EMI May Cut Funding To RIAA, IFPI
Teen Bainwolf notes a report that Big Four record label EMI, which is under new ownership, is considering a big cut in its funding for the IFPI and RIAA. Each of the labels reportedly contributed over $132 million per year to fund industry trade groups, and EMI apparently believes that money could be better spent elsewhere. "One of the chief activities of the RIAA is coordinating the Big Four labels' legal campaign, and those thousands of lawsuits have done nothing but generate ill will from record fans, while costing the labels millions of dollars and doing little (if anything) to actually reduce the amount of file-sharing going on."
Tag this 'commonsense'. Finally a record label who is starting to 'get it'.
It's hard to argue with EMI's logic there, file sharing certainly isn't stopping... perhaps DRM will go the way of prohibition.
stuff |
All that's needed for change is for the old generation to die out.
The summary makes it look like the blockquote is someone from EMI, when in reality it is editorializing by some dude at Ars.
-Peter
"Let's get away before we begin making fools of ourselves."
Too late.
Onda Technology Institute
An inexplicable attack of clarity from the Recording Industry! Sweet!
Nothing to see here, move along.
No folly is more costly than the folly of intolerant idealism. - Winston Churchill
In other words, it's causing too much bad public relations AND not working, require new methods to screw the consumer with having them actually enjoy it this time. after they come up with something new, business as usual.
Considering does not mean they're actuallg going to do it.
You know "Mr. Overpaid Exec #1" at RIAA will call "Mr. Way-Overpaid Exec #2" at EMI and say something like 'Hey Bill, we'll try to fuck you guys up a little less next year. Promise. Besides, I my kid's going to for her degree in basket weaving and I need to make sure I get my raise to pay for that and the new ferrari'
So instead EMI coughs up extra cash this year for the MAFIAA to "change tactics" whereby they sue...everyone!
You can get rich if you own a politician, but you have to be rich to buy one in the first place.
Kinda slow learners aren't they?
...who of you replaced the key decision makers at EMI with androids under your control? Come on, out with it!
Somebody actually gets it... I'm very pleased to see that a record label recognizes this and acknowledges it publicly. It shows they're not all buffoons.
I don't see the RIAA keeling over any time soon, instead I imagine it shrivel up into something like one of those debt collection agencies out of Buffalo NY. It will act as a "free agent" for (mostly fake or bought out) music publishers and survive on constant lawsuits on those who will be only more than happy to pay $800 to keep from getting sued for $15K.
Never underestimate the tenacity of unemployed lawyers.
Commonsense is exactly right. Maybe the RIAA will get a clue.
If EMI cuts a significant amount of funding to the RIAA then I will go back to buying CD's from them. Lately I have been getting my music from independent artists and any mainstream stuff I want to listen to (mainly 90's Alternative) from sites like Pandora or streamed through Winamp Shoutcast radio, all so I didn't support the molestation of individual rights. When I say significant I mean like 60%+ cut.
Go home, nobody loves you. .
- The Blog
Guy Hands aims to snuff out excesses that cost EMI £100m a year
Guy Hands, chairman of EMI, has told potential investors the group's former management squandered around 100 million pounds on corporate excesses. Terra Firma, Hands' private equity firm, is expected to make major changes to senior management and transform the culture of a company considered to be stuck in the glory days of the music business. Industry observers say Hands will try to blame previous management for the firm's woes because he has paid over the odds for a business struggling to cope with a dwindling market.
http://business.timesonline.co.uk/tol/business/industry_sectors/media/article2963629.ece
http://dealbook.blogs.nytimes.com/2007/11/27/in-winning-emi-is-guy-hands-losing-out-on-other-deals/
http://www.telegraph.co.uk/money/main.jhtml?xml=/money/2007/10/08/cnemi108.xml
Wasn't EMI the one who started letting Itunes sell NON-DRM versions of their music selection? Maybe they're trying to be the front runner and testing the waters. Maybe they have someone who is able to explain to the big guys just how fruitless it is to try and stop illegal file sharing. Do your part in reminding people it's illegal, but don't go the path the RIAA has.
I also think EMI has realized that they no longer need the RIAA because of the power of the internet. It's good business to rid yourself of a marketing company who does nothing but put your company in the bad light. Publicly decry them, and embrace the way people want things.
Right now that is GOLD. People are starting to look for Non-DRM (and I mean the average consumer, not you and me). The average person buying their music is buying it for an Ipod and noticing how much of a pain in the ass it is to rip it just to get it on there.
Maybe EMI, is realizing that the people who are stealing weren't going to buy it anyway and that there's a tremendous opportunity for the first major record label who steps forward and waves off DRM laden music. Cost of doing business in the digital world is that people will always steal your product. Microsoft learned this by trying to lockdown windows and that failed. People just manually downloaded the patches around the "automatic update".
The problems their "DRM" did by checking new installs of windows if you reformatted and had to deal with the hassle of speaking to an indian who couldn't speak english... you get the idea... it just wasn't worth it financially. It hurt them.
Maybe they realize that the power is no longer in their hands once they release a product. Perhaps they realize it's better to encourage people to buy it, who WANT their music.
If I was a record label I'd offer the music in several different formats. Typically CD quality download, mp3 (slightly cheaper), HD (for the audio connoisseur, and then on physical media still. Some people love their physical media.
That's what people want. Make it available like that, without some DRM scheme. You'll win in the end because the people who are stealing your product, weren't going to buy it in the first place. You need to target the people who are willing. Because... you know? The people who are stealing it... will always find a way. It only takes 1 copy to hit the internet... and you can't stop that from happening, no matter what you do.
Industry, meet clue.
i cant seem to come up with a sig.
WOOT!
I predict that the RIAA will use the fact that they got less money from them in a the next case they bring up against a deaf priest who only possesses an abacus. They will say, "Look, the RIAA is now getting less revenue due to the nasty press we receive. We're just trying to collect money on the artist's behalf, that we have no intention of actually paying them. We ask the court to award treble damages."
According to the article:
including the close to 30,000 file-sharing lawsuits filed by the record labels in the US alone.
I mean, this is way worse than what I thought it was. I thought it was a handful, you know the ones you hear about in the news. But 30,000 means a lot and a whole lot of work for the legal system (this means that 1 in every 500 lawsuits in the US or 0,2% comes directly from the RIAA). This could be used for other cases we are already overloaded with like drugs, robberies, fraud (identity theft for example), money laundering and other crimes that affect more people than a few copied cd's.
Custom electronics and digital signage for your business: www.evcircuits.com
And I'm also thinking of buying a Castle in Scotland, a Ferrari Enzo, and a gold plated swimming pool.
Doesn't mean I can or will do any of it, though.
- It's not the Macs I hate. It's Digg users. -
... But before anybody declares victory, let me point out that things could change in a heartbeat as this decision (if you can call it that as they are only considering it) could change if the RIAA exerts some mob like pressure on EMI. Also, the fact that they went public with this makes me think it's a PR shell game rather than something material in nature. Still, these are the guys who hopped onto the DRM free bandwagon first, so maybe there's something to it?
This is my opinion. To make sure you don't steal it, it's covered by the DMCA.
The new stuff the RIAA is worried about still gets pirated like mad. The older stuff just is not shared any more.
vi +
They "may" cut funding? Let me know when they *DO* cut funding. Until then, this should be dismissed as PR theater. Perhaps EMI wants to manipulate the RIAA in some way ... maybe reduce their share of the funding, or gain more power within the organization, or something.
So far it's just talk. And talk is cheap.
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If you support this sort of action, please take the time to contact EMI with your opinion:
EMI Group Limited
27 Wrights Lane
London
W8 5SW
Tel: +44 (0)20 7795 7000
512 MB RAM, 20 GB disk, 200 GB transfer, five datacenters. $19.95/month.
In my opinion, that is.
First off, stop buying NEW CDs. Wait a few weeks and buy them used at your local used CD joint. You get get music in an ethical and legal manner that both screws the RIAA companies out of more money and at a discount for you.
You can then rip the CD at your leisure and stash the CD in a box somewhere. Preferably with the receipt in the jewel case, just in case you need to prove that you indeed DO own the source CD for all those tracks on your iPod. (Who knows how insane the RIAA will get in the in the coming years. Considering they've sued people who don't even own a computer, what's the next step, suing people who own iPods or other MP3 players? Suing people who have iTunes or WinAmp installed on their computers?)
Obviously, using iTunes or other legit online retailers will save you even more money by buying the one or two good tunes on a CD. Yes, it does funnel money back to the RIAA companies, resulting in a pittance in the hands of the actual artist who made the music.
Personally, I'd like to see the Radiohead model become widespread as more and more bands opt out of the current RIAA company business model. I do think that directly selling to the public is likely to be far more profitable to a band.
Guaranteed! This comment 100% Anthrax free!
I've said it before and I'll say it again: "These guys are asking themselves the wrong question. Instead of asking themselves "How can we make the most money out of each song?" they should be asking themselves, "How can we make the most money out of each person?"
/sniffle
I miss Allofmp3.com
All that's needed for change is for the old generation to die out. The old generation always dies out, yet human nature remains unchanged. Funny how that works.
We can all get warm fuzzy feelings over this, but that will do little good to encourage these sort of decisions. Vote with your dollars and buy music from EMI if they end up cutting back their cartel involvement.
Why bother.
http://biz.yahoo.com/rb/071129/warnermusic_results.html?.v=1 Warner's net profit fell to $5 million, or 3 cents a share in its fiscal fourth quarter, from $12 million, or 8 cents a share, a year ago. That's probably less profit than Radiohead alone made. U.S. album sales are down 14 percent year on year, according to data from Nielsen SoundScan, as more fans choose to buy music as individual songs through online stores such as Apple Inc's (NasdaqGS:AAPL - News) iTunes, or resort to using free file-sharing services to get music. Warner Music stock is down nearly 70 percent since the start of the year as evidence of a faster-than-expected deterioration in music sales has become more clear to investors.
Is it April 1st already???
It's only paranoia if your wrong...
Quote: "... those thousands of lawsuits have done nothing but generate ill will from record fans, while costing the labels millions of dollars and doing little (if anything) to actually reduce the amount of file-sharing going on."
Translation: Record executives are sometimes really, really dumb.
LOL.
EMI is also one of the companies that instead of suing imeem.com for letting people share mp3's decided it was better to cut a deal with the company and let people share their music - like a youtube for mp3's - presumably in exchange for a cut of the advertising revenue that their music is making the site. The music business is finally catching up to the changes that started a decade ago, EMI seems to be making some of the biggest moves in public.
how much would they lose if they IGNORED P2P, compared to the cost of combating it?
the amount of money record companies are not getting back from the RIAA from collected fines
I bet the record companies actually expected, or were even told by the RIAA, that there would be a long-term profitable return from collected fines in return for their relatively small support payments. This has turned out to not be the case both because the RIAA is run by total incompetents and that they are finding out that more people than they expected just won't be bullied so they actually have to work for their money in the courts.
On that basis the record companies wouldn't actually want the RIAA to be an effective method of completely eliminating piracy otherwise that would be an end to their fine-collecting income, so I don't think EMI's decision is directly based on the RIAA's effectiveness against limiting file-sharing.
.. to a new acronym and then it will be the same thing over again years down the road.
http://www.rense.com/general79/wdx1.htm
REQUEST: Left tire on landing gear almost needs replacement.
ACTION TAKEN: Left tire on landing gear almost replaced.
Wake me up when EMI actually does something.
404555974007725459910684486621289147856453481154 in hex is "You sank my Battleship?"
[GPG key in journal]
Like on increased royalties for the artists, right?
Guys? Right?
long pause
wankers
UTF-8: There and Back Again
I think a common misconception on /. is the idea that the recording industry is explicitly trying to attack "us." They're not. They are legal entities who are trying to defend themselves, and their profit margins. They aren't bad guys, they're just trying to get themselves the best deal they can - and they have money, time, and power to fight for it much more than most Americans do. However, we're the consumers. Ultimately, they can't survive without us. So instead of viewing them as an opponent, view them as a seperate group of people with whom we need to reach an accord. The fact is, the amount of money being made from the lawsuits is paltry compared to the amount of money spent pursuing file sharers, not to mention the almost weekly egg on their faces for charging the deceased, 5 year olds, and little old grandmothers. I honestly don't see this as a card they're playing, I think they're realizing that if you piss off your consumers, your company is gone. Acting like the gestapo is a surefire way to NOT win loyalty. Not to mention the whole RIAA thing has basically made a ton of consumers start rejecting mainstream media. Outside Philadelphia we now have an Indie radio station which is completely fan run, and its growing in leaps and bounds because they allow local colleges to share their airwaves. I don't think this is a trick, I see it as good business on their part. Ultimately, their big concern is their bottom line, not eliminating your rights. Hopefully the other labels start realizing this fact, and then we can all get back to living our lives again.
Really, when the CFO's of the record companies actually analyze the data, the results of the RIAA's alienating actions can be seen and felt all the way to the production room floor.
...Out and buy Linux!
And a good CFO takes whatever action he deems is likely to put up the help wanted signs.
--
Cheers, Gene
"There are four boxes to be used in defense of liberty:
soap, ballot, jury, and ammo. Please use in that order."
-Ed Howdershelt (Author)
If your OS needs a virus detector... RUN!!!
-- Tim Wright
Is this why Metallica moved to Columbia records? Didn't they used to be on EMI?
Tag this 'commonsense'. Finally a record label who is starting to 'get it'.
What I want to know is how tight is the contract with the devil. In other words, if EMI decided to withdraw completely from the RIAA, do they have the same problem the artists have withdrawing from a label? Do the labels get to keep the music, or is the old stuff still RIAA protected property?
If EMI drops the RIAA completely and it removes their entire catalog from the RIAA contracts, I may find them listed on the SAFE section of the RIAA radar!
http://www.riaaradar.com/
The truth shall set you free!
EMI. There IS a reason why.
- you kids may not understand that
Mooooo.
Won't somebody think of the lawyers?! If EMI reduce funding to the RIAA and IFPI, then lawyers are going to earn less, so surely reducing funding ought to be illegal?
What if everyone stopped funding their lawyers, how would they make a living? It's not like they could just go do non-evil stuff. They shouldn't have to!
This reducing of funding of lawyers must be stopped or a whole industry will go under! I propose a new special interest group, something like the Lawyer's Industry Ass. of Reduction Stoppage, or NAMBLA.
Belief is the currency of delusion.
At first I stopped buying CD's from RIAA associates. But now I'm concerned about buying any CD's for fear of buying one infected with a rootkit or other virus (all in the name of copy protection). You want me back as a customer? Knock off the RIAA and require warning labels on all DRM'ed media.
There's unlimited supply
And there is no reason why
I tell you it was all a frame
They only did it 'cos of fame
Who?
E.M.I. E.M.I. E.M.I.
Too many people had the suss
Too many people support us
Un unlimited amount
Too many outlets in and out
Who?
E.M.I E.M.I E.M.I
-Sex Pistols
Or otherwise download the albums in whichever format suits and send the artist a few bucks. I get very tired of the labels making a song and dance about protecting the artist when historically they have screwed them as a business practice.
Personally, I think this is a workable idea - the artist gets some money that would otherwise be kept by the label using Hollywood accounting. It may not align with the whole diva/rock god image, but a Paypal link on an artist's homepage couldn't hurt them.
Between the falling angel and the rising ape
---As my daddy used to tell me: "You gotta be smart before you can be a smartass."
I will lift my ban on purchasing music. In fact nothing really will change because I don't purchase RIAA sponsored music -- they will open themselves to a new customer market at least as far as I'm concerned.
It's true no man is an island, but if you take a bunch of dead guys and tie 'em together, they make a good raft.
I don't remember the last time I bought a new CD because of these idiots.
Now I will start buying CDs on the EMI label!
EMI was spending 200000 GBP (That is US$400000. Yes 400 000 in case you think I got my numbers wrong) in flowers and fruit per year in their London office.
They spent millions in houses for executives that lived there 2 days a week and golden parachutes of 5 million GBP for executives leaving the firm
Sorry, but the history of the recording industry is one of greed and incompetence, they may be nice people but they are not playing niece (now that EMI is owned by a private equity firm, all the dirty laundry is coming out in the open, since this people actually make a living of being efficient and profitable, not of given perks to themsleves while the busines goes down the drain).
IANAL but write like a drunk one.