luxuries I want, so clearly I shouldn't have to pay for additional luxuries."


    Whatever happened to personal responsibility? Whatever happened to budgetting? Does that mean I think you're "greedy"? Well, let's look at the Google-supplied definition:

    Excessively desirous of acquiring or possessing, especially wishing to possess more than what one needs or deserves.

    You certainly don't need cigs, online games, or new CDs. Unless you can give some kind of rationale for why you deserve music you've decided isn't one of your financial priorities, then the definition fits.