Slashdot Mirror
Sticky Tape Defeats Sony DRM Copy Protection
cybrpnk2 writes "As reported by InformationWeek, Sony BMG Music's controversial copy-protection scheme can be defeated with a small piece of tape. According to thinktank Gartner analysts Martin Reynolds and Mike McGuire, Sony's XCP technology is stymied by sticking a fingernail-size piece of opaque tape on the outer edge of the CD. 'After more than five years of trying, the recording industry has not yet demonstrated a workable DRM scheme for music CDs. Gartner believes that it will never achieve this goal as long as CDs must be playable by stand-alone CD players.'"
Does using tape in such a fashion violate the terms of the DMCA? If so, could the tape manufacturers be held responsible for making a product that potentially aides in piracy?
Cyric Zndovzny at your service.
This would be a good place to say something insightful, but the headline has me dumbfounded.
And they always said that home taping would kill the music industry...
I'm off to short 1000 shares of 3M.
Sony/BMG sued 3M Corporation today for their new technology called "tape" to circumvent their copy protection and encryption schemes. They will be tried under the DMCA, news at at 11!
Unstable Apps: Our Android Apps Don't Suck
Can we talk about Apple or Google instead 'cause I'm feeling depressed.
where is the foot icon above the sony icon?
Here's what you can do to defeat it without risking your optical drive: Hold shift when inserting the disc or, even better, disable CD autostart. But that wouldn't make such a nice headline, would it?
Indeed, these scenarios show just how artificial restrictions on knowledge and information are. It is impossible to try to make such an inherently abundant resource scarce, in order to derive profit.
Cyric Zndovzny at your service.
Only outlaws will have office supplies.
Illegal technology, outlawed by DMCA:
* Sticky Tape
* Magic Markers
* Shift Keys
When will these companies learn? 3M, Sharpie, and Dell-- stop trying to get me to break the law!!!
Wer mit Ungeheuern kämpft, mag zusehn, dass er nicht dabei zum Ungeheuer wird. --Nietzsche
Last time I had to defeat the usual sort of multi-session CD DRM I just used a whiteboard pen. It's helpful because if you go to far in (and start losing the last track), you can just rub little bits off until you get it just right.
Right with the Shift-Key guy. HACKERS!
...shares of 3M rose by 15 points
From Information Week: According to Gartner analysts Martin Reynolds and Mike McGuire, Sony's XCP technology is stymied by sticking a fingernail-size piece of opaque tape on the outer edge of the CD.
Ok, if I'm a Sony exec, do I feel very stupid right now?
From Gartner: After more than five years of trying, the recording industry has not yet demonstrated a workable DRM scheme for music CDs. Gartner believes that it will never achieve this goal as long as CDs must be playable by stand-alone CD players.
And being the music industry, they will not give up. Like lemmings to the sea. Really, there's nothing they can do. If someone can create software to copy-protect a CD, some enterprising soul can create software to defeat it.
They'll keep it up, because they will be in a blind panic at the idea of their profits drying up, even though they could spend time and effort creating some kind of shared, P2P music publication system whereby they could make money and people could get the music they wanted. But that's just one man's opinion.
GetOuttaMySpace - The Anti-Social Network
Gotta love it. Almost as cool as the captain crunch whistle.... well, not quite.
... what did you expect, something profound?
seriously
these guys are better than that insane chick on 'trading spouses'
"Remember when the U.S. had a drug problem, and then we declared a War On Drugs, and now you can't buy drugs anymore?"
That it will be impossible as long as CDs are playable!
What is next will Sony try and outlaw mics and wires?
Dear Sony. I will not steal your music. In fact I will not listen to or buy your music anymore. I am sure that eventualy artists will move to a label that treats it's customers with a bit more respect.
See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
"Alright, buster, how did you get around it?" "Look, Sarge! Tape! He's got a roll of tape!"
"You rebel scum!"
I bet I can overcome their DRM by not wanting anything from that list of albums, too.
A feeling of having made the same mistake before: Deja Foobar
Has there been any Audio CD drm put out that doesn't rely on the auto-run feature of Windows? I remember reading something about one method that would put defects in the disc that would be filtered out by an audio CD player, but I haven't seen any reports if that would affect cd-paranoia.
In other words, since I do all my music work using Linux, do I need to worry about any of the protection methods currently out there?
I'd like to see a list of all the drm methods that are "in the wild" along with their prevalence and effectiveness agains various OS's & tools.
i'd like to see some picture-demonstration for the less language-savvy.
Gee, all I need to do to avoid the backdoor* software is to stick a piece of tape to the CD and risk the tape coming off and damaging my CDROM drive?
BTW, when explaining the Sony CD fiasco to non-techie folk, using the term "installs a backdoor" seems to be very effective.
Bill Clinton: Pimp we can believe in. - The Shirt!!!
In 2003 some of the HP Labs researchers looked at the related issues and published a paper titled: "If Piracy is the Problem, Is DRM the Answer?" http://www.hpl.hp.com/techreports/2003/HPL-2003-11 0.pdf
You might find the white paper interesting if you've not read it before. This caused quite a stir when it was released, both inside and outside HP, and is still quite relevent in light of the Sony issue. This provides an counterpoint even inside HP where we try to maintain some form of management across all the issues.
The conclusion reads:
"We pointed out that unauthorized use and unauthorized acquisition are two aspects of piracy. A key concept is how licenses are bound to content. We saw that various kinds of DRM technology address these issues in very different ways, but that all of them have some kind of flaw that make it highly unlikely that they will be able to solve the problem of piracy. The real problem with piracy is that it takes only a small fraction of users who are capable of dissociating licenses from content to make managed content available to a significant fraction of users in unmanaged form.
We explored the concept of draconian DRM in which devices that handle managed content do not handle unmanaged content at all. Draconian DRM could potentially be effective at eliminating piracy if it were ubiquitously adopted, but introduces a new problem of how to handle public content.
Our conclusion is that currently proposed technical measures will not be able to completely stop the illegitimate distribution of pirated content. We believe that content producers must take steps to compete with the piracy as an alternative."
SONY should develop Penis Rights Management (PRM) systems for male geeks. Applying such a system to one's cock would prevent unauthorized use. Of course, since it is designed by SONY it will most likely work in the complete opposite way: women will be enticed to play with a cock using such technology! All of the geeks and nerds out there who can't get any pussy would benefit from such a device. They might even get laid!
Cyric Zndovzny at your service.
I still maintain that the best way to defeat Sony's DRM is by simply not buying their music. All the fuss and legal backlash is nothing if we are two-faced in our dealings with them, and indeed all big industry. If we're chiding them on the one side for their vicious tactics and financially supporting them on the other, they hear the message loud and clear: we're pushovers. I think that's the answer they were prodding for when they first decided to include XCP on their CDs in the first place.
Working in a DevOps shop is like playing in a band made up entirely of keytarists.
Not to mention September 2005 (http://www.gartner.com/DisplayDocument?ref=g_sea
"Organizations increasingly need to create, store, retrieve and manage rich media files. Those that successfully cultivate a digital asset management environment can cut their associated operational costs in half."
Returned Peace Corps IT Volunteer
Sure, it's karma whoring, but I get tired of the "shift key" advice when so many of us have moved on. Never worry about evil code on a CD again! If you're particularly paranoid, feel free to deselect the other checkbox as well.
* if you're using the older version, you'll have to do some searching. I have no reference for it.
You don't need to download TweakUI to do that.
Go to My Computer, right click on the CD-ROM drive, go to the AutoPlay tab and set your preferences accordingly.
or buy puts.
How to permanantly turn off CD Autorun on Windows.
The DRM, they do nothing!
"Every decent man is ashamed of the government he lives under." - H.L. Mencken
Oh, this is too funny.
.01 cent piece of 'write-protect' tape. And now, Sony repeats it with the same level of hubris... that's too funny.
Many years ago in the Apple ][ era... Lotus 1-2-3 was a great spreadsheet. They invested a huge pile of money to make certain that you could not run their program without possessing the original disk. And try as we may, we couldn't figure out how they did it... there was one sector that was funky, but it didn't make any sense.
Then, by chance, my neighbor had a nice RANA drive - and it had a 'write protect' button on the face, that you could manually toggle. We stuck a (non-working) copy into the drive to begin the arduous task of single-stepping through the code, and accidentally hit that button while doing so. The result?
Lotus fired right up!
They spent way too much money using a laser to create a specific media defect in a specific place; upon startup, the program would attempt to write to that location. If it failed, it knew it was the original. If it succeeded... then there was no defect there, and it was a copy.
All that time and god-knows-how-much-money they invested in this scheme... only to be defeated by a
help me i've cloned myself and can't remember which one I am
Owned!!!
---- You have been programmed by the Illuminati to not see the word ""!
UserFriendly has a dig at Sony (as well as Microsoft) in today's strip
WHICH IS STICKING THE TAPE TO MY SHIft key oh darn it got loose again....
People buy CDs to get the best 44.1Kbs uncompressed audio usually available for purchase. Yet the DRM'd versions are highly compressed audio files (hence things like the illegally included LAME decoder in the XCP package) where true quality is sacraficed in order to achieve compression levels allowing it to be sandwiched onto a standard CD.
Some very fine audio chips and speakers are available for computers these days, and certainly some people use their computers as their primary audio system. Yet were on the packaging, or EULA (an astonishing concept for a music CD in and of itself), does it tell you that you'll receive inferior quality playback when played on your computer. How many people believe that the DRM'd discs are actually playing back the .WAV files, instead of WMA or other crap files? It's fraud to not inform consumers that even after they agree to the DRM that they'll receive degraded audio as a result -- and Sony should have to pay for that as well!
"It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
RIAA was forced to sue itself today, as some smartass found a way to use a "sticky" mailing label that was included with one of their subpeonas, to circumvent the Sony Digital Rights Restriction kit.
help me i've cloned myself and can't remember which one I am
Gartner believes that it will never achieve this goal as long as CDs must be playable by stand-alone CD players.
As long as it must be playable in a standalone CD Player? As long as media must be visible or audible, DRM will never work. It might for a while, but people are always going to figure a way around it. I've argued this over and over. The software industry which, let's face it, has been at this copy protection thing a lot longer than the music industry and has quite a bit more specialization in it, still hasn't come up with a solution that works for software. What makes the music industry think it will succeed where this industry has repeatedly failed?
The software industry has managed to survive, despite rampant piracy. M$ has become enormous, despite the rampant piracy of Windows and every app they produce. The music industry just has to bite the bullet, accept that piracy is going to happen, but for God's sake, stop treating all your customers like criminals. All that will achieve is alienation and it will eventually lead to their demise when someone comes along and offers a competing product without treating the customers like criminals.
So you could reformat aol disks instead of buying disks.
Douglas P. Price
We used to use notch cutters to circumvent a single sided disk, making it double sided. We also used to always buy ss/dd disks for that purpose, because they were cheaper and just as good as the ds/dd disks that were around. The disk manufacturer had no idea which side of the ss/dd disk would be used (and claim compatibility with various drives), so they dd both sides anyways.
Also, an audio cassette can be copied over by putting tape over the notches on top.
Every time you skip on buying a CD because of DRM, write a letter to the artist explaining why. Yes this is work, and in some cases these letters go nowhere (or are just read by label staff). But many groups have their own people reading their fanmail, and in some cases the trend will be noticed by the bands. They will not be happy, and they can add pressure from other angles.
for DRMs. The big issue is that the DRM must be transparent enough to not effect the consumers, but strong enough that it discourages (not prevents) infringement. The best possible solution is at the hardware level. But at this point, with millions of CDs in circulation, you can't alter the hardware and break compatibility with existing disks. The key for the DRM industry is the next medium. CD will always be a weekness though. A high quality unsecured media. In order for DRMs to succed the RIAA/MPAA needs 3 things. A universal secure hardware based DRM (that in itself is a pipe dream), a new medium that offers something better then the current options (ie: Digital downloads and HD/Blue DVDs), and a marketing department that can convince main stream America to move up to the latest greatest.
The universal hardware DRM is a key. Because if a person doesn't HAVE to break your DRM to move their music from the PC to iPod to home sterio to car sterio to work, they wont. But you need a system that can be run in all of those places, and you need it to be cheap.
-Rick
"Most people in the U.S. wouldn't know they live in a tyrannical state if it walked up and grabbed their junk." - MyFirs
Sony, I believe, did threaten to sue the guy who revealed the shift key bypass a year or several ago. I suspect the current adverse publicity may have something to do with them not following up with threats against the sticky tape terrorist.
Infuriate left and right
Sony VAIOs will now ship without shift keys...
5adly, in some countries we no longer have the option of using shift keys. 1've managed to come up with some workarounds, though. 7hankfully most sentences can be worked around to start with a letter easily replaced by a number. 3asy 0nce you get the h4ng 0f it. 0f c0urse, 17'5 4 b17 0f 4 h455l3 to le4rn, bu7 y0u g37 u53d t0 17.
Thanks guys, I submitted this same article yesterday and it was rejected!
You got it backward: Lotus would not run *unless* it failed to write that spot.
.... 1-2-3 runs
Copy on ordinary floppy --> write works --> 1-2-3 won't run
Original disk --> write fails --> 1-2-3 runs
write-protect disk --> write fails -->
I don't even buy CD's anymore. It's not worth the trouble of wondering what it's going to do to my Windows machine, having to run downstairs to rip it on my Slackware box, or wondering if it's going to play in my DVD player or car stereo. Since I've managed to get to the point where I have enough accessories for my iPod that I can play that anywhere, even in the car, I just buy all my music from iTMS. I've had to buy a couple of things from MSN Music that I couldn't find on iTMS, but I just burn that to CD-R and rip it Apple Lossless and get the same effect. It's not perfect, but it's good enough for me.
Ed Foster provides more information that allows us to make a "behavioral profile of Sony":
... before users can even say yes or no to accepting the Sony EULA,
MediaMax has already installed a dozen files on their hard drive and started
running the copy protection code. The files remain even if the user rejects
the EULA, and the Sony CDs provide no option for uninstalling the files at a
later date.
... an e-commerce revenue generation "feature of dynamic on-line
and off-line banner ads. Generate revenue or added value through the placement
of 3rd party dynamic, interactive ads that can be changed at any time by the
content owner."
Sony has other DRM software. Here are quotes:
MediaMax also "phones home" every time you play a protected CD with a code identifying what music you're listening to.
Ed Foster says Sony management has a "scum" profile. Quote: OK, so let's see what we've got here. A company that seems bent on sneaking files onto unsuspecting users' computers, pretending they've gotten permission to do so from a vaguely-worded EULA, transmitting a constant stream of usage information back to their servers, and using that information for who-knows-what revenue generating opportunities. Does this sound like a familiar profile to you? Of course, it's the profile of all the spyware/adware scum that have come very close to destroying the Internet just to make a few bucks peddling their trash.
Issues that remain concerning Sony's rootkit software and other DRM software:
As is shown by Ed Foster's analysis linked above, attacking customer computers seems to be the kind of thing that is part of the Sony corporate culture. There has been no apology, and Sony management makes statements giving the impression they intend to continue infecting customer computers.
A music retail store spokesman said that Sony's rootkit attack has become public just before Christmas. Customers can easily choose some other gift now that they are scared about computer attacks. Sony's attack has hurt the entire music industry, not just Sony. Also, the damage will continue after Christmas.
Few people are technically knowledgeable. The Sony rootkit CDs will be causing problems for many, many years, as they are traded or borrowed or sold to thrift stores.
The number of computers already corrupted by the Sony rootkit is probably far larger than the 500,000 quoted in articles about the Sony attack. That number is just the number of Domain Name Servers that show evidence that a computer has tried to contact the Sony phone home address. The average server would almost certainly service more than one corrupted computer.
Following Microsoft's lead years ago, some businesses treat all their customers as crooks so that they can stop a few.
DRM schemes such as XCP aren't about preventing piracy anyway, which is why it's okay that it's so easily defeated. Instead, today's DRM schemes are about indoctrinating the public, getting them so used to putting up with DRM that we won't complain loudly enough when the ultimate home invasion occurs - that is, when we all switch to digital TV, and their DRM finally puts a nail in the coffin of VCRs, DVRs, and that pesky Betamax decision.
Now we have to change from a marker to sticky tape... soon they'll probably make us get white-out as well to circumvent the next generation of copy protection...
I think sony has a secret alliance with office supply manufacturers - the losses in copyright material will be offset by increased furniture sales... :P
I am unique, just like you, and you, and you...
In the gartner report, the authors suggested two very disturbing ideas, no stand alone players and DRM installed, in all hardware pc. Failing this, or additionally, it is suggested that the RIAA go the legislative route to solving this problem. Given the that it is pretty clear, that they can not prevent technology from moving forward, I am sure that they redouble their efforts on a DMCAII.
It has been mentioned here before but the purpose of the government is not to save dying business models but to incourage innovation and jobs. The history of the 20th century is littered with businesses that have gone by the way side, telegraph, gas lighting, teletype machines are just a few. I am not one to argue that information is free but a new model is being forced upon the music/movie industry and hiring lawyers/lobbiest is not going to make the problem go away.
---
four industries that hate their customers: the airlines, the telephone companies, the music and movie.
Heck, I've been using a green marker around the edge of my CDs since the '80s. Softens those strident "1" bits (makes 'em less assertive) and rounds out the "0" bits (so they're rounder, like "o"). Sounds better, and no DRM either!
I really fail to understand what anyone hopes to achieve by any form of copy protection...
As far as I can tell, the only form of copy protection that can hope to work against any low-level data extraction tool is one that involves partially invalid data or unreadable regions. And even then, you can do a straight 1:1 copy, and whenever it starts having read errors, put a 0 or something in those bytes and skip them. That is easily achieved using a utility like dd. In many cases, you can also read the disc in a virtual PC (e.g. VMware), and save the audio output to a disk file - and then delete the virtual PC in case of malware installed by the CD.
Unless the disc is in a proprietary format which can only be read by a specific player, which has no standard output connections, you can copy anything that you can play, simply by plugging the output of whatever you use to play it into the line-in on your PC. If they somehow prevent that, you can still record anything using a microphone, as long as you can somehow get sound waves out of it.
Also, is it really right to try and stop all copying? I absolutely cannot stand any kind of data being held within a single physical object, especially such a fragile one as a CD. I keep most of my CDs backed up onto two locations, but I steadfastly refuse to play the music on more than one location at a time, or share it with a friend. There can't be very many people in the world who would want to rip the musicians off, and not posess the necessary technical skills to bypass copy protection. The slightest hint of copy protection on a CD in my posession prompts me to try and create a "pure" copy, just because I can't stand my data being defiled by such things.
Certainly, it is stupid to incorporate Windows trojans into the CDs. People trust the music companies; at least, they did. Things like this must really lower people's trust - especially since they try to disuade people from piracy by saying that pirate copies may contain trojans. I will certainly be very reluctant to insert a CD into a Windows computer without the shift key held down in the future.
Try a Sharpie!
//Information does not want to be free; it wants to breed.
Sell him some "special" 00 grit sandpaper and tell him to scrub the labels off of his cds with it. Tell him that it'll make the cd lighter and the sound "clearer".
Make sure you get a good headstart before he destroys his cd collection.
It is by the juice of the coffee bean that thoughts acquire speed, the teeth acquire stains. The stains become a warning
Audio CD Protections, in brief:
- Zeroth Generation (the Click Generation):
* Weak Sectors in ATIP: TTR Technologies MusicGuard (never deployed)
Flat out doesn't work at all, you probably wouldn't even notice they'd done anything. Any Lite-On, BenQ or Plextor wouldn't even skip a beat. Only CD-ROM tested which even gave a damn was a Sony (heh), the drive in the PlayStation 1 to be precise. Didn't get a contract, so TTR partnered with Macrovision, and tried harder. Much harder. Much too hard, in fact.
* Weak Sectors causing C2 Errors in Audio: TTR Technology/Macrovision SAFEAUDIO (limited deployment), Settec Alpha-Audio D-Type (data type, never deployed)
Extremely rare, no longer used; the market overwhelmingly rejected it, which is to say, it broke a music exec's speakers. High channel return rate because of obscenely low compatibility, duplicators returning whole batches as bad pressings because they couldn't perform any useful QA on discs deliberately damaged to this extent. Useless. (TTR apparently liquidated.)
Archiving: Alternate CDFS.VXD tools for Win9x may work, as they interpolate in exactly where SAFEAUDIO puts corruption. Other than that, deliberate damage = not perfectly playable, or rippable. Effectively an analogue medium with huge deliberate noise spikes. Use a mint disc, do the best you can, and high-order-interpolate over the scratches (Adobe Audition or something), just like archiving vinyl.
- First Generation (The Anti-CD Generation):
Archiving all first-generation formats merely needs a Good Drive and Good Software with Good Settings. Can be divided into roughly three groups:
* High Jitter Spike: Cactus Data Shield (classic): CDS-100/CDS-200, First4Internet XCP-Aurora XCP "Red"
(0'09", insert bad CIRC sector, 1200 weak sector/desync, 2 *blank* sectors with no sync, then start again with normal data.) Intent: Cause a "hiccup" during a burstmode rip which would be absorbed by a CD player's (tiny) buffer. Reality: Any quality drive firmware, buffer, or jitter correction, means you won't even skip a beat. Might slow down a little, but that's all. Now only marketed for internal releases/promos.
* Malformed TOC/Evil Session with no player: Early Sony key2audio (1.0), Settec Alpha-Audio S-Type (session type), First4Internet XCP-Aurora XCP1
Bread and butter, it's simple; include a normal or malformed TOC, and sprinkle liberally with a seriously malformed second session, relying on CD-ROMs being multisession and CD players being single session only.
* Malformed TOC/Evil Session with autorun player: Sony key2audio, SunnComm MediaClòQ
Differs from the above only in the second session being malformed, but having a valid data track containing a DRMv2 WMA player (or downloader). Players have evil EULAs, and may interfere with ripping while the player is running (although the first version of the key2audio player that appeared actually shifts the session enough to allow flawless ripping while the player is running...!) but as far as known, they don't leave behind malicious software.
- Second Generation (The Autorun Generation):
Rate of returns was still high, so Macrovision tried a weaker system with a much higher false negative, but a much lower false positive. Actually caught on; almost no returns. They could actually put the CD logo on these if they wanted.
* Valid CD-Extra with autorun player: Macrovision CDS-300, Macrovision TotalPlay CD, Alpha-Audio M-Type (main type)
Player (MS-DRMv2, as usual) interferes with ripping (while it's running) but doesn't seem to leave any malicious software behind. If the autorun isn't run (disable it, or hold SHIFT while inserting CD and be careful in Explorer) or supported, it's a normal CD-Extra. First session is valid Red Book.
- Third Generat
'After more than five years of trying, the recording industry has not yet demonstrated a workable DRM scheme for music CDs. Gartner believes that it will never achieve this goal as long as CDs must be playable by stand-alone CD players.'
Damn, you weren't supposed to tell them that. This was just starting to get funny.
I was also thinking some one should explain to them what the V stand for in DVD.
Well, originally the "V" stood for "Video". That presumably made some marketing guy from some DVD Consortium company that made non-video devices unhappy, so it was renamed to "Versitile". After many more dollars spent debating this crucial issue, nobody could agree, so officially the "V" stands for nothing.
You probably think I'm joking; I assure you, I'm not, sad as it is.
I once had a boss that kept marketing people off of his back by generating busywork to occupy their time. Every time they had a meeting in which they wanted to influence anything technical, he'd bring up the fact that something lacked a name and emphasized how crucial it was to the product's success that the name be appealing. They'd vanish for a month. It was amazing to see this guy in action.
Of course, we had to put up with silly names as a result, but we didn't have to deal with technically broken things, so it was worthwhile.
Any program relying on (nontrivial) preemptive multithreading will be buggy.
Why on Earth would anyone spend over $100 on one short cable is beyond me.
I've worked with stage sound for a while now, and I can tell you that we use no cables like these. Most of them are years old and still "primitive", but they still provide professional sound.
These "special" cables sound like a rip-off to me.
Back in the 1980's when computer game piracy was at its peak(?) I heard firsthand that copies of this game would deliberately reformat the disk they were on upon detection!
:(
As with the case of Lotus 1-2-3, a write-protect tab solved that 'problem' and a copy of this once-popular gamesim worked as normal.
After enough consumer backlash, game copy protection became more subtle or was somehow integrated into the gameplay of the games themselves somehow.
To this day, the best example of this I know of were the 'launch codes' from another EA hit game STARFLIGHT (I).
It's a shame Electronic Arts has devolved into a tool of major sports franchises and not as the cutting edge computer game company they used to be
with such releases like STARFLIGHT, its sequel, and the 2 'CONSTRUCTION SET' gamesims they put out for pinball and music composition....
Another major copy protect annoyance are the 'gotta-have-the-CD-in-the-drive-at-all-times' kinds of protection -- very lame and potentially destructive to your valuable investment in the CD game itself and CD-ROM drive it is spinning needlessly in....
The simple solution to all forms of media/IP piracy are low, competitive prices but that would conflict with the corporate duty to make as much profit as (legally?) possible. Because of this, we now live in a world filled with DRM, DMCA violations, and IP copyrights that will likely outlive everybody alive who reads this post....
The corporate stance of the media industry as a whole is essentially this: Your purchases have worn out and you want them again on 'replacement media' for a small replacement charge? Fsck that! Buy another damn copy at full retail price! (If it's still in print if you're lucky.)
This happened to me years ago when my cassette tape copy of John William's E. T. The Extra-Terrestrial soundtrack wore out from playing it constantly (and enjoying it). Fortunately(?), I was able to rebuy it again on CD. In a perfect world, the term 'out of print' would be unheard of and licensed media bought could be replaced for just 'materials, shipping, and handling'. But the industry model of artificial scarcity brings with it corporate greed and eventual subsequent consumer dissatisfaction. Notice how the advice nowadays is to wait for 'ultimate edition' DVD releases of favorite movies instead of buying the bare-bones release now and the 'ultimate edition' later if/when it comes out? Perhaps the 'shining' example of this 'atrocity' is the 'two DVD release' of KILL BILL as 'two separate volumes' instead of as one, complete 'set'.
Touching on DRM for a bit, look at the hypocrisy of USA government/big business persecuting 'DVD Jon' and that guy from Russia that cracked DVD Content Scrambling System and Adobe's protected PDF format respectively. Why is it, due to DMCA, legal to import strong cryptograpy into the USA to protect the secrecy of your own affairs but to reverse-engineer domestically created encryption schemes that 'protect media' for personal uses only is a felony offence worthy of serious fines and jail time? Has society come to the point that human life is so cheap that we can throw them away (in prison for 'minor', non-violent offences) and just make more in 9 months or less so long as the 'precious cash' keeps flowing between big business and big government here in the USA?
'Twould be nice if the USA copyright system went back to the original 14-year max format established by the Founding Fathers. If that were the case, these and other 'Slashdot Favorite Films' for example would be public domain by now....
2001: A Space Odyssey (1968)
Close Encounters Of The Third Kind (1977)
Alien (1979)
Blade Runner (1982)
E.T. The Extra-Terrestrial (1982)
Aliens (1986)
Superman (1978)
Star Wars (1977)
The Empire Strikes Back (1980)
Return Of The Jedi (1983)
The first six STAR TREK movies (1979,1