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Digital Camera Vs. Camera Phone

An anonymous reader writes "CNet.co.uk has done some simple head-to-head testing of camera phones alongside digital cameras to see which device takes the best quality pictures. The results are surprising, with Nokia's latest handset, featuring a built-in 5-megapixel camera, taking more vibrant pictures in medium light conditions than a 10-megapixel dSLR. Of course, the pictures aren't fully representative of how the images would look at full size; but given that most people resize images to put on Flickr, we could start to see a decline in dedicated digital cameras sales and an increase in camera phone sales."

373 comments

  1. Herd-mentality. by Anonymous Coward · · Score: 5, Insightful

    "Of course, the pictures aren't fully representative of how the images would look at full size; but given that most people resize images to put on Flickr, we could start to see a decline in dedicated digital cameras sales and an increase in camera phone sales.""

    Most people? How do you come to that conclusion?

    1. Re:Herd-mentality. by mwvdlee · · Score: 1

      People who'd normally use DSLR's to make images then scale them down to Flickr.

      It's like using a ten ton truck to do grocery shopping.

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    2. Re:Herd-mentality. by clare-ents · · Score: 1

      It's pretty much one click on the N95 from take to flickr. Bearing in mind that Nokia is the worlds largest camera manufacturer, it's not impossible that the market it going to shift at an utterly astonishing rate.

      Most people don't buy SLRs, they buy point and shoot cameras, and Nokia's upping thier play in the market to have a reasonable point and shoot directly linked to flickr.

      As an N95 owner, it's worth a great deal to have a reasonable point and shoot camera, combined with my phone and GPS. Download on demand mapping is fantastic.

      --
      Only two things are infinite, the universe and human stupidity, and I'm not sure about the former. (Einstein)
    3. Re:Herd-mentality. by fotbr · · Score: 1

      I only use a DSLR; I have a bunch of stuff up on flikr, but thats a secondary end -- most of what I do is for printing.

      Which reminds me I need to go pull my stuff off flikr, assuming I can still get in after the switch to Yahoo IDs, which I do not have, and refuse to get. Grr.

    4. Re:Herd-mentality. by evangellydonut · · Score: 1

      "Of course, the pictures aren't fully representative of how the images would look at full size; but given that most people resize images to put on Flickr, we could start to see a decline in dedicated digital cameras sales and an increase in camera phone sales."

      Last I checked, my flickr account is full of 8MP photos from 20D and 12MP photos from 5D in their original resolution, with all the proper EXIF data, etc. If i want a crappy online site to share photos, Facebook is where it's at (considering they have more photo uploaded than any other website). Get with the times!

      As for the camera phone comparison, either the submitter or the editor is an idiot who doesn't understand color vibrancy != good photo. Color accuracy is much more relevant. That's why there are more sites ranking Canon's subcompact higher than Sony's in image quality - former is more accurate, latter is more vibrant. It's all too easy to change the in-camera settings to fake the vibrancy if you are too lazy to photoshop it in.

  2. It's possible. by timeOday · · Score: 4, Insightful

    I think there are going to be a lot of defensive replies from dSLR owners. But with enough light, a small lens and sensor can take a good picture.

    1. Re:It's possible. by EvanED · · Score: 2, Insightful

      My own experience is that "enough light" is absent more than it's present.

      Even if it is, the SLR gives you manual control and a far wider zoom range.

    2. Re:It's possible. by Doogie5526 · · Score: 3, Insightful

      I assume they did the comparison because they consider dSLRs the standard to measure by. While it's cool to see a comparison of the two. dSLRs and camera phones are meant for completely different audiences. What will likely be displaced is point & shoot cameras.

    3. Re:It's possible. by BWJones · · Score: 1

      It is not about having just enough light. It also comes down to the quality of the optics, how well they are engineered to control light rays and deal with internal off axis light. Also, the ability of the larger sensor size of the dSLR allows for much less noise generated by each pixel allowing for higher range. To get some idea, all images on Jonesblog are shot with a dSLR (Canon 20d) and I think you will agree that images captured with dSLRs are much higher quality in both low and high light levels.

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    4. Re:It's possible. by Jeff+DeMaagd · · Score: 5, Insightful

      Before anyone jumps on me, I don't have a dSLR, nor do I know how to use one.

      Let's just say that their methodology is suspect at best:

      "All the shots were taken with devices taken straight out of the box, and we used the default settings or an automatic mode if there was one".

      A person should not be buying a dSLR if they aren't going to take the time to learn how to use it. They should just be buying a point and shoot camera. The 5MP camera, they noted that it does badly in low light and the light has a blue tinge.

      The only thing that this thing compares is the quality of scaled-down pictures.

      It's kind of pointless to clamor for a high megapixel camera if it's only going to be scaled down to VGA res for the web. 2MP would be plenty and offer plenty of oversampling for web. If you want to do good prints, then that's where a nicer camera comes into play, but they don't compare that.

    5. Re:It's possible. by timeOday · · Score: 1

      My own experience is that "enough light" is absent more than it's present.
      Granted. Whether due to dim lighting, fast action, camera shake, or long focal length, or (for you hockey fans) all of the above, extra light-gathering capability is very often important.

      Still, the medium light photos were taken in indoor lighting, and that n95 shot looks good. Its only advantage over the real camera images is better white balance, but then again proper white balance is pretty darn important. (And, yes, you could manually adjust the dSLR's white balance either before or after the shot (if it were taken in RAW), and, no, that doesn't make bad auto white balance OK).

    6. Re:It's possible. by CptPicard · · Score: 4, Insightful

      It's possible that this "vibrancy" factor is due to the fact that most consumer cameras "enhance" the picture automagically. They fix contrast, add saturation, etc. It's a real PITA for those of us who just want the data off the sensor though, so that we can then Photoshop things to our preference. DSLRs tend to produce "duller" pictures by default, but you're expected to add the "pop" later on, and the potential is there in the image.

      Another possibility is that the tester used some crappy kit lens. For example the one that came with my EOS 300D a few years back is plain awful, and the first thing was to get a proper lens.

      --
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    7. Re:It's possible. by nine-times · · Score: 1

      Yes, it's entirely possible. I think that, for a lot of us, we just want a point-and-shoot camera with very few settings, but which will take passable pictures under many conditions. People with expensive cameras, assuming they have expensive cameras for good reason, have paid that amount of money to have a camera with lots of settings that enable them to take the best picture possible under any condition if the settings are tweaked just so.

      It's true that some small cameras (and camera phones) just have crappy lenses and crappy sensors, and if you want to blow pictures up to an enormous size or zoom in extremely far, a higher pixel count may help. However, some of the claims that you can't get decent pictures out of something the size of a cell phone are overblown.

    8. Re:It's possible. by Jeff+DeMaagd · · Score: 1

      Then there's also control over depth of field too. Really nice photographs use depth of field to good effect.

    9. Re:It's possible. by badasscat · · Score: 5, Insightful

      I think there are going to be a lot of defensive replies from dSLR owners. But with enough light, a small lens and sensor can take a good picture.

      "Good pictures" start with accuracy. That's the entire point of a camera, and that's what separates good cameras from bad cameras. Even in the pre-digital days, sure, different films and different settings would give you different results, but photographers paid the big bucks for cameras that would given them a reliable baseline of accuracy - that meant being capable of things like high shutter speeds for daylight photos, low shutter speeds for night photos, high quality light metering, and lenses capable of high resolutions, high color accuracy and low distortion. What a photographer chooses to do artistically is another matter, but the point is photographers don't rely on their cameras to be the artists; that's the photographer's job, not the camera's.

      So I don't even need to look at the article to know what the word "vibrant" means with regard to the Nokia photos - it means "artificially jacked colors". In other words, not at all accurate, in other words crap.

      I mean, look. I have a 2mp cell phone camera and I have an 8mp DSLR. I use my cell phone camera when I'm just out and about and don't care about quality. But there is a huge difference in color accuracy, noise and detail between even the best cell phone cameras and the worst dslr's. And that difference is not going away.

      So I guess you can consider me one of your "defensive" dslr owners - but hopefully, there will always be defenders of the truth out there.

    10. Re:It's possible. by Rui+del-Negro · · Score: 2, Insightful

      Depends. Some cameras try to cram so many pixels into such a small sensor that you end up with a noisy, grainy, blotchy piece of crap even with loads of sunlight.

      Unfortunately "megapixels" are the "megahertz" of digicam marketing (same goes for lower reaction times in LCDs, often achieved at the cost of image quality and colour accuracy), and people don't realise that, for screen viewing, they're unlikely to ever need more than 3MP.

      Also, cameras with "angled" light paths (ultra-compacts without lens extension) tend to have very, very bad distortion and CA.

      There are several great compact digicams out there, but there are also a lot of really, really bad ones.

    11. Re:It's possible. by EvanED · · Score: 1

      I had that in my list of benefits, but decided to file that under "manual control" ;-)

      But yeah, that is perhaps the biggest benefit of manual control.

    12. Re:It's possible. by catwh0re · · Score: 1
      The article does show how well the camera phones are coming along(the noise processing on the digital cameras has come a long way) Each phone's post processing usually returning a usable image which a consumer might find desirable. Keeping in mind here that it's ideal for people who are more interested in the subject matter than an accurate photograph.

      Other than using a camera phone as an artists tool (similar to small toy fish eye cameras.) They're obviously not useful as a dSLR replacement as the images were aberration city when it came to photographic quality. Even in this ideal lighting condition some of the phones' post processing went nuts.

      Also of note is that dSLR cameras are designed to emulate a real photographers camera. I trust the 400d's image to look closest to reality in it's portrayal and not just serving up an auto-balanced image of what the consumer would prefer to see. (I doubt this article was shot under 5500K proof lighting rig.)

    13. Re:It's possible. by BiggyP · · Score: 1

      Of course if you're using primes that zoom range disappears, and for low light conditions you'd better be using a nice prime, considering that most trashy kit lenses run to f/5.6(!!?!?!!) at the long end.

      Camera phones do an excellent job in night mode of picking up detail that my dSLR might struggle with, of course the end results are only any good as snaps but if that was the idea that's good enough.

      remember that a dSLR with a f/1.7 50mm lens has pretty shallow depth of field, then consider that the camera phone is what, f/2.8 3.8mm, that reduces the need to focuss on anything in particular.

      Not that i would ever use a camera phone for low light photography, i like my Pentax-M f/1.7 50mm far too much, but i can certainly see why they could be appealing.

      *looks at the article*...

      what's this about colours, don't they know about white balance?

    14. Re:It's possible. by BiggyP · · Score: 1

      Christ man, but the Unsharp mask down and step away from the camera! There's a point at which postprocessing becomes over the top.

    15. Re:It's possible. by timeOday · · Score: 1

      A person should not be buying a dSLR if they aren't going to take the time to learn how to use it. They should just be buying a point and shoot camera.
      Then again, there's no reason a dSLR should not be a very good point-and-shoot camera in auto mode.

      The only thing that this thing compares is the quality of scaled-down pictures.
      In this case the white balance on the dDSLR is wrong, and scaling down has nothing to do with that. It would be one thing if you simply couldn't tell the difference in scaled-down images; what makes it funny is that the cell cam image looks better, hands down.
    16. Re:It's possible. by afidel · · Score: 1

      I highly disagree. Accurate pictures are good for a photojournalist, but may not be the best for a photographer (where a photographer is defined as a photographic artist). Intentional background blur, or focusing on the background rather than the foreground, or dodging/burning prints are all examples of techniques used by artists that are the exact opposite of accuracy. I know at least one Sports Illustrated photographer uses cheap disposable point and shoot cameras precisely because he likes the non-scientific non-overly technical look they give to his shots. I think that for people who don't have the time or desire to manipulate their photographs in the digital darkroom preemphasis on desired characteristics of the image is acceptable. I personally want a dSLR and already own a Canon digital with a great deal of adjustable settings and a traditional SL, but photography is a hobby for me and I enjoy the time spent on it. My wife has neither the desire nor talent for it so a well adjusted point in shoot is ideal for her and many others like her.

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    17. Re:It's possible. by Kingrames · · Score: 1

      "A person should not be buying a dSLR if they aren't going to take the time to learn how to use it. They should just be buying a point and shoot camera. The 5MP camera, they noted that it does badly in low light and the light has a blue tinge."

      This is not how they are marketed though.

      It's an article that points out the fallacy of buying the most phenomenal camera out there to take pictures. It also points out just how good pictures the camera phones can take.

      A lot of people out there still think you need an awesome camera even if you have a camera phone. Over time, those people are going to stop buying dedicated cameras anyways. This is helping to speed up that natural process.

      It might be that in the future you'll see a "phone camera," where somebody builds a really nice camera and then adds the phone capabilities to it. A paparazziphone*, if you will. Just adding a little bit of hardware and a microphone or headset to a camera would be all you need, and that wouldn't weigh it down at all.

      * I call dibs on that copyright!

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    18. Re:It's possible. by EvanED · · Score: 1, Insightful

      Of course if you're using primes that zoom range disappears

      True, but if you're using prime lenses, are you really even going to think about using a digital camera?

      Not to mention that I would argue that you could count some digital zooming after the fact. With a 10 MP sensor vs. a 5 MP sensor, you could crop away half the area of your image and still have the quality provided by the 5 MP sensor, giving you a 1.4x zoom without even changing your focal length. If you're looking at a 600 px wide shot... I think this is a reasonable argument, as you won't be able to tell the resolution was lost.

      Do camera phones even give you zoom at all?

    19. Re:It's possible. by BiggyP · · Score: 1

      I've never met a dSLR that does digital zoom, do such things exist? I use primes on my dSLR all the time, should i not? Camera phones generally do digital zoom but then there are some very impressive ones available in korea that have real zoom lenses.

    20. Re:It's possible. by __NR_kill · · Score: 1

      While still not being professional photographer I do notice the different shadows of the figures, indicating different angle for the light illuminating them. Unless the shadows are exactly the same, the photo's should be considered not valid if even not forgery. Different lighting will result in completely different photographs even taken with the same camera.

    21. Re:It's possible. by vought · · Score: 1

      True, but if you're using prime lenses, are you really even going to think about using a digital camera?

      Considering that sensors have a higher effective pixel density than film scanned at 2500 dpi, why not? The signal to noise (grain) ratio from a low ISO DSLR exposure is much higher than even the best color or black and white films.

      I still use film in my 4x5 camera, and those exposures far exceed any DSLR's ability to capture information...but probably not for too much longer. I do enjoy the perspective control that a view camera offers, but there's really not a compelling reason to use film in 35mm or medium formats anymore - at least not as a professional.

      Edge cases exist where film may be advantageous in the smaller formats, but implying that 'serious' photographers are still using film is falling for mystique rather than the criteria that professional photographers care about most - cost/benefit, quality, and dependability. Digital wins virtually every time for small and medium formats.

    22. Re:It's possible. by StewedSquirrel · · Score: 3, Insightful

      It's not only the AMOUNT of light that is poorly handled by the mini sensors in these cameras... but the range of light. Dynamic range is the single quality differentiator between good sensors and poor ones. Almost all sensors these days have adequate resolution. My primary camera, as a professional, is only about 4 megapixels. I've made 30x40 prints that, while not having the absolute crispness and resolution of an old kodachrome slide, it is more than adequate.

      The dynamic range on my sensor, is an order of magnitude better than the sensor on my high-end point-and-shoot, not to mention my camera phone.

      When i shoot pictures in daylight conditions with the camera phone, they are absolutely terrible. Sun-light highlights are either totally blown out, leaving a glowing halo on everyone's forehead, or they are adjusted for and everything else goes dark, making the scene look like a shot on the back of the moon.

      As a professional, I learned to find lighting that does not have sharp high contrast definitions, but your average consumer does not practice this technique, so dynamic range is even MORE important for a consumer than for a pro in some cases.

      That's all :-)

      Stewed

      --
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    23. Re:It's possible. by Hawthorne01 · · Score: 5, Insightful

      Warning: Photography Rant Ahead!

      I am sick and tired of camera snobs thinking that more money = better pictures. Look people, I worked as a commercial still photog for 15 years, with clients like IBM, ITT Finance and Compaq and I got out around the turn of the millenium because I saw how things were headed. I just can't compete with the millions of great cheap/free photos out there now. If you all think OSS is revolutionizing the software world, wait 'til you see what websites like istockphoto and sxc.hu are doing to commercial shooters.

      Ok, where was I... Oh yeah, cheap cameras. I had Sinars and 'Blads with enough lights to blind a whole regiment and still have my Nikons. But my favorite camera of all time was/is the Olympus XA becuase it was there when I needed it (and I'm in some good company in that regards). I ended up getting hundreds of great candids and quick landscape shots with my XA because it was with me when it was the right time and place to take a great picture. Fat lot of good that EOS 1DS will do you sitting on the closet shelf at home does you if a great picture happens to be right in front of your eyes.

      And another thing about small cameras (and to some extent, cameraphones): You don't look like a freaking dork when you're shooting. Unless you're God's gift to hospitality, getting a candid, relaxed environmental portrait while trying to light the place like Yusef Karsh is a recipe for disaster. Learning how to slow down and get to know my subjects before I picked up a camera made a bigger difference in my work than anything I bought at a camera store.

      --
      "Only two things are infinite, the universe and human stupidity, and I'm not sure about the former."
    24. Re:It's possible. by EvanED · · Score: 1

      I've never met a dSLR that does digital zoom, do such things exist?

      Oh, I have no clue. I hope not. ;-)

      Photoshop does though, so you can fake it after the fact.

      I use primes on my dSLR all the time, should i not?

      Eh, depends on what you're doing. Supposedly, they give better images than zoom lenses set to the same focal length, and they definitely give you wider apertures. They also mean that you have to change lenses to zoom, and you have to carry around more lenses to cover the same ranges. I can cover from 28mm to 300mm (35mm equivalent 45 to 480 mm) with two lenses, which is awfully convenient, and is also cheaper than getting primes over that range that give me less flexibility anyway. And if anything, I'm underimpressed by the quality of my admittedly dirt cheap Canon 50/1.8; I think the zoom lens that lives on my camera takes better pictures, and it's only if I need the lens to be really fast that I'll use the 50mm prime.

      So in short, zoom lenses are the right think for the way I use my camera, but I have little idea what you should be using.

    25. Re:It's possible. by BWJones · · Score: 1

      Actually, what you are seeing in some images is the result of experiments with HDR imagery. The halos are tough to deal with when combining HDR images a bit and I am looking at ways to minimize that effect. For me, post processing is simply part of the photographic process. It was that way when I was shooting B&W film, Kodachrome and now digital.

      --
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    26. Re:It's possible. by EvanED · · Score: 1

      Considering that sensors have a higher effective pixel density than film scanned at 2500 dpi, why not? The signal to noise (grain) ratio from a low ISO DSLR exposure is much higher than even the best color or black and white films.

      Oh crap, I meant to say "camera phone".

      "True, but if you're using prime lenses, are you really even going to think about using a camera phone?"

      Didn't mean to come off as a film snob. ;-)

      (And actually even that isn't quite what I meant... I meant "If you're the kind of person who would use prime lenses, are you really even going to think about getting a camera phone instead of the dSLR" in response to the summary asking if camera phones are going to supplant cameras.)

    27. Re:It's possible. by Hawthorne01 · · Score: 1

      Huh. Someone better tell all the shooters out there that use this camera that their work sucks 'cause it's unpredictable...

      --
      "Only two things are infinite, the universe and human stupidity, and I'm not sure about the former."
    28. Re:It's possible. by BiggyP · · Score: 1

      Heh, the one thing i hate more than over unsharpened images, bad "HDR" tonemapped images with massive halos! :)

    29. Re:It's possible. by fishyfool · · Score: 0, Offtopic

      Nah, I love my camera phone, and it's very nice to have around just in case. but i love my eos 350d for hardcore shooting, it takes far better pix than a camera phone ever will. http://picasaweb.google.com/fishyfool/

      --
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    30. Re:It's possible. by BiggyP · · Score: 1

      Oh, you're a canon user, my primes are old Pentax M series ones so they're actually considerably cheaper than buying modern low quality zooms. I Also use a nice A series zoom, which admitedly spends an awful lot of time on my camera, quite a lot but tend to prefer working with a good prime when it makes sense, zooms make for very lazy photographers ;).

    31. Re:It's possible. by EvanED · · Score: 1

      Actually, my other reply notwithstanding, doesn't film (at least B&W) still win out in dynamic range?

    32. Re:It's possible. by vought · · Score: 1

      I meant "If you're the kind of person who would use prime lenses, are you really even going to think about getting a camera phone instead of the dSLR"

      Oh, well that makes much more sense!

      Didn't mean to come off as a know-it-all. I just enjoy talking about photography and how to accomplish it.

    33. Re:It's possible. by gullevek · · Score: 1

      So true. If you own a dSLR and do not post process your shots, and just use straight out of the camera JPEGs, its most of the time just a big waste of money.

      But on the other hand, there are not many small digital cameras that can keep up with the high ISO Quality of dSLRs ...

      --
      "Freiheit ist immer auch die Freiheit des Andersdenkenden" - Rosa Luxemburg, 1871 - 1919
    34. Re:It's possible. by vought · · Score: 1

      Actually, my other reply notwithstanding, doesn't film (at least B&W) still win out in dynamic range?

      Some photographers are able to squeeze 14 stops out of T-Max 100*; I think that's where sensors are topping out these days.

      *Check out John Sexton's Places of Power, or better yet, see his prints - you can discern details in the bulb filaments and the space shuttle's black tiles in his photographs of the shuttle in the VAB. Now _that's_ dynamic range.

    35. Re:It's possible. by EvanED · · Score: 1

      Didn't mean to come off as a know-it-all. I just enjoy talking about photography and how to accomplish it

      Oh no, that's fine.

      I'll have to check out the Places of Power you suggest in the other post. Didn't realize that digital sensors were on par with B&W film yet.

    36. Re:It's possible. by dgatwood · · Score: 5, Insightful

      The white balance is all over the map. The N95 shot looks good, but only because of the subject matter. The particular objects happen to look better with a blue cast. The N95 white balance is actually way, way off. If you look at the image with a color meter, you can see that the white areas are actually very purple. The IXUS is very yellow. The Sony (as is typical for Sony) is very orange. The Nokia 6300 is a blusih green (more green than blue). The other Canon is very orange. None of them are anywhere CLOSE to correct white balance. None of them.

      The high end Canon photo looks like it is the closest to accurately representing what your eye would probably see under the same circumstances, assuming that this was shot with standard incandescent lights (i.e. almost no compensation), while the Nokia phones overcompensated (a lot), and the Sony did just what I'd expect from Sony (exactly the same amount of overly-red hue whether indoors or in broad daylight). The others didn't appear to compensate enough, but tried to compensate a little.

      As for clarity, even at this level of size reduction (which is pretty substantial), the high end Canon took slightly sharper photos, but what was most striking was that the depth of field for the Nokia N95 is so noticeably wider due to the small lens even when viewed at a reduced size. There's no real foreground or background. It is all just flat. While that might make it easier for novices to shoot photos that aren't blurry, it often makes for very visually busy photos.

      The reality is that most users probably can't tell the difference, but for those who can, I would much rather color correct the Canon photo a little than use the N95 photo. If the background were a crowd of people instead of a blank wall, you would immediately understand why. :-)

      Another thing that I'm not seeing is any mention of the exposure. There's no guarantee that camera phone images of moving objects/people in interior lighting would look anywhere near as good. I realize that it is MUCH harder to come up with a reproducible test case for a moving object (though a swining clock pendulum would be a good place to start). However, that's where larger lenses are most likely to result in a significant improvement. They allow you to gather enough llight more rapidly than with a smaller lens, allowing for a faster shutter speed without the graininess associated with a gain up.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    37. Re:It's possible. by _|()|\| · · Score: 1

      enough lights to blind a whole regiment

      One of the advantages of SLR is that you can mount a fast lens and shoot with available light.

    38. Re:It's possible. by Anonymous Coward · · Score: 0

      Bzzzt wrong answer. I shoot both 645 and digital professionally and film still has many advantages- better dynamic range, better resolution, less noise at high ISO, much better enlargeability, true black and white, and permanence. Film isn't going away any time soon, especially medium and large format.

    39. Re:It's possible. by Jeff+DeMaagd · · Score: 1

      A dSLR in point and shoot mode defeats the point of the camera design.

      Besides, how do you know that the white balance is wrong? Are you sure that the final image actually represents the actual scene? The article doesn't even say whether the pictures are accurate. There is nothing in the article that suggests anything that resembles a scientific methodology, nor do they give an impression that they know anything about cameras to judge them on merit rather than just picking the one that is the most overprocessed. If the camera's processing is wrong, it's hard to correct the photo without problems.

    40. Re:It's possible. by DragonWriter · · Score: 2, Insightful

      Still, the medium light [cnet.co.uk] photos were taken in indoor lighting, and that n95 shot looks good. Its only advantage over the real camera images is better white balance, but then again proper white balance is pretty darn important.


      The site notes that the N95 does postprocessing by default that results in the color vibrance. Really, I'm not surprised that a point-and-shoot camera (that it is in a phone isn't really an issue) takes decent pictures in average conditions—that's what the point of a point-and-shoot camera is, after all— nor am I surprised that one that does some automatic postprocessing no doubt designed to make pictures taken in average conditions look better is competitive with an unprocessed image from a dSLR in similar conditions.

      SLRs (digital or otherwise) selling point is that they provide the flexibility to do things far beyond snapshots in average conditions.

    41. Re:It's possible. by Jeff+DeMaagd · · Score: 2, Insightful

      I agree with many of the points you present, really. Having the fanciest device doesn't help if you don't know how to use it. I don't know if it necessarily applies so well to photography, but in my general experience, a talented person can do better work with a lesser device than a less talented person with the most expensive gear. I understand that it's harder to compete, but I think there's still a paying high end. I don't see the casual point-and-shooter doing shots for magazine ads, posters, wedding portraits or anything like that. In the same vein, megapixels don't matter as much as most people seem to think.

      I think it is fine for an active photographer to have multiple cameras. They'll have a full size camera and a pocket camera. I see hear about the same practices in the video field too.

    42. Re:It's possible. by DragonWriter · · Score: 1

      Then again, there's no reason a dSLR should not be a very good point-and-shoot camera in auto mode.


      Sure there is. First of all, because even in auto mode, a dSLR still isn't a point-and-shoot camera. It's still designed to adapt to a wide range of conditions automatically, not optimized for the most common conditions like a point-and-shoot.

      In this case the white balance on the dDSLR is wrong, and scaling down has nothing to do with that. It would be one thing if you simply couldn't tell the difference in scaled-down images; what makes it funny is that the cell cam image looks better, hands down.


      Its an apples-to-oranges comparison: the n95, as the article notes, processes the picture after its taken. Even in auto mode, dSLRs don't do that by default, and shouldn't. A dSLR isn't a "point-and-shoot-plus", its a different tool.
    43. Re:It's possible. by David+Nabbit · · Score: 1

      I think there are going to be a lot of defensive replies from dSLR owners. But with enough light, a small lens and sensor can take a good picture. With enough light, you can get a decent photo from a pinhole camera. Maybe they should start including those on cell phones...
      --
      "Her idea of wit is nothing more than an incisive observation humorously phrased and delivered with impeccable timing."
    44. Re:It's possible. by dgatwood · · Score: 2, Insightful

      remember that a dSLR with a f/1.7 50mm lens has pretty shallow depth of field, then consider that the camera phone is what, f/2.8 3.8mm, that reduces the need to focuss on anything in particular.

      As I've said before, while a wide depth of field makes it easier for newbies to take so-so pictures, it makes it impossible to take really good pictures of anything but landscape photos (and other similar shots). For more typical photography (pictures of people, objects, etc.), you don't want a wide depth of field. You want your subject in focus and everything else out of focus. That way, your subject stands out from the background. If you don't do that, the background can be so busy that the photos lack clarity. Most of the time, the reduced depth of field in a larger format camera will result in pictures that just plain look better.

      The only thing higher quality camera phones will do is ensure an endless supply of flat, lifeless photos with busy backgrounds interfering with the subject. Bad photos are still bad photos no matter how crisp you make them.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    45. Re:It's possible. by DragonWriter · · Score: 1

      "A person should not be buying a dSLR if they aren't going to take the time to learn how to use it. They should just be buying a point and shoot camera. The 5MP camera, they noted that it does badly in low light and the light has a blue tinge."

      This is not how they are marketed though.


      Huh? The selling points I see pushed on dSLRs are not mostly being great point-and-shoot cameras, but things like capturing high-speed motion, adaptability to different light conditions, ability to accept different lenses, and compatibility with a wide range of other accessories.

      It's an article that points out the fallacy of buying the most phenomenal camera out there to take pictures.
      ...under average conditions, without learning how to use the camera.

      A lot of people out there still think you need an awesome camera even if you have a camera phone.


      And lots of people still do, because they take pictures in conditions other than those that a point-and-shoot camera is good for.
    46. Re:It's possible. by vought · · Score: 5, Interesting

      Bzzzt wrong answer. I shoot both 645 and digital professionally and film still has many advantages- better dynamic range, better resolution, less noise at high ISO, much better enlargeability, true black and white, and permanence.

      Much of that stuff was accurate two years ago; that doesn't make it so today.

      The widest dynamic range for slide film is Fuji's duplicating film, CDU-II. About eight stops, compared to ten or more for most digital SLRs. Negative film may get you nine stops in ideal conditions, but it's a mistake to say that the best DSLRs and studio backs have short dynamic range.

      Film does have the advantage of a non-linear response to light - and non-linear response to color, which is one attraction to film - each has a unique palette. Digital sensors respond in a linear fashion. I prefer the character of film for this reason, but again, I find no reason to shoot film in most situations; grand landscape work with my 4x5 is one place where film clearly wins. In smaller formats, digital is recording more information in a wider range than any camera or film.

      You won't find film capable of recording density that the best sensors are capable of. Not anymore. The only way to get ahead of large sensors today is with square inches of film; that's why I still shoot 4x5. After making test prints from a Canon 1DS mkII and 6x7 slide film scanned on a Tango at 3500 dpi, I'm convinced the 1DS is of comparable, if not better quality - and this was almost two years ago.

      The clean signal of these newer, better sensors mean more of the information captured is usable as image data; there's no grain, and at low ISO, no discernible noise.

      What is this "true" black and white of which you speak? Colored filters in front of black and white film do affect the image; black and white images are made by exposing color-sensitive emulsion that is made with a single layer of un-dyed silver halide. Same thing as Kodachrome slide film - without the dye.

      All black and white films are sensitive to different wavelengths on the spectrum. By post-processing your own black and white using Channel Mixer in Photoshop, you're doing the same thing - selecting the percentage of each primary color portrayed as a monochrome image. Seriously - did you not understand that this is how black and white film works?

      The concept of "true" black and white may make sense to someone who doesn't understand how film works - but even Photo 101 students know that "black and white" films are color sensitive.

      Permanence is one department in which film wins hands down for ease of handling, cataloging, and durability - but make a print of your digital file on to Fuji Crystal Archive (a silver-based paper popular for printing digital work) and your permanence problem becomes a lot less scary - suddenly you have a more permanent copy that is human readable.

    47. Re:It's possible. by Chuqmystr · · Score: 1

      I am an hobbiest photographer and I use a dslr for the most part. I am truly amazed at the progress of some camphones and have taken some very interesting shots ( by other peoples standards than just my own opinion ) with some of these. I have no doubt that the technology will continue to amaze but what I don't see in camphones is the artistic versatility a good dslr affords the photographer. And I know cellphones quite well. When, if ever, will we be able to purely and directly play with shutter speed, aperture, focal lengths all of the other things for those of us who are into that type of shooting? I think there's little to no market for it, personally. There may crop up the few novelties which cover some of that but overall this is comparing apples and oranges IMHO. I think more accurately the comparison is to good and versatile point and shoot pocket cameras. And no, I didn't RTFA yet. This rant is merely my slash-jerk reaction to the idea of these sorts of cameras driving the decline of sales of dslrs. One thing is for certain, it's going to be fun to watch whatever pans out ;-)

      ...I'm watching them watch me watch them right now...

    48. Re:It's possible. by Hawthorne01 · · Score: 1
      Gosh darn it all, that must have been why I had a 35mmf2, 50mm f1.4, 85mmf2 and a 180mmf2.8 in my bag, and a 300mmf2.8 at the studio.

      And when you're shooting architecture with a 4x5 at sunset with people, you need enough strobes to make the lights in the next county dim during recycles.

      --
      "Only two things are infinite, the universe and human stupidity, and I'm not sure about the former."
    49. Re:It's possible. by BiggyP · · Score: 1

      I'm not suggesting for one moment that this is a positive thing from a photographic point of view but for an idiot proof recording of the moment most users will be perfectly happy with standard P&S fare everything-in-focus-all-at-once photos, limited DOF is for people who care and an awful lot of people really don't. Imagine trying to get a P&S user to manually focus in low light wide open at f/1.4 and get the eyes in sharp focus for a nice portrait, it's not about to happen, more importantly, the user isn't likely to care either way as long as they get a passable shot.

    50. Re:It's possible. by dgatwood · · Score: 3, Interesting

      I somewhat agree about the 300D lens. It's a LOT better than most of the smaller cameras I've seen, but it pales compared to the same camera with a nicer lens. I found that out when I borrowed a prime lens from one of my coworkers while my lens was malfunctioning. Wow.

      I now have a much nicer lens and only use the stock lens when I'm in a high risk situation (e.g. the beach). :-)

      When I saw the flash photos fo the D95, the word "cartoony" came to mind. Anybody else think so?

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    51. Re:It's possible. by fan+of+lem · · Score: 1

      I agree. I found that "enough light" means either of only two things: sunlight, or lights with bulbs powerful enough to fry you if you stand too close (exaggeration). You'd think your usual fluorescent isn't low-light, but it is as far as the camera is concerned.

      And yeah, people buy SLRs not only for image quality but for manual controls anyway.

    52. Re:It's possible. by lorcha · · Score: 1

      What I don't get is why the 400D's white balance is off by a country mile. I mean, c'mon, Canon.

      --
      "Avoid employing unlucky people - throw half of the pile of CVs in the bin without reading them." -- David Brent
    53. Re:It's possible. by Anonymous Coward · · Score: 0

      "With enough light" - uh huh. The DSLR under test blows the doors off your crappy phone camera sensor POS under any lighting conditions you choose , ESPECIALLY low light. Try taking an indoor picture without flash with your precious Nokia. Why would you do that, you say, when flash is available? Because front-lit flash photography looks like ABSOLUTE HELL! Now set your Canon to ISO 1600 and take beautiful, low-noise, reasonable shutter speed snaps in any such lighting conditions - NO comparison.

      Utter ignorance, made more all the more revolting by the modding up as "insightful" (whoever did so should go fetch a switch off the hickory tree in the backyard and step forward for an old-school licking). Please go back to pretending you can evaluate cameras by megapixel count, or sheets by thead count, or Chryslers by Corinthian Leather appointments.

    54. Re:It's possible. by Glytch · · Score: 1

      I'm not sure it's Canon's fault; my 350D can get auto white-balance right most of the time. I usually shoot raw, so I don't have to put it to the test much, but it's pretty good. I'm thinking user error and advertising dollars from cellphone companies is a bigger factor in this article.

    55. Re:It's possible. by Invidious · · Score: 1

      You're arguing apples and oranges, here. While no one can deny the sheer convenience of a camera you can fit into your pocket, we were discussing image quality, not convenience. ;)

      Also, on the flip side -- you may look like a dork, but when you're at a public event with a big, white lens made even larger by its hood, and probably with a flash unit stuck on top, people get the hell out of your way. People assume you're press, or working for the event, or whatever. This is freaking great at conventions and large public events, sometimes gaining you access to places, people, and things that you would not have otherwise had. Of course, lugging the thing around can be hell on your back, but these are the sacrifices we must make. ;)

    56. Re:It's possible. by Invidious · · Score: 1

      For 90% of the photographic community, accuracy and precision are the absolute best things. You can always muck with the image to make it less accurate, to conform to your vision -- this is what the art of Photography is, but, without an accurate and reliable starting point, you could never work any technique reliably. While there are a few photographers out there who embrace the chaos of crappy cameras, outdated, no-name, imported film, and improper processing, these people are kind of like modern artists who throw some paint at a wall and show the walls where they actually got something interesting out of it. There are a few photographers who take truly professional-level pictures with very consumer-level equipment, but they do this through a thorough understanding of the abilities and limitations of their tool.

      And while that photog may indeed take some pictures with point-and-shoots, I bet he's got twenty thousand dollars worth of bodies and glass along with him, too, when he goes out on assignment.

    57. Re:It's possible. by shellbeach · · Score: 1

      I think there are going to be a lot of defensive replies from dSLR owners. But with enough light, a small lens and sensor can take a good picture. Five things you won't see on a camera phone any time soon:

      Dynamic range
      Ability to reduce DOF for portraits/macros/etc
      Real resolution (not oversampled tiny pixels from a crappy lens)
      Noise-free photos
      Colour fidelity/white balance

      If these aren't important, by all means use a camera phone.

    58. Re:It's possible. by demon+driver · · Score: 2, Insightful

      For more typical photography (pictures of people, objects, etc.), you don't want a wide depth of field. You want your subject in focus and everything else out of focus. Well, you might want it for a particular purpose and that's fine, and it's clear that you won't get it with a camera phone or any other miniature imager device. The suggestion though that good photos (even considering the exception of landscapes) could only be made with small DOF is equally wrong as suggesting more DOF was always better than less. Relying on artifically blurring out the background is fine for special applications like artistic portrait, but sometimes it is just lack of imagination and ability to compose a picture with harmonious fore- and background. By the way, a completely blurred-out background is far from what the human eye sees when it focuses on a foreground object. So, for 'naturally' looking photos, for example, you would not want to do it at all.
    59. Re:It's possible. by kavehkh · · Score: 1

      Imagine taking a picture of a wall in an empty black room with no windows and no lights. Even my pencil can do it, you don't need a camera for it.

    60. Re:It's possible. by thsths · · Score: 1

      > But with enough light, a small lens and sensor can take a good picture.

      *could* take a good picture. Because there is more to a camera than lens and sensor. The amplifier and processing are nearly as important, and that's the point where it usually goes wrong with a picture phone. The article gives the perfect example: all the pictures from phones suffer from saturated colors without much detail. The pictures from the real cameras may not be as "vibrant", but they are actually sharper, and they retain much more details. Of course the pictures shown are scaled down to 0.15 mega pixels, so the difference in the original pictures should be much more obvious.

      And then again, how often do you have enough light? Sunny 16 is all very well, but I find my dSLR absolutely essential in low light situations. With a 1.7/50 lens and anti shake at 400 ISO, I can take pictures with available light that are virtually impossible even with most film cameras.

    61. Re:It's possible. by demon+driver · · Score: 1

      Then again, there's no reason a dSLR should not be a very good point-and-shoot camera in auto mode. Sure there is. First of all, because even in auto mode, a dSLR still isn't a point-and-shoot camera. It's still designed to adapt to a wide range of conditions automatically, not optimized for the most common conditions like a point-and-shoot. Too much generalization. There have been compact or 'bridge' cameras much more "designed to adapt to a wide range of conditions" than some of today's DSLRs. On the other hand, more and more of today's DSLRs are designed for beginners and amateurs, which would be expected to be more "optimized for the most common conditions" by default, while, at the same time, letting you optionally adjust many aspects to suit more specialized needs. The only thing a full-blown DSLR cannot emulate is the large-aperture ultra zoom lens to be found on some of the better point-and-shoots. Actually, a DSLR ought to be the better point-and-shoot camera for its much better responsiveness in many aspects, especially AF.

      In this case the white balance on the dDSLR is wrong, and scaling down has nothing to do with that. It would be one thing if you simply couldn't tell the difference in scaled-down images; what makes it funny is that the cell cam image looks better, hands down. I agree; automatic white balance is one of the things even many current DSLRs don't do too well yet.

      Its an apples-to-oranges comparison: the n95, as the article notes, processes the picture after its taken. Even in auto mode, dSLRs don't do that by default, and shouldn't. The article is completely ingenuous there -- every camera processes the picture quite massively after it's taken. There's simply no other way to get a JPEG from the analogue readings of the imager. The least post-processing you get in the RAW file, but that's not what all this is about.
    62. Re:It's possible. by ady1 · · Score: 1

      All of the shots in the review are closeups. Knowing form experience, Camera phones are pretty good at closeups.

      Given that I am quite impressed by SonyEricsson Cybershot series. The K790 is just as good as a Digital camera of that caliber.

      Also since the review focused on a single shot and location, it's hard to see how each of these perform in various lighting conditions and outdoors. Flickr has a camera finder service which makes it much easier to find and review live shots.

    63. Re:It's possible. by CrackedButter · · Score: 1

      As a Fine Art Photography student, I relish in the mistakes a camera can make. I have a Holga as crappy vivitar with a 22mm lens with lots of distortion and I buy out of date film with the hope that it fucks up and I get some weird colours from it. I want my cameras to fail. I don't have a camera phone yet but I have come to appreciate their inherent ability of not being able to take decent pictures. I'm happy the iphone is coming out with a crappy camera built it. But I'm in the minority and a lot of people don't know what a good photo is. For one thing, there is a perception that an accurate picture is a good picture.

    64. Re:It's possible. by demon+driver · · Score: 1

      It's possible that this "vibrancy" factor is due to the fact that most consumer cameras "enhance" the picture automagically. They fix contrast, add saturation, etc. It's a real PITA for those of us who just want the data off the sensor though TFA and you are in error if you think that was a specific feature of those lesser 'consumer cameras'. There simply is no other way to get a JPEG other than by bayer interpolation followed by creating contrast, sharpness, color balance and saturation through internal post-processing. Without it, the "data from the sensor" is nothing more but meaningless numbers. If you want in-camera post-processing minimized, though, you could use RAW instead of JPEG. Some compact class/'bridge' type camera provide RAW as well.
    65. Re:It's possible. by toQDuj · · Score: 1

      Hear hear.
      I've been given an old large format camera, and it's taking me quite a while to get used to the sheer variety of options in terms of sharpness plane and perspective correction that that thing has. Especially since the two are slightly convoluted.

      Now just to get a developing bath and some sheets of 4x5 :)

      B.

      --
      Every experiment which ends in a big bang is a good experiment.
    66. Re:It's possible. by Anonymous Coward · · Score: 1, Interesting
      Mr. timeOday:

      I think there are going to be a lot of defensive replies from dSLR owners. But with enough light, a small lens and sensor can take a good picture.

      We'd like to think that money we've invested wasn't a waste. :)

      Mr. Hawthorne01:

      I am sick and tired of camera snobs thinking that more money = better pictures.

      There are always those who would rather spend money than effort.

      Unless you're God's gift to hospitality, getting a candid, relaxed environmental portrait while trying to light the place like Yusef Karsh is a recipe for disaster.

      It's disappointing you didn't expand on this rather than ranting. If anything, TFA needs some comments about light.

      The whole idea of comparing phonecams to digicams to SLRs with the approach taken in TFA is ludicrous. It makes horrendous unstated assumptions, so even if they draw conclusions similar to a more rigorous study that is likely to be serendipity.

      Focusing purely on light. The vast majority of non-photograhic "white" lights are extremely yellow. In order to get anything approaching "true" (day) light you need a bulb which errs towards blue, and you can buy "northlight" or "craft light" bulbs of transparent blue glass for indoor craft work where colour accuracy is important, such as counted cross stitch.

      I find the yellow appearance of some of the un-flashed photos in TFA entirely unsurprising. Furthermore I suspect those which are more-white-than-yellow either (a) have the flash permanently enabled or (b) have automatic white balance over which you have no control.

      For the low light conditions, I do not understand how someone would expect even reasonably good photos in poor light without either additional lighting or a lens designed to operate in those conditions. Also, flash photography often makes things look "false" - there is an unnatural brightness, shadows form where they wouldn't normally, you get bounce even from skin, colours outside flash range look muted. As Mr Hawthorne01 alluded, making natural-looking portraits under artificial lighting requires a lot of equipment... or post-processing which alters what the lens originally captured.

      All the above having been said, and regarding Mr. timeOday's comment, I find it pleasantly surprising that small sensors in phonecams can take pictures in variable conditions which are by-and-large good enough to be acceptable. You certainly don't need a fancy camera for the majority of "happy snaps" which most people take most of the time.

    67. Re:It's possible. by troc · · Score: 2, Insightful

      Indeed, I have my DSLR set to do almost no post processing In the camera when I shoot JPEG (I shoot RAW or Jpen depending on the situation) as I and Photoshop can do a much better job late on. So, indeed JPEGs straight from my camera don't look vibrant, they aren't even that "sharp". Compared to pictures from my little compact, they look flat and a bit fuzzy. Run them through my photoshop actions however and they are vastly superior to anything a point and shoot, or camera phone can produce, given the same subject and photographer.

      And lets not forget my f/1.8 (and better) lenses that allow me to get pictures that NO camera phone or compact can obtain. Or photos with any decent control over depth of field - it's fundamentally impossible to get extremely narrow depth of field with a small lens-type camera.

      I can set my DSLR to behave as a point and shoot (or camera phone) and it does lots of post processing and produces a picture worthy of "flickr", just like a camera phone :)

      So, as the poster above pointed out, in point and shoot conditions, a point and shoot will win out - because it's smaller and portable but if you go on safari, don't expect your N95 to produce National Geographic quality prints!

      --
      Troc's dubious podcast and blog: http://www.trocnet.net
    68. Re:It's possible. by gullevek · · Score: 2, Insightful

      The only thing I want to comment here. A negative film has still much more dynamic range than a digital Camera. But I agree that nowadays top digital cameras have a wider dynamic range than even the best slide film.

      I personally shoot film, because I enjoy it. But professionally I would not do it anymore. Development, scan, spot cleaning. Thats a big hassle. And you can avoid this all with a digital camera.

      But for a private guy like me, who does only hobby shooting, Film is the only way to get Medium Format. I really cannot, nor want to invest into any digital back. Getting and old Rolleiflex, Hassleblad, Bronica or something like this is way cheaper.

      --
      "Freiheit ist immer auch die Freiheit des Andersdenkenden" - Rosa Luxemburg, 1871 - 1919
    69. Re:It's possible. by pubjames · · Score: 1

      Although a agree to some extent with what you are saying when applying it to general photography, I think perhaps you may be being a bit misleading saying you "worked as a commercial still photographer for 15 years". From what you say I doubt that is true.

      It is not a case of being a "camera snob". Professional people who buy expensive Nikons are not idiots. If you don't understand the difference between the lens in a compact camera like an Olympus XA and a professional Nikon SLR one, and you don't understand why a professional photographer might buy one, then I'm afraid I can understand why you had to give up professional photography! None of the professional photographers I know have been put out of business by istockphoto.

    70. Re:It's possible. by Fred_A · · Score: 1

      And when you're shooting architecture with a 4x5 at sunset with people, you need enough strobes to make the lights in the next county dim during recycles.
      So it was you ! I knew there wasn't anything wrong with my wiring ! ;)

      (yeah, well, I work w/ a Pentax K10 and a Canon G3 these days who am I to comment anyway)
      --

      May contain traces of nut.
      Made from the freshest electrons.
    71. Re:It's possible. by Fred_A · · Score: 1

      It's possible that this "vibrancy" factor is due to the fact that most consumer cameras "enhance" the picture automagically. They fix contrast, add saturation, etc. It's a real PITA for those of us who just want the data off the sensor though, so that we can then Photoshop things to our preference. DSLRs tend to produce "duller" pictures by default, but you're expected to add the "pop" later on, and the potential is there in the image.
      They don't have much alternative since they have to output JPEG files (users want something they can use not a multimeg file of gibberish). OTOH a lot of DSLRs will let you push the contrast or saturation (or a number of other parameters) of their embedded conversion engine.

      Also a few (unfortunately) compacts (such as the excellent G series from Canon, currently at the G7 model) will let you save RAW files where you can save the data captured by the sensor. Then it will be up to you to convert that to an image file either using the shooting data provided by the camera (basically doing the same conversion the camera would have done but with a different conversion engine which might be better) or by taking the opportunity to alter some values or to tweak the image.

      With most such postprocessing software, if you have a series of images taken in the same conditions, you can then apply the same tweak to the whole batch.

      For those new to the wonderful world of digital photography ;), note that running Linux is in no way a problem since there are several RAW processing programs available, from the OS/FS stuff based on dcraw (like RawStudio) to RawTherapee or LightZone (available free of charge for Linux users) or Bibble. So you can ignore the (often quite poor) program that came with the camera without regret. :)
      Note that other worthwhile tools like NoiseNinja also sometimes have a Linux version.
      --

      May contain traces of nut.
      Made from the freshest electrons.
    72. Re:It's possible. by Chrisje · · Score: 1

      Well, let me take the time to reply to what is being said in TFA.

      > we used the default settings or an automatic mode if there was one.

      This is by default *not* the way I approach photography. It might work for most people that take snaps, but to generate worthwhile photos it's just not the way to work. It offers no control over DoF to begin with, and you'll simply never get creative pictures that way.

      Secondly, flash or LEDs were used in most pictures I saw. Personally I like to work with available light with a 1.8-2.8 aperture range to purely focus on the subject matter and preserve the same mood the naked eye would see. External lighting sources oftentimes do more to fubar pictures than actually make them worthwhile, specially if you're not a professional when it comes to flash/lighting. For those that don't understand what I mean, go to the Rijksmuseum and see how Rembrandt approached lighting, and then look at the deer-caught-in-headlights washed out photo's from your cousin Vinnie's wedding last fall.

      > the colours are very vibrant, if not a little over saturated.

      Well, here I would argue that this is normal for any consumer camera. Pick up anything by Sony, HP or Fuji in the con/pro-sumer range, and there will be algorithms that over-saturate the pictures slightly. Canon DSLR's can also be configured to do this, by the way. This is because a "vibrant" picture has the widest appeal for the type of people that wanna have pictures of their kids playing with the kitty, or want to have a picture of the beautifuw fwowew in the back yard.

      However, again, if you see photography as a creative process rather than documentation, this is greatly undesirable. I tend to want to shoot pictures with a lot of darkness, negative space in the composition and perhaps under-saturate them a bit to evoke a particular mood. Typically this is not a possibility with camera phones. Alas.

      Canon's entire range of cameras comes pre-configured to represent what the eye sees rather than the "more vibrant" or "poppy" pictures. This is why I find Canon's results more pleasing.

      > In our opinion, the 400D took the best-lit and most focused shot overall.

      With the kit-lens and Automatic settings used, as TFA stated. I don't think I need to get defensive. TFA is perfectly clear. Now there's one last thing. The CCD size. Having a 11 MegaPixel camera or, in the case of the Nokia, a 5 MegaPixel camera doesn't mean diddley. The absolute size of the CCD in the camera has a huge impact on the quality of the pictures. This is why my aging 300D 6 MP camera will take better pictures than a compact 8 MP camera does.

      Squeezing 5 MP out of a pin-head sized CCD means the firmware is busy calculating what is not "seen" by the sensor in terms or resolution, meaning you get an approximation of what you thought you saw as a final result. The final JPG is of 5 MP resolution, but not each pixel lives up to the standards of higher-grade kit, for lack of a better phrase.

      I would love to have a camera-phone that can offer me the functionality my DSLR has. I don't particularly like lugging my DSLR and four high-speed (heavy and clunky) lenses around, but right now, I simply don't have a choice.

    73. Re:It's possible. by Anonymous Coward · · Score: 0

      I am so sick of people who claim that their whiz-bang camera phone takes better pictures than a digital SLR. I don't own a digital SLR - they're a bit too price prohibitive for all the features I'd want in a SLR at the moment and my happy snap Fuji takes OK photos for what I need.

      High resolution camera phones tend to take more than one image and use some kind of super-resolution technique to up the res. Haven't you ever noticed that it takes some time to take an image even in good light. They're even worse at night when they need long exposures. They ramp up the electronic gain (can you say noise?) and then take more than one image to get the information they need.

      I haven't even touched on the optics of camera phones yet. I don't know if I should. They have all started claiming that they have funky glass lenses in them but how much optics quality can you get in such a small lens?

      Until your spankin new camera phone comes with a multi-lens optics system that is more than fixed-field fixed-iris don't talk to me about how great they are!

    74. Re:It's possible. by neverutterwhen · · Score: 1

      any camera can take a good picture, given the right conditions, and a sufficiently skilled photographer. The more expensive ones make it a hell of a lot easier (yes slrs are harder to use at first, but their speed and ease of configuration counts as ease of use to me) and increase the range of conditions in which photography is possible.

      --
      My appreciation of Douglas Adams is far deeper than yours.
    75. Re:It's possible. by clickclickdrone · · Score: 1

      >I've never met a dSLR that does digital zoom, do such things exist?
      Nope. You buy a dSLR for quality/flexability. Digital Zoom = low quality so there would be no point. Any manufacturer that added that would get laughed off the map.

      --
      I want a list of atrocities done in your name - Recoil
    76. Re:It's possible. by clickclickdrone · · Score: 1

      >I am sick and tired of camera snobs thinking that more money = better pictures.
      Hardly. Anyone that genuinely thinks that is an idiot. A good camera with a good user = good pictures. A great camera with a bad user = mediocre pictures. A great photographer can work magic with a $10 disposable.

      --
      I want a list of atrocities done in your name - Recoil
    77. Re:It's possible. by SenseiLeNoir · · Score: 1

      I am a DSLR user, thoguh i am probably in the more "amature/for fun" bracket, I have a EOS 350D, and a variety of lenses, including a 90-300 zoon, a 22 to 85 zoom, and a 55mm prime.

      well, recently, I bought (or rather got free on my contract) a SonyEricsson k800i as a phone, and a point and shoot camera. IT works fine for snap shots, and even "real" shots of those rare moments, which the "technical quality" of the shot is less important than capturing the moment.

      --
      Have a nice day!
    78. Re:It's possible. by afidel · · Score: 1

      Actually no, in the case of the Sports Illustrated swimsuit shoot he only had a bag of disposables. His shots didn't make the cover but he did get several of his models into the edition.

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    79. Re:It's possible. by fishyfool · · Score: 1

      how the hell was the post i made before this offtopic???

      --
      Enjoy Every Sandwich
    80. Re:It's possible. by allanc · · Score: 1

      The 400D tends to err on the side of accurately representing the scene. So if you shoot in yellowish light, your pictures will come out a bit shifted towards the yellowish. It's really easy to override the white balance, though.

    81. Re:It's possible. by SenseiLeNoir · · Score: 1

      All that technical stuff is great for composed photographs.

      However, my two best photos were of sunsets. One was taken with a Nikon point and shoot (2MegaPixel) as was of the sun setting behind the silhouetted Isle of white, and along the narrow Solent, was a few sailing boats (as opposed to modern boats) resulting a a "flat" but pleasing "timeless shot"...

      The second was taken in Sri Lanka, with my EOS 350D DSLR, of a bird "kissing" the setting sun. Again a great shot, but the only "help" the DSLR gave for that was its response time to time it just right. However in retrospect, I wish I had a similarly responsive Point and shoot with a smaller lens/sensor, and larger depth of field, because despite the smaller aperture used, the depth of field was not wide enough to prevent the bird from being a little too out of focus.

      AS said.. tis the picture that you think of first, then you choose the camera and lens to match.

      --
      Have a nice day!
    82. Re:It's possible. by SenseiLeNoir · · Score: 1

      Well said!

      Those who talk about getting a EOS 1d, etc. Its no point buying such fancy equipment if its going to be sitting on the shelf. Especially when you consider the size of that beast!

      Capturing the moment is far more important than the technical qualities (which I mentioned in a post earlier). Which is why I carry a SonyEriccson K800i Phone. That phone is ready and available always, and has been used to take some very memorable shots.

      AS for the dSLR, I chose a Canon 350d over a year ago. I know the "snobs" here will say that its not a "professional" camera, compared to something like the 20d or the 5d, or if even heaven forbid I was rich, the 1d.

      But the fact is, it is a very competent camera, with useful features. It's small and light to carry around, without feeling intrusive (very important, if you are actually going to USE the camera, rather than just boast about it), and the money I saved, I bought some good lenses, and a 550EX flash, and some filters (polarising, and ND).

      And as such, I TAKE shots.

      --
      Have a nice day!
    83. Re:It's possible. by Lumpy · · Score: 1

      I dont care what your cameraphone has. it is NOT going to take better pictures than a DSLR with a $4500.00 medium priced lens. aint gonna happen. not a chance in hell.

      call me when you can blow up a cameraphone picture to 11X17 and have it look fantastic.

      The article is all hype. yes things have improved, but when you have a $1.24US plastic or ceramic lens on it, your pictures are going to suck.

      --
      Do not look at laser with remaining good eye.
    84. Re:It's possible. by Lumpy · · Score: 1

      Funny, all sporting events I cover with my S2 and S3 are in "green box" mode. I.E. full auto. because I dont have to screw with settings and focus on getting the dramatic shots.

      I get tons of fantastic photos that way, and found that many of the Photojournalists from the Detroit free press do the same as well.

      If the pros use the "point and shoot mode" (sans focus, as a real lens gives you instant focus snap) then you can too.

      --
      Do not look at laser with remaining good eye.
    85. Re:It's possible. by LordKronos · · Score: 1

      And if anything, I'm underimpressed by the quality of my admittedly dirt cheap Canon 50/1.8

      If you are "underimpressed" by that lens, then I'd guess either:
      1) You have VERY high standards....standards higher than almost any zoom lens is likely to satisfy.
      2) You don't know how to use the lens or camera
      3) You have a defective/misconfigured lens or camera

      The 50mm 1.8 lens has very good (even excellent if you stop down a bit) sharpness, contrast, and color. About the only areas where it really fails is build quality (it's mostly plastic) and bokeh (terrible, mostly because of the 5 blade aperture). Most of the complaints I've seen about this lens can be traced back to out of focus pictures due to the incredibly shallow depth of field when used at f/1.8. If you stop down to f/8 and are still unimpressed, I'd suggest something is seriously wrong.

    86. Re:It's possible. by SenseiLeNoir · · Score: 1

      No, the GP was correct. He isn't taking about processing to JPG, but the parameters used during. These are called "processing profiles", where a camera may increase sharpness/contrast/saturation before writing out the JPEG image.

      Most consumer (and even some DSLR with "newbie" modes) tend to take the photo, then +1 or more to Saturation, Contrast and sharpness, to give a more punchy, ready to print image.

      However, if you actually READ the manuals of any DSLR with "newbie" modes, such as my 350d it says:

      "The camera has various picture profiles. By default, Set 1 is chosen, which provides a sharper/saturated/contrasty image, which is great for direct printing. However, if you intend to post process the image, please select set 2, which offers a more neutral set, and then post process in your image editor"

      For starters, Sharpness is almost always better to do in post-processing, than on the camera, and if you do it on the camera, it is bad to "unsharpen" on the picture editor.

      --
      Have a nice day!
    87. Re:It's possible. by SenseiLeNoir · · Score: 1

      I suspect foul play, my canon 350d usually gets it right nearly all times. I find that its VERY rare I have to adjust for white balance.

      --
      Have a nice day!
    88. Re:It's possible. by walt-sjc · · Score: 1

      Let's put it another way... Digital zoom = cropping. In other words, there is no point to it when you can easily crop in any photo manipulation program.

    89. Re:It's possible. by PetoskeyGuy · · Score: 1

      The white balance is all over the map. ...
      I know very little about photography but I've heard this term a few times. Picaso has some "magic" fix button that seems to make things look pretty good and I've heard other programs let you adjust the white balance.

      Do you happen to know if white balance be compensated for after the picture is taken using some photo editing software? What will the side effects of a poor white balance camera be?

      Consider this from someone who snaps photos of their kids and house but mostly to keep or print to 3x5 or 5x7 photos.

      Thanks ahead of time if you decide to answer.
    90. Re:It's possible. by demon+driver · · Score: 1

      No, the GP was correct. He isn't taking about processing to JPG, but the parameters used during. These are called "processing profiles", where a camera may increase sharpness/contrast/saturation before writing out the JPEG image.

      Most consumer (and even some DSLR with "newbie" modes) tend to take the photo, then +1 or more to Saturation, Contrast and sharpness, to give a more punchy, ready to print image. I may be nitpicking, and of course you're both right if you're referring to 'many consumer cameras' as having a tendency to overdo contrast, sharpness, saturation in their processing. But, talking about processing, I was not referring to the simple act of JPEG encoding, but to what happens to the sensor readings after taking the picture and before encoding the viewable RGB bitmap into JPEG.

      Of course it's a matter of 'profiles', but I think you're victim to the same error I was trying to point out. There is no such thing as a 'no' contrast, 'no' sharpness or 'no' saturation picture for any camera or sensor, and therefore talking of '+1' does not carry a reproducible meaning either. With little exception and regardless of adjustments made by the user, may they be zero, minus x or plus y, every camera does post-processing by applying more or less contrast adjustment and saturation correction as well as adding more or less sharpness. Some is always added, except for cameras offering a specific 'no sharpness at all' option (but such pictures necessarily have to get sharpness processing applied later, without they're virtually unusable).

      The only question is, in doing its internal post-processing, how far does a specific camera go by default. A possibility to get unprocessed 'data from the sensor' in a JPEG does not exist.

      What you're saying about sharpness is quite correct, of course. (Personally, I tend to shoot RAW+JPEG while setting JPEG sharpness to an amount that usually does not require further sharpening. Then, either I can use the JPEG out of the box, or I can losslessly apply sharpness etc. to the RAW just the way I like.)
    91. Re:It's possible. by commanderfoxtrot · · Score: 1

      Why didn't you just choose a better aperture setting? That's what a DSLR is for.

      If you keep it on automatic mode the whole time, you may as well ditch it for a Canon Ixus.

      BTW, it's the Isle of Wight, not white.

      --
      http://blog.grcm.net/
    92. Re:It's possible. by bean123456789 · · Score: 1

      I totally agree, because those cameras are pretty much the same as your standard point and shoot. The problem is that they claim the picture is "better". Which is a totally subjective term. When I use my SLR, I can adjust the aperture to get the depth of field that I want and adjust the shutter speed to get the lighting I want. This is just not possible with this type of camera. So given certain conditions it can take a good picture, the SLR is infinitely more adaptable to any given situation. This allows for creativity and artfulness where the fixed lens camera phone will always take a photo with the same depth, it tends to give much flatter boring photos.

    93. Re:It's possible. by Alan · · Score: 1

      Yes, but knowing that your camera is accurate *allows* you to have that creative control. If you want to focus on the background instead of the forground, but when you do your camera focuses on the middle ground, how does that help? I'm all for creative effects, and yes, people use odd and strange cameras for fun (my dad is a fan of the Fez, a Russian leica knock off), but to have that creative control you need control first.

    94. Re:It's possible. by Slashdot+Parent · · Score: 1

      And another thing about small cameras (and to some extent, cameraphones): You don't look like a freaking dork when you're shooting.
      I don't think that's really true anymore. With dSLR prices coming down (You could buy 2 Pentax K100Ds for the cost of one Nokia N95 cameraphone), more and more people are taking the plunge. DSLRs no longer look out of place.
      --
      They don't grade fathers, but if your daughter's a stripper, you fucked up. --Chris Rock
    95. Re:It's possible. by philpalm · · Score: 1

      Looking professional or camera crazed will miss a lot of candid shots. With my obscure pda I can take more photos without the camera shy covering themselves up.

    96. Re:It's possible. by timeOday · · Score: 2, Interesting

      The white balance is all over the map. The N95 shot looks good, but only because of the subject matter. The particular objects happen to look better with a blue cast. The N95 white balance is actually way, way off. If you look at the image with a color meter, you can see that the white areas are actually very purple.
      Did you actually try this? I just did, with the color picker in gimp and a sample radius of 5. Here are the results for samples from: 1) over the monster's head, 2) on the ping-pong ball, 3) the M&M's foot. After each, I put the distance in color space from the mean of the color components (gray) to the specific color:

      n95 : 160,158,165 (5.1); 225,212,227 (11.5); 208,210,210 (1.6)
      400d: 174,145,106 (48.3); 232,199,168 (45.3); 219,187,146 (51.7)

      Can you look at those numbers and still argue both cameras are equally wrong? It isn't even close! The D400's error is many times that of the n95 in this particular image.

      There's no question an SLR can capture motion better and reduce depth of field much more than a cellphone cam. But I don't think there's any question that most people want white things to look white when they shoot under tungsten lighting, and in this particular image, those other subtleties are hard to notice compared to the strong brown cast on Canon image.

      Sure, it would be a mistake to draw general conclusions like "dSLR's have bad auto white balance" from one image from one model. I'm just surprised anybody can look down that page of photos with their own eyes and not admit that, in this particular case, the best looking image is from a cell phone.

    97. Re:It's possible. by _|()|\| · · Score: 1

      You tout the advantages of a point-and-shoot camera, while somehow spinning the high-end capabilities of SLR (and now medium format) as a disadvantage. Using available light with a 35/2 or 50/1.4 seems much less apt to make one look like a "freaking dork" than the flash of a "hold still and say cheese" compact camera. If you're more likely to carry (or less self conscious about using) a compact camera, great, but I don't see what your studio full of strobes has to do with anything.

    98. Re:It's possible. by jp10558 · · Score: 1

      Also, I think while camera phones have some advantages, they mostly aren't going to be in image quality. They will be in always being there.

      I can see camera phones also replacing many of the disposable cameras.

      But even at the consumer level, there's lots of reasons to have a "real camera", like the inexpensive Canon A7xx series. For many, it's because they work a lot like a 35mm, except you get more options with the LCD, and you don't have to screw with film. That is, you have a power button, and a shutter switch.

      Camera phones suffer from the problem inherent from mixing 2 orthoganal devices into one from a UI perspective. Also, they add bulk to the phone. If you are someone who uses a phone all the time, but rarely takes pictures, most of the time, the camera in your phone is getting in the way, and adding weight. How many times have we seen requests for just a cell phone on slashdot? There clearly is a market that wants a phone, not a do everything device.

      So, for some subset of users, camera phones will replace their cameras as they want it with them all the time, and they don't care too much about picture quality, and are willing to buy expensive phone/camera hybrids.

      --
      Opera, Proxomitron-Grypen,GPG 0x0A1C6EE3
    99. Re:It's possible. by fishbowl · · Score: 1

      >Ok, where was I...

      I think you were explaining how it was someone else's fault you could not compete successfully in your art market.

      --
      -fb Everything not expressly forbidden is now mandatory.
    100. Re:It's possible. by Explo · · Score: 1

      True, but if you're using prime lenses, are you really even going to think about using a digital camera?


      It's a matter of individual preferences, but if I'd have to keep just one of my four lenses (two primes, two zooms) to use with my Canon 20D DSLR, I'd keep the 85mm f/1.2L. Sure, it has a quite slow focusing speed and I'll have to either zoom with my feet or change lenses to get the composition I want, but on the other side, the low-light performance is just insane and I generally like playing with narrow depth of field even when there is plenty of light.

      On the other hand, somebody who shoots mostly landscapes in good light or keeps a tripod around would be far happier with a good wide-angle zoom.
      --
      Everyone who makes generalizations should be shot.
    101. Re:It's possible. by ceoyoyo · · Score: 1

      Depends what you mean by a good picture. In ideal conditions, with the right subject (no portraits for compacts, camera phones or pinholes!) a properly made pinhole camera can take a good picture.

    102. Re:It's possible. by ceoyoyo · · Score: 1

      I doubt those PJs are shooting in green box mode. They're probably shooting in Tv mode, which they might refer to as automatic, relative to full manual.

    103. Re:It's possible. by ceoyoyo · · Score: 1

      The difference is that they are purposely choosing a Holga because of it's characteristics, to get an artistic effect. They also have to choose their subject carefully, and usually shoot a LOT of pictures to get something interesting.

      A good photographer knows the strengths and weaknesses of his tools and uses them appropriately. Ask one of those Holga shooters if they'd use their Holga, and ONLY their Holga, to shoot a wedding. If you find one who says yes I want to watch. Particularly when the bride sees the results.

      As another poster says, the defects in camera phones might make them interesting for certain artistic work, but that DOESN'T make them good for what most people want to use them for. Their convenience does, so it becomes a tradeoff between convenience and accuracy. There's no point in pretending that the camera phone achieves the same accuracy as a DSLR or a regular compact though. When you shoot your friends with a camera phone, you should be aware that they'll probably come out looking jaundiced and blurry.

    104. Re:It's possible. by ceoyoyo · · Score: 1

      Yes. You take a colour sampling tool, click on something that should be gray, and the software adjusts the image so that area is gray, which fixes the white balance for everything else.

      That's great for small corrections, or large corrections on RAW images from a DSLR or a few compacts. You can't make big changes on 8-bit JPEGS without some consequences though, usually banding and some inaccurate colours.

      If you want more creative control some programs let you change the colour balance with a slider. So, for instance, you can give a portrait a slightly warmer colour, as film photographers would do with a warming filter on the lens.

    105. Re:It's possible. by ceoyoyo · · Score: 1

      Agreed, except for one thing. Everybody cares once the picture is taken, most just don't care while taking it.

      Many times I've taken a shot of something at the same time as someone with a compact camera then we've compared the results on the LCDs. Even on that little screen they can see the difference, and the response is always something like "hey, cool, how come mine doesn't look like that?"

      You're right though, huge DOF is what you want for P&S but VERY few of those shots get hung on the wall.

    106. Re:It's possible. by ceoyoyo · · Score: 1

      Yes. Primes are amazing lenses. If you really want to be a good photographer, the best way to learn is to get a single normal prime and take it out, day after day. That teaches you something very important. You learn to visualize the picture before you look through the camera, and decide exactly where you need to put the camera to get the shot you want. Then you place yourself and the camera, look through the viewfinder and shoot.

      Besides teaching you to visualize, it also teaches you to MOVE. A zoom can sort of compensate for moving backwards and forwards, but it can't get the effect of crouching down on the sidewalk or climbing halfway up that set of stairs.

      Zooms are very nice to have in some situations, and used properly they can be very good (although good ones are very expensive) but they do encourage a certain laziness.

      Note: Most of the pros you see at things like sporting events are also using primes. They place themselves where they need to be before the event, or choose the lens to match their location, and then shoot.

    107. Re:It's possible. by ceoyoyo · · Score: 1

      That's not really true. Have a look here: http://www.clarkvision.com/imagedetail/dynamicrang e2/

      Unfortunately the only negative film compared was Kodak Gold 200, but you can compare it's response curve (here: http://www.kodak.com/global/images/en/consumer/pro ducts/techInfo/e2329/f002_0618ac.gif) with other films. A good modern digital SLR has quite a bit more dynamic range than colour negative film, and on par or close to the very best black and white films.

    108. Re:It's possible. by dgatwood · · Score: 1

      Yes, I did try this. I'm looking at the upper front of the Cnet ball and I'm showing significantly purple whites---a lot more than a difference of 2 on n 8-bit-per-channel scale... more on the order of 10 or so. Of course, the real problem is that these photos were taken with what appears to be sunlight coming from one side and an incandescent coming from the other, so whichever white point you pick will always be, by definition, wrong for some portion of the photo. :-)

      As for DSLRs doing "poor" white balancing, I'm surprised they do any white balancing at all. The last thing I want is a camera making guesses about what it thinks might look good. That's how you get cartoon pics like the flash photo from the D95. We're not shooting moving video here; color correction by a human after the fact is not hard at all. Ten seconds with iPhoto will put you in the ballpark, then you tweak until you like what you see.

      When I shoot photos in tungsten light, I expect it to look about like it looks to my eyes. That would be the Canon photos. Anything else is not an accurate depiction of what I'm seeing. With the Canons, you have some assurance that what you see is pretty close to what you're going to get in the actual photo (and if you want whiter whites, again, it's an easy fix). With the D95, it's anybody's guess.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    109. Re:It's possible. by dgatwood · · Score: 1

      I don't mean extreme, artsy blurring of the background. I've never found a use for that. What you generally don't want is a busy background interfering with your enjoyment of the shot. Not a narrow depth of field, just not an "infinity is at three feet" depth of field.

      Your eye's infinity is at somewhere on the order of 20-30 feet (depending on who you believe). Therefore, anything with a small lens whose depth of field puts infinity at a closer distance will not look natural. It will look confusingly flat because it will lack one of the more critical visual clues that cause depth perception. Going to the other extreme (infinity at a couple hundred feet) looks very artsy. For natural looking photos, the ideal is something in the middle. Anything from 30-60 feet for infinity seems fairly natural to me.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    110. Re:It's possible. by Rui+del-Negro · · Score: 1

      If you shoot in "raw" mode, you can adjust the white balance at any time (ex., when loading the image into your editing software) with as much accuracy as if it had been set perfectly on the camera to begin with. If you shoot in JPEG mode, you should try to get the white balance as close to right as possible, because any changes can cause a degradation in image quality (mainly "banding").

      Usually just selecting manually between the 4 or 5 white balance presets (tungsten, sunlight, shade, fluorescent, etc.) before you take the picture is enough to get the shot within a range that can be fine-tuned later (with a "color balance" filter).

      Also, note that mixed-light situations (ex., tungsten lit interior with sunlit exterior visible through the window, or with a TV or PC monitor) have no "magic" solution. Our brain can mix multiple white balances into a single "mental picture" but cameras can't. The only way to make the colours look right in that kind of photo is to manually select and adjust each area. In those cases, pick the white balance that matches the most important part of the image, so that part will lose less quality when you make the final adjustments.

    111. Re:It's possible. by EvanED · · Score: 1

      It's a matter of individual preferences, but if I'd have to keep just one of my four lenses (two primes, two zooms) to use with my Canon 20D DSLR, I'd keep the 85mm f/1.2L. Sure, it has a quite slow focusing speed and I'll have to either zoom with my feet or change lenses to get the composition I want, but on the other side, the low-light performance is just insane and I generally like playing with narrow depth of field even when there is plenty of light.

      Again, I meant "True, but if you're using prime lenses, are you really even going to think about using a camera phone", not "digital camera"; there are plenty of people who will get advantages out of prime lenses on a dSLR.

      And they're not the people who would go "oh, hey, the camera phone quality is getting pretty decent... I'll drop my SLR!" ;-)

    112. Re:It's possible. by gullevek · · Score: 1

      Well, it probably depends on the sensor size. Because my Canon 30D definitly has a smaller dynamic Range than any negative Film I use (Fuji Reala Ace, Fuji Pro 400, Kodak Porta).

      I can extract a lot more data than from any slide film on the other hand. But you need to use a good RAW converter for this, or else you throw away a lot of good information.

      --
      "Freiheit ist immer auch die Freiheit des Andersdenkenden" - Rosa Luxemburg, 1871 - 1919
    113. Re:It's possible. by ceoyoyo · · Score: 1

      Various groups, doing quantitative tests, have found that this just isn't true. From here: http://www.clarkvision.com/imagedetail/film.vs.dig ital.summary1.html, various tests have shown that the Canon 1D II captures about 11.6 stops, while the 10D does about 11. The 30D (I have one too) is supposed to have improved dynamic range over the 10D. In his test Kodak Gold print film showed 7 stops of information and Fujichrome Velvia 5.

      Unfortunately it's hard to tell from the manufacturer's data what the dynamic range of the film actually is, since the curves they publish are averaged. As you can see from here: http://www.clarkvision.com/imagedetail/dynamicrang e2/ at low exposure values the films response becomes so noisy that it's unusable, far earlier than the characteristic curve would indicate.

      For professional black and white film I can certainly see that it would perform close to digital, or perhaps provide an extra stop or two with heroic measures, but it's not night and day.

      You could possibly be being led astray by the way you're comparing. When you use a RAW converter you're taking the 12-bit RAW file and squishing it into 8 bits. That seriously cuts down it's dynamic range. So what you're really looking at on screen is an 8-bit image compared to what... a print? the negative? That's not a fair comparison.

    114. Re:It's possible. by gullevek · · Score: 1

      Well, I read the page above, and I actually agree with those results. Thing is, I scan in the negative as a TIFF (16bit) and compare it to a TIFF (16bit) from the RAW file. So almost apples and apples.

      There are some shots where I took the same scene from my apartments window and on the negative ones (in this case Fuji Natura 1600) has way more visible dynamic range than the 30D shots (also ISO 1600).

      But perhaps the built in lightmeter from my Bessa is much better than the one from the 30D? The Canon ones like to make everything too bright and with digital, if it is too bright, there is no way to get any data back ...

      Its just my personal experience, that when I shoot digital, I really know I have to be careful which dark to bright areas, negative film is so much more forgiving for doing light measure errors.

      Just for compare:
      Fuji Reala Ace: http://www.flickr.com/photos/gullevek/380595985/in /set-72157594516795095/
      Canon 30D: http://www.flickr.com/photos/gullevek/335142975/in /set-72157594430666737/

      Fuji Reala Ace: http://www.flickr.com/photos/gullevek/380595878/in /set-72157594516795095/
      Canon 30D: http://www.flickr.com/photos/gullevek/335142775/in /set-72157594430666737/

      of course I could have boosted the dark areas via the curve tool in CaptureOne, but I would have introduced more "noise".

      --
      "Freiheit ist immer auch die Freiheit des Andersdenkenden" - Rosa Luxemburg, 1871 - 1919
    115. Re:It's possible. by ceoyoyo · · Score: 1

      Yes... digital and film are different, and that leads to lot of the confusion. It's quite possible that Reala has a BIT more dynamic range, but it's not night and day.

      But... how the camera uses that dynamic range is definitely different. Film is non-linear (which you can see from the graphs on that page) so as things get very bright or very dark it kind of trails off, with subsequent changes in brightness giving smaller and smaller changes on the film. Digital is much more linear. At a certain point you just don't get any more detail. So digital has a very clear stopping point. At such and such an EV you're at the end of the road. To compare properly you have to get exactly the same exposure... which is really tricky since the ISO values quoted for digital cameras are really, really approximate.

      I can't really tell anything from your comparison pictures because they've been converted to 8-bit. Remember too, when you're comparing on screen you're really comparing 8-bit images... NOT 16-bit, because that's all your monitor can display. So you have to look at a shadow, change the 16-bit to 8-bit conversion accordingly, then look at a highlight and change the settings again.

      If you've still got the 16-bit scan and the DSLR RAW files around I'd be curious to see them. I couldn't find any proper comparisons of dynamic range between a modern digital camera and a good film.

    116. Re:It's possible. by gullevek · · Score: 1

      Well from my understanding as digital sensor fills up its "holes" the brighter it gets, the faster it is full. So I learned to rather underexpose a shot and then fix it and have all the detail there, than correctly exposing it and loose all the data because off over exposure. Again, this seems a problem with Canon cameras. They love to overexpose a lot, it seems to be some problem with APS-C / full frame and film / digital difference. Same thing doesn't work everywhere.

      I have the originals at home, so if you are interested I can send them to you for some more accurate compare.

      --
      "Freiheit ist immer auch die Freiheit des Andersdenkenden" - Rosa Luxemburg, 1871 - 1919
    117. Re:It's possible. by ceoyoyo · · Score: 1

      Not really... a digital sensor is very linear. If you double the amount of light coming in, you double the value it outputs. Film is very not linear... if you're in the middle of it's range and you double the brightness you might quadruple the density on the negative, but if you're up and the top end, or down at the bottom and you double (or halve) the brightness you might only change the density by a factor of 1/10.

      The exposure meter is kind of individual to the camera. I haven't really noticed a tendency to overexpose with mine. I always shoot RAW and I find that I usually bump up the exposure a touch when post processing. It depends on how you meter as well, of course.

      If you wouldn't mind, you can send those comparison shots to robb.brown at gmail.com. If we find something interesting we can post it and share credit. ;)

      It's just too bad there isn't a calibrated target in the frame. We won't be able to make any quantitative measurements.

    118. Re:It's possible. by dpastern · · Score: 1

      I guess it depends on how you define 'enough light' doesn't it? And what you define by photography, and by a certain level of reasonable quality. Camera phones are like Audio CDs were to LPs - convenient, certainly not better quality, and pushed by marketing companies so that ill-informed people think they're actually getting a higher quality product that's better than quality products.

      From a technical point of view, the resolution on these camera phones is ALWAYS going to be inferior to a DSLR (just as a digital compact is inferior to a DSLR). Resolution is dictated by the given number of pixels within a certain sensor area. Considering that the sensor in this mobile phone is probably 5mm x 5mm...and smaller sensor sizes, lead to smaller pixels, which means more noise WILL be contained within the image. Reducing the images to web sized images only helps doctor the mobile phones inadequacies as a quality imaging device. I'm not even touching on lens quality, there's no way that these plastic, cheap mobile phone lenses are going to even remotely compare to a quality SLR lens. Period.

      Dave

      --
      Our lives begin to end the day we become silent about things that matter. --Martin Luther King Jr.
    119. Re:It's possible. by dpastern · · Score: 1

      Anyone who knows what they're talking about will know that Canon DSLRs have had very poor incandescent and tungsten WB settings for quite some time now. Nikon seems to have it right with their cameras from my experience. I usually set my camera on AWB now as it seems to offer the best WB from my experience. If it's a critical shoot, I'll take a WB shot off a macbeth card.

      Dave

      --
      Our lives begin to end the day we become silent about things that matter. --Martin Luther King Jr.
    120. Re:It's possible. by vought · · Score: 1

      But... how the camera uses that dynamic range is definitely different. Film is non-linear (which you can see from the graphs on that page) so as things get very bright or very dark it kind of trails off, with subsequent changes in brightness giving smaller and smaller changes on the film.

      You get at something important here...which is that you can squint at highlights or blow a spotlight through the shadows (on slide film) and your brain will "see" more texture than what actually exists on film. That's the lightbox lie.

      Digital sensor information portrayed on a calibrated display won't lie like film on a lightbox. It's a lot less romantic - but no less scientific - than the idea of Ansel measuring film with a densitometer in his darkroom.

      It's worth noting that Ansel's greatest contribution to photography might not have been his pictures - he, after all, figured out how to convey sensitometry (the Zone system) to everyday photographers.

    121. Re:It's possible. by ceoyoyo · · Score: 1

      With film the actual texture will fade off at either end until it gets swamped by noise (which you might very well mistake for real texture). So where do you draw the line? With digital it's easy -- with the highlights when you hit saturation you're done, no fading off into the noise background to worry about. At the bottom end there is some noise, but since the response is linear there's not a whole lot of padding on that side either.

    122. Re:It's possible. by gullevek · · Score: 1

      I also shoot RAW and with this its very easy to do any fix on the exposure, or to recover highlights. I am often surprised how much information there actually is and pity those who should JPEG on such a dSLR.

      And none of those results are scientific. This is more a personal matter, what you like, etc ...

      I am myself kind of a film freak, especially because there is no viable alternative for Rangefinder cameras. Either they are ridiculous overpriced (Leica) or really have a too small sensor and are overpriced (Epson).

      --
      "Freiheit ist immer auch die Freiheit des Andersdenkenden" - Rosa Luxemburg, 1871 - 1919
    123. Re:It's possible. by ceoyoyo · · Score: 1

      Yes, there's far more information captured by the sensor than is normally used in the JPEG. There's ALSO more information in a film negative or positive than is normally used when making a print. The question is, when you need it, how much more? And how do the two compare to each other?

      If you listen to the people who whine about dynamic range in DSLRs you'd think it's a LOT, when really, DSLRs probably outperform all but the best film. I also had a discussion with a high dynamic range (HDR) proponent recently. A lot of HDR photos look fake because they actually exceed the exposure range of the human eye. According to some estimates the instantaneous range of the human eye is about eleven stops... very similar to DSLRs and print film.

    124. Re:It's possible. by fatphil · · Score: 1

      Canon EOS Digital Rebel XT - 6x digital zoom.

      I'm aghast at how many people are making bold statements about "cameraphones do this", "DSLRs do that", etc. and almost none of them are actualy based on facts, most just on incorrect guesswork.

      --
      Also FatPhil on SoylentNews, id 863
    125. Re:It's possible. by StewedSquirrel · · Score: 1

      This is an old thread but I thought I would point out that most camera phones I've dealt with do OK white balance under incandescent light, as they are calibrated for that range, but blow donkey balls under daylight or fluorescent, leaving green and blue everywhere....

      I think it's just a matter of economy. Good WB is very difficult, computationally, and requires a lot of sampling and guessing and extra sensor elements, etc.

      That said, my Nikon gear is almost perfect AWB under incandescent conditions.

      Stew

      --
      There are 10 kinds of people in the world. Those who understand binary and those who don't.
    126. Re:It's possible. by mink · · Score: 1

      Camera phones are a major pain in the ass for anyone working in an industry that involves private/confidential data or governmental laws about data protection. I need a "just a phone" so I don't have to surrender it at the desk every place I go for work or doctors offices.

      --
      Well I've wrestled with reality for thirty five years doctor, and I'm happy to say I finally won out over it.
  3. Where to Start? by smack.addict · · Score: 5, Insightful

    Most people take pictures to put them on Flickr? In what bizarre alternate universe?

    And camera phones take pictures as good as a dSLR? You can be 80% blind and still tell that camera phones take inferior pictures.

    1. Re:Where to Start? by Lunix+Nutcase · · Score: 0

      Yeah that part about Flickr made me laugh heartily.

    2. Re:Where to Start? by magnusrex1280 · · Score: 1

      Hah, I've never even been to the site, although I've heard of it. It always makes me laugh when someone says something to the effect of "most people do this..." and it's completely wrong.

    3. Re:Where to Start? by BiggyP · · Score: 1

      Well, an awful lot of dSLR users do just put photos on flickr, but the thing is that you can't attach a Tamron 70-300 and marvel at Teh B0keH! while ignoring the god awful CA and softness and being patted on the back by dozens of cretinous flickr users if all you have is a camera phone...

    4. Re:Where to Start? by fan+of+lem · · Score: 2, Interesting

      Flickr is more than a place to upload pictures - it's also a community of photography aficionados, with categorized groups (think yahoo or google groups for photos). There are groups dedicated to photo critiques, so you can post your shots there for hopefully constructive analysis from other flickr users. It's a really interesting place, and I for one go there 75% of the time just to look at other people's works.

      And I dunno, the N95 shots do look good _at the resolution presented_. A handy device to have, if you don't have your SLR or P&S with you. Of course, for high res pixel-per-pixel quality, nothing beats SLR. (And cameraphones will suck in low-light.)

  4. puleeeeze! by cashman73 · · Score: 3, Insightful

    Get over the "megapixel" factor of digital cameras. There are so many more factors involved in photography, it's not even close to fair to compare megapixels. Sure, it's entirely possible for someone with a low quality camera phone to take a reasonably good picture compared to something out of a dSLR. Half of the photo depends on who is taking the photo and how the lighting is set up. Who gives a frack about megapixels!

    1. Re:puleeeeze! by AaronLawrence · · Score: 1

      Indeed, in fact in a small sensor more megapixels is usually worse because the individual pixels can collect less light and so noise becomes worse.

      What would be good is if Fujifilm's high sensitivity CCD (as in the F30) was integrated into phones. That is perfect for the kind of low-light photos camera-phones get used for.

      --
      For every expert, there is an equal and opposite expert. - Arthur C. Clarke
    2. Re:puleeeeze! by Raptoer · · Score: 1

      What I really want to see is photos taken of that same group of object when the digital camera were set up correctly and used by an actual photographer(even a hobbyist would probably have enough know-how to operate one of those cameras much better for those conditions than the default settings). Not to mention a good quality scan of a film camera to try and determine what the real colors and details of the items are.

    3. Re:puleeeeze! by Anonymous Coward · · Score: 0

      I think you meant all of the photo.

    4. Re:puleeeeze! by seriesrover · · Score: 1

      And lets not forget that a dSLR is about its lenses. You can get a Nikon D40 for about $500 if you could get it just as a body. dSLRs give you control over how and what you see. Sure you can compare a static object 5 feet away. But try taking a shot that requires a wide-angle lens or telephoto that requires a steady hand or a tripod.

    5. Re:puleeeeze! by datawhore · · Score: 1

      You are correct in that at a certain resolution very small sensors don't do any further resolving and only add noise and file size.

      Remember though, dSLRs have significantly larger sensors than atypical point and shoot or a cameraphone. So while they're 2x the resolution, their sensors are 4-6x the size and thus take much clearer pictures.

  5. Editorializing by jaymzter · · Score: 1, Troll

    By now I'm sure this is redundant, but can we just cut back the editorializing a bit? "Most" people aren't putting their photos on Flickr. The /. editors seem to be simply trolling their readership at this point.

    --
    If thou see a fair woman pay court to her, for thus thou wilt obtain love
    1. Re:Editorializing by fragmer · · Score: 1

      With all the other lapses in this article and its summary, I am tagging it "troll"

      --
      09 f9 11 02 9d 74 e3 5b d8 41 56 c5 63 56 88 c0
  6. Maybe... by imamac · · Score: 3, Informative

    But there are countless jobs (many military) where you cannot have a camera phone at the workplace for many obvious reasons. I'm sure there are many corporations in the civilian sector who have similar regulations in place.

  7. Advances by DJ+Rubbie · · Score: 1

    It's quite weird, but to think that 5 years ago I paid $450 for a 3.1 megapixel camera and another $150 for a 256 Mb memory stick, and just 6 months ago I paid $500 for a slider phone with a 3.1 megapixel camera (I got it when it just came out, if I had waited till now to get it, it would have been $350) and $50 for a 1 Gb MicroSD memory card. Comparing the physical dimension is yet another distinction, as the camera is about 2.25 times thicker than the phone but about the same size, and the footprint of the memory storage device is over a factor of 20x in terms of physical volume. As for the quality of the photographs, they are both about the same, unless you want to take a snapshot of a fast moving object (or looking out from a fast moving object), then the camera phone wouldn't be fast enough.

    As for other functionality, the camera phone can play higher quality video with its bigger screen, acts as an mp3 player, plays games, text messages and of course acts as a mobile phone. The camera just takes photos and short videos, plays them back (can't even attach headphones), that's about it.

    I am just impressed at how in a few short years, so much advances have happened.

    --
    Please direct all bug reports to /dev/null
    1. Re:Advances by Anonymous Coward · · Score: 0
      > As for the quality of the photographs,

      ...I can still tell which ones were taken by a lens that is 1/8" wide and covered by lint and sweat from being held in someone's hand and stuffed insinde someone's pocket for most of its life, and the lens that is 1" wide and was hidden behind a shield (or that was 2" wide and behind a lens cover).

      We're seeing the camera phone pics under ideal circumstances. Not real-world circumstances.

      Your homework is to go to eBay and look at 100 advertisements for automobiles, and to pick out the 5 that were taken from camera phones. I can pretty much guarantee that you and anyone else will pick out the camera phones, instantly.

  8. Next article on CNet... by Rui+del-Negro · · Score: 5, Funny

    "Is 3DS MAX really more powerful than Google Sketch?" - We gave 10 randomly selected people half an hour to learn to use them, and then compared the results.

    And, coming soon...

    "Is DVCPRO HD actually better than VHS (after you resize it to 64x48 pixels)?"

    "Is a dual-socket, quad-core workstation actually faster than a ZX Spectrum (when playing Space Invaders)?"

    1. Re:Next article on CNet... by j79 · · Score: 5, Funny

      Regarding DVCPRO vs VHS, you completely forgot that most people will recompress the video to put on YouTube...so seriously, what's the point of DVCPRO HD?

    2. Re:Next article on CNet... by Rui+del-Negro · · Score: 3, Funny

      You're right. I completely forgot that 87% of home users and 95% of broadcast professionals use YouTube as their "master" format. ;-)

    3. Re:Next article on CNet... by nine-times · · Score: 1

      I don't think your criticism is fair. CNet isn't claiming that the cell phones are better cameras, but are comparing them to dedicated digital cameras in conditions that are common to point-and-shoot photographers. Default settings, medium/low light, point... and shoot. Resize to a reasonable size for e-mailing it, and see how it looks.

      So it'd be like if someone discovered that simple photo work like resizing, rotating, and cropping gave better visual quality when using built-in OS tools than if you do the same tasks in Photoshop.

      Of course, it may be obvious to you that expert equipment is designed for people who know enough not to use the default settings-- and fair enough. However, I don't believe this article is written for those experts. It's written for basic point-and-shooters who might be considering blowing their money on expensive equipment thinking it will magically provide amazingly superior quality, not realizing that achieving that quality requires a certain level of expertise.

    4. Re:Next article on CNet... by BiggyP · · Score: 1

      Oh how i wish i had mod points! :)

    5. Re:Next article on CNet... by cheater512 · · Score: 1

      The criticism is rather accurate actually.

      Most people dont need a dSLR. Its a high end camera for a reason.
      You also wont find photographers going around with mobile phones.

      Duh camera phones are better for point and click - thats all they can do.
      A dSLR is for someone who is serious.

    6. Re:Next article on CNet... by Anonymous Coward · · Score: 0

      i suppose that what the article is saying (kind of circularly) is:
      a very expensive camera is a waste of your money if you're not interested in using it to its potential.
      But anyone could tell you that without having to bother with the article, really.

    7. Re:Next article on CNet... by Rui+del-Negro · · Score: 3, Insightful

      It's not a matter of providing superior quality. They are deliberately limiting the quality by assuming that everyone's final goal is to post scaled down pictures on Flickr. Hence the comparison with video scaled down to a point where the original quality is irrelevant. 64x48 pixel video is worse than DVCPRO HD but my point is that it's also worse than VHS.

      Most people (especially the ones with two X chromosomes) like to be able to print their pictures, and most camera phones can't really produce acceptable results above 15x10 cm (6x4"), regardless of their resolution. Their sensors are simply too small and too noisy. In fact, for the same sensor size, a 3MP sensor is likely to have better quality than a 5MP model.

    8. Re:Next article on CNet... by MobileC · · Score: 1

      "Is a dual-socket, quad-core workstation actually faster than a ZX Spectrum (when playing Space Invaders)?" That depends...
      Which ZX Spectrum model?
      --

      Fran
      :):):)
      1st 1st Poster of the new Millennium!

    9. Re:Next article on CNet... by nine-times · · Score: 1

      They are deliberately limiting the quality by assuming that everyone's final goal is to post scaled down pictures on Flickr.

      Uh... yeah... that's the premise of the article. "If you're only interested in point-and-click sharing your pictures over the internet through Flickr or e-mail, is it worth your money to buy an expensive stand-alone camera or will the camera in your cell do the job well enough?"

      Hence the comparison with video scaled down to a point where the original quality is irrelevant. 64x48 pixel video is worse than DVCPRO HD but my point is that it's also worse than VHS.

      Again I feel tempted to say, "Uh... yeah..." You know, I read you the first time and I understand what 64x64 means, but this just isn't an apt criticism of the article. You see, no one is storing 68x68 movies on either VHS or DVCPRO HD, so comparing those formats usefulness for 68x68 pixels would be utterly useless. However, many people are taking pictures only really caring whether the pictures look good at lower resolutions, so the CNet article is not completely useless. It goes to illustrate a point.

      Most people (especially the ones with two X chromosomes) like to be able to print their pictures, and most camera phones can't really produce acceptable results above 15x10 cm (6x4"), regardless of their resolution.

      That's really not a huge problem for a lot of people. Fewer and fewer people care about printing their pictures because they have other methods to share them (like Flickr), and many who print them don't print them bigger than 6x4".

      The article is really demonstrating something true: Most of the time, casual point-and-shoot photographers won't benefit from expensive SLR cameras. It's not just that their results won't be much better, but sometimes their results will be worse than buying a cheap point-and-shoot camera because the point-and-shoot cameras are designed for that purpose. Even the expensive manual cameras are designed for photographers who will exercise a lot of control for the best effect (whatever they're looking for), and so often their automatic settings aren't as good at providing what the point-and-shoot photographer would consider "pretty".

      An experienced photographer would know this, of course, but a casual point-and-shoot photographer wouldn't-- and casual photographers are obviously the intend audience of this article.

    10. Re:Next article on CNet... by SenseiLeNoir · · Score: 1

      Well said, and its why I got the 3.2 MP SonyEricsson K800 for my point and shoot instead of waiting for the 5MP Nokia N95. (i also have a EOS 350D DSLR....)

      I found that with the small sensor, 3.2 is the largest you can have before noise effects quality. and also the K800 has a real xenon flash, which helps in low light.

      --
      Have a nice day!
    11. Re:Next article on CNet... by Rui+del-Negro · · Score: 1

      Depends on sensor technology, too, so it's not really a hard number. But 3 MP is all you need to get good quality at all (non-insane) screen resolutions, and it looks great printed at 10x15 cm (and still very good at 20x30 cm). So it doesn't make any sense to pay more for extra pixels on the same sensor size. It does make sense to pay extra for a (physically) bigger sensor, because it will perform better in low light, and generally have less grain.

      I have an EOS-300D (and I also use a couple of Nikons as part of my work). The 350 / 400D's grip is too small for my paws. Except for very long exposures, the 300D's quality is on par with the newer models, and I don't really need more than 6 MP for the sizes I print. I might get a 40D if / when it comes out (meaning a 400D with a "pro" body), but probably not before I "complete" my lens line-up (last two I got were the 70-200 2.8L IS and the 17-55 2.8 IS - the latter is great, the former is just unbelievable). I still need something to go below 17mm (maybe the 10-22), plus an MP-E 65 for extreme macro and a tele-extender that works with the 17-55 and the 70-200 (so I have the 55-70 range covered, and can go up to 400 or so)

    12. Re:Next article on CNet... by Rui+del-Negro · · Score: 1

      the expensive manual cameras are designed for photographers who will exercise a lot of control for the best effect (whatever they're looking for), and so often their automatic settings aren't as good at providing what the point-and-shoot photographer would consider "pretty".

      What a digital camera creates is only one part of the process (much like film still needs to be devloped, outside the camera). When you import the images into your PC (whether you're going to upload them to a website or e-mail them or print them), you have a chance to perform more adjustments (some cameras and even cell phones now have built-in photo editing, BTW).

      If you're going to scale down the image, there is no reason why you can't increase or decrease contrast, saturation, brightness, colour temperature, etc., and a lot of "photo album" software does this automatically (even Photoshop will "automagically" decide the "best" settings when importing raw images, although it will not change JPEGs unless you specifically tell it to - anyway, Photoshop is not what most people use to organise their photos, so it's an extreme example).

      A camera that artificially increases the saturation or contrast before saving the photo makes it impossible for the user (or automated software) to recover any information lost in that process. On top of that, that extra processing takes time and decreses the camera's battery life. It's much more efficient to do the processing when the images are imported to your "photo album", whether automagically or manually (and do it only on the images that you intend to use).

      I own a cellphone with a built-in camera, a P&S digicam and a dSLR (all of which were "high-end" a couple of years ago). Photos taken with the dSRL in "fully automatic mode" are at least as good as the ones taken with the P&S, and a lot better than the ones taken with the camera phone. And I'm talking absolutely no post-procesing; just JPEGs straight out of the camera(s). The more post-processing I apply, the more noticeable the advantage of the dSLR (even in JPEG mode).

      Now, a dSRL is bigger and more expensive, and in a lot of situations the P&S is (more than) "enough". But no, the automatic mode in dSLR's isn't "worse" than the cellphone camera in any way, unless your defintion of "worse" means "lacking burnt highlights, blotchy shadows, lens distortion and digitally over-sharpened edges to disguise the lack of real resolution". And if you really like that "look", you can always tell your photo management software to apply it to all your pictures automatically.

      P.S. - Not a single person I know uses Flickr. Maybe I'm just not part of the photographic elite, like the folks at CNet... o_O

    13. Re:Next article on CNet... by nine-times · · Score: 1

      But no, the automatic mode in dSLR's isn't "worse" than the cellphone camera in any way.

      But that's exactly what the article showed, that if you do purely subjective tests with cell phone P&S cameras and a high-end dSLR with no tweaking or post-processing, resized down to "normal" dimensions, you can actually get *better* results using a P&S cell phone camera. Look at the sample pictures, and most people will say that the Nokia cellphone produced "better" pictures than the dSLR.

      That's not to say that dSLR pictures really aren't as good-- you have bigger sizes and better detail to work with. The unprocessed images can be processed to look better-- but that's not the test being run. It's starting from the assumption that this is a subjective test for P&S photographers who won't particularly want to do manual work or extra processing. For these people, the "burnt highlights, blotchy shadows, lens distortion and digitally over-sharpened edges to disguise the lack of real resolution" still might look better than the actually superior results of a quality camera.

      If you aren't able to understand the concept, I don't know what else to tell you.

    14. Re:Next article on CNet... by Rui+del-Negro · · Score: 1

      For these people, the "burnt highlights, blotchy shadows, lens distortion and digitally over-sharpened edges to disguise the lack of real resolution" still might look better than the actually superior results of a quality camera.

      As I wrote above: "if you really like that look, you can always tell your photo management software to apply it to all your pictures automatically [at the same time as it resizes them]".

      The silliness of this article has to do with the premise that "most people" take pictures with the utlimate purpose of resizing them (presumably to 540x360 - the resolution used in the article) and uploading them to Flickr (which, BTW, isn't actually mentioned in the original article, only on the Slashdot "summary").

      I'm pretty sure that, even on Flickr, most images are larger than 540x360 pixels (that's less than 20% of the size of a desktop monitor, these days), so the article doesn't even provide a good comparison for _that_, let alone for photo "archival" or printing.

      Anyway, looking at the pictures, I definitely prefer the ones taken by the 400D, despite the slightly incorrect white balance (too orange), which can easily be fixed. The N95 might have slightly better auto white balance for tungsten (still not right, though - too blue), but there are annoying sharpening "halos" around the edges of the figures (noticeable even after the reduction), which no magic filter will get rid of. And in the flash photos the 400D is so much better than the N95 that it's really no contest.

      most people will say that the Nokia cellphone produced "better" pictures than the dSLR

      Really? If you actually read the article you know that its authors acknowledge that the 400D delivered the most detail (even after such a big reduction in size - imagine the difference in the original), and that it handled the flash much better (in every aspect: detail, focus and colour). They never said the cellphone took better pictures. So I guess your definition of "most people" doesn't include the article's own authors.

      My criticism has to do with their premise and methodology (assuming an unlikely goal and resizing to a very low resolution); their conclusions from the actual photos are pretty much correct: the 400D is the best, with the exception of incorrect auto white balance in that particular shot. I suspect that if they were using sunlight, the 400D's white balance would have been more accurate than the N95's (but both would probably still benefit from a small manual adjustment).

      What their premise and methodology don't show is just how big the advantage of the 400D is in terms of image quality. If anything, this article shows that even after you resize the images from 10MP and 5MP down to 0.2MP, the photos taken with the dSLR still show more detail. Unfortunately, some readers might think that's due to the 5MP advantage, when in fact a 10MP version of the N95 would probably produce even worse results. The real advantages of the dSLR (and even most P&S digicams) over the cellphone are the lens quality and (physical) sensor size.

      And this is with a "consumer-level" dSLR and the best cellphone camera in the market.

  9. Re:Fuck Twofo by Nullav · · Score: 1

    Wait... Did you just link Goatse in reverse?

    --
    I just read Slashdot for the articles.
  10. Flickr? by dreamchaser · · Score: 5, Insightful

    but given that most people resize images to put on Flickr

    Most people with digital cameras don't even know what flickr is. They email their pics to relatives or print them out, or just save them on their hard drive.

    I'm getting a sense that slashdot is in a way getting like Washington DC. People inside the beltway are totally detatched from what the majority of people are doing in their lives, and so is slashdot.

    1. Re:Flickr? by BWJones · · Score: 2, Informative

      I'm getting a sense that slashdot is in a way getting like Washington DC. People inside the beltway are totally detatched from what the majority of people are doing in their lives, and so is slashdot.

      *Gee*, do you think? Look, I've been around here for a while (and so have you from the looks of your ID), but Slashdot has always been an online home to a subset of society that is rather technically inclined, so yeah... we are a bit detached from what *most* people (I'd say unwashed masses, but, well..... you know) are doing... like Windows. ;-)

      --
      Visit Jonesblog and say hello.
    2. Re:Flickr? by emj · · Score: 1

      What is this some kind of old geezer reunion.

    3. Re:Flickr? by dreamchaser · · Score: 1

      I'll bring the Maalox if you bring the Matlock DVDs. Cmdrtaco said he'll bring the Depends.

    4. Re:Flickr? by Espectr0 · · Score: 1

      but given that most people resize images to put on Flickr

      Most people with digital cameras don't even know what flickr is. They email their pics to relatives or print them out, or just save them on their hard drive.


      You just don't get what they meant. Let me rephrase the article's statement:

      Most people that upload pictures to flickr, resize them.

    5. Re:Flickr? by LarsG · · Score: 1

      I wonder what the common denominator is amongst old /. geezers. Perhaps a disdain for the /. editors and an itch in the reply button when we see the name Jon Katz.

      --
      If J.K.R wrote Windows: Puteulanus fenestra mortalis!
  11. More vibrant = more artificial, but people like it by AaronLawrence · · Score: 5, Insightful

    Amusing that CNet (that bastion of photographic expertise) kept commenting positively on how "vibrant" the N95 photo was. Obviously the Nokia boosts the colours artificially, to make the photo look more exciting, even though the colours are not that strong in reality. Of course, they invalidate their entire results by not making any comment (let alone measurements or reference photos) on how close the photos were to the real colours.

    But the interesting thing is what this says about people - the average person doesn't care much about realism, they want a nice looking photo regardless, and if the phone adjusts things artificially to make it look "better" then that might actually be the right thing to sell more phones. It's kind of an extension of the point and click idea.

    --
    For every expert, there is an equal and opposite expert. - Arthur C. Clarke
  12. Take my camera phone...please. by Anonymous Coward · · Score: 1, Informative

    I'm sick of all these do-it-all phones. All it does is make them bigger. It's getting harder to find a decent phone that is small enough to fit in my pocket. They all have cameras, video players, MP3 players, extra memory, web access, games, etc., etc. I don't want any of that bullshit. But I have little choice with my carrier (VWZ).

    1. Re:Take my camera phone...please. by w42w42 · · Score: 1

      I had a similiar 1st thought, that being that I could care less about combining a phone and camera. As a parent, if I'm taking pictures of my kids, I want *quality*. If we're combining devices, I'm more interested in quality video out of my camera, than pictures out of my phone. This market is still pretty imature, but this Sanyo is a start.

    2. Re:Take my camera phone...please. by zakezuke · · Score: 1

      I'm sick of all these do-it-all phones. All it does is make them bigger. It's getting harder to find a decent phone that is small enough to fit in my pocket. They all have cameras, video players, MP3 players, extra memory, web access, games, etc., etc. I don't want any of that bullshit. But I have little choice with my carrier (VWZ). There is nothing wrong with wanting a basic phone. However, there is something to be said about all in one devices. The Nokia 6133 looks very attractive. Quadband, takes micro-xD cards for mp3s, and a crappy camera, all in a reasonable size.
      --
      There is no sanctuary. There is no sanctuary. SHUT UP! There is no shut up. There is no shut up.
    3. Re:Take my camera phone...please. by Belial6 · · Score: 1

      I'm not interested in the integration for a different reason. We all know the cell phone companies are in the business of nickle and diming us to death. I don't want my mp3 player, camera and pda to be devices used to nickle and dime me to death too. I don't have a problem with an all in one device. I just don't want one that is controlled by the phone companies.

    4. Re:Take my camera phone...please. by jamar0303 · · Score: 1

      That's why people are campaigning for Verizon to open up non-Verizon activations- so you can get phones like the MOTOFONE without having to wait for Verizon to sell it (you know they won't- they make a killing off their internet, games, ringtones, etc).

      --
      OSx86 FTW
  13. "Vibrant" by evilviper · · Score: 5, Insightful

    Vibrant doesn't mean much of anything to me... About as much as audio sounding "warm".

    It sounds like "vibrant" to them simply means over-saturated. It wouldn't be difficult to tweak ANY of the images to be more "vibrant".

    It's really impossible to tell which photo more faithfully reproduces the actual scene, without seeing it in person. The Nokia may work well on animation colors, but if people come out high-contrast, looking more like cartoons, it's not a good camera.

    In other words, this article is utterly useless.

    --
    Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    1. Re:"Vibrant" by Anonymous Coward · · Score: 0

      Audio becomes "warm" right after you realize you just paid $100 for a record player. The same principle applies to anything from Monster Cables. Not that I'm implying Monster's patented shielding doesn't make things "more real." It's just. . .you know.

    2. Re:"Vibrant" by Lunix+Nutcase · · Score: 0

      People still buy Monster cables? Please tell me you made this post in jest.

    3. Re:"Vibrant" by scaryjohn · · Score: 1

      It sounds like "vibrant" to them simply means over-saturated. It wouldn't be difficult to tweak ANY of the images to be more "vibrant".

      It's really impossible to tell which photo more faithfully reproduces the actual scene, without seeing it in person. The Nokia may work well on animation colors, but if people come out high-contrast, looking more like cartoons, it's not a good camera

      A decade ago, Fujifilm was beating the pants off of Kodak in the consumer (not necessarily professional) market segment precisely because it yielded more-saturated-than-real-life prints when developed.

      People want their memories, er, pictures to look like they were taken in full sun even if it was really lit by tungsten filament. Professionals and enthusiasts would rather take the picture accurately, and wait to see if gussying it up in Photoshop is absolutely necessary.

      --
      One might ask the same about birds. What ARE birds? We just don't know.
    4. Re:"Vibrant" by nightfire-unique · · Score: 1

      Vibrant doesn't mean much of anything to me... About as much as audio sounding "warm".

      Hey now. I can't speak to photography terminology, but "warm" has a very distinct, universally accepted definition in the audio production world. Warmness refers to the amount of equalization applied to the midbass band in a track.

      And in the audiophile world, it's no different... "warm" speakers or amplifiers tend to accentuate the midbass (port tuning, nonlinear amplifiers, etc) or depress the band associated with sibilance (6-8khz).

      --
      A government is a body of people notably ungoverned - AC
    5. Re:"Vibrant" by evilviper · · Score: 1

      People want their memories, er, pictures to look like they were taken in full sun even if it was really lit by tungsten filament.

      That's fine for this photo, but what happens when you take a photo out-doors, well-lit, with high contrast between colors, and simply quite saturated to begin with?

      If it ends up like many amateur 35mm photos I've seen, that bright-red shirt will spill over, and give the rest of the photo a nasty red tint. Those kinds of photos, even just occasionally showing up, make a camera (or the film) worthless.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    6. Re:"Vibrant" by timeOday · · Score: 1

      Just look at the "medium light" images, which looks best? Which would you rather hang on your wall? The one from the N95. Vibrancy has nothing to do with it. Compared to the real camera images, the n95 image has better white balance, so it's the better image. And yes, you can tell without seeing the original scene. That ping-pong ball should be white.

    7. Re:"Vibrant" by servognome · · Score: 4, Funny

      Vibrant doesn't mean much of anything to me... About as much as audio sounding "warm".
      Your text is very "Chewy"
      --
      D6 63 0D 70 89 81 BB 8E 7B 7C 5F 5D 54 EA AB 73
    8. Re:"Vibrant" by evilviper · · Score: 3, Insightful

      That ping-pong ball should be white.

      Not if the lighting in the room has a yellow tint to it.

      I wonder how people would feel if they captured a picture by a campfire, only to have it turn out perfectly clear and white, looking like they are standing under massive lights...

      Of course, I'm not being entirely honest, because HOW WHITE that ping pong ball should be is entirely debatable. In the N95 images, it certainly isn't pure white. Just open it up in your nearest image editor, and use the eraser tool on the ball...

      What's more, anyone could easily increase the contrast of any picture to make it look even WHITER than white, and blacker than black. Cameras are supposed to capture a image as close to reality as possible... not blue-shift everything to play perceptual tricks on the viewer.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    9. Re:"Vibrant" by Viceice · · Score: 1

      Not if the lighting in the room has a yellow tint to it. Not if the white balance was set correctly.
      --
      Sometimes I wish I was a plumber, then I'd know how to deal with other people's shit.
    10. Re:"Vibrant" by clickclickdrone · · Score: 1

      >the n95 image has better white balance, so it's the better image
      Most dSLR users I know shoot RAW anyway so the white balance is neither here nor there. However, any half competent user would spot the white balance error and set it manually if needed.

      --
      I want a list of atrocities done in your name - Recoil
    11. Re:"Vibrant" by Copid · · Score: 1

      Not if the lighting in the room has a yellow tint to it. Not if the white balance was set correctly. Correct me if I'm misunderstanding you, but are you saying that a camera that sees a ping pong ball reflecting yellow light should change the white balance to make it white? If the ambient light is yellow and I take a picture of a white object, "accurate" white balance will make that object look yellow.
      --
      An interesting anagram of "BANACH TARSKI" is "BANACH TARSKI BANACH TARSKI"
    12. Re:"Vibrant" by Viceice · · Score: 1

      OOps.. sorry to misunderstand you.. I read 'Yellow Tint' to mean light at warmer temperature.

      --
      Sometimes I wish I was a plumber, then I'd know how to deal with other people's shit.
  14. Herd-fermentality. by skoaldipper · · Score: 2, Funny

    What I want to know is while posing for the group picture...

    Was the gold kitty pretending to pull the cord as a train conductor, "choo! choo!", or...
    Was the kitty mid stride in a left leg power lift release move? If so, that would explain the monster's reaction behind him, and the delirium cast over the M&M candy's face.

    "Everybody say cheeeeeeeeeese!"

    --
    I hope, when they die, cartoon characters have to answer for their sins.
    1. Re:Herd-fermentality. by Anonymous Coward · · Score: 5, Insightful

      This is total bull. Does the OP work for Nokia? This looks like viral marketing gone wrong. Five megapixel cameras with small cheap lenses do not take more "vibrant" pictures than digital SLR cameras with Zeiss lenses. Also, the assertion that "most people resize their images to put on flikr" is ridiculous. Less than one thousandth of one per cent of images taken with digital cameras have ended up on flikr. What are the authorities the OP relies on? I don't think I'm going to take Slashdot seriously any more. It's being invaded by bs.

    2. Re:Herd-fermentality. by The+Great+Pretender · · Score: 4, Insightful

      Funny, I put all my digital pictures of my kids on Flickr and have never resized a single one. All 600+ are there in their full glory for family to download as they want and create their horrible home-made cards and calendars that they then send back to me (thanks Apple for that software). As for phone cameras taking taking better pictures I have to agree with our AC friend here, bunch of bull, or at least in my experience.

      --
      A positive attitude may not solve all your problems, but it will annoy enough people to make it worth the effort.
    3. Re:Herd-fermentality. by trisweb · · Score: 4, Insightful

      Their definition of "better" was simply not accurate (the better camera is apparently the "one that got the white balance right"), and they probably didn't know how to take a representative shot with either the Canon P/S or dSLR cameras -- simple settings would have made the white balance correct and the colors more "vibrant" (used as their biggest measure of quality). The scene was obviously also very poorly lit.

      That said, it is good that the better camera phones got the white balance correct; that's the main problem I have with my dinky camera phone, all the photos come out too orange or blue, never what they're supposed to be. But come on, obviously, you can't say a camera phone can compete with even a midrange pocket digital camera with options and lens quality and stuff, no less any digital SLR. You just can't make stupid comparisons... but then when have we ever trusted CNet with being 'intelligent'?

      --
      "!"
    4. Re:Herd-fermentality. by iminplaya · · Score: 1

      I put all my digital pictures of my kids on Flickr...

      You're gonna poke your eye out

      --
      What?
    5. Re:Herd-fermentality. by amorangi · · Score: 2, Informative

      Five megapixel cameras with small cheap lenses do not take more "vibrant" pictures than digital SLR cameras with Zeiss lenses.

      The N95 to which your refer does in fact have a Zeiss lens

    6. Re:Herd-fermentality. by jamar0303 · · Score: 1

      Except that I could have *sworn* that a selling point of the N95 was the Zeiss lens on the camera?

      --
      OSx86 FTW
    7. Re:Herd-fermentality. by RMH101 · · Score: 1

      ...which is a much smaller, cheaper and lower optical quality zeiss lens than the type fitted to a dSLR...

    8. Re:Herd-fermentality. by Anonymous Coward · · Score: 0

      Well, there is a Zeiss lens in Nokia N95 as well. A small one, but still.

    9. Re:Herd-fermentality. by um...+Lucas · · Score: 1

      What are the authorities the OP relies on? I don't think I'm going to take Slashdot seriously any more. It's being invaded by bs.

      Funny that was what put you over the edge...

    10. Re:Herd-fermentality. by LordKronos · · Score: 1

      The N95 to which your refer does in fact have a Zeiss lens


      So, if you slap the BMW name on a hot cycle, does that make it a high performance, luxury vehicle?
    11. Re:Herd-fermentality. by eggz128 · · Score: 1

      No, but if BMW slapped that name on it would make it a BMW hot cycle. So the Zeiss lense in the N95, while not as good as the Zeiss lense in a dslr, is none the less a Zeiss lense.

    12. Re:Herd-fermentality. by Annirak · · Score: 3, Informative
      I heartily agree, with the exception that the N95 does have quite high quality optics.

      The problem I have with the OP is that

      The results are surprising, with Nokia's latest handset, featuring a built-in 5-megapixel camera, taking more vibrant pictures in medium light conditions than a 10-megapixel dSLR.

      The N95 post-processed the image, by CNet's own admission. Then they didn't post-process the rest of the images. If vibrancy is the top measure of quality, they should at least be running a batch auto-levels on the images afterwards.

      But there's another problem. Vibrancy isn't the top measure of quality for digital cameras. With digital photography, taking the picture is just the first step in a process. That's when the photo-editing begins.
    13. Re:Herd-fermentality. by growse · · Score: 1

      Because name instantly = quality, and there's no concept of the same manufacturer producing different quality lenses at different price points.

      --
      There is nothing interesting going on at my blog
    14. Re:Herd-fermentality. by Slashdot+Parent · · Score: 1

      the better camera is apparently the "one that got the white balance right"
      No camera got the white balance right or even close to right.

      Look at the N95 picture again. The whites are purple.

      Personally, I'm surprised that the 400D was so overwarm. I mean, c'mon Canon.
      --
      They don't grade fathers, but if your daughter's a stripper, you fucked up. --Chris Rock
    15. Re:Herd-fermentality. by timmyf2371 · · Score: 1

      Nokia's 5MP camera phone (the N95) does have Carl Zeiss lenses.

      --

      Backup not found: (A)bort (R)etry (P)anic
    16. Re:Herd-fermentality. by ceoyoyo · · Score: 1

      Sure they do. The camera phone processes the snot out of picture cranking up the saturation so high that you get "vibrant." The compact does a little of that, but keeps it sane. The DSLR doesn't do much at all, none if you're smart and know what the dials do, so you can adjust to taste yourself. Because you're smarter than your camera... right?

      I like how the "low light" shot was a closeup using a flash. Take that puppy outside at night or twilight or inside a large, poorly lit building and take a picture and see what THAT looks like.

    17. Re:Herd-fermentality. by ceoyoyo · · Score: 2, Informative

      They probably had it set on daylight white balance. Canon's auto white balance isn't the best in the world, but it's pretty good at recognizing tungsten light.

    18. Re:Herd-fermentality. by RespekMyAthorati · · Score: 1

      That's because the retard reviewer set the white balance wrong.
      If he had left in on "Auto", it would have easily been the best.

      How old is the reviewer? The whole thing seems like a C+ -level
      show and tell for a 4th grade class.

    19. Re:Herd-fermentality. by takotech · · Score: 1

      > So, if you slap the BMW name on a hot cycle, does that make it a high performance, luxury vehicle?

      You mean like these hot cycles?

    20. Re:Herd-fermentality. by LordKronos · · Score: 1

      True, but I'm pretty sure the implication being made was that it has a Zeiss lens so it's not really that crappy.

    21. Re:Herd-fermentality. by adona1 · · Score: 1

      The only thing that phone cameras have over real cameras is they're with you most of the time, as I seldom carry my digital camera with me unless I'm intending to take pictures in advance. No one could seriously compare the two, unless they were astro-turfing or partially blind.

      --
      Between the falling angel and the rising ape
    22. Re:Herd-fermentality. by jamar0303 · · Score: 1

      When the thing costs $800 you expect quality similar to what they'd give to full digital cameras (like Sony Cybershots, probably not like on dSLRs).

      --
      OSx86 FTW
    23. Re:Herd-fermentality. by Kulilin · · Score: 1

      According to a book I read, On Being a Photographer --by David Hurn from Magnum Photos-- the best camera is "the one that takes the picture". In that sense, a camera phone is more likely to be "the best camera" if only because --unlike your dSLR-- you have it on you most of the time: the odds of your being able to take a casual snapshot of something that catches your eye (a custom car on the curb, your kid enjoying himself on the swings, a beautiful sunset...) with a camera phone are way higher that those of you doing likewise with a real camera. Thus it is nice to see camera phones being able to take (objectively) better pictures everyday.

      That being said, I don't see camera phones ever taking the place of real cameras. There are a hell of a lot of situations when you know you'll be taking pictures (trips, parties...) and, as some other people have already pointed out, there is no way the cheap lens and sensor in a camera phone will provide the same quality as the bigger and more complex lens and higher-quality sensor in a real camera.

    24. Re:Herd-fermentality. by Anonymous Coward · · Score: 0

      "the odds of your being able to take a casual snapshot of something that catches your eye (a custom car on the curb, your kid enjoying himself on the swings, a beautiful sunset...) with a camera phone are way higher that those of you doing likewise with a real camera."

      And everyone will assume you are a car thief, child molester, or terrorist.

  15. Comment removed by account_deleted · · Score: 0

    Comment removed based on user account deletion

  16. Software used for resizing? by Anonymous Coward · · Score: 0

    Maybe the quality difference came down to using poor quality software for scaling the size of the images? Some software is absolutely horrible at resizing larger images into smaller ones.

  17. dSLR Owner Here by TheFlyingGoat · · Score: 1

    Sure, camera phones can take decent pictures for a lot of people, but let me know once one can use specialized lenses. Of course, most people don't need zoom/macro/etc lenses, so they're fine with a digital camera. However, the benefit of such lenses and the falling prices of dSLR's makes it very unlikely that higher end digital cameras will ever go away. There's just a different market for both, just like PDAs vs laptops vs desktop systems.

    --
    You have enemies? Good. That means you've stood up for something, sometime in your life. --Winston Churchill
  18. Re:More vibrant = more artificial, but people like by reub2000 · · Score: 1

    Well, a consumer camera like a camera phone will try to create a picture that can be used out of the box. Hence the enhancements to the color and contrast. A dSLR owner is more likely to post process their image. So the image will have less processing, allowing the user to add contrast and saturation in post processing. Comparing cameras in this way is pointless because the effect can be created photoshop.

  19. Dynamic Range by ironring2006 · · Score: 4, Informative

    It was interesting to see that this "test" consisted of a single scene. While I was impressed with the N95, it says nothing of the versatility of the camera. The subject was located what seemed to be about a foot or so away from the lens. It would be interesting to see its ability to focus on something further away. Currently, I think that is the biggest shortcoming of camera phones at the moment. Yes, it is a limited space that they can cram the lens into, but until they've got "good enough" optical zoom, they still won't fully replace a handheld point and click, and I think we can all agree that they'll never be able to replace a good dSLR (that's just plain silly!).

    1. Re:Dynamic Range by vought · · Score: 2, Interesting

      It was interesting to see that this "test" consisted of a single scene.

      Exactly. C|Net wouldn't know how to do a real photographic "test" if Ansel Adams came back from the dead and held them by the hands while explaining the Zone System - which is still a great way to understand sensitometry.

    2. Re:Dynamic Range by clonmult · · Score: 1

      Totally agree that the test was basically a total waste of everyones time.

      Not sure about the optical zoom though. Unless you spend a LOT of money, the lenses are compromised. Also, your typical point and shoot only offers about 3x magnification. After years with a few digital point and shoots, and getting continually wound up that the zoom was almost worthless (all had 3x), I virtually decided that the facility wasn't worth bothering with.

      Right now, I've got two camera phones - SE W810i (2mp) with the MXE-60 flash (which has a better range than some point and shoots), and a Nokia N73. Both have reasonable cameras, the Nokia does tend to give unnatural colours (reds are waaay to vivid), and offers reasonable video recording.

      But if I want a decent picture, then I'll always fall back on my manual SLR. Canon AE-1, circa late 70s. Its been going for about 30 years, can still take breathtaking images, and there is something so good about actually having to focus myself, make aperture adjustments, etc.

  20. Sensationalized by metalhed77 · · Score: 4, Insightful

    I'm suprised, the camera phone did a great job, which is a good thing for consumers who don't know how to color correct their photos. However, as the article points out, this is solely a product of post-processing in the camera. I'm quite surprised that the 400D did such a terrible job with the white balance. Was it stuck on the daylight preset or was the AWB that bad?

    They didn't really address night time flash performance. Lots of people want to take pictures when they go out at night and these tests were inadequate since the subjects were small and close. Large people 5-6 feet away require a brighter flash and/or higher ISOs. Cell phone cameras haven't the room for a large flash and the capacitors it requires. I wonder how these phones would fare under these conditions?

    Also not addressed was dynamic range. The test scene was fairly flat. If you're on a vacation, and whip out your dinky cell phone to take a picture of the landscape, what might on a DSLR be a nice image of the land and sky, could turn out to be a dark silhouette of the land with a detailed sky, detailed land with a blown out sky, or some combination. How good is the metering as well? Will your relatives be a series of black lumps against the grand canyon if you aren't a pro photog? The more this stuff is automatic the more joe consumer wins.

    Additionally, the lens choice on the 400d is slightly disappointing. Cheap lenses like the 18-55 kit lens can't really give you the detail possible with 10 megapixels.

    --
    Photos.
    1. Re:Sensationalized by reub2000 · · Score: 1

      I'm quite surprised that the 400D did such a terrible job with the white balance. Was it stuck on the daylight preset or was the AWB that bad?
      I have a 350D and the auto white balance is bad under tungsten light.
    2. Re:Sensationalized by garcia · · Score: 1

      They didn't really address night time flash performance. Lots of people want to take pictures when they go out at night and these tests were inadequate since the subjects were small and close. Large people 5-6 feet away require a brighter flash and/or higher ISOs. Cell phone cameras haven't the room for a large flash and the capacitors it requires. I wonder how these phones would fare under these conditions?

      They don't address the simple fact that some people, like me, don't give a shit about what the mobile photos look like. I carry both devices to places I plan to take photos and I use the digital camera (currently a Canon SD700IS) for the nice photos and the mobile to take photos that are going to be immediately moblogged.

      Yes, in a perfect world, I'd love a mobile camera that takes great photos but I also want to upload them immediately via E/GPRS and post them to my site from the location. If we start getting into the 5+ megapixel range and the image sizes become unmanageable for this use, I'm reverting from where I've been for the last three years.

    3. Re:Sensationalized by Anonymous Coward · · Score: 0

      They don't address the simple fact that some people, like me, don't give a shit about what the mobile photos look like. That's because they assume that most people aren't complete fucking idiots like you. Sadly it's a bad assumption. Case in point.
    4. Re:Sensationalized by Anonymous Coward · · Score: 0

      That's because they assume that most people aren't complete fucking idiots like you. Sadly it's a bad assumption. Case in point.

      Coming from the anonymous dickweed with no life. Good work!

  21. RTFA by richdun · · Score: 4, Informative

    Do the submitters even read the articles now? For both photo conditions tested, they found that the dSLR (a Canon 400D) better - "highest level of detail" in medium light and the best-lit and most focused shot overall in low light. All they mentioned were that the N95 camera phone showed more vibrant colors in the medium light conditions, and that that was probably due to post-processing.

    1. Re:RTFA by Anonymous Coward · · Score: 0

      Do the submitters even read the articles now? Hold on. Since when did submitters ever do that? I think you're trying to pull a fast one on me.
  22. It seems more a matter of knowing how to use it... by drenehtsral · · Score: 1

    I have an EOS 400D and I'm quite fond of it, although I'm still getting used to it and all of the whiz-bang features it has over my old Bronica ETR (you know, one of those old monstrosities which used that barbaric technology called *film* (Actually, aside from weight and speed concerns, I prefer shooting on film, but digital is so damn fast and convenient)).

          It seems to me from playing with several camera phones, several digital cameras, and a large variety of old mechanical cameras as old as the 1930's, I've determined that a lot of the quality of a camera is in how the user can grow into the feature set. The 400D didn't provide as pristine an out of the box point-and-shoot image as the camera phone, but that is also not the focus (if you'll pardon the pun) of this model. It is really made to be a camera for people who want the fine grained manual control, and who would be very annoyed if it "knew" how to correct every shot and then was wrong just even once... They'd rather set the thing up and be sure that it's doing what they want it to, just as if it were a normal old camera shooting on film.

        So, I guess this test is not really apples to apples, but it does show why a casual snapshot taker might be better off with a camera (like those phone cameras) that is designed for that purpose.

    --

    ---
    Play Six Pack Man. I
  23. Short version: by Estanislao+Mart�nez · · Score: 1

    The Nokia phone post-processes the image to boost contrast and saturation a lot more than the DSLR does in its default settings.

  24. It is the lens that counts by kbahey · · Score: 3, Insightful

    Megapixel is not the only, nor the most important, aspect.

    The lens is probably more important.

    This is just like the megahertz/gigahertz race, and the number of transistors in radio: something to get people to think "it has more, so it must be better", while reality is not like that at all.

    1. Re:It is the lens that counts by catwh0re · · Score: 1
      We all know what we're going to see if we look at these images at their native resolutions.

      The tiny lenses and aperatures of the camera phones will reveal minimal pixel differentiation between pixels(making the large 5 megapixel number meaningless) while the dSLR for example even on it's lowest aperature setting, will still have superior pixel differentiation... However it's not something we wouldn't expect.. one is a true mineral glass camera made from a number of lenses each designed to minimalise photographic abberations, the other is, depending on the phone model, fitted with one or two plastic (sometimes glass) lenses designed to take impromptu images of puppy dogs and drunk friends.

  25. CNet a trustworthy reviewer by Gothmolly · · Score: 1

    So the pictures are more "vibrant" - read: the camera jacks the chroma values way up to make up for its shitty little lens. If you want to take a decent picture, get a camera, if you want to take goofy snapshots of your buddies on a road trip, use your phone.

    --
    I want to delete my account but Slashdot doesn't allow it.
  26. it's all about the camera's purpose by adrenalinerush · · Score: 2, Informative

    Yes, for general-purpose, fully-auto-mode pictures, the cameras in *some* phones are getting closer and closer to a medium-quality standalone digital camera. Of course, with an unlocked N95 listed at around $800 on Amazon right now, it better have a pretty good quality camera built-in. It wouldn't surprise me in the next few years to see a lot of people satisfied with simply using their camera phones and not buying a separate camera. Not everyone, but a substantial number of people.

    However, it's all about the camera's purpose. People who are satisfied with the features of a basic point-and-shoot might be happy with the coming camera phones. Other people have moved on past the basics and are looking for more advanced features that simply will never show up in a camera phone because of the size of the components involved. You might buy a mid-range digital camera because of the 'better' image quality over a camera phone, but you would definitely consider a camera with a decent optical zoom over a phone without it. You don't buy a dSLR just because of the better image quality. You buy a dSLR because of the vastly increased control it affords you as a photographer and the ability to switch lenses.

    Phones won't have interchangeable lenses, the optical zoom on phones will be limites, and phones will continue to have a clunky interface for any 'advanced' settings. People who want a camera for more than mindless point-and-click will rarely be satisfied with a camera phone.

    That said, if the masses of really poor snapshots I've seen on sites like Flickr are any indication, the camera phones will be 'good enough' for many, many people. Also, anyone who buys a dSLR and regularly shoots in full-auto (as in the article) bought the wrong camera for their needs.

  27. most people? by alex_guy_CA · · Score: 1
    FTS "but given that most people resize images to put on Flickr..."

    Most people? Could that possibly be true? Lets even grant that they meant "most photographers in the developed world" (and not most people on the planet.) Does anyone else think that most photographers do NOT use flickr? I've never used it, but I will grant that I am not representative of most people.

    My Aunt Marge in Cleveland, she has always seemed the person I know who is most like "most people." She's like a one woman focus group on the "middle" of the country, politically, geographically, and socially. She's never used it either. What do you think? I think whomever said "but given that most people resize images to put on Flickr" need to put the cap back on the glue bottle, but I'd love to hear other opinions.

  28. Rediculous by EnsilZah · · Score: 3, Insightful

    We're going to take some camera phones and dSLR, we'll use the lowest common denominator features and resolution and we'll show you that camera phones are just as good as Canon's latest pro-sumer dSLR.

    Well, no fucking shit sherlock.

    I can show you that my old Voodoo 3 is quite compareable to the Geforce 8800GTX when playing Quake at 640x480.

    1. Re:Rediculous by revengebomber · · Score: 2, Funny

      I can show you that my old Voodoo 3 is quite compareable to the Geforce 8800GTX when playing Quake at 640x480. Apparently, you can't even tell the difference between 330 and 1180 frames/sec. N00b.
      --
      09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
      45 5F E1 04 22 CA 29 C4 93 3F 95 05 2B 79 2A B2
    2. Re:Rediculous by Anonymous Coward · · Score: 0

      It's ridiculous how many people say "re-diculous." It's not diculous again, it's worthy of ridicule.

  29. Kind of a bizarre test by hey! · · Score: 2, Insightful

    They take pictures of bizarre, artificial objects, under unspecified artificial lighting, then judge the pictures on how "vibrant" the colors are.

    We don't know what the colors ought to be. Nor do we know what kind of lighting is being used, although I'm guessing florescent office lights, given the color difference between the ambient lighting and flash pictures. Nor do we know what lighting mode the cameras were set to (sunlight, tungsten, fluorescent). Although many people many never learn to adjust their camera's lighting setting, they will also find results dramatically different under different lighting sources.

    If you are going to do one kind of test, then use human subjects under bright and indirect daylight. That way the readers have a clue as to what the subject should look like, and represents common conditions that anybody can reproduce.

    Overall, this test is only valid if (a) you are taking pictures under florescent lighting and (b) color accuracy is not as important to you as color saturation and (c) you don't know how to adjust your camera's settings.

    --
    Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
  30. Phone camera? by DeadboltX · · Score: 4, Interesting

    I'd rather have a crappy phone on a good camera rather than a crappy camera on a good phone.

    Someone call me when they make a "Phone Camera"

    1. Re:Phone camera? by sarathmenon · · Score: 1

      This one might be what you are looking for. The pictures are very decent and not post processed and the whole interface is designed to be a camera first and phone later. Its not user friendly, but I love the pictures that it takes.

      --
      Microsoft: "You've got questions. We've got dancing paperclips."
    2. Re:Phone camera? by asninn · · Score: 2, Insightful

      Myself, I'd rather have a good camera (without a built-in phone) and a good phone (without a built-in camera). Seriously - when I want to take pictures, I'll use my camera, and when I want to make a phone call, I'll use my phone.

      Camera phones are useful for people who want to take quick snapshots that they can MMS to their friends (or that they can show them on the phone in person later on), but little more. That doesn't mean that they're necessarily a bad idea, but they simply aren't the same as cameras, and given the size constraints on phones, they never will be, either (since you can't put a decent lense in a camera).

      --
      butter the donkey
    3. Re:Phone camera? by jmv · · Score: 1

      Someone call me when they make a "Phone Camera"

      And I'll laugh when I see you trying to talk with your new Canon EOS 450D phone camera.

  31. Canon 400D had white balance issues (?) by xmas2003 · · Score: 1
    First, given enough light, yes, small sensors can generate pretty darn decent pictures. I own both a compact camera and a DSLR - actually the Canon 400D tested.

    But sure looks to me like in the "medium" light pictures that the Rebel 400D had white-balance issues and provided a yellow cast over the shot. In fairness, s*it happens and it's an interesting side-by-side test.

    In the low-light (with flash) examples, note how the shadows move quite a bit - they didn't make sure the camera was at the same spot each time - bummer. Put an external strobe on that 400D and you'll get a picture that rocks compared to the compact camera with the flash next to the lens. And obviously bigger sensors have much, much better low light/high ISO performance ... but there is something to be said for being able to carry a camera in your pocket.

    A not-so-perfect picture is better than no picture at all!

    --
    Hulk SMASH Celiac Disease
    1. Re:Canon 400D had white balance issues (?) by Alex+Zepeda · · Score: 1

      And obviously bigger sensors have much, much better low light/high ISO performance ... but there is something to be said for being able to carry a camera in your pocket.

      Almost. The primary thing that you gain with a bigger sensor and removable lenses is control over the depth of field. You just can't fake that (very well anyways) with a compact camera. As far as low light sensitivity, Fuji has released some superb sensors with their F10/F11/F30/F20/F31fd models. Of course, DSLRs also come with much more manual control, but that's a very artificial limitation.

      I've got an F30, and there's less noise (and less heavy handed noise reduction) at ISO 800 than you'll see on some more full featured cameras at ISO 400. I took these two at ISO 800, with no flash: Graffiti on the beach, San Francisco Mayor Newsom, Burlesque (ISO 800+flash). ISO 1600 on this camera can still yield usable prints, and ISO 3200 is good for an emergency shot.

      Sure, I miss some things about an SLR with this camera. For instance, I miss having manual control over the focus. I dislike that the 3:2 aspect ratio can only be chosen at the lower of the 6MP quality settings. Sure, sometimes I miss being able to use a better zoom lens, but then I realize that this thing fits into my pocket.

      --
      The revolution will be mocked
  32. wrong comparison by Eugene · · Score: 2

    It's like comparing a Porsche and a 10-speed bike and claim it's the same because people only use it to go from point A to point B.

    people who use dSLR will take different shots then people who use a camera phone. People who are interested in taking good pictures will probably want to have much more functions then camera phone's simple point and click.. Those who use camera phones to take pictures will not care about about the aperture settings, ISO.. etc.

    1. Re:wrong comparison by Osty · · Score: 1

      It's like comparing a Porsche and a 10-speed bike and claim it's the same because people only use it to go from point A to point B.

      What if you compare the Porsche to a Porsche bike? You know, to go along with your Porsche clothes, shoes, pipes, toaster, etc.

  33. To take away my Canon EOS 5D... by Anonymous Coward · · Score: 0

    ... you'll have to pry it from my dead, cold hands!

  34. Apples are not oranges by spaceyhackerlady · · Score: 2, Insightful

    I see no point in a head-to-head comparison of products that are not actually competitive to each other. Am I missing something?

    I have owned point-and-shoot digital cameras, but my best digital camera is a Canon Digital Rebel (aka 300D). I didn't buy it as a point-and-shoot camera, because that's not what it is (though it can do a pretty good imitation in fully automatic mode). What I did buy was the flexibility of an SLR: interchangeable lenses, full control over all functions. Plus the things digital is so good at: instant image review, image processing capability, zero reciprocity failure.

    I can hook it up to a telescope and take first-rate astronomical pictures. I can use my wonderful Pentax M42 lenses and extension tubes to fill an entire frame with a single flower if I want.

    This is not the sort of stuff you do with a point and shoot.

    ...laura

    1. Re:Apples are not oranges by Anonymous Coward · · Score: 0

      While your points are valid, I think it's overreaching to say that comparisons between dissimilar products are useless. While you might know the qualitative differences between the features and performance of a DSLR versus a camera phone or a point and shoot, you had to learn these things on your own. You need to look at this from the point of view of someone who maybe hasn't owned a camera in years, and is wondering whether a camera phone is enough for them, or today's relatively inexpensive DSLRs are the way to go.

      That said, the article is still a piece of crap, but the subject of the article isn't necessarily a bad thing.

  35. Baseless assumptions by MasterC · · Score: 3, Insightful

    ...but given that most people resize images to put on Flickr, we could start to see a decline in dedicated digital cameras sales and an increase in camera phone sales.
    Sorry, but what complete and utter horseshit. People who buy DSLRs don't buy them to put pictures up on flickr. People who buy thousand dollar lenses and up (e.g., me) don't buy them to put pictures on flickr.

    Let me try my hand at these baseless assumptive statements. People who buy camera phones to be their primary camera do so to put their pictures up on flickr. People who compare the merits of a camera phone to a DSLR are people who put their pictures on flickr. (Hey, baseless statements are pretty easy!)

    I've stated for a long time in "defending" my ownership of an SLR and canon L-series lenses is that its a tool for how I want to take pictures. I'm the first one to admit that lugging my equipment around is not something I want to do 24/7 so it is by no means convenient. The camera on my phone, however, is extremely convenient and I have found it to be useful in its own times. So my beef with the /. summary is that predicting a sales trend on the assumption that the majority of people are flickr users is beyond absurd, it's stupid and reckless. And, of course, 4 cameras is sufficient sampling to draw such conclusions to boot (where's the top-of-the-line camera with top-of-the-line lens to compare against the bottom-of-the-barrel camera phone?).

    Honestly, it's crap story submissions like this that just grinds me about slashdot.
    --
    :wq
    1. Re:Baseless assumptions by BiggyP · · Score: 1

      People who buy DSLRs don't buy them to put pictures up on flickr While i agree that the article is terrible i don't think your comment is any better, flickr is brimming with dSLR users and an awful lot of those consumers buying rebels and low end nikons genuinely do buy a dSLR to use as a glorified point and shoot.
    2. Re:Baseless assumptions by MasterC · · Score: 1

      People who buy DSLRs don't buy them to put pictures up on flickr
      While i agree that the article is terrible i don't think your comment is any better
      Did you bother reading the sentence before that which you quoted? Or, heck, any part of my post?

      Let me try my hand at these baseless assumptive statements. People who buy DSLRs don't buy them to put pictures up on flickr.
      I think it's pretty clear I'm calling out the baseless assumptions (hey, look, it's the subject of my post too!) the submitter made and then made up my own to demonstrate my point.

      I mean honestly!
      --
      :wq
    3. Re:Baseless assumptions by BiggyP · · Score: 1

      Gah, sorry about that, i skipped over a key portion of your comment.

  36. Why this will never be true by SuperBanana · · Score: 5, Informative

    The results are surprising, with Nokia's latest handset, featuring a built-in 5-megapixel camera, taking more vibrant pictures in medium light conditions than a 10-megapixel dSLR.

    That isn't even remotely what the article said. It said: "As you can see the top photo, taken in medium light conditions, is in focus and the colours are very vibrant, if not a little over saturated." and, "This difference in colour is likely due to the N95 processing the shot after it was taken."

    Nowhere do they describe if the images actually represented a faithful reproduction of the colors of the objects, and they did not test under multiple lighting conditions, such as outdoors, under incandescent and fluorescent lights, etc. They also did not conduct any test which would demonstrate the camera's dynamic range, and they did not show us any 1:1 crop areas.

    There's one simple site I point any of small but persistent who claim things like "film is superior to digital" (it hasn't been for at least a few years, in terms of resolution, signal to noise ratio, and dynamic range.) Clarkvision. The guy lays it all out in cold, hard science with good illustrative graphs and examples.

    Does Pixel Size Matter? lays a real cold hard blow to all the idiots that claim dSLRs are overpriced or unjustified. They VASTLY outperform "point and shoot" cameras because the sensors are huge. Current dSLRs already approach the theoretical maximum sensitivity, SNR, etc. The bigger the sensor well, the more photons it collects- and the less electronic amplification is necessary. dSLRs have sensors the size of your phone's screen. Your phone's camera has a sensor around the size of an eraser. Not only does that cause a lot of noise problems, but it causes problems for aliasing filters (which spread light across the red, blue, and green sensor wells.) It's very easy to make a very good aliasing filter on a scale required for the very large pixels in a dSLR. Sensor wells in the point and shoots are so tiny that the filters really, really blur the image.

    Practically, this means that if you and I stand next to each other and take a photo towards sunset, and then take both to a photo lab and get them printed, my (several year old dSLR) will blow your (current P&S) out of the water. My photo will have more detail because of better aliasing on the sensor and dramatically less noise (which doesn't have to be hidden with blurring). Nevermind that I can shoot a photo at 800 ISO and it'll have less noise than your camera at 100 ISO, which means I get several stops of sensitivity which I can use for, oh, a faster shutter speed so there's less motion blur, or a smaller aperture for greater depth of field.

    1. Re:Why this will never be true by Anonymous Coward · · Score: 0

      Film isn't just 35mm, how does digital compare to good 645 or 67 slides? Granted there are MF digital cameras out there but film at these sizes still has the edge.

  37. Re:More vibrant = more artificial, but people like by BiggyP · · Score: 1

    When the white balance is as badly wrong as the dSLR in this test got it even with post processing getting a JPEG's colours to look realistic again can be problematic.

  38. Disposable camera made some of my best pictures by davidwr · · Score: 1

    When they first came out, I got a Kodak 800-speed disposable film camera.

    I don't know if it was a fluke or if it was typical of the era, but those pictures were some of the sharpest I've ever taken.

    Not bad for under $10.

    --
    Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
    1. Re:Disposable camera made some of my best pictures by BiggyP · · Score: 1

      It is actually quite surprising what you can do with a small transparent plastic bead some 800ASA film and high intensity flash, single use cameras never cease to amaze me.

  39. I call this FUD... by CompotatoJ · · Score: 1

    The reason the that the camera-phone picture turned out a lot better was because the person did not know how to use the DSLR. I would like to see this test with the EXIF data in tact and not have the pictures edited in Photoshop first. Judging by the high amount of noise on the DSLR picture, the camera was set at a very high ISO. If the person actually knew how to use the camera they could take a lot better picture.

    I suspect that the author is just trying to get people to visit his article so CNET can make money off the advertisements.

  40. As a professional photograph by StewedSquirrel · · Score: 3, Informative

    OK, I don't make my living doing photography today but I have for several years in the last decade.

    There are two things that pop out. I am not addressing "professional" features such as manual settings, bounce-flash, strobe capability, interchangeable lenses, large aperture effects (depth of field blurring), shutter speed considerations, flash sync, etc, etc, etc which obviously favor the DSLR. But lets just look at the things that the every-day average consumer cares about.

    1) The image quality issues with the Canon cameras was due almost entirely to poor white balance. The author described this is 'vibrancy' a few times, but while there was perhaps somewhat lower color saturation, increased saturation of those poorly white balanced photos would have made them look WORSE, not better. Why did the "real" cameras have such awful white balance? Is this a problem with Canon's processing? I have a bunch of Nikon gear and have had great luck with auto white balance, though I prefer to use custom white balance for important photos, obviously Auto is simple and good for snapshots. But given the consumer target of the article, auto is the target and I'm disappointed with Canon in this regard. Go get a Nikon. Or a Fuji. Or a Panasonic even... they have good auto white balance.

    2) They chose an extremely SIMPLE scene that is not reflective of the use that most people have for their cameras. A close-up, small and flat-lit still life is a very poor scene for testing overall image quality. Set up a scene with various light levels across it. A room with a light in the corner, or a bar with neon signs everywhere.... or a daylight/shade mix. Watch the compact sensors in the small phones and even the point-and-shoot camera absolutely blow the highlights and completely submarine the shadows and you can see the value of the high quality sensors of the dSLR. How about making an element in the scene move... like a parent might shoot a kid at a baseball game. In the case of a small, static, flat-lit still life, the camera phone is obviously adaquate. In the case of high dynamic range, moving, dark or varied scenes, the camera phones, in my experience, just don't cut it.

    As a professional, I have trained myself to see the dynamic range of a scene and work to minimize areas of the frame that will cause problems with digital sensors (even the best dSLR is not even close to old Chrome slide films) and have learned to avoid those elements. Your average consumer snaps the picture, despite the big shadow on grandma's face. Suddenly your Norwegian grandmother looks like a coal miner because of deep shadow on her face totally submarined by poor sensor dynamic range. This is perhaps the biggest issue I see with this comparison and something that should be addressed.

    Stew

    --
    There are 10 kinds of people in the world. Those who understand binary and those who don't.
    1. Re:As a professional photograph by BiggyP · · Score: 1

      My Norwegian Grandmother _is_ a coalminer, you insensitive clod!

    2. Re:As a professional photograph by Speare · · Score: 1

      I tend to agree that Canon's DSLRs have had a consistently bad white-balance for tungsten. They leave the scene fairly orange under most incandescent conditions. Other than that, I prefer their output to the output I've seen from Nikon and Pentax. WB can be fixed to suit when you shoot raw. Noise and oversharpening can't.

      --
      [ .sig file not found ]
    3. Re:As a professional photograph by Jeppe+Salvesen · · Score: 1

      Mine isn't, but she kinda looks like one.

      --

      Stop the brainwash

    4. Re:As a professional photograph by Anonymous Coward · · Score: 0

      like a parent might shoot a kid at a baseball game

      Is it a bad thing when the first thing that comes to mind is someone sitting at the very top of the stands picking off players from the other team with a sniper rifle as they leave the dugout?

  41. Ridiculous by bleu_frog · · Score: 1

    Slashdot is being run like a cheap newspaper: screaming headline, zero substance. What a joke.

    1. Re:Ridiculous by jamar0303 · · Score: 1

      Of course they won't. But amateur photographers that only used point-and-shoots in the first place (say, me) will (in fact, I already have- first a Sharp 902, which I lost, then a Toshiba 904T- both take excellent pictures in the right conditions, but the Sharp more closely resembles a real camera and is more tolerant of bad conditions while the Toshiba kind of sucks- I'm saving up for another 902 or maybe a 903). I really like the fact that while I can't carry a full-on camera (let alone a dSLR- I really hate them because they're hard to use. It took the longest time before I found how to adjust the exposure and ISO settings- before that my pictures were mostly white. I will never use one of those again until they become more user friendly) everywhere with me, I can do this with my cellphone.

      --
      OSx86 FTW
    2. Re:Ridiculous by jamar0303 · · Score: 1

      I bought one because I wanted to experiment with manual settings on my photos. Didn't quite turn out that way, as you can see.

      --
      OSx86 FTW
  42. Side by Side by Anonymous Coward · · Score: 0

    Here is a side by side comparison of the photos. Ok it really is vertical but you get the point:

    http://crave.cnet.co.uk/mobiles/0,39029453,4928992 7-6,00.htm

    Sorry, but the quality of the majority of the phones tell me that dslr cameras don't have anything to worry about. This may affect the purchases of disposable cameras; the kind bought at local drug stores but not dslr's.

    Disclaimer: I do not own a dslr nor do I own a camera phone.

  43. Re:More vibrant = more artificial, but people like by afidel · · Score: 1

    Yep, that explains consumer Fujifilm from the early 90's. That crap has such oversaturated colors it was sickening, yet it outsold Kodak Ektachrome so much that Kodak removed Ektachromee from the consumer space for everything but slide film despite it being a vastly superior film, leaving only the cheap Gold film line to compete.

    --
    There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
  44. Re:More vibrant = more artificial, but people like by reub2000 · · Score: 1

    Easy. Take a WB reading off of a grey card. Or just use RAW.

  45. "Works well under average conditions." by Shag · · Score: 1

    Great.

    And under non-average conditions?

    Didn't think so.

    The things I use my cheap DSLR for the most are:

    1. Indoor photography where flash is not an option. (f/1.8, ASA 1600)
    2. Photographing moving targets where shutter lag is not an option.
    3. Long-exposure star trail or milky way type shots.
    4. Rudimentary time-lapse intervalometry.

    A phone that can take decently detailed pictures of nearby, still objects under good lighting is one thing. A phone that gives me the ability to do any of the four above would be quite a surprise.

    --
    Village idiot in some extremely smart villages.
  46. bad comparison by TheSHAD0W · · Score: 1

    Neither of the phones I carry around has an embedded camera, and I've been looking for one with as decent a camera as I can find. The N95 has great quality but rattled me with sticker shock.

    I want a camera phone not as a main camera but as an auxiliary I can carry around; I'm not overlooking the important features (most?) camera phones lack. Optical zoom is important; that 5 megapixel imager with a 2X digital zoom becomes the equivalent of 1.25 megapixels, and zooming further only makes it worse. Exposure settings are also important, and can make the difference between having a shot and having bupkus. But I'm not going to carry my little Casio camera everywhere I go, and having a chance at a picture is better than having no chance at all.

    I would like to point out that the N95's "blue tinge" can be easily removed through post-processing.

    1. Re:bad comparison by stewbacca · · Score: 1

      Blue tinge pisses me off. My Kodak camera has such a blue bias in nearly every picture, that I have made a Photoshop action that I run on every picture before I even think of looking at them. My next camera will NOT force me to have to do this! If it costs me $5,000 than so be it!

    2. Re:bad comparison by TheSHAD0W · · Score: 1

      You'll have to wait until they come out with better LEDs then. Or get a camera phone w/ a real flash rather than an LED. (That might wind up costing you in battery life though.)

  47. In Soviet Russia by Anonymous Coward · · Score: 0

    In Soviet Russia, camera phones YOU!

  48. Canon Less "Vibrant" Intentionally by chromozone · · Score: 3, Insightful

    Many photographers use Canon cameras because they intentionally don't "juice" up photos like other makers do. They also don't over-sharp an image and Canon's photos are "soft" out of the camera compared to others. They allow the photographer to add what they would like in post processing. It's easier to add then to take away.

    1. Re:Canon Less "Vibrant" Intentionally by Anonymous Coward · · Score: 0

      There's under processed and then there's soft, if we're talking about dSLRs here then softness probably has a lot to do with the lenses used and no amount of post processing is going to increase lens resolving power or improve sharpness the way a decent lens would. It's worth noting that canon aren't particularly special in producing toned down natural results, the vast majority of dSLRs from all makers have this in common, canon point and shoots on the other hand produce horribly over the top results colorwise.

  49. Camera Phone. by bronney · · Score: 2, Insightful

    The time when I would get a camera phone for the sake of the camera, would be when Canon makes a phone and integrate it into their camera, instead of Nokia making a camera and integrating them into phones. WRT the mediocre summary, I should run out and get a Nokia to take pics because the phone has 16mm wide angle with a 6 point hot-shoe I presume. Gee.

  50. I had to laugh when I saw it was CNet... by msimm · · Score: 1
    We've been trolled. I even RTFA and laughed at little comments like:

    it's sharp and the colours came out fairly balanced if not a little yellow, but that's probably due to the lighting in the room.
    I'd have stopped reading right there if I wasn't already having such a good laugh at the article. These aren't proffesionals. They just get paid like them. I'm sure they appreciate Slashdot forwarding them advertising impressions though.
    --
    Quack, quack.
    1. Re:I had to laugh when I saw it was CNet... by clickclickdrone · · Score: 1

      >I'm sure they appreciate Slashdot forwarding them advertising impressions though.
      1. Put up a really stupid and ill informed article
      2. Put up a really well researched nay definitive article.
      3. Make sure Google put ads for 2 on 1.
      4. Get 1 on to /.
      5. Hoards of people read 1, think 'this sucks - hey, there's a link to a better one!' 6. Obligatory ????
      7. Profit!!

      --
      I want a list of atrocities done in your name - Recoil
  51. Re:More vibrant = more artificial, but people like by vought · · Score: 2, Insightful

    Yep, that explains consumer Fujifilm from the early 90's. That crap has such oversaturated colors it was sickening, yet it outsold Kodak Ektachrome so much

    Certain Fuji color reversal (slide) films from the 80s were oversaturated. Velvia, a popular Fuji slide film introduced in the 90s, was very saturated, yet very popular with professionals for it's color rendition.

    that Kodak removed Ektachromee from the consumer space for everything but slide film despite it being a vastly superior film, leaving only the cheap Gold film line to compete.

    Your statement doesn't parse; Ektachrome is a generic term for Kodak E6 process slide film. Kodak Gold film is negative film for prints. Ektar was a highly regarded and unfortunately discontinued print film from Kodak - it was the discontinuation of Ektar which left only Gold on the market.

    Superiority for a given purpose is in the eyes of the market; photographers rejected Kodak's poor quality control and lack of innovation in slide films while embracing Fuji's Astia, Provia,and Velvia emulsions - films that gave sharp and accurate color rendition with increasing degrees of saturation.

  52. Re:More vibrant = more artificial, but people like by BiggyP · · Score: 1

    ZOMG, seriously? You could even just use the tungsten or incandescent preset.

    the point is that dSLRs often have a nasty tendency to get AutoWB badly wrong in tungsten light and most people don't want to mess around with manual white balance from a grey card or shooting in raw.

  53. Did they *look* at their own images? by Kadin2048 · · Score: 5, Insightful

    It's not their methodology that I question, it's their eyesight.

    There are some seriously shit pictures in that article. I mean, really bad. They might be acceptable for eBay, but then again, I used to use a 680x480 toy that downloaded over the serial port for taking photos for eBay. It's not exactly a high standard.

    With the exception of the Nokia N95, which I do admit is impressive for a camera phone, the natural light photos are terribly yellow. They remark "the colours came out fairly balanced if not a little yellow..." about the top one of these two images. A little yellow? Look, Mr M&M there looks like he needs to get on dialysis, because his kidneys are shot. There's no white balance at all. It's tough to take the rest of their conclusions seriously when that's all they have to say there.

    With the flash on, it gets the color right (apparently it's just hardwired for the 5000K flash or whatever it has in there), but all the highlights blow out -- and it's not even that high-contrast a scene. I'd hate to see what would have happened on a black background.

    The N95 is, admittedly, impressive with its flash turned off. It's a pretty passable image at that resolution. I don't have much negative to say about it. But the flash image below, which they describe as "vibrant"...? I'm not sure 'oversaturated' covers it; it's bordering on ridiculous. It's not even attractive oversaturation, like you might get on some consumer films designed for that effect (Agfa Ultra, Velvia, etc.), or by playing in photoshop; it's just ugly.

    Now, granted, in the 400D's photos (last page), they're doing something wrong in the available-light shot, because although they say they're using the automatic settings, it's obviously not auto-white-balancing, and I know that camera will do that in its automatic modes. Leaving that aside, the flash shot beats anything out of any of those cellphones, by a large margin. The lighting is pretty even (there are a few hot spots on the cat, but given that it was straight front flash, it could be worse), the highlights aren't blown, the colors are realistic, and the shadow detail is good.

    The photos tell the tale far better than their narrative does: you get what you pay for.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
    1. Re:Did they *look* at their own images? by rho · · Score: 1

      Something like the 400D also expects the user will be doing their own post-processing, so the camera tries to avoid doing anything to the image it doesn't have to. The picture is a bit yellow because, I imagine, the lighting is a bit yellow. I don't like the comparison to the 400D at all because it gives the wrong impression--similar to comparing a Camry and a Chevy truck. They really aren't the same thing.

      That said, the N95 seemed to do a good job taking the photo that most people would like to have. I've got a fancy DSLR and a P&S Canon. I like it when the Canon uses its brain to figure out what I want and do it for me, which it does very well.

      --
      Potato chips are a by-yourself food.
    2. Re:Did they *look* at their own images? by JonasH · · Score: 1
      They didn't in fact call the flash-photo from the N95 "vibrant". That was the non-flash photo they're describing there: "very vibrant, if not a little over saturated.". They also note (on the EOS 400D page) that the N95 had post-processed the image, explaining the "vibrant" colours.

      In fact, as far as I can tell, they name the 400D as the winner:

      Roundup: Medium light conditions
      This is a roundup of all the shots taken in medium light conditions. We're surprised to see the Nokia N95 took a relatively sharp photo and adjusted the white balance well too. We think the 400D picked up the highest level of detail, though.

      Roundup: Low light conditions
      Not having auto-focus really affected the shots taken by the Nokia 6300, and the lack of a xenon flash meant the N95's shot came out with a blue tinge. In our opinion, the 400D took the best-lit and most focused shot overall.
      What happened from there to the story summary is anyone's guess.
  54. Cheap cameras will also appear "sharper" by nick_davison · · Score: 1
    This has been around for a long time...

    A compact camera or cheap DSLR will run a sharpening algorithm over the picture before storing it.

    For the mass market, this makes the picture look really sharp and therefore somehow "better".

    For anyone serious about taking images, this is a cheap gimmick they can do in PhotoShop, with a lot more fine control, later whereas trying to undo it once it's been applied takes you even further away from the source image. Print the image out at a high resolution and you'll also start seeing strange color effects as edges get exaggerated and any noise being increased too.

    You can artificially increase saturation too. It's another quick process in a graphics package that can be added later but is a pain to undo and retain anything close to the original image.

    It also goes for brightness. Any idiot can brighten an image but you're doing it at the ultimate expense of the number of shades you're left with. Here's a simple example:
    • Six pixels, one channel has the values: 250, 251, 252, 253, 254, 255
    • Double the brightness: 252, 253, 253, 254, 254, 255
    • Reverse that process: 249, 251, 251, 253, 253, 255

    See how you now have color bands?

    Finally, the same goes for TVs. More or less any TV you buy from somewhere like BestBuy desperately needs calibrating. Sure, the picture looks stunningly vivid and bright. Calibrate it and most people will think it looks washed out and slightly soft. Watch it for a while though and you'll start seeing fine detail you could never have seen on the original settings. What people think looks great and what actually gives them the best picture are often totally different.

    TV manufacturers know that most people want to be blown away by oversaturation, overexposure and overcontrast, thinking that'll give them a better picture. They also know that anyone who really knows what they're doing will run a calibration DVD or have a pro come out anyway. So they set their default settings to god awful levels to look good in store, knowing it'll be fixed for those for whom it matters to.

    In the same way, camera manufacturers know that the cheaper the price point, the more exagerated the default settings the user expects. Thus a cell phone will be massively exagerated, a compact will be pretty exagerated, a cheap DSLR will be somewhat exagerated, a mid range DSLR will err slightly on the side of exageration but be close and a high end DSLR will do every last thing it can to match the "truth".

    Those who know nothing about that, the target market for cell phone cameras and cheap compacts, will keep thinking they're getting a great deal - and that's fine for them. It's just a shame when someone like CNet, portraying themselves as experts, tries to portray that as a source of truth to people who've come to them hoping to learn more.
    1. Re:Cheap cameras will also appear "sharper" by stewbacca · · Score: 1

      More or less any TV you buy from somewhere like BestBuy desperately needs calibrating. Sure, the picture looks stunningly vivid and bright. Calibrate it and most people will think it looks washed out and slightly soft.
      Same thing goes for audio gear. Run a truly flat eq on a high end reference system and most people think it sounds bad. Throw some bass and treble boost (loudness) in there and people get the instant over-the-top gratification that Joe Consumer so desperately demands. We Americans are truly ostenatious consumers, aren't we?
  55. Physics of Camera Phones by szyzyg · · Score: 1

    I crunched the mathematics a while back and wrote an article exploring the limits of cameras with compact optics such as those found in cellphones. It's all about the light

    http://snm.imeem.com/blogs/2006/10/16/23WDH-33/lim its_on_digital_cameras

  56. Re:More vibrant = more artificial, but people like by gullevek · · Score: 2, Insightful

    No, Ektrachrome is still the standard Kodak Slide film. What you were talking about is Kodachrome. Which is slowly phased out. In Japan you can get development until the end of 2007. Its really sad to see this one go. Probably had the best color accuracy of _all_ slide films.

    (and I dear cling to my small stock left in my fridge ;)

    http://en.wikipedia.org/wiki/Kodachrome

    --
    "Freiheit ist immer auch die Freiheit des Andersdenkenden" - Rosa Luxemburg, 1871 - 1919
  57. Re:More vibrant = more artificial, but people like by noidentity · · Score: 1

    This is very much like what happens when people try to rate video game console emulator picture or sound quality; they rate based on what is most pleasing, rather than what is most accurate in comparison to how the original console looked/sounded. In this case, the comparisons should be to a calibrated high-end reference camera. If I want to degrade...ahem...enhance the image, I can do that to a copy of the original.

  58. This is rediculous by ScottyUCSD · · Score: 1

    A dSLR is going to beat out a camera phone in image quality under nearly every situation. This test was horribly carried out. Falling back on the fact that each camera was used "right out of the box" just doesn't work. If the white balance on the 400D was set properly the colors would have been much more accurate. I think the point of the article was to illustrate that the camera phones have come a long way, but in the hand of a competent photographer the dSLR is going to take a better picture EVERY time. Not everyone is going to want a dSLR, but you're a fool if you think the camera phone is going to take a better picture.

    1. Re:This is rediculous by stewbacca · · Score: 1

      The Nokia white-balance was impressive, but I'd like to know if it gets it right "every" time. Something tells me that this was a one-time lucky meter reading by the camera, or the default setting compensates for yellowy-indoor lighting conditions.

    2. Re:This is rediculous by rholland356 · · Score: 1

      Before you go any further, have a look at this month's National Geographic. There is a photos by cell phone story.

  59. File tranfer? by RealGrouchy · · Score: 1

    I can't stand camera phones. I've never used them, and whenever I go to buy a new phone they've all got cameras attached.

    The sticking point for me is transferring files to something useful. I know someone who couldn't figure out how to transfer a photo from her phone to her camera, so she took a photo of the phone's screen! Technology is supposed to make your life easier, is it not?

    I know some carriers will sell you phones that automatically upload your photos and such (at a cost, no doubt), but I'll stick with my USB SD card reader and separate camera and phone, thank you very much.

    - RG>

    --
    Hey pal, this isn't a pleasantforest, so don't waste my time with pleasantries!
    1. Re:File tranfer? by fishbowl · · Score: 1

      >The sticking point for me is transferring files to something useful. I know someone who couldn't figure out how to transfer a photo from
      >her phone to her camera

      I'm sorry to hear that. On mine, I either just pull out the micro-SD card and plug it into the PC. Some show up as a bluetooth device, I think. Some phone companies want to force you to copy in-band, on their service, for a fee. Don't buy those.

      --
      -fb Everything not expressly forbidden is now mandatory.
  60. I know the difference by DragonTHC · · Score: 1

    I just bought a bitchin canon a630 8MP digital camera.
    I'm looking now for a nokia n80 3MP phone.
    my last camera was a canon SD330 2MP.
    even though my new phone will have a higher resolution, it can't beat my old canon camera.
    it has a tiny diffused LED as the flash. it has a fixed focus. and, it only has software settings in place of hardware settings.

    my new canon a630 is way better than an n95 under all conditions. 9 point aiaf. manual focus. true macro mode.
    the only things the a630 is missing is canon's famous image stabilization and the facial recognition.

    but for $199 for an 8MP camera, and a canon no less.

    I am going to love my n80, but it's no camera.

    --
    They're using their grammar skills there.
  61. Re:More vibrant = more artificial, but people like by afidel · · Score: 1

    Your right, it was Ektar I was remembering, I loved that stuff.

    --
    There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
  62. Physics says... no by Namarrgon · · Score: 1

    Due to the limits of optics, you wouldn't want to carry around something that big very much.

    You may have to settle for a good camera, and a mostly acceptable camera on a good phone, for when you can't be bothered carrying around your good camera.

    That is until someone gets away from this whole lens idea and invents a directional optics patch instead.

    --
    Why would anyone engrave "Elbereth"?
  63. N95 vs the Ericsson by crossmr · · Score: 1

    Just for curiosities sake I took their medium light still from the Ericsson and ran it through Paint shop pro 9. Automatic photo fix and saturation adjustment (normal, with a strong enhancment) left the photos looking close enough that you'd really have to look to tell the difference. The brightness is a tad better on the fixed Ericsson shot in regards to the back figure. As someone pointed out above, its likely the N95 just does some post processing on it to give it those colours.

  64. dSLR & Phone camera owner here by Ceriel+Nosforit · · Score: 1

    I have a Konika-Minolta 5D and a Nokia N70. The dSLR has a 6MP sensor and the phone has a 2MP sensor. The phone cam is horrible in comparison, even in broad daylight, mostly since it seems to make really strange compression artefacts and there's no way for me to change it. The dSLR has a bunch of functions to let me control exposure and focus quickly, letting me take lots of photos with little effort. I attempt to shoot the CF card full and then just select the best of the pictures.

    The only thing the phone cam is good for is that I have it with me wherever I go, unlike the dSLR, and I'm therefore more likely to capture something unique with it. At this phone cameras excell. One should however not expect the pic from the phone cam to exhibit any measure of fidelity.

    --
    All rites reversed 2010
    1. Re:dSLR & Phone camera owner here by Zelos · · Score: 1

      Exactly, it's a ridiculous article, nobody would claim a phone cam could match a dSLR or even a decent point-and-shoot camera. For medium light, short range, stationary pictures, the camera in my k800i is pretty good. For anything else, compression artifacts, shutter lag, weak flash, image noise and lack of optical zoom make it poor.

  65. Defensive? by lorcha · · Score: 2, Insightful

    But with enough light, a small lens and sensor can take a good picture.
    I would agree with this statement, but your statement differs significantly from the submitter's claim:

    we could start to see a decline in dedicated digital cameras sales and an increase in camera phone sales.
    That claim, of course, is total bunk.

    As both a dSLR and a camera phone owner, do you really think that I lug around that big camera for my health? Do you really think that I have spent thousands of dollars on camera equipment because my wallet was too heavy and I needed something to lighten it up?

    Seriously, if I could just use the camera on my phone (which I am carrying around anyway) to get the same results as I can get with my dSLR, there is no way in heck I'd bother with the dSLR.

    So have I taken decent photos with my camera phone? Yes. Are we going to see a decline in dSLR sales and an increase in camera phone sales? Heh heh. I wish.

    --
    "Avoid employing unlucky people - throw half of the pile of CVs in the bin without reading them." -- David Brent
    1. Re:Defensive? by OS24Ever · · Score: 1

      Yes I traveled 6900 miles one way to the Great Wall of China with only a motorola RAZR. It took 3 FPS as I rode down a metal tobaggan from the top of the mountain.

      Oh wait, no, that was my 5D.

      Look I'm not a snob about the type of camera. There are people who will use their camera in their phone because it's what they have, and there are people who will buy the most expensive DSLR and compare it to a 1.3MP cam phone and think they get better pictures out of their cam phone only because those really expensive DSLRs do a ton of stuff including not doing anything to your photo vs. the post-processing done by the camphone will do whatever it can to try to hide that it's a limited feature product.

      If you stick a GSM card in my 5D and a bluetooth headset, I'd probably use it every now and then but I'd probably get a smaller phone for when I don't want to carry the big one.

      Same goes for my DSLR.

      That and I don't think people would pay me for my work at a wedding if I whipped out a camphone to take their special portraits.

      --

      As a rock-in-roll Physicist once said, No matter where you go, there you are.

    2. Re:Defensive? by fatphil · · Score: 1

      Thank you for making yourself sound special. You've by so doing removed yourself from the mass market which the largest seller of digital cameras in the world - Nokia - was targetting, and ensured that you are always part of the an elite minority which will do nothing to counter the claim that "we could start to see a decline in dedicated digital cameras sales and an increase in camera phone sales". Unfortunately that was the claim you were trying to counter by your argument. You didn't quite think it through enough, because like so many other DSLR owners you couldn't resist telling us how _huge_ your zoom lens is.

      --
      Also FatPhil on SoylentNews, id 863
    3. Re:Defensive? by lorcha · · Score: 1

      Let me rephrase, for the slow.

      If I could get the same results with a phone camera as I can get with a dedicated digital camera, I would happily ditch the dedicated digital camera.

      I do not, as you suggest, use a large camera with large lenses because I have something to prove while taking pictures.

      Neither do I consider myself to be part of an elite minority. An excellent entry-level dSLR that takes great pictures can be had for half the cost of this Nokia phone.

      --
      "Avoid employing unlucky people - throw half of the pile of CVs in the bin without reading them." -- David Brent
    4. Re:Defensive? by fatphil · · Score: 1

      Let me rephrase for those with poor reading comprehension.

      Your argument in no way countered the claim you were trying to counter.

      --
      Also FatPhil on SoylentNews, id 863
  66. The real difference between cameras by Anonymous Coward · · Score: 0
    Although you can take a great picture with any camera, there are key differences between digital cameras that really matter for me taking snapshots. There are many other more sophisticated things like flash photography, depth of field, macro photos but I just wanted to mention things that are important to me in taking family pictures.

    Start up speed: The time it takes from the moment you decide to take a picture to the moment you can press the shutter. With dSLR this is typically sub second, small cameras are a lot slower. This matters a lot if you want to take a snapshop.

    Shutter lag: The time between you press the shutter and camera taking the picture. With dSLR you get what you see, with camera phones or compact cameras you will see what you captured once the picture is taken. Matters a lot if you want to capture that expression of your kid

    Noise: The purple, green, brown, pixels you get on a black object

    Color accuracy: Do you want your kid's skin to have an orange, purple, or green tint?

    Dynamic range: In any complex light condition, cheap cameras either over saturate the well lit areas or make other areas too dark.

    I occasionally get some of the photos printed on paper and find that any current camera has enough pixels for a good 3"x5" print.

  67. Dynamic Range by Anonymous Coward · · Score: 0

    I don't think the Nokia, although good for a phone, would do very well with tests involving dynamic range. In the samples shown, the picture taken with the flash shows posterization.

  68. Of course not. by Invidious · · Score: 0

    By default, most digital cameras -won't- take a very 'vibrant' picture straight out of the box in default, .jpg mode. They'll tend to take very realistic pictures. But a good hand at levels and curves and such will make that picture pop. (Just as with a film camera, digital images must be developed, except in the digital age, instead of using graded papers, you use the curves tool. Instead of playing with the exposure and developing times for the print, you use levels. High-end digital cameras are made to expedite this kind of work, by default not applying strong saturation boosts, contrast enhancements, or whatever, even when you're shooting in absolute-idiot mode. It's essentially set to capture the most realistic image, not the most pleasing one. You set the camera to automatically apply different levels of these settings when you're shooting in .jpg mode, but, out of the box, they're going to be set very 'neutral.' Given that I've seen several of those toys before, the 400d rendered the most true-to-life image. The 400d also did the best job of capturing the entire dynamic range available -- and higher-end digital cameras have more dynamic range, in general, than consumer jobbies.

    But, in any case, it's unfair to compare a high-end cameraphone digital to a high-end prosumer digital, when everything's on automatic. A high-end camera is -meant- to be futzed with, even if you're just going to use it as a point and shoot. It's the difference between a mac user and a linux user -- the mac user, yeah, it works right out of the box. The linux user -- jesus, he'd be stupid to just install everything by default with most distros, and, though he may use his computer to play open-source versions of solitaire half the time, the other half of the time, he's doing particularly nifty things with the flexibility and power of the OS. Consumer point-and-shoots make it hard to take really -bad- pictures, but also make it hard to take very -good- ones. dSLRs allow you the full freedom to screw up or to exploit the power of the artform.

    I freaking envy the white balance in the Nokia's top image, though. That's the most neutral grey I've ever gotten straight out of a camera without using a grey card to set the white balance.

  69. vibrancy by nanosquid · · Score: 1

    Vibrant colors is trivial to achieve. dSLRs attempt to achieve accurate colors instead, which makes images from dSLRs actually look less good than many consumer cameras out of the box.

  70. You mean IE and Firefox and MSPaint? by cheekyboy · · Score: 1

    Yes, you firefox, you cannot resize and show a 2000x2000 image nicely in a 1024 window. Is it that hard? Google for proper interpolated resizing code.
    Its no more than a few pages of code, if you're real lazy, use GDI+ on windows.

    Same for you IE6. Lazy.

    I cannot imagine any serious or basic program being crap at resize, unless its a demo source or ms paint, but everything else does it fine.

    --
    Liberty freedom are no1, not dicks in suits.
  71. dSLR are going to be safe by simm1701 · · Score: 1

    Its the low end digital cameras that are going to lose market - and possible disappear.

    No one that would consider buying a dSLR would seriously consider using a camera phone for anything more than quick snaps when you forgot or chose not to brig your proper camera along. The cameras in phones these days are good enough for the snaps most people want to take - especially if they include an led flash (pretty pathetic in real terms but again good enough to take a snap of your friend while in the pub)

    I've seen a fairly indepth review of the nokia N95 on here http://www.allaboutsymbian.com/reviews/item/Nokia_ N95-part_3_the_Camera.php that gives some interesting comparisons with a proper camera - I'll admit I almost bought the phone though in the end price difference drove me to the HTC P3300.

    If you have in your pocket something that can take good pictures anyway, then the quality difference you are going to require to justufy having a digital camera is going to be quite large.

    I don't have a dSLR myself, I wanted something more all round when I got a digital camera - ie small enough to carry easily to take snaps. So I got the cannon powershot S50. This was 6 years ago and at the time it had the features closest to an SLR while still being a compact design.

    Now I have a fairly good 2mp camera in my phone. Its got no zoom and no flash but its good enough that unless I specifically want a camera I'll leave the cannon at home. Because of thisnext camera I buy will probably be a dSLR - it doesn't need to fit the compact requirement as I have a device for that, for the separate device I want something with quality.

    So yes, I think camera phones will spell the end of the camera market - atleast part of it. Cameras will become the province of specialists, people looking for holiday snaps will use their phones. All in all not a huge change from the way things used to be with SLRs for the serious people and 35mm compacts and disposable cameras for those wanting holiday snaps. The vast availablility of digital cameras with ease of use and low cost blurred these lines for a while, but I suspect it will settle right back where it used to be, but with dSLRs for the specialists and camera phones for the rest in almost all cases.

    My only worry is what this will do to the choice of dSLRs, how many companies will be able to cope with losing their mass market revenues to phones...

    --
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  72. Because of simple maths by Moraelin · · Score: 3, Insightful

    Because of simple maths. A 10 megapixels image... well, ok, they count the individual RGB components in that so it's really anywhere between 2.5 and 3.3 mega-pixels. At 4/3 aspect ratio, 2048x1536 gives you a bit over 3 megapixels. How many photos that size did you see online?

    So you don't have to poll everyone on Earth, you just need to look at what pictures you see online. If you don't have to scroll up and down to view it even in 1600x1200, then it's probably not the raw output of a 10 megapixel camera. It's that simple. And you wouldn't need a 10 megapixel camera to take it.

    What such logic omits, though, is (A) the ignorance factor, and (B) the penis size factor, a.k.a., conspicuous consumption. Respectively:

    A) People don't understand those numbers and think that more megapixels is necessarily better. A 1024x768 picture _must_ be better if it was taken in 10 megapixels.

    B) A lot of those things are bought not because the owners actually needed an expensive camera, but just to show that they can afford an expensive camera. Same as buying jewellery, fur coats, or cars with a big wing at mid-life crisis. Something with an objective that looks like it belongs in a James Bond movie, is soo much better for taking unzoomed photos of squirrels in the park. In reality, just because it shows everyone else in the park who can afford it.

    And thanks to the emperor's new clothes syndrome, for a lot it won't ever matter what benchmarks and image analysis tools say. Once people got it into their head that a more expensive camera is better, they'll see differences even where there are none. Because they just have to confirm it to themselves that (1) buying that expensive camera was justified, and (2) they're such great artists that they can spot imperfections where unskilled plebs can't see anything wrong. Same, if you will, as wannabe "audiophiles" swearing that music sounds better when they use a 1000$ power cable for their stereo.

    --
    A polar bear is a cartesian bear after a coordinate transform.
    1. Re:Because of simple maths by Anonymous Coward · · Score: 1, Insightful

      Because of course the only thing you ever do with a photo is put it online. And nobody ever buys a DSLR camera for the features (shutter speeds, interchangable lenses, better quality lenses etc!).

    2. Re:Because of simple maths by sl0play · · Score: 1

      Kick This Man Up A Notch!

      Well said.

      --
      Hi Super Nintendo Chalmers! - Ralph Wiggum
    3. Re:Because of simple maths by pla · · Score: 2, Insightful

      So you don't have to poll everyone on Earth, you just need to look at what pictures you see online
      [Bolding for emphasis mine]

      Can you say "sample bias"?

      I suspect you meant that as funny, but somehow got modded insightful. But for those who don't get the joke, "Dewey Wins!"



      A lot of those things are bought not because the owners actually needed an expensive camera, but just to show that they can afford an expensive camera.

      So why didn't soooo many people waste money on expensive cameras before modern digitals? Or do all-things-digital just have inherently higher "bling" value?



      Same, if you will, as wannabe "audiophiles" swearing that music sounds better when they use a 1000$ power cable for their stereo.

      ...And the "warmth" of low copper digital interconnects. That one cracks me up every time. ;-)

    4. Re:Because of simple maths by Ox0065 · · Score: 1

      Yeah its not just a dick thing. It's a more inclusive sex thing. A 10Meg original to make a 1280x1024 image IS a lot better!
      Two words moire patterns. If you've done any rendering or animation work you'll know what I mean. Do you have any sort of design or artistic education? (post-crayon) Maybe you never learnt to read images... Super sampling produces a better images. Its simple visual maths. Actually the numbers & equations maths in scaling images is not so simple, but try some experiments & compare. The idea is simple. It's one of the reasons that scaling an image is the last thing you do when you edit it. The other reasons for scaling after edits & filters only amplify the utility of starting with a high res source image. Take the data loss in multiple filters, etc on the chin because its nothing within the context of significant downsampling. In fact, taking a small image & upsizing it to do edits, then downsizing it again can result in something that _looks_ cleaner because the data loss in the filters is offset (for lack of a better word) somewhat. Usually doesn't play well with jaggies & jpeg compression artifacts though... ...there are limits, but it improves images manifestly.

      --
      thx e
    5. Re:Because of simple maths by walt-sjc · · Score: 2, Insightful

      And of course nobody has EVER cropped a picture, right??? Oh, wait...

    6. Re:Because of simple maths by Moraelin · · Score: 1

      So why didn't soooo many people waste money on expensive cameras before modern digitals? Or do all-things-digital just have inherently higher "bling" value?


      You'll notice that I gave examples of non-digital things in the "penis size" category, so I'm not sure what your point is. Yes, conspicuous consumption was very much alive and kicking since ancient times, long before digital cameras.

      The Phoenicians made a fortune and built a trade empire with a super-expensive dye, for example. It didn't make clothes any better, it just allowed some nobles to wear something that just screamed "look what clothes I can afford". It's, if you will, one of the earliest recorded cases of Veblen goods: stuff which is desirable _because_ it's disproportionately expensive.

      Is it really any surprise, then, that some optical cameras were sold as status symbols too?
      --
      A polar bear is a cartesian bear after a coordinate transform.
    7. Re:Because of simple maths by Sandbags · · Score: 2, Insightful

      Squashing your theories: A) You're right about 2 different resolutions reduced to 1024X768 being meaningless, but most people don't care about why their 10MP camera looks the same as a 2MP at 1024X768. They care about the quality of their 8X10 prints they either make themselves or order online. Also, 10MP cameras (most of them) use miltiple CCDs (or better things than CCD), and eliminate artifacts, hard lines, and false colors on edges. They simply take better pictures, especially close-ups of nature and other high contrast environments, and they take better high speed images. They also have better focal length and less distortion. Many people may post their pictures online, even most as you say, but ALL of them print pictures, and ALL of them can easily see that difference.

      B) First, very few people buy expensive things simply because they're expensive. There is a reason Haselblald cameras cost 10s of thousands of dollars. Professionals buy the best because they are the best. The consumer grade equivalents hold the the same premise. Sure, there are some overprices items on the market that some few stupid people buy without a true comparison, but those items don't survive well once their quality becomes an issue vs the price of a competitor. Consumers also know that not only does a 10MP image look better as an 8X10 than a 6MP, but also that DSLR has exchangeable lenses, better zoom capability, faster image capture, external flash support, etc.

      Just like all the SUVs that never see dirt roads, there are some features that every device has that aren't needed, but you can't get a big vehicle for a family that's not a minivan unless you buy a big honking SUV. There's no middle ground. There's not a high rez camera with cheap features. Manufactures NEVER put out a single model that has what people actually want. There's always one thing missing and several things you don't want. Try buying an HP 6 color photo printer with wired and wireless, bluetooth, scanner, fax, and memory reader all in one. It doesn't exist. If it did, they wouldn't sell any other printers. You can get a wireless fax/photo printer, but no card readers. You can get a great wireless photo printer/scanner, but no fax. You can get a great all-in-one with everything, but no networking. Thus, we spend more because we have to.

      Case and point: I have both a Cannon film SLR and an 8MP 10X zoom Sony point-and-shoot. I shoot far more photos in film simply because when scanning and cropping, I can get much more detail out of a film image that I can in digital. I don't do it every day, but I do it sometimes, and that's enough. Also, I have the film (negative) as a backup in case I loose my hard disk. I can't afford a camera nice enough to replace film completely, nor the drives or backup systems to protect my images. I use the point-and-shoot for portrait photos and panoramic scenes. It's not good enough to use for professional shots or action. It is however a LOT better, and completely worth $200 more than the 6MP i got first and then quickly returned.

      Oh, and your math? A 10MP image, at screen resolution of 72dpi, is over 50" wide and 38" tall. This includes the crossover of RGB. See the CCD actually takes the image 3 times on the same 10MP backing within a few milliseconds. This is why you sometimes get some funny colored lines on the edges of high contrast objects. 3CCD cameras use 3 separate 10MP image captures on separate CCDs and eliminate this ghosting, which is why they cost significantly more and produce better pictures. It's 3748X2746 x3 concurrent images, not 2048X1536 all at once for 3 separate colors. You do really get 10MP from a 10MP camera.

      As for 1) usually it is justified, and people who have that kind of money are willing to spend it and 2) Even my father, in his late 60s and wearing reading glasses could tell the difference immediately between a 6MP 4X6 print, and 8MP print, and a negative that was scanned and printed on the same paper as the other two. As such, he bought a $

      --
      There is no contest in life for which the unprepared have the advantage.
    8. Re:Because of simple maths by KoshClassic · · Score: 1
      See the CCD actually takes the image 3 times on the same 10MP backing within a few milliseconds. This is why you sometimes get some funny colored lines on the edges of high contrast objects.


      No, the funny colored lines on the edges of high contrast objects are an optical artifact of the lens known as a chromatic aberation. Typically, more expensive lenses do a better job controlling this phenomenon and minimizing it than do cheaper lenses. Wide angle lenses are also usually more prone to this.

      --
      Understanding is a three edged sword. - Ambassador Kosh Naranek, Babylon 5
    9. Re:Because of simple maths by Anonymous Coward · · Score: 0

      Just like all the SUVs that never see dirt roads, there are some features that every device has that aren't needed, but you can't get a big vehicle for a family that's not a minivan unless you buy a big honking SUV. There's no middle ground. I hate to be ridiculous, but there is a middle ground. Ever hear of Crossovers. The auto industry is creating new lines that mix up qualities of opposite ended cars (trucks, minivans, suvs, etc.). So wouldn't this indicate that a middle ground in the camera world is infact a possibility? Just something to think about.

  73. dSLR does't help against clueless users by fluch · · Score: 1

    If I look at the photo taken with the Canon 400D, then I would say the person who did make the shot had no idea how to operate the white balance of the camera properly. The same user would probably have done a same miserable shout with an Nikon D2Xs together with some highclass lens of total value well above 5000$. Any dSLR with an halfway fine lense does make much better photos than a poor camera phone regardless of what megapixel number they come up with. One just needs to know how to operate a dSLR camera. So the photo just disqualifies the user in this case.

  74. DSLR not about just picture quality by Hairy1 · · Score: 1

    I first got a Fujifilm S5500, which has a nice optical zoom, reasonable resolution, good feature set including various manual options, and is flexible enough for most lighting conditions. Good photography is about controlling many exposure parameters, such as focal depth. For any light condition there is a combination of ISO, exposure speed and F stop. For small camera phones the solution is to have a small lens with infinite focus. The limitations are that it can't zoom in; except digitally, and you can't get a shot that brings out the subject. Is that bad? Well, if you just want a snap a camera phone is great.

    However, even the Fujifilm, which is a great camera, has its limits. The big one for me is start up time and shutter lag. When it comes to being able to quickly react to unexpected events that last only a few seconds there is simply no substitute for a DSLR. The ability to turn on your camera and have it ready to shoot before you get the eyepeice to your eye is vital. For example, before I had my Nikon D70 I went on a trip watching dolphins. There was a fantastic display of dolphins jumping clear out of the water, but I didn't get a single shot because unless you have the shutter half way pressed on most dogitals it takes a second or so to actually fire.

    However, I have now been the photographer at two weedings, and the D70 has been wonderful; you can see the shot and press the shutter in a fraction of a second. At an airshow recently I captured a boeing jet taking off at a high angle of attack; impossible with cameras with shutter lag. The quality of the images is slightly better, and the lenses provide a little more flexibility, and there are more complex lighting options, such as speedlights that are better than the built in ones on smaller digitals, but the biggest feature for me on a DSLR is the instant shutter.

    The review in this context limits the test to things a camera phone can do - that is take a photo of something reasonably close and not moving. Thats not to say I think camera phones are bad or poor quality images, just that they don't have the flexibility of a DSLR.

  75. maybe theyre good, but theyre no dslr! by techtakeaway · · Score: 1

    of course theyre getting better, but so are the Digital SLR cameras, ive got a pretty standard EOS-350d and i can't imagine a cameraphone coming anywhere close considering all the settings and different lens options.

    Does any camera phone come with a tripod mount yet? it might help their bad rep in low light conditions.

    take a look at my DSLR photos at: Stock-Imagery.com - you can download them at their original 8MP resolution to compare them to a camera phone

  76. Re:More vibrant = more artificial, but people like by k31bang · · Score: 1

    In Japan you can get development until the end of 2007.


    You can get it developed in the US at Dwaynes photo as well. (they also process Kodachrome movie film)
    --
    -+-=-+-=-+-=-+-=-+-=-+ *** http://www.mountainfort.com *** +-=-+-=-+-=-+-=-+-=-+-
  77. Cameraphone = phone + bulk != phone + camera by AliasMarlowe · · Score: 2, Insightful

    All of the subjects were motionless, so the test is useless for real-world situations, where shutter speed must be fast enough. I saw people trying to use camera phones at a sports event. The light was fairly good, but the results were pathetic blurs.

    And then there's the "vibrant colour" thing, which is seen to some extent in many digicams. Basically, the chroma has been excessively boosted, producing what photographers refer to as "Disney colour". It's a form of image distortion which can mask other flaws (especially combined with heavy denoising). As a deliberately chosen distortion, it has its place in artistic composition, but should not be the default.

    I have a Nokia "camera" phone, and after laughing at a couple of test images, I stopped trying to take pictures with it. If the target moves, the image is a blur. If the light is poor, the image is so noisy that denoising produces a watercolor. The tiny aperture means that the background is in focus, even at infinity. The only thing I can't complain about is bad bokeh, because it has no bokeh (and certainly not good bokeh!).

    For an always-in-pocket camera, I use the Sanyo C6, which has many compromises due to its compactness. However, in any lighting situation it will produce far better images than the Nokia, and does passable MPEG4 video also. For real photography, I have a Pentax DSLR with three flashes (wireless) and a dozen lenses.

    --
    Those who can make you believe absurdities can make you commit atrocities. - Voltaire
    1. Re:Cameraphone = phone + bulk != phone + camera by jamar0303 · · Score: 1

      Uh-huh, right. I do believe that your problem lies in the fact that your post alone gives me no idea what model "camera" phone you have (I had a Nokia like yours- it took pictures as bad as you describe because it's a 6820- its selling point wasn't supposed to be the camera it was the full qwerty keyboard it had). Try Sharp- specifically their 902SH/903SH cameraphones. You'll change your tune- I did.

      --
      OSx86 FTW
  78. Why the rant about dslr vs camera phones? by had3z · · Score: 1

    Who started this anyway? It's about the usability. I'd rather carry a phone around instead of any point and shoot camera. It's much more convenient. And in time, phone cameras will get better, picture quality will be "enough" for the average joe, while the traditional camera will be a tool for the pros

    It's pretty much like modern computers. In the beggining the were for pros, than became mainstream. And now a 500$ computer is enough for most tasks, even for gaming. Would you spend 2000 on a pc that will only use word and firefox?

    bottom line, it's about needs. and a camera phone is starting to suit the needs for the average joe.

  79. Price? by Urza9814 · · Score: 1

    My $200 phone has a camera on it. It's 1.3 MP. But with the image quality, you'd think it was around 0.5. it's horrible. My digital camera however, which was around $80, has GREAT quality 5MP images.

    If you have $1000 to spend on a phone, it might be better than a digital camera. But then again, if you have $1000 to spend on a phone, you probably have enough money for a top of the line camera, which will most likely still be better than your phone.

  80. No, It's the Radio Waves from Phone by Anonymous Coward · · Score: 1, Insightful

    Everyone knows that the radio waves from the phone usher the pixels around into sharper positions. At the same time they jack up the colour saturation. Actually I want a Camera-Phone-IceCubeMaker-JackHammer, all in one case. As well as saving me from carrying all those things separately just think how good its pictures would be! The cold would allow true macro focussing and the vibrations would optimise the composition - laws of physics again.

    Since Flickr, I have stopped looking at pictures in any other way. Dumped all the family albums, took the prints off the wall. When will the art galleries stop wasting city-centre space with their big buildings full of paintings and snobbish people pretending they can tell the difference from a 100x150 Px thumbnail? Give me an hour and I would snap the lot for them on my phone and send the images where they wanted and toss the origianls. Those old masters could do with saturating up with that N95 anyway.

  81. Re:It's not really possible. by AliasMarlowe · · Score: 2, Informative

    But with enough light, a small lens and sensor can take a good picture. You should look into the noise characteristics of digital imaging. There are differences between CMOS and CCD with regards to readout noise and pattern noise (and these are areas in which great improvements have been made), but they are not necessarily the worst noise sources.

    Photon noise (also called "shot noise") is intrinsic to the physics of photon arrival. The number of photoelectrons generated in a pixel is proportional to the number of photons incident on the pixel. The maximum number of photoelectrons (termed "well depth") which a pixel can contain depends on the size of the pixel. Bigger pixels means more photons and more photoelectrons for a given intensity of illumination. In a given time with constant illumination, a certain number of photons is expected per pixel, but the actual number in successive time intervals or in neighbouring pixels will differ. The standard deviation of this distribution is the square root of its mean value (photon arrival is governed by Poisson statistics).

    In a DSLR image detector, the well depth is at least 40000 photoelectrons (often much more) representing the saturation level. In a digicam, the well depth is typically 10000 or so, and is often less than this in cameraphones. At equivalent fraction of saturation, the shot noise in a 10000 electron well is half that of a 40000 electron well, but the signal is only one quarter as large. So the signal-to-noise ratio is twice as bad in the 10000 electron detector as in the 40000 electron detector.

    So, even with enough light, detectors with small pixels will produce noisier images, since their electron wells are small. It's a consequence of physics.

    The situation is often worse than that, since the cameraphones and small digicams typically have tiny optics. Even though their detectors are small, the lenses don't illuminate them very well (the Nokia N series is less bad than most cameraphones), and they must resort to boosing the readout gain. This amplifies shot noise directly. So, cameraphone and small digicams either need more light to reach "enough" than larger digicams or DSLRs, or they must amplify their noise even more to operate at the same light levels as DSLRs.

    Denoising in-camera or as postprocessing may make the image look better, but at the cost of losing image details with the noise artefacts. Heavy denoising produces a "watercolor" effect seen in many digicams.
    --
    Those who can make you believe absurdities can make you commit atrocities. - Voltaire
  82. N95 by dwater · · Score: 1

    I had an N95 last December and most of January. I tried it's camera and it was pretty aweful then, but that's prototypes for you. However, the thing I noticed more, and I've had this problem with other ones too, as well as point and shoots, is the time between pressing the button and it actually taking the shot - on the N95 it was a really long time. I expect they've improved it, but my 3250 and my wife's N73, isn't all that much better.

    That's the reason I would still choose my 10D over a camera phone, if it were 'to hand'....which is the reason I would have the N95, since my 10D is almost never 'to hand'.

    --
    Max.
  83. I can't even begin by clickclickdrone · · Score: 1

    to explain how bad this article is. Oh, OK then.
    1. Comparing what is effectively a P&S to a dSLR is bogus - totally different markets. If you only need P&S functionality, buy a P&S.
    2. The person taking photos can't even get the white balance right.

    I'll stop there otherwise I'll be typing all day - an utterly useless and ill researched article but TBH, typical of anything cNet put out.

    --
    I want a list of atrocities done in your name - Recoil
  84. no more cameraphones! by Anonymous Coward · · Score: 0

    I really wish they'd stop making every phone a camera phone. Because it has a camera in it, you're limited in the places you can take it.

    Call me old fashioned, but as long as it's a good phone I'm happy.

  85. The real test of quality: The Offset print by okinawa_hdr · · Score: 1

    Let's print the pictures and see which holds up at a4 or a3 @300dpi? I bet the owners of Nokia get real scared when they see the results of that. -

  86. But can I listen to MP3's while I take pictures? by Anonymous Coward · · Score: 0

    I mean really... if a real camera won't play music (or videogames for that matter) does it really matter how good the pictures are?

  87. also by symes · · Score: 1

    I've just started using a dSLR, Cannon as it happens, after trying to use a dinky little digital camera last year in Africa. The main reason being that, while the smaller camera was ok from a bore friends and family with repetitive pictures of elephants perspective, I really yearned for a telephoto lens. So my logic was a 10-megapixel dSLR with a telephoto lens would allow me far far better chances of nabbing a decent photo, or cropping one to look decent, in that open air environment (and I need all the help I can get). This is something no mobile phone can ever hope to achieve.

  88. The N95 is a great device by weave · · Score: 2

    I have an N95. I'm really impressed with it. It's not going to take the best pics, but it's pretty damn good for a camera phone and, as someone else posted here, it's always with me so I can grab a shot when I see one easily.

    The thing also has a great web browser, email, wifi, GPS with mapping and navigation and takes some decent videos.

    I'm not a professional photographer. I'm not the best at picking out the best shots, composition, etc. I'm just some Joe taking pics of my life and stashing them somewhere.

    I started out with a T610, then a Nokia 6600, N90, and now N95. The rapid advancement in quality these little phones put out is incredible. It's pretty neat stuff and lots of fun and that's all I really care about.

  89. Vibrant by DrLex · · Score: 1

    How can a tiny device in which they fitted some cheap optics because there was some room left, take better pictures than a dedicated device based on a proven design with high-quality optics and electronics? In fact the article is not to blame because it doesn't aspire to be a professional camera review and sticks mostly to presenting the facts. The slashdot summary on the other hand reeks of either advertising or the opinion of someone who doesn't really know what he's talking about.

    The point is that a good digital camera produces an accurate, high-range representation of the scene, which contains all the information required to turn it into a good final photo. This doesn't necessarily mean that the photo will 'look good' on-screen immediately, it's the job of the photographer to do some postprocessing to make the photo look more 'vibrant', to use our word of the day. The point is that you can easily go from a 'raw' photo to a 'vibrant' one, but not the other way around. Making colours look more vibrant mostly boils down to increasing the contrast and saturation, which means throwing away information. This is exactly what these built-in cameras do: postprocessing is built-in and probably also involves some tricks to compensate for the less than ideal optics and sensor. If they would have provided the full resolution images and done some more tests like outdoor images with white objects in bright sunlight, you'd probably see artefacts like blurring and purple fringing in the corners of the cellphone images. It would also have been interesting to see an attempt at a night shot of a city skyline.

    It's also not just the tiny lens that's problematic in a cellphone camera, the sensor also is tiny which means tiny pixels that are prone to noise. Again, seeing the full-resolution images would be interesting to evaluate this. To keep the story short, if you use the same technology as in these phones but upscaled to the size and design of a classic camera, the result will always be better.

    Nevertheless, if your only goal is to take pictures on-the-go that look good on average without having to run them through the GIMP or Photoshop, and to post them on Flickr in low-resolution format, then the tiny built-in camera in a device you're always carrying anyway is perfectly adequate. Just don't try to make an awe-inspiring poster from these images or submit them to National Geographic.

  90. A Decline? by polyp2000 · · Score: 1

    I went to a conference recently at Web 2.0 in San Francisco. I learned that statiscally nowadays more digital pictures are taken with camera-phones than standalone digital cameras. Its really a moot point. When you think about it, a camera phone is always available (if you have one you take it everywhere you go). Its simple to share pictures through web, sms bluetooth etc. It way more accessible. The fact is if you take a room of people you can bet your bottom dollar that a good chunk of them are carrying a camera-phone and little to none will be carrying a standalone one. I really dont see how that means we will "start to see a decline". As far as i am concerned there are way more phones out there than cameras already!

    However its good that image quality is getting better, the real test however is how well they take pictures in smokey nightclubs and pubs as that's where most of the pictures get taken! ;)

    N.

    --
    Electronic Music Made Using Linux http://soundcloud.com/polyp
  91. This article absolutely fails to make sense by Zero_DgZ · · Score: 1

    Digital Camera: Larger image sensor, space and engineering for proper optics, removable storage, zoom lens(es), a dedicated interface, auto/manual focus, et. all.

    Phone Camera: Tiny webcamish image sensor, tiny fixed pinhole lens that can't be focused in most cases, hampered by whatever storage is available in your phone since most don't have card slots, and an interface that's meant to be a phone and not a camera. And your phone camera is tied into your phone, which is in turn tied to the service contract from your cell provider. I dunno about you, but my phone won't let me do anything let alone get at the camera with no SIM or an invalid SIM.

    The problem here is we're talking phones with lousy excuses for cameras tacked to them. The only way a "cell phone camera" is ever going to outstrip a proper digital camera is if we start developing cameras with lousy excuses for telephones tacked to them.

  92. Beyond film, sensor size by BenEnglishAtHome · · Score: 2, Interesting

    I've always loved big sheets of film. My P&S back in the day was a 6x7 so that I could make contact prints big enough to be viewable and give away to friends. My 4x5 negs are the treasured records of my youth. So when you say digital is better than film, I'll just wear a little smile and remember that generalizations are bad but that you generally can't convince people of that.

    Once we get into little-camera world (35mm-size SLRs and smaller), you make lots of sense. I *really* want to get heavily into digital photography and I always have a digital camera of some sort that will make photographs good enough for web publishing. HOWEVER, my big stumbling block is image quality from cameras small enough to carry around. Back in the day, it was possible to buy a 35mm film "pocket" camera with a high-quality 35/2.8 lens and be able to produce killer-quality photos easily and conveniently as long as you knew what you were doing and had a good method of defeating camera vibration during exposure. (A monopod works for me, even if it does seem a little silly to be holding an Olympus Stylus Epic atop one.)

    What kills me about this whole digital business is this question: Why doesn't some manufacturer recognize that there are people like me out here and make a camera for us? Give me a full sized (24x36) sensor, a fixed 35/2.8 lens, and a good viewfinder. That's all I really want. I can give up the LCD on the back. I can give up the 27 preset modes that include making me coffee first thing in the morning. Hell, I'd give up internal storage and put up with either a wireless or tethered link to a battery operated hard drive carried in my pocket for storing all those RAW files (and you know a camera like this should output only RAW, right?).

    How about it, camera makers? Wanna build a digital P&S for us quality-conscious luddites? Pretty please?

    And if you do, then lets talk about morphing it into a non-interchangeable lens, short-zoom, true ZLR format, next, OK?

  93. A few things by KiwiCanuck · · Score: 2, Interesting

    First this article make no sense. Second, good luck with making a 12x lens for a camera phone (which doesn't make the phone bulky). Third, if you want to take excellent photos, take a course, or at least read the freaking manual. Fourth, I seriously doubt any mfg will make an underwater housing for a phone. The way I pick my digi-cams is based on the specs of the housings. I know, I'm not most people, but with the current price of dive housing, there are more and more diver with digicams. I am an amateur (almost wrote armchair) photographer, and the photos which receive most of the compliments from friends & family are my underwater photos. Rant-out.

  94. Re:More vibrant = more artificial, but people like by jamar0303 · · Score: 1

    You can, the people who are into point and shoot are too dumb to (personal expierience with family members-they don't particularly like the photos they hav from the short time they used a SLR camera and can't figure out how to make them look better and can't be bothered to). Frankly, I can, but I can't be bothered to- if my cameraphone can print out decent 8x10s (I shit you not- but then again I don't buy my cameraphones from the States- not when Korea and Japan offer far better) I don't need anything better.

    --
    OSx86 FTW
  95. Re:More vibrant = more artificial, but people like by gullevek · · Score: 1

    Yup, just read that in the wikipedia Article. But as I live in Japan, I am happy that I still can get in country development and do not have to wait so long ...

    --
    "Freiheit ist immer auch die Freiheit des Andersdenkenden" - Rosa Luxemburg, 1871 - 1919
  96. dSLR Responses by geek2k5 · · Score: 2, Insightful

    You're right about that.


    As a dSLR owner, I wonder whether the people doing the testing were skilled in the use of the dSLR. Taking a camera straight out of the box and using the automatic settings seems like a rather amateur method of testing. If you are going to get something with the ability of a good dSLR, you better spend some time practicing with it.


    That said, if you are like a lot of people and just want the ability to take point and shoot pictures, you don't really need a dSLR. At 240 DPI, a 4x6 photo would require about 1.4 megapixels. Having more megapixels would allow you to do enlargements and cropping, both of which I would guess are relatively rare compared to the number of point and shoot pictures taken. (Are there any stats on this?)


    An additional advantage of point and shoot devices, be they cameras or camera phones, is that they are a lot more portable than a dSLR. This means that you will have them available when you need them AND can use them discretely.


    Still, there are those of us who have dSLRs because we are either skilled amateurs or professionals who desire and often need the abilities they offer. I suspect that it will be several years before camera phones will reach the point that you can take a closeup portrait from thirty feet away that is anywhere near the quality of what I can shoot with a tripod mounted dSLR.


    We are also the people who want the higher megapixel cameras because we do lots of cropping and enlargements. But then, we know what we are talking about when it comes to megapixels.


    Unfortunately, there are also those who, as mentioned by another poster, buy dSLRs for the brag factor. I suspect that a skilled photographer, with a good point and shoot camera, can get consistently better results than the bragging types who have all the equipment but never use anything other than the automatic settings.

  97. Comment removed by account_deleted · · Score: 0

    Comment removed based on user account deletion

  98. Objecting to the Slashdot summary by geek2k5 · · Score: 1

    Some of us read the article but object to the comments the poster of the article made.

    For example, while the summary poster said that the Nokia takes more vibrant pictures than the dSLR, they didn't specifically mention where the dSLR does better. That seems a little bit biased.

    Then they make the comment that we could see a decline in dedicated digital camera sales as camera phone sales increase.

    I can see this happening for point and shoot cameras, especially if camera phones keep improving. But I don't see it taking much of a bite out of the dSLR market.

    If the poster had mentioned that the dSLR camera did better in other areas and had suggested that high end camera phones might displace dedicated point and shoot digital cameras, I would not have a problem with the comments.

    1. Re:Objecting to the Slashdot summary by richdun · · Score: 1

      If the poster had mentioned that the dSLR camera did better in other areas and had suggested that high end camera phones might displace dedicated point and shoot digital cameras, I would not have a problem with the comments.

      Those are my thoughts exactly. Having used consumer point and shoots for the past 8 or 9 years, and just recently purchased a dSLR, it's obvious even to an untrained pro-sumer that the flexibility and overall quality of dSLRs are hard to beat (in the digital world). Point and shoots, however, vary greatly, and almost never do well in all but the most well lit conditions with low ISO and quick shutters. Camera phones could match this easily, plus have the added benefit of being part of a gadget you already have in your pocket.

  99. Hmmm... by Slashdot+Parent · · Score: 1

    What I think that the poster meant to say, was that sales of P&S cameras might suffer as camera phones improve. After all, we don't buy P&S cameras as an artistic tool. We buy P&S cameras for convenience; and what could be more convenient than the cellphone that you're carrying around already?

    Personally, I was very impressed with the photos taken by the N95. Oversaturated, yes. WB off by a longshot, yes (unless you are going to try to convince me that purple is the new white). But for a camera that is always in your pocket? Amazing! I wonder what the shutter speed/lag is on that thing. Also, it'd be interesting to see a fullsize shot to see how much noise is in the shadows.

    On the other hand, I'm not going to be selling my DSLR and equipment any time soon.

    --
    They don't grade fathers, but if your daughter's a stripper, you fucked up. --Chris Rock
    1. Re:Hmmm... by geek2k5 · · Score: 1

      Ah! Someone who also noticed the phrasing and potential correction.

      I agree with the idea that point and shoot cameras sales may suffer as camera phones get better. I just wish that the poster had explicitly stated that. It would have avoided a lot of comments like yours and mine.

      (With a camera phone like the Nokia, I might consider getting one so that I have a point and shoot with me at all times. But it will be as an accessory to my collection of dSLRs and associated equipment.)

  100. Simply NO by fuliginous · · Score: 1

    The simple answer (and correct) is no.

    The digital camera will be used by people who need a camera.

  101. Needs versus phrasing by geek2k5 · · Score: 1

    I would say that the rant comes because of the phrasing the poster used. For those of us that use dSLRs in something other than point and shoot mode, even a vague implication that a camera phone is 'better' than a dSLR is enough to raise our hackles.

    If the poster had said that camera phones are reaching the point that they meet the needs of the average Joe, there would be less controversy.

    I suspect that the article the poster referenced will create a lot of discussion outside SlashDot where the semi-average Joe, computer literate but not camera literate, will say that the Nokia did 'better' than the dSLR, based strictly on vibrancy.

  102. Sensor size, response time, depth-of-field by A440Hz · · Score: 2, Informative

    There are three things that I would add (I am a semi-pro photographer who uses a dSLR).

    First, the megapixel race has really distorted the idea of image quality in the pop mindset. Many think that the more sensor sites a camera has, the better images it will produce. WRONG. With the dSLRs, the sensors are generally quite a bit larger than the P&S and camera phones. Larger sensors means more photons per sensor, and thus, less measurement noise. A 6-megapixel dSLR vs. a 6-megapixel P&S competition would almost certainly show the dSLR blows away the compact in noise performance (assuming a larger sensor on the dSLR). Camera phones probably have much smaller sensors even than dedicated P&S cams -> higher noise.

    Second, the response time of many camera phones is horrific. I have an LG vx9900 (enV) with a 2MP camera, and while it takes OK pictures, I can't get a good shot of my daughter to save my life. I really need Nicholas Cage to see about 2 seconds into the future in order to press the shutter at the right moment. My Nikon D70s is well nigh instantaneous. I rely on extremely fast response in my portrait and wedding business. Those split seconds make the difference between a great expression and a so-so one.

    Third, one of the things many people love about high-quality portraits is selective focus, or narrow depth-of-field. I use this outdoors to get my subject in focus and the background blurry. With my 80-200mm f/2.8 lens (cost twice as much as my camera body), I get incredibly soft background blur that is very pleasing. There is no way that a camera phone with a focal length of a few millimeters is ever going to achieve that, since such a short focal length lens will have huge depth of field. One needs a telephoto lens, and the faster (lower f number), the better. This means $$, generally. The fast telephotos-- the extreme example being the sports sideline shooters with their huge glass on monopods, their cameras hanging off their lenses-- are pretty pricey. But for many portraits, a fast telephoto is invaluable.

    For me, I can't imagine a camera phone ever approaching the capabilities I need from a camera. It's the physics of the thing. The orig article is obviously written by someone who is not really a serious photographer. Like someone mentioned-- white balance. Duh. Digital photography 101.

  103. Instamatics vs 35mm by geek2k5 · · Score: 1

    My parents often tell the tale of showing slides I took with an Instamatic using Kodachrome when I was around ten. A family friend, who had a 35mm camera with additional lenses, exposure meter and equipment, asked what F-Stop and shutter speed was used for the shots because he was impressed with the results.

    He was somewhat bemused to find out who had taken the pictures and what was used.

    In the right hands, with the right topics, those point and click cameras could do very good pictures. Of course they were designed to take decent pictures in the hands of amateurs.

  104. Megapixel logic by geek2k5 · · Score: 1

    Comparing megapixels works for marketing types and people who think that bigger is better. Plus it is something that advertisers can put in large red type to 'prove' that their product is 'superior' to others. And to the average casual point and shoot photographer, having more megapixels does allow the pictures to be improved when they are reduced to manageable size.

    Those of us who go beyond point and shoot often consider the other factors and don't let megapixels have a major influence, except when we want to justify a new camera body.

  105. Increases and declines by geek2k5 · · Score: 1

    You made a good point about camera availablity and photo accessibility. Why carry a dedicated camera of any type for spur of the moment photos when a camera phone is available?

    This does mean that privacy goes out the door, for better or worse. With the right camera phone, even the bathroom is no longer a safe place for privacy.

    The possibility of blackmail, intentional or otherwise, greatly increases, especially in nightclubs and bars. A few choice photos of a person who has had a few too many can instantly go around the world in a matter of minutes.

    Then there is the inevitable increase in the sheer number of badly composed and poorly shot photos. As it becomes easier to create and distribute digital pictures, the quantity of bad ones increases. (Perhaps the next level of improvement will be in autocomposition and editing.)

    Still, camera phones may have some positive impacts. Crimes might be solved or even prevented through camera phone surveilance.

    It should be interesting.

  106. Snapshots and Videos... by morari · · Score: 1

    Making mobile phones all the more annoying. I'm really waiting to see what comes next. I guess an MP3 player / cell phone would be the ultimate in annoyance. *waits for the iPhone to come now*

    --
    "He who can destroy a thing, controls a thing." --Paul Atreides, Dune
  107. Your brain sets a white balance by Anonymous Coward · · Score: 0

    And a so your mind will "see" the ping pong ball as white because you know it's white. If you take an uncorrected picture, it will only look "right" under *precisely the same lighting*.

  108. It might not be better, but is it goo enough? by Nukenbar · · Score: 1
    I think a lot of people here are missing the real point, and this is, Are camera phones getting to the point where they are good enough for the Average Joe to use instead of his camera?

    I think everyone agrees that I am not going to get as good of a picture from my phone as some $1k Cannon, but for the rest of us that just carry around a 4 or 5 MP point & shoot, I think many people would be excited if those could now safely be left at home.

  109. Re:More vibrant = more artificial, but people like by fermion · · Score: 1
    Exactly, the average camera owner does not care about representation, or how the camera gets a "good" picture. They just want a sufficiently representational automatically touched up photo from a camera that is does not cost too much and is not too big. That is why a pinhole camera, the instamatic, was one of the best selling cameras around. What was amazing is that for a time so many people were willing to pay real money for a machine they did not need and really did not know how to use.

    The average person just want to have a camera around to snap a picture of a kids first step, first day of school, etc. For these people a camera phone makes a lot of sense, and in fact will perform better than the pin hole camera. I have to agree that for the average person, a camera phone makes a lot of sense, in many cases better sense than a separate digital. p. The only thing I find silly is that the n95 is not a small form factor, and 10 megapixels is much more than the average person needs. At the 750 price tag, the average person can wait to spend $500 on an iPhone, and then $250 a camera with real optics.

    --
    "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
  110. Re:More vibrant = more artificial, but people like by reub2000 · · Score: 1

    http://www.dpreview.com/reviews/canoneos400d/pag e20.asp
    Tungsten WB on the 400D isn't good enough. The RAW format on the other hand bypasses all in camera processing irrelevant. Huge CF cards are cheap, so why not use it.
  111. Photography aside... by indros13 · · Score: 1

    ...what about the fact that most people still use cameraphones that make you pay to copy the pictures to your computer.

    If I have to pay to access the actual photo, who the f*** cares how much better the "white balance" is? (and I did read the comments - the quality isn't actually better)

    --
    Under capitalism man exploits man. Under communism it's the other way around.
  112. thanks but no thanks. by garwain · · Score: 1

    I'll admit the camera phone is a handy tool. I never miss that shot and say "Damn I wish I had my camera with me", but if I'm looking to take a decent photo, I'll always prefer to use a digital camera that's designed to function as a camera! Prety much my opinion on these new phones... I want a cell phone that works primarly as a phone, with the extras being extra, not having a device that's designed for photography/or to be a PDA with a cellphone built into it... Also, if I was going to take photos in less than perfect light, I'd much prefer a camera with a decent flash!

  113. hahahah! overrated??? by StewedSquirrel · · Score: 1

    Someone modded this "overrated"

    well pffft.

    That's all.

    Stew

    --
    There are 10 kinds of people in the world. Those who understand binary and those who don't.