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Canadian Record Industry Disputes Own P2P Claims

CRIAWatch writes "The Canadian Recording Industry Association has quietly issued a new study that contradicts many of its own claims about the impact of P2P usage on the music industry. Michael Geist summarizes the 144 page study by noting that the research 'concludes that P2P downloading constitutes less than one-third of the music on downloaders' computers, that P2P users frequently try music on P2P services before they buy, that the largest P2P downloader demographic is also the largest music buying demographic, and that reduced purchasing has little to do with the availability of music on P2P services.'"

174 comments

  1. It's... well... what... by Suddenly_Dead · · Score: 4, Funny

    This has got to be the first time the recording industry has said anything surprising, or possibly realistic regarding piracy.

    I'm scared, someone hold me.

    1. Re:It's... well... what... by BigBlockMopar · · Score: 0, Redundant

      This has got to be the first time the recording industry has said anything surprising, or possibly realistic regarding piracy.

      Actually, it's probably more along the lines of the limited quantities of lame Tragically Hip and Rita MacNeil songs in peoples' MP3 directories.

      --
      Fire and Meat. Yummy.
    2. Re:It's... well... what... by Firehed · · Score: 1

      What was stated isn't surprising. The fact that a RI said it is surprising. The Candaians... who'da thought it? Actually, they've been saying a lot of things recently that made $respect.canada++;

      --
      How are sites slashdotted when nobody reads TFAs?
    3. Re:It's... well... what... by DextroShadow · · Score: 1

      If I hold you do I finally get to say I got laid?

      --
      My karma makes buddha cry.
    4. Re:It's... well... what... by Anonymous Coward · · Score: 0

      $respect.canada++;

      Oh great, now you've gone and increased respect's Canada! Soon he's gonna be goin' around eatin' "Tim Bits" and talking aboot-- OK, WHO DID $AC.canada++?? NOT FUNNY GUYS.

    5. Re:It's... well... what... by MadUndergrad · · Score: 5, Insightful
      I wonder how the RIAA will respond to this study.

      More likely instead of addressing the study they'll try to sue the RI of Canada, somehow making a nebulous claim about the RIoC cutting into their profits.

    6. Re:It's... well... what... by Takumi2501 · · Score: 2, Funny

      Timbits is one word. :P

      --
      Sent from my computer.
      Now GET OFF MY LAWN!
    7. Re:It's... well... what... by Minwee · · Score: 5, Funny

      It's all so obvious. Low sales in the US are caused by generic Canadian versions of songs coming across the border. The US needs tighter regulatory controls on music to prevent this kind of thing.

    8. Re:It's... well... what... by thej1nx · · Score: 2, Funny

      I am sure a truth serum was involved somewhere. :)

    9. Re:It's... well... what... by nurb432 · · Score: 1

      They will just send it to their spin masters and twist it around somehow.

      Will it be false? Sure, but the common man ( and legislature person ) will believe it.

      --
      ---- Booth was a patriot ----
    10. Re:It's... well... what... by KutuluWare · · Score: 3, Funny
      It's all so obvious. Low sales in the US are caused by generic Canadian versions of songs coming across the border. The US needs tighter regulatory controls on music to prevent this kind of thing


      If it gets rid of Celene Dion and Bryan Adams, I'm all for it.

      --K
    11. Re:It's... well... what... by Citizen+of+Earth · · Score: 1

      Low sales in the US are caused by generic Canadian versions of songs coming across the border. The US needs tighter regulatory controls on music to prevent this kind of thing.

      To complete the metaphor, Canadian music would need to be manufactured in the US in the first place, which creates a compelling reason to doubt its "safety".

    12. Re:It's... well... what... by Anonymous Coward · · Score: 0

      I can't believe I laughed as hard as I did at this and it isn't a dirty joke. Well played.

    13. Re:It's... well... what... by Anonymous Coward · · Score: 0
      To complete the metaphor, Canadian music would need to be manufactured in the US in the first place, which creates a compelling reason to doubt its "safety".

      By "manufactured in the US", you mean sold by a US-based corporate management and stock market manipulation front that outsources the actual R&D, engineering, materials procurement, production, quality control, payroll, customer support, repair to Cheapistan and is registered in the Bahamas in order to avoid being part of meager 5% of US corps that actually pay US taxes, and stamps "Proudly Made in USA" on it, right?

    14. Re:It's... well... what... by Dashing+Leech · · Score: 4, Informative
      "What was stated isn't surprising."

      What the article didn't state makes it even more emphatic. In Canada it is legal to download music via P2P. So all the stuff about P2P in this study refers to legal downloading, and still it isn't harming the recording industry like they say and still people buy music with a legally free alternative. (I say "free", but really we pay a levy on recordable media to compensate, so it's really a legally "already paid for" alternative.) I think that says even more.

    15. Re:It's... well... what... by Minwee · · Score: 1

      It it helps you feel any better I can put the word "Wang" in it somewhere.

    16. Re:It's... well... what... by tonywong · · Score: 1

      Will they call it the Celine Dion law?

    17. Re:It's... well... what... by Anonymous Coward · · Score: 0

      Don't worry the RIAA is still as stupid as you think, thats the CANADIAN music industry that just took its head out its ass.

      *whew*

      That was close, Coporate America almost started living in the real world.

    18. Re:It's... well... what... by grub · · Score: 1


      If it gets rid of Celene Dion and Bryan Adams, I'm all for it.

      My girlfriend took me to a Bryan Adams show a few months ago. I was pleasantly suprised as it was quite entertaining. (She came to see Motorhead with me last year so this was a tit-for-tat move)

      --
      Trolling is a art,
    19. Re:It's... well... what... by Anonymous Coward · · Score: 0

      My girlfriend took me to a Bryan Adams show a few months ago. I was pleasantly suprised as it was quite entertaining.

      Oh no. We're too late. Leave him! He's gone! Let's get out of here!

    20. Re:It's... well... what... by Stephen+Samuel · · Score: 1

      You can feed them to the Arrogant Worms. I'm pretty sure they'll eat anything (( and produce satiric droppings from it )).

      --
      Free Software: Like love, it grows best when given away.
    21. Re:It's... well... what... by Anonymous Coward · · Score: 0

      You are misinformed, how does the levy on recorded media make it legal to steal copyrighted material?

      You need to do a little research on copyright before you start to post nonsense. If you think for one second that an american association (like the RIAA) can't sue a Canadian for stealing.. you are SO wrong.. Oh, and be carefull using the stairs, wouldn't want you to fall down, seeing as you go through life with your eyes closed.

      The money made on the recordable media (not that I am a proponent of this) is supposedly earmarked for canadian culture.. So by downloading your favorite amaerican band (im guessing N'Sync) you are in essence stealing from the record company and giving to the Bare Naked Ladies... but only if you burn it to a CD..

  2. The Invisible Downloader. by Anonymous Coward · · Score: 4, Insightful

    Um. In keeping with the invisible nature of P2P (intentional or otherwise). How does anyone know that they have the facts?

    1. Re:The Invisible Downloader. by Anonymous Coward · · Score: 0

      It's not as invisible as many people think, especially to those who think that tricks like alternate ports mask their activity.

    2. Re:The Invisible Downloader. by Anonymous Coward · · Score: 0

      Who slipped them the Truth Serum?

    3. Re:The Invisible Downloader. by Takumi2501 · · Score: 1, Flamebait

      Yeah, because nobody would ever have any reason to lie to a recording industry about stealing from them.

      --
      Sent from my computer.
      Now GET OFF MY LAWN!
    4. Re:The Invisible Downloader. by Shelled · · Score: 1

      The CRIA didn't conduct the poll, Pollara was commissioned to do it. It's a wild guess, but they probably didn't preface the process with "would you mind answering a few questions for the industry from which you're stealing?"

    5. Re:The Invisible Downloader. by pla · · Score: 1

      In keeping with the invisible nature of P2P (intentional or otherwise). How does anyone know that they have the facts?

      1) Arguably not illegal in Canada.
      2) Many people brag about the size of their pirated collection.
      3) If you consider P2P as even remotely "anonymous", I have a bridge to sell...

  3. Dare I say it? by Rank_Tyro · · Score: 3, Insightful

    No shit.

    Glad they finally figured it out...

    --
    Today's show is brought to you by the number 09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0: 25
  4. The Fault by therage96 · · Score: 5, Insightful

    About time someone pointed out the obvious. The most mindnumbing about the whole RIAA/MPAA debacle is how they keep blaming their diminishing sales on the consumers as if we are required to buy so many of their products per year. Last time I checked, when a business's sales are dwindling, its time to try something new, or perhaps even innovate. However, their brand of innovation, i.e. suing everyone, seems to be a bit counter-productive.

    Of course, it doesn't help when they have the government in their pocket either.

    1. Re:The Fault by ozmanjusri · · Score: 5, Informative
      The most mindnumbing about the whole RIAA/MPAA debacle is how they keep blaming their diminishing sales on the consumers

      Yep, when people were actually asked why they weren't buying more music, the greatest factors were:

      • price (16%)
      • nothing of interest (14%)
      • lack of time (13%)
      • collection is big enough (9%)

      In other words, all the music industry needs to do to make more sales is to sell an interesting product, at a price the market will bear.
      Their customer-hate behaviour has been so destructive, musicians contracted to RIAA member companies should initiate class action lawsuits to recover income lost to these inane tactics.

      --
      "I've got more toys than Teruhisa Kitahara."
    2. Re:The Fault by MightyMartian · · Score: 5, Interesting

      Quite frankly I think the root of the problem is that the record companies have become so overwhelmingly corporate in nature, so dominated by dull, unimaginative accountants and MBEs that they've forgotten the precise nature of the business. I really can't believe that the early 1990s saw the last gasp of groundbreaking music, but the last decade has basically saw a cookie-cutter approach, with forgettable boy bands and female stars who require odd sounds and digital enhancements to make their "dance" records even work in any sense of the word.

      Record companies are blaming a lot of people for their own failings. Right now the next Beatles or Led Zeppelin could be slogging away unnoticed, but record companies don't seem at all interested in encouraging and developing artists, and they're reaping what they sow, and all the anti-consumer DRMs and legislation won't give these incredibly musically inept corporate types what they need.

      Besides, these are the same pack of crooks who spent the last fifty years screwing artists every which way, so I figure that a good deal of payback is in order.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    3. Re:The Fault by Knuckles · · Score: 1

      the last fifty years

      You underestimate :)

      --
      "When I first heard Daydream Nation it quite frankly scared the living shit out of me." -- Matthew Stearns
    4. Re:The Fault by Anonymous Coward · · Score: 0
      Besides, these are the same pack of crooks who spent the last fifty years screwing artists every which way, so I figure that a good deal of payback is in order.

      Amen, brother!

    5. Re:The Fault by goonerw · · Score: 2, Interesting

      who require odd sounds and digital enhancements to make their "dance" records even work

      Ben Fold's said it best in "Rockin' The Suburbs":

      I'll take the checks and face the facts, while some producer with computers fixes all my shitty tracks

      Then again, we have a flood of "Some unknown vs. Well known artist of old (80's etc.)" with the well known artist's song and just repeating the first line of the chorus to some shitty backing dance crap. At least some poptarts try singing the whole song, albeit without the feeling, intent, or even in the same key, "danced up" and sounding absolutely horrible.

      --
      LOAD ".SIG"
      PRESS PLAY ON TAPE
    6. Re:The Fault by Splab · · Score: 1

      Your sig reminded me of a very good local band:
      http://pressplayontape.com/

    7. Re:The Fault by Jesus_666 · · Score: 1

      Very true, PPOT are great.

      Seriously, good music hasn't died out. Just listen to PRESS PLAY ON TAPE's free stuff. And then buy their CDs.
      I'm currently listening to Polysics (link to WP because their site ain't that great), who make quite nice music and quite strange videos. Another nice Asian band is YMCK, who make bleepy, cutesy bitpop. (Whoa, they've released their second album? Let's hope that their extrajapanese distributor gets it in stock soon.) And of course there's Machinae Supremacy, the ultimate Swedish SID Metal band. Return to Snake Mountain, anyone?

      There's a lood of great bands out there. You just have to find them.

      --
      USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
    8. Re:The Fault by Anonymous Coward · · Score: 0

      You're a Genius (i'm of course referring to the original "The Fault" Thread Creator)

    9. Re:The Fault by dc29A · · Score: 1

      Seriously, good music hasn't died out.

      Definitely not. Some more awesome bands:

      Therion Operatic symphonic metal band. They blend classical and metal music. They use opera singers for most of their songs.
      Tiamat Gothic rock with heavy Pink Floyd influences. Fantastic band.
      Symphony X Awesome progressive metal band.
      Leaves' Eyes A bit more commercial, but still awesome. Great gothic metal band.

      Scandinavia and Holland has many original bands: Andromeda, Epica, The Gathering, Elsie, Nightwish, Opeth, Ayreon and others.

    10. Re:The Fault by Anonymous Coward · · Score: 0
      it doesn't help when they have the government in their pocket either

      What could they possibly do wrong otherwise? Without government and its special "right" to employ coercion as the means, the music industry would have to operate 100% on voluntary association (otherwise they would be criminals). For starters, DMCA-type laws have absolutely no place in a voluntary market. (Laws like that -- much like laws against voluntary drug use -- could not possibly arise out of voluntary association.)

      Isn't it perfect for government, how they can corrupt and exploit what would otherwise be a voluntary market, and then blame it all on lack of government interference in the market? The sad part is that people actually eat it up.

      The fact is that mixing coercion (government interference) into an otherwise voluntary market can only encourage more coercion (i.e. foul play). The winners are the businesses who can successfully exploit that coercion -- not the ones who only intend to play fair and compete on voluntary grounds.

    11. Re:The Fault by Maxo-Texas · · Score: 1

      I don't know how much this is a part of it but the last few times I went out dancing there really wasn't any recognizable music. There was essentially just a beat-- this started 2-3 years ago. Everyone gets out and wiggles and jumps up and down to the beat and that's about it.

      I wonder if clubs are playing less music since it either
      1) what people dance to isn't what they listen to
      2) riaa and others have gotten pretty aggressive about wanting royalties from everyplace- even barbershops. Okay- so they -might- get a few dimes out of that but they lose a lot of mind share when most of those elevators, stores, barber shops, etc. just flat out stop playing their music.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    12. Re:The Fault by bzipitidoo · · Score: 1

      For me, I've run out of music. There's nothing more of interest, but I am certainly interested in more, if only there was more that I liked. I think this is why older people don't listen to music as much. Heard it all already. Maybe in another 100 years civilization will have enough great music that fans won't run out. And musicians will produce enough new good music that a genre won't be stuck with a pathetically short playlist of a few hundred hits. That's the real problem with Top 40, the "40" part. They make that number bigger, and you get even worse songs on the hit list. Keep it around 40, and you hear the same 40 halfway decent songs over and over. I'd like to see that number be at least 100, maybe around 500, and have enough decent music to populate a list that size and keep it fresh. Sadly, the industry doesn't seem able to do it, and is getting their priorities wrong by greedily trying to squeeze what they have for all it's worth rather than promote more good music. We may never know what music could have been done with all that money squandered on lobbying, lawsuits, and executive pay.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    13. Re:The Fault by Anonymous Coward · · Score: 0

      * price (16%)
      * nothing of interest (14%)
      * lack of time (13%)
      * collection is big enough (9%)

      Whose ass d'ya pull those numbers out from?

  5. Damn right by ZakuSage · · Score: 1

    2/3rds of the music on my computer is from ocremix... although I guess if you want to bitch I did download that via bittorrent.

    1. Re:Damn right by ClamIAm · · Score: 2, Interesting

      And with the draconian copyright laws we currently have, most (all?) of the music on OCRemix is considered infringing. I only mention this so we all remember that there's quite a few issues involved in the struggle for better copyright law.

    2. Re:Damn right by Hatta · · Score: 1

      I'd wager that less than 5% of the music on my computer is from p2p. I get the rest from traditional client/server protocols. ;D

      --
      Give me Classic Slashdot or give me death!
    3. Re:Damn right by TheSpoom · · Score: 1

      Amen to that. Game music remixes are free, new, usually high quality tracks that are easy to download. OCRemix and recently VGMix have been gaining percentage on my playlist for a while.

      --
      It's better to vote for what you want and not get it than to vote for what you don't want and get it.
      - E. Debs
  6. Spin control? by anagama · · Score: 5, Insightful

    I haven't read the 144 page research report, but I think it is worth noting that the person who summarized this report, states at the end of his summary that he has been claiming for a long time that p2p downloading doesn't affect sales that much. In other words, he has a perspective on the issue. Somehow, I find it hard to believe that the recording industry is going to look at the stat which shows that a 1/3 of music on computers is from (presumably copyright-violation style) downloading (this is for the most-frequently-purchasing demographic (teenie-boppers)), and say "oh yeah, p2p doesn't harm our bottom line. The recording industry has a different perspective ... they'll say they're losing 33% of their sales and have a freak fit.

    Anyway, I wonder if people were asked this questions: "of music you have downloaded (as in copyright violation style), how much of that music is good enough to keep for a 1x/decade listen, but not worth buying?" Maybe I should RTF 144pg report ... naaa.

    --
    What changed under Obama? Nothing Good
    1. Re:Spin control? by Nan0c · · Score: 1

      Agree, shoudl read it myself. Personally, anything that I've downloaded that I like I went out and bought. If I didn't I deleted it. This has opened me up to a lot more music than I originally listened to. I don't think I'm the only one doing this.

    2. Re:Spin control? by BewireNomali · · Score: 2, Insightful

      Right, I thought something similar - it's an emperor has no clothes deal.

      in fact - if those numbers hold - the RIAA might be able to find some kind of correlation between pre and post p2p sales (hypothetical).

      All of which is to say, it's absurd to think that P2P isn't affecting music sales. It's like the climate change thing. It's clear the climate is changing. It's clear that our greenhouse gassing is additional input. The question is - does more fuel burning = climate change.

      Does the availability of ubiquitous and free music online mean reduced sales of music? It's clear that P2P is having an effect on music sales. In fact, it might be clear that P2P is having an effect on movie sales. This is the reality. The issue here is that both industries are so tied to their methods of delivery that they need to protect their current pipeline until they've shifted over.

      In the long run, content is going to be free. Commercials and conventional advertising is going to die, and the only way to get adverts to the end user is going to be via content. Songs about Pepsi, Trojan brand condoms in love scenes. This sucks for Hollywood and RIAA because it means a paradigm shift away from their models.

      --
      un burrito me trampeó.
    3. Re:Spin control? by smoker2 · · Score: 2, Insightful
      In the long run, content is going to be free. Commercials and conventional advertising is going to die, and the only way to get adverts to the end user is going to be via content. Songs about Pepsi, Trojan brand condoms in love scenes. This sucks for Hollywood and RIAA because it means a paradigm shift away from their models.
      foreach $expletive (@profanity){ print "$expletive\n"; }

      Since when has the primary purpose of "content" been advertisement delivery ?

      Did Homer write his Odyssey to promote a fucking Cruise ship or Eric Arthur Blair pen 1984 to promote his new word processor ?

      Or is it just Art for Art's sake (money for gods sake) as 10cc would have it ?

      Let's see, you could have Spam, chips, egg and Spam, that's not got much Spam in it !

    4. Re:Spin control? by shmlco · · Score: 1
      "In the long run, content is going to be free."

      In the long run, content is going to be paid. Why? Because the people who make music and movies and write books have to eat. Because all of them require significant upfront investments in time and energy and money. Because for most of them selling t-shirts at personal performances doesn't pay the rent.

      A "Firefly" episode cost a million dollars a pop to make. Serenity $45 million. If you're not going to pay for it, and you don't want advertising, then who will pay for it? Or are you saying that you want "your" content to be free, and that everyone else should subsidize you?

      Or that we should do without, and hope that enough people playing around with $500 video cameras and Final Cut will fill up all of that screen and air time with something worth watching? When they're not working at Walmart, that is.

      Or that we should return to the days of patronage, where our best and brightest writers, singers, directors, and actors spend most of their days running around, hat in hand, begging for handouts from the rich?

      You may be right, however, in that "eventually" content will be free... of course, by that time food, clothing, medicine, housing, and transportation will be free as well.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    5. Re:Spin control? by BewireNomali · · Score: 1

      No dude. I'm right in the fact that content is going to be FREE for the end user.

      It's the only way to make piracy a non-issue.

      the artists will be paid BY THE ADVERTISER.

      sheesh, I didn't think I'd have to spell it out.

      Free content means no piracy. Anyone watching it is good. You can track it all you want and keep statistics to ensure that the product is viral enough. This will serve as "ratings" in the new paradigm.

      *shrugs*

      --
      un burrito me trampeó.
    6. Re:Spin control? by shmlco · · Score: 1
      You just said "Commercials and conventional advertising is going to die." Now, the advertising people are paying for their content to be Tivo skipped. Which is it?

      Oh, I get it. In Serenity II they stop at a space station to fill up on Pepsi, and Mal discusses at length the advantages of the new 5,000 blade disposable Gillette. On CSI they discuss at length why all of their analysis equipment is running Windows Vista. Whereas in the next Pirates of the Caribbean Jack Sparrow stops at a... ah... heck. No tie-in's, no movie I guess.

      And that's worth free?

      Sorry, but I'll vote with my dollars, as I've always done, and reward those who create entertainment WORTH paying for...

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    7. Re:Spin control? by BewireNomali · · Score: 1

      I never said it was worth anything.

      But it will be free to you. That way, piracy isn't an issue. It's the legalize everything method of content - and content providers will be the advertisers. You will be unable to Tivo as there will be no commercials to Tivo past.

      It will work as you described and in a manner of other ways: certain actors may sign limited lifetime contracts with designers so they can only wear said deisgner's clothing or drive a certain manufacturers car. labels will be prominent. Scripts might even use certain companies prominently in the plot.

      McDonald's already pays hip hop artists for references to their food in songs. Google it. They definitely announced the intention to do so at least six months ago.

      IT will happen. Then they'll want you to download. You'll be spamming yourself.

      --
      un burrito me trampeó.
    8. Re:Spin control? by BewireNomali · · Score: 1

      oh, and there will be advertising for something like pirate of the carribean. women over consumer media by a clip of 6 to 4 and growing. pirates in the future will be filled with flaxen haired actors sponsored by shampoo and hair mousse du jour.... your favorite actress's cheeks ruddied by something ord other - and glorious victorian chic clothing by designer X. It'll be like watching fashion week and oxygen all at once. Lol.

      It's coming - sooner than you think.

      --
      un burrito me trampeó.
    9. Re:Spin control? by Anonymous Coward · · Score: 0

      EXACTLY!

      yes i have downlaoded music, but im not depriving the RIAA of shit, namely because i NEVER would have paid for a single track i own. Most of it is so old id have to be sifting the dollar bin at a thrift store to find it, the rest i wouldnt have paid 15 dollars a CD to get the one track i wanted anyway.

      so while ive got a good gig or so of music none of it hurt the RIAA.

      When looking at statictics like how much of someones music came from P2P you should also ask how many people would have been willing to pay for it if it hadent been free.

  7. Those Canadians... by Nice2Cats · · Score: 0, Offtopic

    ...just can't get anything right, can they...sheesh.

    1. Re:Those Canadians... by neoform · · Score: 1

      For sure, man, i can't believe we haven't figured out what all you americans have figured out.. lawsuits solve all of life's problems!! (makes me glad most lawsuits get thrown out of court for being rediculous)

      --
      MABASPLOOM!
  8. Well.... Duh by Anonymous Coward · · Score: 2, Interesting

    Everyone here knows it. I buy more music now, not less. And I'm a huge P2P user. I don't buy or even listen to anything from a major label. I don't care if my boycott has any political significance. It's a personal choice. I'm done supporting them. I'm indifferent to whether they survive or not. So I pretty much stopped in to reiterate the obvious. Since it's early in the thread and all... I also like buying used CDs, electronic trance etc from ebay and places like that. Stuff that didn't have huge production runs and are out of print and can't be purchased new. And my mp3 collection otherwise is stuff I wouldn't buy or couldn't find on CD...

  9. No kidding. by AWhiteFlame · · Score: 2, Interesting

    Most audiophiles are not going to have a giant music library of all pirated music and have 0 CDs or purchased media.

    Personally, the only time I use gnutella or such is when I need a copy of a song without DRM for whatever reason. I already have the song on CD or from iTunes.

    This study is pretty much redundant. This has been said again and again. But not that the RIAA [is going/wants] to listen.

    --
    "Everything worth innovating today will go to court tomorrow."
    1. Re:No kidding. by x2A · · Score: 1

      This study is pretty much redundant

      Only, as with any study, to those already in the know. The people at the top with the "power" who are doing the suing, passing laws, and spreading the fud, are blatently not in the know (one hopes; if they're not in the know, they're impressionable and manipulated, if they are in the know, they're just bitter and corrupt).

      Otherwise it's just p2peers denying damaging sales, which the RIAAsses can respond "of cause they're say that, they don't wanna get in trouble", which can sound pretty convincing.

      Proof (even statistical) of what you know is always better than just knowing it when there are people shouting that you're wrong.

      --
      Ever notice the less someone knows, the louder they know it?

      LCD/TV/Monitors (UK)

      --
      The revolution will not be televised... but it will have a page on Wikipedia
    2. Re:No kidding. by MooUK · · Score: 1

      The fact that matters about this study is that it is one by the industry groups themselves. And that is near enough a first to matter.

    3. Re:No kidding. by Anonymous Coward · · Score: 0

      What the fuck? Put your goddamned spam in your signature where I don't have to see it, asshole.

    4. Re:No kidding. by x2A · · Score: 1

      didn't realise there was a difference, but seeing as you asked so nicely

      --
      The revolution will not be televised... but it will have a page on Wikipedia
  10. The OBVIOUS by us7892 · · Score: 3, Interesting

    It seems so obvious. It always has been obvious.

    Except, I do remember a colleague of mine filling half the available diskspace on my company computers with Napster music downloads back in 2000. He was racing to beat the crackdown. He burned a lot of CD's from that frenzy of music downloads...

  11. Well, my fiance and I just broke up, so... by MufasaZX · · Score: 5, Funny

    ...let me look out the window...OMFG, no shit, it's snowing in hell, well I'll be...um...damned. =P -c

    1. Re:Well, my fiance and I just broke up, so... by The+Amazing+Fish+Boy · · Score: 1

      Well, my fiance and I just broke up, so......let me look out the window...OMFG, no shit, it's snowing in hell, well I'll be...um...damned. =P

      What, you didn't notice that? Yeah it started back around the time you got engaged....

    2. Re:Well, my fiance and I just broke up, so... by Minwee · · Score: 1
      That's okay, it's only snowing in Canadian Hell.

      I think that Dante had a name for that one. Something like "Buffalo".

  12. Weird by Anonymous Coward · · Score: 0
    I can't seem to find my sleep right now, so I go here to read. My train of thought goes like this: The music industry actually coming to its sense, my unrest is actually caused by something. Somehow, all I can think about is the usual slashdot cliches:

    - Coincidence, I think not!
    - Correlation is not causation
    - In soviet russia, the music industry reflect on itself. (This one is so good I should reuse it later)

    while I have this song about how "I love cliches" playing in my head and wondering to myself:

    "if a 20 second exerpt of a song is fair use than what if I repeat the same thing for 3 minutes and it produce the full song; is it still fair use?" I am now reminding myself of Rigel in Farscape on a sugar high and trying to remember which episode number it was so I can watch it again soon. I'm totally making a Hunter S. Thomson of myself, whew! For the nostalgic, I make some mention of preserving my Karma by posting anonymously.

    This last one will definitely make me loose slee~~!@~ NO CARRIER

  13. No DUH! by Anonymous Coward · · Score: 0

    If this was Fark there would be a BIG farking OBVIOUS tag on the post! Which ony slightly beats out the ASININE tag that the idustry itself receives

    1. Re:No DUH! by NormalVisual · · Score: 1

      No, if it was Fark there'd be an "IRONIC" tag followed by 100+ comments of people slamming the submitter for not knowing what "ironic" means, along with some obligatory Alanis Morrisette references, one or two "HA-HA" Photoshops, someone bringing out the "I work for XXX, and I'm getting a laugh..." quote, and half a dozen "O RLY" owl variations.

      --
      Please stand clear of the doors, por favor mantenganse alejado de las puertas
    2. Re:No DUH! by Tadrith · · Score: 1

      Yup!

      Coincidentally, that's also why I love it so much. :)

  14. How to change their tune... by Anonymous Coward · · Score: 5, Insightful

    1. Never, ever pay for anything that you can download.

    2. Make sure your friends and relatives know how to download stuff for free.

    3. Make sure your friends and relatives know they cannot be caught or sued if they just download. Sharing or uploading is what all lawsuits have been based on.

    4. Remember that if it is free, it is probably crap. But so is what you would pay for.

    1. Re:How to change their tune... by johansalk · · Score: 1

      Remember that if it is free, it is probably crap.

      Not true, some of the best things in life are free.

    2. Re:How to change their tune... by Anonymous Coward · · Score: 0

      "Make sure your friends and relatives know they cannot be caught or sued if they just download. Sharing or uploading is what all lawsuits have been based on."

      It's idiots with this mentality that are killing the networks. Don't do this; you're fucking it up for everyone else.

    3. Re:How to change their tune... by whereiswaldo · · Score: 2, Insightful

      I pay tax on burnable CDs to cover the cost of music downloaded from the Internet without paying for it. Therefore what I download and burn to CD is paid for. Since it's paid for, am I breaking the law? I think not.

      Access to a virtually endless supply of cheap (see above) music has changed the way I think of music in my life. I download whatever I might be interested in and delete whatever I don't like without thinking "hey, I paid $2 for that song I'm keeping it even though I hate it". Now I can amass a large quantity of music that I really like which, aside from the CD tax, only costs me some time in weeding through that music. This is made easy with the iTunes/iPod combination. I look forward to the experience every day. If I choose, I don't ever have to listen to the same song more than once. That's amazing.

    4. Re:How to change their tune... by Anonymous Coward · · Score: 0

      Please cite one or more examples.

    5. Re:How to change their tune... by Parham · · Score: 2, Insightful

      Firefox and umm... a lot of open source stuff.

    6. Re:How to change their tune... by Aadomm · · Score: 1

      Sunsets, various herbs, the guaranteed eventual death of everyone who has ever pissed you off.

      --
      Mention the Lord of the Rings one more time and I'll more than likely kill you.
    7. Re:How to change their tune... by Anonymous Coward · · Score: 0

      > 1. Never, ever pay for anything that you can download.

      That's absurd. I'm a Canadian, and I'm telling you that's a horrible statement.

      I respect our court's ruling; it regarded mechanism, not content issues.

      Correct me if I'm wrong, but the judge essentially said: P2P apps are akin to photocopiers. We ain't going to ban Xerox, onus has to be on the individual to use the copier responsibly.

      There's NOTHING in Canadian law that says "g'ahead, leech till yer full".

      I'm a self-employed geek, now. Have been for 12 years.. but I did most of a university Bach.Music degree.

      > 2. Make sure your friends and relatives know how to
      > download stuff for free.

      Oh, For cryin' out loud, give me a break! That's horrible. You write a great song, the equivalent of "stairway to heaven" .. then lose all yer income because 14 year old dipshits can click on a button..? You've got no respect for the artist.

      Bite me, please.

      Scott.
      (416) 432-4334

  15. So let's see here... by cdrguru · · Score: 0, Troll

    you, as a dedicated RIAA-hater and music lover illegally download music and take whatever risk is associated with that. Then, with no apparent benefit, you go and pay the RIAA and the rest of the industry that you would like to change.

    Why? Guilt?

    If you are going to download, why purchase? You aren't getting your point across. The only way folks are going to convince the content owners, artists, composers and so on and so forth that they must release their material for free is to STOP BUYING.

    OK, if you are a dedicated law-abiding citizen that fears the reprisals if they download a song, fine - do without. But if you are downloading anyway WHAT ARE YOU DOING PAYING FOR IT? This destroys the entire concept of "it has to be free or we will just steal it" that everyone is pushing for.

    Please, understand what you are fighting for. It is the elimination of the possibility of any financial reward for anything that can be expressed in digital media. While this view may not be shared by everyone, it certainly should be shared by all "downloaders".

    1. Re:So let's see here... by bladesjester · · Score: 4, Insightful

      Who says it has to be free?

      Besides, some of us like having physical media, liner notes, etc. Personally, I like playing cds in my car and it's a lot easier to tell the "real" ones apart at a glance than it is with any of the mix cds that I burn.

      As for rewarding the RIAA for behavior that I find distasteful, I don't reward them. How? I buy most of my cds used. The only actual new cds I have bought in the last 2-3 years have been from local and regional bands that I went to see live.

      I look at music the same way I look at software - if the people who made it want it to be free, great. If they want to charge for it, that's fine too. If they charge what I consider to be a reasonable price and I have some use/desire for it, I'll buy it. If they charge too much for my tastes or I don't really want it that badly, then I won't but it.

      It's amazing how that works.

      --
      Everything I need to know I learned by killing smart people and eating their brains.
    2. Re:So let's see here... by Belial6 · · Score: 1

      That attitude is actually a lot easier with music than with software. Many of use would make dramatically less money if we were to just refuse to use software that we find overpriced. The number of people that would be harmed financially by not buying music CDs is miniscule.

    3. Re:So let's see here... by DrSkwid · · Score: 1

      So, you just walk into the food store and help yourself to what you want and wander out without paying ?

      "it has to be free or we will just steal it"

      I'd rather pay $15 for a cd if food was free

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    4. Re:So let's see here... by evilviper · · Score: 0, Troll
      As for rewarding the RIAA for behavior that I find distasteful, I don't reward them. How? I buy most of my cds used.

      Sorry, but no. You're still rewarding them, just much less-so than if you bought CDs new. Driving up the resale value allows them to sell CDs for more than they could when the CDs were new.

      Besides, I bet you bought those CDs from a company that sells lots of new RIAA CDs as well, and you're helping them pay the rent, stay in business, etc.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    5. Re:So let's see here... by Takumi2501 · · Score: 2

      That's the biggest load of crap I've ever read.

      The vast majority of the music I own is legitimately purchased. I have no particular love for the RIAA, but I do feel that the artists who spent all the time and effort to create the music I'm listenting to have a right to be compensated.

      Besides, the music business is like any other. If they charge an outrageous price for their product, nobody will buy it. Don't try to justify your theft (and yes, it is theft) by saying that I'm an idiot for paying for my music.

      Just to be clear, I'm not saying that downloaders are bad. After all, I've done my share of downloading myself. I'm just saying that this whole notion that music should be free simply because it can easily be pirated anyway is stupid.</rant>

      --
      Sent from my computer.
      Now GET OFF MY LAWN!
    6. Re:So let's see here... by Elemenope · · Score: 1

      You sound so...reasonable. I'm intrigued by your ideas, and would like to subscribe to your newsletter. ;)

      --
      All the techniques ever used to make men moral have been themselves thoroughly immoral... (Nietzsche)
    7. Re:So let's see here... by Uerige · · Score: 2, Insightful

      Please, understand what you are fighting for.

      Please, understand that some people aren't fighting.

    8. Re:So let's see here... by jonaskoelker · · Score: 3, Insightful

      Sorry for biting...

      But I do feel that the artists (...) have a right to be compensated.

      Oh absolutely. I'm all for compensating the artists. However, very little of the retail price for a CD is spent on compensating the artist, and a lot of it is spent rewarding the RIAA for tyranizing the population. That, I think, is wrong. I'd gladly donate a dollar here and there for the songs I love, if I'm confident that the payment system is reasonably secure, and that three nines or more of the money goes to the donatee.

      Don't try to justify your theft (and yes, it is theft) by saying that I'm an idiot for paying for my music.
      Don't worry, it's not theft, so there's nothing to justify, and you're not an idiot for paying for your music, you're an idiot for paying money to be oppressed by the RIAA.

      Anyways, let me explain: If I copied your rhetoric, you would not lose your ability to use it. If I copied all your CDs, you would not lose the raw materials, or the ability to listen to them. If I copied your car (don't ask), you wouldn't lose your car.

      It is NOT theft (and I'm sick and tired of people calling it that), it's copying. We as a society (I'll only speak for "my"self, and that's Denmark), had at a time come to the conclusion that giving up our right to copy information (since we were unable to, by virtue of not owning printing presses and CD toaster) would be a good trade, since more works would be produced. Now, the assumptions are wrong: we are able to copy information, almost effortlessly.

      I'm just saying that this whole notion that music should be free simply because it can easily be pirated anyway is stupid.
      So, if we could copy food limitlessly, we shouldn't let the hungry people have it, because the food-producers need to be compensated?

      Yes, it is a valid analogy: copyright creates an artificial limit on the copying on music, the above example is an artificial limitation on the copying of food.

      Maybe an economical argument can convince you: once a piece of music is on the internet, supply is infinite. In a free market, that would imply that the prices ought to be zero(*). However, copyright law and the RIAA artificially (try to) limit the supply, thereby artificially keeping the price up.

      (*) Note, though, that even if the price is zero, that doesn't prevent people from donating money; surprise: some people do that.

    9. Re:So let's see here... by Infamous+Tim · · Score: 1

      Dear god, calm down the anti-RIAA rhetoric and think about what you've just said for a second.
      The buying and selling of used goods has at best a tenuous relationship to the sale of new goods that are still being produced. It will usually follow the new price up and down as it fluctuates, but it is always less than the new. Exceptions arise when a particular pressing of an album is no longer produced new.
      CD shops that buy used CDs from consumers do not pay the RIAA a dime for the privilege. Same then when a used CD is sold; the RIAA only sees dollars when the original sale is made. This is the reason they hate the 2nd hand market so much and tried to stamp it out. Try the First-sale Doctrine.
      The new CD market drives the 2nd hand market, not the other way around. Don't let your hate cloud your vision to the simple facts of economics.

      And you make the assumption that anyone that even sells RIAA material should go out of business. Can you get any more rabid than that? They sell other stuff yaknow, you're tossing the baby out with the bath water. Why don't you go burn down every CD store in your home town if that's the way you feel.

      --
      checking for libvirus... no
      ERROR, libvirus.so not found, terminating
    10. Re:So let's see here... by bladesjester · · Score: 1

      I tend to be a fairly pragmatic individual.

      Frightening isn't it?

      --
      Everything I need to know I learned by killing smart people and eating their brains.
    11. Re:So let's see here... by Shelled · · Score: 1
      "As for rewarding the RIAA for behavior that I find distasteful, I don't reward them. How? I buy most of my cds used."

      What makes you think a levy on used CDs won't be next? They tried before, and it's logically consistent with the notion you should be paying for license to use, not the right to own a copy. Buying used CDs is at best a convenient temporary solution that doesn't address the fundamental re-definitions of the way society treats information these corporate vermin are trying to pull off.

    12. Re:So let's see here... by bladesjester · · Score: 1

      There's a difference between buy and use. Most of the really expensive software that you use is paid for by your employer unless you are your own employer.

      In that case, you don't pay for it - your employer does because they see the cost to benefit ratio as being reasonable. You just use it.

      --
      Everything I need to know I learned by killing smart people and eating their brains.
    13. Re:So let's see here... by Anonymous Coward · · Score: 0

      Thats why it is an opinion.. TO YOU it is theft, to those who know the laws - it isn't theft legally, but can be morally or it could not be morally.


      That's why you are an idiot - because you fail to distinguish between fact and opinion.

    14. Re:So let's see here... by Travelsonic · · Score: 1
      on't try to justify your theft (and yes, it is theft) by saying that I'm an idiot for paying for my music.

      Thats why it is an opinion - TO YOU it is theft - factually (by which I mean legally) it isn't theft, morally on the other hand, that is again an opinion - some think it is theft, dome don't, others think it is as bad as theft, some don't. I don't think you are an idiot for paying for your music, but I do think you are on shaky grounds for failing to distingusih between fact and opinion.

      --
      If you believe in privacy, and believe you have "nothing to hide" at the same time, you're a goddammed idiot
    15. Re:So let's see here... by evilviper · · Score: 1
      Dear god, calm down the anti-RIAA rhetoric

      You're reading a lot into my post that really isn't there.

      The buying and selling of used goods has at best a tenuous relationship to the sale of new goods that are still being produced.

      No, that's not true at all. Look at something like the car market, where the "resale value" is used to market the new products, and can drive the "new" prices up. CDs are just so much cheaper, that they don't get as much attention.

      The new CD market drives the 2nd hand market, not the other way around.

      That's very hard to believe, and you haven't provided ANY evidence to support this claim at all. There's plenty of reason to believe people would buy fewer CDs, or only buy them at reduced prices, if they knew they wouldn't be able to sell them.

      And you make the assumption that anyone that even sells RIAA material should go out of business.

      That's ridiculous, I didn't say anything even close to that, and I can't imagine how you could read such crap into my words. The only thing I said was, profits from used-CD sales are likely helping to subsidize stores that also sell RIAA CDs, thereby indirectly HELPING the RIAA.

      You made a very strong claim that buying used CDs is not helping the RIAA at all, which is simply not the case. Although only in small part, you are still supporting them.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    16. Re:So let's see here... by evilviper · · Score: 1

      Err, not YOU, the GP... Sorry.

      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    17. Re:So let's see here... by gobbo · · Score: 1
      Don't try to justify your theft (and yes, it is theft) by saying that I'm an idiot for paying for my music.

      I never downloaded any music files until I discovered that living under canadian copyright law means that I'm paying for shared music through the levy on blank media. Since I buy a fair bit of blank discs (and, formerly, casettes) for data and original non-commercial productions, I was paying for music I didn't get to hear.

      So who was the thief?

      Now I download judiciously to try to keep up with the levy; i.e. I download far less than would fill up the media I purchase, but enough so that I don't feel like an idiot for paying for music I don't get to hear.

  16. Not suprising. by grungefade · · Score: 5, Insightful

    I wonder when the recording industry is going to realize they are fighting a battle that cant be won.

    I used to buy CDs constantly. And now with the implimentation of DRM on CDs and not knowing what type of software is installing when you insert a CD in your computer. I dont dare buy a new CD. I want to be able to buy a CD and encode it into any format i want to put it on whatever device i own. And until i really own the music i buy, im not going to spend my money on some music that might be locked inside their encryption. In 20 years my music i bought might be gone because I cant use it in new devices and technology, or with every new advancement in technology Im left converting my entire collection to some new and improved DRM format because of a firmware upgrade because a new bug is found.

    Until I get to choose how I use the music I buy, instead of them telling me how, I wont purchase any.

    1. Re:Not suprising. by x2A · · Score: 1

      Until I get to choose how I use the music I buy, instead of them telling me how, I wont purchase any

      I don't have autorun enabled so cd's installing software's not something i have to worry about... but I've never heard of any DRMed CD where the music's actually worth listening to (yes this is a matter of taste, but it seems to be a growing consensus). My message to the RIAA: Wanna make money through music? Let's hear some good music! Come on, WOW ME :-)

      --
      Digital camera's (UK)

      --
      The revolution will not be televised... but it will have a page on Wikipedia
    2. Re:Not suprising. by Shelled · · Score: 1
      "I wonder when the recording industry is going to realize they are fighting a battle that cant be won."

      I don't see how you arrived at that conclusion. They are winning, it now a criminal act to distribute unauthorized copies of music in the US. That's a massive and fundamental change in legal definition and one they've worked at since the main focus of their argument was sheet music back in the 19th century. Companies have a potentially infinite life span, they'll never stop.

  17. Welcome to Canada by mfh · · Score: 1

    I'm glad to see some honesty in this article, even if it's contradictory honesty.

    The Emperor has a nice suit on -- his birthday suit.

    --
    The dangers of knowledge trigger emotional distress in human beings.
  18. Well, someday hopefully 100% by synonymous · · Score: 2, Interesting

    In fact, I have only bought CD's in the last long many years simply because of P2P. Excruciating story short,,, I simply hadn't heard the likes of what I listen to now. Never knew it existed. Thanks to the non strategy of P2P, it seems to be to those that simply are seeking.

  19. If... by rampant+mac · · Score: 3, Funny
    "Michael Geist summarizes the 144 page study"

    If do a grep and cut out each "eh", it narrows down the document to 2 pages.

    --
    I like big butts and I cannot lie.
    1. Re:If... by FailedTheTuringTest · · Score: 0, Offtopic

      Take off, eh. Hoser.

  20. A short primer on the manifold uses of irony by Nice2Cats · · Score: 0
    Sigh. One of the worst things about Slashdot is dealing with the subset of people who have no sense of humor and do not recognize irony. That would make two today already: You and the guy who modded me down. Let me explain the joke:

    1. Americans tend to dump on Canadians
    2. A Canadian institution has seen the light on an issue where its U.S. counterpart is clueless
    3. Dumping on Canada for this is therefore the incorrect response.
    4. This is called "irony".

    Irony is used in many everyday situations to great effect. One of the most common ones around here is entering a building on a rainy day and saying "What beautiful weather we're having." Your response it the equivalent of replying "No, we're not. Look, it's raining!"

    Of course, to understand this, you would have to know the context, that is, have read the original posting or even the article. Since this is Slashdot, I'll assume that this is the real root of the problem.

    1. Re:A short primer on the manifold uses of irony by x2A · · Score: 3, Insightful

      One of the worst things about Slashdot is dealing with the subset of people who have no sense of humor

      It's not always the fault of the recipient for a 'joke' not being got, before you get carried away with the insults. Play nicely. (Condescending's not nice either, huh)

      --
      Digital media players (UK)

      --
      The revolution will not be televised... but it will have a page on Wikipedia
  21. Arctic Monkeys shows what can be done by Nice2Cats · · Score: 4, Interesting
    Interestingly enough, Wired currently has a longish story about a group called Arctic Monkeys that bypassed all the industry stuff and has been a big success because, not despite them giving songs away:
    Their story is remarkable because of one fact: grassroots communication channels like MySpace and P2P file trading networks worked better than the major-label hype machine. The Arctic Monkeys became hugely popular because they wrote good songs, made them available to their fans for free, and encouraged them to share the MP3s with their friends.
    Given my two latest, disasterous experiences with major-label hyped artists -- Enya and Kate Bush, whose new albums should both best be avoided -- I'm more than willing to look in other places.
    1. Re:Arctic Monkeys shows what can be done by Anonymous Coward · · Score: 0

      after Kate Bush's previous record I did not think there ever would be a reason to buy another record by her without listening to it first.

      Very disappointing, I think she should just call it a day and retire or so.

    2. Re:Arctic Monkeys shows what can be done by x2A · · Score: 1

      Given my two latest, disasterous experiences with major-label hyped artists -- Enya and Kate Bush

      *pmsl* they suckered you good! *wipes tear from eye*

      --
      The revolution will not be televised... but it will have a page on Wikipedia
    3. Re:Arctic Monkeys shows what can be done by Colonel+Angus · · Score: 1

      Metallica encouraged fans to trade music when they were budding musicians trying to make a name for themselves.

      Once they were millionaires, that whole attitude changed. Funny how the richer they got the shittier their music got.

  22. Grep. You keep using that tool. by Captain+Entendre · · Score: 2, Funny

    I do not think that it does what you think it does.

  23. here's a new one by Xtravar · · Score: 3, Insightful

    I buy CDs because I can afford them, and because I can tell the difference between an mp3 and a CD. Yes, my ears are spoiled by high quality ogg and who rips in that but me?

    Anyway, the crap the music industry is making is targetted at people with no money.

    Mommy and daddy's money only goes so far, and for a minimum wage worker a CD is a couple hours of work.

    Now for a software developer such as myself... a CD is a fraction of an hour of work.

    So, hey, why don't they make music that appeals to intelligent music conniseurs with money, rather than target the teenie bopper demographic? They should either put out good stuff that reaches people with money, or lower the price on the shitty stuff. Welcome to economics 101 - one price for all demographics doesn't maximize profits.

    --
    Buckle your ROFL belt, we're in for some LOLs.
    1. Re:here's a new one by Zibara · · Score: 1

      The music industry isn't stupid. The demographics of who purchase their music are probably very well studied and known to them. If this is the case, why arn't they targetting the demographics of the rich with higher quality product if this would maximise their profits, as you say? There must be a good anwser to this question that they have come up with. Perhaps the "intelligent music conniseur" market is too small to viably target in this way. Either way, I'm merely wondering why this pricing and profit maximising isn't in place if it's a truely profitable system.

    2. Re:here's a new one by kwandar · · Score: 1

      "Yes, my ears are spoiled by high quality ogg and who rips in that but me?" Actually, AllofMP3.com rips in that for you! :)

    3. Re:here's a new one by mqduck · · Score: 1

      Yes, my ears are spoiled by high quality ogg and who rips in that but me?

      I know I'm just being immature, but you're a p0s3r audiophile. On decent headphones, certain songs (hard rock, for instance) just sound lousy in anything but lossless.

      --
      Property is theft.
    4. Re:here's a new one by Anonymous Coward · · Score: 0

      Feh! I keep my stuff in .aiff.

  24. What the ... ? by js92647 · · Score: 1
    TFA:
    that P2P users frequently [[pirate]] music on P2P services before they buy, that the largest P2P downloader demographic is also the largest music [[piracy]] demographic

    There. I knew something was wrong.
    1. Re:What the ... ? by chawly · · Score: 1

      Great post - I discovered how to spell "asinine" and I discovered that "asininity" exists as a noun! Can you see blatantly asinine in a /. comment ? 'Cause I can ! And a variation on the theme in blatant asininity ? Learn something every day on /. I say.

      --
      How many beans make five, anyhow ? ... Charles Walmsley
  25. Try before I buy... by Anonymous Coward · · Score: 0

    You'd think that with a broadband connection and a leniant ISP I'd be downloading like crazy. Well I don't, not anymore. I admit that each time I learned about a new program (i.e.: Napster, Kazaa, bittorrent) I'd download pretty heavily for a few months because of the novelty.

    But I've noticed that most of that stuff just sits there unobserved or unlistened to, taking up space. Or, when I've actually made the effort to watch something it generally lasts about 5 minutes before I turn it off in disgust or from boredom.

    If something is worth it, like say the LOTR trilogy, I'll go see it in the theatre, DL a copy to tide me over until the DVD release then purchase both the regular and extended cuts. That's an extreme case. Other things, like for some very strange reason The Chronicles of Riddick, i'll buy on DVD If I really liked the DL and plan to see the next in the series in the theatres.

    But that's the problem, I really haven't found much I've liked enough to inspire that. Hollywood really should spend the time and money working on better storylines rather than just remakes, comic books and dumb sequels. In the last 9 months I've downloaded 1 movie: Serenity...and I now own that. Increasingly, it's becoming not worth my precious bandwidth to download anything.

  26. My (limited) experience and connections by hummassa · · Score: 2, Interesting

    Tell me that p2p and even street-sold pirate records do NOT affect at all record sales.

    People (that I know) that download p2p music normally buy "official" records and support (going to shows etc) the musicians they like. They also throw out a lot of the downloaded stuff -- the things that are no good.

    There are two kinds of people (that I know) that buy street-sold pirate records: the immense majority are relatively poor people that buy one CD for R$ 3 (US$ 1.50), because they can, and they wouldn't pay R$ 40 (US$ 20) -- which is the price of a hit CD on the stores -- they just would not buy the record at all. Some perspective here: our minimum wage is R$ 300/month (US$ 150) and the price of one record is over 10% this value.

    Most medium-class folks I know abstain from buying street-sold pirate records; most of the ones that do, use them as the p2p downloaders: to have a large (as in they'll never hear it all), garbage, music collection, and to select to which musicians they'll support by buying the official records.

    Mind you, one of our (reasonably good, 1980's hit) musicians decided to sign off a record company and go indie -- with good results for him. I'm not really a big Lobão fan, but he sells his new CDs on the newspaper stands (because the big record companies tell the music stores "if you buy his CDs I won't sell to you") for R$ 10 -- which is far cheaper than Sony/etc would charge for them.

    --
    It's better to be the foot on the boot than the face on the pavement. ~~ tkx Kadin2048
    1. Re:My (limited) experience and connections by BewireNomali · · Score: 2, Interesting

      All of my peers download music and don't buy. In fact, I can't remember when we've collectively seen the inside of a music store.

      I understand what you're saying. You make two mistakes: asusming first and foremost that your experience is widespread, and second, that everyone who downoads then decides to pay for the EXACT SAME THING - even thoguh they don't have to.

      With all due respect, that seems kind of dumb to me. As in not smart.

      I've heard all the "moral" arguments. Fact is, that less than 5% of major label artists ever recoup expenses. Which is to say, less than 5% of artists ever sell enough to get into the black. So, buying a record is supporting and bolstering the music cartels that enslave the artists. Even after recouping, most artists rarely see more than $0.15 US per unit sold. The artists get fucked. Record companies are pimp industries and the artists are getting fucked. All of which is to say, the moral argument of buying something after you download makes no fiscal sense, and it doesn't benefit the artists. So, all of you who compalin of the hold the RIAA has on the industry buy into it when you buy music from affiliated labels. Everyone should know that an opinion in the US that you don't put your money behind is not an opinion at all. Good luck with that.

      And then on top of it, you're all out of cash from these CDs you keep buying. It makes no sense to me. Honestly. And I work in media. I know mid level music execs who joke and laugh thatthey can't understand why people keep buying music. They LAUGH at you. *shaking head* Execs from Sony and Universal here in New York - it's an inside joke for them that music is worth $0.00 to the audience in the digital age. I've even seen their powerpoint presentations to that effect - I wish I had a link.

      This buy music after downloading thing is misguided, and in my opinion, another example of how the system doesn't have to enslave us, they program us to enslave ourselves. And we proceed.

      --
      un burrito me trampeó.
  27. Just ask the actual ARTISTS and you get the same.. by Jugalator · · Score: 4, Informative
    This may be some interesting reading about this matter.
    "Across the board, among those who are both successful and struggling, the artists and musicians we surveyed are more likely to say that the internet has made it possible for them to make more money from their art than they are to say it has made it harder to protect their work from piracy or unlawful use. "
    --
    Beware: In C++, your friends can see your privates!
  28. alleluia by AlgorithMan · · Score: 1

    finally some officials got it!
    I still have no doubt, that the RIAA will ignore these facts and continue suing the pants of 15 year olds...

    --
    The MAFIAA is a bunch of mindless jerks who will be the first up against the wall when the revolution comes
    1. Re:alleluia by Anonymous Coward · · Score: 0

      they're sueing pants?

      and if thats corrected, it just sounds like the RIAA are a bunch of pedos

  29. In Flames by Anonymous Coward · · Score: 0

    are a damn good band,even in the recent past. but it does sort of prove your point, as all the good music is in the extremes these days, and not in the pop pablum sphere.

    1. Re:In Flames by BungoMan85 · · Score: 1

      I'm not exactly a fan of In Flames (I think they're rather boring and cheesy as far as metal goes) but I agree with your larger point. I cannot name one popular song within the last decade that I thought was actually good. No one in mainstream society has heard of the bands I listen to. Good music is out there, but you won't find it on the radio and you'll be lucky to find it in a CD store. Every once in a while I'll find something good, but it's probably the least selling CD in the store.

      --
      Bungo!
    2. Re:In Flames by ph4s3 · · Score: 1
      Good music is out there, but you won't find it on the radio...
      Correction... You won't hear it on commercial radio. DJs seem to be superfluous now days, as instead of truely sharing their favorite music and insight with us, now they just implement the play list and provide meaningless drivel between tracks. Useless.

      Which is one of the reasons I love Kansas City's NPR station so much. I've become a huge fan of Bill Shapiro's show, Cyprus Avenue, since moving there in '03. Saturday afternoons in KC were awesome with Cyprus Avenue and Sonic Spectrum delivering 4 hours of the most refreshing music and discussion on the radio every week. I personally like Cyprus Avenue more with it's stronger rock influence, but for any true music fan, it's 4 hours of goodness.

      And, oddly enough, hearing new music that I fall in love with on the air makes me go out and buy it. Cyprus Avenue is responsible for my last 10 CD purchases, my favorites being Uncle Tupelo and Mary Gauthier. Who the hell ever heard of either of these bands on commercial radio? No one I know, yet they're truely outstanding and without independent shows like Cyprus Avenue I'd never know they were there.

      If you're looking for a good place to hear good music and live in KC, tune in to KCUR 89.3 FM on Saturday afternoons... If you don't live in KC, go to KCUR.org and listen to the stream every Saturday from 12pm-4pm, CST. We don't live in KC any more, but thanks to the Internet I still get to continue to listen to the best music shows on the air.
  30. Re:Grep. You keep using that tool. by jgoemat · · Score: 0, Offtopic

    'grep -v eh Report.txt' will give you just lines that don't have 'eh' in them...

  31. Wierdness by Anonymous Coward · · Score: 0

    Things fall apart; the centre can not hold;
    Mere anarchy is loosed upon the world,
    The blooddimmed tide is loosed, and everywhere
    The ceremony of innocence is drowned;
    The best lack all conviction, while the worst
    are full of passionate intensity.
    W. B. Yeats, 1921

  32. Re:Grep. You keep using that tool. by Anonymous Coward · · Score: 0

    Indeed. He meant:
    perl -le 'print grep {s/\beh\b//g||1} ' file

  33. this report matches my experience... by Anonymous Coward · · Score: 0

    ... when Napster was in its heydey, I bought more CDs in 6 months than I ever had (or have since) in a year or two outside of that time period.

    Being able to browse through someone else's collection and find neat, non-top-40 treasures was just great.

    Since then I'm down to one or 2 CDs a year, although iTunes helps a little- I only started doing that very recently.

  34. Wars that can't be won by Trinition · · Score: 1

    Some things you just can't stamp out with brute force. Instead, you have to find out what is fueling it and try to reduce that source and acknowledge you'll never be able to fully extinguish it.

    • War on Piracy
    • War on Poverty
    • War on Drugs
    • War on Terror
    • ...
    Did I forget any?
    1. Re:Wars that can't be won by chawly · · Score: 1

      Yes

      --
      How many beans make five, anyhow ? ... Charles Walmsley
  35. Translations... by shmlco · · Score: 4, Insightful
    concludes that P2P downloading constitutes less than one-third of the music on downloaders' computers

    Because in most cases people have ripped their existing CD collections to disk. Better question to ask is what percentage of their current playlist is P2P? And I agree with some of the other comments here, in that if I thought that a third of the people out there were ripping me off, I'd freak too.

    that the largest P2P downloader demographic is also the largest music buying demographic

    In other words, the people with the most interest in music do both. Surprise, surprise.

    reduced purchasing has little to do with the availability of music on P2P services

    Agree here. Though while decent content is an issue, I also think that other entertainment options (games, dvds) have an impact, as well as reduced salaries, rising gas and oil prices, and other economic factors leading to less disposible income.

    --
    Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    1. Re:Translations... by I(rispee_I(reme · · Score: 1

      "P2P downloading constitutes less than one-third of the music on downloaders' computers"

      "Because in most cases people have ripped their existing CD collections to disk."

      And the rest of us download from newsgroups. :D

    2. Re:Translations... by laffer1 · · Score: 1

      Yes, and most of my music that i downloaded was live shows and things that I can't buy. Anything I could buy, I have bought either on CD or for the last two years on iTunes. Plus being a study, I'm sure there are people that exclusively pirate and others that exclusively buy music. The results are the average.

    3. Re:Translations... by utlemming · · Score: 2, Insightful

      However, I seriously doubt that RIAA will even consider your last argument. Why would they? They seem to think that entertainment costs are flexiable and that other considerations will not reduce the demand for entertainment. Just because some teenager can get to the mall does not mean that they have the money to spend it on a CD. Then when you consider that the next generation of DVD is going to run between $35-50, there is going to be some fierce competition for teen's money. There is competition for what teens are spending their money on and blaiming priacy for competition is a straw man argument.

      --
      The views expressed are mine own and do not express the views of my employer.
    4. Re:Translations... by cobras2 · · Score: 1

      >if I thought that a third of the people out there were ripping me off, I'd freak too.

      Okay.. first off, downloading it doesn't mean you're therefore not buying it. In other words, the fact that you *did* download doesn't mean you *would* have bought it but *didn't* since you downloaded it.

      Three counter-examples from my own collection; I own 2 Dropkick Murphies CDs, about 4 DJ Tiesto CDs, and 6 Collective Soul CDs (I've also been to a CS concert); I heard of all three bands (err well.. Tiesto isn't a band but you know what I mean I hope) because I listened to their stuff after downloading it from P2P. (Yes, that's right, I heard them first from P2P, not on the radio.. I don't listen tot he radio all that much)
      So, right there you have 12 CDs (~$240 CDN) that I bought *BECAUSE* I had downloaded some of the music (and incidentally, I am planning on buying more of all three).

      Second, this whole idea that copyright infringment is somehow 'stealing' from the guy whose copyright you're infringing is not right. *EVEN* the copyright law in the *US* doesn't say that (let alone Canada)... or it would be called 'stealing' not 'copyright infringment'. By copying a song you are *NOT* stealing from the owner of the song, even if he would have charged you money for it.

      That's like the two little boys who were fighting with each other on that flintstones episode, and the mom breaks them up, and boy #1 says "He started it! Right after I hit him in the face..."

      Ideas can't be owned. Not, at least, once you spread them around. It just doesn't work.

      Hence the whole copyright and patent system.. the point isn't to make sure that the author 'owns' his work; the point is to give him a chance to make some money off it (if he so desires) so that he'll be able to go on making more cool things, instead of spending all his time worrying about what'll be on the plate for supper tonight.

      --
      Early bird may get the worm.. but the second mouse gets the cheese.
  36. Mostly True by MadMacSkillz · · Score: 2, Insightful
    The biggest reason that people are not buying as much music is because the corporate offerings mostly suck. The second biggest reason is that there are other, more interesting things to spend your money on in this "day and age" besides music.

    Record companies need to offer a better product. And they ought to consider just giving away a couple of songs per artists right off the bat via P2P. It's happening anyway. I'm an idie musician and I've seen jumps in sales every time I give music away. I can only WISH that thousands of people were trading a few of my songs via P2P because it would send some of them to check out my music, and generate some sales. The music industry should take advantage of P2P instead of trying to fight it. The indie movement is already doing this - most indie artists do give away a song or two. Well, the smart ones do, at least...

    --
    Music - www.richardmac.com
    1. Re:Mostly True by zenhkim · · Score: 1

      What's spectacularly ironic is that the music industry regularly and *massively* gives away free copies of its music ...to radio stations!

      I used to work at a college radio station -- first as a trainee, then worked my way up from intern to disc jockey -- and I can tell you from firsthand experience that music companies send tons of "promotional" discs and other materials to radio stations everywhere (even to small, non-commercial college broadcasters)! When I became a "sub-coordinator" for the music dept. I got to see just how much stuff was literally thrown at us:

      - At least one free CD, complete with the jewel case and standard inserts
      - Usually one or more *additional* CDs as "promotional copies" (the first CD is meant for the station's music library, while the extras are for the program director, music director, DJs, etc. to keep as personal copies)
      - A "press kit" describing the artist or group's musical style, influences, biography, and usually a glossy photo or a full-size poster of the musician(s)
      - Many times we got random gimmick items as well, such as postcards, bumper stickers, etc. (one CD came in a mock Chinese take-out box, complete with real fortune cookies!)
      - And if the artist or group was coming to town ...FREE CONCERT TICKETS!

      Now, taking the above as a typical case for *one* music album submission to a radio station, multiply that by
      - all the different albums that a musical act produces
      - all the different acts that fall under a music company's umbrella
      - all the music publishing corporations in existence
      - and all the radio stations that operate *all over the globe* (commercial and public service)

      The math is left as an exercise for the student. Suffice to say that enormous expense was (and still is) undertaken by the music industry as a necessary cost -- because they can afford it! People don't come to like musical acts they never hear of, and they won't buy music they never listen to, so what better way to expose the public to your product than by blaring it all over the airwaves? It's exposure, and it works!

      That said, there is a (hilariously) dark side to all this: most of the stuff the music companies sent to us was utter crap. I'll never forget the tragically ridiculous dilemma of receiving an entire box of copies (there must have been several *dozen*) of an album titled "Everything You Love Tries to Kill You" by some random loser named Peter. Nobody liked it, the program director hated it, and no one would play it on their show. So the box of music just sat in a hallway, collecting dust. Meanwhile the issuing music company kept calling the station, asking if the albums had arrived and if we were "airing" (broadcasting) the music yet? Eventually someone threw the whole box away. Multiply *that* by all the lousy music acts out there -- it's Sturgeon's Law in action.

      On the bright side, however, a couple of the DJs came up with an idea for a new radio show: they would take all the really bad CDs that were being dumped on the station and play them on a special music program, where they told the listeners that this was the junk we had to wade through in order to find the good stuff. The name of their new show?

      "Your Band SUCKS!!!"

      --
      "All hands, BRACE FOR IMPACT!"
  37. That's not a study... by Anonymous Coward · · Score: 0

    that's a confession

  38. Several years ago a co-worker ripped.... by 3seas · · Score: 1

    ....a CD of 80's music. To my supprise his tastes was very similiar to my own, as all the songs were ones I liked.

    I considered asking him for a copy so that I might remember which groups (and I'm really bad about remembering names and titles, etc..) so that I might buy the albums (this was before itunes and such). Here if I couldn't figure out the artist or album I would have had something I could let someone at the music store hear, to help me pin it down (good for more than just my memory).

    But then the music industry piracy flap began and I figured the music industry really didn't want me to remember, and even less wanted me to have anything that might help me find the music to purchase. So I said fuck you RIAA!!! You'd rather call me a pirate than to see me as a customer.... I'm not going to pay you squat for that attitude.

    If I buy at all today, I try to not have the RIAA in the transaction at all, but instead buy directly from the artist.
    Obviously I don't buy hardly anything at all.

    I also grew up helping garage bands out, where some of the musicans have become professional musicians.I've also seen others make it to some label, only to fail the industries financial machinery. So I have a good idea what the struggle is and how important it is who you know, more than how good of an artist you are, and that unless you become really successful, you are pretty much at the mercy of the industry's financial machinery and who you know.

    This is not the sort of thing that helps one focus on their music, but rather promotes more mediocer (middle of the road) music, such as we have plenty of today.

    But there is this new internet technology and advances in home recording and for any artist(s) that pick that up and runs with it, they can promote themselves thru it as well as the traditional method of live performances. They can build their own following, or in cases of failure, be more able to mix and match with other musicians to find that "sound" that they want, be it music or music and money.

    Its by developing their own following that they also increase their bargaining prower with the labels. No more at the industry's mercy, but a player with weight. And this also helps the industry, as the failures don't have to subsidized by the successful artists monitray generation (thus making the theoretical payoff for the successfull signed artist, more)

    But it is the story of the RIAA dog, with a fat juicy steak in it mouth, that crossing over a bridge, sees it reflection and its greed causing it to go after the steak in the reflection, resulting in dropping the steak it had, losing it in th e water.

    It really is a time to eliminate the old music industry business model. For the benefit of the artist, and let real competition in to bring the consumer better music.

  39. I'm a warezing d00d by Werrismys · · Score: 1
    I used to buy all my music.

    Then all three shops in Helsinki, Finland stopped selling psytrance.

    I ordered mine from Sweden or Holland for a while... but why wait 2 weeks for something you can have in 2 hours?

    I'm willing to pay. I'm not willing to wait.

    When there are no psy shops in Finland, it's morally ok to ware everything. Well, some domestic psy bands exist but Finnish psy is too psy :-)

    --
    'Once scientists, even the dim-witted social scientists, get muzzled, the Western Civilization is finished.' - oldhack
    1. Re:I'm a warezing d00d by Anonymous Coward · · Score: 0

      Looking for psy?
      nyg.ovanevrf.fbhaqf.zc3.tbn-genapr
      Use the secret decoder ring, batman!

    2. Re:I'm a warezing d00d by Anonymous Coward · · Score: 0

      You're welcome :-) I've uploaded tons of stuff there...

      BTW, I buy new stuff from psyshop.com and saikosounds.com. I usually do psyshop cause it reaches the usa faster. that site you listed is crappy. I have much better sources that have all the new releases. From what I can tell most of it never reaches that site.

      While I'm here, check out stuff from Ultimae Records, it's an ambient psy sound. Some good stuff. Check out SunTrip Records, Filteria, Khetzal, VA-Apsara... excellent stuff, don't miss them. Recent downloads for me that were noteworthy was Talpa from 04, and Derango from 05, VA - Unusual Suspects 2, Ticon from 05, Midi Miliz from 05...

  40. Notice who the CRIA blames by davebarnes · · Score: 4, Interesting

    I did read (well, skimmed) the Comment and the 2 Appendices.
    The CRIA blames "big corporate radio" for the downturn in CD sales.

    --
    Dave Barnes 9 breweries within walking distance of my house
    1. Re:Notice who the CRIA blames by mojotooth · · Score: 1

      Very interesting. Don't they realize that they are at least partly responsible for "big corporate radio" by killing the profitability of indie radio with illegal promotion, i.e. payola?

      --
      -- Mojo Tooth : exploring our world as only an idiot can.
  41. Re:Just ask the actual ARTISTS and you get the sam by mqduck · · Score: 1

    "Across the board, among those who are both successful and struggling, the artists and musicians we surveyed are more likely to say that the internet has made it possible for them to make more money from their art than they are to say it has made it harder to protect their work from piracy or unlawful use."

    That may be true, but I know someone who works for the local musician's union and though he supports P2P, the union sure as hell doesn't.

    --
    Property is theft.
  42. Yes, but... by Kittie+Rose · · Score: 1

    You have to remember this is Canada, not the viciously capitalistic U.S. Canada is actually progressive and somewhat sensible. The U.S. is all about corporations fucking people around and stupid little peons supporting it in the name of some sacred unalienable rights to screw over consumers that are nowhere to be found in the declaration of independance or constitution.

    --
    EpiAdv - if you like Pokey the Penguin, try this comic!
  43. If you have patience... by JediTrainer · · Score: 5, Insightful

    5. you can get everything you want at the library. You can legally borrow it and rip it to MP3 or copy the disc for your personal collection (in Canada, anyway). You can even get new/popular stuff if you simply put a hold on it. In my town, you can place a hold online, and they'll check all the libraries in the area and bring it to the library of your choice when it's available. The wait is usually somewhere between 3 days and 2 weeks. They call you when it's ready for pickup.

    I've not had a need to download when all the material I want is available for free right there.

    --

    You can accomplish anything you set your mind to. The impossible just takes a little longer.
    1. Re:If you have patience... by ShieldW0lf · · Score: 1

      How to change their tune...

      1. Never, ever pay for anything that you can download.

      2. Make sure your friends and relatives know how to download stuff for free.

      3. Make sure your friends and relatives know they cannot be caught or sued if they just download. Sharing or uploading is what all lawsuits have been based on.

      4. Remember that if it is free, it is probably crap. But so is what you would pay for.


      Um... didn't you notice that the demographic who download the most music buy the most music? Your friends who don't know how to download their music for free are the ones who don't care enough about music in the first place. They're not downloading it, but they're not buying much of it either. If you tried to teach them how, they'd probably say "What, take all this time to learn so I can get that one album a year that I purchase for free? Piss off!"

      --
      -1 Uncomfortable Truth
  44. Some people just aren't into it. by crossmr · · Score: 1

    I can count on one hand the amount of CDs I've bought since I first came across napster in like 1999. However, discounting that get xx CDs for a penny from Columbia house, I can also count on one hand the amount I bought pre-napster. Infact, since I was young and flaked on the columbia house thing, I don't think I actually bought any CDs pre napster. I like music, but I don't listen to it religiously so it doesn't make sense for me to go out and pay $40-$50 for the type of CD I might like. I'm sure a lot of other people feel the same way.

  45. What??! You mean.. by sudog · · Score: 1

    .. people would rather be honest and treated fairly after all?

    Damn! This is going to fuck up a LOT of business plans.

  46. Stop blaming capitalism. by hackwrench · · Score: 1

    The MPAA and RIAA viciously prevent new capital from being created by dampening ability and desire to experiment with existing music to create new mixes.

  47. But... by Kittie+Rose · · Score: 1

    They also strive to create new capital by overpricing their records, and DRM, with little thought for the consumer.

    --
    EpiAdv - if you like Pokey the Penguin, try this comic!
    1. Re:But... by hackwrench · · Score: 1

      That doesn't create capital, just concentrates existing capital in their pudgy little hands.

    2. Re:But... by Kittie+Rose · · Score: 1

      Their attitude is still directly spun from capitalist attitudes. Most people seem to cling to Capitalism in concept(which is ironic given their stance on alternate systems like socialism) and not what it results in in practice.

      --
      EpiAdv - if you like Pokey the Penguin, try this comic!
    3. Re:But... by hackwrench · · Score: 1

      That's like saying Satanists are all Christians because Satan is a demon in Christian lore. Or the Klu Klux Klan are Christians or at least Christianity is to blame for the Klu Klux Klan. Or that all Muslims are at fault for the combatant's actions.

  48. ...Maybe if I COULD buy it... by Urza9814 · · Score: 0

    See, I would buy the music I like...but...since most of the bands I like I'd have to mail a check to the band in the netherlands and wait for them to mail me back a record (yes, record, not CD)...it just doesn't seem worth it... Besides, the RIAA don't care about those bands anyways...lol My latest favorite band I can find on last.fm and some russian pay-to-download site...and that's it. And it's REALLY quite annoying. Maybe that's the reason the RIAA is getting less money now...people realize there's better music out there and they can get it...from other countries...and before the internet (which also happens to be before P2P...hmmm...) they were stuck with US bands...so they had no other choice for music really.

  49. Canadian bug by Anonymous Coward · · Score: 0

    See, this is why you shouldn't define global variables. Now we're all scroood!

  50. Re:Grep. You keep using that tool. by Anonymous Coward · · Score: 0

    Tsk tsk.

    sed 's/eh\.//' file | sed 's/eh\?//' > smallfile

  51. Raises hand too by Anonymous Coward · · Score: 0

    that's me to a T, and worth it to note that new CD's aren't even that important right now, if you stop to consider truly how much *good* music's already been produced that they just slipped by. Why even go to a Brand-Name CD store and pay a 1/3rd more for the same thing, with *less* variety then it's used CD cousin. That's the beauty of burning used CD's.. the good stuff gets around and the CD's cost less for everyone. For material they no longer need anyway... That's really the great part about mp3. Let's not let them take that away, for it was their 'slip' in this regard that even warned the greater part of the world audience that they should worry about it to begin with!

    yea.

  52. Re:Just ask the actual ARTISTS and you get the sam by IntergalacticWalrus · · Score: 1

    That may be true, but the reality is the recording industry always makes sure the artists you hear the most are those who are drinking their kool-aid.

  53. And this where buying music is pointless by IHateUniqueNicks · · Score: 1

    Heh. Now imagine what the stats must be like in countries where P2P music downloading isn't legal.

  54. Re:So let's see here... *drifting offtopic* by stor · · Score: 1

    So, if we could copy food limitlessly, we shouldn't let the hungry people have it, because the food-producers need to be compensated?

    Ahh, like Monsanto?

    Cheers
    Stor

    --
    "Yeah well there's a lot of stuff that should be, but isn't"
  55. Free not always crap & pricey rarely good mooo by Anonymous Coward · · Score: 0

    The real reason that these moooosic companies are losing market share is not downloading. It is that their offerings are such a poor excuse for music. They are not offering the public a salable product, pure and simple. Then they are accusing their customers of conspiring to actually steal the crap. What a crock! The industry has never offered more than lies and propaganda (more of the same) to back up their fraudulent claims.....but then most slashdotters know this already.