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U2 and Apple Collaborate On 'Non-Piratable, Interactive Format For Music'

Squiff writes U2 and Apple are apparently collaborating on a new, "interactive format for music," due to launch in "about 18 months." (A direct interview is available at Time, but paywalled.) Bono said the new tech "can't be pirated" and will re-imagine the role of album artwork. Marco Arment has some suitably skeptical commentary: "Full albums are as interesting to most people today as magazines. Single songs and single articles killed their respective larger containers. ... This alleged new format will cost a fortune to produce: people have to take the photos, design the interactions, build the animations, and make the deals with Apple. Bono’s talking point about helping smaller bands is ridiculous ... There's nothing Apple or Bono can do to make people care enough about glorified liner notes. People care about music and convenience, period. As for “music that can’t be pirated”, I ask again, what decade is this? That ship has not only sailed long ago, but has circled the world hundreds of times, sunk, been dragged up, turned into a tourist attraction, went out of business, and been gutted and retrofitted as a more profitable oil tanker."

358 comments

  1. Expert. by Anonymous Coward · · Score: 5, Insightful

    " Bono said the new tech "can't be pirated" "

    Since when is Bono qualified to have an opinion on this subject?
    He should make songs and not talk about things he hasn't got a clue about.

    1. Re:Expert. by Anonymous Coward · · Score: 5, Funny

      Bono is an expert on media formats in the same way that Dr Dre is an expert on frequency response.

    2. Re:Expert. by Anonymous Coward · · Score: 5, Funny

      Well, the thing is, in order for something to be pirated, at least one person has to buy it. So he may actually be on to something here....

    3. Re:Expert. by trewornan · · Score: 3, Funny

      Nothing, but then what Bono is most famous for these days is being a massive dick head. Can't be pirated, really? Shove a cutlass up his ass and he'll sing.

    4. Re:Expert. by Anonymous Coward · · Score: 0

      It can't be pirated, probably because Apple will just pay another $100mn or so for it to be added to everyone's iTunes collections for free.

    5. Re:Expert. by SpzToid · · Score: 3, Interesting

      Bono is rich and famous and a leader of his music/concert/marketing industry, and for many people, that's what counts. Whether or not his new digital music format can or cannot be pirated is something that remains to be seen, and is so far away in the future, that you can ignore the rest of his words that the media is propagating today. (And history, regarding piracy in a technical sense, is not on Bono's side. I'll bet against Sir Bono).

      --
      You can't be ahead of the curve, if you're stuck in a loop.
    6. Re:Expert. by DickBreath · · Score: 1

      > He should make songs and not talk about things he hasn't got a clue about.

      Nooooooo! Please don't make more songs! (Also do not talk about things he doesn't have a clue about.)

      --

      I'll see your senator, and I'll raise you two judges.
    7. Re:Expert. by mlts · · Score: 1

      We already have this tech already. Pixelmags does exactly this with magazines in their DRM-ed format. Adobe Flash can do this as well, and has been doing so since the VideoWorks days.

      So, I'm guessing Apple is going to be making something similar to a password-protected HyperCard stack I made in 1989 that had the menubar hidden, with a special extension to tell what tracks/sectors the file takes up and automatically exit if the file resides somewhere different?

    8. Re:Expert. by Anonymous Coward · · Score: 0

      Easy, nobody will want the format, so nobody will pirate it.

    9. Re:Expert. by jrumney · · Score: 4, Insightful

      You can't pirate something if it is already forced down everyone's throats.

    10. Re:Expert. by mikeabbott420 · · Score: 4, Insightful

      Arrr matey, it doesn't remain to be seen if the music can be pirated, if an audio track can be heard it can be copied.

      --
      This program was made possible by a grant from the Ultra-Humanite, and viewers like you.
    11. Re:Expert. by afidel · · Score: 5, Insightful

      Um, no, he's much, much less an expert than Dre is. As a respected producer at least Dre has some validity as a good ear, and he can evaluate the results of different parametric curves on tone signature, Bono can claim no such expertise in container formats unless he's gone back and studied CS while the world wasn't watching.

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    12. Re:Expert. by Anonymous Coward · · Score: 5, Insightful

      Whether or not his new digital music format can or cannot be pirated is something that remains to be seen

      Can you listen to it with your headphones of choice? If so you can connect line out to the line in of any computer and record a very pirate-able wave file. Any distortion will be insignificant compared to what compression adds to it these days.
      Even if they start to send the audio encrypted to the headphones I can still place a high quality microphone in them and record the audio. (Assuming that the output from the headphones isn't crap, but then I don't want to listen to the original either.)

      You don't have to wait to see anything. It is not possible to prevent piracy. (Unless you shut down all forms of communication, if people can't communicate with each other they can't spread undesired information.)
      Even when it comes to concepts like sending an encrypted video stream to the TV to prevent movie piracy it doesn't work since a single person can just open the TV and grab the video data as it is sent to the LCD. (And as a worst case, point a video camera at the screen.)
      There is no point at where the prevention method is good enough to make it impractical to break it.
      Computer game companies are way ahead when it comes to copy protection and there we clearly see that it only requires one dedicated person that works through the binary to disable to protection, even server connected software have been proven breakable.
      The music and movie copy protections do not require even a fraction of the work compared to that and even then it is still not enough.

    13. Re:Expert. by LordWabbit2 · · Score: 3, Insightful

      Might even sound better than his current music.

      --
      There are three kinds of falsehood: the first is a 'fib,' the second is a downright lie, and the third is statistics.
    14. Re:Expert. by shadowrat · · Score: 1

      Bono's latest material is a test run of this new technology. I think the strategy is: make it bland enough and the pirates will ignore it.

    15. Re:Expert. by Rhipf · · Score: 1

      Whether or not his new digital music format can or cannot be pirated is something that remains to be seen, and is so far away in the future...

      Sorry I didn't realize that time was moving so slow theses days. Eighteen months is now "so far away in the future" and yet when I was younger it was only a year and a half.

      ***N.B. Sorry feeling a little snarcky today.

    16. Re:Expert. by David_Hart · · Score: 2

      Dear Bono,

      If your song can be played, it can be pirated. Maybe it would be difficult to pirate the album artwork as it's interactive, but 99% of the time people are listening to music on devices that are stuck in their pockets. So, a screenshot would work just fine. If DRM and copy prevention mechanisms worked, how do you explain the fact that each and every one has been bypassed?

      I, personally, am willing to pay for the music and media that I consume. Mainly because I believe that the artists deserve to be paid. But I am only willing to pay once!!

      Because of this, I am completely against DRM and the concept that the consumer is paying for a license to listen to the media vs. ownership of that copy. DRM is used today to trample on consumer rights, to prevent making backup copies of their media, and as an attempt to force consumers to pay for the same media in multiple formats. The concept that it is being used to stop piracy is pure fantasy.

      In other words, its simply being used as an extortion mechanism, much like the mobs of old.

      So... stop it and go back to writing songs....

    17. Re:Expert. by SweetDrake · · Score: 1

      Damn Bono, you made coffee run down my nose!

    18. Re:Expert. by Anonymous Coward · · Score: 0

      Digital cranial implants... Sends electrons directly to the brain bypassing the analog loophole.

      In other news, hackers develop Digital-to-Analog ear implants. Film at 11.

    19. Re:Expert. by BarneyGuarder · · Score: 3, Funny

      I believe that Dr. Dre's PhD is in Electircal Engineering.

    20. Re:Expert. by CRCulver · · Score: 2, Informative

      Um, no, he's much, much less an expert than Dre is. As a respected producer at least Dre has some validity as a good ear, and he can evaluate the results of different parametric curves on tone signature

      Dr Dre the "producer" is essentially just an older peer that new acts can ask for advice and a respected name to put advertising. Usually in cases like this where an over-the-hill artist "produces" a younger one, it is in fact the much less celebrated engineer who is doing all the fine-tuning of the sound. The "producer" can only say "I like that" or "I don't like that" to what the engineer presents.

    21. Re:Expert. by arketh · · Score: 2

      If you give the music away for free, it can't be pirated! Maybe that is what he is going to do.

    22. Re:Expert. by MitchDev · · Score: 2

      Only way to make music "unpiratable" is to not wirte and/or record it.

    23. Re:Expert. by oldmac31310 · · Score: 1

      No, he shouldn't write songs as he is not qualified to do that either. He should buy an island and disappear.

      --
      http://www.acetonestudio.com
    24. Re:Expert. by TangoMargarine · · Score: 1

      Since when is Bono qualified to have an opinion on ANY subject other than being a pretentious twat?

      --
      Unity? Screw that: XFCE. Slashdot Beta? Screw that: SoylentNews. Australis? Screw that: Pale Moon. UX developers DIAF
    25. Re:Expert. by oldmac31310 · · Score: 1

      'These days'? More like always.

      --
      http://www.acetonestudio.com
    26. Re:Expert. by ndogg · · Score: 1

      Who would want to pirate U2's music anyway? ...

      Ah, okay, I see the ingenuity in that tech.

      --
      // file: mice.h
      #include "frickin_lasers.h"
    27. Re:Expert. by Anonymous Coward · · Score: 0

      It can't be pirated, because it will be automatically forced into your media library for free!

    28. Re:Expert. by gx5000 · · Score: 1

      "So... stop it and go back to writing songs...."
      NOOOooooooo!!

      Actually, let him continue playing Technologist...
      Let's face it, as long as they are involved with people like him, it'll mean less
      hours of combing through code for those who are fighting the fascism inherent in the system (pun implied)

      --
      End of Line.
    29. Re:Expert. by Marginal+Coward · · Score: 2

      If DRM and copy prevention mechanisms worked, how do you explain the fact that each and every one has been bypassed?

      Oh, and also voluntarily abandoned by Apple - at least in the case of music. In fact, as I understand it, Steve Jobs himself eventually succeeded in badgering the record industry into allowing the removal of DRM from music distributed by iTunes. Evidently, he thought he could sell more music that way.

    30. Re:Expert. by TangoMargarine · · Score: 2

      If so you can connect line out to the line in of any computer and record a very pirate-able wave file.

      Aren't they working on/already have Stereo Mix-less boards? Or have they just disabled it the latest version of Windows or something.

      (Assuming that the output from the headphones isn't crap,

      Which it will be. Using headphones as speakers? My god, man.

      All these analog solutions will technically work but it seems pretty clear we're talking about lossless "digital" pirating.

      Computer game companies are way ahead when it comes to copy protection and there we clearly see that it only requires one dedicated person that works through the binary to disable to protection, even server connected software have been proven breakable.

      We can live in hope. The amount of effort BluRay people etc. put into encrypting all their shit the entire way down (JVMs on BluRays, HDMI...) has made me less sure than I used to be that the hackers will always win.

      it only requires one dedicated person that works through the binary

      The point is not to make the protection unbreakable forever. It just has to be unbroken until the product lifespan has expired. (Although of course if given the choice these guys want the product lifespan to be the heat death of the universe.)

      --
      Unity? Screw that: XFCE. Slashdot Beta? Screw that: SoylentNews. Australis? Screw that: Pale Moon. UX developers DIAF
    31. Re:Expert. by TangoMargarine · · Score: 1

      I, personally, am willing to pay for the music and media that I consume. Mainly because I believe that the artists deserve to be paid.

      I would have a lot easier of a time taking that viewpoint if the RIAA actually gave the artists a decent amount of the money.

      --
      Unity? Screw that: XFCE. Slashdot Beta? Screw that: SoylentNews. Australis? Screw that: Pale Moon. UX developers DIAF
    32. Re:Expert. by brainnolo · · Score: 4, Insightful

      Or to release it under public domain.

    33. Re:Expert. by _xeno_ · · Score: 2

      Which is why my new album consists of nothing but sounds in the 96kHz+ range. Go ahead and pirate that.

      (And in the course of making that joke, I discover that the actual HD music format uses 192kHz as its ceiling. You win, audiophiles, you win.)

      --
      You are in a maze of twisty little relative jumps, all alike.
    34. Re:Expert. by afidel · · Score: 1

      Which is exactly what I said, he listens and says whether he likes the results of what the engineers come up with. Apparently enough people agree with his judgement that he was able to sell his company for a few billion dollars.

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    35. Re:Expert. by Bing+Tsher+E · · Score: 1

      Since Jobs made part of the money to start Apple selling blueboxes, this just makes sense.

    36. Re:Expert. by Pope · · Score: 1

      Pirate their first 3, at least they're worth a listen.

      --
      It doesn't mean much now, it's built for the future.
    37. Re:Expert. by Beat+The+Odds · · Score: 4, Funny

      I don't know for sure, but since this albums took 5 years to produce...maybe 4 years was CS education.

    38. Re: Expert. by Anonymous Coward · · Score: 0

      Dr. Dre is an expert at beating women, hence Beats.

    39. Re:Expert. by Anonymous Coward · · Score: 0

      All these analog solutions will technically work but it seems pretty clear we're talking about lossless "digital" pirating.

      Conveniently enough, they plan some super-audio format so you can afford to lose quality and still have CD quality.

    40. Re:Expert. by MightyYar · · Score: 2

      There is a subset of audiophiles who also are dog people. Gotta keep your purebred happy, too - and that means supporting high frequency.

      (Though as I make this joke, I find out that even dogs can only hear up to 60kHz...)

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
    41. Re: Expert. by Tridus · · Score: 2

      Well, he's got a promising career in the NFL then.

      --
      -- "So they told me that using the download page to download something was not something they anticipated." - Bill Gates
    42. Re:Expert. by SethJohnson · · Score: 0

      I think you have Dr. Dre confused with Rick Rubin.

      Dre does create the music you hear while a vocalist raps. He's known as a perfectionist in the industry and has refused to release material that was not up to his ideals even though contracts were signed, etc.

      As for Bono and Apple working together to prevent piracy, I think U2's newest album is an example of the technology-- create an uninspired, unnecessary product that a major corporation gives away to consumers for free. Seems like the Fort Knox of piracy protection.

    43. Re:Expert. by MMC+Monster · · Score: 0

      Whether or not his new digital music format can or cannot be pirated is something that remains to be seen

      Can you listen to it with your headphones of choice?

      The answer to this will be 'No'. The obvious way Apple is going is to change the audio output jack to the headphone to something proprietary like Lightning.

      (It won't work, but it will fail like FireWire did. A few people will buy it, but at best it will be an accessory port in addition to the standard audio jack.)

      --
      Help! I'm a slashdot refugee.
    44. Re:Expert. by praxis · · Score: 1

      Just because you sample something 192,000 times a second does not mean that you are reproducing a sound with a frequency of 1/192,000th of a second.

    45. Re:Expert. by ripvlan · · Score: 1

      Well Shiver me-timbers - You might be on to something. Arrrr Matey this could be why the scurvy bought Beats and tried them-thar earpods.

      Arrr next-gen DRM will be in the headset itself!!!!

      Arrrgg.

    46. Re:Expert. by iluvcapra · · Score: 1

      Can you listen to it with your headphones of choice? ...

      Nah you have it all wrong, it won't be about the music itself. The key word here is "interactive," there'll be some necessary server/remote component that'll respond to user interaction and implement essential logic of the user experience, which will be tailored to the individual. The trick is getting people to actually want this thing, and somehow passing this thing off as "music" or at least the sort of thing someone like Bono could really exert authorship over (as opposed to merely brand or "inspire," while designers and engineers do the actual work). You wouldn't be able to "pirate" this thing any more than you can pirate a World of Warcraft account.

      It poses fundamental challenges to the concept of "recorded music" and I personally think it's a pretty stupid idea, but interactive, personalized, "streamed" experiences are the only way artists seem to be able to get paid for their work on the Internet, apart from begging for alms.

      --
      Don't blame me, I voted for Baltar.
    47. Re:Expert. by Anonymous Coward · · Score: 0

      Which is exactly what I said, he listens and says whether he likes the results of what the engineers come up with. Apparently enough people agree with his judgement that he was able to sell his company for a few billion dollars.

      Funny, I thought the reason was a celeb name plus targeted marketing to a demographic that made is so, as opposed to any technical features...

    48. Re:Expert. by Anonymous Coward · · Score: 0

      Dr. Dre (real name André Romelle Young) does not have a doctorate degree.
      The "Dr." is simply a moniker.
      Dr. Dre has never attended college.
      After high school, he tried to enroll at the Northrop Aviation Company, but due to his poor grades in high school, they did not accept him.

    49. Re:Expert. by dkman · · Score: 1

      I remember the days when I would put one radio recording a cassette tape in front of another radio playing a cassette tape and whalla - instant duplicate. No it may not be the same thing as a digitally equivalent copy of an mp3, but it certainly could be pirated.

      My feeling on the subject is the same as Mike's - if I can hear it, there's not a damn thing you can do to stop me from recording it if I were so inclined.

      To say that the format is unpirateable, who the fck cares once I've got the music? The rest is fluff, it might be nice fluff, but let's not call it something it's not.

      --
      I refuse to sign
    50. Re:Expert. by Iniamyen · · Score: 2

      Any mention of "good ear" with respect to physically measurable quantities, means that you're either woefully ignorant or trolling.

      A "good ear" with respect to what's popular, or what might market well, that's one thing. But what you actually said is just elitist audiophile bullshit.

    51. Re:Expert. by CauseBy · · Score: 1

      I'll bet Bono his fortune against my fortune that whatever he comes up with can, in fact, be pirated. Heck, I'll even bet him that it will be widely pirated within one week of its release.

      Call me, Bono. My riches could be yours if you are as smart as you say.

    52. Re:Expert. by BronsCon · · Score: 2

      Right, at best it's half that.

      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    53. Re:Expert. by Anonymous Coward · · Score: 0

      he listens and says whether he likes the results of what the engineers come up with

      I do that every time I listen to a new album. You're saying I should be getting paid billions to listen to new albums?

      Don't try to make it sound like Dre is some kind of genius, by claiming he is "evaluating the parametric curves and their effect on tone signature". He's just giving his opinion on some music - the same as everybody else.

    54. Re:Expert. by Anonymous Coward · · Score: 0

      Whether or not his new digital music format can or cannot be pirated is something that remains to be seen

      Can you listen to it with your headphones of choice? .

      And right here you've uncovered why Apple bought Beats and is looking to use the Lightening connector for headphones.

    55. Re:Expert. by jafiwam · · Score: 1

      " Bono said the new tech "can't be pirated" "

      Since when is Bono qualified to have an opinion on this subject? He should make songs and not talk about things he hasn't got a clue about.

      Considering the new album, he's not really qualified to make songs either.

    56. Re:Expert. by tgeek · · Score: 1

      I thought Sonny Bono died in a skiing accident a few years ago.

    57. Re:Expert. by sexconker · · Score: 1

      " Bono said the new tech "can't be pirated" "

      Since when is Bono qualified to have an opinion on this subject?
      He should make songs and not talk about things he hasn't got a clue about.

      How about he does neither?

    58. Re:Expert. by sexconker · · Score: 1

      It's kind of like Dr. Princess. She's not really a Princess, that's just her surname.

    59. Re:Expert. by Anonymous Coward · · Score: 0

      whalla

      The word you're looking for is "voilà".

    60. Re:Expert. by Anonymous Coward · · Score: 0

      It's Will.I.Am taking courses at MIT I thought.

      But.. to be fair to Bono, he does invest in Tech and seems to be interested at some level in statistics, so he might have some knowledge of media formats.

    61. Re:Expert. by Anonymous Coward · · Score: 0

      You can't print a dollar bill. If the same type of tech (though I guess people haven't spent much effort cracking that) gets into every new audio recorder sold, it's going to be hard to record protected audio. I don't remember the what the video tech is called, but newer DVD players and TVs won't display videos that have a specific watermark embedded in it. That DRM hasn't been cracked yet. In theory DRM is impossible, but in reality they only need to stay ahead of the hackers. That's not too difficult.

    62. Re:Expert. by Anonymous Coward · · Score: 0

      The bottom line... exactly! Be happy someone is cashing in.

    63. Re:Expert. by BronsCon · · Score: 1

      It just has to be unbroken until the product lifespan has expired.

      So, 70-some-odd years, by which point the format will be dead anyway? I mean, if the product lifespan of a copyrighted work is shorter than that, there is no need for copyright to be that long, is there?

      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    64. Re:Expert. by Grishnakh · · Score: 1

      Yes, but Dre is a respected musician, so his opinion is given far greater weight than some yahoo on Slashdot who has no musical credentials whatsoever.

    65. Re:Expert. by Gr8Apes · · Score: 0

      Lars already patented that approach, except maybe his patent stated "awful" and Bono had to go with "bland" instead?

      --
      The cesspool just got a check and balance.
    66. Re:Expert. by Anonymous Coward · · Score: 0

      Bono has solved it then - permanent clamps for your ears - that only interact with Apples patented lightning adapter ear muffs.

    67. Re:Expert. by Grishnakh · · Score: 1

      >I remember the days when I would put one radio recording a cassette tape in front of another radio playing a cassette tape and whalla - instant duplicate. No it may not be the same thing as a digitally equivalent copy of an mp3, but it certainly could be pirated.

      Yes, but that sounds like crap. However, it is possible to get very, very good copies using analog recording: even if Apple somehow made it ridiculously difficult to make digital copies of U2 music and made it so it would only play on an iPhone/iPad, are they going to eliminate the analog headphone jack too? It's easy to copy music by plugging a cable from a headphone jack into a line-in jack on another computer. Even if they eliminate the headphone jack and make you buy digitally-connected headphones which use encryption, at some point there's a DAC and an amplifier to play the analog sound into your ears, so anyone handy with electronics could tap into the amplifier output.

      However, all of this is bound for failure: what kind of moron would buy a song that can only be played on one device? Apple does not completely control the music market, and there's a lot more Android phones sold now than iPhones. Any proprietary Apple scheme won't work on Android.

    68. Re:Expert. by Anonymous Coward · · Score: 0

      Dre is a fucking tool just like Bono. They're both idiots who are constantly out of their own depth.

    69. Re:Expert. by Grishnakh · · Score: 1

      > I don't remember the what the video tech is called, but newer DVD players and TVs won't display videos that have a specific watermark embedded in it. That DRM hasn't been cracked yet. In theory DRM is impossible, but in reality they only need to stay ahead of the hackers. That's not too difficult.

      It's not that easy either. Basically it's an arms race between the two interests. The media interests have money on their side (which can be used to hire engineers to come up with difficult-to-crack schemes), whereas the crackers have on their side the fact that a crack only needs to be found once, and then distributed via the internet, and then the whole scheme is useless. However, the crackers have limited resources and interest, so they only bother if it's really worth their time. So any DRM that hasn't been cracked yet can likely be attributed to it not being worthwhile enough to bother with. Playing DVDs on Linux was seen as worthwhile enough because 1) it wasn't too hard to crack and 2) DVDs were (and still are) by far the dominant method of recording/viewing movies. Yes, streaming video has made a big dent, but not that much; there's still tons of stuff not available on Netflix instant play. And Blu-Rays were supposed to supercede DVDs, but in reality that hasn't happened.

      There's plenty of protection schemes that haven't been cracked, but many times that's because no one really cares enough to bother with it. Some proprietary music format that only U2 uses, on one kind of player, will probably be ignored by crackers.

    70. Re:Expert. by Grishnakh · · Score: 1

      >The answer to this will be 'No'. The obvious way Apple is going is to change the audio output jack to the headphone to something proprietary like Lightning.

      So what? At some point, the signal has to be converted to analog so that it can drive transducers and produce listenable sound. Anyone with a soldering iron can tap into the signal at that point and record it with very good quality.

    71. Re: Expert. by Anonymous Coward · · Score: 0

      It's called Cinavia.

    72. Re: Expert. by Anonymous Coward · · Score: 0

      Your statement is flawed as it assumes he knows how to make music...

    73. Re:Expert. by c6gunner · · Score: 1

      It's easy to copy music by plugging a cable from a headphone jack into a line-in jack on another computer.

      Got you one better: in this day and age it's pretty much inconceivable that they would disable bleutooth functionality. If you can pair your fancy unpiratable player to a PC rigged to copy the incoming audio stream to disk, you've got yourself a digital copy with essentially no quality loss.

    74. Re:Expert. by ihtoit · · Score: 1

      Dre never attended college, he tried getting into Northrop Aviation but they wouldn't even take him on as an apprentice because his GPA was so low. Source: http://uk.ask.com/question/wha...

      "Dr." is simply a moniker.

      --
      Political debates have me rolling my eyes so much I think I got optical whiplash. I should sue. - Foamy The Squirrel
    75. Re:Expert. by ihtoit · · Score: 1

      uh... that's sample rate, not audio frequency (the ceiling for which in humans is around 20KHz).

      --
      Political debates have me rolling my eyes so much I think I got optical whiplash. I should sue. - Foamy The Squirrel
    76. Re:Expert. by MouseTheLuckyDog · · Score: 1

      Gives new meaning to Blue Screen of Death.

    77. Re:Expert. by Grishnakh · · Score: 1

      That's a really good point. But I guess they could just disable bluetooth. I'm starting to wonder if today's Apple is as incredibly stupid as Sony was 10-15 years ago. Though, Apple might actually be right: the people who buy Apple stuff are such sheep they, unlike Sony's prospective customers a decade ago when they tried to push proprietary audio formats, might actually buy into Apple's proprietary junk.

    78. Re:Expert. by diamondmagic · · Score: 1

      As a respected M.D. at least Dre has some validity as a good ear, and he can evaluate the results of different parametric curves on tone signature

      Fixed

    79. Re:Expert. by DMUTPeregrine · · Score: 1

      Actually, 192kHz is the sample rate. That's a maximum of 96kHz output frequency.

      The only point of such a sample rate is that it allows some audio modification techniques to have a lower distortion of the waveform in the audible spectrum range. It's very minor, far more of the effect comes from spending more money and the resulting placebo effect: the music sounds better and IS more pleasing, because the buyer thinks it should sound better. The effect on perception is real, even though the actual sound is identical to that of a cheaper system.

      --
      Not a sentence!
    80. Re:Expert. by Anonymous Coward · · Score: 0

      Bono said the new tech "can't be pirated"

      for at least thirty days.

      There, fixed it for you.

    81. Re:Expert. by CanEHdian · · Score: 1

      Within a couple of weeks you can download all of that stuff "pro bono".

      --
      When the copyright term is "forever minus a day", live every day like it's the last.
    82. Re:Expert. by joemck · · Score: 1

      Not sure what you're referring to, but I've yet to encounter a DVD (not Blu-Ray) that Media Player Classic and VLC can't play, and since they aren't officially licensed players that means they're cracking whatever DRM is on the disc.

      If I'm remembering correctly, there was the original CSS, and then after DeCSS they created a modified CSS that uses different keys and even cycles them every X minutes of video. These discs have a "copy protected" symbol on the back (two discs with an arrow between them in a "no" sign), with an explanation that if your player is really old and doesn't bear the same logo you won't be able to play it. Theoretically if you aren't a licensed player you can't complete the auth sequence, can't get the set of keys for the disc, and can't play the disc. In practice, computers are fast enough that they can forget about the auth sequence and bruteforce each key in under a second.

      DVD DRM is endgame. For Blu-Ray you still need a not-yet-revoked player key, the disc-specific title key, or a master key.

    83. Re:Expert. by joemck · · Score: 1

      Encrypted digital audio to headphones? I'll buy a cheap pair, rip the cones out of the speakers and connect the wires that go into the electromagnet up to line in. No matter how you make it, if I can listen to it I can pirate it without resorting to playing it into a mic.

    84. Re:Expert. by Anonymous Coward · · Score: 0

      You do research while you are writing your post, I like that.

    85. Re:Expert. by Anonymous Coward · · Score: 0

      Maybe he is working on a format that prevents you deleting the downloaded album.

    86. Re:Expert. by Anonymous Coward · · Score: 0

      Well, the thing is, in order for something to be pirated, at least one person has to buy it. So he may actually be on to something here....

      Well, the thing is, in order for something to be pirated, at least one person has to want it.

    87. Re:Expert. by mister_playboy · · Score: 1

      Sonny Bono gave up his physical body so that all copyrighted works could enjoy eternal life.

      https://en.wikipedia.org/wiki/...

      --
      Do what thou wilt shall be the whole of the Law ::: Love is the law, love under will
    88. Re:Expert. by thunderclap · · Score: 1

      (Although of course if given the choice these guys want the product lifespan to be the heat death of the universe.) Which is why the stuff is crackable within the first year. No new platform as survived 5 yrs yet. Very few survived their first year.

    89. Re:Expert. by Grishnakh · · Score: 1

      >Not sure what you're referring to, but I've yet to encounter a DVD (not Blu-Ray) that Media Player Classic and VLC can't play, and since they aren't officially licensed players that means they're cracking whatever DRM is on the disc.

      Yeah, I already said that, basically. DVDs have been cracked for ages. I don't know what this watermark thing the parent poster referred to is.

    90. Re:Expert. by thunderclap · · Score: 1

      I can screen cap a pixelmags mag and reassemble it and make another pdf out if it. Honestly, If you know linux you can defeat anything on the android platform. Especially considering Bluestacks exists as a android OS for Desktops. So they are just handwaving. As for the apple product, these things can work perfectly but if no one buys them (10000 or less is still no one) then it fails and it doesn't matter. One group of 5 people who all the time they want and desire to break it open (and the skill to do it) can beat a multimillion company whose workers are paid living wages (or less in foreign countries) any day.

    91. Re:Expert. by thunderclap · · Score: 1

      Dear Bono,

      If your song can be played, it can be pirated.

      Sadly His music wasn't because more people deleted his album than kept it. And why would anyone want interactive liner notes? Does anyone actually read the liner notes anyway. (I mean uberfans do but I am not talking about them).
      Music is sound and sound can be copied. If it couldn't, he would simply be blind Mr. Hewson from Finglas who sings a bit much in the pub.

    92. Re:Expert. by kesuki · · Score: 1

      once released under public domain some hacker somewhere builds a website shows tons of content under public domain, links to youtube then claims ownership and DMCA takedowns original content and runs with as much cash as they can turn over from people who paid for access to what content they provided.

      it's happened before... to http://theoatmeal.com/ and he didn't even release as public domain.

    93. Re:Expert. by Anonymous Coward · · Score: 0

      Maybe he just hasn't found what he's looking for.

    94. Re:Expert. by Anonymous Coward · · Score: 0

      Just wondering if Bono has been talking to Dethklok's tech guys at Mordhaus

      "Can ye burn that on water fer me an the lads, begorrah, potatoes!"

    95. Re:Expert. by Anonymous Coward · · Score: 0

      It's called Cinavia. VLC and others can play Cinavia protected videos, but your high-end TV will stop showing the video part way through. Cinavia embeds a highly resistant watermark throughout the video. When the TV detects it, it shuts down.

    96. Re:Expert. by Grishnakh · · Score: 1

      I see, thanks for the info.

      Interesting how open-source software is far superior to proprietary stuff: with the proprietary stuff, you're paying good money for something which is, in fact, crippled: it sees some watermark and won't work. The open-source software, OTOH, doesn't care about some watermark and plays what it's told to play, because it isn't made in collusion with media corporations.

    97. Re:Expert. by Anonymous Coward · · Score: 0

      LOL! Dr. Dre is a musician... HAHAHAHAHAHAHA! You should be a comedian.

    98. Re:Expert. by knorthern+knight · · Score: 1

      > Yes, but Dre is a respected musician, so his opinion
      > is given far greater weight than some yahoo on Slashdot
      > who has no musical credentials whatsoever.

      What about slashers on Yahoo?

      --

      I'm not repeating myself
      I'm an X window user; I'm an ex-Windows user
    99. Re:Expert. by Anonymous Coward · · Score: 0

      Sorry. Some of us are intelligent enough to formulate our own opinions. We don't need other people to tell us what we should think.

    100. Re:Expert. by Grishnakh · · Score: 1

      Good for you, but the average person on the street doesn't give two shits about the opinion of some anonymous poster on Slashdot. They do care about the opinion of Dr. Dre, at least for musical stuff, which is why his headphone company was worth billions when Apple bought it. Personally, I don't give two shits about Dr. Dre's opinion on headphones either, but I'm not the average person on the street either. Obviously, there's lots of people out there who do care about Dre's opinion, or else Beats wouldn't have sold for billions.

      Personally, I like my Sennheiser HD-280s.

    101. Re:Expert. by Stuarticus · · Score: 1

      Like pitch, phase alignment volume discrepancies? I think you'll find those are all measurable and more easily discerned by a good ear.

      --
      If you think someone isn't free to have a different definition of "freedom" you may be a tyrant.
    102. Re:Expert. by Iniamyen · · Score: 1

      The point is you do not need a "good ear" to detect any of those things, because they are easily quantifiable. In fact it's not even desirable, because "good ears" are just as susceptible to biases and placebo effects as the rest of us.

    103. Re:Expert. by Anonymous Coward · · Score: 0

      Yes, but if you were able too comprehend the entire point of my post, you would understand that "listening, and deciding whether you like it, or not" is the same thing as "evaluating the parametric curves and their effect on tone signature". It's just that the latter sounds douchey and pretentious, especially in the context of Dre.

    104. Re:Expert. by Stuarticus · · Score: 1

      Ah that explains why so many videos on youtube have such great audio, because it's all so easily quantifiable and the need to listen is totally removed.

      --
      If you think someone isn't free to have a different definition of "freedom" you may be a tyrant.
    105. Re:Expert. by Iniamyen · · Score: 1

      I'll assume you're being sarcastic. Yes, a lot of common quality issues with YouTube videos could probably be solved by some fully-automated post-processing. In cases where the problem is obvious enough that you can detect it by listening to it, I'd argue that an untrained 5-year old could also detect the issue (i.e., you don't need a "good ear.")

    106. Re:Expert. by Stuarticus · · Score: 1

      Lots of people can tell when something sounds bad, knowing what to do about it is a different story. Your argument is like saying you don't need to be a skilled coder because there are debuggers that can find any errors.

      --
      If you think someone isn't free to have a different definition of "freedom" you may be a tyrant.
    107. Re:Expert. by Iniamyen · · Score: 1

      You're creating a straw man argument out of something that had nothing to do with my original point - which was that you don't need a "good ear" to do what you said was Dr. Dre's area of expertise. I guarantee that as a producer, Dr. Dre's job responsibilities do not include "[evaluating] the results of different parametric curves on tone signature." That's it.

    108. Re:Expert. by Anonymous Coward · · Score: 0

      Then you don't know much about production, that is literally 101. Like it or not a good ear does exist, if you don't believe it fire up a DAW and try and mix a hip hop beat, I guarantee it will sound awful. Since we're on Slashdot try Reaper or Ardour, Audacity is a bit of a joke feature wise.

  2. confused by alphatel · · Score: 4, Insightful

    How exactly is this supposed to make the end user feel good about either U2 or Apple?

    --
    When the foot seeks the place of the head, the line is crossed. Know your place. Keep your place. Be a shoe.
    1. Re:confused by Jhon · · Score: 5, Insightful

      Because it shows that neither know what they are talking about. If I can HEAR it, I can copy it. And the quality can get pretty damn good depending on how the sound is captured.

      Maybe when they build a gizmo that broadcasts the sound directly in to your brain...

    2. Re:confused by Karlt1 · · Score: 4, Interesting

      Why would Apple -- go back to pushing the full album when they pushed for single song downloads over a decade ago or why would they push for DRM when they encouraged the music industry to get rid of it.

      (And before anyone says they were forced to get rid of DRM by the competition, check when Jobs published "Thoughts on Music" and when the other stores started selling DRM free music.)

    3. Re:confused by Charliemopps · · Score: 5, Interesting

      How exactly is this supposed to make the end user feel good about either U2 or Apple?

      Both are disconnected from real life. You get that rich and you start believing your own marketing teams blather. There seems to be this idea that "Real" musicans are hurt by piracy. It's not even remotely true... most real musicians can't get a record deal or a show because Bands like U2 have the industry locked up. They are part of huge machine that produced devices that could play their music for them (CDs) then locked that format up in such a way that no regular musician could ever afford to produce one. The one album I was involved in back in the 90s cost $20,000 to finish. We got 600 copies and sold them all making a little over $6k back. That market only worked for huge bands like U2. And local bars don't have live music anymore because local bands aren't allowed on the radio. Bands like U2 pay to have their music played, which gets the public accustom to those songs even if they would have like the local bands better... So now the bars playing a CD they had to pay for AND pay royalties back to the RIAA. Often the live band would have played for FREE! But still can't get a gig.

      Now... granted, my Band at the time was DeathMetal. So yea, our lack of gigs had a lot to do with our choice of styles. But this is true of pretty much all live music. I've been in dozens of bands since, from Blues to Bluegrass. It doesn't matter. It's a club and the doors are closed. But, unfortunately for them, they've made it far too easy to consume their product. Now people don't even want to pay for it!

      The real solution? You can't pirate a live show. Go do some gigs U2.

    4. Re:confused by i+kan+reed · · Score: 1

      They'll go back to DRM because they can make it so they have the only music store on many peoples' phones and tablets. No choice in vendor, helping insure they get their music from apple, then no choice in players so they must buy apple devices to listen to iTunes music. It's not a cornered market, but purposeful vendor lock-in isn't exactly unheard of.

    5. Re:confused by Pi1grim · · Score: 1

      Apple was forced to get read of DRM by court order, not by competition.

    6. Re:confused by Anonymous Coward · · Score: 0

      Citation needed. Apple was pushing for no DRM from the very beginning.

    7. Re:confused by macromorgan · · Score: 4, Interesting

      Once Amazon started selling MP3s, I jumped ship from iTunes and never looked back. I imagine even if there was no court order mandating they remove DRM they would have for competitive reasons anyway. Apple may have market power, but not enough to kill the MP3 format I reckon, and it is support for this format that made for a time music purchased from Amazon far better for the iPod than music purchased from iTunes from a consumer standpoint.

    8. Re:confused by c · · Score: 1

      Because it shows that neither know what they are talking about. If I can HEAR it, I can copy it. And the quality can get pretty damn good depending on how the sound is captured.

      The only way I can see something like that working is a robust audio watermark containing the purchasers iTunes information. Won't stop copying directly, but would theoretically allow them to go after a "source" and possibly publish revocation lists that some devices could support to suppress "pirated" music.

      Of course, that would only be applicable to online stores (I assume the record companies would force other stores to toe the line on the technology) and likely could only be enforced on iDevices. It obviously could be trivially defeated by ripping the music from a CD (for that short while we still have mass-pressed anonymous, physical media), pirates buying music using throwaway store accounts, or other peoples accounts being hacked.

      But, let's face it, at this point the best they can hope for is deterrence rather than outright prevention.

      --
      Log in or piss off.
    9. Re:confused by CRCulver · · Score: 2

      The only way I can see something like that working is a robust audio watermark containing the purchasers iTunes information.

      Apple also sells music in its lossless format, and there it's hard to get "robust" without annoying the listener. If the watermark is in the metadata, one can simply convert the file to WAV to strip the watermark out and re-encode. If it is in the audio itself, it can lead to complaints: when Universal began offering lossless tracks, it encoded a watermark in the audio that manifested as an annoying buzzing noise, and eventually after much complaint it thankfully stopped doing that.

    10. Re:confused by Jason+Levine · · Score: 1

      And regardless as to who got rid of DRM first, why would they go back when their competition (Google, Amazon) sells their music in DRM-free MP3 format? You can buy a song from Amazon's MP3 store and play it on any Apple device. Unless Apple plans on turning off MP3 support on their devices in favor of this new DRM format. (In which case, expect to see a mass uprising of Apple users whose legally purchased songs suddenly don't work on their iDevices.)

      --
      My sci-fi novel, Ghost Thief, is now available from Amazon.com.
    11. Re:confused by Anonymous Coward · · Score: 0

      robust audio watermark

      If it's done per-user, I just need a couple of accounts and I can produce a file without that watermark via a little math. Average a couple of audio files together and that watermark will go away pretty quickly, unless it's got a significant contrast to the music, at which point people aren't going to be happy with the audio quality. A deeper statistical treatment would likely be better, but it might not even be necessary.

    12. Re:confused by gnasher719 · · Score: 4, Informative

      Once Amazon started selling MP3s, I jumped ship from iTunes and never looked back. I imagine even if there was no court order mandating they remove DRM they would have for competitive reasons anyway.

      That's what you call rewriting history. The only reason why there was ever DRM on the iTunes store was because the record labels demanded it. The only reason why Amazon was allowed to sell DRM-free music in mp3 format was because they record labels wanted a strong alternative to the iTunes store - I wonder how happy they are with this nowadays and when Amazon will turn on them like they are turning on the book publishers. At the same time Apple was still not allowed to sell DRM free; only after Apple agreed to raise all the prices.

      Just a reminder: The two A's in AAC stand for "Advanced Audio" and have nothing to do with Apple. And AAC = mp4.

    13. Re:confused by Anonymous Coward · · Score: 0

      "You can't pirate a live show"

      Huh....yeah about that, already been done.
      The only choice is seeing it on HDTV or 3DTV
      I won't get into the tech used that you probably already know about as well :)

      "If you can hear it you can"...also applies to what you can see...

      The Ultimate goal of these people is to lock up your eyes, ears, nose (pay for air) and brain
      so that you get ZERO stimuli unless you've been itemized and paid for the pleasure.

    14. Re:confused by gx5000 · · Score: 1

      Too lazy to Google kid ?
      Here's some good reading for you
      http://en.wikipedia.org/wiki/FairPlay

      --
      End of Line.
    15. Re:confused by Anonymous Coward · · Score: 0

      On January 3, 2005, an iTunes online music store customer, Thomas Slattery, filed a lawsuit against Apple Inc., alleging the company broke antitrust laws by using FairPlay with iTunes so that purchased music will work only with its own music player, the iPod, freezing out competitors.[7] Though most of the complaints have been dropped, the case has since been combined with two other lawsuits and continues today under the temporary name "The Apple iPod iTunes Antitrust Litigation".[8]

    16. Re:confused by Anonymous Coward · · Score: 1

      Eh. There are actually some very successful live bands out there. Grateful Dead, Umphrey's Mcgee, Moe. They have to work hard as fuck, Umphrey's plays over 100 live shows a year, but it nets them a pretty good income. And you can pirate live shows, it is called taping, and it is actually part of how live bands become popular.

    17. Re:confused by rogoshen1 · · Score: 1

      bars don't have live music? Huh. My tinnitus begs to differ with that one.

    18. Re:confused by Anonymous Coward · · Score: 0

      They can broadcast sound directly to my brain I can directly broadcast the sound from my brain to a recording device.

    19. Re:confused by Anonymous Coward · · Score: 0

      it encoded a watermark in the audio that manifested as an annoying buzzing noise

      Maybe that's what U2 is doing currently. That would explain the annoying buzzing noise. Not sure what their future plans are.

    20. Re:confused by camperdave · · Score: 2

      Some yahoo mashing tracks in a DJ pulpit does not count as "live" no matter how Mad the Skilz.

      --
      When our name is on the back of your car, we're behind you all the way!
    21. Re:confused by c · · Score: 1

      Apple also sells music in its lossless format, and there it's hard to get "robust" without annoying the listener.

      No argument that it's hard.

      But if Apple (I highly doubt U2 is directly involved in the research itself) did manage to develop a robust audio watermark that doesn't suck, it's understandable how someone would get the impression that it might result in an "unpiratable" format, at least within the bounds of the Apple walled garden.

      --
      Log in or piss off.
    22. Re:confused by phantomfive · · Score: 1

      If Apple owns your phone (and they do, unless you jailbroke your apple phone), then they have control over what you install on it. They can do a copyright comparison any time you upload music onto the phone.

      They can't stop all copying, but the can stop all copying on devices they control.

      --
      "First they came for the slanderers and i said nothing."
    23. Re:confused by graphius · · Score: 1

      ...And local bars don't have live music anymore because local bands aren't allowed on the radio... .

      You must be going to the wrong bars and listening to the wrong radio stations. Either that, or the Canadian CRTC has a point enforcing local content on radio...

    24. Re:confused by Matheus · · Score: 3, Insightful

      This comment just ain't quite right. There's gems in there but a whole lotta muck to dig through.

      1) Getting a record deal isn't that hard... knowing that you don't actually *want one is the challenge. Todays world means I can create, promote and most importantly distribute my music *without some massive company stealing all of the profits. I might not go multi-platinum without a big marketing engine but I've had no problem at all selling enough albums (tracks actually) to pay for the work.

      2) The '90s? Yeah... lets talk about history. In the 90s it was still expensive to produce a CD. Burners were just coming on the scene and were slow and expensive (and a lot of players couldn't play burned discs) so you still needed a big distribution company to produce them. Move to the late 90's into the Naughts and I could produce a saleable CD for pennies but the most important thing is we quickly were moving to the part where the physical CD didn't matter. I could now sell my music digitally with $0 physical production cost beyond the studio. Even the studio is less expensive! Unless you buy some expensive producer studio time / hr has dropped as the digital studio has taken off. Honestly I have all the gear to do it myself (and the ear and tech skill) so my studio cost is down to my time.

      3) "Local bars don't have live music anymore." Are you kidding me?! I don't know where you live so I'm really sorry if your hometown has a depressing scene but where I live (and everywhere I travel to which is extensive) there is an exact opposite problem. Every single bar big enough to have a PA-on-a-stick in the corner has live music. The clubs are blowing up even bigger (not even looking at the stadium and big theater scene). Local bands are having trouble making music because on any given night of the week the people who choose to go out have SOOO much to choose from. Minneapolis is my home scene and we're just plan ridiculous on most nights (at least 5/wk if not 7) you have competition in every single major genre (including metal) so a great band is playing for dozens instead of hundreds of people (or the 'great' ones are playing for hundreds and the small ones are playing to the bar staff). You want a gig? I can get you a gig tomorrow. I just can't promise anyone will come to see you play.

      4) "You can't pirate a live show": Actually people "pirate" live shows all the time. I'm a recording engineer and technically that's what I'm doing every time I record a show and put it up for free download. The difference is the bands *want me to do that because they understand that the exposure counts more than any $ they may make off that recording.

      5) "Play some gigs U2": Um.. you are talking about the band that just played a 110 show *stadium tour spread over 2 years. They just released this album so I imagine we have another one coming. They *spent $1M per day on that tour and were in the red for some large percentage of that making $ only towards the end. Honestly U2 is one of very few bands that could have even pulled off that tour. Even the stadium market is saturated but they had the universal draw to sell out stadiums around the world else they certainly would have lost money on that tour.

      So anyway... sorry your band didn't do well but don't blame the industry on that. It happens. A lot.
      Back to the original article: Apple and Bono are being stupid... since I boycott Apple already (for other stupid stuff like this) and get my U2 through other channels this really won't affect me aside from reinforcing why I boycott Apple in the first place.

    25. Re:confused by pak9rabid · · Score: 2

      Well shit, maybe Austin really is the "live music capital of the world", because on any given night on 6th street all you hear is live music.

    26. Re:confused by rahvin112 · · Score: 2

      You aren't looking at it from the point of view of U2 and Metallica and others. See they get a check every month from their record company. For a decade or so those checks were nice and stable and these people grew fat and lazy. Recently over the last decade those checks have been declining. When Bono and Hetfield get their checks and it's less than the previous month they call up the record company and ask why the check is smaller this month.

      The record companies blame it all on piracy rather than tell them the truth, which is that fewer people buy the music today because of streaming services, that the sales that do take place are no longer albums priced at $20, that the single tracks no longer sell for $8 (instead they are individual songs sold at $1-$2 and that competition keeps these prices low) and that the record company even though they do less these days has not lowered the amount of money they take and instead has reduced the royalty fees. After all the record company can't report declining profits, that's for the artists to eat. The model has simply changed, people only buy the songs they like, they are no longer willing to buy an entire album of 8-12 songs when only two of them are good. And there are a LOT of people that no longer even purchase music, instead opting for a monthly fee and streaming whatever music they are interested in. This reduces sales and the those record companies haven't reduced their cut with the drop, they simply give fewer royalties to the artist.

      The record industry is FULL of thieves. Any smart artist would have long ago abandoned the major producers and produced and sold their own music. Those that did, have likely seen steady royalties rather than a drop because they cut out the middle man.

    27. Re:confused by rogoshen1 · · Score: 1

      Implying that i was referring to 'da club' or whatever the term is these days.. :(
      i live in a college town, so there's plenty of amateur bands playing bars here.. so shrug.

    28. Re:confused by bill_mcgonigle · · Score: 2

      it shows that neither know what they are talking about

      no kidding - you could make a drinking game about how many elements of this story sound like they're from 2002.

      The industry already settled on mp3, sans DRM. The market is not demanding anything Apple is offering.

      And Bono can keep on trying to make sure poor African kids can never listen to his music (they'll never pay two days' wages for his post-Zooropa music). It's just sad that he pretends to care otherwise.

      --
      My God, it's Full of Source!
      OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
    29. Re:confused by praxis · · Score: 3, Informative

      And local bars don't have live music anymore because local bands aren't allowed on the radio.

      I don't know where you live, but in Seattle there are three *pages* of live shows for *today* [1] and five *pages* of live shows for *this weekend* [2]. Granted that is both for bars and larger venues, but the vast majority are small local bars.

      As to local bands not allowed on the radio?! There are plenty of radio stations that cater to music lovers and absolutely do play local bands. One of several Seattle (again, I live here; I don't think Seattle is unique) is KEXP. They even have an article on how to get airplay on KEXP [3]. While it's a local station, I know many of their listeners are from beyond the city limits so getting airplay on such a local station can have wider-ranging effects for an up-and-coming band.

      I guess what "local" bars offer depends on locale but generally higher-population areas sustain more arts. That's always been the case, though. Artists and patrons congregate.

      [1] http://www.thestranger.com/gyr...
      [2] http://www.thestranger.com/gyr...
      [3] http://blog.kexp.org/2011/08/0...

    30. Re:confused by iluvcapra · · Score: 2

      when Universal began offering lossless tracks, it encoded a watermark in the audio that manifested as an annoying buzzing noise, and eventually after much complaint it thankfully stopped doing that.

      They just turned down the density, it's still there it can be detected with a long enough sample. It's similar tech to what they use in their film prints. I am acquainted with this issue.

      --
      Don't blame me, I voted for Baltar.
    31. Re:confused by jenningsthecat · · Score: 1

      What? You don't have a brainwave recorder with filters that pass only the audio portion? Get with the times dude!

      --
      'The Economy' is a giant Ponzi scheme whose most pitiable suckers are the youngest among us and the yet-unborn.
    32. Re:confused by FreonTrip · · Score: 2

      It's even weirder than that. For reference:

      .mp1 = MPEG-1 Layer 1 Audio, used by no one and basically a historical footnote

      .mp2 = MPEG-1 Layer 2 Audio, used by the radio broadcast industry for archival above 224 kbps and the audio format of VideoCDs

      .mp3 = MPEG-1 Layer 3 Audio, the most familiar and widely used consumer audio format in the world

      .mp4 = Advanced Audio Codec, AKA MPEG-2 Layer 7 Audio, later updated to MPEG-4 Layer 3 Audio

      And that concludes today's installment of worthless trivia.

    33. Re:confused by Anonymous Coward · · Score: 0

      Not not ever.

    34. Re:confused by BronsCon · · Score: 1

      No, that's the music.

      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    35. Re:confused by blackest_k · · Score: 1

      so if you watermark with a frequency high enough not to be audible, that might be acceptable in terms of audio quality? Although I guess you can resample at a lower frequency to remove it.

    36. Re:confused by Anonymous Coward · · Score: 0

      That said, I live in Seattle and I hear people talk about how it has one of the best music scenes in the US, so it may not be representative of the rest of the nation.

    37. Re:confused by Karlt1 · · Score: 1

      Too lazy to Google kid ?
      Here's some good reading for you
      http://en.wikipedia.org/wiki/F...

      What is that suppose to prove?

      There was a lawsuit? If Apple was "ordered by the court" to drop FairPlay then how do you explain that it is still used for video, e-books?

    38. Re:confused by Karlt1 · · Score: 1

      They'll go back to DRM because they can make it so they have the only music store on many peoples' phones and tablets. No choice in vendor, helping insure they get their music from apple, then no choice in players so they must buy apple devices to listen to iTunes music. It's not a cornered market, but purposeful vendor lock-in isn't exactly unheard of.

      1. So are they going to take away support for mp3 and aac files?
      2. Are they going to make Spotify, Pandora, Rhapsody, Amazon Music, and Google Music, etc. take their apps of the store?
      3. Are they going to remove mp3/aac support from Safari?
      4. Are they going to remove all of their API's for streaming music?

    39. Re:confused by Reziac · · Score: 1

      Another scheme by the labels is to sign up promising bands who are seen as competitors... and now that they're locked into a contract, they're never let produce an album. So basically they're eliminated as potential competition for the money-acts.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    40. Re:confused by Anonymous Coward · · Score: 0

      Well shit, maybe Austin really is the "live music capital of the world", because on any given night on 6th street all you hear is live music.

      Ever Wondered why? Its to drown out the liberalism thats forced there from the rest of the state.

    41. Re:confused by surd1618 · · Score: 1

      Can't wait for in-brain DRM. "Sorry, you're not allowed to see The Eiffel Tower without paying for a Paris Sightseeing Trip package. Would you like to view options to purchase one today?"

    42. Re:confused by praxis · · Score: 1

      You're right, Seattle is not representative.

      Charliemopp's claim that there is no live music and local bands are not permitted on the radio wasn't representative either--as evidenced by the existence of Seattle. The truth is somewhere in the middle: some places have great music scenes, some places have non-existent music scenes. I believe, as I stated in my last paragraph I think population has a lot to do with it.

  3. It "can't be pirated" by Anonymous Coward · · Score: 0

    In football, that's called giving the upcoming opponent material they can post on a bulletin board outside the locker room.

  4. Sounds like DRM by Anonymous Coward · · Score: 0

    For me DRM = Damn! Remove Music!

  5. Challenge accepted! by Anonymous Coward · · Score: 5, Insightful

    don't they realize when they make statements like "can't be pirated", a whole bunch of people reply with "challenge accepted!" and will go to great lengths to do so?

    1. Re:Challenge accepted! by hAckz0r · · Score: 1
      So true. At the end of the day it only takes a single copy of non-drm'ed music file to hit the street and all the Billions they spend to lock it down are wasted. Basic problem: You give the buyer the data, and you give them the key to read the data, and then ask them nicely (via leagal threats) to not put the two together in a way that is not authorized. Like that will ever happen. You only need one pissed off geek that can't play their newly purchased music to make it all worthless by providing a single download of that music file as a simple mp3. Hell, you can plug your speaker wires into another console to record it. Game over. I've personally never seen a system I couldn't break, but then I'm too honest to be that one pissed off geek. There are so many others out there that are not as honest.

      What is the point to "interactive music" anyway. I like to listen to music, not hold a conversation with it. Why would I even want this? Its just a solution looking for a problem.

    2. Re:Challenge accepted! by DiEx-15 · · Score: 1

      don't they realize when they make statements like "can't be pirated", a whole bunch of people reply with "challenge accepted!" and will go to great lengths to do so?

      The better question is: How fast will those who say "Challenge accepted!" be able to complete said challenge?

      Based on past data and general history: I'd give it a week, tops. That is of course my extremely high optimistic and perhaps overly generous projection.

  6. Non-piratable by mwvdlee · · Score: 2

    /me presses the "Record" button on his memocorder; "So tell me, Bono, how exactly does this non-piratable media format work?".

    --
    Slashdot social media options: AIM, ICQ, Yahoo, Jabber and Mobile Text. Why no MySpace?
    1. Re:Non-piratable by Anonymous Coward · · Score: 1

      Your recording is not pirating this interactive format any more than taking a video capture is pirating a computer game.

    2. Re:Non-piratable by organgtool · · Score: 4, Funny

      It's music that can't be heard and Apple figured U2 would be the perfect band to use this new technology.

    3. Re:Non-piratable by ArcadeMan · · Score: 1

      Bonoo: Well, our music is so bad that nobody will want to pirate it.

    4. Re:Non-piratable by reikae · · Score: 1

      In this case the "video capture" option is good enough, I want to listen to the music, not play it myself.

  7. Can't be pirated? by Anonymous Coward · · Score: 0

    O rly!?

    The only way that is possible is if it can't be listened to.

    1. Re: Can't be pirated? by Anonymous Coward · · Score: 0

      I'm good with U2 releasing their new music in an indecipherable format.

    2. Re:Can't be pirated? by tbuddy · · Score: 2

      I already can't listen to U2, so I think they are well on their way.

    3. Re: Can't be pirated? by Anonymous Coward · · Score: 0

      ME2

    4. Re:Can't be pirated? by AmiMoJo · · Score: 1

      Can't be pirated = doesn't play.

      You buy it, it doesn't work on your MP3 player or in your car. It probably doesn't work on my PC unless you install some malware, and probably doesn't work on your phone or tablet unless it's got an Apple logo on it.

      So basically, it's worth a fraction of the value of a normal CD with "interactive" booklet and fan website that posts better content than all the corporate bullshit designed only to make you buy more of their defective crap, yet probably costs as much or more.

      DRM is always a shitty deal.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    5. Re:Can't be pirated? by FudRucker · · Score: 1

      it can still be pirated, just run line level audio-out on your home stereo to audio line-in on a PC and some recording software and BAM! instant pirate, just do a test run or two to make sure you have the mixer volume levels good so it is not too quiet or not so loud that it picks up noise, there is always a sweet spot where it will sound good

      --
      Politics is Treachery, Religion is Brainwashing
  8. Bullshit by fisted · · Score: 1

    As long as the computer is somehow able to play it, there's nothing to stop me from intercepting the audio stream at the very end.

    1. Re:Bullshit by Anonymous Coward · · Score: 0

      can't be pirated
      Some people see that as a challenge. How pray tell will you protect your line out to the speaker?

      Bono if you read this do not waste your time or money on this. The pirates *will* find a way around it and all you will do is inconvenience the people who DO give you money.

    2. Re:Bullshit by Anonymous Coward · · Score: 0

      This.

      worse case scenario... apple releases hardware, software, and media that all need to interact to ensure that the music can't be digitally copied, IF they put a head phone jack on it, I have a wire that can connect from that jack to the microphone port on a different computer and presto I have a pirate-able copy of the music.

      If they opt out of the headset, then I need a very quiet room, and a pair of mono mics one next to each speaker and I'm still able to send a copy of the song to my friends...

      Unless they manage to get a watermark in the device and convince every one with the capacity to make a microphone that they need to add a processor in the mic to detect that water mark and disable the mic if it's picked up, then I will be able to pirate it.
      Not that I have any particular interest in doing this... but the fact that sound can be recorded freely means that there ain't jack shit Bono or Apple can do to control it.

    3. Re:Bullshit by Cassini2 · · Score: 2

      This DRM technology is fascinating. The player automatically senses if any listening devices are present, and adjust's the output volume such that the listening devices are unable to record the music. In effect, it will play music so quietly that no one will be able to hear it or record it!

      This is the latest in DRM technology, and people are going to pay million's of dollars to have it. Only Apple and U2 could pull this technology off. It is so new, it won't work with Linux, BSD, Zune, Windows, Android, and old versions of OS/X and iOS. Anyone using those older technologies will have to make do with cheap MP3 recordings of music.

      DRM will work this time.

    4. Re:Bullshit by Mister+Transistor · · Score: 2

      This DRM technology is already present in U2's music, it sends me diving for the fucking volume control every time...

      --
      -- You are in a maze of little, twisty passages, all different... --
    5. Re: Bullshit by Anonymous Coward · · Score: 0

      No. Bono, if you do read this (highly unlikely) please waste ALL you time and money on this. That way I won't be bothered by warbling and smug charideee pontificatin'

    6. Re:Bullshit by MitchDev · · Score: 1

      Why waste time, just skip the track and delete it :)

    7. Re:Bullshit by Doomsought · · Score: 0

      I've got two words that will spoil your evil plot: Virtual machine. That is the easy way, its also possible to reverse engineer the reader and just build a converter to strip the songs from the file format directly.

  9. Apple's new streaming service? by rasmusbr · · Score: 4, Insightful

    The only way to make something unpiratable is to have it be a continuous interaction between a client and a server where you control the server.

    I guess this music "format" is essentially going to be Apple's answer to Pandora, Spotify, et al.

    1. Re:Apple's new streaming service? by Anonymous Coward · · Score: 0

      If you can hear it, it can be pirated.

    2. Re:Apple's new streaming service? by Phreakiture · · Score: 2

      I am a DJ who frequently plays gigs in places aptly described as "out in the middle of nowhere". As a reference, the last two gigs both involved a client telling me, "If you need more power, let me know. I'll go get the generator". I sent an SMS to my wife at the start of my most recent gig, and it got to her when I got back in range, an hour an a half after I left. Connectivity is zero. If I need connectivity to play it, I can't play it. I will be happy to tell anyone at the gig why I can't play it.

      --
      www.wavefront-av.com
    3. Re:Apple's new streaming service? by Anonymous Coward · · Score: 0

      I am a DJ who frequently plays gigs

      Playing music in front of other people is pretty much considered piracy by them so if you can't play they consider that a win.

    4. Re:Apple's new streaming service? by Anonymous Coward · · Score: 0

      We will copy it no matter what
      If we ear, see even "sense" it, we can capture it the same way our senses do.

    5. Re:Apple's new streaming service? by jon3k · · Score: 1

      Still not good enough, eventually the sound goes to a speaker and to my ears. I can still capture it.

    6. Re:Apple's new streaming service? by TeknoHog · · Score: 1

      Do you still get the occasional partygoer who says they have connectivity, and they really really want you to play this great song from Youtube or Spotify with their phone? Because that's why DJs have all the fancy equipment and skills, to plug in someone's phone.

      Connectivity is one reason why I stay away from closed systems like Spotify. Even with good signal, I wouldn't take the risk of something happening halfway, I really need the entire song on my machine. However, it's more about the principles and practice of DJing. For starters, I need the actual file for loading on the digital turntable and some analysis/planning to get a smooth mix. If someone wants to show off their 1337 Spotify skillz, then by all means do it, take my place for the rest of the night and let me hit the bottle.

      --
      Escher was the first MC and Giger invented the HR department.
    7. Re:Apple's new streaming service? by Phreakiture · · Score: 1

      I do ensure the proper licensing is in place, thank you very much.

      --
      www.wavefront-av.com
    8. Re:Apple's new streaming service? by Phreakiture · · Score: 1

      I do, but I have it in the contract that I won't accommodate such requests, nor will I play a CD/DVD/other media that someone brings me during the gig because you never know when it's going to be scratched in just the wrong place, or a copy of a 24kbps flange-a-thon.

      --
      www.wavefront-av.com
    9. Re:Apple's new streaming service? by whathappenedtomonday · · Score: 1

      -1, whoosh. ;-)

      --
      I hope I didn't brain my damage.
    10. Re:Apple's new streaming service? by Phreakiture · · Score: 1

      I suppose, but the reason I play by the rules is because it gives me the right to tell them to go fuck themselves if they get upset about it.

      --
      www.wavefront-av.com
    11. Re:Apple's new streaming service? by Anonymous Coward · · Score: 0

      You can only hear the music if you hold your phone the right way...

    12. Re:Apple's new streaming service? by thunderclap · · Score: 1

      The only way to make something unpiratable is to have it be a continuous interaction between a client and a server where you control the server.

      I guess this music "format" is essentially going to be Apple's answer to Pandora, Spotify, et al.

      ROTFLOL. The moment that music leaves the speakers, I can have a microphone capture it and funnel it back into another recording device.

    13. Re:Apple's new streaming service? by rasmusbr · · Score: 1

      You can capture the sound and record it as a file in a format of your choice, but the average consumer will have a hard time recreating something that matches the experience that a well maintained streaming music service can offer.

      We no longer even have to create playlist. We can just find an interesting playlist that someone else has created (for example a friend with good music taste, or a staff member who is payed to create playlist) and play it with one click. We can be pretentious all day long, but in the end instant gratification is instantly gratifying.

      My library of pirated music is so out of date with my music taste that I would probably delete 95% of it, assuming the old drive that I put it on still works. It must be half a decade since I last spun it up. The only thing that leaves me unenthusiastic about streaming music is that these corporations hardly lift a finger to make it easy to contribute money to the artists.

    14. Re:Apple's new streaming service? by Anonymous Coward · · Score: 0

      The only way to make something unpiratable is to have it be a continuous interaction between a client and a server where you control the server.

      But that doesn't make it unpirateable. http://en.wikipedia.org/wiki/Analog_hole

  10. can't be pirated by Anonymous Coward · · Score: 0

    If it plays sounds through my speakers, it can be pirated.

  11. Great... by Anonymous Coward · · Score: 0

    When U2 and Apple get together, all they need is a third thing, and it's a perfect storm of douchebaggery. All other douchebags will be dwarfed by the sheer mass of the douchiness they radiate.

    1. Re:Great... by Anonymous Coward · · Score: 2, Funny

      Apple, U2 and Metallica. The trio of the apocalypse.

    2. Re:Great... by Anonymous Coward · · Score: 0

      Thank you! I was drawing a blank on the third one...

    3. Re:Great... by ArcadeMan · · Score: 1

      Isn't Beats the second one and U2 the third?

  12. "Non-Piratable" by Anonymous Coward · · Score: 0

    Oh boy, here we go again.

  13. how to BURN money by Anonymous Coward · · Score: 0

    ... but i suppose they've got enough.

  14. Undeletable by unapersson · · Score: 5, Insightful

    It's a new form of distribution, everyone gets a copy which is undeletable. They make money by charging for a removal tool.

    1. Re:Undeletable by Anonymous Coward · · Score: 0

      Apparently it's viral too. A link showed up on my iPhone last week, on Time's website recently, and just now on Slashdot's front page.

  15. Inspred by Bjork's Biophilia? by drewm1980 · · Score: 2

    I wonder if this was inspired by Biophilia. That really blurred the lines between interactive art and music. But it was far, far, from a new medium that other individual artists could get into; it took a team of programmers and artists to pull off.

  16. Why? by MagickalMyst · · Score: 0

    Piracy is a game of tech ping pong. You secure it. We break it. Back and forth. From cassettes to computers.

    There was a gnarly idea back in the Napster days - charge a monthly fee for unlimited music downloads. Say, $10/month factored into your Internet bill.

    If you only had 1 million subscribers that would still be $10 million a month in revenue, and it would require little more than a server farm to operate.

    Being able to download anything anytime for cheap would certainly put a big dent in piracy - there would be little to no incentive, and the music industry would still make millions.

    --
    Political correctness is really just herd psychology pushed by insecure people who desperately seek social conformity.
  17. If piracy is the focus... by nine-times · · Score: 1

    If piracy is the focus, then they're looking in the wrong place. Piracy is not a problem, it's a symptom. It'd be like if someone was slurring their speech because they were having a stroke, and you decided to solve the problem by sending them to a speech therapist.

    Now, I don't think that you can't have rich, interactive experiences with music that are worthwhile. They may be 'glorified liner notes', but some of us have fond memories of liner notes. I thought the Bob Dylan app from a while back was actually really cool.

    1. Re:If piracy is the focus... by Anonymous Coward · · Score: 1, Interesting

      With Bob Dylan, you really do need notes to understand what words he is actually saying.

      Now as far as what he means, well it's all gibberish.

      Bob is a marketing genius. He is a horrible musician and singer and cannot write a song that's worth a damn.

      So, what does someone with no talent do and make it big?

      Write meaningless shit, "sing" it to people with drug addled brains (the entire Baby Boom generation) and then they can act all superior that they "get it" and the profoundness of the lyrics. So, everyone not willing to say that the Emperor has no talent because then "you don't get it and are uncool", go out and buy his albums making him obscenely wealthy and getting Rolling Stone magazine to make him the #1 artist of all time or some such nonsense.

      At least that boy band - The Beatles - were pretty good musicians.

    2. Re:If piracy is the focus... by Anonymous Coward · · Score: 0

      Q: "Is Ringo the best drummer in the World?"
      A: "He's not even the best drummer in the Beatles"

    3. Re:If piracy is the focus... by Anonymous Coward · · Score: 0

      You're simply wrong. Bob Dylan was never a virtuoso technician, that's true, and never tried to be. But he's a true past master of song-writing. You can act all superior and claim otherwise all you want, but entire generations disagree with you. Not just some 'addled baby boomer masses' but many talented, technically gifted musicians who play songs he wrote consider him a great songwriter, and many members of later generations who simply enjoy his work, whether performed by him or by another.

      To put it another way, if he's such a bad songwriter why do so many people that obviously have better chops play songs he wrote?

      "At least that boy band - The Beatles - were pretty good musicians."

      They also had two prolific and very talented songwriters, and would not have made nearly the impact they did without that.

      On the other hand there have been dozens of virtuoso technicians I can think of that couldnt write a song to save their lives.

    4. Re:If piracy is the focus... by Anonymous Coward · · Score: 0

      Was Bob Dylan slurring his speech because he was having a stroke?

    5. Re:If piracy is the focus... by fustakrakich · · Score: 1

      At least that boy band - The Beatles - were pretty good musicians.

      Yeah? Ask John what happened the money his mother gave him for singing lessons..

      --
      “He’s not deformed, he’s just drunk!”
  18. This is silly by plazman30 · · Score: 1

    Like a lot of people, I listen to my music on the go on my phone. I don't have the ability to appreciate all this fancy new stuff.

    The #1 thing Apple can do to improve my buying experience is to put lyrics in the USLT tags, so I don't have to hunt around the Internet or use some other tagging software.

    The #2 thing Apple can do is offer songs in Apple Lossless. AAC was a good choice back when 128K was the bitrate of the day. But, in a world where everyone is selling 256K and 320K tracks, I'd rather get my music in a lossless format and convert down to VBR MP3.

    I thought iTunesLP was a cool format. But, for the life of me I could never figure out why you couldn't get the full iTunesLP experience in on your iPad or even iPhone.

    1. Re:This is silly by CastrTroy · · Score: 1

      I think the problem with Apple going to lossless, is that people would soon get really irritated with the very small amount of space that Apple gives you with the base model of their devices. From some basic searching it seems that FLAC is somewhere around 700 kbps. It could be less or more depending on the file, because it's lossless and will take as many bits as it needs, but I think that's a pretty good estimate. The last 16 GB iPod I bought came with 12 GB usable out of the box. That means you could probably fit about 40 albums (at about an hour and album) on an iPod assuming you used it only for music. You'd have no space for apps/games, or photos, or videos. 40 albums is quite a bit to be carrying around in your pocket, but when other devices allow you to carry around hundreds of albums, your 16 GB iPod is going to seem pretty weak.

      --

      Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
    2. Re:This is silly by PhrostyMcByte · · Score: 1

      The #2 thing Apple can do is offer songs in Apple Lossless. AAC was a good choice back when 128K was the bitrate of the day. But, in a world where everyone is selling 256K and 320K tracks, I'd rather get my music in a lossless format and convert down to VBR MP3.

      A thousand times this. It's been shown that ~192K VBR from a modern encoder is transparent to our ears, so these 256K or higher bitrates are the worst of both worlds: it's not lossless AND it's a waste of bandwidth.

    3. Re:This is silly by Anonymous Coward · · Score: 0

      CD quality flac is about that. If they're serious about quality they should be offering 96kHz 24-bit flac. They could always offer it as an alternative so all the entry-level buyers could stick with aac and have space for lots of songs on their devices and the audiophiles with a huge SSD attached to some $1000 DAC and a valve amp could buy the 96kHz flac. There's not really any point in offering anything in between unless the original masters are too poor quality to make >CD quality worthwhile. And even then they may as well, because unidirectional speaker cables.

    4. Re:This is silly by synapse7 · · Score: 1

      I would like audio tracks to have a higher sample rate, something similar to audio from a DVD. It is 2014, I'm starting to feel fucking old and music is still at the same quality as it was when I was buying CDs in the 80s.

    5. Re:This is silly by Pope · · Score: 3, Informative

      But, in a world where everyone is selling 256K and 320K tracks, I'd rather get my music in a lossless format and convert down to VBR MP3.

      LMAO. AAC is already VBR, at 256k from the iTunes store. So you want a lossless track so that you can convert it to lossy anyway, rather than getting a lossy track in the first place with no extra steps needed. Brilliant.

      --
      It doesn't mean much now, it's built for the future.
    6. Re:This is silly by Bing+Tsher+E · · Score: 1

      With (some) other devices you can even swap out SD cards with even more music on them. Some mobile devices can even be fitted into a case with little pockets for extra SD cards. The case for my 10" Android tablet has them.

      So I can have different cards, like one with classical, another with electronics, and one with TV episodes on it. Cloud? Shit, is it gonna rain?

    7. Re:This is silly by CastrTroy · · Score: 1

      Exactly. I will not buy a device that doesn't have cheap, easily available removable memory. I've always been that way. I bought a Minidisc player when MP3 players were starting to get popular because Minidiscs were $5, while 128 MB cards which held about the same amount of music were around $200. Sony really could have maintained the market on portable music for at least 5 more years if they didn't put so much DRM on their Minidisc players. They could have made them as easy to use any other MP3 player, and they would have outsold everyone because you could bring so much music with you. They would have eventually lost out as flash drives got cheaper and larger, but for the initial period when MP3 players first came out, there's no reason why anybody should have been buying them at all.

      --

      Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
    8. Re:This is silly by Anonymous Coward · · Score: 0

      But, in a world where everyone is selling 256K and 320K tracks, I'd rather get my music in a lossless format and convert down to VBR MP3.

      LMAO. AAC is already VBR, at 256k from the iTunes store. So you want a lossless track so that you can convert it to lossy anyway, rather than getting a lossy track in the first place with no extra steps needed. Brilliant.

      I am an audio engineer. There is no such thing as a "lossless" digital music format. The digital capture process is lossy by design. Even 192kHz-32-bit audio is lossy compared to analog recording. It's nicer than 44/48kHz-16 bit anything, but it's still lossy. The sampling process for digital conversion is what creates data loss. There's just no way around it. And remember kids, the data rate is only one of several factors that attribute to quality. Sampling rate and size of sample also have a lot to do with it.

    9. Re:This is silly by Bing+Tsher+E · · Score: 1

      Sony was afraid of what the music industry would have done to them if Minidisc had grown. As well as the fact that Sony was a player in said music biz. The first MP3 player vendors were small renegade outfits. We had to settle with lossy inconvenient cassettes for a long time. And the music biz lashed out at those regularly.

  19. I'm no hardware expert by suprcvic · · Score: 1

    I'm no hardware expert so the following question isn't rhetorical. How hard is it really to capture the audio output going to your speakers? Unless they put some kind of encryption into them like with HDMI, it seems to me that they are a little short sighted to say the least saying this is non-piratable.

    1. Re:I'm no hardware expert by Anonymous Coward · · Score: 0

      How hard is it really to capture the audio output going to your speakers?

      You don't even need the speakers. The same software that can be used to record the signal from a microphone can be directed at any audio stream your system is dealing with. Even if they go with some specialized audio-player application that actively attacks any audio recording software you may be running, you can just get a $4 cable to plug the audio output of one device to the audio input of something without that U2-Apple malware on it.

    2. Re:I'm no hardware expert by Anonymous Coward · · Score: 0

      There are a few issues with that option -
      1. Encrypting all the way to the speaker, not just the Speaker output, means all of the existing speakers no longer work. Telling everyone to buy new speakers for their Car, Home Theater, Johnny's radio in his bedroom, etc... just means no one will buy your record. It worked with HDMI because there was a noticeable improvement in picture quality as well as fewer cables behind the TV to keep in order.

      2. Encrypting to the speaker output results in similar (possibly more expensive) problems to option 1; If you had the choice of listening to an album, or not replacing every audio device not attached to your computer, which would you do ?

      3. To capture the Audio from a computer would require, at most, 2 sound cards, a 1/8" stereo cable ($3-5), and 2 audio applications (1 to play from, the other to Record the line in) to route between them. Plug output of one into the input of the other card and you're set.

      4. To capture the Audio from a non-computer device (phone, radio, cd player, mp3, etc...) would just require a Line in on your computer and a compatible cable (typically, a 1/8" stereo cable) and the ability to record from the line in jack.

    3. Re:I'm no hardware expert by Anonymous Coward · · Score: 0

      First, if you can hear it so can a microphone. So put a mic in front of the speaker(s) and just record music.

      Second, with all speakers so far there is no encryption and there can not be any encryption on the wires leading into the speakers. Tap those wires with high impedance A/D samplers and you can get a very good recording that way.

      Third, if you don't like the idea of getting into a device and tapping the wires then a magnetic pickup can be done but that method does not give the best quality usually.

      For Apple to add encryption that works it will need to do the decoding at and in the speaker hardware itself which of-course means this format can not work on any older Apple device. And if Apple is counting on people not taking apart an expensive iPhone/iPad that does not stop the first and third options.

      No matter what the hardware, option 1 will always work. Play the device is a small acoustic foam lined box and you should be able to record a good quality sample.

      E.C.P.

       

  20. "Can't" or "won't"? by Anonymous Coward · · Score: 0

    Bono said the new tech "won't be pirated"

    FTFY!
    Unfortunately their new tech only works on unwanted U2 albums.

    BTW: Am I the only one who finds it funny, that this story is posted on Talk-Like-A-Pirate day?

    1. Re:"Can't" or "won't"? by mark-t · · Score: 1

      BTW: Am I the only one who finds it funny, that this story is posted on Talk-Like-A-Pirate day?

      Nope... And I'm surprised as of the time of this posting that there appears to be only one other post than yours that even mentions it.

  21. Who want's some? No need to get some. by Impy+the+Impiuos+Imp · · Score: 1

    Well, forcing it onto everyone's device is one way to avoid piracy.

    --
    (-1: Post disagrees with my already-settled worldview) is not a valid mod option.
  22. WTF? by Jonifico · · Score: 1

    Hahahahaha! This U2 thing is going a bit too far. You can just tell they don't know what to do to get back into the game. Non-piratable? Um, how about just recording the audio and exporting it to a conventional format. Who knows, they might make something worthy of attention, but if they're thinking about revolutionizing the industry, they better try again. And again. And again.

  23. Remember by Dareth · · Score: 1

    Remember, the world, err sorry the iWorld was pissed when he gave his music away for Free!

    --

    I only look human.
    My mother is a halfling and my dad is an ogre, so that makes me an Ogreling
  24. Arment said it all by Anonymous Coward · · Score: 0

    Anything anyone says in this thread will just rehash what Marco Arment said in the summary. Nothing more needs to be said. It's a stupid idea that no one is going to buy. Apple tried this interactive stuff with ebooks for education and it flopped. I don't see why Apple is wasting money on DRM. DRM is dead to the public. Just stop.

    1. Re:Arment said it all by Anonymous Coward · · Score: 0

      DRM is alive and doing great in Blu-rays. Tell me again how many blu-rays without ripping them can you watch using linux or a "non approved" mediacenter ? Music and eBooks (finally) are the exceptions and for books we're not there fully yet.

    2. Re:Arment said it all by jedidiah · · Score: 2

      You only have to rip something once. You don't even have to do the ripping yourself. Someone else can do it for you.

      DRM on a BluRay is only slightly more of a nuissance than the DRM on a DVD. Both are well cracked formats with lots of suitable tools that are readily available.

      That particular battle was lost a long time ago.

      Now this new format will remain intact only so long as no one cares about it. As soon as it becomes relevant, it will get cracked. Admittedly, obscurity is one thing Apple may have going for them here.

      --
      A Pirate and a Puritan look the same on a balance sheet.
  25. Bono should stick to his day job by Anonymous Coward · · Score: 3, Insightful

    Or at a minimum he should have a day job.

    I'm a U2 fan, I like their music, I saw their last show in Dublin and I was happy to pay handsomely for the pleasure.

    But increasingly musicians are looking to become rent seekers. The ought to earn a living like everyone else. Get on the road, Play gigs.

    The expectation of a royalties for longer than a lifetime is a symptom entitlement, based solely on 'because we can'. I'm going to rip their music for as long as I can. When I can't, I'll stop going to their shows.

    And where does Bono's sense of entitlement come from, he's a fucking northsider.

    www.urbandictionary.com/define.php?term=Northsider%20(dublin)

    1. Re:Bono should stick to his day job by dk20 · · Score: 3, Interesting

      Not only are they looking to become "rent seekers" the amount they feel entitled to has increases drastically year after year.

      Not that I am a fan of his, but Elvis has net worth of $300MM. Not bad for a guy who's been dead for some time.
      He also has 91 albums that received Gold, Platinum or Diamond award status so he sold a LOT of albums.

      Now lets pick on a "modern artist", Jay-Z has 15 platinum albums, and a net worth of $560MM.
      Brittany Spears biggest worry in life is how many ferrari's her boyfriends need.

      When "artists" start living in the real world like the rest of us, i might consider supporting them.

  26. How did that end up on my playlist by Dorianny · · Score: 1

    Can't be pirated? I think they meant music that can't be deleted!
    People can't downgrade to ios8 because of U2's crap taking up precious space.

  27. Thousandth time is the charm by Anonymous Coward · · Score: 0

    Challenge accepted.

  28. Not possible by gweihir · · Score: 2

    It has been tried for several decades, despite the stupidity even believing it is possible. Fist, there is this thing that eventually, any music has to be made analog before it can be listened to. Analog can always be recorded again and with minimal effort and loss of quality these days by anybody that has a soundcard and some basic understanding of electronics. Second, even digital format cannot be secure against copying, unless you augment them with some death-corps that kills everybody that bought it immediately after they did.

    This is on the same level of small children that think just wanting something enough will make it true. The children have the excuse of immaturity. These people have not.

    --
    Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
  29. lulz!!! U2 is disgruntled by FudRucker · · Score: 1

    because even though they gave away their latest album nobody wanted it

    --
    Politics is Treachery, Religion is Brainwashing
    1. Re:lulz!!! U2 is disgruntled by ArcadeMan · · Score: 1

      It's worst than that. Some people were annoyed to be given a free U2 album by force.

    2. Re:lulz!!! U2 is disgruntled by Bing+Tsher+E · · Score: 1

      It makes sense. If I was listening to a track collection of, say, some Fugazi, Sham 69, and RATM and a U2 track snuck into the shuffle I'd be pissed.

  30. If by present_arms · · Score: 1

    If any device you use has an analogue output, say a headphone socket, line-out etc, then yes there is nothing that you can't pirate :)

    --
    http://chimpbox.us
    1. Re:If by LessThanObvious · · Score: 1

      This is true. Just in case the recording industry reads any of this I would also like to reiterate that DRM has kept me from spending a single dollar on music in the last 8 years or more. I will not buy something that I don't really own. In a world without DRM, I'd probably have spent $1000 by now. Yes, I know there are DRM free sources, but by the time those emerged, lost interest. I will never trust in investing a lot of money into electronic content that requires permission to use and copy between devices freely and indefinitely.

  31. It already works by Alarash · · Score: 2

    These guys have their head so deep up their asses they don't even understand the problem. The problem is that an album shouldn't cost $15 (or a $20 CD) with only a small amount (say, $1) actually going to the band while the rest is pocketed by the label. I realize labels need to market and produce albums, and that's how they justify their huge share of a sell. But when you look at their annual profits, clearly most of the money isn't spent.

    The small bands are doing just fine self-producing albums in a home studio and sell them online DRM-free for $5 (while pocketing most of that amount). Sure, the big bands will want an overpriced producer, record in an overpriced studio, and market their albums on huge billboards. But small bands don't need that. I LOVE spending $5 on a small band's album, as an incentive to them. I rarely buy big band albums, except when there are on sale or that there's a huge production and added value (like a making-of or some sort of documentary for instance).

    The problem is not pirating. The problem is that music is overpriced, so people pirate it. Or, like me, people don't like, as a principle, spending money when I know that most of it will NOT go to the band. And they also need to remember that every single DRM to date has been defeated. Stop pissing against the wind.

  32. Eat me, Apple by PopeRatzo · · Score: 1

    Don't they realize that by definition, "non-piratable" means less useful? How does Apple and Bono's new magical DRM know the difference between me putting the song I bought on my Nexus and copying it for a friend?

    And you know what? Bono is becoming a little embarrassing. For that matter, Apple has become a lot embarrassing. You would think that after their recent, "You will take this album whether you want it or not" routine that they'd maybe take a deep breath before coming up with another brainstorm together.

    Wake me up when Apple partners with some interesting artists, like Deerhunter or Demdike Stare or Charlie Boyer And The Voyeurs. Fuck Bono and fuck Tim Cook and fuck Apple and their jewelry.

    I'm glad I got that out of my system. So, how about them Bears?

    --
    You are welcome on my lawn.
    1. Re:Eat me, Apple by Bing+Tsher+E · · Score: 1

      I shot a bunch of bears in GW2 last night. None of them dropped anything worth a damn, though.

    2. Re:Eat me, Apple by ShaunC · · Score: 1

      How does Apple and Bono's new magical DRM know the difference between me putting the song I bought on my Nexus and copying it for a friend?

      They don't! So please, buy an iPhone! That way we can make sure you get Bono's new music. Then we know you like it, because your iPhone automatically downloaded it over your expensive cellular data plan without your authorization, er, um, I mean, you intentionally downloaded it! On purpose, because you like it! There are hundreds of millions of fans of U2 and iTunes!

      Love,

      Apple+Bono

      --
      Thanks to the War on Drugs, it's easier to buy meth than it is to buy cold medicine!
  33. Not again by Anonymous Coward · · Score: 0

    Copy protection, copy protection, copy protection. That's what Sony killed DAT recorders with, that's what Sony killed Minidisc with.

    Nobody wants media that are useless for actually managing your music collection.

    1. Re:Not again by dk20 · · Score: 2

      Let them bring "DRM" to the ipod, given the trackrecord you list, it will just compel someone to create a better product.
      Once you reach a certain market share you treat your customers with disdain, and someone else comes along and eats you up, perhaps it is Apple's try at the "customers are all criminals and we need DRM"?

      SonyMD is a good example, it was actually a great product and far ahead of its time, but DRM'd to death and it frankly sucked and died off.
      Few things worse then stating "MP3" on the box, only to find out it needed a 30 minute conversion to ATRAC first.

      The SonyMD software sucked, it is almost like they spent most of their dev efforts on DRM and not the user experience.

  34. Bono Singing by Anonymous Coward · · Score: 2, Funny

    Bono's singing sounds exactly like Ned Beatty's squealing in Deliverance.

  35. Can't be pirated by Anonymous Coward · · Score: 0

    If only someone could invent a device that could take sound waves out of the air and encode it in a more open format that could be played on a different device.

  36. iTunes LP by Lilith's+Heart-shape · · Score: 1

    So, Bono and Apple want to try resurrecting the iTunes LP? Not bloody likely.

  37. Re:stopped reading at "can't be pirated' by DickBreath · · Score: 2

    Apple needs to work on putting copy protection onto floppy disks. That worked out quite well before.

    Can't Be Pirated is the holy grail of the copyright idiots. It's more important than profit, fame or success. It won't let common sense stand in its way.

    The only format that can't be pirated is a format that you cannot listen to. Hey I'm going to encrypt this music and then hand your player the decryption keys! We can try moving the decryption closer and closer to your ears, or to your eyes (as in HDMI), but ultimately it has to interact with your senses and can be picked up using sensors (mics, cameras).

    Please tell me again, how many anti piracy measures have actually been effective?

    --

    I'll see your senator, and I'll raise you two judges.
  38. Arrr... we'll see 'bout that, ye bilge-rat by ka9dgx · · Score: 1

    How fittin' it is that this tail comes on talk like a pirate day. The lubber has no idea what the crew has ready, once we host the jolly roger.

  39. Cross between a music album and a video game by QuietLagoon · · Score: 5, Funny
    It appears that U2 and Apple are proposing an interactive album format that combines the music of a record album with the interactivity of a video game.

    .
    Or to phrase it differently, it appears that U2 and Apple are proposing to make music more prominent in video games.

    1. Re:Cross between a music album and a video game by Megane · · Score: 1

      In other words, they have failed to understand (or more likely succeeded in forgetting) the primary purpose of recorded music. It is something you can listen to while doing something else.

      "Interactive" music is not music, it is an interactive activity (aka game) which happens to contain music.

      And he's right about one thing, I won't be pirating it, because I don't want it. That's a great way to stop piracy, with the minor side effect of stopping sales, too.

      --
      #naabhaprzrag, #sverubfr-000, #agi-fcbafberq, negvpyr[pynff*=' negvpyr-ary-'] { qvfcynl: abar !vzcbegnag; }
    2. Re:Cross between a music album and a video game by pla · · Score: 2

      It appears that U2 and Apple are proposing an interactive album format that combines the music of a record album with the interactivity of a video game.

      Jokes aside, they did stress the "interactive" part of this as a key feature.

      I can't speak for all Slashdotters, but personally, I listen to music primarily at times that I can't interact with it (beyond the mostly-passive* act of "listening to it") - In the car, at work, while mowing the lawn, etc. When I actually have the spare time and attention to interact with something, I will usually chose to interact with other humans, or actual video games, or playing with the cats, etc. I may still have music on, but I don't "interact" with it.

      I would therefore have to consider this a complete non-starter. At least Neil Young's boondoggle actually did have some technical merit (while completely ignoring the reality that 99.9% of people will take "good enough" over "perfect" if it saves them a single penny). This? The "solution in need of a problem" trope gets somewhat overused, but it definitely applied here in full force.

      * Yes, I do get that some music requires actively listening to it to fully appreciate it. U2 ain't that.

    3. Re:Cross between a music album and a video game by Dragonslicer · · Score: 2

      Lots of posts bashing the "can't be pirated" thing, and this is the first one that talks about the first thing that I noticed. Nothing mentioned in the summary is interactive in any way. When I listen to music, it's to listen to music, frequently while driving or on the bus and subway. If I wanted to do something interactive while on the bus, I'd download some games for my phone.

      So what exactly is going to be interactive about this new format? Or are they just using a word that doesn't mean what they think it means?

    4. Re:Cross between a music album and a video game by MMC+Monster · · Score: 1

      Not necessarily. Whenever I make a call, I am interacting with the audio stream from the other end of the line.

      Perhaps he's suggesting musicians just get (900) numbers and publish them.

      I'm pretty sure I wouldn't pay to have U2 sing to me live via my phone, but some others may.

      --
      Help! I'm a slashdot refugee.
    5. Re:Cross between a music album and a video game by Anonymous Coward · · Score: 0

      "Interactive" music is not music, it is an interactive activity (aka game) which happens to contain music.

      It's not a game. It is the equivalent of a dead man's switch to make sure that no unattended recording is taking place.

  40. lol by slashmydots · · Score: 1

    "That ship has not only sailed long ago, but has circled the world hundreds of times, sunk, been dragged up, turned into a tourist attraction, went out of business, and been gutted and retrofitted as a more profitable oil tanker."
    ...and then hijacked by pirates.

  41. No audio involved obviously by AbrasiveCat · · Score: 1

    Since audio can always be picked up, and so pirated, this must not involve audio. It must be a new Apple technology where the music is "beamed" into your body. This will be a whole new experience and we will need to upgrade all our music and Apple devices to experience it. Get in line now. Here is all my money, how many can I buy....

  42. CD-extra? by Orange+Crush · · Score: 1

    Didn't this same idea already fail in the 90s? I recall Aerosmith's 9 Lives came with some goofy "interactive" exhibit in the remaining space on the disc. This just sounds like a downloadable version of the same thing.

  43. That is always one way by bobjr94 · · Score: 1, Insightful

    If the format is drm locked, in the end, there is always a headphone jack or line out. Sure not a lossless conversion but most people won't notice or care. The older age of U2 fans won't want to be forced to play some dumb game to unlock a new song. They want to plug their phone into their car, press play.

  44. "Trivial" by kheldan · · Score: 2

    That's how I'd rate the difficulty level of breaking any DRM or 'copy protection' (if there can be such a thing anymore) on something as simple as an audio file. Is Bono thinking of running for public office? Based on his apparent complete lack of understanding of technology I'd say he sounds just like your average politician. Any 'copy protection' scheme or DRM that a company spends millions developing will be broken by some anonymous bored teenage kid in Asia somewhere in a week or less, no problem, and in general distribution around the world a day after that. Even closing the 'analog hole' isn't going to help: It takes a minimal amount of electronics knowledge and skill to work around that as well, even if it were necessary. People like Bono and companies like Apple and Sony and the record labels need to just accept that they're wasting their time and money on things like this (which consequently ends up with higher prices for their 'products', in my opinion just encourages more piracy anyway) and accept that there is going to be a certain amount of digital piracy, just like there used to be people sharing 'mix tapes' and later 'mix CDs'.

    --
    Are YOU using the TOOL, or is the TOOL using YOU? Think about it!
  45. Ah! by aglider · · Score: 1

    Non-piratable == Non-copyable == Not working. Forget about it! Unless you want your music playing only within closed architectures (like the iPhone prior to jail breaking)!

    --
    Sent as ripples into the electromagnetic field. No single photon has been harmed in the process.
  46. Apple's post-peak celebrity embraces by swb · · Score: 4, Insightful

    Why does Apple keep investing themselves in post-peak celebrities?

    Dre, Iovine and U2 may be influential but how much currency do they have among future music fans? Is it because the decision makers at Apple are all in their late 40s-to-50s and are merely caught up in the fandom of their youth?

    Shouldn't they be forming partnerships with artists with a ton of pull with 20-somethings? Do kids in their 20s even listen to U2, or is it something that 40-something moms crank up in their minivans along with an illicit Marlboro Light on their way to pick up the kids at soccer practice?

    If U2 had any hip credibility, it was 30 years ago. Can you imagine Apple rolling out the Macintosh in 1984 with a celebrity lineup of the Everly Brothers and Bill Haley & the Comets?

    1. Re:Apple's post-peak celebrity embraces by Megane · · Score: 1

      Can you imagine Apple rolling out the Macintosh in 1984 with a celebrity lineup of the Everly Brothers and Bill Haley & the Comets?

      They're a California company, they would have had The Beach Boys there for sure.

      --
      #naabhaprzrag, #sverubfr-000, #agi-fcbafberq, negvpyr[pynff*=' negvpyr-ary-'] { qvfcynl: abar !vzcbegnag; }
    2. Re:Apple's post-peak celebrity embraces by swb · · Score: 2

      In 1984, the Beach Boys first record was only 22 years old.

      U2's first album is 34 years old. If you went back 34 years from 1984, you're now talking Frank Sinatra territory. Like when he was a teen hearthrob.

    3. Re:Apple's post-peak celebrity embraces by Anonymous Coward · · Score: 0

      No one listens to U2. You're wrong if you do. 15 years ago my girlfriend loved U2 and even then they were old as shit. Can't see why anyone cares anymore. If they were collaborating with Paul McCartney, for example, then I'd care - but still pirate.

    4. Re:Apple's post-peak celebrity embraces by Anonymous Coward · · Score: 0

      It's to do with the age pyramid [ https://en.wikipedia.org/wiki/Population_pyramid] and which slice has the economic power to influence the market. Because birth rates have fallen drastically in developed countries since the introduction of the contraceptive pill, there's simply not enough youth anymore to control what is fashionable. Late boomers (ie "oldies") now dominate society and culture and there is no effective youth counterculture, just a few silly teens with bad haircuts. That's why the "generation gap" is now almost nonexistent, with the possible exception of loud drug-driven dance music. And bands have become almost economically infeasible as generators of new grassroots music, which means rock music has calcified.

    5. Re:Apple's post-peak celebrity embraces by xigxag · · Score: 1

      You're thinking of music as something that mostly young people spend money on. That's not so true any more. Old folks have a lot more disposable income and are willing to spend money on the physical formats they're most familiar with. The largest group of CD purchasers are the 50+ crowd, and while they lag in digital downloads, even there, they're beating out the previously dominant 13-17 demographic.

      See this article. Yeah, Buzzfeed, I know.

      --
      There are two kinds of people: 1) those who start arrays with one and 1) those who start them with zero.
  47. Fuck your interactivity by rebelwarlock · · Score: 1

    The "non-piratable" bit has been beaten to death by the other commenters already, so I won't bother with it. Instead, let's look at the other part: "interactive". No, I don't want to interact with the fucking music, Bono. I want to put on the music and have an epic soundtrack to my life. The only reason you think full albums are boring is that your music is boring.

  48. Non-pirateable??? by mark-t · · Score: 1, Insightful

    Unless the format involves directly beaming the experience of hearing the music into human brains, without actually producing any audible sound whatsoever, I'm pretty sure it can be pirated using long existing methods.

    1. Re:Non-pirateable??? by Just+Some+Guy · · Score: 1

      Young Wolfgang accepts your challenge.

      --
      Dewey, what part of this looks like authorities should be involved?
    2. Re:Non-pirateable??? by Anonymous Coward · · Score: 0

      Gonna need to teach the brain how to decode DRM without storing it before even beaming it straight to the neurons would work. :P

    3. Re:Non-pirateable??? by Vitriol+Angst · · Score: 2

      Apple is adding the "bone phone" to their headphone lineup and it's only a slight tweak to convert that fingerprint scanner to detect ear signatures.

      So YES -- Apple will use ear authentication and a combination of ultrasonic and sonic frequencies to compile the sound "in ear".

      Unless we hack the nervous system -- this music can NEVER be pirated. /s

      --
      >>"ad space available -- low rates!!!"
  49. Stop caring by Anonymous Coward · · Score: 0

    about everything apple says, perhaps being attached to Bono people will finally stop caring about apple as they did Bono 20 years ago

  50. Like Microsoft Encarta? by aNonnyMouseCowered · · Score: 1

    No, I thinks this would be more like those ancient multimedia encyclopedias that came out on CDROM. Or maybe like those kiddie edutainment titles where you click on characters/object to make them dance, jump etc.

  51. Go ahead by Anonymous Coward · · Score: 0

    I won't be using it.

  52. Re:stopped reading at "can't be pirated' by MitchDev · · Score: 2

    I created 20-30 albums, but only in my mind, never recorded them or played even a single note. Not piratable at all ;)

  53. Interact with Music? by jader3rd · · Score: 1

    I don't want to interact with music. I want it playing in the background, and about half of the time I want to shut my eyes.

  54. Is Apple going downhill? by aaaaaaargh! · · Score: 5, Informative

    I have nothing personal against Apple or U2, but if Cook thinks he can keep Apple's overall positive image as a "cool company" (not to speak of rejuvenating it) by collaborating with a pop band whose peak of success was in the late 80s/early 90s, then I can only conclude that Apple has a rough future ahead.

    Perhaps I am missing the grand picture here but it's hard for me to imagine anything less innovative and more boring than this U2 bullshit in combination with a wrist watch that looses power after one day.

    1. Re:Is Apple going downhill? by ripvlan · · Score: 1

      Arrr matey. The new phone is so large it need an external monitor to wear on your wrist.

      Kind of like when the Mac got big and became two parts - an external monitor and the CPU case under the desk? Plus computers got hot, used lots of power, and.... gosh seems like history repeating itself in mobile form.

    2. Re:Is Apple going downhill? by Anonymous Coward · · Score: 0

      The last quality product (Cr)apple made was the IIE. Anything after that has been just pure junk. (Cr)apple somehow managed to arrange for some people to have the delusion that owning its i-devices made them cool. However, to anyone with half a brain has always known that its not what you own that makes you cool, its who you are.

      Oh, and any copy protection scheme that has come along so far has been hacked, usually in less than a week.

    3. Re:Is Apple going downhill? by CopaceticOpus · · Score: 1

      Apple was in the right place at the right time to introduce iPod and other devices. But today, the market for pocket-sized electronic rectangles is pretty well saturated, and Apple's competitors have caught up in terms of design quality.

      They aren't going downhill, but they are desperately searching for a new hill where they can be king again for a while.

  55. The Titanic is UNSINKABLE. by Weaselmancer · · Score: 5, Insightful

    Ah, hubris! One of my favorite old-timey sins.

    You are of course correct. The signal must become analog at some point to make it into your head, and we have had the capability to capture analog signals since the dawn of the television age. You can crack open LCD panels and intercept signals for a more modern high tech version of this concept, of course.

    But you are forgetting the other side of the equation. When when someone makes that statement - "THIS CANNOT EVER BE PIRATED" - you are throwing down the gauntlet. And invariably some bored teenager will say "oh really is that so?" and make them eat their words. Usually by the following Saturday. Yes you can do an analog capture but by the time you warm up your soldering gun some kid in the Netherlands will have already got the torrent up.

    Now if you'll excuse me, I'm going to go watch a Blu-Ray movie on my Linux box.

    --
    Weaselmancer
    rediculous.
    1. Re:The Titanic is UNSINKABLE. by mlts · · Score: 4, Insightful

      Devil's advocate:

      Things are different from the 2000s when everyone and his brother, sister, grandmother, and father in law was coming out with an "unhackable" DRM scheme. For one, the market has shifted from PCs/Macs to consoles for gaming. The PS4, Xbox One, and others have not been cracked yet, so piracy and hacking is at 0% on those platforms.

      We also didn't depend on user accounts. A background process like VAC or Blizzard's Warden didn't exist that would completely cut off access to services. All it would take is Apple running a similar process that sits in the background and looks for cracking tools, then locks any AppleIDs suspected of doing so. The days of running "unfuck.exe" are long gone, since it would get detected, and all access lost.

      Of course, there is video. Yes, there are SD copies and screeners, maybe even someone ballsy enough to cam and slip that on BitTorrent, but 1080i (true, not upsampled) movies are rare. Satellites have not have any real hacks in a decade. Even Apple's movie format has no working cracks with no deprotection utilities out, unless one wants to capture video and re-encode it with the generational quality loss.

      Yes, we will see some "cracks", such as saying World of Warcraft is cracked because someone is running a server emulator, but I will be surprised to see available, unprotected works that were protected in this format.

      Yes, DRM has been cracked in the past, but it gets harder and harder each cycle. Even Blu-Ray hasn't been fully cracked yet (it is still a race with each individual movie.)

    2. Re:The Titanic is UNSINKABLE. by UnknownSoldier · · Score: 1

      > "THIS CANNOT EVER BE PIRATED" - you are throwing down the gauntlet.

      Indeed. The fastest way to motivate a geek is to tell him:

      You can't do X ...

    3. Re:The Titanic is UNSINKABLE. by CauseBy · · Score: 1

      If it can be heard, it can be pirated, no exceptions. It is a fool's errand to try to make a sound un-pirateable.

    4. Re:The Titanic is UNSINKABLE. by Anonymous Coward · · Score: 1

      Music that can be heard can be copied, it's physics, there's no handwaving around it with anecdotes about games.

      And blu-ray is thoroughly cracked. Taking a day or two to reverse engineer a new BD+ version every few months does not make it "un-pirateable", or even "moderately inconvenient for tech-illiterate end users to pirate".

    5. Re:The Titanic is UNSINKABLE. by Anonymous Coward · · Score: 0

      > "THIS CANNOT EVER BE PIRATED" - you are throwing down the gauntlet.

      Indeed. The fastest way to motivate a geek is to tell him:

      You can't do X ...

      Right, and with so many people saying "you can't make unpirateable music", I'm naturally inclined to try to figure out just such a scheme. I'm picturing a special iPod-type device that only works with special digital headphones that have a DRM decryptor in the earbuds themselves, which also have built-in air pressure, temperature, heartrate, and brain-wave scanners so they only work if actually inserted in a human ear.

      Of course, the hackers could just manufacture human-head emulators that mimic these aspects, but it'd be harder.

      (AC to preserve mods)

    6. Re:The Titanic is UNSINKABLE. by Anonymous Coward · · Score: 0

      Your proposal is flawed and that format could be pirated

      I propose a better solution for unpirateable music: the listener goes to the record company and listen to the record company's music in the record company bunker. You have to be strip searched before they let you in to the "auditorium", you are forced to remain naked the whole time, and when you're done listening, before they let you go, they put a bullet in your head and cremate your corpse and all your belongings.

      AC in case the label exec reads this and sees that I've leaked their plans. We are trying to keep a lead on the competition.

    7. Re:The Titanic is UNSINKABLE. by Anonymous Coward · · Score: 0

      Well, that would certainly elevate a new album release from mundane occurrence to a once-in-a-lifetime opportunity!

    8. Re:The Titanic is UNSINKABLE. by UnknownSoldier · · Score: 1

      I bet the marketing team would have a hay day:

      "Music -- you would die for."

      Too bad they can't promise good taste.

    9. Re:The Titanic is UNSINKABLE. by c6gunner · · Score: 2

      Of course, there is video. Yes, there are SD copies and screeners, maybe even someone ballsy enough to cam and slip that on BitTorrent, but 1080i (true, not upsampled) movies are rare.

      Say what?

      Dude, either you haven't been paying attention, or you don't know how to use teh intertubes. Every movie is available as a torrent in full 1080p pretty much the day the blueray disks hit the store shelves. Many are available even earlier.

      Even Blu-Ray hasn't been fully cracked yet (it is still a race with each individual movie.)

      If by "race" you mean that the various release groups are tripping over each other in order to see which one can get theirs up in the shortest amount of time, then yes. "X-Men Days of Future Past" won't be available for purchase for another 3 weeks, but there's already a 720p blueray rip available on the torrent sites, and the 1080p version should follow in the next few days.

    10. Re:The Titanic is UNSINKABLE. by Anonymous Coward · · Score: 0

      All it would take is Apple running a similar process that sits in the background and looks for cracking tools, then locks any AppleIDs suspected of doing so. The days of running "unfuck.exe" are long gone, since it would get detected, and all access lost.

      I'll disagree with this. First off most people that I know have two (or more) computer systems, a desktop and a notebook or tablet. All it takes is one legitimate machine to download "protected" stuff with a pristine AppleID, and a completely different machine to remove the protection. A kind of parody of the Clean Room Dirty Room method of reverse engineering a competitor's product.

      Second, it wouldn't take too much to treat the "APPLE-IP-LOCK" program as a rogue process and use fairly standard anti-malware tools to simply remove it from active processes.

      Third, I would much rather have bored Soviet hackers cracking copy protection schemes rather than writing the next generation of HD encrypting extortionware viruses.

    11. Re:The Titanic is UNSINKABLE. by joemck · · Score: 1

      >games

      Games are a different story. To pirate a game, you actually have to crack the DRM on it. You have to either produce a copy that's indistinguishable from the original, or modify the console and game code to bypass the checks, and probably decrypt the game content as well. You cannot simply play a game and record it. (You can but it doesn't make a playable copy.)

      For music and videos, it's preferable if you can decrypt the original, but you by no means need that to pirate it. If you can play a song, you can record it with any common sound card. If you can play a video, you can record it with an HDMI capture card, and you'll likely need an HDCP stripper too. Admittedly these are less common and more expensive than sound cards, but they exist and only one person needs to record it and post the torrent.

    12. Re:The Titanic is UNSINKABLE. by Anonymous Coward · · Score: 0

      Nice try. I can still tap the wires to the electromagnet, then stick it in my ears with the wires I added trailing off to the recording device. No need for an artificial brainwave generator.

    13. Re:The Titanic is UNSINKABLE. by Anonymous Coward · · Score: 0

      Release groups will recruit suicidal people to have a recording device implanted that transmits what it records in real time over a cell connection. Cellular jammers? Send an anonymous tip to the FCC and then switch to a different frequency and build custom receivers for it.

    14. Re: The Titanic is UNSINKABLE. by Anonymous Coward · · Score: 0

      It's in a bunker. Checked your cell reception inside a bunker lately? The FCC only protects against active jamming, not passive blocking via mass or Faraday cages.

    15. Re:The Titanic is UNSINKABLE. by Anonymous Coward · · Score: 0

      Your points have merit with regard to gaming, particularly multiplayer and console gaming. However, I think your statements with regard to video DRM are incorrect. AACS has been effectively broken, allowing any BD using that encryption alone to be decrypted. Blu-Rays incorporating BD+ require some additional work, but can also be decrypted after support is added in AnyDVD (or similar software). The watermarking implemented by Cinavia is essentially useless for playback on a HTPC or media playback device that is not licensed by the Blu-Ray Disk Association as MPC-HC, Plex, XBMC, Roku's, most TVs etc simply ignore the watermark. Virtually every Blu-Ray on the market can be cracked within a few weeks of release, if not immediately. Blu-Ray encryption has been broken.

      I could be wrong about this, but I believe Apple's movies use the same encryption as their TV shows, and I can most definitely confirm that the encryption on TV shows can be removed trivially. In fact, most of the TV shows uploaded on torrent sites and newsgroups are sourced from iTunes due to the lack of logos and professionally cut commercials. I also know that the movies can be decrypted and released in the same fashion as I've seen many online. However, there isn't much demand for such content as the Blu-Ray is usually released shortly thereafter with MUCH higher video quality.

      Also, the generational loss from a high quality x264 encode is quite low. I have seen high-bitrate 1080p x264 encodes of Netflix-exclusive content, and it looks indistinguishable to the source. The content was captured using HDMI capture cards. Since this method works with ALL video content, it's fair to say that video encryption is, and will always be, broken. Things have only gotten better as x264 has achieved better transparency at lower bitrates, CPUs have gotten faster allowing advanced encoder setings, and hard drive space has decreased in cost. A Blu-Ray movie encoded at CRF16-18 is nearly always indistinguishable from the source at 1/2 the size, or less.

    16. Re:The Titanic is UNSINKABLE. by makomk · · Score: 2

      Satellites have not have any real hacks in a decade.

      Probably because cardsharing is easier, more reliable and more profitable for the people selling it than full hacks.

    17. Re:The Titanic is UNSINKABLE. by thunderclap · · Score: 1
      Devil's advocate of the parent.
      I will agree with your statement on its face. However, the reasons are simple. The PS4, Xbox One, and others don't have enough interesting content to require the amount of time involved to completely break them open.
      As for the blu-ray, yes it has been fully cracked. HDCP master key was leaked in september of 2010 http://forums.afterdawn.com/th... if you want a more detailed explanation. Those multiple players were broke to the point Sony stopped selling them. http://hardware.slashdot.org/s... (that master key computer chip. It exists.) There is a commercial product that allows ripping of Blu-ray dvds now called AnyDVD.
      This doesn't mean people haven't attempted opening them up. http://pastebin.com/QDeRQiMY is the location of the attempt 5 days after the launch of the PS4. Idiot tweeted it and Sony nailed him to the wall. So the files are buried in the Darknet (where cp silk road and the true bottom of the barrel exists) now.
      http://www.breathecast.com/art... This is the current news on the XBoxOne hack attempts. While it was a red herring it means there are people actively trying.

      My point is that a) there is no technology that can be used to block the willfull copying of something, if someone truly wants to. Bono is completely clueless. He is to piracy what Jennie McCarthy is to doctors trying to immunize children.
      As for apple with out Jobs, it will suffer the EXACT same thing that has happened to all other formats that people discover aren't easily manipulable. No one will buy enough to warrant it remaining. It will fail. Just like 3d TV failed. Just like HD DVD failed. Until Hollywood accepts that their will acceptable losses on all products sold and stuff is allowed to return to the public domain this will continue.

    18. Re:The Titanic is UNSINKABLE. by Anonymous Coward · · Score: 0

      But blu-ray was dead before it was realeased; who wants to crack a dead format?

  56. Quality by fonos · · Score: 1

    The article makes no mention about quality of the songs. It also says it's not a new format, just a new way to package songs. Sounds like the same old crap quality we've been getting all along. I'd rather buy a vinyl, then feel entitled to pirate the digital version.

  57. Music that can’t be pirated by ArcadeMan · · Score: 1

    As for “music that can’t be pirated”, I ask again, what decade is this? That ship has not only sailed long ago, but has circled the world hundreds of times, sunk, been dragged up, turned into a tourist attraction, went out of business, and been gutted and retrofitted as a more profitable oil tanker.

    Vogons - They are one of the most unpleasant races in the galaxy - not actually evil, but bad tempered, bureaucratic, officious and callous. They wouldn't even lift a finger to save their own grandmothers from the Ravenous Bugblatter Beast of Traal without an order, signed in triplicate, sent in, sent back, queried, lost, found, subjected to public enquiry, lost again, and finally buried in soft peat for three months and recycled as firelighters. If you want to get a lift from a Vogon, forget it. They are vile and ill tempered. If you want to get a drink from a Vogon, stick your finger down his throat. If you want to annoy a vogon, feed his grandmother to the Ravenous Bugblatter Beast of Traal.

  58. Re:stopped reading at "can't be pirated' by Anonymous Coward · · Score: 0

    I created 20-30 albums, but only in my mind, never recorded them or played even a single note. Not piratable at all ;)

    Congratulations! I bet you've made a windfall both on patenting the tech^H^H^H^H procedure and selling those albums... ;)

  59. Easy by ArcadeMan · · Score: 4, Insightful

    Interactive? Music? Apple? That's easy. They're going to make "Music apps" for iPhones and iPads.

    But those won't work on the iPod shuffle, the iPod nano and I'm guessing it won't work directly with the future Apple Watch either.

    If it's music, I don't want to "interact" with it, I just want to listen to it.

  60. Can't Pirate, Because Already Spammed by Bing+Tsher+E · · Score: 1

    Simply put, you don't pirate music that's already been spammed to you. That would be like pirating "wares" copies of the AOL disk. Or even like downloading a "wares" copy of MacAfee Trial Edition. I didn't see any good seeds of that on Pirate Bay.

  61. Look at Me, Me, Me!!! by oldmac31310 · · Score: 1

    This is just Bono/U2 desperately trying to be relevant and in the news in a currently hugely diffracted information era. There is nothing like Live Aid where pretty much the whole world was watching and the douchebag got to pontificate to a huge audience and have his ego pumped up. This is 80s 90s posturing and attention seeking and really we should ignore him and hope he goes away. I have been hoping for that for a good 30 years. Really, isn't it time they retired?

    --
    http://www.acetonestudio.com
  62. Look... by Anonymous Coward · · Score: 0

    It's music, as long as microphones exist, your music can be pirated. Without microphones you wouldn't be able to record said music to begin with. So yeah, screw Bono.

  63. #2 by Anonymous Coward · · Score: 0

    DRM = Challenge in the world of hacking and saying that it's impossible to bypass will gain the attention of high profile hackers from day one. Translation it will be annihilated the first day and file sharing will go on as usual, but they could do a lot of cut it down. They could try connecting with fans instead of suing them or stop putting so much DRM on products that the DRM stripped version is better than the original.

  64. Can real world events be called flamebait? by uCallHimDrJ0NES · · Score: 1

    It seems to me that U2 and Apple are conspiring to piss us off.

    --
    Cloudiot: A person who does not see offsite storage as a way to lose control over access to his or her own data.
  65. Semantics by argStyopa · · Score: 1

    No, no Bono. You're confused.

    "Music that cannot be pirated" != "Music that won't be pirated"*

    *because it sucks donkey balls

    --
    -Styopa
  66. I do want digital albums by steveha · · Score: 3, Interesting

    I really do want digital albums, complete with very high resolution art, full lyrics, liner notes, and extras.

    I'd actually like to have the ability to buy the "full album" that would include video files of each music video from the album, "B" sides from old 45 releases of songs from the album, backstage videos, interviews with the artist, whatever.

    The old album covers from the 70's, the ones that were supposed to be on large vinyl record jackets... I want to be able to put those up on a large flatscreen TV while the album is playing. Preferably not just a scan from a CD printing, but the original image scanned in high resolution. I'd like to be able to see all the details in Hipgnosis images like the jacket art to The Lamb Lies Down on Broadway or Wish You Were Here. (Hmm, someone made an animated GIF for that last one... heck, I'd like it both ways in the digital album, original and new animated version.)

    Of course, I want this all using open file formats (FLAC, JPEG, HTML). But since nobody else got around to doing this, Apple is doing it first, and of course with Apple it will be proprietary, opaque, and likely patented somehow for maximum lockin.

    I don't think this will revolutionize music, but it really is something I want.

    --
    lf(1): it's like ls(1) but sorts filenames by extension, tersely
  67. Bullshit by Anonymous Coward · · Score: 0

    Until It's illegal to manufacture a speaker that doesn't have a TPM chip in it. And selling modified speakers or plans to modify them is a federal PMITA offense.

  68. Audio Fingerprinting? by Robadob · · Score: 2

    Given pirating audio will always be possible (just use a microphone), is it possible that their new audio format will simply involve steganography to add purcharser identification to tracks. This would allow them to better identify, and perhaps prosecute all pirates (until they find a way of stripping the audio fingerprint). It seems alot more plausible than them actually trying a funky new drm (after Apple were compelled to remove drm from itunes music).

    1. Re:Audio Fingerprinting? by foradoxium · · Score: 1

      could they add data using the unheard frequencies, it could be picked up by software/hardware to interact with (identify) yet wouldn't interfere with the actual recording?

    2. Re:Audio Fingerprinting? by pipingguy · · Score: 1

      That's what I was thinking also.

  69. Laugh by koan · · Score: 0

    More shite from Apple.

    --
    "If any question why we died, Tell them because our fathers lied."
  70. No fan of U2 but, seriously . . . by Anonymous Coward · · Score: 0

    Respected by who? His homies? The last time I heard, you can get shot for not showin' 'spect.

    evaluate the results of different parametric curves on tone signature

    Don't try to paint it up as more than it is.

  71. Something New by jbohumil · · Score: 1

    Let's see what they can come up with. This is about music but so is going to a live concert. You can't pirate a live concert in the sense of completely recreating the live concert experience. Of course you can record the audio tracks, or video record it, but obvious you can't "go to the concert." What I am trying to say is sure, create something new, some cool multimedia thing or whatever. If people want to buy it they will, if not, so what.

  72. Biometric Verification by Anonymous Coward · · Score: 0

    I could see them being tying the purchaser of a song to their biometric profile on their iDevice. Want to play the song? Prove you are the one who purchased it via the fingerprint scanner. That still doesn't get around other methods such as routing the line out of the device to a line in on a computer or other recording device or directly recording from speaker output, but I wouldn't be surprised if Apple hasn't considered this angle.

    1. Re:Biometric Verification by Anonymous Coward · · Score: 0

      Just another thought, when you buy one of these proposed 'enhanced' albums from iTunes, it would embed your biometric data into the files (literally a digital fingerprint) and (as mentioned above) would need to be verified with your fingerprint later to play it. Now I doubt Apple would really introduce something this cumbersome, but once they get fingerprint (and in the future maybe iris) scanners into all iDevices, I could see them somehow leveraging that technology to try and keep pirates at bay, but as with all previous attempts, I'm sure it will be nothing more than a stopgap measure.

  73. Bono needs to hang out with Neil by Anonymous Coward · · Score: 0

    Just like Neil Young introducing "Pono", another really crappy idea, Bono should look Neil up and they should sit around and come up with other lame ideas.

    Locking music is not what people want - its what corporations want. When I buy a song, I want to be able to play it on ANY device I own. I could care less at looking at album art work or reading liner notes. Music is meant to be heard.

    U2 is nothing but a corporate sell out.

  74. FIFB by Anonymous Coward · · Score: 0

    > Bono said the new tech "wont be pirated due to serious lack of interest." and will re-imagine the role of album artwork that nobody will give a shit about.

    Fixed it for you Bono!

  75. Nothing new. by meerling · · Score: 1

    To me, album artwork was always the box art.
    And, "Single songs and single articles killed their respective larger containers. ... " is silly since it means they've been killing the albums since at least the 60s, definitely before I was born. Albums always were, just an economy sized packaging, without an economy discount.

  76. I suppose if... by DdJ · · Score: 1

    I suppose if the new tech amounts to "live interactive chat session with a webcam musician", that might provide an experience that some people are willing to pay for that's difficult to pirate.

    It's hard to imagine much else that would actually work.

  77. Human brains by Fly+Ricky+-+The+Wine · · Score: 1

    Until you can have an encrypted connection to someone's brain, it can be pirated.

  78. about 18 months away by Anonymous Coward · · Score: 0

    Will we remember this interview in 18 months, which would be mid-2016? I always ask myself, when I see a time far into the future, what was going on in the past that long ago and how much things have changed. What was the big to-do a year and a half ago? I don't even remember.

  79. Make each album = 1 app by bazorg · · Score: 1

    Seems to work for a variety of small time programming jobs.

  80. Recording industry had brief monopoly. by trout007 · · Score: 2

    Music has existed as a business since before history. It only became a huge industry when recording and cheap players became available to a mass market. We are now past this point. Previously recording music required huge amounts of capital in equipment and copying and distribution. But now copying and transmitting are essentially without cost and recording and editing equipment is on the same scale as the instruments. The huge music industry is dead. What will replace it is a return to the past. Paying for the experience of a live show.
    Recordings will serve mearly as advertising.

    It's nice when you have a natural monopoly buy enjoy it while it lasts.

    --
    I love Jesus, except for his foreign policy.
  81. success by steak · · Score: 2

    release an album no one wants for free and it won't be pirated.

  82. Opus by Azazello711 · · Score: 1
  83. Re:Legacy Compatiblity by Technician · · Score: 4, Informative

    Thsi point is the ignored deal breaker that has killed all other formats that attempted this. If it won't play on any of the following, it's sales are already in decline.

    Common MP3 Players
    DVD players that play MP3 CD's
    Computers Windows, Linux, Apple
    Cell phones Android as well as Apple.

    Only formats with compatability at a reasonable price will sell in volume.
    Unique formats that require a specialised player will have very limited market penetration.

    Do I need to list failed formats?
    Sony Minidisc with serial copy protection
    Microsoft Zune and protected WMA formats
    Apple Itunes copy protected format

    The Apple format had a reasonable market penetration because they were the first to market with a legal format, but had to drop the protection when other players entered the market at lower prices in more universally playable formats. Apple tried to market the unprotected verson at a higher price, but that was short lived too.

    My questions are who is going to produce the compatible players that people will actually buy? Will the player play legacy formats that are not protected? This is important as a new player that won't play existing libraries won't sell much. Will the player import the legacy formats into a protected format? If so, this will cause a backup and archival issue. Will it be compatible with MOST in car infotainment systems?

    Many cars have the ability to "Play" MP3's on a USB Thumb drive. How are you going to sell into this market?

    Another incompatable format has a high barrier to market entry. Good luck.

    --
    The truth shall set you free!
  84. Non-Piratable by nospam007 · · Score: 2

    I keep hearing that word since my VIC-20 days.

    I do not think it means what you think it means.

  85. Stfu by Anonymous Coward · · Score: 0

    Apple and/or U2 and/or Bono should collobrate with my foot, on GTFOing from this mortal coil. You pricks have already ruined music enough, combined. Not to mention they're disgustingly rich.

  86. Future headline by Snufu · · Score: 3, Funny

    Apple engineers unable to plug Bono's analog hole.

  87. Interest in albums by Anonymous Coward · · Score: 0

    Want to re-kindle interest in albums? Bring back the progressive concept album. Album-side or whole-album epics may seem old fashioned but there are many fans out there who would buy an album of good deep progressive rock. When you have a bunch of songs with no conceptual relation to one another, you get the standard pop album where there is a good song or two, a few are mediocre and the rest are crap. When there is a theme linking them, you tend to listen to the whole thing even if some songs are weak, because they work as a whole.

  88. More exploitation of new bands by MrKaos · · Score: 1

    A new way to fully ass rape bands out of all of their hard work - awesome move from U2 and Apple

    --
    My ism, it's full of beliefs.
  89. Coming Incompatibility Singularity... by pubwvj · · Score: 1

    And in MacOSX 11 and iOS 9 Apple will officially abandon all previous file formats so you have to rebuy all your music in their new wonderful format.

    8Track Tape...
    Cassette Tapes...
    CDs...
    DVDs...
    BlueRay... ...and all those other formats that never really made it but they suckered people into buying. The industry likes you to rebuy your entire data collection every few years. It's a cheaper way for them to make profits than actually producing great new products.

    Et U2?

  90. Can You hear it You can copy it by Anonymous Coward · · Score: 0

    The best live recording I've ever heard was a bootleg of one ot the first 2013 Roger Waters The Wall concerts. It was like having the best seat in the concert.
    Todays recording technology and a decent sound engineer (like the Doctor on floydpodcast.com) makes for impressive results.

  91. Re:Legacy Compatiblity by ihtoit · · Score: 1

    my phone won't play DRM'd mp3.
    If it doesn't play on my phone, it gets deleted. End of.

    --
    Political debates have me rolling my eyes so much I think I got optical whiplash. I should sue. - Foamy The Squirrel
  92. Look, Sparky by ihtoit · · Score: 1

    If the CD isn't Redbook, and the MP3 doesn't play on my V3, then I don't want them. ...and if it's anything after Zooropa, you can keep it anyway.

    --
    Political debates have me rolling my eyes so much I think I got optical whiplash. I should sue. - Foamy The Squirrel
  93. Re:Legacy Compatiblity by Technician · · Score: 1

    MP3 doesn't support DRM.
    Link http://netforbeginners.about.c...

    Quote
    *As of this writing, MP3 files themselves do not have DRM padlocks on them, but getting access to MP3 files is getting more difficult every day as the MPAA and RIAA crack down on MP3 file sharing.

    What is this MP3 DRM you speak of?

    --
    The truth shall set you free!
  94. Fidelity. by thegarbz · · Score: 1

    Yes, DRM has been cracked in the past, but it gets harder and harder each cycle. Even Blu-Ray hasn't been fully cracked yet (it is still a race with each individual movie.)

    That "race" is as effective as having a full crack already. Why work harder? I'm not sure anyone is really working on an effort to fully crack bluray anymore. Cinavia on the other hand people are actively working on and there are a few workaround already, but this is an end device problem.

    The biggest problem that separates bluray from any kind of audio is the fidelity problem. The analogue hole was closed by switching to all digital links, and we all know the expected quality of pointing a video camera at the TV screen. On the other hand producing sound is an inherently analogue process, and high quality recorders are actually cheap. You can't close the analogue hole without removing speakers from the equation, and any signal that is sent to speakers or headphones can be recorded with very low distortion on relatively cheap gear.

    So while typical cinema camera jobs make people's eyes bleed, I don't think 99.9% of people would notice if you re-recorded a signal, resaved it and served it up on the internet. Well some people notice, like those people who ripped the Metalica playlist from Guitar Hero and served it up on the internet. People noticed because it actually sounded a shitload BETTER than the album ever did.

  95. Re:Legacy Compatiblity by ihtoit · · Score: 1

    better tell Amazon about that, then - their 256kbit VBR MP3 catalogue was DRM'd to the gills up to around 2008, and as recently as 2012 DRM was being discovered on their new releases as well (source: Amazon forums). Google Play's MP3 container is also DRM-laden (source: Google Forums). Overdrive MP3 audiobooks are not only DRM laden, that DRM is also a timebomb (source: own experience with MP3 files not playing because lending licenses have expired).

    But you're totally right, there is no DRM on MP3, I and many, many others must be talking out of our arses.

    --
    Political debates have me rolling my eyes so much I think I got optical whiplash. I should sue. - Foamy The Squirrel
  96. The only piracy prevention that works for media by Anonymous Coward · · Score: 0

    Is simply shipping it on physical container that has so 1) high production values and 2) limited run that it will be a) desirable b) likely to atleast hold value due to 1&a c) have trackable ownership identifier or other system so that a buyer who cares about authenticity can verify they are buying from a legit owner after the limited run production is over and only second hand products are available.

    For interactive media, if it made sense (for static music it doesn't), a possible route would be to market the music as interactive and then have the interactivity be on a server and complex enough that it'll be hard to reproduce. This pretty much boils to some sort of interactive music video at basic level or an online fake-jam where the listener could vary the mix and mood of the song or whatever based on pre-recorded clips being sent. I don't think this is as compelling route as physical items that could hold value or have their value go up in future. I'm thinking this like those tradable Magic The Gathering cards - sure you can print them and play the game for free etc but the prices of the physical stuff is going up while the digital stuff at MTGO less so.

  97. Taxes? by Anonymous Coward · · Score: 0

    Pay your fucking taxes like other honest citizens, Mr Bono, and then we can sit down and talk about the moralities of illegal copying.

  98. It's coming out on 8-track by vandamme · · Score: 1

    Let's see you pirate THAT.

  99. Please don't hate me by Anonymous Coward · · Score: 0

    I buy albums and I buy magazines. Sgt. Pepper v. the latest Kanye single?? Seriously? Fuck em all.

  100. idiotic by Anonymous Coward · · Score: 0

    always we will be able to copy whatever we want. we can e .g. record the analogic data at the very speaker or the data stream if hear using bluetooth . simply idiotic

  101. I think you are all missing out by Anonymous Coward · · Score: 0

    When Bono and Apple said that it can't be pirated, they were not referring to the music. They were just making clear, that the whole interactive music experience cannot be pirated.

    Technically that still might not hold true, but if you are thinking about a closed source DRM-ed player, that collects encrypted data from the web to provide you with an interactive experience, it might just not be worth the effort.

    To me it sounds like they are going to build the new MTV (remember the old MTV that actually played music?), with a new form of video clips, that will make it completely impossible for small bands to produce a video. DOA.

  102. Re:Legacy Compatiblity by Technician · · Score: 1

    It's like saying a LP record does not have copy protection, but the safe it is locked inside is the same as a copy protected LP. The container, not the MP3 has copy protection. Tihe file is NOT an MP3, but a container containing an MP3.

    --
    The truth shall set you free!
  103. if it sends data to my audio device by surd1618 · · Score: 1

    I.e. if it works on Linux... I can pirate it.

  104. U2 - too shitty to pirate by Skynyrd · · Score: 1

    The secret to music that can't be pirated; make shitty music nobody wants.